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    <title>Video Days</title>
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    <description>A film history podcast about the artists who made the movies of the mom and pop video store era and the odds they overcame to make them. One film, one episode. 1982-1992.</description>
    <copyright>@ 2026 Joe Valdez</copyright>
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    <pubDate>Sun, 12 Jul 2026 18:29:03 -0700</pubDate>
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    <itunes:type>episodic</itunes:type>
    <itunes:author>Joe Valdez</itunes:author>
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    <itunes:summary>A film history podcast about the artists who made the movies of the mom and pop video store era and the odds they overcame to make them. One film, one episode. 1982-1992.</itunes:summary>
    <itunes:subtitle>A film history podcast about the artists who made the movies of the mom and pop video store era and the odds they overcame to make them.</itunes:subtitle>
    <itunes:keywords>Film history, 1980s movies, 1990s movies, movie podcast, film production, filmmakers, movie directors, cult movies.</itunes:keywords>
    <itunes:owner>
      <itunes:name>Joe Valdez</itunes:name>
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    <itunes:complete>No</itunes:complete>
    <itunes:explicit>Yes</itunes:explicit>
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      <title>Fandango (1985)</title>
      <itunes:episode>3</itunes:episode>
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      <itunes:title>Fandango (1985)</itunes:title>
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        <![CDATA[<p>Road trip comedy too soulful to sell, too scattered to stick its landing. Kevin Reynolds writes and directs a coming-of-age story about five Texas college graduates on one last drive before the real world catches up with them. Trace how Reynolds' death-defying student film <em>Proof</em> caught Steven Spielberg's attention and how Warner Bros. never figured out how to sell <em>Fandango</em>, the feature-length version that followed. Find transcripts, screenshots and source links at videocassettedays.com.</p>]]>
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        <![CDATA[<p>Road trip comedy too soulful to sell, too scattered to stick its landing. Kevin Reynolds writes and directs a coming-of-age story about five Texas college graduates on one last drive before the real world catches up with them. Trace how Reynolds' death-defying student film <em>Proof</em> caught Steven Spielberg's attention and how Warner Bros. never figured out how to sell <em>Fandango</em>, the feature-length version that followed. Find transcripts, screenshots and source links at videocassettedays.com.</p>]]>
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      <pubDate>Sun, 12 Jul 2026 18:28:54 -0700</pubDate>
      <author>Joe Valdez</author>
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      <itunes:author>Joe Valdez</itunes:author>
      <itunes:duration>1329</itunes:duration>
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        <![CDATA[<p>Road trip comedy too soulful to sell, too scattered to stick its landing. Kevin Reynolds writes and directs a coming-of-age story about five Texas college graduates on one last drive before the real world catches up with them. Trace how Reynolds' death-defying student film <em>Proof</em> caught Steven Spielberg's attention and how Warner Bros. never figured out how to sell <em>Fandango</em>, the feature-length version that followed. Find transcripts, screenshots and source links at videocassettedays.com.</p>]]>
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      <itunes:keywords>Fandango, Kevin Reynolds, Kevin Costner, Judd Nelson, Steven Spielberg, Amblin Entertainment, 1985 Films, Coming of Age, Road Movie, Warner Bros</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Tremors (1990)</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Tremors (1990)</itunes:title>
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        <![CDATA[<p>A creature feature that runs two tracks — straight monster thriller and tongue-in-cheek comedy — without ever losing its footing. Trace how Brent Maddock and S.S. Wilson's screenplay, Ron Underwood's direction, Gale Anne Hurd's production, and Alec Gillis and Tom Woodruff Jr.'s creature effects built one of the era's most entertaining horror-comedies. </p><p>Find transcripts, screenshots, and source links at videocassettedays.com.</p>]]>
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        <![CDATA[<p>A creature feature that runs two tracks — straight monster thriller and tongue-in-cheek comedy — without ever losing its footing. Trace how Brent Maddock and S.S. Wilson's screenplay, Ron Underwood's direction, Gale Anne Hurd's production, and Alec Gillis and Tom Woodruff Jr.'s creature effects built one of the era's most entertaining horror-comedies. </p><p>Find transcripts, screenshots, and source links at videocassettedays.com.</p>]]>
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      <pubDate>Tue, 23 Jun 2026 22:28:08 -0700</pubDate>
      <author>Joe Valdez</author>
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      <itunes:author>Joe Valdez</itunes:author>
      <itunes:duration>1636</itunes:duration>
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        <![CDATA[<p>A creature feature that runs two tracks — straight monster thriller and tongue-in-cheek comedy — without ever losing its footing. Trace how Brent Maddock and S.S. Wilson's screenplay, Ron Underwood's direction, Gale Anne Hurd's production, and Alec Gillis and Tom Woodruff Jr.'s creature effects built one of the era's most entertaining horror-comedies. </p><p>Find transcripts, screenshots, and source links at videocassettedays.com.</p>]]>
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      <itunes:keywords>Tremors, Ron Underwood, Brent Maddock, S.S. Wilson, 1990 Films, Horror-Comedy, Creature Features, Universal Pictures, Screenwriting, Practical Effects, Alec Gillis, Tom Woodruff Jr.</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
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      <title>The Lost Boys (1987)</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>The Lost Boys (1987)</itunes:title>
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        <![CDATA[<p>A teenage horror-comedy that couldn't decide what it was—and is timeless for it. Follow how director Joel Schumacher and Richard Donner's competing visions, Warner Bros.' ambitions, Santa Cruz locations, and cutting-edge makeup effects resulted in the most memorable vampire film of its generation. Find transcripts, screenshots, and source links at videocassettedays.com.</p>]]>
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        <![CDATA[<p>A teenage horror-comedy that couldn't decide what it was—and is timeless for it. Follow how director Joel Schumacher and Richard Donner's competing visions, Warner Bros.' ambitions, Santa Cruz locations, and cutting-edge makeup effects resulted in the most memorable vampire film of its generation. Find transcripts, screenshots, and source links at videocassettedays.com.</p>]]>
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      <pubDate>Tue, 09 Jun 2026 19:26:28 -0700</pubDate>
      <author>Joe Valdez</author>
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      <itunes:author>Joe Valdez</itunes:author>
      <itunes:duration>1770</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A teenage horror-comedy that couldn't decide what it was—and is timeless for it. Follow how director Joel Schumacher and Richard Donner's competing visions, Warner Bros.' ambitions, Santa Cruz locations, and cutting-edge makeup effects resulted in the most memorable vampire film of its generation. Find transcripts, screenshots, and source links at videocassettedays.com.</p>]]>
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      <itunes:keywords>The Lost Boys, Joel Schumacher, Richard Donner, 1987 Films, Horror-Comedy, Vampire Films, Warner Bros., Script Development, Casting, Location Scouting, Makeup Effects, Santa Cruz</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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