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    <pubDate>Wed, 06 May 2026 11:11:39 -0500</pubDate>
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      <title>Refusing the machine.</title>
      <itunes:episode>136</itunes:episode>
      <podcast:episode>136</podcast:episode>
      <itunes:title>Refusing the machine.</itunes:title>
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        <![CDATA[<p>The history of technology is often told as a history of progress. Thomas Dekeyser turns this story on its head, leading a journey to the critical junctures where people have rejected and tried to undo, rather than adopt, new technologies. In <a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><strong><em>Techno-Negative: A Long History of Refusing the Machine</em></strong></a>, Dekeyser challenges readers to rethink the terms of our technological present and future. Here, Dekeyser is joined in conversation with Brian Merchant and Sarah Sharma.</p><p><br><strong>Thomas Dekeyser</strong> is a filmmaker and lecturer in human geography at the University of Southampton and author of <a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><em>Techno-Negative: A Long History of Refusing the Machine</em></a>.</p><p><br></p><p><strong>Sarah Sharma</strong> is acting Vice Dean, Research and Program Innovation at the School of Graduate Studies at the University of Toronto, where she is also professor of media theory at the ICCIT/Faculty of Information and director of the<a href="https://www.utm.utoronto.ca/iccit/"> Institute of Communication, Culture, Information and Technology</a>. Sharma is author of <a href="https://www.dukeupress.edu/insufferable-tools"><em>Insufferable Tools: Feminism Against Big Tech</em></a> and <a href="https://www.dukeupress.edu/in-the-meantime"><em>In the Meantime: Temporality and Cultural Politics</em></a>.</p><p><br></p><p><strong>Brian Merchant </strong>is author of <a href="https://www.hachettebookgroup.com/titles/brian-merchant/blood-in-the-machine/9780316487740/"><em>Blood in the Machine: The Origins of the Rebellion Against Big Tech</em></a> and <a href="https://www.hachettebookgroup.com/titles/brian-merchant/the-one-device/9780316546119/?lens=little-brown"><em>The One Device: The Secret History of the iPhone</em></a>. He is a reporter in residence at the <a href="https://ainowinstitute.org/">AI Now Institute</a>, former technology columnist at the <em>Los Angeles Times</em>, co-founder and editor of <em>Vice</em>’s speculative fiction outlet TERRAFORM, and his writing has appeared in the <em>New York Times</em>, <em>Wired</em>, <em>The Atlantic</em>, <em>Harper’s Magazine</em>, and <em>Fast Company</em>.</p><p>EPISODE REFERENCES:</p><p>Donna Haraway’s “A Cyborg Manifesto” (1985 essay)</p><p>Film: <a href="https://cinema.cornell.edu/machines-flames"><em>Machines in Flames</em></a></p><p><a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><strong><em>Techno-Negative: A Long History of Refusing the Machine</em></strong></a> by Thomas Dekeyser is available from University of Minnesota Press. Thank you for listening.</p>]]>
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        <![CDATA[<p>The history of technology is often told as a history of progress. Thomas Dekeyser turns this story on its head, leading a journey to the critical junctures where people have rejected and tried to undo, rather than adopt, new technologies. In <a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><strong><em>Techno-Negative: A Long History of Refusing the Machine</em></strong></a>, Dekeyser challenges readers to rethink the terms of our technological present and future. Here, Dekeyser is joined in conversation with Brian Merchant and Sarah Sharma.</p><p><br><strong>Thomas Dekeyser</strong> is a filmmaker and lecturer in human geography at the University of Southampton and author of <a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><em>Techno-Negative: A Long History of Refusing the Machine</em></a>.</p><p><br></p><p><strong>Sarah Sharma</strong> is acting Vice Dean, Research and Program Innovation at the School of Graduate Studies at the University of Toronto, where she is also professor of media theory at the ICCIT/Faculty of Information and director of the<a href="https://www.utm.utoronto.ca/iccit/"> Institute of Communication, Culture, Information and Technology</a>. Sharma is author of <a href="https://www.dukeupress.edu/insufferable-tools"><em>Insufferable Tools: Feminism Against Big Tech</em></a> and <a href="https://www.dukeupress.edu/in-the-meantime"><em>In the Meantime: Temporality and Cultural Politics</em></a>.</p><p><br></p><p><strong>Brian Merchant </strong>is author of <a href="https://www.hachettebookgroup.com/titles/brian-merchant/blood-in-the-machine/9780316487740/"><em>Blood in the Machine: The Origins of the Rebellion Against Big Tech</em></a> and <a href="https://www.hachettebookgroup.com/titles/brian-merchant/the-one-device/9780316546119/?lens=little-brown"><em>The One Device: The Secret History of the iPhone</em></a>. He is a reporter in residence at the <a href="https://ainowinstitute.org/">AI Now Institute</a>, former technology columnist at the <em>Los Angeles Times</em>, co-founder and editor of <em>Vice</em>’s speculative fiction outlet TERRAFORM, and his writing has appeared in the <em>New York Times</em>, <em>Wired</em>, <em>The Atlantic</em>, <em>Harper’s Magazine</em>, and <em>Fast Company</em>.</p><p>EPISODE REFERENCES:</p><p>Donna Haraway’s “A Cyborg Manifesto” (1985 essay)</p><p>Film: <a href="https://cinema.cornell.edu/machines-flames"><em>Machines in Flames</em></a></p><p><a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><strong><em>Techno-Negative: A Long History of Refusing the Machine</em></strong></a> by Thomas Dekeyser is available from University of Minnesota Press. Thank you for listening.</p>]]>
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      <pubDate>Wed, 06 May 2026 11:11:08 -0500</pubDate>
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        <![CDATA[<p>The history of technology is often told as a history of progress. Thomas Dekeyser turns this story on its head, leading a journey to the critical junctures where people have rejected and tried to undo, rather than adopt, new technologies. In <a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><strong><em>Techno-Negative: A Long History of Refusing the Machine</em></strong></a>, Dekeyser challenges readers to rethink the terms of our technological present and future. Here, Dekeyser is joined in conversation with Brian Merchant and Sarah Sharma.</p><p><br><strong>Thomas Dekeyser</strong> is a filmmaker and lecturer in human geography at the University of Southampton and author of <a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><em>Techno-Negative: A Long History of Refusing the Machine</em></a>.</p><p><br></p><p><strong>Sarah Sharma</strong> is acting Vice Dean, Research and Program Innovation at the School of Graduate Studies at the University of Toronto, where she is also professor of media theory at the ICCIT/Faculty of Information and director of the<a href="https://www.utm.utoronto.ca/iccit/"> Institute of Communication, Culture, Information and Technology</a>. Sharma is author of <a href="https://www.dukeupress.edu/insufferable-tools"><em>Insufferable Tools: Feminism Against Big Tech</em></a> and <a href="https://www.dukeupress.edu/in-the-meantime"><em>In the Meantime: Temporality and Cultural Politics</em></a>.</p><p><br></p><p><strong>Brian Merchant </strong>is author of <a href="https://www.hachettebookgroup.com/titles/brian-merchant/blood-in-the-machine/9780316487740/"><em>Blood in the Machine: The Origins of the Rebellion Against Big Tech</em></a> and <a href="https://www.hachettebookgroup.com/titles/brian-merchant/the-one-device/9780316546119/?lens=little-brown"><em>The One Device: The Secret History of the iPhone</em></a>. He is a reporter in residence at the <a href="https://ainowinstitute.org/">AI Now Institute</a>, former technology columnist at the <em>Los Angeles Times</em>, co-founder and editor of <em>Vice</em>’s speculative fiction outlet TERRAFORM, and his writing has appeared in the <em>New York Times</em>, <em>Wired</em>, <em>The Atlantic</em>, <em>Harper’s Magazine</em>, and <em>Fast Company</em>.</p><p>EPISODE REFERENCES:</p><p>Donna Haraway’s “A Cyborg Manifesto” (1985 essay)</p><p>Film: <a href="https://cinema.cornell.edu/machines-flames"><em>Machines in Flames</em></a></p><p><a href="https://www.upress.umn.edu/9781517917739/techno-negative/"><strong><em>Techno-Negative: A Long History of Refusing the Machine</em></strong></a> by Thomas Dekeyser is available from University of Minnesota Press. Thank you for listening.</p>]]>
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      <itunes:keywords>Luddite, Archimedes, ontology, Big Tech, policy, abolition, humanism, authoritarianism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Cinematic activism and solidarity politics in the US</title>
      <itunes:episode>135</itunes:episode>
      <podcast:episode>135</podcast:episode>
      <itunes:title>Cinematic activism and solidarity politics in the US</itunes:title>
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        <![CDATA[<p>For decades, Arab American activists and allies have used film, video, and multimedia to mobilize support for the Palestinian cause in the United States. In <a href="https://www.upress.umn.edu/9781517919962/mainstreaming-palestine/"><strong><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></strong></a>, a detailed history of cinema’s role within the broader solidarity movement, Umayyah Cable analyzes the various strands of cinematic activism that have helped move Palestinian liberation politics from the periphery and into the mainstream. Cable is joined here in conversation with Evelyn Alsultany, Keith Feldman, and Melani McAlister.</p><p><strong>Umayyah Cable</strong> is assistant professor of American culture and film, television, and media at the University of Michigan, Ann Arbor, and author of <a href="https://www.upress.umn.edu/9781517919962/mainstreaming-palestine/"><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></a>.</p><p><br></p><p><strong>Evelyn Alsultany</strong> is professor in the Department of American Studies and Ethnicity at the University of Southern California’s Dornsife College and author of <a href="https://nyupress.org/9781479805136/broken/"><em>Broken: The Failed Promise of Muslim Inclusion</em></a> and <a href="https://nyupress.org/9780814707326/arabs-and-muslims-in-the-media/"><em>Arabs and Muslims in the Media</em></a>.</p><p><br></p><p><strong>Keith Feldman</strong> is associate professor in the department of ethnic studies at UC Berkeley and author of <a href="https://www.upress.umn.edu/9780816694518/a-shadow-over-palestine/"><em>A Shadow over Palestine</em></a>.</p><p><br></p><p><strong>Melani McAlister</strong> is professor of American Studies and international affairs and director of the Institute for Middle East Studies at the Elliott School of International Affairs at The George Washington University. McAlister is author of <a href="https://www.mackbooks.us/products/promises-then-the-storm-melani-mcalister"><em>Promises, Then the Storm</em></a>, <a href="https://global.oup.com/academic/product/the-kingdom-of-god-has-no-borders-9780190213428?cc=us&amp;lang=en&amp;"><em>The Kingdom of God Has No Borders</em></a>, and <a href="https://www.ucpress.edu/books/epic-encounters/paper"><em>Epic Encounters</em></a>.</p><p><br></p><p>REFERENCES:</p><p>-AAUG: Association of Arab American University Graduates</p><p>-Telegram/Yasser Arafat</p><p>-<a href="https://www.frameline.org/festival">Frameline</a>, the San Francisco International LGBTQ+ Film Festival</p><p>-Erella Shadmi, “Women, Palestinians, Zionism: A Personal View.”</p><p>-Adrienne Rich, “Compulsory Heterosexuality and Lesbian Existence.”</p><p>-<a href="https://www.latimes.com/archives/la-xpm-1990-07-30-ca-953-story.html">Robert Mapplethorpe exhibit</a> at Boston’s Institute of Contemporary Art</p><p>-Jean Baudrillard’s four stages of representation</p><p>-Jonathan Glazer’s 2024 Oscar acceptance speech for <em>The Zone of Interest</em></p><p><em>-</em>Film Workers for Palestine</p><p>-BDS: Boycott, Divestment, and Sanctions</p><p><br></p><p>FILM REFERENCES:<br>David Koff’s <em>Occupied Palestine</em></p><p>Jan Haaken and Jennifer Ruth’s The Palestine Exception</p><p>Michael T. Workman and Kei Pritsker’s The Encampments</p><p>Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor’s No Other Land</p><p><br><a href="https://www.ucpress.edu/books/epic-encounters/paper"><strong><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></strong></a> by Umayyah Cable is available from University of Minnesota Press. Thank you for listening.</p>]]>
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        <![CDATA[<p>For decades, Arab American activists and allies have used film, video, and multimedia to mobilize support for the Palestinian cause in the United States. In <a href="https://www.upress.umn.edu/9781517919962/mainstreaming-palestine/"><strong><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></strong></a>, a detailed history of cinema’s role within the broader solidarity movement, Umayyah Cable analyzes the various strands of cinematic activism that have helped move Palestinian liberation politics from the periphery and into the mainstream. Cable is joined here in conversation with Evelyn Alsultany, Keith Feldman, and Melani McAlister.</p><p><strong>Umayyah Cable</strong> is assistant professor of American culture and film, television, and media at the University of Michigan, Ann Arbor, and author of <a href="https://www.upress.umn.edu/9781517919962/mainstreaming-palestine/"><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></a>.</p><p><br></p><p><strong>Evelyn Alsultany</strong> is professor in the Department of American Studies and Ethnicity at the University of Southern California’s Dornsife College and author of <a href="https://nyupress.org/9781479805136/broken/"><em>Broken: The Failed Promise of Muslim Inclusion</em></a> and <a href="https://nyupress.org/9780814707326/arabs-and-muslims-in-the-media/"><em>Arabs and Muslims in the Media</em></a>.</p><p><br></p><p><strong>Keith Feldman</strong> is associate professor in the department of ethnic studies at UC Berkeley and author of <a href="https://www.upress.umn.edu/9780816694518/a-shadow-over-palestine/"><em>A Shadow over Palestine</em></a>.</p><p><br></p><p><strong>Melani McAlister</strong> is professor of American Studies and international affairs and director of the Institute for Middle East Studies at the Elliott School of International Affairs at The George Washington University. McAlister is author of <a href="https://www.mackbooks.us/products/promises-then-the-storm-melani-mcalister"><em>Promises, Then the Storm</em></a>, <a href="https://global.oup.com/academic/product/the-kingdom-of-god-has-no-borders-9780190213428?cc=us&amp;lang=en&amp;"><em>The Kingdom of God Has No Borders</em></a>, and <a href="https://www.ucpress.edu/books/epic-encounters/paper"><em>Epic Encounters</em></a>.</p><p><br></p><p>REFERENCES:</p><p>-AAUG: Association of Arab American University Graduates</p><p>-Telegram/Yasser Arafat</p><p>-<a href="https://www.frameline.org/festival">Frameline</a>, the San Francisco International LGBTQ+ Film Festival</p><p>-Erella Shadmi, “Women, Palestinians, Zionism: A Personal View.”</p><p>-Adrienne Rich, “Compulsory Heterosexuality and Lesbian Existence.”</p><p>-<a href="https://www.latimes.com/archives/la-xpm-1990-07-30-ca-953-story.html">Robert Mapplethorpe exhibit</a> at Boston’s Institute of Contemporary Art</p><p>-Jean Baudrillard’s four stages of representation</p><p>-Jonathan Glazer’s 2024 Oscar acceptance speech for <em>The Zone of Interest</em></p><p><em>-</em>Film Workers for Palestine</p><p>-BDS: Boycott, Divestment, and Sanctions</p><p><br></p><p>FILM REFERENCES:<br>David Koff’s <em>Occupied Palestine</em></p><p>Jan Haaken and Jennifer Ruth’s The Palestine Exception</p><p>Michael T. Workman and Kei Pritsker’s The Encampments</p><p>Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor’s No Other Land</p><p><br><a href="https://www.ucpress.edu/books/epic-encounters/paper"><strong><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></strong></a> by Umayyah Cable is available from University of Minnesota Press. Thank you for listening.</p>]]>
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      <pubDate>Tue, 28 Apr 2026 15:40:40 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3255</itunes:duration>
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        <![CDATA[<p>For decades, Arab American activists and allies have used film, video, and multimedia to mobilize support for the Palestinian cause in the United States. In <a href="https://www.upress.umn.edu/9781517919962/mainstreaming-palestine/"><strong><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></strong></a>, a detailed history of cinema’s role within the broader solidarity movement, Umayyah Cable analyzes the various strands of cinematic activism that have helped move Palestinian liberation politics from the periphery and into the mainstream. Cable is joined here in conversation with Evelyn Alsultany, Keith Feldman, and Melani McAlister.</p><p><strong>Umayyah Cable</strong> is assistant professor of American culture and film, television, and media at the University of Michigan, Ann Arbor, and author of <a href="https://www.upress.umn.edu/9781517919962/mainstreaming-palestine/"><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></a>.</p><p><br></p><p><strong>Evelyn Alsultany</strong> is professor in the Department of American Studies and Ethnicity at the University of Southern California’s Dornsife College and author of <a href="https://nyupress.org/9781479805136/broken/"><em>Broken: The Failed Promise of Muslim Inclusion</em></a> and <a href="https://nyupress.org/9780814707326/arabs-and-muslims-in-the-media/"><em>Arabs and Muslims in the Media</em></a>.</p><p><br></p><p><strong>Keith Feldman</strong> is associate professor in the department of ethnic studies at UC Berkeley and author of <a href="https://www.upress.umn.edu/9780816694518/a-shadow-over-palestine/"><em>A Shadow over Palestine</em></a>.</p><p><br></p><p><strong>Melani McAlister</strong> is professor of American Studies and international affairs and director of the Institute for Middle East Studies at the Elliott School of International Affairs at The George Washington University. McAlister is author of <a href="https://www.mackbooks.us/products/promises-then-the-storm-melani-mcalister"><em>Promises, Then the Storm</em></a>, <a href="https://global.oup.com/academic/product/the-kingdom-of-god-has-no-borders-9780190213428?cc=us&amp;lang=en&amp;"><em>The Kingdom of God Has No Borders</em></a>, and <a href="https://www.ucpress.edu/books/epic-encounters/paper"><em>Epic Encounters</em></a>.</p><p><br></p><p>REFERENCES:</p><p>-AAUG: Association of Arab American University Graduates</p><p>-Telegram/Yasser Arafat</p><p>-<a href="https://www.frameline.org/festival">Frameline</a>, the San Francisco International LGBTQ+ Film Festival</p><p>-Erella Shadmi, “Women, Palestinians, Zionism: A Personal View.”</p><p>-Adrienne Rich, “Compulsory Heterosexuality and Lesbian Existence.”</p><p>-<a href="https://www.latimes.com/archives/la-xpm-1990-07-30-ca-953-story.html">Robert Mapplethorpe exhibit</a> at Boston’s Institute of Contemporary Art</p><p>-Jean Baudrillard’s four stages of representation</p><p>-Jonathan Glazer’s 2024 Oscar acceptance speech for <em>The Zone of Interest</em></p><p><em>-</em>Film Workers for Palestine</p><p>-BDS: Boycott, Divestment, and Sanctions</p><p><br></p><p>FILM REFERENCES:<br>David Koff’s <em>Occupied Palestine</em></p><p>Jan Haaken and Jennifer Ruth’s The Palestine Exception</p><p>Michael T. Workman and Kei Pritsker’s The Encampments</p><p>Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor’s No Other Land</p><p><br><a href="https://www.ucpress.edu/books/epic-encounters/paper"><strong><em>Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States</em></strong></a> by Umayyah Cable is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords>Yasser Arafat, David Koff, Occupied Palestine, film festival, Robert Mapplethorpe, The Perfect Moment, Elia Sulieman, Oscars, Hollywood</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Cybercultural revolution in the 1960s.</title>
      <itunes:episode>134</itunes:episode>
      <podcast:episode>134</podcast:episode>
      <itunes:title>Cybercultural revolution in the 1960s.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>In the 1960s, artists, writers, and activists prefigured the wider discourse around automation and made it a central concern of their politics. Drawing upon James and Grace Lee Boggs’s notion of the cybercultural era, and examining the works of Martin Luther King Jr., Noah Purifoy, and the Black Panthers, Brian Bartell provides a crucial key to understanding the historical dynamics responsible for our technocapitalist, AI-driven present. Here, Bartell is joined in conversation with John Elrick.</p><p><strong>Brian Bartell </strong>teaches courses on politics and aesthetics, media studies, and race and technology studies at Occidental College in Los Angeles and at the California Institute of Technology. Bartell is author of <a href="https://www.upress.umn.edu/9781517913939/on-the-eve-of-the-cybercultural-revolution/"><strong><em>On the Eve of the Cybercultural Revolution: Black Power and Capitalism in the 1960s</em></strong></a><strong><em>.</em></strong></p><p><br></p><p><strong>John Elrick </strong>is visiting assistant professor of geography at Vassar College. </p><p>EPISODE REFERENCES:</p><p>-<a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo3773600.html"><em>From Counterculture to Cyberculture</em></a><em> </em>/ Fred Turner</p><p>-“The Negro and Cybernation,” James Boggs, speech delivered at the First Annual Conference on the Cybercultural Revolution, 1964.</p><p>-Ad Hoc Committee on the Triple Revolution (AHC), <em>The Triple Revolution </em>(pamphlet), 1964.</p><p>-National Commission on Technology, Automation, and Economic Progress, <em>Report Vol. 1: Technology and the American Economy</em>, 1966</p><p>-<a href="https://monthlyreview.org/9780853453536/"><em>Revolution and Evolution in the Twentieth Century</em></a> / Grace Lee Boggs</p><p>-Club of Rome, <em>The Limits to Growth</em>, 1972</p><p>-Ten Point Program, 1966 and 1972 (presented at Community Survival Conference, Oakland, CA); particularly, “People’s Community Control of Modern Technology” and Huey P. Newton’s “The Technology Question” within.</p><p>-The Chosen Place, the Timeless People / Paule Marshall</p><p><br>PRAISE FOR THE BOOK:<br>"Incisive, original, and beautifully written, <em>On the Eve of the Cybercultural Revolution</em> exposes the interconnections between race, technology, and capitalism. Brian Bartell shows that the cybercultural revolution was central to the Black Power movement as it opened up avenues for envisioning freedom from the conditions of reproduction and labor under racial capitalism."<br><strong>—Neda Atanasoski</strong></p><p>"Highly relevant to the present moment, <em>On the Eve of the Cybercultural Revolution</em> presents a vital argument about the Black Power movement’s insights into the relationship between capitalism, technology, and racism. In so doing, Brian Bartell makes a fascinatingly original contribution to conversations about the role of automation in the ‘technocapitalist present.’"<br><strong>—Jonathan Flatley</strong></p><p><a href="https://www.upress.umn.edu/9781517913939/on-the-eve-of-the-cybercultural-revolution/"><strong><em>On the Eve of the Cybercultural Revolution: Black Power and Capitalism in the 1960s</em></strong></a><strong> </strong>by Brian Bartell is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the 1960s, artists, writers, and activists prefigured the wider discourse around automation and made it a central concern of their politics. Drawing upon James and Grace Lee Boggs’s notion of the cybercultural era, and examining the works of Martin Luther King Jr., Noah Purifoy, and the Black Panthers, Brian Bartell provides a crucial key to understanding the historical dynamics responsible for our technocapitalist, AI-driven present. Here, Bartell is joined in conversation with John Elrick.</p><p><strong>Brian Bartell </strong>teaches courses on politics and aesthetics, media studies, and race and technology studies at Occidental College in Los Angeles and at the California Institute of Technology. Bartell is author of <a href="https://www.upress.umn.edu/9781517913939/on-the-eve-of-the-cybercultural-revolution/"><strong><em>On the Eve of the Cybercultural Revolution: Black Power and Capitalism in the 1960s</em></strong></a><strong><em>.</em></strong></p><p><br></p><p><strong>John Elrick </strong>is visiting assistant professor of geography at Vassar College. </p><p>EPISODE REFERENCES:</p><p>-<a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo3773600.html"><em>From Counterculture to Cyberculture</em></a><em> </em>/ Fred Turner</p><p>-“The Negro and Cybernation,” James Boggs, speech delivered at the First Annual Conference on the Cybercultural Revolution, 1964.</p><p>-Ad Hoc Committee on the Triple Revolution (AHC), <em>The Triple Revolution </em>(pamphlet), 1964.</p><p>-National Commission on Technology, Automation, and Economic Progress, <em>Report Vol. 1: Technology and the American Economy</em>, 1966</p><p>-<a href="https://monthlyreview.org/9780853453536/"><em>Revolution and Evolution in the Twentieth Century</em></a> / Grace Lee Boggs</p><p>-Club of Rome, <em>The Limits to Growth</em>, 1972</p><p>-Ten Point Program, 1966 and 1972 (presented at Community Survival Conference, Oakland, CA); particularly, “People’s Community Control of Modern Technology” and Huey P. Newton’s “The Technology Question” within.</p><p>-The Chosen Place, the Timeless People / Paule Marshall</p><p><br>PRAISE FOR THE BOOK:<br>"Incisive, original, and beautifully written, <em>On the Eve of the Cybercultural Revolution</em> exposes the interconnections between race, technology, and capitalism. Brian Bartell shows that the cybercultural revolution was central to the Black Power movement as it opened up avenues for envisioning freedom from the conditions of reproduction and labor under racial capitalism."<br><strong>—Neda Atanasoski</strong></p><p>"Highly relevant to the present moment, <em>On the Eve of the Cybercultural Revolution</em> presents a vital argument about the Black Power movement’s insights into the relationship between capitalism, technology, and racism. In so doing, Brian Bartell makes a fascinatingly original contribution to conversations about the role of automation in the ‘technocapitalist present.’"<br><strong>—Jonathan Flatley</strong></p><p><a href="https://www.upress.umn.edu/9781517913939/on-the-eve-of-the-cybercultural-revolution/"><strong><em>On the Eve of the Cybercultural Revolution: Black Power and Capitalism in the 1960s</em></strong></a><strong> </strong>by Brian Bartell is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 14 Apr 2026 10:30:20 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3114</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the 1960s, artists, writers, and activists prefigured the wider discourse around automation and made it a central concern of their politics. Drawing upon James and Grace Lee Boggs’s notion of the cybercultural era, and examining the works of Martin Luther King Jr., Noah Purifoy, and the Black Panthers, Brian Bartell provides a crucial key to understanding the historical dynamics responsible for our technocapitalist, AI-driven present. Here, Bartell is joined in conversation with John Elrick.</p><p><strong>Brian Bartell </strong>teaches courses on politics and aesthetics, media studies, and race and technology studies at Occidental College in Los Angeles and at the California Institute of Technology. Bartell is author of <a href="https://www.upress.umn.edu/9781517913939/on-the-eve-of-the-cybercultural-revolution/"><strong><em>On the Eve of the Cybercultural Revolution: Black Power and Capitalism in the 1960s</em></strong></a><strong><em>.</em></strong></p><p><br></p><p><strong>John Elrick </strong>is visiting assistant professor of geography at Vassar College. </p><p>EPISODE REFERENCES:</p><p>-<a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo3773600.html"><em>From Counterculture to Cyberculture</em></a><em> </em>/ Fred Turner</p><p>-“The Negro and Cybernation,” James Boggs, speech delivered at the First Annual Conference on the Cybercultural Revolution, 1964.</p><p>-Ad Hoc Committee on the Triple Revolution (AHC), <em>The Triple Revolution </em>(pamphlet), 1964.</p><p>-National Commission on Technology, Automation, and Economic Progress, <em>Report Vol. 1: Technology and the American Economy</em>, 1966</p><p>-<a href="https://monthlyreview.org/9780853453536/"><em>Revolution and Evolution in the Twentieth Century</em></a> / Grace Lee Boggs</p><p>-Club of Rome, <em>The Limits to Growth</em>, 1972</p><p>-Ten Point Program, 1966 and 1972 (presented at Community Survival Conference, Oakland, CA); particularly, “People’s Community Control of Modern Technology” and Huey P. Newton’s “The Technology Question” within.</p><p>-The Chosen Place, the Timeless People / Paule Marshall</p><p><br>PRAISE FOR THE BOOK:<br>"Incisive, original, and beautifully written, <em>On the Eve of the Cybercultural Revolution</em> exposes the interconnections between race, technology, and capitalism. Brian Bartell shows that the cybercultural revolution was central to the Black Power movement as it opened up avenues for envisioning freedom from the conditions of reproduction and labor under racial capitalism."<br><strong>—Neda Atanasoski</strong></p><p>"Highly relevant to the present moment, <em>On the Eve of the Cybercultural Revolution</em> presents a vital argument about the Black Power movement’s insights into the relationship between capitalism, technology, and racism. In so doing, Brian Bartell makes a fascinatingly original contribution to conversations about the role of automation in the ‘technocapitalist present.’"<br><strong>—Jonathan Flatley</strong></p><p><a href="https://www.upress.umn.edu/9781517913939/on-the-eve-of-the-cybercultural-revolution/"><strong><em>On the Eve of the Cybercultural Revolution: Black Power and Capitalism in the 1960s</em></strong></a><strong> </strong>by Brian Bartell is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>artificial intelligence, alternative capitalism, Boggs, technology, racism, cybernation, mechanization, Tom Hayden, Michael Harrington, universal basic income, technosolutionism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Abolitionist thinking, practical realities, and radical change</title>
      <itunes:episode>133</itunes:episode>
      <podcast:episode>133</podcast:episode>
      <itunes:title>Abolitionist thinking, practical realities, and radical change</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Far from being unrealistic, abolition is an indispensable part of a realist politics. In the book <a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><strong><em>Prison Abolition for Realists</em></strong></a>, Anna Terwiel examines the work of abolitionist thinkers and activists since the 1960s—Michel Foucault, Liat Ben-Moshe, Angela Y. Davis, and more—to argue that prison abolition is a realist political project. Terwiel is joined here in conversation with Kirstine Taylor. This conversation took place in late 2025. Access a transcript of this conversation: https://share.transistor.fm/s/0b209d97</p><p><strong>Anna Terwiel</strong> is assistant professor of political science at Trinity College in Hartford, Connecticut, and codirector of Trinity’s <a href="https://www.trincoll.edu/human-rights/trinity-prison-education-project/">Prison Education Project</a>. Terwiel is author of <a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><em>Prison Abolition for Realists</em></a>. </p><p><br></p><p><strong>Kirstine Taylor </strong>is associate professor of political science and the Center for Law, Justice &amp; Culture at Ohio University. Taylor is author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/S/bo241241140.html"><em>Sunbelt Capitalism and the Making of the Carceral State</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>Foucault / <em>Discipline and Punish</em></p><p>Prison Information Group</p><p><a href="https://p-nap.org/">Prison+Neighborhood Arts/Education Project</a></p><p>Nils Christie</p><p>Louk Hulsman</p><p>Angela Davis</p><p>Liat Ben-Moshe / <a href="https://www.upress.umn.edu/9781517904432/decarcerating-disability/"><em>Decarcerating Disability</em></a></p><p>Eve Kosofsky Sedgwick</p><p>Thomas Mathiesen</p><p>W. E. B. Du Bois</p><p>Mariame Kaba</p><p>Erin R. Pineda / <a href="https://global.oup.com/academic/product/seeing-like-an-activist-9780197526422?cc=us&amp;lang=en&amp;"><em>Seeing Like an Activist</em></a></p><p><a href="https://incite-national.org/wp-content/uploads/2018/07/9261_anti-prisonbrochure.pdf">Communities Against Rape and Abuse (CARA)</a></p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Both clearly written and timely in its subject matter, <em>Prison Abolition for Realists</em> offers a cogent way of thinking about abolition. Anna Terwiel intervenes in the debate over whether abolition is utopian in its aims and excellently frames her argument in the tradition of political realism.”</p><p><strong>—Ali Aslam</strong>, coauthor of <em>Earthborn Democracy: A Political Theory of Entangled Life</em></p><p><br><a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><strong><em>Prison Abolition for Realists</em></strong></a> by Anna Terwiel is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Far from being unrealistic, abolition is an indispensable part of a realist politics. In the book <a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><strong><em>Prison Abolition for Realists</em></strong></a>, Anna Terwiel examines the work of abolitionist thinkers and activists since the 1960s—Michel Foucault, Liat Ben-Moshe, Angela Y. Davis, and more—to argue that prison abolition is a realist political project. Terwiel is joined here in conversation with Kirstine Taylor. This conversation took place in late 2025. Access a transcript of this conversation: https://share.transistor.fm/s/0b209d97</p><p><strong>Anna Terwiel</strong> is assistant professor of political science at Trinity College in Hartford, Connecticut, and codirector of Trinity’s <a href="https://www.trincoll.edu/human-rights/trinity-prison-education-project/">Prison Education Project</a>. Terwiel is author of <a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><em>Prison Abolition for Realists</em></a>. </p><p><br></p><p><strong>Kirstine Taylor </strong>is associate professor of political science and the Center for Law, Justice &amp; Culture at Ohio University. Taylor is author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/S/bo241241140.html"><em>Sunbelt Capitalism and the Making of the Carceral State</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>Foucault / <em>Discipline and Punish</em></p><p>Prison Information Group</p><p><a href="https://p-nap.org/">Prison+Neighborhood Arts/Education Project</a></p><p>Nils Christie</p><p>Louk Hulsman</p><p>Angela Davis</p><p>Liat Ben-Moshe / <a href="https://www.upress.umn.edu/9781517904432/decarcerating-disability/"><em>Decarcerating Disability</em></a></p><p>Eve Kosofsky Sedgwick</p><p>Thomas Mathiesen</p><p>W. E. B. Du Bois</p><p>Mariame Kaba</p><p>Erin R. Pineda / <a href="https://global.oup.com/academic/product/seeing-like-an-activist-9780197526422?cc=us&amp;lang=en&amp;"><em>Seeing Like an Activist</em></a></p><p><a href="https://incite-national.org/wp-content/uploads/2018/07/9261_anti-prisonbrochure.pdf">Communities Against Rape and Abuse (CARA)</a></p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Both clearly written and timely in its subject matter, <em>Prison Abolition for Realists</em> offers a cogent way of thinking about abolition. Anna Terwiel intervenes in the debate over whether abolition is utopian in its aims and excellently frames her argument in the tradition of political realism.”</p><p><strong>—Ali Aslam</strong>, coauthor of <em>Earthborn Democracy: A Political Theory of Entangled Life</em></p><p><br><a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><strong><em>Prison Abolition for Realists</em></strong></a> by Anna Terwiel is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </content:encoded>
      <pubDate>Wed, 11 Mar 2026 10:57:29 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3148</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Far from being unrealistic, abolition is an indispensable part of a realist politics. In the book <a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><strong><em>Prison Abolition for Realists</em></strong></a>, Anna Terwiel examines the work of abolitionist thinkers and activists since the 1960s—Michel Foucault, Liat Ben-Moshe, Angela Y. Davis, and more—to argue that prison abolition is a realist political project. Terwiel is joined here in conversation with Kirstine Taylor. This conversation took place in late 2025. Access a transcript of this conversation: https://share.transistor.fm/s/0b209d97</p><p><strong>Anna Terwiel</strong> is assistant professor of political science at Trinity College in Hartford, Connecticut, and codirector of Trinity’s <a href="https://www.trincoll.edu/human-rights/trinity-prison-education-project/">Prison Education Project</a>. Terwiel is author of <a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><em>Prison Abolition for Realists</em></a>. </p><p><br></p><p><strong>Kirstine Taylor </strong>is associate professor of political science and the Center for Law, Justice &amp; Culture at Ohio University. Taylor is author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/S/bo241241140.html"><em>Sunbelt Capitalism and the Making of the Carceral State</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>Foucault / <em>Discipline and Punish</em></p><p>Prison Information Group</p><p><a href="https://p-nap.org/">Prison+Neighborhood Arts/Education Project</a></p><p>Nils Christie</p><p>Louk Hulsman</p><p>Angela Davis</p><p>Liat Ben-Moshe / <a href="https://www.upress.umn.edu/9781517904432/decarcerating-disability/"><em>Decarcerating Disability</em></a></p><p>Eve Kosofsky Sedgwick</p><p>Thomas Mathiesen</p><p>W. E. B. Du Bois</p><p>Mariame Kaba</p><p>Erin R. Pineda / <a href="https://global.oup.com/academic/product/seeing-like-an-activist-9780197526422?cc=us&amp;lang=en&amp;"><em>Seeing Like an Activist</em></a></p><p><a href="https://incite-national.org/wp-content/uploads/2018/07/9261_anti-prisonbrochure.pdf">Communities Against Rape and Abuse (CARA)</a></p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Both clearly written and timely in its subject matter, <em>Prison Abolition for Realists</em> offers a cogent way of thinking about abolition. Anna Terwiel intervenes in the debate over whether abolition is utopian in its aims and excellently frames her argument in the tradition of political realism.”</p><p><strong>—Ali Aslam</strong>, coauthor of <em>Earthborn Democracy: A Political Theory of Entangled Life</em></p><p><br><a href="https://www.upress.umn.edu/9781517920401/prison-abolition-for-realists/"><strong><em>Prison Abolition for Realists</em></strong></a> by Anna Terwiel is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords>carceral, agonism, political theory, criminal justice, right to comfort, radicalism, social movements, Ruth Wilson Gilmore, Joel Olson, transformative, restorative, deinstitutionalization</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Helen Hoover's Place in the Woods</title>
      <itunes:episode>131</itunes:episode>
      <podcast:episode>131</podcast:episode>
      <itunes:title>Helen Hoover's Place in the Woods</itunes:title>
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        <![CDATA[<p>During the late 1950s through the early 1970s, Helen Hoover’s stories and essays of life in the wilderness on northern Minnesota’s Gunflint Lake, published in popular magazines and several bestselling books (including <em>The Gift of the Deer</em> in 1966 and <em>A Place in the Woods</em> in 1969), found millions of fans and earned her accolades alongside nature writers like Sigurd Olson, Rachel Carson, Sally Carrighar, and Calvin Rutstrum. Hoover’s own unlikely history of leaving a corporate career in Chicago for a small cabin without electricity or running water is just one chapter of the remarkable life that David Hakensen describes in <a href="https://www.upress.umn.edu/9781517911683/her-place-in-the-woods/"><strong><em>Her Place in the Woods: The Life of Helen Hoover</em></strong></a>. This first complete biography illuminates how Helen Hoover (1910–1984) made a place for herself and for countless readers in, as she put it, the world of her time. On October 20, 2025, Hakensen was joined in conversation with Annette Atkins at the Minnesota Historical Society. This is the full audio of their conversation. Access a transcript: https://share.transistor.fm/s/3abbd0a7</p><p><br><strong>David Hakensen</strong> is an award-winning public relations executive with more than forty years of experience. He has served on several nonprofit boards and was president of the executive council of the Minnesota Historical Society from 2018-2023.</p><p><strong>Annette Atkins</strong> is a scholar, teacher, public historian, and professor emerita at Saint John's University and the College of Saint Benedict in Collegeville, Minnesota. Atkins is author of <a href="https://shop.mnhs.org/products/creating-minnesota?srsltid=AfmBOorhJ9dGh8DeEqp2Fn8fHyEJ-rwtMgTkeecNYyRFWCLYsf6lmSv4"><em>Creating Minnesota: A History from the Inside Out</em></a>.</p><p><strong><em>Praise for the book:</em></strong></p><p>"None of it was easy. None of it was a straight line. Much was laced with human paradox and contradiction and courage. David tells Helen’s remarkable story with grace and understanding, helping readers to discover the real woman behind the myth and why her place in the woods is still the stuff of dreams."<br><strong>—Douglas Wood</strong>, author of <em>A Wild Path</em><strong><em><br></em></strong><br>"A compelling portrait of an uncompromising artist. It is an excellent companion to her works and will surely assist a long-overdue Helen Hoover revival."<br><strong>—Ann McCutchan</strong>, author of <em>The Life She Wished to Live</em></p><p><a href="https://www.upress.umn.edu/9781517911683/her-place-in-the-woods/"><strong><em>Her Place in the Woods: The Life of Helen Hoover</em></strong></a><em> </em>is available from University of Minnesota Press.<br>Thank you for listening.</p>]]>
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        <![CDATA[<p>During the late 1950s through the early 1970s, Helen Hoover’s stories and essays of life in the wilderness on northern Minnesota’s Gunflint Lake, published in popular magazines and several bestselling books (including <em>The Gift of the Deer</em> in 1966 and <em>A Place in the Woods</em> in 1969), found millions of fans and earned her accolades alongside nature writers like Sigurd Olson, Rachel Carson, Sally Carrighar, and Calvin Rutstrum. Hoover’s own unlikely history of leaving a corporate career in Chicago for a small cabin without electricity or running water is just one chapter of the remarkable life that David Hakensen describes in <a href="https://www.upress.umn.edu/9781517911683/her-place-in-the-woods/"><strong><em>Her Place in the Woods: The Life of Helen Hoover</em></strong></a>. This first complete biography illuminates how Helen Hoover (1910–1984) made a place for herself and for countless readers in, as she put it, the world of her time. On October 20, 2025, Hakensen was joined in conversation with Annette Atkins at the Minnesota Historical Society. This is the full audio of their conversation. Access a transcript: https://share.transistor.fm/s/3abbd0a7</p><p><br><strong>David Hakensen</strong> is an award-winning public relations executive with more than forty years of experience. He has served on several nonprofit boards and was president of the executive council of the Minnesota Historical Society from 2018-2023.</p><p><strong>Annette Atkins</strong> is a scholar, teacher, public historian, and professor emerita at Saint John's University and the College of Saint Benedict in Collegeville, Minnesota. Atkins is author of <a href="https://shop.mnhs.org/products/creating-minnesota?srsltid=AfmBOorhJ9dGh8DeEqp2Fn8fHyEJ-rwtMgTkeecNYyRFWCLYsf6lmSv4"><em>Creating Minnesota: A History from the Inside Out</em></a>.</p><p><strong><em>Praise for the book:</em></strong></p><p>"None of it was easy. None of it was a straight line. Much was laced with human paradox and contradiction and courage. David tells Helen’s remarkable story with grace and understanding, helping readers to discover the real woman behind the myth and why her place in the woods is still the stuff of dreams."<br><strong>—Douglas Wood</strong>, author of <em>A Wild Path</em><strong><em><br></em></strong><br>"A compelling portrait of an uncompromising artist. It is an excellent companion to her works and will surely assist a long-overdue Helen Hoover revival."<br><strong>—Ann McCutchan</strong>, author of <em>The Life She Wished to Live</em></p><p><a href="https://www.upress.umn.edu/9781517911683/her-place-in-the-woods/"><strong><em>Her Place in the Woods: The Life of Helen Hoover</em></strong></a><em> </em>is available from University of Minnesota Press.<br>Thank you for listening.</p>]]>
      </content:encoded>
      <pubDate>Tue, 03 Mar 2026 15:07:41 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3219</itunes:duration>
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        <![CDATA[<p>During the late 1950s through the early 1970s, Helen Hoover’s stories and essays of life in the wilderness on northern Minnesota’s Gunflint Lake, published in popular magazines and several bestselling books (including <em>The Gift of the Deer</em> in 1966 and <em>A Place in the Woods</em> in 1969), found millions of fans and earned her accolades alongside nature writers like Sigurd Olson, Rachel Carson, Sally Carrighar, and Calvin Rutstrum. Hoover’s own unlikely history of leaving a corporate career in Chicago for a small cabin without electricity or running water is just one chapter of the remarkable life that David Hakensen describes in <a href="https://www.upress.umn.edu/9781517911683/her-place-in-the-woods/"><strong><em>Her Place in the Woods: The Life of Helen Hoover</em></strong></a>. This first complete biography illuminates how Helen Hoover (1910–1984) made a place for herself and for countless readers in, as she put it, the world of her time. On October 20, 2025, Hakensen was joined in conversation with Annette Atkins at the Minnesota Historical Society. This is the full audio of their conversation. Access a transcript: https://share.transistor.fm/s/3abbd0a7</p><p><br><strong>David Hakensen</strong> is an award-winning public relations executive with more than forty years of experience. He has served on several nonprofit boards and was president of the executive council of the Minnesota Historical Society from 2018-2023.</p><p><strong>Annette Atkins</strong> is a scholar, teacher, public historian, and professor emerita at Saint John's University and the College of Saint Benedict in Collegeville, Minnesota. Atkins is author of <a href="https://shop.mnhs.org/products/creating-minnesota?srsltid=AfmBOorhJ9dGh8DeEqp2Fn8fHyEJ-rwtMgTkeecNYyRFWCLYsf6lmSv4"><em>Creating Minnesota: A History from the Inside Out</em></a>.</p><p><strong><em>Praise for the book:</em></strong></p><p>"None of it was easy. None of it was a straight line. Much was laced with human paradox and contradiction and courage. David tells Helen’s remarkable story with grace and understanding, helping readers to discover the real woman behind the myth and why her place in the woods is still the stuff of dreams."<br><strong>—Douglas Wood</strong>, author of <em>A Wild Path</em><strong><em><br></em></strong><br>"A compelling portrait of an uncompromising artist. It is an excellent companion to her works and will surely assist a long-overdue Helen Hoover revival."<br><strong>—Ann McCutchan</strong>, author of <em>The Life She Wished to Live</em></p><p><a href="https://www.upress.umn.edu/9781517911683/her-place-in-the-woods/"><strong><em>Her Place in the Woods: The Life of Helen Hoover</em></strong></a><em> </em>is available from University of Minnesota Press.<br>Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>On gender and sport</title>
      <itunes:episode>130</itunes:episode>
      <podcast:episode>130</podcast:episode>
      <itunes:title>On gender and sport</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>At age 60, Erica Rand decided to take up pairs figure skating. As two white queer adult skaters, Rand and her partner have come into direct contact with the interconnected binarisms that shape athletic participation, from oversimplified distinctions between cis and trans to the artificial division between athletic and artistic. Rand’s book <a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><strong><em>Skating Away from the Binary</em></strong></a> is a call to transform gender norms in sport. Here, Rand is joined in conversation with Travers and Mary Louis Adams. This conversation was recorded in December 2025. Access a transcript: https://share.transistor.fm/s/5ce9d8f8</p><p><strong>Erica Rand</strong> is professor of art and visual culture and of gender and sexuality studies at Bates College. She is author of several books, including <a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><em>Skating Away from the Binary</em></a> ; <a href="https://www.dukeupress.edu/barbies-queer-accessories"><em>Barbie’s Queer Accessories</em></a>; <a href="https://www.dukeupress.edu/the-ellis-island-snow-globe"><em>The Ellis Island Snow Globe</em></a>; <a href="https://www.dukeupress.edu/red-nails-black-skates"><em>Red Nails Black Skates: Gender, Cash, and Pleasure On and Off the Ice</em></a><em>; </em>and <a href="https://www.dukeupress.edu/the-small-book-of-hip-checks"><em>The Small Book of Hip Checks On Queer Gender, Race, and Writing</em></a><em>. </em>She has served on the editorial boards of <em>Radical Teacher</em> and <em>Salacious </em>and co-edits the series <a href="https://www.dukeupress.edu/books/browse/by-series/series-detail?IdNumber=7691206"><em>Writing Matters! </em></a>for Duke University Press. In a piece for <em>Global Sports Matters</em> called “<a href="https://live-global-sport-matter.ws.asu.edu/culture/2021/07/19/figure-skating-binary-more-inclusive/">Skating Out of the Binary</a>” and in “<a href="https://www.zocalopublicsquare.org/2022/02/16/ice-rink-adult-figure-skating/chronicles/where-i-go/">At the Ice Rink, My Feet End in Knives</a>,” she describes training in a gender non-conforming adult figure skating pairs team, with pairs partner Anna Kellar of the <em>Future of Figure Skating </em>podcast, as they participate in growing efforts to expand inclusion in the sport—a sport mired in racialized heteronormativity that is also being transformed through critically engaged practice and institutional change.</p><p><strong>Mary Louise Adams</strong> is a retired professor from the School of Kinesiology and Health Studies at Queen’s University in Ontario, Canada. Adams is author of <a href="https://utppublishing.com/doi/book/10.3138/9781442611719"><em>Artistic Impressions: Figure Skating, Masculinity and the Limits of Sport</em></a> and <a href="https://utppublishing.com/doi/book/10.3138/9780802080578"><em>The Trouble with Normal: Postwar Youth and the Making of Heterosexuality</em></a>.</p><p><strong>Travers</strong> is a professor of sociology at Simon Fraser University. They are author of <a href="https://nyupress.org/books/9781479885794/"><em>The Trans Generation: How Trans Kids (and Their Parents) are Creating a Gender Revolution</em></a>; <a href="https://www.routledge.com/Transgender-Athletes-in-Competitive-Sport/Anderson-Travers/p/book/9781138235632"><em>Transgender Athletes in Competitive Sports</em></a>; and <a href="http://dl.acm.org/citation.cfm?id=519752"><em>Writing the Public in Cyberspace: Redefining Inclusion on the Net</em></a>.</p><p><br></p><p><br></p><p><br>EPISODE REFERENCES:</p><p>Podcast, Anna Kellar, <a href="https://podcasts.apple.com/us/podcast/the-future-of-figure-skating/id1637341229">The Future of Figure Skatin</a>g</p><p>Danya Lagos, American Journal of Sociology: “<a href="https://www.journals.uchicago.edu/doi/full/10.1086/719714">Has There Been a Transgender Tipping Point?</a>”</p><p>Eric A. Stanley, Transgender Studies Quarterly, <a href="https://read.dukeupress.edu/tsq/article/1/1-2/89/92066/Gender-Self-Determination">Gender Self-Determination</a></p><p><br><a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><strong><em>Skating Away from the Binary</em></strong></a> by Erica Rand is available in the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners</a> series from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/rand-9781452974590">manifold.umn.edu</a>. Thank you for listening. </p>]]>
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        <![CDATA[<p>At age 60, Erica Rand decided to take up pairs figure skating. As two white queer adult skaters, Rand and her partner have come into direct contact with the interconnected binarisms that shape athletic participation, from oversimplified distinctions between cis and trans to the artificial division between athletic and artistic. Rand’s book <a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><strong><em>Skating Away from the Binary</em></strong></a> is a call to transform gender norms in sport. Here, Rand is joined in conversation with Travers and Mary Louis Adams. This conversation was recorded in December 2025. Access a transcript: https://share.transistor.fm/s/5ce9d8f8</p><p><strong>Erica Rand</strong> is professor of art and visual culture and of gender and sexuality studies at Bates College. She is author of several books, including <a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><em>Skating Away from the Binary</em></a> ; <a href="https://www.dukeupress.edu/barbies-queer-accessories"><em>Barbie’s Queer Accessories</em></a>; <a href="https://www.dukeupress.edu/the-ellis-island-snow-globe"><em>The Ellis Island Snow Globe</em></a>; <a href="https://www.dukeupress.edu/red-nails-black-skates"><em>Red Nails Black Skates: Gender, Cash, and Pleasure On and Off the Ice</em></a><em>; </em>and <a href="https://www.dukeupress.edu/the-small-book-of-hip-checks"><em>The Small Book of Hip Checks On Queer Gender, Race, and Writing</em></a><em>. </em>She has served on the editorial boards of <em>Radical Teacher</em> and <em>Salacious </em>and co-edits the series <a href="https://www.dukeupress.edu/books/browse/by-series/series-detail?IdNumber=7691206"><em>Writing Matters! </em></a>for Duke University Press. In a piece for <em>Global Sports Matters</em> called “<a href="https://live-global-sport-matter.ws.asu.edu/culture/2021/07/19/figure-skating-binary-more-inclusive/">Skating Out of the Binary</a>” and in “<a href="https://www.zocalopublicsquare.org/2022/02/16/ice-rink-adult-figure-skating/chronicles/where-i-go/">At the Ice Rink, My Feet End in Knives</a>,” she describes training in a gender non-conforming adult figure skating pairs team, with pairs partner Anna Kellar of the <em>Future of Figure Skating </em>podcast, as they participate in growing efforts to expand inclusion in the sport—a sport mired in racialized heteronormativity that is also being transformed through critically engaged practice and institutional change.</p><p><strong>Mary Louise Adams</strong> is a retired professor from the School of Kinesiology and Health Studies at Queen’s University in Ontario, Canada. Adams is author of <a href="https://utppublishing.com/doi/book/10.3138/9781442611719"><em>Artistic Impressions: Figure Skating, Masculinity and the Limits of Sport</em></a> and <a href="https://utppublishing.com/doi/book/10.3138/9780802080578"><em>The Trouble with Normal: Postwar Youth and the Making of Heterosexuality</em></a>.</p><p><strong>Travers</strong> is a professor of sociology at Simon Fraser University. They are author of <a href="https://nyupress.org/books/9781479885794/"><em>The Trans Generation: How Trans Kids (and Their Parents) are Creating a Gender Revolution</em></a>; <a href="https://www.routledge.com/Transgender-Athletes-in-Competitive-Sport/Anderson-Travers/p/book/9781138235632"><em>Transgender Athletes in Competitive Sports</em></a>; and <a href="http://dl.acm.org/citation.cfm?id=519752"><em>Writing the Public in Cyberspace: Redefining Inclusion on the Net</em></a>.</p><p><br></p><p><br></p><p><br>EPISODE REFERENCES:</p><p>Podcast, Anna Kellar, <a href="https://podcasts.apple.com/us/podcast/the-future-of-figure-skating/id1637341229">The Future of Figure Skatin</a>g</p><p>Danya Lagos, American Journal of Sociology: “<a href="https://www.journals.uchicago.edu/doi/full/10.1086/719714">Has There Been a Transgender Tipping Point?</a>”</p><p>Eric A. Stanley, Transgender Studies Quarterly, <a href="https://read.dukeupress.edu/tsq/article/1/1-2/89/92066/Gender-Self-Determination">Gender Self-Determination</a></p><p><br><a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><strong><em>Skating Away from the Binary</em></strong></a> by Erica Rand is available in the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners</a> series from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/rand-9781452974590">manifold.umn.edu</a>. Thank you for listening. </p>]]>
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      <pubDate>Thu, 19 Feb 2026 13:04:23 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3554</itunes:duration>
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        <![CDATA[<p>At age 60, Erica Rand decided to take up pairs figure skating. As two white queer adult skaters, Rand and her partner have come into direct contact with the interconnected binarisms that shape athletic participation, from oversimplified distinctions between cis and trans to the artificial division between athletic and artistic. Rand’s book <a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><strong><em>Skating Away from the Binary</em></strong></a> is a call to transform gender norms in sport. Here, Rand is joined in conversation with Travers and Mary Louis Adams. This conversation was recorded in December 2025. Access a transcript: https://share.transistor.fm/s/5ce9d8f8</p><p><strong>Erica Rand</strong> is professor of art and visual culture and of gender and sexuality studies at Bates College. She is author of several books, including <a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><em>Skating Away from the Binary</em></a> ; <a href="https://www.dukeupress.edu/barbies-queer-accessories"><em>Barbie’s Queer Accessories</em></a>; <a href="https://www.dukeupress.edu/the-ellis-island-snow-globe"><em>The Ellis Island Snow Globe</em></a>; <a href="https://www.dukeupress.edu/red-nails-black-skates"><em>Red Nails Black Skates: Gender, Cash, and Pleasure On and Off the Ice</em></a><em>; </em>and <a href="https://www.dukeupress.edu/the-small-book-of-hip-checks"><em>The Small Book of Hip Checks On Queer Gender, Race, and Writing</em></a><em>. </em>She has served on the editorial boards of <em>Radical Teacher</em> and <em>Salacious </em>and co-edits the series <a href="https://www.dukeupress.edu/books/browse/by-series/series-detail?IdNumber=7691206"><em>Writing Matters! </em></a>for Duke University Press. In a piece for <em>Global Sports Matters</em> called “<a href="https://live-global-sport-matter.ws.asu.edu/culture/2021/07/19/figure-skating-binary-more-inclusive/">Skating Out of the Binary</a>” and in “<a href="https://www.zocalopublicsquare.org/2022/02/16/ice-rink-adult-figure-skating/chronicles/where-i-go/">At the Ice Rink, My Feet End in Knives</a>,” she describes training in a gender non-conforming adult figure skating pairs team, with pairs partner Anna Kellar of the <em>Future of Figure Skating </em>podcast, as they participate in growing efforts to expand inclusion in the sport—a sport mired in racialized heteronormativity that is also being transformed through critically engaged practice and institutional change.</p><p><strong>Mary Louise Adams</strong> is a retired professor from the School of Kinesiology and Health Studies at Queen’s University in Ontario, Canada. Adams is author of <a href="https://utppublishing.com/doi/book/10.3138/9781442611719"><em>Artistic Impressions: Figure Skating, Masculinity and the Limits of Sport</em></a> and <a href="https://utppublishing.com/doi/book/10.3138/9780802080578"><em>The Trouble with Normal: Postwar Youth and the Making of Heterosexuality</em></a>.</p><p><strong>Travers</strong> is a professor of sociology at Simon Fraser University. They are author of <a href="https://nyupress.org/books/9781479885794/"><em>The Trans Generation: How Trans Kids (and Their Parents) are Creating a Gender Revolution</em></a>; <a href="https://www.routledge.com/Transgender-Athletes-in-Competitive-Sport/Anderson-Travers/p/book/9781138235632"><em>Transgender Athletes in Competitive Sports</em></a>; and <a href="http://dl.acm.org/citation.cfm?id=519752"><em>Writing the Public in Cyberspace: Redefining Inclusion on the Net</em></a>.</p><p><br></p><p><br></p><p><br>EPISODE REFERENCES:</p><p>Podcast, Anna Kellar, <a href="https://podcasts.apple.com/us/podcast/the-future-of-figure-skating/id1637341229">The Future of Figure Skatin</a>g</p><p>Danya Lagos, American Journal of Sociology: “<a href="https://www.journals.uchicago.edu/doi/full/10.1086/719714">Has There Been a Transgender Tipping Point?</a>”</p><p>Eric A. Stanley, Transgender Studies Quarterly, <a href="https://read.dukeupress.edu/tsq/article/1/1-2/89/92066/Gender-Self-Determination">Gender Self-Determination</a></p><p><br><a href="https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/"><strong><em>Skating Away from the Binary</em></strong></a> by Erica Rand is available in the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners</a> series from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/rand-9781452974590">manifold.umn.edu</a>. Thank you for listening. </p>]]>
      </itunes:summary>
      <itunes:keywords>figure skating, sports, binarism, nonbinary, Olympics, cis, trans, pairs, heteronormativity</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Navigating and challenging deep-seated racial injustices in the Midwest.</title>
      <itunes:episode>129</itunes:episode>
      <podcast:episode>129</podcast:episode>
      <itunes:title>Navigating and challenging deep-seated racial injustices in the Midwest.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Movidas are subtle yet strategic actions through which Latina/x artists forge solidarities, mobilize for justice, and reclaim space. In <a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><strong><em>Place-Keepers</em></strong></a>, Jessica Lopez Lyman centers Latina/x women and gender nonconforming artists from Chicana/Mexicana, US Central American, and Caribbean backgrounds and examines how these artists respond to systemic oppression through public performances and behind-the-scenes negotiations with the state, nonprofits, and other institutions—establishing a crucial framework for understanding art as activism. Here, Lopez Lyman is joined in conversation with Kristie Soares and Karma Chaves. Access a transcript: https://share.transistor.fm/s/97747e66</p><p><strong>Jessica Lopez Lyman</strong> is an interdisciplinary performance artist and Xicana feminist scholar, assistant professor in the Department of Chicano and Latino Studies at the University of Minnesota, and author of <a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><em>Place-Keepers: Latina/x Art, Performance, and Organizing in the Twin Cities</em></a>.</p><p><br></p><p><strong>Kristie Soares</strong> is associate professor of Women &amp; Gender Studies and Co-Director of LGBTQ Studies at University of Colorado Boulder. Soares is author of <a href="https://www.press.uillinois.edu/books/?id=p087424"><em>Playful Protest: The Political Work of Joy in Latinx Media</em></a>.</p><p><br></p><p><strong>Karma Chávez</strong> is Bobby and Sherri Patton Professor of Mexican American and Latina/o Studies and Chair of Mexican American and Latina/o Studies at The University of Texas at Austin. Chavez is author of <a href="https://uwapress.uw.edu/book/9780295748979/the-borders-of-aids/"><em>The Borders of AIDS: Race, Quarantine, and Resistance</em></a>; <a href="https://www.press.uillinois.edu/books/?id=p084850"><em>Palestine on the Air</em></a>; and <a href="https://www.press.uillinois.edu/books/?id=p079580"><em>Queer Migration Politics: Activist Rhetoric and Coalitional Possibilities</em></a>. </p><p><br></p><p>EPISODE REFERENCES:</p><p>Laurie Carlos</p><p>María Isa Pérez-Vega</p><p>Stephanie Lee Batiste</p><p><a href="https://www.upress.umn.edu/9780816627370/methodology-of-the-oppressed/"><em>Methodology of the Oppressed</em></a> / Chela Sandoval</p><p><br></p><p><br>FEATURED ARTISTS in<strong><em> Place-Keepers</em></strong>:</p><p>Teresa Ortiz</p><p>Guadalupe Castillo (La Lupe)</p><p>Deborah Ramos</p><p>Adriana Rimpel (Lady Midnight)</p><p>María Isa Pérez-Vega</p><p>Lorena Duarte</p><p>Olivia Levins Holden</p><p>Magdalena Kaluza</p><p>Rebekah Crisanta de Ybarra</p><p>Maria Cristina Tavera</p><p><strong>NOTE: </strong>This podcast episode was recorded in December 2025. More recently, Jessica Lopez Lyman spoke with Whitney Terrell and V.V. Ganeshananthan on <a href="https://lithub.com/jessica-lopez-lyman-on-the-history-of-state-violence-in-minnesota/"><strong>LitHub’s fiction/non/fiction podcast</strong></a> about the history of state violence in Minnesota.</p><p><a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><strong><em>Place-Keepers: Latina/x Art, Performance, and Organizing in the Twin Cities</em></strong></a> by Jessica Lopez Lyman is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Movidas are subtle yet strategic actions through which Latina/x artists forge solidarities, mobilize for justice, and reclaim space. In <a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><strong><em>Place-Keepers</em></strong></a>, Jessica Lopez Lyman centers Latina/x women and gender nonconforming artists from Chicana/Mexicana, US Central American, and Caribbean backgrounds and examines how these artists respond to systemic oppression through public performances and behind-the-scenes negotiations with the state, nonprofits, and other institutions—establishing a crucial framework for understanding art as activism. Here, Lopez Lyman is joined in conversation with Kristie Soares and Karma Chaves. Access a transcript: https://share.transistor.fm/s/97747e66</p><p><strong>Jessica Lopez Lyman</strong> is an interdisciplinary performance artist and Xicana feminist scholar, assistant professor in the Department of Chicano and Latino Studies at the University of Minnesota, and author of <a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><em>Place-Keepers: Latina/x Art, Performance, and Organizing in the Twin Cities</em></a>.</p><p><br></p><p><strong>Kristie Soares</strong> is associate professor of Women &amp; Gender Studies and Co-Director of LGBTQ Studies at University of Colorado Boulder. Soares is author of <a href="https://www.press.uillinois.edu/books/?id=p087424"><em>Playful Protest: The Political Work of Joy in Latinx Media</em></a>.</p><p><br></p><p><strong>Karma Chávez</strong> is Bobby and Sherri Patton Professor of Mexican American and Latina/o Studies and Chair of Mexican American and Latina/o Studies at The University of Texas at Austin. Chavez is author of <a href="https://uwapress.uw.edu/book/9780295748979/the-borders-of-aids/"><em>The Borders of AIDS: Race, Quarantine, and Resistance</em></a>; <a href="https://www.press.uillinois.edu/books/?id=p084850"><em>Palestine on the Air</em></a>; and <a href="https://www.press.uillinois.edu/books/?id=p079580"><em>Queer Migration Politics: Activist Rhetoric and Coalitional Possibilities</em></a>. </p><p><br></p><p>EPISODE REFERENCES:</p><p>Laurie Carlos</p><p>María Isa Pérez-Vega</p><p>Stephanie Lee Batiste</p><p><a href="https://www.upress.umn.edu/9780816627370/methodology-of-the-oppressed/"><em>Methodology of the Oppressed</em></a> / Chela Sandoval</p><p><br></p><p><br>FEATURED ARTISTS in<strong><em> Place-Keepers</em></strong>:</p><p>Teresa Ortiz</p><p>Guadalupe Castillo (La Lupe)</p><p>Deborah Ramos</p><p>Adriana Rimpel (Lady Midnight)</p><p>María Isa Pérez-Vega</p><p>Lorena Duarte</p><p>Olivia Levins Holden</p><p>Magdalena Kaluza</p><p>Rebekah Crisanta de Ybarra</p><p>Maria Cristina Tavera</p><p><strong>NOTE: </strong>This podcast episode was recorded in December 2025. More recently, Jessica Lopez Lyman spoke with Whitney Terrell and V.V. Ganeshananthan on <a href="https://lithub.com/jessica-lopez-lyman-on-the-history-of-state-violence-in-minnesota/"><strong>LitHub’s fiction/non/fiction podcast</strong></a> about the history of state violence in Minnesota.</p><p><a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><strong><em>Place-Keepers: Latina/x Art, Performance, and Organizing in the Twin Cities</em></strong></a> by Jessica Lopez Lyman is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 11 Feb 2026 09:49:02 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3670</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Movidas are subtle yet strategic actions through which Latina/x artists forge solidarities, mobilize for justice, and reclaim space. In <a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><strong><em>Place-Keepers</em></strong></a>, Jessica Lopez Lyman centers Latina/x women and gender nonconforming artists from Chicana/Mexicana, US Central American, and Caribbean backgrounds and examines how these artists respond to systemic oppression through public performances and behind-the-scenes negotiations with the state, nonprofits, and other institutions—establishing a crucial framework for understanding art as activism. Here, Lopez Lyman is joined in conversation with Kristie Soares and Karma Chaves. Access a transcript: https://share.transistor.fm/s/97747e66</p><p><strong>Jessica Lopez Lyman</strong> is an interdisciplinary performance artist and Xicana feminist scholar, assistant professor in the Department of Chicano and Latino Studies at the University of Minnesota, and author of <a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><em>Place-Keepers: Latina/x Art, Performance, and Organizing in the Twin Cities</em></a>.</p><p><br></p><p><strong>Kristie Soares</strong> is associate professor of Women &amp; Gender Studies and Co-Director of LGBTQ Studies at University of Colorado Boulder. Soares is author of <a href="https://www.press.uillinois.edu/books/?id=p087424"><em>Playful Protest: The Political Work of Joy in Latinx Media</em></a>.</p><p><br></p><p><strong>Karma Chávez</strong> is Bobby and Sherri Patton Professor of Mexican American and Latina/o Studies and Chair of Mexican American and Latina/o Studies at The University of Texas at Austin. Chavez is author of <a href="https://uwapress.uw.edu/book/9780295748979/the-borders-of-aids/"><em>The Borders of AIDS: Race, Quarantine, and Resistance</em></a>; <a href="https://www.press.uillinois.edu/books/?id=p084850"><em>Palestine on the Air</em></a>; and <a href="https://www.press.uillinois.edu/books/?id=p079580"><em>Queer Migration Politics: Activist Rhetoric and Coalitional Possibilities</em></a>. </p><p><br></p><p>EPISODE REFERENCES:</p><p>Laurie Carlos</p><p>María Isa Pérez-Vega</p><p>Stephanie Lee Batiste</p><p><a href="https://www.upress.umn.edu/9780816627370/methodology-of-the-oppressed/"><em>Methodology of the Oppressed</em></a> / Chela Sandoval</p><p><br></p><p><br>FEATURED ARTISTS in<strong><em> Place-Keepers</em></strong>:</p><p>Teresa Ortiz</p><p>Guadalupe Castillo (La Lupe)</p><p>Deborah Ramos</p><p>Adriana Rimpel (Lady Midnight)</p><p>María Isa Pérez-Vega</p><p>Lorena Duarte</p><p>Olivia Levins Holden</p><p>Magdalena Kaluza</p><p>Rebekah Crisanta de Ybarra</p><p>Maria Cristina Tavera</p><p><strong>NOTE: </strong>This podcast episode was recorded in December 2025. More recently, Jessica Lopez Lyman spoke with Whitney Terrell and V.V. Ganeshananthan on <a href="https://lithub.com/jessica-lopez-lyman-on-the-history-of-state-violence-in-minnesota/"><strong>LitHub’s fiction/non/fiction podcast</strong></a> about the history of state violence in Minnesota.</p><p><a href="https://www.upress.umn.edu/9781517920036/place-keepers/"><strong><em>Place-Keepers: Latina/x Art, Performance, and Organizing in the Twin Cities</em></strong></a> by Jessica Lopez Lyman is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Puerto Rico, community organizing, murals, gentrification, protest, social movement, solidarity, Intermedia Arts, abolition, spoken word, Texas, Florida, West Coast</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>The perilous edge between patriotism and fascism</title>
      <itunes:episode>128</itunes:episode>
      <podcast:episode>128</podcast:episode>
      <itunes:title>The perilous edge between patriotism and fascism</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>The work of Maria Janion, one of Eastern Europe’s most profound intellectuals, who witnessed the rise of authoritarian nationalism in Poland, German occupation during World War II, Soviet control, and Poland’s uneasy integration into the West, explores this fine line. Janion’s writings have been gathered by Marta Figlerowicz into the recently published volume <a href="https://www.upress.umn.edu/9781517919689/the-bad-child/"><strong><em>The Bad Child: A Maria Janion Reader</em></strong></a>, and Figlerowicz is joined here in conversation with Noah Feldman to talk about Janion’s writing, which offers sharp insights into how societies develop and assert their identities and histories—often at the cost of the people. There are clear parallels here to current conditions and events. Please note that this episode was recorded in October 2025. Access a transcript: https://share.transistor.fm/s/75515cf3</p><p><strong>Maria Janion</strong> (1926–2020) was the greatest Polish leftist intellectual of her generation. The author of twenty-three books and hundreds of articles and essays, she mentored and inspired several generations of Eastern European scholars and political activists. During her life, Janion held appointments at several Polish academic institutions, including the University of Gdańsk and the Institute of Literary Studies in Warsaw.</p><p><br></p><p><br><strong>Marta Figlerowicz</strong> is professor of comparative literature at Yale University. She is a Guggenheim Fellow and author of <a href="https://english.yale.edu/publications/flat-protagonists-theory-novel-character"><em>Flat Protagonists</em></a> and <a href="https://www.cornellpress.cornell.edu/book/9781501714221/spaces-of-feeling/#bookTabs=1"><em>Spaces of Feeling</em></a> as well as more than a hundred articles, reviews, and essays. Her translations from Polish have appeared in <em>PMLA</em> and <em>The Paris Review</em>.</p><p><br><strong>Noah Feldman</strong> is the Arthur Kingsley Porter University Professor at Harvard University. Feldman is author of ten books, including <a href="https://us.macmillan.com/books/9780374298340/tobeajewtoday/"><em>To Be a Jew Today</em></a>, and host of the podcast <a href="https://podcasts.apple.com/us/podcast/deep-background-with-noah-feldman/id1460055316">Deep Background with Noah Feldman</a>.</p><p><strong><em>Episode references:</em></strong><br>Adam Mickiewicz</p><p>Olga Tokarczuk</p><p>Edward Said</p><p>Isaiah Berlin</p><p><br><strong><em>Praise for the book:</em></strong><br>“Maria Janion’s writing is foundational to so many currents of contemporary Central European thought—around nations and nationalism, gender and genre, everyday politics and the political writ large—that her invisibility in English has long struck those of us privileged to know her work as a tragedy, if not a crime. This book belongs on the shelf of every humanist.”</p><p><strong>—Benjamin Paloff</strong>, author of <em>Worlds Apart<br></em><br></p><p><br></p><p><br>“The remarkable creativity, energy, and erudition of Maria Janion shine forth in these essays.”</p><p><strong>—Sianne Ngai</strong>, University of Chicago</p><p><a href="https://www.upress.umn.edu/9781517919689/the-bad-child/"><strong><em>The Bad Child: A Maria Janion Reader</em></strong></a>, edited by Marta Figlerowicz, available from University of Minnesota Press. Thank you for listening.</p>]]>
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        <![CDATA[<p>The work of Maria Janion, one of Eastern Europe’s most profound intellectuals, who witnessed the rise of authoritarian nationalism in Poland, German occupation during World War II, Soviet control, and Poland’s uneasy integration into the West, explores this fine line. Janion’s writings have been gathered by Marta Figlerowicz into the recently published volume <a href="https://www.upress.umn.edu/9781517919689/the-bad-child/"><strong><em>The Bad Child: A Maria Janion Reader</em></strong></a>, and Figlerowicz is joined here in conversation with Noah Feldman to talk about Janion’s writing, which offers sharp insights into how societies develop and assert their identities and histories—often at the cost of the people. There are clear parallels here to current conditions and events. Please note that this episode was recorded in October 2025. Access a transcript: https://share.transistor.fm/s/75515cf3</p><p><strong>Maria Janion</strong> (1926–2020) was the greatest Polish leftist intellectual of her generation. The author of twenty-three books and hundreds of articles and essays, she mentored and inspired several generations of Eastern European scholars and political activists. During her life, Janion held appointments at several Polish academic institutions, including the University of Gdańsk and the Institute of Literary Studies in Warsaw.</p><p><br></p><p><br><strong>Marta Figlerowicz</strong> is professor of comparative literature at Yale University. She is a Guggenheim Fellow and author of <a href="https://english.yale.edu/publications/flat-protagonists-theory-novel-character"><em>Flat Protagonists</em></a> and <a href="https://www.cornellpress.cornell.edu/book/9781501714221/spaces-of-feeling/#bookTabs=1"><em>Spaces of Feeling</em></a> as well as more than a hundred articles, reviews, and essays. Her translations from Polish have appeared in <em>PMLA</em> and <em>The Paris Review</em>.</p><p><br><strong>Noah Feldman</strong> is the Arthur Kingsley Porter University Professor at Harvard University. Feldman is author of ten books, including <a href="https://us.macmillan.com/books/9780374298340/tobeajewtoday/"><em>To Be a Jew Today</em></a>, and host of the podcast <a href="https://podcasts.apple.com/us/podcast/deep-background-with-noah-feldman/id1460055316">Deep Background with Noah Feldman</a>.</p><p><strong><em>Episode references:</em></strong><br>Adam Mickiewicz</p><p>Olga Tokarczuk</p><p>Edward Said</p><p>Isaiah Berlin</p><p><br><strong><em>Praise for the book:</em></strong><br>“Maria Janion’s writing is foundational to so many currents of contemporary Central European thought—around nations and nationalism, gender and genre, everyday politics and the political writ large—that her invisibility in English has long struck those of us privileged to know her work as a tragedy, if not a crime. This book belongs on the shelf of every humanist.”</p><p><strong>—Benjamin Paloff</strong>, author of <em>Worlds Apart<br></em><br></p><p><br></p><p><br>“The remarkable creativity, energy, and erudition of Maria Janion shine forth in these essays.”</p><p><strong>—Sianne Ngai</strong>, University of Chicago</p><p><a href="https://www.upress.umn.edu/9781517919689/the-bad-child/"><strong><em>The Bad Child: A Maria Janion Reader</em></strong></a>, edited by Marta Figlerowicz, available from University of Minnesota Press. Thank you for listening.</p>]]>
      </content:encoded>
      <pubDate>Wed, 28 Jan 2026 10:39:17 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3557</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The work of Maria Janion, one of Eastern Europe’s most profound intellectuals, who witnessed the rise of authoritarian nationalism in Poland, German occupation during World War II, Soviet control, and Poland’s uneasy integration into the West, explores this fine line. Janion’s writings have been gathered by Marta Figlerowicz into the recently published volume <a href="https://www.upress.umn.edu/9781517919689/the-bad-child/"><strong><em>The Bad Child: A Maria Janion Reader</em></strong></a>, and Figlerowicz is joined here in conversation with Noah Feldman to talk about Janion’s writing, which offers sharp insights into how societies develop and assert their identities and histories—often at the cost of the people. There are clear parallels here to current conditions and events. Please note that this episode was recorded in October 2025. Access a transcript: https://share.transistor.fm/s/75515cf3</p><p><strong>Maria Janion</strong> (1926–2020) was the greatest Polish leftist intellectual of her generation. The author of twenty-three books and hundreds of articles and essays, she mentored and inspired several generations of Eastern European scholars and political activists. During her life, Janion held appointments at several Polish academic institutions, including the University of Gdańsk and the Institute of Literary Studies in Warsaw.</p><p><br></p><p><br><strong>Marta Figlerowicz</strong> is professor of comparative literature at Yale University. She is a Guggenheim Fellow and author of <a href="https://english.yale.edu/publications/flat-protagonists-theory-novel-character"><em>Flat Protagonists</em></a> and <a href="https://www.cornellpress.cornell.edu/book/9781501714221/spaces-of-feeling/#bookTabs=1"><em>Spaces of Feeling</em></a> as well as more than a hundred articles, reviews, and essays. Her translations from Polish have appeared in <em>PMLA</em> and <em>The Paris Review</em>.</p><p><br><strong>Noah Feldman</strong> is the Arthur Kingsley Porter University Professor at Harvard University. Feldman is author of ten books, including <a href="https://us.macmillan.com/books/9780374298340/tobeajewtoday/"><em>To Be a Jew Today</em></a>, and host of the podcast <a href="https://podcasts.apple.com/us/podcast/deep-background-with-noah-feldman/id1460055316">Deep Background with Noah Feldman</a>.</p><p><strong><em>Episode references:</em></strong><br>Adam Mickiewicz</p><p>Olga Tokarczuk</p><p>Edward Said</p><p>Isaiah Berlin</p><p><br><strong><em>Praise for the book:</em></strong><br>“Maria Janion’s writing is foundational to so many currents of contemporary Central European thought—around nations and nationalism, gender and genre, everyday politics and the political writ large—that her invisibility in English has long struck those of us privileged to know her work as a tragedy, if not a crime. This book belongs on the shelf of every humanist.”</p><p><strong>—Benjamin Paloff</strong>, author of <em>Worlds Apart<br></em><br></p><p><br></p><p><br>“The remarkable creativity, energy, and erudition of Maria Janion shine forth in these essays.”</p><p><strong>—Sianne Ngai</strong>, University of Chicago</p><p><a href="https://www.upress.umn.edu/9781517919689/the-bad-child/"><strong><em>The Bad Child: A Maria Janion Reader</em></strong></a>, edited by Marta Figlerowicz, available from University of Minnesota Press. Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords>Poland, Ukraine, Russia, Marxism, critical theory, intellectual history, Europe, war, resistance, Promethean socialism, Jacek Malczewski, Adam Mickiewicz</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Anti-mafia organizing and solidarity movements in Italy</title>
      <itunes:episode>127</itunes:episode>
      <podcast:episode>127</podcast:episode>
      <itunes:title>Anti-mafia organizing and solidarity movements in Italy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Jerne is joined in conversation with Deborah Puccio-Den and Trine Mygind Korsby. Access a transcript: https://share.transistor.fm/s/9dc8cf86</p><p><br><strong>Christina Jerne</strong> is associate professor in the Department of Scandinavian Studies and Experience Economy at Aarhus University, Denmark. Jerne is author of <a href="https://www.upress.umn.edu/9781517916060/opposition-by-imitation/"><em>Opposition by Imitation: The Economics of Italian Anti-Mafia Activism</em></a> and coeditor and translator of <a href="https://link.springer.com/book/10.1007/978-3-031-29620-8"><em>Against the Mafia: The Classic Italian Writings</em></a>.</p><p><br></p><p><strong>Deborah Puccio-Den</strong> is a political anthropologist and research professor at the National Center for Scientific Research and the Ecole de Hautes Etudes en Sciences Sociales, Paris, France. She is author of <a href="https://press.uchicago.edu/ucp/books/book/distributed/M/bo46770602.html"><em>Mafiacraft: An Ethnography of Deadly Silence</em></a>.</p><p><br></p><p><strong>Trine Mygind Korsby</strong> is assistant professor in the Department of Anthropology at the University of Copenhagen and currently a Marie Curie fellow at The Graduate Center, City University of New York (CUNY).</p><p><strong>REFERENCES:</strong></p><p><a href="https://press.uchicago.edu/ucp/books/book/distributed/M/bo46770602.html"><em>Mafiacraft: An Ethnography of Deadly Silence</em></a> / Deborah Puccio-Den</p><p>Umberto Santino</p><p>Giovanni Falcone</p><p>Audre Lorde</p><p>J. K. Gibson-Graham</p><p>Bruno Latour</p><p>Jean Luc Nancy</p><p>Gabriel Tarde</p><p>Gilles Deleuze</p><p>Felix Guattari</p><p>Addiopizzo </p><p><br><strong><em>Praise for the book:</em></strong><br>"Placing human experience at the center of collective action, <em>Opposition by Imitation</em> presents radically new directions for thinking about social movements. Christina Jerne captures both the fragility and strength of the struggle against mafia economies, powerfully demonstrating how anti-mafia activism opens up space for non-mafia relationships and economies to flourish."<br>—Kevin McDonald, Middlesex University</p><p><br><a href="https://www.upress.umn.edu/9781517916060/opposition-by-imitation/"><strong><em>Opposition by Imitation: The Economics of Italian Anti-Mafia Activism</em></strong></a> by Christina Jerne is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Jerne is joined in conversation with Deborah Puccio-Den and Trine Mygind Korsby. Access a transcript: https://share.transistor.fm/s/9dc8cf86</p><p><br><strong>Christina Jerne</strong> is associate professor in the Department of Scandinavian Studies and Experience Economy at Aarhus University, Denmark. Jerne is author of <a href="https://www.upress.umn.edu/9781517916060/opposition-by-imitation/"><em>Opposition by Imitation: The Economics of Italian Anti-Mafia Activism</em></a> and coeditor and translator of <a href="https://link.springer.com/book/10.1007/978-3-031-29620-8"><em>Against the Mafia: The Classic Italian Writings</em></a>.</p><p><br></p><p><strong>Deborah Puccio-Den</strong> is a political anthropologist and research professor at the National Center for Scientific Research and the Ecole de Hautes Etudes en Sciences Sociales, Paris, France. She is author of <a href="https://press.uchicago.edu/ucp/books/book/distributed/M/bo46770602.html"><em>Mafiacraft: An Ethnography of Deadly Silence</em></a>.</p><p><br></p><p><strong>Trine Mygind Korsby</strong> is assistant professor in the Department of Anthropology at the University of Copenhagen and currently a Marie Curie fellow at The Graduate Center, City University of New York (CUNY).</p><p><strong>REFERENCES:</strong></p><p><a href="https://press.uchicago.edu/ucp/books/book/distributed/M/bo46770602.html"><em>Mafiacraft: An Ethnography of Deadly Silence</em></a> / Deborah Puccio-Den</p><p>Umberto Santino</p><p>Giovanni Falcone</p><p>Audre Lorde</p><p>J. K. Gibson-Graham</p><p>Bruno Latour</p><p>Jean Luc Nancy</p><p>Gabriel Tarde</p><p>Gilles Deleuze</p><p>Felix Guattari</p><p>Addiopizzo </p><p><br><strong><em>Praise for the book:</em></strong><br>"Placing human experience at the center of collective action, <em>Opposition by Imitation</em> presents radically new directions for thinking about social movements. Christina Jerne captures both the fragility and strength of the struggle against mafia economies, powerfully demonstrating how anti-mafia activism opens up space for non-mafia relationships and economies to flourish."<br>—Kevin McDonald, Middlesex University</p><p><br><a href="https://www.upress.umn.edu/9781517916060/opposition-by-imitation/"><strong><em>Opposition by Imitation: The Economics of Italian Anti-Mafia Activism</em></strong></a> by Christina Jerne is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 13 Jan 2026 10:54:49 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2665</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Jerne is joined in conversation with Deborah Puccio-Den and Trine Mygind Korsby. Access a transcript: https://share.transistor.fm/s/9dc8cf86</p><p><br><strong>Christina Jerne</strong> is associate professor in the Department of Scandinavian Studies and Experience Economy at Aarhus University, Denmark. Jerne is author of <a href="https://www.upress.umn.edu/9781517916060/opposition-by-imitation/"><em>Opposition by Imitation: The Economics of Italian Anti-Mafia Activism</em></a> and coeditor and translator of <a href="https://link.springer.com/book/10.1007/978-3-031-29620-8"><em>Against the Mafia: The Classic Italian Writings</em></a>.</p><p><br></p><p><strong>Deborah Puccio-Den</strong> is a political anthropologist and research professor at the National Center for Scientific Research and the Ecole de Hautes Etudes en Sciences Sociales, Paris, France. She is author of <a href="https://press.uchicago.edu/ucp/books/book/distributed/M/bo46770602.html"><em>Mafiacraft: An Ethnography of Deadly Silence</em></a>.</p><p><br></p><p><strong>Trine Mygind Korsby</strong> is assistant professor in the Department of Anthropology at the University of Copenhagen and currently a Marie Curie fellow at The Graduate Center, City University of New York (CUNY).</p><p><strong>REFERENCES:</strong></p><p><a href="https://press.uchicago.edu/ucp/books/book/distributed/M/bo46770602.html"><em>Mafiacraft: An Ethnography of Deadly Silence</em></a> / Deborah Puccio-Den</p><p>Umberto Santino</p><p>Giovanni Falcone</p><p>Audre Lorde</p><p>J. K. Gibson-Graham</p><p>Bruno Latour</p><p>Jean Luc Nancy</p><p>Gabriel Tarde</p><p>Gilles Deleuze</p><p>Felix Guattari</p><p>Addiopizzo </p><p><br><strong><em>Praise for the book:</em></strong><br>"Placing human experience at the center of collective action, <em>Opposition by Imitation</em> presents radically new directions for thinking about social movements. Christina Jerne captures both the fragility and strength of the struggle against mafia economies, powerfully demonstrating how anti-mafia activism opens up space for non-mafia relationships and economies to flourish."<br>—Kevin McDonald, Middlesex University</p><p><br><a href="https://www.upress.umn.edu/9781517916060/opposition-by-imitation/"><strong><em>Opposition by Imitation: The Economics of Italian Anti-Mafia Activism</em></strong></a> by Christina Jerne is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>È Cosa Nostra, collective action, resistance, activism, shadow economy, care, Campania, Sicily</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Retirement special: Publishing leaders look back at decades of transformation and tenacity in the industry.</title>
      <itunes:episode>126</itunes:episode>
      <podcast:episode>126</podcast:episode>
      <itunes:title>Retirement special: Publishing leaders look back at decades of transformation and tenacity in the industry.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p><strong>Douglas Armato, the fifth director in the University of Minnesota Press's 100-year history,</strong> will soon retire after 27 years of leadership at the Press—following an almost-50-year career in book publishing. On the occasion of this milestone event, he unites several titans of university publishing in a tremendous conversation about change and comradeship, past progress and future speculation, and persistent through it all, an abiding passion for what is at the core of this work: books. Gathered with Armato are <strong>Lisa Bayer</strong>, director of University of Georgia Press; <strong>Greg Britton</strong>, editorial director at Johns Hopkins University Press; <strong>Jennifer Crewe</strong>, associate provost and director of Columbia University Press; and <strong>Dean Smith</strong>, director of Duke University Press; in a conversation moderated by <strong>Bill Germano</strong>, professor of English at Cooper Union. Access a transcript of this conversation: https://share.transistor.fm/s/5c6c6e92</p><p><br><em>More about Armato's acquisitions, collaborations, and </em><a href="https://www.upress.umn.edu/university-of-minnesota-press-director-douglas-armato-announces-retirement/"><em>retirement news</em></a><em>: z.umn.edu/DA27.<br>More about the Press's </em><a href="https://www.minnesotaalumni.org/stories/the-word-factory"><em>100-year history and influence</em></a><em>: z.umn.edu/wordfactory100.</em><br><strong><em>This is a University of Minnesota Press production. Thank you for listening.</em></strong></p><p><br><em>Episode chapters:</em></p><ul><li>02:30: What has scholarly publishing gained, and what has it lost, since we started in the business?</li><li>05:08: Side hustles to sustain the bottom line.</li><li>10:02: Are university presses and university libraries still close allies?</li><li>17:52: How is the outside world meant to understand what a university press does?</li><li>22:45: It's a job for hopeless romantics willing to fall in love with ideas (and not necessarily ones you even like).</li><li>28:40: Whither AI? How is the AI tsunami different from or similar to past massive paradigm changes for publishing, such as the Internet and e-books?</li><li>35:22: In a world of e-books, does a book need to go out of print? Should books go out of print?</li><li>41:00: What is the ideal role for scholarly publishers with regard to tenure decisions?</li><li>48:24: Memories and anecdotes about working with Doug Armato.</li></ul><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Douglas Armato, the fifth director in the University of Minnesota Press's 100-year history,</strong> will soon retire after 27 years of leadership at the Press—following an almost-50-year career in book publishing. On the occasion of this milestone event, he unites several titans of university publishing in a tremendous conversation about change and comradeship, past progress and future speculation, and persistent through it all, an abiding passion for what is at the core of this work: books. Gathered with Armato are <strong>Lisa Bayer</strong>, director of University of Georgia Press; <strong>Greg Britton</strong>, editorial director at Johns Hopkins University Press; <strong>Jennifer Crewe</strong>, associate provost and director of Columbia University Press; and <strong>Dean Smith</strong>, director of Duke University Press; in a conversation moderated by <strong>Bill Germano</strong>, professor of English at Cooper Union. Access a transcript of this conversation: https://share.transistor.fm/s/5c6c6e92</p><p><br><em>More about Armato's acquisitions, collaborations, and </em><a href="https://www.upress.umn.edu/university-of-minnesota-press-director-douglas-armato-announces-retirement/"><em>retirement news</em></a><em>: z.umn.edu/DA27.<br>More about the Press's </em><a href="https://www.minnesotaalumni.org/stories/the-word-factory"><em>100-year history and influence</em></a><em>: z.umn.edu/wordfactory100.</em><br><strong><em>This is a University of Minnesota Press production. Thank you for listening.</em></strong></p><p><br><em>Episode chapters:</em></p><ul><li>02:30: What has scholarly publishing gained, and what has it lost, since we started in the business?</li><li>05:08: Side hustles to sustain the bottom line.</li><li>10:02: Are university presses and university libraries still close allies?</li><li>17:52: How is the outside world meant to understand what a university press does?</li><li>22:45: It's a job for hopeless romantics willing to fall in love with ideas (and not necessarily ones you even like).</li><li>28:40: Whither AI? How is the AI tsunami different from or similar to past massive paradigm changes for publishing, such as the Internet and e-books?</li><li>35:22: In a world of e-books, does a book need to go out of print? Should books go out of print?</li><li>41:00: What is the ideal role for scholarly publishers with regard to tenure decisions?</li><li>48:24: Memories and anecdotes about working with Doug Armato.</li></ul><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 17 Dec 2025 09:34:14 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3236</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong>Douglas Armato, the fifth director in the University of Minnesota Press's 100-year history,</strong> will soon retire after 27 years of leadership at the Press—following an almost-50-year career in book publishing. On the occasion of this milestone event, he unites several titans of university publishing in a tremendous conversation about change and comradeship, past progress and future speculation, and persistent through it all, an abiding passion for what is at the core of this work: books. Gathered with Armato are <strong>Lisa Bayer</strong>, director of University of Georgia Press; <strong>Greg Britton</strong>, editorial director at Johns Hopkins University Press; <strong>Jennifer Crewe</strong>, associate provost and director of Columbia University Press; and <strong>Dean Smith</strong>, director of Duke University Press; in a conversation moderated by <strong>Bill Germano</strong>, professor of English at Cooper Union. Access a transcript of this conversation: https://share.transistor.fm/s/5c6c6e92</p><p><br><em>More about Armato's acquisitions, collaborations, and </em><a href="https://www.upress.umn.edu/university-of-minnesota-press-director-douglas-armato-announces-retirement/"><em>retirement news</em></a><em>: z.umn.edu/DA27.<br>More about the Press's </em><a href="https://www.minnesotaalumni.org/stories/the-word-factory"><em>100-year history and influence</em></a><em>: z.umn.edu/wordfactory100.</em><br><strong><em>This is a University of Minnesota Press production. Thank you for listening.</em></strong></p><p><br><em>Episode chapters:</em></p><ul><li>02:30: What has scholarly publishing gained, and what has it lost, since we started in the business?</li><li>05:08: Side hustles to sustain the bottom line.</li><li>10:02: Are university presses and university libraries still close allies?</li><li>17:52: How is the outside world meant to understand what a university press does?</li><li>22:45: It's a job for hopeless romantics willing to fall in love with ideas (and not necessarily ones you even like).</li><li>28:40: Whither AI? How is the AI tsunami different from or similar to past massive paradigm changes for publishing, such as the Internet and e-books?</li><li>35:22: In a world of e-books, does a book need to go out of print? Should books go out of print?</li><li>41:00: What is the ideal role for scholarly publishers with regard to tenure decisions?</li><li>48:24: Memories and anecdotes about working with Doug Armato.</li></ul><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>publishing, books, higher education, leadership, director, research, library, acquisition, scholarship, author, writing, AI, tenure, e-books</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Blindness and blind spots.</title>
      <itunes:episode>125</itunes:episode>
      <podcast:episode>125</podcast:episode>
      <itunes:title>Blindness and blind spots.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>“<em>Jovencito, </em>it’s going to be lonely being different and yet strong in this world,” James Francisco Bonilla’s grandmother told him when he was ten. Born with congenital cataracts, James had limited vision in his right eye and none in his left. At age nine, after a classmate hurled a horseshoe at his face in a racially motivated assault, James’s right eye was injured and he became legally blind. At home, too, he feared physical violence, experiencing the unpredictable outbursts of a single mother suffering from severe mental illness. Throughout his youth as a Puerto Rican New Yorker, James was continually failed by educational systems that exposed him to one abuse after another. Searching for relief and inspiration, he discovered an unexpected solace in the natural world, spiritual encounters with Mother Earth that led him toward both personal healing and advocacy.</p><p>At nineteen, a breakthrough in medical technology restored the sight in his right eye, and James recognized his unique perspective on the struggles of the disabled and marginalized in American life—and his intense will to make a difference. Here, James is joined in conversation with Beverly Daniel Tatum and Charmaine L. Wijeyesinghe. Access a transcript: https://share.transistor.fm/s/f9782d31</p><p><br></p><p><strong>James Francisco Bonilla</strong> (he/him) is a New York–born Puerto Rican writer and retired professor of Hamline University in St. Paul. He has written and presented nationally and internationally on diversity, cultural competence, and leadership, especially on how to diversify environmental organizations. </p><p><br></p><p><strong>Beverly Daniel Tatum</strong> (she/her) is an award-winning educational leader, best-selling author, expert on the psychology of racism, and longtime social justice educator.</p><p><strong>Charmaine Wijeyesinghe</strong> (she/her) is a consultant and author with 40 years of experience working with colleges, universities, and public and private organizations on diverse social justice areas and organizational change.</p><p><br></p><p>REFERENCES:<br><a href="https://www.penguinrandomhouse.com/books/658389/what-my-bones-know-by-stephanie-foo/"><em>What My Bones Know: A Memoir of Healing from Complex Trauma</em></a> / Stephanie Foo</p><p><a href="https://cripcamp.com/"><em>Crip Camp: A Disability Revolution</em></a> (film)</p><p><a href="https://www.penguinrandomhouse.com/books/635964/the-country-of-the-blind-by-andrew-leland/"><em>The Country of the Blind: A Memoir at the End of Sight</em></a> / Andrew Leland</p><p><a href="https://www.hachettebookgroup.com/titles/beverly-daniel-tatum/peril-and-promise/9781541606616/?lens=basic-books"><em>Peril and Promise: College Leadership in Turbulent Times</em></a> / Beverly Daniel Tatum</p><p><a href="https://www.routledge.com/Promoting-Diversity-and-Social-Justice-Educating-People-from-Privileged-Groups-Second-Edition/Goodman/p/book/9780415872881"><em>Promoting Diversity and Social Justice: Educating People from Privileged Groups</em></a> / Diane J. Goodman</p><p><a href="https://www.churchpublishing.org/alwayswebeginagain"><em>Always We Begin Again: The Benedictine Way of Living</em></a> / John McQuiston</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“With its intersectional analysis of racism, mental illness, and disability, this memoir brings a fresh and inspiring voice to the world of social justice literature.” <br><strong>—Beverly Daniel Tatum</strong></p><p><br></p><p>“This memoir is the essence of what I still seek to share with youth in all communities.”<br><strong>—J. Herman Blake</strong>, professor emeritus, Iowa State University</p><p><br></p><p>“James Francisco Bonilla shows that hope and healing can be found through advocacy and community.”</p><p><strong>—Sue Abderholden</strong>, former executive director, NAMI Minnesota</p><p><br></p><p>“This inspiring memoir encourages a new generation to confront biases and champion social justice.”</p><p><strong>—Madeline L. Peters</strong>, disability consultant</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517919146/an-eye-for-an-i/"><strong><em>An Eye for an I: Growing Up with Blindness, Bigotry, and Family Mental Illness</em></strong></a> by James Francisco Bonilla is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>“<em>Jovencito, </em>it’s going to be lonely being different and yet strong in this world,” James Francisco Bonilla’s grandmother told him when he was ten. Born with congenital cataracts, James had limited vision in his right eye and none in his left. At age nine, after a classmate hurled a horseshoe at his face in a racially motivated assault, James’s right eye was injured and he became legally blind. At home, too, he feared physical violence, experiencing the unpredictable outbursts of a single mother suffering from severe mental illness. Throughout his youth as a Puerto Rican New Yorker, James was continually failed by educational systems that exposed him to one abuse after another. Searching for relief and inspiration, he discovered an unexpected solace in the natural world, spiritual encounters with Mother Earth that led him toward both personal healing and advocacy.</p><p>At nineteen, a breakthrough in medical technology restored the sight in his right eye, and James recognized his unique perspective on the struggles of the disabled and marginalized in American life—and his intense will to make a difference. Here, James is joined in conversation with Beverly Daniel Tatum and Charmaine L. Wijeyesinghe. Access a transcript: https://share.transistor.fm/s/f9782d31</p><p><br></p><p><strong>James Francisco Bonilla</strong> (he/him) is a New York–born Puerto Rican writer and retired professor of Hamline University in St. Paul. He has written and presented nationally and internationally on diversity, cultural competence, and leadership, especially on how to diversify environmental organizations. </p><p><br></p><p><strong>Beverly Daniel Tatum</strong> (she/her) is an award-winning educational leader, best-selling author, expert on the psychology of racism, and longtime social justice educator.</p><p><strong>Charmaine Wijeyesinghe</strong> (she/her) is a consultant and author with 40 years of experience working with colleges, universities, and public and private organizations on diverse social justice areas and organizational change.</p><p><br></p><p>REFERENCES:<br><a href="https://www.penguinrandomhouse.com/books/658389/what-my-bones-know-by-stephanie-foo/"><em>What My Bones Know: A Memoir of Healing from Complex Trauma</em></a> / Stephanie Foo</p><p><a href="https://cripcamp.com/"><em>Crip Camp: A Disability Revolution</em></a> (film)</p><p><a href="https://www.penguinrandomhouse.com/books/635964/the-country-of-the-blind-by-andrew-leland/"><em>The Country of the Blind: A Memoir at the End of Sight</em></a> / Andrew Leland</p><p><a href="https://www.hachettebookgroup.com/titles/beverly-daniel-tatum/peril-and-promise/9781541606616/?lens=basic-books"><em>Peril and Promise: College Leadership in Turbulent Times</em></a> / Beverly Daniel Tatum</p><p><a href="https://www.routledge.com/Promoting-Diversity-and-Social-Justice-Educating-People-from-Privileged-Groups-Second-Edition/Goodman/p/book/9780415872881"><em>Promoting Diversity and Social Justice: Educating People from Privileged Groups</em></a> / Diane J. Goodman</p><p><a href="https://www.churchpublishing.org/alwayswebeginagain"><em>Always We Begin Again: The Benedictine Way of Living</em></a> / John McQuiston</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“With its intersectional analysis of racism, mental illness, and disability, this memoir brings a fresh and inspiring voice to the world of social justice literature.” <br><strong>—Beverly Daniel Tatum</strong></p><p><br></p><p>“This memoir is the essence of what I still seek to share with youth in all communities.”<br><strong>—J. Herman Blake</strong>, professor emeritus, Iowa State University</p><p><br></p><p>“James Francisco Bonilla shows that hope and healing can be found through advocacy and community.”</p><p><strong>—Sue Abderholden</strong>, former executive director, NAMI Minnesota</p><p><br></p><p>“This inspiring memoir encourages a new generation to confront biases and champion social justice.”</p><p><strong>—Madeline L. Peters</strong>, disability consultant</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517919146/an-eye-for-an-i/"><strong><em>An Eye for an I: Growing Up with Blindness, Bigotry, and Family Mental Illness</em></strong></a> by James Francisco Bonilla is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 02 Dec 2025 14:01:22 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3384</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>“<em>Jovencito, </em>it’s going to be lonely being different and yet strong in this world,” James Francisco Bonilla’s grandmother told him when he was ten. Born with congenital cataracts, James had limited vision in his right eye and none in his left. At age nine, after a classmate hurled a horseshoe at his face in a racially motivated assault, James’s right eye was injured and he became legally blind. At home, too, he feared physical violence, experiencing the unpredictable outbursts of a single mother suffering from severe mental illness. Throughout his youth as a Puerto Rican New Yorker, James was continually failed by educational systems that exposed him to one abuse after another. Searching for relief and inspiration, he discovered an unexpected solace in the natural world, spiritual encounters with Mother Earth that led him toward both personal healing and advocacy.</p><p>At nineteen, a breakthrough in medical technology restored the sight in his right eye, and James recognized his unique perspective on the struggles of the disabled and marginalized in American life—and his intense will to make a difference. Here, James is joined in conversation with Beverly Daniel Tatum and Charmaine L. Wijeyesinghe. Access a transcript: https://share.transistor.fm/s/f9782d31</p><p><br></p><p><strong>James Francisco Bonilla</strong> (he/him) is a New York–born Puerto Rican writer and retired professor of Hamline University in St. Paul. He has written and presented nationally and internationally on diversity, cultural competence, and leadership, especially on how to diversify environmental organizations. </p><p><br></p><p><strong>Beverly Daniel Tatum</strong> (she/her) is an award-winning educational leader, best-selling author, expert on the psychology of racism, and longtime social justice educator.</p><p><strong>Charmaine Wijeyesinghe</strong> (she/her) is a consultant and author with 40 years of experience working with colleges, universities, and public and private organizations on diverse social justice areas and organizational change.</p><p><br></p><p>REFERENCES:<br><a href="https://www.penguinrandomhouse.com/books/658389/what-my-bones-know-by-stephanie-foo/"><em>What My Bones Know: A Memoir of Healing from Complex Trauma</em></a> / Stephanie Foo</p><p><a href="https://cripcamp.com/"><em>Crip Camp: A Disability Revolution</em></a> (film)</p><p><a href="https://www.penguinrandomhouse.com/books/635964/the-country-of-the-blind-by-andrew-leland/"><em>The Country of the Blind: A Memoir at the End of Sight</em></a> / Andrew Leland</p><p><a href="https://www.hachettebookgroup.com/titles/beverly-daniel-tatum/peril-and-promise/9781541606616/?lens=basic-books"><em>Peril and Promise: College Leadership in Turbulent Times</em></a> / Beverly Daniel Tatum</p><p><a href="https://www.routledge.com/Promoting-Diversity-and-Social-Justice-Educating-People-from-Privileged-Groups-Second-Edition/Goodman/p/book/9780415872881"><em>Promoting Diversity and Social Justice: Educating People from Privileged Groups</em></a> / Diane J. Goodman</p><p><a href="https://www.churchpublishing.org/alwayswebeginagain"><em>Always We Begin Again: The Benedictine Way of Living</em></a> / John McQuiston</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“With its intersectional analysis of racism, mental illness, and disability, this memoir brings a fresh and inspiring voice to the world of social justice literature.” <br><strong>—Beverly Daniel Tatum</strong></p><p><br></p><p>“This memoir is the essence of what I still seek to share with youth in all communities.”<br><strong>—J. Herman Blake</strong>, professor emeritus, Iowa State University</p><p><br></p><p>“James Francisco Bonilla shows that hope and healing can be found through advocacy and community.”</p><p><strong>—Sue Abderholden</strong>, former executive director, NAMI Minnesota</p><p><br></p><p>“This inspiring memoir encourages a new generation to confront biases and champion social justice.”</p><p><strong>—Madeline L. Peters</strong>, disability consultant</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517919146/an-eye-for-an-i/"><strong><em>An Eye for an I: Growing Up with Blindness, Bigotry, and Family Mental Illness</em></strong></a> by James Francisco Bonilla is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>memoir, generational trauma, Hispanic, Latino, Puerto Rican, Nuyorican</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Medical technology and bodily authority</title>
      <itunes:episode>124</itunes:episode>
      <podcast:episode>124</podcast:episode>
      <itunes:title>Medical technology and bodily authority</itunes:title>
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        <![CDATA[<p>As medical advancements continue to shape the detection, diagnosis, and treatment of disability and illness, technology is often presented as a path to autonomy. Rebecca Monteleone shows how such technologies contribute to a cruel double bind, forcing disabled people to be accountable for adapting to a world built by and for nondisabled people while dismissing their lived experiences in favor of medical expertise. In the new book <a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability</em></strong></a>, Monteleone explores anecdotes about prenatal genetic screening, deep brain stimulation, and do-it-yourself artificial pancreas systems, exposing new relationships among disability, authority, knowledge, and responsibility. Monteleone is joined here in conversation with Ashley Shew. Access a transcript: https://share.transistor.fm/s/a581e7be</p><p><a href="https://rebeccamonteleone.wordpress.com/"><strong>Rebecca Monteleone</strong></a> is associate professor of disability and technology at the University of Toledo and author of <a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability: How Medical Technology Shapes Bodily Authority</em></strong></a>. <br> </p><p><br></p><p><strong>Ashley Shew</strong> is a professor of science, technology, and society at Virginia Tech and author of <a href="https://wwnorton.com/books/9781324076254"><em>Against Technoableism: Rethinking Who Needs Improvement</em></a>.</p><p><strong>EPISODE REFERENCES:</strong></p><p>-Ally Day</p><p>-“Transmobility: Possibilities in Cyborg (Cripborg) Bodies,” Mallory Kay Nelson, Ashley Shew, and Bethany Stevens / <a href="https://catalystjournal.org/index.php/catalyst/article/view/29617"><em>Catalyst: Feminism, Theory, Technoscience</em></a> </p><p>-Jackie Leach Scully</p><p>-Dana Lewis</p><p>-<a href="https://read.dukeupress.edu/books/book/1317/BiomedicalizationTechnoscience-Health-and-Illness"><em>Biomedicalization: Technoscience, Health, and Illness in the U.S.</em></a> / Adele E. Clarke, Laura Mamo, Jennifer Ruth Fosket, Jennifer R. Fishman, Janet K. Shim, editors</p><p><br><strong><em>Praise for the book:</em></strong><br>"A generous, timely, and essential contribution to understanding the current politics that shape medical technology and disability in the context of neoliberal ableism. A book that I will be thinking-making-feeling with for many years to come!"<br><strong>—Laura Forlano</strong>, Northeastern University<br> </p><p><a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability: How Medical Technology Shapes Bodily Authority</em></strong></a> by Rebecca Monteleone is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>As medical advancements continue to shape the detection, diagnosis, and treatment of disability and illness, technology is often presented as a path to autonomy. Rebecca Monteleone shows how such technologies contribute to a cruel double bind, forcing disabled people to be accountable for adapting to a world built by and for nondisabled people while dismissing their lived experiences in favor of medical expertise. In the new book <a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability</em></strong></a>, Monteleone explores anecdotes about prenatal genetic screening, deep brain stimulation, and do-it-yourself artificial pancreas systems, exposing new relationships among disability, authority, knowledge, and responsibility. Monteleone is joined here in conversation with Ashley Shew. Access a transcript: https://share.transistor.fm/s/a581e7be</p><p><a href="https://rebeccamonteleone.wordpress.com/"><strong>Rebecca Monteleone</strong></a> is associate professor of disability and technology at the University of Toledo and author of <a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability: How Medical Technology Shapes Bodily Authority</em></strong></a>. <br> </p><p><br></p><p><strong>Ashley Shew</strong> is a professor of science, technology, and society at Virginia Tech and author of <a href="https://wwnorton.com/books/9781324076254"><em>Against Technoableism: Rethinking Who Needs Improvement</em></a>.</p><p><strong>EPISODE REFERENCES:</strong></p><p>-Ally Day</p><p>-“Transmobility: Possibilities in Cyborg (Cripborg) Bodies,” Mallory Kay Nelson, Ashley Shew, and Bethany Stevens / <a href="https://catalystjournal.org/index.php/catalyst/article/view/29617"><em>Catalyst: Feminism, Theory, Technoscience</em></a> </p><p>-Jackie Leach Scully</p><p>-Dana Lewis</p><p>-<a href="https://read.dukeupress.edu/books/book/1317/BiomedicalizationTechnoscience-Health-and-Illness"><em>Biomedicalization: Technoscience, Health, and Illness in the U.S.</em></a> / Adele E. Clarke, Laura Mamo, Jennifer Ruth Fosket, Jennifer R. Fishman, Janet K. Shim, editors</p><p><br><strong><em>Praise for the book:</em></strong><br>"A generous, timely, and essential contribution to understanding the current politics that shape medical technology and disability in the context of neoliberal ableism. A book that I will be thinking-making-feeling with for many years to come!"<br><strong>—Laura Forlano</strong>, Northeastern University<br> </p><p><a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability: How Medical Technology Shapes Bodily Authority</em></strong></a> by Rebecca Monteleone is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 18 Nov 2025 15:24:04 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2759</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>As medical advancements continue to shape the detection, diagnosis, and treatment of disability and illness, technology is often presented as a path to autonomy. Rebecca Monteleone shows how such technologies contribute to a cruel double bind, forcing disabled people to be accountable for adapting to a world built by and for nondisabled people while dismissing their lived experiences in favor of medical expertise. In the new book <a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability</em></strong></a>, Monteleone explores anecdotes about prenatal genetic screening, deep brain stimulation, and do-it-yourself artificial pancreas systems, exposing new relationships among disability, authority, knowledge, and responsibility. Monteleone is joined here in conversation with Ashley Shew. Access a transcript: https://share.transistor.fm/s/a581e7be</p><p><a href="https://rebeccamonteleone.wordpress.com/"><strong>Rebecca Monteleone</strong></a> is associate professor of disability and technology at the University of Toledo and author of <a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability: How Medical Technology Shapes Bodily Authority</em></strong></a>. <br> </p><p><br></p><p><strong>Ashley Shew</strong> is a professor of science, technology, and society at Virginia Tech and author of <a href="https://wwnorton.com/books/9781324076254"><em>Against Technoableism: Rethinking Who Needs Improvement</em></a>.</p><p><strong>EPISODE REFERENCES:</strong></p><p>-Ally Day</p><p>-“Transmobility: Possibilities in Cyborg (Cripborg) Bodies,” Mallory Kay Nelson, Ashley Shew, and Bethany Stevens / <a href="https://catalystjournal.org/index.php/catalyst/article/view/29617"><em>Catalyst: Feminism, Theory, Technoscience</em></a> </p><p>-Jackie Leach Scully</p><p>-Dana Lewis</p><p>-<a href="https://read.dukeupress.edu/books/book/1317/BiomedicalizationTechnoscience-Health-and-Illness"><em>Biomedicalization: Technoscience, Health, and Illness in the U.S.</em></a> / Adele E. Clarke, Laura Mamo, Jennifer Ruth Fosket, Jennifer R. Fishman, Janet K. Shim, editors</p><p><br><strong><em>Praise for the book:</em></strong><br>"A generous, timely, and essential contribution to understanding the current politics that shape medical technology and disability in the context of neoliberal ableism. A book that I will be thinking-making-feeling with for many years to come!"<br><strong>—Laura Forlano</strong>, Northeastern University<br> </p><p><a href="https://www.upress.umn.edu/9781517917685/the-double-bind-of-disability/"><strong><em>The Double Bind of Disability: How Medical Technology Shapes Bodily Authority</em></strong></a> by Rebecca Monteleone is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>diabetes, chronic disease management, DIY medicine, techno-optimism, epistemic invalidation, rehab, biorehab, neuroscience, medical sociology, neuroengineering, bodymind, ableism, sociotechnical</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>The digitized afterlives of cultural objects.</title>
      <itunes:episode>123</itunes:episode>
      <podcast:episode>123</podcast:episode>
      <itunes:title>The digitized afterlives of cultural objects.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d0afdbc0</link>
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        <![CDATA[<p>What is the opposite of “big” data? In a society where households commonly store personal archives of photos, financial records, and other documents, the “little” database—the personal data collection that is stored and backed up and not accessed frequently—deserves a category of its own. In <a href="https://www.upress.umn.edu/9781517918828/the-little-database/"><strong><em>The Little Database: A Poetics of Media Formats</em></strong></a>, Daniel Scott Snelson examines globally accessible little databases, such as <em>Textz</em>, <em>Eclipse</em>, and <em>UbuWeb</em>, explores how digital archives dramatically transform the artifacts they host, and asks how they might help us better understand our own private collections in turn. Snelson is joined in conversation with Vicki Bennett, Craig Dworkin, and Luca Messarra. Access a transcript: https://share.transistor.fm/s/d0afdbc0  </p><p><br><strong>Daniel Scott Snelson </strong>is a writer, editor, archivist, and assistant professor in the departments of English and Design Media Arts at UCLA, where he also serves as faculty with the Digital Humanities Program, the UCLA Game Lab, and the Laboratory for Environmental Narrative Strategies. He is author of multiple volumes of experimental poetry and poetics, including <em>Elden Poem, Apocalypse Reliquary, </em>and <em>EXE TXT</em>.</p><p><strong>Vicki Bennett</strong> is a multidisciplinary British artist working under the name <a href="https://peoplelikeus.org/">People Like Us</a>. </p><p><br></p><p><br><strong>Craig Dworkin</strong> is professor of English at the University of Utah.</p><p><br><strong>Luca Messarra</strong> is a PhD candidate in English at Stanford University, and founder of <a href="https://undocumentedpr.es/">Undocumented Press</a>.</p><p><br>EPISODE REFERENCES:<br>Alan Liu, <a href="https://press.uchicago.edu/ucp/books/book/chicago/L/bo5867451.html"><em>Local Transcendence: Essays on Postmodern Historicism and the Database</em></a></p><p>Jerome McGann and Lisa Samuels, “Deformance and Interpretation" (chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://raley.english.ucsb.edu/wp-content/Engl800/Deformance.pdf)</p><p><a href="https://archive.org/details/WeEditLife"><em>We Edit Life</em></a>, film (People Like Us/Vicki Bennett; partnership with Lovebytes)</p><p><a href="https://blog.archive.org/2024/10/30/vanishing-culture-a-report-on-our-fragile-cultural-record/"><em>Vanishing Culture: A Report on Our Fragile Cultural Record</em></a> (Internet Archive, 2024, eds. Luca Messarra, Chris Freeland, Juliya Ziskina)</p><p><a href="https://eclipsearchive.org/">Eclipse</a>, an image-based archive of small press poetry books and magazines</p><p><a href="https://writing.upenn.edu/pennsound/">PennSound</a>, a site distributing audio recordings of poetry readings</p><p><a href="https://ubu.com/">UbuWeb</a>, a collection of experimental film and video art</p><p>Allen Institute for AI</p><p>C4/Colossal Clean Crawled Corpus</p><p>Christopher Kelty, "<a href="https://networkcultures.org/blog/2022/09/15/christopher-kelty-the-internet-we-could-have-had/">The Internet We Could Have Had</a>"</p><p><a href="https://eclipsearchive.org/projects/LANGUAGE/">L=A=N=G=U=A=G=E</a> magazine (ed. Charles Bernstein and Bruce Andrews)<br><a href="https://eclipsearchive.org/projects/NOTEQUAL/notequal.html">L≠A≠N≠G≠U≠A≠G≠E</a> magazine (ed. Danny Snelson)</p><p>Christian Marclay, The Clock</p><p>Johanna Drucker</p><p><a href="https://www.memoryoftheworld.org/">Memory of the World</a> archive</p><p><a href="https://futureknowledge.transistor.fm/">Future Knowledge</a> podcast<br>Rory McCartney and Charlie Morgan, <a href="https://www.rizzoliusa.com/book/9780847872275/"><em>Heated Words: Searching for a Mysterious Typeface</em></a> </p><p>Marcus Boon, <a href="https://www.hup.harvard.edu/books/9780674072527"><em>In Praise of Copying</em></a>  </p><p><br><strong><em>Praise for the book:<br></em></strong>“<em>The Little Database</em> is an incredibly powerful intervention into twenty-first-century experimental poetics and avant-garde media practices.”<br><strong>—Stephanie Boluk</strong></p><p><br></p><p><br>“<em>The Little Database</em> opens new ground for close reading in an environment that heavily promotes big data techniques and the neoliberal ideologies that accompany it in the new economy of attention.”<br><strong><em>—Leonardo Reviews</em></strong></p><p>“Snelson targets the fundamental assumption underlying much of contemporary DH work: that meaningful interpretation necessarily depends on the deployment of massive amounts of data.”<br><strong>—Oxford's </strong><strong><em>Year's Work in Critical and Cultural Theory</em></strong></p><p>“This book, while short in length, is certain to be long in influence, as it lays groundwork for future scholars, artists, readers, website makers, and archivists. The twists and turns, both in methodology and in specific analyses, are far more exciting than any summary, or even multiple readings of them, could serve.”<br><strong>—</strong><strong><em>Digital Humanities Quarterly</em></strong></p><p><a href="https://www.upress.umn.edu/9781517918828/the-little-database/"><strong><em>The Little Database: A Poetics of Media Formats</em></strong></a> by Daniel Scott Snelson is available from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/the-little-database"><strong>Manifold</strong></a>. </p><p><br></p>]]>
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        <![CDATA[<p>What is the opposite of “big” data? In a society where households commonly store personal archives of photos, financial records, and other documents, the “little” database—the personal data collection that is stored and backed up and not accessed frequently—deserves a category of its own. In <a href="https://www.upress.umn.edu/9781517918828/the-little-database/"><strong><em>The Little Database: A Poetics of Media Formats</em></strong></a>, Daniel Scott Snelson examines globally accessible little databases, such as <em>Textz</em>, <em>Eclipse</em>, and <em>UbuWeb</em>, explores how digital archives dramatically transform the artifacts they host, and asks how they might help us better understand our own private collections in turn. Snelson is joined in conversation with Vicki Bennett, Craig Dworkin, and Luca Messarra. Access a transcript: https://share.transistor.fm/s/d0afdbc0  </p><p><br><strong>Daniel Scott Snelson </strong>is a writer, editor, archivist, and assistant professor in the departments of English and Design Media Arts at UCLA, where he also serves as faculty with the Digital Humanities Program, the UCLA Game Lab, and the Laboratory for Environmental Narrative Strategies. He is author of multiple volumes of experimental poetry and poetics, including <em>Elden Poem, Apocalypse Reliquary, </em>and <em>EXE TXT</em>.</p><p><strong>Vicki Bennett</strong> is a multidisciplinary British artist working under the name <a href="https://peoplelikeus.org/">People Like Us</a>. </p><p><br></p><p><br><strong>Craig Dworkin</strong> is professor of English at the University of Utah.</p><p><br><strong>Luca Messarra</strong> is a PhD candidate in English at Stanford University, and founder of <a href="https://undocumentedpr.es/">Undocumented Press</a>.</p><p><br>EPISODE REFERENCES:<br>Alan Liu, <a href="https://press.uchicago.edu/ucp/books/book/chicago/L/bo5867451.html"><em>Local Transcendence: Essays on Postmodern Historicism and the Database</em></a></p><p>Jerome McGann and Lisa Samuels, “Deformance and Interpretation" (chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://raley.english.ucsb.edu/wp-content/Engl800/Deformance.pdf)</p><p><a href="https://archive.org/details/WeEditLife"><em>We Edit Life</em></a>, film (People Like Us/Vicki Bennett; partnership with Lovebytes)</p><p><a href="https://blog.archive.org/2024/10/30/vanishing-culture-a-report-on-our-fragile-cultural-record/"><em>Vanishing Culture: A Report on Our Fragile Cultural Record</em></a> (Internet Archive, 2024, eds. Luca Messarra, Chris Freeland, Juliya Ziskina)</p><p><a href="https://eclipsearchive.org/">Eclipse</a>, an image-based archive of small press poetry books and magazines</p><p><a href="https://writing.upenn.edu/pennsound/">PennSound</a>, a site distributing audio recordings of poetry readings</p><p><a href="https://ubu.com/">UbuWeb</a>, a collection of experimental film and video art</p><p>Allen Institute for AI</p><p>C4/Colossal Clean Crawled Corpus</p><p>Christopher Kelty, "<a href="https://networkcultures.org/blog/2022/09/15/christopher-kelty-the-internet-we-could-have-had/">The Internet We Could Have Had</a>"</p><p><a href="https://eclipsearchive.org/projects/LANGUAGE/">L=A=N=G=U=A=G=E</a> magazine (ed. Charles Bernstein and Bruce Andrews)<br><a href="https://eclipsearchive.org/projects/NOTEQUAL/notequal.html">L≠A≠N≠G≠U≠A≠G≠E</a> magazine (ed. Danny Snelson)</p><p>Christian Marclay, The Clock</p><p>Johanna Drucker</p><p><a href="https://www.memoryoftheworld.org/">Memory of the World</a> archive</p><p><a href="https://futureknowledge.transistor.fm/">Future Knowledge</a> podcast<br>Rory McCartney and Charlie Morgan, <a href="https://www.rizzoliusa.com/book/9780847872275/"><em>Heated Words: Searching for a Mysterious Typeface</em></a> </p><p>Marcus Boon, <a href="https://www.hup.harvard.edu/books/9780674072527"><em>In Praise of Copying</em></a>  </p><p><br><strong><em>Praise for the book:<br></em></strong>“<em>The Little Database</em> is an incredibly powerful intervention into twenty-first-century experimental poetics and avant-garde media practices.”<br><strong>—Stephanie Boluk</strong></p><p><br></p><p><br>“<em>The Little Database</em> opens new ground for close reading in an environment that heavily promotes big data techniques and the neoliberal ideologies that accompany it in the new economy of attention.”<br><strong><em>—Leonardo Reviews</em></strong></p><p>“Snelson targets the fundamental assumption underlying much of contemporary DH work: that meaningful interpretation necessarily depends on the deployment of massive amounts of data.”<br><strong>—Oxford's </strong><strong><em>Year's Work in Critical and Cultural Theory</em></strong></p><p>“This book, while short in length, is certain to be long in influence, as it lays groundwork for future scholars, artists, readers, website makers, and archivists. The twists and turns, both in methodology and in specific analyses, are far more exciting than any summary, or even multiple readings of them, could serve.”<br><strong>—</strong><strong><em>Digital Humanities Quarterly</em></strong></p><p><a href="https://www.upress.umn.edu/9781517918828/the-little-database/"><strong><em>The Little Database: A Poetics of Media Formats</em></strong></a> by Daniel Scott Snelson is available from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/the-little-database"><strong>Manifold</strong></a>. </p><p><br></p>]]>
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      <pubDate>Tue, 11 Nov 2025 15:35:36 -0600</pubDate>
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        <![CDATA[<p>What is the opposite of “big” data? In a society where households commonly store personal archives of photos, financial records, and other documents, the “little” database—the personal data collection that is stored and backed up and not accessed frequently—deserves a category of its own. In <a href="https://www.upress.umn.edu/9781517918828/the-little-database/"><strong><em>The Little Database: A Poetics of Media Formats</em></strong></a>, Daniel Scott Snelson examines globally accessible little databases, such as <em>Textz</em>, <em>Eclipse</em>, and <em>UbuWeb</em>, explores how digital archives dramatically transform the artifacts they host, and asks how they might help us better understand our own private collections in turn. Snelson is joined in conversation with Vicki Bennett, Craig Dworkin, and Luca Messarra. Access a transcript: https://share.transistor.fm/s/d0afdbc0  </p><p><br><strong>Daniel Scott Snelson </strong>is a writer, editor, archivist, and assistant professor in the departments of English and Design Media Arts at UCLA, where he also serves as faculty with the Digital Humanities Program, the UCLA Game Lab, and the Laboratory for Environmental Narrative Strategies. He is author of multiple volumes of experimental poetry and poetics, including <em>Elden Poem, Apocalypse Reliquary, </em>and <em>EXE TXT</em>.</p><p><strong>Vicki Bennett</strong> is a multidisciplinary British artist working under the name <a href="https://peoplelikeus.org/">People Like Us</a>. </p><p><br></p><p><br><strong>Craig Dworkin</strong> is professor of English at the University of Utah.</p><p><br><strong>Luca Messarra</strong> is a PhD candidate in English at Stanford University, and founder of <a href="https://undocumentedpr.es/">Undocumented Press</a>.</p><p><br>EPISODE REFERENCES:<br>Alan Liu, <a href="https://press.uchicago.edu/ucp/books/book/chicago/L/bo5867451.html"><em>Local Transcendence: Essays on Postmodern Historicism and the Database</em></a></p><p>Jerome McGann and Lisa Samuels, “Deformance and Interpretation" (chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://raley.english.ucsb.edu/wp-content/Engl800/Deformance.pdf)</p><p><a href="https://archive.org/details/WeEditLife"><em>We Edit Life</em></a>, film (People Like Us/Vicki Bennett; partnership with Lovebytes)</p><p><a href="https://blog.archive.org/2024/10/30/vanishing-culture-a-report-on-our-fragile-cultural-record/"><em>Vanishing Culture: A Report on Our Fragile Cultural Record</em></a> (Internet Archive, 2024, eds. Luca Messarra, Chris Freeland, Juliya Ziskina)</p><p><a href="https://eclipsearchive.org/">Eclipse</a>, an image-based archive of small press poetry books and magazines</p><p><a href="https://writing.upenn.edu/pennsound/">PennSound</a>, a site distributing audio recordings of poetry readings</p><p><a href="https://ubu.com/">UbuWeb</a>, a collection of experimental film and video art</p><p>Allen Institute for AI</p><p>C4/Colossal Clean Crawled Corpus</p><p>Christopher Kelty, "<a href="https://networkcultures.org/blog/2022/09/15/christopher-kelty-the-internet-we-could-have-had/">The Internet We Could Have Had</a>"</p><p><a href="https://eclipsearchive.org/projects/LANGUAGE/">L=A=N=G=U=A=G=E</a> magazine (ed. Charles Bernstein and Bruce Andrews)<br><a href="https://eclipsearchive.org/projects/NOTEQUAL/notequal.html">L≠A≠N≠G≠U≠A≠G≠E</a> magazine (ed. Danny Snelson)</p><p>Christian Marclay, The Clock</p><p>Johanna Drucker</p><p><a href="https://www.memoryoftheworld.org/">Memory of the World</a> archive</p><p><a href="https://futureknowledge.transistor.fm/">Future Knowledge</a> podcast<br>Rory McCartney and Charlie Morgan, <a href="https://www.rizzoliusa.com/book/9780847872275/"><em>Heated Words: Searching for a Mysterious Typeface</em></a> </p><p>Marcus Boon, <a href="https://www.hup.harvard.edu/books/9780674072527"><em>In Praise of Copying</em></a>  </p><p><br><strong><em>Praise for the book:<br></em></strong>“<em>The Little Database</em> is an incredibly powerful intervention into twenty-first-century experimental poetics and avant-garde media practices.”<br><strong>—Stephanie Boluk</strong></p><p><br></p><p><br>“<em>The Little Database</em> opens new ground for close reading in an environment that heavily promotes big data techniques and the neoliberal ideologies that accompany it in the new economy of attention.”<br><strong><em>—Leonardo Reviews</em></strong></p><p>“Snelson targets the fundamental assumption underlying much of contemporary DH work: that meaningful interpretation necessarily depends on the deployment of massive amounts of data.”<br><strong>—Oxford's </strong><strong><em>Year's Work in Critical and Cultural Theory</em></strong></p><p>“This book, while short in length, is certain to be long in influence, as it lays groundwork for future scholars, artists, readers, website makers, and archivists. The twists and turns, both in methodology and in specific analyses, are far more exciting than any summary, or even multiple readings of them, could serve.”<br><strong>—</strong><strong><em>Digital Humanities Quarterly</em></strong></p><p><a href="https://www.upress.umn.edu/9781517918828/the-little-database/"><strong><em>The Little Database: A Poetics of Media Formats</em></strong></a> by Daniel Scott Snelson is available from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/the-little-database"><strong>Manifold</strong></a>. </p><p><br></p>]]>
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      <title>Indigenous filmmaking and futures</title>
      <itunes:episode>122</itunes:episode>
      <podcast:episode>122</podcast:episode>
      <itunes:title>Indigenous filmmaking and futures</itunes:title>
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        <![CDATA[<p>What lives in the spaces between dreams and apocalypse? Two authors discuss their books on Indigenous media: Karrmen Crey, whose <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><strong><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></strong></a> considers the political and cultural conditions that enabled the proliferation of Indigenous media across Canada in the early 1990s. The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, William Lempert’s <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><strong><em>Dreaming Down the Track</em></strong></a> delves deeply into Aboriginal cinema as a transformative community process. Crey and Lempert are joined in conversation here about the process of preserving community stories and enacting sovereign futures. Access a transcript: https://share.transistor.fm/s/952dd9d3</p><p><br></p><p><strong>Karrmen Crey</strong> is associate professor of Aboriginal communication and media studies in the School of Communication at Simon Fraser University. Crey is author of <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></a> and coeditor (with Joanna Hearne) of <a href="https://www.upress.umn.edu/9781517919061/by-their-work/"><em>By Their Work: Indigenous Women’s Digital Media in North America</em></a>.<br> </p><p><strong>William Lempert</strong> is Osterweis Family Associate Professor of Anthropology at Bowdoin College and author of <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><em>Dreaming Down the Track: Awakenings in Aboriginal Cinema</em></a>.</p><p><br></p><p><br></p><p><strong>REFERENCES/MEDIA:</strong></p><p><em>Donna’s Story</em> (film)</p><p><em>Indians + Aliens</em> (reality television series)</p><p><em>The Visit</em> (animated documentary short)</p><p><em>Tjawa Tjawa</em> (film)</p><p><em>Rutherford Falls</em> (sitcom)</p><p><strong>REFERENCES/PEOPLE:</strong></p><p>Mark Moora</p><p>Faye Ginsburg</p><p>Jesse Wente</p><p>Doug Cuthand</p><p>Donna Gamble</p><p>Lisa Jackson</p><p>Billy-Ray Belcourt</p><p>Jeff Barnaby</p><p>Leanne Betasamosake Simpson</p><p>Cynthia Lickers-Sage</p><p>Taiko Waititi</p><p>Foucault</p><p>Coulthard</p><p>Audra Simpson</p><p><strong>REFERENCES/OTHER</strong></p><p>Mark Rifkin / <a href="https://www.dukeupress.edu/beyond-settler-time"><em>Beyond Settler Time</em></a></p><p>ImagiNATIVE Australia</p><p>Karrmen Crey’s <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><strong><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></strong></a> and <a href="https://www.upress.umn.edu/9781517919061/by-their-work/"><strong><em>By Their Work: Indigenous Women’s Digital Media in North America</em></strong></a> (a collection co-edited with Joanna Hearne) are available from University of Minnesota Press. <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><strong><em>Dreaming Down the Track: Awakenings in Aboriginal Cinema</em></strong></a> by William Lempert is available from <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/">University of Minnesota Press</a>, and has an <a href="https://manifold.umn.edu/projects/dreaming-down-the-track">open-access edition</a> through Manifold. </p>]]>
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        <![CDATA[<p>What lives in the spaces between dreams and apocalypse? Two authors discuss their books on Indigenous media: Karrmen Crey, whose <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><strong><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></strong></a> considers the political and cultural conditions that enabled the proliferation of Indigenous media across Canada in the early 1990s. The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, William Lempert’s <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><strong><em>Dreaming Down the Track</em></strong></a> delves deeply into Aboriginal cinema as a transformative community process. Crey and Lempert are joined in conversation here about the process of preserving community stories and enacting sovereign futures. Access a transcript: https://share.transistor.fm/s/952dd9d3</p><p><br></p><p><strong>Karrmen Crey</strong> is associate professor of Aboriginal communication and media studies in the School of Communication at Simon Fraser University. Crey is author of <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></a> and coeditor (with Joanna Hearne) of <a href="https://www.upress.umn.edu/9781517919061/by-their-work/"><em>By Their Work: Indigenous Women’s Digital Media in North America</em></a>.<br> </p><p><strong>William Lempert</strong> is Osterweis Family Associate Professor of Anthropology at Bowdoin College and author of <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><em>Dreaming Down the Track: Awakenings in Aboriginal Cinema</em></a>.</p><p><br></p><p><br></p><p><strong>REFERENCES/MEDIA:</strong></p><p><em>Donna’s Story</em> (film)</p><p><em>Indians + Aliens</em> (reality television series)</p><p><em>The Visit</em> (animated documentary short)</p><p><em>Tjawa Tjawa</em> (film)</p><p><em>Rutherford Falls</em> (sitcom)</p><p><strong>REFERENCES/PEOPLE:</strong></p><p>Mark Moora</p><p>Faye Ginsburg</p><p>Jesse Wente</p><p>Doug Cuthand</p><p>Donna Gamble</p><p>Lisa Jackson</p><p>Billy-Ray Belcourt</p><p>Jeff Barnaby</p><p>Leanne Betasamosake Simpson</p><p>Cynthia Lickers-Sage</p><p>Taiko Waititi</p><p>Foucault</p><p>Coulthard</p><p>Audra Simpson</p><p><strong>REFERENCES/OTHER</strong></p><p>Mark Rifkin / <a href="https://www.dukeupress.edu/beyond-settler-time"><em>Beyond Settler Time</em></a></p><p>ImagiNATIVE Australia</p><p>Karrmen Crey’s <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><strong><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></strong></a> and <a href="https://www.upress.umn.edu/9781517919061/by-their-work/"><strong><em>By Their Work: Indigenous Women’s Digital Media in North America</em></strong></a> (a collection co-edited with Joanna Hearne) are available from University of Minnesota Press. <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><strong><em>Dreaming Down the Track: Awakenings in Aboriginal Cinema</em></strong></a> by William Lempert is available from <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/">University of Minnesota Press</a>, and has an <a href="https://manifold.umn.edu/projects/dreaming-down-the-track">open-access edition</a> through Manifold. </p>]]>
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      <pubDate>Wed, 05 Nov 2025 09:52:29 -0600</pubDate>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4457</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>What lives in the spaces between dreams and apocalypse? Two authors discuss their books on Indigenous media: Karrmen Crey, whose <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><strong><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></strong></a> considers the political and cultural conditions that enabled the proliferation of Indigenous media across Canada in the early 1990s. The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, William Lempert’s <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><strong><em>Dreaming Down the Track</em></strong></a> delves deeply into Aboriginal cinema as a transformative community process. Crey and Lempert are joined in conversation here about the process of preserving community stories and enacting sovereign futures. Access a transcript: https://share.transistor.fm/s/952dd9d3</p><p><br></p><p><strong>Karrmen Crey</strong> is associate professor of Aboriginal communication and media studies in the School of Communication at Simon Fraser University. Crey is author of <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></a> and coeditor (with Joanna Hearne) of <a href="https://www.upress.umn.edu/9781517919061/by-their-work/"><em>By Their Work: Indigenous Women’s Digital Media in North America</em></a>.<br> </p><p><strong>William Lempert</strong> is Osterweis Family Associate Professor of Anthropology at Bowdoin College and author of <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><em>Dreaming Down the Track: Awakenings in Aboriginal Cinema</em></a>.</p><p><br></p><p><br></p><p><strong>REFERENCES/MEDIA:</strong></p><p><em>Donna’s Story</em> (film)</p><p><em>Indians + Aliens</em> (reality television series)</p><p><em>The Visit</em> (animated documentary short)</p><p><em>Tjawa Tjawa</em> (film)</p><p><em>Rutherford Falls</em> (sitcom)</p><p><strong>REFERENCES/PEOPLE:</strong></p><p>Mark Moora</p><p>Faye Ginsburg</p><p>Jesse Wente</p><p>Doug Cuthand</p><p>Donna Gamble</p><p>Lisa Jackson</p><p>Billy-Ray Belcourt</p><p>Jeff Barnaby</p><p>Leanne Betasamosake Simpson</p><p>Cynthia Lickers-Sage</p><p>Taiko Waititi</p><p>Foucault</p><p>Coulthard</p><p>Audra Simpson</p><p><strong>REFERENCES/OTHER</strong></p><p>Mark Rifkin / <a href="https://www.dukeupress.edu/beyond-settler-time"><em>Beyond Settler Time</em></a></p><p>ImagiNATIVE Australia</p><p>Karrmen Crey’s <a href="https://www.upress.umn.edu/9781517914509/producing-sovereignty/"><strong><em>Producing Sovereignty: The Rise of Indigenous Media in Canada</em></strong></a> and <a href="https://www.upress.umn.edu/9781517919061/by-their-work/"><strong><em>By Their Work: Indigenous Women’s Digital Media in North America</em></strong></a> (a collection co-edited with Joanna Hearne) are available from University of Minnesota Press. <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/"><strong><em>Dreaming Down the Track: Awakenings in Aboriginal Cinema</em></strong></a> by William Lempert is available from <a href="https://www.upress.umn.edu/9781517918279/dreaming-down-the-track/">University of Minnesota Press</a>, and has an <a href="https://manifold.umn.edu/projects/dreaming-down-the-track">open-access edition</a> through Manifold. </p>]]>
      </itunes:summary>
      <itunes:keywords>Indigenous nationalism, Australia, Canada, Fourth cinema, pretendians, production, representation, Cree, apocalypse, Balgo, ImagiNATIVE</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Surrealism and selfhood</title>
      <itunes:episode>121</itunes:episode>
      <podcast:episode>121</podcast:episode>
      <itunes:title>Surrealism and selfhood</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/383eeead</link>
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        <![CDATA[<p>In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as “ethnographic surrealism.” Joyce Suechun Cheng considers the ethnographic dimension of the surrealist movement in its formative years in her new book <a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><strong><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></strong></a>, the inaugural volume in the University of Minnesota Press’s <a href="https://www.upress.umn.edu/search-grid/?series=surrealisms-the-international-society-for-the-study-of-surrealism-book-series">Surrealisms</a> series. By broadening the scope of ethnographic surrealism, Cheng offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Here, Cheng is joined in conversation with Surrealisms series editor Jonathan Eburne. Access a transcript: https://share.transistor.fm/s/383eeead</p><p><br></p><p><strong>Joyce Cheng</strong> is associate professor of art history at the University of Oregon and author of <a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></a>.</p><p><br></p><p><strong>Jonathan Eburne</strong> is J. H. Hexter Professor in the Humanities at Washington University in St. Louis. He is author of <a href="https://www.upress.umn.edu/9781517905552/outsider-theory/"><em>Outsider Theory: Intellectual Histories of Unorthodox Ideas</em></a> and <a href="https://www.upress.umn.edu/9781517918521/exploded-views/"><em>Exploded Views: Speculative Form and the Labor of Inquiry</em></a>.    </p><p><br></p><p>REFERENCES:</p><p>Michael Stone-Richards</p><p>James Clifford / <a href="https://www.hup.harvard.edu/books/9780674698437"><em>The Predicament of Culture</em></a></p><p>Natalya Lusty</p><p>Effie Rentzou</p><p>James Leo Cahill /<em> </em><a href="https://www.upress.umn.edu/9781517902162/zoological-surrealism/"><em>Zoological Surrealism</em></a></p><p>Georges Bataille / <a href="https://monoskop.org/Documents"><em>Documents</em></a></p><p>Vincent Debaene /<em> </em><a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo17322945.html"><em>Far Afield</em></a></p><p>Severed hand collages</p><p>Marcel Mauss</p><p>Hannah Arendt</p><p>Johannes Fabian / <a href="https://cup.columbia.edu/book/time-and-the-other/9780231169264/"><em>Time and the Other</em></a></p><p>Malkam Ayyahou</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><strong><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></strong></a> by Joyce Suechun Cheng is available from University of Minnesota Press and is the first book in its Surrealisms series. The University of Minnesota Press is also publisher of the <a href="https://www.upress.umn.edu/journals/international-journal-of-surrealism/"><em>International Journal of Surrealism</em></a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as “ethnographic surrealism.” Joyce Suechun Cheng considers the ethnographic dimension of the surrealist movement in its formative years in her new book <a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><strong><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></strong></a>, the inaugural volume in the University of Minnesota Press’s <a href="https://www.upress.umn.edu/search-grid/?series=surrealisms-the-international-society-for-the-study-of-surrealism-book-series">Surrealisms</a> series. By broadening the scope of ethnographic surrealism, Cheng offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Here, Cheng is joined in conversation with Surrealisms series editor Jonathan Eburne. Access a transcript: https://share.transistor.fm/s/383eeead</p><p><br></p><p><strong>Joyce Cheng</strong> is associate professor of art history at the University of Oregon and author of <a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></a>.</p><p><br></p><p><strong>Jonathan Eburne</strong> is J. H. Hexter Professor in the Humanities at Washington University in St. Louis. He is author of <a href="https://www.upress.umn.edu/9781517905552/outsider-theory/"><em>Outsider Theory: Intellectual Histories of Unorthodox Ideas</em></a> and <a href="https://www.upress.umn.edu/9781517918521/exploded-views/"><em>Exploded Views: Speculative Form and the Labor of Inquiry</em></a>.    </p><p><br></p><p>REFERENCES:</p><p>Michael Stone-Richards</p><p>James Clifford / <a href="https://www.hup.harvard.edu/books/9780674698437"><em>The Predicament of Culture</em></a></p><p>Natalya Lusty</p><p>Effie Rentzou</p><p>James Leo Cahill /<em> </em><a href="https://www.upress.umn.edu/9781517902162/zoological-surrealism/"><em>Zoological Surrealism</em></a></p><p>Georges Bataille / <a href="https://monoskop.org/Documents"><em>Documents</em></a></p><p>Vincent Debaene /<em> </em><a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo17322945.html"><em>Far Afield</em></a></p><p>Severed hand collages</p><p>Marcel Mauss</p><p>Hannah Arendt</p><p>Johannes Fabian / <a href="https://cup.columbia.edu/book/time-and-the-other/9780231169264/"><em>Time and the Other</em></a></p><p>Malkam Ayyahou</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><strong><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></strong></a> by Joyce Suechun Cheng is available from University of Minnesota Press and is the first book in its Surrealisms series. The University of Minnesota Press is also publisher of the <a href="https://www.upress.umn.edu/journals/international-journal-of-surrealism/"><em>International Journal of Surrealism</em></a>.</p>]]>
      </content:encoded>
      <pubDate>Tue, 28 Oct 2025 10:33:51 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3768</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as “ethnographic surrealism.” Joyce Suechun Cheng considers the ethnographic dimension of the surrealist movement in its formative years in her new book <a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><strong><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></strong></a>, the inaugural volume in the University of Minnesota Press’s <a href="https://www.upress.umn.edu/search-grid/?series=surrealisms-the-international-society-for-the-study-of-surrealism-book-series">Surrealisms</a> series. By broadening the scope of ethnographic surrealism, Cheng offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Here, Cheng is joined in conversation with Surrealisms series editor Jonathan Eburne. Access a transcript: https://share.transistor.fm/s/383eeead</p><p><br></p><p><strong>Joyce Cheng</strong> is associate professor of art history at the University of Oregon and author of <a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></a>.</p><p><br></p><p><strong>Jonathan Eburne</strong> is J. H. Hexter Professor in the Humanities at Washington University in St. Louis. He is author of <a href="https://www.upress.umn.edu/9781517905552/outsider-theory/"><em>Outsider Theory: Intellectual Histories of Unorthodox Ideas</em></a> and <a href="https://www.upress.umn.edu/9781517918521/exploded-views/"><em>Exploded Views: Speculative Form and the Labor of Inquiry</em></a>.    </p><p><br></p><p>REFERENCES:</p><p>Michael Stone-Richards</p><p>James Clifford / <a href="https://www.hup.harvard.edu/books/9780674698437"><em>The Predicament of Culture</em></a></p><p>Natalya Lusty</p><p>Effie Rentzou</p><p>James Leo Cahill /<em> </em><a href="https://www.upress.umn.edu/9781517902162/zoological-surrealism/"><em>Zoological Surrealism</em></a></p><p>Georges Bataille / <a href="https://monoskop.org/Documents"><em>Documents</em></a></p><p>Vincent Debaene /<em> </em><a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo17322945.html"><em>Far Afield</em></a></p><p>Severed hand collages</p><p>Marcel Mauss</p><p>Hannah Arendt</p><p>Johannes Fabian / <a href="https://cup.columbia.edu/book/time-and-the-other/9780231169264/"><em>Time and the Other</em></a></p><p>Malkam Ayyahou</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917784/the-persistence-of-masks/"><strong><em>The Persistence of Masks: Surrealism and the Ethnography of the Subject</em></strong></a> by Joyce Suechun Cheng is available from University of Minnesota Press and is the first book in its Surrealisms series. The University of Minnesota Press is also publisher of the <a href="https://www.upress.umn.edu/journals/international-journal-of-surrealism/"><em>International Journal of Surrealism</em></a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>art history, aesthetics, philosophy, museums, masks, French colonialism, Paris 1930s, intellectual, anthropology, interdisciplinary</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    </item>
    <item>
      <title>“Not everybody has seven mothers.”</title>
      <itunes:episode>120</itunes:episode>
      <podcast:episode>120</podcast:episode>
      <itunes:title>“Not everybody has seven mothers.”</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">de7803b6-f07a-46bd-8d06-71619f4bb6a5</guid>
      <link>https://share.transistor.fm/s/04d4beb5</link>
      <description>
        <![CDATA[<p>In Copenhagen in 1972, during the exhilarating early days of women’s liberation in Scandinavia and dramatic social change around the world, seven women had a child together. Recounting her mothers’ history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Pernille Ipsen’s chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived reminds us that new worlds are always possible. Here, Ipsen is joined in conversation with Adriane Lentz-Smith. Access a transcript: https://share.transistor.fm/s/04d4beb5</p><p><strong>Pernille Ipsen</strong> is author of<a href="https://www.upress.umn.edu/9781517917791/my-seven-mothers/"><strong><em> My Seven Mothers: Making a Family in the Danish Women's Movement</em></strong></a> and professor of gender and women’s studies and history at the University of Wisconsin-Madison. Ipsen is a historian of gender, women, feminism, race and colonialism in Scandinavia and the larger Atlantic world.</p><p><br></p><p><strong>Adriane Lentz-Smith</strong> is associate professor of history, African American studies, and gender, sexuality, and feminist studies at Duke University. Lentz-Smith is author of <a href="https://www.hup.harvard.edu/books/9780674062054"><em>Freedom Struggles: African Americans and World War I</em></a>.</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>"This book is a treasure, especially for a second-wave American feminist who was thrilled to learn of the boldness and courage of our Danish sisters at the very start of the 1970s women’s movement. I can’t recommend it highly enough."</p><p><strong>—Vivian Gornick</strong>, author of <em>The Odd Woman and the City<br></em><br></p><p><br></p><p>"<em>My Seven Mothers</em> certainly is not all happiness and light, but that makes it even more moving, and as an American feminist I felt a sense of recognition infused with my own memories."</p><p><strong>—Linda Gordon</strong>, author of <em>Seven Social Movements That Changed America<br></em><br></p><p><br></p><p>"Compulsively readable and historically insightful, <em>My Seven Mothers</em> reveals the spirit, courage, and tenacity required of the women who paved the way for second-wave feminist organizing in Denmark."</p><p><strong>—Birgitte Søland</strong>, author of <em>Becoming Modern: Young Women and the Reconstruction of Womanhood in the 1920s</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917791/my-seven-mothers/"><strong><em>My Seven Mothers: Making a Family in the Danish Women’s Movement</em></strong></a> by Pernille Ipsen is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In Copenhagen in 1972, during the exhilarating early days of women’s liberation in Scandinavia and dramatic social change around the world, seven women had a child together. Recounting her mothers’ history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Pernille Ipsen’s chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived reminds us that new worlds are always possible. Here, Ipsen is joined in conversation with Adriane Lentz-Smith. Access a transcript: https://share.transistor.fm/s/04d4beb5</p><p><strong>Pernille Ipsen</strong> is author of<a href="https://www.upress.umn.edu/9781517917791/my-seven-mothers/"><strong><em> My Seven Mothers: Making a Family in the Danish Women's Movement</em></strong></a> and professor of gender and women’s studies and history at the University of Wisconsin-Madison. Ipsen is a historian of gender, women, feminism, race and colonialism in Scandinavia and the larger Atlantic world.</p><p><br></p><p><strong>Adriane Lentz-Smith</strong> is associate professor of history, African American studies, and gender, sexuality, and feminist studies at Duke University. Lentz-Smith is author of <a href="https://www.hup.harvard.edu/books/9780674062054"><em>Freedom Struggles: African Americans and World War I</em></a>.</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>"This book is a treasure, especially for a second-wave American feminist who was thrilled to learn of the boldness and courage of our Danish sisters at the very start of the 1970s women’s movement. I can’t recommend it highly enough."</p><p><strong>—Vivian Gornick</strong>, author of <em>The Odd Woman and the City<br></em><br></p><p><br></p><p>"<em>My Seven Mothers</em> certainly is not all happiness and light, but that makes it even more moving, and as an American feminist I felt a sense of recognition infused with my own memories."</p><p><strong>—Linda Gordon</strong>, author of <em>Seven Social Movements That Changed America<br></em><br></p><p><br></p><p>"Compulsively readable and historically insightful, <em>My Seven Mothers</em> reveals the spirit, courage, and tenacity required of the women who paved the way for second-wave feminist organizing in Denmark."</p><p><strong>—Birgitte Søland</strong>, author of <em>Becoming Modern: Young Women and the Reconstruction of Womanhood in the 1920s</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917791/my-seven-mothers/"><strong><em>My Seven Mothers: Making a Family in the Danish Women’s Movement</em></strong></a> by Pernille Ipsen is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </content:encoded>
      <pubDate>Tue, 21 Oct 2025 09:17:21 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/04d4beb5/4e062a30.mp3" length="88341443" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3679</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In Copenhagen in 1972, during the exhilarating early days of women’s liberation in Scandinavia and dramatic social change around the world, seven women had a child together. Recounting her mothers’ history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Pernille Ipsen’s chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived reminds us that new worlds are always possible. Here, Ipsen is joined in conversation with Adriane Lentz-Smith. Access a transcript: https://share.transistor.fm/s/04d4beb5</p><p><strong>Pernille Ipsen</strong> is author of<a href="https://www.upress.umn.edu/9781517917791/my-seven-mothers/"><strong><em> My Seven Mothers: Making a Family in the Danish Women's Movement</em></strong></a> and professor of gender and women’s studies and history at the University of Wisconsin-Madison. Ipsen is a historian of gender, women, feminism, race and colonialism in Scandinavia and the larger Atlantic world.</p><p><br></p><p><strong>Adriane Lentz-Smith</strong> is associate professor of history, African American studies, and gender, sexuality, and feminist studies at Duke University. Lentz-Smith is author of <a href="https://www.hup.harvard.edu/books/9780674062054"><em>Freedom Struggles: African Americans and World War I</em></a>.</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>"This book is a treasure, especially for a second-wave American feminist who was thrilled to learn of the boldness and courage of our Danish sisters at the very start of the 1970s women’s movement. I can’t recommend it highly enough."</p><p><strong>—Vivian Gornick</strong>, author of <em>The Odd Woman and the City<br></em><br></p><p><br></p><p>"<em>My Seven Mothers</em> certainly is not all happiness and light, but that makes it even more moving, and as an American feminist I felt a sense of recognition infused with my own memories."</p><p><strong>—Linda Gordon</strong>, author of <em>Seven Social Movements That Changed America<br></em><br></p><p><br></p><p>"Compulsively readable and historically insightful, <em>My Seven Mothers</em> reveals the spirit, courage, and tenacity required of the women who paved the way for second-wave feminist organizing in Denmark."</p><p><strong>—Birgitte Søland</strong>, author of <em>Becoming Modern: Young Women and the Reconstruction of Womanhood in the 1920s</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917791/my-seven-mothers/"><strong><em>My Seven Mothers: Making a Family in the Danish Women’s Movement</em></strong></a> by Pernille Ipsen is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords>Danish literature, feminist, women's liberation, social movements, Et åbent øjeblik, Audre Lorde, Dorothy Allison, history, queer, alternate family, memoir, Women's House, second-wave</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Nonbinary Jane Austen</title>
      <itunes:episode>119</itunes:episode>
      <podcast:episode>119</podcast:episode>
      <itunes:title>Nonbinary Jane Austen</itunes:title>
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        <![CDATA[<p>Chris Washington reads Jane Austen differently from how she is classically understood; rather than the doyen of the cisheteronormative marriage plot, Washington argues that Austen leverages the generic restraints of the novel and envisions a nonbinary future that traverses the two-sex model of gender that supposedly solidifies in the eighteenth century. Here, Washington discusses a politics built on plurality and possibility with Marquis Bey, Christopher Breu, and Alison Sperling. Access a transcript: https://share.transistor.fm/s/57e6a465</p><p><strong>Chris Washington</strong> is associate professor of English at Francis Marion University. He is author of <a href="https://www.upress.umn.edu/9781517917586/nonbinary-jane-austen/"><em>Nonbinary Jane Austen</em></a> and editor of the Norton Critical Edition of Mary Shelley’s <a href="https://wwnorton.com/books/9780393887822"><em>The Last Man</em></a>.</p><p><br></p><p><strong>Marquis Bey</strong> is professor of black studies and gender and sexuality and critical theory at Northwestern University. Bey is author of several books including <a href="https://www.dukeupress.edu/cistem-failure"><em>Cistem Failure</em></a>, <a href="https://www.dukeupress.edu/black-trans-feminism"><em>Black Trans Feminism</em></a>, and <a href="https://manifold.umn.edu/projects/the-problem-of-the-negro-as-a-problem-for-gender"><em>The Problem of the Negro as a Problem for Gender</em></a>.</p><p><br></p><p><strong>Christopher Breu</strong> is author of several books including <a href="https://www.fordhampress.com/9781531508777/in-defense-of-sex/"><em>In Defense of Sex</em></a>, <a href="https://www.upress.umn.edu/9780816689460/insistence-of-the-material/"><em>Insistence of the Material</em></a>, <a href="https://www.upress.umn.edu/9780816644346/hard-boiled-masculinities/"><em>Hard-Boiled Masculinities</em></a>, and coeditor of <a href="https://www.fordhampress.com/9780823287666/noir-affect/"><em>Noir Affect</em></a>. Breu is professor of English at Illinois State University. </p><p><br></p><p><strong>Alison Sperling</strong> is assistant professor of literature, media, and culture at Florida State University, and a visiting fellow at the Institute for Cultural Inquiry Berlin.</p><p><br></p><p>REFERENCES:</p><p>Derrida’s <em>Of Grammatology</em></p><p>Foucault</p><p><a href="https://www.plutobooks.com/9780745349404/trans-femme-futures/"><em>Trans Femme Futures</em></a><em> </em>/ Nat Raha and Mijke van der Drift</p><p><a href="https://www.versobooks.com/products/976-the-anthropocene-unconscious"><em>The Anthropocene Unconscious</em></a> / Mark Bould; Alison Sperling review in <a href="https://lareviewofbooks.org/article/ride-or-die-mark-bould-and-the-fast-and-furiocene/"><em>Los Angeles Review of Books</em></a></p><p><em>The Matrix </em>film</p><p><a href="https://www.upress.umn.edu/9781517901738/black-on-both-sides/"><em>Black on Both Sides</em></a> / C. Riley Snorton</p><p>Fred Moten</p><p>Judith Butler</p><p><a href="https://watermark.silverchair.com/rep.2022.158.11.106.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAA3wwggN4BgkqhkiG9w0BBwagggNpMIIDZQIBADCCA14GCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQM2oQ4JnnJQ_aTY7vdAgEQgIIDL0AUj2e7SPKH0HDLtv_oo1eTIIpjVzVNOV8OEdM-1xK0AsxSmbMSLeScUR1vzgQceRJ3s6J0DBCjQ5f4ICNtXdbGcz-Qx16qR1bG77z4SLXnIvMOxJLvnZhYm6Lob4Qd2CPg_TjihApL-giveTleKrYNxu_YQbKeEunZKf9XQQw5LMPascIQ_T-2HKuYuDNzbWb70o37hH4p0gyU4wjJdcmm1NZd6H-l514eUBsbUjGFiMTxmdw8YJFRWJPGVa5D6souhrlIzncj3XeXEfIX2YySpgPa4w_LokF-SzDAeNVFsY3Ol1CxZ2HS65YkHFvaaAoPOao-3LPY6uQgjQsNIqvcuE5RyHYkgx24Y9liyC55LDT84Mu6WBlLoSUHj-KGs88_uklaAXDqloB7l21aYR29-kxxkdleGRRCuB10hrkT-rDXk_1NVnuTmcV7JZmrfcYEsS2oYEjhwGa6fP2z4VUhxAQKAKHZlFeToj90_Aiqzx_A9zHWS1ZmM7nEwfo13w9W6hmsJIAIJvBBKt6nJaDcLsjLXnnpXN9ZM4esKqhX0qsTsiBlmd2HSWq9XnVoZz6BWSuVg2aaXDXOBkqAYybG-6il8J-SuYH0lu1_LVAzzAxPDywKe1OhjYmlhXIA1EU59y39NGF9Gnzp8NXXFd2pqyPcIi-a_uZUwMHv80kWJmMIGyBk7C3Y_lTOqsFwhHFMWZke7MAbUYomskiAaRSUZkJDI2gIzFeoAu2JBsm4eTFrj4fInU544XT55O2chXhlx6JAL_G_WBSTDk63SJHTDOKa-Pc1QGZUKOyhyz7gxglAezgFjwxSmWgMOOdiuvAzXPcQ2_1B46MIwxxaFwVMGJeGbnlf9mEvI9xpgxbJnGOjMiHz0DNUiWPKyKxumlu5E2oHtYpZFjbTB4U93pU9kQqRoU4eyvlFxfVz2izw53U9aUz5zKUIkHkmhn0lflM4_nAG-4NP3KBjdDqeQDejqGRVtM873RBgX7emvEgG_lJfLdSKusLUzd1_QF2FKHvcOYfboPmPyOg73ua_zI595GhuImFYCr6hHfDkat7x_yI5lfjXee7WBnBA69Hc"><em>We Are All Nonbinary</em></a> (essay) / Kadji Amin</p><p>Edward Said</p><p><a href="https://www.upress.umn.edu/9781517904678/histories-of-the-transgender-child/"><em>Histories of the Transgender Child</em></a> / Jules Gill-Peterson</p><p>S. Pearl Brilmyer / <a href="https://www.dukeupress.edu/the-ontology-of-the-couple">“The Ontology of the Couple” issue of <em>GLQ</em></a></p><p><em>A Mercy</em> / Toni Morrison</p><p>Sojourner Truth</p><p><br><a href="https://www.upress.umn.edu/9781517917586/nonbinary-jane-austen/"><strong><em>Nonbinary Jane Austen</em></strong></a> is available in the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a> from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/nonbinary-jane-austen">manifold.umn.edu</a>. Thank you for listening.<br></p>]]>
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        <![CDATA[<p>Chris Washington reads Jane Austen differently from how she is classically understood; rather than the doyen of the cisheteronormative marriage plot, Washington argues that Austen leverages the generic restraints of the novel and envisions a nonbinary future that traverses the two-sex model of gender that supposedly solidifies in the eighteenth century. Here, Washington discusses a politics built on plurality and possibility with Marquis Bey, Christopher Breu, and Alison Sperling. Access a transcript: https://share.transistor.fm/s/57e6a465</p><p><strong>Chris Washington</strong> is associate professor of English at Francis Marion University. He is author of <a href="https://www.upress.umn.edu/9781517917586/nonbinary-jane-austen/"><em>Nonbinary Jane Austen</em></a> and editor of the Norton Critical Edition of Mary Shelley’s <a href="https://wwnorton.com/books/9780393887822"><em>The Last Man</em></a>.</p><p><br></p><p><strong>Marquis Bey</strong> is professor of black studies and gender and sexuality and critical theory at Northwestern University. Bey is author of several books including <a href="https://www.dukeupress.edu/cistem-failure"><em>Cistem Failure</em></a>, <a href="https://www.dukeupress.edu/black-trans-feminism"><em>Black Trans Feminism</em></a>, and <a href="https://manifold.umn.edu/projects/the-problem-of-the-negro-as-a-problem-for-gender"><em>The Problem of the Negro as a Problem for Gender</em></a>.</p><p><br></p><p><strong>Christopher Breu</strong> is author of several books including <a href="https://www.fordhampress.com/9781531508777/in-defense-of-sex/"><em>In Defense of Sex</em></a>, <a href="https://www.upress.umn.edu/9780816689460/insistence-of-the-material/"><em>Insistence of the Material</em></a>, <a href="https://www.upress.umn.edu/9780816644346/hard-boiled-masculinities/"><em>Hard-Boiled Masculinities</em></a>, and coeditor of <a href="https://www.fordhampress.com/9780823287666/noir-affect/"><em>Noir Affect</em></a>. Breu is professor of English at Illinois State University. </p><p><br></p><p><strong>Alison Sperling</strong> is assistant professor of literature, media, and culture at Florida State University, and a visiting fellow at the Institute for Cultural Inquiry Berlin.</p><p><br></p><p>REFERENCES:</p><p>Derrida’s <em>Of Grammatology</em></p><p>Foucault</p><p><a href="https://www.plutobooks.com/9780745349404/trans-femme-futures/"><em>Trans Femme Futures</em></a><em> </em>/ Nat Raha and Mijke van der Drift</p><p><a href="https://www.versobooks.com/products/976-the-anthropocene-unconscious"><em>The Anthropocene Unconscious</em></a> / Mark Bould; Alison Sperling review in <a href="https://lareviewofbooks.org/article/ride-or-die-mark-bould-and-the-fast-and-furiocene/"><em>Los Angeles Review of Books</em></a></p><p><em>The Matrix </em>film</p><p><a href="https://www.upress.umn.edu/9781517901738/black-on-both-sides/"><em>Black on Both Sides</em></a> / C. Riley Snorton</p><p>Fred Moten</p><p>Judith Butler</p><p><a href="https://watermark.silverchair.com/rep.2022.158.11.106.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAA3wwggN4BgkqhkiG9w0BBwagggNpMIIDZQIBADCCA14GCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQM2oQ4JnnJQ_aTY7vdAgEQgIIDL0AUj2e7SPKH0HDLtv_oo1eTIIpjVzVNOV8OEdM-1xK0AsxSmbMSLeScUR1vzgQceRJ3s6J0DBCjQ5f4ICNtXdbGcz-Qx16qR1bG77z4SLXnIvMOxJLvnZhYm6Lob4Qd2CPg_TjihApL-giveTleKrYNxu_YQbKeEunZKf9XQQw5LMPascIQ_T-2HKuYuDNzbWb70o37hH4p0gyU4wjJdcmm1NZd6H-l514eUBsbUjGFiMTxmdw8YJFRWJPGVa5D6souhrlIzncj3XeXEfIX2YySpgPa4w_LokF-SzDAeNVFsY3Ol1CxZ2HS65YkHFvaaAoPOao-3LPY6uQgjQsNIqvcuE5RyHYkgx24Y9liyC55LDT84Mu6WBlLoSUHj-KGs88_uklaAXDqloB7l21aYR29-kxxkdleGRRCuB10hrkT-rDXk_1NVnuTmcV7JZmrfcYEsS2oYEjhwGa6fP2z4VUhxAQKAKHZlFeToj90_Aiqzx_A9zHWS1ZmM7nEwfo13w9W6hmsJIAIJvBBKt6nJaDcLsjLXnnpXN9ZM4esKqhX0qsTsiBlmd2HSWq9XnVoZz6BWSuVg2aaXDXOBkqAYybG-6il8J-SuYH0lu1_LVAzzAxPDywKe1OhjYmlhXIA1EU59y39NGF9Gnzp8NXXFd2pqyPcIi-a_uZUwMHv80kWJmMIGyBk7C3Y_lTOqsFwhHFMWZke7MAbUYomskiAaRSUZkJDI2gIzFeoAu2JBsm4eTFrj4fInU544XT55O2chXhlx6JAL_G_WBSTDk63SJHTDOKa-Pc1QGZUKOyhyz7gxglAezgFjwxSmWgMOOdiuvAzXPcQ2_1B46MIwxxaFwVMGJeGbnlf9mEvI9xpgxbJnGOjMiHz0DNUiWPKyKxumlu5E2oHtYpZFjbTB4U93pU9kQqRoU4eyvlFxfVz2izw53U9aUz5zKUIkHkmhn0lflM4_nAG-4NP3KBjdDqeQDejqGRVtM873RBgX7emvEgG_lJfLdSKusLUzd1_QF2FKHvcOYfboPmPyOg73ua_zI595GhuImFYCr6hHfDkat7x_yI5lfjXee7WBnBA69Hc"><em>We Are All Nonbinary</em></a> (essay) / Kadji Amin</p><p>Edward Said</p><p><a href="https://www.upress.umn.edu/9781517904678/histories-of-the-transgender-child/"><em>Histories of the Transgender Child</em></a> / Jules Gill-Peterson</p><p>S. Pearl Brilmyer / <a href="https://www.dukeupress.edu/the-ontology-of-the-couple">“The Ontology of the Couple” issue of <em>GLQ</em></a></p><p><em>A Mercy</em> / Toni Morrison</p><p>Sojourner Truth</p><p><br><a href="https://www.upress.umn.edu/9781517917586/nonbinary-jane-austen/"><strong><em>Nonbinary Jane Austen</em></strong></a> is available in the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a> from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/nonbinary-jane-austen">manifold.umn.edu</a>. Thank you for listening.<br></p>]]>
      </content:encoded>
      <pubDate>Tue, 30 Sep 2025 12:47:40 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3670</itunes:duration>
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        <![CDATA[<p>Chris Washington reads Jane Austen differently from how she is classically understood; rather than the doyen of the cisheteronormative marriage plot, Washington argues that Austen leverages the generic restraints of the novel and envisions a nonbinary future that traverses the two-sex model of gender that supposedly solidifies in the eighteenth century. Here, Washington discusses a politics built on plurality and possibility with Marquis Bey, Christopher Breu, and Alison Sperling. Access a transcript: https://share.transistor.fm/s/57e6a465</p><p><strong>Chris Washington</strong> is associate professor of English at Francis Marion University. He is author of <a href="https://www.upress.umn.edu/9781517917586/nonbinary-jane-austen/"><em>Nonbinary Jane Austen</em></a> and editor of the Norton Critical Edition of Mary Shelley’s <a href="https://wwnorton.com/books/9780393887822"><em>The Last Man</em></a>.</p><p><br></p><p><strong>Marquis Bey</strong> is professor of black studies and gender and sexuality and critical theory at Northwestern University. Bey is author of several books including <a href="https://www.dukeupress.edu/cistem-failure"><em>Cistem Failure</em></a>, <a href="https://www.dukeupress.edu/black-trans-feminism"><em>Black Trans Feminism</em></a>, and <a href="https://manifold.umn.edu/projects/the-problem-of-the-negro-as-a-problem-for-gender"><em>The Problem of the Negro as a Problem for Gender</em></a>.</p><p><br></p><p><strong>Christopher Breu</strong> is author of several books including <a href="https://www.fordhampress.com/9781531508777/in-defense-of-sex/"><em>In Defense of Sex</em></a>, <a href="https://www.upress.umn.edu/9780816689460/insistence-of-the-material/"><em>Insistence of the Material</em></a>, <a href="https://www.upress.umn.edu/9780816644346/hard-boiled-masculinities/"><em>Hard-Boiled Masculinities</em></a>, and coeditor of <a href="https://www.fordhampress.com/9780823287666/noir-affect/"><em>Noir Affect</em></a>. Breu is professor of English at Illinois State University. </p><p><br></p><p><strong>Alison Sperling</strong> is assistant professor of literature, media, and culture at Florida State University, and a visiting fellow at the Institute for Cultural Inquiry Berlin.</p><p><br></p><p>REFERENCES:</p><p>Derrida’s <em>Of Grammatology</em></p><p>Foucault</p><p><a href="https://www.plutobooks.com/9780745349404/trans-femme-futures/"><em>Trans Femme Futures</em></a><em> </em>/ Nat Raha and Mijke van der Drift</p><p><a href="https://www.versobooks.com/products/976-the-anthropocene-unconscious"><em>The Anthropocene Unconscious</em></a> / Mark Bould; Alison Sperling review in <a href="https://lareviewofbooks.org/article/ride-or-die-mark-bould-and-the-fast-and-furiocene/"><em>Los Angeles Review of Books</em></a></p><p><em>The Matrix </em>film</p><p><a href="https://www.upress.umn.edu/9781517901738/black-on-both-sides/"><em>Black on Both Sides</em></a> / C. Riley Snorton</p><p>Fred Moten</p><p>Judith Butler</p><p><a href="https://watermark.silverchair.com/rep.2022.158.11.106.pdf?token=AQECAHi208BE49Ooan9kkhW_Ercy7Dm3ZL_9Cf3qfKAc485ysgAAA3wwggN4BgkqhkiG9w0BBwagggNpMIIDZQIBADCCA14GCSqGSIb3DQEHATAeBglghkgBZQMEAS4wEQQM2oQ4JnnJQ_aTY7vdAgEQgIIDL0AUj2e7SPKH0HDLtv_oo1eTIIpjVzVNOV8OEdM-1xK0AsxSmbMSLeScUR1vzgQceRJ3s6J0DBCjQ5f4ICNtXdbGcz-Qx16qR1bG77z4SLXnIvMOxJLvnZhYm6Lob4Qd2CPg_TjihApL-giveTleKrYNxu_YQbKeEunZKf9XQQw5LMPascIQ_T-2HKuYuDNzbWb70o37hH4p0gyU4wjJdcmm1NZd6H-l514eUBsbUjGFiMTxmdw8YJFRWJPGVa5D6souhrlIzncj3XeXEfIX2YySpgPa4w_LokF-SzDAeNVFsY3Ol1CxZ2HS65YkHFvaaAoPOao-3LPY6uQgjQsNIqvcuE5RyHYkgx24Y9liyC55LDT84Mu6WBlLoSUHj-KGs88_uklaAXDqloB7l21aYR29-kxxkdleGRRCuB10hrkT-rDXk_1NVnuTmcV7JZmrfcYEsS2oYEjhwGa6fP2z4VUhxAQKAKHZlFeToj90_Aiqzx_A9zHWS1ZmM7nEwfo13w9W6hmsJIAIJvBBKt6nJaDcLsjLXnnpXN9ZM4esKqhX0qsTsiBlmd2HSWq9XnVoZz6BWSuVg2aaXDXOBkqAYybG-6il8J-SuYH0lu1_LVAzzAxPDywKe1OhjYmlhXIA1EU59y39NGF9Gnzp8NXXFd2pqyPcIi-a_uZUwMHv80kWJmMIGyBk7C3Y_lTOqsFwhHFMWZke7MAbUYomskiAaRSUZkJDI2gIzFeoAu2JBsm4eTFrj4fInU544XT55O2chXhlx6JAL_G_WBSTDk63SJHTDOKa-Pc1QGZUKOyhyz7gxglAezgFjwxSmWgMOOdiuvAzXPcQ2_1B46MIwxxaFwVMGJeGbnlf9mEvI9xpgxbJnGOjMiHz0DNUiWPKyKxumlu5E2oHtYpZFjbTB4U93pU9kQqRoU4eyvlFxfVz2izw53U9aUz5zKUIkHkmhn0lflM4_nAG-4NP3KBjdDqeQDejqGRVtM873RBgX7emvEgG_lJfLdSKusLUzd1_QF2FKHvcOYfboPmPyOg73ua_zI595GhuImFYCr6hHfDkat7x_yI5lfjXee7WBnBA69Hc"><em>We Are All Nonbinary</em></a> (essay) / Kadji Amin</p><p>Edward Said</p><p><a href="https://www.upress.umn.edu/9781517904678/histories-of-the-transgender-child/"><em>Histories of the Transgender Child</em></a> / Jules Gill-Peterson</p><p>S. Pearl Brilmyer / <a href="https://www.dukeupress.edu/the-ontology-of-the-couple">“The Ontology of the Couple” issue of <em>GLQ</em></a></p><p><em>A Mercy</em> / Toni Morrison</p><p>Sojourner Truth</p><p><br><a href="https://www.upress.umn.edu/9781517917586/nonbinary-jane-austen/"><strong><em>Nonbinary Jane Austen</em></strong></a> is available in the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a> from University of Minnesota Press. An open-access edition is available at <a href="https://manifold.umn.edu/projects/nonbinary-jane-austen">manifold.umn.edu</a>. Thank you for listening.<br></p>]]>
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      <itunes:keywords>Austen, deconstruction, literary criticism, nonbinary, micrological, biopolitics, archive, Pride and Prejudice, Mansfield Park, identity politics</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Three economies of transcendence</title>
      <itunes:episode>118</itunes:episode>
      <podcast:episode>118</podcast:episode>
      <itunes:title>Three economies of transcendence</itunes:title>
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        <![CDATA[<p>“Lack of political will and corruption of the ruling class are certainly enormous obstacles but do not (fully) explain the widespread inaction against our current multidimensional crisis (ecological catastrophe, failing democracies, permanent and more destructive wars, etc.).” So opens Andrea Righi’s <a href="https://www.upress.umn.edu/9781452972169/three-economies-of-transcendence/"><strong><em>Three Economies of Transcendence</em></strong></a>, which takes a deep philosophical dive into the fundamental dimensions of subjectivity, society, and time through the lens of transcendence. Here, Righi is joined in a wide-ranging conversation with Michael Lewis about finitude, infinitude, evolution, neoliberalism, and radical change. Access a transcript: https://share.transistor.fm/s/aab495f2</p><p><strong>Andrea Righi</strong> is a cultural theorist and professor of European studies and Italian at Monash University in Melbourne, Australia. Righi is author of <a href="https://www.upress.umn.edu/9781517918385/three-economies-of-transcendence/"><em>Three Economies of Transcendence</em></a>; <a href="https://www.upress.umn.edu/9781517910235/the-other-side-of-the-digital/"><em>The Other Side of the Digital: The Sacrificial Economy of New Media</em></a>; and coeditor with Cesare Casarino of <a href="https://www.upress.umn.edu/9781517904944/another-mother/"><em>Another Mother: Diotima and the Symbolic Order of Italian Feminism</em></a>.</p><p><br></p><p><strong>Michael Lewis</strong> is senior lecturer in philosophy at University of Newcastle Upon Tyne and editor of the <a href="https://research.ncl.ac.uk/italianphilosophy/"><em>Journal of Italian Philosophy</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>René Girard</p><p>Adriana Cavarero</p><p>Emanuele Severino</p><p>Hannah Arendt</p><p>Paolo Virno</p><p>Jacques Lacan</p><p><em>Ministry for the Future</em> / Kim Stanley Robinson</p><p>Fredric Jameson</p><p>Hardt and Negri</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918385/three-economies-of-transcendence/"><strong><em>Three Economies of Transcendence</em></strong></a> by Andrea Righi is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/righi-9781452973678">manifold.umn.edu</a>.</p>]]>
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        <![CDATA[<p>“Lack of political will and corruption of the ruling class are certainly enormous obstacles but do not (fully) explain the widespread inaction against our current multidimensional crisis (ecological catastrophe, failing democracies, permanent and more destructive wars, etc.).” So opens Andrea Righi’s <a href="https://www.upress.umn.edu/9781452972169/three-economies-of-transcendence/"><strong><em>Three Economies of Transcendence</em></strong></a>, which takes a deep philosophical dive into the fundamental dimensions of subjectivity, society, and time through the lens of transcendence. Here, Righi is joined in a wide-ranging conversation with Michael Lewis about finitude, infinitude, evolution, neoliberalism, and radical change. Access a transcript: https://share.transistor.fm/s/aab495f2</p><p><strong>Andrea Righi</strong> is a cultural theorist and professor of European studies and Italian at Monash University in Melbourne, Australia. Righi is author of <a href="https://www.upress.umn.edu/9781517918385/three-economies-of-transcendence/"><em>Three Economies of Transcendence</em></a>; <a href="https://www.upress.umn.edu/9781517910235/the-other-side-of-the-digital/"><em>The Other Side of the Digital: The Sacrificial Economy of New Media</em></a>; and coeditor with Cesare Casarino of <a href="https://www.upress.umn.edu/9781517904944/another-mother/"><em>Another Mother: Diotima and the Symbolic Order of Italian Feminism</em></a>.</p><p><br></p><p><strong>Michael Lewis</strong> is senior lecturer in philosophy at University of Newcastle Upon Tyne and editor of the <a href="https://research.ncl.ac.uk/italianphilosophy/"><em>Journal of Italian Philosophy</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>René Girard</p><p>Adriana Cavarero</p><p>Emanuele Severino</p><p>Hannah Arendt</p><p>Paolo Virno</p><p>Jacques Lacan</p><p><em>Ministry for the Future</em> / Kim Stanley Robinson</p><p>Fredric Jameson</p><p>Hardt and Negri</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918385/three-economies-of-transcendence/"><strong><em>Three Economies of Transcendence</em></strong></a> by Andrea Righi is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/righi-9781452973678">manifold.umn.edu</a>.</p>]]>
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      <pubDate>Tue, 23 Sep 2025 13:54:21 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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        <![CDATA[<p>“Lack of political will and corruption of the ruling class are certainly enormous obstacles but do not (fully) explain the widespread inaction against our current multidimensional crisis (ecological catastrophe, failing democracies, permanent and more destructive wars, etc.).” So opens Andrea Righi’s <a href="https://www.upress.umn.edu/9781452972169/three-economies-of-transcendence/"><strong><em>Three Economies of Transcendence</em></strong></a>, which takes a deep philosophical dive into the fundamental dimensions of subjectivity, society, and time through the lens of transcendence. Here, Righi is joined in a wide-ranging conversation with Michael Lewis about finitude, infinitude, evolution, neoliberalism, and radical change. Access a transcript: https://share.transistor.fm/s/aab495f2</p><p><strong>Andrea Righi</strong> is a cultural theorist and professor of European studies and Italian at Monash University in Melbourne, Australia. Righi is author of <a href="https://www.upress.umn.edu/9781517918385/three-economies-of-transcendence/"><em>Three Economies of Transcendence</em></a>; <a href="https://www.upress.umn.edu/9781517910235/the-other-side-of-the-digital/"><em>The Other Side of the Digital: The Sacrificial Economy of New Media</em></a>; and coeditor with Cesare Casarino of <a href="https://www.upress.umn.edu/9781517904944/another-mother/"><em>Another Mother: Diotima and the Symbolic Order of Italian Feminism</em></a>.</p><p><br></p><p><strong>Michael Lewis</strong> is senior lecturer in philosophy at University of Newcastle Upon Tyne and editor of the <a href="https://research.ncl.ac.uk/italianphilosophy/"><em>Journal of Italian Philosophy</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>René Girard</p><p>Adriana Cavarero</p><p>Emanuele Severino</p><p>Hannah Arendt</p><p>Paolo Virno</p><p>Jacques Lacan</p><p><em>Ministry for the Future</em> / Kim Stanley Robinson</p><p>Fredric Jameson</p><p>Hardt and Negri</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918385/three-economies-of-transcendence/"><strong><em>Three Economies of Transcendence</em></strong></a> by Andrea Righi is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/righi-9781452973678">manifold.umn.edu</a>.</p>]]>
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      <itunes:keywords>crisis, environment, climate change, sociality, theory, money, feminism, Italian, French, philosophy, time, space, neoliberalism, power, existence, immanence</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Star Trek and the franchise era.</title>
      <itunes:episode>117</itunes:episode>
      <podcast:episode>117</podcast:episode>
      <itunes:title>Star Trek and the franchise era.</itunes:title>
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        <![CDATA[<p>In his book <a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><strong><em>Late Star Trek</em></strong></a>, Adam Kotsko analyzes the wealth of content set within <em>Star Trek</em>’s sprawling continuity, beginning with the prequel series <em>Enterprise</em>, highlighting creative triumphs and the tendency for franchise faithfulness to get in the way of new ideas. Arguing against the consensus that franchises are a sign of cultural decay, Kotsko zeroes in on their status as modern myths, owned as corporate intellectual property, as a source of creative limitation. Here, Kotsko is joined in conversation with David Seitz. Access a transcript: https://share.transistor.fm/s/1a04a2fd</p><p><strong>Adam Kotsko</strong> teaches in the Shimer Great Books School at North Central College and runs an <a href="https://latestartrek.substack.com/">active, free-to-read Substack</a>. He is author of many books including <a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><em>Late Star Trek</em></a>, <a href="https://edinburghuniversitypress.com/book-agamben-s-philosophical-trajectory.html"><em>Agamben’s Philosophical Trajectory</em></a>, <a href="https://www.sup.org/books/politics/neoliberalisms-demons"><em>Neoliberalism’s Demons</em></a>, and <a href="https://www.fordhampress.com/9780823297825/what-is-theology/"><em>What Is Theology?</em></a><em> </em></p><p><br></p><p><strong>David Seitz</strong> is associate professor of cultural geography at Harvey Mudd College. He is author of <a href="https://www.nebraskapress.unl.edu/nebraska/9781496227997/a-different-trek/"><em>A Different Trek</em></a> and <a href="https://www.upress.umn.edu/9781517902148/a-house-of-prayer-for-all-people/"><em>A House of Prayer for All People</em></a>.</p><p><br>REFERENCES:<br>Shawna Kidman</p><p>Frederic Jameson</p><p>Anna Kornbluh</p><p>Christopher L. Bennett</p><p>Kirsten Beyer</p><p>David Mack</p><p>Michael Chabon</p><p>Lauren Berlant / <a href="https://www.dukeupress.edu/on-the-inconvenience-of-other-people"><em>On the Inconvenience of Other People</em></a></p><p><em>Star Trek references include:</em></p><p>Deep Space Nine</p><p>Enterprise</p><p>Nemesis</p><p>Discovery</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>​​”Combining the rigorous critical eye of a literary and political theorist with the encyclopedic knowledge of a devoted fan, Adam Kotsko offers an original, persuasive, ethical, funny, grim, and nevertheless hopeful examination of <em>Star Trek</em>’s twenty-first-century incarnations. <em>Late Star Trek</em> is a salutary intervention, a sustained, cogent analysis of what’s gone wrong, what’s gone right, and what possibilities remain for creative and critical storytelling in our late-neoliberal streaming era.”</p><p><strong>—David Seitz</strong></p><p><br></p><p>“Adam Kotsko has written an eminently readable and deeply researched book on twenty-first-century <em>Star Trek, </em>providing an analysis that is both timely and long overdue. A must-read for anyone teaching, doing research on, or just thinking about this ever-growing franchise.”</p><p><strong>—Sabrina Mittermeier</strong>, coeditor of <em>The Routledge Handbook of Star Trek</em> and <em>Fighting for the Future: Essays on “Star Trek: Discovery”</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><strong><em>Late Star Trek: The Final Frontier in the Franchise Era</em></strong></a> by Adam Kotsko is the inaugural volume in the University of Minnesota Press’s <a href="https://www.upress.umn.edu/search-grid/?series=mass-markets-storyworlds-across-media">Mass Markets series</a>.</p><p><br></p>]]>
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        <![CDATA[<p>In his book <a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><strong><em>Late Star Trek</em></strong></a>, Adam Kotsko analyzes the wealth of content set within <em>Star Trek</em>’s sprawling continuity, beginning with the prequel series <em>Enterprise</em>, highlighting creative triumphs and the tendency for franchise faithfulness to get in the way of new ideas. Arguing against the consensus that franchises are a sign of cultural decay, Kotsko zeroes in on their status as modern myths, owned as corporate intellectual property, as a source of creative limitation. Here, Kotsko is joined in conversation with David Seitz. Access a transcript: https://share.transistor.fm/s/1a04a2fd</p><p><strong>Adam Kotsko</strong> teaches in the Shimer Great Books School at North Central College and runs an <a href="https://latestartrek.substack.com/">active, free-to-read Substack</a>. He is author of many books including <a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><em>Late Star Trek</em></a>, <a href="https://edinburghuniversitypress.com/book-agamben-s-philosophical-trajectory.html"><em>Agamben’s Philosophical Trajectory</em></a>, <a href="https://www.sup.org/books/politics/neoliberalisms-demons"><em>Neoliberalism’s Demons</em></a>, and <a href="https://www.fordhampress.com/9780823297825/what-is-theology/"><em>What Is Theology?</em></a><em> </em></p><p><br></p><p><strong>David Seitz</strong> is associate professor of cultural geography at Harvey Mudd College. He is author of <a href="https://www.nebraskapress.unl.edu/nebraska/9781496227997/a-different-trek/"><em>A Different Trek</em></a> and <a href="https://www.upress.umn.edu/9781517902148/a-house-of-prayer-for-all-people/"><em>A House of Prayer for All People</em></a>.</p><p><br>REFERENCES:<br>Shawna Kidman</p><p>Frederic Jameson</p><p>Anna Kornbluh</p><p>Christopher L. Bennett</p><p>Kirsten Beyer</p><p>David Mack</p><p>Michael Chabon</p><p>Lauren Berlant / <a href="https://www.dukeupress.edu/on-the-inconvenience-of-other-people"><em>On the Inconvenience of Other People</em></a></p><p><em>Star Trek references include:</em></p><p>Deep Space Nine</p><p>Enterprise</p><p>Nemesis</p><p>Discovery</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>​​”Combining the rigorous critical eye of a literary and political theorist with the encyclopedic knowledge of a devoted fan, Adam Kotsko offers an original, persuasive, ethical, funny, grim, and nevertheless hopeful examination of <em>Star Trek</em>’s twenty-first-century incarnations. <em>Late Star Trek</em> is a salutary intervention, a sustained, cogent analysis of what’s gone wrong, what’s gone right, and what possibilities remain for creative and critical storytelling in our late-neoliberal streaming era.”</p><p><strong>—David Seitz</strong></p><p><br></p><p>“Adam Kotsko has written an eminently readable and deeply researched book on twenty-first-century <em>Star Trek, </em>providing an analysis that is both timely and long overdue. A must-read for anyone teaching, doing research on, or just thinking about this ever-growing franchise.”</p><p><strong>—Sabrina Mittermeier</strong>, coeditor of <em>The Routledge Handbook of Star Trek</em> and <em>Fighting for the Future: Essays on “Star Trek: Discovery”</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><strong><em>Late Star Trek: The Final Frontier in the Franchise Era</em></strong></a> by Adam Kotsko is the inaugural volume in the University of Minnesota Press’s <a href="https://www.upress.umn.edu/search-grid/?series=mass-markets-storyworlds-across-media">Mass Markets series</a>.</p><p><br></p>]]>
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      <pubDate>Tue, 16 Sep 2025 09:09:36 -0500</pubDate>
      <author>University of Minnesota Press</author>
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        <![CDATA[<p>In his book <a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><strong><em>Late Star Trek</em></strong></a>, Adam Kotsko analyzes the wealth of content set within <em>Star Trek</em>’s sprawling continuity, beginning with the prequel series <em>Enterprise</em>, highlighting creative triumphs and the tendency for franchise faithfulness to get in the way of new ideas. Arguing against the consensus that franchises are a sign of cultural decay, Kotsko zeroes in on their status as modern myths, owned as corporate intellectual property, as a source of creative limitation. Here, Kotsko is joined in conversation with David Seitz. Access a transcript: https://share.transistor.fm/s/1a04a2fd</p><p><strong>Adam Kotsko</strong> teaches in the Shimer Great Books School at North Central College and runs an <a href="https://latestartrek.substack.com/">active, free-to-read Substack</a>. He is author of many books including <a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><em>Late Star Trek</em></a>, <a href="https://edinburghuniversitypress.com/book-agamben-s-philosophical-trajectory.html"><em>Agamben’s Philosophical Trajectory</em></a>, <a href="https://www.sup.org/books/politics/neoliberalisms-demons"><em>Neoliberalism’s Demons</em></a>, and <a href="https://www.fordhampress.com/9780823297825/what-is-theology/"><em>What Is Theology?</em></a><em> </em></p><p><br></p><p><strong>David Seitz</strong> is associate professor of cultural geography at Harvey Mudd College. He is author of <a href="https://www.nebraskapress.unl.edu/nebraska/9781496227997/a-different-trek/"><em>A Different Trek</em></a> and <a href="https://www.upress.umn.edu/9781517902148/a-house-of-prayer-for-all-people/"><em>A House of Prayer for All People</em></a>.</p><p><br>REFERENCES:<br>Shawna Kidman</p><p>Frederic Jameson</p><p>Anna Kornbluh</p><p>Christopher L. Bennett</p><p>Kirsten Beyer</p><p>David Mack</p><p>Michael Chabon</p><p>Lauren Berlant / <a href="https://www.dukeupress.edu/on-the-inconvenience-of-other-people"><em>On the Inconvenience of Other People</em></a></p><p><em>Star Trek references include:</em></p><p>Deep Space Nine</p><p>Enterprise</p><p>Nemesis</p><p>Discovery</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>​​”Combining the rigorous critical eye of a literary and political theorist with the encyclopedic knowledge of a devoted fan, Adam Kotsko offers an original, persuasive, ethical, funny, grim, and nevertheless hopeful examination of <em>Star Trek</em>’s twenty-first-century incarnations. <em>Late Star Trek</em> is a salutary intervention, a sustained, cogent analysis of what’s gone wrong, what’s gone right, and what possibilities remain for creative and critical storytelling in our late-neoliberal streaming era.”</p><p><strong>—David Seitz</strong></p><p><br></p><p>“Adam Kotsko has written an eminently readable and deeply researched book on twenty-first-century <em>Star Trek, </em>providing an analysis that is both timely and long overdue. A must-read for anyone teaching, doing research on, or just thinking about this ever-growing franchise.”</p><p><strong>—Sabrina Mittermeier</strong>, coeditor of <em>The Routledge Handbook of Star Trek</em> and <em>Fighting for the Future: Essays on “Star Trek: Discovery”</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517919108/late-star-trek/"><strong><em>Late Star Trek: The Final Frontier in the Franchise Era</em></strong></a> by Adam Kotsko is the inaugural volume in the University of Minnesota Press’s <a href="https://www.upress.umn.edu/search-grid/?series=mass-markets-storyworlds-across-media">Mass Markets series</a>.</p><p><br></p>]]>
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      <itunes:keywords>Deep Space Nine, science fiction, Picard, Next Generation, J.J. Abrams, Kelvin Timeline, Discovery, Lower Decks, Prodigy, Strange New Worlds, fans</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Pseudoscientific phenomena and cultural thought</title>
      <itunes:episode>116</itunes:episode>
      <podcast:episode>116</podcast:episode>
      <itunes:title>Pseudoscientific phenomena and cultural thought</itunes:title>
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        <![CDATA[<p>Some attributes of the paranormal mind are dismissed as nonsense, but what can an exploration of pseudoscientific phenomena tell us about accepted scientific and cultural thought? In <a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a>, Derek Lee traces the evolution of psi epistemologies and uncovers how these ideas have migrated into scientific fields such as quantum physics and neurology, as well as diverse literary genres including science fiction, ethnic literature, and even government training manuals. Here, Lee is joined in conversation with Alicia Puglionesi. Access a transcript: https://share.transistor.fm/s/8d8167e3</p><p><strong>Derek Lee</strong> is author of <a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a> and assistant professor of literature at Wake Forest University.</p><p><br></p><p><strong>Alicia Puglionesi</strong> is a lecturer in the medicine, science, and humanities program at Johns Hopkins University and is author of Common Phantoms and <a href="https://www.simonandschuster.com/books/In-Whose-Ruins/Alicia-Puglionesi/9781982116750"><em>In Whose Ruins: Power, Possession, and the Landscapes of American Empire</em></a> and <a href="https://www.sup.org/books/religious-studies/common-phantoms"><em>Common Phantoms: An American History of Psychic Science</em></a>.</p><p><br></p><p><strong>REFERENCES</strong>:</p><p><a href="https://www.spr.ac.uk/">Society for Psychical Research</a></p><p>Roger Luckhurst</p><p>Stargate Project</p><p>Ingo Swann</p><p>Star Fire / Ingo Swann</p><p>Psitron</p><p>Adrian Dobbs</p><p>Philip K. Dick</p><p>William Butler Yeats</p><p>Joseph E. Uscinski</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Derek Lee engages the ‘pseudoscience’ moniker, that ultimate rhetorical insult, and seeks to replace it with a more accurate ‘parascience’—a place where science and that which is other than science meet and express themselves in literally global pathways as distinct as pulp and science fiction, environmental thought, Asian and Indigenous ways of knowing, U.S. secret espionage, and ethnic fiction. Lee shows all of this with consummate skill and rigor, pushing us beyond our present impasses. This thing is not going away. This is a revolution.”</p><p>—Jeffrey J. Kripal, author of <em>How to Think Impossibly<br></em><br></p><p><br></p><p><br>“Derek Lee delves into the rich history of the paranormal to instigate a captivating discussion of its influence on literature and science into the twenty-first century through SF and ethnic fictions with the unproven concepts of parascience—precognition, telekinesis, clairvoyance, spectral communication, and telepathy. A classic in the making!”</p><p>—Isiah Lavender III, author of <em>Afrofuturism Rising</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a> by Derek Lee is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
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        <![CDATA[<p>Some attributes of the paranormal mind are dismissed as nonsense, but what can an exploration of pseudoscientific phenomena tell us about accepted scientific and cultural thought? In <a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a>, Derek Lee traces the evolution of psi epistemologies and uncovers how these ideas have migrated into scientific fields such as quantum physics and neurology, as well as diverse literary genres including science fiction, ethnic literature, and even government training manuals. Here, Lee is joined in conversation with Alicia Puglionesi. Access a transcript: https://share.transistor.fm/s/8d8167e3</p><p><strong>Derek Lee</strong> is author of <a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a> and assistant professor of literature at Wake Forest University.</p><p><br></p><p><strong>Alicia Puglionesi</strong> is a lecturer in the medicine, science, and humanities program at Johns Hopkins University and is author of Common Phantoms and <a href="https://www.simonandschuster.com/books/In-Whose-Ruins/Alicia-Puglionesi/9781982116750"><em>In Whose Ruins: Power, Possession, and the Landscapes of American Empire</em></a> and <a href="https://www.sup.org/books/religious-studies/common-phantoms"><em>Common Phantoms: An American History of Psychic Science</em></a>.</p><p><br></p><p><strong>REFERENCES</strong>:</p><p><a href="https://www.spr.ac.uk/">Society for Psychical Research</a></p><p>Roger Luckhurst</p><p>Stargate Project</p><p>Ingo Swann</p><p>Star Fire / Ingo Swann</p><p>Psitron</p><p>Adrian Dobbs</p><p>Philip K. Dick</p><p>William Butler Yeats</p><p>Joseph E. Uscinski</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Derek Lee engages the ‘pseudoscience’ moniker, that ultimate rhetorical insult, and seeks to replace it with a more accurate ‘parascience’—a place where science and that which is other than science meet and express themselves in literally global pathways as distinct as pulp and science fiction, environmental thought, Asian and Indigenous ways of knowing, U.S. secret espionage, and ethnic fiction. Lee shows all of this with consummate skill and rigor, pushing us beyond our present impasses. This thing is not going away. This is a revolution.”</p><p>—Jeffrey J. Kripal, author of <em>How to Think Impossibly<br></em><br></p><p><br></p><p><br>“Derek Lee delves into the rich history of the paranormal to instigate a captivating discussion of its influence on literature and science into the twenty-first century through SF and ethnic fictions with the unproven concepts of parascience—precognition, telekinesis, clairvoyance, spectral communication, and telepathy. A classic in the making!”</p><p>—Isiah Lavender III, author of <em>Afrofuturism Rising</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a> by Derek Lee is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
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      <pubDate>Tue, 09 Sep 2025 12:08:32 -0500</pubDate>
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        <![CDATA[<p>Some attributes of the paranormal mind are dismissed as nonsense, but what can an exploration of pseudoscientific phenomena tell us about accepted scientific and cultural thought? In <a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a>, Derek Lee traces the evolution of psi epistemologies and uncovers how these ideas have migrated into scientific fields such as quantum physics and neurology, as well as diverse literary genres including science fiction, ethnic literature, and even government training manuals. Here, Lee is joined in conversation with Alicia Puglionesi. Access a transcript: https://share.transistor.fm/s/8d8167e3</p><p><strong>Derek Lee</strong> is author of <a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a> and assistant professor of literature at Wake Forest University.</p><p><br></p><p><strong>Alicia Puglionesi</strong> is a lecturer in the medicine, science, and humanities program at Johns Hopkins University and is author of Common Phantoms and <a href="https://www.simonandschuster.com/books/In-Whose-Ruins/Alicia-Puglionesi/9781982116750"><em>In Whose Ruins: Power, Possession, and the Landscapes of American Empire</em></a> and <a href="https://www.sup.org/books/religious-studies/common-phantoms"><em>Common Phantoms: An American History of Psychic Science</em></a>.</p><p><br></p><p><strong>REFERENCES</strong>:</p><p><a href="https://www.spr.ac.uk/">Society for Psychical Research</a></p><p>Roger Luckhurst</p><p>Stargate Project</p><p>Ingo Swann</p><p>Star Fire / Ingo Swann</p><p>Psitron</p><p>Adrian Dobbs</p><p>Philip K. Dick</p><p>William Butler Yeats</p><p>Joseph E. Uscinski</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Derek Lee engages the ‘pseudoscience’ moniker, that ultimate rhetorical insult, and seeks to replace it with a more accurate ‘parascience’—a place where science and that which is other than science meet and express themselves in literally global pathways as distinct as pulp and science fiction, environmental thought, Asian and Indigenous ways of knowing, U.S. secret espionage, and ethnic fiction. Lee shows all of this with consummate skill and rigor, pushing us beyond our present impasses. This thing is not going away. This is a revolution.”</p><p>—Jeffrey J. Kripal, author of <em>How to Think Impossibly<br></em><br></p><p><br></p><p><br>“Derek Lee delves into the rich history of the paranormal to instigate a captivating discussion of its influence on literature and science into the twenty-first century through SF and ethnic fictions with the unproven concepts of parascience—precognition, telekinesis, clairvoyance, spectral communication, and telepathy. A classic in the making!”</p><p>—Isiah Lavender III, author of <em>Afrofuturism Rising</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918897/parascientific-revolutions/"><strong><em>Parascientific Revolutions: The Science and Culture of the Paranormal</em></strong></a> by Derek Lee is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Ingo Swann, clairvoyance, psitrons, antivaccination, antimatter, reality, antiprotons, bacteria, Francis Bacon, Greg Bear, Ludwig von Bertalanffy, Aztec calendar, Boston Society for Psychical Research, Jorge Luis Borges, Nora Ojka Keller, consciousness, decolonialism, dendrons, psychons, Philip K. Dick, Adrian Dobbs, epistemology, ethnoscience, extrasensory, perception, Sesshu Foster, Gaia, ghosts, scientific, heterodoxy, Amy Tan, metaphysics, Frederic W. H. Myers, New Age, occult, Ruth Ozeki, hypothetical particles, precognition, qi, shamanism, Stanford Research Institute, Star Fire, systems theory, telekinesis, telegraphy, telepathy, vitalism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Replacing the state.</title>
      <itunes:episode>115</itunes:episode>
      <podcast:episode>115</podcast:episode>
      <itunes:title>Replacing the state.</itunes:title>
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        <![CDATA[<p>Sasha Davis, an activist and scholar of radical environmental advocacy, brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional means. From contesting environmental abuse to reasserting Indigenous sovereignty, these movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. The work is exciting, it’s messy, and it seeks to change the world. Here, Davis joins Laurel Mei-Singh and Khury Petersen-Smith in conversation about his new book, <a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><strong><em>Replace the State: How to Change the World When Elections and Protests Fail</em></strong></a>. Access a transcript: https://share.transistor.fm/s/5c5b31ff</p><p><br></p><p><strong>Sasha Davis</strong> is an activist and professor in the Department of Environmental and Sustainability Studies at Keene State College in New Hampshire. He is author of <a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><em>Replace the State: How to Change the World When Elections and Protests Fail</em></a>; <a href="https://www.ugapress.org/9780820357355/islands-and-oceans/"><em>Islands and Oceans: Reimagining Sovereignty and Social Change</em></a>; and <a href="https://www.ugapress.org/9780820347356/the-empires-edge/"><em>The Empires’ Edge: Militarization, Resistance, and Transcending Hegemony in the Pacific</em></a>.</p><p><br></p><p><strong>Laurel Mei-Singh</strong> is assistant professor of geography and Asian American studies at the University of Texas at Austin.</p><p><strong>Khury Petersen-Smith</strong> is the Michael Ratner Middle East Fellow and the Co-Director of the New Internationalism Project at the Institute for Policy Studies.</p><p>REFERENCES:</p><p>J. K. Gibson-Graham</p><p>Haunani-Kay Trask</p><p><a href="https://onlinelibrary.wiley.com/doi/book/10.1002/9780470774793"><em>Military Geographies</em></a> / Rachel Woodward</p><p><a href="https://cooperationjackson.org/">Cooperation Jackson</a></p><p>Michel Foucault / biopower</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“As the United States is being destroyed, millions of spaces are opening up for something new to emerge. Offering urgent lessons and insights, <em>Replace the State</em> explores relational governance as an alternative to systems that no longer serve. Sasha Davis shows how we can move forward to create and claim a truly inclusive, sustainable world.”</p><p><strong>—Lisa Fithian</strong>, author of <em>Shut It Down: Stories from a Fierce, Loving Resistance</em></p><p><a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><strong><em>Replace the State: How to Change the World When Elections and Protests Fail</em></strong></a> by Sasha Davis is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Sasha Davis, an activist and scholar of radical environmental advocacy, brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional means. From contesting environmental abuse to reasserting Indigenous sovereignty, these movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. The work is exciting, it’s messy, and it seeks to change the world. Here, Davis joins Laurel Mei-Singh and Khury Petersen-Smith in conversation about his new book, <a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><strong><em>Replace the State: How to Change the World When Elections and Protests Fail</em></strong></a>. Access a transcript: https://share.transistor.fm/s/5c5b31ff</p><p><br></p><p><strong>Sasha Davis</strong> is an activist and professor in the Department of Environmental and Sustainability Studies at Keene State College in New Hampshire. He is author of <a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><em>Replace the State: How to Change the World When Elections and Protests Fail</em></a>; <a href="https://www.ugapress.org/9780820357355/islands-and-oceans/"><em>Islands and Oceans: Reimagining Sovereignty and Social Change</em></a>; and <a href="https://www.ugapress.org/9780820347356/the-empires-edge/"><em>The Empires’ Edge: Militarization, Resistance, and Transcending Hegemony in the Pacific</em></a>.</p><p><br></p><p><strong>Laurel Mei-Singh</strong> is assistant professor of geography and Asian American studies at the University of Texas at Austin.</p><p><strong>Khury Petersen-Smith</strong> is the Michael Ratner Middle East Fellow and the Co-Director of the New Internationalism Project at the Institute for Policy Studies.</p><p>REFERENCES:</p><p>J. K. Gibson-Graham</p><p>Haunani-Kay Trask</p><p><a href="https://onlinelibrary.wiley.com/doi/book/10.1002/9780470774793"><em>Military Geographies</em></a> / Rachel Woodward</p><p><a href="https://cooperationjackson.org/">Cooperation Jackson</a></p><p>Michel Foucault / biopower</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“As the United States is being destroyed, millions of spaces are opening up for something new to emerge. Offering urgent lessons and insights, <em>Replace the State</em> explores relational governance as an alternative to systems that no longer serve. Sasha Davis shows how we can move forward to create and claim a truly inclusive, sustainable world.”</p><p><strong>—Lisa Fithian</strong>, author of <em>Shut It Down: Stories from a Fierce, Loving Resistance</em></p><p><a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><strong><em>Replace the State: How to Change the World When Elections and Protests Fail</em></strong></a> by Sasha Davis is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 26 Aug 2025 12:25:00 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4083</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Sasha Davis, an activist and scholar of radical environmental advocacy, brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional means. From contesting environmental abuse to reasserting Indigenous sovereignty, these movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. The work is exciting, it’s messy, and it seeks to change the world. Here, Davis joins Laurel Mei-Singh and Khury Petersen-Smith in conversation about his new book, <a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><strong><em>Replace the State: How to Change the World When Elections and Protests Fail</em></strong></a>. Access a transcript: https://share.transistor.fm/s/5c5b31ff</p><p><br></p><p><strong>Sasha Davis</strong> is an activist and professor in the Department of Environmental and Sustainability Studies at Keene State College in New Hampshire. He is author of <a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><em>Replace the State: How to Change the World When Elections and Protests Fail</em></a>; <a href="https://www.ugapress.org/9780820357355/islands-and-oceans/"><em>Islands and Oceans: Reimagining Sovereignty and Social Change</em></a>; and <a href="https://www.ugapress.org/9780820347356/the-empires-edge/"><em>The Empires’ Edge: Militarization, Resistance, and Transcending Hegemony in the Pacific</em></a>.</p><p><br></p><p><strong>Laurel Mei-Singh</strong> is assistant professor of geography and Asian American studies at the University of Texas at Austin.</p><p><strong>Khury Petersen-Smith</strong> is the Michael Ratner Middle East Fellow and the Co-Director of the New Internationalism Project at the Institute for Policy Studies.</p><p>REFERENCES:</p><p>J. K. Gibson-Graham</p><p>Haunani-Kay Trask</p><p><a href="https://onlinelibrary.wiley.com/doi/book/10.1002/9780470774793"><em>Military Geographies</em></a> / Rachel Woodward</p><p><a href="https://cooperationjackson.org/">Cooperation Jackson</a></p><p>Michel Foucault / biopower</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“As the United States is being destroyed, millions of spaces are opening up for something new to emerge. Offering urgent lessons and insights, <em>Replace the State</em> explores relational governance as an alternative to systems that no longer serve. Sasha Davis shows how we can move forward to create and claim a truly inclusive, sustainable world.”</p><p><strong>—Lisa Fithian</strong>, author of <em>Shut It Down: Stories from a Fierce, Loving Resistance</em></p><p><a href="https://www.upress.umn.edu/9781517919528/replace-the-state/"><strong><em>Replace the State: How to Change the World When Elections and Protests Fail</em></strong></a> by Sasha Davis is available from University of Minnesota Press. Thank you for listening.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>environment, politics, activism, mutual aid, direct action, colonization, governance, human rights, Thirty-Meter Telescope, Hawaii, Nevada Nuclear Test Site, Okinawa, Mauna Kea, Standing Rock, empire, manual, Zapatistas</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Capitalism Hates You: Horror film and Marxist theory.</title>
      <itunes:episode>114</itunes:episode>
      <podcast:episode>114</podcast:episode>
      <itunes:title>Capitalism Hates You: Horror film and Marxist theory.</itunes:title>
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        <![CDATA[<p>From <em>Get Out</em> to <em>The Babadook</em> to<em> Saint Maud</em>: In his new book, Josh Gooch uses the horror film genre to expose the hostile conditions of life under capitalism, drawing connections between Marxist theory and contemporary narratives of psychological unease. Here, Gooch is joined in conversation with Jo Isaacson. This episode contains spoilers for multiple films (list below). Access a transcript: https://share.transistor.fm/s/535654e1</p><p><strong>Joshua Gooch</strong> is professor of English at D’Youville University in Buffalo, New York. He is author of <a href="https://www.upress.umn.edu/9781517917975/capitalism-hates-you/"><em>Capitalism Hates You: Marxism and the New Horror Film</em></a>; <a href="https://www.routledge.com/Dickensian-Affects-Charles-Dickens-and-Feelings-of-Precarity/Gooch/p/book/9781032088341?srsltid=AfmBOorZb9ahoVxffGUXreq21EqCNwx6NY45sNnJ5L9Aka4DTrdQRzJ7"><em>Dickensian Affects: Charles Dickens and Feelings of Precarity</em></a> and <a href="https://link.springer.com/book/10.1057/9781137525512"><em>The Victorian Novel, Service Work, and the Nineteenth-Century Economy</em></a>.</p><p><br><strong>Johanna Isaacson</strong> is professor of English at Modesto Junior College and author of <a href="https://www.commonnotions.org/stepford-daughters?srsltid=AfmBOooz4swB21ytWOfE77xpnbM8h4swKl8qI9gTMhncdN4Ktz4LZr9P"><em>Stepford Daughters: Weapons for Feminists in Contemporary Horror</em></a><em>. </em></p><p><br><strong>EPISODE REFERENCES:</strong></p><p>Sianne Ngai</p><p>Michael Löwy / “critical irrealism”</p><p>Linda Williams on <em>Psycho</em>, essay in <a href="https://global.oup.com/academic/product/alfred-hitchcocks-psycho-9780195169195?cc=us&amp;lang=en&amp;"><em>Alfred Hitchcock’s</em> Psycho: <em>A Casebook</em></a></p><p>Søren Mau</p><p>Nancy Fraser</p><p>Mariarosa Dalla Costa</p><p>Silvia Federici</p><p>Amitav Ghosh</p><p>Kim Stanley Robinson</p><p>Jason W. Moore</p><p>Ruth Wilson Gilmore</p><p>Sophie Lewis</p><p>M. E. O’Brien</p><p>Kathi Weeks</p><p>Lauren Berlant</p><p><strong>FILMS DISCUSSED:</strong></p><p><em>Psycho</em></p><p><em>Dracula</em></p><p><em>Nosferatu</em></p><p><em>Candyman</em></p><p>Sam Raimi’s <em>Drag Me to Hell</em></p><p>Joe Lynch’s <em>Mayhem</em></p><p>Robert Eggers’s <em>The Witch</em></p><p>Gillian Wallace Horvat’s<em> I Blame Society</em></p><p>Rose Glass’s<em> Saint Maud</em></p><p>Jennifer Kent’s <em>The Babadook</em></p><p>Ari Aster’s <em>Hereditary</em></p><p>Jane Schoenbrun’s <em>We’re</em> <em>All Going to the World’s Fair</em></p><p>Jordan Peele’s <em>Get Out</em></p><p>Jordan Peele’s <em>Us</em></p><p>Mariame Diallo’s <em>Master</em></p><p>Tim Story’s <em>The Blackening</em></p><p>Timothy Covell’s <em>Blood Conscious</em></p><p>Coralie Fargeat’s <em>The Substance</em></p><p>Romero’s <em>Night of the Living Dead<br></em>Lamberti Bava’s <em>Demons</em></p><p><em>The Ring</em></p><p>Jeremy Saulnier’s <em>Murder Party</em></p><p>Stanley Kubrick’s <em>The Shining</em></p><p><strong><em>Praise for the book:</em></strong><br>"Fiercely smart." —Annie McClanahan, author of <em>Dead Pledges</em></p><p>"This is a book not just for fans of horror but for everyone interested in the ways films embed and communicate values, judgments, and affects." —Jeffrey Andrew Weinstock, author of <em>Gothic Things</em></p><p><a href="https://www.upress.umn.edu/9781517917975/capitalism-hates-you/"><strong><em>Capitalism Hates You: Marxism and the New Horror Film</em></strong></a> by Joshua Gooch is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>From <em>Get Out</em> to <em>The Babadook</em> to<em> Saint Maud</em>: In his new book, Josh Gooch uses the horror film genre to expose the hostile conditions of life under capitalism, drawing connections between Marxist theory and contemporary narratives of psychological unease. Here, Gooch is joined in conversation with Jo Isaacson. This episode contains spoilers for multiple films (list below). Access a transcript: https://share.transistor.fm/s/535654e1</p><p><strong>Joshua Gooch</strong> is professor of English at D’Youville University in Buffalo, New York. He is author of <a href="https://www.upress.umn.edu/9781517917975/capitalism-hates-you/"><em>Capitalism Hates You: Marxism and the New Horror Film</em></a>; <a href="https://www.routledge.com/Dickensian-Affects-Charles-Dickens-and-Feelings-of-Precarity/Gooch/p/book/9781032088341?srsltid=AfmBOorZb9ahoVxffGUXreq21EqCNwx6NY45sNnJ5L9Aka4DTrdQRzJ7"><em>Dickensian Affects: Charles Dickens and Feelings of Precarity</em></a> and <a href="https://link.springer.com/book/10.1057/9781137525512"><em>The Victorian Novel, Service Work, and the Nineteenth-Century Economy</em></a>.</p><p><br><strong>Johanna Isaacson</strong> is professor of English at Modesto Junior College and author of <a href="https://www.commonnotions.org/stepford-daughters?srsltid=AfmBOooz4swB21ytWOfE77xpnbM8h4swKl8qI9gTMhncdN4Ktz4LZr9P"><em>Stepford Daughters: Weapons for Feminists in Contemporary Horror</em></a><em>. </em></p><p><br><strong>EPISODE REFERENCES:</strong></p><p>Sianne Ngai</p><p>Michael Löwy / “critical irrealism”</p><p>Linda Williams on <em>Psycho</em>, essay in <a href="https://global.oup.com/academic/product/alfred-hitchcocks-psycho-9780195169195?cc=us&amp;lang=en&amp;"><em>Alfred Hitchcock’s</em> Psycho: <em>A Casebook</em></a></p><p>Søren Mau</p><p>Nancy Fraser</p><p>Mariarosa Dalla Costa</p><p>Silvia Federici</p><p>Amitav Ghosh</p><p>Kim Stanley Robinson</p><p>Jason W. Moore</p><p>Ruth Wilson Gilmore</p><p>Sophie Lewis</p><p>M. E. O’Brien</p><p>Kathi Weeks</p><p>Lauren Berlant</p><p><strong>FILMS DISCUSSED:</strong></p><p><em>Psycho</em></p><p><em>Dracula</em></p><p><em>Nosferatu</em></p><p><em>Candyman</em></p><p>Sam Raimi’s <em>Drag Me to Hell</em></p><p>Joe Lynch’s <em>Mayhem</em></p><p>Robert Eggers’s <em>The Witch</em></p><p>Gillian Wallace Horvat’s<em> I Blame Society</em></p><p>Rose Glass’s<em> Saint Maud</em></p><p>Jennifer Kent’s <em>The Babadook</em></p><p>Ari Aster’s <em>Hereditary</em></p><p>Jane Schoenbrun’s <em>We’re</em> <em>All Going to the World’s Fair</em></p><p>Jordan Peele’s <em>Get Out</em></p><p>Jordan Peele’s <em>Us</em></p><p>Mariame Diallo’s <em>Master</em></p><p>Tim Story’s <em>The Blackening</em></p><p>Timothy Covell’s <em>Blood Conscious</em></p><p>Coralie Fargeat’s <em>The Substance</em></p><p>Romero’s <em>Night of the Living Dead<br></em>Lamberti Bava’s <em>Demons</em></p><p><em>The Ring</em></p><p>Jeremy Saulnier’s <em>Murder Party</em></p><p>Stanley Kubrick’s <em>The Shining</em></p><p><strong><em>Praise for the book:</em></strong><br>"Fiercely smart." —Annie McClanahan, author of <em>Dead Pledges</em></p><p>"This is a book not just for fans of horror but for everyone interested in the ways films embed and communicate values, judgments, and affects." —Jeffrey Andrew Weinstock, author of <em>Gothic Things</em></p><p><a href="https://www.upress.umn.edu/9781517917975/capitalism-hates-you/"><strong><em>Capitalism Hates You: Marxism and the New Horror Film</em></strong></a> by Joshua Gooch is available from University of Minnesota Press. Thank you for listening.</p>]]>
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      <pubDate>Tue, 19 Aug 2025 07:54:51 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>4555</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>From <em>Get Out</em> to <em>The Babadook</em> to<em> Saint Maud</em>: In his new book, Josh Gooch uses the horror film genre to expose the hostile conditions of life under capitalism, drawing connections between Marxist theory and contemporary narratives of psychological unease. Here, Gooch is joined in conversation with Jo Isaacson. This episode contains spoilers for multiple films (list below). Access a transcript: https://share.transistor.fm/s/535654e1</p><p><strong>Joshua Gooch</strong> is professor of English at D’Youville University in Buffalo, New York. He is author of <a href="https://www.upress.umn.edu/9781517917975/capitalism-hates-you/"><em>Capitalism Hates You: Marxism and the New Horror Film</em></a>; <a href="https://www.routledge.com/Dickensian-Affects-Charles-Dickens-and-Feelings-of-Precarity/Gooch/p/book/9781032088341?srsltid=AfmBOorZb9ahoVxffGUXreq21EqCNwx6NY45sNnJ5L9Aka4DTrdQRzJ7"><em>Dickensian Affects: Charles Dickens and Feelings of Precarity</em></a> and <a href="https://link.springer.com/book/10.1057/9781137525512"><em>The Victorian Novel, Service Work, and the Nineteenth-Century Economy</em></a>.</p><p><br><strong>Johanna Isaacson</strong> is professor of English at Modesto Junior College and author of <a href="https://www.commonnotions.org/stepford-daughters?srsltid=AfmBOooz4swB21ytWOfE77xpnbM8h4swKl8qI9gTMhncdN4Ktz4LZr9P"><em>Stepford Daughters: Weapons for Feminists in Contemporary Horror</em></a><em>. </em></p><p><br><strong>EPISODE REFERENCES:</strong></p><p>Sianne Ngai</p><p>Michael Löwy / “critical irrealism”</p><p>Linda Williams on <em>Psycho</em>, essay in <a href="https://global.oup.com/academic/product/alfred-hitchcocks-psycho-9780195169195?cc=us&amp;lang=en&amp;"><em>Alfred Hitchcock’s</em> Psycho: <em>A Casebook</em></a></p><p>Søren Mau</p><p>Nancy Fraser</p><p>Mariarosa Dalla Costa</p><p>Silvia Federici</p><p>Amitav Ghosh</p><p>Kim Stanley Robinson</p><p>Jason W. Moore</p><p>Ruth Wilson Gilmore</p><p>Sophie Lewis</p><p>M. E. O’Brien</p><p>Kathi Weeks</p><p>Lauren Berlant</p><p><strong>FILMS DISCUSSED:</strong></p><p><em>Psycho</em></p><p><em>Dracula</em></p><p><em>Nosferatu</em></p><p><em>Candyman</em></p><p>Sam Raimi’s <em>Drag Me to Hell</em></p><p>Joe Lynch’s <em>Mayhem</em></p><p>Robert Eggers’s <em>The Witch</em></p><p>Gillian Wallace Horvat’s<em> I Blame Society</em></p><p>Rose Glass’s<em> Saint Maud</em></p><p>Jennifer Kent’s <em>The Babadook</em></p><p>Ari Aster’s <em>Hereditary</em></p><p>Jane Schoenbrun’s <em>We’re</em> <em>All Going to the World’s Fair</em></p><p>Jordan Peele’s <em>Get Out</em></p><p>Jordan Peele’s <em>Us</em></p><p>Mariame Diallo’s <em>Master</em></p><p>Tim Story’s <em>The Blackening</em></p><p>Timothy Covell’s <em>Blood Conscious</em></p><p>Coralie Fargeat’s <em>The Substance</em></p><p>Romero’s <em>Night of the Living Dead<br></em>Lamberti Bava’s <em>Demons</em></p><p><em>The Ring</em></p><p>Jeremy Saulnier’s <em>Murder Party</em></p><p>Stanley Kubrick’s <em>The Shining</em></p><p><strong><em>Praise for the book:</em></strong><br>"Fiercely smart." —Annie McClanahan, author of <em>Dead Pledges</em></p><p>"This is a book not just for fans of horror but for everyone interested in the ways films embed and communicate values, judgments, and affects." —Jeffrey Andrew Weinstock, author of <em>Gothic Things</em></p><p><a href="https://www.upress.umn.edu/9781517917975/capitalism-hates-you/"><strong><em>Capitalism Hates You: Marxism and the New Horror Film</em></strong></a> by Joshua Gooch is available from University of Minnesota Press. Thank you for listening.</p>]]>
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      <itunes:keywords>filmmaker, socioeconomics, horror, feminism, socialism, BIPOC, trans, women, queer, critical theory, Dracula, Candyman, Hereditary, shasher, gothic, popular culture, fungal horror</itunes:keywords>
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      <title>Typophoto and graphic design’s early years.</title>
      <itunes:episode>113</itunes:episode>
      <podcast:episode>113</podcast:episode>
      <itunes:title>Typophoto and graphic design’s early years.</itunes:title>
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        <![CDATA[<p>Between the World Wars, ideas about meaning, truth, and the ethics of persuasion informed newly articulated principles for combining word and image. The young field of graphic design developed quickly during this period, and photography played a central role as a visual language of modern life. The concept <em>Typophoto</em> was coined by Bauhaus artist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Here, Jessica D. Brier, author of <a href="https://www.upress.umn.edu/9781517918231/typophoto/"><em>Typophoto: New Typography and the Reinvention of Photography</em></a>, joins Ellen Lupton in conversation about this fascinating period in design history. Access a transcript: https://share.transistor.fm/s/78a553b1</p><p><br></p><p><strong>Jessica D. Brier</strong> is curator of photography at the Frances Lehman Loeb Art Center at Vassar College. She is author of <a href="https://www.upress.umn.edu/9781517918231/typophoto/"><em>Typophoto: New Typography and the Reinvention of Photography</em></a>, editor of <a href="https://scalapublishers.com/on-the-grid/"><em>On the Grid: Ways of Seeing in Print</em></a> and coeditor of <a href="https://scalapublishers.com/making-a-life-in-photography-rollie-mckenna/"><em>Making a Life in Photography: Rollie McKenna</em></a>.</p><p><br></p><p><strong>Ellen Lupton</strong> is a graphic designer, writer, and curator who has authored many books about design, including<a href="https://papress.com/products/thinking-with-type-3-edition"><em> Thinking with Type</em></a> and <a href="https://papress.com/products/extra-bold"><em>Extra Bold</em></a>, and teaches design theory at Maryland Institute College of Art in Baltimore.</p><p><br>REFERENCES:</p><p><a href="https://www.lars-mueller-publishers.com/painting-photography-film?srsltid=AfmBOop4ZL4g_y6cnVisye26iso67zWxZxDyQqgMtOAWE2JAo5YbiNdm"><em>Painting, Photography, Film</em></a> / László Moholy-Nagy</p><p>Jan Tschichold</p><p>Walter Benjamin</p><p>El Lissitzky</p><p><a href="https://www.northeastshop.com/products/never-use-futura"><em>Never Use Futura</em></a> / Douglas Thomas</p><p>Paul Renner</p><p>Meisterschule für Deutschlands Buchdrucker</p><p>Bauhaus</p><p><br><em>Praise for the book:</em></p><p><br></p><p>“A novel interplay between text and image, <em>Typophoto</em> fused—as Jessica D. Brier demonstrates in this insightful account—the interests of advertisers with those of the avant-garde, thus instigating a process that ultimately resulted in the ubiquitous pixelated imagery of our own day.</p><p><strong>—Kathleen James-Chakraborty</strong>, author of <em>Modernism as Memory</em></p><p><br></p><p>“Deeply researched . . . highlights the ways new print technologies enabled photography to become the central medium of modernist visual culture. “<br><strong>—Paul Stirton</strong>, author of <em>Jan Tschichold and the New Typography</em></p><p><br><a href="https://www.upress.umn.edu/9781517918231/typophoto/"><strong><em>Typophoto: New Typography and the Reinvention of Photography</em></strong></a> by Jessica D. Brier is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Between the World Wars, ideas about meaning, truth, and the ethics of persuasion informed newly articulated principles for combining word and image. The young field of graphic design developed quickly during this period, and photography played a central role as a visual language of modern life. The concept <em>Typophoto</em> was coined by Bauhaus artist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Here, Jessica D. Brier, author of <a href="https://www.upress.umn.edu/9781517918231/typophoto/"><em>Typophoto: New Typography and the Reinvention of Photography</em></a>, joins Ellen Lupton in conversation about this fascinating period in design history. Access a transcript: https://share.transistor.fm/s/78a553b1</p><p><br></p><p><strong>Jessica D. Brier</strong> is curator of photography at the Frances Lehman Loeb Art Center at Vassar College. She is author of <a href="https://www.upress.umn.edu/9781517918231/typophoto/"><em>Typophoto: New Typography and the Reinvention of Photography</em></a>, editor of <a href="https://scalapublishers.com/on-the-grid/"><em>On the Grid: Ways of Seeing in Print</em></a> and coeditor of <a href="https://scalapublishers.com/making-a-life-in-photography-rollie-mckenna/"><em>Making a Life in Photography: Rollie McKenna</em></a>.</p><p><br></p><p><strong>Ellen Lupton</strong> is a graphic designer, writer, and curator who has authored many books about design, including<a href="https://papress.com/products/thinking-with-type-3-edition"><em> Thinking with Type</em></a> and <a href="https://papress.com/products/extra-bold"><em>Extra Bold</em></a>, and teaches design theory at Maryland Institute College of Art in Baltimore.</p><p><br>REFERENCES:</p><p><a href="https://www.lars-mueller-publishers.com/painting-photography-film?srsltid=AfmBOop4ZL4g_y6cnVisye26iso67zWxZxDyQqgMtOAWE2JAo5YbiNdm"><em>Painting, Photography, Film</em></a> / László Moholy-Nagy</p><p>Jan Tschichold</p><p>Walter Benjamin</p><p>El Lissitzky</p><p><a href="https://www.northeastshop.com/products/never-use-futura"><em>Never Use Futura</em></a> / Douglas Thomas</p><p>Paul Renner</p><p>Meisterschule für Deutschlands Buchdrucker</p><p>Bauhaus</p><p><br><em>Praise for the book:</em></p><p><br></p><p>“A novel interplay between text and image, <em>Typophoto</em> fused—as Jessica D. Brier demonstrates in this insightful account—the interests of advertisers with those of the avant-garde, thus instigating a process that ultimately resulted in the ubiquitous pixelated imagery of our own day.</p><p><strong>—Kathleen James-Chakraborty</strong>, author of <em>Modernism as Memory</em></p><p><br></p><p>“Deeply researched . . . highlights the ways new print technologies enabled photography to become the central medium of modernist visual culture. “<br><strong>—Paul Stirton</strong>, author of <em>Jan Tschichold and the New Typography</em></p><p><br><a href="https://www.upress.umn.edu/9781517918231/typophoto/"><strong><em>Typophoto: New Typography and the Reinvention of Photography</em></strong></a> by Jessica D. Brier is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </content:encoded>
      <pubDate>Tue, 05 Aug 2025 11:48:58 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2640</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Between the World Wars, ideas about meaning, truth, and the ethics of persuasion informed newly articulated principles for combining word and image. The young field of graphic design developed quickly during this period, and photography played a central role as a visual language of modern life. The concept <em>Typophoto</em> was coined by Bauhaus artist László Moholy-Nagy and played a foundational role in the modernist graphic design movement known as the New Typography. Here, Jessica D. Brier, author of <a href="https://www.upress.umn.edu/9781517918231/typophoto/"><em>Typophoto: New Typography and the Reinvention of Photography</em></a>, joins Ellen Lupton in conversation about this fascinating period in design history. Access a transcript: https://share.transistor.fm/s/78a553b1</p><p><br></p><p><strong>Jessica D. Brier</strong> is curator of photography at the Frances Lehman Loeb Art Center at Vassar College. She is author of <a href="https://www.upress.umn.edu/9781517918231/typophoto/"><em>Typophoto: New Typography and the Reinvention of Photography</em></a>, editor of <a href="https://scalapublishers.com/on-the-grid/"><em>On the Grid: Ways of Seeing in Print</em></a> and coeditor of <a href="https://scalapublishers.com/making-a-life-in-photography-rollie-mckenna/"><em>Making a Life in Photography: Rollie McKenna</em></a>.</p><p><br></p><p><strong>Ellen Lupton</strong> is a graphic designer, writer, and curator who has authored many books about design, including<a href="https://papress.com/products/thinking-with-type-3-edition"><em> Thinking with Type</em></a> and <a href="https://papress.com/products/extra-bold"><em>Extra Bold</em></a>, and teaches design theory at Maryland Institute College of Art in Baltimore.</p><p><br>REFERENCES:</p><p><a href="https://www.lars-mueller-publishers.com/painting-photography-film?srsltid=AfmBOop4ZL4g_y6cnVisye26iso67zWxZxDyQqgMtOAWE2JAo5YbiNdm"><em>Painting, Photography, Film</em></a> / László Moholy-Nagy</p><p>Jan Tschichold</p><p>Walter Benjamin</p><p>El Lissitzky</p><p><a href="https://www.northeastshop.com/products/never-use-futura"><em>Never Use Futura</em></a> / Douglas Thomas</p><p>Paul Renner</p><p>Meisterschule für Deutschlands Buchdrucker</p><p>Bauhaus</p><p><br><em>Praise for the book:</em></p><p><br></p><p>“A novel interplay between text and image, <em>Typophoto</em> fused—as Jessica D. Brier demonstrates in this insightful account—the interests of advertisers with those of the avant-garde, thus instigating a process that ultimately resulted in the ubiquitous pixelated imagery of our own day.</p><p><strong>—Kathleen James-Chakraborty</strong>, author of <em>Modernism as Memory</em></p><p><br></p><p>“Deeply researched . . . highlights the ways new print technologies enabled photography to become the central medium of modernist visual culture. “<br><strong>—Paul Stirton</strong>, author of <em>Jan Tschichold and the New Typography</em></p><p><br><a href="https://www.upress.umn.edu/9781517918231/typophoto/"><strong><em>Typophoto: New Typography and the Reinvention of Photography</em></strong></a> by Jessica D. Brier is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords>halftone, advertising, pixels, Meisterschule, montage, photograms, futura, helvetica, typeface, serif, Max Burchartz, Johannes Molzahn, Georg Trump, legibility, applied psychology, memory value, attention value, retouching, silhouetting, collage, process</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>The dream of indefinite life.</title>
      <itunes:episode>112</itunes:episode>
      <podcast:episode>112</podcast:episode>
      <itunes:title>The dream of indefinite life.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>From Plato and Derrida to anti-aging treatments, cryogenics, cloning, and whole-brain uploads, the dream of indefinite life is technological and, as Adam Rosenthal shows in <a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><strong><em>Prosthetic Immortalities</em></strong></a>: a matter of prosthesis, the transformation of the original being. There can be no certainty of immortality and yet, the problem of immortality continues to haunt the soul. Rosenthal engages David Wills and Deborah Goldgaber in a conversation that touches on philosophy, transhumanism, biopolitics, Dolly the sheep and the return of the dire wolf, what it means to extend life or, ultimately, to extend death. Access a transcript: https://share.transistor.fm/s/05f90526</p><p><strong>Adam R. Rosenthal</strong> is associate professor of French and global studies at Texas A&amp;M University. Rosenthal is author of <a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><em>Prosthetic Immortalities: Biology, Transhumanism, and the Search for Indefinite Life</em></a> and <a href="https://edinburghuniversitypress.com/book-poetics-and-the-gift.html"><em>Poetics and the Gift: Reading Poetry from Homer to Derrida</em></a>.</p><p><br></p><p><strong>David Wills</strong> is professor of French studies at Brown University and author of <a href="https://www.upress.umn.edu/9781517911553/prosthesis/"><em>Prosthesis</em></a>. </p><p><br></p><p><strong>Deborah Goldgaber</strong> is assistant professor of philosophy at Louisiana State University and author of <a href="https://edinburghuniversitypress.com/book-speculative-grammatology.html"><em>Speculative Grammatology: Deconstruction and the New Materialism</em></a>.</p><p><br></p><p>REFERENCES:</p><p>Plato </p><p>Homer</p><p>Descartes</p><p>Heidegger (the Dasein)</p><p>Derrida</p><p>Geoffrey Hinton</p><p>Hegel</p><p>Nick Bostrum</p><p>Dolly the sheep</p><p>David Chalmers</p><p>Aubrey de Grey</p><p>Jean-Baptiste Lamarck</p><p><strong><em>Praise for the book:</em></strong></p><p>“Rigorous, compelling, and beautifully written, <em>Prosthetic Immortalities</em> is at the vanguard of the new wave in Derrida studies.”</p><p><strong>—Nicole Anderson</strong>, founding editor, <em>Derrida Today Journal</em></p><p><br></p><p>“Adam R. Rosenthal conjures up the ghosts of metaphysics that return today through the promises of indefinite life from medical science and transhumanist speculations, moving brilliantly between science and science fiction.”</p><p><strong>—Francesco Vitale</strong>, author of <em>Biodeconstruction: Jacques Derrida and the Life Sciences<br></em><br></p><p><br><a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><strong><em>Prosthetic Immortalities: Biology, Transhumanism, and the Search for Indefinite Life</em></strong></a> by Adam R. Rosenthal, with foreword by David Wills, is available from University of Minneota Press. Thank you for listening.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>From Plato and Derrida to anti-aging treatments, cryogenics, cloning, and whole-brain uploads, the dream of indefinite life is technological and, as Adam Rosenthal shows in <a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><strong><em>Prosthetic Immortalities</em></strong></a>: a matter of prosthesis, the transformation of the original being. There can be no certainty of immortality and yet, the problem of immortality continues to haunt the soul. Rosenthal engages David Wills and Deborah Goldgaber in a conversation that touches on philosophy, transhumanism, biopolitics, Dolly the sheep and the return of the dire wolf, what it means to extend life or, ultimately, to extend death. Access a transcript: https://share.transistor.fm/s/05f90526</p><p><strong>Adam R. Rosenthal</strong> is associate professor of French and global studies at Texas A&amp;M University. Rosenthal is author of <a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><em>Prosthetic Immortalities: Biology, Transhumanism, and the Search for Indefinite Life</em></a> and <a href="https://edinburghuniversitypress.com/book-poetics-and-the-gift.html"><em>Poetics and the Gift: Reading Poetry from Homer to Derrida</em></a>.</p><p><br></p><p><strong>David Wills</strong> is professor of French studies at Brown University and author of <a href="https://www.upress.umn.edu/9781517911553/prosthesis/"><em>Prosthesis</em></a>. </p><p><br></p><p><strong>Deborah Goldgaber</strong> is assistant professor of philosophy at Louisiana State University and author of <a href="https://edinburghuniversitypress.com/book-speculative-grammatology.html"><em>Speculative Grammatology: Deconstruction and the New Materialism</em></a>.</p><p><br></p><p>REFERENCES:</p><p>Plato </p><p>Homer</p><p>Descartes</p><p>Heidegger (the Dasein)</p><p>Derrida</p><p>Geoffrey Hinton</p><p>Hegel</p><p>Nick Bostrum</p><p>Dolly the sheep</p><p>David Chalmers</p><p>Aubrey de Grey</p><p>Jean-Baptiste Lamarck</p><p><strong><em>Praise for the book:</em></strong></p><p>“Rigorous, compelling, and beautifully written, <em>Prosthetic Immortalities</em> is at the vanguard of the new wave in Derrida studies.”</p><p><strong>—Nicole Anderson</strong>, founding editor, <em>Derrida Today Journal</em></p><p><br></p><p>“Adam R. Rosenthal conjures up the ghosts of metaphysics that return today through the promises of indefinite life from medical science and transhumanist speculations, moving brilliantly between science and science fiction.”</p><p><strong>—Francesco Vitale</strong>, author of <em>Biodeconstruction: Jacques Derrida and the Life Sciences<br></em><br></p><p><br><a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><strong><em>Prosthetic Immortalities: Biology, Transhumanism, and the Search for Indefinite Life</em></strong></a> by Adam R. Rosenthal, with foreword by David Wills, is available from University of Minneota Press. Thank you for listening.</p>]]>
      </content:encoded>
      <pubDate>Tue, 29 Jul 2025 13:16:41 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4014</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>From Plato and Derrida to anti-aging treatments, cryogenics, cloning, and whole-brain uploads, the dream of indefinite life is technological and, as Adam Rosenthal shows in <a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><strong><em>Prosthetic Immortalities</em></strong></a>: a matter of prosthesis, the transformation of the original being. There can be no certainty of immortality and yet, the problem of immortality continues to haunt the soul. Rosenthal engages David Wills and Deborah Goldgaber in a conversation that touches on philosophy, transhumanism, biopolitics, Dolly the sheep and the return of the dire wolf, what it means to extend life or, ultimately, to extend death. Access a transcript: https://share.transistor.fm/s/05f90526</p><p><strong>Adam R. Rosenthal</strong> is associate professor of French and global studies at Texas A&amp;M University. Rosenthal is author of <a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><em>Prosthetic Immortalities: Biology, Transhumanism, and the Search for Indefinite Life</em></a> and <a href="https://edinburghuniversitypress.com/book-poetics-and-the-gift.html"><em>Poetics and the Gift: Reading Poetry from Homer to Derrida</em></a>.</p><p><br></p><p><strong>David Wills</strong> is professor of French studies at Brown University and author of <a href="https://www.upress.umn.edu/9781517911553/prosthesis/"><em>Prosthesis</em></a>. </p><p><br></p><p><strong>Deborah Goldgaber</strong> is assistant professor of philosophy at Louisiana State University and author of <a href="https://edinburghuniversitypress.com/book-speculative-grammatology.html"><em>Speculative Grammatology: Deconstruction and the New Materialism</em></a>.</p><p><br></p><p>REFERENCES:</p><p>Plato </p><p>Homer</p><p>Descartes</p><p>Heidegger (the Dasein)</p><p>Derrida</p><p>Geoffrey Hinton</p><p>Hegel</p><p>Nick Bostrum</p><p>Dolly the sheep</p><p>David Chalmers</p><p>Aubrey de Grey</p><p>Jean-Baptiste Lamarck</p><p><strong><em>Praise for the book:</em></strong></p><p>“Rigorous, compelling, and beautifully written, <em>Prosthetic Immortalities</em> is at the vanguard of the new wave in Derrida studies.”</p><p><strong>—Nicole Anderson</strong>, founding editor, <em>Derrida Today Journal</em></p><p><br></p><p>“Adam R. Rosenthal conjures up the ghosts of metaphysics that return today through the promises of indefinite life from medical science and transhumanist speculations, moving brilliantly between science and science fiction.”</p><p><strong>—Francesco Vitale</strong>, author of <em>Biodeconstruction: Jacques Derrida and the Life Sciences<br></em><br></p><p><br><a href="https://www.upress.umn.edu/9781517916589/prosthetic-immortalities/"><strong><em>Prosthetic Immortalities: Biology, Transhumanism, and the Search for Indefinite Life</em></strong></a> by Adam R. Rosenthal, with foreword by David Wills, is available from University of Minneota Press. Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords>transhumanism, biomedical sciences, Homer, Descartes, Heidegger, molecular microbiology, organismal biology, de-extinction, cloning, biotechnology, David Chalmers, Aubrey de Grey, Geoffrey Hinton, Hegel, Elon Musk</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>How fascist ideas permeate contemporary culture.</title>
      <itunes:episode>111</itunes:episode>
      <podcast:episode>111</podcast:episode>
      <itunes:title>How fascist ideas permeate contemporary culture.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Presenting a view of fascism as a complex power network that plays out on scales both large and small, Alexander Menrisky, author of <a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><strong><em>Everyday Ecofascism</em></strong></a>, shows how extremist sentiments have crept into everyday language, stories, and ideas. He illuminates ecofascism’s narrative patterns and their easy permeation of environmentalist discourses, from back-to-the-land movements to the resurgence of psychedelic drugs, food localism, and pandemic politics. Here, Menrisky is joined in conversation with April Anson and Kyle Boggs. Access a transcript: https://share.transistor.fm/s/add5e9b8</p><p><strong>Alexander Menrisky</strong> is assistant professor of English at the University of Connecticut. He is author of <a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><em>Everyday Ecofascism: Crisis and Consumption in American Literature</em></a> and <a href="https://www.cambridge.org/core/books/wild-abandon/06DCF0BB6EDF98C26FDF76BE9DF0C1F5"><em>Wild Abandon: American Literature and the Identity Politics of Ecology</em></a>.</p><p><br></p><p><strong>April Anson</strong> is assistant professor of English at the University of Connecticut. Anson writes and teaches at the intersection of the environmental humanities, Indigenous and American studies, and political theory. Anson is cofounder of the Anti-Creep Climate Initiative and coauthor of <a href="https://www.asle.org/wp-content/uploads/Against-the-Ecofascist-Creep.pdf"><em>Against the Ecofascist Creep</em></a>.</p><p><br></p><p><strong>Kyle Boggs</strong> is associate professor of rhetoric and community engagement in the Department of Humanities and Cultural Studies at Boise State University and author of <a href="https://ohiostatepress.org/books/titles/9780814215876.html"><em>Recreational Colonialism and the Rhetorical Landscapes of the Outdoors</em></a>.</p><p>REFERENCES:<br><a href="https://www.asle.org/features/stemming-the-creep-of-ecofascism-a-primer/">Anti-Creep Climate Initiative</a></p><p>Margaret Atwood’s <a href="https://www.penguinrandomhouse.com/series/YAM/the-maddaddam-trilogy/">MaddAddam trilogy</a></p><p>Tommy Pico</p><p>Jeff Mann</p><p>Gloria Anzaldua</p><p>Louise Erdrich’s <a href="https://birchbarkbooks.com/products/future-home-of-the-living-god"><em>Future Home of the Living God</em></a></p><p>Louise Erdrich’s <a href="https://birchbarkbooks.com/products/the-sentence?_pos=1&amp;_sid=c8ffeb5cb&amp;_ss=r"><em>The Sentence</em></a></p><p>Stewart Brand’s <a href="https://wholeearth.info/">Whole Earth Catalog</a></p><p>Theodore Roszak’s <em>From Satori to Silicon Valley</em></p><p>Ernest Callenbach’s <a href="https://www.penguinrandomhouse.com/books/23059/ecotopia-by-ernest-callenbach/"><em>Ecotopia</em></a></p><p>Ketan Joshi on <a href="https://ketanjoshi.co/2020/03/20/watch-out-for-this-symptom-of-corona-virus-lazy-ecofascism/">lazy ecofascism</a></p><p>Mark Rifkin’s <a href="https://www.upress.umn.edu/9780816690602/settler-common-sense/"><em>Settler Common Sense</em></a></p><p>Emily Martin’s <a href="https://www.penguinrandomhouse.com/books/204348/flexible-bodies-by-emily-martin/"><em>Flexible Bodies</em></a></p><p><a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><strong><em>Everyday Ecofascism: Crisis and Consumption in American Literature</em></strong></a> by Alexander Menrisky is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Presenting a view of fascism as a complex power network that plays out on scales both large and small, Alexander Menrisky, author of <a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><strong><em>Everyday Ecofascism</em></strong></a>, shows how extremist sentiments have crept into everyday language, stories, and ideas. He illuminates ecofascism’s narrative patterns and their easy permeation of environmentalist discourses, from back-to-the-land movements to the resurgence of psychedelic drugs, food localism, and pandemic politics. Here, Menrisky is joined in conversation with April Anson and Kyle Boggs. Access a transcript: https://share.transistor.fm/s/add5e9b8</p><p><strong>Alexander Menrisky</strong> is assistant professor of English at the University of Connecticut. He is author of <a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><em>Everyday Ecofascism: Crisis and Consumption in American Literature</em></a> and <a href="https://www.cambridge.org/core/books/wild-abandon/06DCF0BB6EDF98C26FDF76BE9DF0C1F5"><em>Wild Abandon: American Literature and the Identity Politics of Ecology</em></a>.</p><p><br></p><p><strong>April Anson</strong> is assistant professor of English at the University of Connecticut. Anson writes and teaches at the intersection of the environmental humanities, Indigenous and American studies, and political theory. Anson is cofounder of the Anti-Creep Climate Initiative and coauthor of <a href="https://www.asle.org/wp-content/uploads/Against-the-Ecofascist-Creep.pdf"><em>Against the Ecofascist Creep</em></a>.</p><p><br></p><p><strong>Kyle Boggs</strong> is associate professor of rhetoric and community engagement in the Department of Humanities and Cultural Studies at Boise State University and author of <a href="https://ohiostatepress.org/books/titles/9780814215876.html"><em>Recreational Colonialism and the Rhetorical Landscapes of the Outdoors</em></a>.</p><p>REFERENCES:<br><a href="https://www.asle.org/features/stemming-the-creep-of-ecofascism-a-primer/">Anti-Creep Climate Initiative</a></p><p>Margaret Atwood’s <a href="https://www.penguinrandomhouse.com/series/YAM/the-maddaddam-trilogy/">MaddAddam trilogy</a></p><p>Tommy Pico</p><p>Jeff Mann</p><p>Gloria Anzaldua</p><p>Louise Erdrich’s <a href="https://birchbarkbooks.com/products/future-home-of-the-living-god"><em>Future Home of the Living God</em></a></p><p>Louise Erdrich’s <a href="https://birchbarkbooks.com/products/the-sentence?_pos=1&amp;_sid=c8ffeb5cb&amp;_ss=r"><em>The Sentence</em></a></p><p>Stewart Brand’s <a href="https://wholeearth.info/">Whole Earth Catalog</a></p><p>Theodore Roszak’s <em>From Satori to Silicon Valley</em></p><p>Ernest Callenbach’s <a href="https://www.penguinrandomhouse.com/books/23059/ecotopia-by-ernest-callenbach/"><em>Ecotopia</em></a></p><p>Ketan Joshi on <a href="https://ketanjoshi.co/2020/03/20/watch-out-for-this-symptom-of-corona-virus-lazy-ecofascism/">lazy ecofascism</a></p><p>Mark Rifkin’s <a href="https://www.upress.umn.edu/9780816690602/settler-common-sense/"><em>Settler Common Sense</em></a></p><p>Emily Martin’s <a href="https://www.penguinrandomhouse.com/books/204348/flexible-bodies-by-emily-martin/"><em>Flexible Bodies</em></a></p><p><a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><strong><em>Everyday Ecofascism: Crisis and Consumption in American Literature</em></strong></a> by Alexander Menrisky is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </content:encoded>
      <pubDate>Tue, 22 Jul 2025 12:59:15 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3756</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Presenting a view of fascism as a complex power network that plays out on scales both large and small, Alexander Menrisky, author of <a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><strong><em>Everyday Ecofascism</em></strong></a>, shows how extremist sentiments have crept into everyday language, stories, and ideas. He illuminates ecofascism’s narrative patterns and their easy permeation of environmentalist discourses, from back-to-the-land movements to the resurgence of psychedelic drugs, food localism, and pandemic politics. Here, Menrisky is joined in conversation with April Anson and Kyle Boggs. Access a transcript: https://share.transistor.fm/s/add5e9b8</p><p><strong>Alexander Menrisky</strong> is assistant professor of English at the University of Connecticut. He is author of <a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><em>Everyday Ecofascism: Crisis and Consumption in American Literature</em></a> and <a href="https://www.cambridge.org/core/books/wild-abandon/06DCF0BB6EDF98C26FDF76BE9DF0C1F5"><em>Wild Abandon: American Literature and the Identity Politics of Ecology</em></a>.</p><p><br></p><p><strong>April Anson</strong> is assistant professor of English at the University of Connecticut. Anson writes and teaches at the intersection of the environmental humanities, Indigenous and American studies, and political theory. Anson is cofounder of the Anti-Creep Climate Initiative and coauthor of <a href="https://www.asle.org/wp-content/uploads/Against-the-Ecofascist-Creep.pdf"><em>Against the Ecofascist Creep</em></a>.</p><p><br></p><p><strong>Kyle Boggs</strong> is associate professor of rhetoric and community engagement in the Department of Humanities and Cultural Studies at Boise State University and author of <a href="https://ohiostatepress.org/books/titles/9780814215876.html"><em>Recreational Colonialism and the Rhetorical Landscapes of the Outdoors</em></a>.</p><p>REFERENCES:<br><a href="https://www.asle.org/features/stemming-the-creep-of-ecofascism-a-primer/">Anti-Creep Climate Initiative</a></p><p>Margaret Atwood’s <a href="https://www.penguinrandomhouse.com/series/YAM/the-maddaddam-trilogy/">MaddAddam trilogy</a></p><p>Tommy Pico</p><p>Jeff Mann</p><p>Gloria Anzaldua</p><p>Louise Erdrich’s <a href="https://birchbarkbooks.com/products/future-home-of-the-living-god"><em>Future Home of the Living God</em></a></p><p>Louise Erdrich’s <a href="https://birchbarkbooks.com/products/the-sentence?_pos=1&amp;_sid=c8ffeb5cb&amp;_ss=r"><em>The Sentence</em></a></p><p>Stewart Brand’s <a href="https://wholeearth.info/">Whole Earth Catalog</a></p><p>Theodore Roszak’s <em>From Satori to Silicon Valley</em></p><p>Ernest Callenbach’s <a href="https://www.penguinrandomhouse.com/books/23059/ecotopia-by-ernest-callenbach/"><em>Ecotopia</em></a></p><p>Ketan Joshi on <a href="https://ketanjoshi.co/2020/03/20/watch-out-for-this-symptom-of-corona-virus-lazy-ecofascism/">lazy ecofascism</a></p><p>Mark Rifkin’s <a href="https://www.upress.umn.edu/9780816690602/settler-common-sense/"><em>Settler Common Sense</em></a></p><p>Emily Martin’s <a href="https://www.penguinrandomhouse.com/books/204348/flexible-bodies-by-emily-martin/"><em>Flexible Bodies</em></a></p><p><a href="https://www.upress.umn.edu/9781517918682/everyday-ecofascism/"><strong><em>Everyday Ecofascism: Crisis and Consumption in American Literature</em></strong></a> by Alexander Menrisky is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords>environment, narrative, Margaret Atwood, Tommy Pico, Louise Erdrich, Whole Earth Catalog, narrative, politics, left, right, ethnonationalism, justice, place-based belonging, generations, psychedelics, Covid-10, ecological utopianism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Public history, memory, and building a tribal archive.</title>
      <itunes:episode>110</itunes:episode>
      <podcast:episode>110</podcast:episode>
      <itunes:title>Public history, memory, and building a tribal archive.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>The story of the Stockbridge-Munsee Mohican Nation and its Historical Committee—and its fifty-year fight to recover and rewrite its history—is the focus of Rose Miron’s award-winning book <em>Indigenous Archival Activism</em>. Miron’s research and writing are shaped by materials found in the tribal archive and ongoing conversations as part of her more-than-a-decade-long reciprocal relationship with the Stockbridge-Munsee Mohican Nation. Miron is not Mohican and is careful to consider her own positionality and reflects on what it means for non-Native researchers and institutions to build reciprocal relationships with Indigenous nations in the content of academia and public history, offering a model both for tribes undertaking their own reclamation projects and for scholars looking to work with tribes in ethical ways. Here, Miron is joined in conversation with Jennifer O’Neal. Access a transcript: https://share.transistor.fm/s/37e696c3</p><p><strong>Rose Miron</strong> is vice president of research and education at Newberry Library in Chicago and author of <a href="https://www.upress.umn.edu/9781517912710/indigenous-archival-activism/"><em>Indigenous Archival Activism: Mohican Interventions in Public History and Memory</em></a>, winner of the National Council for Public History Book Award and the Book of Merit Award from the Wisconsin Historical Society.</p><p><br></p><p><strong>Jennifer O’Neal</strong> is assistant professor and director of undergraduate studies in the Department of Indigenous, Race, and Ethnic Studies at the University of Oregon.</p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>“A necessary volume on the intersection of Indigenous knowledge loss, recovery, and production in the context of settler colonialism.” <br><strong>—Jacki Thompson Rand</strong>, Choctaw Nation of Oklahoma, University of Illinois at Urbana-Champaign</p><p><br></p><p>“a must-read for archivists, researchers, and tribal historians working with/in Indian Country.”<br><strong>—Shannon Martin</strong>, Lynx Clan, Match-E-Be-Nash-She-Wish Band of Pottawatomi Indians; former director, Ziibiwing Center of Anishinabe Culture and Lifeways</p><p><a href="https://www.upress.umn.edu/9781517912710/indigenous-archival-activism/"><em>Indigenous Archival Activism: Mohican Interventions in Public History and Memory</em></a> by Rose Miron is available from University of Minnesota Press.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The story of the Stockbridge-Munsee Mohican Nation and its Historical Committee—and its fifty-year fight to recover and rewrite its history—is the focus of Rose Miron’s award-winning book <em>Indigenous Archival Activism</em>. Miron’s research and writing are shaped by materials found in the tribal archive and ongoing conversations as part of her more-than-a-decade-long reciprocal relationship with the Stockbridge-Munsee Mohican Nation. Miron is not Mohican and is careful to consider her own positionality and reflects on what it means for non-Native researchers and institutions to build reciprocal relationships with Indigenous nations in the content of academia and public history, offering a model both for tribes undertaking their own reclamation projects and for scholars looking to work with tribes in ethical ways. Here, Miron is joined in conversation with Jennifer O’Neal. Access a transcript: https://share.transistor.fm/s/37e696c3</p><p><strong>Rose Miron</strong> is vice president of research and education at Newberry Library in Chicago and author of <a href="https://www.upress.umn.edu/9781517912710/indigenous-archival-activism/"><em>Indigenous Archival Activism: Mohican Interventions in Public History and Memory</em></a>, winner of the National Council for Public History Book Award and the Book of Merit Award from the Wisconsin Historical Society.</p><p><br></p><p><strong>Jennifer O’Neal</strong> is assistant professor and director of undergraduate studies in the Department of Indigenous, Race, and Ethnic Studies at the University of Oregon.</p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>“A necessary volume on the intersection of Indigenous knowledge loss, recovery, and production in the context of settler colonialism.” <br><strong>—Jacki Thompson Rand</strong>, Choctaw Nation of Oklahoma, University of Illinois at Urbana-Champaign</p><p><br></p><p>“a must-read for archivists, researchers, and tribal historians working with/in Indian Country.”<br><strong>—Shannon Martin</strong>, Lynx Clan, Match-E-Be-Nash-She-Wish Band of Pottawatomi Indians; former director, Ziibiwing Center of Anishinabe Culture and Lifeways</p><p><a href="https://www.upress.umn.edu/9781517912710/indigenous-archival-activism/"><em>Indigenous Archival Activism: Mohican Interventions in Public History and Memory</em></a> by Rose Miron is available from University of Minnesota Press.</p>]]>
      </content:encoded>
      <pubDate>Wed, 09 Jul 2025 10:55:33 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3980</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The story of the Stockbridge-Munsee Mohican Nation and its Historical Committee—and its fifty-year fight to recover and rewrite its history—is the focus of Rose Miron’s award-winning book <em>Indigenous Archival Activism</em>. Miron’s research and writing are shaped by materials found in the tribal archive and ongoing conversations as part of her more-than-a-decade-long reciprocal relationship with the Stockbridge-Munsee Mohican Nation. Miron is not Mohican and is careful to consider her own positionality and reflects on what it means for non-Native researchers and institutions to build reciprocal relationships with Indigenous nations in the content of academia and public history, offering a model both for tribes undertaking their own reclamation projects and for scholars looking to work with tribes in ethical ways. Here, Miron is joined in conversation with Jennifer O’Neal. Access a transcript: https://share.transistor.fm/s/37e696c3</p><p><strong>Rose Miron</strong> is vice president of research and education at Newberry Library in Chicago and author of <a href="https://www.upress.umn.edu/9781517912710/indigenous-archival-activism/"><em>Indigenous Archival Activism: Mohican Interventions in Public History and Memory</em></a>, winner of the National Council for Public History Book Award and the Book of Merit Award from the Wisconsin Historical Society.</p><p><br></p><p><strong>Jennifer O’Neal</strong> is assistant professor and director of undergraduate studies in the Department of Indigenous, Race, and Ethnic Studies at the University of Oregon.</p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>“A necessary volume on the intersection of Indigenous knowledge loss, recovery, and production in the context of settler colonialism.” <br><strong>—Jacki Thompson Rand</strong>, Choctaw Nation of Oklahoma, University of Illinois at Urbana-Champaign</p><p><br></p><p>“a must-read for archivists, researchers, and tribal historians working with/in Indian Country.”<br><strong>—Shannon Martin</strong>, Lynx Clan, Match-E-Be-Nash-She-Wish Band of Pottawatomi Indians; former director, Ziibiwing Center of Anishinabe Culture and Lifeways</p><p><a href="https://www.upress.umn.edu/9781517912710/indigenous-archival-activism/"><em>Indigenous Archival Activism: Mohican Interventions in Public History and Memory</em></a> by Rose Miron is available from University of Minnesota Press.</p>]]>
      </itunes:summary>
      <itunes:keywords>data sovereignty, historians, Wisconsin, American Studies, Last of the Mohicans, library, activist, Bernice Miller, Dorothy "Dot" Davids, Department of Cultural Affairs, oral history project, digitization, ancestral homelands, grassroots, identity, Mission House Museum, preservation, repatriation</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Has the city become history?</title>
      <itunes:episode>109</itunes:episode>
      <podcast:episode>109</podcast:episode>
      <itunes:title>Has the city become history?</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Society has yet to fully grapple with the administrative chaos that has ensued from the growth of the urban. One such city allows tremendous insight into the process of urbanization in the new millennium: Bengaluru. During the past two decades, Bengaluru’s real estate sector and infrastructure investments have exploded in a massive transformation that stimulated rapid urbanization and unbounded growth. The coedited collection of writings <a href="https://www.upress.umn.edu/9781517917364/chronicles-of-a-global-city/"><strong><em>Chronicles of a Global City: Speculative Lives and Unsettled Futures in Bengaluru</em></strong></a> explores how people caught up in the whirlwinds of change—construction laborers, street vendors, gig workers—experience, struggle, strive, and speculate to make a livable city for themselves. Access a transcript: https://share.transistor.fm/s/4d1ae1d0</p><p><br></p><p><br><em>Several contributors to this book are gathered here in conversation:<br></em><br></p><p><br></p><p><strong>Vinay Gidwani </strong>is professor of geography and global studies at the University of Minnesota and author of <a href="https://www.upress.umn.edu/9780816649594/capital-interrupted/"><em>Capital Interrupted: Agrarian Development and the Politics of Work in India</em></a>.</p><p><br></p><p><br><strong>Hemangini Gupta</strong> is lecturer in gender and global politics and associate director of GENDER.ED at the University of Edinburgh. She is author of <a href="https://www.ucpress.edu/books/experimental-times/paper"><em>Experimental Times: Startup Capitalism and Feminist Futures in India</em></a> and coeditor of <a href="https://www.taylorfrancis.com/books/edit/10.4324/9781003341567/feminist-studies-hemangini-gupta-kelly-sharron-carly-thomsen-abraham-weil"><em>Feminist Studies: An Introductory Reader</em></a>.</p><p><br></p><p><br><strong>Kaveri Medappa</strong> is a postdoctoral researcher in human geography at the University of Oxford. </p><p><br></p><p><br><strong>Swathi Shivanand</strong> is assistant professor at the Department of Liberal Arts, Humanities, and Social Sciences in Manipal Academy of Higher Education, Manipal, India.</p><p><br></p><p><br><strong>Michael Goldman</strong> is associate professor of sociology and global studies at the University of Minnesota and author of <a href="https://yalebooks.yale.edu/book/9780300119749/imperial-nature/"><em>Imperial Nature: The World Bank and Struggles for Social Justice in the Age of Globalization</em></a>.</p><p><br></p><p><strong>Praise for </strong><strong><em>Chronicles of a Global City</em></strong><strong>:</strong></p><p>“A nuanced investigation into the precise nature in which Bengaluru (and the global sphere) has embraced what the authors have dubbed 'speculative urbanism', a capital-led paradigm that has monopolised the imagination over public spaces and city-building.”<br>—<em>Frontline Magazine</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917364/chronicles-of-a-global-city/"><strong><em>Chronicles of a Global City: Speculative Lives and Unsettled Futures in Bengaluru</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Society has yet to fully grapple with the administrative chaos that has ensued from the growth of the urban. One such city allows tremendous insight into the process of urbanization in the new millennium: Bengaluru. During the past two decades, Bengaluru’s real estate sector and infrastructure investments have exploded in a massive transformation that stimulated rapid urbanization and unbounded growth. The coedited collection of writings <a href="https://www.upress.umn.edu/9781517917364/chronicles-of-a-global-city/"><strong><em>Chronicles of a Global City: Speculative Lives and Unsettled Futures in Bengaluru</em></strong></a> explores how people caught up in the whirlwinds of change—construction laborers, street vendors, gig workers—experience, struggle, strive, and speculate to make a livable city for themselves. Access a transcript: https://share.transistor.fm/s/4d1ae1d0</p><p><br></p><p><br><em>Several contributors to this book are gathered here in conversation:<br></em><br></p><p><br></p><p><strong>Vinay Gidwani </strong>is professor of geography and global studies at the University of Minnesota and author of <a href="https://www.upress.umn.edu/9780816649594/capital-interrupted/"><em>Capital Interrupted: Agrarian Development and the Politics of Work in India</em></a>.</p><p><br></p><p><br><strong>Hemangini Gupta</strong> is lecturer in gender and global politics and associate director of GENDER.ED at the University of Edinburgh. She is author of <a href="https://www.ucpress.edu/books/experimental-times/paper"><em>Experimental Times: Startup Capitalism and Feminist Futures in India</em></a> and coeditor of <a href="https://www.taylorfrancis.com/books/edit/10.4324/9781003341567/feminist-studies-hemangini-gupta-kelly-sharron-carly-thomsen-abraham-weil"><em>Feminist Studies: An Introductory Reader</em></a>.</p><p><br></p><p><br><strong>Kaveri Medappa</strong> is a postdoctoral researcher in human geography at the University of Oxford. </p><p><br></p><p><br><strong>Swathi Shivanand</strong> is assistant professor at the Department of Liberal Arts, Humanities, and Social Sciences in Manipal Academy of Higher Education, Manipal, India.</p><p><br></p><p><br><strong>Michael Goldman</strong> is associate professor of sociology and global studies at the University of Minnesota and author of <a href="https://yalebooks.yale.edu/book/9780300119749/imperial-nature/"><em>Imperial Nature: The World Bank and Struggles for Social Justice in the Age of Globalization</em></a>.</p><p><br></p><p><strong>Praise for </strong><strong><em>Chronicles of a Global City</em></strong><strong>:</strong></p><p>“A nuanced investigation into the precise nature in which Bengaluru (and the global sphere) has embraced what the authors have dubbed 'speculative urbanism', a capital-led paradigm that has monopolised the imagination over public spaces and city-building.”<br>—<em>Frontline Magazine</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917364/chronicles-of-a-global-city/"><strong><em>Chronicles of a Global City: Speculative Lives and Unsettled Futures in Bengaluru</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 01 Jul 2025 11:35:10 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3912</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Society has yet to fully grapple with the administrative chaos that has ensued from the growth of the urban. One such city allows tremendous insight into the process of urbanization in the new millennium: Bengaluru. During the past two decades, Bengaluru’s real estate sector and infrastructure investments have exploded in a massive transformation that stimulated rapid urbanization and unbounded growth. The coedited collection of writings <a href="https://www.upress.umn.edu/9781517917364/chronicles-of-a-global-city/"><strong><em>Chronicles of a Global City: Speculative Lives and Unsettled Futures in Bengaluru</em></strong></a> explores how people caught up in the whirlwinds of change—construction laborers, street vendors, gig workers—experience, struggle, strive, and speculate to make a livable city for themselves. Access a transcript: https://share.transistor.fm/s/4d1ae1d0</p><p><br></p><p><br><em>Several contributors to this book are gathered here in conversation:<br></em><br></p><p><br></p><p><strong>Vinay Gidwani </strong>is professor of geography and global studies at the University of Minnesota and author of <a href="https://www.upress.umn.edu/9780816649594/capital-interrupted/"><em>Capital Interrupted: Agrarian Development and the Politics of Work in India</em></a>.</p><p><br></p><p><br><strong>Hemangini Gupta</strong> is lecturer in gender and global politics and associate director of GENDER.ED at the University of Edinburgh. She is author of <a href="https://www.ucpress.edu/books/experimental-times/paper"><em>Experimental Times: Startup Capitalism and Feminist Futures in India</em></a> and coeditor of <a href="https://www.taylorfrancis.com/books/edit/10.4324/9781003341567/feminist-studies-hemangini-gupta-kelly-sharron-carly-thomsen-abraham-weil"><em>Feminist Studies: An Introductory Reader</em></a>.</p><p><br></p><p><br><strong>Kaveri Medappa</strong> is a postdoctoral researcher in human geography at the University of Oxford. </p><p><br></p><p><br><strong>Swathi Shivanand</strong> is assistant professor at the Department of Liberal Arts, Humanities, and Social Sciences in Manipal Academy of Higher Education, Manipal, India.</p><p><br></p><p><br><strong>Michael Goldman</strong> is associate professor of sociology and global studies at the University of Minnesota and author of <a href="https://yalebooks.yale.edu/book/9780300119749/imperial-nature/"><em>Imperial Nature: The World Bank and Struggles for Social Justice in the Age of Globalization</em></a>.</p><p><br></p><p><strong>Praise for </strong><strong><em>Chronicles of a Global City</em></strong><strong>:</strong></p><p>“A nuanced investigation into the precise nature in which Bengaluru (and the global sphere) has embraced what the authors have dubbed 'speculative urbanism', a capital-led paradigm that has monopolised the imagination over public spaces and city-building.”<br>—<em>Frontline Magazine</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917364/chronicles-of-a-global-city/"><strong><em>Chronicles of a Global City: Speculative Lives and Unsettled Futures in Bengaluru</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>speculative urbanism, finance, gig economy, real estate broker, private public sector, Zamato, uncertain futures</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>To live lightly on the planet.</title>
      <itunes:episode>108</itunes:episode>
      <podcast:episode>108</podcast:episode>
      <itunes:title>To live lightly on the planet.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Tamara Dean's quest to live lightly on the planet in the midst of the environmental crises of our time led her to a landscape unlike any other: the Driftless area of Wisconsin, a region untouched by glaciers, marked by steep hills and deeply carved valleys, capped with forests and laced with cold, spring-fed streams. There she confronted, in ways large and small, the challenges of meeting basic needs while facing the ravages of climate change. Here, Dean is joined in conversation with Curt Meine. Access a transcript: https://share.transistor.fm/s/5aa2e548</p><p><strong>Tamara Dean</strong> is an educator and writer, author of <a href="https://www.upress.umn.edu/9781517918569/shelter-and-storm/"><em>Shelter and Storm: At Home in the Driftless</em></a> and <a href="https://newsociety.com/book/the-human-powered-home/"><em>The Human-Powered Home: Choosing Muscles over Motors</em></a>. Her essays and stories have been published in <em>The American Scholar</em>, <em>The Georgia Review</em>, the <em>Guardian</em>, <em>One Story</em>, <em>Orion</em>, and <em>The Progressive</em>.</p><p><br><strong>Curt Meine</strong> is a conservation biologist, environmental historian, and writer. Meine is the award-winning author of the first biography of <a href="https://uwpress.wisc.edu/books/4727.htm">Aldo Leopold</a> and has written and edited many books on conservation, including <a href="https://uwpress.wisc.edu/books/5538.htm"><em>The Driftless Reader</em></a>.</p><p><strong>REFERENCES:</strong><br><a href="https://uwpress.wisc.edu/books/5547.htm"><em>The Land Remembers</em></a> / Ben Logan</p><p><em>Order Upon the Land</em> / Hildegard Binder Johnson</p><p>Aldo Leopold</p><p><strong>PRAISE FOR THE BOOK:</strong> <br>"Dean writes with a clarity and wisdom that illuminates the past, the present, and the future. <em>Shelter and Storm</em> is an essential book for our time." <br><strong>—Jane Hamilton</strong>, award-winning author of <em>The Book of Ruth </em>and <em>A Map of the World</em></p><p>"In this remarkable collection of essays, Tamara Dean conveys the depth of our connection to the natural world with careful research and gentle words." <br><strong>—Joan Maloof</strong>, author of <em>Teaching the Trees</em></p><p>"There is so much to admire in these beautifully written essays, but foremost are Tamara Dean’s sense of awe in the natural world, her citizen science undertakings, and her deep research into both history and biology." <br><strong>—Nancy Lord</strong>, former Alaska State Writer Laureate and author of <em>Early Warming</em></p><p><a href="https://www.upress.umn.edu/9781517918569/shelter-and-storm/"><strong><em>Shelter and Storm: At Home in the Driftless</em></strong></a><em> </em>by Tamara Dean is available from University of Minnesota Press. Thank you for listening.</p>]]>
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      <content:encoded>
        <![CDATA[<p>Tamara Dean's quest to live lightly on the planet in the midst of the environmental crises of our time led her to a landscape unlike any other: the Driftless area of Wisconsin, a region untouched by glaciers, marked by steep hills and deeply carved valleys, capped with forests and laced with cold, spring-fed streams. There she confronted, in ways large and small, the challenges of meeting basic needs while facing the ravages of climate change. Here, Dean is joined in conversation with Curt Meine. Access a transcript: https://share.transistor.fm/s/5aa2e548</p><p><strong>Tamara Dean</strong> is an educator and writer, author of <a href="https://www.upress.umn.edu/9781517918569/shelter-and-storm/"><em>Shelter and Storm: At Home in the Driftless</em></a> and <a href="https://newsociety.com/book/the-human-powered-home/"><em>The Human-Powered Home: Choosing Muscles over Motors</em></a>. Her essays and stories have been published in <em>The American Scholar</em>, <em>The Georgia Review</em>, the <em>Guardian</em>, <em>One Story</em>, <em>Orion</em>, and <em>The Progressive</em>.</p><p><br><strong>Curt Meine</strong> is a conservation biologist, environmental historian, and writer. Meine is the award-winning author of the first biography of <a href="https://uwpress.wisc.edu/books/4727.htm">Aldo Leopold</a> and has written and edited many books on conservation, including <a href="https://uwpress.wisc.edu/books/5538.htm"><em>The Driftless Reader</em></a>.</p><p><strong>REFERENCES:</strong><br><a href="https://uwpress.wisc.edu/books/5547.htm"><em>The Land Remembers</em></a> / Ben Logan</p><p><em>Order Upon the Land</em> / Hildegard Binder Johnson</p><p>Aldo Leopold</p><p><strong>PRAISE FOR THE BOOK:</strong> <br>"Dean writes with a clarity and wisdom that illuminates the past, the present, and the future. <em>Shelter and Storm</em> is an essential book for our time." <br><strong>—Jane Hamilton</strong>, award-winning author of <em>The Book of Ruth </em>and <em>A Map of the World</em></p><p>"In this remarkable collection of essays, Tamara Dean conveys the depth of our connection to the natural world with careful research and gentle words." <br><strong>—Joan Maloof</strong>, author of <em>Teaching the Trees</em></p><p>"There is so much to admire in these beautifully written essays, but foremost are Tamara Dean’s sense of awe in the natural world, her citizen science undertakings, and her deep research into both history and biology." <br><strong>—Nancy Lord</strong>, former Alaska State Writer Laureate and author of <em>Early Warming</em></p><p><a href="https://www.upress.umn.edu/9781517918569/shelter-and-storm/"><strong><em>Shelter and Storm: At Home in the Driftless</em></strong></a><em> </em>by Tamara Dean is available from University of Minnesota Press. Thank you for listening.</p>]]>
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      <pubDate>Tue, 24 Jun 2025 14:50:38 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3430</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Tamara Dean's quest to live lightly on the planet in the midst of the environmental crises of our time led her to a landscape unlike any other: the Driftless area of Wisconsin, a region untouched by glaciers, marked by steep hills and deeply carved valleys, capped with forests and laced with cold, spring-fed streams. There she confronted, in ways large and small, the challenges of meeting basic needs while facing the ravages of climate change. Here, Dean is joined in conversation with Curt Meine. Access a transcript: https://share.transistor.fm/s/5aa2e548</p><p><strong>Tamara Dean</strong> is an educator and writer, author of <a href="https://www.upress.umn.edu/9781517918569/shelter-and-storm/"><em>Shelter and Storm: At Home in the Driftless</em></a> and <a href="https://newsociety.com/book/the-human-powered-home/"><em>The Human-Powered Home: Choosing Muscles over Motors</em></a>. Her essays and stories have been published in <em>The American Scholar</em>, <em>The Georgia Review</em>, the <em>Guardian</em>, <em>One Story</em>, <em>Orion</em>, and <em>The Progressive</em>.</p><p><br><strong>Curt Meine</strong> is a conservation biologist, environmental historian, and writer. Meine is the award-winning author of the first biography of <a href="https://uwpress.wisc.edu/books/4727.htm">Aldo Leopold</a> and has written and edited many books on conservation, including <a href="https://uwpress.wisc.edu/books/5538.htm"><em>The Driftless Reader</em></a>.</p><p><strong>REFERENCES:</strong><br><a href="https://uwpress.wisc.edu/books/5547.htm"><em>The Land Remembers</em></a> / Ben Logan</p><p><em>Order Upon the Land</em> / Hildegard Binder Johnson</p><p>Aldo Leopold</p><p><strong>PRAISE FOR THE BOOK:</strong> <br>"Dean writes with a clarity and wisdom that illuminates the past, the present, and the future. <em>Shelter and Storm</em> is an essential book for our time." <br><strong>—Jane Hamilton</strong>, award-winning author of <em>The Book of Ruth </em>and <em>A Map of the World</em></p><p>"In this remarkable collection of essays, Tamara Dean conveys the depth of our connection to the natural world with careful research and gentle words." <br><strong>—Joan Maloof</strong>, author of <em>Teaching the Trees</em></p><p>"There is so much to admire in these beautifully written essays, but foremost are Tamara Dean’s sense of awe in the natural world, her citizen science undertakings, and her deep research into both history and biology." <br><strong>—Nancy Lord</strong>, former Alaska State Writer Laureate and author of <em>Early Warming</em></p><p><a href="https://www.upress.umn.edu/9781517918569/shelter-and-storm/"><strong><em>Shelter and Storm: At Home in the Driftless</em></strong></a><em> </em>by Tamara Dean is available from University of Minnesota Press. Thank you for listening.</p>]]>
      </itunes:summary>
      <itunes:keywords>farming, agriculture, topography, floods, Viroqua, Green Bay, local food economy, watershed, conservation, prairie, restoration, landscape</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Can we design better public streets? </title>
      <itunes:episode>107</itunes:episode>
      <podcast:episode>107</podcast:episode>
      <itunes:title>Can we design better public streets? </itunes:title>
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        <![CDATA[<p>Cities across the US are rethinking streets, going beyond sidewalks and bike lanes to welcome nonmotorists to share the roadway. David L. Prytherch, author of <a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><strong><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></strong></a>, traces the historical evolution of America’s streets and explores contemporary movements to retake them from cars for diverse forms of mobility and community life. Can we design more just streets? Here, Prytherch is joined in conversation with Mimi Sheller and Peter Norton. Access a transcript: https://share.transistor.fm/s/0e507210</p><p><br></p><p><strong>David Prytherch</strong> is professor of geography at Miami University in Oxford, Ohio. He is author of <a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></a>; <a href="https://link.springer.com/book/10.1007/978-3-319-75705-6"><em>Law, Engineering, and the American Right-of-Way: Imagining a More Just Street</em></a>; and coeditor of <a href="https://www.routledge.com/Transport-Mobility-and-the-Production-of-Urban-Space/Cidell-Prytherch/p/book/9781138546424?srsltid=AfmBOoouF2bjlkUpibSJu91RuCCC1iv-RnEnryd9AXtT4ogRF1Z86KIP"><em>Transport, Mobility, and the Production of Urban Space</em></a>. </p><p><br></p><p><strong>Mimi Sheller</strong> is Dean of The Global School at Worcester Polytechnic Institute. Sheller is founding co-editor of the journal <em>Mobilities</em>, founding co-director of the Centre for Mobilities at Lancaster University, England, and past president of the International Association for the History of Transport, Traffic and Mobility. Sheller is author of <a href="https://www.versobooks.com/products/753-mobility-justice"><em>Mobility Justice: The Politics of Movement in an Age of Extremes</em></a>.</p><p><br></p><p><strong>Peter Norton</strong> is associate professor of history in the Department of Engineering and Society at the University of Virginia. He is author of <a href="https://mitpress.mit.edu/9780262516129/fighting-traffic/"><em>Fighting Traffic: The Dawn of the Motor Age in the American City</em></a> and <a href="https://islandpress.org/books/autonorama#desc"><em>Autonorama: The Illustory Promise of High-Tech Driving</em></a>.</p><p><br></p><p><strong>REFERENCES:<br></strong>John Urry</p><p><a href="https://www.penguinrandomhouse.com/books/86058/the-death-and-life-of-great-american-cities-by-jane-jacobs/"><em>The Death and Life of Great American Cities</em></a> / Jane Jacobs</p><p><a href="https://www.peopleformobilityjustice.org/">People for Mobility Justice</a></p><p>Robert Moses</p><p>Complete Streets</p><p>The Untokening</p><p>Kimberlé Crenshaw</p><p><strong><em>Praise for the book:</em></strong><br>"Reporting from the front lines of recent post-pandemic physical and cultural transformations of public space in nine major American cities, David L. Prytherch raises profound questions about what streets are for and how they might be equitably shared. The result is a fresh, hopeful vision for intersectional mobility justice and public placemaking."</p><p><strong>—Mimi Sheller</strong>, author of <em>Mobility Justice: The Politics of Movement in an Age of Extremes<br></em><br></p><p><br></p><p>"David L. Prytherch gives a crisp, clear, and accessible narrative of the movement to reclaim public streets after one hundred years of domination by private automobile interests. Steering us through the politics of streets during the Covid-19 pandemic and recovery, this is a refreshingly innovative and optimistic book for anyone concerned about our urban mobility future."</p><p><strong>—Jason Henderson</strong>, coauthor of <em>Street Fights in Copenhagen: Bicycle and Car Politics in a Green Mobility City</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><strong><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></strong></a> by David L. Prytherch is available from University of Minnesota Press.</p><p><br></p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Cities across the US are rethinking streets, going beyond sidewalks and bike lanes to welcome nonmotorists to share the roadway. David L. Prytherch, author of <a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><strong><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></strong></a>, traces the historical evolution of America’s streets and explores contemporary movements to retake them from cars for diverse forms of mobility and community life. Can we design more just streets? Here, Prytherch is joined in conversation with Mimi Sheller and Peter Norton. Access a transcript: https://share.transistor.fm/s/0e507210</p><p><br></p><p><strong>David Prytherch</strong> is professor of geography at Miami University in Oxford, Ohio. He is author of <a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></a>; <a href="https://link.springer.com/book/10.1007/978-3-319-75705-6"><em>Law, Engineering, and the American Right-of-Way: Imagining a More Just Street</em></a>; and coeditor of <a href="https://www.routledge.com/Transport-Mobility-and-the-Production-of-Urban-Space/Cidell-Prytherch/p/book/9781138546424?srsltid=AfmBOoouF2bjlkUpibSJu91RuCCC1iv-RnEnryd9AXtT4ogRF1Z86KIP"><em>Transport, Mobility, and the Production of Urban Space</em></a>. </p><p><br></p><p><strong>Mimi Sheller</strong> is Dean of The Global School at Worcester Polytechnic Institute. Sheller is founding co-editor of the journal <em>Mobilities</em>, founding co-director of the Centre for Mobilities at Lancaster University, England, and past president of the International Association for the History of Transport, Traffic and Mobility. Sheller is author of <a href="https://www.versobooks.com/products/753-mobility-justice"><em>Mobility Justice: The Politics of Movement in an Age of Extremes</em></a>.</p><p><br></p><p><strong>Peter Norton</strong> is associate professor of history in the Department of Engineering and Society at the University of Virginia. He is author of <a href="https://mitpress.mit.edu/9780262516129/fighting-traffic/"><em>Fighting Traffic: The Dawn of the Motor Age in the American City</em></a> and <a href="https://islandpress.org/books/autonorama#desc"><em>Autonorama: The Illustory Promise of High-Tech Driving</em></a>.</p><p><br></p><p><strong>REFERENCES:<br></strong>John Urry</p><p><a href="https://www.penguinrandomhouse.com/books/86058/the-death-and-life-of-great-american-cities-by-jane-jacobs/"><em>The Death and Life of Great American Cities</em></a> / Jane Jacobs</p><p><a href="https://www.peopleformobilityjustice.org/">People for Mobility Justice</a></p><p>Robert Moses</p><p>Complete Streets</p><p>The Untokening</p><p>Kimberlé Crenshaw</p><p><strong><em>Praise for the book:</em></strong><br>"Reporting from the front lines of recent post-pandemic physical and cultural transformations of public space in nine major American cities, David L. Prytherch raises profound questions about what streets are for and how they might be equitably shared. The result is a fresh, hopeful vision for intersectional mobility justice and public placemaking."</p><p><strong>—Mimi Sheller</strong>, author of <em>Mobility Justice: The Politics of Movement in an Age of Extremes<br></em><br></p><p><br></p><p>"David L. Prytherch gives a crisp, clear, and accessible narrative of the movement to reclaim public streets after one hundred years of domination by private automobile interests. Steering us through the politics of streets during the Covid-19 pandemic and recovery, this is a refreshingly innovative and optimistic book for anyone concerned about our urban mobility future."</p><p><strong>—Jason Henderson</strong>, coauthor of <em>Street Fights in Copenhagen: Bicycle and Car Politics in a Green Mobility City</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><strong><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></strong></a> by David L. Prytherch is available from University of Minnesota Press.</p><p><br></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 17 Jun 2025 13:48:25 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>4628</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Cities across the US are rethinking streets, going beyond sidewalks and bike lanes to welcome nonmotorists to share the roadway. David L. Prytherch, author of <a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><strong><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></strong></a>, traces the historical evolution of America’s streets and explores contemporary movements to retake them from cars for diverse forms of mobility and community life. Can we design more just streets? Here, Prytherch is joined in conversation with Mimi Sheller and Peter Norton. Access a transcript: https://share.transistor.fm/s/0e507210</p><p><br></p><p><strong>David Prytherch</strong> is professor of geography at Miami University in Oxford, Ohio. He is author of <a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></a>; <a href="https://link.springer.com/book/10.1007/978-3-319-75705-6"><em>Law, Engineering, and the American Right-of-Way: Imagining a More Just Street</em></a>; and coeditor of <a href="https://www.routledge.com/Transport-Mobility-and-the-Production-of-Urban-Space/Cidell-Prytherch/p/book/9781138546424?srsltid=AfmBOoouF2bjlkUpibSJu91RuCCC1iv-RnEnryd9AXtT4ogRF1Z86KIP"><em>Transport, Mobility, and the Production of Urban Space</em></a>. </p><p><br></p><p><strong>Mimi Sheller</strong> is Dean of The Global School at Worcester Polytechnic Institute. Sheller is founding co-editor of the journal <em>Mobilities</em>, founding co-director of the Centre for Mobilities at Lancaster University, England, and past president of the International Association for the History of Transport, Traffic and Mobility. Sheller is author of <a href="https://www.versobooks.com/products/753-mobility-justice"><em>Mobility Justice: The Politics of Movement in an Age of Extremes</em></a>.</p><p><br></p><p><strong>Peter Norton</strong> is associate professor of history in the Department of Engineering and Society at the University of Virginia. He is author of <a href="https://mitpress.mit.edu/9780262516129/fighting-traffic/"><em>Fighting Traffic: The Dawn of the Motor Age in the American City</em></a> and <a href="https://islandpress.org/books/autonorama#desc"><em>Autonorama: The Illustory Promise of High-Tech Driving</em></a>.</p><p><br></p><p><strong>REFERENCES:<br></strong>John Urry</p><p><a href="https://www.penguinrandomhouse.com/books/86058/the-death-and-life-of-great-american-cities-by-jane-jacobs/"><em>The Death and Life of Great American Cities</em></a> / Jane Jacobs</p><p><a href="https://www.peopleformobilityjustice.org/">People for Mobility Justice</a></p><p>Robert Moses</p><p>Complete Streets</p><p>The Untokening</p><p>Kimberlé Crenshaw</p><p><strong><em>Praise for the book:</em></strong><br>"Reporting from the front lines of recent post-pandemic physical and cultural transformations of public space in nine major American cities, David L. Prytherch raises profound questions about what streets are for and how they might be equitably shared. The result is a fresh, hopeful vision for intersectional mobility justice and public placemaking."</p><p><strong>—Mimi Sheller</strong>, author of <em>Mobility Justice: The Politics of Movement in an Age of Extremes<br></em><br></p><p><br></p><p>"David L. Prytherch gives a crisp, clear, and accessible narrative of the movement to reclaim public streets after one hundred years of domination by private automobile interests. Steering us through the politics of streets during the Covid-19 pandemic and recovery, this is a refreshingly innovative and optimistic book for anyone concerned about our urban mobility future."</p><p><strong>—Jason Henderson</strong>, coauthor of <em>Street Fights in Copenhagen: Bicycle and Car Politics in a Green Mobility City</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517916459/reclaiming-the-road/"><strong><em>Reclaiming the Road: Mobility Justice beyond Complete Streets</em></strong></a> by David L. Prytherch is available from University of Minnesota Press.</p><p><br></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>multimodalism, transportation equity, public space, Complete Streets, slow, open, parklets, pandemic, plaza, urban studies, accessibility, Boston, Pittsburgh, Oakland, New York, Denver, Los Angeles, Portland, Washington DC, disability, cycling, buses, freeways</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Cinemal: Films and animals, majesty and mystery</title>
      <itunes:episode>106</itunes:episode>
      <podcast:episode>106</podcast:episode>
      <itunes:title>Cinemal: Films and animals, majesty and mystery</itunes:title>
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        <![CDATA[<p>Cinema can be furtive and intensely beautiful—and it can leave a viewer craving more. <a href="https://www.upress.umn.edu/9781517915711/cinemal/"><strong><em>Cinemal</em></strong></a> is Tessa Laird’s passionate inquiry into the desire to write about animals and to write about art, juxtaposing the two and burrowing into the ways that films mimic the majesty, mystery, and movements of animals. Here, Laird is joined in conversation with Giovanni Aloi and Caroline Picard, editors of the Art after Nature series with University of Minnesota Press. Access the transcript: https://share.transistor.fm/s/92fb9e20</p><p><strong>Tessa Laird</strong> is an artist, writer, and senior lecturer at the Victorian College of the Arts, University of Melbourne. Her books include a fictocritical exploration of color, <a href="https://clouds.co.nz/tessa-laird-a-rainbow-reader/"><em>A Rainbow Reader</em></a><em>, </em>and a cultural history of bats, <a href="https://reaktionbooks.co.uk/work/bat"><em>Bat</em></a><em>, </em>in Reaktion Books’ celebrated Animal series.</p><p><br></p><p><strong>Giovanni Aloi</strong> teaches art history, theory, and criticism at the School of the Art Institute of Chicago. He is author or editor of many books on the nonhuman and art.</p><p><br></p><p><strong>Caroline Picard</strong> is a writer, cartoonist, curator, and founder of the Green Lantern Press.</p><p><br></p><p>EPISODE REFERENCES:</p><p><a href="https://www.fordhampress.com/9780823227914/the-animal-that-therefore-i-am/"><em>The Animal That Therefore I Am</em></a> / Jacques Derrida</p><p>Donna Haraway</p><p>Arthur and Corinne Cantrill</p><p>Michael Taussig</p><p><a href="https://www.bloomsbury.com/us/monocultures-of-the-mind-9781856492188/"><em>Monocultures of the Mind</em></a> / Vandana Shiva</p><p><a href="https://www.dukeupress.edu/what-animals-teach-us-about-politics"><em>What Animals Teach Us about Politics</em></a> / Brian Massumi</p><p>Len Lye, New Zealand modernist artist</p><p>Sergei Eisenstein</p><p><a href="https://www.upress.umn.edu/9780816634866/electric-animal/"><em>Electric Animal</em></a> / Akira Lippit</p><p>Baptiste Marizot</p><p><a href="https://www.akpress.org/undrowned.html"><em>Undrowned</em></a> / Alexis Pauline Gumbs</p><p>Sriwhana Spong</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Original, erudite, and playful all in one, <em>Cinemal</em> is not only a joy to read but estranges the very idea of cinema, and therefore of life, in ways wondrous and wise.”<strong><br>—Michael Taussig</strong>, Columbia University</p><p><br></p><p><em>“</em>A sparkling, engaging book, a virtuosic and thrilling interleaving of experimental cinema, philosophies of the more-than-human, and stories of animal encounters. Celebrating the variety and inventiveness of cinematic experimentation, Tessa Laird calls for us to remake our human senses in order to align better with the needs of the planet.”<br><strong>—Laura U. Marks</strong>, author of <em>The Fold: From Your Body to the Cosmos</em></p><p><a href="https://www.upress.umn.edu/book-division/series/art_after_nature"><strong>Art after Nature</strong></a> is a series edited by Giovanni Aloi and Caroline Picard that explores epistemological questions that emerge from the expanding, environmental consciousness of the humanities.</p><p><a href="https://www.upress.umn.edu/9781517915711/cinemal/"><strong><em>Cinemal: The Becoming-Animal of Experimental Film</em></strong></a><em> </em>by Tessa Laird is available from University of Minnesota Press.</p>]]>
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        <![CDATA[<p>Cinema can be furtive and intensely beautiful—and it can leave a viewer craving more. <a href="https://www.upress.umn.edu/9781517915711/cinemal/"><strong><em>Cinemal</em></strong></a> is Tessa Laird’s passionate inquiry into the desire to write about animals and to write about art, juxtaposing the two and burrowing into the ways that films mimic the majesty, mystery, and movements of animals. Here, Laird is joined in conversation with Giovanni Aloi and Caroline Picard, editors of the Art after Nature series with University of Minnesota Press. Access the transcript: https://share.transistor.fm/s/92fb9e20</p><p><strong>Tessa Laird</strong> is an artist, writer, and senior lecturer at the Victorian College of the Arts, University of Melbourne. Her books include a fictocritical exploration of color, <a href="https://clouds.co.nz/tessa-laird-a-rainbow-reader/"><em>A Rainbow Reader</em></a><em>, </em>and a cultural history of bats, <a href="https://reaktionbooks.co.uk/work/bat"><em>Bat</em></a><em>, </em>in Reaktion Books’ celebrated Animal series.</p><p><br></p><p><strong>Giovanni Aloi</strong> teaches art history, theory, and criticism at the School of the Art Institute of Chicago. He is author or editor of many books on the nonhuman and art.</p><p><br></p><p><strong>Caroline Picard</strong> is a writer, cartoonist, curator, and founder of the Green Lantern Press.</p><p><br></p><p>EPISODE REFERENCES:</p><p><a href="https://www.fordhampress.com/9780823227914/the-animal-that-therefore-i-am/"><em>The Animal That Therefore I Am</em></a> / Jacques Derrida</p><p>Donna Haraway</p><p>Arthur and Corinne Cantrill</p><p>Michael Taussig</p><p><a href="https://www.bloomsbury.com/us/monocultures-of-the-mind-9781856492188/"><em>Monocultures of the Mind</em></a> / Vandana Shiva</p><p><a href="https://www.dukeupress.edu/what-animals-teach-us-about-politics"><em>What Animals Teach Us about Politics</em></a> / Brian Massumi</p><p>Len Lye, New Zealand modernist artist</p><p>Sergei Eisenstein</p><p><a href="https://www.upress.umn.edu/9780816634866/electric-animal/"><em>Electric Animal</em></a> / Akira Lippit</p><p>Baptiste Marizot</p><p><a href="https://www.akpress.org/undrowned.html"><em>Undrowned</em></a> / Alexis Pauline Gumbs</p><p>Sriwhana Spong</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Original, erudite, and playful all in one, <em>Cinemal</em> is not only a joy to read but estranges the very idea of cinema, and therefore of life, in ways wondrous and wise.”<strong><br>—Michael Taussig</strong>, Columbia University</p><p><br></p><p><em>“</em>A sparkling, engaging book, a virtuosic and thrilling interleaving of experimental cinema, philosophies of the more-than-human, and stories of animal encounters. Celebrating the variety and inventiveness of cinematic experimentation, Tessa Laird calls for us to remake our human senses in order to align better with the needs of the planet.”<br><strong>—Laura U. Marks</strong>, author of <em>The Fold: From Your Body to the Cosmos</em></p><p><a href="https://www.upress.umn.edu/book-division/series/art_after_nature"><strong>Art after Nature</strong></a> is a series edited by Giovanni Aloi and Caroline Picard that explores epistemological questions that emerge from the expanding, environmental consciousness of the humanities.</p><p><a href="https://www.upress.umn.edu/9781517915711/cinemal/"><strong><em>Cinemal: The Becoming-Animal of Experimental Film</em></strong></a><em> </em>by Tessa Laird is available from University of Minnesota Press.</p>]]>
      </content:encoded>
      <pubDate>Tue, 03 Jun 2025 11:32:34 -0500</pubDate>
      <author>University of Minnesota Press</author>
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        <![CDATA[<p>Cinema can be furtive and intensely beautiful—and it can leave a viewer craving more. <a href="https://www.upress.umn.edu/9781517915711/cinemal/"><strong><em>Cinemal</em></strong></a> is Tessa Laird’s passionate inquiry into the desire to write about animals and to write about art, juxtaposing the two and burrowing into the ways that films mimic the majesty, mystery, and movements of animals. Here, Laird is joined in conversation with Giovanni Aloi and Caroline Picard, editors of the Art after Nature series with University of Minnesota Press. Access the transcript: https://share.transistor.fm/s/92fb9e20</p><p><strong>Tessa Laird</strong> is an artist, writer, and senior lecturer at the Victorian College of the Arts, University of Melbourne. Her books include a fictocritical exploration of color, <a href="https://clouds.co.nz/tessa-laird-a-rainbow-reader/"><em>A Rainbow Reader</em></a><em>, </em>and a cultural history of bats, <a href="https://reaktionbooks.co.uk/work/bat"><em>Bat</em></a><em>, </em>in Reaktion Books’ celebrated Animal series.</p><p><br></p><p><strong>Giovanni Aloi</strong> teaches art history, theory, and criticism at the School of the Art Institute of Chicago. He is author or editor of many books on the nonhuman and art.</p><p><br></p><p><strong>Caroline Picard</strong> is a writer, cartoonist, curator, and founder of the Green Lantern Press.</p><p><br></p><p>EPISODE REFERENCES:</p><p><a href="https://www.fordhampress.com/9780823227914/the-animal-that-therefore-i-am/"><em>The Animal That Therefore I Am</em></a> / Jacques Derrida</p><p>Donna Haraway</p><p>Arthur and Corinne Cantrill</p><p>Michael Taussig</p><p><a href="https://www.bloomsbury.com/us/monocultures-of-the-mind-9781856492188/"><em>Monocultures of the Mind</em></a> / Vandana Shiva</p><p><a href="https://www.dukeupress.edu/what-animals-teach-us-about-politics"><em>What Animals Teach Us about Politics</em></a> / Brian Massumi</p><p>Len Lye, New Zealand modernist artist</p><p>Sergei Eisenstein</p><p><a href="https://www.upress.umn.edu/9780816634866/electric-animal/"><em>Electric Animal</em></a> / Akira Lippit</p><p>Baptiste Marizot</p><p><a href="https://www.akpress.org/undrowned.html"><em>Undrowned</em></a> / Alexis Pauline Gumbs</p><p>Sriwhana Spong</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p>“Original, erudite, and playful all in one, <em>Cinemal</em> is not only a joy to read but estranges the very idea of cinema, and therefore of life, in ways wondrous and wise.”<strong><br>—Michael Taussig</strong>, Columbia University</p><p><br></p><p><em>“</em>A sparkling, engaging book, a virtuosic and thrilling interleaving of experimental cinema, philosophies of the more-than-human, and stories of animal encounters. Celebrating the variety and inventiveness of cinematic experimentation, Tessa Laird calls for us to remake our human senses in order to align better with the needs of the planet.”<br><strong>—Laura U. Marks</strong>, author of <em>The Fold: From Your Body to the Cosmos</em></p><p><a href="https://www.upress.umn.edu/book-division/series/art_after_nature"><strong>Art after Nature</strong></a> is a series edited by Giovanni Aloi and Caroline Picard that explores epistemological questions that emerge from the expanding, environmental consciousness of the humanities.</p><p><a href="https://www.upress.umn.edu/9781517915711/cinemal/"><strong><em>Cinemal: The Becoming-Animal of Experimental Film</em></strong></a><em> </em>by Tessa Laird is available from University of Minnesota Press.</p>]]>
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      <itunes:keywords>Derrida, animot, phallogocentrism, monoculture, Arthur and Corinne Cantrill, Carolee Schneeman, Camille Henrot, Oceania, Len Lye, Sriwhana Spong, experimental film, biodiversity, nature</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Is aggression inevitable?</title>
      <itunes:episode>105</itunes:episode>
      <podcast:episode>105</podcast:episode>
      <itunes:title>Is aggression inevitable?</itunes:title>
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        <![CDATA[<p>“There is no such thing as a raw, natural, aggressive urge that underlies human violence. While we inherit defense mechanisms, they work only when triggered culturally.” So opens John Protevi’s <a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><strong><em>Regimes of Violence: Toward a Political Anthropology</em></strong></a>, which takes as its biocultural basis that social practices shape our bodies and minds, and analyzes human aggression throughout history: early nomadic foragers, organized sports, berserkers and blackout rages, maroons escaping slavery, the January 6th invasion of the US Capitol, and responses to the Covid-19 pandemic. Protevi entwines the philosophical with the anthropological and considers why humans’ capacity for cooperation and sharing is persistently overlooked by stories of aggression and warfare. </p><p>This book is an important contribution to the studies of Deleuze and Guattari, and here, Andrew Culp (<a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a>) and Protevi (“joyous Deleuze”) dig into myriad shades of human expression from philosophical and cultural perspectives. Access the transcript: https://share.transistor.fm/s/f0f5eb7f</p><p><strong>John Protevi</strong> is professor of French studies and philosophy at Louisiana State University and author of <a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><em>Regimes of Violence: Toward a Political Anthropology</em></a>; <a href="https://www.upress.umn.edu/9780816665105/political-affect/"><em>Political Affect: Connecting the Social and the Somatic</em></a>; <a href="https://www.upress.umn.edu/9780816681020/life-war-earth/"><em>Life, War, Earth: Deleuze and the Sciences</em></a>; and <a href="https://www.upress.umn.edu/9781517907969/edges-of-the-state/"><em>Edges of the State</em></a>.</p><p><br></p><p><strong>Andrew Culp</strong> is director of the MA Aesthetics and Politics program at California Institute of the Arts and author of <a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a> and <a href="https://www.upress.umn.edu/9781517905231/a-guerrilla-guide-to-refusal/"><em>A Guerrilla Guide to Refusal</em></a>. </p><p><br></p><p><strong>Episode references:</strong></p><p>Francisco Varela</p><p>Evan Thompson</p><p>Esequiel Di Paolo</p><p>Hanne De Jaegher</p><p>Francisco Varela, Eleanor Rosch, Evan Thompson / <a href="https://direct.mit.edu/books/monograph/3956/The-Embodied-MindCognitive-Science-and-Human"><em>The Embodied Mind</em></a></p><p>Wilhelm Reich</p><p>Baruch Spinoza</p><p>Sigmund Freud </p><p>Gustave Le Bon</p><p>Jeremy Gilbert / <a href="https://www.plutobooks.com/9780745325316/common-ground/"><em>Common Ground</em></a></p><p>Rodrigo Nunes / <a href="https://www.versobooks.com/products/772-neither-vertical-nor-horizontal"><em>Neither Vertical nor Horizontal</em></a></p><p>Manuel DeLanda / <em>War in the Age of Intelligent Machines</em></p><p>Manuel DeLanda / <a href="https://press.princeton.edu/books/paperback/9780942299328/a-thousand-years-of-nonlinear-history"><em>A Thousand Years of Nonlinear History</em></a></p><p>Deleuze and Guattari / <em>Anti-Oedipus</em></p><p>Bataille</p><p>Nietzsche</p><p>Marx</p><p>Freud</p><p>Deleuze and Guattari / <a href="https://www.upress.umn.edu/9780816614028/a-thousand-plateaus/"><em>A Thousand Plateaus</em></a></p><p>Claude Lévi-Strauss / <a href="https://press.uchicago.edu/ucp/books/book/chicago/W/bo19238845.html"><em>Wild Thought</em></a></p><p>Lisa Adkins /<a href="https://www.sup.org/books/sociology/time-money"><em> The Time of Money</em></a></p><p>Arline T. Geronimus / <a href="https://www.hachettebookgroup.com/titles/dr-arline-t-geronimus/weathering/9780316258180/"><em>Weathering: The Extraordinary Stress of Ordinary Life in an Unjust Society</em></a></p><p>Andrew Culp / <a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a></p><p>Deleuze and Guattari / <a href="https://cup.columbia.edu/book/what-is-philosophy/9780231079891/"><em>What Is Philosophy?</em></a></p><p>Suzanne de Brunhoff / <a href="https://www.versobooks.com/products/158-marx-on-money"><em>Marx on Money</em></a></p><p>Quentin Badaire</p><p><a href="https://shs.cairn.info/journal-of-the-ciph-2021-1-page-151?lang=en">Quentin Badaire’s book review</a> of <a href="https://yalebooks.yale.edu/book/9780300240214/against-the-grain/"><em>Against the Grain: A Deep History of the Earliest States</em></a> by James C. Scott</p><p>Lewis Henry Morgan</p><p>Hobbes</p><p>Locke</p><p>Daniel Luban / <a href="https://www.jstor.org/stable/26509630">Hobbesian Slavery</a> (essay in <em>Political Theory</em>)</p><p>Rousseau</p><p><strong>Case studies discussed in this episode:</strong></p><p>Berserkers</p><p>Esprit de Corps</p><p>Robert Bales</p><p>Shenetta White-Ballard</p><p><br><strong><em>Praise for the book:</em></strong><br>"A brilliant and novel political anthropology that updates our most entrenched philosophical biases and looks to a politics of joy beyond the relations of command."<br>—Davide Panagia</p><p><a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><em>Regimes of Violence: Toward a Political Anthropology</em></a> by John Protevi is available from University of Minnesota Press.</p><p><br></p>]]>
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        <![CDATA[<p>“There is no such thing as a raw, natural, aggressive urge that underlies human violence. While we inherit defense mechanisms, they work only when triggered culturally.” So opens John Protevi’s <a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><strong><em>Regimes of Violence: Toward a Political Anthropology</em></strong></a>, which takes as its biocultural basis that social practices shape our bodies and minds, and analyzes human aggression throughout history: early nomadic foragers, organized sports, berserkers and blackout rages, maroons escaping slavery, the January 6th invasion of the US Capitol, and responses to the Covid-19 pandemic. Protevi entwines the philosophical with the anthropological and considers why humans’ capacity for cooperation and sharing is persistently overlooked by stories of aggression and warfare. </p><p>This book is an important contribution to the studies of Deleuze and Guattari, and here, Andrew Culp (<a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a>) and Protevi (“joyous Deleuze”) dig into myriad shades of human expression from philosophical and cultural perspectives. Access the transcript: https://share.transistor.fm/s/f0f5eb7f</p><p><strong>John Protevi</strong> is professor of French studies and philosophy at Louisiana State University and author of <a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><em>Regimes of Violence: Toward a Political Anthropology</em></a>; <a href="https://www.upress.umn.edu/9780816665105/political-affect/"><em>Political Affect: Connecting the Social and the Somatic</em></a>; <a href="https://www.upress.umn.edu/9780816681020/life-war-earth/"><em>Life, War, Earth: Deleuze and the Sciences</em></a>; and <a href="https://www.upress.umn.edu/9781517907969/edges-of-the-state/"><em>Edges of the State</em></a>.</p><p><br></p><p><strong>Andrew Culp</strong> is director of the MA Aesthetics and Politics program at California Institute of the Arts and author of <a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a> and <a href="https://www.upress.umn.edu/9781517905231/a-guerrilla-guide-to-refusal/"><em>A Guerrilla Guide to Refusal</em></a>. </p><p><br></p><p><strong>Episode references:</strong></p><p>Francisco Varela</p><p>Evan Thompson</p><p>Esequiel Di Paolo</p><p>Hanne De Jaegher</p><p>Francisco Varela, Eleanor Rosch, Evan Thompson / <a href="https://direct.mit.edu/books/monograph/3956/The-Embodied-MindCognitive-Science-and-Human"><em>The Embodied Mind</em></a></p><p>Wilhelm Reich</p><p>Baruch Spinoza</p><p>Sigmund Freud </p><p>Gustave Le Bon</p><p>Jeremy Gilbert / <a href="https://www.plutobooks.com/9780745325316/common-ground/"><em>Common Ground</em></a></p><p>Rodrigo Nunes / <a href="https://www.versobooks.com/products/772-neither-vertical-nor-horizontal"><em>Neither Vertical nor Horizontal</em></a></p><p>Manuel DeLanda / <em>War in the Age of Intelligent Machines</em></p><p>Manuel DeLanda / <a href="https://press.princeton.edu/books/paperback/9780942299328/a-thousand-years-of-nonlinear-history"><em>A Thousand Years of Nonlinear History</em></a></p><p>Deleuze and Guattari / <em>Anti-Oedipus</em></p><p>Bataille</p><p>Nietzsche</p><p>Marx</p><p>Freud</p><p>Deleuze and Guattari / <a href="https://www.upress.umn.edu/9780816614028/a-thousand-plateaus/"><em>A Thousand Plateaus</em></a></p><p>Claude Lévi-Strauss / <a href="https://press.uchicago.edu/ucp/books/book/chicago/W/bo19238845.html"><em>Wild Thought</em></a></p><p>Lisa Adkins /<a href="https://www.sup.org/books/sociology/time-money"><em> The Time of Money</em></a></p><p>Arline T. Geronimus / <a href="https://www.hachettebookgroup.com/titles/dr-arline-t-geronimus/weathering/9780316258180/"><em>Weathering: The Extraordinary Stress of Ordinary Life in an Unjust Society</em></a></p><p>Andrew Culp / <a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a></p><p>Deleuze and Guattari / <a href="https://cup.columbia.edu/book/what-is-philosophy/9780231079891/"><em>What Is Philosophy?</em></a></p><p>Suzanne de Brunhoff / <a href="https://www.versobooks.com/products/158-marx-on-money"><em>Marx on Money</em></a></p><p>Quentin Badaire</p><p><a href="https://shs.cairn.info/journal-of-the-ciph-2021-1-page-151?lang=en">Quentin Badaire’s book review</a> of <a href="https://yalebooks.yale.edu/book/9780300240214/against-the-grain/"><em>Against the Grain: A Deep History of the Earliest States</em></a> by James C. Scott</p><p>Lewis Henry Morgan</p><p>Hobbes</p><p>Locke</p><p>Daniel Luban / <a href="https://www.jstor.org/stable/26509630">Hobbesian Slavery</a> (essay in <em>Political Theory</em>)</p><p>Rousseau</p><p><strong>Case studies discussed in this episode:</strong></p><p>Berserkers</p><p>Esprit de Corps</p><p>Robert Bales</p><p>Shenetta White-Ballard</p><p><br><strong><em>Praise for the book:</em></strong><br>"A brilliant and novel political anthropology that updates our most entrenched philosophical biases and looks to a politics of joy beyond the relations of command."<br>—Davide Panagia</p><p><a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><em>Regimes of Violence: Toward a Political Anthropology</em></a> by John Protevi is available from University of Minnesota Press.</p><p><br></p>]]>
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      <pubDate>Tue, 13 May 2025 09:45:02 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3441</itunes:duration>
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        <![CDATA[<p>“There is no such thing as a raw, natural, aggressive urge that underlies human violence. While we inherit defense mechanisms, they work only when triggered culturally.” So opens John Protevi’s <a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><strong><em>Regimes of Violence: Toward a Political Anthropology</em></strong></a>, which takes as its biocultural basis that social practices shape our bodies and minds, and analyzes human aggression throughout history: early nomadic foragers, organized sports, berserkers and blackout rages, maroons escaping slavery, the January 6th invasion of the US Capitol, and responses to the Covid-19 pandemic. Protevi entwines the philosophical with the anthropological and considers why humans’ capacity for cooperation and sharing is persistently overlooked by stories of aggression and warfare. </p><p>This book is an important contribution to the studies of Deleuze and Guattari, and here, Andrew Culp (<a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a>) and Protevi (“joyous Deleuze”) dig into myriad shades of human expression from philosophical and cultural perspectives. Access the transcript: https://share.transistor.fm/s/f0f5eb7f</p><p><strong>John Protevi</strong> is professor of French studies and philosophy at Louisiana State University and author of <a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><em>Regimes of Violence: Toward a Political Anthropology</em></a>; <a href="https://www.upress.umn.edu/9780816665105/political-affect/"><em>Political Affect: Connecting the Social and the Somatic</em></a>; <a href="https://www.upress.umn.edu/9780816681020/life-war-earth/"><em>Life, War, Earth: Deleuze and the Sciences</em></a>; and <a href="https://www.upress.umn.edu/9781517907969/edges-of-the-state/"><em>Edges of the State</em></a>.</p><p><br></p><p><strong>Andrew Culp</strong> is director of the MA Aesthetics and Politics program at California Institute of the Arts and author of <a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a> and <a href="https://www.upress.umn.edu/9781517905231/a-guerrilla-guide-to-refusal/"><em>A Guerrilla Guide to Refusal</em></a>. </p><p><br></p><p><strong>Episode references:</strong></p><p>Francisco Varela</p><p>Evan Thompson</p><p>Esequiel Di Paolo</p><p>Hanne De Jaegher</p><p>Francisco Varela, Eleanor Rosch, Evan Thompson / <a href="https://direct.mit.edu/books/monograph/3956/The-Embodied-MindCognitive-Science-and-Human"><em>The Embodied Mind</em></a></p><p>Wilhelm Reich</p><p>Baruch Spinoza</p><p>Sigmund Freud </p><p>Gustave Le Bon</p><p>Jeremy Gilbert / <a href="https://www.plutobooks.com/9780745325316/common-ground/"><em>Common Ground</em></a></p><p>Rodrigo Nunes / <a href="https://www.versobooks.com/products/772-neither-vertical-nor-horizontal"><em>Neither Vertical nor Horizontal</em></a></p><p>Manuel DeLanda / <em>War in the Age of Intelligent Machines</em></p><p>Manuel DeLanda / <a href="https://press.princeton.edu/books/paperback/9780942299328/a-thousand-years-of-nonlinear-history"><em>A Thousand Years of Nonlinear History</em></a></p><p>Deleuze and Guattari / <em>Anti-Oedipus</em></p><p>Bataille</p><p>Nietzsche</p><p>Marx</p><p>Freud</p><p>Deleuze and Guattari / <a href="https://www.upress.umn.edu/9780816614028/a-thousand-plateaus/"><em>A Thousand Plateaus</em></a></p><p>Claude Lévi-Strauss / <a href="https://press.uchicago.edu/ucp/books/book/chicago/W/bo19238845.html"><em>Wild Thought</em></a></p><p>Lisa Adkins /<a href="https://www.sup.org/books/sociology/time-money"><em> The Time of Money</em></a></p><p>Arline T. Geronimus / <a href="https://www.hachettebookgroup.com/titles/dr-arline-t-geronimus/weathering/9780316258180/"><em>Weathering: The Extraordinary Stress of Ordinary Life in an Unjust Society</em></a></p><p>Andrew Culp / <a href="https://www.upress.umn.edu/9781517901332/dark-deleuze/"><em>Dark Deleuze</em></a></p><p>Deleuze and Guattari / <a href="https://cup.columbia.edu/book/what-is-philosophy/9780231079891/"><em>What Is Philosophy?</em></a></p><p>Suzanne de Brunhoff / <a href="https://www.versobooks.com/products/158-marx-on-money"><em>Marx on Money</em></a></p><p>Quentin Badaire</p><p><a href="https://shs.cairn.info/journal-of-the-ciph-2021-1-page-151?lang=en">Quentin Badaire’s book review</a> of <a href="https://yalebooks.yale.edu/book/9780300240214/against-the-grain/"><em>Against the Grain: A Deep History of the Earliest States</em></a> by James C. Scott</p><p>Lewis Henry Morgan</p><p>Hobbes</p><p>Locke</p><p>Daniel Luban / <a href="https://www.jstor.org/stable/26509630">Hobbesian Slavery</a> (essay in <em>Political Theory</em>)</p><p>Rousseau</p><p><strong>Case studies discussed in this episode:</strong></p><p>Berserkers</p><p>Esprit de Corps</p><p>Robert Bales</p><p>Shenetta White-Ballard</p><p><br><strong><em>Praise for the book:</em></strong><br>"A brilliant and novel political anthropology that updates our most entrenched philosophical biases and looks to a politics of joy beyond the relations of command."<br>—Davide Panagia</p><p><a href="https://www.upress.umn.edu/9781517918750/regimes-of-violence/"><em>Regimes of Violence: Toward a Political Anthropology</em></a> by John Protevi is available from University of Minnesota Press.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>psychology, history, evolution, theory, political philosophy of the mind, war, egoists, altruism, salience, violence, nature, affective ideology</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>The rural Midwest, foreign policy, and the ways we do history</title>
      <itunes:episode>104</itunes:episode>
      <podcast:episode>104</podcast:episode>
      <itunes:title>The rural Midwest, foreign policy, and the ways we do history</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Scholars have long challenged the common assumption of midwestern isolationism. In <a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><em>Global Heartland</em></a>, historian Peter Simons reorients the way we look at the critical period in US history from the 1930s through 1950s, showing how farmers across the Midwest understood their work as contributing to an era of international upheaval, geographical reimagination, and global ecological thinking. Here, Simons is joined in conversation with Michael Lansing about the rural heartland, US foreign policy, and the changing and multidisciplinary ways that scholars approach history. Access the transcript: https://share.transistor.fm/s/7484314a</p><p><br></p><p><strong>Peter Simons</strong> is a historian in upstate New York and author of <a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><em>Global Heartland: Cultivating the American Century on the Midwestern Farm</em></a>.</p><p><br></p><p><strong>Michael Lansing</strong> is a professor of history at Augsburg University and author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/I/bo21028306.html"><em>Insurgent Democracy: The Nonpartisan League in North American Politics</em></a>. </p><p><br></p><p>EPISODE REFERENCES:</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo25248451.html"><em>Arthur Vandenberg: The Man in the Middle of the American Century</em></a> / Hendrik Meijer</p><p><a href="https://www.penguinrandomhouse.com/books/529308/the-heartland-by-kristin-l-hoganson/"><em>The Heartland: An American History</em></a> / Kristin Hoganson</p><p><a href="https://www.nebraskapress.unl.edu/nebraska/9780803285767/grasslands-grown/"><em>Grasslands Grown: Creating Place on the US Northern Plains and Canadian Prairies</em></a> / Molly P. Rozum</p><p><a href="https://uwapress.uw.edu/book/9780295753850/back-east/"><em>Back East: How Westerners Invented a Region</em></a> / Flannery Burke</p><p><a href="https://yalebooks.yale.edu/book/9780300232691/supermarket-usa/"><em>Supermarket USA: Food and Power in the Cold War Farms Race</em></a> / Shane Hamilton</p><p><a href="https://www.pennpress.org/9780812297386/nuclear-country/"><em>Nuclear Country: The Origins of the Rural New Right</em></a> / Catherine McNicol Stock</p><p>Lester E. Helland Papers, Wisconsin Veterans Museum, Madison</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p><strong>“From Lend-Lease to Food for Peace, </strong><strong><em>Global Heartland</em></strong><strong> reveals how rural Midwesterners came to see their farms as being at the heart of the world.”</strong><br>—Kristin Hoganson</p><p><br></p><p><strong>“This rich and revealing book transforms the way we think about the rural heartland.”</strong><br>—Michael Lansing</p><p><br><a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><strong><em>Global Heartland: Cultivating the American Century on the Midwestern Farm</em></strong></a> by Peter Simons is available from University of Minnesota Press.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Scholars have long challenged the common assumption of midwestern isolationism. In <a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><em>Global Heartland</em></a>, historian Peter Simons reorients the way we look at the critical period in US history from the 1930s through 1950s, showing how farmers across the Midwest understood their work as contributing to an era of international upheaval, geographical reimagination, and global ecological thinking. Here, Simons is joined in conversation with Michael Lansing about the rural heartland, US foreign policy, and the changing and multidisciplinary ways that scholars approach history. Access the transcript: https://share.transistor.fm/s/7484314a</p><p><br></p><p><strong>Peter Simons</strong> is a historian in upstate New York and author of <a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><em>Global Heartland: Cultivating the American Century on the Midwestern Farm</em></a>.</p><p><br></p><p><strong>Michael Lansing</strong> is a professor of history at Augsburg University and author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/I/bo21028306.html"><em>Insurgent Democracy: The Nonpartisan League in North American Politics</em></a>. </p><p><br></p><p>EPISODE REFERENCES:</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo25248451.html"><em>Arthur Vandenberg: The Man in the Middle of the American Century</em></a> / Hendrik Meijer</p><p><a href="https://www.penguinrandomhouse.com/books/529308/the-heartland-by-kristin-l-hoganson/"><em>The Heartland: An American History</em></a> / Kristin Hoganson</p><p><a href="https://www.nebraskapress.unl.edu/nebraska/9780803285767/grasslands-grown/"><em>Grasslands Grown: Creating Place on the US Northern Plains and Canadian Prairies</em></a> / Molly P. Rozum</p><p><a href="https://uwapress.uw.edu/book/9780295753850/back-east/"><em>Back East: How Westerners Invented a Region</em></a> / Flannery Burke</p><p><a href="https://yalebooks.yale.edu/book/9780300232691/supermarket-usa/"><em>Supermarket USA: Food and Power in the Cold War Farms Race</em></a> / Shane Hamilton</p><p><a href="https://www.pennpress.org/9780812297386/nuclear-country/"><em>Nuclear Country: The Origins of the Rural New Right</em></a> / Catherine McNicol Stock</p><p>Lester E. Helland Papers, Wisconsin Veterans Museum, Madison</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p><strong>“From Lend-Lease to Food for Peace, </strong><strong><em>Global Heartland</em></strong><strong> reveals how rural Midwesterners came to see their farms as being at the heart of the world.”</strong><br>—Kristin Hoganson</p><p><br></p><p><strong>“This rich and revealing book transforms the way we think about the rural heartland.”</strong><br>—Michael Lansing</p><p><br><a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><strong><em>Global Heartland: Cultivating the American Century on the Midwestern Farm</em></strong></a> by Peter Simons is available from University of Minnesota Press.</p>]]>
      </content:encoded>
      <pubDate>Tue, 06 May 2025 13:20:56 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4034</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Scholars have long challenged the common assumption of midwestern isolationism. In <a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><em>Global Heartland</em></a>, historian Peter Simons reorients the way we look at the critical period in US history from the 1930s through 1950s, showing how farmers across the Midwest understood their work as contributing to an era of international upheaval, geographical reimagination, and global ecological thinking. Here, Simons is joined in conversation with Michael Lansing about the rural heartland, US foreign policy, and the changing and multidisciplinary ways that scholars approach history. Access the transcript: https://share.transistor.fm/s/7484314a</p><p><br></p><p><strong>Peter Simons</strong> is a historian in upstate New York and author of <a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><em>Global Heartland: Cultivating the American Century on the Midwestern Farm</em></a>.</p><p><br></p><p><strong>Michael Lansing</strong> is a professor of history at Augsburg University and author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/I/bo21028306.html"><em>Insurgent Democracy: The Nonpartisan League in North American Politics</em></a>. </p><p><br></p><p>EPISODE REFERENCES:</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/A/bo25248451.html"><em>Arthur Vandenberg: The Man in the Middle of the American Century</em></a> / Hendrik Meijer</p><p><a href="https://www.penguinrandomhouse.com/books/529308/the-heartland-by-kristin-l-hoganson/"><em>The Heartland: An American History</em></a> / Kristin Hoganson</p><p><a href="https://www.nebraskapress.unl.edu/nebraska/9780803285767/grasslands-grown/"><em>Grasslands Grown: Creating Place on the US Northern Plains and Canadian Prairies</em></a> / Molly P. Rozum</p><p><a href="https://uwapress.uw.edu/book/9780295753850/back-east/"><em>Back East: How Westerners Invented a Region</em></a> / Flannery Burke</p><p><a href="https://yalebooks.yale.edu/book/9780300232691/supermarket-usa/"><em>Supermarket USA: Food and Power in the Cold War Farms Race</em></a> / Shane Hamilton</p><p><a href="https://www.pennpress.org/9780812297386/nuclear-country/"><em>Nuclear Country: The Origins of the Rural New Right</em></a> / Catherine McNicol Stock</p><p>Lester E. Helland Papers, Wisconsin Veterans Museum, Madison</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p><strong>“From Lend-Lease to Food for Peace, </strong><strong><em>Global Heartland</em></strong><strong> reveals how rural Midwesterners came to see their farms as being at the heart of the world.”</strong><br>—Kristin Hoganson</p><p><br></p><p><strong>“This rich and revealing book transforms the way we think about the rural heartland.”</strong><br>—Michael Lansing</p><p><br><a href="https://www.upress.umn.edu/9781517910174/global-heartland/"><strong><em>Global Heartland: Cultivating the American Century on the Midwestern Farm</em></strong></a> by Peter Simons is available from University of Minnesota Press.</p>]]>
      </itunes:summary>
      <itunes:keywords>historical geography, environment, opinion polls, radio, agriculture, landscape, crops, political ideology, farm, geopolitics</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Judith Butler and Talia Mae Bettcher talk philosophy, personhood, resistance</title>
      <itunes:episode>103</itunes:episode>
      <podcast:episode>103</podcast:episode>
      <itunes:title>Judith Butler and Talia Mae Bettcher talk philosophy, personhood, resistance</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Talia Mae Bettcher’s <em>Beyond Personhood</em> provides an entirely new philosophical approach to trans experience, trans oppression, gender dysphoria, and the relationship between gender and identity. Arguing that the tense relation between trans oppression and resistance is mediated through the complex social phenomenon of gender make-believe, Bettcher introduces the groundbreaking theory of interpersonal spatiality, which requires rejection of the philosophical concepts of person, self, and subject. Here, Bettcher is joined in conversation with Judith Butler. Access the transcript: https://share.transistor.fm/s/28136788</p><p><strong>Talia Mae Bettcher</strong> is professor of philosophy at California State University, Los Angeles, and author of <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><strong><em>Beyond Personhood: An Essay in Trans Philosophy</em></strong></a> and coeditor of <a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a>.</p><p><br><strong>Judith Butler</strong> is Distinguished Professor in the Graduate School at the University of California, Berkeley. They are author of several books including <a href="https://www.routledge.com/Gender-Trouble-Feminism-and-the-Subversion-of-Identity/Butler/p/book/9780415389556?srsltid=AfmBOoqA-jdDkNBkbtD8TdCm41S6PZeRYI_vTi8nPDoT8lVRML34fev6"><strong><em>Gender Trouble: Feminism and the Subversion of Identity</em></strong></a> and, most recently, <a href="https://us.macmillan.com/books/9780374608224/whosafraidofgender/"><strong><em>Who’s Afraid of Gender?</em></strong></a><strong><em></em></strong></p><p>Praise for the book:<br><strong><br>"It's a beautiful book. Challenging, crucial, indispensable to our times." <br></strong>—Judith Butler (in this episode)<strong></strong></p><p>"Profound and provocative . . . broadly relevant to many disciplines and social movements."<br>—Susan Stryker, Clayman Institute for Gender Research, Stanford University</p><p><em></em></p><p><a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood: An Essay in Trans Philosophy</em></a><em> is available from University of Minnesota Press.</em></p>]]>
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      <content:encoded>
        <![CDATA[<p>Talia Mae Bettcher’s <em>Beyond Personhood</em> provides an entirely new philosophical approach to trans experience, trans oppression, gender dysphoria, and the relationship between gender and identity. Arguing that the tense relation between trans oppression and resistance is mediated through the complex social phenomenon of gender make-believe, Bettcher introduces the groundbreaking theory of interpersonal spatiality, which requires rejection of the philosophical concepts of person, self, and subject. Here, Bettcher is joined in conversation with Judith Butler. Access the transcript: https://share.transistor.fm/s/28136788</p><p><strong>Talia Mae Bettcher</strong> is professor of philosophy at California State University, Los Angeles, and author of <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><strong><em>Beyond Personhood: An Essay in Trans Philosophy</em></strong></a> and coeditor of <a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a>.</p><p><br><strong>Judith Butler</strong> is Distinguished Professor in the Graduate School at the University of California, Berkeley. They are author of several books including <a href="https://www.routledge.com/Gender-Trouble-Feminism-and-the-Subversion-of-Identity/Butler/p/book/9780415389556?srsltid=AfmBOoqA-jdDkNBkbtD8TdCm41S6PZeRYI_vTi8nPDoT8lVRML34fev6"><strong><em>Gender Trouble: Feminism and the Subversion of Identity</em></strong></a> and, most recently, <a href="https://us.macmillan.com/books/9780374608224/whosafraidofgender/"><strong><em>Who’s Afraid of Gender?</em></strong></a><strong><em></em></strong></p><p>Praise for the book:<br><strong><br>"It's a beautiful book. Challenging, crucial, indispensable to our times." <br></strong>—Judith Butler (in this episode)<strong></strong></p><p>"Profound and provocative . . . broadly relevant to many disciplines and social movements."<br>—Susan Stryker, Clayman Institute for Gender Research, Stanford University</p><p><em></em></p><p><a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood: An Essay in Trans Philosophy</em></a><em> is available from University of Minnesota Press.</em></p>]]>
      </content:encoded>
      <pubDate>Wed, 23 Apr 2025 10:33:11 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2806</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Talia Mae Bettcher’s <em>Beyond Personhood</em> provides an entirely new philosophical approach to trans experience, trans oppression, gender dysphoria, and the relationship between gender and identity. Arguing that the tense relation between trans oppression and resistance is mediated through the complex social phenomenon of gender make-believe, Bettcher introduces the groundbreaking theory of interpersonal spatiality, which requires rejection of the philosophical concepts of person, self, and subject. Here, Bettcher is joined in conversation with Judith Butler. Access the transcript: https://share.transistor.fm/s/28136788</p><p><strong>Talia Mae Bettcher</strong> is professor of philosophy at California State University, Los Angeles, and author of <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><strong><em>Beyond Personhood: An Essay in Trans Philosophy</em></strong></a> and coeditor of <a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a>.</p><p><br><strong>Judith Butler</strong> is Distinguished Professor in the Graduate School at the University of California, Berkeley. They are author of several books including <a href="https://www.routledge.com/Gender-Trouble-Feminism-and-the-Subversion-of-Identity/Butler/p/book/9780415389556?srsltid=AfmBOoqA-jdDkNBkbtD8TdCm41S6PZeRYI_vTi8nPDoT8lVRML34fev6"><strong><em>Gender Trouble: Feminism and the Subversion of Identity</em></strong></a> and, most recently, <a href="https://us.macmillan.com/books/9780374608224/whosafraidofgender/"><strong><em>Who’s Afraid of Gender?</em></strong></a><strong><em></em></strong></p><p>Praise for the book:<br><strong><br>"It's a beautiful book. Challenging, crucial, indispensable to our times." <br></strong>—Judith Butler (in this episode)<strong></strong></p><p>"Profound and provocative . . . broadly relevant to many disciplines and social movements."<br>—Susan Stryker, Clayman Institute for Gender Research, Stanford University</p><p><em></em></p><p><a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood: An Essay in Trans Philosophy</em></a><em> is available from University of Minnesota Press.</em></p>]]>
      </itunes:summary>
      <itunes:keywords>María Lugones, Harold Garfinkel, Kimberlé Crenshaw, C. Riley Snorton, Hortense Spillers, Andrea Pitts, Hil Malatino, Kant, Locke, Aristotle</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>​Thinking elementally, from the microbe to the vast seafloor</title>
      <itunes:episode>102</itunes:episode>
      <podcast:episode>102</podcast:episode>
      <itunes:title>​Thinking elementally, from the microbe to the vast seafloor</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>​"Infrastructure is invisible until it breaks." How do we visualize something that cannot be physically seen? What limitations do existing knowledge structures impose that reverberate through planetary problem-solving processes, including public health and environmental crises? This episode brings together two scholars who think elementally: Lisa Yin Han, who operates in the blue humanities or ocean humanities, who studies mediation and the deep seafloor; and Gloria Chan-Sook Kim, who focuses on scientific problems of knowledge and visualization and more specifically, microbes. Their astounding conversation goes from emerging microbes to the seabed to places where their research intersects, including catastrophic deferral, scalar mediation, the figure of the plume, and the concept of resolution. Access the transcript: https://share.transistor.fm/s/f3b95b9a</p><p><strong>Lisa Yin Han</strong> is assistant professor of media studies at Pitzer College and author of <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><em>Deepwater Alchemy: Extractive Mediation and the Taming of the Seafloor</em></a><em>.<br></em><br></p><p><strong>Gloria Chan-Sook Kim</strong> is a scholar of visual culture, media studies, and science and technology studies, assistant professor at the University of California, Riverside, and author of <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><em>Microbial Resolution: Visualization and the Security in the War on Microbes</em></a>. </p><p><strong><em>Episode references:</em></strong></p><p>Melody Jue</p><p>Celina Osuna, desert humanities</p><p>Nicole Starosielski</p><p>Christopher P. Heuer / <a href="https://press.princeton.edu/books/hardcover/9781942130147/into-the-white"><em>Into the White</em></a></p><p>Andrea Ballestero</p><p>Adriana Petryna / <a href="https://press.princeton.edu/books/paperback/9780691151663/life-exposed?srsltid=AfmBOooww8LoQVZwabN_kF52kvokpPBRW2MkNkknUhJB7pWd3ZY7_Rz8"><em>Life Exposed</em></a></p><p>Celia Lowe</p><p>Stefan Helmreich / <a href="https://www.ucpress.edu/books/alien-ocean/paper"><em>Alien Ocean</em></a></p><p>James Hamilton-Paterson / <a href="https://www.europaeditions.com/book/9781933372693/seven-tenths-the-sea-and-its-thresholds"><em>Seven-Tenths</em></a></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><strong><em>Deepwater Alchemy</em></strong></a> and <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution</em></strong></a> are available from University of Minnesota Press.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>​"Infrastructure is invisible until it breaks." How do we visualize something that cannot be physically seen? What limitations do existing knowledge structures impose that reverberate through planetary problem-solving processes, including public health and environmental crises? This episode brings together two scholars who think elementally: Lisa Yin Han, who operates in the blue humanities or ocean humanities, who studies mediation and the deep seafloor; and Gloria Chan-Sook Kim, who focuses on scientific problems of knowledge and visualization and more specifically, microbes. Their astounding conversation goes from emerging microbes to the seabed to places where their research intersects, including catastrophic deferral, scalar mediation, the figure of the plume, and the concept of resolution. Access the transcript: https://share.transistor.fm/s/f3b95b9a</p><p><strong>Lisa Yin Han</strong> is assistant professor of media studies at Pitzer College and author of <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><em>Deepwater Alchemy: Extractive Mediation and the Taming of the Seafloor</em></a><em>.<br></em><br></p><p><strong>Gloria Chan-Sook Kim</strong> is a scholar of visual culture, media studies, and science and technology studies, assistant professor at the University of California, Riverside, and author of <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><em>Microbial Resolution: Visualization and the Security in the War on Microbes</em></a>. </p><p><strong><em>Episode references:</em></strong></p><p>Melody Jue</p><p>Celina Osuna, desert humanities</p><p>Nicole Starosielski</p><p>Christopher P. Heuer / <a href="https://press.princeton.edu/books/hardcover/9781942130147/into-the-white"><em>Into the White</em></a></p><p>Andrea Ballestero</p><p>Adriana Petryna / <a href="https://press.princeton.edu/books/paperback/9780691151663/life-exposed?srsltid=AfmBOooww8LoQVZwabN_kF52kvokpPBRW2MkNkknUhJB7pWd3ZY7_Rz8"><em>Life Exposed</em></a></p><p>Celia Lowe</p><p>Stefan Helmreich / <a href="https://www.ucpress.edu/books/alien-ocean/paper"><em>Alien Ocean</em></a></p><p>James Hamilton-Paterson / <a href="https://www.europaeditions.com/book/9781933372693/seven-tenths-the-sea-and-its-thresholds"><em>Seven-Tenths</em></a></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><strong><em>Deepwater Alchemy</em></strong></a> and <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution</em></strong></a> are available from University of Minnesota Press.</p>]]>
      </content:encoded>
      <pubDate>Tue, 15 Apr 2025 14:39:44 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3052</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>​"Infrastructure is invisible until it breaks." How do we visualize something that cannot be physically seen? What limitations do existing knowledge structures impose that reverberate through planetary problem-solving processes, including public health and environmental crises? This episode brings together two scholars who think elementally: Lisa Yin Han, who operates in the blue humanities or ocean humanities, who studies mediation and the deep seafloor; and Gloria Chan-Sook Kim, who focuses on scientific problems of knowledge and visualization and more specifically, microbes. Their astounding conversation goes from emerging microbes to the seabed to places where their research intersects, including catastrophic deferral, scalar mediation, the figure of the plume, and the concept of resolution. Access the transcript: https://share.transistor.fm/s/f3b95b9a</p><p><strong>Lisa Yin Han</strong> is assistant professor of media studies at Pitzer College and author of <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><em>Deepwater Alchemy: Extractive Mediation and the Taming of the Seafloor</em></a><em>.<br></em><br></p><p><strong>Gloria Chan-Sook Kim</strong> is a scholar of visual culture, media studies, and science and technology studies, assistant professor at the University of California, Riverside, and author of <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><em>Microbial Resolution: Visualization and the Security in the War on Microbes</em></a>. </p><p><strong><em>Episode references:</em></strong></p><p>Melody Jue</p><p>Celina Osuna, desert humanities</p><p>Nicole Starosielski</p><p>Christopher P. Heuer / <a href="https://press.princeton.edu/books/hardcover/9781942130147/into-the-white"><em>Into the White</em></a></p><p>Andrea Ballestero</p><p>Adriana Petryna / <a href="https://press.princeton.edu/books/paperback/9780691151663/life-exposed?srsltid=AfmBOooww8LoQVZwabN_kF52kvokpPBRW2MkNkknUhJB7pWd3ZY7_Rz8"><em>Life Exposed</em></a></p><p>Celia Lowe</p><p>Stefan Helmreich / <a href="https://www.ucpress.edu/books/alien-ocean/paper"><em>Alien Ocean</em></a></p><p>James Hamilton-Paterson / <a href="https://www.europaeditions.com/book/9781933372693/seven-tenths-the-sea-and-its-thresholds"><em>Seven-Tenths</em></a></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><strong><em>Deepwater Alchemy</em></strong></a> and <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution</em></strong></a> are available from University of Minnesota Press.</p>]]>
      </itunes:summary>
      <itunes:keywords>blue humanities, ocean, elemental analysis, materiality, scientific, visualization, planetary management systems, futures, desert, surface, failure, catastrophe, temporality, plume, macrobiopolitics, viral clouds, waste, water, biofoul, alchemy, resolution</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Coral and coralations with Melody Jue and Ann Elias</title>
      <itunes:episode>101</itunes:episode>
      <podcast:episode>101</podcast:episode>
      <itunes:title>Coral and coralations with Melody Jue and Ann Elias</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>There's living coral, and then there's Coral—the iconicity and imaginary of living coral. As Melody Jue writes in <a href="https://www.upress.umn.edu/9781517918125/coralations/"><strong><em>Coralations</em></strong></a>, coral alternates between signifying an organism and signifying an environment, all too often imagined as a tourist destination. In rethinking the limitations of Coral, Jue opens up possibilities for a more expansive sense of environmental media, more inclusive goals for multispecies justice, and more nuanced forms of oceanic care work. Here, Jue is joined in conversation with Ann Elias. Access the transcript: https://share.transistor.fm/s/8d824dd9 </p><p><strong>Melody Jue</strong> is associate professor of English at the University of California, Santa Barbara. Jue is author of <a href="https://www.upress.umn.edu/9781517918125/coralations/"><em>Coralations</em></a> and <a href="https://www.dukeupress.edu/wild-blue-media"><em>Wild Blue Media: Thinking through Seawater</em></a> and coeditor of <a href="https://www.dukeupress.edu/saturation"><em>Saturation: An Elemental Politics</em></a> with Rafico Ruiz.</p><p><br></p><p><strong>Ann Elias</strong> is professor emerita of visual culture at the University of Sydney. Elias is author of many books including <a href="https://www.dukeupress.edu/coral-empire"><em>Coral Empire: Underwater Oceans, Colonial Tropics, Visual Modernity</em></a>.</p><p>REFERENCES:</p><p><a href="https://www.ucpress.edu/books/coral-whisperers/paper"><em>Coral Whisperers</em></a> (Irus Braverman)</p><p><a href="https://www.jstor.org/stable/3178066?seq=1"><em>Situated Knowledges</em></a> (Donna Haraway, in the journal <em>Feminist Studies</em>)</p><p><em>Her Seal Skin Coat</em> (Lauren Beukes, short story)</p><p>Sylvia Earle</p><p>Jacques Cousteau</p><p><a href="https://www.heydaybooks.com/catalog/california-against-the-sea/"><em>California Against the Sea</em></a> (Rosanna Xia)</p><p>Jean Painlevé</p><p><a href="https://www.upress.umn.edu/9781517902162/zoological-surrealism/"><em>Zoological Surrealism</em></a> (James Leo Cahill)</p><p><a href="https://www.ucpress.edu/books/alien-ocean/paper"><em>Alien Ocean</em></a> (Stefan Helmreich)</p><p><a href="https://chasingcoral.com/"><em>Chasing Coral</em></a> documentary</p><p><br><a href="https://www.upress.umn.edu/9781517918125/coralations/"><strong><em>Coralations</em></strong></a> by Melody Jue is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/coralations">manifold.umn.edu</a>.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>There's living coral, and then there's Coral—the iconicity and imaginary of living coral. As Melody Jue writes in <a href="https://www.upress.umn.edu/9781517918125/coralations/"><strong><em>Coralations</em></strong></a>, coral alternates between signifying an organism and signifying an environment, all too often imagined as a tourist destination. In rethinking the limitations of Coral, Jue opens up possibilities for a more expansive sense of environmental media, more inclusive goals for multispecies justice, and more nuanced forms of oceanic care work. Here, Jue is joined in conversation with Ann Elias. Access the transcript: https://share.transistor.fm/s/8d824dd9 </p><p><strong>Melody Jue</strong> is associate professor of English at the University of California, Santa Barbara. Jue is author of <a href="https://www.upress.umn.edu/9781517918125/coralations/"><em>Coralations</em></a> and <a href="https://www.dukeupress.edu/wild-blue-media"><em>Wild Blue Media: Thinking through Seawater</em></a> and coeditor of <a href="https://www.dukeupress.edu/saturation"><em>Saturation: An Elemental Politics</em></a> with Rafico Ruiz.</p><p><br></p><p><strong>Ann Elias</strong> is professor emerita of visual culture at the University of Sydney. Elias is author of many books including <a href="https://www.dukeupress.edu/coral-empire"><em>Coral Empire: Underwater Oceans, Colonial Tropics, Visual Modernity</em></a>.</p><p>REFERENCES:</p><p><a href="https://www.ucpress.edu/books/coral-whisperers/paper"><em>Coral Whisperers</em></a> (Irus Braverman)</p><p><a href="https://www.jstor.org/stable/3178066?seq=1"><em>Situated Knowledges</em></a> (Donna Haraway, in the journal <em>Feminist Studies</em>)</p><p><em>Her Seal Skin Coat</em> (Lauren Beukes, short story)</p><p>Sylvia Earle</p><p>Jacques Cousteau</p><p><a href="https://www.heydaybooks.com/catalog/california-against-the-sea/"><em>California Against the Sea</em></a> (Rosanna Xia)</p><p>Jean Painlevé</p><p><a href="https://www.upress.umn.edu/9781517902162/zoological-surrealism/"><em>Zoological Surrealism</em></a> (James Leo Cahill)</p><p><a href="https://www.ucpress.edu/books/alien-ocean/paper"><em>Alien Ocean</em></a> (Stefan Helmreich)</p><p><a href="https://chasingcoral.com/"><em>Chasing Coral</em></a> documentary</p><p><br><a href="https://www.upress.umn.edu/9781517918125/coralations/"><strong><em>Coralations</em></strong></a> by Melody Jue is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/coralations">manifold.umn.edu</a>.<br></p>]]>
      </content:encoded>
      <pubDate>Fri, 28 Mar 2025 09:54:49 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2383</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>There's living coral, and then there's Coral—the iconicity and imaginary of living coral. As Melody Jue writes in <a href="https://www.upress.umn.edu/9781517918125/coralations/"><strong><em>Coralations</em></strong></a>, coral alternates between signifying an organism and signifying an environment, all too often imagined as a tourist destination. In rethinking the limitations of Coral, Jue opens up possibilities for a more expansive sense of environmental media, more inclusive goals for multispecies justice, and more nuanced forms of oceanic care work. Here, Jue is joined in conversation with Ann Elias. Access the transcript: https://share.transistor.fm/s/8d824dd9 </p><p><strong>Melody Jue</strong> is associate professor of English at the University of California, Santa Barbara. Jue is author of <a href="https://www.upress.umn.edu/9781517918125/coralations/"><em>Coralations</em></a> and <a href="https://www.dukeupress.edu/wild-blue-media"><em>Wild Blue Media: Thinking through Seawater</em></a> and coeditor of <a href="https://www.dukeupress.edu/saturation"><em>Saturation: An Elemental Politics</em></a> with Rafico Ruiz.</p><p><br></p><p><strong>Ann Elias</strong> is professor emerita of visual culture at the University of Sydney. Elias is author of many books including <a href="https://www.dukeupress.edu/coral-empire"><em>Coral Empire: Underwater Oceans, Colonial Tropics, Visual Modernity</em></a>.</p><p>REFERENCES:</p><p><a href="https://www.ucpress.edu/books/coral-whisperers/paper"><em>Coral Whisperers</em></a> (Irus Braverman)</p><p><a href="https://www.jstor.org/stable/3178066?seq=1"><em>Situated Knowledges</em></a> (Donna Haraway, in the journal <em>Feminist Studies</em>)</p><p><em>Her Seal Skin Coat</em> (Lauren Beukes, short story)</p><p>Sylvia Earle</p><p>Jacques Cousteau</p><p><a href="https://www.heydaybooks.com/catalog/california-against-the-sea/"><em>California Against the Sea</em></a> (Rosanna Xia)</p><p>Jean Painlevé</p><p><a href="https://www.upress.umn.edu/9781517902162/zoological-surrealism/"><em>Zoological Surrealism</em></a> (James Leo Cahill)</p><p><a href="https://www.ucpress.edu/books/alien-ocean/paper"><em>Alien Ocean</em></a> (Stefan Helmreich)</p><p><a href="https://chasingcoral.com/"><em>Chasing Coral</em></a> documentary</p><p><br><a href="https://www.upress.umn.edu/9781517918125/coralations/"><strong><em>Coralations</em></strong></a> by Melody Jue is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/coralations">manifold.umn.edu</a>.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>soft corals, cold-water corals, Sylvia Earle, Jacques Cousteau, Jean Painlevé, iconicity, Pantone, High North Atlantic, Lophelia pertusa, oil pipeline, scleractinia, stony, hard coral</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    </item>
    <item>
      <title>Super 100th Spectacular!</title>
      <itunes:episode>100</itunes:episode>
      <podcast:episode>100</podcast:episode>
      <itunes:title>Super 100th Spectacular!</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p><strong>University of Minnesota Press, est. 1925, turns 100 this year.</strong> Yes, we are twice as old as Saturday Night Live. And just as old as The New Yorker and The Great Gatsby. The Press has had only five directors in its history, and many current staff have been on for more than a few decades.</p><p><br></p><p>How about another serendipitous milestone: this podcast, est. 2020, is releasing its 100th episode right here, right now. The past 99 episodes have focused on our authors. Between authorship and publication, a book passes through more than a few hands, and today we are getting into it with people who have dedicated their days, years, and decades in service of books and research. About half of our staff are represented here. Without further adieu, come meet (half of) the Press!</p><p><em>People appearing in this episode include:</em></p><p>Douglas Armato, director of University of Minnesota Press</p><p>Susan Doerr, associate director</p><p>Emily Hamilton, associate director for book publishing</p><p>Laura Westlund, managing editor and development officer</p><p>Jason Weidemann, editorial director</p><p>Pieter Martin, senior editor</p><p>Michael Stoffel, managing editor–scholarly books</p><p>Heather Skinner, publicity director and assistant marketing manager</p><p>Rachel Moeller, assistant production manager and art director</p><p>Erik Anderson, senior acquisitions editor</p><p>Maggie Sattler, digital marketing manager</p><p>Eric Lundgren, development and outreach manager</p><p>Eliza Edwards, production assistant</p><p>Emma Saks, editorial assistant</p><p>Carina Bolaños Lewen, exhibits and marketing assistant</p><p>Anthony Silvestri, journals manager</p><p>Zack Stewart, journals production specialist</p><p>Alena Rivas, publicity associate</p><p><strong><em>Keep up with our centennial at </em></strong><a href="http://z.umn.edu/ump100"><strong><em>z.umn.edu/ump100</em></strong></a><strong><em>.</em></strong></p><p><strong><em>Thank you for listening.</em></strong></p><p>Access the transcript: https://share.transistor.fm/s/e461a9dc</p>]]>
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      <content:encoded>
        <![CDATA[<p><strong>University of Minnesota Press, est. 1925, turns 100 this year.</strong> Yes, we are twice as old as Saturday Night Live. And just as old as The New Yorker and The Great Gatsby. The Press has had only five directors in its history, and many current staff have been on for more than a few decades.</p><p><br></p><p>How about another serendipitous milestone: this podcast, est. 2020, is releasing its 100th episode right here, right now. The past 99 episodes have focused on our authors. Between authorship and publication, a book passes through more than a few hands, and today we are getting into it with people who have dedicated their days, years, and decades in service of books and research. About half of our staff are represented here. Without further adieu, come meet (half of) the Press!</p><p><em>People appearing in this episode include:</em></p><p>Douglas Armato, director of University of Minnesota Press</p><p>Susan Doerr, associate director</p><p>Emily Hamilton, associate director for book publishing</p><p>Laura Westlund, managing editor and development officer</p><p>Jason Weidemann, editorial director</p><p>Pieter Martin, senior editor</p><p>Michael Stoffel, managing editor–scholarly books</p><p>Heather Skinner, publicity director and assistant marketing manager</p><p>Rachel Moeller, assistant production manager and art director</p><p>Erik Anderson, senior acquisitions editor</p><p>Maggie Sattler, digital marketing manager</p><p>Eric Lundgren, development and outreach manager</p><p>Eliza Edwards, production assistant</p><p>Emma Saks, editorial assistant</p><p>Carina Bolaños Lewen, exhibits and marketing assistant</p><p>Anthony Silvestri, journals manager</p><p>Zack Stewart, journals production specialist</p><p>Alena Rivas, publicity associate</p><p><strong><em>Keep up with our centennial at </em></strong><a href="http://z.umn.edu/ump100"><strong><em>z.umn.edu/ump100</em></strong></a><strong><em>.</em></strong></p><p><strong><em>Thank you for listening.</em></strong></p><p>Access the transcript: https://share.transistor.fm/s/e461a9dc</p>]]>
      </content:encoded>
      <pubDate>Tue, 18 Mar 2025 08:59:26 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>7266</itunes:duration>
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        <![CDATA[<p><strong>University of Minnesota Press, est. 1925, turns 100 this year.</strong> Yes, we are twice as old as Saturday Night Live. And just as old as The New Yorker and The Great Gatsby. The Press has had only five directors in its history, and many current staff have been on for more than a few decades.</p><p><br></p><p>How about another serendipitous milestone: this podcast, est. 2020, is releasing its 100th episode right here, right now. The past 99 episodes have focused on our authors. Between authorship and publication, a book passes through more than a few hands, and today we are getting into it with people who have dedicated their days, years, and decades in service of books and research. About half of our staff are represented here. Without further adieu, come meet (half of) the Press!</p><p><em>People appearing in this episode include:</em></p><p>Douglas Armato, director of University of Minnesota Press</p><p>Susan Doerr, associate director</p><p>Emily Hamilton, associate director for book publishing</p><p>Laura Westlund, managing editor and development officer</p><p>Jason Weidemann, editorial director</p><p>Pieter Martin, senior editor</p><p>Michael Stoffel, managing editor–scholarly books</p><p>Heather Skinner, publicity director and assistant marketing manager</p><p>Rachel Moeller, assistant production manager and art director</p><p>Erik Anderson, senior acquisitions editor</p><p>Maggie Sattler, digital marketing manager</p><p>Eric Lundgren, development and outreach manager</p><p>Eliza Edwards, production assistant</p><p>Emma Saks, editorial assistant</p><p>Carina Bolaños Lewen, exhibits and marketing assistant</p><p>Anthony Silvestri, journals manager</p><p>Zack Stewart, journals production specialist</p><p>Alena Rivas, publicity associate</p><p><strong><em>Keep up with our centennial at </em></strong><a href="http://z.umn.edu/ump100"><strong><em>z.umn.edu/ump100</em></strong></a><strong><em>.</em></strong></p><p><strong><em>Thank you for listening.</em></strong></p><p>Access the transcript: https://share.transistor.fm/s/e461a9dc</p>]]>
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      <itunes:keywords>publishing, books, history, centennial, anniversary, Minnesota, director, research, manuscript, editor, design, production, acquisition, marketing, scholarship, author, writing</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Playhouses and the architecture of childhood.</title>
      <itunes:episode>99</itunes:episode>
      <podcast:episode>99</podcast:episode>
      <itunes:title>Playhouses and the architecture of childhood.</itunes:title>
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        <![CDATA[<p>Between the 1850s and 1930s, before playhouses for children reached the mainstream, they were often fully functional cottages designed by well-known architects for British royalty, American industrialists, and Hollywood stars. Recognizing the playhouse in this era as a stage for the purposeful performance of upper-class identity, Abigail A. Van Slyck illuminates their role as carefully planned architectural manifestations of adult concerns, from Queen Victoria and Prince Albert’s Swiss Cottage (1853) to the children’s cottage on the grounds of Cornelius Vanderbilt’s Newport mansion (1886) to the glass-block playhouse given to Shirley Temple in 1936, and many more in between. Here, Van Slyck is joined in conversation with Annmarie Adams, Marta Gutman, and Kate Solomonson. Access the transcript: https://share.transistor.fm/s/b83b4ff5</p><p><br><strong>Abigail A. Van Slyck </strong>is the Dayton Professor Emeritus of Art History at Connecticut College and author of <a href="https://www.upress.umn.edu/9781517916961/playhouses-and-privilege/"><em>Playhouses and Privilege: The Architecture of Elite Childhood</em></a>; <a href="https://www.upress.umn.edu/9780816648771/a-manufactured-wilderness/"><em>A Manufactured Wilderness: Summer Camps and the Shaping of American Youth, 1890-1960</em></a>; and <a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo3622287.html"><em>Free to All: Carnegie Libraries and American Culture, 1890-1920</em></a>.</p><p><br></p><p><strong>Annmarie Adams</strong> is an architectural historian at McGill University in Montreal. Adams is author of <a href="https://www.upress.umn.edu/9780816651146/medicine-by-design/"><em>Medicine by Design: The Architect and the Modern Hospital, 1893-1943</em></a>; <a href="https://www.mqup.ca/architecture-in-the-family-way-products-9780773522398.php"><em>Architecture in the Family Way: Doctors, Houses, and Women, 1870-1900</em></a>; and coauthor of <a href="https://utppublishing.com/doi/book/10.3138/9780802082190"><em>Designing Women: Gender and the Architectural Profession</em></a>.</p><p><br></p><p><strong>Marta Gutman</strong> is dean and professor in the Bernard and Anne Spitzer School of Architecture at the City College of New York. Gutman is author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo18337661.html"><em>A City for Children: Women, Architecture, and the Charitable Landscapes of Oakland, 1850-1950</em></a>.</p><p><br></p><p><strong>Kate Solomonson</strong> is architectural historian and professor emeritus in the Department of Architecture at the University of Minnesota. Solomonson is coeditor, with Van Slyck, of the <a href="https://www.upress.umn.edu/search-grid/?series=architecture-landscape-and-amer-culture">Architecture, Landscape, and American Culture series</a> with University of Minnesota Press.</p><p><br>EPISODE REFERENCES:</p><p>-Hanover estate: Osborne (Swiss Cottage), Isle of Wight, UK. For Queen Victoria and Prince Albert.</p><p>-Vanderbilt estate: The Breakers, Newport, Rhode Island. For Cornelius Vanderbilt II and Alice Claypoole Gwynne Vanderbilt.</p><p>-Dow estate: Foxhollow Farm (Fallsburgh), Rhinebeck, New York. For Tracy Dows and Alice Olin Dows.</p><p>-Whitney estate: Greentree, Manhasset, Long Island. For Payne Whitney and Helen Hay Whitney.</p><p>-Dodge estate: Meadow Brook Hall (since 1929, Knole Cottage; before 1929, Hilltop Lodge), Rochester, Michigan. For Alfred Wilson and Matilda Dodge Wilson.</p><p>-Ford estate: Gaukler Pointe, Grosse Pointe, Michigan. For Edsel Ford and Eleanor Clay Ford.</p><p><br></p><p><a href="https://www.upress.umn.edu/9780816679614/designing-the-creative-child/"><em>Designing the Creative Child</em></a> / Amy F. Ogata</p><p><a href="https://mitpress.mit.edu/9780262526142/pastoral-capitalism/"><em>Pastoral Capitalism</em></a> / Louise Mozingo</p><p>The research of Barbara Penner (Bartlett School of Architecture, London)</p><p><br><strong><em>Praise for the book:</em></strong></p><p>"Beautifully written, impeccably researched, and profusely illustrated, <em>Playhouses and Privilege</em> is a must-read for anyone interested in the study of children, architecture, privilege, and play."<br><strong>—Marta Gutman</strong>, dean, Spitzer School of Architecture, CUNY</p><p>"Small spaces can host big stories. In charting the spatial components of social prestige, Abigail A. Van Slyck delineates shifting conceptions of childhood, modulating gender politics, charged interactions between parents and children, and popular representations of youthful celebrity. This is a riveting read—focused and yet expansive, innovative, and insightful at every turn."<br><strong>—Simon Sleight</strong>, coeditor of <em>A Cultural History of Youth in the Modern Age</em></p><p><a href="https://www.upress.umn.edu/9781517916961/playhouses-and-privilege/"><strong><em>Playhouses and Privilege: The Architecture of Elite Childhood </em></strong><strong>by Abigail A. Van Slyck</strong></a><em> </em>is available from University of Minnesota Press.</p>]]>
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        <![CDATA[<p>Between the 1850s and 1930s, before playhouses for children reached the mainstream, they were often fully functional cottages designed by well-known architects for British royalty, American industrialists, and Hollywood stars. Recognizing the playhouse in this era as a stage for the purposeful performance of upper-class identity, Abigail A. Van Slyck illuminates their role as carefully planned architectural manifestations of adult concerns, from Queen Victoria and Prince Albert’s Swiss Cottage (1853) to the children’s cottage on the grounds of Cornelius Vanderbilt’s Newport mansion (1886) to the glass-block playhouse given to Shirley Temple in 1936, and many more in between. Here, Van Slyck is joined in conversation with Annmarie Adams, Marta Gutman, and Kate Solomonson. Access the transcript: https://share.transistor.fm/s/b83b4ff5</p><p><br><strong>Abigail A. Van Slyck </strong>is the Dayton Professor Emeritus of Art History at Connecticut College and author of <a href="https://www.upress.umn.edu/9781517916961/playhouses-and-privilege/"><em>Playhouses and Privilege: The Architecture of Elite Childhood</em></a>; <a href="https://www.upress.umn.edu/9780816648771/a-manufactured-wilderness/"><em>A Manufactured Wilderness: Summer Camps and the Shaping of American Youth, 1890-1960</em></a>; and <a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo3622287.html"><em>Free to All: Carnegie Libraries and American Culture, 1890-1920</em></a>.</p><p><br></p><p><strong>Annmarie Adams</strong> is an architectural historian at McGill University in Montreal. Adams is author of <a href="https://www.upress.umn.edu/9780816651146/medicine-by-design/"><em>Medicine by Design: The Architect and the Modern Hospital, 1893-1943</em></a>; <a href="https://www.mqup.ca/architecture-in-the-family-way-products-9780773522398.php"><em>Architecture in the Family Way: Doctors, Houses, and Women, 1870-1900</em></a>; and coauthor of <a href="https://utppublishing.com/doi/book/10.3138/9780802082190"><em>Designing Women: Gender and the Architectural Profession</em></a>.</p><p><br></p><p><strong>Marta Gutman</strong> is dean and professor in the Bernard and Anne Spitzer School of Architecture at the City College of New York. Gutman is author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo18337661.html"><em>A City for Children: Women, Architecture, and the Charitable Landscapes of Oakland, 1850-1950</em></a>.</p><p><br></p><p><strong>Kate Solomonson</strong> is architectural historian and professor emeritus in the Department of Architecture at the University of Minnesota. Solomonson is coeditor, with Van Slyck, of the <a href="https://www.upress.umn.edu/search-grid/?series=architecture-landscape-and-amer-culture">Architecture, Landscape, and American Culture series</a> with University of Minnesota Press.</p><p><br>EPISODE REFERENCES:</p><p>-Hanover estate: Osborne (Swiss Cottage), Isle of Wight, UK. For Queen Victoria and Prince Albert.</p><p>-Vanderbilt estate: The Breakers, Newport, Rhode Island. For Cornelius Vanderbilt II and Alice Claypoole Gwynne Vanderbilt.</p><p>-Dow estate: Foxhollow Farm (Fallsburgh), Rhinebeck, New York. For Tracy Dows and Alice Olin Dows.</p><p>-Whitney estate: Greentree, Manhasset, Long Island. For Payne Whitney and Helen Hay Whitney.</p><p>-Dodge estate: Meadow Brook Hall (since 1929, Knole Cottage; before 1929, Hilltop Lodge), Rochester, Michigan. For Alfred Wilson and Matilda Dodge Wilson.</p><p>-Ford estate: Gaukler Pointe, Grosse Pointe, Michigan. For Edsel Ford and Eleanor Clay Ford.</p><p><br></p><p><a href="https://www.upress.umn.edu/9780816679614/designing-the-creative-child/"><em>Designing the Creative Child</em></a> / Amy F. Ogata</p><p><a href="https://mitpress.mit.edu/9780262526142/pastoral-capitalism/"><em>Pastoral Capitalism</em></a> / Louise Mozingo</p><p>The research of Barbara Penner (Bartlett School of Architecture, London)</p><p><br><strong><em>Praise for the book:</em></strong></p><p>"Beautifully written, impeccably researched, and profusely illustrated, <em>Playhouses and Privilege</em> is a must-read for anyone interested in the study of children, architecture, privilege, and play."<br><strong>—Marta Gutman</strong>, dean, Spitzer School of Architecture, CUNY</p><p>"Small spaces can host big stories. In charting the spatial components of social prestige, Abigail A. Van Slyck delineates shifting conceptions of childhood, modulating gender politics, charged interactions between parents and children, and popular representations of youthful celebrity. This is a riveting read—focused and yet expansive, innovative, and insightful at every turn."<br><strong>—Simon Sleight</strong>, coeditor of <em>A Cultural History of Youth in the Modern Age</em></p><p><a href="https://www.upress.umn.edu/9781517916961/playhouses-and-privilege/"><strong><em>Playhouses and Privilege: The Architecture of Elite Childhood </em></strong><strong>by Abigail A. Van Slyck</strong></a><em> </em>is available from University of Minnesota Press.</p>]]>
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      <pubDate>Tue, 04 Mar 2025 10:46:21 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4266</itunes:duration>
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        <![CDATA[<p>Between the 1850s and 1930s, before playhouses for children reached the mainstream, they were often fully functional cottages designed by well-known architects for British royalty, American industrialists, and Hollywood stars. Recognizing the playhouse in this era as a stage for the purposeful performance of upper-class identity, Abigail A. Van Slyck illuminates their role as carefully planned architectural manifestations of adult concerns, from Queen Victoria and Prince Albert’s Swiss Cottage (1853) to the children’s cottage on the grounds of Cornelius Vanderbilt’s Newport mansion (1886) to the glass-block playhouse given to Shirley Temple in 1936, and many more in between. Here, Van Slyck is joined in conversation with Annmarie Adams, Marta Gutman, and Kate Solomonson. Access the transcript: https://share.transistor.fm/s/b83b4ff5</p><p><br><strong>Abigail A. Van Slyck </strong>is the Dayton Professor Emeritus of Art History at Connecticut College and author of <a href="https://www.upress.umn.edu/9781517916961/playhouses-and-privilege/"><em>Playhouses and Privilege: The Architecture of Elite Childhood</em></a>; <a href="https://www.upress.umn.edu/9780816648771/a-manufactured-wilderness/"><em>A Manufactured Wilderness: Summer Camps and the Shaping of American Youth, 1890-1960</em></a>; and <a href="https://press.uchicago.edu/ucp/books/book/chicago/F/bo3622287.html"><em>Free to All: Carnegie Libraries and American Culture, 1890-1920</em></a>.</p><p><br></p><p><strong>Annmarie Adams</strong> is an architectural historian at McGill University in Montreal. Adams is author of <a href="https://www.upress.umn.edu/9780816651146/medicine-by-design/"><em>Medicine by Design: The Architect and the Modern Hospital, 1893-1943</em></a>; <a href="https://www.mqup.ca/architecture-in-the-family-way-products-9780773522398.php"><em>Architecture in the Family Way: Doctors, Houses, and Women, 1870-1900</em></a>; and coauthor of <a href="https://utppublishing.com/doi/book/10.3138/9780802082190"><em>Designing Women: Gender and the Architectural Profession</em></a>.</p><p><br></p><p><strong>Marta Gutman</strong> is dean and professor in the Bernard and Anne Spitzer School of Architecture at the City College of New York. Gutman is author of <a href="https://press.uchicago.edu/ucp/books/book/chicago/C/bo18337661.html"><em>A City for Children: Women, Architecture, and the Charitable Landscapes of Oakland, 1850-1950</em></a>.</p><p><br></p><p><strong>Kate Solomonson</strong> is architectural historian and professor emeritus in the Department of Architecture at the University of Minnesota. Solomonson is coeditor, with Van Slyck, of the <a href="https://www.upress.umn.edu/search-grid/?series=architecture-landscape-and-amer-culture">Architecture, Landscape, and American Culture series</a> with University of Minnesota Press.</p><p><br>EPISODE REFERENCES:</p><p>-Hanover estate: Osborne (Swiss Cottage), Isle of Wight, UK. For Queen Victoria and Prince Albert.</p><p>-Vanderbilt estate: The Breakers, Newport, Rhode Island. For Cornelius Vanderbilt II and Alice Claypoole Gwynne Vanderbilt.</p><p>-Dow estate: Foxhollow Farm (Fallsburgh), Rhinebeck, New York. For Tracy Dows and Alice Olin Dows.</p><p>-Whitney estate: Greentree, Manhasset, Long Island. For Payne Whitney and Helen Hay Whitney.</p><p>-Dodge estate: Meadow Brook Hall (since 1929, Knole Cottage; before 1929, Hilltop Lodge), Rochester, Michigan. For Alfred Wilson and Matilda Dodge Wilson.</p><p>-Ford estate: Gaukler Pointe, Grosse Pointe, Michigan. For Edsel Ford and Eleanor Clay Ford.</p><p><br></p><p><a href="https://www.upress.umn.edu/9780816679614/designing-the-creative-child/"><em>Designing the Creative Child</em></a> / Amy F. Ogata</p><p><a href="https://mitpress.mit.edu/9780262526142/pastoral-capitalism/"><em>Pastoral Capitalism</em></a> / Louise Mozingo</p><p>The research of Barbara Penner (Bartlett School of Architecture, London)</p><p><br><strong><em>Praise for the book:</em></strong></p><p>"Beautifully written, impeccably researched, and profusely illustrated, <em>Playhouses and Privilege</em> is a must-read for anyone interested in the study of children, architecture, privilege, and play."<br><strong>—Marta Gutman</strong>, dean, Spitzer School of Architecture, CUNY</p><p>"Small spaces can host big stories. In charting the spatial components of social prestige, Abigail A. Van Slyck delineates shifting conceptions of childhood, modulating gender politics, charged interactions between parents and children, and popular representations of youthful celebrity. This is a riveting read—focused and yet expansive, innovative, and insightful at every turn."<br><strong>—Simon Sleight</strong>, coeditor of <em>A Cultural History of Youth in the Modern Age</em></p><p><a href="https://www.upress.umn.edu/9781517916961/playhouses-and-privilege/"><strong><em>Playhouses and Privilege: The Architecture of Elite Childhood </em></strong><strong>by Abigail A. Van Slyck</strong></a><em> </em>is available from University of Minnesota Press.</p>]]>
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      <itunes:keywords>Queen Elizabeth II, Shirley Temple, Vanderbilt, Whitney, Henry Clay Fricke, Harold Lloyd, domestic architecture, parenting, social elites, royalty, material culture, class, princess, country house</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>“I want to be a living work of art”: On the Marchesa Luisa Casati</title>
      <itunes:episode>98</itunes:episode>
      <podcast:episode>98</podcast:episode>
      <itunes:title>“I want to be a living work of art”: On the Marchesa Luisa Casati</itunes:title>
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        <![CDATA[<p>“If the public can predict you, it starts to like you. But the Marchesa didn’t want to be liked.” For the first three decades of the twentieth century, the Marchesa Luisa Casati astounded Europe. Artists such as Man Ray painted, sculpted, and photographed her; writers such as Ezra Pound and Jack Kerouac praised her strange beauty. An Italian woman of means who questioned the traditional gender codes of her time, she dismissed fixed identities as mere constructions. Gathering on the occasion of the 25th anniversary of the first publication of<em> </em><a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety: The Life and Legend of the Marchesa Casati</em></a> (the first full-length biography of Luisa Casati, now offered in an updated, ultimate edition), Michael Orlando Yaccarino joins Valerie Steele, Joan Rosasco, and Francesca Granata in conversation about the enigma that is the Marchesa Casati. Access the transcript: https://share.transistor.fm/s/0bd08dc8</p><p><strong>Michael Orlando Yaccarino</strong> is a writer specializing in international genre film, fashion, music, and unconventional historic figures. <strong>Scot D. Ryersson</strong> (1960–2024) was an award-winning writer, illustrator, and graphic designer. Michael and Scot collaborated on many projects, are coauthors of <a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety: The Life and Legend of the Marchesa Casati, The Ultimate Edition</em></a>, and are founders of the Casati Archives. <a href="http://www.marchesacasati.com">www.marchesacasati.com</a></p><p><br></p><p><br><strong>Valerie Steele</strong> is a fashion historian and director and chief curator of the Museum at the Fashion Institute of Technology. Steele is the author or editor of twenty-five books, including <a href="https://www.bloomsbury.com/us/paris-fashion-9781474245494/"><em>Paris Fashion</em></a>, <a href="https://global.oup.com/academic/product/fetish-fashion-sex-and-power-9780195115796?cc=lk&amp;lang=en&amp;"><em>Fetish</em></a>, and <a href="https://www.taschen.com/en/books/fashion/44862/fashion-designers-a-z-updated-2020-edition/"><em>Fashion Designers A-Z</em></a>.</p><p><br></p><p><br><strong>Joan Rosasco</strong> taught at Smith College, Columbia University, and New York University, with focus on European art and culture, French literature, and the Belle Époque period. She is author of numerous publications including <em>The Septet</em>.</p><p><br><strong>Francesca Granata</strong> is associate professor of fashion studies at Parsons School of Design. Her research focuses on modern and contemporary visual culture, fashion history and theory, and gender and performance studies. Granata is editor of <a href="https://www.bloomsbury.com/us/fashion-criticism-9781350058804/"><em>Fashion Criticism</em></a> and author of <a href="https://www.bloomsbury.com/us/experimental-fashion-9781350248007/"><em>Experimental Fashion</em></a>, and wrote the afterword to <a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety</em></a>.</p><p><br><strong><em>Praise for the book:</em></strong></p><p>"Ryersson and Yaccarino are judicious historians of frivolity who capture the tone of a life that was obscenely profligate yet strangely pure."<br><em>—The New Yorker</em></p><p>"A meticulously researched biography,<em> Infinite Variety</em> is as much art history as chronicle of personal obsession."<br><em>—The New York Times</em></p><p>"Fascinating . . . with or without her cheetahs, the Marchesa Casati’s circus of the self makes her a natural for the new millennium."<br><em>—Vanity Fair</em></p><p><br><a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><strong><em>Infinite Variety: The Life and Legend of Marchesa Casati, The Ultimate Edition</em></strong></a> is available from University of Minnesota Press.</p>]]>
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        <![CDATA[<p>“If the public can predict you, it starts to like you. But the Marchesa didn’t want to be liked.” For the first three decades of the twentieth century, the Marchesa Luisa Casati astounded Europe. Artists such as Man Ray painted, sculpted, and photographed her; writers such as Ezra Pound and Jack Kerouac praised her strange beauty. An Italian woman of means who questioned the traditional gender codes of her time, she dismissed fixed identities as mere constructions. Gathering on the occasion of the 25th anniversary of the first publication of<em> </em><a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety: The Life and Legend of the Marchesa Casati</em></a> (the first full-length biography of Luisa Casati, now offered in an updated, ultimate edition), Michael Orlando Yaccarino joins Valerie Steele, Joan Rosasco, and Francesca Granata in conversation about the enigma that is the Marchesa Casati. Access the transcript: https://share.transistor.fm/s/0bd08dc8</p><p><strong>Michael Orlando Yaccarino</strong> is a writer specializing in international genre film, fashion, music, and unconventional historic figures. <strong>Scot D. Ryersson</strong> (1960–2024) was an award-winning writer, illustrator, and graphic designer. Michael and Scot collaborated on many projects, are coauthors of <a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety: The Life and Legend of the Marchesa Casati, The Ultimate Edition</em></a>, and are founders of the Casati Archives. <a href="http://www.marchesacasati.com">www.marchesacasati.com</a></p><p><br></p><p><br><strong>Valerie Steele</strong> is a fashion historian and director and chief curator of the Museum at the Fashion Institute of Technology. Steele is the author or editor of twenty-five books, including <a href="https://www.bloomsbury.com/us/paris-fashion-9781474245494/"><em>Paris Fashion</em></a>, <a href="https://global.oup.com/academic/product/fetish-fashion-sex-and-power-9780195115796?cc=lk&amp;lang=en&amp;"><em>Fetish</em></a>, and <a href="https://www.taschen.com/en/books/fashion/44862/fashion-designers-a-z-updated-2020-edition/"><em>Fashion Designers A-Z</em></a>.</p><p><br></p><p><br><strong>Joan Rosasco</strong> taught at Smith College, Columbia University, and New York University, with focus on European art and culture, French literature, and the Belle Époque period. She is author of numerous publications including <em>The Septet</em>.</p><p><br><strong>Francesca Granata</strong> is associate professor of fashion studies at Parsons School of Design. Her research focuses on modern and contemporary visual culture, fashion history and theory, and gender and performance studies. Granata is editor of <a href="https://www.bloomsbury.com/us/fashion-criticism-9781350058804/"><em>Fashion Criticism</em></a> and author of <a href="https://www.bloomsbury.com/us/experimental-fashion-9781350248007/"><em>Experimental Fashion</em></a>, and wrote the afterword to <a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety</em></a>.</p><p><br><strong><em>Praise for the book:</em></strong></p><p>"Ryersson and Yaccarino are judicious historians of frivolity who capture the tone of a life that was obscenely profligate yet strangely pure."<br><em>—The New Yorker</em></p><p>"A meticulously researched biography,<em> Infinite Variety</em> is as much art history as chronicle of personal obsession."<br><em>—The New York Times</em></p><p>"Fascinating . . . with or without her cheetahs, the Marchesa Casati’s circus of the self makes her a natural for the new millennium."<br><em>—Vanity Fair</em></p><p><br><a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><strong><em>Infinite Variety: The Life and Legend of Marchesa Casati, The Ultimate Edition</em></strong></a> is available from University of Minnesota Press.</p>]]>
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      <pubDate>Wed, 19 Feb 2025 09:30:28 -0600</pubDate>
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        <![CDATA[<p>“If the public can predict you, it starts to like you. But the Marchesa didn’t want to be liked.” For the first three decades of the twentieth century, the Marchesa Luisa Casati astounded Europe. Artists such as Man Ray painted, sculpted, and photographed her; writers such as Ezra Pound and Jack Kerouac praised her strange beauty. An Italian woman of means who questioned the traditional gender codes of her time, she dismissed fixed identities as mere constructions. Gathering on the occasion of the 25th anniversary of the first publication of<em> </em><a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety: The Life and Legend of the Marchesa Casati</em></a> (the first full-length biography of Luisa Casati, now offered in an updated, ultimate edition), Michael Orlando Yaccarino joins Valerie Steele, Joan Rosasco, and Francesca Granata in conversation about the enigma that is the Marchesa Casati. Access the transcript: https://share.transistor.fm/s/0bd08dc8</p><p><strong>Michael Orlando Yaccarino</strong> is a writer specializing in international genre film, fashion, music, and unconventional historic figures. <strong>Scot D. Ryersson</strong> (1960–2024) was an award-winning writer, illustrator, and graphic designer. Michael and Scot collaborated on many projects, are coauthors of <a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety: The Life and Legend of the Marchesa Casati, The Ultimate Edition</em></a>, and are founders of the Casati Archives. <a href="http://www.marchesacasati.com">www.marchesacasati.com</a></p><p><br></p><p><br><strong>Valerie Steele</strong> is a fashion historian and director and chief curator of the Museum at the Fashion Institute of Technology. Steele is the author or editor of twenty-five books, including <a href="https://www.bloomsbury.com/us/paris-fashion-9781474245494/"><em>Paris Fashion</em></a>, <a href="https://global.oup.com/academic/product/fetish-fashion-sex-and-power-9780195115796?cc=lk&amp;lang=en&amp;"><em>Fetish</em></a>, and <a href="https://www.taschen.com/en/books/fashion/44862/fashion-designers-a-z-updated-2020-edition/"><em>Fashion Designers A-Z</em></a>.</p><p><br></p><p><br><strong>Joan Rosasco</strong> taught at Smith College, Columbia University, and New York University, with focus on European art and culture, French literature, and the Belle Époque period. She is author of numerous publications including <em>The Septet</em>.</p><p><br><strong>Francesca Granata</strong> is associate professor of fashion studies at Parsons School of Design. Her research focuses on modern and contemporary visual culture, fashion history and theory, and gender and performance studies. Granata is editor of <a href="https://www.bloomsbury.com/us/fashion-criticism-9781350058804/"><em>Fashion Criticism</em></a> and author of <a href="https://www.bloomsbury.com/us/experimental-fashion-9781350248007/"><em>Experimental Fashion</em></a>, and wrote the afterword to <a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><em>Infinite Variety</em></a>.</p><p><br><strong><em>Praise for the book:</em></strong></p><p>"Ryersson and Yaccarino are judicious historians of frivolity who capture the tone of a life that was obscenely profligate yet strangely pure."<br><em>—The New Yorker</em></p><p>"A meticulously researched biography,<em> Infinite Variety</em> is as much art history as chronicle of personal obsession."<br><em>—The New York Times</em></p><p>"Fascinating . . . with or without her cheetahs, the Marchesa Casati’s circus of the self makes her a natural for the new millennium."<br><em>—Vanity Fair</em></p><p><br><a href="https://www.upress.umn.edu/9781517903718/infinite-variety/"><strong><em>Infinite Variety: The Life and Legend of Marchesa Casati, The Ultimate Edition</em></strong></a> is available from University of Minnesota Press.</p>]]>
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      <title>It’s a microbe’s world. We just live in it.</title>
      <itunes:episode>97</itunes:episode>
      <podcast:episode>97</podcast:episode>
      <itunes:title>It’s a microbe’s world. We just live in it.</itunes:title>
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        <![CDATA[<p>Microbes: We can’t see them, but we have no choice but to live with them. Microbes have significant, enduring impacts on human health and remind us to resist the abstraction of crucial forces in our everyday lives. Welcome to a multidisciplinary conversation about microbes, featuring Amber Benezra (<a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Gut Anthro</em></strong></a>), Gloria Chan-Sook Kim (<a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution</em></strong></a>), and Matthew J. Wolf-Meyer (<a href="https://www.upress.umn.edu/9781517916244/american-disgust/"><strong><em>American Disgust</em></strong></a>) in a wide-ranging conversation that opens up possibilities for imagining more equitable approaches to science, visualizing and embodying the microbe, and conceptualizing health at individual, societal, and planetary levels. Access the transcript: https://share.transistor.fm/s/e13d8ed0</p><p><strong>Amber Benezra</strong> is assistant professor of science and technology studies at the Stevens Institute of Technology in New Jersey, and is author of <a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Gut Anthro: An Experiment in Thinking with Microbes</em></strong></a>, a finalist for the Ludwik Fleck Prize from the Society for Social Studies of Science.</p><p><br></p><p><strong>Gloria Chan-Sook Kim</strong> is assistant professor of media and culture at the University of California, Riverside, and is author of <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution: Visualization and Security in the War against Emerging Microbes</em></strong></a>.</p><p><br></p><p><strong>Matthew J. Wolf-Meyer</strong> is professor of science and technology studies at Rensselaer Polytechnic University, and is author of <a href="https://www.upress.umn.edu/9781517916244/american-disgust/"><strong><em>American Disgust: Racism, Microbial Medicine, and the Colony Within</em></strong></a>; <a href="https://www.upress.umn.edu/9780816674756/the-slumbering-masses/"><strong><em>The Slumbering Masses: Sleep, Medicine, and Modern American Life</em></strong></a>; <a href="https://www.upress.umn.edu/9781517907808/theory-for-the-world-to-come/"><strong><em>Theory for the World to Come: Speculative Fiction and Apocalyptic Anthropology</em></strong></a>; and <a href="https://www.upress.umn.edu/9781517909147/unraveling/"><strong><em>Unraveling: Remaking Personhood in a Neurodiverse Age</em></strong></a>. </p><p><em>Praise for the books:</em></p><p>“We learn from microbes—and the messy, fragile, tenacious humans that study them—how much the minute details of mundane life matter. Alternately hopeful and unsettling, <em>Gut Anthro</em> is a book that expertly does what microbes have always done: change how we see, how we collaborate, and who we are.”<br><strong>—Emily Yates-Doerr</strong>, author of <a href="https://www.ucpress.edu/books/the-weight-of-obesity/paper"><em>The Weight of Obesity</em></a></p><p><br></p><p>“Gloria Chan-Sook Kim’s visual methodology proposes a clear optic for understanding how global health responses to microbial threats will fail unless we wrestle with the systems that perpetuate the conditions for the next mutant microbe on the horizon.” <br><strong>—Stefanie R. Fishel</strong>, author of <a href="https://www.upress.umn.edu/9781517900137/the-microbial-state/"><em>The Microbial State</em></a></p><p><br></p><p>“<em>American Disgust</em> pushes readers to think beyond individual taste to consider how whiteness shapes what is acceptable or profane and how to grow our capacity for the unfamiliar. It is a refreshing take on a long-debated concept.”<br><strong>—Ashanté M. Reese</strong>, coeditor of <a href="https://www.upress.umn.edu/9781517908140/black-food-matters/"><em>Black Food Matters</em></a></p><p><br></p><p><strong><em>Books by </em></strong><a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Amber Benezra</em></strong></a><strong><em>, </em></strong><a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Gloria Chan-Sook Kim</em></strong></a><strong><em>, and </em></strong><a href="https://www.upress.umn.edu/author/matthew-j-wolf-meyer/"><strong><em>Matthew J. Wolf-Meyer</em></strong></a><strong><em> are available from University of Minnesota Press.</em></strong></p>]]>
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        <![CDATA[<p>Microbes: We can’t see them, but we have no choice but to live with them. Microbes have significant, enduring impacts on human health and remind us to resist the abstraction of crucial forces in our everyday lives. Welcome to a multidisciplinary conversation about microbes, featuring Amber Benezra (<a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Gut Anthro</em></strong></a>), Gloria Chan-Sook Kim (<a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution</em></strong></a>), and Matthew J. Wolf-Meyer (<a href="https://www.upress.umn.edu/9781517916244/american-disgust/"><strong><em>American Disgust</em></strong></a>) in a wide-ranging conversation that opens up possibilities for imagining more equitable approaches to science, visualizing and embodying the microbe, and conceptualizing health at individual, societal, and planetary levels. Access the transcript: https://share.transistor.fm/s/e13d8ed0</p><p><strong>Amber Benezra</strong> is assistant professor of science and technology studies at the Stevens Institute of Technology in New Jersey, and is author of <a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Gut Anthro: An Experiment in Thinking with Microbes</em></strong></a>, a finalist for the Ludwik Fleck Prize from the Society for Social Studies of Science.</p><p><br></p><p><strong>Gloria Chan-Sook Kim</strong> is assistant professor of media and culture at the University of California, Riverside, and is author of <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution: Visualization and Security in the War against Emerging Microbes</em></strong></a>.</p><p><br></p><p><strong>Matthew J. Wolf-Meyer</strong> is professor of science and technology studies at Rensselaer Polytechnic University, and is author of <a href="https://www.upress.umn.edu/9781517916244/american-disgust/"><strong><em>American Disgust: Racism, Microbial Medicine, and the Colony Within</em></strong></a>; <a href="https://www.upress.umn.edu/9780816674756/the-slumbering-masses/"><strong><em>The Slumbering Masses: Sleep, Medicine, and Modern American Life</em></strong></a>; <a href="https://www.upress.umn.edu/9781517907808/theory-for-the-world-to-come/"><strong><em>Theory for the World to Come: Speculative Fiction and Apocalyptic Anthropology</em></strong></a>; and <a href="https://www.upress.umn.edu/9781517909147/unraveling/"><strong><em>Unraveling: Remaking Personhood in a Neurodiverse Age</em></strong></a>. </p><p><em>Praise for the books:</em></p><p>“We learn from microbes—and the messy, fragile, tenacious humans that study them—how much the minute details of mundane life matter. Alternately hopeful and unsettling, <em>Gut Anthro</em> is a book that expertly does what microbes have always done: change how we see, how we collaborate, and who we are.”<br><strong>—Emily Yates-Doerr</strong>, author of <a href="https://www.ucpress.edu/books/the-weight-of-obesity/paper"><em>The Weight of Obesity</em></a></p><p><br></p><p>“Gloria Chan-Sook Kim’s visual methodology proposes a clear optic for understanding how global health responses to microbial threats will fail unless we wrestle with the systems that perpetuate the conditions for the next mutant microbe on the horizon.” <br><strong>—Stefanie R. Fishel</strong>, author of <a href="https://www.upress.umn.edu/9781517900137/the-microbial-state/"><em>The Microbial State</em></a></p><p><br></p><p>“<em>American Disgust</em> pushes readers to think beyond individual taste to consider how whiteness shapes what is acceptable or profane and how to grow our capacity for the unfamiliar. It is a refreshing take on a long-debated concept.”<br><strong>—Ashanté M. Reese</strong>, coeditor of <a href="https://www.upress.umn.edu/9781517908140/black-food-matters/"><em>Black Food Matters</em></a></p><p><br></p><p><strong><em>Books by </em></strong><a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Amber Benezra</em></strong></a><strong><em>, </em></strong><a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Gloria Chan-Sook Kim</em></strong></a><strong><em>, and </em></strong><a href="https://www.upress.umn.edu/author/matthew-j-wolf-meyer/"><strong><em>Matthew J. Wolf-Meyer</em></strong></a><strong><em> are available from University of Minnesota Press.</em></strong></p>]]>
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      <pubDate>Tue, 04 Feb 2025 09:18:30 -0600</pubDate>
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      <itunes:duration>3167</itunes:duration>
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        <![CDATA[<p>Microbes: We can’t see them, but we have no choice but to live with them. Microbes have significant, enduring impacts on human health and remind us to resist the abstraction of crucial forces in our everyday lives. Welcome to a multidisciplinary conversation about microbes, featuring Amber Benezra (<a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Gut Anthro</em></strong></a>), Gloria Chan-Sook Kim (<a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution</em></strong></a>), and Matthew J. Wolf-Meyer (<a href="https://www.upress.umn.edu/9781517916244/american-disgust/"><strong><em>American Disgust</em></strong></a>) in a wide-ranging conversation that opens up possibilities for imagining more equitable approaches to science, visualizing and embodying the microbe, and conceptualizing health at individual, societal, and planetary levels. Access the transcript: https://share.transistor.fm/s/e13d8ed0</p><p><strong>Amber Benezra</strong> is assistant professor of science and technology studies at the Stevens Institute of Technology in New Jersey, and is author of <a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Gut Anthro: An Experiment in Thinking with Microbes</em></strong></a>, a finalist for the Ludwik Fleck Prize from the Society for Social Studies of Science.</p><p><br></p><p><strong>Gloria Chan-Sook Kim</strong> is assistant professor of media and culture at the University of California, Riverside, and is author of <a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Microbial Resolution: Visualization and Security in the War against Emerging Microbes</em></strong></a>.</p><p><br></p><p><strong>Matthew J. Wolf-Meyer</strong> is professor of science and technology studies at Rensselaer Polytechnic University, and is author of <a href="https://www.upress.umn.edu/9781517916244/american-disgust/"><strong><em>American Disgust: Racism, Microbial Medicine, and the Colony Within</em></strong></a>; <a href="https://www.upress.umn.edu/9780816674756/the-slumbering-masses/"><strong><em>The Slumbering Masses: Sleep, Medicine, and Modern American Life</em></strong></a>; <a href="https://www.upress.umn.edu/9781517907808/theory-for-the-world-to-come/"><strong><em>Theory for the World to Come: Speculative Fiction and Apocalyptic Anthropology</em></strong></a>; and <a href="https://www.upress.umn.edu/9781517909147/unraveling/"><strong><em>Unraveling: Remaking Personhood in a Neurodiverse Age</em></strong></a>. </p><p><em>Praise for the books:</em></p><p>“We learn from microbes—and the messy, fragile, tenacious humans that study them—how much the minute details of mundane life matter. Alternately hopeful and unsettling, <em>Gut Anthro</em> is a book that expertly does what microbes have always done: change how we see, how we collaborate, and who we are.”<br><strong>—Emily Yates-Doerr</strong>, author of <a href="https://www.ucpress.edu/books/the-weight-of-obesity/paper"><em>The Weight of Obesity</em></a></p><p><br></p><p>“Gloria Chan-Sook Kim’s visual methodology proposes a clear optic for understanding how global health responses to microbial threats will fail unless we wrestle with the systems that perpetuate the conditions for the next mutant microbe on the horizon.” <br><strong>—Stefanie R. Fishel</strong>, author of <a href="https://www.upress.umn.edu/9781517900137/the-microbial-state/"><em>The Microbial State</em></a></p><p><br></p><p>“<em>American Disgust</em> pushes readers to think beyond individual taste to consider how whiteness shapes what is acceptable or profane and how to grow our capacity for the unfamiliar. It is a refreshing take on a long-debated concept.”<br><strong>—Ashanté M. Reese</strong>, coeditor of <a href="https://www.upress.umn.edu/9781517908140/black-food-matters/"><em>Black Food Matters</em></a></p><p><br></p><p><strong><em>Books by </em></strong><a href="https://www.upress.umn.edu/9781517901301/gut-anthro/"><strong><em>Amber Benezra</em></strong></a><strong><em>, </em></strong><a href="https://www.upress.umn.edu/9781517911706/microbial-resolution/"><strong><em>Gloria Chan-Sook Kim</em></strong></a><strong><em>, and </em></strong><a href="https://www.upress.umn.edu/author/matthew-j-wolf-meyer/"><strong><em>Matthew J. Wolf-Meyer</em></strong></a><strong><em> are available from University of Minnesota Press.</em></strong></p>]]>
      </itunes:summary>
      <itunes:keywords>microbiome, biology, biosocial, testing, science, pandemic, humanities, social sciences, material, fecal, poop, disgust, emerging, interaction, conceptual</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Our shared needs connect us: Writers respond to the science of animal conservation.</title>
      <itunes:episode>96</itunes:episode>
      <podcast:episode>96</podcast:episode>
      <itunes:title>Our shared needs connect us: Writers respond to the science of animal conservation.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Humans are one species on a planet of millions of species. The literary collection <a href="https://www.upress.umn.edu/9781517918316/creature-needs/"><strong><em>Creature Needs</em></strong></a> is a project that grew out of a need to do something with grievous, anxious energy—an attempt to nourish the soul in a meaningful way, and an attempt to start somewhere specific in the face of big, earthly challenges and changes, to create a polyvocal call to arms about animal extinction and habitat loss and the ways our needs are interconnected. The book’s editors, Christopher Kondrich, Lucy Spelman, and Susan Tacent, are joined here in conversation. Access the transcript: https://share.transistor.fm/s/40c8f86c</p><p><strong>More about the book:</strong> <em>Creature Needs</em> is published in collaboration with the nonprofit organization <a href="https://creatureconserve.com/">Creature Conserve</a>. The following writers contributed new literary works inspired by scientific articles: Kazim Ali, Mary-Kim Arnold, Ramona Ausubel, David Baker, Charles Baxter, Aimee Bender, Kimberly Blaeser, Oni Buchanan, Tina Cane, Ching-In Chen, Mónica de la Torre, Tongo Eisen-Martin, Thalia Field, Ben Goldfarb, Annie Hartnett, Sean Hill, Hester Kaplan, Donika Kelly, Robin McLean, Miranda Mellis, Rajiv Mohabir, Kyoko Mori, David Naimon, Craig Santos Perez, Beth Piatote, Rena Priest, Alberto Ríos, Eléna Rivera, Sofia Samatar, Sharma Shields, Eleni Sikelianos, Maggie Smith, Juliana Spahr, Tim Sutton, Jodie Noel Vinson, Asiya Wadud, Claire Wahmanholm, Marco Wilkinson, Jane Wong.</p><p><strong>About the editors:</strong></p><p><br></p><p><strong>Christopher Kondrich</strong>, poet in residence at Creature Conserve, is author of <em>Valuing, </em>winner of the National Poetry Series, and <em>Contrapuntal</em>. His writing has been published in <em>The Believer, The Kenyon Review, </em>and <em>The Paris Review</em>.</p><p><br></p><p><strong>Lucy Spelman</strong> is founder of Creature Conserve, a nonprofit dedicated to combining art with science to cultivate new pathways for wildlife conservation. A zoological medicine veterinarian, she teaches biology at the Rhode Island School of Design and is author of <em>National Geographic Kids Animal Encyclopedia</em> and coeditor of <em>The Rhino with Glue-On Shoes</em>.</p><p><br></p><p><strong>Susan Tacent</strong>, writer in residence at Creature Conserve, is a writer, scholar, and educator whose fiction has been published in <em>Blackbird, DIAGRAM, </em>and <em>Tin House Online</em>.</p><p><br></p><p><strong>Episode references:</strong></p><p><em>The Lord God Bird</em> by Chelsea Steubayer-Scudder in <a href="https://emergencemagazine.org/essay/the-lord-god-bird/">Emergence Magazine</a></p><p><em>Thinking Like a Mountain</em> by Jedediah Purdy in <a href="https://www.nplusonemag.com/issue-29/reviews/thinking-like-a-mountain/">n+1</a></p><p><br></p><p><strong>Praise for the book:</strong></p><p>A thought-provoking and emotionally resonant read that stands out for its lyrical prowess and formal innovation, making it a significant contribution to contemporary literature as well as a key volume bridging the gap between the worlds of science and art.”<br><em>—Library Journal</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918316/creature-needs/"><strong><em>Creature Needs: Writers Respond to the Science of Animal Conservation</em></strong></a> is available from University of Minnesota Press.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Humans are one species on a planet of millions of species. The literary collection <a href="https://www.upress.umn.edu/9781517918316/creature-needs/"><strong><em>Creature Needs</em></strong></a> is a project that grew out of a need to do something with grievous, anxious energy—an attempt to nourish the soul in a meaningful way, and an attempt to start somewhere specific in the face of big, earthly challenges and changes, to create a polyvocal call to arms about animal extinction and habitat loss and the ways our needs are interconnected. The book’s editors, Christopher Kondrich, Lucy Spelman, and Susan Tacent, are joined here in conversation. Access the transcript: https://share.transistor.fm/s/40c8f86c</p><p><strong>More about the book:</strong> <em>Creature Needs</em> is published in collaboration with the nonprofit organization <a href="https://creatureconserve.com/">Creature Conserve</a>. The following writers contributed new literary works inspired by scientific articles: Kazim Ali, Mary-Kim Arnold, Ramona Ausubel, David Baker, Charles Baxter, Aimee Bender, Kimberly Blaeser, Oni Buchanan, Tina Cane, Ching-In Chen, Mónica de la Torre, Tongo Eisen-Martin, Thalia Field, Ben Goldfarb, Annie Hartnett, Sean Hill, Hester Kaplan, Donika Kelly, Robin McLean, Miranda Mellis, Rajiv Mohabir, Kyoko Mori, David Naimon, Craig Santos Perez, Beth Piatote, Rena Priest, Alberto Ríos, Eléna Rivera, Sofia Samatar, Sharma Shields, Eleni Sikelianos, Maggie Smith, Juliana Spahr, Tim Sutton, Jodie Noel Vinson, Asiya Wadud, Claire Wahmanholm, Marco Wilkinson, Jane Wong.</p><p><strong>About the editors:</strong></p><p><br></p><p><strong>Christopher Kondrich</strong>, poet in residence at Creature Conserve, is author of <em>Valuing, </em>winner of the National Poetry Series, and <em>Contrapuntal</em>. His writing has been published in <em>The Believer, The Kenyon Review, </em>and <em>The Paris Review</em>.</p><p><br></p><p><strong>Lucy Spelman</strong> is founder of Creature Conserve, a nonprofit dedicated to combining art with science to cultivate new pathways for wildlife conservation. A zoological medicine veterinarian, she teaches biology at the Rhode Island School of Design and is author of <em>National Geographic Kids Animal Encyclopedia</em> and coeditor of <em>The Rhino with Glue-On Shoes</em>.</p><p><br></p><p><strong>Susan Tacent</strong>, writer in residence at Creature Conserve, is a writer, scholar, and educator whose fiction has been published in <em>Blackbird, DIAGRAM, </em>and <em>Tin House Online</em>.</p><p><br></p><p><strong>Episode references:</strong></p><p><em>The Lord God Bird</em> by Chelsea Steubayer-Scudder in <a href="https://emergencemagazine.org/essay/the-lord-god-bird/">Emergence Magazine</a></p><p><em>Thinking Like a Mountain</em> by Jedediah Purdy in <a href="https://www.nplusonemag.com/issue-29/reviews/thinking-like-a-mountain/">n+1</a></p><p><br></p><p><strong>Praise for the book:</strong></p><p>A thought-provoking and emotionally resonant read that stands out for its lyrical prowess and formal innovation, making it a significant contribution to contemporary literature as well as a key volume bridging the gap between the worlds of science and art.”<br><em>—Library Journal</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918316/creature-needs/"><strong><em>Creature Needs: Writers Respond to the Science of Animal Conservation</em></strong></a> is available from University of Minnesota Press.</p>]]>
      </content:encoded>
      <pubDate>Tue, 21 Jan 2025 08:45:46 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2656</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Humans are one species on a planet of millions of species. The literary collection <a href="https://www.upress.umn.edu/9781517918316/creature-needs/"><strong><em>Creature Needs</em></strong></a> is a project that grew out of a need to do something with grievous, anxious energy—an attempt to nourish the soul in a meaningful way, and an attempt to start somewhere specific in the face of big, earthly challenges and changes, to create a polyvocal call to arms about animal extinction and habitat loss and the ways our needs are interconnected. The book’s editors, Christopher Kondrich, Lucy Spelman, and Susan Tacent, are joined here in conversation. Access the transcript: https://share.transistor.fm/s/40c8f86c</p><p><strong>More about the book:</strong> <em>Creature Needs</em> is published in collaboration with the nonprofit organization <a href="https://creatureconserve.com/">Creature Conserve</a>. The following writers contributed new literary works inspired by scientific articles: Kazim Ali, Mary-Kim Arnold, Ramona Ausubel, David Baker, Charles Baxter, Aimee Bender, Kimberly Blaeser, Oni Buchanan, Tina Cane, Ching-In Chen, Mónica de la Torre, Tongo Eisen-Martin, Thalia Field, Ben Goldfarb, Annie Hartnett, Sean Hill, Hester Kaplan, Donika Kelly, Robin McLean, Miranda Mellis, Rajiv Mohabir, Kyoko Mori, David Naimon, Craig Santos Perez, Beth Piatote, Rena Priest, Alberto Ríos, Eléna Rivera, Sofia Samatar, Sharma Shields, Eleni Sikelianos, Maggie Smith, Juliana Spahr, Tim Sutton, Jodie Noel Vinson, Asiya Wadud, Claire Wahmanholm, Marco Wilkinson, Jane Wong.</p><p><strong>About the editors:</strong></p><p><br></p><p><strong>Christopher Kondrich</strong>, poet in residence at Creature Conserve, is author of <em>Valuing, </em>winner of the National Poetry Series, and <em>Contrapuntal</em>. His writing has been published in <em>The Believer, The Kenyon Review, </em>and <em>The Paris Review</em>.</p><p><br></p><p><strong>Lucy Spelman</strong> is founder of Creature Conserve, a nonprofit dedicated to combining art with science to cultivate new pathways for wildlife conservation. A zoological medicine veterinarian, she teaches biology at the Rhode Island School of Design and is author of <em>National Geographic Kids Animal Encyclopedia</em> and coeditor of <em>The Rhino with Glue-On Shoes</em>.</p><p><br></p><p><strong>Susan Tacent</strong>, writer in residence at Creature Conserve, is a writer, scholar, and educator whose fiction has been published in <em>Blackbird, DIAGRAM, </em>and <em>Tin House Online</em>.</p><p><br></p><p><strong>Episode references:</strong></p><p><em>The Lord God Bird</em> by Chelsea Steubayer-Scudder in <a href="https://emergencemagazine.org/essay/the-lord-god-bird/">Emergence Magazine</a></p><p><em>Thinking Like a Mountain</em> by Jedediah Purdy in <a href="https://www.nplusonemag.com/issue-29/reviews/thinking-like-a-mountain/">n+1</a></p><p><br></p><p><strong>Praise for the book:</strong></p><p>A thought-provoking and emotionally resonant read that stands out for its lyrical prowess and formal innovation, making it a significant contribution to contemporary literature as well as a key volume bridging the gap between the worlds of science and art.”<br><em>—Library Journal</em></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517918316/creature-needs/"><strong><em>Creature Needs: Writers Respond to the Science of Animal Conservation</em></strong></a> is available from University of Minnesota Press.</p>]]>
      </itunes:summary>
      <itunes:keywords>Art, science, air, food, water, shelter, species, wildlife, mammalian, habitat, climate change, loss, extinction</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>The partitioning of public education</title>
      <itunes:episode>95</itunes:episode>
      <podcast:episode>95</podcast:episode>
      <itunes:title>The partitioning of public education</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Public schools are one of the last remaining universal public goods in the United States—and are also some of our most unequal institutions. In <a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><strong><em>Unsettling Choice</em></strong></a>, Ujju Aggarwal explores how the expansion of choice-based programs led to greater inequality and segregation in a gentrifying New York City neighborhood during the years following the Great Recession, mobilizing mechanisms rooted in market logics to recruit families with economic capital on their side while solidifying a public sphere that increasingly resembled the private. Here, Aggarwal is joined in conversation with Sabina Vaught. Access the transcript: https://share.transistor.fm/s/e7a57d12</p><p><strong>Ujju Aggarwal</strong> is assistant professor of anthropology and experiential learning at The New School. She is author of <a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></a> and coeditor of <a href="https://www.peterlang.com/document/1058611"><em>What’s Race Got to Do with It? How Current School Reform Policy Maintains Racial and Economic Inequality</em></a>.</p><p><br></p><p><br><strong>Sabina Vaught</strong> is professor at the University of Pittsburgh and director of the Kinloch Commons for Critical Pedagogy and Leadership. Vaught is coauthor of <a href="https://www.upress.umn.edu/9781517914264/the-school-prison-trust/"><em>The School-Prison Trust</em></a> and author of <a href="https://www.upress.umn.edu/9780816696215/compulsory/"><em>Compulsory: Education and the Dispossession of Youth in a Prison School</em></a>.  </p><p><em>Episode references:</em></p><p>Ruth Wilson Gilmore</p><p>Christina Heatherton</p><p>Cindy Katz</p><p>Selma James</p><p>João Costa Vargas</p><p>Morgan Talty / <a href="https://tinhouse.com/book/fire-exit/"><em>Fire Exit</em></a></p><p><strong><em>Praise for the book:<br></em></strong><br></p><p><br></p><p>“A must-read to understand the racialized violence inherent within one of the most fundamental aspects of education in the United States: the logic of choice.”<br>—Damien Sojoyner</p><p><br></p><p>“Read this book, and be moved and transformed.”<br>—Sabina Vaught</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><strong><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></strong></a> by Ujju Aggarwal is available from University of Minnesota Press.</p>]]>
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      <content:encoded>
        <![CDATA[<p>Public schools are one of the last remaining universal public goods in the United States—and are also some of our most unequal institutions. In <a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><strong><em>Unsettling Choice</em></strong></a>, Ujju Aggarwal explores how the expansion of choice-based programs led to greater inequality and segregation in a gentrifying New York City neighborhood during the years following the Great Recession, mobilizing mechanisms rooted in market logics to recruit families with economic capital on their side while solidifying a public sphere that increasingly resembled the private. Here, Aggarwal is joined in conversation with Sabina Vaught. Access the transcript: https://share.transistor.fm/s/e7a57d12</p><p><strong>Ujju Aggarwal</strong> is assistant professor of anthropology and experiential learning at The New School. She is author of <a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></a> and coeditor of <a href="https://www.peterlang.com/document/1058611"><em>What’s Race Got to Do with It? How Current School Reform Policy Maintains Racial and Economic Inequality</em></a>.</p><p><br></p><p><br><strong>Sabina Vaught</strong> is professor at the University of Pittsburgh and director of the Kinloch Commons for Critical Pedagogy and Leadership. Vaught is coauthor of <a href="https://www.upress.umn.edu/9781517914264/the-school-prison-trust/"><em>The School-Prison Trust</em></a> and author of <a href="https://www.upress.umn.edu/9780816696215/compulsory/"><em>Compulsory: Education and the Dispossession of Youth in a Prison School</em></a>.  </p><p><em>Episode references:</em></p><p>Ruth Wilson Gilmore</p><p>Christina Heatherton</p><p>Cindy Katz</p><p>Selma James</p><p>João Costa Vargas</p><p>Morgan Talty / <a href="https://tinhouse.com/book/fire-exit/"><em>Fire Exit</em></a></p><p><strong><em>Praise for the book:<br></em></strong><br></p><p><br></p><p>“A must-read to understand the racialized violence inherent within one of the most fundamental aspects of education in the United States: the logic of choice.”<br>—Damien Sojoyner</p><p><br></p><p>“Read this book, and be moved and transformed.”<br>—Sabina Vaught</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><strong><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></strong></a> by Ujju Aggarwal is available from University of Minnesota Press.</p>]]>
      </content:encoded>
      <pubDate>Tue, 14 Jan 2025 15:05:37 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4181</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Public schools are one of the last remaining universal public goods in the United States—and are also some of our most unequal institutions. In <a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><strong><em>Unsettling Choice</em></strong></a>, Ujju Aggarwal explores how the expansion of choice-based programs led to greater inequality and segregation in a gentrifying New York City neighborhood during the years following the Great Recession, mobilizing mechanisms rooted in market logics to recruit families with economic capital on their side while solidifying a public sphere that increasingly resembled the private. Here, Aggarwal is joined in conversation with Sabina Vaught. Access the transcript: https://share.transistor.fm/s/e7a57d12</p><p><strong>Ujju Aggarwal</strong> is assistant professor of anthropology and experiential learning at The New School. She is author of <a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></a> and coeditor of <a href="https://www.peterlang.com/document/1058611"><em>What’s Race Got to Do with It? How Current School Reform Policy Maintains Racial and Economic Inequality</em></a>.</p><p><br></p><p><br><strong>Sabina Vaught</strong> is professor at the University of Pittsburgh and director of the Kinloch Commons for Critical Pedagogy and Leadership. Vaught is coauthor of <a href="https://www.upress.umn.edu/9781517914264/the-school-prison-trust/"><em>The School-Prison Trust</em></a> and author of <a href="https://www.upress.umn.edu/9780816696215/compulsory/"><em>Compulsory: Education and the Dispossession of Youth in a Prison School</em></a>.  </p><p><em>Episode references:</em></p><p>Ruth Wilson Gilmore</p><p>Christina Heatherton</p><p>Cindy Katz</p><p>Selma James</p><p>João Costa Vargas</p><p>Morgan Talty / <a href="https://tinhouse.com/book/fire-exit/"><em>Fire Exit</em></a></p><p><strong><em>Praise for the book:<br></em></strong><br></p><p><br></p><p>“A must-read to understand the racialized violence inherent within one of the most fundamental aspects of education in the United States: the logic of choice.”<br>—Damien Sojoyner</p><p><br></p><p>“Read this book, and be moved and transformed.”<br>—Sabina Vaught</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517915674/unsettling-choice/"><strong><em>Unsettling Choice: Race, Rights, and the Partitioning of Public Education</em></strong></a> by Ujju Aggarwal is available from University of Minnesota Press.</p>]]>
      </itunes:summary>
      <itunes:keywords>choice, public school, gentrification, gender, race, urban studies, segregation, racial capitalism, urban studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Science Fiction and the Alt-Right</title>
      <itunes:episode>94</itunes:episode>
      <podcast:episode>94</podcast:episode>
      <itunes:title>Science Fiction and the Alt-Right</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p><em>The first major neo-Nazi party in the US was led by a science fiction fan.</em> So opens Jordan S. Carroll’s <a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><strong><em>Speculative Whiteness</em></strong></a>, a book that traces ideas about white nationalism through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Here, Carroll is joined in conversation with David M. Higgins. Access the transcript: https://share.transistor.fm/s/f4891bf5</p><p><br></p><p><strong>Jordan S. Carroll</strong> is the author of <a href="https://www.sup.org/books/literary-studies-and-literature/reading-obscene"><em>Reading the Obscene: Transgressive Editors and the Class Politics of US Literature</em></a><em> </em>(Stanford University Press, 2021) and <a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><em>Speculative Whiteness: Science Fiction and the Alt-Right</em></a><em> </em>(University of Minnesota Press, 2024). He received his PhD in English literature from the University of California, Davis. He was awarded the David G. Hartwell Emerging Scholar Award by the International Association for the Fantastic in the Arts, and his first book won the MLA Prize for Independent Scholars. Carroll’s writing has appeared in<em> American Literature</em>, <em>Post45</em>, <em>Twentieth-Century Literature</em>, the<em> Journal of the Fantastic in the Arts</em>, and<em> The Nation.</em> He works as a writer and educator in the Pacific Northwest.</p><p><br></p><p><strong>David M. Higgins</strong> (he/they) is associate professor of English and chair of the Department of Humanities and Communication at Embry-Riddle Aeronautical University Worldwide, and a senior editor for the <em>Los Angeles Review of Books</em>. David is the author of <a href="https://uipress.uiowa.edu/books/reverse-colonization"><em>Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood</em></a>, which won the 2022 Science Fiction Research Association Book Award. He has also published a critical monograph examining Ann Leckie’s SF masterwork <em>Ancillary Justice </em>(2013), and his research has been published in journals such as <em>American Literature</em>, <em>Science Fiction Studies</em>, <em>Paradoxa</em>, and <em>Extrapolation</em>. In the public sphere, David has been a featured speaker on NPR’s radio show <em>On Point</em>, and his literary journalism has been published in the <em>Los Angeles Review of Books</em> and <em>The Guardian</em>. David serves as the second vice president for the International Association for the Fantastic in the Arts (IAFA).</p><p><br></p><p>EPISODE REFERENCES:<br>James H. Madole</p><p>Richard B. Spencer</p><p><em>Dune</em> (Frank Herbert)</p><p><em>The Iron Dream</em> (Norman Spinrad)</p><p>Samuel Delany</p><p>Alain Badiou</p><p>Francis Parker Yockey / “destiny thinking”</p><p>“Is It Fascism? A Leading Historian Changes His Mind” by Elisabeth Zerofsky, on Robert Paxton. <a href="https://www.nytimes.com/2024/10/23/magazine/robert-paxton-facism.html"><em>New York Times Magazine</em></a>.</p><p><em>Solaris</em> (Andrei Tarkovsky)</p><p>Fredric Jameson</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><strong><em>Speculative Whiteness: Science Fiction and the Alt-Right</em></strong></a> by Jordan S. Carroll is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/speculative-whiteness"><strong>manifold.umn.edu</strong></a>.</p><p><br></p><p>“Carroll reminds us that our future is contingent. Fascists have a vision for the future that excludes most of humanity, but fascists can be defeated. The future is for everyone—if we make it that way.” <br><a href="https://lareviewofbooks.org/article/whose-future-is-it-anyway/"><em>—Los Angeles Review of Books</em></a></p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p><em>The first major neo-Nazi party in the US was led by a science fiction fan.</em> So opens Jordan S. Carroll’s <a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><strong><em>Speculative Whiteness</em></strong></a>, a book that traces ideas about white nationalism through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Here, Carroll is joined in conversation with David M. Higgins. Access the transcript: https://share.transistor.fm/s/f4891bf5</p><p><br></p><p><strong>Jordan S. Carroll</strong> is the author of <a href="https://www.sup.org/books/literary-studies-and-literature/reading-obscene"><em>Reading the Obscene: Transgressive Editors and the Class Politics of US Literature</em></a><em> </em>(Stanford University Press, 2021) and <a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><em>Speculative Whiteness: Science Fiction and the Alt-Right</em></a><em> </em>(University of Minnesota Press, 2024). He received his PhD in English literature from the University of California, Davis. He was awarded the David G. Hartwell Emerging Scholar Award by the International Association for the Fantastic in the Arts, and his first book won the MLA Prize for Independent Scholars. Carroll’s writing has appeared in<em> American Literature</em>, <em>Post45</em>, <em>Twentieth-Century Literature</em>, the<em> Journal of the Fantastic in the Arts</em>, and<em> The Nation.</em> He works as a writer and educator in the Pacific Northwest.</p><p><br></p><p><strong>David M. Higgins</strong> (he/they) is associate professor of English and chair of the Department of Humanities and Communication at Embry-Riddle Aeronautical University Worldwide, and a senior editor for the <em>Los Angeles Review of Books</em>. David is the author of <a href="https://uipress.uiowa.edu/books/reverse-colonization"><em>Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood</em></a>, which won the 2022 Science Fiction Research Association Book Award. He has also published a critical monograph examining Ann Leckie’s SF masterwork <em>Ancillary Justice </em>(2013), and his research has been published in journals such as <em>American Literature</em>, <em>Science Fiction Studies</em>, <em>Paradoxa</em>, and <em>Extrapolation</em>. In the public sphere, David has been a featured speaker on NPR’s radio show <em>On Point</em>, and his literary journalism has been published in the <em>Los Angeles Review of Books</em> and <em>The Guardian</em>. David serves as the second vice president for the International Association for the Fantastic in the Arts (IAFA).</p><p><br></p><p>EPISODE REFERENCES:<br>James H. Madole</p><p>Richard B. Spencer</p><p><em>Dune</em> (Frank Herbert)</p><p><em>The Iron Dream</em> (Norman Spinrad)</p><p>Samuel Delany</p><p>Alain Badiou</p><p>Francis Parker Yockey / “destiny thinking”</p><p>“Is It Fascism? A Leading Historian Changes His Mind” by Elisabeth Zerofsky, on Robert Paxton. <a href="https://www.nytimes.com/2024/10/23/magazine/robert-paxton-facism.html"><em>New York Times Magazine</em></a>.</p><p><em>Solaris</em> (Andrei Tarkovsky)</p><p>Fredric Jameson</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><strong><em>Speculative Whiteness: Science Fiction and the Alt-Right</em></strong></a> by Jordan S. Carroll is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/speculative-whiteness"><strong>manifold.umn.edu</strong></a>.</p><p><br></p><p>“Carroll reminds us that our future is contingent. Fascists have a vision for the future that excludes most of humanity, but fascists can be defeated. The future is for everyone—if we make it that way.” <br><a href="https://lareviewofbooks.org/article/whose-future-is-it-anyway/"><em>—Los Angeles Review of Books</em></a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 10 Dec 2024 09:25:53 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3163</itunes:duration>
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        <![CDATA[<p><em>The first major neo-Nazi party in the US was led by a science fiction fan.</em> So opens Jordan S. Carroll’s <a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><strong><em>Speculative Whiteness</em></strong></a>, a book that traces ideas about white nationalism through the entangled histories of science fiction culture and white supremacist politics, showing that debates about representation in science fiction films and literature are struggles over who has the right to imagine and inhabit the future. Here, Carroll is joined in conversation with David M. Higgins. Access the transcript: https://share.transistor.fm/s/f4891bf5</p><p><br></p><p><strong>Jordan S. Carroll</strong> is the author of <a href="https://www.sup.org/books/literary-studies-and-literature/reading-obscene"><em>Reading the Obscene: Transgressive Editors and the Class Politics of US Literature</em></a><em> </em>(Stanford University Press, 2021) and <a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><em>Speculative Whiteness: Science Fiction and the Alt-Right</em></a><em> </em>(University of Minnesota Press, 2024). He received his PhD in English literature from the University of California, Davis. He was awarded the David G. Hartwell Emerging Scholar Award by the International Association for the Fantastic in the Arts, and his first book won the MLA Prize for Independent Scholars. Carroll’s writing has appeared in<em> American Literature</em>, <em>Post45</em>, <em>Twentieth-Century Literature</em>, the<em> Journal of the Fantastic in the Arts</em>, and<em> The Nation.</em> He works as a writer and educator in the Pacific Northwest.</p><p><br></p><p><strong>David M. Higgins</strong> (he/they) is associate professor of English and chair of the Department of Humanities and Communication at Embry-Riddle Aeronautical University Worldwide, and a senior editor for the <em>Los Angeles Review of Books</em>. David is the author of <a href="https://uipress.uiowa.edu/books/reverse-colonization"><em>Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood</em></a>, which won the 2022 Science Fiction Research Association Book Award. He has also published a critical monograph examining Ann Leckie’s SF masterwork <em>Ancillary Justice </em>(2013), and his research has been published in journals such as <em>American Literature</em>, <em>Science Fiction Studies</em>, <em>Paradoxa</em>, and <em>Extrapolation</em>. In the public sphere, David has been a featured speaker on NPR’s radio show <em>On Point</em>, and his literary journalism has been published in the <em>Los Angeles Review of Books</em> and <em>The Guardian</em>. David serves as the second vice president for the International Association for the Fantastic in the Arts (IAFA).</p><p><br></p><p>EPISODE REFERENCES:<br>James H. Madole</p><p>Richard B. Spencer</p><p><em>Dune</em> (Frank Herbert)</p><p><em>The Iron Dream</em> (Norman Spinrad)</p><p>Samuel Delany</p><p>Alain Badiou</p><p>Francis Parker Yockey / “destiny thinking”</p><p>“Is It Fascism? A Leading Historian Changes His Mind” by Elisabeth Zerofsky, on Robert Paxton. <a href="https://www.nytimes.com/2024/10/23/magazine/robert-paxton-facism.html"><em>New York Times Magazine</em></a>.</p><p><em>Solaris</em> (Andrei Tarkovsky)</p><p>Fredric Jameson</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917081/speculative-whiteness/"><strong><em>Speculative Whiteness: Science Fiction and the Alt-Right</em></strong></a> by Jordan S. Carroll is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first">Forerunners series</a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/speculative-whiteness"><strong>manifold.umn.edu</strong></a>.</p><p><br></p><p>“Carroll reminds us that our future is contingent. Fascists have a vision for the future that excludes most of humanity, but fascists can be defeated. The future is for everyone—if we make it that way.” <br><a href="https://lareviewofbooks.org/article/whose-future-is-it-anyway/"><em>—Los Angeles Review of Books</em></a></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>speculative fiction, fascist fandom, Richard Spencer, Dune, Hugo Awards, racist utopia</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Public policy and the room where it happens.</title>
      <itunes:episode>93</itunes:episode>
      <podcast:episode>93</podcast:episode>
      <itunes:title>Public policy and the room where it happens.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Policy expert and climate scientist Anna Farro Henderson explores how science is done, discussed, legislated, and imagined in her new book, <a href="https://www.upress.umn.edu/9781517916046/core-samples/"><strong><em>Core Samples: A Climate Scientist’s Experiments in Politics and Motherhood</em></strong></a>. Grounded in her experience as an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, Henderson brings readers behind the closed doors of discovery and debate—and illuminates the messy, contradictory humanity of our scientific and political institutions. Here, Henderson is joined in conversation with Tenzin Dolkar and Roberta Downing on getting your voice heard in politics. Access the transcript: https://share.transistor.fm/s/a5fafb17</p><p><br></p><p><strong>Anna Farro Henderson</strong> is an award-winning writer, PhD scientist, and environmental policy expert. She is a fellow at the Institute on the Environment at the University of Minnesota, teaches at the Loft Literary Center, and works in climate advocacy. She lives with her family in St. Paul, where she makes daily visits to the Mississippi River.</p><p><br></p><p><strong>Tenzin Dolkar</strong> has more than 15 years of experience in policy development, advocacy, community organizing, and management with state and local governments. Dolkar is a council member on the Metropolitan Council, and has previously served as the State of Minnesota’s Rail Director and as a policy advisor on transportation, agriculture, and rural issues for Minnesota Governor Mark Dayton.</p><p><br></p><p><strong>Roberta Downing</strong> is a public policy professional with more than 20 years of experience. Downing held a congressional fellowship administered by the American Association for the Advancement of Science and served on the US Senate Committee on Health, Education, Labor, and Pensions under Senator Edward M. Kennedy; has held several academic and policy-focused positions, including for the offices of US Senator Sherrod Brown and DC Mayor Muriel E. Bowser; and is principal and co-founder of Harper Downing LLC, a Minnesota-based government affairs consulting firm.</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>“Honest and immersive, this book offers a behind-the-scenes look at how culture (and who crafts it) shapes everything from the sediment the narrator studies to the policies that define climate action today.”</p><p><strong>—Elizabeth Rush</strong>, author of <em>The Quickening<br></em><br></p><p><br></p><p>“Anna Farro Henderson’s deep encounters with Big Science and Big Bureaucracy will help you understand why progress on matters of life and death can be so maddeningly slow; her encounters with herself may help you figure out how to live your own life.”</p><p><strong>—Bill McKibben</strong>, author of <em>The End of Nature<br></em><br></p><p><br></p><p>“With fierce intelligence and wild exuberance, Anna Farro Henderson throws herself headlong into the biggest challenges of our time: how to love fully, create abundantly, and stop the ruin of the precious ecosystems that sustain us.”</p><p><strong>—Lia Purpura</strong>, author of <em>All the Fierce Tethers<br></em><br></p><p><br></p><p>“Some books are so good I want to shout about them to the rooftops. <em>Core Samples</em> is one of those.”</p><p><strong>—Vick Mickunas</strong>, <em>Dayton Daily News</em></p><p><br><a href="https://www.upress.umn.edu/9781517916046/core-samples/"><strong><em>Core Samples: A Climate Scientist’s Experiments in Politics and Motherhood</em></strong></a> by Anna Farro Henderson is available from University of Minnesota Press.<br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Policy expert and climate scientist Anna Farro Henderson explores how science is done, discussed, legislated, and imagined in her new book, <a href="https://www.upress.umn.edu/9781517916046/core-samples/"><strong><em>Core Samples: A Climate Scientist’s Experiments in Politics and Motherhood</em></strong></a>. Grounded in her experience as an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, Henderson brings readers behind the closed doors of discovery and debate—and illuminates the messy, contradictory humanity of our scientific and political institutions. Here, Henderson is joined in conversation with Tenzin Dolkar and Roberta Downing on getting your voice heard in politics. Access the transcript: https://share.transistor.fm/s/a5fafb17</p><p><br></p><p><strong>Anna Farro Henderson</strong> is an award-winning writer, PhD scientist, and environmental policy expert. She is a fellow at the Institute on the Environment at the University of Minnesota, teaches at the Loft Literary Center, and works in climate advocacy. She lives with her family in St. Paul, where she makes daily visits to the Mississippi River.</p><p><br></p><p><strong>Tenzin Dolkar</strong> has more than 15 years of experience in policy development, advocacy, community organizing, and management with state and local governments. Dolkar is a council member on the Metropolitan Council, and has previously served as the State of Minnesota’s Rail Director and as a policy advisor on transportation, agriculture, and rural issues for Minnesota Governor Mark Dayton.</p><p><br></p><p><strong>Roberta Downing</strong> is a public policy professional with more than 20 years of experience. Downing held a congressional fellowship administered by the American Association for the Advancement of Science and served on the US Senate Committee on Health, Education, Labor, and Pensions under Senator Edward M. Kennedy; has held several academic and policy-focused positions, including for the offices of US Senator Sherrod Brown and DC Mayor Muriel E. Bowser; and is principal and co-founder of Harper Downing LLC, a Minnesota-based government affairs consulting firm.</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>“Honest and immersive, this book offers a behind-the-scenes look at how culture (and who crafts it) shapes everything from the sediment the narrator studies to the policies that define climate action today.”</p><p><strong>—Elizabeth Rush</strong>, author of <em>The Quickening<br></em><br></p><p><br></p><p>“Anna Farro Henderson’s deep encounters with Big Science and Big Bureaucracy will help you understand why progress on matters of life and death can be so maddeningly slow; her encounters with herself may help you figure out how to live your own life.”</p><p><strong>—Bill McKibben</strong>, author of <em>The End of Nature<br></em><br></p><p><br></p><p>“With fierce intelligence and wild exuberance, Anna Farro Henderson throws herself headlong into the biggest challenges of our time: how to love fully, create abundantly, and stop the ruin of the precious ecosystems that sustain us.”</p><p><strong>—Lia Purpura</strong>, author of <em>All the Fierce Tethers<br></em><br></p><p><br></p><p>“Some books are so good I want to shout about them to the rooftops. <em>Core Samples</em> is one of those.”</p><p><strong>—Vick Mickunas</strong>, <em>Dayton Daily News</em></p><p><br><a href="https://www.upress.umn.edu/9781517916046/core-samples/"><strong><em>Core Samples: A Climate Scientist’s Experiments in Politics and Motherhood</em></strong></a> by Anna Farro Henderson is available from University of Minnesota Press.<br></p>]]>
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      <pubDate>Tue, 03 Dec 2024 10:19:24 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4154</itunes:duration>
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        <![CDATA[<p>Policy expert and climate scientist Anna Farro Henderson explores how science is done, discussed, legislated, and imagined in her new book, <a href="https://www.upress.umn.edu/9781517916046/core-samples/"><strong><em>Core Samples: A Climate Scientist’s Experiments in Politics and Motherhood</em></strong></a>. Grounded in her experience as an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, Henderson brings readers behind the closed doors of discovery and debate—and illuminates the messy, contradictory humanity of our scientific and political institutions. Here, Henderson is joined in conversation with Tenzin Dolkar and Roberta Downing on getting your voice heard in politics. Access the transcript: https://share.transistor.fm/s/a5fafb17</p><p><br></p><p><strong>Anna Farro Henderson</strong> is an award-winning writer, PhD scientist, and environmental policy expert. She is a fellow at the Institute on the Environment at the University of Minnesota, teaches at the Loft Literary Center, and works in climate advocacy. She lives with her family in St. Paul, where she makes daily visits to the Mississippi River.</p><p><br></p><p><strong>Tenzin Dolkar</strong> has more than 15 years of experience in policy development, advocacy, community organizing, and management with state and local governments. Dolkar is a council member on the Metropolitan Council, and has previously served as the State of Minnesota’s Rail Director and as a policy advisor on transportation, agriculture, and rural issues for Minnesota Governor Mark Dayton.</p><p><br></p><p><strong>Roberta Downing</strong> is a public policy professional with more than 20 years of experience. Downing held a congressional fellowship administered by the American Association for the Advancement of Science and served on the US Senate Committee on Health, Education, Labor, and Pensions under Senator Edward M. Kennedy; has held several academic and policy-focused positions, including for the offices of US Senator Sherrod Brown and DC Mayor Muriel E. Bowser; and is principal and co-founder of Harper Downing LLC, a Minnesota-based government affairs consulting firm.</p><p><br></p><p><strong><em>Praise for the book:</em></strong></p><p><br></p><p>“Honest and immersive, this book offers a behind-the-scenes look at how culture (and who crafts it) shapes everything from the sediment the narrator studies to the policies that define climate action today.”</p><p><strong>—Elizabeth Rush</strong>, author of <em>The Quickening<br></em><br></p><p><br></p><p>“Anna Farro Henderson’s deep encounters with Big Science and Big Bureaucracy will help you understand why progress on matters of life and death can be so maddeningly slow; her encounters with herself may help you figure out how to live your own life.”</p><p><strong>—Bill McKibben</strong>, author of <em>The End of Nature<br></em><br></p><p><br></p><p>“With fierce intelligence and wild exuberance, Anna Farro Henderson throws herself headlong into the biggest challenges of our time: how to love fully, create abundantly, and stop the ruin of the precious ecosystems that sustain us.”</p><p><strong>—Lia Purpura</strong>, author of <em>All the Fierce Tethers<br></em><br></p><p><br></p><p>“Some books are so good I want to shout about them to the rooftops. <em>Core Samples</em> is one of those.”</p><p><strong>—Vick Mickunas</strong>, <em>Dayton Daily News</em></p><p><br><a href="https://www.upress.umn.edu/9781517916046/core-samples/"><strong><em>Core Samples: A Climate Scientist’s Experiments in Politics and Motherhood</em></strong></a> by Anna Farro Henderson is available from University of Minnesota Press.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>climate change, Anthropocene, motherhood, science, women, glaciers, environment, decarbonization, clean energy, agriculture, water policy, ecology, advocacy, future, self-actualization</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Cyberlibertarianism and the fraught politics of the internet</title>
      <itunes:episode>92</itunes:episode>
      <podcast:episode>92</podcast:episode>
      <itunes:title>Cyberlibertarianism and the fraught politics of the internet</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>In a timely challenge to the potent political role of digital technology, <a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a> argues that right-wing ideology was built into both the technical and social construction of the digital world from the start. Leveraging more than a decade of research, David Golumbia, who passed away in 2023, traced how digital evangelism has driven a worldwide shift toward the political right, concealing inequality, xenophobia, dishonesty, and massive corporate concentrations of wealth and power beneath the idealistic presumption of digital technology as an inherent social good. George Justice wrote the foreword to <em>Cyberlibertarianism</em>, and is joined in conversation with Frank Pasquale. Access the transcript: https://share.transistor.fm/s/342d2c76</p><p><strong>George Justice</strong> is professor of English literature and provost at the University of Tulsa.</p><p><br></p><p><strong>Frank Pasquale</strong> is professor of law at Cornell Tech and Cornell Law School.</p><p><br></p><p><strong>David Golumbia</strong> (1963–2023) was associate professor of English at Virginia Commonwealth University and author of <a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a>; <a href="https://www.upress.umn.edu/9781517901806/the-politics-of-bitcoin/"><strong><em>The Politics of Bitcoin: Software as Right-Wing Extremism</em></strong></a>; and <a href="https://www.hup.harvard.edu/books/9780674032927"><strong><em>The Cultural Logic of Computation</em></strong></a>.</p><p><br>EPISODE REFERENCES:</p><p>Tim Wu</p><p>Lawrence Lessig</p><p>Wikileaks</p><p>David E. Pozen: Transparency’s Ideological Drift https://openyls.law.yale.edu/handle/20.500.13051/10354</p><p>Stefanos Geroulanos / <a href="https://www.sup.org/books/title/?id=26751&amp;bottom_ref=recommended"><em>Transparency in Postwar France</em></a></p><p>#CreateDontScrape</p><p>David Golumbia / <a href="https://davidgolumbia.medium.com/chatgpt-should-not-exist-aab0867abace">ChatGPT Should Not Exist</a> (article)</p><p>M. T. Anderson / <a href="https://www.candlewick.com/cat.asp?mode=book&amp;isbn=0763662623"><em>Feed</em></a></p><p>Jonathan Crary / <a href="https://www.versobooks.com/products/214-scorched-earth?srsltid=AfmBOoqcaclnsWpLH2bDXDaugeP03evodOFW8qwJ69BOY_D9WYsgIDLB"><em>Scorched Earth</em></a><em></em></p><p><br>"If you want to understand the origins of our information hellscape with its vast new inequalities, corrupt information, algorithmic control, population-scale behavioral manipulation, and wholesale destruction of privacy, then begin here."<br><strong>—Shoshana Zuboff</strong>, author of <em>The Age of Surveillance Capitalism</em></p><p><br>"<em>Cyberlibertarianism</em> is essential for understanding the contemporary moment and the recent past that got us here. It stands as a monumental magnum opus from a meticulous thinker and sharp social critic who is sorely missed."<br><strong>—Sarah T. Roberts</strong>, director, Center for Critical Internet Inquiry, UCLA</p><p><br><a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a> is available from University of Minnesota Press.<br></p>]]>
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        <![CDATA[<p>In a timely challenge to the potent political role of digital technology, <a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a> argues that right-wing ideology was built into both the technical and social construction of the digital world from the start. Leveraging more than a decade of research, David Golumbia, who passed away in 2023, traced how digital evangelism has driven a worldwide shift toward the political right, concealing inequality, xenophobia, dishonesty, and massive corporate concentrations of wealth and power beneath the idealistic presumption of digital technology as an inherent social good. George Justice wrote the foreword to <em>Cyberlibertarianism</em>, and is joined in conversation with Frank Pasquale. Access the transcript: https://share.transistor.fm/s/342d2c76</p><p><strong>George Justice</strong> is professor of English literature and provost at the University of Tulsa.</p><p><br></p><p><strong>Frank Pasquale</strong> is professor of law at Cornell Tech and Cornell Law School.</p><p><br></p><p><strong>David Golumbia</strong> (1963–2023) was associate professor of English at Virginia Commonwealth University and author of <a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a>; <a href="https://www.upress.umn.edu/9781517901806/the-politics-of-bitcoin/"><strong><em>The Politics of Bitcoin: Software as Right-Wing Extremism</em></strong></a>; and <a href="https://www.hup.harvard.edu/books/9780674032927"><strong><em>The Cultural Logic of Computation</em></strong></a>.</p><p><br>EPISODE REFERENCES:</p><p>Tim Wu</p><p>Lawrence Lessig</p><p>Wikileaks</p><p>David E. Pozen: Transparency’s Ideological Drift https://openyls.law.yale.edu/handle/20.500.13051/10354</p><p>Stefanos Geroulanos / <a href="https://www.sup.org/books/title/?id=26751&amp;bottom_ref=recommended"><em>Transparency in Postwar France</em></a></p><p>#CreateDontScrape</p><p>David Golumbia / <a href="https://davidgolumbia.medium.com/chatgpt-should-not-exist-aab0867abace">ChatGPT Should Not Exist</a> (article)</p><p>M. T. Anderson / <a href="https://www.candlewick.com/cat.asp?mode=book&amp;isbn=0763662623"><em>Feed</em></a></p><p>Jonathan Crary / <a href="https://www.versobooks.com/products/214-scorched-earth?srsltid=AfmBOoqcaclnsWpLH2bDXDaugeP03evodOFW8qwJ69BOY_D9WYsgIDLB"><em>Scorched Earth</em></a><em></em></p><p><br>"If you want to understand the origins of our information hellscape with its vast new inequalities, corrupt information, algorithmic control, population-scale behavioral manipulation, and wholesale destruction of privacy, then begin here."<br><strong>—Shoshana Zuboff</strong>, author of <em>The Age of Surveillance Capitalism</em></p><p><br>"<em>Cyberlibertarianism</em> is essential for understanding the contemporary moment and the recent past that got us here. It stands as a monumental magnum opus from a meticulous thinker and sharp social critic who is sorely missed."<br><strong>—Sarah T. Roberts</strong>, director, Center for Critical Internet Inquiry, UCLA</p><p><br><a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a> is available from University of Minnesota Press.<br></p>]]>
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      <pubDate>Tue, 12 Nov 2024 09:35:04 -0600</pubDate>
      <author>University of Minnesota Press</author>
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        <![CDATA[<p>In a timely challenge to the potent political role of digital technology, <a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a> argues that right-wing ideology was built into both the technical and social construction of the digital world from the start. Leveraging more than a decade of research, David Golumbia, who passed away in 2023, traced how digital evangelism has driven a worldwide shift toward the political right, concealing inequality, xenophobia, dishonesty, and massive corporate concentrations of wealth and power beneath the idealistic presumption of digital technology as an inherent social good. George Justice wrote the foreword to <em>Cyberlibertarianism</em>, and is joined in conversation with Frank Pasquale. Access the transcript: https://share.transistor.fm/s/342d2c76</p><p><strong>George Justice</strong> is professor of English literature and provost at the University of Tulsa.</p><p><br></p><p><strong>Frank Pasquale</strong> is professor of law at Cornell Tech and Cornell Law School.</p><p><br></p><p><strong>David Golumbia</strong> (1963–2023) was associate professor of English at Virginia Commonwealth University and author of <a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a>; <a href="https://www.upress.umn.edu/9781517901806/the-politics-of-bitcoin/"><strong><em>The Politics of Bitcoin: Software as Right-Wing Extremism</em></strong></a>; and <a href="https://www.hup.harvard.edu/books/9780674032927"><strong><em>The Cultural Logic of Computation</em></strong></a>.</p><p><br>EPISODE REFERENCES:</p><p>Tim Wu</p><p>Lawrence Lessig</p><p>Wikileaks</p><p>David E. Pozen: Transparency’s Ideological Drift https://openyls.law.yale.edu/handle/20.500.13051/10354</p><p>Stefanos Geroulanos / <a href="https://www.sup.org/books/title/?id=26751&amp;bottom_ref=recommended"><em>Transparency in Postwar France</em></a></p><p>#CreateDontScrape</p><p>David Golumbia / <a href="https://davidgolumbia.medium.com/chatgpt-should-not-exist-aab0867abace">ChatGPT Should Not Exist</a> (article)</p><p>M. T. Anderson / <a href="https://www.candlewick.com/cat.asp?mode=book&amp;isbn=0763662623"><em>Feed</em></a></p><p>Jonathan Crary / <a href="https://www.versobooks.com/products/214-scorched-earth?srsltid=AfmBOoqcaclnsWpLH2bDXDaugeP03evodOFW8qwJ69BOY_D9WYsgIDLB"><em>Scorched Earth</em></a><em></em></p><p><br>"If you want to understand the origins of our information hellscape with its vast new inequalities, corrupt information, algorithmic control, population-scale behavioral manipulation, and wholesale destruction of privacy, then begin here."<br><strong>—Shoshana Zuboff</strong>, author of <em>The Age of Surveillance Capitalism</em></p><p><br>"<em>Cyberlibertarianism</em> is essential for understanding the contemporary moment and the recent past that got us here. It stands as a monumental magnum opus from a meticulous thinker and sharp social critic who is sorely missed."<br><strong>—Sarah T. Roberts</strong>, director, Center for Critical Internet Inquiry, UCLA</p><p><br><a href="https://www.upress.umn.edu/9781517918149/cyberlibertarianism/"><strong><em>Cyberlibertarianism: The Right-Wing Politics of Digital Technology</em></strong></a> is available from University of Minnesota Press.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>open access, net neutrality, deregulation, Facebook, Cambridge Analytica, bitcoin, freedom, decentralization, blockchain, algorithm, Peter Thiel, Elon Musk, ChatGPT, artificial intelligence</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Futures of the Sun</title>
      <itunes:episode>91</itunes:episode>
      <podcast:episode>91</podcast:episode>
      <itunes:title>Futures of the Sun</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Energy transition is crucial to the struggle against climate change. Imre Szman is concerned with who is trying to lay claim to the narratives guiding our transition from fossil fuels to renewable energy, how they are doing it, and why and to what ends. Mark Simpson joins Szeman in conversation about Szeman’s new book, <a href="https://www.upress.umn.edu/9781517917692/futures-of-the-sun/"><strong><em>Futures of the Sun: The Struggle over Renewable Life</em></strong></a>. Access the transcript: https://share.transistor.fm/s/0f1ef124</p><p><br></p><p><strong>Imre Szeman </strong>is director of the Institute for Environment, Conservation, and Sustainability and professor of human geography at the University of Toronto Scarborough. He is cofounder of the <a href="https://www.petrocultures.com/">Petrocultures Research group</a>.</p><p><br></p><p><strong>Mark Simpson </strong>is professor of English and film studies at the University of Alberta, one of the founding collaborators on the research collective <a href="https://afteroil.ca/">After Oil</a>, and a core member of the Petrocultures Research Group.</p><p><br></p><p>REFERENCES:</p><p>-Imre Szeman, essay, <a href="https://read.dukeupress.edu/south-atlantic-quarterly/article/106/4/805/3392/System-Failure-Oil-Futurity-and-the-Anticipation">System Failure: Oil, Futurity, and the Anticipation of Disaster</a>, <em>South Atlantic Quarterly</em></p><p>-Timothy Mitchell / <a href="https://www.versobooks.com/products/2222-carbon-democracy"><em>Carbon Democracy</em></a></p><p>-Seth Klein / <a href="https://ecwpress.com/products/a-good-war"><em>A Good War</em></a></p><p>-Jennifer Wenzel, essay, <a href="https://read.dukeupress.edu/social-text/article/40/4%20(153)/153/343187/Forms-of-LifeThinking-Fossil-Infrastructure-and">Forms of Life: Thinking Fossil Infrastructure and Its Narrative Grammar</a>, <em>Social Text</em></p><p>-<a href="https://extinctionrebellion.uk/">Extinction Rebellion</a> / <a href="https://www.chelseagreen.com/product/common-sense-for-the-21st-century/"><em>Common Sense for the 21st Century</em></a></p><p>-After Oil Collective / <a href="https://www.upress.umn.edu/9781452968117/solarities/"><em>Solarities</em></a></p><p><em>-</em><a href="https://www.utsc.utoronto.ca/irise/institute-inclusive-economies-and-sustainable-livelihoods">University of Toronto’s Institute for Inclusive Economies and Sustainable Livelihoods</a>, director, Sergio Montero</p><p>-<a href="https://sustainabledevelopment.un.org/content/documents/5987our-common-future.pdf">Our Common Future</a>, also known as the Brundtland Report</p><p><a href="https://www.upress.umn.edu/9781517917692/futures-of-the-sun/"><strong><em>Futures of the Sun: The Struggle over Renewable Life</em></strong></a> is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first"><strong>Forerunners series</strong></a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/futures-of-the-sun"><strong>manifold.umn.edu</strong></a>.</p><p><br></p><p>“The content of this book is extraordinary. Imre Szeman is an exceptional expert, well-versed in analysing the complex intersections between energy, society, and politics. The book is a real opportunity to deepen our understanding of contemporary energy and political issues.”<br>—<em>International Journal of Environmental Studies</em></p>]]>
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      <content:encoded>
        <![CDATA[<p>Energy transition is crucial to the struggle against climate change. Imre Szman is concerned with who is trying to lay claim to the narratives guiding our transition from fossil fuels to renewable energy, how they are doing it, and why and to what ends. Mark Simpson joins Szeman in conversation about Szeman’s new book, <a href="https://www.upress.umn.edu/9781517917692/futures-of-the-sun/"><strong><em>Futures of the Sun: The Struggle over Renewable Life</em></strong></a>. Access the transcript: https://share.transistor.fm/s/0f1ef124</p><p><br></p><p><strong>Imre Szeman </strong>is director of the Institute for Environment, Conservation, and Sustainability and professor of human geography at the University of Toronto Scarborough. He is cofounder of the <a href="https://www.petrocultures.com/">Petrocultures Research group</a>.</p><p><br></p><p><strong>Mark Simpson </strong>is professor of English and film studies at the University of Alberta, one of the founding collaborators on the research collective <a href="https://afteroil.ca/">After Oil</a>, and a core member of the Petrocultures Research Group.</p><p><br></p><p>REFERENCES:</p><p>-Imre Szeman, essay, <a href="https://read.dukeupress.edu/south-atlantic-quarterly/article/106/4/805/3392/System-Failure-Oil-Futurity-and-the-Anticipation">System Failure: Oil, Futurity, and the Anticipation of Disaster</a>, <em>South Atlantic Quarterly</em></p><p>-Timothy Mitchell / <a href="https://www.versobooks.com/products/2222-carbon-democracy"><em>Carbon Democracy</em></a></p><p>-Seth Klein / <a href="https://ecwpress.com/products/a-good-war"><em>A Good War</em></a></p><p>-Jennifer Wenzel, essay, <a href="https://read.dukeupress.edu/social-text/article/40/4%20(153)/153/343187/Forms-of-LifeThinking-Fossil-Infrastructure-and">Forms of Life: Thinking Fossil Infrastructure and Its Narrative Grammar</a>, <em>Social Text</em></p><p>-<a href="https://extinctionrebellion.uk/">Extinction Rebellion</a> / <a href="https://www.chelseagreen.com/product/common-sense-for-the-21st-century/"><em>Common Sense for the 21st Century</em></a></p><p>-After Oil Collective / <a href="https://www.upress.umn.edu/9781452968117/solarities/"><em>Solarities</em></a></p><p><em>-</em><a href="https://www.utsc.utoronto.ca/irise/institute-inclusive-economies-and-sustainable-livelihoods">University of Toronto’s Institute for Inclusive Economies and Sustainable Livelihoods</a>, director, Sergio Montero</p><p>-<a href="https://sustainabledevelopment.un.org/content/documents/5987our-common-future.pdf">Our Common Future</a>, also known as the Brundtland Report</p><p><a href="https://www.upress.umn.edu/9781517917692/futures-of-the-sun/"><strong><em>Futures of the Sun: The Struggle over Renewable Life</em></strong></a> is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first"><strong>Forerunners series</strong></a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/futures-of-the-sun"><strong>manifold.umn.edu</strong></a>.</p><p><br></p><p>“The content of this book is extraordinary. Imre Szeman is an exceptional expert, well-versed in analysing the complex intersections between energy, society, and politics. The book is a real opportunity to deepen our understanding of contemporary energy and political issues.”<br>—<em>International Journal of Environmental Studies</em></p>]]>
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      <pubDate>Thu, 07 Nov 2024 08:54:20 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:duration>3714</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Energy transition is crucial to the struggle against climate change. Imre Szman is concerned with who is trying to lay claim to the narratives guiding our transition from fossil fuels to renewable energy, how they are doing it, and why and to what ends. Mark Simpson joins Szeman in conversation about Szeman’s new book, <a href="https://www.upress.umn.edu/9781517917692/futures-of-the-sun/"><strong><em>Futures of the Sun: The Struggle over Renewable Life</em></strong></a>. Access the transcript: https://share.transistor.fm/s/0f1ef124</p><p><br></p><p><strong>Imre Szeman </strong>is director of the Institute for Environment, Conservation, and Sustainability and professor of human geography at the University of Toronto Scarborough. He is cofounder of the <a href="https://www.petrocultures.com/">Petrocultures Research group</a>.</p><p><br></p><p><strong>Mark Simpson </strong>is professor of English and film studies at the University of Alberta, one of the founding collaborators on the research collective <a href="https://afteroil.ca/">After Oil</a>, and a core member of the Petrocultures Research Group.</p><p><br></p><p>REFERENCES:</p><p>-Imre Szeman, essay, <a href="https://read.dukeupress.edu/south-atlantic-quarterly/article/106/4/805/3392/System-Failure-Oil-Futurity-and-the-Anticipation">System Failure: Oil, Futurity, and the Anticipation of Disaster</a>, <em>South Atlantic Quarterly</em></p><p>-Timothy Mitchell / <a href="https://www.versobooks.com/products/2222-carbon-democracy"><em>Carbon Democracy</em></a></p><p>-Seth Klein / <a href="https://ecwpress.com/products/a-good-war"><em>A Good War</em></a></p><p>-Jennifer Wenzel, essay, <a href="https://read.dukeupress.edu/social-text/article/40/4%20(153)/153/343187/Forms-of-LifeThinking-Fossil-Infrastructure-and">Forms of Life: Thinking Fossil Infrastructure and Its Narrative Grammar</a>, <em>Social Text</em></p><p>-<a href="https://extinctionrebellion.uk/">Extinction Rebellion</a> / <a href="https://www.chelseagreen.com/product/common-sense-for-the-21st-century/"><em>Common Sense for the 21st Century</em></a></p><p>-After Oil Collective / <a href="https://www.upress.umn.edu/9781452968117/solarities/"><em>Solarities</em></a></p><p><em>-</em><a href="https://www.utsc.utoronto.ca/irise/institute-inclusive-economies-and-sustainable-livelihoods">University of Toronto’s Institute for Inclusive Economies and Sustainable Livelihoods</a>, director, Sergio Montero</p><p>-<a href="https://sustainabledevelopment.un.org/content/documents/5987our-common-future.pdf">Our Common Future</a>, also known as the Brundtland Report</p><p><a href="https://www.upress.umn.edu/9781517917692/futures-of-the-sun/"><strong><em>Futures of the Sun: The Struggle over Renewable Life</em></strong></a> is available from University of Minnesota Press. This book is part of the <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first"><strong>Forerunners series</strong></a>, and an open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/futures-of-the-sun"><strong>manifold.umn.edu</strong></a>.</p><p><br></p><p>“The content of this book is extraordinary. Imre Szeman is an exceptional expert, well-versed in analysing the complex intersections between energy, society, and politics. The book is a real opportunity to deepen our understanding of contemporary energy and political issues.”<br>—<em>International Journal of Environmental Studies</em></p>]]>
      </itunes:summary>
      <itunes:keywords>renewable energy, petrocultures, futures, oil, transition, modernity, common sense, infrastructure, unnerve</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>I know you are, but what am I? The cultural legacy of Pee-wee Herman.</title>
      <itunes:episode>90</itunes:episode>
      <podcast:episode>90</podcast:episode>
      <itunes:title>I know you are, but what am I? The cultural legacy of Pee-wee Herman.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>"We aren't done with Pee-wee's Playhouse because there's much to learn from sticking with it." So opens Cait McKinney's <a href="https://www.upress.umn.edu/9781517918286/i-know-you-are-but-what-am-i/"><strong><em>I Know You Are, but What Am I?</em></strong></a>, a book that thinks across the ways we remember and misremember Pee-wee. McKinney explores the expansive, mediated landscape of the television show; engages a reparative retelling of the actor Paul Reubens's 1991 arrest in a suburban adult film theater; and gets into the collecting of the iconic Talking Pee-wee dolls and their afterlives on eBay and YouTube. Here, McKinney is joined in conversation with John Stadler. Access the transcript: https://share.transistor.fm/s/303d15c6</p><p><br></p><p><strong>Cait McKinney</strong> is associate professor in the School of Communication at Simon Fraser University.</p><p><br></p><p><strong>John Stadler</strong> is assistant professor of film studies at North Carolina State University.</p><p><br><a href="https://www.upress.umn.edu/9781517918286/i-know-you-are-but-what-am-i/"><strong><em>I Know You Are, but What Am I?: On Pee-wee Herman</em></strong></a> is available from University of Minnesota Press as part of its <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first"><strong>Forerunners series</strong></a>. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/i-know-you-are-but-what-am-i"><strong>manifold.umn.edu</strong></a>.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>"We aren't done with Pee-wee's Playhouse because there's much to learn from sticking with it." So opens Cait McKinney's <a href="https://www.upress.umn.edu/9781517918286/i-know-you-are-but-what-am-i/"><strong><em>I Know You Are, but What Am I?</em></strong></a>, a book that thinks across the ways we remember and misremember Pee-wee. McKinney explores the expansive, mediated landscape of the television show; engages a reparative retelling of the actor Paul Reubens's 1991 arrest in a suburban adult film theater; and gets into the collecting of the iconic Talking Pee-wee dolls and their afterlives on eBay and YouTube. Here, McKinney is joined in conversation with John Stadler. Access the transcript: https://share.transistor.fm/s/303d15c6</p><p><br></p><p><strong>Cait McKinney</strong> is associate professor in the School of Communication at Simon Fraser University.</p><p><br></p><p><strong>John Stadler</strong> is assistant professor of film studies at North Carolina State University.</p><p><br><a href="https://www.upress.umn.edu/9781517918286/i-know-you-are-but-what-am-i/"><strong><em>I Know You Are, but What Am I?: On Pee-wee Herman</em></strong></a> is available from University of Minnesota Press as part of its <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first"><strong>Forerunners series</strong></a>. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/i-know-you-are-but-what-am-i"><strong>manifold.umn.edu</strong></a>.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 23 Oct 2024 11:24:52 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/303d15c6/98e8d8f2.mp3" length="78093150" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/8c1r_dDkRmul3yokG_A7VEcTswHfskwhOrv3Pj24s9A/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iMjgy/Y2JlZjAzZjY5MDJl/NzhhYjZkZDI4NzRm/ZWVkMC5qcGc.jpg"/>
      <itunes:duration>3252</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>"We aren't done with Pee-wee's Playhouse because there's much to learn from sticking with it." So opens Cait McKinney's <a href="https://www.upress.umn.edu/9781517918286/i-know-you-are-but-what-am-i/"><strong><em>I Know You Are, but What Am I?</em></strong></a>, a book that thinks across the ways we remember and misremember Pee-wee. McKinney explores the expansive, mediated landscape of the television show; engages a reparative retelling of the actor Paul Reubens's 1991 arrest in a suburban adult film theater; and gets into the collecting of the iconic Talking Pee-wee dolls and their afterlives on eBay and YouTube. Here, McKinney is joined in conversation with John Stadler. Access the transcript: https://share.transistor.fm/s/303d15c6</p><p><br></p><p><strong>Cait McKinney</strong> is associate professor in the School of Communication at Simon Fraser University.</p><p><br></p><p><strong>John Stadler</strong> is assistant professor of film studies at North Carolina State University.</p><p><br><a href="https://www.upress.umn.edu/9781517918286/i-know-you-are-but-what-am-i/"><strong><em>I Know You Are, but What Am I?: On Pee-wee Herman</em></strong></a> is available from University of Minnesota Press as part of its <a href="https://www.upress.umn.edu/search-grid/?series=forerunners-ideas-first"><strong>Forerunners series</strong></a>. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/i-know-you-are-but-what-am-i"><strong>manifold.umn.edu</strong></a>.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>queer; gay; antihero; media history; television; film; fan cultures; Paul Reubens; popular culture; panic; sexuality; gender; syndication; smart home; collector; merchandise</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Casino gaming in Macau</title>
      <itunes:episode>89</itunes:episode>
      <podcast:episode>89</podcast:episode>
      <itunes:title>Casino gaming in Macau</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e49b247f</link>
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        <![CDATA[<p>Identified as a UNESCO World Heritage Site, contemporary Macau has metamorphosed into a surreal, hypermodern urban landscape augmented by massive casino megaresorts, including two of the world’s largest buildings. In <a href="https://www.upress.umn.edu/9781517900311/betting-on-macau/"><strong><em>Betting on Macau: Casino Capitalism and China’s Consumer Revolution</em></strong></a>, Tim Simpson uncovers various roots of the region’s radical transformation. Here, Simpson is joined in conversation with Cathryn H. Clayton. Access the transcript: https://share.transistor.fm/s/e49b247f</p><p><strong>Tim Simpson</strong> is associate professor of communication at the University of Macau.</p><p><br></p><p><strong>Cathryn H. Clayton</strong> is associate professor and chair of the Asian studies program at the University of Hawai’i at Mānoa.</p><p><em>WORKS REFERENCED:</em></p><p>David Schwartz / <a href="https://www.taylorfrancis.com/books/mono/10.4324/9780203821459/suburban-xanadu-david-schwartz"><em>Suburban Xanadu</em></a></p><p>Natasha Dow Schüll / <a href="https://press.princeton.edu/books/paperback/9780691160887/addiction-by-design"><em>Addiction by Design</em></a></p><p>Susan Strange /<em> </em><a href="https://manchesteruniversitypress.co.uk/9781784991340/"><em>Casino Capitalism</em></a></p><p>Cathryn H. Clayton<em> / </em><a href="https://www.hup.harvard.edu/books/9780674035454"><em>Sovereignty at the Edge</em></a></p><p><em>PEOPLE REFERENCED:<br></em>Sheldon Adelson</p><p>John Maynard Keynes</p><p>Deng Xiaoping</p><p><br></p><p>“A must-read for scholars and practitioners of urban planning and architecture, particularly those working in or studying urbanization in China.” <br><strong>—Miodrag Mitrašinović<br></strong><br></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517900311/betting-on-macau/"><strong><em>Betting on Macau: Casino Capitalism and China’s Consumer Revolution</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Identified as a UNESCO World Heritage Site, contemporary Macau has metamorphosed into a surreal, hypermodern urban landscape augmented by massive casino megaresorts, including two of the world’s largest buildings. In <a href="https://www.upress.umn.edu/9781517900311/betting-on-macau/"><strong><em>Betting on Macau: Casino Capitalism and China’s Consumer Revolution</em></strong></a>, Tim Simpson uncovers various roots of the region’s radical transformation. Here, Simpson is joined in conversation with Cathryn H. Clayton. Access the transcript: https://share.transistor.fm/s/e49b247f</p><p><strong>Tim Simpson</strong> is associate professor of communication at the University of Macau.</p><p><br></p><p><strong>Cathryn H. Clayton</strong> is associate professor and chair of the Asian studies program at the University of Hawai’i at Mānoa.</p><p><em>WORKS REFERENCED:</em></p><p>David Schwartz / <a href="https://www.taylorfrancis.com/books/mono/10.4324/9780203821459/suburban-xanadu-david-schwartz"><em>Suburban Xanadu</em></a></p><p>Natasha Dow Schüll / <a href="https://press.princeton.edu/books/paperback/9780691160887/addiction-by-design"><em>Addiction by Design</em></a></p><p>Susan Strange /<em> </em><a href="https://manchesteruniversitypress.co.uk/9781784991340/"><em>Casino Capitalism</em></a></p><p>Cathryn H. Clayton<em> / </em><a href="https://www.hup.harvard.edu/books/9780674035454"><em>Sovereignty at the Edge</em></a></p><p><em>PEOPLE REFERENCED:<br></em>Sheldon Adelson</p><p>John Maynard Keynes</p><p>Deng Xiaoping</p><p><br></p><p>“A must-read for scholars and practitioners of urban planning and architecture, particularly those working in or studying urbanization in China.” <br><strong>—Miodrag Mitrašinović<br></strong><br></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517900311/betting-on-macau/"><strong><em>Betting on Macau: Casino Capitalism and China’s Consumer Revolution</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 15 Oct 2024 10:23:01 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/e49b247f/41c312e2.mp3" length="89931477" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Na9rhGybhdfULfDT5rrbrcfNQo6r0u-gJc0PqGzqW2M/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kMmJh/ZmJkM2Q1ZTRhOWZm/ZmE1NzcxZTYxNDlj/YjQ4OC5qcGc.jpg"/>
      <itunes:duration>3744</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Identified as a UNESCO World Heritage Site, contemporary Macau has metamorphosed into a surreal, hypermodern urban landscape augmented by massive casino megaresorts, including two of the world’s largest buildings. In <a href="https://www.upress.umn.edu/9781517900311/betting-on-macau/"><strong><em>Betting on Macau: Casino Capitalism and China’s Consumer Revolution</em></strong></a>, Tim Simpson uncovers various roots of the region’s radical transformation. Here, Simpson is joined in conversation with Cathryn H. Clayton. Access the transcript: https://share.transistor.fm/s/e49b247f</p><p><strong>Tim Simpson</strong> is associate professor of communication at the University of Macau.</p><p><br></p><p><strong>Cathryn H. Clayton</strong> is associate professor and chair of the Asian studies program at the University of Hawai’i at Mānoa.</p><p><em>WORKS REFERENCED:</em></p><p>David Schwartz / <a href="https://www.taylorfrancis.com/books/mono/10.4324/9780203821459/suburban-xanadu-david-schwartz"><em>Suburban Xanadu</em></a></p><p>Natasha Dow Schüll / <a href="https://press.princeton.edu/books/paperback/9780691160887/addiction-by-design"><em>Addiction by Design</em></a></p><p>Susan Strange /<em> </em><a href="https://manchesteruniversitypress.co.uk/9781784991340/"><em>Casino Capitalism</em></a></p><p>Cathryn H. Clayton<em> / </em><a href="https://www.hup.harvard.edu/books/9780674035454"><em>Sovereignty at the Edge</em></a></p><p><em>PEOPLE REFERENCED:<br></em>Sheldon Adelson</p><p>John Maynard Keynes</p><p>Deng Xiaoping</p><p><br></p><p>“A must-read for scholars and practitioners of urban planning and architecture, particularly those working in or studying urbanization in China.” <br><strong>—Miodrag Mitrašinović<br></strong><br></p><p><br></p><p><a href="https://www.upress.umn.edu/9781517900311/betting-on-macau/"><strong><em>Betting on Macau: Casino Capitalism and China’s Consumer Revolution</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>baccarat, urbanization, suburbanization, slot machine, table game, casino capitalism, special economic zones, Sheldon Adelson</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    </item>
    <item>
      <title>Art and public space in socialist Zagreb</title>
      <itunes:episode>88</itunes:episode>
      <podcast:episode>88</podcast:episode>
      <itunes:title>Art and public space in socialist Zagreb</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e04c6d71-b878-4d83-b8fb-eaa00ea35f4d</guid>
      <link>https://share.transistor.fm/s/c846a055</link>
      <description>
        <![CDATA[<p>In the decades leading up to the dissolution of socialist Yugoslavia, a collective of young artists based in Zagreb used the city’s public spaces as a platform for radical individual expression. The Group of Six Authors and their circle in the period from 1975 to 1985 are the focus of Adair Rounthwaite’s book <a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><strong><em>This Is Not My World: Art and Public Space in Socialist Zagreb</em></strong></a>, which highlights the friction between public and private that was the foundation of their innovative practices. Rounthwaite is joined here in conversation with Mechtild Widrich. Access the transcript: https://share.transistor.fm/s/c846a055</p><p><strong>Adair Rounthwaite</strong> is author of <a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><em>This Is Not My World: Art and Public Space in Socialist Zagreb</em></a> and <a href="https://www.upress.umn.edu/9780816698738/asking-the-audience/"><em>Asking the Audience: Participatory Art in 1980s New York</em></a>. Rounthwaite is associate professor of art history at the University of Washington.</p><p><br></p><p><strong>Mechtild Widrich</strong> is author of <a href="https://manchesteruniversitypress.co.uk/9781526168115/"><em>Monumental Cares: Sites of History and Contemporary Art</em></a> and <a href="https://manchesteruniversitypress.co.uk/9780719095917/"><em>Performative Monuments: The Rematerialisation of Public Art</em></a>. Widrich is an art historian, curator, and professor at the School of the Art Institute of Chicago.   </p><p><br></p><p>REFERENCES:</p><p>Caroline A. Jones</p><p>Terry Smith</p><p>Chika Okeke-Agulu </p><p>Vlasta Delimar</p><p>Tomislav Gotovac</p><p>Ana Mendieta</p><p>Sasha Su-Ling Welland</p><p>Jenny Lin / <a href="https://manchesteruniversitypress.co.uk/9781526132604/"><em>Above Sea</em></a></p><p>Liz Kotz / <a href="https://mitpress.mit.edu/9780262514033/words-to-be-looked-at/"><em>Words to Be Looked At</em></a></p><p>Vlado Martek</p><p>Mladen Stilinović</p><p>Gina Beavers</p><p><a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><strong><em>This Is Not My World</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the decades leading up to the dissolution of socialist Yugoslavia, a collective of young artists based in Zagreb used the city’s public spaces as a platform for radical individual expression. The Group of Six Authors and their circle in the period from 1975 to 1985 are the focus of Adair Rounthwaite’s book <a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><strong><em>This Is Not My World: Art and Public Space in Socialist Zagreb</em></strong></a>, which highlights the friction between public and private that was the foundation of their innovative practices. Rounthwaite is joined here in conversation with Mechtild Widrich. Access the transcript: https://share.transistor.fm/s/c846a055</p><p><strong>Adair Rounthwaite</strong> is author of <a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><em>This Is Not My World: Art and Public Space in Socialist Zagreb</em></a> and <a href="https://www.upress.umn.edu/9780816698738/asking-the-audience/"><em>Asking the Audience: Participatory Art in 1980s New York</em></a>. Rounthwaite is associate professor of art history at the University of Washington.</p><p><br></p><p><strong>Mechtild Widrich</strong> is author of <a href="https://manchesteruniversitypress.co.uk/9781526168115/"><em>Monumental Cares: Sites of History and Contemporary Art</em></a> and <a href="https://manchesteruniversitypress.co.uk/9780719095917/"><em>Performative Monuments: The Rematerialisation of Public Art</em></a>. Widrich is an art historian, curator, and professor at the School of the Art Institute of Chicago.   </p><p><br></p><p>REFERENCES:</p><p>Caroline A. Jones</p><p>Terry Smith</p><p>Chika Okeke-Agulu </p><p>Vlasta Delimar</p><p>Tomislav Gotovac</p><p>Ana Mendieta</p><p>Sasha Su-Ling Welland</p><p>Jenny Lin / <a href="https://manchesteruniversitypress.co.uk/9781526132604/"><em>Above Sea</em></a></p><p>Liz Kotz / <a href="https://mitpress.mit.edu/9780262514033/words-to-be-looked-at/"><em>Words to Be Looked At</em></a></p><p>Vlado Martek</p><p>Mladen Stilinović</p><p>Gina Beavers</p><p><a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><strong><em>This Is Not My World</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 08 Oct 2024 10:24:46 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3074</itunes:duration>
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        <![CDATA[<p>In the decades leading up to the dissolution of socialist Yugoslavia, a collective of young artists based in Zagreb used the city’s public spaces as a platform for radical individual expression. The Group of Six Authors and their circle in the period from 1975 to 1985 are the focus of Adair Rounthwaite’s book <a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><strong><em>This Is Not My World: Art and Public Space in Socialist Zagreb</em></strong></a>, which highlights the friction between public and private that was the foundation of their innovative practices. Rounthwaite is joined here in conversation with Mechtild Widrich. Access the transcript: https://share.transistor.fm/s/c846a055</p><p><strong>Adair Rounthwaite</strong> is author of <a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><em>This Is Not My World: Art and Public Space in Socialist Zagreb</em></a> and <a href="https://www.upress.umn.edu/9780816698738/asking-the-audience/"><em>Asking the Audience: Participatory Art in 1980s New York</em></a>. Rounthwaite is associate professor of art history at the University of Washington.</p><p><br></p><p><strong>Mechtild Widrich</strong> is author of <a href="https://manchesteruniversitypress.co.uk/9781526168115/"><em>Monumental Cares: Sites of History and Contemporary Art</em></a> and <a href="https://manchesteruniversitypress.co.uk/9780719095917/"><em>Performative Monuments: The Rematerialisation of Public Art</em></a>. Widrich is an art historian, curator, and professor at the School of the Art Institute of Chicago.   </p><p><br></p><p>REFERENCES:</p><p>Caroline A. Jones</p><p>Terry Smith</p><p>Chika Okeke-Agulu </p><p>Vlasta Delimar</p><p>Tomislav Gotovac</p><p>Ana Mendieta</p><p>Sasha Su-Ling Welland</p><p>Jenny Lin / <a href="https://manchesteruniversitypress.co.uk/9781526132604/"><em>Above Sea</em></a></p><p>Liz Kotz / <a href="https://mitpress.mit.edu/9780262514033/words-to-be-looked-at/"><em>Words to Be Looked At</em></a></p><p>Vlado Martek</p><p>Mladen Stilinović</p><p>Gina Beavers</p><p><a href="https://www.upress.umn.edu/9781517914233/this-is-not-my-world/"><strong><em>This Is Not My World</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>contemporary art, performance, audience, interactive, socialism, conceptual, Yugoslavia, Europe, global, history</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>On Trans Philosophy and troubling a Western-dominant sense of trans.</title>
      <itunes:episode>87</itunes:episode>
      <podcast:episode>87</podcast:episode>
      <itunes:title>On Trans Philosophy and troubling a Western-dominant sense of trans.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Across language and politics, feminism and phenomenology, and decolonial theory, <a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a> addresses trans worldmaking in all its beauty and mundanity. The volume’s four editors, Perry Zurn, Andrea J. Pitts, Talia Mae Bettcher, and PJ DiPietro focus on the contributions of trans and gender-nonconforming philosophers from around the globe. Showcasing writing from a range of emerging and established voices, <em>Trans Philosophy</em> addresses discrimination, embodiment, identity, language, and law, utilizing diverse philosophical methods to attend to significant intersections between trans experience and class, disability, race, nationality, and sexuality. Here, the book’s four editors engage each other in conversation. Access the transcript: https://share.transistor.fm/s/d42f63ef</p><p><strong>Perry Zurn</strong> is visiting associate professor of feminist, gender, and sexuality studies at Cornell University and associate professor of philosophy at American University. He is author of <a href="https://www.upress.umn.edu/9781517907198/curiosity-and-power/"><em>Curiosity and Power: The Politics of Inquiry</em></a> and <a href="https://www.dukeupress.edu/how-we-make-each-other"><em>How We Make Each Other: Trans Life at the Edge of the University</em></a> and coeditor of <a href="https://www.upress.umn.edu/9781517905408/curiosity-studies/"><em>Curiosity Studies: A New Ecology of Knowledge</em></a>.</p><p><br></p><p><strong>Andrea J. Pitts</strong> is associate professor of comparative literature at the University at Buffalo. They are author of <a href="https://sunypress.edu/Books/N/Nos-Otras2"><em>Nos/Otras: Gloria E. Anzaldúa, Multiplicitous Agency, and Resistance</em></a> and coeditor of <a href="https://academic.oup.com/book/33639"><em>Theories of the Flesh: Latinx and Latin American Feminisms, Transformation, and Resistance</em></a>.</p><p><br></p><p><strong>Talia Mae Bettcher</strong> is professor of philosophy at California State University, Los Angeles. She is author of <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood: An Essay in Trans Philosophy</em></a> (Minnesota, 2025); <a href="https://www.bloomsbury.com/us/berkeleys-philosophy-of-spirit-9780826486431/"><em>Berkeley's Philosophy of Spirit: Consciousness, Ontology, and the Elusive Subject</em></a>; and <a href="https://www.bloomsbury.com/us/berkeley-a-guide-for-the-perplexed-9780826489906/"><em>Berkeley: A Guide for the Perplexed</em></a>.</p><p><br></p><p><strong>PJ DiPietro</strong> is associate professor of women’s and gender studies and director of the LGBTQ studies program at Syracuse University. They are author of <em>Sideways Selves: Travesti and Jotería Struggles across the Américas</em> and coeditor of <a href="https://sunypress.edu/Books/S/Speaking-Face-to-Face2"><em>Speaking Face to Face: The Visionary Philosophy of María Lugones</em></a>.</p><p>Contributing writers to <em>Trans Philosophy</em> include: Megan Burke, Sonoma State U; Robin Dembroff, Yale U; Marie Draz, San Diego State U; Che Gossett, U of Pennsylvania; Ryan Gustafsson, U of Melbourne; Stephanie Kapusta, Dalhousie U; Tamsin Kimoto, Washington U, St. Louis; Hil Malatino, Pennsylvania State U and Rock Ethics Institute; Amy Marvin, Lafayette U; Marlene Wayar.</p><p><br></p><p>WORKS AND PERSONS REFERENCED:</p><p>C. Riley Snorton / <a href="https://www.upress.umn.edu/9781517901738/black-on-both-sides/"><em>Black on Both Sides</em></a></p><p>Perry Zurn / <a href="https://www.upress.umn.edu/9781517905408/curiosity-studies/"><em>Curiosity Studies</em></a> and <a href="https://www.upress.umn.edu/9781517907198/curiosity-and-power/"><em>Curiosity and Power</em></a><em> </em>and<em> </em><a href="https://www.dukeupress.edu/how-we-make-each-other"><em>How We Make Each Other</em></a></p><p>Hil Malatino / <a href="https://www.upress.umn.edu/9781517912093/side-affects/"><em>Side Affects</em></a> and <a href="https://www.upress.umn.edu/9781517911188/trans-care/"><em>Trans Care</em></a></p><p>Hortense Spiller</p><p>Jacob Hale</p><p>Gwen Araujo</p><p>Special issue of <em>Hypatia</em>: <a href="https://www.cambridge.org/core/journals/hypatia/issue/special-issue-transgender-studies-and-feminism-theory-politics-and-gendered-realities/E5CB9D7514A293EBD7866FFEC959C40E">Transgender Studies and Feminism: Theory, Politics, and Gendered Realities</a>, edited by Talia Mae Bettcher and Ann Garry</p><p><a href="https://www.cambridge.org/core/journals/hypatia/article/what-is-trans-philosophy/404130A9CF1DF52B5540A5A33F56D38A">What Is Trans Philosophy?</a> By Talia Mae Bettcher in <em>Hypatia</em></p><p>Marlene Wayar</p><p>Talia Mae Bettcher / <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood</em></a></p><p>Mary Jones</p><p>Marsha P. Johnson</p><p>María Lugones</p><p>Marco Chivalan-Carrillo</p><p>Amaranta Gómez Regalado<br>Marcia Ochoa<br>Josefina Fernández<br>Diana Maffia</p><p>Lohana Berkins</p><p>Tourmaline</p><p><a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Across language and politics, feminism and phenomenology, and decolonial theory, <a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a> addresses trans worldmaking in all its beauty and mundanity. The volume’s four editors, Perry Zurn, Andrea J. Pitts, Talia Mae Bettcher, and PJ DiPietro focus on the contributions of trans and gender-nonconforming philosophers from around the globe. Showcasing writing from a range of emerging and established voices, <em>Trans Philosophy</em> addresses discrimination, embodiment, identity, language, and law, utilizing diverse philosophical methods to attend to significant intersections between trans experience and class, disability, race, nationality, and sexuality. Here, the book’s four editors engage each other in conversation. Access the transcript: https://share.transistor.fm/s/d42f63ef</p><p><strong>Perry Zurn</strong> is visiting associate professor of feminist, gender, and sexuality studies at Cornell University and associate professor of philosophy at American University. He is author of <a href="https://www.upress.umn.edu/9781517907198/curiosity-and-power/"><em>Curiosity and Power: The Politics of Inquiry</em></a> and <a href="https://www.dukeupress.edu/how-we-make-each-other"><em>How We Make Each Other: Trans Life at the Edge of the University</em></a> and coeditor of <a href="https://www.upress.umn.edu/9781517905408/curiosity-studies/"><em>Curiosity Studies: A New Ecology of Knowledge</em></a>.</p><p><br></p><p><strong>Andrea J. Pitts</strong> is associate professor of comparative literature at the University at Buffalo. They are author of <a href="https://sunypress.edu/Books/N/Nos-Otras2"><em>Nos/Otras: Gloria E. Anzaldúa, Multiplicitous Agency, and Resistance</em></a> and coeditor of <a href="https://academic.oup.com/book/33639"><em>Theories of the Flesh: Latinx and Latin American Feminisms, Transformation, and Resistance</em></a>.</p><p><br></p><p><strong>Talia Mae Bettcher</strong> is professor of philosophy at California State University, Los Angeles. She is author of <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood: An Essay in Trans Philosophy</em></a> (Minnesota, 2025); <a href="https://www.bloomsbury.com/us/berkeleys-philosophy-of-spirit-9780826486431/"><em>Berkeley's Philosophy of Spirit: Consciousness, Ontology, and the Elusive Subject</em></a>; and <a href="https://www.bloomsbury.com/us/berkeley-a-guide-for-the-perplexed-9780826489906/"><em>Berkeley: A Guide for the Perplexed</em></a>.</p><p><br></p><p><strong>PJ DiPietro</strong> is associate professor of women’s and gender studies and director of the LGBTQ studies program at Syracuse University. They are author of <em>Sideways Selves: Travesti and Jotería Struggles across the Américas</em> and coeditor of <a href="https://sunypress.edu/Books/S/Speaking-Face-to-Face2"><em>Speaking Face to Face: The Visionary Philosophy of María Lugones</em></a>.</p><p>Contributing writers to <em>Trans Philosophy</em> include: Megan Burke, Sonoma State U; Robin Dembroff, Yale U; Marie Draz, San Diego State U; Che Gossett, U of Pennsylvania; Ryan Gustafsson, U of Melbourne; Stephanie Kapusta, Dalhousie U; Tamsin Kimoto, Washington U, St. Louis; Hil Malatino, Pennsylvania State U and Rock Ethics Institute; Amy Marvin, Lafayette U; Marlene Wayar.</p><p><br></p><p>WORKS AND PERSONS REFERENCED:</p><p>C. Riley Snorton / <a href="https://www.upress.umn.edu/9781517901738/black-on-both-sides/"><em>Black on Both Sides</em></a></p><p>Perry Zurn / <a href="https://www.upress.umn.edu/9781517905408/curiosity-studies/"><em>Curiosity Studies</em></a> and <a href="https://www.upress.umn.edu/9781517907198/curiosity-and-power/"><em>Curiosity and Power</em></a><em> </em>and<em> </em><a href="https://www.dukeupress.edu/how-we-make-each-other"><em>How We Make Each Other</em></a></p><p>Hil Malatino / <a href="https://www.upress.umn.edu/9781517912093/side-affects/"><em>Side Affects</em></a> and <a href="https://www.upress.umn.edu/9781517911188/trans-care/"><em>Trans Care</em></a></p><p>Hortense Spiller</p><p>Jacob Hale</p><p>Gwen Araujo</p><p>Special issue of <em>Hypatia</em>: <a href="https://www.cambridge.org/core/journals/hypatia/issue/special-issue-transgender-studies-and-feminism-theory-politics-and-gendered-realities/E5CB9D7514A293EBD7866FFEC959C40E">Transgender Studies and Feminism: Theory, Politics, and Gendered Realities</a>, edited by Talia Mae Bettcher and Ann Garry</p><p><a href="https://www.cambridge.org/core/journals/hypatia/article/what-is-trans-philosophy/404130A9CF1DF52B5540A5A33F56D38A">What Is Trans Philosophy?</a> By Talia Mae Bettcher in <em>Hypatia</em></p><p>Marlene Wayar</p><p>Talia Mae Bettcher / <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood</em></a></p><p>Mary Jones</p><p>Marsha P. Johnson</p><p>María Lugones</p><p>Marco Chivalan-Carrillo</p><p>Amaranta Gómez Regalado<br>Marcia Ochoa<br>Josefina Fernández<br>Diana Maffia</p><p>Lohana Berkins</p><p>Tourmaline</p><p><a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 26 Sep 2024 09:53:33 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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        <![CDATA[<p>Across language and politics, feminism and phenomenology, and decolonial theory, <a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a> addresses trans worldmaking in all its beauty and mundanity. The volume’s four editors, Perry Zurn, Andrea J. Pitts, Talia Mae Bettcher, and PJ DiPietro focus on the contributions of trans and gender-nonconforming philosophers from around the globe. Showcasing writing from a range of emerging and established voices, <em>Trans Philosophy</em> addresses discrimination, embodiment, identity, language, and law, utilizing diverse philosophical methods to attend to significant intersections between trans experience and class, disability, race, nationality, and sexuality. Here, the book’s four editors engage each other in conversation. Access the transcript: https://share.transistor.fm/s/d42f63ef</p><p><strong>Perry Zurn</strong> is visiting associate professor of feminist, gender, and sexuality studies at Cornell University and associate professor of philosophy at American University. He is author of <a href="https://www.upress.umn.edu/9781517907198/curiosity-and-power/"><em>Curiosity and Power: The Politics of Inquiry</em></a> and <a href="https://www.dukeupress.edu/how-we-make-each-other"><em>How We Make Each Other: Trans Life at the Edge of the University</em></a> and coeditor of <a href="https://www.upress.umn.edu/9781517905408/curiosity-studies/"><em>Curiosity Studies: A New Ecology of Knowledge</em></a>.</p><p><br></p><p><strong>Andrea J. Pitts</strong> is associate professor of comparative literature at the University at Buffalo. They are author of <a href="https://sunypress.edu/Books/N/Nos-Otras2"><em>Nos/Otras: Gloria E. Anzaldúa, Multiplicitous Agency, and Resistance</em></a> and coeditor of <a href="https://academic.oup.com/book/33639"><em>Theories of the Flesh: Latinx and Latin American Feminisms, Transformation, and Resistance</em></a>.</p><p><br></p><p><strong>Talia Mae Bettcher</strong> is professor of philosophy at California State University, Los Angeles. She is author of <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood: An Essay in Trans Philosophy</em></a> (Minnesota, 2025); <a href="https://www.bloomsbury.com/us/berkeleys-philosophy-of-spirit-9780826486431/"><em>Berkeley's Philosophy of Spirit: Consciousness, Ontology, and the Elusive Subject</em></a>; and <a href="https://www.bloomsbury.com/us/berkeley-a-guide-for-the-perplexed-9780826489906/"><em>Berkeley: A Guide for the Perplexed</em></a>.</p><p><br></p><p><strong>PJ DiPietro</strong> is associate professor of women’s and gender studies and director of the LGBTQ studies program at Syracuse University. They are author of <em>Sideways Selves: Travesti and Jotería Struggles across the Américas</em> and coeditor of <a href="https://sunypress.edu/Books/S/Speaking-Face-to-Face2"><em>Speaking Face to Face: The Visionary Philosophy of María Lugones</em></a>.</p><p>Contributing writers to <em>Trans Philosophy</em> include: Megan Burke, Sonoma State U; Robin Dembroff, Yale U; Marie Draz, San Diego State U; Che Gossett, U of Pennsylvania; Ryan Gustafsson, U of Melbourne; Stephanie Kapusta, Dalhousie U; Tamsin Kimoto, Washington U, St. Louis; Hil Malatino, Pennsylvania State U and Rock Ethics Institute; Amy Marvin, Lafayette U; Marlene Wayar.</p><p><br></p><p>WORKS AND PERSONS REFERENCED:</p><p>C. Riley Snorton / <a href="https://www.upress.umn.edu/9781517901738/black-on-both-sides/"><em>Black on Both Sides</em></a></p><p>Perry Zurn / <a href="https://www.upress.umn.edu/9781517905408/curiosity-studies/"><em>Curiosity Studies</em></a> and <a href="https://www.upress.umn.edu/9781517907198/curiosity-and-power/"><em>Curiosity and Power</em></a><em> </em>and<em> </em><a href="https://www.dukeupress.edu/how-we-make-each-other"><em>How We Make Each Other</em></a></p><p>Hil Malatino / <a href="https://www.upress.umn.edu/9781517912093/side-affects/"><em>Side Affects</em></a> and <a href="https://www.upress.umn.edu/9781517911188/trans-care/"><em>Trans Care</em></a></p><p>Hortense Spiller</p><p>Jacob Hale</p><p>Gwen Araujo</p><p>Special issue of <em>Hypatia</em>: <a href="https://www.cambridge.org/core/journals/hypatia/issue/special-issue-transgender-studies-and-feminism-theory-politics-and-gendered-realities/E5CB9D7514A293EBD7866FFEC959C40E">Transgender Studies and Feminism: Theory, Politics, and Gendered Realities</a>, edited by Talia Mae Bettcher and Ann Garry</p><p><a href="https://www.cambridge.org/core/journals/hypatia/article/what-is-trans-philosophy/404130A9CF1DF52B5540A5A33F56D38A">What Is Trans Philosophy?</a> By Talia Mae Bettcher in <em>Hypatia</em></p><p>Marlene Wayar</p><p>Talia Mae Bettcher / <a href="https://www.upress.umn.edu/9781517902575/beyond-personhood/"><em>Beyond Personhood</em></a></p><p>Mary Jones</p><p>Marsha P. Johnson</p><p>María Lugones</p><p>Marco Chivalan-Carrillo</p><p>Amaranta Gómez Regalado<br>Marcia Ochoa<br>Josefina Fernández<br>Diana Maffia</p><p>Lohana Berkins</p><p>Tourmaline</p><p><a href="https://www.upress.umn.edu/9781517917043/trans-philosophy/"><strong><em>Trans Philosophy</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
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      <itunes:keywords>trans studies, gender, feminism, decolonialism, theory, politics, philosophy, academia, embodiment</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Resilience and writing history: The first woman lieutenant governor of Minnesota</title>
      <itunes:episode>86</itunes:episode>
      <podcast:episode>86</podcast:episode>
      <itunes:title>Resilience and writing history: The first woman lieutenant governor of Minnesota</itunes:title>
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        <![CDATA[<p>Marlene M. Johnson’s memoir is an essential record of the ascension of women in American politics. In <a href="https://www.upress.umn.edu/9781517917616/rise-to-the-challenge/"><strong><em>Rise to the Challenge: A Memoir of Politics, Leadership, and Love</em></strong></a>, Johnson chronicles her life of learning and leadership in activism, entrepreneurship, politics, and public service, weaving professional play-by-plays with candidness about navigating personal loss. Here, Johnson is joined in conversation with Lori Sturdevant and Elisabeth (Betsy) Griffith. Access the transcript: https://share.transistor.fm/s/e4b9a6d0</p><p><strong>Marlene M. Johnson</strong> was Minnesota’s first woman lieutenant governor, serving in Governor Rudy Perpich’s administration from 1983 until 1991. She is cofounder of the Minnesota Chapter of the National Association of Women Business Owners and the Minnesota Women’s Campaign Fund and was executive director and CEO of NAFSA: Association of International Educators for nearly two decades. She is on the advisory board of Kakenya’s Dream, a board member of the Washington Office on Latin America, and a trustee of The Alexandria Trust. She lives in Washington, DC.</p><p><br></p><p><strong>Lori Sturdevant</strong> is a retired Star Tribune editorial writer and columnist who has written about Minnesota government and politics since 1978.</p><p><br></p><p><strong>Elisabeth Griffith</strong> is an American historian, educator, and activist. She is author of <a href="https://www.simonandschuster.com/books/Formidable/Elisabeth-Griffith/9781639363971"><em>Formidable: American Women and the Fight for Equality: 1920–2020</em></a> and <em>In Her Own Right: The Life of Elizabeth Cady Stanton</em>.</p><p><br></p><p>OTHER WORKS REFERENCED:<br><a href="https://www.hup.harvard.edu/books/9780674003811"><em>Ambiguous Loss: Learning to Live with Unresolved Grief</em></a> / Pauline Boss</p><p><a href="https://shop.mnhs.org/products/turnout"><em>Turnout: Making Minnesota the State That Votes</em></a> / Joan Anderson Growe with Lori Sturdevant</p><p><a href="https://www.wiley.com/en-us/Loving+Someone+Who+Has+Dementia%3A+How+to+Find+Hope+while+Coping+with+Stress+and+Grief-p-9781118002292"><em>Loving Someone who has Dementia</em></a> / Pauline Boss</p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517917616/rise-to-the-challenge/"><strong><em>Rise to the Challenge</em></strong></a>:</p><p><br></p><p>“Marlene M. Johnson wasn’t just the first woman to be Minnesota’s Lieutenant Governor. She was also the first Lieutenant Governor to have a specific policy portfolio. She had access and influence in ways that laid the groundwork for me and others to follow. Marlene is of a class of women who made important strides in DFL politics, and I'm grateful for her place in Minnesota's history and for this book that tells that story”.</p><p><strong>—Lieutenant Governor Peggy Flanagan<br></strong><br></p><p><br></p><p>“An essential document of the midcentury rise of women into American politics. In this memoir of a remarkable public life, Marlene M. Johnson braids a love story tragically turned into caregiving and the domestic devotion of guardian and advocate. She proves that faithfulness in love and commitment to the betterment of the world are not opposites after all.”</p><p><strong>—Patricia Hampl</strong>, author of <em>The Art of the Wasted Day<br></em><br></p><p><br></p><p>“In the dynamic mid-twentieth-century women’s movement, Marlene M. Johnson stood out and stood up with clarity of vision and purpose. Her multiple public service initiatives propelled her to a national presence and then into international education leadership.”</p><p><strong>—Judge Harriet Lansing</strong>, retired, Minnesota Court of Appeals</p><p><br></p><p>“An important read for aspiring public servants, male or female.”</p><p><strong>—J. Brian Atwood</strong>, former administrator, US Agency for International Development</p>]]>
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        <![CDATA[<p>Marlene M. Johnson’s memoir is an essential record of the ascension of women in American politics. In <a href="https://www.upress.umn.edu/9781517917616/rise-to-the-challenge/"><strong><em>Rise to the Challenge: A Memoir of Politics, Leadership, and Love</em></strong></a>, Johnson chronicles her life of learning and leadership in activism, entrepreneurship, politics, and public service, weaving professional play-by-plays with candidness about navigating personal loss. Here, Johnson is joined in conversation with Lori Sturdevant and Elisabeth (Betsy) Griffith. Access the transcript: https://share.transistor.fm/s/e4b9a6d0</p><p><strong>Marlene M. Johnson</strong> was Minnesota’s first woman lieutenant governor, serving in Governor Rudy Perpich’s administration from 1983 until 1991. She is cofounder of the Minnesota Chapter of the National Association of Women Business Owners and the Minnesota Women’s Campaign Fund and was executive director and CEO of NAFSA: Association of International Educators for nearly two decades. She is on the advisory board of Kakenya’s Dream, a board member of the Washington Office on Latin America, and a trustee of The Alexandria Trust. She lives in Washington, DC.</p><p><br></p><p><strong>Lori Sturdevant</strong> is a retired Star Tribune editorial writer and columnist who has written about Minnesota government and politics since 1978.</p><p><br></p><p><strong>Elisabeth Griffith</strong> is an American historian, educator, and activist. She is author of <a href="https://www.simonandschuster.com/books/Formidable/Elisabeth-Griffith/9781639363971"><em>Formidable: American Women and the Fight for Equality: 1920–2020</em></a> and <em>In Her Own Right: The Life of Elizabeth Cady Stanton</em>.</p><p><br></p><p>OTHER WORKS REFERENCED:<br><a href="https://www.hup.harvard.edu/books/9780674003811"><em>Ambiguous Loss: Learning to Live with Unresolved Grief</em></a> / Pauline Boss</p><p><a href="https://shop.mnhs.org/products/turnout"><em>Turnout: Making Minnesota the State That Votes</em></a> / Joan Anderson Growe with Lori Sturdevant</p><p><a href="https://www.wiley.com/en-us/Loving+Someone+Who+Has+Dementia%3A+How+to+Find+Hope+while+Coping+with+Stress+and+Grief-p-9781118002292"><em>Loving Someone who has Dementia</em></a> / Pauline Boss</p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517917616/rise-to-the-challenge/"><strong><em>Rise to the Challenge</em></strong></a>:</p><p><br></p><p>“Marlene M. Johnson wasn’t just the first woman to be Minnesota’s Lieutenant Governor. She was also the first Lieutenant Governor to have a specific policy portfolio. She had access and influence in ways that laid the groundwork for me and others to follow. Marlene is of a class of women who made important strides in DFL politics, and I'm grateful for her place in Minnesota's history and for this book that tells that story”.</p><p><strong>—Lieutenant Governor Peggy Flanagan<br></strong><br></p><p><br></p><p>“An essential document of the midcentury rise of women into American politics. In this memoir of a remarkable public life, Marlene M. Johnson braids a love story tragically turned into caregiving and the domestic devotion of guardian and advocate. She proves that faithfulness in love and commitment to the betterment of the world are not opposites after all.”</p><p><strong>—Patricia Hampl</strong>, author of <em>The Art of the Wasted Day<br></em><br></p><p><br></p><p>“In the dynamic mid-twentieth-century women’s movement, Marlene M. Johnson stood out and stood up with clarity of vision and purpose. Her multiple public service initiatives propelled her to a national presence and then into international education leadership.”</p><p><strong>—Judge Harriet Lansing</strong>, retired, Minnesota Court of Appeals</p><p><br></p><p>“An important read for aspiring public servants, male or female.”</p><p><strong>—J. Brian Atwood</strong>, former administrator, US Agency for International Development</p>]]>
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      <pubDate>Tue, 17 Sep 2024 08:45:09 -0500</pubDate>
      <author>University of Minnesota Press</author>
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        <![CDATA[<p>Marlene M. Johnson’s memoir is an essential record of the ascension of women in American politics. In <a href="https://www.upress.umn.edu/9781517917616/rise-to-the-challenge/"><strong><em>Rise to the Challenge: A Memoir of Politics, Leadership, and Love</em></strong></a>, Johnson chronicles her life of learning and leadership in activism, entrepreneurship, politics, and public service, weaving professional play-by-plays with candidness about navigating personal loss. Here, Johnson is joined in conversation with Lori Sturdevant and Elisabeth (Betsy) Griffith. Access the transcript: https://share.transistor.fm/s/e4b9a6d0</p><p><strong>Marlene M. Johnson</strong> was Minnesota’s first woman lieutenant governor, serving in Governor Rudy Perpich’s administration from 1983 until 1991. She is cofounder of the Minnesota Chapter of the National Association of Women Business Owners and the Minnesota Women’s Campaign Fund and was executive director and CEO of NAFSA: Association of International Educators for nearly two decades. She is on the advisory board of Kakenya’s Dream, a board member of the Washington Office on Latin America, and a trustee of The Alexandria Trust. She lives in Washington, DC.</p><p><br></p><p><strong>Lori Sturdevant</strong> is a retired Star Tribune editorial writer and columnist who has written about Minnesota government and politics since 1978.</p><p><br></p><p><strong>Elisabeth Griffith</strong> is an American historian, educator, and activist. She is author of <a href="https://www.simonandschuster.com/books/Formidable/Elisabeth-Griffith/9781639363971"><em>Formidable: American Women and the Fight for Equality: 1920–2020</em></a> and <em>In Her Own Right: The Life of Elizabeth Cady Stanton</em>.</p><p><br></p><p>OTHER WORKS REFERENCED:<br><a href="https://www.hup.harvard.edu/books/9780674003811"><em>Ambiguous Loss: Learning to Live with Unresolved Grief</em></a> / Pauline Boss</p><p><a href="https://shop.mnhs.org/products/turnout"><em>Turnout: Making Minnesota the State That Votes</em></a> / Joan Anderson Growe with Lori Sturdevant</p><p><a href="https://www.wiley.com/en-us/Loving+Someone+Who+Has+Dementia%3A+How+to+Find+Hope+while+Coping+with+Stress+and+Grief-p-9781118002292"><em>Loving Someone who has Dementia</em></a> / Pauline Boss</p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517917616/rise-to-the-challenge/"><strong><em>Rise to the Challenge</em></strong></a>:</p><p><br></p><p>“Marlene M. Johnson wasn’t just the first woman to be Minnesota’s Lieutenant Governor. She was also the first Lieutenant Governor to have a specific policy portfolio. She had access and influence in ways that laid the groundwork for me and others to follow. Marlene is of a class of women who made important strides in DFL politics, and I'm grateful for her place in Minnesota's history and for this book that tells that story”.</p><p><strong>—Lieutenant Governor Peggy Flanagan<br></strong><br></p><p><br></p><p>“An essential document of the midcentury rise of women into American politics. In this memoir of a remarkable public life, Marlene M. Johnson braids a love story tragically turned into caregiving and the domestic devotion of guardian and advocate. She proves that faithfulness in love and commitment to the betterment of the world are not opposites after all.”</p><p><strong>—Patricia Hampl</strong>, author of <em>The Art of the Wasted Day<br></em><br></p><p><br></p><p>“In the dynamic mid-twentieth-century women’s movement, Marlene M. Johnson stood out and stood up with clarity of vision and purpose. Her multiple public service initiatives propelled her to a national presence and then into international education leadership.”</p><p><strong>—Judge Harriet Lansing</strong>, retired, Minnesota Court of Appeals</p><p><br></p><p>“An important read for aspiring public servants, male or female.”</p><p><strong>—J. Brian Atwood</strong>, former administrator, US Agency for International Development</p>]]>
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      <itunes:keywords>women, leadership, politics, DFL, campaigns, caretaking, international education, public policy, advocacy, Perpich, Clinton, caucus, activism, business, entrepreneurship, community, aging, sisterhood</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Extractive mediation, from the deep sea to oil culture</title>
      <itunes:episode>85</itunes:episode>
      <podcast:episode>85</podcast:episode>
      <itunes:title>Extractive mediation, from the deep sea to oil culture</itunes:title>
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        <![CDATA[<p>How are spaces once imagined to be empty, vast, and mysterious transformed into something with material and cultural value? Two authors tackle this same question, one from the perspective of the seafloor, and one from Canada’s oil sands: key spaces where the meaning of sustainability is actively negotiated. <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><em>Deepwater Alchemy: Extractive Mediation and the Taming of the Seafloor</em></a> by Lisa Yin Han looks at oceanic media and shows how deepwater mediation is entangled in existential hopes and fears for our planetary future. <a href="https://www.upress.umn.edu/9781517914332/petroturfing/"><em>Petroturfing: Refining Canadian Oil through Social Media</em></a> by Jordan B. Kinder looks at how an increasingly influential network of pro-oil groups in Canada work to reform the public view of oil extraction as something socially, economically, and ecologically beneficial. Here, Lisa and Jordan are joined in conversation with Thomas Pringle. Access the transcript: https://share.transistor.fm/s/53b648f6</p><p><br></p><p><strong>Lisa Yin Han</strong> is assistant professor of media studies at Pitzer College.</p><p><br></p><p><strong>Jordan B. Kinder</strong> is assistant professor in the Department of Communication Studies at Wilfrid Laurier University.</p><p><br></p><p><strong>Thomas Pringle</strong> is assistant professor of cinema and media studies at the University of Southern California. Pringle is co-author, with Gertrud Koch and Bernard Stiegler, of <a href="https://www.upress.umn.edu/9781517906498/machine/"><em>Machine</em></a>.</p><p><br></p><p>REFERENCES:</p><p><a href="https://wwnorton.com/books/9780393308730"><em>Nature’s Metropolis</em></a> / William Cronon</p><p><a href="https://www.penguinrandomhouse.com/books/200762/ethical-oil-by-ezra-levant/"><em>Ethical Oil</em></a> / Ezra Levant</p><p><a href="https://ualbertapress.ca/9781772121407/tar-wars/"><em>Tar Wars</em></a> / Geo Takach</p><p><a href="https://rowman.com/ISBN/9781786612830/Sustaining-Seas-Oceanic-Space-and-the-Politics-of-Care"><em>Sustaining Seas</em></a> / eds. Elspeth Probyn, Kate Johnson, and Nancy Lee (referencing essay by Lesley Green)</p><p><a href="https://www.dukeupress.edu/oceaning"><em>Oceaning</em></a> / Adam Fish</p><p><a href="https://www.upress.umn.edu/book-division/books/animal-revolution"><em>Animal Revolution</em></a> / Ron Broglio</p><p>Zoe Todd, “Fossil Fuels and Fossil Kin: An Environmental Kin Study of Weaponised Fossil Kin and Alberta’s So-Called ‘Energy Resources Heritage,’” <a href="https://onlinelibrary.wiley.com/doi/abs/10.1111/anti.12897"><em>Antipode</em></a> (2023)</p><p><a href="https://afteroil.ca/">After Oil Collective</a></p><p>Isabelle Stengers</p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><strong><em>Deepwater Alchemy</em></strong></a>:</p><p><br></p><p>“An essential contribution to the watery depths of the blue humanities.”</p><p><strong>—Jennifer Gabrys<br></strong><br></p><p><br></p><p>“<em>Deepwater Alchemy</em> tells a story vital to our present.”</p><p><strong>—Stefan Helmreich</strong></p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517914332/petroturfing/"><strong><em>Petroturfing</em></strong></a>:</p><p><br></p><p>“A profound and necessary book.”</p><p><strong>—Janet Walker<br></strong><br></p><p><br></p><p>“Offers great insight into an underdeveloped aspect of the cultural study of energy.”</p><p><strong>—Stephanie LeMenager</strong></p>]]>
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        <![CDATA[<p>How are spaces once imagined to be empty, vast, and mysterious transformed into something with material and cultural value? Two authors tackle this same question, one from the perspective of the seafloor, and one from Canada’s oil sands: key spaces where the meaning of sustainability is actively negotiated. <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><em>Deepwater Alchemy: Extractive Mediation and the Taming of the Seafloor</em></a> by Lisa Yin Han looks at oceanic media and shows how deepwater mediation is entangled in existential hopes and fears for our planetary future. <a href="https://www.upress.umn.edu/9781517914332/petroturfing/"><em>Petroturfing: Refining Canadian Oil through Social Media</em></a> by Jordan B. Kinder looks at how an increasingly influential network of pro-oil groups in Canada work to reform the public view of oil extraction as something socially, economically, and ecologically beneficial. Here, Lisa and Jordan are joined in conversation with Thomas Pringle. Access the transcript: https://share.transistor.fm/s/53b648f6</p><p><br></p><p><strong>Lisa Yin Han</strong> is assistant professor of media studies at Pitzer College.</p><p><br></p><p><strong>Jordan B. Kinder</strong> is assistant professor in the Department of Communication Studies at Wilfrid Laurier University.</p><p><br></p><p><strong>Thomas Pringle</strong> is assistant professor of cinema and media studies at the University of Southern California. Pringle is co-author, with Gertrud Koch and Bernard Stiegler, of <a href="https://www.upress.umn.edu/9781517906498/machine/"><em>Machine</em></a>.</p><p><br></p><p>REFERENCES:</p><p><a href="https://wwnorton.com/books/9780393308730"><em>Nature’s Metropolis</em></a> / William Cronon</p><p><a href="https://www.penguinrandomhouse.com/books/200762/ethical-oil-by-ezra-levant/"><em>Ethical Oil</em></a> / Ezra Levant</p><p><a href="https://ualbertapress.ca/9781772121407/tar-wars/"><em>Tar Wars</em></a> / Geo Takach</p><p><a href="https://rowman.com/ISBN/9781786612830/Sustaining-Seas-Oceanic-Space-and-the-Politics-of-Care"><em>Sustaining Seas</em></a> / eds. Elspeth Probyn, Kate Johnson, and Nancy Lee (referencing essay by Lesley Green)</p><p><a href="https://www.dukeupress.edu/oceaning"><em>Oceaning</em></a> / Adam Fish</p><p><a href="https://www.upress.umn.edu/book-division/books/animal-revolution"><em>Animal Revolution</em></a> / Ron Broglio</p><p>Zoe Todd, “Fossil Fuels and Fossil Kin: An Environmental Kin Study of Weaponised Fossil Kin and Alberta’s So-Called ‘Energy Resources Heritage,’” <a href="https://onlinelibrary.wiley.com/doi/abs/10.1111/anti.12897"><em>Antipode</em></a> (2023)</p><p><a href="https://afteroil.ca/">After Oil Collective</a></p><p>Isabelle Stengers</p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><strong><em>Deepwater Alchemy</em></strong></a>:</p><p><br></p><p>“An essential contribution to the watery depths of the blue humanities.”</p><p><strong>—Jennifer Gabrys<br></strong><br></p><p><br></p><p>“<em>Deepwater Alchemy</em> tells a story vital to our present.”</p><p><strong>—Stefan Helmreich</strong></p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517914332/petroturfing/"><strong><em>Petroturfing</em></strong></a>:</p><p><br></p><p>“A profound and necessary book.”</p><p><strong>—Janet Walker<br></strong><br></p><p><br></p><p>“Offers great insight into an underdeveloped aspect of the cultural study of energy.”</p><p><strong>—Stephanie LeMenager</strong></p>]]>
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      <pubDate>Tue, 27 Aug 2024 10:46:42 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3243</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>How are spaces once imagined to be empty, vast, and mysterious transformed into something with material and cultural value? Two authors tackle this same question, one from the perspective of the seafloor, and one from Canada’s oil sands: key spaces where the meaning of sustainability is actively negotiated. <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><em>Deepwater Alchemy: Extractive Mediation and the Taming of the Seafloor</em></a> by Lisa Yin Han looks at oceanic media and shows how deepwater mediation is entangled in existential hopes and fears for our planetary future. <a href="https://www.upress.umn.edu/9781517914332/petroturfing/"><em>Petroturfing: Refining Canadian Oil through Social Media</em></a> by Jordan B. Kinder looks at how an increasingly influential network of pro-oil groups in Canada work to reform the public view of oil extraction as something socially, economically, and ecologically beneficial. Here, Lisa and Jordan are joined in conversation with Thomas Pringle. Access the transcript: https://share.transistor.fm/s/53b648f6</p><p><br></p><p><strong>Lisa Yin Han</strong> is assistant professor of media studies at Pitzer College.</p><p><br></p><p><strong>Jordan B. Kinder</strong> is assistant professor in the Department of Communication Studies at Wilfrid Laurier University.</p><p><br></p><p><strong>Thomas Pringle</strong> is assistant professor of cinema and media studies at the University of Southern California. Pringle is co-author, with Gertrud Koch and Bernard Stiegler, of <a href="https://www.upress.umn.edu/9781517906498/machine/"><em>Machine</em></a>.</p><p><br></p><p>REFERENCES:</p><p><a href="https://wwnorton.com/books/9780393308730"><em>Nature’s Metropolis</em></a> / William Cronon</p><p><a href="https://www.penguinrandomhouse.com/books/200762/ethical-oil-by-ezra-levant/"><em>Ethical Oil</em></a> / Ezra Levant</p><p><a href="https://ualbertapress.ca/9781772121407/tar-wars/"><em>Tar Wars</em></a> / Geo Takach</p><p><a href="https://rowman.com/ISBN/9781786612830/Sustaining-Seas-Oceanic-Space-and-the-Politics-of-Care"><em>Sustaining Seas</em></a> / eds. Elspeth Probyn, Kate Johnson, and Nancy Lee (referencing essay by Lesley Green)</p><p><a href="https://www.dukeupress.edu/oceaning"><em>Oceaning</em></a> / Adam Fish</p><p><a href="https://www.upress.umn.edu/book-division/books/animal-revolution"><em>Animal Revolution</em></a> / Ron Broglio</p><p>Zoe Todd, “Fossil Fuels and Fossil Kin: An Environmental Kin Study of Weaponised Fossil Kin and Alberta’s So-Called ‘Energy Resources Heritage,’” <a href="https://onlinelibrary.wiley.com/doi/abs/10.1111/anti.12897"><em>Antipode</em></a> (2023)</p><p><a href="https://afteroil.ca/">After Oil Collective</a></p><p>Isabelle Stengers</p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517915940/deepwater-alchemy/"><strong><em>Deepwater Alchemy</em></strong></a>:</p><p><br></p><p>“An essential contribution to the watery depths of the blue humanities.”</p><p><strong>—Jennifer Gabrys<br></strong><br></p><p><br></p><p>“<em>Deepwater Alchemy</em> tells a story vital to our present.”</p><p><strong>—Stefan Helmreich</strong></p><p><br></p><p>Praise for <a href="https://www.upress.umn.edu/9781517914332/petroturfing/"><strong><em>Petroturfing</em></strong></a>:</p><p><br></p><p>“A profound and necessary book.”</p><p><strong>—Janet Walker<br></strong><br></p><p><br></p><p>“Offers great insight into an underdeveloped aspect of the cultural study of energy.”</p><p><strong>—Stephanie LeMenager</strong></p>]]>
      </itunes:summary>
      <itunes:keywords>extraction, decontextualization, blue humanities, media studies, culture, underwater, mediation, ocean, seabed mining, resources, green energy, infrastructure, oil sands, Alberta, tar, pipelines, environment, energy futures, fossil fuel, capitalism, socialism, economy</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>The early film writings of Chris Marker</title>
      <itunes:episode>84</itunes:episode>
      <podcast:episode>84</podcast:episode>
      <itunes:title>The early film writings of Chris Marker</itunes:title>
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        <![CDATA[<p>For Chris Marker, writing came before filmmaking. A decade after Marker’s death, critics continue to rediscover his remarkable oeuvre, which comprised writing, photography, film, video, radio, and digital media. Associated with the Left Bank subset of the French New Wave, Marker is perhaps best recognized for directing <em>La Jetée</em> (1962). To celebrate the publication of the first English translation of Marker’s early writings (published between 1948 and 1955), Steven Ungar, the editor of <a href="https://www.upress.umn.edu/9781517913199/chris-marker/"><strong><em>Chris Marker: Early Film Writings</em></strong></a>, with translator Sally Shafto, have joined Jean-Michel Frodo and Sam Di Iorio in conversation. Access the transcript: https://share.transistor.fm/s/a82a8f9e</p><p><br></p><p>“The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.”<br>—film theorist Roy Armes</p><p><strong>Chris Marker</strong> (born Christian Hippolyte François Georges Bouche-Villeneuve, 1921–2012) was a French writer, artist, and director. His time-travel film <em>La Jetée</em> (1962) is one of the most celebrated shorts ever made. A true polymath, his later creations ranged from videos and the interactive CD-ROM <em>Immemory</em> to the multimedia digital platform Second Life.</p><p><br></p><p><strong>Steven Ungar</strong> is professor emeritus of cinematic arts, French, and comparative literature at the University of Iowa. He is author of several books including <a href="https://www.upress.umn.edu/9780816689217/critical-mass/"><em>Critical Mass: Social Documentary in France from the Silent Era to the New Wave</em></a>.</p><p><br></p><p><strong>Sally Shafto</strong> is a French film scholar and translator and assistant professor of English at Framingham State University. She is author of <a href="https://www.filmdeskbooks.com/shop/p/zanzibar-films-and-the-dandies-of-may-1968-by-sally-shafto-softcover-first-edition"><em>The Zanzibar Films and the Dandies of May 1968</em></a>, and her translations include Jean-Marie Staub and Danièle Huillet’s <a href="https://mitpress.mit.edu/9780983216995/writings/"><em>Writings</em></a>. She teaches at Framingham State University.</p><p><br></p><p><strong>Jean-Michel Frodon</strong> is a journalist and one of the most influential film critics and film historians in the world. He is author or contributor of several books including <a href="https://www.filmdeskbooks.com/shop/p/theworldofjiazhangke"><em>The World of Jia Zhangke</em></a> and <a href="https://www.abebooks.com/9782866426033/Cin%C3%A9ma-Fran%C3%A7ais-Nouvelle-Vague-Jours-2866426037/plp"><em>Le Cinéma Français de la Nouvelle Vague a Nos Jours</em></a>, and wrote the foreword to <a href="https://www.upress.umn.edu/9780816679928/night-and-fog/"><em>“Night and Fog”: A Film in History</em></a> by Sylvie Lindeperg. Frodon blogs at <a href="https://projection-publique.com/">Projection Publique</a>.</p><p><br></p><p><strong>Sam Di Iorio</strong> is Associate Professor of French at Hunter College and Deputy Executive Officer of the Ph.D. Program in French at the CUNY Graduate Center. He has written about postwar films and filmmakers, political theory, and cultural history for <em>Screen</em>, <em>Trafic</em>, <em>Film Comment</em> and the Criterion Collection. His essay “Comolli’s Detours: Free Jazz, Film Theory, <em>Cinéma Direct</em>” is forthcoming with Amsterdam University Press. </p><p><br></p><p>EPISODE REFERENCES AND RECOMMENDED READING:</p><p>-André Bazin</p><p>-Robert Cannon’s <em>Gerald McBoing-Boing</em></p><p>-Alain Resnais</p><p>-Agnès Varda</p><p>-Jean Rouch</p><p>-René Leibowitz</p><p>-Joseph Rovan (born Joseph Adolph Rosenthal)</p><p>-Nicole Védrès</p><p>-<a href="https://inpatientpress.bigcartel.com/product/eternal-current-events-by-chris-marker"><em>Eternal Current Events</em></a> (translated by Jackson B. Smith)</p><p>-<a href="https://www.filmdeskbooks.com/shop/p/le-depays-by-chris-marker"><em>Le Dépays</em></a> / Chris Marker</p><p>-<a href="https://read.dukeupress.edu/camera-obscura/article/37/3%20(111)/59/343411/The-Leaves-Are-Stirring-1948">Camera Obscura piece by Ivan Cerecina</a> translating Nicole Védrès’s “Les feuilles bougent” (“The Leaves Are Stirring”) and an <a href="https://read.dukeupress.edu/camera-obscura/article/37/3%20(111)/69/343412/The-very-palpitation-of-life-The-Leaves-Are">accompanying essay</a></p><p>-<a href="https://www.hup.harvard.edu/books/9780674762688"><em>Republic of Images</em></a> / Alan Williams</p><p>-<a href="https://www.abebooks.com/9782866426033/Cin%C3%A9ma-Fran%C3%A7ais-Nouvelle-Vague-Jours-2866426037/plp"><em>Le Cinéma Français de la Nouvelle Vague a Nos Jours</em></a> / Jean-Michel Frodon</p><p>-<a href="https://muse.jhu.edu/article/626945/figure/fig01"><em>The Fragile Present:</em></a> <em>Statues Also Die with Night and Fog</em> by Sam Di Iorio; article in <em>South Central Review</em>.</p><p>-<a href="https://www.amazon.com/Trafic-N%C2%B0105-Printemps-TRAFIC-French-ebook/dp/B07B4XKVYB">Trafic N°105 (Printemps 2018)</a>, with article by Sam Di Iorio</p><p>MORE CHRIS MARKER:</p><p><a href="https://chrismarker.ch/">chrismarker.ch</a></p><p><a href="http://gorgomancy.net">Gorgomancy.net</a></p><p><a href="https://www.criterionchannel.com/search?q=chris%20marker">The Criterion Channel</a></p><p><br><a href="https://www.upress.umn.edu/9781517913199/chris-marker/"><strong><em>Chris Marker: Early Film Writings</em></strong></a> is available from University of Minnesota Press.</p><p>"One of the pleasures of Chris Marker’s films is the singular literary voice of his inimitable commentaries, in all its wit and quicksilver intelligence. That voice is present here, being honed through contact with others’ images and before Marker moved from the page to the screen himself. This groundbreaking collection introduces aficionados old and new to work likely unknown to them and allows us all to discover another dimension of this prodigious artist: Marker the film critic."<br><strong>—Chris Darke</strong>, author of <em>La Jetée </em>(BFI Film Classics)</p>]]>
      </description>
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        <![CDATA[<p>For Chris Marker, writing came before filmmaking. A decade after Marker’s death, critics continue to rediscover his remarkable oeuvre, which comprised writing, photography, film, video, radio, and digital media. Associated with the Left Bank subset of the French New Wave, Marker is perhaps best recognized for directing <em>La Jetée</em> (1962). To celebrate the publication of the first English translation of Marker’s early writings (published between 1948 and 1955), Steven Ungar, the editor of <a href="https://www.upress.umn.edu/9781517913199/chris-marker/"><strong><em>Chris Marker: Early Film Writings</em></strong></a>, with translator Sally Shafto, have joined Jean-Michel Frodo and Sam Di Iorio in conversation. Access the transcript: https://share.transistor.fm/s/a82a8f9e</p><p><br></p><p>“The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.”<br>—film theorist Roy Armes</p><p><strong>Chris Marker</strong> (born Christian Hippolyte François Georges Bouche-Villeneuve, 1921–2012) was a French writer, artist, and director. His time-travel film <em>La Jetée</em> (1962) is one of the most celebrated shorts ever made. A true polymath, his later creations ranged from videos and the interactive CD-ROM <em>Immemory</em> to the multimedia digital platform Second Life.</p><p><br></p><p><strong>Steven Ungar</strong> is professor emeritus of cinematic arts, French, and comparative literature at the University of Iowa. He is author of several books including <a href="https://www.upress.umn.edu/9780816689217/critical-mass/"><em>Critical Mass: Social Documentary in France from the Silent Era to the New Wave</em></a>.</p><p><br></p><p><strong>Sally Shafto</strong> is a French film scholar and translator and assistant professor of English at Framingham State University. She is author of <a href="https://www.filmdeskbooks.com/shop/p/zanzibar-films-and-the-dandies-of-may-1968-by-sally-shafto-softcover-first-edition"><em>The Zanzibar Films and the Dandies of May 1968</em></a>, and her translations include Jean-Marie Staub and Danièle Huillet’s <a href="https://mitpress.mit.edu/9780983216995/writings/"><em>Writings</em></a>. She teaches at Framingham State University.</p><p><br></p><p><strong>Jean-Michel Frodon</strong> is a journalist and one of the most influential film critics and film historians in the world. He is author or contributor of several books including <a href="https://www.filmdeskbooks.com/shop/p/theworldofjiazhangke"><em>The World of Jia Zhangke</em></a> and <a href="https://www.abebooks.com/9782866426033/Cin%C3%A9ma-Fran%C3%A7ais-Nouvelle-Vague-Jours-2866426037/plp"><em>Le Cinéma Français de la Nouvelle Vague a Nos Jours</em></a>, and wrote the foreword to <a href="https://www.upress.umn.edu/9780816679928/night-and-fog/"><em>“Night and Fog”: A Film in History</em></a> by Sylvie Lindeperg. Frodon blogs at <a href="https://projection-publique.com/">Projection Publique</a>.</p><p><br></p><p><strong>Sam Di Iorio</strong> is Associate Professor of French at Hunter College and Deputy Executive Officer of the Ph.D. Program in French at the CUNY Graduate Center. He has written about postwar films and filmmakers, political theory, and cultural history for <em>Screen</em>, <em>Trafic</em>, <em>Film Comment</em> and the Criterion Collection. His essay “Comolli’s Detours: Free Jazz, Film Theory, <em>Cinéma Direct</em>” is forthcoming with Amsterdam University Press. </p><p><br></p><p>EPISODE REFERENCES AND RECOMMENDED READING:</p><p>-André Bazin</p><p>-Robert Cannon’s <em>Gerald McBoing-Boing</em></p><p>-Alain Resnais</p><p>-Agnès Varda</p><p>-Jean Rouch</p><p>-René Leibowitz</p><p>-Joseph Rovan (born Joseph Adolph Rosenthal)</p><p>-Nicole Védrès</p><p>-<a href="https://inpatientpress.bigcartel.com/product/eternal-current-events-by-chris-marker"><em>Eternal Current Events</em></a> (translated by Jackson B. Smith)</p><p>-<a href="https://www.filmdeskbooks.com/shop/p/le-depays-by-chris-marker"><em>Le Dépays</em></a> / Chris Marker</p><p>-<a href="https://read.dukeupress.edu/camera-obscura/article/37/3%20(111)/59/343411/The-Leaves-Are-Stirring-1948">Camera Obscura piece by Ivan Cerecina</a> translating Nicole Védrès’s “Les feuilles bougent” (“The Leaves Are Stirring”) and an <a href="https://read.dukeupress.edu/camera-obscura/article/37/3%20(111)/69/343412/The-very-palpitation-of-life-The-Leaves-Are">accompanying essay</a></p><p>-<a href="https://www.hup.harvard.edu/books/9780674762688"><em>Republic of Images</em></a> / Alan Williams</p><p>-<a href="https://www.abebooks.com/9782866426033/Cin%C3%A9ma-Fran%C3%A7ais-Nouvelle-Vague-Jours-2866426037/plp"><em>Le Cinéma Français de la Nouvelle Vague a Nos Jours</em></a> / Jean-Michel Frodon</p><p>-<a href="https://muse.jhu.edu/article/626945/figure/fig01"><em>The Fragile Present:</em></a> <em>Statues Also Die with Night and Fog</em> by Sam Di Iorio; article in <em>South Central Review</em>.</p><p>-<a href="https://www.amazon.com/Trafic-N%C2%B0105-Printemps-TRAFIC-French-ebook/dp/B07B4XKVYB">Trafic N°105 (Printemps 2018)</a>, with article by Sam Di Iorio</p><p>MORE CHRIS MARKER:</p><p><a href="https://chrismarker.ch/">chrismarker.ch</a></p><p><a href="http://gorgomancy.net">Gorgomancy.net</a></p><p><a href="https://www.criterionchannel.com/search?q=chris%20marker">The Criterion Channel</a></p><p><br><a href="https://www.upress.umn.edu/9781517913199/chris-marker/"><strong><em>Chris Marker: Early Film Writings</em></strong></a> is available from University of Minnesota Press.</p><p>"One of the pleasures of Chris Marker’s films is the singular literary voice of his inimitable commentaries, in all its wit and quicksilver intelligence. That voice is present here, being honed through contact with others’ images and before Marker moved from the page to the screen himself. This groundbreaking collection introduces aficionados old and new to work likely unknown to them and allows us all to discover another dimension of this prodigious artist: Marker the film critic."<br><strong>—Chris Darke</strong>, author of <em>La Jetée </em>(BFI Film Classics)</p>]]>
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      <pubDate>Tue, 13 Aug 2024 09:22:17 -0500</pubDate>
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        <![CDATA[<p>For Chris Marker, writing came before filmmaking. A decade after Marker’s death, critics continue to rediscover his remarkable oeuvre, which comprised writing, photography, film, video, radio, and digital media. Associated with the Left Bank subset of the French New Wave, Marker is perhaps best recognized for directing <em>La Jetée</em> (1962). To celebrate the publication of the first English translation of Marker’s early writings (published between 1948 and 1955), Steven Ungar, the editor of <a href="https://www.upress.umn.edu/9781517913199/chris-marker/"><strong><em>Chris Marker: Early Film Writings</em></strong></a>, with translator Sally Shafto, have joined Jean-Michel Frodo and Sam Di Iorio in conversation. Access the transcript: https://share.transistor.fm/s/a82a8f9e</p><p><br></p><p>“The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.”<br>—film theorist Roy Armes</p><p><strong>Chris Marker</strong> (born Christian Hippolyte François Georges Bouche-Villeneuve, 1921–2012) was a French writer, artist, and director. His time-travel film <em>La Jetée</em> (1962) is one of the most celebrated shorts ever made. A true polymath, his later creations ranged from videos and the interactive CD-ROM <em>Immemory</em> to the multimedia digital platform Second Life.</p><p><br></p><p><strong>Steven Ungar</strong> is professor emeritus of cinematic arts, French, and comparative literature at the University of Iowa. He is author of several books including <a href="https://www.upress.umn.edu/9780816689217/critical-mass/"><em>Critical Mass: Social Documentary in France from the Silent Era to the New Wave</em></a>.</p><p><br></p><p><strong>Sally Shafto</strong> is a French film scholar and translator and assistant professor of English at Framingham State University. She is author of <a href="https://www.filmdeskbooks.com/shop/p/zanzibar-films-and-the-dandies-of-may-1968-by-sally-shafto-softcover-first-edition"><em>The Zanzibar Films and the Dandies of May 1968</em></a>, and her translations include Jean-Marie Staub and Danièle Huillet’s <a href="https://mitpress.mit.edu/9780983216995/writings/"><em>Writings</em></a>. She teaches at Framingham State University.</p><p><br></p><p><strong>Jean-Michel Frodon</strong> is a journalist and one of the most influential film critics and film historians in the world. He is author or contributor of several books including <a href="https://www.filmdeskbooks.com/shop/p/theworldofjiazhangke"><em>The World of Jia Zhangke</em></a> and <a href="https://www.abebooks.com/9782866426033/Cin%C3%A9ma-Fran%C3%A7ais-Nouvelle-Vague-Jours-2866426037/plp"><em>Le Cinéma Français de la Nouvelle Vague a Nos Jours</em></a>, and wrote the foreword to <a href="https://www.upress.umn.edu/9780816679928/night-and-fog/"><em>“Night and Fog”: A Film in History</em></a> by Sylvie Lindeperg. Frodon blogs at <a href="https://projection-publique.com/">Projection Publique</a>.</p><p><br></p><p><strong>Sam Di Iorio</strong> is Associate Professor of French at Hunter College and Deputy Executive Officer of the Ph.D. Program in French at the CUNY Graduate Center. He has written about postwar films and filmmakers, political theory, and cultural history for <em>Screen</em>, <em>Trafic</em>, <em>Film Comment</em> and the Criterion Collection. His essay “Comolli’s Detours: Free Jazz, Film Theory, <em>Cinéma Direct</em>” is forthcoming with Amsterdam University Press. </p><p><br></p><p>EPISODE REFERENCES AND RECOMMENDED READING:</p><p>-André Bazin</p><p>-Robert Cannon’s <em>Gerald McBoing-Boing</em></p><p>-Alain Resnais</p><p>-Agnès Varda</p><p>-Jean Rouch</p><p>-René Leibowitz</p><p>-Joseph Rovan (born Joseph Adolph Rosenthal)</p><p>-Nicole Védrès</p><p>-<a href="https://inpatientpress.bigcartel.com/product/eternal-current-events-by-chris-marker"><em>Eternal Current Events</em></a> (translated by Jackson B. Smith)</p><p>-<a href="https://www.filmdeskbooks.com/shop/p/le-depays-by-chris-marker"><em>Le Dépays</em></a> / Chris Marker</p><p>-<a href="https://read.dukeupress.edu/camera-obscura/article/37/3%20(111)/59/343411/The-Leaves-Are-Stirring-1948">Camera Obscura piece by Ivan Cerecina</a> translating Nicole Védrès’s “Les feuilles bougent” (“The Leaves Are Stirring”) and an <a href="https://read.dukeupress.edu/camera-obscura/article/37/3%20(111)/69/343412/The-very-palpitation-of-life-The-Leaves-Are">accompanying essay</a></p><p>-<a href="https://www.hup.harvard.edu/books/9780674762688"><em>Republic of Images</em></a> / Alan Williams</p><p>-<a href="https://www.abebooks.com/9782866426033/Cin%C3%A9ma-Fran%C3%A7ais-Nouvelle-Vague-Jours-2866426037/plp"><em>Le Cinéma Français de la Nouvelle Vague a Nos Jours</em></a> / Jean-Michel Frodon</p><p>-<a href="https://muse.jhu.edu/article/626945/figure/fig01"><em>The Fragile Present:</em></a> <em>Statues Also Die with Night and Fog</em> by Sam Di Iorio; article in <em>South Central Review</em>.</p><p>-<a href="https://www.amazon.com/Trafic-N%C2%B0105-Printemps-TRAFIC-French-ebook/dp/B07B4XKVYB">Trafic N°105 (Printemps 2018)</a>, with article by Sam Di Iorio</p><p>MORE CHRIS MARKER:</p><p><a href="https://chrismarker.ch/">chrismarker.ch</a></p><p><a href="http://gorgomancy.net">Gorgomancy.net</a></p><p><a href="https://www.criterionchannel.com/search?q=chris%20marker">The Criterion Channel</a></p><p><br><a href="https://www.upress.umn.edu/9781517913199/chris-marker/"><strong><em>Chris Marker: Early Film Writings</em></strong></a> is available from University of Minnesota Press.</p><p>"One of the pleasures of Chris Marker’s films is the singular literary voice of his inimitable commentaries, in all its wit and quicksilver intelligence. That voice is present here, being honed through contact with others’ images and before Marker moved from the page to the screen himself. This groundbreaking collection introduces aficionados old and new to work likely unknown to them and allows us all to discover another dimension of this prodigious artist: Marker the film critic."<br><strong>—Chris Darke</strong>, author of <em>La Jetée </em>(BFI Film Classics)</p>]]>
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      <itunes:keywords>Left Bank Cinema, French New Wave, La Jetée, Esprit, André Bazin, Jean-Luc Godard, François Truffaut, Eric Rohmer, avant-garde, Un chien andalou, Gerald McBoing Boing</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Deconstructing deep time.</title>
      <itunes:episode>83</itunes:episode>
      <podcast:episode>83</podcast:episode>
      <itunes:title>Deconstructing deep time.</itunes:title>
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        <![CDATA[<p>Has the idea of the end of the world captured your imagination? Ted Toadvine’s book <a href="https://www.upress.umn.edu/9781517916008/the-memory-of-the-world/"><strong><em>The Memory of the World: Deep Time, Animality, and Eschatology</em></strong></a> contends that a preoccupation with the world’s precarity relies on a flawed understanding of time that neglects the past and present with the goal of managing the future. Toadvine integrates insights from phenomenology, deconstruction, critical animal studies, and new materialism to argue for a new philosophy of time that takes seriously the entangled temporal events spanning cosmic, geological, evolutionary, and human durations. Here Toadvine is joined in conversation with David Morris and Benjamin Décarie-Daigneault. Access the transcript: https://share.transistor.fm/s/4e47d08f</p><p><strong>Ted Toadvine</strong> is Nancy Tuana Director of the Rock Ethics Institute and professor of philosophy at The Pennsylvania State University.</p><p><br></p><p><strong>David Morris</strong> is professor of philosophy at Concordia University in Montreal.</p><p><br></p><p><strong>Benjamin Décarie-Daigneault</strong> is a graduate student of philosophy at The Pennsylvania State University.</p><p><br>REFERENCES:</p><p>Maurice Merleau-Ponty (body of works including <a href="https://www.routledge.com/Phenomenology-of-Perception/Merleau-Ponty/p/book/9780415834339"><em>Phenomenology of Perception</em></a>)</p><p>Immanuel Kant</p><p>Dipesh Chakrabarty</p><p>Michel Serres / <a href="https://www.bloomsbury.com/us/incandescent-9781474297400/"><em>The Incandescent</em></a></p><p>Martin Heidegger</p><p>Jacques Derrida</p><p>Jean-Luc Nancy</p><p>Jerome Miller</p><p>Henri Bergson</p><p>Edmund Husserl</p><p>James Playfair</p><p>James Hutton (Hutton’s Unconformity)</p><p>John Sallis / <a href="https://iupress.org/9780253208880/stone/"><em>Stone</em></a></p><p>Adam Frank, Marcelo Gleiser, and Evan Thompson / <a href="https://mitpress.mit.edu/9780262048804/the-blind-spot/"><em>The Blind Spot</em></a></p><p>Jane Bennett</p><p>Donald S. Maier / <a href="https://link.springer.com/book/10.1007/978-94-007-3991-8"><em>What’s So Good About Biodiversity?</em></a></p><p>Ferdinand de Saussure</p><p>Émile P. Torres / <a href="https://www.routledge.com/Human-Extinction-A-History-of-the-Science-and-Ethics-of-Annihilation/Torres/p/book/9781032159065"><em>Human Extinction</em></a></p><p>Rachel Carson / Silent Spring</p><p>Kyle Powys Whyte</p><p>Alfred North Whitehead / <a href="http://cosimobooks.com/book_description.php?book=825&amp;texto=The-Concept-of-Nature-1602062137-9781602062139&amp;uri="><em>The</em> <em>Concept of Nature</em></a>  </p><p><br></p><p><a href="https://www.upress.umn.edu/9781517916008/the-memory-of-the-world/"><strong><em>The Memory of the World: Deep Time, Animality, and Eschatology</em></strong></a> is available from University of Minnesota Press.</p><p><br></p><p>“<em>The Memory of the World</em> achieves two important things: it steers our understanding of Merleau-Ponty toward a temporal interpretation of his thought and, at the same time, it uses that reading to make a critical intervention amongst theories of environmental apocalypse. Ted Toadvine’s concept of ‘biodiacritics’ should lead to a reorientation of the ‘eschatological imagination,’ producing effects in knowledge that are as insightful as they are impactful. This is a wonderful book that is a pleasure to think alongside.”</p><p>—John Ó Maoilearca</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Has the idea of the end of the world captured your imagination? Ted Toadvine’s book <a href="https://www.upress.umn.edu/9781517916008/the-memory-of-the-world/"><strong><em>The Memory of the World: Deep Time, Animality, and Eschatology</em></strong></a> contends that a preoccupation with the world’s precarity relies on a flawed understanding of time that neglects the past and present with the goal of managing the future. Toadvine integrates insights from phenomenology, deconstruction, critical animal studies, and new materialism to argue for a new philosophy of time that takes seriously the entangled temporal events spanning cosmic, geological, evolutionary, and human durations. Here Toadvine is joined in conversation with David Morris and Benjamin Décarie-Daigneault. Access the transcript: https://share.transistor.fm/s/4e47d08f</p><p><strong>Ted Toadvine</strong> is Nancy Tuana Director of the Rock Ethics Institute and professor of philosophy at The Pennsylvania State University.</p><p><br></p><p><strong>David Morris</strong> is professor of philosophy at Concordia University in Montreal.</p><p><br></p><p><strong>Benjamin Décarie-Daigneault</strong> is a graduate student of philosophy at The Pennsylvania State University.</p><p><br>REFERENCES:</p><p>Maurice Merleau-Ponty (body of works including <a href="https://www.routledge.com/Phenomenology-of-Perception/Merleau-Ponty/p/book/9780415834339"><em>Phenomenology of Perception</em></a>)</p><p>Immanuel Kant</p><p>Dipesh Chakrabarty</p><p>Michel Serres / <a href="https://www.bloomsbury.com/us/incandescent-9781474297400/"><em>The Incandescent</em></a></p><p>Martin Heidegger</p><p>Jacques Derrida</p><p>Jean-Luc Nancy</p><p>Jerome Miller</p><p>Henri Bergson</p><p>Edmund Husserl</p><p>James Playfair</p><p>James Hutton (Hutton’s Unconformity)</p><p>John Sallis / <a href="https://iupress.org/9780253208880/stone/"><em>Stone</em></a></p><p>Adam Frank, Marcelo Gleiser, and Evan Thompson / <a href="https://mitpress.mit.edu/9780262048804/the-blind-spot/"><em>The Blind Spot</em></a></p><p>Jane Bennett</p><p>Donald S. Maier / <a href="https://link.springer.com/book/10.1007/978-94-007-3991-8"><em>What’s So Good About Biodiversity?</em></a></p><p>Ferdinand de Saussure</p><p>Émile P. Torres / <a href="https://www.routledge.com/Human-Extinction-A-History-of-the-Science-and-Ethics-of-Annihilation/Torres/p/book/9781032159065"><em>Human Extinction</em></a></p><p>Rachel Carson / Silent Spring</p><p>Kyle Powys Whyte</p><p>Alfred North Whitehead / <a href="http://cosimobooks.com/book_description.php?book=825&amp;texto=The-Concept-of-Nature-1602062137-9781602062139&amp;uri="><em>The</em> <em>Concept of Nature</em></a>  </p><p><br></p><p><a href="https://www.upress.umn.edu/9781517916008/the-memory-of-the-world/"><strong><em>The Memory of the World: Deep Time, Animality, and Eschatology</em></strong></a> is available from University of Minnesota Press.</p><p><br></p><p>“<em>The Memory of the World</em> achieves two important things: it steers our understanding of Merleau-Ponty toward a temporal interpretation of his thought and, at the same time, it uses that reading to make a critical intervention amongst theories of environmental apocalypse. Ted Toadvine’s concept of ‘biodiacritics’ should lead to a reorientation of the ‘eschatological imagination,’ producing effects in knowledge that are as insightful as they are impactful. This is a wonderful book that is a pleasure to think alongside.”</p><p>—John Ó Maoilearca</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 30 Jul 2024 10:31:40 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4716</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Has the idea of the end of the world captured your imagination? Ted Toadvine’s book <a href="https://www.upress.umn.edu/9781517916008/the-memory-of-the-world/"><strong><em>The Memory of the World: Deep Time, Animality, and Eschatology</em></strong></a> contends that a preoccupation with the world’s precarity relies on a flawed understanding of time that neglects the past and present with the goal of managing the future. Toadvine integrates insights from phenomenology, deconstruction, critical animal studies, and new materialism to argue for a new philosophy of time that takes seriously the entangled temporal events spanning cosmic, geological, evolutionary, and human durations. Here Toadvine is joined in conversation with David Morris and Benjamin Décarie-Daigneault. Access the transcript: https://share.transistor.fm/s/4e47d08f</p><p><strong>Ted Toadvine</strong> is Nancy Tuana Director of the Rock Ethics Institute and professor of philosophy at The Pennsylvania State University.</p><p><br></p><p><strong>David Morris</strong> is professor of philosophy at Concordia University in Montreal.</p><p><br></p><p><strong>Benjamin Décarie-Daigneault</strong> is a graduate student of philosophy at The Pennsylvania State University.</p><p><br>REFERENCES:</p><p>Maurice Merleau-Ponty (body of works including <a href="https://www.routledge.com/Phenomenology-of-Perception/Merleau-Ponty/p/book/9780415834339"><em>Phenomenology of Perception</em></a>)</p><p>Immanuel Kant</p><p>Dipesh Chakrabarty</p><p>Michel Serres / <a href="https://www.bloomsbury.com/us/incandescent-9781474297400/"><em>The Incandescent</em></a></p><p>Martin Heidegger</p><p>Jacques Derrida</p><p>Jean-Luc Nancy</p><p>Jerome Miller</p><p>Henri Bergson</p><p>Edmund Husserl</p><p>James Playfair</p><p>James Hutton (Hutton’s Unconformity)</p><p>John Sallis / <a href="https://iupress.org/9780253208880/stone/"><em>Stone</em></a></p><p>Adam Frank, Marcelo Gleiser, and Evan Thompson / <a href="https://mitpress.mit.edu/9780262048804/the-blind-spot/"><em>The Blind Spot</em></a></p><p>Jane Bennett</p><p>Donald S. Maier / <a href="https://link.springer.com/book/10.1007/978-94-007-3991-8"><em>What’s So Good About Biodiversity?</em></a></p><p>Ferdinand de Saussure</p><p>Émile P. Torres / <a href="https://www.routledge.com/Human-Extinction-A-History-of-the-Science-and-Ethics-of-Annihilation/Torres/p/book/9781032159065"><em>Human Extinction</em></a></p><p>Rachel Carson / Silent Spring</p><p>Kyle Powys Whyte</p><p>Alfred North Whitehead / <a href="http://cosimobooks.com/book_description.php?book=825&amp;texto=The-Concept-of-Nature-1602062137-9781602062139&amp;uri="><em>The</em> <em>Concept of Nature</em></a>  </p><p><br></p><p><a href="https://www.upress.umn.edu/9781517916008/the-memory-of-the-world/"><strong><em>The Memory of the World: Deep Time, Animality, and Eschatology</em></strong></a> is available from University of Minnesota Press.</p><p><br></p><p>“<em>The Memory of the World</em> achieves two important things: it steers our understanding of Merleau-Ponty toward a temporal interpretation of his thought and, at the same time, it uses that reading to make a critical intervention amongst theories of environmental apocalypse. Ted Toadvine’s concept of ‘biodiacritics’ should lead to a reorientation of the ‘eschatological imagination,’ producing effects in knowledge that are as insightful as they are impactful. This is a wonderful book that is a pleasure to think alongside.”</p><p>—John Ó Maoilearca</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>fossils, phenomenology, temporality, biodiacritics, prehistory, past, minerality, linearity, phenomenology, evolution, deconstruction, environmental humanities, nature, space, time</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Translating the post-exotic writer Antoine Volodine</title>
      <itunes:episode>82</itunes:episode>
      <podcast:episode>82</podcast:episode>
      <itunes:title>Translating the post-exotic writer Antoine Volodine</itunes:title>
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        <![CDATA[<p>Antoine Volodine is the primary pseudonym of a French-Russian writer of many books. The meditative, postapocalyptic noir <a href="https://www.upress.umn.edu/9781517917142/mevlidos-dreams/"><strong><em>Mevlido’s Dreams</em></strong></a>, translated by Gina M. Stamm, is an urgent communiqué from a far-future reality of irreversible environmental damage and civilizational collapse that asks what it means to love and care for others at the end of the world. Here, Stamm is joined in conversation with Joshua Armstrong about translating this key work in Volodine’s post-exotic fictional universe. Access the transcript: https://share.transistor.fm/s/1d38a405</p><p><strong>Gina M. Stamm </strong>is assistant professor of French at the University of Alabama.</p><p><br></p><p><strong>Joshua Armstrong</strong> is associate professor of French at the University of Wisconsin–Madison.</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917142/mevlidos-dreams/"><strong><em>Mevlido’s Dreams: A Post-Exotic Novel</em></strong></a> is available from University of Minnesota Press.</p><p><br></p><p>“Translator Stamm does an admirable job of rendering Volodine’s serpentine prose in English, and the noirish, surrealist story turns into an unlikely romp as it riffs on the absurdity of 20th-century political institutions and pop culture.” <br><strong><em>—Publishers Weekly</em></strong></p><p><br>“Certainly the strangest and arguably one of the most accomplished contemporary writers of fiction in French, Antoine Volodine has created a vast and perplexing universe of bad dreams in several dozen works under a variety of pseudonyms over the past forty years. <em>Mevlido’s Dreams</em> provides a new pathway into Volodine’s labyrinth, which for all the horrors it recounts is always cast in stylishly crafted prose.” <br><strong>—David Bellos</strong>, Princeton University</p>]]>
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      <content:encoded>
        <![CDATA[<p>Antoine Volodine is the primary pseudonym of a French-Russian writer of many books. The meditative, postapocalyptic noir <a href="https://www.upress.umn.edu/9781517917142/mevlidos-dreams/"><strong><em>Mevlido’s Dreams</em></strong></a>, translated by Gina M. Stamm, is an urgent communiqué from a far-future reality of irreversible environmental damage and civilizational collapse that asks what it means to love and care for others at the end of the world. Here, Stamm is joined in conversation with Joshua Armstrong about translating this key work in Volodine’s post-exotic fictional universe. Access the transcript: https://share.transistor.fm/s/1d38a405</p><p><strong>Gina M. Stamm </strong>is assistant professor of French at the University of Alabama.</p><p><br></p><p><strong>Joshua Armstrong</strong> is associate professor of French at the University of Wisconsin–Madison.</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917142/mevlidos-dreams/"><strong><em>Mevlido’s Dreams: A Post-Exotic Novel</em></strong></a> is available from University of Minnesota Press.</p><p><br></p><p>“Translator Stamm does an admirable job of rendering Volodine’s serpentine prose in English, and the noirish, surrealist story turns into an unlikely romp as it riffs on the absurdity of 20th-century political institutions and pop culture.” <br><strong><em>—Publishers Weekly</em></strong></p><p><br>“Certainly the strangest and arguably one of the most accomplished contemporary writers of fiction in French, Antoine Volodine has created a vast and perplexing universe of bad dreams in several dozen works under a variety of pseudonyms over the past forty years. <em>Mevlido’s Dreams</em> provides a new pathway into Volodine’s labyrinth, which for all the horrors it recounts is always cast in stylishly crafted prose.” <br><strong>—David Bellos</strong>, Princeton University</p>]]>
      </content:encoded>
      <pubDate>Thu, 27 Jun 2024 14:31:17 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2780</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Antoine Volodine is the primary pseudonym of a French-Russian writer of many books. The meditative, postapocalyptic noir <a href="https://www.upress.umn.edu/9781517917142/mevlidos-dreams/"><strong><em>Mevlido’s Dreams</em></strong></a>, translated by Gina M. Stamm, is an urgent communiqué from a far-future reality of irreversible environmental damage and civilizational collapse that asks what it means to love and care for others at the end of the world. Here, Stamm is joined in conversation with Joshua Armstrong about translating this key work in Volodine’s post-exotic fictional universe. Access the transcript: https://share.transistor.fm/s/1d38a405</p><p><strong>Gina M. Stamm </strong>is assistant professor of French at the University of Alabama.</p><p><br></p><p><strong>Joshua Armstrong</strong> is associate professor of French at the University of Wisconsin–Madison.</p><p><br></p><p><a href="https://www.upress.umn.edu/9781517917142/mevlidos-dreams/"><strong><em>Mevlido’s Dreams: A Post-Exotic Novel</em></strong></a> is available from University of Minnesota Press.</p><p><br></p><p>“Translator Stamm does an admirable job of rendering Volodine’s serpentine prose in English, and the noirish, surrealist story turns into an unlikely romp as it riffs on the absurdity of 20th-century political institutions and pop culture.” <br><strong><em>—Publishers Weekly</em></strong></p><p><br>“Certainly the strangest and arguably one of the most accomplished contemporary writers of fiction in French, Antoine Volodine has created a vast and perplexing universe of bad dreams in several dozen works under a variety of pseudonyms over the past forty years. <em>Mevlido’s Dreams</em> provides a new pathway into Volodine’s labyrinth, which for all the horrors it recounts is always cast in stylishly crafted prose.” <br><strong>—David Bellos</strong>, Princeton University</p>]]>
      </itunes:summary>
      <itunes:keywords>translation, French literature, post-exoticism, speculative fiction, dystopia, supernatural, Manuela Draeger, Lutz Bassmann, bardo, Radiant Terminus, Beckett, David Lynch</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Untold stories of America’s earliest immigrants.</title>
      <itunes:episode>81</itunes:episode>
      <podcast:episode>81</podcast:episode>
      <itunes:title>Untold stories of America’s earliest immigrants.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/bfe28911</link>
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        <![CDATA[<p>Joanna Brooks’s ancestors were among the early waves of emigrants to leave England for North America. Her book <a href="https://z.umn.edu/whyweleft"><strong><em>Why We Left: Untold Stories and Songs of America’s First Immigrants</em></strong></a> reveals the violence and dislocation that propelled seventeenth- and eighteenth-century working-class English emigration, and follows American folk ballads back across the Atlantic to find histories of economic displacement, environmental destruction, and social betrayal at the heart of the early Anglo-American migrant experience. A tenth-anniversary edition of the book has just been released, which includes a new preface and develops a haunting historical perspective on the ancestors we thought we knew. Here, Brooks is joined by Desmond Hassing in conversation. Access the transcript: https://share.transistor.fm/s/bfe28911</p><p><strong>Joanna Brooks</strong> is an award-winning scholar and writer whose work tends to catastrophes of human belonging in American history. The author or editor of ten books on race, religion, colonialism, and social movements, her writing has been featured in the BBC, NPR, the <em>Daily Show</em>, CNN, MSNBC, and the <em>Washington Post</em>.</p><p><br></p><p>An enrolled member of the Choctaw Nation of Oklahoma and a San Diego native, <strong>Dr. Desmond Hassing</strong> is a conceptual artist, scholar, and activist who focuses on educating Western subjects on the intentionally disremembered subject of the Indigenous Peoples of North America. Hassing is founder of the <em>Indigenous Peoples Reading Room</em>, a planned open-access scholarship archive, and creator of <em>The National Indian Project</em>, an annotated bibliography of Native American, First Nations, and Pacific Islander representations in DC/National comic books of the same period. Hassing is lecturer in the Department of American Indian Studies at San Diego State University.</p><p><br></p><p><a href="https://z.umn.edu/whyweleft"><strong><em>Why We Left: Untold Stories and Songs of America’s First Immigrants</em></strong></a> is available from University of Minnesota Press.</p><p><br>“A surprising, bold, and altogether brilliant contribution to our understanding of why people crossed the Atlantic to live in a strange new world.”<br><strong>—Marcus Rediker</strong></p>]]>
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        <![CDATA[<p>Joanna Brooks’s ancestors were among the early waves of emigrants to leave England for North America. Her book <a href="https://z.umn.edu/whyweleft"><strong><em>Why We Left: Untold Stories and Songs of America’s First Immigrants</em></strong></a> reveals the violence and dislocation that propelled seventeenth- and eighteenth-century working-class English emigration, and follows American folk ballads back across the Atlantic to find histories of economic displacement, environmental destruction, and social betrayal at the heart of the early Anglo-American migrant experience. A tenth-anniversary edition of the book has just been released, which includes a new preface and develops a haunting historical perspective on the ancestors we thought we knew. Here, Brooks is joined by Desmond Hassing in conversation. Access the transcript: https://share.transistor.fm/s/bfe28911</p><p><strong>Joanna Brooks</strong> is an award-winning scholar and writer whose work tends to catastrophes of human belonging in American history. The author or editor of ten books on race, religion, colonialism, and social movements, her writing has been featured in the BBC, NPR, the <em>Daily Show</em>, CNN, MSNBC, and the <em>Washington Post</em>.</p><p><br></p><p>An enrolled member of the Choctaw Nation of Oklahoma and a San Diego native, <strong>Dr. Desmond Hassing</strong> is a conceptual artist, scholar, and activist who focuses on educating Western subjects on the intentionally disremembered subject of the Indigenous Peoples of North America. Hassing is founder of the <em>Indigenous Peoples Reading Room</em>, a planned open-access scholarship archive, and creator of <em>The National Indian Project</em>, an annotated bibliography of Native American, First Nations, and Pacific Islander representations in DC/National comic books of the same period. Hassing is lecturer in the Department of American Indian Studies at San Diego State University.</p><p><br></p><p><a href="https://z.umn.edu/whyweleft"><strong><em>Why We Left: Untold Stories and Songs of America’s First Immigrants</em></strong></a> is available from University of Minnesota Press.</p><p><br>“A surprising, bold, and altogether brilliant contribution to our understanding of why people crossed the Atlantic to live in a strange new world.”<br><strong>—Marcus Rediker</strong></p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Jun 2024 12:21:06 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2301</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Joanna Brooks’s ancestors were among the early waves of emigrants to leave England for North America. Her book <a href="https://z.umn.edu/whyweleft"><strong><em>Why We Left: Untold Stories and Songs of America’s First Immigrants</em></strong></a> reveals the violence and dislocation that propelled seventeenth- and eighteenth-century working-class English emigration, and follows American folk ballads back across the Atlantic to find histories of economic displacement, environmental destruction, and social betrayal at the heart of the early Anglo-American migrant experience. A tenth-anniversary edition of the book has just been released, which includes a new preface and develops a haunting historical perspective on the ancestors we thought we knew. Here, Brooks is joined by Desmond Hassing in conversation. Access the transcript: https://share.transistor.fm/s/bfe28911</p><p><strong>Joanna Brooks</strong> is an award-winning scholar and writer whose work tends to catastrophes of human belonging in American history. The author or editor of ten books on race, religion, colonialism, and social movements, her writing has been featured in the BBC, NPR, the <em>Daily Show</em>, CNN, MSNBC, and the <em>Washington Post</em>.</p><p><br></p><p>An enrolled member of the Choctaw Nation of Oklahoma and a San Diego native, <strong>Dr. Desmond Hassing</strong> is a conceptual artist, scholar, and activist who focuses on educating Western subjects on the intentionally disremembered subject of the Indigenous Peoples of North America. Hassing is founder of the <em>Indigenous Peoples Reading Room</em>, a planned open-access scholarship archive, and creator of <em>The National Indian Project</em>, an annotated bibliography of Native American, First Nations, and Pacific Islander representations in DC/National comic books of the same period. Hassing is lecturer in the Department of American Indian Studies at San Diego State University.</p><p><br></p><p><a href="https://z.umn.edu/whyweleft"><strong><em>Why We Left: Untold Stories and Songs of America’s First Immigrants</em></strong></a> is available from University of Minnesota Press.</p><p><br>“A surprising, bold, and altogether brilliant contribution to our understanding of why people crossed the Atlantic to live in a strange new world.”<br><strong>—Marcus Rediker</strong></p>]]>
      </itunes:summary>
      <itunes:keywords>land acknowledgement, relational, settler colonialism, American history, ancestors, American identity, folklore scholarship, intergenerational trauma, belonging</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Policing and worldmaking.</title>
      <itunes:episode>80</itunes:episode>
      <podcast:episode>80</podcast:episode>
      <itunes:title>Policing and worldmaking.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><strong><em>Everything Is Police</em></strong></a> is a new book by Tia Trafford, who argues that institutional and interpersonal policing have been central to colonial modernity, the result of which is a situation where we cannot practically experience or even imagine worlds free from policing. Trafford is joined here in conversation with Melayna Lamb. Access the transcript: https://share.transistor.fm/s/cd9b98b3</p><p><br></p><p><strong>Tia Trafford </strong>is reader in philosophy and design at University for the Creative Arts in London. They are author of <a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><em>Everything Is Police</em></a> and <em>The Empire at Home</em>, and coeditor of <em>Alien Vectors</em>.</p><p><br></p><p><strong>Melayna Lamb</strong> is lecturer at the University of Law, UK, and author of <a href="https://www.bloomsbury.com/us/philosophical-history-of-police-power-9781350204041/"><em>A Philosophical History of Police Power</em></a>.</p><p>EPISODE REFERENCES:</p><p>Frank B. Wilderson III</p><p>Rinaldo Walcott</p><p><a href="https://www.plutobooks.com/9780745341002/the-empire-at-home/"><em>The Empire at Home</em></a> / Tia Trafford</p><p>Jared Sexton</p><p>Tapji Garba</p><p>Sylvia Wynter</p><p>Frantz Fanon</p><p>Sara-Maria Sorentino</p><p>Saidiya Hartman</p><p>David Marriott</p><p>Biko Mandela Gray</p><p>Sylvia Wynter</p><p>Sara-Maria Sorentino</p><p><a href="https://www.versobooks.com/products/2759-mute-compulsion"><em>Mute Compulsion</em></a> / Søren Mau</p><p>Immanuel Kant</p><p>William Wimsatt on generative entrenchment</p><p><a href="https://www.dukeupress.edu/red-white-and-black"><em>Red, White &amp; Black</em></a> / Frank B. Wilderson III</p><p><a href="https://www.uwipress.com/9789766405854/the-first-black-slave-society/"><em>The First Black Slave Society</em></a> / Hilary Beckles</p><p>Sean Capener</p><p>Paul Gilroy</p><p>Stuart Hall</p><p>John Locke</p><p><a href="https://onlinelibrary.wiley.com/doi/full/10.1111/anti.12615"><em>Slavery is a Metaphor</em></a> / essay by Tapji Garba and Sara-Maria Sorentino, published in <em>Antipode</em></p><p>Taija McDougall</p><p>Petero Kalulé</p><p><a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><strong><em>Everything Is Police</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/everything-is-police"><strong>manifold.umn.edu</strong></a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><strong><em>Everything Is Police</em></strong></a> is a new book by Tia Trafford, who argues that institutional and interpersonal policing have been central to colonial modernity, the result of which is a situation where we cannot practically experience or even imagine worlds free from policing. Trafford is joined here in conversation with Melayna Lamb. Access the transcript: https://share.transistor.fm/s/cd9b98b3</p><p><br></p><p><strong>Tia Trafford </strong>is reader in philosophy and design at University for the Creative Arts in London. They are author of <a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><em>Everything Is Police</em></a> and <em>The Empire at Home</em>, and coeditor of <em>Alien Vectors</em>.</p><p><br></p><p><strong>Melayna Lamb</strong> is lecturer at the University of Law, UK, and author of <a href="https://www.bloomsbury.com/us/philosophical-history-of-police-power-9781350204041/"><em>A Philosophical History of Police Power</em></a>.</p><p>EPISODE REFERENCES:</p><p>Frank B. Wilderson III</p><p>Rinaldo Walcott</p><p><a href="https://www.plutobooks.com/9780745341002/the-empire-at-home/"><em>The Empire at Home</em></a> / Tia Trafford</p><p>Jared Sexton</p><p>Tapji Garba</p><p>Sylvia Wynter</p><p>Frantz Fanon</p><p>Sara-Maria Sorentino</p><p>Saidiya Hartman</p><p>David Marriott</p><p>Biko Mandela Gray</p><p>Sylvia Wynter</p><p>Sara-Maria Sorentino</p><p><a href="https://www.versobooks.com/products/2759-mute-compulsion"><em>Mute Compulsion</em></a> / Søren Mau</p><p>Immanuel Kant</p><p>William Wimsatt on generative entrenchment</p><p><a href="https://www.dukeupress.edu/red-white-and-black"><em>Red, White &amp; Black</em></a> / Frank B. Wilderson III</p><p><a href="https://www.uwipress.com/9789766405854/the-first-black-slave-society/"><em>The First Black Slave Society</em></a> / Hilary Beckles</p><p>Sean Capener</p><p>Paul Gilroy</p><p>Stuart Hall</p><p>John Locke</p><p><a href="https://onlinelibrary.wiley.com/doi/full/10.1111/anti.12615"><em>Slavery is a Metaphor</em></a> / essay by Tapji Garba and Sara-Maria Sorentino, published in <em>Antipode</em></p><p>Taija McDougall</p><p>Petero Kalulé</p><p><a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><strong><em>Everything Is Police</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/everything-is-police"><strong>manifold.umn.edu</strong></a>.</p>]]>
      </content:encoded>
      <pubDate>Tue, 28 May 2024 09:44:33 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3387</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><strong><em>Everything Is Police</em></strong></a> is a new book by Tia Trafford, who argues that institutional and interpersonal policing have been central to colonial modernity, the result of which is a situation where we cannot practically experience or even imagine worlds free from policing. Trafford is joined here in conversation with Melayna Lamb. Access the transcript: https://share.transistor.fm/s/cd9b98b3</p><p><br></p><p><strong>Tia Trafford </strong>is reader in philosophy and design at University for the Creative Arts in London. They are author of <a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><em>Everything Is Police</em></a> and <em>The Empire at Home</em>, and coeditor of <em>Alien Vectors</em>.</p><p><br></p><p><strong>Melayna Lamb</strong> is lecturer at the University of Law, UK, and author of <a href="https://www.bloomsbury.com/us/philosophical-history-of-police-power-9781350204041/"><em>A Philosophical History of Police Power</em></a>.</p><p>EPISODE REFERENCES:</p><p>Frank B. Wilderson III</p><p>Rinaldo Walcott</p><p><a href="https://www.plutobooks.com/9780745341002/the-empire-at-home/"><em>The Empire at Home</em></a> / Tia Trafford</p><p>Jared Sexton</p><p>Tapji Garba</p><p>Sylvia Wynter</p><p>Frantz Fanon</p><p>Sara-Maria Sorentino</p><p>Saidiya Hartman</p><p>David Marriott</p><p>Biko Mandela Gray</p><p>Sylvia Wynter</p><p>Sara-Maria Sorentino</p><p><a href="https://www.versobooks.com/products/2759-mute-compulsion"><em>Mute Compulsion</em></a> / Søren Mau</p><p>Immanuel Kant</p><p>William Wimsatt on generative entrenchment</p><p><a href="https://www.dukeupress.edu/red-white-and-black"><em>Red, White &amp; Black</em></a> / Frank B. Wilderson III</p><p><a href="https://www.uwipress.com/9789766405854/the-first-black-slave-society/"><em>The First Black Slave Society</em></a> / Hilary Beckles</p><p>Sean Capener</p><p>Paul Gilroy</p><p>Stuart Hall</p><p>John Locke</p><p><a href="https://onlinelibrary.wiley.com/doi/full/10.1111/anti.12615"><em>Slavery is a Metaphor</em></a> / essay by Tapji Garba and Sara-Maria Sorentino, published in <em>Antipode</em></p><p>Taija McDougall</p><p>Petero Kalulé</p><p><a href="https://www.upress.umn.edu/book-division/books/everything-is-police"><strong><em>Everything Is Police</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/everything-is-police"><strong>manifold.umn.edu</strong></a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>sovereignty, power, abolition, reform, Jared Sexton, Sylvia Wynter, Azelle Rodney, Saidiya Hartman, criminalization, property, slavery, colonialism, Kant, Foucault, Sara-Maria Sorentino, Tapji Garba</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Meaning and livestreaming: On technical encounter’s aesthetics and ethics.</title>
      <itunes:episode>79</itunes:episode>
      <podcast:episode>79</podcast:episode>
      <itunes:title>Meaning and livestreaming: On technical encounter’s aesthetics and ethics.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/677f7a57</link>
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        <![CDATA[<p>EL Putnam’s new book <a href="https://www.upress.umn.edu/book-division/books/livestreaming"><strong><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></strong></a> considers how livestreaming constitutes new patterns of being together that are complex, ambivalent, and transformative. Digging into how humans and technology co-evolve, Putnam and Noel Fitzpatrick engage in conversation about relation and hyper-individualism, glitch and switchtasking, activism and hidden labor and performance and more. Access the transcript: https://share.transistor.fm/s/677f7a57</p><p><strong>EL Putnam</strong> is an artist-philosopher and assistant professor of digital media at Maynooth University, Ireland. Putnam is author of <a href="https://www.upress.umn.edu/book-division/books/livestreaming"><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></a> in the University of Minnesota Press <a href="https://www.upress.umn.edu/book-division/series/forerunners-ideas-first">Forerunners series</a> and <a href="https://www.bloomsbury.com/uk/maternal-digital-subjectivity-and-the-aesthetics-of-interruption-9781501364822/"><em>The Maternal, Digital Subjectivity, and the Aesthetics of Interruption</em></a>.</p><p><br></p><p><br><strong>Noel Fitzpatrick</strong> is Professor of Philosophy and Aesthetics and the Academic Lead of the European Culture and Technology Laboratory at the Technological University Dublin.</p><p><strong>Episode references:</strong></p><p>Gilbert Simondon</p><p>Bernard Stiegler</p><p>Yuk Hui </p><p>Hegel</p><p>Kant</p><p>Jackson Pollock</p><p>Heidegger</p><p>Paul Ricoeur</p><p>Ayana Evans</p><p>Ana Voog</p><p>N. Katherine Hayles</p><p>Miriam Wolf</p><p>Diamond Reynolds and the livestream of Philando Castile’s murder</p><p>Safiya Umoja Noble</p><p>Christina Sharpe</p><p>Saidiya Hartman</p><p>Tonia Sutherland</p><p>Jacques Rancière</p><p>Simone Browne</p><p>Èdouard Glissant</p><p>Susan Sontag</p><p>Sara Ahmed</p><p>H. P. Grice</p><p><strong>Related works:</strong></p><p><a href="https://www.upress.umn.edu/book-division/books/on-the-mode-of-existence-of-technical-objects"><em>On the Mode of Existence of Technical Objects</em></a> / Simondon</p><p><a href="https://www.upress.umn.edu/book-division/books/on-the-existence-of-digital-objects"><em>On the Existence of Digital Objects</em></a> / Hui</p><p><a href="https://www.upress.umn.edu/book-division/books/art-and-cosmotechnics"><em>Art and Cosmotechnics</em></a> / Hui</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/O/bo3647498.html"><em>Oneself as Another</em></a> / Ricoeur</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/M/bo3613761.html"><em>Memory, History, Forgetting</em></a> / Ricoeur</p><p><a href="https://www.ucpress.edu/book/9780520383876/resurrecting-the-black-body"><em>Resurrecting the Black Body</em></a> / Sutherland</p><p><a href="https://www.dukeupress.edu/dark-matters"><em>Dark Matters</em></a> / Browne</p><p><a href="https://us.macmillan.com/books/9781250160683/regardingthepainofothers"><em>Regarding the Pain of Others</em></a> / Sontag</p><p><a href="https://www.upress.umn.edu/book-division/books/livestreaming"><strong><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/livestreaming">manifold.umn.edu</a>.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>EL Putnam’s new book <a href="https://www.upress.umn.edu/book-division/books/livestreaming"><strong><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></strong></a> considers how livestreaming constitutes new patterns of being together that are complex, ambivalent, and transformative. Digging into how humans and technology co-evolve, Putnam and Noel Fitzpatrick engage in conversation about relation and hyper-individualism, glitch and switchtasking, activism and hidden labor and performance and more. Access the transcript: https://share.transistor.fm/s/677f7a57</p><p><strong>EL Putnam</strong> is an artist-philosopher and assistant professor of digital media at Maynooth University, Ireland. Putnam is author of <a href="https://www.upress.umn.edu/book-division/books/livestreaming"><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></a> in the University of Minnesota Press <a href="https://www.upress.umn.edu/book-division/series/forerunners-ideas-first">Forerunners series</a> and <a href="https://www.bloomsbury.com/uk/maternal-digital-subjectivity-and-the-aesthetics-of-interruption-9781501364822/"><em>The Maternal, Digital Subjectivity, and the Aesthetics of Interruption</em></a>.</p><p><br></p><p><br><strong>Noel Fitzpatrick</strong> is Professor of Philosophy and Aesthetics and the Academic Lead of the European Culture and Technology Laboratory at the Technological University Dublin.</p><p><strong>Episode references:</strong></p><p>Gilbert Simondon</p><p>Bernard Stiegler</p><p>Yuk Hui </p><p>Hegel</p><p>Kant</p><p>Jackson Pollock</p><p>Heidegger</p><p>Paul Ricoeur</p><p>Ayana Evans</p><p>Ana Voog</p><p>N. Katherine Hayles</p><p>Miriam Wolf</p><p>Diamond Reynolds and the livestream of Philando Castile’s murder</p><p>Safiya Umoja Noble</p><p>Christina Sharpe</p><p>Saidiya Hartman</p><p>Tonia Sutherland</p><p>Jacques Rancière</p><p>Simone Browne</p><p>Èdouard Glissant</p><p>Susan Sontag</p><p>Sara Ahmed</p><p>H. P. Grice</p><p><strong>Related works:</strong></p><p><a href="https://www.upress.umn.edu/book-division/books/on-the-mode-of-existence-of-technical-objects"><em>On the Mode of Existence of Technical Objects</em></a> / Simondon</p><p><a href="https://www.upress.umn.edu/book-division/books/on-the-existence-of-digital-objects"><em>On the Existence of Digital Objects</em></a> / Hui</p><p><a href="https://www.upress.umn.edu/book-division/books/art-and-cosmotechnics"><em>Art and Cosmotechnics</em></a> / Hui</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/O/bo3647498.html"><em>Oneself as Another</em></a> / Ricoeur</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/M/bo3613761.html"><em>Memory, History, Forgetting</em></a> / Ricoeur</p><p><a href="https://www.ucpress.edu/book/9780520383876/resurrecting-the-black-body"><em>Resurrecting the Black Body</em></a> / Sutherland</p><p><a href="https://www.dukeupress.edu/dark-matters"><em>Dark Matters</em></a> / Browne</p><p><a href="https://us.macmillan.com/books/9781250160683/regardingthepainofothers"><em>Regarding the Pain of Others</em></a> / Sontag</p><p><a href="https://www.upress.umn.edu/book-division/books/livestreaming"><strong><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/livestreaming">manifold.umn.edu</a>.<br></p>]]>
      </content:encoded>
      <pubDate>Tue, 14 May 2024 10:14:08 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2818</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>EL Putnam’s new book <a href="https://www.upress.umn.edu/book-division/books/livestreaming"><strong><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></strong></a> considers how livestreaming constitutes new patterns of being together that are complex, ambivalent, and transformative. Digging into how humans and technology co-evolve, Putnam and Noel Fitzpatrick engage in conversation about relation and hyper-individualism, glitch and switchtasking, activism and hidden labor and performance and more. Access the transcript: https://share.transistor.fm/s/677f7a57</p><p><strong>EL Putnam</strong> is an artist-philosopher and assistant professor of digital media at Maynooth University, Ireland. Putnam is author of <a href="https://www.upress.umn.edu/book-division/books/livestreaming"><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></a> in the University of Minnesota Press <a href="https://www.upress.umn.edu/book-division/series/forerunners-ideas-first">Forerunners series</a> and <a href="https://www.bloomsbury.com/uk/maternal-digital-subjectivity-and-the-aesthetics-of-interruption-9781501364822/"><em>The Maternal, Digital Subjectivity, and the Aesthetics of Interruption</em></a>.</p><p><br></p><p><br><strong>Noel Fitzpatrick</strong> is Professor of Philosophy and Aesthetics and the Academic Lead of the European Culture and Technology Laboratory at the Technological University Dublin.</p><p><strong>Episode references:</strong></p><p>Gilbert Simondon</p><p>Bernard Stiegler</p><p>Yuk Hui </p><p>Hegel</p><p>Kant</p><p>Jackson Pollock</p><p>Heidegger</p><p>Paul Ricoeur</p><p>Ayana Evans</p><p>Ana Voog</p><p>N. Katherine Hayles</p><p>Miriam Wolf</p><p>Diamond Reynolds and the livestream of Philando Castile’s murder</p><p>Safiya Umoja Noble</p><p>Christina Sharpe</p><p>Saidiya Hartman</p><p>Tonia Sutherland</p><p>Jacques Rancière</p><p>Simone Browne</p><p>Èdouard Glissant</p><p>Susan Sontag</p><p>Sara Ahmed</p><p>H. P. Grice</p><p><strong>Related works:</strong></p><p><a href="https://www.upress.umn.edu/book-division/books/on-the-mode-of-existence-of-technical-objects"><em>On the Mode of Existence of Technical Objects</em></a> / Simondon</p><p><a href="https://www.upress.umn.edu/book-division/books/on-the-existence-of-digital-objects"><em>On the Existence of Digital Objects</em></a> / Hui</p><p><a href="https://www.upress.umn.edu/book-division/books/art-and-cosmotechnics"><em>Art and Cosmotechnics</em></a> / Hui</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/O/bo3647498.html"><em>Oneself as Another</em></a> / Ricoeur</p><p><a href="https://press.uchicago.edu/ucp/books/book/chicago/M/bo3613761.html"><em>Memory, History, Forgetting</em></a> / Ricoeur</p><p><a href="https://www.ucpress.edu/book/9780520383876/resurrecting-the-black-body"><em>Resurrecting the Black Body</em></a> / Sutherland</p><p><a href="https://www.dukeupress.edu/dark-matters"><em>Dark Matters</em></a> / Browne</p><p><a href="https://us.macmillan.com/books/9781250160683/regardingthepainofothers"><em>Regarding the Pain of Others</em></a> / Sontag</p><p><a href="https://www.upress.umn.edu/book-division/books/livestreaming"><strong><em>Livestreaming: An Aesthetics and Ethics of Technical Encounter</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/livestreaming">manifold.umn.edu</a>.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>Simondon, Stiegler, pharmakon, technologies, alienation, hyperindividualism, platform economies, performance art, visual art, care, witness, glitch, switchtasking, activism, labor</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Art, time, nonlinearity with Manuela Infante and Mandy-Suzanne Wong (Art after Nature 5)</title>
      <itunes:episode>77</itunes:episode>
      <podcast:episode>77</podcast:episode>
      <itunes:title>Art, time, nonlinearity with Manuela Infante and Mandy-Suzanne Wong (Art after Nature 5)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p><strong><em>Estado Vegetal</em></strong> is Manuela Infante’s riveting experimental performance art through which plants are charged with an agency capable of uprooting culturally grounded conceptions of the world. The book <a href="https://www.upress.umn.edu/book-division/books/estado-vegetal"><strong><em>Estado Vegetal: Performance and Plant-Thinking</em></strong></a>, edited by Giovanni Aloi, is the first book dedicated to this performance and features essays from scholars and artists, including a fictional continuation of Infante’s work by Mandy-Suzanne Wong. Here, Infante and Wong join Art after Nature series editors Giovanni Aloi and Caroline Picard in conversation. Access the transcript: https://share.transistor.fm/s/677f7a57</p><p><strong>Manuela Infante</strong> is a Chilean playwright, director, screenwriter, and musician who creates her own performances and tours in America, Europe, and Asia. Her works include <em>Estado Vegetal</em> and <em>Metamorphosis</em>. </p><p><br></p><p><br><strong>Mandy-Suzanne Wong</strong> is a Bermudian writer of fiction and essays. She is an award-winning author whose books include <a href="https://www.mandysuzannewong.com/thebox"><em>The Box</em></a> and <a href="https://www.mandysuzannewong.com/drafts-of-a-suicide-note"><em>Drafts of a Suicide Note</em></a>.</p><p><br></p><p><br><strong>Giovanni Aloi</strong> teaches art history, theory, and criticism at the School of the Art Institute of Chicago. He is author or editor of many books on the nonhuman and art.</p><p><br></p><p><br><strong>Caroline Picard</strong> is a writer, cartoonist, curator, and founder of the Green Lantern Press.</p><p><br>A performance of Manuela Infante’s <a href="https://www.youtube.com/watch?v=I_9tGnvu3w8&amp;t=8s"><strong><em>Estado Vegetal (Vegetative State)</em></strong></a>, performed by Marcela Salinas, is available to watch on <a href="https://www.youtube.com/watch?v=I_9tGnvu3w8&amp;t=8s">YouTube</a>.</p><p><a href="https://www.upress.umn.edu/book-division/series/art_after_nature"><strong>Art after Nature</strong></a> is a series edited by Giovanni Aloi and Caroline Picard that explores epistemological questions that emerge from the expanding, environmental consciousness of the humanities.</p><p><a href="https://www.upress.umn.edu/book-division/books/estado-vegetal"><strong><em>Estado Vegetal: Performance and Plant-Thinking</em></strong></a> is available from University of Minnesota Press and includes pieces by Maaike Bleeker, Lucy Cotter, Prudence Gibson, Michael Marder, Dawn Sanders, Catriona Sandilands, Sibila Sotomayor Van Rysseghem, and Mandy-Suzanne Wong.</p><p><br></p><p><strong>Episode references:</strong></p><p><a href="https://www.oupress.com/9780806131375/the-conquest-of-america/"><em>The Conquest of America</em></a> / Tzvetan Todorov</p><p><a href="https://www.collectiveinkbooks.com/zer0-books/our-books/capitalist-realism-new-edition?q=zer0-books/our-books/capitalist-realism"><em>Capitalist Realism</em></a> / Mark Fisher</p><p><a href="https://kaaitheater.be/en/agenda/23-24/horizon">Horizon</a> / Manuela Infante</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong><em>Estado Vegetal</em></strong> is Manuela Infante’s riveting experimental performance art through which plants are charged with an agency capable of uprooting culturally grounded conceptions of the world. The book <a href="https://www.upress.umn.edu/book-division/books/estado-vegetal"><strong><em>Estado Vegetal: Performance and Plant-Thinking</em></strong></a>, edited by Giovanni Aloi, is the first book dedicated to this performance and features essays from scholars and artists, including a fictional continuation of Infante’s work by Mandy-Suzanne Wong. Here, Infante and Wong join Art after Nature series editors Giovanni Aloi and Caroline Picard in conversation. Access the transcript: https://share.transistor.fm/s/677f7a57</p><p><strong>Manuela Infante</strong> is a Chilean playwright, director, screenwriter, and musician who creates her own performances and tours in America, Europe, and Asia. Her works include <em>Estado Vegetal</em> and <em>Metamorphosis</em>. </p><p><br></p><p><br><strong>Mandy-Suzanne Wong</strong> is a Bermudian writer of fiction and essays. She is an award-winning author whose books include <a href="https://www.mandysuzannewong.com/thebox"><em>The Box</em></a> and <a href="https://www.mandysuzannewong.com/drafts-of-a-suicide-note"><em>Drafts of a Suicide Note</em></a>.</p><p><br></p><p><br><strong>Giovanni Aloi</strong> teaches art history, theory, and criticism at the School of the Art Institute of Chicago. He is author or editor of many books on the nonhuman and art.</p><p><br></p><p><br><strong>Caroline Picard</strong> is a writer, cartoonist, curator, and founder of the Green Lantern Press.</p><p><br>A performance of Manuela Infante’s <a href="https://www.youtube.com/watch?v=I_9tGnvu3w8&amp;t=8s"><strong><em>Estado Vegetal (Vegetative State)</em></strong></a>, performed by Marcela Salinas, is available to watch on <a href="https://www.youtube.com/watch?v=I_9tGnvu3w8&amp;t=8s">YouTube</a>.</p><p><a href="https://www.upress.umn.edu/book-division/series/art_after_nature"><strong>Art after Nature</strong></a> is a series edited by Giovanni Aloi and Caroline Picard that explores epistemological questions that emerge from the expanding, environmental consciousness of the humanities.</p><p><a href="https://www.upress.umn.edu/book-division/books/estado-vegetal"><strong><em>Estado Vegetal: Performance and Plant-Thinking</em></strong></a> is available from University of Minnesota Press and includes pieces by Maaike Bleeker, Lucy Cotter, Prudence Gibson, Michael Marder, Dawn Sanders, Catriona Sandilands, Sibila Sotomayor Van Rysseghem, and Mandy-Suzanne Wong.</p><p><br></p><p><strong>Episode references:</strong></p><p><a href="https://www.oupress.com/9780806131375/the-conquest-of-america/"><em>The Conquest of America</em></a> / Tzvetan Todorov</p><p><a href="https://www.collectiveinkbooks.com/zer0-books/our-books/capitalist-realism-new-edition?q=zer0-books/our-books/capitalist-realism"><em>Capitalist Realism</em></a> / Mark Fisher</p><p><a href="https://kaaitheater.be/en/agenda/23-24/horizon">Horizon</a> / Manuela Infante</p>]]>
      </content:encoded>
      <pubDate>Tue, 26 Mar 2024 09:42:24 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3237</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong><em>Estado Vegetal</em></strong> is Manuela Infante’s riveting experimental performance art through which plants are charged with an agency capable of uprooting culturally grounded conceptions of the world. The book <a href="https://www.upress.umn.edu/book-division/books/estado-vegetal"><strong><em>Estado Vegetal: Performance and Plant-Thinking</em></strong></a>, edited by Giovanni Aloi, is the first book dedicated to this performance and features essays from scholars and artists, including a fictional continuation of Infante’s work by Mandy-Suzanne Wong. Here, Infante and Wong join Art after Nature series editors Giovanni Aloi and Caroline Picard in conversation. Access the transcript: https://share.transistor.fm/s/677f7a57</p><p><strong>Manuela Infante</strong> is a Chilean playwright, director, screenwriter, and musician who creates her own performances and tours in America, Europe, and Asia. Her works include <em>Estado Vegetal</em> and <em>Metamorphosis</em>. </p><p><br></p><p><br><strong>Mandy-Suzanne Wong</strong> is a Bermudian writer of fiction and essays. She is an award-winning author whose books include <a href="https://www.mandysuzannewong.com/thebox"><em>The Box</em></a> and <a href="https://www.mandysuzannewong.com/drafts-of-a-suicide-note"><em>Drafts of a Suicide Note</em></a>.</p><p><br></p><p><br><strong>Giovanni Aloi</strong> teaches art history, theory, and criticism at the School of the Art Institute of Chicago. He is author or editor of many books on the nonhuman and art.</p><p><br></p><p><br><strong>Caroline Picard</strong> is a writer, cartoonist, curator, and founder of the Green Lantern Press.</p><p><br>A performance of Manuela Infante’s <a href="https://www.youtube.com/watch?v=I_9tGnvu3w8&amp;t=8s"><strong><em>Estado Vegetal (Vegetative State)</em></strong></a>, performed by Marcela Salinas, is available to watch on <a href="https://www.youtube.com/watch?v=I_9tGnvu3w8&amp;t=8s">YouTube</a>.</p><p><a href="https://www.upress.umn.edu/book-division/series/art_after_nature"><strong>Art after Nature</strong></a> is a series edited by Giovanni Aloi and Caroline Picard that explores epistemological questions that emerge from the expanding, environmental consciousness of the humanities.</p><p><a href="https://www.upress.umn.edu/book-division/books/estado-vegetal"><strong><em>Estado Vegetal: Performance and Plant-Thinking</em></strong></a> is available from University of Minnesota Press and includes pieces by Maaike Bleeker, Lucy Cotter, Prudence Gibson, Michael Marder, Dawn Sanders, Catriona Sandilands, Sibila Sotomayor Van Rysseghem, and Mandy-Suzanne Wong.</p><p><br></p><p><strong>Episode references:</strong></p><p><a href="https://www.oupress.com/9780806131375/the-conquest-of-america/"><em>The Conquest of America</em></a> / Tzvetan Todorov</p><p><a href="https://www.collectiveinkbooks.com/zer0-books/our-books/capitalist-realism-new-edition?q=zer0-books/our-books/capitalist-realism"><em>Capitalist Realism</em></a> / Mark Fisher</p><p><a href="https://kaaitheater.be/en/agenda/23-24/horizon">Horizon</a> / Manuela Infante</p>]]>
      </itunes:summary>
      <itunes:keywords>Critical plant studies, vegetal, theater, philosophy, posthumanism, anthropocene, existentialism, epistemology, literature, nonlinear time, language, reality, appropriation, treedom, playfulness</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Tracing the roots of toxic masculinity.</title>
      <itunes:episode>76</itunes:episode>
      <podcast:episode>76</podcast:episode>
      <itunes:title>Tracing the roots of toxic masculinity.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><strong><em>Masculinity in Transition</em></strong></a> is a book that moves the study of masculinity away from an overriding preoccupation with cisnormativity, whiteness, and heteronormativity, and toward a wider and more generative range of embodiments, identifications, and ideologies. Author K. Allison Hammer’s bold rethinking of masculinity and its potentially toxic effects lays bare the underlying fragility of normative masculinity. Here, Hammer is joined in conversation with Kale Bantigue Fajardo. This episode was recorded in late fall of 2023. Access the transcript: http://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>K. Allison Hammer</strong> (they/them) is assistant professor and coordinator of women, gender, and sexuality studies at Southern Illinois University. Hammer is author of <a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><em>Masculinity in Transition</em></a>.</p><p><br></p><p><br><strong>Kale Bantigue Fajardo</strong> (he/him) is associate professor of American studies and Asian American studies at the University of Minnesota, Twin Cities. Fajardo is author of <a href="https://www.upress.umn.edu/book-division/books/filipino-crosscurrents"><em>Filipino Crosscurrents: Oceanographies of Seafaring, Masculinities, and Globalization</em></a><em>.</em></p><p>REFERENCES:</p><p><a href="https://www.versobooks.com/products/1589-the-politics-of-friendship"><em>The Politics of Friendship</em></a> / Jacques Derrida</p><p><a href="https://www.dukeupress.edu/the-feeling-of-kinship"><em>The Feeling of Kinship</em></a> / David Eng</p><p><a href="https://www.upress.umn.edu/book-division/books/men-in-place"><em>Men in Place</em></a> / Miriam J. Abelson</p><p><a href="https://nyupress.org/9781479870639/true-sex/"><em>True Sex</em></a> / Emily Skidmore</p><p><a href="https://www.wiley.com/en-us/Masculinities+in+Theory%3A+An+Introduction-p-9781444358537"><em>Masculinities in Theory</em></a> / Todd Reeser</p><p>Gertrude Stein</p><p><a href="https://www.dukeupress.edu/female-masculinity-twentieth-anniversary-edition"><em>Female Masculinity</em></a> / Jack Halberstam</p><p><a href="https://canadianscholars.ca/book/sons-of-the-movement/"><em>Sons of the Movement</em></a> / Bobby Noble</p><p><a href="https://www.wiley.com/en-us/The+Future+of+Whiteness-p-9780745685489"><em>The Future of Whiteness</em></a> / Linda Martín Alcoff</p><p><a href="https://www.dukeupress.edu/disturbing-attachments"><em>Disturbing Attachments</em></a> / Kadji Amin</p><p>Emily Dickinson</p><p>Willa Cather</p><p><a href="https://littledistrictbooks.com/products/stone-butch-blues-20th-anniversary-author-edition"><em>Stone Butch Blues</em></a> / Leslie Feinberg</p><p>Minnie Bruce Pratt</p><p>Andrea Gibson</p><p>Reinaldo Arenas</p><p>Marlon Riggs</p><p>Presidential masculinity (Reagan, Bush, Obama, Trump, Biden)</p><p><a href="https://utpress.utexas.edu/9781477326442/"><em>The Color Pynk</em></a> / Omise’eke Natasha Tinsley</p><p>Nao Bustamante</p><p>Judith Butler</p><p><em>The Crying Game</em> (film, 1992)</p><p><em>Disclosure</em> (film, 2020)</p><p>Buddhism</p><p><a href="https://arsenalpulp.com/Books/C/Care-Work"><em>Care Work</em></a> / Leah Lakshmi Piepzna-Samarasinha</p><p><a href="https://www.upress.umn.edu/book-division/books/trans-care"><em>Trans Care</em></a> / Hil Malatino</p><p><a href="https://www.dukeupress.edu/normal-life-revised"><em>Normal Life</em></a> / Dean Spade</p><p><a href="https://www.versobooks.com/products/2722-mutual-aid"><em>Mutual Aid</em></a> / Dean Spade</p><p><a href="https://global.oup.com/academic/product/workers-in-industrial-america-9780195045048?cc=us&amp;lang=en&amp;"><em>Workers in Industrial America</em></a> / David Brody</p><p><a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><strong><em>Masculinity in Transition</em></strong></a> and <a href="https://www.upress.umn.edu/book-division/books/filipino-crosscurrents"><strong><em>Filipino Crosscurrents</em></strong></a> are available from University of Minnesota Press.</p><p><br><strong>MORE:</strong> Listen to more talks with K. Allison Hammer on the <a href="https://www.youtube.com/watch?v=O4HAWnoZRRo">University of Minnesota Press YouTube page</a> (with Greta Olson and Christopher Breu), the <a href="https://podcasts.apple.com/us/podcast/masculinity-in-transition-with-k-allison-hammer/id1353717550?i=1000632313685">Gender Stories podcast</a>, and on <a href="https://www.youtube.com/watch?v=Asup7bfhdks">In Conversation with Frank Schaeffer</a>.</p><p><br>"A major intervention into masculinities studies, <em>Masculinity in Transition</em> brilliantly and consistently pushes the field toward a critical understanding of masculinity as a complex gender formation."<br>—Christopher Breu, author of <em>Hard-Boiled Masculinities</em></p><p><br></p><p><br>"How might we understand masculinity if we turn toward culture rather than biology? K. Allison Hammer uncover(s) remakings of masculinity that center care, porosity, and unruly alliances—uplifting models for the precarious now."<br>—Amber Jamilla Musser, author of <em>Sensual Excess: Queer Femininity and Brown Jouissance</em></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><strong><em>Masculinity in Transition</em></strong></a> is a book that moves the study of masculinity away from an overriding preoccupation with cisnormativity, whiteness, and heteronormativity, and toward a wider and more generative range of embodiments, identifications, and ideologies. Author K. Allison Hammer’s bold rethinking of masculinity and its potentially toxic effects lays bare the underlying fragility of normative masculinity. Here, Hammer is joined in conversation with Kale Bantigue Fajardo. This episode was recorded in late fall of 2023. Access the transcript: http://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>K. Allison Hammer</strong> (they/them) is assistant professor and coordinator of women, gender, and sexuality studies at Southern Illinois University. Hammer is author of <a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><em>Masculinity in Transition</em></a>.</p><p><br></p><p><br><strong>Kale Bantigue Fajardo</strong> (he/him) is associate professor of American studies and Asian American studies at the University of Minnesota, Twin Cities. Fajardo is author of <a href="https://www.upress.umn.edu/book-division/books/filipino-crosscurrents"><em>Filipino Crosscurrents: Oceanographies of Seafaring, Masculinities, and Globalization</em></a><em>.</em></p><p>REFERENCES:</p><p><a href="https://www.versobooks.com/products/1589-the-politics-of-friendship"><em>The Politics of Friendship</em></a> / Jacques Derrida</p><p><a href="https://www.dukeupress.edu/the-feeling-of-kinship"><em>The Feeling of Kinship</em></a> / David Eng</p><p><a href="https://www.upress.umn.edu/book-division/books/men-in-place"><em>Men in Place</em></a> / Miriam J. Abelson</p><p><a href="https://nyupress.org/9781479870639/true-sex/"><em>True Sex</em></a> / Emily Skidmore</p><p><a href="https://www.wiley.com/en-us/Masculinities+in+Theory%3A+An+Introduction-p-9781444358537"><em>Masculinities in Theory</em></a> / Todd Reeser</p><p>Gertrude Stein</p><p><a href="https://www.dukeupress.edu/female-masculinity-twentieth-anniversary-edition"><em>Female Masculinity</em></a> / Jack Halberstam</p><p><a href="https://canadianscholars.ca/book/sons-of-the-movement/"><em>Sons of the Movement</em></a> / Bobby Noble</p><p><a href="https://www.wiley.com/en-us/The+Future+of+Whiteness-p-9780745685489"><em>The Future of Whiteness</em></a> / Linda Martín Alcoff</p><p><a href="https://www.dukeupress.edu/disturbing-attachments"><em>Disturbing Attachments</em></a> / Kadji Amin</p><p>Emily Dickinson</p><p>Willa Cather</p><p><a href="https://littledistrictbooks.com/products/stone-butch-blues-20th-anniversary-author-edition"><em>Stone Butch Blues</em></a> / Leslie Feinberg</p><p>Minnie Bruce Pratt</p><p>Andrea Gibson</p><p>Reinaldo Arenas</p><p>Marlon Riggs</p><p>Presidential masculinity (Reagan, Bush, Obama, Trump, Biden)</p><p><a href="https://utpress.utexas.edu/9781477326442/"><em>The Color Pynk</em></a> / Omise’eke Natasha Tinsley</p><p>Nao Bustamante</p><p>Judith Butler</p><p><em>The Crying Game</em> (film, 1992)</p><p><em>Disclosure</em> (film, 2020)</p><p>Buddhism</p><p><a href="https://arsenalpulp.com/Books/C/Care-Work"><em>Care Work</em></a> / Leah Lakshmi Piepzna-Samarasinha</p><p><a href="https://www.upress.umn.edu/book-division/books/trans-care"><em>Trans Care</em></a> / Hil Malatino</p><p><a href="https://www.dukeupress.edu/normal-life-revised"><em>Normal Life</em></a> / Dean Spade</p><p><a href="https://www.versobooks.com/products/2722-mutual-aid"><em>Mutual Aid</em></a> / Dean Spade</p><p><a href="https://global.oup.com/academic/product/workers-in-industrial-america-9780195045048?cc=us&amp;lang=en&amp;"><em>Workers in Industrial America</em></a> / David Brody</p><p><a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><strong><em>Masculinity in Transition</em></strong></a> and <a href="https://www.upress.umn.edu/book-division/books/filipino-crosscurrents"><strong><em>Filipino Crosscurrents</em></strong></a> are available from University of Minnesota Press.</p><p><br><strong>MORE:</strong> Listen to more talks with K. Allison Hammer on the <a href="https://www.youtube.com/watch?v=O4HAWnoZRRo">University of Minnesota Press YouTube page</a> (with Greta Olson and Christopher Breu), the <a href="https://podcasts.apple.com/us/podcast/masculinity-in-transition-with-k-allison-hammer/id1353717550?i=1000632313685">Gender Stories podcast</a>, and on <a href="https://www.youtube.com/watch?v=Asup7bfhdks">In Conversation with Frank Schaeffer</a>.</p><p><br>"A major intervention into masculinities studies, <em>Masculinity in Transition</em> brilliantly and consistently pushes the field toward a critical understanding of masculinity as a complex gender formation."<br>—Christopher Breu, author of <em>Hard-Boiled Masculinities</em></p><p><br></p><p><br>"How might we understand masculinity if we turn toward culture rather than biology? K. Allison Hammer uncover(s) remakings of masculinity that center care, porosity, and unruly alliances—uplifting models for the precarious now."<br>—Amber Jamilla Musser, author of <em>Sensual Excess: Queer Femininity and Brown Jouissance</em></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 21 Mar 2024 10:08:57 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/19c275c6/bc8125f8.mp3" length="77985309" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3248</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><strong><em>Masculinity in Transition</em></strong></a> is a book that moves the study of masculinity away from an overriding preoccupation with cisnormativity, whiteness, and heteronormativity, and toward a wider and more generative range of embodiments, identifications, and ideologies. Author K. Allison Hammer’s bold rethinking of masculinity and its potentially toxic effects lays bare the underlying fragility of normative masculinity. Here, Hammer is joined in conversation with Kale Bantigue Fajardo. This episode was recorded in late fall of 2023. Access the transcript: http://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>K. Allison Hammer</strong> (they/them) is assistant professor and coordinator of women, gender, and sexuality studies at Southern Illinois University. Hammer is author of <a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><em>Masculinity in Transition</em></a>.</p><p><br></p><p><br><strong>Kale Bantigue Fajardo</strong> (he/him) is associate professor of American studies and Asian American studies at the University of Minnesota, Twin Cities. Fajardo is author of <a href="https://www.upress.umn.edu/book-division/books/filipino-crosscurrents"><em>Filipino Crosscurrents: Oceanographies of Seafaring, Masculinities, and Globalization</em></a><em>.</em></p><p>REFERENCES:</p><p><a href="https://www.versobooks.com/products/1589-the-politics-of-friendship"><em>The Politics of Friendship</em></a> / Jacques Derrida</p><p><a href="https://www.dukeupress.edu/the-feeling-of-kinship"><em>The Feeling of Kinship</em></a> / David Eng</p><p><a href="https://www.upress.umn.edu/book-division/books/men-in-place"><em>Men in Place</em></a> / Miriam J. Abelson</p><p><a href="https://nyupress.org/9781479870639/true-sex/"><em>True Sex</em></a> / Emily Skidmore</p><p><a href="https://www.wiley.com/en-us/Masculinities+in+Theory%3A+An+Introduction-p-9781444358537"><em>Masculinities in Theory</em></a> / Todd Reeser</p><p>Gertrude Stein</p><p><a href="https://www.dukeupress.edu/female-masculinity-twentieth-anniversary-edition"><em>Female Masculinity</em></a> / Jack Halberstam</p><p><a href="https://canadianscholars.ca/book/sons-of-the-movement/"><em>Sons of the Movement</em></a> / Bobby Noble</p><p><a href="https://www.wiley.com/en-us/The+Future+of+Whiteness-p-9780745685489"><em>The Future of Whiteness</em></a> / Linda Martín Alcoff</p><p><a href="https://www.dukeupress.edu/disturbing-attachments"><em>Disturbing Attachments</em></a> / Kadji Amin</p><p>Emily Dickinson</p><p>Willa Cather</p><p><a href="https://littledistrictbooks.com/products/stone-butch-blues-20th-anniversary-author-edition"><em>Stone Butch Blues</em></a> / Leslie Feinberg</p><p>Minnie Bruce Pratt</p><p>Andrea Gibson</p><p>Reinaldo Arenas</p><p>Marlon Riggs</p><p>Presidential masculinity (Reagan, Bush, Obama, Trump, Biden)</p><p><a href="https://utpress.utexas.edu/9781477326442/"><em>The Color Pynk</em></a> / Omise’eke Natasha Tinsley</p><p>Nao Bustamante</p><p>Judith Butler</p><p><em>The Crying Game</em> (film, 1992)</p><p><em>Disclosure</em> (film, 2020)</p><p>Buddhism</p><p><a href="https://arsenalpulp.com/Books/C/Care-Work"><em>Care Work</em></a> / Leah Lakshmi Piepzna-Samarasinha</p><p><a href="https://www.upress.umn.edu/book-division/books/trans-care"><em>Trans Care</em></a> / Hil Malatino</p><p><a href="https://www.dukeupress.edu/normal-life-revised"><em>Normal Life</em></a> / Dean Spade</p><p><a href="https://www.versobooks.com/products/2722-mutual-aid"><em>Mutual Aid</em></a> / Dean Spade</p><p><a href="https://global.oup.com/academic/product/workers-in-industrial-america-9780195045048?cc=us&amp;lang=en&amp;"><em>Workers in Industrial America</em></a> / David Brody</p><p><a href="https://www.upress.umn.edu/book-division/books/masculinity-in-transition"><strong><em>Masculinity in Transition</em></strong></a> and <a href="https://www.upress.umn.edu/book-division/books/filipino-crosscurrents"><strong><em>Filipino Crosscurrents</em></strong></a> are available from University of Minnesota Press.</p><p><br><strong>MORE:</strong> Listen to more talks with K. Allison Hammer on the <a href="https://www.youtube.com/watch?v=O4HAWnoZRRo">University of Minnesota Press YouTube page</a> (with Greta Olson and Christopher Breu), the <a href="https://podcasts.apple.com/us/podcast/masculinity-in-transition-with-k-allison-hammer/id1353717550?i=1000632313685">Gender Stories podcast</a>, and on <a href="https://www.youtube.com/watch?v=Asup7bfhdks">In Conversation with Frank Schaeffer</a>.</p><p><br>"A major intervention into masculinities studies, <em>Masculinity in Transition</em> brilliantly and consistently pushes the field toward a critical understanding of masculinity as a complex gender formation."<br>—Christopher Breu, author of <em>Hard-Boiled Masculinities</em></p><p><br></p><p><br>"How might we understand masculinity if we turn toward culture rather than biology? K. Allison Hammer uncover(s) remakings of masculinity that center care, porosity, and unruly alliances—uplifting models for the precarious now."<br>—Amber Jamilla Musser, author of <em>Sensual Excess: Queer Femininity and Brown Jouissance</em></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>#MeToo, LGBTQIA+, toxic masculinity, racial capitalism, white supremacy, heteronormativity, queer, trans, politics, authoritarianism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>The disruptive forces of an oil boom</title>
      <itunes:episode>75</itunes:episode>
      <podcast:episode>75</podcast:episode>
      <itunes:title>The disruptive forces of an oil boom</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f5e41585</link>
      <description>
        <![CDATA[<p>During the past decade, new oil plays have unsettled energy landscapes and imaginaries in the US. <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><strong><em>Settling the Boom</em></strong></a>, a volume of essays, studies how the disruptive forces of an oil boom in the northern Great Plains of Williston, North Dakota, are contained through the extension of settler temporalities, reassertions of heteropatriarchy, and the tethering of life to the volatility of oil and its cruel optimisms. Here, the book’s coeditors Mary E. Thomas and Bruce Braun are joined in conversation. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><strong>Mary E. Thomas</strong> is associate professor of women’s, gender, and sexuality studies at The Ohio State University. She is coeditor of <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><em>Settling the Boom</em></a>, coauthor of <a href="https://www.wiley.com/en-ae/Urban+Geography:+A+Critical+Introduction-p-9781405189798"><em>Urban Geography</em></a>, and author of <a href="https://tupress.temple.edu/books/multicultural-girlhood"><em>Multicultural Girlhood</em></a>.</p><p><br></p><p><strong>Bruce Braun</strong> is professor of geography at the University of Minnesota. He is coeditor of <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><em>Settling the Boom</em></a> and <a href="https://www.upress.umn.edu/book-division/books/political-matter"><em>Political Matter</em></a>, and author of <a href="https://www.upress.umn.edu/Plone/book-division/books/the-intemperate-rainforest"><em>The Intemperate Rainforest</em></a>.</p><p><br></p><p><strong>Episode references:</strong></p><p>Cruel Optimism / Lauren Berlant</p><p>Pollution Is Colonialism / Max Liboiron</p><p>White Earth (film)</p><p>Jessica Christy, Through the Window exhibition</p><p><br></p><p><strong>Location of focus:</strong></p><p>Western North Dakota, including Willison (Williston Basin) and Dickinson, within the Bakken Formation.</p><p><a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><strong><em>Settling the Boom: The Sites and Subjects of Bakken Oil</em></strong></a>, is available from University of Minnesota Press. This edited collection includes contributions from Morgan Adamson, Kai Bosworth, Thomas S. Davis, and Jessica Lehman.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>During the past decade, new oil plays have unsettled energy landscapes and imaginaries in the US. <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><strong><em>Settling the Boom</em></strong></a>, a volume of essays, studies how the disruptive forces of an oil boom in the northern Great Plains of Williston, North Dakota, are contained through the extension of settler temporalities, reassertions of heteropatriarchy, and the tethering of life to the volatility of oil and its cruel optimisms. Here, the book’s coeditors Mary E. Thomas and Bruce Braun are joined in conversation. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><strong>Mary E. Thomas</strong> is associate professor of women’s, gender, and sexuality studies at The Ohio State University. She is coeditor of <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><em>Settling the Boom</em></a>, coauthor of <a href="https://www.wiley.com/en-ae/Urban+Geography:+A+Critical+Introduction-p-9781405189798"><em>Urban Geography</em></a>, and author of <a href="https://tupress.temple.edu/books/multicultural-girlhood"><em>Multicultural Girlhood</em></a>.</p><p><br></p><p><strong>Bruce Braun</strong> is professor of geography at the University of Minnesota. He is coeditor of <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><em>Settling the Boom</em></a> and <a href="https://www.upress.umn.edu/book-division/books/political-matter"><em>Political Matter</em></a>, and author of <a href="https://www.upress.umn.edu/Plone/book-division/books/the-intemperate-rainforest"><em>The Intemperate Rainforest</em></a>.</p><p><br></p><p><strong>Episode references:</strong></p><p>Cruel Optimism / Lauren Berlant</p><p>Pollution Is Colonialism / Max Liboiron</p><p>White Earth (film)</p><p>Jessica Christy, Through the Window exhibition</p><p><br></p><p><strong>Location of focus:</strong></p><p>Western North Dakota, including Willison (Williston Basin) and Dickinson, within the Bakken Formation.</p><p><a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><strong><em>Settling the Boom: The Sites and Subjects of Bakken Oil</em></strong></a>, is available from University of Minnesota Press. This edited collection includes contributions from Morgan Adamson, Kai Bosworth, Thomas S. Davis, and Jessica Lehman.</p>]]>
      </content:encoded>
      <pubDate>Tue, 27 Feb 2024 10:26:31 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/m9OhwWhBejxtimuTWtHlOQBIMQ_yaOFFLjp2GWRRdn4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE3NjExNzkv/MTcwOTA1MTE5MS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>2849</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>During the past decade, new oil plays have unsettled energy landscapes and imaginaries in the US. <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><strong><em>Settling the Boom</em></strong></a>, a volume of essays, studies how the disruptive forces of an oil boom in the northern Great Plains of Williston, North Dakota, are contained through the extension of settler temporalities, reassertions of heteropatriarchy, and the tethering of life to the volatility of oil and its cruel optimisms. Here, the book’s coeditors Mary E. Thomas and Bruce Braun are joined in conversation. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><strong>Mary E. Thomas</strong> is associate professor of women’s, gender, and sexuality studies at The Ohio State University. She is coeditor of <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><em>Settling the Boom</em></a>, coauthor of <a href="https://www.wiley.com/en-ae/Urban+Geography:+A+Critical+Introduction-p-9781405189798"><em>Urban Geography</em></a>, and author of <a href="https://tupress.temple.edu/books/multicultural-girlhood"><em>Multicultural Girlhood</em></a>.</p><p><br></p><p><strong>Bruce Braun</strong> is professor of geography at the University of Minnesota. He is coeditor of <a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><em>Settling the Boom</em></a> and <a href="https://www.upress.umn.edu/book-division/books/political-matter"><em>Political Matter</em></a>, and author of <a href="https://www.upress.umn.edu/Plone/book-division/books/the-intemperate-rainforest"><em>The Intemperate Rainforest</em></a>.</p><p><br></p><p><strong>Episode references:</strong></p><p>Cruel Optimism / Lauren Berlant</p><p>Pollution Is Colonialism / Max Liboiron</p><p>White Earth (film)</p><p>Jessica Christy, Through the Window exhibition</p><p><br></p><p><strong>Location of focus:</strong></p><p>Western North Dakota, including Willison (Williston Basin) and Dickinson, within the Bakken Formation.</p><p><a href="https://www.upress.umn.edu/book-division/books/settling-the-boom"><strong><em>Settling the Boom: The Sites and Subjects of Bakken Oil</em></strong></a>, is available from University of Minnesota Press. This edited collection includes contributions from Morgan Adamson, Kai Bosworth, Thomas S. Davis, and Jessica Lehman.</p>]]>
      </itunes:summary>
      <itunes:keywords>Bakken, fracking, colonialism, petrocultures, extraction, hydraulic fracturing, natural resource extraction, energy, frontier</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Expelling public schools: Antiracist politics and school privatization.</title>
      <itunes:episode>74</itunes:episode>
      <podcast:episode>74</podcast:episode>
      <itunes:title>Expelling public schools: Antiracist politics and school privatization.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">00f2e245-5600-4af3-9401-568281fca932</guid>
      <link>https://share.transistor.fm/s/f16093f2</link>
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        <![CDATA[<p>John Arena examines the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country. Arena’s book <em>Expelling Public Schools</em> reveals the political rise of Cory Booker and Ras Baraka and what this particular case study illuminates about contemporary post-civil rights Black politics. Here, Arena is joined in conversation with David Forrest. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br><strong>John (Jay) Arena</strong> is associate professor of sociology at CUNY’s College of Staten Island. Arena is author of <a href="https://www.upress.umn.edu/book-division/books/expelling-public-schools"><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/driven-from-new-orleans"><em>Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization</em></a>.</p><p><br><strong>David Forrest</strong> is associate professor of politics at Oberlin College. He is author of <a href="https://www.upress.umn.edu/Plone/book-division/books/a-voice-but-no-power"><em>A Voice but No Power: Organizing for Social Justice in Minneapolis</em></a>.</p><p><br><strong>Works and scholars referenced:</strong></p><p>Adolph Reed Jr. (<a href="https://www.upress.umn.edu/book-division/books/stirrings-in-the-jug"><em>Stirrings in the Jug</em></a>)</p><p>David M. Kotz (<a href="https://www.hup.harvard.edu/books/9780674980013"><em>The Rise and Fall of Neoliberal Capitalism</em></a>)</p><p>Cedric Johnson</p><p>Frances Fox Piven (<a href="https://bookshop.org/p/books/challenging-authority-how-ordinary-people-change-america-frances-fox-piven/950803"><em>Challenging Authority</em></a>)</p><p>Jane McAlevey (<a href="https://janemcalevey.com/book/no-shortcuts-organizing-for-power-in-the-new-gilded-age/"><em>No Shortcuts</em></a>)</p><p>Preston H. Smith II (<a href="https://www.upress.umn.edu/book-division/books/racial-democracy-and-the-black-metropolis"><em>Racial Democracy and the Black Metropolis</em></a>)</p><p>Sharon Kurtz (<a href="https://www.upress.umn.edu/book-division/books/workplace-justice"><em>Workplace Justice</em></a>)</p><p>Marc Doussard and Greg Schrock (<a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work</em></a>)</p><p>Kristen Buras (<a href="https://www.routledge.com/Charter-Schools-Race-and-Urban-Space-Where-the-Market-Meets-Grassroo/Buras/p/book/9780415660501"><em>Charter Schools, Race, and Urban Space</em></a>)</p><p>Touré Reed (<a href="https://www.versobooks.com/products/592-toward-freedom"><em>Toward Freedom</em></a>)</p><p>Alf Gunvald Nilsen and Laurence Cox (<a href="https://www.plutobooks.com/9781783711918/we-make-our-own-history/"><em>We Make Our Own History</em></a>)</p><p>Colin Barker, Laurence Cox, John Krinsky, and Alf Gunvald Nilsen, editors (<a href="https://www.haymarketbooks.org/books/598-marxism-and-social-movements"><em>Marxism and Social Movements</em></a>)</p><p>Rosa Luxemburg (<a href="https://www.pathfinderpress.com/products/rosa-luxemburg-speaks"><em>Rosa Luxemburg Speaks</em></a>)</p><p>Chris Maisano (“What Does Revolution Mean in the 21st Century?”, <a href="https://jacobin.com/2023/08/mark-beissinger-urban-civic-revolution-politics-social-change-protest"><em>Jacobin</em></a>)</p><p>Mark R. Beissinger (<a href="https://press.princeton.edu/books/hardcover/9780691224763/the-revolutionary-city"><em>The Revolutionary City</em></a>)</p><p><strong>People and organizations referenced:</strong></p><p>Cory Booker</p><p>Chris Christie</p><p>Ras Baraka</p><p>Newark’s downtown Teachers Village complex</p><p>Sharpe James</p><p>Cami Anderson</p><p>Christopher Cerf</p><p>Randi Weingarten</p><p>Albert Shanker</p><p>Karen Lewis</p><p>Al Moussab</p><p>Newark Education Workers</p><p>This episode was recorded in September 2023.<br><em></em></p><p><a href="https://www.upress.umn.edu/book-division/books/expelling-public-schools"><strong><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></strong></a><em> </em>is available from University of Minnesota Press.</p><p>"<em>Expelling Public Schools</em> offers a fascinating look into the racial politics of corporate school reform in Newark Public Schools. John Arena takes a long view—just over two decades—and examines the reform movements and countermovements in the district from the top down and the bottom up. In assessing corporate school reform efforts under mayors Cory Booker and Ras Baraka, this deeply researched book illuminates the mechanisms that maintain educational inequality."<br><strong>—Rand Quinn</strong>, author of <em>Class Action: Desegregation and Diversity in San Francisco Schools</em></p><p>"It is rare to encounter a work that treats actually existing Black life, an approach best articulated by Cedric Johnson, to critically address contemporary Black urban regimes. Thoughtful, careful, and incisive, <em>Expelling Public Schools</em> does just that. In this moment when antiracism (and <em>surface critiques</em> of antiracism) is rife, John Arena’s work provides a wonderful tonic."<br><strong>—Lester Spence</strong>, author of <em>Stare in the Darkness: The Limits of Hip-hop and Black Politics</em></p><p><br></p><p><em><br></em><br></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>John Arena examines the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country. Arena’s book <em>Expelling Public Schools</em> reveals the political rise of Cory Booker and Ras Baraka and what this particular case study illuminates about contemporary post-civil rights Black politics. Here, Arena is joined in conversation with David Forrest. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br><strong>John (Jay) Arena</strong> is associate professor of sociology at CUNY’s College of Staten Island. Arena is author of <a href="https://www.upress.umn.edu/book-division/books/expelling-public-schools"><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/driven-from-new-orleans"><em>Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization</em></a>.</p><p><br><strong>David Forrest</strong> is associate professor of politics at Oberlin College. He is author of <a href="https://www.upress.umn.edu/Plone/book-division/books/a-voice-but-no-power"><em>A Voice but No Power: Organizing for Social Justice in Minneapolis</em></a>.</p><p><br><strong>Works and scholars referenced:</strong></p><p>Adolph Reed Jr. (<a href="https://www.upress.umn.edu/book-division/books/stirrings-in-the-jug"><em>Stirrings in the Jug</em></a>)</p><p>David M. Kotz (<a href="https://www.hup.harvard.edu/books/9780674980013"><em>The Rise and Fall of Neoliberal Capitalism</em></a>)</p><p>Cedric Johnson</p><p>Frances Fox Piven (<a href="https://bookshop.org/p/books/challenging-authority-how-ordinary-people-change-america-frances-fox-piven/950803"><em>Challenging Authority</em></a>)</p><p>Jane McAlevey (<a href="https://janemcalevey.com/book/no-shortcuts-organizing-for-power-in-the-new-gilded-age/"><em>No Shortcuts</em></a>)</p><p>Preston H. Smith II (<a href="https://www.upress.umn.edu/book-division/books/racial-democracy-and-the-black-metropolis"><em>Racial Democracy and the Black Metropolis</em></a>)</p><p>Sharon Kurtz (<a href="https://www.upress.umn.edu/book-division/books/workplace-justice"><em>Workplace Justice</em></a>)</p><p>Marc Doussard and Greg Schrock (<a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work</em></a>)</p><p>Kristen Buras (<a href="https://www.routledge.com/Charter-Schools-Race-and-Urban-Space-Where-the-Market-Meets-Grassroo/Buras/p/book/9780415660501"><em>Charter Schools, Race, and Urban Space</em></a>)</p><p>Touré Reed (<a href="https://www.versobooks.com/products/592-toward-freedom"><em>Toward Freedom</em></a>)</p><p>Alf Gunvald Nilsen and Laurence Cox (<a href="https://www.plutobooks.com/9781783711918/we-make-our-own-history/"><em>We Make Our Own History</em></a>)</p><p>Colin Barker, Laurence Cox, John Krinsky, and Alf Gunvald Nilsen, editors (<a href="https://www.haymarketbooks.org/books/598-marxism-and-social-movements"><em>Marxism and Social Movements</em></a>)</p><p>Rosa Luxemburg (<a href="https://www.pathfinderpress.com/products/rosa-luxemburg-speaks"><em>Rosa Luxemburg Speaks</em></a>)</p><p>Chris Maisano (“What Does Revolution Mean in the 21st Century?”, <a href="https://jacobin.com/2023/08/mark-beissinger-urban-civic-revolution-politics-social-change-protest"><em>Jacobin</em></a>)</p><p>Mark R. Beissinger (<a href="https://press.princeton.edu/books/hardcover/9780691224763/the-revolutionary-city"><em>The Revolutionary City</em></a>)</p><p><strong>People and organizations referenced:</strong></p><p>Cory Booker</p><p>Chris Christie</p><p>Ras Baraka</p><p>Newark’s downtown Teachers Village complex</p><p>Sharpe James</p><p>Cami Anderson</p><p>Christopher Cerf</p><p>Randi Weingarten</p><p>Albert Shanker</p><p>Karen Lewis</p><p>Al Moussab</p><p>Newark Education Workers</p><p>This episode was recorded in September 2023.<br><em></em></p><p><a href="https://www.upress.umn.edu/book-division/books/expelling-public-schools"><strong><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></strong></a><em> </em>is available from University of Minnesota Press.</p><p>"<em>Expelling Public Schools</em> offers a fascinating look into the racial politics of corporate school reform in Newark Public Schools. John Arena takes a long view—just over two decades—and examines the reform movements and countermovements in the district from the top down and the bottom up. In assessing corporate school reform efforts under mayors Cory Booker and Ras Baraka, this deeply researched book illuminates the mechanisms that maintain educational inequality."<br><strong>—Rand Quinn</strong>, author of <em>Class Action: Desegregation and Diversity in San Francisco Schools</em></p><p>"It is rare to encounter a work that treats actually existing Black life, an approach best articulated by Cedric Johnson, to critically address contemporary Black urban regimes. Thoughtful, careful, and incisive, <em>Expelling Public Schools</em> does just that. In this moment when antiracism (and <em>surface critiques</em> of antiracism) is rife, John Arena’s work provides a wonderful tonic."<br><strong>—Lester Spence</strong>, author of <em>Stare in the Darkness: The Limits of Hip-hop and Black Politics</em></p><p><br></p><p><em><br></em><br></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 21 Feb 2024 14:58:30 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4432</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>John Arena examines the more than two-decade struggle to privatize public schools in Newark, New Jersey—a conflict that is raging in cities across the country. Arena’s book <em>Expelling Public Schools</em> reveals the political rise of Cory Booker and Ras Baraka and what this particular case study illuminates about contemporary post-civil rights Black politics. Here, Arena is joined in conversation with David Forrest. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br><strong>John (Jay) Arena</strong> is associate professor of sociology at CUNY’s College of Staten Island. Arena is author of <a href="https://www.upress.umn.edu/book-division/books/expelling-public-schools"><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/driven-from-new-orleans"><em>Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization</em></a>.</p><p><br><strong>David Forrest</strong> is associate professor of politics at Oberlin College. He is author of <a href="https://www.upress.umn.edu/Plone/book-division/books/a-voice-but-no-power"><em>A Voice but No Power: Organizing for Social Justice in Minneapolis</em></a>.</p><p><br><strong>Works and scholars referenced:</strong></p><p>Adolph Reed Jr. (<a href="https://www.upress.umn.edu/book-division/books/stirrings-in-the-jug"><em>Stirrings in the Jug</em></a>)</p><p>David M. Kotz (<a href="https://www.hup.harvard.edu/books/9780674980013"><em>The Rise and Fall of Neoliberal Capitalism</em></a>)</p><p>Cedric Johnson</p><p>Frances Fox Piven (<a href="https://bookshop.org/p/books/challenging-authority-how-ordinary-people-change-america-frances-fox-piven/950803"><em>Challenging Authority</em></a>)</p><p>Jane McAlevey (<a href="https://janemcalevey.com/book/no-shortcuts-organizing-for-power-in-the-new-gilded-age/"><em>No Shortcuts</em></a>)</p><p>Preston H. Smith II (<a href="https://www.upress.umn.edu/book-division/books/racial-democracy-and-the-black-metropolis"><em>Racial Democracy and the Black Metropolis</em></a>)</p><p>Sharon Kurtz (<a href="https://www.upress.umn.edu/book-division/books/workplace-justice"><em>Workplace Justice</em></a>)</p><p>Marc Doussard and Greg Schrock (<a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work</em></a>)</p><p>Kristen Buras (<a href="https://www.routledge.com/Charter-Schools-Race-and-Urban-Space-Where-the-Market-Meets-Grassroo/Buras/p/book/9780415660501"><em>Charter Schools, Race, and Urban Space</em></a>)</p><p>Touré Reed (<a href="https://www.versobooks.com/products/592-toward-freedom"><em>Toward Freedom</em></a>)</p><p>Alf Gunvald Nilsen and Laurence Cox (<a href="https://www.plutobooks.com/9781783711918/we-make-our-own-history/"><em>We Make Our Own History</em></a>)</p><p>Colin Barker, Laurence Cox, John Krinsky, and Alf Gunvald Nilsen, editors (<a href="https://www.haymarketbooks.org/books/598-marxism-and-social-movements"><em>Marxism and Social Movements</em></a>)</p><p>Rosa Luxemburg (<a href="https://www.pathfinderpress.com/products/rosa-luxemburg-speaks"><em>Rosa Luxemburg Speaks</em></a>)</p><p>Chris Maisano (“What Does Revolution Mean in the 21st Century?”, <a href="https://jacobin.com/2023/08/mark-beissinger-urban-civic-revolution-politics-social-change-protest"><em>Jacobin</em></a>)</p><p>Mark R. Beissinger (<a href="https://press.princeton.edu/books/hardcover/9780691224763/the-revolutionary-city"><em>The Revolutionary City</em></a>)</p><p><strong>People and organizations referenced:</strong></p><p>Cory Booker</p><p>Chris Christie</p><p>Ras Baraka</p><p>Newark’s downtown Teachers Village complex</p><p>Sharpe James</p><p>Cami Anderson</p><p>Christopher Cerf</p><p>Randi Weingarten</p><p>Albert Shanker</p><p>Karen Lewis</p><p>Al Moussab</p><p>Newark Education Workers</p><p>This episode was recorded in September 2023.<br><em></em></p><p><a href="https://www.upress.umn.edu/book-division/books/expelling-public-schools"><strong><em>Expelling Public Schools: How Antiracist Politics Enable School Privatization in Newark</em></strong></a><em> </em>is available from University of Minnesota Press.</p><p>"<em>Expelling Public Schools</em> offers a fascinating look into the racial politics of corporate school reform in Newark Public Schools. John Arena takes a long view—just over two decades—and examines the reform movements and countermovements in the district from the top down and the bottom up. In assessing corporate school reform efforts under mayors Cory Booker and Ras Baraka, this deeply researched book illuminates the mechanisms that maintain educational inequality."<br><strong>—Rand Quinn</strong>, author of <em>Class Action: Desegregation and Diversity in San Francisco Schools</em></p><p>"It is rare to encounter a work that treats actually existing Black life, an approach best articulated by Cedric Johnson, to critically address contemporary Black urban regimes. Thoughtful, careful, and incisive, <em>Expelling Public Schools</em> does just that. In this moment when antiracism (and <em>surface critiques</em> of antiracism) is rife, John Arena’s work provides a wonderful tonic."<br><strong>—Lester Spence</strong>, author of <em>Stare in the Darkness: The Limits of Hip-hop and Black Politics</em></p><p><br></p><p><em><br></em><br></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Social movements, charter schools, black urban regime, class analysis, philanthrocapitalism, American Federation of Teachers, union, business elite, alliance, Newark, ideology, parent activism, protest, class structure, corporate school reform, disruptive power, Democratic Party, funding, vouchers, working class, KIPP, North Star Academy Charter</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Blowdown in the Boundary Waters</title>
      <itunes:episode>73</itunes:episode>
      <podcast:episode>73</podcast:episode>
      <itunes:title>Blowdown in the Boundary Waters</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/369b8584</link>
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        <![CDATA[<p>More than twenty years ago, a bizarre confluence of meteorological events resulted in the most damaging blowdown in Minnesota’s Boundary Waters Canoe Area Wilderness’s history. It traveled 1,300 miles and lasted 22 hours, flattening nearly 500,000 acres of the Superior National Forest. Hundreds of campers and paddlers were stranded and dozens injured; amazingly, no one died. The historic storm ultimately reshaped the region’s forests in ways we have yet to fully understand. Here, author Cary J. Griffith is joined in conversation with scientist Lee Frelich and Peter Leschak, who was involved in the response and rescue effort. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>Cary Griffith</strong> is author of several novels and four books of nonfiction, including <a href="https://www.upress.umn.edu/book-division/books/gunflint-falling"><em>Gunflint Falling: Blowdown in the Boundary Waters</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/gunflint-burning"><em>Gunflint Burning: Fire in the Boundary Waters</em></a>. He is recipient of a Minnesota Book Award and a Midwest Book Award.</p><p><strong>Lee Frelich</strong> is director of the Center for Forest Ecology at the University of Minnesota. He is listed among the top 1% of scientists in the Web of Science, Ecology, and Environment and has authored more than 200 publications, and has been featured in the <em>New York Times</em>, <em>Newsweek</em>, and the <em>Washington Post</em>.</p><p><strong>Peter Leschak</strong> was chief of the French Township fire department in Side Lake, Minnesota, for thirty years. He has written ten books and has worked in a variety of wildfire-related capacities and held positions of leadership in the Minnesota Department of Natural Resources and the U.S. Forest Service.</p><p><a href="https://www.upress.umn.edu/book-division/books/gunflint-falling"><strong><em>Gunflint Falling: Blowdown in the Boundary Waters</em></strong></a> is available from University of Minnesota Press.</p><p>"In the tradition of <em>The Perfect Storm, </em>Cary J. Griffith brings readers into the Boundary Waters moment by moment as an epic gale sweeps through. Ample maps and in-depth interviews with witnesses both immerse us in one terrifying day and offer a glimpse of the past and future of Minnesota’s boreal forest."<br><strong>—Kim Todd</strong>, author of <em>Sensational: The Hidden History of America’s “Girl Stunt Reporters”</em></p><p><br></p><p><br>"In <em>Gunflint Falling, </em>Cary J. Griffith provides an accurate, comprehensive narrative of those impacted by one of the region’s most devastating storms. The damage and pain brought by the derecho storm was more severe than anything previously experienced in the Boundary Waters Canoe Area Wilderness. The reader is taken into the personal experiences of the injured and those searching for them for fourteen days in the million-acre wilderness, and Griffith’s narrative of these experiences demonstrates how, when faced with an emergency, we come together to help one another."<br><strong>—Jim Sanders</strong>, retired forest supervisor, Superior National Forest (1996-2011), USDA Forest Service</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>More than twenty years ago, a bizarre confluence of meteorological events resulted in the most damaging blowdown in Minnesota’s Boundary Waters Canoe Area Wilderness’s history. It traveled 1,300 miles and lasted 22 hours, flattening nearly 500,000 acres of the Superior National Forest. Hundreds of campers and paddlers were stranded and dozens injured; amazingly, no one died. The historic storm ultimately reshaped the region’s forests in ways we have yet to fully understand. Here, author Cary J. Griffith is joined in conversation with scientist Lee Frelich and Peter Leschak, who was involved in the response and rescue effort. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>Cary Griffith</strong> is author of several novels and four books of nonfiction, including <a href="https://www.upress.umn.edu/book-division/books/gunflint-falling"><em>Gunflint Falling: Blowdown in the Boundary Waters</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/gunflint-burning"><em>Gunflint Burning: Fire in the Boundary Waters</em></a>. He is recipient of a Minnesota Book Award and a Midwest Book Award.</p><p><strong>Lee Frelich</strong> is director of the Center for Forest Ecology at the University of Minnesota. He is listed among the top 1% of scientists in the Web of Science, Ecology, and Environment and has authored more than 200 publications, and has been featured in the <em>New York Times</em>, <em>Newsweek</em>, and the <em>Washington Post</em>.</p><p><strong>Peter Leschak</strong> was chief of the French Township fire department in Side Lake, Minnesota, for thirty years. He has written ten books and has worked in a variety of wildfire-related capacities and held positions of leadership in the Minnesota Department of Natural Resources and the U.S. Forest Service.</p><p><a href="https://www.upress.umn.edu/book-division/books/gunflint-falling"><strong><em>Gunflint Falling: Blowdown in the Boundary Waters</em></strong></a> is available from University of Minnesota Press.</p><p>"In the tradition of <em>The Perfect Storm, </em>Cary J. Griffith brings readers into the Boundary Waters moment by moment as an epic gale sweeps through. Ample maps and in-depth interviews with witnesses both immerse us in one terrifying day and offer a glimpse of the past and future of Minnesota’s boreal forest."<br><strong>—Kim Todd</strong>, author of <em>Sensational: The Hidden History of America’s “Girl Stunt Reporters”</em></p><p><br></p><p><br>"In <em>Gunflint Falling, </em>Cary J. Griffith provides an accurate, comprehensive narrative of those impacted by one of the region’s most devastating storms. The damage and pain brought by the derecho storm was more severe than anything previously experienced in the Boundary Waters Canoe Area Wilderness. The reader is taken into the personal experiences of the injured and those searching for them for fourteen days in the million-acre wilderness, and Griffith’s narrative of these experiences demonstrates how, when faced with an emergency, we come together to help one another."<br><strong>—Jim Sanders</strong>, retired forest supervisor, Superior National Forest (1996-2011), USDA Forest Service</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 30 Jan 2024 09:17:53 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2466</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>More than twenty years ago, a bizarre confluence of meteorological events resulted in the most damaging blowdown in Minnesota’s Boundary Waters Canoe Area Wilderness’s history. It traveled 1,300 miles and lasted 22 hours, flattening nearly 500,000 acres of the Superior National Forest. Hundreds of campers and paddlers were stranded and dozens injured; amazingly, no one died. The historic storm ultimately reshaped the region’s forests in ways we have yet to fully understand. Here, author Cary J. Griffith is joined in conversation with scientist Lee Frelich and Peter Leschak, who was involved in the response and rescue effort. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>Cary Griffith</strong> is author of several novels and four books of nonfiction, including <a href="https://www.upress.umn.edu/book-division/books/gunflint-falling"><em>Gunflint Falling: Blowdown in the Boundary Waters</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/gunflint-burning"><em>Gunflint Burning: Fire in the Boundary Waters</em></a>. He is recipient of a Minnesota Book Award and a Midwest Book Award.</p><p><strong>Lee Frelich</strong> is director of the Center for Forest Ecology at the University of Minnesota. He is listed among the top 1% of scientists in the Web of Science, Ecology, and Environment and has authored more than 200 publications, and has been featured in the <em>New York Times</em>, <em>Newsweek</em>, and the <em>Washington Post</em>.</p><p><strong>Peter Leschak</strong> was chief of the French Township fire department in Side Lake, Minnesota, for thirty years. He has written ten books and has worked in a variety of wildfire-related capacities and held positions of leadership in the Minnesota Department of Natural Resources and the U.S. Forest Service.</p><p><a href="https://www.upress.umn.edu/book-division/books/gunflint-falling"><strong><em>Gunflint Falling: Blowdown in the Boundary Waters</em></strong></a> is available from University of Minnesota Press.</p><p>"In the tradition of <em>The Perfect Storm, </em>Cary J. Griffith brings readers into the Boundary Waters moment by moment as an epic gale sweeps through. Ample maps and in-depth interviews with witnesses both immerse us in one terrifying day and offer a glimpse of the past and future of Minnesota’s boreal forest."<br><strong>—Kim Todd</strong>, author of <em>Sensational: The Hidden History of America’s “Girl Stunt Reporters”</em></p><p><br></p><p><br>"In <em>Gunflint Falling, </em>Cary J. Griffith provides an accurate, comprehensive narrative of those impacted by one of the region’s most devastating storms. The damage and pain brought by the derecho storm was more severe than anything previously experienced in the Boundary Waters Canoe Area Wilderness. The reader is taken into the personal experiences of the injured and those searching for them for fourteen days in the million-acre wilderness, and Griffith’s narrative of these experiences demonstrates how, when faced with an emergency, we come together to help one another."<br><strong>—Jim Sanders</strong>, retired forest supervisor, Superior National Forest (1996-2011), USDA Forest Service</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>derecho, storm, Superior National Forest, Gunflint Lake, wilderness survival, search, rescue, climate change, Ham Lake, straight-line winds, flattened trees, response, fire department, ecology, environment</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Sugar, coal, oil: No more fossils.</title>
      <itunes:episode>72</itunes:episode>
      <podcast:episode>72</podcast:episode>
      <itunes:title>Sugar, coal, oil: No more fossils.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>What is fossil civilization? In the book <a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><strong><em>No More Fossils</em></strong></a>, Dominic Boyer tells the story of how we came to rationalize fossil fuel use through successive phases of sucropolitics (plantation sugar), carbopolitics (industrial coal), and petropolitics (oil and plastics), showing what tethers us to petroculture today and what it will take to overcome the forces that mire us in place. What can we do to make electroculture a more just and sustainable alternative? In this episode, Boyer is joined in conversation about modern energy politics with Cara Daggett. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>Dominic Boyer</strong> is an anthropologist, media maker, and environmental researcher who teaches at Rice University. His books include <a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><em>No More Fossils</em></a>, <a href="https://www.dukeupress.edu/energopolitics"><em>Energopolitics</em></a><em>,</em> and <a href="http://www.openhumanitiespress.org/books/titles/hyposubjects/"><em>Hyposubjects</em></a>.</p><p><br><strong>Cara Daggett</strong> is associate professor of political science at Virginia Tech and author of <a href="https://www.dukeupress.edu/the-birth-of-energy"><em>The Birth of Energy</em></a>.</p><p><br></p><p>References:</p><p><a href="https://www.dukeupress.edu/the-birth-of-energy"><em>The Birth of Energy</em></a> / Cara Daggett</p><p>Anna Tsing</p><p><a href="https://www.versobooks.com/products/2222-carbon-democracy"><em>Carbon Democracy</em></a> / Timothy Mitchell</p><p>Michel Foucault on biopower</p><p><a href="https://www.penguinrandomhouse.com/books/322123/sweetness-and-power-by-sidney-w-mintz/"><em>Sweetness and Power</em></a> / Sidney Mintz</p><p><a href="https://upittpress.org/books/9780822959786/"><em>Hegel, Haiti, and Universal History</em></a> / Susan Buck-Morss</p><p><a href="https://www.versobooks.com/products/135-fossil-capital"><em>Fossil Capital</em></a> / Andreas Malm</p><p><a href="https://www.15minutecity.com/">15-Minute City</a></p><p>John Locke</p><p>Alexander Dunlap on <a href="https://www.versobooks.com/blogs/news/3797-end-the-green-delusions-industrial-scale-renewable-energy-is-fossil-fuel">Fossil Fuel+</a></p><p><a href="https://press.princeton.edu/books/paperback/9780691121178/everything-was-forever-until-it-was-no-more"><em>Everything Was Forever, Until It Was No More</em></a> / Alexei Yurchak</p><p><a href="https://www.dukeupress.edu/staying-with-the-trouble"><em>Staying with the Trouble</em></a> / Donna Haraway</p><p>Ariella Azoulay</p><p>Kyle Powys Whyte</p><p><a href="https://www.dukeupress.edu/geontologies"><em>Geontologies</em></a> / Elizabeth Povinelli</p><p><a href="https://www.dominicboyer.org/low-carbon-pleasure">Low Carbon Pleasure</a> / a collaborative experimental art and performance project by Dominic Boyer, Cymene Howe, and others</p><p>Stacy Alaimo / ecophilia</p><p><br><a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><strong><em>No More Fossils</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/no-more-fossils"><strong>manifold.umn.edu</strong></a>. </p>]]>
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      <content:encoded>
        <![CDATA[<p>What is fossil civilization? In the book <a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><strong><em>No More Fossils</em></strong></a>, Dominic Boyer tells the story of how we came to rationalize fossil fuel use through successive phases of sucropolitics (plantation sugar), carbopolitics (industrial coal), and petropolitics (oil and plastics), showing what tethers us to petroculture today and what it will take to overcome the forces that mire us in place. What can we do to make electroculture a more just and sustainable alternative? In this episode, Boyer is joined in conversation about modern energy politics with Cara Daggett. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>Dominic Boyer</strong> is an anthropologist, media maker, and environmental researcher who teaches at Rice University. His books include <a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><em>No More Fossils</em></a>, <a href="https://www.dukeupress.edu/energopolitics"><em>Energopolitics</em></a><em>,</em> and <a href="http://www.openhumanitiespress.org/books/titles/hyposubjects/"><em>Hyposubjects</em></a>.</p><p><br><strong>Cara Daggett</strong> is associate professor of political science at Virginia Tech and author of <a href="https://www.dukeupress.edu/the-birth-of-energy"><em>The Birth of Energy</em></a>.</p><p><br></p><p>References:</p><p><a href="https://www.dukeupress.edu/the-birth-of-energy"><em>The Birth of Energy</em></a> / Cara Daggett</p><p>Anna Tsing</p><p><a href="https://www.versobooks.com/products/2222-carbon-democracy"><em>Carbon Democracy</em></a> / Timothy Mitchell</p><p>Michel Foucault on biopower</p><p><a href="https://www.penguinrandomhouse.com/books/322123/sweetness-and-power-by-sidney-w-mintz/"><em>Sweetness and Power</em></a> / Sidney Mintz</p><p><a href="https://upittpress.org/books/9780822959786/"><em>Hegel, Haiti, and Universal History</em></a> / Susan Buck-Morss</p><p><a href="https://www.versobooks.com/products/135-fossil-capital"><em>Fossil Capital</em></a> / Andreas Malm</p><p><a href="https://www.15minutecity.com/">15-Minute City</a></p><p>John Locke</p><p>Alexander Dunlap on <a href="https://www.versobooks.com/blogs/news/3797-end-the-green-delusions-industrial-scale-renewable-energy-is-fossil-fuel">Fossil Fuel+</a></p><p><a href="https://press.princeton.edu/books/paperback/9780691121178/everything-was-forever-until-it-was-no-more"><em>Everything Was Forever, Until It Was No More</em></a> / Alexei Yurchak</p><p><a href="https://www.dukeupress.edu/staying-with-the-trouble"><em>Staying with the Trouble</em></a> / Donna Haraway</p><p>Ariella Azoulay</p><p>Kyle Powys Whyte</p><p><a href="https://www.dukeupress.edu/geontologies"><em>Geontologies</em></a> / Elizabeth Povinelli</p><p><a href="https://www.dominicboyer.org/low-carbon-pleasure">Low Carbon Pleasure</a> / a collaborative experimental art and performance project by Dominic Boyer, Cymene Howe, and others</p><p>Stacy Alaimo / ecophilia</p><p><br><a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><strong><em>No More Fossils</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/no-more-fossils"><strong>manifold.umn.edu</strong></a>. </p>]]>
      </content:encoded>
      <pubDate>Tue, 23 Jan 2024 11:35:12 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3845</itunes:duration>
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        <![CDATA[<p>What is fossil civilization? In the book <a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><strong><em>No More Fossils</em></strong></a>, Dominic Boyer tells the story of how we came to rationalize fossil fuel use through successive phases of sucropolitics (plantation sugar), carbopolitics (industrial coal), and petropolitics (oil and plastics), showing what tethers us to petroculture today and what it will take to overcome the forces that mire us in place. What can we do to make electroculture a more just and sustainable alternative? In this episode, Boyer is joined in conversation about modern energy politics with Cara Daggett. Access the transcript: https://share.transistor.fm/s/19c275c6</p><p><br></p><p><strong>Dominic Boyer</strong> is an anthropologist, media maker, and environmental researcher who teaches at Rice University. His books include <a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><em>No More Fossils</em></a>, <a href="https://www.dukeupress.edu/energopolitics"><em>Energopolitics</em></a><em>,</em> and <a href="http://www.openhumanitiespress.org/books/titles/hyposubjects/"><em>Hyposubjects</em></a>.</p><p><br><strong>Cara Daggett</strong> is associate professor of political science at Virginia Tech and author of <a href="https://www.dukeupress.edu/the-birth-of-energy"><em>The Birth of Energy</em></a>.</p><p><br></p><p>References:</p><p><a href="https://www.dukeupress.edu/the-birth-of-energy"><em>The Birth of Energy</em></a> / Cara Daggett</p><p>Anna Tsing</p><p><a href="https://www.versobooks.com/products/2222-carbon-democracy"><em>Carbon Democracy</em></a> / Timothy Mitchell</p><p>Michel Foucault on biopower</p><p><a href="https://www.penguinrandomhouse.com/books/322123/sweetness-and-power-by-sidney-w-mintz/"><em>Sweetness and Power</em></a> / Sidney Mintz</p><p><a href="https://upittpress.org/books/9780822959786/"><em>Hegel, Haiti, and Universal History</em></a> / Susan Buck-Morss</p><p><a href="https://www.versobooks.com/products/135-fossil-capital"><em>Fossil Capital</em></a> / Andreas Malm</p><p><a href="https://www.15minutecity.com/">15-Minute City</a></p><p>John Locke</p><p>Alexander Dunlap on <a href="https://www.versobooks.com/blogs/news/3797-end-the-green-delusions-industrial-scale-renewable-energy-is-fossil-fuel">Fossil Fuel+</a></p><p><a href="https://press.princeton.edu/books/paperback/9780691121178/everything-was-forever-until-it-was-no-more"><em>Everything Was Forever, Until It Was No More</em></a> / Alexei Yurchak</p><p><a href="https://www.dukeupress.edu/staying-with-the-trouble"><em>Staying with the Trouble</em></a> / Donna Haraway</p><p>Ariella Azoulay</p><p>Kyle Powys Whyte</p><p><a href="https://www.dukeupress.edu/geontologies"><em>Geontologies</em></a> / Elizabeth Povinelli</p><p><a href="https://www.dominicboyer.org/low-carbon-pleasure">Low Carbon Pleasure</a> / a collaborative experimental art and performance project by Dominic Boyer, Cymene Howe, and others</p><p>Stacy Alaimo / ecophilia</p><p><br><a href="https://www.upress.umn.edu/book-division/books/no-more-fossils"><strong><em>No More Fossils</em></strong></a> is available from University of Minnesota Press. An open-access edition is available to read free online at <a href="https://manifold.umn.edu/projects/no-more-fossils"><strong>manifold.umn.edu</strong></a>. </p>]]>
      </itunes:summary>
      <itunes:keywords>modern energy politics, energopolitics, fossil fuels, climate change, ergopower, electric futures, colonialism, relic, gerontocracy, hyposubjects</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Comics, visual culture, and feminism in the 1980s</title>
      <itunes:episode>71</itunes:episode>
      <podcast:episode>71</podcast:episode>
      <itunes:title>Comics, visual culture, and feminism in the 1980s</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><strong><em>In Visible Archives</em></strong></a><strong> </strong>is a book that explores a number of feminist and cultural touchstones of the 1980s and examines how visual culture interacts with these pivotal moments. Author Margaret Galvan goes deep into the archives to bring together a decade’s worth of research that includes comics, collages, photographs, drawings, and other media produced by women including Nan Goldin, Alison Bechdel, Lee Marrs, and Gloria Anzaldúa. Galvan demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities. Galvan is joined here in conversation with Anna Peppard and Ramzi Fawaz.</p><p><br><strong>Margaret Galvan</strong> is assistant professor of English at the University of Florida and author of <a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><em>In Visible Archives: Queer and Feminist Visual Culture in the 1980s</em></a>.</p><p><strong>Anna Peppard</strong> is a writer, researcher, podcaster, and educator. Peppard is an adjunct lecturer in the department of Communication, Popular Culture, and Film at Brock University and editor of <a href="https://utpress.utexas.edu/9781477321614/supersex/"><em>Supersex: Sexuality, Fantasy, and the Superhero</em></a>.</p><p><strong>Ramzi Fawaz</strong> is an award-winning queer cultural critic, public speaker, and educator. Fawaz is a Romnes Professor of English at the University of Wisconsin–Madison, and author of <a href="https://nyupress.org/9781479820733/queer-forms/"><em>Queer Forms</em></a> and <a href="https://nyupress.org/9781479823086/the-new-mutants/"><em>The New Mutants</em></a>. </p><p><br><strong>Episode references:</strong></p><p>Trina Robbins</p><p>Hillary Chute / <a href="https://cup.columbia.edu/book/graphic-women/9780231150637"><em>Graphic Women</em></a></p><p>Gloria Anzaldúa / <a href="https://www.auntlute.com/borderlands"><em>Borderlands</em></a> and <a href="https://sunypress.edu/Books/T/This-Bridge-Called-My-Back-Fourth-Edition"><em>This Bridge Called My Back</em></a></p><p>Alison Bechdel</p><p>Nan Goldin</p><p><em>Diary</em> (1982) from the Barnard Sex Conference (Hannah Alderfer, Beth Jaker, Marybeth Nelson)</p><p>Kristen Hogan / <a href="https://www.dukeupress.edu/the-feminist-bookstore-movement"><em>The Feminist Bookstore Movement</em></a></p><p>Lee Marrs / <em>The Further Fattening Adventures of Pudge, Girl Blimp</em></p><p><a href="https://artistsspace.org/exhibitions/witnesses-against-our-vanishing-3">Witnesses: Against Our Vanishing</a> (exhibit)</p><p>Roberta Gregory</p><p>Maria Cotera / <a href="https://chicanapormiraza.org/">Chicana por mi Raza</a> (digital project)</p><p><a href="https://utpress.utexas.edu/9781477315590/"><em>Chicana Movidas</em></a> / edited by Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell</p><p><a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><strong><em>In Visible Archives: Queer and Feminist Visual Culture in the 1980s</em></strong></a> is available from University of Minnesota Press. This book has an open-access Manifold edition that is <a href="https://manifold.umn.edu/projects/in-visible-archives"><strong>free to read online</strong></a>.</p><p><br>"Margaret Galvan asks all the right questions about queer and feminist visual storytelling from the 1980s: Where were these works situated? How did communities use them? How have they been archived? Both commentary upon as well as an integral part of the activist project begun by the creators themselves, <em>In Visible Archives</em> helps keep these remarkable works visible for us all."<br>—Justin Hall, California College of the Arts, editor of <em>No Straight Lines</em></p><p><br>"This wonderful book demonstrates the critical importance of community-based archives. Utilizing primary source materials, Margaret Galvan has produced an original and consequential contribution to the history of the feminist sex wars, and her attention to the visual aspects of those documents provides long overdue recognition to the period’s artists, designers, and activists."<br>—Gayle Rubin, University of Michigan</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><strong><em>In Visible Archives</em></strong></a><strong> </strong>is a book that explores a number of feminist and cultural touchstones of the 1980s and examines how visual culture interacts with these pivotal moments. Author Margaret Galvan goes deep into the archives to bring together a decade’s worth of research that includes comics, collages, photographs, drawings, and other media produced by women including Nan Goldin, Alison Bechdel, Lee Marrs, and Gloria Anzaldúa. Galvan demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities. Galvan is joined here in conversation with Anna Peppard and Ramzi Fawaz.</p><p><br><strong>Margaret Galvan</strong> is assistant professor of English at the University of Florida and author of <a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><em>In Visible Archives: Queer and Feminist Visual Culture in the 1980s</em></a>.</p><p><strong>Anna Peppard</strong> is a writer, researcher, podcaster, and educator. Peppard is an adjunct lecturer in the department of Communication, Popular Culture, and Film at Brock University and editor of <a href="https://utpress.utexas.edu/9781477321614/supersex/"><em>Supersex: Sexuality, Fantasy, and the Superhero</em></a>.</p><p><strong>Ramzi Fawaz</strong> is an award-winning queer cultural critic, public speaker, and educator. Fawaz is a Romnes Professor of English at the University of Wisconsin–Madison, and author of <a href="https://nyupress.org/9781479820733/queer-forms/"><em>Queer Forms</em></a> and <a href="https://nyupress.org/9781479823086/the-new-mutants/"><em>The New Mutants</em></a>. </p><p><br><strong>Episode references:</strong></p><p>Trina Robbins</p><p>Hillary Chute / <a href="https://cup.columbia.edu/book/graphic-women/9780231150637"><em>Graphic Women</em></a></p><p>Gloria Anzaldúa / <a href="https://www.auntlute.com/borderlands"><em>Borderlands</em></a> and <a href="https://sunypress.edu/Books/T/This-Bridge-Called-My-Back-Fourth-Edition"><em>This Bridge Called My Back</em></a></p><p>Alison Bechdel</p><p>Nan Goldin</p><p><em>Diary</em> (1982) from the Barnard Sex Conference (Hannah Alderfer, Beth Jaker, Marybeth Nelson)</p><p>Kristen Hogan / <a href="https://www.dukeupress.edu/the-feminist-bookstore-movement"><em>The Feminist Bookstore Movement</em></a></p><p>Lee Marrs / <em>The Further Fattening Adventures of Pudge, Girl Blimp</em></p><p><a href="https://artistsspace.org/exhibitions/witnesses-against-our-vanishing-3">Witnesses: Against Our Vanishing</a> (exhibit)</p><p>Roberta Gregory</p><p>Maria Cotera / <a href="https://chicanapormiraza.org/">Chicana por mi Raza</a> (digital project)</p><p><a href="https://utpress.utexas.edu/9781477315590/"><em>Chicana Movidas</em></a> / edited by Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell</p><p><a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><strong><em>In Visible Archives: Queer and Feminist Visual Culture in the 1980s</em></strong></a> is available from University of Minnesota Press. This book has an open-access Manifold edition that is <a href="https://manifold.umn.edu/projects/in-visible-archives"><strong>free to read online</strong></a>.</p><p><br>"Margaret Galvan asks all the right questions about queer and feminist visual storytelling from the 1980s: Where were these works situated? How did communities use them? How have they been archived? Both commentary upon as well as an integral part of the activist project begun by the creators themselves, <em>In Visible Archives</em> helps keep these remarkable works visible for us all."<br>—Justin Hall, California College of the Arts, editor of <em>No Straight Lines</em></p><p><br>"This wonderful book demonstrates the critical importance of community-based archives. Utilizing primary source materials, Margaret Galvan has produced an original and consequential contribution to the history of the feminist sex wars, and her attention to the visual aspects of those documents provides long overdue recognition to the period’s artists, designers, and activists."<br>—Gayle Rubin, University of Michigan</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 17 Jan 2024 13:52:23 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2976</itunes:duration>
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        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><strong><em>In Visible Archives</em></strong></a><strong> </strong>is a book that explores a number of feminist and cultural touchstones of the 1980s and examines how visual culture interacts with these pivotal moments. Author Margaret Galvan goes deep into the archives to bring together a decade’s worth of research that includes comics, collages, photographs, drawings, and other media produced by women including Nan Goldin, Alison Bechdel, Lee Marrs, and Gloria Anzaldúa. Galvan demonstrates how women represented their bodies and sexualities on their own terms and created visibility for new, diverse identities. Galvan is joined here in conversation with Anna Peppard and Ramzi Fawaz.</p><p><br><strong>Margaret Galvan</strong> is assistant professor of English at the University of Florida and author of <a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><em>In Visible Archives: Queer and Feminist Visual Culture in the 1980s</em></a>.</p><p><strong>Anna Peppard</strong> is a writer, researcher, podcaster, and educator. Peppard is an adjunct lecturer in the department of Communication, Popular Culture, and Film at Brock University and editor of <a href="https://utpress.utexas.edu/9781477321614/supersex/"><em>Supersex: Sexuality, Fantasy, and the Superhero</em></a>.</p><p><strong>Ramzi Fawaz</strong> is an award-winning queer cultural critic, public speaker, and educator. Fawaz is a Romnes Professor of English at the University of Wisconsin–Madison, and author of <a href="https://nyupress.org/9781479820733/queer-forms/"><em>Queer Forms</em></a> and <a href="https://nyupress.org/9781479823086/the-new-mutants/"><em>The New Mutants</em></a>. </p><p><br><strong>Episode references:</strong></p><p>Trina Robbins</p><p>Hillary Chute / <a href="https://cup.columbia.edu/book/graphic-women/9780231150637"><em>Graphic Women</em></a></p><p>Gloria Anzaldúa / <a href="https://www.auntlute.com/borderlands"><em>Borderlands</em></a> and <a href="https://sunypress.edu/Books/T/This-Bridge-Called-My-Back-Fourth-Edition"><em>This Bridge Called My Back</em></a></p><p>Alison Bechdel</p><p>Nan Goldin</p><p><em>Diary</em> (1982) from the Barnard Sex Conference (Hannah Alderfer, Beth Jaker, Marybeth Nelson)</p><p>Kristen Hogan / <a href="https://www.dukeupress.edu/the-feminist-bookstore-movement"><em>The Feminist Bookstore Movement</em></a></p><p>Lee Marrs / <em>The Further Fattening Adventures of Pudge, Girl Blimp</em></p><p><a href="https://artistsspace.org/exhibitions/witnesses-against-our-vanishing-3">Witnesses: Against Our Vanishing</a> (exhibit)</p><p>Roberta Gregory</p><p>Maria Cotera / <a href="https://chicanapormiraza.org/">Chicana por mi Raza</a> (digital project)</p><p><a href="https://utpress.utexas.edu/9781477315590/"><em>Chicana Movidas</em></a> / edited by Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell</p><p><a href="https://www.upress.umn.edu/book-division/books/in-visible-archives"><strong><em>In Visible Archives: Queer and Feminist Visual Culture in the 1980s</em></strong></a> is available from University of Minnesota Press. This book has an open-access Manifold edition that is <a href="https://manifold.umn.edu/projects/in-visible-archives"><strong>free to read online</strong></a>.</p><p><br>"Margaret Galvan asks all the right questions about queer and feminist visual storytelling from the 1980s: Where were these works situated? How did communities use them? How have they been archived? Both commentary upon as well as an integral part of the activist project begun by the creators themselves, <em>In Visible Archives</em> helps keep these remarkable works visible for us all."<br>—Justin Hall, California College of the Arts, editor of <em>No Straight Lines</em></p><p><br>"This wonderful book demonstrates the critical importance of community-based archives. Utilizing primary source materials, Margaret Galvan has produced an original and consequential contribution to the history of the feminist sex wars, and her attention to the visual aspects of those documents provides long overdue recognition to the period’s artists, designers, and activists."<br>—Gayle Rubin, University of Michigan</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Graphic novel, 80s, women's studies, collage, zines, feminist history, comic, Alison Bechdel, Nan Goldin, Gloria Anzaldúa</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Care is more than human—it's creaturely.</title>
      <itunes:episode>70</itunes:episode>
      <podcast:episode>70</podcast:episode>
      <itunes:title>Care is more than human—it's creaturely.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Benjamin Meiches explores the role of animals laboring alongside humans (mine-clearance dogs, milk-producing cows and goats, disease-identifying rats) in humanitarian operations, generating new ethical possibilities of care in humanitarian practice—and opening up new ethical ways to think about being human in terms of how we interact with nonhuman animals. Meiches, author of <a href="https://www.upress.umn.edu/book-division/books/nonhuman-humanitarians"><strong><em>Nonhuman Humanitarians</em></strong></a>, is joined here in conversation with Stefanie Fishel.</p><p><strong>Benjamin Meiches</strong> is associate professor of politics at the Univeristy of Washington-Tacoma. He is author of <a href="https://www.upress.umn.edu/book-division/books/nonhuman-humanitarians"><em>Nonhuman Humanitarians: Animal Interventions in Global Politics</em></a> and <a href="https://www.upress.umn.edu/book-division/books/the-politics-of-annihilation"><em>The Politics of Annihilation: A Genealogy of Genocide</em></a>. </p><p><br></p><p><strong>Stefanie Fishel</strong> is lecturer in politics and international relations at the University of the Sunshine Coast in Queensland, Australia. Fishel is author of <a href="https://www.upress.umn.edu/book-division/books/the-microbial-state"><em>The Microbial State: Global Thriving and the Body Politic</em></a> and contributor to the edited volume <a href="https://www.upress.umn.edu/book-division/books/the-long-2020"><em>The Long 2020</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>-Emmanuel Levinas, “The Name of a Dog, or Natural Rights,” in Difficult Freedom: Essays on Judaism (trans. Sean Hand)</p><p>-Heifer International (organization)</p><p>-J. M. Coetzee / The Lives of Animals</p><p>-Brian Massumi / What Animals Teach Us about Politics</p><p>-Liisa Malkki / The Need to Help</p><p>-Timothy Morton / Dark Ecology</p><p>-Timothy Morton / Ecology without Nature</p><p>-David Shannon / Duck on a Bike</p><p>-Jack Halberstam / Wild Things</p><p>-Eugene Thacker / In the Dust of This Planet</p><p><br></p>]]>
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        <![CDATA[<p>Benjamin Meiches explores the role of animals laboring alongside humans (mine-clearance dogs, milk-producing cows and goats, disease-identifying rats) in humanitarian operations, generating new ethical possibilities of care in humanitarian practice—and opening up new ethical ways to think about being human in terms of how we interact with nonhuman animals. Meiches, author of <a href="https://www.upress.umn.edu/book-division/books/nonhuman-humanitarians"><strong><em>Nonhuman Humanitarians</em></strong></a>, is joined here in conversation with Stefanie Fishel.</p><p><strong>Benjamin Meiches</strong> is associate professor of politics at the Univeristy of Washington-Tacoma. He is author of <a href="https://www.upress.umn.edu/book-division/books/nonhuman-humanitarians"><em>Nonhuman Humanitarians: Animal Interventions in Global Politics</em></a> and <a href="https://www.upress.umn.edu/book-division/books/the-politics-of-annihilation"><em>The Politics of Annihilation: A Genealogy of Genocide</em></a>. </p><p><br></p><p><strong>Stefanie Fishel</strong> is lecturer in politics and international relations at the University of the Sunshine Coast in Queensland, Australia. Fishel is author of <a href="https://www.upress.umn.edu/book-division/books/the-microbial-state"><em>The Microbial State: Global Thriving and the Body Politic</em></a> and contributor to the edited volume <a href="https://www.upress.umn.edu/book-division/books/the-long-2020"><em>The Long 2020</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>-Emmanuel Levinas, “The Name of a Dog, or Natural Rights,” in Difficult Freedom: Essays on Judaism (trans. Sean Hand)</p><p>-Heifer International (organization)</p><p>-J. M. Coetzee / The Lives of Animals</p><p>-Brian Massumi / What Animals Teach Us about Politics</p><p>-Liisa Malkki / The Need to Help</p><p>-Timothy Morton / Dark Ecology</p><p>-Timothy Morton / Ecology without Nature</p><p>-David Shannon / Duck on a Bike</p><p>-Jack Halberstam / Wild Things</p><p>-Eugene Thacker / In the Dust of This Planet</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 05 Dec 2023 09:49:23 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3337</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Benjamin Meiches explores the role of animals laboring alongside humans (mine-clearance dogs, milk-producing cows and goats, disease-identifying rats) in humanitarian operations, generating new ethical possibilities of care in humanitarian practice—and opening up new ethical ways to think about being human in terms of how we interact with nonhuman animals. Meiches, author of <a href="https://www.upress.umn.edu/book-division/books/nonhuman-humanitarians"><strong><em>Nonhuman Humanitarians</em></strong></a>, is joined here in conversation with Stefanie Fishel.</p><p><strong>Benjamin Meiches</strong> is associate professor of politics at the Univeristy of Washington-Tacoma. He is author of <a href="https://www.upress.umn.edu/book-division/books/nonhuman-humanitarians"><em>Nonhuman Humanitarians: Animal Interventions in Global Politics</em></a> and <a href="https://www.upress.umn.edu/book-division/books/the-politics-of-annihilation"><em>The Politics of Annihilation: A Genealogy of Genocide</em></a>. </p><p><br></p><p><strong>Stefanie Fishel</strong> is lecturer in politics and international relations at the University of the Sunshine Coast in Queensland, Australia. Fishel is author of <a href="https://www.upress.umn.edu/book-division/books/the-microbial-state"><em>The Microbial State: Global Thriving and the Body Politic</em></a> and contributor to the edited volume <a href="https://www.upress.umn.edu/book-division/books/the-long-2020"><em>The Long 2020</em></a>.</p><p><br></p><p>EPISODE REFERENCES:</p><p>-Emmanuel Levinas, “The Name of a Dog, or Natural Rights,” in Difficult Freedom: Essays on Judaism (trans. Sean Hand)</p><p>-Heifer International (organization)</p><p>-J. M. Coetzee / The Lives of Animals</p><p>-Brian Massumi / What Animals Teach Us about Politics</p><p>-Liisa Malkki / The Need to Help</p><p>-Timothy Morton / Dark Ecology</p><p>-Timothy Morton / Ecology without Nature</p><p>-David Shannon / Duck on a Bike</p><p>-Jack Halberstam / Wild Things</p><p>-Eugene Thacker / In the Dust of This Planet</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>animals, humanitarianism, nonhuman, ecology, ethics, agency, posthumanism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Cactus hunters and the illicit succulent trade.</title>
      <itunes:episode>69</itunes:episode>
      <podcast:episode>69</podcast:episode>
      <itunes:title>Cactus hunters and the illicit succulent trade.</itunes:title>
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        <![CDATA[<p>What inspires desire for plants? In <a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><em>The Cactus Hunters</em></a>, Jared Margulies takes readers through the intriguing world of succulent collecting, where collectors and conservationists alike are animated by passions that sometimes exceed the limits of the law. His globe-spanning journey offers complex insight into the fields of botany and criminology, political ecology and human geography, and psychoanalysis. Here, Margulies is joined in conversation with Samantha Walton.</p><p><br></p><p><strong>Jared Margulies </strong>is assistant professor of political ecology in the Department of Geography at the University of Alabama. Margulies is author of <a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><em>The Cactus Hunters: Desire and Extinction in the Illicit Succulent Trade</em></a>.</p><p><br></p><p><strong>Samantha Walton</strong> is professor of modern literature at Bath Spa University in England. Walton is author of <a href="https://www.bloomsbury.com/uk/everybody-needs-beauty-9781526621023/"><em>Everybody Needs Beauty: In Search of the Nature Cure</em></a> and <a href="https://www.bloomsbury.com/uk/living-world-9781350200197/"><em>The Living World: Nan Shepherd and Environmental Thought</em></a>.</p><p>EPISODE REFERENCES:</p><p>Nan Shepherd</p><p>The Detectorists (British comedy series)</p><p>Sheffield Branch of the British Cactus and Succulent Society</p><p>Cactus and Succulent Society of America</p><p>Jacques Lacan</p><p>Sigmund Freud</p><p>Hannah Dickinson</p><p>Paul Kingsbury</p><p>Anna Secor</p><p>Lucas Pohl</p><p>Robert Fletcher / <a href="https://www.ucpress.edu/book/9780520390690/failing-forward"><em>Failing Forward</em></a></p><p>Alberto Vojtech Frič</p><p>Locations discussed:</p><p>England</p><p>Brazil</p><p>Czech Republic</p><p>Mexico</p><p><a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><strong><em>The Cactus Hunters: Desire and Extinction in the Illicit Succulent Trade</em></strong></a> is available from University of Minnesota Press.</p><p>"This book offers a powerful example of the value of close attention to the entangled lives of plants and their people."<br>—Thom van Dooren, author of <em>A World in a Shell: Snail Stories for a Time of Extinctions</em></p><p>"A deeply felt and nuanced reckoning with desire as a structurally produced and world-making force—a unique and major contribution to political ecology."<br>—Rosemary Collard, author of <em>Animal Traffic: Lively Capital in the Global Exotic Pet Trade</em></p>]]>
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        <![CDATA[<p>What inspires desire for plants? In <a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><em>The Cactus Hunters</em></a>, Jared Margulies takes readers through the intriguing world of succulent collecting, where collectors and conservationists alike are animated by passions that sometimes exceed the limits of the law. His globe-spanning journey offers complex insight into the fields of botany and criminology, political ecology and human geography, and psychoanalysis. Here, Margulies is joined in conversation with Samantha Walton.</p><p><br></p><p><strong>Jared Margulies </strong>is assistant professor of political ecology in the Department of Geography at the University of Alabama. Margulies is author of <a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><em>The Cactus Hunters: Desire and Extinction in the Illicit Succulent Trade</em></a>.</p><p><br></p><p><strong>Samantha Walton</strong> is professor of modern literature at Bath Spa University in England. Walton is author of <a href="https://www.bloomsbury.com/uk/everybody-needs-beauty-9781526621023/"><em>Everybody Needs Beauty: In Search of the Nature Cure</em></a> and <a href="https://www.bloomsbury.com/uk/living-world-9781350200197/"><em>The Living World: Nan Shepherd and Environmental Thought</em></a>.</p><p>EPISODE REFERENCES:</p><p>Nan Shepherd</p><p>The Detectorists (British comedy series)</p><p>Sheffield Branch of the British Cactus and Succulent Society</p><p>Cactus and Succulent Society of America</p><p>Jacques Lacan</p><p>Sigmund Freud</p><p>Hannah Dickinson</p><p>Paul Kingsbury</p><p>Anna Secor</p><p>Lucas Pohl</p><p>Robert Fletcher / <a href="https://www.ucpress.edu/book/9780520390690/failing-forward"><em>Failing Forward</em></a></p><p>Alberto Vojtech Frič</p><p>Locations discussed:</p><p>England</p><p>Brazil</p><p>Czech Republic</p><p>Mexico</p><p><a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><strong><em>The Cactus Hunters: Desire and Extinction in the Illicit Succulent Trade</em></strong></a> is available from University of Minnesota Press.</p><p>"This book offers a powerful example of the value of close attention to the entangled lives of plants and their people."<br>—Thom van Dooren, author of <em>A World in a Shell: Snail Stories for a Time of Extinctions</em></p><p>"A deeply felt and nuanced reckoning with desire as a structurally produced and world-making force—a unique and major contribution to political ecology."<br>—Rosemary Collard, author of <em>Animal Traffic: Lively Capital in the Global Exotic Pet Trade</em></p>]]>
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      <pubDate>Tue, 14 Nov 2023 10:13:18 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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        <![CDATA[<p>What inspires desire for plants? In <a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><em>The Cactus Hunters</em></a>, Jared Margulies takes readers through the intriguing world of succulent collecting, where collectors and conservationists alike are animated by passions that sometimes exceed the limits of the law. His globe-spanning journey offers complex insight into the fields of botany and criminology, political ecology and human geography, and psychoanalysis. Here, Margulies is joined in conversation with Samantha Walton.</p><p><br></p><p><strong>Jared Margulies </strong>is assistant professor of political ecology in the Department of Geography at the University of Alabama. Margulies is author of <a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><em>The Cactus Hunters: Desire and Extinction in the Illicit Succulent Trade</em></a>.</p><p><br></p><p><strong>Samantha Walton</strong> is professor of modern literature at Bath Spa University in England. Walton is author of <a href="https://www.bloomsbury.com/uk/everybody-needs-beauty-9781526621023/"><em>Everybody Needs Beauty: In Search of the Nature Cure</em></a> and <a href="https://www.bloomsbury.com/uk/living-world-9781350200197/"><em>The Living World: Nan Shepherd and Environmental Thought</em></a>.</p><p>EPISODE REFERENCES:</p><p>Nan Shepherd</p><p>The Detectorists (British comedy series)</p><p>Sheffield Branch of the British Cactus and Succulent Society</p><p>Cactus and Succulent Society of America</p><p>Jacques Lacan</p><p>Sigmund Freud</p><p>Hannah Dickinson</p><p>Paul Kingsbury</p><p>Anna Secor</p><p>Lucas Pohl</p><p>Robert Fletcher / <a href="https://www.ucpress.edu/book/9780520390690/failing-forward"><em>Failing Forward</em></a></p><p>Alberto Vojtech Frič</p><p>Locations discussed:</p><p>England</p><p>Brazil</p><p>Czech Republic</p><p>Mexico</p><p><a href="https://www.upress.umn.edu/book-division/books/the-cactus-hunters"><strong><em>The Cactus Hunters: Desire and Extinction in the Illicit Succulent Trade</em></strong></a> is available from University of Minnesota Press.</p><p>"This book offers a powerful example of the value of close attention to the entangled lives of plants and their people."<br>—Thom van Dooren, author of <em>A World in a Shell: Snail Stories for a Time of Extinctions</em></p><p>"A deeply felt and nuanced reckoning with desire as a structurally produced and world-making force—a unique and major contribution to political ecology."<br>—Rosemary Collard, author of <em>Animal Traffic: Lively Capital in the Global Exotic Pet Trade</em></p>]]>
      </itunes:summary>
      <itunes:keywords>cactus, succulents, conservation, psychoanalysis, desire, extinction, multispecies ethnography, political ecology, environmental humanities, political economy, geography</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Imagining a new—human and nonhuman—grammar of urban life.</title>
      <itunes:episode>68</itunes:episode>
      <podcast:episode>68</podcast:episode>
      <itunes:title>Imagining a new—human and nonhuman—grammar of urban life.</itunes:title>
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      <link>https://share.transistor.fm/s/c662ca37</link>
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        <![CDATA[<p><strong>“There is always some moment when other-than-human life bursts into presence amid the clamor of urban routine.” —Maan Barua, </strong><strong><em>Lively Cities</em></strong></p><p><br></p><p><br>One of the fundamental dimensions of urbanization is its radical transformation of nature. The book <a href="https://www.upress.umn.edu/book-division/books/lively-cities"><strong><em>Lively Cities: Reconfiguring Urban Ecology</em></strong></a> departs from conventions of urban studies to argue that cities are lived achievements forged by a multitude of entities, drawing attention to a suite of beings, human and nonhuman, that make up the material politics of city making. From macaques and cattle in Delhi to invasive parakeet colonies in London, author Maan Barua examines the rhythms, paths, and agency of nonhumans across the city. Barua is joined here in conversation with Sandra Jasper.</p><p><strong>Maan Barua</strong> is a university lecturer in human geography at the University of Cambridge.</p><p><br></p><p><strong>Sandra Jasper</strong>, a geographer and urbanist, is assistant professor of geography and gender at Humboldt University of Berlin.</p><p><br></p><p><br>References:</p><p>Matthew Gandy</p><p>Tom Fry</p><p>Garry Marvin</p><p>Vinciane Despret</p><p>Anindya Sinha</p><p>ARCH+ exhibit Cohabitation: A Manifesto for the Solidarity of Non-Humans and Humans in Urban Space (https://archplus.net/de/cohabitation-EN/)</p><p>Yi-Fu Tuan</p><p>Deleuze</p><p>Charles Elton</p><p>Marx</p><p>Laura Fortunato</p><p>Sylvia Federici</p><p><br></p><p><a href="https://www.upress.umn.edu/book-division/books/lively-cities"><strong><em>Lively Cities: Reconfiguring Urban Ecology</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>“There is always some moment when other-than-human life bursts into presence amid the clamor of urban routine.” —Maan Barua, </strong><strong><em>Lively Cities</em></strong></p><p><br></p><p><br>One of the fundamental dimensions of urbanization is its radical transformation of nature. The book <a href="https://www.upress.umn.edu/book-division/books/lively-cities"><strong><em>Lively Cities: Reconfiguring Urban Ecology</em></strong></a> departs from conventions of urban studies to argue that cities are lived achievements forged by a multitude of entities, drawing attention to a suite of beings, human and nonhuman, that make up the material politics of city making. From macaques and cattle in Delhi to invasive parakeet colonies in London, author Maan Barua examines the rhythms, paths, and agency of nonhumans across the city. Barua is joined here in conversation with Sandra Jasper.</p><p><strong>Maan Barua</strong> is a university lecturer in human geography at the University of Cambridge.</p><p><br></p><p><strong>Sandra Jasper</strong>, a geographer and urbanist, is assistant professor of geography and gender at Humboldt University of Berlin.</p><p><br></p><p><br>References:</p><p>Matthew Gandy</p><p>Tom Fry</p><p>Garry Marvin</p><p>Vinciane Despret</p><p>Anindya Sinha</p><p>ARCH+ exhibit Cohabitation: A Manifesto for the Solidarity of Non-Humans and Humans in Urban Space (https://archplus.net/de/cohabitation-EN/)</p><p>Yi-Fu Tuan</p><p>Deleuze</p><p>Charles Elton</p><p>Marx</p><p>Laura Fortunato</p><p>Sylvia Federici</p><p><br></p><p><a href="https://www.upress.umn.edu/book-division/books/lively-cities"><strong><em>Lively Cities: Reconfiguring Urban Ecology</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 07 Nov 2023 12:21:51 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/c662ca37/7dfbbc3e.mp3" length="81397150" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3387</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong>“There is always some moment when other-than-human life bursts into presence amid the clamor of urban routine.” —Maan Barua, </strong><strong><em>Lively Cities</em></strong></p><p><br></p><p><br>One of the fundamental dimensions of urbanization is its radical transformation of nature. The book <a href="https://www.upress.umn.edu/book-division/books/lively-cities"><strong><em>Lively Cities: Reconfiguring Urban Ecology</em></strong></a> departs from conventions of urban studies to argue that cities are lived achievements forged by a multitude of entities, drawing attention to a suite of beings, human and nonhuman, that make up the material politics of city making. From macaques and cattle in Delhi to invasive parakeet colonies in London, author Maan Barua examines the rhythms, paths, and agency of nonhumans across the city. Barua is joined here in conversation with Sandra Jasper.</p><p><strong>Maan Barua</strong> is a university lecturer in human geography at the University of Cambridge.</p><p><br></p><p><strong>Sandra Jasper</strong>, a geographer and urbanist, is assistant professor of geography and gender at Humboldt University of Berlin.</p><p><br></p><p><br>References:</p><p>Matthew Gandy</p><p>Tom Fry</p><p>Garry Marvin</p><p>Vinciane Despret</p><p>Anindya Sinha</p><p>ARCH+ exhibit Cohabitation: A Manifesto for the Solidarity of Non-Humans and Humans in Urban Space (https://archplus.net/de/cohabitation-EN/)</p><p>Yi-Fu Tuan</p><p>Deleuze</p><p>Charles Elton</p><p>Marx</p><p>Laura Fortunato</p><p>Sylvia Federici</p><p><br></p><p><a href="https://www.upress.umn.edu/book-division/books/lively-cities"><strong><em>Lively Cities: Reconfiguring Urban Ecology</em></strong></a> is available from University of Minnesota Press.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>ethology, urban ecology, design, media urbanism, city-making, macaques, parakeets, urban theory</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Political violence and abolitionist futures.</title>
      <itunes:episode>67</itunes:episode>
      <podcast:episode>67</podcast:episode>
      <itunes:title>Political violence and abolitionist futures.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><em>Terrorism on Trial</em></a> examines the contemporary role U.S. domestic courts play in the global war on terror. Author Nicole Nguyen advocates for a rethinking of popular understandings of political violence and its root causes, and exposes how dominant academic discourses, geographical imaginations, and social processes have shaped terrorism prosecutions—and disempower communities of color.</p><p><br></p><p>Author Nicole Nguyen is joined here in conversation with Nadine Naber. This conversation was recorded in August 2023.</p><p><strong>Nicole Nguyen</strong> is associate professor of criminology, law, and justice at the University of Illinois Chicago, and is author of <a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><em>Terrorism on Trial: Political Violence and Abolitionist Futures</em></a>;  <a href="https://www.upress.umn.edu/book-division/books/suspect-communities"><em>Suspect Communities: Anti-Muslim Racism and the Domestic War on Terror</em></a>; and <a href="https://www.upress.umn.edu/Plone/book-division/books/a-curriculum-of-fear"><em>A Curriculum of Fear: Homeland Security in U.S. Public Schools</em></a><em>.</em></p><p><br><strong>Nadine Naber</strong> is professor in the Gender and Women’s Studies and Global Asian Studies programs at the University of Illinois Chicago. Naber is founder of Liberate Your Research Workshops.</p><p><br><a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><strong><em>Terrorism on Trial</em></strong></a> is available from University of Minnesota Press.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><em>Terrorism on Trial</em></a> examines the contemporary role U.S. domestic courts play in the global war on terror. Author Nicole Nguyen advocates for a rethinking of popular understandings of political violence and its root causes, and exposes how dominant academic discourses, geographical imaginations, and social processes have shaped terrorism prosecutions—and disempower communities of color.</p><p><br></p><p>Author Nicole Nguyen is joined here in conversation with Nadine Naber. This conversation was recorded in August 2023.</p><p><strong>Nicole Nguyen</strong> is associate professor of criminology, law, and justice at the University of Illinois Chicago, and is author of <a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><em>Terrorism on Trial: Political Violence and Abolitionist Futures</em></a>;  <a href="https://www.upress.umn.edu/book-division/books/suspect-communities"><em>Suspect Communities: Anti-Muslim Racism and the Domestic War on Terror</em></a>; and <a href="https://www.upress.umn.edu/Plone/book-division/books/a-curriculum-of-fear"><em>A Curriculum of Fear: Homeland Security in U.S. Public Schools</em></a><em>.</em></p><p><br><strong>Nadine Naber</strong> is professor in the Gender and Women’s Studies and Global Asian Studies programs at the University of Illinois Chicago. Naber is founder of Liberate Your Research Workshops.</p><p><br><a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><strong><em>Terrorism on Trial</em></strong></a> is available from University of Minnesota Press.</p>]]>
      </content:encoded>
      <pubDate>Fri, 03 Nov 2023 11:26:30 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/c63c6d4e/120cfe76.mp3" length="83217373" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/QVPtkC52TCVyP8pjgz-KGjSeqq1ZSj44j1sDDWTe3Go/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE1ODA5MjYv/MTY5OTAyODc5MC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3465</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><em>Terrorism on Trial</em></a> examines the contemporary role U.S. domestic courts play in the global war on terror. Author Nicole Nguyen advocates for a rethinking of popular understandings of political violence and its root causes, and exposes how dominant academic discourses, geographical imaginations, and social processes have shaped terrorism prosecutions—and disempower communities of color.</p><p><br></p><p>Author Nicole Nguyen is joined here in conversation with Nadine Naber. This conversation was recorded in August 2023.</p><p><strong>Nicole Nguyen</strong> is associate professor of criminology, law, and justice at the University of Illinois Chicago, and is author of <a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><em>Terrorism on Trial: Political Violence and Abolitionist Futures</em></a>;  <a href="https://www.upress.umn.edu/book-division/books/suspect-communities"><em>Suspect Communities: Anti-Muslim Racism and the Domestic War on Terror</em></a>; and <a href="https://www.upress.umn.edu/Plone/book-division/books/a-curriculum-of-fear"><em>A Curriculum of Fear: Homeland Security in U.S. Public Schools</em></a><em>.</em></p><p><br><strong>Nadine Naber</strong> is professor in the Gender and Women’s Studies and Global Asian Studies programs at the University of Illinois Chicago. Naber is founder of Liberate Your Research Workshops.</p><p><br><a href="https://www.upress.umn.edu/book-division/books/terrorism-on-trial"><strong><em>Terrorism on Trial</em></strong></a> is available from University of Minnesota Press.</p>]]>
      </itunes:summary>
      <itunes:keywords>terrorism prosecutions, global war on terror, national security, abolition, anti-Muslim racism, political violence, criminalization, Islamophobia</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    </item>
    <item>
      <title>Redefining extinction through thawing permafrost.</title>
      <itunes:episode>66</itunes:episode>
      <podcast:episode>66</podcast:episode>
      <itunes:title>Redefining extinction through thawing permafrost.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/15e7df57</link>
      <description>
        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/earth-ice-bone-blood"><em>Earth, Ice, Bone, Blood</em></a>, Charlotte Wrigley considers how permafrost—and its disappearance—redefines extinction to be a lack of continuity that affects both life and nonlife on earth. With a look at the coldest regions in the world, Wrigley examines the wild new economies and mitigation strategies responding to thawing permafrost, including such projects as Pleistocene Park, Colossal, and Sooam Biotech, and offers a new angle on extinction through the concept of discontinuity. Here, Wrigley is joined in conversation with Pey-Yi Chu.</p><p><strong>Charlotte Wrigley</strong> is a postdoctoral researcher at The Greenhouse – Center for Environmental Humanities at the University of Stavanger, Norway. She is author of <a href="https://www.upress.umn.edu/book-division/books/earth-ice-bone-blood"><em>Earth, Ice, Bone, Blood: Permafrost and Extinction in the Russian Arctic</em></a>.</p><p><br></p><p><strong>Pey-Yi Chu</strong> is associate professor of history at Pomona College in Claremont, California. She is author of <a href="https://utorontopress.com/9781487501938/the-life-of-permafrost/"><em>The Life of Permafrost: A History of Frozen Earth in Russian and Soviet Science</em></a>. </p><p><br></p><p>PUBLICATION REFERENCES:</p><p>The Life of Permafrost / Pey-Yi Chu</p><p>Once Upon the Permafrost / Susan Crate</p><p>The Breath of the Permafrost / Nikolai Sleptsov-Sylyk</p><p>Cryopolitics / Joanna Radin and Emma Kowal, editors</p><p>PLACES REFERENCED:</p><p>-Yakutsk, the capital of the Russian region of the Sakha Republic</p><p>-Chersky, Arctic port in the Sakha District on the Kolyma River</p><p>-Permafrost bank on the Kolyma called Duvanny Yar</p><p>-Pleistocene Park in Chersky</p><p>PEOPLE MENTIONED:<br>-Sergey and Nikita Zimov, geophysicist and son behind Pleistocene Park project</p><p>-George Church of Harvard University, behind the business Colossal</p><p>-Hwang Woo-Suk (Sooam Biotech), biotechnology expert and veterinarian who claimed to clone human embryonic cells and does work in Yakutsk with mammoths.</p><p>-Stewart Brand, environmentalist and founder of the Long Now Foundation, known for quote: “We are as gods, so we have to get good at it.”</p><p><br></p><p>More about the book: z.umn.edu/EarthIceBoneBlood</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/earth-ice-bone-blood"><em>Earth, Ice, Bone, Blood</em></a>, Charlotte Wrigley considers how permafrost—and its disappearance—redefines extinction to be a lack of continuity that affects both life and nonlife on earth. With a look at the coldest regions in the world, Wrigley examines the wild new economies and mitigation strategies responding to thawing permafrost, including such projects as Pleistocene Park, Colossal, and Sooam Biotech, and offers a new angle on extinction through the concept of discontinuity. Here, Wrigley is joined in conversation with Pey-Yi Chu.</p><p><strong>Charlotte Wrigley</strong> is a postdoctoral researcher at The Greenhouse – Center for Environmental Humanities at the University of Stavanger, Norway. She is author of <a href="https://www.upress.umn.edu/book-division/books/earth-ice-bone-blood"><em>Earth, Ice, Bone, Blood: Permafrost and Extinction in the Russian Arctic</em></a>.</p><p><br></p><p><strong>Pey-Yi Chu</strong> is associate professor of history at Pomona College in Claremont, California. She is author of <a href="https://utorontopress.com/9781487501938/the-life-of-permafrost/"><em>The Life of Permafrost: A History of Frozen Earth in Russian and Soviet Science</em></a>. </p><p><br></p><p>PUBLICATION REFERENCES:</p><p>The Life of Permafrost / Pey-Yi Chu</p><p>Once Upon the Permafrost / Susan Crate</p><p>The Breath of the Permafrost / Nikolai Sleptsov-Sylyk</p><p>Cryopolitics / Joanna Radin and Emma Kowal, editors</p><p>PLACES REFERENCED:</p><p>-Yakutsk, the capital of the Russian region of the Sakha Republic</p><p>-Chersky, Arctic port in the Sakha District on the Kolyma River</p><p>-Permafrost bank on the Kolyma called Duvanny Yar</p><p>-Pleistocene Park in Chersky</p><p>PEOPLE MENTIONED:<br>-Sergey and Nikita Zimov, geophysicist and son behind Pleistocene Park project</p><p>-George Church of Harvard University, behind the business Colossal</p><p>-Hwang Woo-Suk (Sooam Biotech), biotechnology expert and veterinarian who claimed to clone human embryonic cells and does work in Yakutsk with mammoths.</p><p>-Stewart Brand, environmentalist and founder of the Long Now Foundation, known for quote: “We are as gods, so we have to get good at it.”</p><p><br></p><p>More about the book: z.umn.edu/EarthIceBoneBlood</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 26 Oct 2023 13:15:26 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/15e7df57/ce7ad6a6.mp3" length="67855670" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/H-F7_JVkTzLBLpKgC9l7RDH5dtzTOtwsEHauLGD6r30/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE1Njg2MTIv/MTY5ODM0NDEyNi1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>2824</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/earth-ice-bone-blood"><em>Earth, Ice, Bone, Blood</em></a>, Charlotte Wrigley considers how permafrost—and its disappearance—redefines extinction to be a lack of continuity that affects both life and nonlife on earth. With a look at the coldest regions in the world, Wrigley examines the wild new economies and mitigation strategies responding to thawing permafrost, including such projects as Pleistocene Park, Colossal, and Sooam Biotech, and offers a new angle on extinction through the concept of discontinuity. Here, Wrigley is joined in conversation with Pey-Yi Chu.</p><p><strong>Charlotte Wrigley</strong> is a postdoctoral researcher at The Greenhouse – Center for Environmental Humanities at the University of Stavanger, Norway. She is author of <a href="https://www.upress.umn.edu/book-division/books/earth-ice-bone-blood"><em>Earth, Ice, Bone, Blood: Permafrost and Extinction in the Russian Arctic</em></a>.</p><p><br></p><p><strong>Pey-Yi Chu</strong> is associate professor of history at Pomona College in Claremont, California. She is author of <a href="https://utorontopress.com/9781487501938/the-life-of-permafrost/"><em>The Life of Permafrost: A History of Frozen Earth in Russian and Soviet Science</em></a>. </p><p><br></p><p>PUBLICATION REFERENCES:</p><p>The Life of Permafrost / Pey-Yi Chu</p><p>Once Upon the Permafrost / Susan Crate</p><p>The Breath of the Permafrost / Nikolai Sleptsov-Sylyk</p><p>Cryopolitics / Joanna Radin and Emma Kowal, editors</p><p>PLACES REFERENCED:</p><p>-Yakutsk, the capital of the Russian region of the Sakha Republic</p><p>-Chersky, Arctic port in the Sakha District on the Kolyma River</p><p>-Permafrost bank on the Kolyma called Duvanny Yar</p><p>-Pleistocene Park in Chersky</p><p>PEOPLE MENTIONED:<br>-Sergey and Nikita Zimov, geophysicist and son behind Pleistocene Park project</p><p>-George Church of Harvard University, behind the business Colossal</p><p>-Hwang Woo-Suk (Sooam Biotech), biotechnology expert and veterinarian who claimed to clone human embryonic cells and does work in Yakutsk with mammoths.</p><p>-Stewart Brand, environmentalist and founder of the Long Now Foundation, known for quote: “We are as gods, so we have to get good at it.”</p><p><br></p><p>More about the book: z.umn.edu/EarthIceBoneBlood</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>permafrost, Arctic, Russia, rewilding, extinction, de-extinction, anthropocene, climate change</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    </item>
    <item>
      <title>Emergency response and its significant toll.</title>
      <itunes:episode>65</itunes:episode>
      <podcast:episode>65</podcast:episode>
      <itunes:title>Emergency response and its significant toll.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fa38676e</link>
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        <![CDATA[<p>From his first days as a rookie firefighter and emergency medical technician to his command of a company as a twenty-year veteran, Jeremy Norton has made regular, direct encounters with the sick, the dying, and the dead. In his memoir, <a href="https://www.upress.umn.edu/book-division/books/trauma-sponges"><em>Trauma Sponges: Dispatches from the Scarred Heart of Emergency Response</em></a>, Norton documents the life of an emergency responder in Minneapolis, revealing the stark realities of humanity at its finest and its worst. Here, Norton is joined in conversation with colleagues: Captain Ricardo Anaya, Captain Shana York, and retired Captain Bridget Bender.</p><p><strong>Jeremy Norton</strong> has been a firefighter/EMT with the Minneapolis Fire Department since 2000. He was born and raised in Washington, DC, and was a high school teacher in Chattanooga, Tennessee. He taught creative writing at the Loft Literary Center before joining the MFD.</p><p><strong>Bridget Bender</strong> is a recently retired captain with the Minneapolis Fire Department.</p><p><strong>Ricardo Anaya</strong> is a captain with the Minneapolis Fire Department and has been a Minneapolis firefighter since 2015.</p><p><strong>Shana York</strong> is a longtime firefighter and captain with the Minneapolis Fire Department.</p><p><em>Trauma Sponges</em> is available from <a href="https://www.upress.umn.edu/book-division/books/trauma-sponges">University of Minnesota Press</a>.</p><p><br>"While many bear witness to injustice and decide that silence best serves their privilege, some use their privilege to dismantle the inequities that created the disparities in the first place. Jeremy Norton is the latter."<br><strong>—Dr. Michele Harper</strong>, author of <em>The Beauty in Breaking</em></p><p><br></p><p>"<em>Trauma Sponges</em> is a powerful book, by turns tender, brutal, and incisive, full of wisdom and wonder."<br><strong>—Sam Lipsyte</strong>, author of <em>No One Left to Come Looking for You</em> and <em>The Ask</em></p><p><br></p><p>"Norton is the Poet Laureate of Emergency Services, a writer whose talent and heart spark and crackle on every page, devastating and dazzling with equal measure. He sorts through the wreckage of the lives he's saved and those that were lost, presenting us with what remains: our raw humanity and, somehow, hope."<br><strong>—Nora McInerny</strong>, founder of the <em>Terrible, Thanks for Asking</em> podcast and best-selling author of <em>Bad Vibes Only</em></p><p>"With clarity and sensitivity, Jeremy Norton has written an eye-opening book that shows us what firefighting is often about: encountering medical emergencies more often than fires, helping strangers through the trauma of death and loss, and witnessing the ways that racism, poverty, and violence singe our society. Theirs is a particular courage that we must all celebrate."<br><strong>—Dr. Sunita Puri</strong>, author of <em>That Good Night: Life and Medicine in the Eleventh Hour</em></p><p><br></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>From his first days as a rookie firefighter and emergency medical technician to his command of a company as a twenty-year veteran, Jeremy Norton has made regular, direct encounters with the sick, the dying, and the dead. In his memoir, <a href="https://www.upress.umn.edu/book-division/books/trauma-sponges"><em>Trauma Sponges: Dispatches from the Scarred Heart of Emergency Response</em></a>, Norton documents the life of an emergency responder in Minneapolis, revealing the stark realities of humanity at its finest and its worst. Here, Norton is joined in conversation with colleagues: Captain Ricardo Anaya, Captain Shana York, and retired Captain Bridget Bender.</p><p><strong>Jeremy Norton</strong> has been a firefighter/EMT with the Minneapolis Fire Department since 2000. He was born and raised in Washington, DC, and was a high school teacher in Chattanooga, Tennessee. He taught creative writing at the Loft Literary Center before joining the MFD.</p><p><strong>Bridget Bender</strong> is a recently retired captain with the Minneapolis Fire Department.</p><p><strong>Ricardo Anaya</strong> is a captain with the Minneapolis Fire Department and has been a Minneapolis firefighter since 2015.</p><p><strong>Shana York</strong> is a longtime firefighter and captain with the Minneapolis Fire Department.</p><p><em>Trauma Sponges</em> is available from <a href="https://www.upress.umn.edu/book-division/books/trauma-sponges">University of Minnesota Press</a>.</p><p><br>"While many bear witness to injustice and decide that silence best serves their privilege, some use their privilege to dismantle the inequities that created the disparities in the first place. Jeremy Norton is the latter."<br><strong>—Dr. Michele Harper</strong>, author of <em>The Beauty in Breaking</em></p><p><br></p><p>"<em>Trauma Sponges</em> is a powerful book, by turns tender, brutal, and incisive, full of wisdom and wonder."<br><strong>—Sam Lipsyte</strong>, author of <em>No One Left to Come Looking for You</em> and <em>The Ask</em></p><p><br></p><p>"Norton is the Poet Laureate of Emergency Services, a writer whose talent and heart spark and crackle on every page, devastating and dazzling with equal measure. He sorts through the wreckage of the lives he's saved and those that were lost, presenting us with what remains: our raw humanity and, somehow, hope."<br><strong>—Nora McInerny</strong>, founder of the <em>Terrible, Thanks for Asking</em> podcast and best-selling author of <em>Bad Vibes Only</em></p><p>"With clarity and sensitivity, Jeremy Norton has written an eye-opening book that shows us what firefighting is often about: encountering medical emergencies more often than fires, helping strangers through the trauma of death and loss, and witnessing the ways that racism, poverty, and violence singe our society. Theirs is a particular courage that we must all celebrate."<br><strong>—Dr. Sunita Puri</strong>, author of <em>That Good Night: Life and Medicine in the Eleventh Hour</em></p><p><br></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 17 Oct 2023 08:42:19 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4795</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>From his first days as a rookie firefighter and emergency medical technician to his command of a company as a twenty-year veteran, Jeremy Norton has made regular, direct encounters with the sick, the dying, and the dead. In his memoir, <a href="https://www.upress.umn.edu/book-division/books/trauma-sponges"><em>Trauma Sponges: Dispatches from the Scarred Heart of Emergency Response</em></a>, Norton documents the life of an emergency responder in Minneapolis, revealing the stark realities of humanity at its finest and its worst. Here, Norton is joined in conversation with colleagues: Captain Ricardo Anaya, Captain Shana York, and retired Captain Bridget Bender.</p><p><strong>Jeremy Norton</strong> has been a firefighter/EMT with the Minneapolis Fire Department since 2000. He was born and raised in Washington, DC, and was a high school teacher in Chattanooga, Tennessee. He taught creative writing at the Loft Literary Center before joining the MFD.</p><p><strong>Bridget Bender</strong> is a recently retired captain with the Minneapolis Fire Department.</p><p><strong>Ricardo Anaya</strong> is a captain with the Minneapolis Fire Department and has been a Minneapolis firefighter since 2015.</p><p><strong>Shana York</strong> is a longtime firefighter and captain with the Minneapolis Fire Department.</p><p><em>Trauma Sponges</em> is available from <a href="https://www.upress.umn.edu/book-division/books/trauma-sponges">University of Minnesota Press</a>.</p><p><br>"While many bear witness to injustice and decide that silence best serves their privilege, some use their privilege to dismantle the inequities that created the disparities in the first place. Jeremy Norton is the latter."<br><strong>—Dr. Michele Harper</strong>, author of <em>The Beauty in Breaking</em></p><p><br></p><p>"<em>Trauma Sponges</em> is a powerful book, by turns tender, brutal, and incisive, full of wisdom and wonder."<br><strong>—Sam Lipsyte</strong>, author of <em>No One Left to Come Looking for You</em> and <em>The Ask</em></p><p><br></p><p>"Norton is the Poet Laureate of Emergency Services, a writer whose talent and heart spark and crackle on every page, devastating and dazzling with equal measure. He sorts through the wreckage of the lives he's saved and those that were lost, presenting us with what remains: our raw humanity and, somehow, hope."<br><strong>—Nora McInerny</strong>, founder of the <em>Terrible, Thanks for Asking</em> podcast and best-selling author of <em>Bad Vibes Only</em></p><p>"With clarity and sensitivity, Jeremy Norton has written an eye-opening book that shows us what firefighting is often about: encountering medical emergencies more often than fires, helping strangers through the trauma of death and loss, and witnessing the ways that racism, poverty, and violence singe our society. Theirs is a particular courage that we must all celebrate."<br><strong>—Dr. Sunita Puri</strong>, author of <em>That Good Night: Life and Medicine in the Eleventh Hour</em></p><p><br></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>emergency response, firefighting, EMT, death, social justice, trauma, EMS</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>The New American War Film</title>
      <itunes:episode>64</itunes:episode>
      <podcast:episode>64</podcast:episode>
      <itunes:title>The New American War Film</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Unfolding amid an atmosphere of profound anxiety and disillusionment, the new American war film demonstrates a breakdown of the prevailing cultural narratives that had come to characterize conflict in the previous century. In the wake of 9/11, both the nature of military conflict and the symbolic frameworks that surround it have been dramatically reshaped.  </p><p><br></p><p><a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><strong><em>The New American War Film</em></strong></a><strong> </strong>charts society’s shifting attitudes toward violent conflict and what is broadly considered to be its acceptable repercussions. Drawing attention to changes in gender dynamics and the focus on war’s lasting psychological effects within films such as <em>The Hurt Locker</em>, <em>Zero Dark Thirty</em>, <em>Eye in the Sky</em>, <em>American Sniper</em>, and others, author Robert Burgoyne analyzes how cinema both reflects and reveals the makeup of the national imaginary.<br></p><p><br></p><p><strong>Robert Burgoyne</strong> taught film studies for several decades at Wayne State University and at the University of St Andrews in Scotland. He is author of seven books including <a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><em>The New American War Film</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/film-nation"><em>Film Nation: Hollywood Looks at U.S. History</em></a>. </p><p><br></p><p><strong>Kim Nelson</strong> is the Director of the Humanities Research Group and an Associate Professor at the University of Windsor in Canada. Her films have been screened internationally at film festivals and by broadcasters in Canada and the US. She is co-editor of <a href="https://www.routledge.com/The-Routledge-Companion-to-History-and-the-Moving-Image/Hughes-Warrington-Nelson-Treacey/p/book/9781032203317"><em>The</em> <em>Routledge Companion to History and the Moving Image</em></a><em> </em>and author of <a href="https://www.rutgersuniversitypress.org/making-history-move/9781978829770"><em>Making History Move</em>: <em>Five Principles of the Historical Film</em></a>.</p><p><br></p><p><strong>FILM REFERENCES:</strong></p><p><em>The Hurt Locker</em> (2008)</p><p><em>Saving Private Ryan</em> (1998)</p><p>Spanish–American War films of Thomas Edison’s 1898-99 series</p><p><em>Eye in the Sky</em> (2015)</p><p><em>Restrepo</em> (2010)</p><p><em>American Sniper</em> (2014)</p><p><em>Zero Dark Thirty</em> (2012)</p><p><em>A Private War</em> (2018)</p><p><em>Platoon</em> (1986)</p><p><em>Full Metal Jacket </em>(1987)</p><p><em>Born on the Fourth of July</em> (1989)</p><p><em>Battleship Potemkin</em> (1925)</p><p><strong>DOCUMENTARY REFERENCES:</strong><br><em>Restrepo</em> (2010 film)</p><p><em>Infidel</em> (2010 photo series)</p><p><em>Into the Korengal</em> (2010 photo series)</p><p><em>Sleeping Soldiers</em>—single screen (2009 short video, Tim Hetherington)</p><p><strong>OTHER REFERENCES:</strong></p><p>Fredric Jameson</p><p>Homer/<em>The Iliad</em></p><p>Thomas Elsaesser on “productive pathology”</p><p><br>-Robert Burgoyne's <a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><strong><em>The New American War Film</em></strong></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/film-nation"><strong><em>Film Nation</em></strong></a> are available from University of Minnesota Press.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Unfolding amid an atmosphere of profound anxiety and disillusionment, the new American war film demonstrates a breakdown of the prevailing cultural narratives that had come to characterize conflict in the previous century. In the wake of 9/11, both the nature of military conflict and the symbolic frameworks that surround it have been dramatically reshaped.  </p><p><br></p><p><a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><strong><em>The New American War Film</em></strong></a><strong> </strong>charts society’s shifting attitudes toward violent conflict and what is broadly considered to be its acceptable repercussions. Drawing attention to changes in gender dynamics and the focus on war’s lasting psychological effects within films such as <em>The Hurt Locker</em>, <em>Zero Dark Thirty</em>, <em>Eye in the Sky</em>, <em>American Sniper</em>, and others, author Robert Burgoyne analyzes how cinema both reflects and reveals the makeup of the national imaginary.<br></p><p><br></p><p><strong>Robert Burgoyne</strong> taught film studies for several decades at Wayne State University and at the University of St Andrews in Scotland. He is author of seven books including <a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><em>The New American War Film</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/film-nation"><em>Film Nation: Hollywood Looks at U.S. History</em></a>. </p><p><br></p><p><strong>Kim Nelson</strong> is the Director of the Humanities Research Group and an Associate Professor at the University of Windsor in Canada. Her films have been screened internationally at film festivals and by broadcasters in Canada and the US. She is co-editor of <a href="https://www.routledge.com/The-Routledge-Companion-to-History-and-the-Moving-Image/Hughes-Warrington-Nelson-Treacey/p/book/9781032203317"><em>The</em> <em>Routledge Companion to History and the Moving Image</em></a><em> </em>and author of <a href="https://www.rutgersuniversitypress.org/making-history-move/9781978829770"><em>Making History Move</em>: <em>Five Principles of the Historical Film</em></a>.</p><p><br></p><p><strong>FILM REFERENCES:</strong></p><p><em>The Hurt Locker</em> (2008)</p><p><em>Saving Private Ryan</em> (1998)</p><p>Spanish–American War films of Thomas Edison’s 1898-99 series</p><p><em>Eye in the Sky</em> (2015)</p><p><em>Restrepo</em> (2010)</p><p><em>American Sniper</em> (2014)</p><p><em>Zero Dark Thirty</em> (2012)</p><p><em>A Private War</em> (2018)</p><p><em>Platoon</em> (1986)</p><p><em>Full Metal Jacket </em>(1987)</p><p><em>Born on the Fourth of July</em> (1989)</p><p><em>Battleship Potemkin</em> (1925)</p><p><strong>DOCUMENTARY REFERENCES:</strong><br><em>Restrepo</em> (2010 film)</p><p><em>Infidel</em> (2010 photo series)</p><p><em>Into the Korengal</em> (2010 photo series)</p><p><em>Sleeping Soldiers</em>—single screen (2009 short video, Tim Hetherington)</p><p><strong>OTHER REFERENCES:</strong></p><p>Fredric Jameson</p><p>Homer/<em>The Iliad</em></p><p>Thomas Elsaesser on “productive pathology”</p><p><br>-Robert Burgoyne's <a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><strong><em>The New American War Film</em></strong></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/film-nation"><strong><em>Film Nation</em></strong></a> are available from University of Minnesota Press.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 28 Sep 2023 10:08:10 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/666c7b54/a3e498f7.mp3" length="82865792" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3451</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Unfolding amid an atmosphere of profound anxiety and disillusionment, the new American war film demonstrates a breakdown of the prevailing cultural narratives that had come to characterize conflict in the previous century. In the wake of 9/11, both the nature of military conflict and the symbolic frameworks that surround it have been dramatically reshaped.  </p><p><br></p><p><a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><strong><em>The New American War Film</em></strong></a><strong> </strong>charts society’s shifting attitudes toward violent conflict and what is broadly considered to be its acceptable repercussions. Drawing attention to changes in gender dynamics and the focus on war’s lasting psychological effects within films such as <em>The Hurt Locker</em>, <em>Zero Dark Thirty</em>, <em>Eye in the Sky</em>, <em>American Sniper</em>, and others, author Robert Burgoyne analyzes how cinema both reflects and reveals the makeup of the national imaginary.<br></p><p><br></p><p><strong>Robert Burgoyne</strong> taught film studies for several decades at Wayne State University and at the University of St Andrews in Scotland. He is author of seven books including <a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><em>The New American War Film</em></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/film-nation"><em>Film Nation: Hollywood Looks at U.S. History</em></a>. </p><p><br></p><p><strong>Kim Nelson</strong> is the Director of the Humanities Research Group and an Associate Professor at the University of Windsor in Canada. Her films have been screened internationally at film festivals and by broadcasters in Canada and the US. She is co-editor of <a href="https://www.routledge.com/The-Routledge-Companion-to-History-and-the-Moving-Image/Hughes-Warrington-Nelson-Treacey/p/book/9781032203317"><em>The</em> <em>Routledge Companion to History and the Moving Image</em></a><em> </em>and author of <a href="https://www.rutgersuniversitypress.org/making-history-move/9781978829770"><em>Making History Move</em>: <em>Five Principles of the Historical Film</em></a>.</p><p><br></p><p><strong>FILM REFERENCES:</strong></p><p><em>The Hurt Locker</em> (2008)</p><p><em>Saving Private Ryan</em> (1998)</p><p>Spanish–American War films of Thomas Edison’s 1898-99 series</p><p><em>Eye in the Sky</em> (2015)</p><p><em>Restrepo</em> (2010)</p><p><em>American Sniper</em> (2014)</p><p><em>Zero Dark Thirty</em> (2012)</p><p><em>A Private War</em> (2018)</p><p><em>Platoon</em> (1986)</p><p><em>Full Metal Jacket </em>(1987)</p><p><em>Born on the Fourth of July</em> (1989)</p><p><em>Battleship Potemkin</em> (1925)</p><p><strong>DOCUMENTARY REFERENCES:</strong><br><em>Restrepo</em> (2010 film)</p><p><em>Infidel</em> (2010 photo series)</p><p><em>Into the Korengal</em> (2010 photo series)</p><p><em>Sleeping Soldiers</em>—single screen (2009 short video, Tim Hetherington)</p><p><strong>OTHER REFERENCES:</strong></p><p>Fredric Jameson</p><p>Homer/<em>The Iliad</em></p><p>Thomas Elsaesser on “productive pathology”</p><p><br>-Robert Burgoyne's <a href="https://www.upress.umn.edu/book-division/books/the-new-american-war-film"><strong><em>The New American War Film</em></strong></a> and <a href="https://www.upress.umn.edu/Plone/book-division/books/film-nation"><strong><em>Film Nation</em></strong></a> are available from University of Minnesota Press.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>war, film, cinema, drone, soldier, pathos, PTSD, Film Studies, American Studies, American History</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Gramsci at Sea</title>
      <itunes:episode>63</itunes:episode>
      <podcast:episode>63</podcast:episode>
      <itunes:title>Gramsci at Sea</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/56c08136</link>
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        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a>, author Sharad Chari asks how the environmental crisis of the oceans is linked to legacies of capitalism and imperialism across and within the oceans. Chari reads Antonio Gramsci as a thinker of the oceanic crisis, drawing on the philosopher’s prison notes and questions concerning waves of imperial power in the inter-war oceans of his time. Here, Chari is joined in conversation with Charne Lavery, Melissa Marschke, and Philippe Le Billon.</p><p><strong>Sharad Chari</strong> is associate professor of geography and critical theory at the University of California, Berkeley. He is author of <a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a> and <a href="https://www.sup.org/books/title/?id=5723"><em>Fraternal Capital</em></a>.</p><p><br></p><p><strong>Charne Lavery</strong> is senior lecturer in the Department of English at the University of Pretoria in South Africa. She is author of <a href="https://link.springer.com/book/10.1007/978-3-030-87116-1"><em>Writing Ocean Worlds</em></a>.</p><p><br></p><p><strong>Melissa Marschke</strong> is professor at the School of International Development and Global Studies at the University of Ottawa. She is author of <a href="https://press.uottawa.ca/en/9780776619859/life-fish-and-mangroves/"><em>Life, Fish and Mangroves</em></a>.</p><p><br></p><p><strong>Philippe Le Billon</strong> is professor in the Department of Geography and the School of Public Policy and Global Affairs at the University of British Columbia. He is author of <a href="https://global.oup.com/academic/product/wars-of-plunder-9780199333462?lang=en&amp;cc=cl"><em>Wars of Plunder</em></a>.</p><p><strong>Persons and works referenced:</strong></p><p>-Fernando Coronil</p><p>-The Many-Headed Hydra by Marcus Rediker and Peter Linebaugh</p><p>-Meg Samuelson, “Thinking with Sharks,” Australian Humanities Review</p><p>-Matthew Shutzer</p><p>-Gavin Capps</p><p>-Damien Hirst’s shark tanks</p><p>-Moby Dick by Herman Melville (character of Pip)</p><p>-Ellen Gallagher</p><p>-Katherine McKittrick</p><p>-Drexciya</p><p>-John Akomfrah’s Vertigo Sea</p><p>-Kamau Brathwaite’s “tidalectics”</p><p><strong>More about the book:</strong></p><p><a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a> is available from <a href="https://www.upress.umn.edu/">University of Minnesota Press</a>. An open-access edition is available to read for free online at <a href="https://manifold.umn.edu/projects/gramsci-at-sea">manifold.umn.edu</a>.</p><p><br></p>]]>
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        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a>, author Sharad Chari asks how the environmental crisis of the oceans is linked to legacies of capitalism and imperialism across and within the oceans. Chari reads Antonio Gramsci as a thinker of the oceanic crisis, drawing on the philosopher’s prison notes and questions concerning waves of imperial power in the inter-war oceans of his time. Here, Chari is joined in conversation with Charne Lavery, Melissa Marschke, and Philippe Le Billon.</p><p><strong>Sharad Chari</strong> is associate professor of geography and critical theory at the University of California, Berkeley. He is author of <a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a> and <a href="https://www.sup.org/books/title/?id=5723"><em>Fraternal Capital</em></a>.</p><p><br></p><p><strong>Charne Lavery</strong> is senior lecturer in the Department of English at the University of Pretoria in South Africa. She is author of <a href="https://link.springer.com/book/10.1007/978-3-030-87116-1"><em>Writing Ocean Worlds</em></a>.</p><p><br></p><p><strong>Melissa Marschke</strong> is professor at the School of International Development and Global Studies at the University of Ottawa. She is author of <a href="https://press.uottawa.ca/en/9780776619859/life-fish-and-mangroves/"><em>Life, Fish and Mangroves</em></a>.</p><p><br></p><p><strong>Philippe Le Billon</strong> is professor in the Department of Geography and the School of Public Policy and Global Affairs at the University of British Columbia. He is author of <a href="https://global.oup.com/academic/product/wars-of-plunder-9780199333462?lang=en&amp;cc=cl"><em>Wars of Plunder</em></a>.</p><p><strong>Persons and works referenced:</strong></p><p>-Fernando Coronil</p><p>-The Many-Headed Hydra by Marcus Rediker and Peter Linebaugh</p><p>-Meg Samuelson, “Thinking with Sharks,” Australian Humanities Review</p><p>-Matthew Shutzer</p><p>-Gavin Capps</p><p>-Damien Hirst’s shark tanks</p><p>-Moby Dick by Herman Melville (character of Pip)</p><p>-Ellen Gallagher</p><p>-Katherine McKittrick</p><p>-Drexciya</p><p>-John Akomfrah’s Vertigo Sea</p><p>-Kamau Brathwaite’s “tidalectics”</p><p><strong>More about the book:</strong></p><p><a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a> is available from <a href="https://www.upress.umn.edu/">University of Minnesota Press</a>. An open-access edition is available to read for free online at <a href="https://manifold.umn.edu/projects/gramsci-at-sea">manifold.umn.edu</a>.</p><p><br></p>]]>
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      <pubDate>Tue, 19 Sep 2023 09:14:31 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2331</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a>, author Sharad Chari asks how the environmental crisis of the oceans is linked to legacies of capitalism and imperialism across and within the oceans. Chari reads Antonio Gramsci as a thinker of the oceanic crisis, drawing on the philosopher’s prison notes and questions concerning waves of imperial power in the inter-war oceans of his time. Here, Chari is joined in conversation with Charne Lavery, Melissa Marschke, and Philippe Le Billon.</p><p><strong>Sharad Chari</strong> is associate professor of geography and critical theory at the University of California, Berkeley. He is author of <a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a> and <a href="https://www.sup.org/books/title/?id=5723"><em>Fraternal Capital</em></a>.</p><p><br></p><p><strong>Charne Lavery</strong> is senior lecturer in the Department of English at the University of Pretoria in South Africa. She is author of <a href="https://link.springer.com/book/10.1007/978-3-030-87116-1"><em>Writing Ocean Worlds</em></a>.</p><p><br></p><p><strong>Melissa Marschke</strong> is professor at the School of International Development and Global Studies at the University of Ottawa. She is author of <a href="https://press.uottawa.ca/en/9780776619859/life-fish-and-mangroves/"><em>Life, Fish and Mangroves</em></a>.</p><p><br></p><p><strong>Philippe Le Billon</strong> is professor in the Department of Geography and the School of Public Policy and Global Affairs at the University of British Columbia. He is author of <a href="https://global.oup.com/academic/product/wars-of-plunder-9780199333462?lang=en&amp;cc=cl"><em>Wars of Plunder</em></a>.</p><p><strong>Persons and works referenced:</strong></p><p>-Fernando Coronil</p><p>-The Many-Headed Hydra by Marcus Rediker and Peter Linebaugh</p><p>-Meg Samuelson, “Thinking with Sharks,” Australian Humanities Review</p><p>-Matthew Shutzer</p><p>-Gavin Capps</p><p>-Damien Hirst’s shark tanks</p><p>-Moby Dick by Herman Melville (character of Pip)</p><p>-Ellen Gallagher</p><p>-Katherine McKittrick</p><p>-Drexciya</p><p>-John Akomfrah’s Vertigo Sea</p><p>-Kamau Brathwaite’s “tidalectics”</p><p><strong>More about the book:</strong></p><p><a href="https://www.upress.umn.edu/book-division/books/gramsci-at-sea"><em>Gramsci at Sea</em></a> is available from <a href="https://www.upress.umn.edu/">University of Minnesota Press</a>. An open-access edition is available to read for free online at <a href="https://manifold.umn.edu/projects/gramsci-at-sea">manifold.umn.edu</a>.</p><p><br></p>]]>
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      <itunes:keywords>Gramsci, ocean, capitalism, imperialism, Marxism, environmental crisis, theory, philosophy, geography</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>On Nietzsche and posthumanist philosophy</title>
      <itunes:episode>62</itunes:episode>
      <podcast:episode>62</podcast:episode>
      <itunes:title>On Nietzsche and posthumanist philosophy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Focusing on Friedrich Nietzsche’s reception of the life sciences of his day (including concerns with insects and the emergent social properties they exhibit) and his reflections on technology—research areas as central to Nietzsche’s work as they are to posthumanism—Edgar Landgraf provides fresh readings of Nietzsche and a critique of posthumanist and transhumanist philosophies in his new book, <a href="https://www.upress.umn.edu/book-division/books/nietzsche2019s-posthumanism"><em>Nietzsche’s Posthumanism</em></a>. Here, Landgraf is joined in conversation with Christian Emden and Stefan Herbrechter.</p><p><br></p><p><strong>Edgar Landgraf</strong> is distinguished research professor of German at Bowling Green State University. He is author of <a href="https://www.upress.umn.edu/book-division/books/nietzsche2019s-posthumanism"><em>Nietzsche’s Posthumanism</em></a> and <a href="https://www.bloomsbury.com/us/improvisation-as-art-9781628929577/"><em>Improvisation as Art</em></a>, and coeditor of <a href="https://www.bloomsbury.com/us/posthumanism-in-the-age-of-humanism-9781501335679/"><em>Posthumanism in the Age of Humanism</em></a> and <a href="https://www.rutgersuniversitypress.org/bucknell/play-in-the-age-of-goethe/9781684482061"><em>Play in the Age of Goethe</em></a>.</p><p><strong>Christian Emden</strong> is Frances Moody Newman Professor at Rice University where he teaches German intellectual history and political thought. He is author of several books on Nietzsche, including <a href="https://www.cambridge.org/core/books/nietzsches-naturalism/BC3FBDDC985EDB75768C11F9C942128B#fndtn-information"><em>Nietzsche’s Naturalism</em></a> and <a href="https://www.press.uillinois.edu/books/?id=c029707"><em>Nietzsche on Language, Consciousness, and the Body</em></a>.</p><p><strong>Stefan Herbrechter</strong> is former Reader in Cultural Theory at Coventry University and former professor of English and cultural studies at Heidelberg University in Germany. He is an independent scholar of critical posthumanism and author of several books including <a href="https://brill.com/display/title/61316"><em>Before Humanity</em></a> and <a href="https://www.bloomsbury.com/us/posthumanism-9781780936062/"><em>Posthumanism</em></a>.</p><p><br></p><p><strong><em>Episode references:</em></strong></p><p>Friedrich Nietzsche</p><p>Cary Wolfe</p><p>Baruch Spinoza</p><p>Jane Bennett</p><p>Alfred Espinas</p><p>Bernard Stiegler</p><p>Ernst Kapp</p><p>Charles Darwin</p><p>Rosi Braidotti</p><p>Francesca Ferrando</p><p>Patricia MacCormack</p><p>Tamar Sharon </p><p><strong><em>Reading list:</em></strong></p><p>Vibrant Matter / Jane Bennett</p><p>On Animal Societies / Alfred Espinas</p><p>Nietzsche’s Animal Philosophy / Vanessa Lemm</p><p>Meeting the Universe Halfway / Karen Barad</p><p>Nietzsche’s Naturalism / Christian J. Emden</p><p>Nietzsche on Language, Consciousness, and the Body / Christian J. Emden</p><p>How We Became Posthuman / N. Katherine Hayles</p><p>Staying with the Trouble / Donna Haraway</p><p>Posthumanism / Stefan Herbrechter</p><p>The Will to Technology and the Culture of Nihilism / Arthur Kroker</p><p>Insect Media / Jussi Parikka</p><p>Before the Law / Cary Wolfe</p><p><strong>Keywords: </strong>Nietzsche, posthumanism, transhumanism, critical posthumanism, swarm theory, insects, history of technology, human agency, posthumanist ethics, posthumanist politics</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Focusing on Friedrich Nietzsche’s reception of the life sciences of his day (including concerns with insects and the emergent social properties they exhibit) and his reflections on technology—research areas as central to Nietzsche’s work as they are to posthumanism—Edgar Landgraf provides fresh readings of Nietzsche and a critique of posthumanist and transhumanist philosophies in his new book, <a href="https://www.upress.umn.edu/book-division/books/nietzsche2019s-posthumanism"><em>Nietzsche’s Posthumanism</em></a>. Here, Landgraf is joined in conversation with Christian Emden and Stefan Herbrechter.</p><p><br></p><p><strong>Edgar Landgraf</strong> is distinguished research professor of German at Bowling Green State University. He is author of <a href="https://www.upress.umn.edu/book-division/books/nietzsche2019s-posthumanism"><em>Nietzsche’s Posthumanism</em></a> and <a href="https://www.bloomsbury.com/us/improvisation-as-art-9781628929577/"><em>Improvisation as Art</em></a>, and coeditor of <a href="https://www.bloomsbury.com/us/posthumanism-in-the-age-of-humanism-9781501335679/"><em>Posthumanism in the Age of Humanism</em></a> and <a href="https://www.rutgersuniversitypress.org/bucknell/play-in-the-age-of-goethe/9781684482061"><em>Play in the Age of Goethe</em></a>.</p><p><strong>Christian Emden</strong> is Frances Moody Newman Professor at Rice University where he teaches German intellectual history and political thought. He is author of several books on Nietzsche, including <a href="https://www.cambridge.org/core/books/nietzsches-naturalism/BC3FBDDC985EDB75768C11F9C942128B#fndtn-information"><em>Nietzsche’s Naturalism</em></a> and <a href="https://www.press.uillinois.edu/books/?id=c029707"><em>Nietzsche on Language, Consciousness, and the Body</em></a>.</p><p><strong>Stefan Herbrechter</strong> is former Reader in Cultural Theory at Coventry University and former professor of English and cultural studies at Heidelberg University in Germany. He is an independent scholar of critical posthumanism and author of several books including <a href="https://brill.com/display/title/61316"><em>Before Humanity</em></a> and <a href="https://www.bloomsbury.com/us/posthumanism-9781780936062/"><em>Posthumanism</em></a>.</p><p><br></p><p><strong><em>Episode references:</em></strong></p><p>Friedrich Nietzsche</p><p>Cary Wolfe</p><p>Baruch Spinoza</p><p>Jane Bennett</p><p>Alfred Espinas</p><p>Bernard Stiegler</p><p>Ernst Kapp</p><p>Charles Darwin</p><p>Rosi Braidotti</p><p>Francesca Ferrando</p><p>Patricia MacCormack</p><p>Tamar Sharon </p><p><strong><em>Reading list:</em></strong></p><p>Vibrant Matter / Jane Bennett</p><p>On Animal Societies / Alfred Espinas</p><p>Nietzsche’s Animal Philosophy / Vanessa Lemm</p><p>Meeting the Universe Halfway / Karen Barad</p><p>Nietzsche’s Naturalism / Christian J. Emden</p><p>Nietzsche on Language, Consciousness, and the Body / Christian J. Emden</p><p>How We Became Posthuman / N. Katherine Hayles</p><p>Staying with the Trouble / Donna Haraway</p><p>Posthumanism / Stefan Herbrechter</p><p>The Will to Technology and the Culture of Nihilism / Arthur Kroker</p><p>Insect Media / Jussi Parikka</p><p>Before the Law / Cary Wolfe</p><p><strong>Keywords: </strong>Nietzsche, posthumanism, transhumanism, critical posthumanism, swarm theory, insects, history of technology, human agency, posthumanist ethics, posthumanist politics</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Fri, 18 Aug 2023 11:13:47 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2866</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Focusing on Friedrich Nietzsche’s reception of the life sciences of his day (including concerns with insects and the emergent social properties they exhibit) and his reflections on technology—research areas as central to Nietzsche’s work as they are to posthumanism—Edgar Landgraf provides fresh readings of Nietzsche and a critique of posthumanist and transhumanist philosophies in his new book, <a href="https://www.upress.umn.edu/book-division/books/nietzsche2019s-posthumanism"><em>Nietzsche’s Posthumanism</em></a>. Here, Landgraf is joined in conversation with Christian Emden and Stefan Herbrechter.</p><p><br></p><p><strong>Edgar Landgraf</strong> is distinguished research professor of German at Bowling Green State University. He is author of <a href="https://www.upress.umn.edu/book-division/books/nietzsche2019s-posthumanism"><em>Nietzsche’s Posthumanism</em></a> and <a href="https://www.bloomsbury.com/us/improvisation-as-art-9781628929577/"><em>Improvisation as Art</em></a>, and coeditor of <a href="https://www.bloomsbury.com/us/posthumanism-in-the-age-of-humanism-9781501335679/"><em>Posthumanism in the Age of Humanism</em></a> and <a href="https://www.rutgersuniversitypress.org/bucknell/play-in-the-age-of-goethe/9781684482061"><em>Play in the Age of Goethe</em></a>.</p><p><strong>Christian Emden</strong> is Frances Moody Newman Professor at Rice University where he teaches German intellectual history and political thought. He is author of several books on Nietzsche, including <a href="https://www.cambridge.org/core/books/nietzsches-naturalism/BC3FBDDC985EDB75768C11F9C942128B#fndtn-information"><em>Nietzsche’s Naturalism</em></a> and <a href="https://www.press.uillinois.edu/books/?id=c029707"><em>Nietzsche on Language, Consciousness, and the Body</em></a>.</p><p><strong>Stefan Herbrechter</strong> is former Reader in Cultural Theory at Coventry University and former professor of English and cultural studies at Heidelberg University in Germany. He is an independent scholar of critical posthumanism and author of several books including <a href="https://brill.com/display/title/61316"><em>Before Humanity</em></a> and <a href="https://www.bloomsbury.com/us/posthumanism-9781780936062/"><em>Posthumanism</em></a>.</p><p><br></p><p><strong><em>Episode references:</em></strong></p><p>Friedrich Nietzsche</p><p>Cary Wolfe</p><p>Baruch Spinoza</p><p>Jane Bennett</p><p>Alfred Espinas</p><p>Bernard Stiegler</p><p>Ernst Kapp</p><p>Charles Darwin</p><p>Rosi Braidotti</p><p>Francesca Ferrando</p><p>Patricia MacCormack</p><p>Tamar Sharon </p><p><strong><em>Reading list:</em></strong></p><p>Vibrant Matter / Jane Bennett</p><p>On Animal Societies / Alfred Espinas</p><p>Nietzsche’s Animal Philosophy / Vanessa Lemm</p><p>Meeting the Universe Halfway / Karen Barad</p><p>Nietzsche’s Naturalism / Christian J. Emden</p><p>Nietzsche on Language, Consciousness, and the Body / Christian J. Emden</p><p>How We Became Posthuman / N. Katherine Hayles</p><p>Staying with the Trouble / Donna Haraway</p><p>Posthumanism / Stefan Herbrechter</p><p>The Will to Technology and the Culture of Nihilism / Arthur Kroker</p><p>Insect Media / Jussi Parikka</p><p>Before the Law / Cary Wolfe</p><p><strong>Keywords: </strong>Nietzsche, posthumanism, transhumanism, critical posthumanism, swarm theory, insects, history of technology, human agency, posthumanist ethics, posthumanist politics</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Nietzsche, posthumanism, transhumanism, critical posthumanism, swarm theory, insects, history of technology, human agency, posthumanist ethics, posthumanist politics</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Ark thinking: Climate change and the Great Flood</title>
      <itunes:episode>61</itunes:episode>
      <podcast:episode>61</podcast:episode>
      <itunes:title>Ark thinking: Climate change and the Great Flood</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>, Jeffrey J. Cohen and Julian Yates examine the long history of imagining endurance against climate change catastrophe—as well as alternative ways of creating refuge. Arguing that the biblical ark may well be the worst possible exemplar of human behavior, this book uncovers the startling afterlife of the Genesis narrative and surveys the long history of dwelling with the consequences of choosing only a few to survive in order to start the world over. Here, Cohen and Yates are interviewed by Steven Swarbrick.</p><p><br></p><p><strong>Jeffrey J. Cohen</strong> is Dean of Humanities at Arizona State University. He is author or editor of several books, including <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>, <a href="https://www.upress.umn.edu/Plone/book-division/books/stone"><em>Stone</em></a>, <a href="https://www.upress.umn.edu/Plone/book-division/books/veer-ecology"><em>Veer Ecology</em></a>, and <a href="https://www.upress.umn.edu/book-division/books/elemental-ecocriticism"><em>Elemental Ecocriticism</em></a>.</p><p><br></p><p><br></p><p><strong>Julian Yates</strong> is H. Fletcher Brown Professor of English and Material Culture Studies at the University of Delaware. He is author or editor of several books, including <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>; <a href="https://www.upress.umn.edu/Plone/book-division/books/of-sheep-oranges-and-yeast"><em>Of Sheep, Oranges, and Yeast</em></a>; and <a href="https://www.upress.umn.edu/book-division/books/error-misuse-failure"><em>Error, Misuse, Failure</em></a>.</p><p><br></p><p><br></p><p><strong>Steven Swarbrick</strong> is assistant professor of English at Baruch College, City University of New York. He is author of <a href="https://www.upress.umn.edu/book-division/books/the-environmental-unconscious"><em>The Environmental Unconscious</em></a>.</p><p><br></p><p><strong><em>Episode references:</em></strong></p><p>Bible (Genesis)</p><p>Athanasius Kircher (Arca Noe)</p><p>N. K. Jemisin (Emergency Skin)</p><p>Jeanette Winterson (Oranges Are Not the Only Fruit)</p><p>Rebecca Solnit (A Paradise Built in Hell, “disaster utopias”)</p><p>Donna Haraway (A Cyborg Manifesto, The Companion Species Manifesto)</p><p>Anna Tsing</p><p>Silo (Apple TV+ show) (with speculation spoiler alert)</p><p>William de Brailes (The Flood of Noah) (image appearing in color in the book)</p><p><strong><em>Arks visited in this book include:</em></strong></p><p>Ark Encounter, Williamstown, Kentucky</p><p>Biosphere 2, Pinal County, Arizona</p><p>The Ark of Safety, Frostburg, Maryland</p><p><strong>Keywords:</strong> environmental humanities, climate change, Genesis, catastrophe, disaster utopias, artificial intelligence, ark thinking, medieval studies, monsters, giants, groundless reading, tension, contradiction, hope</p><p><strong>“The worst thing you can do, we have learned, is to imagine that you are no longer on an ark.” (from </strong><strong><em>Noah’s Arkive</em></strong><strong>, page 3)</strong></p>]]>
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        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>, Jeffrey J. Cohen and Julian Yates examine the long history of imagining endurance against climate change catastrophe—as well as alternative ways of creating refuge. Arguing that the biblical ark may well be the worst possible exemplar of human behavior, this book uncovers the startling afterlife of the Genesis narrative and surveys the long history of dwelling with the consequences of choosing only a few to survive in order to start the world over. Here, Cohen and Yates are interviewed by Steven Swarbrick.</p><p><br></p><p><strong>Jeffrey J. Cohen</strong> is Dean of Humanities at Arizona State University. He is author or editor of several books, including <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>, <a href="https://www.upress.umn.edu/Plone/book-division/books/stone"><em>Stone</em></a>, <a href="https://www.upress.umn.edu/Plone/book-division/books/veer-ecology"><em>Veer Ecology</em></a>, and <a href="https://www.upress.umn.edu/book-division/books/elemental-ecocriticism"><em>Elemental Ecocriticism</em></a>.</p><p><br></p><p><br></p><p><strong>Julian Yates</strong> is H. Fletcher Brown Professor of English and Material Culture Studies at the University of Delaware. He is author or editor of several books, including <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>; <a href="https://www.upress.umn.edu/Plone/book-division/books/of-sheep-oranges-and-yeast"><em>Of Sheep, Oranges, and Yeast</em></a>; and <a href="https://www.upress.umn.edu/book-division/books/error-misuse-failure"><em>Error, Misuse, Failure</em></a>.</p><p><br></p><p><br></p><p><strong>Steven Swarbrick</strong> is assistant professor of English at Baruch College, City University of New York. He is author of <a href="https://www.upress.umn.edu/book-division/books/the-environmental-unconscious"><em>The Environmental Unconscious</em></a>.</p><p><br></p><p><strong><em>Episode references:</em></strong></p><p>Bible (Genesis)</p><p>Athanasius Kircher (Arca Noe)</p><p>N. K. Jemisin (Emergency Skin)</p><p>Jeanette Winterson (Oranges Are Not the Only Fruit)</p><p>Rebecca Solnit (A Paradise Built in Hell, “disaster utopias”)</p><p>Donna Haraway (A Cyborg Manifesto, The Companion Species Manifesto)</p><p>Anna Tsing</p><p>Silo (Apple TV+ show) (with speculation spoiler alert)</p><p>William de Brailes (The Flood of Noah) (image appearing in color in the book)</p><p><strong><em>Arks visited in this book include:</em></strong></p><p>Ark Encounter, Williamstown, Kentucky</p><p>Biosphere 2, Pinal County, Arizona</p><p>The Ark of Safety, Frostburg, Maryland</p><p><strong>Keywords:</strong> environmental humanities, climate change, Genesis, catastrophe, disaster utopias, artificial intelligence, ark thinking, medieval studies, monsters, giants, groundless reading, tension, contradiction, hope</p><p><strong>“The worst thing you can do, we have learned, is to imagine that you are no longer on an ark.” (from </strong><strong><em>Noah’s Arkive</em></strong><strong>, page 3)</strong></p>]]>
      </content:encoded>
      <pubDate>Tue, 08 Aug 2023 09:53:29 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2943</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>, Jeffrey J. Cohen and Julian Yates examine the long history of imagining endurance against climate change catastrophe—as well as alternative ways of creating refuge. Arguing that the biblical ark may well be the worst possible exemplar of human behavior, this book uncovers the startling afterlife of the Genesis narrative and surveys the long history of dwelling with the consequences of choosing only a few to survive in order to start the world over. Here, Cohen and Yates are interviewed by Steven Swarbrick.</p><p><br></p><p><strong>Jeffrey J. Cohen</strong> is Dean of Humanities at Arizona State University. He is author or editor of several books, including <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>, <a href="https://www.upress.umn.edu/Plone/book-division/books/stone"><em>Stone</em></a>, <a href="https://www.upress.umn.edu/Plone/book-division/books/veer-ecology"><em>Veer Ecology</em></a>, and <a href="https://www.upress.umn.edu/book-division/books/elemental-ecocriticism"><em>Elemental Ecocriticism</em></a>.</p><p><br></p><p><br></p><p><strong>Julian Yates</strong> is H. Fletcher Brown Professor of English and Material Culture Studies at the University of Delaware. He is author or editor of several books, including <a href="https://www.upress.umn.edu/book-division/books/noahs-arkive"><em>Noah’s Arkive</em></a>; <a href="https://www.upress.umn.edu/Plone/book-division/books/of-sheep-oranges-and-yeast"><em>Of Sheep, Oranges, and Yeast</em></a>; and <a href="https://www.upress.umn.edu/book-division/books/error-misuse-failure"><em>Error, Misuse, Failure</em></a>.</p><p><br></p><p><br></p><p><strong>Steven Swarbrick</strong> is assistant professor of English at Baruch College, City University of New York. He is author of <a href="https://www.upress.umn.edu/book-division/books/the-environmental-unconscious"><em>The Environmental Unconscious</em></a>.</p><p><br></p><p><strong><em>Episode references:</em></strong></p><p>Bible (Genesis)</p><p>Athanasius Kircher (Arca Noe)</p><p>N. K. Jemisin (Emergency Skin)</p><p>Jeanette Winterson (Oranges Are Not the Only Fruit)</p><p>Rebecca Solnit (A Paradise Built in Hell, “disaster utopias”)</p><p>Donna Haraway (A Cyborg Manifesto, The Companion Species Manifesto)</p><p>Anna Tsing</p><p>Silo (Apple TV+ show) (with speculation spoiler alert)</p><p>William de Brailes (The Flood of Noah) (image appearing in color in the book)</p><p><strong><em>Arks visited in this book include:</em></strong></p><p>Ark Encounter, Williamstown, Kentucky</p><p>Biosphere 2, Pinal County, Arizona</p><p>The Ark of Safety, Frostburg, Maryland</p><p><strong>Keywords:</strong> environmental humanities, climate change, Genesis, catastrophe, disaster utopias, artificial intelligence, ark thinking, medieval studies, monsters, giants, groundless reading, tension, contradiction, hope</p><p><strong>“The worst thing you can do, we have learned, is to imagine that you are no longer on an ark.” (from </strong><strong><em>Noah’s Arkive</em></strong><strong>, page 3)</strong></p>]]>
      </itunes:summary>
      <itunes:keywords>environmental humanities, climate change, Genesis, Noah’s Ark, disaster utopias, ark thinking, catastrophe, medieval studies, monsters, giants, groundless reading, artificial intelligence, tension, contradiction, hope</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Have we ever been civilian? On war’s expansion beyond the battlefield.</title>
      <itunes:episode>60</itunes:episode>
      <podcast:episode>60</podcast:episode>
      <itunes:title>Have we ever been civilian? On war’s expansion beyond the battlefield.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>As military and other forms of political violence become the planetary norm, <a href="https://www.upress.umn.edu/book-division/books/on-posthuman-war"><em>On Posthuman War</em></a> traces the expansion of war as manifest within humanity’s individual, sociocultural, and biological existence. Author Mike Hill identifies three human-focused disciplines newly turned against humanity (demography, anthropology, and neuroscience) and questions the very notion of society. This episode brings Hill into conversation with Robyn Marasco and Warren Montag.</p><p><br><strong>Mike Hill</strong> is professor of English at SUNY Albany. He is coauthor (with Warren Montag) of <a href="https://www.sup.org/books/title/?id=22158"><em>The Other Adam Smith</em></a> and author of <a href="https://nyupress.org/9780814735428/after-whiteness/"><em>After Whiteness</em></a> and <a href="https://www.upress.umn.edu/book-division/books/on-posthuman-war"><em>On Posthuman War</em></a>.</p><p><br></p><p><strong>Robyn Marasco</strong> teaches political theory at Hunter College and The Graduate Center, CUNY. Marasco is author of <a href="http://cup.columbia.edu/book/the-highway-of-despair/9780231168670"><em>The Highway of Despair</em></a>.</p><p><br></p><p><strong>Warren Montag</strong> is professor of English at Occidental College in Los Angeles. Montag is author of several books including <a href="https://www.dukeupress.edu/althusser-and-his-contemporaries"><em>Althusser and His Contemporaries</em></a>.</p><p><br><strong><em>Episode references:</em></strong></p><p>Immanuel Kant</p><p>Claus von Clausewitz (<em>On War</em>)</p><p>Counterinsurgency Field Manual (FM 3–24) of 2006</p><p><em>The U.S. Army/Marine Corps Counterinsurgency Field Manual</em> (from University of Chicago Press)</p><p><em>The Gates Doctrine</em></p><p><em>National Security Strategy</em></p><p><em>American Sniper</em> (opening of the film)</p><p>Alain Badiou</p><p><strong><em>Topics:</em></strong></p><p>US war strategy (specifically in Iraq and Afghanistan)</p><p>Gender politics in the US</p><p>Crisis in the humanities</p><p>Climate change</p><p><strong><em>Terms/keywords:</em></strong></p><p>Civilianized</p><p>De-civilianized</p><p>Identity infiltration</p><p>Computation</p><p><strong><em>“Moving through the three fields of study identified in what follows as war disciplines (demography, anthropology, and neuroscience), computational technology is key … because, like war, it is both ubiquitous and largely invisible.” (from the Preface, page xxi)</em></strong></p><p><br></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>As military and other forms of political violence become the planetary norm, <a href="https://www.upress.umn.edu/book-division/books/on-posthuman-war"><em>On Posthuman War</em></a> traces the expansion of war as manifest within humanity’s individual, sociocultural, and biological existence. Author Mike Hill identifies three human-focused disciplines newly turned against humanity (demography, anthropology, and neuroscience) and questions the very notion of society. This episode brings Hill into conversation with Robyn Marasco and Warren Montag.</p><p><br><strong>Mike Hill</strong> is professor of English at SUNY Albany. He is coauthor (with Warren Montag) of <a href="https://www.sup.org/books/title/?id=22158"><em>The Other Adam Smith</em></a> and author of <a href="https://nyupress.org/9780814735428/after-whiteness/"><em>After Whiteness</em></a> and <a href="https://www.upress.umn.edu/book-division/books/on-posthuman-war"><em>On Posthuman War</em></a>.</p><p><br></p><p><strong>Robyn Marasco</strong> teaches political theory at Hunter College and The Graduate Center, CUNY. Marasco is author of <a href="http://cup.columbia.edu/book/the-highway-of-despair/9780231168670"><em>The Highway of Despair</em></a>.</p><p><br></p><p><strong>Warren Montag</strong> is professor of English at Occidental College in Los Angeles. Montag is author of several books including <a href="https://www.dukeupress.edu/althusser-and-his-contemporaries"><em>Althusser and His Contemporaries</em></a>.</p><p><br><strong><em>Episode references:</em></strong></p><p>Immanuel Kant</p><p>Claus von Clausewitz (<em>On War</em>)</p><p>Counterinsurgency Field Manual (FM 3–24) of 2006</p><p><em>The U.S. Army/Marine Corps Counterinsurgency Field Manual</em> (from University of Chicago Press)</p><p><em>The Gates Doctrine</em></p><p><em>National Security Strategy</em></p><p><em>American Sniper</em> (opening of the film)</p><p>Alain Badiou</p><p><strong><em>Topics:</em></strong></p><p>US war strategy (specifically in Iraq and Afghanistan)</p><p>Gender politics in the US</p><p>Crisis in the humanities</p><p>Climate change</p><p><strong><em>Terms/keywords:</em></strong></p><p>Civilianized</p><p>De-civilianized</p><p>Identity infiltration</p><p>Computation</p><p><strong><em>“Moving through the three fields of study identified in what follows as war disciplines (demography, anthropology, and neuroscience), computational technology is key … because, like war, it is both ubiquitous and largely invisible.” (from the Preface, page xxi)</em></strong></p><p><br></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 01 Aug 2023 10:48:10 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4493</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>As military and other forms of political violence become the planetary norm, <a href="https://www.upress.umn.edu/book-division/books/on-posthuman-war"><em>On Posthuman War</em></a> traces the expansion of war as manifest within humanity’s individual, sociocultural, and biological existence. Author Mike Hill identifies three human-focused disciplines newly turned against humanity (demography, anthropology, and neuroscience) and questions the very notion of society. This episode brings Hill into conversation with Robyn Marasco and Warren Montag.</p><p><br><strong>Mike Hill</strong> is professor of English at SUNY Albany. He is coauthor (with Warren Montag) of <a href="https://www.sup.org/books/title/?id=22158"><em>The Other Adam Smith</em></a> and author of <a href="https://nyupress.org/9780814735428/after-whiteness/"><em>After Whiteness</em></a> and <a href="https://www.upress.umn.edu/book-division/books/on-posthuman-war"><em>On Posthuman War</em></a>.</p><p><br></p><p><strong>Robyn Marasco</strong> teaches political theory at Hunter College and The Graduate Center, CUNY. Marasco is author of <a href="http://cup.columbia.edu/book/the-highway-of-despair/9780231168670"><em>The Highway of Despair</em></a>.</p><p><br></p><p><strong>Warren Montag</strong> is professor of English at Occidental College in Los Angeles. Montag is author of several books including <a href="https://www.dukeupress.edu/althusser-and-his-contemporaries"><em>Althusser and His Contemporaries</em></a>.</p><p><br><strong><em>Episode references:</em></strong></p><p>Immanuel Kant</p><p>Claus von Clausewitz (<em>On War</em>)</p><p>Counterinsurgency Field Manual (FM 3–24) of 2006</p><p><em>The U.S. Army/Marine Corps Counterinsurgency Field Manual</em> (from University of Chicago Press)</p><p><em>The Gates Doctrine</em></p><p><em>National Security Strategy</em></p><p><em>American Sniper</em> (opening of the film)</p><p>Alain Badiou</p><p><strong><em>Topics:</em></strong></p><p>US war strategy (specifically in Iraq and Afghanistan)</p><p>Gender politics in the US</p><p>Crisis in the humanities</p><p>Climate change</p><p><strong><em>Terms/keywords:</em></strong></p><p>Civilianized</p><p>De-civilianized</p><p>Identity infiltration</p><p>Computation</p><p><strong><em>“Moving through the three fields of study identified in what follows as war disciplines (demography, anthropology, and neuroscience), computational technology is key … because, like war, it is both ubiquitous and largely invisible.” (from the Preface, page xxi)</em></strong></p><p><br></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>US military history, counterinsurgency strategy, computation and social organization, object ontology, Enlightenment political thought, information science, systems theory, critical theory, demography, anthropology, neuroscience, biopolitics, global war on terror, digital technology</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>The Rise of Economic and Racial Justice Coalitions in Cities</title>
      <itunes:episode>59</itunes:episode>
      <podcast:episode>59</podcast:episode>
      <itunes:title>The Rise of Economic and Racial Justice Coalitions in Cities</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>In the 2010s cities and counties across the US witnessed long-overdue change as they engaged more with questions of social, economic, and racial justice. After decades of urban economic restructuring that intensified class divides and institutional and systemic racism, dozens of local governments countered the conventional wisdom that cities couldn’t address inequality—enacting progressive labor market policies, from $15 minimum wages to paid sick leave. In their book <a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em></a>, Marc Doussard and Greg Schrock visit case studies in cities including Chicago, Detroit, Denver, Seattle, and New Orleans, and show that the contemporary wave of successful progressive organizing efforts is likely to endure—but their success hinges on a few factors including sustaining power at the grassroots. Here, Marc Doussard is in conversation with David B. Reynolds.</p><p>Marc Doussard is professor of urban and regional planning at the University of Illinois Urbana-Champaign. He is coauthor of <a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em></a> and author of <a href="https://www.upress.umn.edu/book-division/books/degraded-work"><em>Degraded Work: The Struggle at the Bottom of the Labor Market</em></a>.</p><p><br>David B. Reynolds was director of the Center for Labor and Community Studies at University of Michigan. Reynolds has been a labor educator for 20 years and is coauthor of <a href="https://www.cornellpress.cornell.edu/book/9780801476655/a-new-new-deal/#bookTabs=1"><em>A New New Deal: How Regional Activism Will Reshape the American Labor Movement</em></a> and coeditor of <a href="https://www.routledge.com/Igniting-Justice-and-Progressive-Power-The-Partnership-for-Working-Families/Reynolds-Simmons/p/book/9780367684266"><em>Igniting Justice and Progressive Power: The Partnership for Working Families Cities</em></a>.</p><p><br>Books and published works referenced:</p><p>-<em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em> by Marc Doussard and Greg Schrock</p><p>-<em>Degraded Work: The Struggle at the Bottom of the Labor Market</em> by Marc Doussard</p><p>-<em>A New New Deal: How Regional Activism Will Reshape the American Labor Movement</em> by Amy B. Dean and David B. Reynolds</p><p>-<em>Igniting Justice and Progressive Power: The Partnership for Working Families Cities</em> by David B. Reynolds and Louise Simmons</p><p>-<em>Partnering for Change: Unions and Community Groups Build Coalitions for Economic Justice</em>, edited by David B. Reynolds (with essay by Reynolds and Jen Kern: Labor and the Living Wage Movement)</p><p>-”Living Wage Campaigns: An activist’s guide to building the movement for economic justice.” David Reynolds and Jen Kern. (Labor Studies Center, Wayne State University and Association of Community Organizations for Reform Now, 2000.)</p><p>-<em>Agendas, Alternatives, and Public Policies</em> by John Kingdon</p><p>-<em>The City Is the Factory</em>, edited by Miriam Greenberg and Penny Lewis</p><p>Other references:</p><p>-Fight for 15</p><p>-ACORN (Association of Community Organizations for Reform Now)</p><p>-PowerSwitch Action: <a href="https://www.powerswitchaction.org/">https://www.powerswitchaction.org/</a></p><p>-American Rescue Plan (also known as the American Rescue Plan Act or ARPA)</p><p>-The Green New Deal</p><p>Cities mentioned:</p><p>Seattle</p><p>Detroit</p><p>Denver</p><p>Chicago</p><p>San Jose</p><p>San Diego</p><p>Silicon Valley</p><p>Ann Arbor</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the 2010s cities and counties across the US witnessed long-overdue change as they engaged more with questions of social, economic, and racial justice. After decades of urban economic restructuring that intensified class divides and institutional and systemic racism, dozens of local governments countered the conventional wisdom that cities couldn’t address inequality—enacting progressive labor market policies, from $15 minimum wages to paid sick leave. In their book <a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em></a>, Marc Doussard and Greg Schrock visit case studies in cities including Chicago, Detroit, Denver, Seattle, and New Orleans, and show that the contemporary wave of successful progressive organizing efforts is likely to endure—but their success hinges on a few factors including sustaining power at the grassroots. Here, Marc Doussard is in conversation with David B. Reynolds.</p><p>Marc Doussard is professor of urban and regional planning at the University of Illinois Urbana-Champaign. He is coauthor of <a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em></a> and author of <a href="https://www.upress.umn.edu/book-division/books/degraded-work"><em>Degraded Work: The Struggle at the Bottom of the Labor Market</em></a>.</p><p><br>David B. Reynolds was director of the Center for Labor and Community Studies at University of Michigan. Reynolds has been a labor educator for 20 years and is coauthor of <a href="https://www.cornellpress.cornell.edu/book/9780801476655/a-new-new-deal/#bookTabs=1"><em>A New New Deal: How Regional Activism Will Reshape the American Labor Movement</em></a> and coeditor of <a href="https://www.routledge.com/Igniting-Justice-and-Progressive-Power-The-Partnership-for-Working-Families/Reynolds-Simmons/p/book/9780367684266"><em>Igniting Justice and Progressive Power: The Partnership for Working Families Cities</em></a>.</p><p><br>Books and published works referenced:</p><p>-<em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em> by Marc Doussard and Greg Schrock</p><p>-<em>Degraded Work: The Struggle at the Bottom of the Labor Market</em> by Marc Doussard</p><p>-<em>A New New Deal: How Regional Activism Will Reshape the American Labor Movement</em> by Amy B. Dean and David B. Reynolds</p><p>-<em>Igniting Justice and Progressive Power: The Partnership for Working Families Cities</em> by David B. Reynolds and Louise Simmons</p><p>-<em>Partnering for Change: Unions and Community Groups Build Coalitions for Economic Justice</em>, edited by David B. Reynolds (with essay by Reynolds and Jen Kern: Labor and the Living Wage Movement)</p><p>-”Living Wage Campaigns: An activist’s guide to building the movement for economic justice.” David Reynolds and Jen Kern. (Labor Studies Center, Wayne State University and Association of Community Organizations for Reform Now, 2000.)</p><p>-<em>Agendas, Alternatives, and Public Policies</em> by John Kingdon</p><p>-<em>The City Is the Factory</em>, edited by Miriam Greenberg and Penny Lewis</p><p>Other references:</p><p>-Fight for 15</p><p>-ACORN (Association of Community Organizations for Reform Now)</p><p>-PowerSwitch Action: <a href="https://www.powerswitchaction.org/">https://www.powerswitchaction.org/</a></p><p>-American Rescue Plan (also known as the American Rescue Plan Act or ARPA)</p><p>-The Green New Deal</p><p>Cities mentioned:</p><p>Seattle</p><p>Detroit</p><p>Denver</p><p>Chicago</p><p>San Jose</p><p>San Diego</p><p>Silicon Valley</p><p>Ann Arbor</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 13 Jun 2023 14:50:26 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4484</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the 2010s cities and counties across the US witnessed long-overdue change as they engaged more with questions of social, economic, and racial justice. After decades of urban economic restructuring that intensified class divides and institutional and systemic racism, dozens of local governments countered the conventional wisdom that cities couldn’t address inequality—enacting progressive labor market policies, from $15 minimum wages to paid sick leave. In their book <a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em></a>, Marc Doussard and Greg Schrock visit case studies in cities including Chicago, Detroit, Denver, Seattle, and New Orleans, and show that the contemporary wave of successful progressive organizing efforts is likely to endure—but their success hinges on a few factors including sustaining power at the grassroots. Here, Marc Doussard is in conversation with David B. Reynolds.</p><p>Marc Doussard is professor of urban and regional planning at the University of Illinois Urbana-Champaign. He is coauthor of <a href="https://www.upress.umn.edu/book-division/books/justice-at-work"><em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em></a> and author of <a href="https://www.upress.umn.edu/book-division/books/degraded-work"><em>Degraded Work: The Struggle at the Bottom of the Labor Market</em></a>.</p><p><br>David B. Reynolds was director of the Center for Labor and Community Studies at University of Michigan. Reynolds has been a labor educator for 20 years and is coauthor of <a href="https://www.cornellpress.cornell.edu/book/9780801476655/a-new-new-deal/#bookTabs=1"><em>A New New Deal: How Regional Activism Will Reshape the American Labor Movement</em></a> and coeditor of <a href="https://www.routledge.com/Igniting-Justice-and-Progressive-Power-The-Partnership-for-Working-Families/Reynolds-Simmons/p/book/9780367684266"><em>Igniting Justice and Progressive Power: The Partnership for Working Families Cities</em></a>.</p><p><br>Books and published works referenced:</p><p>-<em>Justice at Work: The Rise of Economic and Racial Justice Coalitions in Cities</em> by Marc Doussard and Greg Schrock</p><p>-<em>Degraded Work: The Struggle at the Bottom of the Labor Market</em> by Marc Doussard</p><p>-<em>A New New Deal: How Regional Activism Will Reshape the American Labor Movement</em> by Amy B. Dean and David B. Reynolds</p><p>-<em>Igniting Justice and Progressive Power: The Partnership for Working Families Cities</em> by David B. Reynolds and Louise Simmons</p><p>-<em>Partnering for Change: Unions and Community Groups Build Coalitions for Economic Justice</em>, edited by David B. Reynolds (with essay by Reynolds and Jen Kern: Labor and the Living Wage Movement)</p><p>-”Living Wage Campaigns: An activist’s guide to building the movement for economic justice.” David Reynolds and Jen Kern. (Labor Studies Center, Wayne State University and Association of Community Organizations for Reform Now, 2000.)</p><p>-<em>Agendas, Alternatives, and Public Policies</em> by John Kingdon</p><p>-<em>The City Is the Factory</em>, edited by Miriam Greenberg and Penny Lewis</p><p>Other references:</p><p>-Fight for 15</p><p>-ACORN (Association of Community Organizations for Reform Now)</p><p>-PowerSwitch Action: <a href="https://www.powerswitchaction.org/">https://www.powerswitchaction.org/</a></p><p>-American Rescue Plan (also known as the American Rescue Plan Act or ARPA)</p><p>-The Green New Deal</p><p>Cities mentioned:</p><p>Seattle</p><p>Detroit</p><p>Denver</p><p>Chicago</p><p>San Jose</p><p>San Diego</p><p>Silicon Valley</p><p>Ann Arbor</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>regional power building, labor movement, living wage movement, ACORN, municipal budgets, tax increment financing (TIF), community benefit organizing, urban politics, urban activism, green jobs, Green New Deal</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    </item>
    <item>
      <title>The Lichen Museum with A. Laurie Palmer (Art after Nature 4)</title>
      <itunes:episode>58</itunes:episode>
      <podcast:episode>58</podcast:episode>
      <itunes:title>The Lichen Museum with A. Laurie Palmer (Art after Nature 4)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Lichens are composite organisms made of a fungus and an alga or cyanobacteria thriving in a mutually beneficial relationship. <a href="https://www.upress.umn.edu/book-division/books/the-lichen-museum"><em>The Lichen Museum</em></a> looks to these complex organisms, remarkable for their symbiosis, diversity, longevity, and adaptability, as models for relations rooted in collaboration and nonhierarchical structures. Author A. Laurie Palmer channels the personal, the scientific, the philosophical, and the poetic to imagine a radical new approach to human interconnection. Palmer is joined in conversation with Art after Nature series editors Giovanni Aloi and Caroline Picard.</p><p>A. Laurie Palmer is an artist and professor at the University of California, Santa Cruz.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor-in-chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p>Praise for <em>The Lichen Museum</em>:</p><p>"A deeply engaging, provocative, humorous, and moving account of why we should pay more attention to lichens. As lichens can be found anywhere, the entire surface of the earth becomes the lichen museum." —Heather Davis, author of <em>Plastic Matter<br></em><br></p><p><br></p><p>"Meditative and inquisitive." —<em>Foreword<br></em><br></p><p><br></p><p>"Reading this work feels like taking a series of walks with a particularly curious and sensitive companion, consistently attentive to otherwise neglected facets of the actual environment." —<em>e-flux</em></p><p>Learn more about <em>The Lichen Museum</em> at the <a href="https://www.upress.umn.edu/book-division/books/the-lichen-museum">University of Minnesota Press website</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Lichens are composite organisms made of a fungus and an alga or cyanobacteria thriving in a mutually beneficial relationship. <a href="https://www.upress.umn.edu/book-division/books/the-lichen-museum"><em>The Lichen Museum</em></a> looks to these complex organisms, remarkable for their symbiosis, diversity, longevity, and adaptability, as models for relations rooted in collaboration and nonhierarchical structures. Author A. Laurie Palmer channels the personal, the scientific, the philosophical, and the poetic to imagine a radical new approach to human interconnection. Palmer is joined in conversation with Art after Nature series editors Giovanni Aloi and Caroline Picard.</p><p>A. Laurie Palmer is an artist and professor at the University of California, Santa Cruz.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor-in-chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p>Praise for <em>The Lichen Museum</em>:</p><p>"A deeply engaging, provocative, humorous, and moving account of why we should pay more attention to lichens. As lichens can be found anywhere, the entire surface of the earth becomes the lichen museum." —Heather Davis, author of <em>Plastic Matter<br></em><br></p><p><br></p><p>"Meditative and inquisitive." —<em>Foreword<br></em><br></p><p><br></p><p>"Reading this work feels like taking a series of walks with a particularly curious and sensitive companion, consistently attentive to otherwise neglected facets of the actual environment." —<em>e-flux</em></p><p>Learn more about <em>The Lichen Museum</em> at the <a href="https://www.upress.umn.edu/book-division/books/the-lichen-museum">University of Minnesota Press website</a>.</p>]]>
      </content:encoded>
      <pubDate>Fri, 21 Apr 2023 13:55:34 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2629</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Lichens are composite organisms made of a fungus and an alga or cyanobacteria thriving in a mutually beneficial relationship. <a href="https://www.upress.umn.edu/book-division/books/the-lichen-museum"><em>The Lichen Museum</em></a> looks to these complex organisms, remarkable for their symbiosis, diversity, longevity, and adaptability, as models for relations rooted in collaboration and nonhierarchical structures. Author A. Laurie Palmer channels the personal, the scientific, the philosophical, and the poetic to imagine a radical new approach to human interconnection. Palmer is joined in conversation with Art after Nature series editors Giovanni Aloi and Caroline Picard.</p><p>A. Laurie Palmer is an artist and professor at the University of California, Santa Cruz.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor-in-chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p>Praise for <em>The Lichen Museum</em>:</p><p>"A deeply engaging, provocative, humorous, and moving account of why we should pay more attention to lichens. As lichens can be found anywhere, the entire surface of the earth becomes the lichen museum." —Heather Davis, author of <em>Plastic Matter<br></em><br></p><p><br></p><p>"Meditative and inquisitive." —<em>Foreword<br></em><br></p><p><br></p><p>"Reading this work feels like taking a series of walks with a particularly curious and sensitive companion, consistently attentive to otherwise neglected facets of the actual environment." —<em>e-flux</em></p><p>Learn more about <em>The Lichen Museum</em> at the <a href="https://www.upress.umn.edu/book-division/books/the-lichen-museum">University of Minnesota Press website</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>lichen, symbiosis, art, ecology, museums, anthropocene, climate change, plant-thinking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    </item>
    <item>
      <title>Inside the Spiral: The Passions of Robert Smithson</title>
      <itunes:episode>57</itunes:episode>
      <podcast:episode>57</podcast:episode>
      <itunes:title>Inside the Spiral: The Passions of Robert Smithson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>The first biography of Robert Smithson, <a href="https://www.upress.umn.edu/book-division/books/inside-the-spiral"><strong><em>Inside the Spiral</em></strong></a><strong> </strong>deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Author Suzaan Boettger uncovers Smithson’s story with great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language. This biographical analysis offers unprecedented insight into the hidden impulses of one of modern art’s most enigmatic figures. Here, Suzaan Boettger is joined in conversation with Greg Lindquist.</p><p><br></p><p><strong>Suzaan Boettger</strong> is a scholar, arts journalist, and critic based in New York City. She is author of <em>Inside the Spiral: The Passions of Robert Smithson</em> and <em>Earthworks: Art and the Landscape of the Sixties</em>.</p><p><strong>Greg Lindquist</strong> is an artist, writer, and professor who lives and works in Brooklyn, New York.</p><p><br></p><p>References/artworks of Robert Smithson:</p><p>Spiral Jetty</p><p>Buried Angel</p><p>Plunge</p><p>The Flayed Angels</p><p>Vile Flower</p><p>Dark Sister</p><p><a href="https://holtsmithsonfoundation.org/east-coastwest-coast">East Coast/West Coast</a>. Artwork by Nancy Holt and Robert Smithson. </p><p>Broken Circle/Spiral Hill (Emmen, Netherlands)</p><p>Amarillo Ramp</p><p>References/published works:</p><p>-<em>A Tour of the Monuments of Passaic, New Jersey</em> (Robert Smithson, article in <em>Artforum</em>)</p><p>-<em>The Writings of Robert Smithson</em> / edited by Nancy Holt; 1979.</p><p>-"Living extinction: Robert Smithson’s Dinosaurs," by Suzaan Boettger (<a href="https://contemporary.burlington.org.uk/journal/journal/living-extinction-robert-smithsons-dinosaurs"><em>Burlington Contemporary</em></a>)</p><p>-<em>Robert Smithson: The Collected Writings</em> / Jack Flam, editor</p><p>-<em>Robert Smithson</em>. MOCA catalogue, 2004. Connie Butler, Thomas Crow, Eugenie Tsai</p><p>-<em>The Shape of Time</em> / George Kubler.</p><p>-”Jackson Pollock/Robert Smithson: The Myth/The Mythologist.” Howard Junker. Arts Magazine, May 1978.</p><p>-”The Art Establishment,” Harold Rosenberg. Esquire, January 1, 1965.</p><p>References/people:</p><p>Virginia Dwan (gallery owner)</p><p>Doug Chrismas (gallery owner)</p><p>Isenheim Altarpiece</p><p>Ruth Kligman</p><p>Jackson Pollock</p><p>Jasper Johns</p><p>Louise Nevelson</p><p><strong>More about the book:</strong> <a href="https://www.upress.umn.edu/book-division/books/inside-the-spiral">z.umn.edu/InsideTheSpiral</a></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The first biography of Robert Smithson, <a href="https://www.upress.umn.edu/book-division/books/inside-the-spiral"><strong><em>Inside the Spiral</em></strong></a><strong> </strong>deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Author Suzaan Boettger uncovers Smithson’s story with great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language. This biographical analysis offers unprecedented insight into the hidden impulses of one of modern art’s most enigmatic figures. Here, Suzaan Boettger is joined in conversation with Greg Lindquist.</p><p><br></p><p><strong>Suzaan Boettger</strong> is a scholar, arts journalist, and critic based in New York City. She is author of <em>Inside the Spiral: The Passions of Robert Smithson</em> and <em>Earthworks: Art and the Landscape of the Sixties</em>.</p><p><strong>Greg Lindquist</strong> is an artist, writer, and professor who lives and works in Brooklyn, New York.</p><p><br></p><p>References/artworks of Robert Smithson:</p><p>Spiral Jetty</p><p>Buried Angel</p><p>Plunge</p><p>The Flayed Angels</p><p>Vile Flower</p><p>Dark Sister</p><p><a href="https://holtsmithsonfoundation.org/east-coastwest-coast">East Coast/West Coast</a>. Artwork by Nancy Holt and Robert Smithson. </p><p>Broken Circle/Spiral Hill (Emmen, Netherlands)</p><p>Amarillo Ramp</p><p>References/published works:</p><p>-<em>A Tour of the Monuments of Passaic, New Jersey</em> (Robert Smithson, article in <em>Artforum</em>)</p><p>-<em>The Writings of Robert Smithson</em> / edited by Nancy Holt; 1979.</p><p>-"Living extinction: Robert Smithson’s Dinosaurs," by Suzaan Boettger (<a href="https://contemporary.burlington.org.uk/journal/journal/living-extinction-robert-smithsons-dinosaurs"><em>Burlington Contemporary</em></a>)</p><p>-<em>Robert Smithson: The Collected Writings</em> / Jack Flam, editor</p><p>-<em>Robert Smithson</em>. MOCA catalogue, 2004. Connie Butler, Thomas Crow, Eugenie Tsai</p><p>-<em>The Shape of Time</em> / George Kubler.</p><p>-”Jackson Pollock/Robert Smithson: The Myth/The Mythologist.” Howard Junker. Arts Magazine, May 1978.</p><p>-”The Art Establishment,” Harold Rosenberg. Esquire, January 1, 1965.</p><p>References/people:</p><p>Virginia Dwan (gallery owner)</p><p>Doug Chrismas (gallery owner)</p><p>Isenheim Altarpiece</p><p>Ruth Kligman</p><p>Jackson Pollock</p><p>Jasper Johns</p><p>Louise Nevelson</p><p><strong>More about the book:</strong> <a href="https://www.upress.umn.edu/book-division/books/inside-the-spiral">z.umn.edu/InsideTheSpiral</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 11 Apr 2023 10:19:58 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4061</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The first biography of Robert Smithson, <a href="https://www.upress.umn.edu/book-division/books/inside-the-spiral"><strong><em>Inside the Spiral</em></strong></a><strong> </strong>deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Author Suzaan Boettger uncovers Smithson’s story with great sensitivity to the experiences of loss and existential strife that defined his distinct artistic language. This biographical analysis offers unprecedented insight into the hidden impulses of one of modern art’s most enigmatic figures. Here, Suzaan Boettger is joined in conversation with Greg Lindquist.</p><p><br></p><p><strong>Suzaan Boettger</strong> is a scholar, arts journalist, and critic based in New York City. She is author of <em>Inside the Spiral: The Passions of Robert Smithson</em> and <em>Earthworks: Art and the Landscape of the Sixties</em>.</p><p><strong>Greg Lindquist</strong> is an artist, writer, and professor who lives and works in Brooklyn, New York.</p><p><br></p><p>References/artworks of Robert Smithson:</p><p>Spiral Jetty</p><p>Buried Angel</p><p>Plunge</p><p>The Flayed Angels</p><p>Vile Flower</p><p>Dark Sister</p><p><a href="https://holtsmithsonfoundation.org/east-coastwest-coast">East Coast/West Coast</a>. Artwork by Nancy Holt and Robert Smithson. </p><p>Broken Circle/Spiral Hill (Emmen, Netherlands)</p><p>Amarillo Ramp</p><p>References/published works:</p><p>-<em>A Tour of the Monuments of Passaic, New Jersey</em> (Robert Smithson, article in <em>Artforum</em>)</p><p>-<em>The Writings of Robert Smithson</em> / edited by Nancy Holt; 1979.</p><p>-"Living extinction: Robert Smithson’s Dinosaurs," by Suzaan Boettger (<a href="https://contemporary.burlington.org.uk/journal/journal/living-extinction-robert-smithsons-dinosaurs"><em>Burlington Contemporary</em></a>)</p><p>-<em>Robert Smithson: The Collected Writings</em> / Jack Flam, editor</p><p>-<em>Robert Smithson</em>. MOCA catalogue, 2004. Connie Butler, Thomas Crow, Eugenie Tsai</p><p>-<em>The Shape of Time</em> / George Kubler.</p><p>-”Jackson Pollock/Robert Smithson: The Myth/The Mythologist.” Howard Junker. Arts Magazine, May 1978.</p><p>-”The Art Establishment,” Harold Rosenberg. Esquire, January 1, 1965.</p><p>References/people:</p><p>Virginia Dwan (gallery owner)</p><p>Doug Chrismas (gallery owner)</p><p>Isenheim Altarpiece</p><p>Ruth Kligman</p><p>Jackson Pollock</p><p>Jasper Johns</p><p>Louise Nevelson</p><p><strong>More about the book:</strong> <a href="https://www.upress.umn.edu/book-division/books/inside-the-spiral">z.umn.edu/InsideTheSpiral</a></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Robert Smithson, earthworks, art history, Nancy Holt, Spiral Jetty, biography, land art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Making breathable worlds through citizen engagement</title>
      <itunes:episode>56</itunes:episode>
      <podcast:episode>56</podcast:episode>
      <itunes:title>Making breathable worlds through citizen engagement</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/aa50d19a</link>
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        <![CDATA[<p>Modern environments are awash with pollutants. The book <a href="https://www.upress.umn.edu/book-division/books/citizens-of-worlds"><em>Citizens of Worlds</em></a> is the first thorough study of the increasingly widespread use of digital technologies to monitor and respond to air pollution. Drawing on data from the Citizen Sense research group, which worked with communities in the US and the UK to develop digital-sensor toolkits, author Jennifer Gabrys argues that citizen sensing promises positive change—and also collides with entrenched power structures. </p><p><br></p><p>What are worlds? Who can do environmental monitoring? How might different means of computation tell a more complete story about pollution and its effects? In this episode, Jennifer talks with Helen Pritchard about Citizen Sense’s collaborative research in northeastern Pennsylvania and southeast and central London.</p><p><br></p><p>Jennifer Gabrys is chair in Media, Culture, and Environment in the Department of Sociology at the University of Cambridge. She leads the Planetary Praxis group, and Citizen Sense and AirKit projects. Her books include <em>Citizens of Worlds: Open-Air Toolkits for Environmental Struggle</em>; <em>How to Do Things with Sensors</em>; and <em>Program Earth: Environmental Sensing Technology and the Making of a Computational Planet</em>. Her work can be found at <a href="https://planetarypraxis.org">planetarypraxis.org</a> and <a href="https://jennifergabrys.net">jennifergabrys.net</a>.</p><p><br></p><p>Helen Pritchard is professor and head of research at IXDM (Institute for Experimental Design and Media Cultures) at the HGK in Basel. Helen is an artist-designer, member of Citizen Sense, co-organizer of The Institute for Technology in the Public Interest, and a contributor to Critical Media Lab. More info: <a href="https://helenpritchard.info">helenpritchard.info</a>.</p><p><br></p><p>Citizen Sense is a research initiative funded by the European Research Council that investigates the relationship between technologies and practices of environmental sensing and citizen engagement. More info: <a href="https://citizensense.net">citizensense.net</a>. </p><p><br></p><p>The book <em>Citizens of Worlds: Open-Air Toolkits for Environmental Struggle</em> is an <a href="https://manifold.umn.edu/projects/citizens-of-worlds">open-access title, available to read for free</a> at: <a href="https://manifold.umn.edu/projects/citizens-of-worlds">manifold.umn.edu/projects/citizens-of-worlds</a></p><p><br></p><p>Episode citations and references include:</p><p>Alfred North Whitehead on breathing, subjects and worlds</p><p>Frantz Fanon on combat breathing</p><p>Open Air</p><p>Alexis Pauline Gumbs</p><p>Lauren Berlant</p><p>Heather Love / Feeling Backward</p><p><br></p>]]>
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        <![CDATA[<p>Modern environments are awash with pollutants. The book <a href="https://www.upress.umn.edu/book-division/books/citizens-of-worlds"><em>Citizens of Worlds</em></a> is the first thorough study of the increasingly widespread use of digital technologies to monitor and respond to air pollution. Drawing on data from the Citizen Sense research group, which worked with communities in the US and the UK to develop digital-sensor toolkits, author Jennifer Gabrys argues that citizen sensing promises positive change—and also collides with entrenched power structures. </p><p><br></p><p>What are worlds? Who can do environmental monitoring? How might different means of computation tell a more complete story about pollution and its effects? In this episode, Jennifer talks with Helen Pritchard about Citizen Sense’s collaborative research in northeastern Pennsylvania and southeast and central London.</p><p><br></p><p>Jennifer Gabrys is chair in Media, Culture, and Environment in the Department of Sociology at the University of Cambridge. She leads the Planetary Praxis group, and Citizen Sense and AirKit projects. Her books include <em>Citizens of Worlds: Open-Air Toolkits for Environmental Struggle</em>; <em>How to Do Things with Sensors</em>; and <em>Program Earth: Environmental Sensing Technology and the Making of a Computational Planet</em>. Her work can be found at <a href="https://planetarypraxis.org">planetarypraxis.org</a> and <a href="https://jennifergabrys.net">jennifergabrys.net</a>.</p><p><br></p><p>Helen Pritchard is professor and head of research at IXDM (Institute for Experimental Design and Media Cultures) at the HGK in Basel. Helen is an artist-designer, member of Citizen Sense, co-organizer of The Institute for Technology in the Public Interest, and a contributor to Critical Media Lab. More info: <a href="https://helenpritchard.info">helenpritchard.info</a>.</p><p><br></p><p>Citizen Sense is a research initiative funded by the European Research Council that investigates the relationship between technologies and practices of environmental sensing and citizen engagement. More info: <a href="https://citizensense.net">citizensense.net</a>. </p><p><br></p><p>The book <em>Citizens of Worlds: Open-Air Toolkits for Environmental Struggle</em> is an <a href="https://manifold.umn.edu/projects/citizens-of-worlds">open-access title, available to read for free</a> at: <a href="https://manifold.umn.edu/projects/citizens-of-worlds">manifold.umn.edu/projects/citizens-of-worlds</a></p><p><br></p><p>Episode citations and references include:</p><p>Alfred North Whitehead on breathing, subjects and worlds</p><p>Frantz Fanon on combat breathing</p><p>Open Air</p><p>Alexis Pauline Gumbs</p><p>Lauren Berlant</p><p>Heather Love / Feeling Backward</p><p><br></p>]]>
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      <pubDate>Fri, 17 Mar 2023 10:57:34 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3147</itunes:duration>
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        <![CDATA[<p>Modern environments are awash with pollutants. The book <a href="https://www.upress.umn.edu/book-division/books/citizens-of-worlds"><em>Citizens of Worlds</em></a> is the first thorough study of the increasingly widespread use of digital technologies to monitor and respond to air pollution. Drawing on data from the Citizen Sense research group, which worked with communities in the US and the UK to develop digital-sensor toolkits, author Jennifer Gabrys argues that citizen sensing promises positive change—and also collides with entrenched power structures. </p><p><br></p><p>What are worlds? Who can do environmental monitoring? How might different means of computation tell a more complete story about pollution and its effects? In this episode, Jennifer talks with Helen Pritchard about Citizen Sense’s collaborative research in northeastern Pennsylvania and southeast and central London.</p><p><br></p><p>Jennifer Gabrys is chair in Media, Culture, and Environment in the Department of Sociology at the University of Cambridge. She leads the Planetary Praxis group, and Citizen Sense and AirKit projects. Her books include <em>Citizens of Worlds: Open-Air Toolkits for Environmental Struggle</em>; <em>How to Do Things with Sensors</em>; and <em>Program Earth: Environmental Sensing Technology and the Making of a Computational Planet</em>. Her work can be found at <a href="https://planetarypraxis.org">planetarypraxis.org</a> and <a href="https://jennifergabrys.net">jennifergabrys.net</a>.</p><p><br></p><p>Helen Pritchard is professor and head of research at IXDM (Institute for Experimental Design and Media Cultures) at the HGK in Basel. Helen is an artist-designer, member of Citizen Sense, co-organizer of The Institute for Technology in the Public Interest, and a contributor to Critical Media Lab. More info: <a href="https://helenpritchard.info">helenpritchard.info</a>.</p><p><br></p><p>Citizen Sense is a research initiative funded by the European Research Council that investigates the relationship between technologies and practices of environmental sensing and citizen engagement. More info: <a href="https://citizensense.net">citizensense.net</a>. </p><p><br></p><p>The book <em>Citizens of Worlds: Open-Air Toolkits for Environmental Struggle</em> is an <a href="https://manifold.umn.edu/projects/citizens-of-worlds">open-access title, available to read for free</a> at: <a href="https://manifold.umn.edu/projects/citizens-of-worlds">manifold.umn.edu/projects/citizens-of-worlds</a></p><p><br></p><p>Episode citations and references include:</p><p>Alfred North Whitehead on breathing, subjects and worlds</p><p>Frantz Fanon on combat breathing</p><p>Open Air</p><p>Alexis Pauline Gumbs</p><p>Lauren Berlant</p><p>Heather Love / Feeling Backward</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>breathe, right to breathe, breathable worlds, open air, environment, collective research, Citizen Sense, community organizing, dustboxes, toolkit</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Cruisy, Sleepy, Melancholy: On filmmaker Tsai Ming-liang</title>
      <itunes:episode>55</itunes:episode>
      <podcast:episode>55</podcast:episode>
      <itunes:title>Cruisy, Sleepy, Melancholy: On filmmaker Tsai Ming-liang</itunes:title>
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        <![CDATA[<p>A critical figure in queer Sinophone cinema, Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. A new book by Nicholas de Villiers, CRUISY, SLEEPY, MELANCHOLY, offers a fascinating, systematic method for analyzing the queerness of Tsai’s films and reveals striking connections between sexuality, space, and cinema. Here, the author is joined in conversation with Beth Tsai.</p><p><br></p><p> </p><p>Nicholas de Villiers is professor of English and film at the University of North Florida.</p><p><br></p><p>Beth Tsai is visiting assistant professor of East Asian Languages &amp; Cultural Studies at the University of California, Santa Barbara.</p><p><br></p><p>REFERENCES:</p><p>Books by Nicholas de Villiers (all with University of Minnesota Press):</p><p>-Cruisy, Sleepy, Melancholy: Sexual DIsorientation in the Films of Tsai Ming-liang</p><p>-Sexography: Sex Work in Documentary</p><p>-Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol</p><p><br></p><p>Book by Beth Tsai:</p><p>-Taiwan New Cinema at Film Festivals (Edinburgh University Press)</p><p><br></p><p>Tsai Ming-liang films:</p><p>-No No Sleep</p><p>-Stray Dogs</p><p>-Goodbye, Dragon Inn</p><p>-Vive L’Amour</p><p>-I Don’t Want to Sleep Alone</p><p>-Rebels of the Neon God</p><p>-The Wayward Cloud</p><p>-It’s a Dream</p><p>-The Hole</p><p>-Face (Visage)</p><p>-What TIme Is It There?</p><p>-Days</p><p><br></p><p>Other films:</p><p>-Saw Tiong Guan / Past Present (documentary)</p><p>-Fred Barney Taylor / The Polymath </p><p>-Elizabeth Purchell / Ask Any Buddy (podcast: https://www.ask-any-buddy.com/podcast)</p><p>-Hou Hsiao-hsien / Le Voyage du Ballon Rouge</p><p>-Hou Hsiao-hsien / Café Lumière</p><p>-Albert Lamorisse / Le Ballon Rouge</p><p>-Wong Kar-wai / Chungking Express</p><p>-Jon M. Chu / Crazy Rich Asians</p><p>-Peter Wang / A Great Wall</p><p>-Edward Yang / The Terrorizers</p><p><br></p><p>Research, persons, publications:</p><p>-Song Hwee Lim / Tsai Mingliang and the Cinema of Slowness</p><p>-François Truffaut</p><p>-Elena Pollacchi</p><p>-Samuel Delany / Times Square Red, Times Square Blue </p><p>-José Esteban Muñoz / Cruising Utopia</p><p>-John Paul Ricco / The Logic of the Lure</p><p>-Alex Espinoza / Cruising: An Intimate History of a Radical Pasttime</p><p>-Roland Barthes</p><p>-Elena Gorfinkel’s public lecture: Cinema, the Soporific: Between Exhaustion and Eros</p><p>-Jean Ma / At the Edges of Sleep</p><p>-Marcel Proust / Swann’s Way</p><p>-Jean Ma / Melancholy Drift</p><p>-Jonathan Flatley’s work on melancholia and modernism</p><p>-Judith Butler</p><p>-Douglas Crimp</p><p>-Anne Cvetkovich / Depression: A Public Feeling</p><p>-David Eng</p><p>-Anne Anlin Cheng</p><p>-Shi-Yan Chao / Queer Representations in Chinese-language Film and the Cultural Landscape</p><p>-Sianne Ngai</p><p>-Christopher Lupke / The Sinophone Cinema of Hou Hsiao-hsien</p><p>-Zhu Tianwen</p><p>-Emilie Yueh-Yu Yeh and Darrell Williams Davis / Thirty-Two New Takes on Taiwan Cinema</p><p>-David Lynch</p><p>-Sara Ahmed / Queer Phenomenology</p><p>-Michel de Certeau</p><p>-Fran Martin</p><p>-The Metropolitan Museum of Art’s Camp: Notes on Fashion</p><p>-Susan Sontag on camp</p><p>-Esther Newton / Mother Camp</p><p>-Jonathan Te-hsuan Yeh</p><p>-Emilie Yueh-Yu Yeh and Darrell William Davis, “Camping Out with Tsai Ming-liang”</p><p>-Stray Dogs at the Museum: Tsai Ming-liang Solo Exhibition </p><p>-Fran Martin, “Introduction: Tsai Ming-liang’s intimate public worlds,” Journal of Chinese Cinemas Vol. 1 No. 2.</p><p>-Eve Sedgwick’s idea of camp as a form of reparative reading</p><p>-Tom Roach / Friendship as a Way of Life</p><p>-Rey Chow / Writing Diaspora</p><p>-Michelle Bloom</p><p>-Fran Martin, “The European Undead: Tsai Ming-liang’s Temporal Dysphoria,” Senses of Cinema (https://www.sensesofcinema.com/2003/feature-articles/tsai_european_undead/) </p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>A critical figure in queer Sinophone cinema, Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. A new book by Nicholas de Villiers, CRUISY, SLEEPY, MELANCHOLY, offers a fascinating, systematic method for analyzing the queerness of Tsai’s films and reveals striking connections between sexuality, space, and cinema. Here, the author is joined in conversation with Beth Tsai.</p><p><br></p><p> </p><p>Nicholas de Villiers is professor of English and film at the University of North Florida.</p><p><br></p><p>Beth Tsai is visiting assistant professor of East Asian Languages &amp; Cultural Studies at the University of California, Santa Barbara.</p><p><br></p><p>REFERENCES:</p><p>Books by Nicholas de Villiers (all with University of Minnesota Press):</p><p>-Cruisy, Sleepy, Melancholy: Sexual DIsorientation in the Films of Tsai Ming-liang</p><p>-Sexography: Sex Work in Documentary</p><p>-Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol</p><p><br></p><p>Book by Beth Tsai:</p><p>-Taiwan New Cinema at Film Festivals (Edinburgh University Press)</p><p><br></p><p>Tsai Ming-liang films:</p><p>-No No Sleep</p><p>-Stray Dogs</p><p>-Goodbye, Dragon Inn</p><p>-Vive L’Amour</p><p>-I Don’t Want to Sleep Alone</p><p>-Rebels of the Neon God</p><p>-The Wayward Cloud</p><p>-It’s a Dream</p><p>-The Hole</p><p>-Face (Visage)</p><p>-What TIme Is It There?</p><p>-Days</p><p><br></p><p>Other films:</p><p>-Saw Tiong Guan / Past Present (documentary)</p><p>-Fred Barney Taylor / The Polymath </p><p>-Elizabeth Purchell / Ask Any Buddy (podcast: https://www.ask-any-buddy.com/podcast)</p><p>-Hou Hsiao-hsien / Le Voyage du Ballon Rouge</p><p>-Hou Hsiao-hsien / Café Lumière</p><p>-Albert Lamorisse / Le Ballon Rouge</p><p>-Wong Kar-wai / Chungking Express</p><p>-Jon M. Chu / Crazy Rich Asians</p><p>-Peter Wang / A Great Wall</p><p>-Edward Yang / The Terrorizers</p><p><br></p><p>Research, persons, publications:</p><p>-Song Hwee Lim / Tsai Mingliang and the Cinema of Slowness</p><p>-François Truffaut</p><p>-Elena Pollacchi</p><p>-Samuel Delany / Times Square Red, Times Square Blue </p><p>-José Esteban Muñoz / Cruising Utopia</p><p>-John Paul Ricco / The Logic of the Lure</p><p>-Alex Espinoza / Cruising: An Intimate History of a Radical Pasttime</p><p>-Roland Barthes</p><p>-Elena Gorfinkel’s public lecture: Cinema, the Soporific: Between Exhaustion and Eros</p><p>-Jean Ma / At the Edges of Sleep</p><p>-Marcel Proust / Swann’s Way</p><p>-Jean Ma / Melancholy Drift</p><p>-Jonathan Flatley’s work on melancholia and modernism</p><p>-Judith Butler</p><p>-Douglas Crimp</p><p>-Anne Cvetkovich / Depression: A Public Feeling</p><p>-David Eng</p><p>-Anne Anlin Cheng</p><p>-Shi-Yan Chao / Queer Representations in Chinese-language Film and the Cultural Landscape</p><p>-Sianne Ngai</p><p>-Christopher Lupke / The Sinophone Cinema of Hou Hsiao-hsien</p><p>-Zhu Tianwen</p><p>-Emilie Yueh-Yu Yeh and Darrell Williams Davis / Thirty-Two New Takes on Taiwan Cinema</p><p>-David Lynch</p><p>-Sara Ahmed / Queer Phenomenology</p><p>-Michel de Certeau</p><p>-Fran Martin</p><p>-The Metropolitan Museum of Art’s Camp: Notes on Fashion</p><p>-Susan Sontag on camp</p><p>-Esther Newton / Mother Camp</p><p>-Jonathan Te-hsuan Yeh</p><p>-Emilie Yueh-Yu Yeh and Darrell William Davis, “Camping Out with Tsai Ming-liang”</p><p>-Stray Dogs at the Museum: Tsai Ming-liang Solo Exhibition </p><p>-Fran Martin, “Introduction: Tsai Ming-liang’s intimate public worlds,” Journal of Chinese Cinemas Vol. 1 No. 2.</p><p>-Eve Sedgwick’s idea of camp as a form of reparative reading</p><p>-Tom Roach / Friendship as a Way of Life</p><p>-Rey Chow / Writing Diaspora</p><p>-Michelle Bloom</p><p>-Fran Martin, “The European Undead: Tsai Ming-liang’s Temporal Dysphoria,” Senses of Cinema (https://www.sensesofcinema.com/2003/feature-articles/tsai_european_undead/) </p><p><br></p>]]>
      </content:encoded>
      <pubDate>Fri, 03 Mar 2023 07:30:58 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>4823</itunes:duration>
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        <![CDATA[<p>A critical figure in queer Sinophone cinema, Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. A new book by Nicholas de Villiers, CRUISY, SLEEPY, MELANCHOLY, offers a fascinating, systematic method for analyzing the queerness of Tsai’s films and reveals striking connections between sexuality, space, and cinema. Here, the author is joined in conversation with Beth Tsai.</p><p><br></p><p> </p><p>Nicholas de Villiers is professor of English and film at the University of North Florida.</p><p><br></p><p>Beth Tsai is visiting assistant professor of East Asian Languages &amp; Cultural Studies at the University of California, Santa Barbara.</p><p><br></p><p>REFERENCES:</p><p>Books by Nicholas de Villiers (all with University of Minnesota Press):</p><p>-Cruisy, Sleepy, Melancholy: Sexual DIsorientation in the Films of Tsai Ming-liang</p><p>-Sexography: Sex Work in Documentary</p><p>-Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol</p><p><br></p><p>Book by Beth Tsai:</p><p>-Taiwan New Cinema at Film Festivals (Edinburgh University Press)</p><p><br></p><p>Tsai Ming-liang films:</p><p>-No No Sleep</p><p>-Stray Dogs</p><p>-Goodbye, Dragon Inn</p><p>-Vive L’Amour</p><p>-I Don’t Want to Sleep Alone</p><p>-Rebels of the Neon God</p><p>-The Wayward Cloud</p><p>-It’s a Dream</p><p>-The Hole</p><p>-Face (Visage)</p><p>-What TIme Is It There?</p><p>-Days</p><p><br></p><p>Other films:</p><p>-Saw Tiong Guan / Past Present (documentary)</p><p>-Fred Barney Taylor / The Polymath </p><p>-Elizabeth Purchell / Ask Any Buddy (podcast: https://www.ask-any-buddy.com/podcast)</p><p>-Hou Hsiao-hsien / Le Voyage du Ballon Rouge</p><p>-Hou Hsiao-hsien / Café Lumière</p><p>-Albert Lamorisse / Le Ballon Rouge</p><p>-Wong Kar-wai / Chungking Express</p><p>-Jon M. Chu / Crazy Rich Asians</p><p>-Peter Wang / A Great Wall</p><p>-Edward Yang / The Terrorizers</p><p><br></p><p>Research, persons, publications:</p><p>-Song Hwee Lim / Tsai Mingliang and the Cinema of Slowness</p><p>-François Truffaut</p><p>-Elena Pollacchi</p><p>-Samuel Delany / Times Square Red, Times Square Blue </p><p>-José Esteban Muñoz / Cruising Utopia</p><p>-John Paul Ricco / The Logic of the Lure</p><p>-Alex Espinoza / Cruising: An Intimate History of a Radical Pasttime</p><p>-Roland Barthes</p><p>-Elena Gorfinkel’s public lecture: Cinema, the Soporific: Between Exhaustion and Eros</p><p>-Jean Ma / At the Edges of Sleep</p><p>-Marcel Proust / Swann’s Way</p><p>-Jean Ma / Melancholy Drift</p><p>-Jonathan Flatley’s work on melancholia and modernism</p><p>-Judith Butler</p><p>-Douglas Crimp</p><p>-Anne Cvetkovich / Depression: A Public Feeling</p><p>-David Eng</p><p>-Anne Anlin Cheng</p><p>-Shi-Yan Chao / Queer Representations in Chinese-language Film and the Cultural Landscape</p><p>-Sianne Ngai</p><p>-Christopher Lupke / The Sinophone Cinema of Hou Hsiao-hsien</p><p>-Zhu Tianwen</p><p>-Emilie Yueh-Yu Yeh and Darrell Williams Davis / Thirty-Two New Takes on Taiwan Cinema</p><p>-David Lynch</p><p>-Sara Ahmed / Queer Phenomenology</p><p>-Michel de Certeau</p><p>-Fran Martin</p><p>-The Metropolitan Museum of Art’s Camp: Notes on Fashion</p><p>-Susan Sontag on camp</p><p>-Esther Newton / Mother Camp</p><p>-Jonathan Te-hsuan Yeh</p><p>-Emilie Yueh-Yu Yeh and Darrell William Davis, “Camping Out with Tsai Ming-liang”</p><p>-Stray Dogs at the Museum: Tsai Ming-liang Solo Exhibition </p><p>-Fran Martin, “Introduction: Tsai Ming-liang’s intimate public worlds,” Journal of Chinese Cinemas Vol. 1 No. 2.</p><p>-Eve Sedgwick’s idea of camp as a form of reparative reading</p><p>-Tom Roach / Friendship as a Way of Life</p><p>-Rey Chow / Writing Diaspora</p><p>-Michelle Bloom</p><p>-Fran Martin, “The European Undead: Tsai Ming-liang’s Temporal Dysphoria,” Senses of Cinema (https://www.sensesofcinema.com/2003/feature-articles/tsai_european_undead/) </p><p><br></p>]]>
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      <itunes:keywords>film, cinema, Taiwanese cinema, media studies, art and art history, slowness, time, aesthetics, camp</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Hear, hear! Talking English idioms that really take the cake with Anatoly Liberman.</title>
      <itunes:episode>54</itunes:episode>
      <podcast:episode>54</podcast:episode>
      <itunes:title>Hear, hear! Talking English idioms that really take the cake with Anatoly Liberman.</itunes:title>
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        <![CDATA[<p>Are you feeling merry as a grig? Or merry as a pismire? Pert as a pearmonger? Fit as a fiddle? Where do these idioms come from? Do they make life more fun? If you’ve ever wanted to be in a room full of expert etymologists, this is your ticket. Anatoly Liberman, author of TAKE MY WORD FOR IT: A Dictionary of English Idioms, is joined in conversation by Ari Hoptman and J. Lawrence (Larry) Mitchell. After listening, you will be informed, you will be enthralled, and most importantly, you will never sign off on another letter or e-mail with “All best” again. We are not talking through our hats here. </p><p><br></p><p>That’s the cheese!</p><p><br></p><p>Episode references:</p><p>Notes &amp; Queries, a long-running quarterly scholarly journal est. 1849</p><p>James H. Murray, primary editor of the Oxford English Dictionary</p><p>Theodore Francis (T. F.) Powys</p><p>Virginia Woolf</p><p>God’s Acre (Henry Wadsworth Longfellow)</p><p>Walter W. Skeat (the author of still the most authoritative English etymological dictionary)</p><p><br></p>]]>
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        <![CDATA[<p>Are you feeling merry as a grig? Or merry as a pismire? Pert as a pearmonger? Fit as a fiddle? Where do these idioms come from? Do they make life more fun? If you’ve ever wanted to be in a room full of expert etymologists, this is your ticket. Anatoly Liberman, author of TAKE MY WORD FOR IT: A Dictionary of English Idioms, is joined in conversation by Ari Hoptman and J. Lawrence (Larry) Mitchell. After listening, you will be informed, you will be enthralled, and most importantly, you will never sign off on another letter or e-mail with “All best” again. We are not talking through our hats here. </p><p><br></p><p>That’s the cheese!</p><p><br></p><p>Episode references:</p><p>Notes &amp; Queries, a long-running quarterly scholarly journal est. 1849</p><p>James H. Murray, primary editor of the Oxford English Dictionary</p><p>Theodore Francis (T. F.) Powys</p><p>Virginia Woolf</p><p>God’s Acre (Henry Wadsworth Longfellow)</p><p>Walter W. Skeat (the author of still the most authoritative English etymological dictionary)</p><p><br></p>]]>
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      <pubDate>Tue, 14 Feb 2023 09:38:46 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2900</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Are you feeling merry as a grig? Or merry as a pismire? Pert as a pearmonger? Fit as a fiddle? Where do these idioms come from? Do they make life more fun? If you’ve ever wanted to be in a room full of expert etymologists, this is your ticket. Anatoly Liberman, author of TAKE MY WORD FOR IT: A Dictionary of English Idioms, is joined in conversation by Ari Hoptman and J. Lawrence (Larry) Mitchell. After listening, you will be informed, you will be enthralled, and most importantly, you will never sign off on another letter or e-mail with “All best” again. We are not talking through our hats here. </p><p><br></p><p>That’s the cheese!</p><p><br></p><p>Episode references:</p><p>Notes &amp; Queries, a long-running quarterly scholarly journal est. 1849</p><p>James H. Murray, primary editor of the Oxford English Dictionary</p><p>Theodore Francis (T. F.) Powys</p><p>Virginia Woolf</p><p>God’s Acre (Henry Wadsworth Longfellow)</p><p>Walter W. Skeat (the author of still the most authoritative English etymological dictionary)</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>idioms, English, etymology, word origins, history, bibliography, thesaurus, dictionary</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Queer Silence with J. Logan Smilges, Travis Chi Wing Lau, and Margaret Price</title>
      <itunes:episode>53</itunes:episode>
      <podcast:episode>53</podcast:episode>
      <itunes:title>Queer Silence with J. Logan Smilges, Travis Chi Wing Lau, and Margaret Price</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>In queer culture, silence has been equated with voicelessness, complicity, and even death. <em>Queer Silence</em> insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words. Smilges is here in conversation with Travis Chi Wing Lau and Margaret Price.</p><p>J. Logan Smilges (they/them) is author of <em>Queer Silence: On Disability and Rhetorical Absence</em> and <em>Crip Negativity</em> and assistant professor of English Language and Literatures at the University of British Columbia. Led by commitments to transfeminism and disability justice, their scholarship and teaching lie at the nexus of disability studies, trans studies, queer studies, and rhetoric. Their other writing can be found in <em>Disability Studies Quarterly</em>, <em>College Composition and Communication</em>, <em>Rhetoric Review</em>, and elsewhere.</p><p><br></p><p>Travis Chi Wing Lau (he/him/his) is Assistant Professor of English at Kenyon College. His research and teaching focus on eighteenth- and nineteenth-century British literature and culture, health humanities, and disability studies. Alongside his scholarship, Lau frequently writes for venues of public scholarship like <em>Synapsis: A Journal of Health Humanities</em>, <em>Public Books, Lapham’s Quarterly, </em>and <em>The Los Angeles Review of Books</em>. His poetry has appeared in<em> Wordgathering</em>, <em>Glass</em>, <em>South Carolina Review, Foglifter, </em>and<em> Hypertext, </em>as well as in three chapbooks, <em>The Bone Setter </em>(Damaged Goods Press, 2019), <em>Paring </em>(Finishing Line Press, 2020), and <em>Vagaries </em>(Fork Tine Press, 2022). [<a href="http://travisclau.com/">travisclau.com</a>]</p><p><br></p><p><a href="https://english.osu.edu/people/price.1225">Margaret Price</a> (she/her/hers) is an Associate Professor of English (Rhetoric &amp; Composition) at The Ohio State University, where she also serves as Director of the Disability Studies Program, as well as co-founder and lead PI of the <a href="https://u.osu.edu/transformativeaccess/">Transformative Access Project</a>. Her award-winning research focuses on sharing concrete strategies and starting necessary dialogues about creating a culture of care and a sense of shared accountability in academic spaces. During Spring 2022, she was in residence at the University of Gothenberg, Sweden, on a Fulbright Grant to study universal design and collective access. Margaret’s book <em>Crip</em> <em>Spacetime</em> is forthcoming from Duke University Press in 2024. [<a href="http://margaretprice.wordpress.com/">http://margaretprice.wordpress.com</a>].</p><p><br></p><p>References:</p><p>How to Go Mad without Losing Your Mind by La Marr Jurelle Bruce</p><p>Mia Mingus</p><p>Jennifer Nash</p><p>M. Remi Yergeau</p><p>Jasbir Puar</p><p>Crip Negativity by J. Logan Smilges</p><p>A transcript of this episode is available: z.umn.edu/ep53-transcript<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In queer culture, silence has been equated with voicelessness, complicity, and even death. <em>Queer Silence</em> insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words. Smilges is here in conversation with Travis Chi Wing Lau and Margaret Price.</p><p>J. Logan Smilges (they/them) is author of <em>Queer Silence: On Disability and Rhetorical Absence</em> and <em>Crip Negativity</em> and assistant professor of English Language and Literatures at the University of British Columbia. Led by commitments to transfeminism and disability justice, their scholarship and teaching lie at the nexus of disability studies, trans studies, queer studies, and rhetoric. Their other writing can be found in <em>Disability Studies Quarterly</em>, <em>College Composition and Communication</em>, <em>Rhetoric Review</em>, and elsewhere.</p><p><br></p><p>Travis Chi Wing Lau (he/him/his) is Assistant Professor of English at Kenyon College. His research and teaching focus on eighteenth- and nineteenth-century British literature and culture, health humanities, and disability studies. Alongside his scholarship, Lau frequently writes for venues of public scholarship like <em>Synapsis: A Journal of Health Humanities</em>, <em>Public Books, Lapham’s Quarterly, </em>and <em>The Los Angeles Review of Books</em>. His poetry has appeared in<em> Wordgathering</em>, <em>Glass</em>, <em>South Carolina Review, Foglifter, </em>and<em> Hypertext, </em>as well as in three chapbooks, <em>The Bone Setter </em>(Damaged Goods Press, 2019), <em>Paring </em>(Finishing Line Press, 2020), and <em>Vagaries </em>(Fork Tine Press, 2022). [<a href="http://travisclau.com/">travisclau.com</a>]</p><p><br></p><p><a href="https://english.osu.edu/people/price.1225">Margaret Price</a> (she/her/hers) is an Associate Professor of English (Rhetoric &amp; Composition) at The Ohio State University, where she also serves as Director of the Disability Studies Program, as well as co-founder and lead PI of the <a href="https://u.osu.edu/transformativeaccess/">Transformative Access Project</a>. Her award-winning research focuses on sharing concrete strategies and starting necessary dialogues about creating a culture of care and a sense of shared accountability in academic spaces. During Spring 2022, she was in residence at the University of Gothenberg, Sweden, on a Fulbright Grant to study universal design and collective access. Margaret’s book <em>Crip</em> <em>Spacetime</em> is forthcoming from Duke University Press in 2024. [<a href="http://margaretprice.wordpress.com/">http://margaretprice.wordpress.com</a>].</p><p><br></p><p>References:</p><p>How to Go Mad without Losing Your Mind by La Marr Jurelle Bruce</p><p>Mia Mingus</p><p>Jennifer Nash</p><p>M. Remi Yergeau</p><p>Jasbir Puar</p><p>Crip Negativity by J. Logan Smilges</p><p>A transcript of this episode is available: z.umn.edu/ep53-transcript<br></p>]]>
      </content:encoded>
      <pubDate>Tue, 31 Jan 2023 11:02:19 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3693</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In queer culture, silence has been equated with voicelessness, complicity, and even death. <em>Queer Silence</em> insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words. Smilges is here in conversation with Travis Chi Wing Lau and Margaret Price.</p><p>J. Logan Smilges (they/them) is author of <em>Queer Silence: On Disability and Rhetorical Absence</em> and <em>Crip Negativity</em> and assistant professor of English Language and Literatures at the University of British Columbia. Led by commitments to transfeminism and disability justice, their scholarship and teaching lie at the nexus of disability studies, trans studies, queer studies, and rhetoric. Their other writing can be found in <em>Disability Studies Quarterly</em>, <em>College Composition and Communication</em>, <em>Rhetoric Review</em>, and elsewhere.</p><p><br></p><p>Travis Chi Wing Lau (he/him/his) is Assistant Professor of English at Kenyon College. His research and teaching focus on eighteenth- and nineteenth-century British literature and culture, health humanities, and disability studies. Alongside his scholarship, Lau frequently writes for venues of public scholarship like <em>Synapsis: A Journal of Health Humanities</em>, <em>Public Books, Lapham’s Quarterly, </em>and <em>The Los Angeles Review of Books</em>. His poetry has appeared in<em> Wordgathering</em>, <em>Glass</em>, <em>South Carolina Review, Foglifter, </em>and<em> Hypertext, </em>as well as in three chapbooks, <em>The Bone Setter </em>(Damaged Goods Press, 2019), <em>Paring </em>(Finishing Line Press, 2020), and <em>Vagaries </em>(Fork Tine Press, 2022). [<a href="http://travisclau.com/">travisclau.com</a>]</p><p><br></p><p><a href="https://english.osu.edu/people/price.1225">Margaret Price</a> (she/her/hers) is an Associate Professor of English (Rhetoric &amp; Composition) at The Ohio State University, where she also serves as Director of the Disability Studies Program, as well as co-founder and lead PI of the <a href="https://u.osu.edu/transformativeaccess/">Transformative Access Project</a>. Her award-winning research focuses on sharing concrete strategies and starting necessary dialogues about creating a culture of care and a sense of shared accountability in academic spaces. During Spring 2022, she was in residence at the University of Gothenberg, Sweden, on a Fulbright Grant to study universal design and collective access. Margaret’s book <em>Crip</em> <em>Spacetime</em> is forthcoming from Duke University Press in 2024. [<a href="http://margaretprice.wordpress.com/">http://margaretprice.wordpress.com</a>].</p><p><br></p><p>References:</p><p>How to Go Mad without Losing Your Mind by La Marr Jurelle Bruce</p><p>Mia Mingus</p><p>Jennifer Nash</p><p>M. Remi Yergeau</p><p>Jasbir Puar</p><p>Crip Negativity by J. Logan Smilges</p><p>A transcript of this episode is available: z.umn.edu/ep53-transcript<br></p>]]>
      </itunes:summary>
      <itunes:keywords>disability, rhetoric, queer, silence, disability politics</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Arte Programmata: An important antecedent to the digital age.</title>
      <itunes:episode>52</itunes:episode>
      <podcast:episode>52</podcast:episode>
      <itunes:title>Arte Programmata: An important antecedent to the digital age.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>In postwar Italy, a group of visionary artists used emergent computer technologies to experiment with art and technology and subvert conceptions of freedom and control. ARTE PROGRAMMATA is a book that describes how Italy’s distinctive political climate fueled the group’s engagement with computers, cybernetics, and information theory, creating a broad range of immersive environments, kinetic sculptures, and other multimedia art and design works. Here, author Lindsay Caplan is joined in conversation with Tina Rivers Ryan and Jacopo Galimberti.</p><p>Lindsay Caplan is assistant professor in the History of Art and Architecture Department at Brown University.</p><p><br></p><p>Tina Rivers Ryan is an art historian focused on art and technology. Ryan is curator at the Buffalo AKG Art Museum in Buffalo, New York, and a critic who writes most frequently for Artforum.</p><p><br></p><p>Jacopo Galimberti is an art historian and assistant professor at IUAV (Venice).</p><p><br></p><p>REFERENCES:<br>-The New Museum / Ghosts in the Machine Show (2012)</p><p>-Jackson Pollock</p><p>-New Tendencies (Armin Medosch)</p><p>-Antonio Negri</p><p>-Michael Hardt</p><p>-From Counterculture to Cyberculture (Fred Turner)</p><p>-Christiane Paul (Whitney Museum of American Art)</p><p>-Edward A. Shanken</p><p>-Pier Paolo Pasolini</p><p>-Spazio elastico (Elastic Space, 1967), Gianni Colombo</p><p>-Guy Debord</p><p>-Enzo Mari</p><p>TOPICS:</p><p>gestalt art, abstraction, politics, information theory, freedom, technology, operaismo (or: “workerism”)</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In postwar Italy, a group of visionary artists used emergent computer technologies to experiment with art and technology and subvert conceptions of freedom and control. ARTE PROGRAMMATA is a book that describes how Italy’s distinctive political climate fueled the group’s engagement with computers, cybernetics, and information theory, creating a broad range of immersive environments, kinetic sculptures, and other multimedia art and design works. Here, author Lindsay Caplan is joined in conversation with Tina Rivers Ryan and Jacopo Galimberti.</p><p>Lindsay Caplan is assistant professor in the History of Art and Architecture Department at Brown University.</p><p><br></p><p>Tina Rivers Ryan is an art historian focused on art and technology. Ryan is curator at the Buffalo AKG Art Museum in Buffalo, New York, and a critic who writes most frequently for Artforum.</p><p><br></p><p>Jacopo Galimberti is an art historian and assistant professor at IUAV (Venice).</p><p><br></p><p>REFERENCES:<br>-The New Museum / Ghosts in the Machine Show (2012)</p><p>-Jackson Pollock</p><p>-New Tendencies (Armin Medosch)</p><p>-Antonio Negri</p><p>-Michael Hardt</p><p>-From Counterculture to Cyberculture (Fred Turner)</p><p>-Christiane Paul (Whitney Museum of American Art)</p><p>-Edward A. Shanken</p><p>-Pier Paolo Pasolini</p><p>-Spazio elastico (Elastic Space, 1967), Gianni Colombo</p><p>-Guy Debord</p><p>-Enzo Mari</p><p>TOPICS:</p><p>gestalt art, abstraction, politics, information theory, freedom, technology, operaismo (or: “workerism”)</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Fri, 20 Jan 2023 10:34:17 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3365</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In postwar Italy, a group of visionary artists used emergent computer technologies to experiment with art and technology and subvert conceptions of freedom and control. ARTE PROGRAMMATA is a book that describes how Italy’s distinctive political climate fueled the group’s engagement with computers, cybernetics, and information theory, creating a broad range of immersive environments, kinetic sculptures, and other multimedia art and design works. Here, author Lindsay Caplan is joined in conversation with Tina Rivers Ryan and Jacopo Galimberti.</p><p>Lindsay Caplan is assistant professor in the History of Art and Architecture Department at Brown University.</p><p><br></p><p>Tina Rivers Ryan is an art historian focused on art and technology. Ryan is curator at the Buffalo AKG Art Museum in Buffalo, New York, and a critic who writes most frequently for Artforum.</p><p><br></p><p>Jacopo Galimberti is an art historian and assistant professor at IUAV (Venice).</p><p><br></p><p>REFERENCES:<br>-The New Museum / Ghosts in the Machine Show (2012)</p><p>-Jackson Pollock</p><p>-New Tendencies (Armin Medosch)</p><p>-Antonio Negri</p><p>-Michael Hardt</p><p>-From Counterculture to Cyberculture (Fred Turner)</p><p>-Christiane Paul (Whitney Museum of American Art)</p><p>-Edward A. Shanken</p><p>-Pier Paolo Pasolini</p><p>-Spazio elastico (Elastic Space, 1967), Gianni Colombo</p><p>-Guy Debord</p><p>-Enzo Mari</p><p>TOPICS:</p><p>gestalt art, abstraction, politics, information theory, freedom, technology, operaismo (or: “workerism”)</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Arte Programmata, art, technology, computer, politics, freedom, gestalt art, abstraction, cybernetics, Italy, 1960s</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Pooches. Planes. Pandemic. Margret Grebowicz and Christopher Schaberg on mass phenomena transformed by Covid.</title>
      <itunes:episode>51</itunes:episode>
      <podcast:episode>51</podcast:episode>
      <itunes:title>Pooches. Planes. Pandemic. Margret Grebowicz and Christopher Schaberg on mass phenomena transformed by Covid.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>A lot of societal structures have been permanently upended by the Covid-19 pandemic. We’re here to talk about two: air travel and dog ownership. Margret Grebowicz, author of Rescue Me, talks about the abundance of pet adoptions during the pandemic and the existential and social implications of this trend. Christopher Schaberg, author of Grounded, discusses contemporary air travel and the broad cultural landscape of empty airports and grounded planes in the early months of the virus’s spread. Both are concerned with philosophical and critical inquiries into their subjects; how to think about things, how to frame phenomena and change, and how the future will continue to reshape these experiences.<br></p><p>Rescue Me and Grounded are in the Forerunners: Ideas First series from University of Minnesota Press.</p><p>Margret Grebowicz is associate professor at the University of Silesia in Katowice, Poland. She is author of several books, including Rescue Me: On Dogs and Their Humans; Mountains and Desire: Climbing vs. the End of the World; The National Park to Come; and Whale Song.</p><p><br></p><p>Christopher Schaberg is Dorothy Harrell Brown Distinguished Professor of English at Loyola University and author of several books, including Grounded: Perpetual Flight . . . and Then the Pandemic; The End of Airports; and The Work of Literature in an Age of Post-Truth.</p><p><br></p><p>REFERENCES:</p><p>-Rescue Me (Margret Grebowicz)</p><p>-Grounded (Christopher Schaberg)</p><p>-The End of Airports (Christopher Schaberg)</p><p>-The Dodo Videos (Facebook videos)</p><p>-cat videos, Tik Tok</p><p>-The Ministry for the Future (Kim Stanley Robinson)</p><p>-Station Eleven (Emily St. John Mandel; book, TV series)</p><p>-Tripoli Canceled (film)</p><p>-Trainwreck: Woodstock ‘99 (docuseries)</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>A lot of societal structures have been permanently upended by the Covid-19 pandemic. We’re here to talk about two: air travel and dog ownership. Margret Grebowicz, author of Rescue Me, talks about the abundance of pet adoptions during the pandemic and the existential and social implications of this trend. Christopher Schaberg, author of Grounded, discusses contemporary air travel and the broad cultural landscape of empty airports and grounded planes in the early months of the virus’s spread. Both are concerned with philosophical and critical inquiries into their subjects; how to think about things, how to frame phenomena and change, and how the future will continue to reshape these experiences.<br></p><p>Rescue Me and Grounded are in the Forerunners: Ideas First series from University of Minnesota Press.</p><p>Margret Grebowicz is associate professor at the University of Silesia in Katowice, Poland. She is author of several books, including Rescue Me: On Dogs and Their Humans; Mountains and Desire: Climbing vs. the End of the World; The National Park to Come; and Whale Song.</p><p><br></p><p>Christopher Schaberg is Dorothy Harrell Brown Distinguished Professor of English at Loyola University and author of several books, including Grounded: Perpetual Flight . . . and Then the Pandemic; The End of Airports; and The Work of Literature in an Age of Post-Truth.</p><p><br></p><p>REFERENCES:</p><p>-Rescue Me (Margret Grebowicz)</p><p>-Grounded (Christopher Schaberg)</p><p>-The End of Airports (Christopher Schaberg)</p><p>-The Dodo Videos (Facebook videos)</p><p>-cat videos, Tik Tok</p><p>-The Ministry for the Future (Kim Stanley Robinson)</p><p>-Station Eleven (Emily St. John Mandel; book, TV series)</p><p>-Tripoli Canceled (film)</p><p>-Trainwreck: Woodstock ‘99 (docuseries)</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Fri, 18 Nov 2022 10:11:06 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/k5Do6LE2MrG6IPkV8E1-FmTNiBsRXDGGGNwVBFSTBAw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExMDE5MDEv/MTY2ODc4Nzg2Ni1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3279</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A lot of societal structures have been permanently upended by the Covid-19 pandemic. We’re here to talk about two: air travel and dog ownership. Margret Grebowicz, author of Rescue Me, talks about the abundance of pet adoptions during the pandemic and the existential and social implications of this trend. Christopher Schaberg, author of Grounded, discusses contemporary air travel and the broad cultural landscape of empty airports and grounded planes in the early months of the virus’s spread. Both are concerned with philosophical and critical inquiries into their subjects; how to think about things, how to frame phenomena and change, and how the future will continue to reshape these experiences.<br></p><p>Rescue Me and Grounded are in the Forerunners: Ideas First series from University of Minnesota Press.</p><p>Margret Grebowicz is associate professor at the University of Silesia in Katowice, Poland. She is author of several books, including Rescue Me: On Dogs and Their Humans; Mountains and Desire: Climbing vs. the End of the World; The National Park to Come; and Whale Song.</p><p><br></p><p>Christopher Schaberg is Dorothy Harrell Brown Distinguished Professor of English at Loyola University and author of several books, including Grounded: Perpetual Flight . . . and Then the Pandemic; The End of Airports; and The Work of Literature in an Age of Post-Truth.</p><p><br></p><p>REFERENCES:</p><p>-Rescue Me (Margret Grebowicz)</p><p>-Grounded (Christopher Schaberg)</p><p>-The End of Airports (Christopher Schaberg)</p><p>-The Dodo Videos (Facebook videos)</p><p>-cat videos, Tik Tok</p><p>-The Ministry for the Future (Kim Stanley Robinson)</p><p>-Station Eleven (Emily St. John Mandel; book, TV series)</p><p>-Tripoli Canceled (film)</p><p>-Trainwreck: Woodstock ‘99 (docuseries)</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>animals and society, travel, philosophy, cultural studies, covid-19, pandemic, social life</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>How feelings about race are normalized by media culture</title>
      <itunes:episode>50</itunes:episode>
      <podcast:episode>50</podcast:episode>
      <itunes:title>How feelings about race are normalized by media culture</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new ideas, analyzing how media culture instructs viewers to act and feel in accordance with new racial norms created for an era supposedly defined by an end to legal racism. Author Allison Page examines U.S. media from the 1960s to today and argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity. On this episode, Page joins collaborator and friend Brittany Farr in conversation.</p><p><br></p><p>Allison Page is assistant professor of media studies with a joint appointment in the Institute for the Humanities and the Department of Communication and Theatre Arts at Old Dominion University. Page is the author of Media and the Affective Live of Slavery.</p><p><br></p><p>Brittany Farr is an assistant professor of law at New York University School of Law. Farr’s areas of research include civil rights, contract law, legal history, property, and race.</p><p>REFERENCES:</p><p>-Saidiya Hartman</p><p>-Represent and Destroy (Jodi Melamed)</p><p>-Slavery Footprint (website; slaveryfootprint.org)</p><p>-Ask a Slave (Azie Mira Dungey, YouTube web series; askaslave.com)</p><p>-A Subtlety (Kara Walker, public project)</p><p>-Lorraine Hansberry, playwright</p><p>-Roots (television miniseries)</p><p>-Dark Matters (Simone Browne)</p><p>-Alex Haley, writer</p><p>-Stephanie Smallwood</p><p>-Christina Sharpe</p><p>-On Agency (Walter Johnson)</p><p>-Black Feminism Reimagined (Jennifer Nash)</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new ideas, analyzing how media culture instructs viewers to act and feel in accordance with new racial norms created for an era supposedly defined by an end to legal racism. Author Allison Page examines U.S. media from the 1960s to today and argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity. On this episode, Page joins collaborator and friend Brittany Farr in conversation.</p><p><br></p><p>Allison Page is assistant professor of media studies with a joint appointment in the Institute for the Humanities and the Department of Communication and Theatre Arts at Old Dominion University. Page is the author of Media and the Affective Live of Slavery.</p><p><br></p><p>Brittany Farr is an assistant professor of law at New York University School of Law. Farr’s areas of research include civil rights, contract law, legal history, property, and race.</p><p>REFERENCES:</p><p>-Saidiya Hartman</p><p>-Represent and Destroy (Jodi Melamed)</p><p>-Slavery Footprint (website; slaveryfootprint.org)</p><p>-Ask a Slave (Azie Mira Dungey, YouTube web series; askaslave.com)</p><p>-A Subtlety (Kara Walker, public project)</p><p>-Lorraine Hansberry, playwright</p><p>-Roots (television miniseries)</p><p>-Dark Matters (Simone Browne)</p><p>-Alex Haley, writer</p><p>-Stephanie Smallwood</p><p>-Christina Sharpe</p><p>-On Agency (Walter Johnson)</p><p>-Black Feminism Reimagined (Jennifer Nash)</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 03 Nov 2022 11:03:37 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/wEo-GKu6xAVhLlEJRXIS1avUt3Gm9XNtMmANkJFYzcU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwODU0OTMv/MTY2NzQ5MTQxNy1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3099</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new ideas, analyzing how media culture instructs viewers to act and feel in accordance with new racial norms created for an era supposedly defined by an end to legal racism. Author Allison Page examines U.S. media from the 1960s to today and argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity. On this episode, Page joins collaborator and friend Brittany Farr in conversation.</p><p><br></p><p>Allison Page is assistant professor of media studies with a joint appointment in the Institute for the Humanities and the Department of Communication and Theatre Arts at Old Dominion University. Page is the author of Media and the Affective Live of Slavery.</p><p><br></p><p>Brittany Farr is an assistant professor of law at New York University School of Law. Farr’s areas of research include civil rights, contract law, legal history, property, and race.</p><p>REFERENCES:</p><p>-Saidiya Hartman</p><p>-Represent and Destroy (Jodi Melamed)</p><p>-Slavery Footprint (website; slaveryfootprint.org)</p><p>-Ask a Slave (Azie Mira Dungey, YouTube web series; askaslave.com)</p><p>-A Subtlety (Kara Walker, public project)</p><p>-Lorraine Hansberry, playwright</p><p>-Roots (television miniseries)</p><p>-Dark Matters (Simone Browne)</p><p>-Alex Haley, writer</p><p>-Stephanie Smallwood</p><p>-Christina Sharpe</p><p>-On Agency (Walter Johnson)</p><p>-Black Feminism Reimagined (Jennifer Nash)</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Allotment Stories: Sarah Biscarra Dilley and Joseph M. Pierce</title>
      <itunes:episode>49</itunes:episode>
      <podcast:episode>49</podcast:episode>
      <itunes:title>Allotment Stories: Sarah Biscarra Dilley and Joseph M. Pierce</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>“White people passed laws specifically in order to take away this land from our people. And then we did these other things in order to try to survive.” ALLOTMENT STORIES is a volume that collects more than two dozen chronicles of white imperialism and Indigenous resistance, highlighting how Indigenous peoples have consistently engaged creativity to sustain collective ties, kinship relations, and cultural commitments in the face of land privatization. Two contributors to this volume, Sarah Biscarra Dilley and Joseph M. Pierce, are here to share their pieces of this history.</p><p><br></p><p>Sarah Biscarra Dilley (yak titʸu titʸu yak tiłhini) is an artist, educator, and PhD candidate in Native American Studies at the University of California, Davis, nitspu tititʸu tsʔitɨnɨ patwin, in the unceded homeland of the Patwin-speaking people (unratified Treaty “J” region).</p><p><br></p><p>Joseph M. Pierce (Cherokee Nation) is associate professor in the Department of Hispanic Languages and Literature at Stony Brook University. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890–1910 and, with S.J Norman (Koori, Wiradjuri descent), cocurator of the Indigenous-led performance series Knowledge of Wounds.</p><p><br></p><p>ALLOTMENT STORIES: Indigenous Land Relations under Settler Siege is a collection of essays edited by Daniel Heath Justice and Jeani O’Brien. More info: z.umn.edu/allotmentstories.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>“White people passed laws specifically in order to take away this land from our people. And then we did these other things in order to try to survive.” ALLOTMENT STORIES is a volume that collects more than two dozen chronicles of white imperialism and Indigenous resistance, highlighting how Indigenous peoples have consistently engaged creativity to sustain collective ties, kinship relations, and cultural commitments in the face of land privatization. Two contributors to this volume, Sarah Biscarra Dilley and Joseph M. Pierce, are here to share their pieces of this history.</p><p><br></p><p>Sarah Biscarra Dilley (yak titʸu titʸu yak tiłhini) is an artist, educator, and PhD candidate in Native American Studies at the University of California, Davis, nitspu tititʸu tsʔitɨnɨ patwin, in the unceded homeland of the Patwin-speaking people (unratified Treaty “J” region).</p><p><br></p><p>Joseph M. Pierce (Cherokee Nation) is associate professor in the Department of Hispanic Languages and Literature at Stony Brook University. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890–1910 and, with S.J Norman (Koori, Wiradjuri descent), cocurator of the Indigenous-led performance series Knowledge of Wounds.</p><p><br></p><p>ALLOTMENT STORIES: Indigenous Land Relations under Settler Siege is a collection of essays edited by Daniel Heath Justice and Jeani O’Brien. More info: z.umn.edu/allotmentstories.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Oct 2022 09:42:46 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/3bb3a636/40eadeb9.mp3" length="81922615" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/ECPOYrz1C3wSN0retOmY8orYOJ6im4jmNzo5S71avBM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwNTgwMDIv/MTY2NTQxMjk2Ni1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3411</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>“White people passed laws specifically in order to take away this land from our people. And then we did these other things in order to try to survive.” ALLOTMENT STORIES is a volume that collects more than two dozen chronicles of white imperialism and Indigenous resistance, highlighting how Indigenous peoples have consistently engaged creativity to sustain collective ties, kinship relations, and cultural commitments in the face of land privatization. Two contributors to this volume, Sarah Biscarra Dilley and Joseph M. Pierce, are here to share their pieces of this history.</p><p><br></p><p>Sarah Biscarra Dilley (yak titʸu titʸu yak tiłhini) is an artist, educator, and PhD candidate in Native American Studies at the University of California, Davis, nitspu tititʸu tsʔitɨnɨ patwin, in the unceded homeland of the Patwin-speaking people (unratified Treaty “J” region).</p><p><br></p><p>Joseph M. Pierce (Cherokee Nation) is associate professor in the Department of Hispanic Languages and Literature at Stony Brook University. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890–1910 and, with S.J Norman (Koori, Wiradjuri descent), cocurator of the Indigenous-led performance series Knowledge of Wounds.</p><p><br></p><p>ALLOTMENT STORIES: Indigenous Land Relations under Settler Siege is a collection of essays edited by Daniel Heath Justice and Jeani O’Brien. More info: z.umn.edu/allotmentstories.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Indigenous history, American history, allotment, land, memory, adoption</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    </item>
    <item>
      <title>Dorion Sagan and Joshua DiCaglio on the cosmic challenge of scale.</title>
      <itunes:episode>48</itunes:episode>
      <podcast:episode>48</podcast:episode>
      <itunes:title>Dorion Sagan and Joshua DiCaglio on the cosmic challenge of scale.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">29da1aa0-89ac-4459-adcc-edaf96f1fba8</guid>
      <link>https://share.transistor.fm/s/a55b0e6b</link>
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        <![CDATA[<p>How is it possible that you are—simultaneously—cells, atoms, a body, quarks, a component in an ecological network, a moment in the thermodynamic dispersal of the sun, and an element in the gravitational whirl of galaxies? Joshua DiCaglio’s SCALE THEORY provides a foundational theory of scale that explains how scale works, the parameters of scalar thinking, and how scale reconfigures objects, subjects, relationships—while teaching us to think in terms of scale, no matter where our interests may lie. DiCaglio is joined here by author Dorion Sagan in a dazzling conversation about how a theory of scale might challenge perspectives on space and time, philosophy, innerness, psychedelics—with careful attention to scientific thinking as well as fascination and mysticism, much attuned to the way scale transforms both reality and ourselves.</p><p>Joshua DiCaglio is assistant professor of English at Texas A&amp;M University.</p><p>Dorion Sagan is an award-winning writer, editor, and theorist. He is the son of the astronomer Carl Sagan and the biologist Lynn Margulis.</p><p>References and citations:<br>-Scale Theory (Joshua DiCaglio)<br>-Cosmic Apprentice (Dorion Sagan)<br>-Dazzle Gradually (Lynn Margulis and Dorion Sagan)<br>-Cosmos (Carl Sagan)<br>-Powers of Ten video (https://www.youtube.com/watch?v=0fKBhvDjuy0)<br>-Inner Life of a Cell video (https://www.youtube.com/watch?v=yKW4F0Nu-UY)<br>-Jakob von Uexküll<br>-Microcosmos (Lynn Margulis and Dorion Sagan)<br>-Symbiotic Planet (Lynn Margulis)<br>-Simon Levin<br>-Samuel Butler<br>-Arts of Living on a Damaged Planet (Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt, editors); Sagan has a contribution in this volume.<br>-The Philosophy of Science Fiction: Henri Bergson and the Fabulations of Philip K. Dick (James Edward Burton)<br>-Darwin’s Pharmacy (Richard Doyle)<br>-Friedrich Nietzsche<br>-Luigi Fantappiè<br>-Molecular Capture (Adam Nocek)</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>How is it possible that you are—simultaneously—cells, atoms, a body, quarks, a component in an ecological network, a moment in the thermodynamic dispersal of the sun, and an element in the gravitational whirl of galaxies? Joshua DiCaglio’s SCALE THEORY provides a foundational theory of scale that explains how scale works, the parameters of scalar thinking, and how scale reconfigures objects, subjects, relationships—while teaching us to think in terms of scale, no matter where our interests may lie. DiCaglio is joined here by author Dorion Sagan in a dazzling conversation about how a theory of scale might challenge perspectives on space and time, philosophy, innerness, psychedelics—with careful attention to scientific thinking as well as fascination and mysticism, much attuned to the way scale transforms both reality and ourselves.</p><p>Joshua DiCaglio is assistant professor of English at Texas A&amp;M University.</p><p>Dorion Sagan is an award-winning writer, editor, and theorist. He is the son of the astronomer Carl Sagan and the biologist Lynn Margulis.</p><p>References and citations:<br>-Scale Theory (Joshua DiCaglio)<br>-Cosmic Apprentice (Dorion Sagan)<br>-Dazzle Gradually (Lynn Margulis and Dorion Sagan)<br>-Cosmos (Carl Sagan)<br>-Powers of Ten video (https://www.youtube.com/watch?v=0fKBhvDjuy0)<br>-Inner Life of a Cell video (https://www.youtube.com/watch?v=yKW4F0Nu-UY)<br>-Jakob von Uexküll<br>-Microcosmos (Lynn Margulis and Dorion Sagan)<br>-Symbiotic Planet (Lynn Margulis)<br>-Simon Levin<br>-Samuel Butler<br>-Arts of Living on a Damaged Planet (Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt, editors); Sagan has a contribution in this volume.<br>-The Philosophy of Science Fiction: Henri Bergson and the Fabulations of Philip K. Dick (James Edward Burton)<br>-Darwin’s Pharmacy (Richard Doyle)<br>-Friedrich Nietzsche<br>-Luigi Fantappiè<br>-Molecular Capture (Adam Nocek)</p>]]>
      </content:encoded>
      <pubDate>Wed, 05 Oct 2022 10:55:11 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/a55b0e6b/1640f4f7.mp3" length="94460746" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/q7S8t0fwnphWd9XkL_T_e5eBD9S1Wh9GpXhJYNV6JuY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwNTA2MjMv/MTY2NDk4NTMxMS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3933</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>How is it possible that you are—simultaneously—cells, atoms, a body, quarks, a component in an ecological network, a moment in the thermodynamic dispersal of the sun, and an element in the gravitational whirl of galaxies? Joshua DiCaglio’s SCALE THEORY provides a foundational theory of scale that explains how scale works, the parameters of scalar thinking, and how scale reconfigures objects, subjects, relationships—while teaching us to think in terms of scale, no matter where our interests may lie. DiCaglio is joined here by author Dorion Sagan in a dazzling conversation about how a theory of scale might challenge perspectives on space and time, philosophy, innerness, psychedelics—with careful attention to scientific thinking as well as fascination and mysticism, much attuned to the way scale transforms both reality and ourselves.</p><p>Joshua DiCaglio is assistant professor of English at Texas A&amp;M University.</p><p>Dorion Sagan is an award-winning writer, editor, and theorist. He is the son of the astronomer Carl Sagan and the biologist Lynn Margulis.</p><p>References and citations:<br>-Scale Theory (Joshua DiCaglio)<br>-Cosmic Apprentice (Dorion Sagan)<br>-Dazzle Gradually (Lynn Margulis and Dorion Sagan)<br>-Cosmos (Carl Sagan)<br>-Powers of Ten video (https://www.youtube.com/watch?v=0fKBhvDjuy0)<br>-Inner Life of a Cell video (https://www.youtube.com/watch?v=yKW4F0Nu-UY)<br>-Jakob von Uexküll<br>-Microcosmos (Lynn Margulis and Dorion Sagan)<br>-Symbiotic Planet (Lynn Margulis)<br>-Simon Levin<br>-Samuel Butler<br>-Arts of Living on a Damaged Planet (Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt, editors); Sagan has a contribution in this volume.<br>-The Philosophy of Science Fiction: Henri Bergson and the Fabulations of Philip K. Dick (James Edward Burton)<br>-Darwin’s Pharmacy (Richard Doyle)<br>-Friedrich Nietzsche<br>-Luigi Fantappiè<br>-Molecular Capture (Adam Nocek)</p>]]>
      </itunes:summary>
      <itunes:keywords>scale, theory, philosophy, science, mysticism, environment, ecology, rhetoric, comparative literature, climate change</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Christopher Isherwood’s California lectures: with James J. Berg, Chris Freeman, and Claude Summers</title>
      <itunes:episode>47</itunes:episode>
      <podcast:episode>47</podcast:episode>
      <itunes:title>Christopher Isherwood’s California lectures: with James J. Berg, Chris Freeman, and Claude Summers</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/623070aa</link>
      <description>
        <![CDATA[<p>In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities about his life and work. During this time, Isherwood spoke openly for the first time about his craft and spirituality. The release of the updated edition of ISHERWOOD ON WRITING includes the long-lost conclusion to the second lecture, including its discussion of <em>A Single Man</em> and <em>A Meeting by the River</em>. This conversation brings the volume’s editor, James J. Berg, into conversation with fellow Isherwood scholars Chris Freeman and Claude Summers.</p><p>BIOS:</p><p>James J. Berg is a writer, editor, and scholar living in New York, and editor of ‘Isherwood on Writing.’ Chris Freeman is professor of English and gender studies at the University of Southern California. The two are coeditors of ‘Isherwood in Transit,’ ‘The American Isherwood,’ ‘Conversations with Christopher Isherwood,’ and ‘The Isherwood Century,’ winner of a Lambda Literary Award for Gay Studies.</p><p><br></p><p>Claude Summers is William E. Stirton Professor Emeritus in the Humanities and professor emeritus of English at the University of Michigan, Dearborn. A founding member of the Modern Language Association’s gay and lesbian caucus, Summers helped lead the gay studies movement to maturity within the academy.</p><p>NOTE:</p><p>This episode includes archival audio of Christopher Isherwood speaking at the Honors Convocation at the University of Southern California, 1974.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities about his life and work. During this time, Isherwood spoke openly for the first time about his craft and spirituality. The release of the updated edition of ISHERWOOD ON WRITING includes the long-lost conclusion to the second lecture, including its discussion of <em>A Single Man</em> and <em>A Meeting by the River</em>. This conversation brings the volume’s editor, James J. Berg, into conversation with fellow Isherwood scholars Chris Freeman and Claude Summers.</p><p>BIOS:</p><p>James J. Berg is a writer, editor, and scholar living in New York, and editor of ‘Isherwood on Writing.’ Chris Freeman is professor of English and gender studies at the University of Southern California. The two are coeditors of ‘Isherwood in Transit,’ ‘The American Isherwood,’ ‘Conversations with Christopher Isherwood,’ and ‘The Isherwood Century,’ winner of a Lambda Literary Award for Gay Studies.</p><p><br></p><p>Claude Summers is William E. Stirton Professor Emeritus in the Humanities and professor emeritus of English at the University of Michigan, Dearborn. A founding member of the Modern Language Association’s gay and lesbian caucus, Summers helped lead the gay studies movement to maturity within the academy.</p><p>NOTE:</p><p>This episode includes archival audio of Christopher Isherwood speaking at the Honors Convocation at the University of Southern California, 1974.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 27 Sep 2022 09:11:22 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/623070aa/d9d19dc4.mp3" length="57664113" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/JW3fKjOGcW03fRzQXKyNk-wePzYG6yyZVubtkcgm2vU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwMzkxMTUv/MTY2NDI4Nzg4Mi1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>2401</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities about his life and work. During this time, Isherwood spoke openly for the first time about his craft and spirituality. The release of the updated edition of ISHERWOOD ON WRITING includes the long-lost conclusion to the second lecture, including its discussion of <em>A Single Man</em> and <em>A Meeting by the River</em>. This conversation brings the volume’s editor, James J. Berg, into conversation with fellow Isherwood scholars Chris Freeman and Claude Summers.</p><p>BIOS:</p><p>James J. Berg is a writer, editor, and scholar living in New York, and editor of ‘Isherwood on Writing.’ Chris Freeman is professor of English and gender studies at the University of Southern California. The two are coeditors of ‘Isherwood in Transit,’ ‘The American Isherwood,’ ‘Conversations with Christopher Isherwood,’ and ‘The Isherwood Century,’ winner of a Lambda Literary Award for Gay Studies.</p><p><br></p><p>Claude Summers is William E. Stirton Professor Emeritus in the Humanities and professor emeritus of English at the University of Michigan, Dearborn. A founding member of the Modern Language Association’s gay and lesbian caucus, Summers helped lead the gay studies movement to maturity within the academy.</p><p>NOTE:</p><p>This episode includes archival audio of Christopher Isherwood speaking at the Honors Convocation at the University of Southern California, 1974.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Christopher Isherwood, literature, GLBT, American Studies, A Single Man</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>What would an education beyond learning look like?</title>
      <itunes:episode>46</itunes:episode>
      <podcast:episode>46</podcast:episode>
      <itunes:title>What would an education beyond learning look like?</itunes:title>
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        <![CDATA[<p>In a time when online classrooms and meetings have become both indispensable and mundane features of the university, STUDIOUS DRIFT asks: What kind of university becomes possible when digital tools are not taken for granted but hacked into and tinkered with in order to set study adrift? In part a meditation on the essence of the studio space, this book looks at ways we can creatively and critically muddle through the rise of e-learning logics to redefine education. Authors Tyson E. Lewis and Peter B. Hyland both teach at the University of North Texas, and are joined here today by colleague and studio artist James Thurman.</p><p>Tyson E. Lewis is professor of art education in the College of Visual Arts and Design at the University of North Texas.</p><p><br></p><p>Peter B. Hyland is director of the Jo Ann (Jody) and Dr. CHarles O. Onstead Institute for Education in the College fo Visual Arts and Design at the University of North Texas.</p><p><br></p><p>James Thurman is associate professor of metalsmithing and jewelry in the Department of Studio Art at the University of North Texas.</p><p>References:</p><p>Gert Biesta (“learnification”)</p><p>Alfred Jarry’s pataphysics</p><p>The Undercommons / Stefano Harney and Fred Moten</p><p>Links:</p><p>-Read Studious Drift free online: z.umn.edu/studiousdrift-m (also available for purchase: z.umn.edu/studiousdrift)</p><p>-Watch: Education as Experimentation: https://www.youtube.com/watch?v=llUj_Qyd5Zo</p><p>-Education as Experimentation: The Studio-D Project (homepage): https://onstead.cvad.unt.edu/studio-d</p><p><br></p>]]>
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        <![CDATA[<p>In a time when online classrooms and meetings have become both indispensable and mundane features of the university, STUDIOUS DRIFT asks: What kind of university becomes possible when digital tools are not taken for granted but hacked into and tinkered with in order to set study adrift? In part a meditation on the essence of the studio space, this book looks at ways we can creatively and critically muddle through the rise of e-learning logics to redefine education. Authors Tyson E. Lewis and Peter B. Hyland both teach at the University of North Texas, and are joined here today by colleague and studio artist James Thurman.</p><p>Tyson E. Lewis is professor of art education in the College of Visual Arts and Design at the University of North Texas.</p><p><br></p><p>Peter B. Hyland is director of the Jo Ann (Jody) and Dr. CHarles O. Onstead Institute for Education in the College fo Visual Arts and Design at the University of North Texas.</p><p><br></p><p>James Thurman is associate professor of metalsmithing and jewelry in the Department of Studio Art at the University of North Texas.</p><p>References:</p><p>Gert Biesta (“learnification”)</p><p>Alfred Jarry’s pataphysics</p><p>The Undercommons / Stefano Harney and Fred Moten</p><p>Links:</p><p>-Read Studious Drift free online: z.umn.edu/studiousdrift-m (also available for purchase: z.umn.edu/studiousdrift)</p><p>-Watch: Education as Experimentation: https://www.youtube.com/watch?v=llUj_Qyd5Zo</p><p>-Education as Experimentation: The Studio-D Project (homepage): https://onstead.cvad.unt.edu/studio-d</p><p><br></p>]]>
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      <pubDate>Tue, 30 Aug 2022 13:48:47 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2679</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In a time when online classrooms and meetings have become both indispensable and mundane features of the university, STUDIOUS DRIFT asks: What kind of university becomes possible when digital tools are not taken for granted but hacked into and tinkered with in order to set study adrift? In part a meditation on the essence of the studio space, this book looks at ways we can creatively and critically muddle through the rise of e-learning logics to redefine education. Authors Tyson E. Lewis and Peter B. Hyland both teach at the University of North Texas, and are joined here today by colleague and studio artist James Thurman.</p><p>Tyson E. Lewis is professor of art education in the College of Visual Arts and Design at the University of North Texas.</p><p><br></p><p>Peter B. Hyland is director of the Jo Ann (Jody) and Dr. CHarles O. Onstead Institute for Education in the College fo Visual Arts and Design at the University of North Texas.</p><p><br></p><p>James Thurman is associate professor of metalsmithing and jewelry in the Department of Studio Art at the University of North Texas.</p><p>References:</p><p>Gert Biesta (“learnification”)</p><p>Alfred Jarry’s pataphysics</p><p>The Undercommons / Stefano Harney and Fred Moten</p><p>Links:</p><p>-Read Studious Drift free online: z.umn.edu/studiousdrift-m (also available for purchase: z.umn.edu/studiousdrift)</p><p>-Watch: Education as Experimentation: https://www.youtube.com/watch?v=llUj_Qyd5Zo</p><p>-Education as Experimentation: The Studio-D Project (homepage): https://onstead.cvad.unt.edu/studio-d</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Studious Drift, education, digital culture, postdigital, makers, e-learning</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Cacaphonies: The Excremental Canon of French Literature</title>
      <itunes:episode>45</itunes:episode>
      <podcast:episode>45</podcast:episode>
      <itunes:title>Cacaphonies: The Excremental Canon of French Literature</itunes:title>
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        <![CDATA[<p>The new book ‘Cacaphonies’ takes fecal matter and its place in literature seriously. In a stark challenge to the tendency to view 20th- and 21st-century French literature through sanitizing abstractions, Annabel L. Kim argues for feces as a figure of radical equality. ‘Cacaphonies’ reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life. Here, Kim is joined in conversation by Merve Emre, Rachele Dini, and Laure Murat.</p><p><br></p><p>Annabel L. Kim is the Roy G. Clouse associate professor of Romance Literatures and Languages at Harvard University. A specialist in 20th- and 21st-century French literature, Kim is author of ‘Unbecoming Language: Anti-Identitarian French Feminist Fictions’ and ‘Cacaphonies: The Excremental Canon of French Literature.’</p><p><br></p><p>Merve Emre is an associate professor of literature at the University of Oxford and a contributing writer at The New Yorker.</p><p><br></p><p>Rachele Dini is senior lecturer in English and American literature at the University of Roehampton, London.</p><p><br></p><p>Laure Murat is professor of French and Francophone Studies at UCLA’s Department of European Languages &amp; Transcultural Studies and author of several books.</p><p>Episode references:</p><p>Louis-Ferdinand Céline; <em>Voyage au bout de la nuit </em>(Journey to the End of the Night)</p><p>Caca communism</p><p>Jean Genet</p><p>Kristin Ross (Fast Cars, Clean Bodies)</p><p>Susan Signe Morrison</p><p>Philip Roth (Patrimony)</p><p>Anne Garréta</p><p>Samuel Beckett (Molloy)</p><p>Rey Chow</p><p>James Joyce (Ulysses/Leopold Bloom)</p><p>Alain Resnais (Providence)</p><p><br></p>]]>
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        <![CDATA[<p>The new book ‘Cacaphonies’ takes fecal matter and its place in literature seriously. In a stark challenge to the tendency to view 20th- and 21st-century French literature through sanitizing abstractions, Annabel L. Kim argues for feces as a figure of radical equality. ‘Cacaphonies’ reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life. Here, Kim is joined in conversation by Merve Emre, Rachele Dini, and Laure Murat.</p><p><br></p><p>Annabel L. Kim is the Roy G. Clouse associate professor of Romance Literatures and Languages at Harvard University. A specialist in 20th- and 21st-century French literature, Kim is author of ‘Unbecoming Language: Anti-Identitarian French Feminist Fictions’ and ‘Cacaphonies: The Excremental Canon of French Literature.’</p><p><br></p><p>Merve Emre is an associate professor of literature at the University of Oxford and a contributing writer at The New Yorker.</p><p><br></p><p>Rachele Dini is senior lecturer in English and American literature at the University of Roehampton, London.</p><p><br></p><p>Laure Murat is professor of French and Francophone Studies at UCLA’s Department of European Languages &amp; Transcultural Studies and author of several books.</p><p>Episode references:</p><p>Louis-Ferdinand Céline; <em>Voyage au bout de la nuit </em>(Journey to the End of the Night)</p><p>Caca communism</p><p>Jean Genet</p><p>Kristin Ross (Fast Cars, Clean Bodies)</p><p>Susan Signe Morrison</p><p>Philip Roth (Patrimony)</p><p>Anne Garréta</p><p>Samuel Beckett (Molloy)</p><p>Rey Chow</p><p>James Joyce (Ulysses/Leopold Bloom)</p><p>Alain Resnais (Providence)</p><p><br></p>]]>
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      <pubDate>Wed, 17 Aug 2022 14:38:08 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3351</itunes:duration>
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        <![CDATA[<p>The new book ‘Cacaphonies’ takes fecal matter and its place in literature seriously. In a stark challenge to the tendency to view 20th- and 21st-century French literature through sanitizing abstractions, Annabel L. Kim argues for feces as a figure of radical equality. ‘Cacaphonies’ reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life. Here, Kim is joined in conversation by Merve Emre, Rachele Dini, and Laure Murat.</p><p><br></p><p>Annabel L. Kim is the Roy G. Clouse associate professor of Romance Literatures and Languages at Harvard University. A specialist in 20th- and 21st-century French literature, Kim is author of ‘Unbecoming Language: Anti-Identitarian French Feminist Fictions’ and ‘Cacaphonies: The Excremental Canon of French Literature.’</p><p><br></p><p>Merve Emre is an associate professor of literature at the University of Oxford and a contributing writer at The New Yorker.</p><p><br></p><p>Rachele Dini is senior lecturer in English and American literature at the University of Roehampton, London.</p><p><br></p><p>Laure Murat is professor of French and Francophone Studies at UCLA’s Department of European Languages &amp; Transcultural Studies and author of several books.</p><p>Episode references:</p><p>Louis-Ferdinand Céline; <em>Voyage au bout de la nuit </em>(Journey to the End of the Night)</p><p>Caca communism</p><p>Jean Genet</p><p>Kristin Ross (Fast Cars, Clean Bodies)</p><p>Susan Signe Morrison</p><p>Philip Roth (Patrimony)</p><p>Anne Garréta</p><p>Samuel Beckett (Molloy)</p><p>Rey Chow</p><p>James Joyce (Ulysses/Leopold Bloom)</p><p>Alain Resnais (Providence)</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Cacaphonies, Annabel Kim, Merve Emre, Laure Murat, Rachele Dini, universalism, shit, canon, democratizing literature, French, excrement, corporeality, fecal matter, literary theory, literary criticism</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
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    <item>
      <title>Sylvain Tesson's wandering journey of solitude through the countryside of France</title>
      <itunes:episode>44</itunes:episode>
      <podcast:episode>44</podcast:episode>
      <itunes:title>Sylvain Tesson's wandering journey of solitude through the countryside of France</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>ON THE WANDERING PATHS is Sylvain Tesson’s literary adventure and philosophical reflection during a three-month journey of solitude and personal contemplation while walking along vast stretches of mountain ranges and rivers, ancient bridges and villages, of France’s countryside. This exquisite chronicle through landscapes that continue to resist urbanization and technology is a thoughtful and thought-provoking glimpse into a poet’s adventurous life. Author Daniel Hornsby, who writes the Foreword to the new English translation from University of Minnesota Press, joins the Press’s Eric Lundgren in conversation.</p><p><br></p><p>Eric Lundgren is the Outreach and Development Manager at the University of Minnesota Press. His novel <em>The Facades</em> (Overlook Press) was a Barnes &amp; Noble Discover Great New Writers pick and a finalist for the William Saroyan International Writing Prize. His writing has appeared in <em>Tin House, The Los Angeles Review of Books, Boulevard, </em>and <em>The Millions, </em>and a new story, "Actaeon at the Movies", is out in <a href="https://www.postroadmag.com/2022/05/12/issue-39/"><em>Post Road</em> 39</a>. </p><p><br></p><p>Daniel Hornsby is the author of <em>Via Negativa</em> (Knopf) and <em>Sucker</em> (Anchor, February 2023). His stories and essays have appeared in the <em>Los Angeles Review of Books</em>, <em>Bookforum</em>, <em>The Missouri Review</em>, and <em>Joyland</em>.</p><p><br>This translation of <em>On the Wandering Paths</em> is published with the support of Villa Albertine, in partnership with the French Embassy.</p>]]>
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      <content:encoded>
        <![CDATA[<p>ON THE WANDERING PATHS is Sylvain Tesson’s literary adventure and philosophical reflection during a three-month journey of solitude and personal contemplation while walking along vast stretches of mountain ranges and rivers, ancient bridges and villages, of France’s countryside. This exquisite chronicle through landscapes that continue to resist urbanization and technology is a thoughtful and thought-provoking glimpse into a poet’s adventurous life. Author Daniel Hornsby, who writes the Foreword to the new English translation from University of Minnesota Press, joins the Press’s Eric Lundgren in conversation.</p><p><br></p><p>Eric Lundgren is the Outreach and Development Manager at the University of Minnesota Press. His novel <em>The Facades</em> (Overlook Press) was a Barnes &amp; Noble Discover Great New Writers pick and a finalist for the William Saroyan International Writing Prize. His writing has appeared in <em>Tin House, The Los Angeles Review of Books, Boulevard, </em>and <em>The Millions, </em>and a new story, "Actaeon at the Movies", is out in <a href="https://www.postroadmag.com/2022/05/12/issue-39/"><em>Post Road</em> 39</a>. </p><p><br></p><p>Daniel Hornsby is the author of <em>Via Negativa</em> (Knopf) and <em>Sucker</em> (Anchor, February 2023). His stories and essays have appeared in the <em>Los Angeles Review of Books</em>, <em>Bookforum</em>, <em>The Missouri Review</em>, and <em>Joyland</em>.</p><p><br>This translation of <em>On the Wandering Paths</em> is published with the support of Villa Albertine, in partnership with the French Embassy.</p>]]>
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      <pubDate>Tue, 02 Aug 2022 09:14:32 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3216</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>ON THE WANDERING PATHS is Sylvain Tesson’s literary adventure and philosophical reflection during a three-month journey of solitude and personal contemplation while walking along vast stretches of mountain ranges and rivers, ancient bridges and villages, of France’s countryside. This exquisite chronicle through landscapes that continue to resist urbanization and technology is a thoughtful and thought-provoking glimpse into a poet’s adventurous life. Author Daniel Hornsby, who writes the Foreword to the new English translation from University of Minnesota Press, joins the Press’s Eric Lundgren in conversation.</p><p><br></p><p>Eric Lundgren is the Outreach and Development Manager at the University of Minnesota Press. His novel <em>The Facades</em> (Overlook Press) was a Barnes &amp; Noble Discover Great New Writers pick and a finalist for the William Saroyan International Writing Prize. His writing has appeared in <em>Tin House, The Los Angeles Review of Books, Boulevard, </em>and <em>The Millions, </em>and a new story, "Actaeon at the Movies", is out in <a href="https://www.postroadmag.com/2022/05/12/issue-39/"><em>Post Road</em> 39</a>. </p><p><br></p><p>Daniel Hornsby is the author of <em>Via Negativa</em> (Knopf) and <em>Sucker</em> (Anchor, February 2023). His stories and essays have appeared in the <em>Los Angeles Review of Books</em>, <em>Bookforum</em>, <em>The Missouri Review</em>, and <em>Joyland</em>.</p><p><br>This translation of <em>On the Wandering Paths</em> is published with the support of Villa Albertine, in partnership with the French Embassy.</p>]]>
      </itunes:summary>
      <itunes:keywords>Sylvain Tesson, Eric Lundgren, Daniel Hornsby, travelogue, walking, hiking, travel writing, philosophy, meditation, environmental humanities, French literature, translation</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Architecture and Objects with Graham Harman (Art after Nature 3)</title>
      <itunes:episode>43</itunes:episode>
      <podcast:episode>43</podcast:episode>
      <itunes:title>Architecture and Objects with Graham Harman (Art after Nature 3)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Exploring new concepts of the relationship between form and function while thinking through object-oriented ontology (OOO), Graham Harman (ARCHITECTURE AND OBJECTS) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture.</p><p><br></p><p>Art after Nature is a series from University of Minnesota Press that engages with the politics and contradictions of the Anthropocene. Each volume aims to provide the opportunity to creatively engage with new and alternative discourses at the intersection of art, science, and philosophy. More: z.umn.edu/artafternature.</p><p><br></p><p>Graham Harman is distinguished professor of philosophy at the Southern California Institute of Architecture, Los Angeles, and author of many books, including Architecture and Objects; Speculative Realism; and Object-Oriented Ontology: A New Theory of Everything.</p><p><br></p><p><br>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor-in-chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p><br>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p><br></p><p>Episode references:</p><p>Object-oriented ontology (OOO)</p><p>Bruno Latour</p><p>Martin Heidegger</p><p>Jacques Derrida</p><p>Gilles Deleuze</p><p>David Ruy</p><p>Aristotle</p><p>Immanuel Kant</p><p>Clement Greenberg</p><p>Joanna Malinowska (exhibit, Time of Guerrilla Metaphysics)</p><p>Edmund Husserl</p><p>Michael Fried</p><p>Aldo Rossi</p><p>Jeffrey Kipnis</p><p>Michael Young (Young &amp; Ayata)</p><p>Mark Foster Gage </p><p>Tom Wiscombe</p><p>Marcel Duchamp</p><p><br></p>]]>
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        <![CDATA[<p>Exploring new concepts of the relationship between form and function while thinking through object-oriented ontology (OOO), Graham Harman (ARCHITECTURE AND OBJECTS) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture.</p><p><br></p><p>Art after Nature is a series from University of Minnesota Press that engages with the politics and contradictions of the Anthropocene. Each volume aims to provide the opportunity to creatively engage with new and alternative discourses at the intersection of art, science, and philosophy. More: z.umn.edu/artafternature.</p><p><br></p><p>Graham Harman is distinguished professor of philosophy at the Southern California Institute of Architecture, Los Angeles, and author of many books, including Architecture and Objects; Speculative Realism; and Object-Oriented Ontology: A New Theory of Everything.</p><p><br></p><p><br>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor-in-chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p><br>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p><br></p><p>Episode references:</p><p>Object-oriented ontology (OOO)</p><p>Bruno Latour</p><p>Martin Heidegger</p><p>Jacques Derrida</p><p>Gilles Deleuze</p><p>David Ruy</p><p>Aristotle</p><p>Immanuel Kant</p><p>Clement Greenberg</p><p>Joanna Malinowska (exhibit, Time of Guerrilla Metaphysics)</p><p>Edmund Husserl</p><p>Michael Fried</p><p>Aldo Rossi</p><p>Jeffrey Kipnis</p><p>Michael Young (Young &amp; Ayata)</p><p>Mark Foster Gage </p><p>Tom Wiscombe</p><p>Marcel Duchamp</p><p><br></p>]]>
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      <pubDate>Wed, 27 Jul 2022 07:51:44 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2953</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Exploring new concepts of the relationship between form and function while thinking through object-oriented ontology (OOO), Graham Harman (ARCHITECTURE AND OBJECTS) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture.</p><p><br></p><p>Art after Nature is a series from University of Minnesota Press that engages with the politics and contradictions of the Anthropocene. Each volume aims to provide the opportunity to creatively engage with new and alternative discourses at the intersection of art, science, and philosophy. More: z.umn.edu/artafternature.</p><p><br></p><p>Graham Harman is distinguished professor of philosophy at the Southern California Institute of Architecture, Los Angeles, and author of many books, including Architecture and Objects; Speculative Realism; and Object-Oriented Ontology: A New Theory of Everything.</p><p><br></p><p><br>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor-in-chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p><br>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p><br></p><p>Episode references:</p><p>Object-oriented ontology (OOO)</p><p>Bruno Latour</p><p>Martin Heidegger</p><p>Jacques Derrida</p><p>Gilles Deleuze</p><p>David Ruy</p><p>Aristotle</p><p>Immanuel Kant</p><p>Clement Greenberg</p><p>Joanna Malinowska (exhibit, Time of Guerrilla Metaphysics)</p><p>Edmund Husserl</p><p>Michael Fried</p><p>Aldo Rossi</p><p>Jeffrey Kipnis</p><p>Michael Young (Young &amp; Ayata)</p><p>Mark Foster Gage </p><p>Tom Wiscombe</p><p>Marcel Duchamp</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>architecture, object-oriented ontology, OOO, form, function, theory, aesthetics, Heidegger, Derrida, Deleuze</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Algorithms of Education: Data and its role in education policy</title>
      <itunes:episode>42</itunes:episode>
      <podcast:episode>42</podcast:episode>
      <itunes:title>Algorithms of Education: Data and its role in education policy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>How do educational policy studies need to shift to remain adequate to the emergence of powerful forms of technology? In ALGORITHMS OF EDUCATION, Kalervo N. Gulson, Sam Sellar, and P. Taylor Webb explore how, for policy makers, big data creates the illusion of greater control over educational futures. They propose that schools and governments are increasingly turning to “synthetic governance”—where what is human and what is machine becomes less clear—as a strategy for optimizing education. In this episode, Gulson and Sellar discuss new strategies for, and a new politics of, education.</p><p><br></p><p>Kalervo N. Gulson is professor in education policy at the University of Sydney. He is author of <em>Education Policy, Space, and the City: Markets and the (In)visibility of Race </em>and coauthor of <em>Education Policy and Racial Biopolitics in Multicultural Cities</em>. </p><p><br></p><p>Sam Sellar is professor in education policy at the University of South Australia. Most recently he coedited the <em>World Yearbook of Education 2019: Comparative Methodology in the Era of Big Data and Global Networks</em>.</p><p><br></p><p>References:</p><p>N. Katherine Hayles</p><p>Luciana Parisi</p><p>Gilles Deleuze</p><p>Félix Guattari</p><p>Bernard Stiegler</p><p>Pierre Bourdieu</p><p>Michel Foucault</p><p>Isabelle Stengers</p><p>Keller Easterling (Extrastatecraft)</p><p>AlphaGo (and 2017 documentary of it)</p><p>Shoshana Zuboff</p><p><br></p>]]>
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        <![CDATA[<p>How do educational policy studies need to shift to remain adequate to the emergence of powerful forms of technology? In ALGORITHMS OF EDUCATION, Kalervo N. Gulson, Sam Sellar, and P. Taylor Webb explore how, for policy makers, big data creates the illusion of greater control over educational futures. They propose that schools and governments are increasingly turning to “synthetic governance”—where what is human and what is machine becomes less clear—as a strategy for optimizing education. In this episode, Gulson and Sellar discuss new strategies for, and a new politics of, education.</p><p><br></p><p>Kalervo N. Gulson is professor in education policy at the University of Sydney. He is author of <em>Education Policy, Space, and the City: Markets and the (In)visibility of Race </em>and coauthor of <em>Education Policy and Racial Biopolitics in Multicultural Cities</em>. </p><p><br></p><p>Sam Sellar is professor in education policy at the University of South Australia. Most recently he coedited the <em>World Yearbook of Education 2019: Comparative Methodology in the Era of Big Data and Global Networks</em>.</p><p><br></p><p>References:</p><p>N. Katherine Hayles</p><p>Luciana Parisi</p><p>Gilles Deleuze</p><p>Félix Guattari</p><p>Bernard Stiegler</p><p>Pierre Bourdieu</p><p>Michel Foucault</p><p>Isabelle Stengers</p><p>Keller Easterling (Extrastatecraft)</p><p>AlphaGo (and 2017 documentary of it)</p><p>Shoshana Zuboff</p><p><br></p>]]>
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      <pubDate>Tue, 12 Jul 2022 10:13:57 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3406</itunes:duration>
      <itunes:summary>How do educational policy studies need to shift to remain adequate to the emergence of powerful forms of technology? In ALGORITHMS OF EDUCATION, Kalervo N. Gulson, Sam Sellar, and P. Taylor Webb explore how, for policy makers, big data creates the illusion of greater control over educational futures. In this episode, Gulson and Sellar discuss new strategies for, and a new politics of, education.</itunes:summary>
      <itunes:subtitle>How do educational policy studies need to shift to remain adequate to the emergence of powerful forms of technology? In ALGORITHMS OF EDUCATION, Kalervo N. Gulson, Sam Sellar, and P. Taylor Webb explore how, for policy makers, big data creates the illusio</itunes:subtitle>
      <itunes:keywords>education, algorithm, artificial intelligence, automation, critical theory, datafication, technology, education policy, facial recognition, governance, infrastructure</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>A field guide to a nonfascist life at the end of the world as we know it</title>
      <itunes:episode>41</itunes:episode>
      <podcast:episode>41</podcast:episode>
      <itunes:title>A field guide to a nonfascist life at the end of the world as we know it</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>“Capitalism defeated traditional societies because it was more exciting than they were. But now there is something more exciting than capitalism: its destruction.” In the face of things with true power (capitalism, the law, public opinion, etc.), philosophy is not provisioned to battle them head-on. But it can wage “a guerrilla campaign against them,” writes Andrew Culp (referencing Deleuze) in his new book A GUERRILLA GUIDE TO REFUSAL. Harnessing critical theory, this book takes us on a journey through a subterranean network of communiques, military documents, contemporary art, political slogans, adversarial blogs, and captive media. This conversation among scholars traces a nonfascist life at the end of the world as we know it.</p><p><br></p><p>Andrew Culp is professor of media history and theory in the School of Critical Studies at the California Institute of the Arts. He is author of <em>A Guerrilla Guide to Refusal</em> (2022) and <em>Dark Deleuze</em> (2016).</p><p><br></p><p>Will Conway is a PhD candidate whose research centers around disability, biopolitics, and theories of resistance.</p><p><br></p><p>Jose Rosales is an independent researcher. With Claire Fontaine and Iman Ganji, they are co-author of <a href="https://i-n-g-a.com/products/diversity-of-aesthetics-vol-2"><em>Foreigners Everywhere</em></a> and the author of <a href="https://www.academia.edu/78521787/Communism_As_the_Riddle_Posed_to_History">'Communism <em>as</em> the Riddle Posed to History'</a> in <em>The Double Binds</em> <em>of Neoliberalism</em> (Rowan &amp; Littlefield, 2022), as well as various other texts that can be found online. Currently, they are co-editor (alongside Andreas Petrossiants) of the multi-volume series, <em>Diversity of Aesthetics. <br></em><br></p><p><br></p><p>Violet is a queer independent researcher based in India working on theories of resistance, biopolitics, and destituent communism.</p><p><br></p><p>References:</p><p>Gilles Deleuze</p><p>Michel Foucault</p><p>Arlette Farge</p><p>May 68</p><p>Jean Genet</p><p>Guy Hocquenghem</p><p>Johann Most</p><p>Lucy Parsons</p><p>Friedrich Engels</p><p>Paul B. Preciado (and “Marcos”)</p><p>Christopher Chitty (<em>Sexual Hegemony</em>)</p><p>Karl Marx</p><p>Jacques Derrida</p><p>Roberto Esposito</p><p>Antonio Negri</p><p>Félix Guattari</p><p>Bernadette Corporation’s <em>Get Rid of Yourself</em> (film)</p><p>Edward Said</p><p>Eqbal Ahmad (<em>Confronting Empire</em>)</p><p>Frantz Fanon</p><p>Robin D. G. Kelley (<em>Race Rebels</em>)</p><p>Homi Bhabha</p><p>Fred Moten</p><p>Nahum Dimitri Chandler (paraontology)</p><p>Claire Fontaine</p><p>Tiqqun</p><p>Saidiya Hartman</p><p>Kwame Ture</p><p>Nanni Balestrini (<em>The Unseen</em>)</p><p><br></p><p>     </p><p><br></p><p>Keywords: archive, power, surveillance, cybernetics, refusal, political, political control, philosophy, anarchy, class, class war, transformation</p><p><br></p><p><em>Several references are made to specific current events, and as such we want to mention the date of this recording: March 31, 2022.</em></p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>“Capitalism defeated traditional societies because it was more exciting than they were. But now there is something more exciting than capitalism: its destruction.” In the face of things with true power (capitalism, the law, public opinion, etc.), philosophy is not provisioned to battle them head-on. But it can wage “a guerrilla campaign against them,” writes Andrew Culp (referencing Deleuze) in his new book A GUERRILLA GUIDE TO REFUSAL. Harnessing critical theory, this book takes us on a journey through a subterranean network of communiques, military documents, contemporary art, political slogans, adversarial blogs, and captive media. This conversation among scholars traces a nonfascist life at the end of the world as we know it.</p><p><br></p><p>Andrew Culp is professor of media history and theory in the School of Critical Studies at the California Institute of the Arts. He is author of <em>A Guerrilla Guide to Refusal</em> (2022) and <em>Dark Deleuze</em> (2016).</p><p><br></p><p>Will Conway is a PhD candidate whose research centers around disability, biopolitics, and theories of resistance.</p><p><br></p><p>Jose Rosales is an independent researcher. With Claire Fontaine and Iman Ganji, they are co-author of <a href="https://i-n-g-a.com/products/diversity-of-aesthetics-vol-2"><em>Foreigners Everywhere</em></a> and the author of <a href="https://www.academia.edu/78521787/Communism_As_the_Riddle_Posed_to_History">'Communism <em>as</em> the Riddle Posed to History'</a> in <em>The Double Binds</em> <em>of Neoliberalism</em> (Rowan &amp; Littlefield, 2022), as well as various other texts that can be found online. Currently, they are co-editor (alongside Andreas Petrossiants) of the multi-volume series, <em>Diversity of Aesthetics. <br></em><br></p><p><br></p><p>Violet is a queer independent researcher based in India working on theories of resistance, biopolitics, and destituent communism.</p><p><br></p><p>References:</p><p>Gilles Deleuze</p><p>Michel Foucault</p><p>Arlette Farge</p><p>May 68</p><p>Jean Genet</p><p>Guy Hocquenghem</p><p>Johann Most</p><p>Lucy Parsons</p><p>Friedrich Engels</p><p>Paul B. Preciado (and “Marcos”)</p><p>Christopher Chitty (<em>Sexual Hegemony</em>)</p><p>Karl Marx</p><p>Jacques Derrida</p><p>Roberto Esposito</p><p>Antonio Negri</p><p>Félix Guattari</p><p>Bernadette Corporation’s <em>Get Rid of Yourself</em> (film)</p><p>Edward Said</p><p>Eqbal Ahmad (<em>Confronting Empire</em>)</p><p>Frantz Fanon</p><p>Robin D. G. Kelley (<em>Race Rebels</em>)</p><p>Homi Bhabha</p><p>Fred Moten</p><p>Nahum Dimitri Chandler (paraontology)</p><p>Claire Fontaine</p><p>Tiqqun</p><p>Saidiya Hartman</p><p>Kwame Ture</p><p>Nanni Balestrini (<em>The Unseen</em>)</p><p><br></p><p>     </p><p><br></p><p>Keywords: archive, power, surveillance, cybernetics, refusal, political, political control, philosophy, anarchy, class, class war, transformation</p><p><br></p><p><em>Several references are made to specific current events, and as such we want to mention the date of this recording: March 31, 2022.</em></p><p><br></p>]]>
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      <pubDate>Tue, 28 Jun 2022 09:20:43 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>5441</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>“Capitalism defeated traditional societies because it was more exciting than they were. But now there is something more exciting than capitalism: its destruction.” In the face of things with true power (capitalism, the law, public opinion, etc.), philosophy is not provisioned to battle them head-on. But it can wage “a guerrilla campaign against them,” writes Andrew Culp (referencing Deleuze) in his new book A GUERRILLA GUIDE TO REFUSAL. Harnessing critical theory, this book takes us on a journey through a subterranean network of communiques, military documents, contemporary art, political slogans, adversarial blogs, and captive media. This conversation among scholars traces a nonfascist life at the end of the world as we know it.</p><p><br></p><p>Andrew Culp is professor of media history and theory in the School of Critical Studies at the California Institute of the Arts. He is author of <em>A Guerrilla Guide to Refusal</em> (2022) and <em>Dark Deleuze</em> (2016).</p><p><br></p><p>Will Conway is a PhD candidate whose research centers around disability, biopolitics, and theories of resistance.</p><p><br></p><p>Jose Rosales is an independent researcher. With Claire Fontaine and Iman Ganji, they are co-author of <a href="https://i-n-g-a.com/products/diversity-of-aesthetics-vol-2"><em>Foreigners Everywhere</em></a> and the author of <a href="https://www.academia.edu/78521787/Communism_As_the_Riddle_Posed_to_History">'Communism <em>as</em> the Riddle Posed to History'</a> in <em>The Double Binds</em> <em>of Neoliberalism</em> (Rowan &amp; Littlefield, 2022), as well as various other texts that can be found online. Currently, they are co-editor (alongside Andreas Petrossiants) of the multi-volume series, <em>Diversity of Aesthetics. <br></em><br></p><p><br></p><p>Violet is a queer independent researcher based in India working on theories of resistance, biopolitics, and destituent communism.</p><p><br></p><p>References:</p><p>Gilles Deleuze</p><p>Michel Foucault</p><p>Arlette Farge</p><p>May 68</p><p>Jean Genet</p><p>Guy Hocquenghem</p><p>Johann Most</p><p>Lucy Parsons</p><p>Friedrich Engels</p><p>Paul B. Preciado (and “Marcos”)</p><p>Christopher Chitty (<em>Sexual Hegemony</em>)</p><p>Karl Marx</p><p>Jacques Derrida</p><p>Roberto Esposito</p><p>Antonio Negri</p><p>Félix Guattari</p><p>Bernadette Corporation’s <em>Get Rid of Yourself</em> (film)</p><p>Edward Said</p><p>Eqbal Ahmad (<em>Confronting Empire</em>)</p><p>Frantz Fanon</p><p>Robin D. G. Kelley (<em>Race Rebels</em>)</p><p>Homi Bhabha</p><p>Fred Moten</p><p>Nahum Dimitri Chandler (paraontology)</p><p>Claire Fontaine</p><p>Tiqqun</p><p>Saidiya Hartman</p><p>Kwame Ture</p><p>Nanni Balestrini (<em>The Unseen</em>)</p><p><br></p><p>     </p><p><br></p><p>Keywords: archive, power, surveillance, cybernetics, refusal, political, political control, philosophy, anarchy, class, class war, transformation</p><p><br></p><p><em>Several references are made to specific current events, and as such we want to mention the date of this recording: March 31, 2022.</em></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>A Guerrilla Guide to Refusal, Andrew Culp, Will Conway, Jose Rosales, Violet, archive, power, surveillance, cybernetics, refusal, political, political control, philosophy, anarchy, class, class war, transformation</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Side Affects: Being trans and feeling bad with Hil Malatino and Zena Sharman</title>
      <itunes:episode>40</itunes:episode>
      <podcast:episode>40</podcast:episode>
      <itunes:title>Side Affects: Being trans and feeling bad with Hil Malatino and Zena Sharman</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>In SIDE AFFECTS, Hil Malatino opens a conversation about trans experience that acknowledges the reality of feeling fatigue, envy, burnout, numbness, and rate amid the ongoing onslaught of casual and structural transphobia in order to map the intricate emotional terrain of trans survival. In May 2022, Malatino was joined in conversation by Zena Sharman, author of The Care We Dream Of: Liberatory and Transformative Approaches to LGBTQ+ Health. This conversation was hosted virtually by White Whale Bookstore of Pittsburgh, PA.</p><p><br>Hil Malatino is assistant professor in the departments of women's, gender, and sexuality studies and philosophy at Penn State. Malatino is author of Side Affects; Trans Care; and Queer Embodiment: Monstrosity, Medical Violence, and Intersex Experience.</p><p>Zena Sharman is a writer, speaker, strategist, and LGBTQ+ health advocate. Sharman is author of The Care We Dream Of, and editor of The Remedy: Queer and Trans Voices on Health and Health Care. More info: ZenaSharman.com.</p><p><br>Topics discussed: trans and queer community, affect, rage, trauma, liberatory health care, liberated futures, family, aging, burnout, carceral systems, collective care work.</p><p><br>References in this conversation include:<br>Susan Stryker<br>María Lugones<br>James C. Scott<br>Leah Lakshmi Piepzna-Samarasinha<br>Dean Spade<br>Myrl Beam<br>T Fleischmann<br>Sins Invalid disability justice primer<br>Aurora Levins Morales<br>Eli Clare<br>Shayda Kafai<br>Ann Cvetkovich</p><p><br>A transcript of this episode is available at: z.umn.edu/51222p</p>]]>
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      <content:encoded>
        <![CDATA[<p>In SIDE AFFECTS, Hil Malatino opens a conversation about trans experience that acknowledges the reality of feeling fatigue, envy, burnout, numbness, and rate amid the ongoing onslaught of casual and structural transphobia in order to map the intricate emotional terrain of trans survival. In May 2022, Malatino was joined in conversation by Zena Sharman, author of The Care We Dream Of: Liberatory and Transformative Approaches to LGBTQ+ Health. This conversation was hosted virtually by White Whale Bookstore of Pittsburgh, PA.</p><p><br>Hil Malatino is assistant professor in the departments of women's, gender, and sexuality studies and philosophy at Penn State. Malatino is author of Side Affects; Trans Care; and Queer Embodiment: Monstrosity, Medical Violence, and Intersex Experience.</p><p>Zena Sharman is a writer, speaker, strategist, and LGBTQ+ health advocate. Sharman is author of The Care We Dream Of, and editor of The Remedy: Queer and Trans Voices on Health and Health Care. More info: ZenaSharman.com.</p><p><br>Topics discussed: trans and queer community, affect, rage, trauma, liberatory health care, liberated futures, family, aging, burnout, carceral systems, collective care work.</p><p><br>References in this conversation include:<br>Susan Stryker<br>María Lugones<br>James C. Scott<br>Leah Lakshmi Piepzna-Samarasinha<br>Dean Spade<br>Myrl Beam<br>T Fleischmann<br>Sins Invalid disability justice primer<br>Aurora Levins Morales<br>Eli Clare<br>Shayda Kafai<br>Ann Cvetkovich</p><p><br>A transcript of this episode is available at: z.umn.edu/51222p</p>]]>
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      <pubDate>Tue, 14 Jun 2022 10:12:02 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/_xglcfuv5g-E_4u5xRolwOMK9f_DGtbswrZIIBDqcqU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzkxODUyMy8x/NjU1MjE5NTIyLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3691</itunes:duration>
      <itunes:summary>In SIDE AFFECTS, Hil Malatino opens a conversation about trans experience that acknowledges the reality of feeling fatigue, envy, burnout, numbness, and rate amid the ongoing onslaught of casual and structural transphobia in order to map the intricate emotional terrain of trans survival. In May 2022, Malatino was joined in conversation by Zena Sharman, author of The Care We Dream Of: Liberatory and Transformative Approaches to LGBTQ+ Health. This conversation was hosted virtually by White Whale Bookstore of Pittsburgh, PA.</itunes:summary>
      <itunes:subtitle>In SIDE AFFECTS, Hil Malatino opens a conversation about trans experience that acknowledges the reality of feeling fatigue, envy, burnout, numbness, and rate amid the ongoing onslaught of casual and structural transphobia in order to map the intricate emo</itunes:subtitle>
      <itunes:keywords>Hil Malatino, Zena Sharman, White Whale Bookstore, Side Affects, The Care We Dream Of, trans, queer, affect, burnout, collective care, pain, aging, family</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Activist archiving in the age of AIDS.</title>
      <itunes:episode>39</itunes:episode>
      <podcast:episode>39</podcast:episode>
      <itunes:title>Activist archiving in the age of AIDS.</itunes:title>
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      <link>https://share.transistor.fm/s/95fe97c6</link>
      <description>
        <![CDATA[<p>What are we leaving behind, forgetting, and obscuring as we remember AIDS activist pasts? <em>VIRAL CULTURES</em> is the first book to critically examine the archives that have helped preserve and create the legacy of AIDS activism of the 1980s and 1990s. Marika Cifor charts the efforts activists, artists, and curators have made to document the work of AIDS activism in the US and the infrastructure developed to maintain it, with attention on large institutional archives such as the New York Public Library, and those developed by community-based organizations such as ACT UP and VISUAL AIDS. This book explores the act of saving this activist past and reanimating it in the digital age. Cifor is joined here in conversation by Cait McKinney, K.J. Rawson, and Theodore (Ted) Kerr.</p><p><br>Participant bios:</p><p>Marika Cifor is a feminist scholar of archival and digital studies. Cifor is assistant professor in the Information School and adjunct faculty member in gender, women, and sexuality studies at the University of Washington. She is author of <em>Viral Cultures: Activist Archiving in the Age of AIDS</em>.</p><p><br></p><p>Cait McKinney is assistant professor in the School of Communication at Simon Fraser University. McKinney’s work includes media histories of LGBTQ+ activists and how they took up Internet technologies in the 1980s and 90s.</p><p><br></p><p>K.J. Rawson is associate professor of English and women’s, gender, and sexuality studies at Northeastern University. Rawson is founder and director of the Digital Transgender Archive and co-chair of the editorial board of the Homosaurus, an international LGBTQ+ linked data vocabulary.</p><p><br></p><p>Ted Kerr is a writer and artist who teaches at The New School. Kerr is a founding member of the collective What Would an HIV Doula Do?, and is coauthor, with Alexandra Juhasz, of <em>We Are Having This Conversation Now: The Times of AIDS Cultural Production</em>.</p><p><br></p><p>Works and people referenced in this episode:</p><p>-Vincent Chevalier and Ian Bradley-Perrin (<em>Your Nostalgia Is Killing Me!</em>)</p><p>-Avram Finkelstein</p><p>-Hil Malatino</p><p>-Debra Levine</p><p>-David Hirsh and Frank Moore, Visual AIDS Archive Project (visualaids.org)</p><p>-Maxine Wolfe</p><p>-Stephen Shapiro</p><p>-Nelson Santos </p><p>-Kia LaBeija (Goodnight, Kia)</p><p>-Demian DinéYazhi ́ (NDN AIDS Flag)</p><p>-AfterLab (University of Washington, Information School)</p><p>-Anna Lauren Hoffmann</p><p>-Megan Finn</p><p>-Tonia Sutherland</p><p>-Marika Cifor: "Presence, Absence, and Victoria's Hair: Examining Affect and Embodiment in -Trans Archives." <em>Transgender Studies Quarterly</em> 2, no. 4 (2015): 645-649.</p><p>-Lesbian Herstory Archives</p><p>-Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani, eds. <em>AIDS and the Distribution of Crises</em>. Durham, NC:: Duke University Press, 2020.</p><p>-Homosaurus: An International LGBTQ Linked Data Vocabulary (<a href="http://homosaurus.org/">homosaurus.org</a>)</p><p>-Digital Transgender Archive</p><p>-What Would an HIV Doula Do? Collective</p><p>-PosterVirus (AIDS ACTION NOW!)</p><p>-Alexandra Juhasz and Theodore (Ted) Kerr, <em>We Are Having This Conversation Now</em><strong><em>: </em></strong><em>The Times of AIDS Cultural Production</em>. Durham, NC:: Duke University Press, 2022</p><p>-Cait McKinney, <em>Information Activism:</em> <em>a queer history of lesbian media technologies</em>. Durham, NC:: Duke University Press, 2020</p><p>-ACT UP</p><p>-The Archive Project (Visual AIDS)</p><p>-The Artist+ Registry (Visual AIDS)</p><p>-New York University Fales Library and Special Collections</p><p>-ACT UP/NY Records (New York Public Library)</p><p>-New York Public Library</p><p>-Alex Fialho (Visual AIDS)</p><p>-Eric Rhein (Visual AIDS Archive Project)</p><p>-Michelle Caswell and Marika Cifor. "From human rights to feminist ethics: radical empathy in the archives." <em>Archivaria</em> 81, no. 1 (2016): 23-43.</p><p>-Cait McKinney and Dylan Mulvin. "Bugs: rethinking the history of computing." <em>Communication, Culture &amp; Critique</em> 12, no. 4 (2019): 476-498.</p><p>-Marika Cifor and Cait McKinney. "Reclaiming HIV/AIDS in digital media studies." <em>First Monday</em> (2020).</p><p><em>-What Does a COVID-19 Doula Do? Zine</em> (ONE Archives at University of Southern California) <a href="https://www.onearchives.org/what-does-a-covid19-doula-do-zine/">https://www.onearchives.org/what-does-a-covid19-doula-do-zine/</a>)</p><p>-Latino/a Caucus (ACT UP/New York)</p><p>-Julián de Mayo</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>What are we leaving behind, forgetting, and obscuring as we remember AIDS activist pasts? <em>VIRAL CULTURES</em> is the first book to critically examine the archives that have helped preserve and create the legacy of AIDS activism of the 1980s and 1990s. Marika Cifor charts the efforts activists, artists, and curators have made to document the work of AIDS activism in the US and the infrastructure developed to maintain it, with attention on large institutional archives such as the New York Public Library, and those developed by community-based organizations such as ACT UP and VISUAL AIDS. This book explores the act of saving this activist past and reanimating it in the digital age. Cifor is joined here in conversation by Cait McKinney, K.J. Rawson, and Theodore (Ted) Kerr.</p><p><br>Participant bios:</p><p>Marika Cifor is a feminist scholar of archival and digital studies. Cifor is assistant professor in the Information School and adjunct faculty member in gender, women, and sexuality studies at the University of Washington. She is author of <em>Viral Cultures: Activist Archiving in the Age of AIDS</em>.</p><p><br></p><p>Cait McKinney is assistant professor in the School of Communication at Simon Fraser University. McKinney’s work includes media histories of LGBTQ+ activists and how they took up Internet technologies in the 1980s and 90s.</p><p><br></p><p>K.J. Rawson is associate professor of English and women’s, gender, and sexuality studies at Northeastern University. Rawson is founder and director of the Digital Transgender Archive and co-chair of the editorial board of the Homosaurus, an international LGBTQ+ linked data vocabulary.</p><p><br></p><p>Ted Kerr is a writer and artist who teaches at The New School. Kerr is a founding member of the collective What Would an HIV Doula Do?, and is coauthor, with Alexandra Juhasz, of <em>We Are Having This Conversation Now: The Times of AIDS Cultural Production</em>.</p><p><br></p><p>Works and people referenced in this episode:</p><p>-Vincent Chevalier and Ian Bradley-Perrin (<em>Your Nostalgia Is Killing Me!</em>)</p><p>-Avram Finkelstein</p><p>-Hil Malatino</p><p>-Debra Levine</p><p>-David Hirsh and Frank Moore, Visual AIDS Archive Project (visualaids.org)</p><p>-Maxine Wolfe</p><p>-Stephen Shapiro</p><p>-Nelson Santos </p><p>-Kia LaBeija (Goodnight, Kia)</p><p>-Demian DinéYazhi ́ (NDN AIDS Flag)</p><p>-AfterLab (University of Washington, Information School)</p><p>-Anna Lauren Hoffmann</p><p>-Megan Finn</p><p>-Tonia Sutherland</p><p>-Marika Cifor: "Presence, Absence, and Victoria's Hair: Examining Affect and Embodiment in -Trans Archives." <em>Transgender Studies Quarterly</em> 2, no. 4 (2015): 645-649.</p><p>-Lesbian Herstory Archives</p><p>-Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani, eds. <em>AIDS and the Distribution of Crises</em>. Durham, NC:: Duke University Press, 2020.</p><p>-Homosaurus: An International LGBTQ Linked Data Vocabulary (<a href="http://homosaurus.org/">homosaurus.org</a>)</p><p>-Digital Transgender Archive</p><p>-What Would an HIV Doula Do? Collective</p><p>-PosterVirus (AIDS ACTION NOW!)</p><p>-Alexandra Juhasz and Theodore (Ted) Kerr, <em>We Are Having This Conversation Now</em><strong><em>: </em></strong><em>The Times of AIDS Cultural Production</em>. Durham, NC:: Duke University Press, 2022</p><p>-Cait McKinney, <em>Information Activism:</em> <em>a queer history of lesbian media technologies</em>. Durham, NC:: Duke University Press, 2020</p><p>-ACT UP</p><p>-The Archive Project (Visual AIDS)</p><p>-The Artist+ Registry (Visual AIDS)</p><p>-New York University Fales Library and Special Collections</p><p>-ACT UP/NY Records (New York Public Library)</p><p>-New York Public Library</p><p>-Alex Fialho (Visual AIDS)</p><p>-Eric Rhein (Visual AIDS Archive Project)</p><p>-Michelle Caswell and Marika Cifor. "From human rights to feminist ethics: radical empathy in the archives." <em>Archivaria</em> 81, no. 1 (2016): 23-43.</p><p>-Cait McKinney and Dylan Mulvin. "Bugs: rethinking the history of computing." <em>Communication, Culture &amp; Critique</em> 12, no. 4 (2019): 476-498.</p><p>-Marika Cifor and Cait McKinney. "Reclaiming HIV/AIDS in digital media studies." <em>First Monday</em> (2020).</p><p><em>-What Does a COVID-19 Doula Do? Zine</em> (ONE Archives at University of Southern California) <a href="https://www.onearchives.org/what-does-a-covid19-doula-do-zine/">https://www.onearchives.org/what-does-a-covid19-doula-do-zine/</a>)</p><p>-Latino/a Caucus (ACT UP/New York)</p><p>-Julián de Mayo</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 02 Jun 2022 09:37:28 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/95fe97c6/dceeb6fe.mp3" length="94517361" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/JxLynoiGA6syCLK9z06Oao0yGw7FLsW3bmke9AXZHuU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzkwNzA0OC8x/NjU0MTgwNjQ4LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3938</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>What are we leaving behind, forgetting, and obscuring as we remember AIDS activist pasts? <em>VIRAL CULTURES</em> is the first book to critically examine the archives that have helped preserve and create the legacy of AIDS activism of the 1980s and 1990s. Marika Cifor charts the efforts activists, artists, and curators have made to document the work of AIDS activism in the US and the infrastructure developed to maintain it, with attention on large institutional archives such as the New York Public Library, and those developed by community-based organizations such as ACT UP and VISUAL AIDS. This book explores the act of saving this activist past and reanimating it in the digital age. Cifor is joined here in conversation by Cait McKinney, K.J. Rawson, and Theodore (Ted) Kerr.</p><p><br>Participant bios:</p><p>Marika Cifor is a feminist scholar of archival and digital studies. Cifor is assistant professor in the Information School and adjunct faculty member in gender, women, and sexuality studies at the University of Washington. She is author of <em>Viral Cultures: Activist Archiving in the Age of AIDS</em>.</p><p><br></p><p>Cait McKinney is assistant professor in the School of Communication at Simon Fraser University. McKinney’s work includes media histories of LGBTQ+ activists and how they took up Internet technologies in the 1980s and 90s.</p><p><br></p><p>K.J. Rawson is associate professor of English and women’s, gender, and sexuality studies at Northeastern University. Rawson is founder and director of the Digital Transgender Archive and co-chair of the editorial board of the Homosaurus, an international LGBTQ+ linked data vocabulary.</p><p><br></p><p>Ted Kerr is a writer and artist who teaches at The New School. Kerr is a founding member of the collective What Would an HIV Doula Do?, and is coauthor, with Alexandra Juhasz, of <em>We Are Having This Conversation Now: The Times of AIDS Cultural Production</em>.</p><p><br></p><p>Works and people referenced in this episode:</p><p>-Vincent Chevalier and Ian Bradley-Perrin (<em>Your Nostalgia Is Killing Me!</em>)</p><p>-Avram Finkelstein</p><p>-Hil Malatino</p><p>-Debra Levine</p><p>-David Hirsh and Frank Moore, Visual AIDS Archive Project (visualaids.org)</p><p>-Maxine Wolfe</p><p>-Stephen Shapiro</p><p>-Nelson Santos </p><p>-Kia LaBeija (Goodnight, Kia)</p><p>-Demian DinéYazhi ́ (NDN AIDS Flag)</p><p>-AfterLab (University of Washington, Information School)</p><p>-Anna Lauren Hoffmann</p><p>-Megan Finn</p><p>-Tonia Sutherland</p><p>-Marika Cifor: "Presence, Absence, and Victoria's Hair: Examining Affect and Embodiment in -Trans Archives." <em>Transgender Studies Quarterly</em> 2, no. 4 (2015): 645-649.</p><p>-Lesbian Herstory Archives</p><p>-Jih-Fei Cheng, Alexandra Juhasz, and Nishant Shahani, eds. <em>AIDS and the Distribution of Crises</em>. Durham, NC:: Duke University Press, 2020.</p><p>-Homosaurus: An International LGBTQ Linked Data Vocabulary (<a href="http://homosaurus.org/">homosaurus.org</a>)</p><p>-Digital Transgender Archive</p><p>-What Would an HIV Doula Do? Collective</p><p>-PosterVirus (AIDS ACTION NOW!)</p><p>-Alexandra Juhasz and Theodore (Ted) Kerr, <em>We Are Having This Conversation Now</em><strong><em>: </em></strong><em>The Times of AIDS Cultural Production</em>. Durham, NC:: Duke University Press, 2022</p><p>-Cait McKinney, <em>Information Activism:</em> <em>a queer history of lesbian media technologies</em>. Durham, NC:: Duke University Press, 2020</p><p>-ACT UP</p><p>-The Archive Project (Visual AIDS)</p><p>-The Artist+ Registry (Visual AIDS)</p><p>-New York University Fales Library and Special Collections</p><p>-ACT UP/NY Records (New York Public Library)</p><p>-New York Public Library</p><p>-Alex Fialho (Visual AIDS)</p><p>-Eric Rhein (Visual AIDS Archive Project)</p><p>-Michelle Caswell and Marika Cifor. "From human rights to feminist ethics: radical empathy in the archives." <em>Archivaria</em> 81, no. 1 (2016): 23-43.</p><p>-Cait McKinney and Dylan Mulvin. "Bugs: rethinking the history of computing." <em>Communication, Culture &amp; Critique</em> 12, no. 4 (2019): 476-498.</p><p>-Marika Cifor and Cait McKinney. "Reclaiming HIV/AIDS in digital media studies." <em>First Monday</em> (2020).</p><p><em>-What Does a COVID-19 Doula Do? Zine</em> (ONE Archives at University of Southern California) <a href="https://www.onearchives.org/what-does-a-covid19-doula-do-zine/">https://www.onearchives.org/what-does-a-covid19-doula-do-zine/</a>)</p><p>-Latino/a Caucus (ACT UP/New York)</p><p>-Julián de Mayo</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>AIDS, nostalgia, librarians, archivists, activism, ACT UP, vital nostalgia</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/95fe97c6/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Allotment Stories: Daniel Heath Justice and Jean M. O'Brien</title>
      <itunes:episode>38</itunes:episode>
      <podcast:episode>38</podcast:episode>
      <itunes:title>Allotment Stories: Daniel Heath Justice and Jean M. O'Brien</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e3095d3e</link>
      <description>
        <![CDATA[<p>Land privatization has been a longstanding and ongoing settler colonial process separating Indigenous peoples from their traditional homelands, with devastating consequences. ALLOTMENT STORIES is an edited collection that dives into this conflict, creating a complex conversation out of narratives of Indigenous communities resisting allotment and other dispossessive land schemes. The volume’s editors, Daniel Heath Justice and Jean M. O’Brien, are here to talk about the urgency of these conversations on dispossession and repossession, which are not always stories of easy heroes and easy villains; and also discuss considerations that go into publishing an edited collection.</p><p>Raised in traditional Ute territory in Colorado and now living in shíshálh territory in British Columbia, Daniel Heath Justice (Cherokee Nation) is professor of Critical Indigenous Studies and English at the University of British Columbia, xwməθkwəy̓əm territory. He is author of <em>Why Indigenous Literatures Matter</em> and <em>Our Fire Survives the Storm</em> (Minnesota, 2005).</p><p><br></p><p>Jean M. O’Brien (White Earth Ojibwe) is Distinguished McKnight and Northrop Professor in the Department of History at the University of Minnesota within Dakota homelands. Her books include <em>Dispossession by Degrees</em> and <em>Firsting and Lasting</em> (Minnesota, 2010).</p><p>Episode note: Brief references are made to the book’s cover designer and acquisitions editor; they are, respectively, Catherine Casalino and Jason Weidemann.</p><p>References:</p><p>-General (Dawes) Allotment Act of 1887 in the United States, which allowed the federal government to break up tribal lands.</p><p>-McGirt v. Oklahoma, in which the U.S. Supreme Court affirmed that the Muscogee (Creek) Nation’s reservation boundaries in current-day Oklahoma had not been extinguished by nineteenth-century allotment legislation.</p><p>-Cobell v. Salazar settlement’s Land Buy-Back Program for Tribal Nations.</p><p>ALLOTMENT STORIES is a volume that features contributions from Jennifer Adese, Megan Baker, William Bauer Jr., Christine Taitano DeLisle, Vicente M. Diaz, Sarah Biscarra Dilley, Marilyn Dumont, Munir Fakher Eldin, Nick Estes, Pauliina Feodoroff, Susan E. Gray, J. Kēhaulani Kauanui, Rauna Kuokkanen, Sheryl R. Lightfoot, Kelly McDonough, Ruby Hansen Murray, Tero Mustonen, Darren O’Toole, Shiri Pasternak, Dione Payne, Joseph M. Pierce, Khal Schneider, Argelia Segovia Liga, Leanne Betasamosake Simpson, Jameson R. Sweet, Michael P. Taylor, Candessa Tehee, and Benjamin Hugh Velaise. </p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Land privatization has been a longstanding and ongoing settler colonial process separating Indigenous peoples from their traditional homelands, with devastating consequences. ALLOTMENT STORIES is an edited collection that dives into this conflict, creating a complex conversation out of narratives of Indigenous communities resisting allotment and other dispossessive land schemes. The volume’s editors, Daniel Heath Justice and Jean M. O’Brien, are here to talk about the urgency of these conversations on dispossession and repossession, which are not always stories of easy heroes and easy villains; and also discuss considerations that go into publishing an edited collection.</p><p>Raised in traditional Ute territory in Colorado and now living in shíshálh territory in British Columbia, Daniel Heath Justice (Cherokee Nation) is professor of Critical Indigenous Studies and English at the University of British Columbia, xwməθkwəy̓əm territory. He is author of <em>Why Indigenous Literatures Matter</em> and <em>Our Fire Survives the Storm</em> (Minnesota, 2005).</p><p><br></p><p>Jean M. O’Brien (White Earth Ojibwe) is Distinguished McKnight and Northrop Professor in the Department of History at the University of Minnesota within Dakota homelands. Her books include <em>Dispossession by Degrees</em> and <em>Firsting and Lasting</em> (Minnesota, 2010).</p><p>Episode note: Brief references are made to the book’s cover designer and acquisitions editor; they are, respectively, Catherine Casalino and Jason Weidemann.</p><p>References:</p><p>-General (Dawes) Allotment Act of 1887 in the United States, which allowed the federal government to break up tribal lands.</p><p>-McGirt v. Oklahoma, in which the U.S. Supreme Court affirmed that the Muscogee (Creek) Nation’s reservation boundaries in current-day Oklahoma had not been extinguished by nineteenth-century allotment legislation.</p><p>-Cobell v. Salazar settlement’s Land Buy-Back Program for Tribal Nations.</p><p>ALLOTMENT STORIES is a volume that features contributions from Jennifer Adese, Megan Baker, William Bauer Jr., Christine Taitano DeLisle, Vicente M. Diaz, Sarah Biscarra Dilley, Marilyn Dumont, Munir Fakher Eldin, Nick Estes, Pauliina Feodoroff, Susan E. Gray, J. Kēhaulani Kauanui, Rauna Kuokkanen, Sheryl R. Lightfoot, Kelly McDonough, Ruby Hansen Murray, Tero Mustonen, Darren O’Toole, Shiri Pasternak, Dione Payne, Joseph M. Pierce, Khal Schneider, Argelia Segovia Liga, Leanne Betasamosake Simpson, Jameson R. Sweet, Michael P. Taylor, Candessa Tehee, and Benjamin Hugh Velaise. </p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 04 May 2022 14:23:46 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/e3095d3e/78f6e302.mp3" length="63663136" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Ts-vuIYxTaNw-dj8Xc7WfjXKbQL3sdwvNEYZktm7mL0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzg4MDcyNy8x/NjUxNjkyMjI2LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2649</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Land privatization has been a longstanding and ongoing settler colonial process separating Indigenous peoples from their traditional homelands, with devastating consequences. ALLOTMENT STORIES is an edited collection that dives into this conflict, creating a complex conversation out of narratives of Indigenous communities resisting allotment and other dispossessive land schemes. The volume’s editors, Daniel Heath Justice and Jean M. O’Brien, are here to talk about the urgency of these conversations on dispossession and repossession, which are not always stories of easy heroes and easy villains; and also discuss considerations that go into publishing an edited collection.</p><p>Raised in traditional Ute territory in Colorado and now living in shíshálh territory in British Columbia, Daniel Heath Justice (Cherokee Nation) is professor of Critical Indigenous Studies and English at the University of British Columbia, xwməθkwəy̓əm territory. He is author of <em>Why Indigenous Literatures Matter</em> and <em>Our Fire Survives the Storm</em> (Minnesota, 2005).</p><p><br></p><p>Jean M. O’Brien (White Earth Ojibwe) is Distinguished McKnight and Northrop Professor in the Department of History at the University of Minnesota within Dakota homelands. Her books include <em>Dispossession by Degrees</em> and <em>Firsting and Lasting</em> (Minnesota, 2010).</p><p>Episode note: Brief references are made to the book’s cover designer and acquisitions editor; they are, respectively, Catherine Casalino and Jason Weidemann.</p><p>References:</p><p>-General (Dawes) Allotment Act of 1887 in the United States, which allowed the federal government to break up tribal lands.</p><p>-McGirt v. Oklahoma, in which the U.S. Supreme Court affirmed that the Muscogee (Creek) Nation’s reservation boundaries in current-day Oklahoma had not been extinguished by nineteenth-century allotment legislation.</p><p>-Cobell v. Salazar settlement’s Land Buy-Back Program for Tribal Nations.</p><p>ALLOTMENT STORIES is a volume that features contributions from Jennifer Adese, Megan Baker, William Bauer Jr., Christine Taitano DeLisle, Vicente M. Diaz, Sarah Biscarra Dilley, Marilyn Dumont, Munir Fakher Eldin, Nick Estes, Pauliina Feodoroff, Susan E. Gray, J. Kēhaulani Kauanui, Rauna Kuokkanen, Sheryl R. Lightfoot, Kelly McDonough, Ruby Hansen Murray, Tero Mustonen, Darren O’Toole, Shiri Pasternak, Dione Payne, Joseph M. Pierce, Khal Schneider, Argelia Segovia Liga, Leanne Betasamosake Simpson, Jameson R. Sweet, Michael P. Taylor, Candessa Tehee, and Benjamin Hugh Velaise. </p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Allotment Stories, Daniel Heath Justice, Jeani O'Brien, settler colonialism, Indigenous resurgence, Indigenous relationality, land privatization, Dawes Act, McGirt v. Oklahoma, Cobell v. Salazar, publishing</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/e3095d3e/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Saving Animals: On sanctuary, care, ethics</title>
      <itunes:episode>37</itunes:episode>
      <podcast:episode>37</podcast:episode>
      <itunes:title>Saving Animals: On sanctuary, care, ethics</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0545d996-baaf-46c5-8a1b-40a2ee0e8ba7</guid>
      <link>https://share.transistor.fm/s/2bbc44ff</link>
      <description>
        <![CDATA[<p>Elan Abrell is author of SAVING ANIMALS: the first major ethnography to focus on the ethical issues animating the establishment of animal sanctuaries and animal rescue facilities. Abrell has done fieldwork at such facilities across the US, and here asks what “saving,” “caring for,” and “sanctuary” actually mean, exploring ethical decision making around sanctuary efforts to unmake property-based human-animal relations and adapt to the material and social conditions of the Anthropocene. Abrell is joined in conversation by Kathryn (Katie) Gillespie to discuss witnessing, research ethics, speciesism, and the politics of care practices in the US animal sanctuary movement. (Content warning: Contains descriptions of animals in distress, at auction, and at slaughter.)</p><p><br></p><p>Elan Abrell is a cultural anthropologist who has taught animal studies, environmental studies, and anthropology at Wesleyan University and New York University, and is vice president of programs with the Phoenix Zones Initiative.</p><p><br></p><p>Katie Gillespie is a geographer who teaches at the University of Kentucky. She is author of The Cow with Ear Tag #1389.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Elan Abrell is author of SAVING ANIMALS: the first major ethnography to focus on the ethical issues animating the establishment of animal sanctuaries and animal rescue facilities. Abrell has done fieldwork at such facilities across the US, and here asks what “saving,” “caring for,” and “sanctuary” actually mean, exploring ethical decision making around sanctuary efforts to unmake property-based human-animal relations and adapt to the material and social conditions of the Anthropocene. Abrell is joined in conversation by Kathryn (Katie) Gillespie to discuss witnessing, research ethics, speciesism, and the politics of care practices in the US animal sanctuary movement. (Content warning: Contains descriptions of animals in distress, at auction, and at slaughter.)</p><p><br></p><p>Elan Abrell is a cultural anthropologist who has taught animal studies, environmental studies, and anthropology at Wesleyan University and New York University, and is vice president of programs with the Phoenix Zones Initiative.</p><p><br></p><p>Katie Gillespie is a geographer who teaches at the University of Kentucky. She is author of The Cow with Ear Tag #1389.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 05 Apr 2022 09:17:28 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/A3ZN6N5m-ZsLq_DlJLPHoOnejnVZgFYqV0E5Ps1DXDQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzg1MjEyMi8x/NjQ5MTY4MjQ4LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3856</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Elan Abrell is author of SAVING ANIMALS: the first major ethnography to focus on the ethical issues animating the establishment of animal sanctuaries and animal rescue facilities. Abrell has done fieldwork at such facilities across the US, and here asks what “saving,” “caring for,” and “sanctuary” actually mean, exploring ethical decision making around sanctuary efforts to unmake property-based human-animal relations and adapt to the material and social conditions of the Anthropocene. Abrell is joined in conversation by Kathryn (Katie) Gillespie to discuss witnessing, research ethics, speciesism, and the politics of care practices in the US animal sanctuary movement. (Content warning: Contains descriptions of animals in distress, at auction, and at slaughter.)</p><p><br></p><p>Elan Abrell is a cultural anthropologist who has taught animal studies, environmental studies, and anthropology at Wesleyan University and New York University, and is vice president of programs with the Phoenix Zones Initiative.</p><p><br></p><p>Katie Gillespie is a geographer who teaches at the University of Kentucky. She is author of The Cow with Ear Tag #1389.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Saving Animals, Elan Abrell, Katie Gillespie, animal rights, sanctuary, rescue, ethics, environmental studies, animals, anthropology, ethnography, Anthropocene, fieldwork, care</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/2bbc44ff/transcription.vtt" type="text/vtt" rel="captions"/>
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    <item>
      <title>Making creative laborers for a precarious economy.</title>
      <itunes:episode>36</itunes:episode>
      <podcast:episode>36</podcast:episode>
      <itunes:title>Making creative laborers for a precarious economy.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Josef Nguyen’s THE DIGITAL IS KID STUFF questions constructions of creativity, childhood, entrepreneurialism, and technological savvy, toggling between techno-pessimism and techno-utopianism in the process. The book narrates the developmental arc of a future creative laborer: from playing Minecraft, to DIY innovation with Make magazine, to selfies on Instagram, to the Creative Science Foundation and imagining technological innovations using design fiction. Nguyen is joined here in conversation by Carly Kocurek and Patrick LeMieux.</p><p><br></p><p>Josef Nguyen (he/him) is assistant professor of critical media studies at the University of Texas at Dallas.</p><p><br></p><p>Carly Kocurek (she/her) is associate professor of digital humanities and media studies at the Illinois Institute of Technology.</p><p><br></p><p>Patrick LeMieux (he/him) is a media artist, game designer, electronic musician, and associate professor of cinema and digital media at the University of California, Davis.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Josef Nguyen’s THE DIGITAL IS KID STUFF questions constructions of creativity, childhood, entrepreneurialism, and technological savvy, toggling between techno-pessimism and techno-utopianism in the process. The book narrates the developmental arc of a future creative laborer: from playing Minecraft, to DIY innovation with Make magazine, to selfies on Instagram, to the Creative Science Foundation and imagining technological innovations using design fiction. Nguyen is joined here in conversation by Carly Kocurek and Patrick LeMieux.</p><p><br></p><p>Josef Nguyen (he/him) is assistant professor of critical media studies at the University of Texas at Dallas.</p><p><br></p><p>Carly Kocurek (she/her) is associate professor of digital humanities and media studies at the Illinois Institute of Technology.</p><p><br></p><p>Patrick LeMieux (he/him) is a media artist, game designer, electronic musician, and associate professor of cinema and digital media at the University of California, Davis.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 22 Mar 2022 09:26:24 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/1oPED7zh1dKWVrgFMQavZ2MgxhMtXpVLg5DBEVv7LuI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzgzODAyMS8x/NjQ3OTU5MTg0LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3193</itunes:duration>
      <itunes:summary>Josef Nguyen’s THE DIGITAL IS KID STUFF narrates the developmental arc of a future creative laborer: from playing Minecraft, to DIY innovation with Make magazine, to selfies on Instagram, to the Creative Science Foundation and imagining technological innovations using design fiction. Nguyen is joined here in conversation by Carly Kocurek and Patrick LeMieux.</itunes:summary>
      <itunes:subtitle>Josef Nguyen’s THE DIGITAL IS KID STUFF narrates the developmental arc of a future creative laborer: from playing Minecraft, to DIY innovation with Make magazine, to selfies on Instagram, to the Creative Science Foundation and imagining technological inno</itunes:subtitle>
      <itunes:keywords>Josef Nguyen, Carly Kocurek, Patrick LeMieux, creativity, childhood, economy, entrepreneur, technology, Minecraft, Make magazine, Instagram, Creative Science Foundation, design fiction</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Eco Soma with Petra Kuppers (Art after Nature 2)</title>
      <itunes:episode>35</itunes:episode>
      <podcast:episode>35</podcast:episode>
      <itunes:title>Eco Soma with Petra Kuppers (Art after Nature 2)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously. Petra Kuppers asks readers to be alert to their own embodied responses to art practice, reading contemporary performance encounters while modeling a disability culture sensitivity to living in a shared world, oriented toward socially just futures. In this episode, Kuppers joins Giovanni Aloi and Caroline Picard, coeditors of the Art after Nature series, in a conversation that begins with an embody journey and touches on questions of awareness, thought patterns, attention, capitalism, performance, language, identity, and disability culture.</p><p><br></p><p>Petra Kuppers is a community performance artist and disability culture activist. She is professor of English and women’s and gender studies at the University of Michigan and serves on the faculty of the MFA in Interdisciplinary Arts at Goddard College.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor in chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p><br>ECO SOMA is free to read online at Manifold: z.umn.edu/ecosoma-m.</p><p>References in the episode include:<br>-the umwelt (“enviroment” or “surroundings”)</p><p>-taisha paggett</p><p>-Tiffany King (The Black Shoals)</p><p>-Yinka Shonibare</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously. Petra Kuppers asks readers to be alert to their own embodied responses to art practice, reading contemporary performance encounters while modeling a disability culture sensitivity to living in a shared world, oriented toward socially just futures. In this episode, Kuppers joins Giovanni Aloi and Caroline Picard, coeditors of the Art after Nature series, in a conversation that begins with an embody journey and touches on questions of awareness, thought patterns, attention, capitalism, performance, language, identity, and disability culture.</p><p><br></p><p>Petra Kuppers is a community performance artist and disability culture activist. She is professor of English and women’s and gender studies at the University of Michigan and serves on the faculty of the MFA in Interdisciplinary Arts at Goddard College.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor in chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p><br>ECO SOMA is free to read online at Manifold: z.umn.edu/ecosoma-m.</p><p>References in the episode include:<br>-the umwelt (“enviroment” or “surroundings”)</p><p>-taisha paggett</p><p>-Tiffany King (The Black Shoals)</p><p>-Yinka Shonibare</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 22 Feb 2022 13:57:48 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/EOVkpXS6SKFoT8oHvloE4O73ty67MwswB-kx2iDqf94/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzgxMzQ0My8x/NjQ1NTU5ODY4LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2776</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously. Petra Kuppers asks readers to be alert to their own embodied responses to art practice, reading contemporary performance encounters while modeling a disability culture sensitivity to living in a shared world, oriented toward socially just futures. In this episode, Kuppers joins Giovanni Aloi and Caroline Picard, coeditors of the Art after Nature series, in a conversation that begins with an embody journey and touches on questions of awareness, thought patterns, attention, capitalism, performance, language, identity, and disability culture.</p><p><br></p><p>Petra Kuppers is a community performance artist and disability culture activist. She is professor of English and women’s and gender studies at the University of Michigan and serves on the faculty of the MFA in Interdisciplinary Arts at Goddard College.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor in chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p><br>ECO SOMA is free to read online at Manifold: z.umn.edu/ecosoma-m.</p><p>References in the episode include:<br>-the umwelt (“enviroment” or “surroundings”)</p><p>-taisha paggett</p><p>-Tiffany King (The Black Shoals)</p><p>-Yinka Shonibare</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Eco Soma, Petra Kuppers, Art after Nature, Giovanni Aloi, Caroline Picard, environment, art, performance, disability culture, awareness, identity </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Art and Posthumanism with Cary Wolfe (Art after Nature Part 1)</title>
      <itunes:episode>34</itunes:episode>
      <podcast:episode>34</podcast:episode>
      <itunes:title>Art and Posthumanism with Cary Wolfe (Art after Nature Part 1)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>How do contemporary art and theory contemplate the “bio” of biopolitics and bioart? One of the foremost theorists of posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down in his new book, ART AND POSTHUMANISM. This is the inaugural volume in the new series ART AFTER NATURE, edited by Giovanni Aloi and Caroline Picard. The series fosters multidisciplinarity, creatively engaging with new and alternative discourses at the intersection of art, science, and philosophy. It engages with the politics and contradictions of the Anthropocene in order to problematize disciplines such as animal studies, posthumanism, and speculative realism, through art writing and art making.</p><p><br></p><p>Cary Wolfe is Dunlevie Professor of English at Rice University. Wolfe has written on a range of topics including debates in animal studies and posthumanism, has authored many books, and edits the Posthumanities series for University of Minnesota Press.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor in chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p>References in the episode include:</p><p>Foucault</p><p>Agamben</p><p>Derrida</p><p>Donna Haraway</p><p>Flusser</p><p>Jacob von Uexkull</p><p>Damien Hirst</p><p>Steve Baker</p><p>Gregory Bateson</p><p>Eija-Liisa Ahtila</p><p>Niklas Luhmann</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>How do contemporary art and theory contemplate the “bio” of biopolitics and bioart? One of the foremost theorists of posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down in his new book, ART AND POSTHUMANISM. This is the inaugural volume in the new series ART AFTER NATURE, edited by Giovanni Aloi and Caroline Picard. The series fosters multidisciplinarity, creatively engaging with new and alternative discourses at the intersection of art, science, and philosophy. It engages with the politics and contradictions of the Anthropocene in order to problematize disciplines such as animal studies, posthumanism, and speculative realism, through art writing and art making.</p><p><br></p><p>Cary Wolfe is Dunlevie Professor of English at Rice University. Wolfe has written on a range of topics including debates in animal studies and posthumanism, has authored many books, and edits the Posthumanities series for University of Minnesota Press.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor in chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p>References in the episode include:</p><p>Foucault</p><p>Agamben</p><p>Derrida</p><p>Donna Haraway</p><p>Flusser</p><p>Jacob von Uexkull</p><p>Damien Hirst</p><p>Steve Baker</p><p>Gregory Bateson</p><p>Eija-Liisa Ahtila</p><p>Niklas Luhmann</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 08 Feb 2022 09:12:37 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2732</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>How do contemporary art and theory contemplate the “bio” of biopolitics and bioart? One of the foremost theorists of posthumanism, Cary Wolfe argues for the reconceptualization of nature in art and theory to turn the idea of the relationship between the human and the planet upside down in his new book, ART AND POSTHUMANISM. This is the inaugural volume in the new series ART AFTER NATURE, edited by Giovanni Aloi and Caroline Picard. The series fosters multidisciplinarity, creatively engaging with new and alternative discourses at the intersection of art, science, and philosophy. It engages with the politics and contradictions of the Anthropocene in order to problematize disciplines such as animal studies, posthumanism, and speculative realism, through art writing and art making.</p><p><br></p><p>Cary Wolfe is Dunlevie Professor of English at Rice University. Wolfe has written on a range of topics including debates in animal studies and posthumanism, has authored many books, and edits the Posthumanities series for University of Minnesota Press.</p><p><br></p><p>Dr. Giovanni Aloi is an author, educator, and curator specializing in the representation of nature and the environment in art. Aloi is editor in chief of Antennae: The Journal of Nature in Visual Culture.</p><p><br></p><p>Caroline Picard is a writer, cartoonist, curator, and executive director of Green Lantern Press.</p><p>References in the episode include:</p><p>Foucault</p><p>Agamben</p><p>Derrida</p><p>Donna Haraway</p><p>Flusser</p><p>Jacob von Uexkull</p><p>Damien Hirst</p><p>Steve Baker</p><p>Gregory Bateson</p><p>Eija-Liisa Ahtila</p><p>Niklas Luhmann</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>posthumanism, anthropocene, art, environment, animal studies, biopolitics, theory, Cary Wolfe, Giovanni Aloi, Caroline Picard</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Life in Plastic: Plastic's Capitalism (Part 2)</title>
      <itunes:episode>33</itunes:episode>
      <podcast:episode>33</podcast:episode>
      <itunes:title>Life in Plastic: Plastic's Capitalism (Part 2)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/68c4d6ee</link>
      <description>
        <![CDATA[<p>Plastics have been a defining feature of contemporary life since at least the 1960s. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. In this second episode of a two-part series, literary scholars and contributors to the volume LIFE IN PLASTIC: ARTISTIC RESPONSES TO PETROMODERNITY discuss public health, affective politics, postplastic utopias, temporality, globalism, class, geopolitics, literature, and activism as they relate to the problem and politics of plastic. Featuring Caren Irr, Crystal Bartolovich, Christopher Breu, and Sean Grattan.</p><p><br></p><p>Caren Irr is a professor of English at Brandeis University and author of <em>Toward the Geopolitical Novel</em>, <em>Pink Pirates</em>, and <em>The Suburb of Dissent</em>.</p><p>Crystal Bartolovich is an associate professor of English at Syracuse University and coeditor of <em>Marxism, Modernity, and Postcolonial Studies</em>.</p><p><br>Christopher Breu is professor of English at Illinois State University. He is author of <em>Insistence of the Material</em> and <em>Hard-Boiled Masculinities</em>, and coeditor of the forthcoming <em>Noir Affect</em>.</p><p><br>Sean Grattan is an independent scholar and author of <em>Hope Isn’t Stupid</em>.</p><p><br></p><p>Works and people referenced in the episode:</p><p>Gain by Richard Powers</p><p>Fredric Jameson</p><p>N. Katherine Hayles</p><p>Jane Bennett </p><p>A Tale for the Time Being by Ruth Ozeki</p><p>Chris Jordan</p><p>Sylvia Wynter</p><p>Thomas More’s Utopia</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Plastics have been a defining feature of contemporary life since at least the 1960s. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. In this second episode of a two-part series, literary scholars and contributors to the volume LIFE IN PLASTIC: ARTISTIC RESPONSES TO PETROMODERNITY discuss public health, affective politics, postplastic utopias, temporality, globalism, class, geopolitics, literature, and activism as they relate to the problem and politics of plastic. Featuring Caren Irr, Crystal Bartolovich, Christopher Breu, and Sean Grattan.</p><p><br></p><p>Caren Irr is a professor of English at Brandeis University and author of <em>Toward the Geopolitical Novel</em>, <em>Pink Pirates</em>, and <em>The Suburb of Dissent</em>.</p><p>Crystal Bartolovich is an associate professor of English at Syracuse University and coeditor of <em>Marxism, Modernity, and Postcolonial Studies</em>.</p><p><br>Christopher Breu is professor of English at Illinois State University. He is author of <em>Insistence of the Material</em> and <em>Hard-Boiled Masculinities</em>, and coeditor of the forthcoming <em>Noir Affect</em>.</p><p><br>Sean Grattan is an independent scholar and author of <em>Hope Isn’t Stupid</em>.</p><p><br></p><p>Works and people referenced in the episode:</p><p>Gain by Richard Powers</p><p>Fredric Jameson</p><p>N. Katherine Hayles</p><p>Jane Bennett </p><p>A Tale for the Time Being by Ruth Ozeki</p><p>Chris Jordan</p><p>Sylvia Wynter</p><p>Thomas More’s Utopia</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Fri, 28 Jan 2022 11:18:01 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/68c4d6ee/7303a7c9.mp3" length="81677915" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/sNYAx97Ab8wBdiQfSPQbxFJ0RxOC1jMKakMNjx-g7Gw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzc4ODM4Ni8x/NjQzMzkwMjgxLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3403</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Plastics have been a defining feature of contemporary life since at least the 1960s. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. In this second episode of a two-part series, literary scholars and contributors to the volume LIFE IN PLASTIC: ARTISTIC RESPONSES TO PETROMODERNITY discuss public health, affective politics, postplastic utopias, temporality, globalism, class, geopolitics, literature, and activism as they relate to the problem and politics of plastic. Featuring Caren Irr, Crystal Bartolovich, Christopher Breu, and Sean Grattan.</p><p><br></p><p>Caren Irr is a professor of English at Brandeis University and author of <em>Toward the Geopolitical Novel</em>, <em>Pink Pirates</em>, and <em>The Suburb of Dissent</em>.</p><p>Crystal Bartolovich is an associate professor of English at Syracuse University and coeditor of <em>Marxism, Modernity, and Postcolonial Studies</em>.</p><p><br>Christopher Breu is professor of English at Illinois State University. He is author of <em>Insistence of the Material</em> and <em>Hard-Boiled Masculinities</em>, and coeditor of the forthcoming <em>Noir Affect</em>.</p><p><br>Sean Grattan is an independent scholar and author of <em>Hope Isn’t Stupid</em>.</p><p><br></p><p>Works and people referenced in the episode:</p><p>Gain by Richard Powers</p><p>Fredric Jameson</p><p>N. Katherine Hayles</p><p>Jane Bennett </p><p>A Tale for the Time Being by Ruth Ozeki</p><p>Chris Jordan</p><p>Sylvia Wynter</p><p>Thomas More’s Utopia</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Life in Plastic, Caren Irr, Crystal Bartolovich, Christopher Breu, Sean Grattan, postplastic, utopia, affective politics, public health, temporality, globalism, geopolitics, literature, activism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Life in Plastic: Petrochemical Fantasies and Synthetic Sensibilities (Part 1)</title>
      <itunes:episode>32</itunes:episode>
      <podcast:episode>32</podcast:episode>
      <itunes:title>Life in Plastic: Petrochemical Fantasies and Synthetic Sensibilities (Part 1)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Plastics have been a defining feature of contemporary life since at least the 1960s. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. In this first episode of a two-part series, contributors to the volume LIFE IN PLASTIC: ARTISTIC RESPONSES TO PETROMODERNITY discuss plasticity and myth, stretchy superheroes, how plastic became gendered, plastic as a colonizing force, plastic in art and everyday life, and more. Featuring Caren Irr, Lisa Swanstrom, Jennifer Wagner-Lawlor, and Daniel Worden.</p><p><br></p><p>Caren Irr is a professor of English at Brandeis University and author of <em>Toward the Geopolitical Novel</em>, <em>Pink Pirates</em>, and <em>The Suburb of Dissent</em>.</p><p>Lisa Swanstrom is an associate professor of English at the University of Utah, coeditor of <em>Science Fiction Studies</em>, and author of<em> Animal, Vegetable, Digital</em>.</p><p>Jennifer A. Wagner-Lawlor is professor of English and women’s, gender, and sexuality studies at Pennsylvania State University. She is author of <em>Postmodern Utopias</em> and co-curator of <em>Plastic Entanglements</em>.</p><p>Daniel Worden is associate professor of interdisciplinary humanities at the Rochester Institute of Technology and author of <em>Masculine Style</em>, editor of <em>The Comics of Joe Sacco</em>, and coeditor of <em>Oil Culture</em> and <em>Postmodern/Postwar—and After</em>.</p><p>Works and people referenced in the episode:</p><p>Catherine Malabou</p><p>Roland Barthes</p><p>Through the Arc of the Rain Forest by Karen Tei Yamashita</p><p>The Drought by J.G. Ballard</p><p>Mutant 59: The Plastic Eaters</p><p>Covehithe by China Miéville</p><p>Artist Pinar Yoldas</p><p>Plastic by Doug Wagner and Daniel Hillyard</p><p>Great Pacific (comic, 16-issue series)</p><p>The Fifth Season by N.K. Jemisin</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Plastics have been a defining feature of contemporary life since at least the 1960s. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. In this first episode of a two-part series, contributors to the volume LIFE IN PLASTIC: ARTISTIC RESPONSES TO PETROMODERNITY discuss plasticity and myth, stretchy superheroes, how plastic became gendered, plastic as a colonizing force, plastic in art and everyday life, and more. Featuring Caren Irr, Lisa Swanstrom, Jennifer Wagner-Lawlor, and Daniel Worden.</p><p><br></p><p>Caren Irr is a professor of English at Brandeis University and author of <em>Toward the Geopolitical Novel</em>, <em>Pink Pirates</em>, and <em>The Suburb of Dissent</em>.</p><p>Lisa Swanstrom is an associate professor of English at the University of Utah, coeditor of <em>Science Fiction Studies</em>, and author of<em> Animal, Vegetable, Digital</em>.</p><p>Jennifer A. Wagner-Lawlor is professor of English and women’s, gender, and sexuality studies at Pennsylvania State University. She is author of <em>Postmodern Utopias</em> and co-curator of <em>Plastic Entanglements</em>.</p><p>Daniel Worden is associate professor of interdisciplinary humanities at the Rochester Institute of Technology and author of <em>Masculine Style</em>, editor of <em>The Comics of Joe Sacco</em>, and coeditor of <em>Oil Culture</em> and <em>Postmodern/Postwar—and After</em>.</p><p>Works and people referenced in the episode:</p><p>Catherine Malabou</p><p>Roland Barthes</p><p>Through the Arc of the Rain Forest by Karen Tei Yamashita</p><p>The Drought by J.G. Ballard</p><p>Mutant 59: The Plastic Eaters</p><p>Covehithe by China Miéville</p><p>Artist Pinar Yoldas</p><p>Plastic by Doug Wagner and Daniel Hillyard</p><p>Great Pacific (comic, 16-issue series)</p><p>The Fifth Season by N.K. Jemisin</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 13 Jan 2022 11:31:22 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3278</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Plastics have been a defining feature of contemporary life since at least the 1960s. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. In this first episode of a two-part series, contributors to the volume LIFE IN PLASTIC: ARTISTIC RESPONSES TO PETROMODERNITY discuss plasticity and myth, stretchy superheroes, how plastic became gendered, plastic as a colonizing force, plastic in art and everyday life, and more. Featuring Caren Irr, Lisa Swanstrom, Jennifer Wagner-Lawlor, and Daniel Worden.</p><p><br></p><p>Caren Irr is a professor of English at Brandeis University and author of <em>Toward the Geopolitical Novel</em>, <em>Pink Pirates</em>, and <em>The Suburb of Dissent</em>.</p><p>Lisa Swanstrom is an associate professor of English at the University of Utah, coeditor of <em>Science Fiction Studies</em>, and author of<em> Animal, Vegetable, Digital</em>.</p><p>Jennifer A. Wagner-Lawlor is professor of English and women’s, gender, and sexuality studies at Pennsylvania State University. She is author of <em>Postmodern Utopias</em> and co-curator of <em>Plastic Entanglements</em>.</p><p>Daniel Worden is associate professor of interdisciplinary humanities at the Rochester Institute of Technology and author of <em>Masculine Style</em>, editor of <em>The Comics of Joe Sacco</em>, and coeditor of <em>Oil Culture</em> and <em>Postmodern/Postwar—and After</em>.</p><p>Works and people referenced in the episode:</p><p>Catherine Malabou</p><p>Roland Barthes</p><p>Through the Arc of the Rain Forest by Karen Tei Yamashita</p><p>The Drought by J.G. Ballard</p><p>Mutant 59: The Plastic Eaters</p><p>Covehithe by China Miéville</p><p>Artist Pinar Yoldas</p><p>Plastic by Doug Wagner and Daniel Hillyard</p><p>Great Pacific (comic, 16-issue series)</p><p>The Fifth Season by N.K. Jemisin</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Life in Plastic, Caren Irr, Lisa Swanstrom, Jennifer Wagner-Lawlor, Daniel Worden, plastic, environment, waste, plastiglomerate, Anthropocene, environmental humanities, Wasteocene, literary criticism, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>LIVE: We Are Meant to Rise: Voices for Justice from Minneapolis to the World</title>
      <itunes:episode>31</itunes:episode>
      <podcast:episode>31</podcast:episode>
      <itunes:title>LIVE: We Are Meant to Rise: Voices for Justice from Minneapolis to the World</itunes:title>
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        <![CDATA[<p>In inspired and incisive writing the contributors to <em>WE ARE MEANT TO RISE</em> speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal, bearing witness to one of the most unsettling years in the history of the United States. This episode features Carolyn Holbrook, David Mura, Douglas Kearney, Melissa Olson, Said Shaiye, and Kao Kalia Yang. It is a recording from a live event at Next Chapter Booksellers in St. Paul, MN, on November 29, 2021. Minor edits and adjustments have been made for sound quality; some volume adjustment might be needed from time to time.</p><p><br></p><p>We Are Meant to Rise: Voices for Justice from Minneapolis to the World can be purchased at Next Chapter Booksellers. <a href="https://www.nextchapterbooksellers.com/book/9781517912215">https://www.nextchapterbooksellers.com/book/9781517912215</a></p><p><br>Carolyn Holbrook is founder and director of More Than a Single Story, as well as founder of SASE: The Write Place. She is a writer, educator, and an advocate for the healing power of the arts.</p><p>David Mura has written ten books, including the memoirs <em>Turning Japanese</em> (a New York Times Notable Book) and <em>Where the Body Meets Memory</em>. He teaches at VONA, a writers' conference for writers of color, and has worked with Alexs Pate's Innocent Classroom.</p><p>Douglas Kearney has published seven collections, including <em>Sho</em>; the award-winning <em>Buck Studies</em>; and a collection of libretti, <em>Someone Took They Tongues</em>. He teaches creative writing at the University of Minnesota.</p><p>Melissa Olson is an Indigenous person of mixed Anishinaabe and Euro-American heritage, a tribal citizen of the Leech Lake Band of Ojibwe. Melissa has worked as a writer and producer of independent public media at KFAI Fresh Air Community Radio in Minneapolis.</p><p>Said Shaiye is a Somali writer working on his MFA degree at the University of Minnesota. He is author of <em>Are You Borg Now?</em></p><p>Kao Kalia Yang is an award-winning Hmong American writer for both children and adults. She is the Edelstein-Keller Writer in Residence in the creative writing program of the University of Minnesota.</p><p><br>Show note: At 43:11, a minor sound glitch occurs during a reading; the full text reads: “‘<em>Fuck-12’</em> in a ragged handwriting was tagged everywhere, and Black and Brown youths zipped around on their bikes observing people wandering around in shock and disbelief.”</p>]]>
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      <content:encoded>
        <![CDATA[<p>In inspired and incisive writing the contributors to <em>WE ARE MEANT TO RISE</em> speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal, bearing witness to one of the most unsettling years in the history of the United States. This episode features Carolyn Holbrook, David Mura, Douglas Kearney, Melissa Olson, Said Shaiye, and Kao Kalia Yang. It is a recording from a live event at Next Chapter Booksellers in St. Paul, MN, on November 29, 2021. Minor edits and adjustments have been made for sound quality; some volume adjustment might be needed from time to time.</p><p><br></p><p>We Are Meant to Rise: Voices for Justice from Minneapolis to the World can be purchased at Next Chapter Booksellers. <a href="https://www.nextchapterbooksellers.com/book/9781517912215">https://www.nextchapterbooksellers.com/book/9781517912215</a></p><p><br>Carolyn Holbrook is founder and director of More Than a Single Story, as well as founder of SASE: The Write Place. She is a writer, educator, and an advocate for the healing power of the arts.</p><p>David Mura has written ten books, including the memoirs <em>Turning Japanese</em> (a New York Times Notable Book) and <em>Where the Body Meets Memory</em>. He teaches at VONA, a writers' conference for writers of color, and has worked with Alexs Pate's Innocent Classroom.</p><p>Douglas Kearney has published seven collections, including <em>Sho</em>; the award-winning <em>Buck Studies</em>; and a collection of libretti, <em>Someone Took They Tongues</em>. He teaches creative writing at the University of Minnesota.</p><p>Melissa Olson is an Indigenous person of mixed Anishinaabe and Euro-American heritage, a tribal citizen of the Leech Lake Band of Ojibwe. Melissa has worked as a writer and producer of independent public media at KFAI Fresh Air Community Radio in Minneapolis.</p><p>Said Shaiye is a Somali writer working on his MFA degree at the University of Minnesota. He is author of <em>Are You Borg Now?</em></p><p>Kao Kalia Yang is an award-winning Hmong American writer for both children and adults. She is the Edelstein-Keller Writer in Residence in the creative writing program of the University of Minnesota.</p><p><br>Show note: At 43:11, a minor sound glitch occurs during a reading; the full text reads: “‘<em>Fuck-12’</em> in a ragged handwriting was tagged everywhere, and Black and Brown youths zipped around on their bikes observing people wandering around in shock and disbelief.”</p>]]>
      </content:encoded>
      <pubDate>Wed, 05 Jan 2022 09:32:46 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/wMjKq32LxETy00ycecgl-LbVRdDPbsGwEnyF41PuePo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzc2OTExMi8x/NjQxMzk2NzY2LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>5109</itunes:duration>
      <itunes:summary>In inspired and incisive writing the contributors to WE ARE MEANT TO RISE speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal. This episode features Carolyn Holbrook, David Mura, Douglas Kearney, Melissa Olson, Said Shaiye, and Kao Kalia Yang. It is a recording from a live event at Next Chapter Booksellers in St. Paul, MN, on November 29, 2021.</itunes:summary>
      <itunes:subtitle>In inspired and incisive writing the contributors to WE ARE MEANT TO RISE speak unvarnished truths not only to the original and pernicious racism threaded through the American experience but also to the deeply personal. This episode features Carolyn Holbr</itunes:subtitle>
      <itunes:keywords>We Are Meant to Rise, Carolyn Holbrook, David Mura, Kao Kalia Yang, Douglas Kearney, Said Shaiye, Melissa Olson, diversity, BIPOC, Minnesota, George Floyd</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>What society gets wrong about transracial adoption: Sun Yung Shin, Shannon Gibney, and JaeRan Kim.</title>
      <itunes:episode>30</itunes:episode>
      <podcast:episode>30</podcast:episode>
      <itunes:title>What society gets wrong about transracial adoption: Sun Yung Shin, Shannon Gibney, and JaeRan Kim.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Outsiders Within is a volume of essays, fiction, poetry, and art by transracially adopted writers from around the world who tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit. The volume was first published in 2006 and released in a new edition in 2021: a year in which reproduction and adoption politics have been spotlighted anew.</p><p><br></p><p>In this episode, three transracial adoptees talk about what society often gets wrong about adoption.</p><p><br></p><p>Sun Yung Shin was born in Seoul, Korea, and raised in the Chicago area. She is an award-winning poet, writer, and cultural worker, whose books include Unbearable Splendor and What We Hunger For. She lives in Minneapolis.</p><p><br></p><p>Shannon Gibney is a writer, educator, activist, and award-winning author. She was adopted by white parents in Ann Arbor, Michigan, in 1975. Gibney is a professor of English at Minneapolis College. Her forthcoming novel Botched explores themes of transracial adoption through speculative memoir.</p><p><br></p><p>JaeRan Kim was born in South Korea and adopted to the United States in 1971. She is associate professor at the University of Washington, Tacoma, in the social work program. She is a contributor to the volume The Complexities of Race (NYU Press), and her blog, Harlow’s Monkey, is one of the longest-running transracial adoption blogs in the US.</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Outsiders Within is a volume of essays, fiction, poetry, and art by transracially adopted writers from around the world who tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit. The volume was first published in 2006 and released in a new edition in 2021: a year in which reproduction and adoption politics have been spotlighted anew.</p><p><br></p><p>In this episode, three transracial adoptees talk about what society often gets wrong about adoption.</p><p><br></p><p>Sun Yung Shin was born in Seoul, Korea, and raised in the Chicago area. She is an award-winning poet, writer, and cultural worker, whose books include Unbearable Splendor and What We Hunger For. She lives in Minneapolis.</p><p><br></p><p>Shannon Gibney is a writer, educator, activist, and award-winning author. She was adopted by white parents in Ann Arbor, Michigan, in 1975. Gibney is a professor of English at Minneapolis College. Her forthcoming novel Botched explores themes of transracial adoption through speculative memoir.</p><p><br></p><p>JaeRan Kim was born in South Korea and adopted to the United States in 1971. She is associate professor at the University of Washington, Tacoma, in the social work program. She is a contributor to the volume The Complexities of Race (NYU Press), and her blog, Harlow’s Monkey, is one of the longest-running transracial adoption blogs in the US.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 21 Dec 2021 11:16:59 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/55ff3edf/0e548ace.mp3" length="76498956" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/4o0qH797TgTV0qiy5Z0uZ58OGVgPb-iZ6lGQi3R9ej4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzc1Nzg2NC8x/NjQwMTA3MDE5LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3186</itunes:duration>
      <itunes:summary>Outsiders Within is a volume of essays, fiction, poetry, and art by transracially adopted writers from around the world who tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit. In this episode, Sun Yung Shin, Shannon Gibney, and JaeRan Kim talk about what society often gets wrong about adoption.</itunes:summary>
      <itunes:subtitle>Outsiders Within is a volume of essays, fiction, poetry, and art by transracially adopted writers from around the world who tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit. In this episode, Sun Yung Shin, Sh</itunes:subtitle>
      <itunes:keywords>Outsiders Within, transracial adoption, Sun Yung Shin, Shannon Gibney, JaeRan Kim, identity, racism, policy</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>How institutionalized racism shapes health in the 21st century: Anne Pollock with Ruha Benjamin</title>
      <itunes:episode>29</itunes:episode>
      <podcast:episode>29</podcast:episode>
      <itunes:title>How institutionalized racism shapes health in the 21st century: Anne Pollock with Ruha Benjamin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>SICKENING is a book that examines the unconscionable disparity in health outcomes between Black and white Americans. Author Anne Pollock of King’s College London takes readers through anti-Black racism operating in healthcare: from the spike in chronic disease after Hurricane Katrina to the lack of protection for Black residents during the Flint water crisis—and even the life-threatening childbirth experience for tennis star Serena Williams. Ruha Benjamin of Princeton University joins Pollock in conversation. </p><p><br></p><p>Pollock is professor of global health and social medicine at King’s College London. She is author of ‘Sickening: Anti-Black Racism and Health Disparities in the United States’; ‘Medicating Race: Heart Disease and Durable Preoccupations with Difference’; and ‘Synthesizing Hope: Matter, Knowledge, and Place in South African Drug Discovery.’</p><p><br></p><p>Ruha Benjamin is professor of African American studies at Princeton University, founding director of the IDA B. WELLS Just Data Lab, author of two books: ‘People Science’ and ‘Race After Technology,’ and editor of ‘Captivating Technology.’</p><p>"A crucial guided analysis of anti-Blackness and its impact on Black people’s ability to live as fully entitled citizens, Pollock’s scholarship is essential medicine for a society in denial about its sickness." —<em>Foreword </em></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>SICKENING is a book that examines the unconscionable disparity in health outcomes between Black and white Americans. Author Anne Pollock of King’s College London takes readers through anti-Black racism operating in healthcare: from the spike in chronic disease after Hurricane Katrina to the lack of protection for Black residents during the Flint water crisis—and even the life-threatening childbirth experience for tennis star Serena Williams. Ruha Benjamin of Princeton University joins Pollock in conversation. </p><p><br></p><p>Pollock is professor of global health and social medicine at King’s College London. She is author of ‘Sickening: Anti-Black Racism and Health Disparities in the United States’; ‘Medicating Race: Heart Disease and Durable Preoccupations with Difference’; and ‘Synthesizing Hope: Matter, Knowledge, and Place in South African Drug Discovery.’</p><p><br></p><p>Ruha Benjamin is professor of African American studies at Princeton University, founding director of the IDA B. WELLS Just Data Lab, author of two books: ‘People Science’ and ‘Race After Technology,’ and editor of ‘Captivating Technology.’</p><p>"A crucial guided analysis of anti-Blackness and its impact on Black people’s ability to live as fully entitled citizens, Pollock’s scholarship is essential medicine for a society in denial about its sickness." —<em>Foreword </em></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 11 Nov 2021 09:27:08 -0600</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>2441</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>SICKENING is a book that examines the unconscionable disparity in health outcomes between Black and white Americans. Author Anne Pollock of King’s College London takes readers through anti-Black racism operating in healthcare: from the spike in chronic disease after Hurricane Katrina to the lack of protection for Black residents during the Flint water crisis—and even the life-threatening childbirth experience for tennis star Serena Williams. Ruha Benjamin of Princeton University joins Pollock in conversation. </p><p><br></p><p>Pollock is professor of global health and social medicine at King’s College London. She is author of ‘Sickening: Anti-Black Racism and Health Disparities in the United States’; ‘Medicating Race: Heart Disease and Durable Preoccupations with Difference’; and ‘Synthesizing Hope: Matter, Knowledge, and Place in South African Drug Discovery.’</p><p><br></p><p>Ruha Benjamin is professor of African American studies at Princeton University, founding director of the IDA B. WELLS Just Data Lab, author of two books: ‘People Science’ and ‘Race After Technology,’ and editor of ‘Captivating Technology.’</p><p>"A crucial guided analysis of anti-Blackness and its impact on Black people’s ability to live as fully entitled citizens, Pollock’s scholarship is essential medicine for a society in denial about its sickness." —<em>Foreword </em></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Sickening, Anne Pollock, Ruha Benjamin, racism, health, biopolitics, anthrax attacks, Hurricane Katrina, Flint water crisis</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/6f362809/transcription.vtt" type="text/vtt" rel="captions"/>
      <podcast:transcript url="https://share.transistor.fm/s/6f362809/transcription.srt" type="application/x-subrip" rel="captions"/>
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      <podcast:transcript url="https://share.transistor.fm/s/6f362809/transcription" type="text/html"/>
    </item>
    <item>
      <title>Balzac in translation: Portraits of a turbulent 19th-century France with remarkable contemporary resonances</title>
      <itunes:episode>28</itunes:episode>
      <podcast:episode>28</podcast:episode>
      <itunes:title>Balzac in translation: Portraits of a turbulent 19th-century France with remarkable contemporary resonances</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/417a5791</link>
      <description>
        <![CDATA[<p>”Adapting Balzac is no small feat for any filmmaker” (Variety)—or any translator. LOST ILLUSIONS and LOST SOULS are two newly translated volumes in Honoré de Balzac’s vast HUMAN COMEDY, a sprawling and interconnected fictional portrait of early nineteenth-century France. Keenly attuned to the acerbic charm and subtleties of Balzac’s prose, these editions are invaluable resources for today’s readers as they navigate the author’s copious allusions to classical and contemporaneous politics and literature. In this episode, MacKenzie is interviewed by University of Minnesota Press director Doug Armato about Balzac’s incomparable style and the intricacies of translation. (Spoiler alert: Key plot points from Lost Illusions and Lost Souls are discussed.)</p><p><br></p><p>Other University of Minnesota Press translations by MacKenzie include:</p><p>Red and Black (Stendhal), forthcoming in summer 2022</p><p>Italian Chronicles (Stendhal)</p><p>Diaboliques (Jules Barbey d’Aurevilly)</p><p>Graziella (Alphonse de Lamartine)</p><p>Brouhaha (Lionel Ruffel)</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>”Adapting Balzac is no small feat for any filmmaker” (Variety)—or any translator. LOST ILLUSIONS and LOST SOULS are two newly translated volumes in Honoré de Balzac’s vast HUMAN COMEDY, a sprawling and interconnected fictional portrait of early nineteenth-century France. Keenly attuned to the acerbic charm and subtleties of Balzac’s prose, these editions are invaluable resources for today’s readers as they navigate the author’s copious allusions to classical and contemporaneous politics and literature. In this episode, MacKenzie is interviewed by University of Minnesota Press director Doug Armato about Balzac’s incomparable style and the intricacies of translation. (Spoiler alert: Key plot points from Lost Illusions and Lost Souls are discussed.)</p><p><br></p><p>Other University of Minnesota Press translations by MacKenzie include:</p><p>Red and Black (Stendhal), forthcoming in summer 2022</p><p>Italian Chronicles (Stendhal)</p><p>Diaboliques (Jules Barbey d’Aurevilly)</p><p>Graziella (Alphonse de Lamartine)</p><p>Brouhaha (Lionel Ruffel)</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 18 Oct 2021 09:01:25 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/417a5791/779344be.mp3" length="73831881" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Ytekn29cUMy67hM9NgzGk-h5WoqHeKX1dgaJoHILbtk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzY5ODU0MS8x/NjM0NTY1Njg1LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3076</itunes:duration>
      <itunes:summary>”Adapting Balzac is no small feat for any filmmaker” (Variety)—or any translator. LOST ILLUSIONS and LOST SOULS are two newly translated volumes in Honoré de Balzac’s vast HUMAN COMEDY, a sprawling and interconnected fictional portrait of early nineteenth-century France. Keenly attuned to the acerbic charm and subtleties of Balzac’s prose, these editions are invaluable resources for today’s readers as they navigate the author’s copious allusions to classical and contemporaneous politics and literature. In this episode, Raymond N. MacKenzie is interviewed by University of Minnesota Press director Doug Armato about Balzac’s incomparable style and the intricacies of translation.</itunes:summary>
      <itunes:subtitle>”Adapting Balzac is no small feat for any filmmaker” (Variety)—or any translator. LOST ILLUSIONS and LOST SOULS are two newly translated volumes in Honoré de Balzac’s vast HUMAN COMEDY, a sprawling and interconnected fictional portrait of early nineteenth</itunes:subtitle>
      <itunes:keywords>Balzac, Honoré de Balzac, Lost Illusions, Lost Souls, translation, France, Comedie Humaine, Human Comedy, 19th century</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/417a5791/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>How the ordinary postwar home constructed race in America</title>
      <itunes:episode>27</itunes:episode>
      <podcast:episode>27</podcast:episode>
      <itunes:title>How the ordinary postwar home constructed race in America</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/5e62c66a</link>
      <description>
        <![CDATA[<p>Dianne Harris offers a rare exploration of the racial and class politics of architecture in her book LITTLE WHITE HOUSES, which examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others. This book adds a new dimension to our understanding of race in America and the inequalities that persist in the housing market in the United States. Harris is an architectural historian and dean of the University of Washington College of Arts &amp; Sciences. She is joined in conversation by Mabel O. Wilson, an architect, designer, cultural historian, and curator who teaches at Columbia University. This conversation was recorded in July 2021.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Dianne Harris offers a rare exploration of the racial and class politics of architecture in her book LITTLE WHITE HOUSES, which examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others. This book adds a new dimension to our understanding of race in America and the inequalities that persist in the housing market in the United States. Harris is an architectural historian and dean of the University of Washington College of Arts &amp; Sciences. She is joined in conversation by Mabel O. Wilson, an architect, designer, cultural historian, and curator who teaches at Columbia University. This conversation was recorded in July 2021.</p>]]>
      </content:encoded>
      <pubDate>Mon, 30 Aug 2021 11:05:34 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/5e62c66a/bce94562.mp3" length="75819099" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/amGmYWjcwlM4ihZg0eDtOFkQqiTgSLAH7t-U1J003WY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzYzNjg0NC8x/NjMwMzM5NTM0LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3156</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Dianne Harris offers a rare exploration of the racial and class politics of architecture in her book LITTLE WHITE HOUSES, which examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others. This book adds a new dimension to our understanding of race in America and the inequalities that persist in the housing market in the United States. Harris is an architectural historian and dean of the University of Washington College of Arts &amp; Sciences. She is joined in conversation by Mabel O. Wilson, an architect, designer, cultural historian, and curator who teaches at Columbia University. This conversation was recorded in July 2021.</p>]]>
      </itunes:summary>
      <itunes:keywords>Little White Houses, Dianne Harris, Mabel O. Wilson, race, architecture, critical race theory, architectural history, American history</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/5e62c66a/transcription.vtt" type="text/vtt" rel="captions"/>
      <podcast:transcript url="https://share.transistor.fm/s/5e62c66a/transcription.srt" type="application/x-subrip" rel="captions"/>
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      <podcast:transcript url="https://share.transistor.fm/s/5e62c66a/transcription" type="text/html"/>
    </item>
    <item>
      <title>Race and the Politics of Precarity in the United States</title>
      <itunes:episode>26</itunes:episode>
      <podcast:episode>26</podcast:episode>
      <itunes:title>Race and the Politics of Precarity in the United States</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0dc4aef3</link>
      <description>
        <![CDATA[<p>Race plays a fundamental role in naturalizing social, political, and economic inequalities in the United States. Daniel Martinez HoSang and Joseph Lowndes document the changing politics of race and class in the age of Trump in their book PRODUCERS, PARASITES, PATRIOTS: Race and the New Right-Wing Politics of Precarity, which ultimately brings to light the changing role of race in right-wing politics. Racial subordination is an enduring feature of US political history, and it continually changes in response to shifting economic and political conditions. HoSang and Lowndes are here with a primer on, and insightful analyses of, The 1619 Project launched by the New York Times in August 2019, The 1776 Report commissioned by Donald Trump and released in January 2021, and recent and ongoing attacks on critical race theory in the US.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Race plays a fundamental role in naturalizing social, political, and economic inequalities in the United States. Daniel Martinez HoSang and Joseph Lowndes document the changing politics of race and class in the age of Trump in their book PRODUCERS, PARASITES, PATRIOTS: Race and the New Right-Wing Politics of Precarity, which ultimately brings to light the changing role of race in right-wing politics. Racial subordination is an enduring feature of US political history, and it continually changes in response to shifting economic and political conditions. HoSang and Lowndes are here with a primer on, and insightful analyses of, The 1619 Project launched by the New York Times in August 2019, The 1776 Report commissioned by Donald Trump and released in January 2021, and recent and ongoing attacks on critical race theory in the US.</p>]]>
      </content:encoded>
      <pubDate>Wed, 18 Aug 2021 09:46:27 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/0dc4aef3/c650aea4.mp3" length="63772044" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/uM6j2_6S1-LWFidqYQxLwYHxK340MX_VL5SG4TpJ150/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzYyNDEwOC8x/NjI5Mjk3OTg3LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2654</itunes:duration>
      <itunes:summary>Race plays a fundamental role in naturalizing social, political, and economic inequalities in the United States. Daniel Martinez HoSang and Joseph Lowndes are here with a primer on, and insightful analyses of, The 1619 Project launched by the New York Times in August 2019, The 1776 Report commissioned by Donald Trump and released in January 2021, and recent and ongoing attacks on critical race theory in the US.</itunes:summary>
      <itunes:subtitle>Race plays a fundamental role in naturalizing social, political, and economic inequalities in the United States. Daniel Martinez HoSang and Joseph Lowndes are here with a primer on, and insightful analyses of, The 1619 Project launched by the New York Tim</itunes:subtitle>
      <itunes:keywords>Daniel Martinez HoSang, Joseph Lowndes, Producers Parasites Patriots, critical race theory, The 1619 Project, The 1776 Report</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/0dc4aef3/transcription.vtt" type="text/vtt" rel="captions"/>
      <podcast:transcript url="https://share.transistor.fm/s/0dc4aef3/transcription.srt" type="application/x-subrip" rel="captions"/>
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      <podcast:transcript url="https://share.transistor.fm/s/0dc4aef3/transcription" type="text/html"/>
    </item>
    <item>
      <title>Korean and Vietnamese adoptees on the intimate racialized politics of transracial adoption</title>
      <itunes:episode>25</itunes:episode>
      <podcast:episode>25</podcast:episode>
      <itunes:title>Korean and Vietnamese adoptees on the intimate racialized politics of transracial adoption</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c8298d99-44e7-4dfc-9424-aa6a4cdaa30f</guid>
      <link>https://share.transistor.fm/s/878fac1e</link>
      <description>
        <![CDATA[<p>The dynamics of adoptee communities have shifted in the decades since the first edition of OUTSIDERS WITHIN was published in 2006, yet the volume continues to provide critical perspectives that have gained renewed relevance during contemporary crises. Here, three writers and artists, Korean and Vietnamese adoptees who were adopted across geographic borders in the 1970s, talk isolation, racism, identity struggle, adoption policy, and how the Internet has changed the ways connection can be found. This conversation was recorded in May 2021.</p><p><br></p><p>Jane Jeong Trenka is an activist and award-winning writer who was adopted from South Korea to Minnesota in 1972. She has a master of public administration from Seoul National University and was instrumental in revising Korea’s adoption law in 2011. She is author of the memoir ‘The Language of Blood’ and co-editor of ‘Outsiders Within,’ published in a new edition by University of Minnesota Press.</p><p><br></p><p>Dr. Indigo Willing is a sociologist, lecturer, and creator of the Adopted Vietnamese International (AVI) network for adoptees from the Vietnamese community and war refugee generation. She lives in Australia.</p><p><br></p><p>kimura byol-nathalie lemoine is an artist, activist, and archivist, and a Korean-born adoptee who grew up in Belgium and currently resides in Montreal. kimura*lemoine is co-founder of Euro-Korean League and an active member and archivist for the interracial adoptee community.</p><p><br></p><p>Outsiders Within: z.umn.edu/outsiderswithin</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The dynamics of adoptee communities have shifted in the decades since the first edition of OUTSIDERS WITHIN was published in 2006, yet the volume continues to provide critical perspectives that have gained renewed relevance during contemporary crises. Here, three writers and artists, Korean and Vietnamese adoptees who were adopted across geographic borders in the 1970s, talk isolation, racism, identity struggle, adoption policy, and how the Internet has changed the ways connection can be found. This conversation was recorded in May 2021.</p><p><br></p><p>Jane Jeong Trenka is an activist and award-winning writer who was adopted from South Korea to Minnesota in 1972. She has a master of public administration from Seoul National University and was instrumental in revising Korea’s adoption law in 2011. She is author of the memoir ‘The Language of Blood’ and co-editor of ‘Outsiders Within,’ published in a new edition by University of Minnesota Press.</p><p><br></p><p>Dr. Indigo Willing is a sociologist, lecturer, and creator of the Adopted Vietnamese International (AVI) network for adoptees from the Vietnamese community and war refugee generation. She lives in Australia.</p><p><br></p><p>kimura byol-nathalie lemoine is an artist, activist, and archivist, and a Korean-born adoptee who grew up in Belgium and currently resides in Montreal. kimura*lemoine is co-founder of Euro-Korean League and an active member and archivist for the interracial adoptee community.</p><p><br></p><p>Outsiders Within: z.umn.edu/outsiderswithin</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 09 Aug 2021 14:21:49 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/878fac1e/30f9237a.mp3" length="128821218" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Qj2KPSqr_5AjHwMb-SpBGEZ9EZHs8WxCvwY559o9PX0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzYxNTc4MS8x/NjI4NTM2OTA5LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>5366</itunes:duration>
      <itunes:summary>The dynamics of adoptee communities have shifted in the decades since the first edition of OUTSIDERS WITHIN was published in 2006, yet the volume continues to provide critical perspectives that have gained renewed relevance during contemporary crises. Here, three writers and artists (Jane Jeong Trenka, Indigo Willing, and kimura byol-nathalie lemoine), Korean and Vietnamese adoptees who were adopted across geographic borders in the 1970s, talk isolation, racism, identity struggle, adoption policy, and how the Internet has changed the ways connection can be found. </itunes:summary>
      <itunes:subtitle>The dynamics of adoptee communities have shifted in the decades since the first edition of OUTSIDERS WITHIN was published in 2006, yet the volume continues to provide critical perspectives that have gained renewed relevance during contemporary crises. Her</itunes:subtitle>
      <itunes:keywords>Outsiders Within, Jane Jeong Trenka, Indigo Willing, kimura byol-nathalie lemoine, Korean adoptee, Vietnamese adoptee, transracial adoption, transnational adoption, globalization, isolation, racism, identity, policy</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/878fac1e/transcription.vtt" type="text/vtt" rel="captions"/>
      <podcast:transcript url="https://share.transistor.fm/s/878fac1e/transcription.srt" type="application/x-subrip" rel="captions"/>
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      <podcast:transcript url="https://share.transistor.fm/s/878fac1e/transcription.txt" type="text/plain"/>
      <podcast:transcript url="https://share.transistor.fm/s/878fac1e/transcription" type="text/html"/>
    </item>
    <item>
      <title>Attending to body and earth in distress.</title>
      <itunes:episode>24</itunes:episode>
      <podcast:episode>24</podcast:episode>
      <itunes:title>Attending to body and earth in distress.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/84395215</link>
      <description>
        <![CDATA[<p>What if we attended to an ailing ecosystem just as we would a body in the throes of a chronic medical condition? Ranae Lenor Hanson’s memoir WATERSHED encourages us to discover how the health of our bodies and the health of the world they inhabit are inextricably linked. In this episode, Hanson is joined by educators and community leaders Lena Jones and Teddie Potter. </p><p>Ranae Lenor Hanson is an educator and climate activist who taught writing and global studies at Minneapolis College (MCTC) for 31 years. Lena Jones is a political science faculty member at Minneapolis College and connected to the Center for Earth, Energy and Democracy. Teddie Potter is Clinical Professor and Director of Planetary Health in the School of Nursing at the University of Minnesota.</p><p>"The credo ‘water is life’ has become a key environmental rallying cry in the years since Standing Rock, and this book helps us remember why. It recalls an American past, inhabits a global present, and imagines a working future—it will be an aid to many as they grapple with our difficult moment."—Bill McKibben, founder of 350.org and author of <em>The End of Nature</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>What if we attended to an ailing ecosystem just as we would a body in the throes of a chronic medical condition? Ranae Lenor Hanson’s memoir WATERSHED encourages us to discover how the health of our bodies and the health of the world they inhabit are inextricably linked. In this episode, Hanson is joined by educators and community leaders Lena Jones and Teddie Potter. </p><p>Ranae Lenor Hanson is an educator and climate activist who taught writing and global studies at Minneapolis College (MCTC) for 31 years. Lena Jones is a political science faculty member at Minneapolis College and connected to the Center for Earth, Energy and Democracy. Teddie Potter is Clinical Professor and Director of Planetary Health in the School of Nursing at the University of Minnesota.</p><p>"The credo ‘water is life’ has become a key environmental rallying cry in the years since Standing Rock, and this book helps us remember why. It recalls an American past, inhabits a global present, and imagines a working future—it will be an aid to many as they grapple with our difficult moment."—Bill McKibben, founder of 350.org and author of <em>The End of Nature</em></p>]]>
      </content:encoded>
      <pubDate>Tue, 03 Aug 2021 10:36:36 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/84395215/3f6bbd48.mp3" length="73949749" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/WLO903jWqjFHSlbXxBAy3gnnmAv2xdB8un4F3kipYWA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzYwMDk2MC8x/NjI3MDYwMTA1LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3076</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>What if we attended to an ailing ecosystem just as we would a body in the throes of a chronic medical condition? Ranae Lenor Hanson’s memoir WATERSHED encourages us to discover how the health of our bodies and the health of the world they inhabit are inextricably linked. In this episode, Hanson is joined by educators and community leaders Lena Jones and Teddie Potter. </p><p>Ranae Lenor Hanson is an educator and climate activist who taught writing and global studies at Minneapolis College (MCTC) for 31 years. Lena Jones is a political science faculty member at Minneapolis College and connected to the Center for Earth, Energy and Democracy. Teddie Potter is Clinical Professor and Director of Planetary Health in the School of Nursing at the University of Minnesota.</p><p>"The credo ‘water is life’ has become a key environmental rallying cry in the years since Standing Rock, and this book helps us remember why. It recalls an American past, inhabits a global present, and imagines a working future—it will be an aid to many as they grapple with our difficult moment."—Bill McKibben, founder of 350.org and author of <em>The End of Nature</em></p>]]>
      </itunes:summary>
      <itunes:keywords>Watershed, Ranae Lenor Hanson, Lena Jones, Teddie Potter, environment, climate change, climate justice, diabetes, illness, earth, health</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/84395215/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>The Migrant's Paradox, with Suzanne M. Hall, Tariq Jazeel, Huda Tayob, and Les Back</title>
      <itunes:episode>23</itunes:episode>
      <podcast:episode>23</podcast:episode>
      <itunes:title>The Migrant's Paradox, with Suzanne M. Hall, Tariq Jazeel, Huda Tayob, and Les Back</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">38e0508c-5e90-4f30-a23e-bc6eda105933</guid>
      <link>https://share.transistor.fm/s/85fcf2eb</link>
      <description>
        <![CDATA[<p><em>The Migrant’s Paradox</em> connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and street. Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street livelihoods in the urban margins in five cities in Britain, in places where jobs are hard to come by and the impacts of historic state underinvestment are deeply felt. Hall is associate professor of sociology at the London School of Economics and Political Science, and is joined in this episode by Tariq Jazeel, professor in human geography at University College London; Huda Tayob, senior lecturer in architecture at the University of Cape Town; and Les Back, professor of sociology at Goldsmiths, University of London. This conversation was recorded in May 2021. It is published in partnership between the University of Minnesota Press and <a href="https://www.societyandspace.org/book-review-forums/the-migrants-paradox-forum">Environment and Planning D: Society and Space.</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><em>The Migrant’s Paradox</em> connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and street. Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street livelihoods in the urban margins in five cities in Britain, in places where jobs are hard to come by and the impacts of historic state underinvestment are deeply felt. Hall is associate professor of sociology at the London School of Economics and Political Science, and is joined in this episode by Tariq Jazeel, professor in human geography at University College London; Huda Tayob, senior lecturer in architecture at the University of Cape Town; and Les Back, professor of sociology at Goldsmiths, University of London. This conversation was recorded in May 2021. It is published in partnership between the University of Minnesota Press and <a href="https://www.societyandspace.org/book-review-forums/the-migrants-paradox-forum">Environment and Planning D: Society and Space.</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 12 Jul 2021 08:25:38 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3333</itunes:duration>
      <itunes:summary>The Migrant’s Paradox connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and street. Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street livelihoods in the urban margins in five cities in Britain, in places where jobs are hard to come by and the impacts of historic state underinvestment are deeply felt.</itunes:summary>
      <itunes:subtitle>The Migrant’s Paradox connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and street. Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street </itunes:subtitle>
      <itunes:keywords>The Migrant's Paradox, Suzanne M. Hall, Huda Tayob, Tariq Jazeel, Les Back, geography, sociology, urban studies, race, Brexit, edge economics, globalization</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/85fcf2eb/transcription.vtt" type="text/vtt" rel="captions"/>
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    <item>
      <title>The Filing Cabinet: How information became a "thing"</title>
      <itunes:episode>22</itunes:episode>
      <podcast:episode>22</podcast:episode>
      <itunes:title>The Filing Cabinet: How information became a "thing"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fb2a727b</link>
      <description>
        <![CDATA[<p>Craig Robertson’s THE FILING CABINET explores how this now-neglected artifact profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet continues to shape how we interact with information and data in the digital age. In this episode, Robertson, who is associate professor of media studies at Northeastern University in Boston (also author of THE PASSPORT IN AMERICA), is joined by Shannon Mattern, professor of anthropology at The New School in New York City, and Lisa Gitelman, professor of English and media studies at New York University. This conversation was recorded in May 2021. </p><p>About the book: z.umn.edu/thefilingcabinet</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Craig Robertson’s THE FILING CABINET explores how this now-neglected artifact profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet continues to shape how we interact with information and data in the digital age. In this episode, Robertson, who is associate professor of media studies at Northeastern University in Boston (also author of THE PASSPORT IN AMERICA), is joined by Shannon Mattern, professor of anthropology at The New School in New York City, and Lisa Gitelman, professor of English and media studies at New York University. This conversation was recorded in May 2021. </p><p>About the book: z.umn.edu/thefilingcabinet</p>]]>
      </content:encoded>
      <pubDate>Mon, 28 Jun 2021 13:26:48 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/fb2a727b/57adf723.mp3" length="63417787" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/5UCbWPmfsBtL4lou69uSzY9Q4yOw9UMQpwYdJ6TYZFk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk4MC8x/NjI1NzcxMjAyLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2642</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Craig Robertson’s THE FILING CABINET explores how this now-neglected artifact profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet continues to shape how we interact with information and data in the digital age. In this episode, Robertson, who is associate professor of media studies at Northeastern University in Boston (also author of THE PASSPORT IN AMERICA), is joined by Shannon Mattern, professor of anthropology at The New School in New York City, and Lisa Gitelman, professor of English and media studies at New York University. This conversation was recorded in May 2021. </p><p>About the book: z.umn.edu/thefilingcabinet</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/fb2a727b/transcription.vtt" type="text/vtt" rel="captions"/>
      <podcast:transcript url="https://share.transistor.fm/s/fb2a727b/transcription.srt" type="application/x-subrip" rel="captions"/>
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      <podcast:transcript url="https://share.transistor.fm/s/fb2a727b/transcription" type="text/html"/>
    </item>
    <item>
      <title>Planetary probiotics and Gaia’s variants.</title>
      <itunes:episode>21</itunes:episode>
      <podcast:episode>21</podcast:episode>
      <itunes:title>Planetary probiotics and Gaia’s variants.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/786dffc2</link>
      <description>
        <![CDATA[<p>Jamie Lorimer’s THE PROBIOTIC PLANET calls for a rethinking of artificial barriers between science and policy and a sweeping overview of diverse probiotic approaches. Bruce Clarke’s GAIAN SYSTEMS is a pioneering exploration of the complex evolution of Gaia’s many variants. In a conversation that ranges from Lynn Margulis to science fiction, neocybernetics to COVID-19, Lorimer and Clarke ultimately seek insight into solving an environmental crisis of humanity’s own making. This conversation was recorded in November 2020. </p><p><strong>BOOKS: </strong><br>The Probiotic Planet: z.umn.edu/theprobioticplanet <br>Gaian Systems: z.umn.edu/gaiansystems </p><p><strong>REFERENCES: </strong><br>Helminth, a species of parasitic worm <br>Heather Paxson on raw milk cheese <br>Bruno Latour <br>Isabelle Stengers <br>Donna Haraway <br>James Lovelock <br>Lynn Margulis <br>Lyndisfarne Conferences <br>Stewart Brand <br>O’Neill cylinder <br>William Gibson’s Neuromancer <br>Stanisław Lem <br>Frank Herbert’s Dune</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Jamie Lorimer’s THE PROBIOTIC PLANET calls for a rethinking of artificial barriers between science and policy and a sweeping overview of diverse probiotic approaches. Bruce Clarke’s GAIAN SYSTEMS is a pioneering exploration of the complex evolution of Gaia’s many variants. In a conversation that ranges from Lynn Margulis to science fiction, neocybernetics to COVID-19, Lorimer and Clarke ultimately seek insight into solving an environmental crisis of humanity’s own making. This conversation was recorded in November 2020. </p><p><strong>BOOKS: </strong><br>The Probiotic Planet: z.umn.edu/theprobioticplanet <br>Gaian Systems: z.umn.edu/gaiansystems </p><p><strong>REFERENCES: </strong><br>Helminth, a species of parasitic worm <br>Heather Paxson on raw milk cheese <br>Bruno Latour <br>Isabelle Stengers <br>Donna Haraway <br>James Lovelock <br>Lynn Margulis <br>Lyndisfarne Conferences <br>Stewart Brand <br>O’Neill cylinder <br>William Gibson’s Neuromancer <br>Stanisław Lem <br>Frank Herbert’s Dune</p>]]>
      </content:encoded>
      <pubDate>Thu, 20 May 2021 10:26:40 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/786dffc2/b40465e1.mp3" length="83676418" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3486</itunes:duration>
      <itunes:summary>Jamie Lorimer’s THE PROBIOTIC PLANET calls for a rethinking of artificial barriers between science and policy and a sweeping overview of diverse probiotic approaches. Bruce Clarke’s GAIAN SYSTEMS is a pioneering exploration of the complex evolution of Gaia’s many variants. In a conversation that ranges from Lynn Margulis to science fiction, neocybernetics to COVID-19, Lorimer and Clarke ultimately seek insight into solving an environmental crisis of humanity’s own making. This conversation was recorded in November 2020.


BOOKS:
The Probiotic Planet: z.umn.edu/theprobioticplanet
Gaian Systems: z.umn.edu/gaiansystems


REFERENCES:
Helminth, a species of parasitic worm
Heather Paxson on raw milk cheese
Bruno Latour
Isabelle Stengers
Donna Haraway
James Lovelock
Lynn Margulis
Lyndisfarne Conferences
Stewart Brand
O’Neill cylinder
William Gibson’s Neuromancer
Stanisław Lem
Frank Herbert’s Dune</itunes:summary>
      <itunes:subtitle>Jamie Lorimer’s THE PROBIOTIC PLANET calls for a rethinking of artificial barriers between science and policy and a sweeping overview of diverse probiotic approaches. Bruce Clarke’s GAIAN SYSTEMS is a pioneering exploration of the complex evolution of Gai</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/786dffc2/transcription.vtt" type="text/vtt" rel="captions"/>
      <podcast:transcript url="https://share.transistor.fm/s/786dffc2/transcription.srt" type="application/x-subrip" rel="captions"/>
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    <item>
      <title>Capture: The nineteenth-century landscape and wildlife in modernity.</title>
      <itunes:episode>20</itunes:episode>
      <podcast:episode>20</podcast:episode>
      <itunes:title>Capture: The nineteenth-century landscape and wildlife in modernity.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/8bb1ab7f</link>
      <description>
        <![CDATA[<p>CAPTURE is a book that reveals how the drive to contain and record disappearing animals was a central feature and organizing pursuit of the nineteenth-century US cultural canon. In a conversation that ranges from references to Muybridge and Audubon, Poe and Hawthorne, Whitman and Thoreau, environmental humanities and biopolitics, presentation and representation, capture and captivity, (with a cameo from Sylvester Graham of the Graham cracker), Antoine Traisnel (author of CAPTURE) joins Michelle Neely (author of AGAINST SUSTAINABILITY) in a lively and rigorous discussion. Traisnel is assistant professor of English and comparative literature at the University of Michigan. Neely is associate professor of English at Connecticut College. This conversation was recorded in March 2021. </p><p>BOOKS DISCUSSED: <br>Capture: http://z.umn.edu/capturebook <br>Against Sustainability: https://www.fordhampress.com/9780823288205/against-sustainability/ </p><p>REFERENCES: <br>Eadweard Muybridge <br>James Fenimore Cooper <br>Edgar Allan Poe <br>Nathaniel Hawthorne <br>Gerald Vizenor <br>Jacques Derrida, The Animal That Therefore I Am <br>Nicole Shukin <br>Rebecca Solnit, River of Shadows <br>John James Audubon <br>Walter Benjamin, The Arcades Project <br>Herman Melville, Moby Dick <br>Jeremy Bentham <br>Michel Foucault and biopolitics <br>Walt Whitman <br>Lucille Clifton <br>Henry David Thoreau <br>Emily Dickinson <br>Sylvester Graham (of the Graham cracker) <br>Seed vault / Doomsday Vault</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>CAPTURE is a book that reveals how the drive to contain and record disappearing animals was a central feature and organizing pursuit of the nineteenth-century US cultural canon. In a conversation that ranges from references to Muybridge and Audubon, Poe and Hawthorne, Whitman and Thoreau, environmental humanities and biopolitics, presentation and representation, capture and captivity, (with a cameo from Sylvester Graham of the Graham cracker), Antoine Traisnel (author of CAPTURE) joins Michelle Neely (author of AGAINST SUSTAINABILITY) in a lively and rigorous discussion. Traisnel is assistant professor of English and comparative literature at the University of Michigan. Neely is associate professor of English at Connecticut College. This conversation was recorded in March 2021. </p><p>BOOKS DISCUSSED: <br>Capture: http://z.umn.edu/capturebook <br>Against Sustainability: https://www.fordhampress.com/9780823288205/against-sustainability/ </p><p>REFERENCES: <br>Eadweard Muybridge <br>James Fenimore Cooper <br>Edgar Allan Poe <br>Nathaniel Hawthorne <br>Gerald Vizenor <br>Jacques Derrida, The Animal That Therefore I Am <br>Nicole Shukin <br>Rebecca Solnit, River of Shadows <br>John James Audubon <br>Walter Benjamin, The Arcades Project <br>Herman Melville, Moby Dick <br>Jeremy Bentham <br>Michel Foucault and biopolitics <br>Walt Whitman <br>Lucille Clifton <br>Henry David Thoreau <br>Emily Dickinson <br>Sylvester Graham (of the Graham cracker) <br>Seed vault / Doomsday Vault</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 May 2021 08:56:45 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/8bb1ab7f/21164d4a.mp3" length="113244526" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/JF6kX8jgs93YMukFYHUUUAyWaQUC3XBShJxu3FbVzeE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3OC8x/NjI1NzcxMTk2LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>4718</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>CAPTURE is a book that reveals how the drive to contain and record disappearing animals was a central feature and organizing pursuit of the nineteenth-century US cultural canon. In a conversation that ranges from references to Muybridge and Audubon, Poe and Hawthorne, Whitman and Thoreau, environmental humanities and biopolitics, presentation and representation, capture and captivity, (with a cameo from Sylvester Graham of the Graham cracker), Antoine Traisnel (author of CAPTURE) joins Michelle Neely (author of AGAINST SUSTAINABILITY) in a lively and rigorous discussion. Traisnel is assistant professor of English and comparative literature at the University of Michigan. Neely is associate professor of English at Connecticut College. This conversation was recorded in March 2021. </p><p>BOOKS DISCUSSED: <br>Capture: http://z.umn.edu/capturebook <br>Against Sustainability: https://www.fordhampress.com/9780823288205/against-sustainability/ </p><p>REFERENCES: <br>Eadweard Muybridge <br>James Fenimore Cooper <br>Edgar Allan Poe <br>Nathaniel Hawthorne <br>Gerald Vizenor <br>Jacques Derrida, The Animal That Therefore I Am <br>Nicole Shukin <br>Rebecca Solnit, River of Shadows <br>John James Audubon <br>Walter Benjamin, The Arcades Project <br>Herman Melville, Moby Dick <br>Jeremy Bentham <br>Michel Foucault and biopolitics <br>Walt Whitman <br>Lucille Clifton <br>Henry David Thoreau <br>Emily Dickinson <br>Sylvester Graham (of the Graham cracker) <br>Seed vault / Doomsday Vault</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/8bb1ab7f/transcription.vtt" type="text/vtt" rel="captions"/>
      <podcast:transcript url="https://share.transistor.fm/s/8bb1ab7f/transcription.srt" type="application/x-subrip" rel="captions"/>
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    </item>
    <item>
      <title>Who is welcome? Hospitality and contemporary art.</title>
      <itunes:episode>19</itunes:episode>
      <podcast:episode>19</podcast:episode>
      <itunes:title>Who is welcome? Hospitality and contemporary art.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/26205bd4</link>
      <description>
        <![CDATA[<p>Amid xenophobic challenges to America’s core value of welcoming the tired and the poor, Irina Aristarkhova calls for new forms of hospitality in her engagement with the works of eight international artists. In ARRESTED WELCOME, the first monograph on hospitality in contemporary art, she employs a feminist perspective and asks who, how, and what determines who is worthy of welcome. With a focus on lessons that contemporary artists teach about the potential of hospitality, Aristarkhova looks at Linda Hattendorf’s documentary The Cats of Mirikitani; the Serbian-born installation and performance artist Ana Prvački’s project The Greeting Committee Reports . . . ; American artist Faith Wilding’s performance Waiting; Taiwanese American artist Lee Mingwei’s aesthetics of hospitality; American bioartist Kathy High’s project Embracing Animal; Mithu Sen’s artworks that explore questions of radical hospitality and crossing borders; Pippa Bacca and Silvia Moro’s art project Brides on Tour; and Ken Aptekar’s exhibition Neighbours in Lübeck, Germany. Aristarkhova is professor at the Penny W. Stamps School of Art &amp; Design, University of Michigan, Ann Arbor. She is author of Arrested Welcome: Hospitality in Contemporary Art and Hospitality of the Matrix: Philosophy, Biomedicine, and Culture. She is joined today by Jorge Lucero, an artist born, raised and educated in Chicago. He is chair and associate professor of art education at the University of Illinois, Urbana-Champaign. Lucero's books include Mere and Easy: Collage as a Critical Practice in Pedagogy, Teacher as Artist-in-Residence: The Most Radical Form of Expression to Ever Exist, and the forthcoming What Happens at the Intersection of Conceptual Art and Teaching?. Lucero is coeditor of the international journal Visual Arts Research and sits on the editorial boards for the Journal of Social Theory and Art Education, the Journal of Cultural Research in Art Education, and the Journal of Curriculum and Pedagogy. This conversation was recorded in February 2021. More about ARRESTED WELCOME: z.umn.edu/arrestedwelcome Irina Aristarkhova: https://stamps.umich.edu/people/detail/irina_aristarkhova Jorge Lucero: www.jorgelucero.com An open-access edition of ARRESTED WELCOME is available at https://manifold.umn.edu/projects/arrested-welcome.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Amid xenophobic challenges to America’s core value of welcoming the tired and the poor, Irina Aristarkhova calls for new forms of hospitality in her engagement with the works of eight international artists. In ARRESTED WELCOME, the first monograph on hospitality in contemporary art, she employs a feminist perspective and asks who, how, and what determines who is worthy of welcome. With a focus on lessons that contemporary artists teach about the potential of hospitality, Aristarkhova looks at Linda Hattendorf’s documentary The Cats of Mirikitani; the Serbian-born installation and performance artist Ana Prvački’s project The Greeting Committee Reports . . . ; American artist Faith Wilding’s performance Waiting; Taiwanese American artist Lee Mingwei’s aesthetics of hospitality; American bioartist Kathy High’s project Embracing Animal; Mithu Sen’s artworks that explore questions of radical hospitality and crossing borders; Pippa Bacca and Silvia Moro’s art project Brides on Tour; and Ken Aptekar’s exhibition Neighbours in Lübeck, Germany. Aristarkhova is professor at the Penny W. Stamps School of Art &amp; Design, University of Michigan, Ann Arbor. She is author of Arrested Welcome: Hospitality in Contemporary Art and Hospitality of the Matrix: Philosophy, Biomedicine, and Culture. She is joined today by Jorge Lucero, an artist born, raised and educated in Chicago. He is chair and associate professor of art education at the University of Illinois, Urbana-Champaign. Lucero's books include Mere and Easy: Collage as a Critical Practice in Pedagogy, Teacher as Artist-in-Residence: The Most Radical Form of Expression to Ever Exist, and the forthcoming What Happens at the Intersection of Conceptual Art and Teaching?. Lucero is coeditor of the international journal Visual Arts Research and sits on the editorial boards for the Journal of Social Theory and Art Education, the Journal of Cultural Research in Art Education, and the Journal of Curriculum and Pedagogy. This conversation was recorded in February 2021. More about ARRESTED WELCOME: z.umn.edu/arrestedwelcome Irina Aristarkhova: https://stamps.umich.edu/people/detail/irina_aristarkhova Jorge Lucero: www.jorgelucero.com An open-access edition of ARRESTED WELCOME is available at https://manifold.umn.edu/projects/arrested-welcome.</p>]]>
      </content:encoded>
      <pubDate>Fri, 23 Apr 2021 08:32:57 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/N7gxCzIyZf7j2D8x9Mkbx6vhpkKLw5_4fqTP1yc8l9s/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3Ny8x/NjI1NzcxMTk0LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>5291</itunes:duration>
      <itunes:summary>Amid xenophobic challenges to America’s core value of welcoming the tired and the poor, Irina Aristarkhova calls for new forms of hospitality in her engagement with the works of eight international artists. In ARRESTED WELCOME, the first monograph on hospitality in contemporary art, she employs a feminist perspective and asks who, how, and what determines who is worthy of welcome. With a focus on lessons that contemporary artists teach about the potential of hospitality, Aristarkhova looks at Linda Hattendorf’s documentary The Cats of Mirikitani; the Serbian-born installation and performance artist Ana Prvački’s project The Greeting Committee Reports . . . ; American artist Faith Wilding’s performance Waiting; Taiwanese American artist Lee Mingwei’s aesthetics of hospitality; American bioartist Kathy High’s project Embracing Animal; Mithu Sen’s artworks that explore questions of radical hospitality and crossing borders; Pippa Bacca and Silvia Moro’s art project Brides on Tour; and Ken Aptekar’s exhibition Neighbours in Lübeck, Germany. 

Aristarkhova is professor at the Penny W. Stamps School of Art &amp;amp; Design, University of Michigan, Ann Arbor. She is author of Arrested Welcome: Hospitality in Contemporary Art and Hospitality of the Matrix: Philosophy, Biomedicine, and Culture. 

She is joined today by Jorge Lucero, an artist born, raised and educated in Chicago. He is chair and associate professor of art education at the University of Illinois, Urbana-Champaign. Lucero's books include Mere and Easy: Collage as a Critical Practice in Pedagogy, Teacher as Artist-in-Residence: The Most Radical Form of Expression to Ever Exist, and the forthcoming What Happens at the Intersection of Conceptual Art and Teaching?. Lucero is coeditor of the international journal Visual Arts Research and sits on the editorial boards for the Journal of Social Theory and Art Education, the Journal of Cultural Research in Art Education, and the Journal of Curriculum and Pedagogy.

This conversation was recorded in February 2021.

More about ARRESTED WELCOME: z.umn.edu/arrestedwelcome
Irina Aristarkhova: https://stamps.umich.edu/people/detail/irina_aristarkhova
Jorge Lucero: www.jorgelucero.com

An open-access edition of ARRESTED WELCOME is available at https://manifold.umn.edu/projects/arrested-welcome.</itunes:summary>
      <itunes:subtitle>Amid xenophobic challenges to America’s core value of welcoming the tired and the poor, Irina Aristarkhova calls for new forms of hospitality in her engagement with the works of eight international artists. In ARRESTED WELCOME, the first monograph on hosp</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Outsiders Within: Korean adoptees Jane Jeong Trenka and Ami Nafzger share their stories.</title>
      <itunes:episode>18</itunes:episode>
      <podcast:episode>18</podcast:episode>
      <itunes:title>Outsiders Within: Korean adoptees Jane Jeong Trenka and Ami Nafzger share their stories.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d00690ad</link>
      <description>
        <![CDATA[<p>“I may not be able to find my family but it always made me feel a step closer to help others.” OUTSIDERS WITHIN is a landmark publication that explores transracial adoption and the heavy emotional and cultural toll on those who directly experience it. The volume has many contributors who explore transracial adoption through essays, fiction, poetry, and art. OUTSIDERS WITHIN is coedited by Jane Jeong Trenka, Julia Chinyere Oparah, and Sun Yung Shin. This episode features Trenka in conversation with Ami Nafzger. Jane Jeong Trenka was adopted from South Korea to Minnesota. She holds a master of public administration from Seoul National University and was instrumental in revising Korea’s adoption law in 2011. She is author of THE LANGUAGE OF BLOOD and FUGITIVE VISIONS and coauthor of CHILD-SELLING COUNTRY (in Korean) with Kihye Jeon Hong and Kyung-eun Lee. She lives in Korea. Ami Inja Nafzger (aka Jin Inja) was adopted from Cheonju, South Korea, at the age of four and grew up in Wisconsin. She attended Augsburg College in Minnesota, graduating in social work, sociology, and Native American Indian studies. She founded Global Overseas Adoptees’ Link (GOA’L) in 1997. Nafzger is founder, president, and CEO of Adoptee Hub and works for the Department of Human Services (DHS) State of Minnesota as a Planning Director in the Business Integration Division for Children and Family Services. LINKS: Outsiders Within: z.umn.edu/outsiderswithin Adoptee Hub: https://www.adopteehub.org/ G.O.A’.L.: Global Overseas Adoptees’ Link: https://goal.or.kr/</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>“I may not be able to find my family but it always made me feel a step closer to help others.” OUTSIDERS WITHIN is a landmark publication that explores transracial adoption and the heavy emotional and cultural toll on those who directly experience it. The volume has many contributors who explore transracial adoption through essays, fiction, poetry, and art. OUTSIDERS WITHIN is coedited by Jane Jeong Trenka, Julia Chinyere Oparah, and Sun Yung Shin. This episode features Trenka in conversation with Ami Nafzger. Jane Jeong Trenka was adopted from South Korea to Minnesota. She holds a master of public administration from Seoul National University and was instrumental in revising Korea’s adoption law in 2011. She is author of THE LANGUAGE OF BLOOD and FUGITIVE VISIONS and coauthor of CHILD-SELLING COUNTRY (in Korean) with Kihye Jeon Hong and Kyung-eun Lee. She lives in Korea. Ami Inja Nafzger (aka Jin Inja) was adopted from Cheonju, South Korea, at the age of four and grew up in Wisconsin. She attended Augsburg College in Minnesota, graduating in social work, sociology, and Native American Indian studies. She founded Global Overseas Adoptees’ Link (GOA’L) in 1997. Nafzger is founder, president, and CEO of Adoptee Hub and works for the Department of Human Services (DHS) State of Minnesota as a Planning Director in the Business Integration Division for Children and Family Services. LINKS: Outsiders Within: z.umn.edu/outsiderswithin Adoptee Hub: https://www.adopteehub.org/ G.O.A’.L.: Global Overseas Adoptees’ Link: https://goal.or.kr/</p>]]>
      </content:encoded>
      <pubDate>Mon, 22 Mar 2021 09:48:57 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/d00690ad/3572c755.mp3" length="87920942" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Di9QKZUoel_DbZRj-cy60aJAC8k7DiMiC8guduk_qFE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3Ni8x/NjI1NzcxMTkxLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3663</itunes:duration>
      <itunes:summary>“I may not be able to find my family but it always made me feel a step closer to help others.” OUTSIDERS WITHIN is a landmark publication that explores transracial adoption and the heavy emotional and cultural toll on those who directly experience it. The volume has many contributors who explore transracial adoption through essays, fiction, poetry, and art. OUTSIDERS WITHIN is coedited by Jane Jeong Trenka, Julia Chinyere Oparah, and Sun Yung Shin. This episode features Trenka in conversation with Ami Nafzger.

Jane Jeong Trenka was adopted from South Korea to Minnesota. She holds a master of public administration from Seoul National University and was instrumental in revising Korea’s adoption law in 2011. She is author of THE LANGUAGE OF BLOOD and FUGITIVE VISIONS and coauthor of CHILD-SELLING COUNTRY (in Korean) with Kihye Jeon Hong and Kyung-eun Lee. She lives in Korea.

Ami Inja Nafzger (aka Jin Inja) was adopted from Cheonju, South Korea, at the age of four and grew up in Wisconsin. She attended Augsburg College in Minnesota, graduating in social work, sociology, and Native American Indian studies. She founded Global Overseas Adoptees’ Link (GOA’L) in 1997. Nafzger is founder, president, and CEO of Adoptee Hub and works for the Department of Human Services (DHS) State of Minnesota as a Planning Director in the Business Integration Division for Children and Family Services.

LINKS:
Outsiders Within: z.umn.edu/outsiderswithin
Adoptee Hub: https://www.adopteehub.org/
G.O.A’.L.: Global Overseas Adoptees’ Link: https://goal.or.kr/</itunes:summary>
      <itunes:subtitle>“I may not be able to find my family but it always made me feel a step closer to help others.” OUTSIDERS WITHIN is a landmark publication that explores transracial adoption and the heavy emotional and cultural toll on those who directly experience it. The</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Why art? On performance, theater, deep time, and the environment.</title>
      <itunes:episode>17</itunes:episode>
      <podcast:episode>17</podcast:episode>
      <itunes:title>Why art? On performance, theater, deep time, and the environment.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f7fd73dc</link>
      <description>
        <![CDATA[<p>The urgency of climate change means it is not sufficient for environmental scholarship to describe our complex relationship to the natural world. It must also compel a response. TIMESCALES: THINKING ACROSS ECOLOGICAL TEMPORALITIES gathers scholars from different fields, placing traditional academic essays alongside experimental sections, to promote innovation and collaboration. This episode asks: Why art? Why art … at all? With climate change and environmental catastrophe looming large, what purpose does art serve in pressing conversations about environmental futures? </p><p>Three TIMESCALES contributors are here to answer that question: <br>-Patricia Eunji Kim, assistant professor/faculty fellow at the Gallatin School of Individualized Studies and a provost’s postdoctoral fellow at New York University. She serves as an assistant curator at Monument Lab, a public art and history studio. Kim researches and teaches Greco-Roman art and archaeology, with a focus on issues of gender, cultural identity, and empire. Her in-progress monograph examines the art and archaeology of royal women from the Hellenistic world (4th–1st century BCE). </p><p>-Kate Farquhar is a Philadelphia-based landscape designer at Olin and has worked at the intersection of ecology, infrastructure, and art for fifteen years. Her TIMESCALES chapter focuses on WetLand, an experimental floating lab created from a 45-foot-long salvaged houseboat in 2014 by artist Mary Mattingly. From 2015 to 2016, Farquhar served as program coordinator for events that accompanied its residency with the Penn Program in Environmental Humanities (PPEH) on the Lower Schuylkill River. </p><p>-Dr. Marcia Ferguson, a professional actor, director, and educator, has worked as a theatre artist in Philadelphia regional theatre and arts organizations including the Wilma Theatre, Painted Bride Art Center, Act II Playhouse, Irish Heritage, Paper Dolls, the Mediums, Juniper productions, the Daedalus String Quartet, and the Penn Museum of Archaeology and Anthropology. She has collaborated on seven original productions for Edinburgh and Philadelphia Fringe festivals, and has done theatre and film work in Los Angeles, New York, Rome, and Tokyo. She is senior lecturer in theatre arts at the University of Pennsylvania and has published two books and several articles on theatre. Her TIMESCALES chapter focuses on Pig Iron’s work in progress “A Period of Animate Existence,” the subject of a discussion Ferguson moderated at the 2016 PPEH conference. Director Dan Rothenberg, composer Troy Herion, and set designer Mimi Lien were the 2016-17 artists in residence at PPEH. </p><p>This conversation was recorded in November 2020. This is the third and final podcast episode in a series that has featured the book’s three coeditors: Kim; Bethany Wiggin, director of the Penn Program in Environmental Humanities; and Carolyn Fornoff, assistant professor of Latin American culture at the University of Illinois at Urbana-Champaign. </p><p>REFERENCES: <br>Timescales: z.umn.edu/timescales <br>WetLand: https://ppeh.sas.upenn.edu/experiments/wetland <br>A Period of Animate Existence: https://www.pigiron.org/productions/period-animate-existence </p><p>MORE TIMESCALES PODCAST EPISODES: <br>-Ep. 14: Time and the interplay between human history and planetary history. With Carolyn Fornoff, Jen Telesca, Wai Chee Dimock, and Charles Tung: https://soundcloud.com/user-760891605/episode-14 <br>-Ep. 12: Scientists and humanists talk timescales and climate change. With Bethany Wiggin, Frankie Pavia, Jason Bell, and Jane Dmochowski: https://soundcloud.com/user-760891605/episode-12</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The urgency of climate change means it is not sufficient for environmental scholarship to describe our complex relationship to the natural world. It must also compel a response. TIMESCALES: THINKING ACROSS ECOLOGICAL TEMPORALITIES gathers scholars from different fields, placing traditional academic essays alongside experimental sections, to promote innovation and collaboration. This episode asks: Why art? Why art … at all? With climate change and environmental catastrophe looming large, what purpose does art serve in pressing conversations about environmental futures? </p><p>Three TIMESCALES contributors are here to answer that question: <br>-Patricia Eunji Kim, assistant professor/faculty fellow at the Gallatin School of Individualized Studies and a provost’s postdoctoral fellow at New York University. She serves as an assistant curator at Monument Lab, a public art and history studio. Kim researches and teaches Greco-Roman art and archaeology, with a focus on issues of gender, cultural identity, and empire. Her in-progress monograph examines the art and archaeology of royal women from the Hellenistic world (4th–1st century BCE). </p><p>-Kate Farquhar is a Philadelphia-based landscape designer at Olin and has worked at the intersection of ecology, infrastructure, and art for fifteen years. Her TIMESCALES chapter focuses on WetLand, an experimental floating lab created from a 45-foot-long salvaged houseboat in 2014 by artist Mary Mattingly. From 2015 to 2016, Farquhar served as program coordinator for events that accompanied its residency with the Penn Program in Environmental Humanities (PPEH) on the Lower Schuylkill River. </p><p>-Dr. Marcia Ferguson, a professional actor, director, and educator, has worked as a theatre artist in Philadelphia regional theatre and arts organizations including the Wilma Theatre, Painted Bride Art Center, Act II Playhouse, Irish Heritage, Paper Dolls, the Mediums, Juniper productions, the Daedalus String Quartet, and the Penn Museum of Archaeology and Anthropology. She has collaborated on seven original productions for Edinburgh and Philadelphia Fringe festivals, and has done theatre and film work in Los Angeles, New York, Rome, and Tokyo. She is senior lecturer in theatre arts at the University of Pennsylvania and has published two books and several articles on theatre. Her TIMESCALES chapter focuses on Pig Iron’s work in progress “A Period of Animate Existence,” the subject of a discussion Ferguson moderated at the 2016 PPEH conference. Director Dan Rothenberg, composer Troy Herion, and set designer Mimi Lien were the 2016-17 artists in residence at PPEH. </p><p>This conversation was recorded in November 2020. This is the third and final podcast episode in a series that has featured the book’s three coeditors: Kim; Bethany Wiggin, director of the Penn Program in Environmental Humanities; and Carolyn Fornoff, assistant professor of Latin American culture at the University of Illinois at Urbana-Champaign. </p><p>REFERENCES: <br>Timescales: z.umn.edu/timescales <br>WetLand: https://ppeh.sas.upenn.edu/experiments/wetland <br>A Period of Animate Existence: https://www.pigiron.org/productions/period-animate-existence </p><p>MORE TIMESCALES PODCAST EPISODES: <br>-Ep. 14: Time and the interplay between human history and planetary history. With Carolyn Fornoff, Jen Telesca, Wai Chee Dimock, and Charles Tung: https://soundcloud.com/user-760891605/episode-14 <br>-Ep. 12: Scientists and humanists talk timescales and climate change. With Bethany Wiggin, Frankie Pavia, Jason Bell, and Jane Dmochowski: https://soundcloud.com/user-760891605/episode-12</p>]]>
      </content:encoded>
      <pubDate>Fri, 05 Mar 2021 08:48:19 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/f7fd73dc/0789bb1b.mp3" length="83574617" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Nz9fm867jC3bO3lzGRlacZk5y3om05RUP4ZNNTC1Gj0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3NS8x/NjI1NzcxMTg5LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3481</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The urgency of climate change means it is not sufficient for environmental scholarship to describe our complex relationship to the natural world. It must also compel a response. TIMESCALES: THINKING ACROSS ECOLOGICAL TEMPORALITIES gathers scholars from different fields, placing traditional academic essays alongside experimental sections, to promote innovation and collaboration. This episode asks: Why art? Why art … at all? With climate change and environmental catastrophe looming large, what purpose does art serve in pressing conversations about environmental futures? </p><p>Three TIMESCALES contributors are here to answer that question: <br>-Patricia Eunji Kim, assistant professor/faculty fellow at the Gallatin School of Individualized Studies and a provost’s postdoctoral fellow at New York University. She serves as an assistant curator at Monument Lab, a public art and history studio. Kim researches and teaches Greco-Roman art and archaeology, with a focus on issues of gender, cultural identity, and empire. Her in-progress monograph examines the art and archaeology of royal women from the Hellenistic world (4th–1st century BCE). </p><p>-Kate Farquhar is a Philadelphia-based landscape designer at Olin and has worked at the intersection of ecology, infrastructure, and art for fifteen years. Her TIMESCALES chapter focuses on WetLand, an experimental floating lab created from a 45-foot-long salvaged houseboat in 2014 by artist Mary Mattingly. From 2015 to 2016, Farquhar served as program coordinator for events that accompanied its residency with the Penn Program in Environmental Humanities (PPEH) on the Lower Schuylkill River. </p><p>-Dr. Marcia Ferguson, a professional actor, director, and educator, has worked as a theatre artist in Philadelphia regional theatre and arts organizations including the Wilma Theatre, Painted Bride Art Center, Act II Playhouse, Irish Heritage, Paper Dolls, the Mediums, Juniper productions, the Daedalus String Quartet, and the Penn Museum of Archaeology and Anthropology. She has collaborated on seven original productions for Edinburgh and Philadelphia Fringe festivals, and has done theatre and film work in Los Angeles, New York, Rome, and Tokyo. She is senior lecturer in theatre arts at the University of Pennsylvania and has published two books and several articles on theatre. Her TIMESCALES chapter focuses on Pig Iron’s work in progress “A Period of Animate Existence,” the subject of a discussion Ferguson moderated at the 2016 PPEH conference. Director Dan Rothenberg, composer Troy Herion, and set designer Mimi Lien were the 2016-17 artists in residence at PPEH. </p><p>This conversation was recorded in November 2020. This is the third and final podcast episode in a series that has featured the book’s three coeditors: Kim; Bethany Wiggin, director of the Penn Program in Environmental Humanities; and Carolyn Fornoff, assistant professor of Latin American culture at the University of Illinois at Urbana-Champaign. </p><p>REFERENCES: <br>Timescales: z.umn.edu/timescales <br>WetLand: https://ppeh.sas.upenn.edu/experiments/wetland <br>A Period of Animate Existence: https://www.pigiron.org/productions/period-animate-existence </p><p>MORE TIMESCALES PODCAST EPISODES: <br>-Ep. 14: Time and the interplay between human history and planetary history. With Carolyn Fornoff, Jen Telesca, Wai Chee Dimock, and Charles Tung: https://soundcloud.com/user-760891605/episode-14 <br>-Ep. 12: Scientists and humanists talk timescales and climate change. With Bethany Wiggin, Frankie Pavia, Jason Bell, and Jane Dmochowski: https://soundcloud.com/user-760891605/episode-12</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <podcast:transcript url="https://share.transistor.fm/s/f7fd73dc/transcription.srt" type="application/x-subrip" rel="captions"/>
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    <item>
      <title>The crime of black repair in Jamaica.</title>
      <itunes:episode>16</itunes:episode>
      <podcast:episode>16</podcast:episode>
      <itunes:title>The crime of black repair in Jamaica.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fd2227e1</link>
      <description>
        <![CDATA[<p>Scammer’s Yard is an ethnography that focuses on the stories of three young Black Jamaicans who strive to make a living in Montego Bay, where call centers and tourism are the two main industries in the struggling economy. Author Jovan Scott Lewis raises unsettling questions about the fairness of a world economy that relegates Caribbean populations to durative sufferation. This groundbreaking book asks whether true reparation for the legacy of colonialism is to be found only through radical—even criminal—means. Lewis, an assistant professor of geography and African American Studies at UC Berkeley, is joined here by Peter James Hudson, associate professor of African American Studies and History at UCLA. This conversation was recorded in November 2020. </p><p><br>More about the book: z.umn.edu/scammersyard </p><p><br>REFERENCES: <br>Caricom Reparations Commission <br>Walter Rodney <br>Sylvia Wynter <br>Stuart Hall <br>C. L. R. James <br>George Padmore <br>Frantz Fanon <br>Lloyd Best <br>Faye Harrison <br>Beverley Mullings <br>Barry Chevannes <br>Walter Rodney</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Scammer’s Yard is an ethnography that focuses on the stories of three young Black Jamaicans who strive to make a living in Montego Bay, where call centers and tourism are the two main industries in the struggling economy. Author Jovan Scott Lewis raises unsettling questions about the fairness of a world economy that relegates Caribbean populations to durative sufferation. This groundbreaking book asks whether true reparation for the legacy of colonialism is to be found only through radical—even criminal—means. Lewis, an assistant professor of geography and African American Studies at UC Berkeley, is joined here by Peter James Hudson, associate professor of African American Studies and History at UCLA. This conversation was recorded in November 2020. </p><p><br>More about the book: z.umn.edu/scammersyard </p><p><br>REFERENCES: <br>Caricom Reparations Commission <br>Walter Rodney <br>Sylvia Wynter <br>Stuart Hall <br>C. L. R. James <br>George Padmore <br>Frantz Fanon <br>Lloyd Best <br>Faye Harrison <br>Beverley Mullings <br>Barry Chevannes <br>Walter Rodney</p>]]>
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      <pubDate>Mon, 15 Feb 2021 08:49:57 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/fd2227e1/f6d0a4a1.mp3" length="113064994" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/x9t1tu1REBzCVsrRouKFLF0MBngNDtTja7XQCKmWSL0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3NC8x/NjI1NzcxMTg3LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>4710</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Scammer’s Yard is an ethnography that focuses on the stories of three young Black Jamaicans who strive to make a living in Montego Bay, where call centers and tourism are the two main industries in the struggling economy. Author Jovan Scott Lewis raises unsettling questions about the fairness of a world economy that relegates Caribbean populations to durative sufferation. This groundbreaking book asks whether true reparation for the legacy of colonialism is to be found only through radical—even criminal—means. Lewis, an assistant professor of geography and African American Studies at UC Berkeley, is joined here by Peter James Hudson, associate professor of African American Studies and History at UCLA. This conversation was recorded in November 2020. </p><p><br>More about the book: z.umn.edu/scammersyard </p><p><br>REFERENCES: <br>Caricom Reparations Commission <br>Walter Rodney <br>Sylvia Wynter <br>Stuart Hall <br>C. L. R. James <br>George Padmore <br>Frantz Fanon <br>Lloyd Best <br>Faye Harrison <br>Beverley Mullings <br>Barry Chevannes <br>Walter Rodney</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>"The way you show up is everything": History-making expeditions and the women behind them.</title>
      <itunes:episode>15</itunes:episode>
      <podcast:episode>15</podcast:episode>
      <itunes:title>"The way you show up is everything": History-making expeditions and the women behind them.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/23cf7e8c</link>
      <description>
        <![CDATA[<p>If you’ve ever wondered what to do with your summer and considered (1) making history, (2) spending the whole thing on a wild 2,000-mile canoe trip, and (3) putting your relationship with your best friend to the ultimate test, then you know exactly what author Natalie Warren has experienced. In the summer after graduating college, Natalie and Ann Raiho set off on the banks of the Minnesota River with the ultimate goal of reaching the Arctic waters of Canada’s Hudson Bay in 90 days or less. Natalie writes all about their journey in her book HUDSON BAY BOUND, and is here today to chat with another history-making explorer, Ann Bancroft, who, along with Liv Arnesen, were the first two women to cross Antarctica. This conversation was recorded in October 2020. </p><p>More on <strong><em>Hudson Bay Bound: Two Women, One Dog, Two Thousand Miles to the Arctic</em></strong>: z.umn.edu/hudsonbaybound. </p><p>More on Ann Bancroft's historic journey across Antarctica: z.umn.edu/nohorizon</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>If you’ve ever wondered what to do with your summer and considered (1) making history, (2) spending the whole thing on a wild 2,000-mile canoe trip, and (3) putting your relationship with your best friend to the ultimate test, then you know exactly what author Natalie Warren has experienced. In the summer after graduating college, Natalie and Ann Raiho set off on the banks of the Minnesota River with the ultimate goal of reaching the Arctic waters of Canada’s Hudson Bay in 90 days or less. Natalie writes all about their journey in her book HUDSON BAY BOUND, and is here today to chat with another history-making explorer, Ann Bancroft, who, along with Liv Arnesen, were the first two women to cross Antarctica. This conversation was recorded in October 2020. </p><p>More on <strong><em>Hudson Bay Bound: Two Women, One Dog, Two Thousand Miles to the Arctic</em></strong>: z.umn.edu/hudsonbaybound. </p><p>More on Ann Bancroft's historic journey across Antarctica: z.umn.edu/nohorizon</p>]]>
      </content:encoded>
      <pubDate>Mon, 01 Feb 2021 08:35:10 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/23cf7e8c/18e9e23c.mp3" length="62812087" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/dFlHKp6bm8lQON5uMxkSmgmog52RzzbjiDyBRKZX2wc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3My8x/NjI1NzcxMTg0LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2617</itunes:duration>
      <itunes:summary>If you’ve ever wondered what to do with your summer and considered (1) making history, (2) spending the whole thing on a wild 2,000-mile canoe trip, and (3) putting your relationship with your best friend to the ultimate test, then you know exactly what author Natalie Warren has experienced. In the summer after graduating college, Natalie and Ann Raiho set off on the banks of the Minnesota River with the ultimate goal of reaching the Arctic waters of Canada’s Hudson Bay in 90 days or less. Natalie writes all about their journey in her book HUDSON BAY BOUND, and is here today to chat with another history-making explorer, Ann Bancroft, who, along with Liv Arnesen, were the first two women to cross Antarctica. This conversation was recorded in October 2020.

More on Hudson Bay Bound: Two Women, One Dog, Two Thousand Miles to the Arctic: z.umn.edu/hudsonbaybound.
More on Ann Bancroft's historic journey across Antarctica: z.umn.edu/nohorizon</itunes:summary>
      <itunes:subtitle>If you’ve ever wondered what to do with your summer and considered (1) making history, (2) spending the whole thing on a wild 2,000-mile canoe trip, and (3) putting your relationship with your best friend to the ultimate test, then you know exactly what a</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/23cf7e8c/transcript.txt" type="text/plain"/>
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    <item>
      <title>Time and the interplay between human history and planetary history</title>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>Time and the interplay between human history and planetary history</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/32c73ae8</link>
      <description>
        <![CDATA[<p>TIMESCALES is a book that explores how time has seemed to shift in the Anthropocene and examines the human inability to see and to witness time as an element of environmental catastrophe. The volume brings together humanities scholars, scientists, and artists to develop new ways of thinking about the world with its human and nonhuman entanglements and diverse systems of knowledge. Carolyn Fornoff is assistant professor of Latin American culture at the University of Illinois at Urbana-Champaign, and is co-editor, along with Bethany Wiggin and Patricia Kim, of Timescales. Fornoff is joined here by three volume contributors: Jen Telesca, assistant professor of environmental justice in the Department of Social Science and Cultural Studies at Pratt Institute; Wai Chee Dimock, editor of PMLA, who teaches at Yale University; and Charles Tung, professor of English at Seattle University. This conversation was recorded in December 2020.</p><p>REFERENCES:<br>-Timescales: Thinking across Ecological Temporalities. z.umn.edu/timescales<br>-Red Gold: The Managed Extinction of the Giant Bluefin Tuna (Jen Telesca)<br>-Modernism and Time Machines (Charles Tung)<br>-Weak Planet: Literature and Assisted Survival (Wai Chee Dimock)<br>-’Salmon’ by Jack Scoltock: https://www.firstpeople.us/native-american-poems/salmon.html<br>-Black ‘47: Native American Poetry (Jack Scoltock)<br>-”Irish support for Native American Covid-19 relief highlights historic bond”: https://www.theguardian.com/us-news/2020/may/09/irish-native-american-coronavirus-historic-bond<br>-Salmon in the Trees (Amy Gulick)<br>-Beyond Settler Time (Mark Rifkin)<br>-“How the Covid-19 pandemic has been curtailed in Cherokee Nation”: https://www.statnews.com/2020/11/17/how-covid19-has-been-curtailed-in-cherokee-nation/<br>-”The Amazon Is on Fire—Indigenous Rights Can Help Put It Out,” by Naomi Klein: https://www.commondreams.org/views/2019/08/26/amazon-fire-indigenous-rights-can-help-put-it-out<br>-“Indigenous science (fiction) for the Anthropocene” by Kyle Whyte. https://journals.sagepub.com/doi/abs/10.1177/2514848618777621<br>-The Human Planet (Mark Maslin and Simon Lewis)</p><p><br>MORE TIMESCALES PODCAST EPISODES:</p><p>-Ep. 17: Why art? On performance, theater, deep time, and the environment. With Patricia Eunji Kim, Kate Farquhar, and Marcia Ferguson: https://soundcloud.com/user-760891605/episode-17</p><p>-Ep. 12: Scientists and humanists talk timescales and climate change. With Bethany Wiggin, Frankie Pavia, Jason Bell, and Jane Dmochowski: https://soundcloud.com/user-760891605/episode-12</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>TIMESCALES is a book that explores how time has seemed to shift in the Anthropocene and examines the human inability to see and to witness time as an element of environmental catastrophe. The volume brings together humanities scholars, scientists, and artists to develop new ways of thinking about the world with its human and nonhuman entanglements and diverse systems of knowledge. Carolyn Fornoff is assistant professor of Latin American culture at the University of Illinois at Urbana-Champaign, and is co-editor, along with Bethany Wiggin and Patricia Kim, of Timescales. Fornoff is joined here by three volume contributors: Jen Telesca, assistant professor of environmental justice in the Department of Social Science and Cultural Studies at Pratt Institute; Wai Chee Dimock, editor of PMLA, who teaches at Yale University; and Charles Tung, professor of English at Seattle University. This conversation was recorded in December 2020.</p><p>REFERENCES:<br>-Timescales: Thinking across Ecological Temporalities. z.umn.edu/timescales<br>-Red Gold: The Managed Extinction of the Giant Bluefin Tuna (Jen Telesca)<br>-Modernism and Time Machines (Charles Tung)<br>-Weak Planet: Literature and Assisted Survival (Wai Chee Dimock)<br>-’Salmon’ by Jack Scoltock: https://www.firstpeople.us/native-american-poems/salmon.html<br>-Black ‘47: Native American Poetry (Jack Scoltock)<br>-”Irish support for Native American Covid-19 relief highlights historic bond”: https://www.theguardian.com/us-news/2020/may/09/irish-native-american-coronavirus-historic-bond<br>-Salmon in the Trees (Amy Gulick)<br>-Beyond Settler Time (Mark Rifkin)<br>-“How the Covid-19 pandemic has been curtailed in Cherokee Nation”: https://www.statnews.com/2020/11/17/how-covid19-has-been-curtailed-in-cherokee-nation/<br>-”The Amazon Is on Fire—Indigenous Rights Can Help Put It Out,” by Naomi Klein: https://www.commondreams.org/views/2019/08/26/amazon-fire-indigenous-rights-can-help-put-it-out<br>-“Indigenous science (fiction) for the Anthropocene” by Kyle Whyte. https://journals.sagepub.com/doi/abs/10.1177/2514848618777621<br>-The Human Planet (Mark Maslin and Simon Lewis)</p><p><br>MORE TIMESCALES PODCAST EPISODES:</p><p>-Ep. 17: Why art? On performance, theater, deep time, and the environment. With Patricia Eunji Kim, Kate Farquhar, and Marcia Ferguson: https://soundcloud.com/user-760891605/episode-17</p><p>-Ep. 12: Scientists and humanists talk timescales and climate change. With Bethany Wiggin, Frankie Pavia, Jason Bell, and Jane Dmochowski: https://soundcloud.com/user-760891605/episode-12</p>]]>
      </content:encoded>
      <pubDate>Tue, 19 Jan 2021 13:57:53 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/32c73ae8/affb6954.mp3" length="79577642" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/sUahn9ovpeDsh0fr4BlpUxM_Ol0OShXdpDI85nrdvb0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3Mi8x/NjI1NzcxMTgyLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3315</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>TIMESCALES is a book that explores how time has seemed to shift in the Anthropocene and examines the human inability to see and to witness time as an element of environmental catastrophe. The volume brings together humanities scholars, scientists, and artists to develop new ways of thinking about the world with its human and nonhuman entanglements and diverse systems of knowledge. Carolyn Fornoff is assistant professor of Latin American culture at the University of Illinois at Urbana-Champaign, and is co-editor, along with Bethany Wiggin and Patricia Kim, of Timescales. Fornoff is joined here by three volume contributors: Jen Telesca, assistant professor of environmental justice in the Department of Social Science and Cultural Studies at Pratt Institute; Wai Chee Dimock, editor of PMLA, who teaches at Yale University; and Charles Tung, professor of English at Seattle University. This conversation was recorded in December 2020.</p><p>REFERENCES:<br>-Timescales: Thinking across Ecological Temporalities. z.umn.edu/timescales<br>-Red Gold: The Managed Extinction of the Giant Bluefin Tuna (Jen Telesca)<br>-Modernism and Time Machines (Charles Tung)<br>-Weak Planet: Literature and Assisted Survival (Wai Chee Dimock)<br>-’Salmon’ by Jack Scoltock: https://www.firstpeople.us/native-american-poems/salmon.html<br>-Black ‘47: Native American Poetry (Jack Scoltock)<br>-”Irish support for Native American Covid-19 relief highlights historic bond”: https://www.theguardian.com/us-news/2020/may/09/irish-native-american-coronavirus-historic-bond<br>-Salmon in the Trees (Amy Gulick)<br>-Beyond Settler Time (Mark Rifkin)<br>-“How the Covid-19 pandemic has been curtailed in Cherokee Nation”: https://www.statnews.com/2020/11/17/how-covid19-has-been-curtailed-in-cherokee-nation/<br>-”The Amazon Is on Fire—Indigenous Rights Can Help Put It Out,” by Naomi Klein: https://www.commondreams.org/views/2019/08/26/amazon-fire-indigenous-rights-can-help-put-it-out<br>-“Indigenous science (fiction) for the Anthropocene” by Kyle Whyte. https://journals.sagepub.com/doi/abs/10.1177/2514848618777621<br>-The Human Planet (Mark Maslin and Simon Lewis)</p><p><br>MORE TIMESCALES PODCAST EPISODES:</p><p>-Ep. 17: Why art? On performance, theater, deep time, and the environment. With Patricia Eunji Kim, Kate Farquhar, and Marcia Ferguson: https://soundcloud.com/user-760891605/episode-17</p><p>-Ep. 12: Scientists and humanists talk timescales and climate change. With Bethany Wiggin, Frankie Pavia, Jason Bell, and Jane Dmochowski: https://soundcloud.com/user-760891605/episode-12</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/32c73ae8/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>On reading, solitude, Edith Wharton, and what a library means to a woman.</title>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>On reading, solitude, Edith Wharton, and what a library means to a woman.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/04a8ee9c</link>
      <description>
        <![CDATA[<p>“Historically, women have had to frame their own intellectual advancement in alternative terms.” When writer Edith Wharton died in 1937, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. WHAT A LIBRARY MEANS TO A WOMAN is a book by Sheila Liming that examines personal libraries as technologies of self-creation in modern America. For Wharton, a library meant a home, a school, a sense of independence, a place of solitude but not loneliness, and a place where she set rules for herself as a writer and as a reader. Liming is joined here by Nynke Dorhout and Anne Schuyler of The Mount in Lenox, MA, and by Wharton scholar Donna Campbell. This conversation was recorded in December 2020. </p><p><br>For more information: <br>z.umn.edu/whatalibrarymeans <br>edithwhartonslibrary.org <br>edithwharton.org <br>whartoncompleteworks.org</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>“Historically, women have had to frame their own intellectual advancement in alternative terms.” When writer Edith Wharton died in 1937, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. WHAT A LIBRARY MEANS TO A WOMAN is a book by Sheila Liming that examines personal libraries as technologies of self-creation in modern America. For Wharton, a library meant a home, a school, a sense of independence, a place of solitude but not loneliness, and a place where she set rules for herself as a writer and as a reader. Liming is joined here by Nynke Dorhout and Anne Schuyler of The Mount in Lenox, MA, and by Wharton scholar Donna Campbell. This conversation was recorded in December 2020. </p><p><br>For more information: <br>z.umn.edu/whatalibrarymeans <br>edithwhartonslibrary.org <br>edithwharton.org <br>whartoncompleteworks.org</p>]]>
      </content:encoded>
      <pubDate>Mon, 28 Dec 2020 08:21:52 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/04a8ee9c/4dd261c3.mp3" length="74653020" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/y_peBb_JEemwgKrvOnYLsdg_wBwI7yixYTIJDOJJCUw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3MS8x/NjI1NzcxMTgwLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3110</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>“Historically, women have had to frame their own intellectual advancement in alternative terms.” When writer Edith Wharton died in 1937, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. WHAT A LIBRARY MEANS TO A WOMAN is a book by Sheila Liming that examines personal libraries as technologies of self-creation in modern America. For Wharton, a library meant a home, a school, a sense of independence, a place of solitude but not loneliness, and a place where she set rules for herself as a writer and as a reader. Liming is joined here by Nynke Dorhout and Anne Schuyler of The Mount in Lenox, MA, and by Wharton scholar Donna Campbell. This conversation was recorded in December 2020. </p><p><br>For more information: <br>z.umn.edu/whatalibrarymeans <br>edithwhartonslibrary.org <br>edithwharton.org <br>whartoncompleteworks.org</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/04a8ee9c/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Scientists and humanists talk timescales and climate change.</title>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Scientists and humanists talk timescales and climate change.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/8e8ac2fe</link>
      <description>
        <![CDATA[<p>When talking about climate change, what do an oceanographer and a literary scholar have in common? How might these distant disciplines begin to speak to each other? TIMESCALES: THINKING ACROSS ECOLOGICAL TEMPORALITIES is a volume that includes frictive chit-chats from scholars from far-flung disciplines and explores what they have to teach each other about the timescales of environmental change. Bethany Wiggin is one of three co-editors of this volume, along with Carolyn Fornoff and Patricia Kim. Wiggin is director of the first established academic program in environmental humanities at a major research university: the Penn Program in Environmental Humanities. She is joined here by oceanographer Frankie Pavia, law student Jason Bell, and geophysicist Jane Dmochowski. This conversation was recorded in November 2020. </p><p><br>More information: z.umn.edu/timescales. </p><p><br>MORE TIMESCALES PODCAST EPISODES: <br>-Ep. 17: Why art? On performance, theater, deep time, and the environment. With Patricia Eunji Kim, Kate Farquhar, and Marcia Ferguson: https://soundcloud.com/user-760891605/episode-17 <br>-Ep. 14: Time and the interplay between human history and planetary history. With Carolyn Fornoff, Jen Telesca, Wai Chee Dimock, and Charles Tung: https://soundcloud.com/user-760891605/episode-14</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>When talking about climate change, what do an oceanographer and a literary scholar have in common? How might these distant disciplines begin to speak to each other? TIMESCALES: THINKING ACROSS ECOLOGICAL TEMPORALITIES is a volume that includes frictive chit-chats from scholars from far-flung disciplines and explores what they have to teach each other about the timescales of environmental change. Bethany Wiggin is one of three co-editors of this volume, along with Carolyn Fornoff and Patricia Kim. Wiggin is director of the first established academic program in environmental humanities at a major research university: the Penn Program in Environmental Humanities. She is joined here by oceanographer Frankie Pavia, law student Jason Bell, and geophysicist Jane Dmochowski. This conversation was recorded in November 2020. </p><p><br>More information: z.umn.edu/timescales. </p><p><br>MORE TIMESCALES PODCAST EPISODES: <br>-Ep. 17: Why art? On performance, theater, deep time, and the environment. With Patricia Eunji Kim, Kate Farquhar, and Marcia Ferguson: https://soundcloud.com/user-760891605/episode-17 <br>-Ep. 14: Time and the interplay between human history and planetary history. With Carolyn Fornoff, Jen Telesca, Wai Chee Dimock, and Charles Tung: https://soundcloud.com/user-760891605/episode-14</p>]]>
      </content:encoded>
      <pubDate>Wed, 09 Dec 2020 15:20:38 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/8e8ac2fe/d79e97fb.mp3" length="91487631" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/YCdNwCd6N1fjtQJp9g13tzF9wPyn88mPMfFcM01RaYE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk3MC8x/NjI1NzcxMTc3LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3811</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>When talking about climate change, what do an oceanographer and a literary scholar have in common? How might these distant disciplines begin to speak to each other? TIMESCALES: THINKING ACROSS ECOLOGICAL TEMPORALITIES is a volume that includes frictive chit-chats from scholars from far-flung disciplines and explores what they have to teach each other about the timescales of environmental change. Bethany Wiggin is one of three co-editors of this volume, along with Carolyn Fornoff and Patricia Kim. Wiggin is director of the first established academic program in environmental humanities at a major research university: the Penn Program in Environmental Humanities. She is joined here by oceanographer Frankie Pavia, law student Jason Bell, and geophysicist Jane Dmochowski. This conversation was recorded in November 2020. </p><p><br>More information: z.umn.edu/timescales. </p><p><br>MORE TIMESCALES PODCAST EPISODES: <br>-Ep. 17: Why art? On performance, theater, deep time, and the environment. With Patricia Eunji Kim, Kate Farquhar, and Marcia Ferguson: https://soundcloud.com/user-760891605/episode-17 <br>-Ep. 14: Time and the interplay between human history and planetary history. With Carolyn Fornoff, Jen Telesca, Wai Chee Dimock, and Charles Tung: https://soundcloud.com/user-760891605/episode-14</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/8e8ac2fe/transcript.txt" type="text/plain"/>
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    <item>
      <title>"Not just surviving, but thriving": On recovery. (Mental Health Series, Part 3)</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>"Not just surviving, but thriving": On recovery. (Mental Health Series, Part 3)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/cdf782bc</link>
      <description>
        <![CDATA[<p>On this podcast, Mindy Greiling, a mental health advocate and former state representative, has hosted a series of conversations around mental health care in Minnesota: the first was with Alisa Roth on the state’s criminal treatment of mental illness, and the second with Dr. George Realmuto on mental health and substance abuse. In this third and final installment in the mental health series, Mindy talks about recovery with John Trepp, who she calls a “maverick” and wishes there were more like him in the mental health system. Trepp is author of Lodge Magic: Real Life Adventures in Mental Health Recovery and is former executive director of Tasks Unlimited, Minnesota’s Fairweather lodge program, which provides housing and recovery services for people with mental illness. This conversation was recorded in September 2020. References: -Fix What You Can by Mindy Greiling: http://z.umn.edu/fixwhatyoucan -Lodge Magic: Real Life Adventures in Mental Health Recovery by John Trepp -Surviving Schizophrenia by E. Fuller Torrey -Tasks Unlimited: https://tasksunlimited.org/ -National Alliance on Mental Illness: https://www.nami.org/ -NAMI Minnesota: https://namimn.org/</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On this podcast, Mindy Greiling, a mental health advocate and former state representative, has hosted a series of conversations around mental health care in Minnesota: the first was with Alisa Roth on the state’s criminal treatment of mental illness, and the second with Dr. George Realmuto on mental health and substance abuse. In this third and final installment in the mental health series, Mindy talks about recovery with John Trepp, who she calls a “maverick” and wishes there were more like him in the mental health system. Trepp is author of Lodge Magic: Real Life Adventures in Mental Health Recovery and is former executive director of Tasks Unlimited, Minnesota’s Fairweather lodge program, which provides housing and recovery services for people with mental illness. This conversation was recorded in September 2020. References: -Fix What You Can by Mindy Greiling: http://z.umn.edu/fixwhatyoucan -Lodge Magic: Real Life Adventures in Mental Health Recovery by John Trepp -Surviving Schizophrenia by E. Fuller Torrey -Tasks Unlimited: https://tasksunlimited.org/ -National Alliance on Mental Illness: https://www.nami.org/ -NAMI Minnesota: https://namimn.org/</p>]]>
      </content:encoded>
      <pubDate>Tue, 10 Nov 2020 08:08:02 -0600</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/cdf782bc/21a3a03a.mp3" length="75580751" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/MUM9pegrxwUopUojJT0TynxWlJhdoi9_N2zOsNYJgak/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2OS8x/NjI1NzcxMTc1LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3149</itunes:duration>
      <itunes:summary>On this podcast, Mindy Greiling, a mental health advocate and former state representative, has hosted a series of conversations around mental health care in Minnesota: the first was with Alisa Roth on the state’s criminal treatment of mental illness, and the second with Dr. George Realmuto on mental health and substance abuse. In this third and final installment in the mental health series, Mindy talks about recovery with John Trepp, who she calls a “maverick” and wishes there were more like him in the mental health system. Trepp is author of Lodge Magic: Real Life Adventures in Mental Health Recovery and is former executive director of Tasks Unlimited, Minnesota’s Fairweather lodge program, which provides housing and recovery services for people with mental illness. This conversation was recorded in September 2020.

References:
-Fix What You Can by Mindy Greiling: http://z.umn.edu/fixwhatyoucan
-Lodge Magic: Real Life Adventures in Mental Health Recovery by John Trepp
-Surviving Schizophrenia by E. Fuller Torrey
-Tasks Unlimited: https://tasksunlimited.org/
-National Alliance on Mental Illness: https://www.nami.org/
-NAMI Minnesota: https://namimn.org/</itunes:summary>
      <itunes:subtitle>On this podcast, Mindy Greiling, a mental health advocate and former state representative, has hosted a series of conversations around mental health care in Minnesota: the first was with Alisa Roth on the state’s criminal treatment of mental illness, and </itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/cdf782bc/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Waste More, Want More: The case for taking objects seriously.</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Waste More, Want More: The case for taking objects seriously.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">tag:soundcloud,2010:tracks/920440924</guid>
      <link>https://share.transistor.fm/s/10e6feaa</link>
      <description>
        <![CDATA[<p>Consumption is on pause for a lot of people during the novel coronavirus pandemic. Whether that's given you cause to clean out your stuff or become closer with your stuff, we're here to talk about meaning we assign to the objects around us. Christine Harold is a professor of communication at the University of Washington. Her new book THINGS WORTH KEEPING: The Value of Attachment in a Disposable World, investigates the attachments we form to the objects we buy, keep, and discard, and explores how these attachments might be marshaled to create less wasteful practices and balance our consumerist and ecological impulses. Nicole Seymour is a professor of English based in Southern California whose book BAD ENVIRONMENTALISM: Irony and Irreverence in the Ecological Age seeks out a new way to talk about environmentalism that is less performance and self-righteousness and embraces irony and humor. This conversation was recorded in October 2020. </p><p>For more information about their books, visit z.umn.edu/thingsworthkeeping and z.umn.edu/badenvironmentalism. </p><p>References/further reading and watching: <br>Hyerim Shin <br>Wildboyz <br>Rich Doyle’s Darwin’s Pharmacy <br>Jeff Nealon’s Plant Theory <br>Fantastic Fungi, a 2019 documentary</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Consumption is on pause for a lot of people during the novel coronavirus pandemic. Whether that's given you cause to clean out your stuff or become closer with your stuff, we're here to talk about meaning we assign to the objects around us. Christine Harold is a professor of communication at the University of Washington. Her new book THINGS WORTH KEEPING: The Value of Attachment in a Disposable World, investigates the attachments we form to the objects we buy, keep, and discard, and explores how these attachments might be marshaled to create less wasteful practices and balance our consumerist and ecological impulses. Nicole Seymour is a professor of English based in Southern California whose book BAD ENVIRONMENTALISM: Irony and Irreverence in the Ecological Age seeks out a new way to talk about environmentalism that is less performance and self-righteousness and embraces irony and humor. This conversation was recorded in October 2020. </p><p>For more information about their books, visit z.umn.edu/thingsworthkeeping and z.umn.edu/badenvironmentalism. </p><p>References/further reading and watching: <br>Hyerim Shin <br>Wildboyz <br>Rich Doyle’s Darwin’s Pharmacy <br>Jeff Nealon’s Plant Theory <br>Fantastic Fungi, a 2019 documentary</p>]]>
      </content:encoded>
      <pubDate>Fri, 30 Oct 2020 11:59:35 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/10e6feaa/6853ba4b.mp3" length="76079848" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/oCm-NKFdxvuPo8uohIsLf784oAN1wxvnDXoQDRxd5dk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2OC8x/NjI1NzcxMTcyLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3169</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Consumption is on pause for a lot of people during the novel coronavirus pandemic. Whether that's given you cause to clean out your stuff or become closer with your stuff, we're here to talk about meaning we assign to the objects around us. Christine Harold is a professor of communication at the University of Washington. Her new book THINGS WORTH KEEPING: The Value of Attachment in a Disposable World, investigates the attachments we form to the objects we buy, keep, and discard, and explores how these attachments might be marshaled to create less wasteful practices and balance our consumerist and ecological impulses. Nicole Seymour is a professor of English based in Southern California whose book BAD ENVIRONMENTALISM: Irony and Irreverence in the Ecological Age seeks out a new way to talk about environmentalism that is less performance and self-righteousness and embraces irony and humor. This conversation was recorded in October 2020. </p><p>For more information about their books, visit z.umn.edu/thingsworthkeeping and z.umn.edu/badenvironmentalism. </p><p>References/further reading and watching: <br>Hyerim Shin <br>Wildboyz <br>Rich Doyle’s Darwin’s Pharmacy <br>Jeff Nealon’s Plant Theory <br>Fantastic Fungi, a 2019 documentary</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/10e6feaa/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>On the intersection of mental illness and substance abuse. (Mental Health Series, Part 2)</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>On the intersection of mental illness and substance abuse. (Mental Health Series, Part 2)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">tag:soundcloud,2010:tracks/905596033</guid>
      <link>https://share.transistor.fm/s/9703f534</link>
      <description>
        <![CDATA[<p>Mindy Greiling was a member of the Minnesota House of Representatives for twenty years. She has served on state and national boards of the National Alliance on Mental Illness and is on the University of Minnesota Psychiatry Community Advisory Council. George Realmuto is a professor in the department of psychiatry at the University of Minnesota Medical School. Both George and Mindy are parents of children with brain disease. Mindy’s son, Jim, is 42 and was diagnosed with schizoaffective disorder in his early twenties. George’s daughter, a mother and an award-winning creative, passed away in 2019 as a result of chemical and mental illness. She would be 38 today. Both are here to share their experiences, their expertise, and their hopes for the future of caring for loved ones facing mental and substance use disorders. This conversation was recorded in September 2020. </p><p>Resources: <br>-National Alliance on Mental Illness: https://www.nami.org/ <br>-NAMI Minnesota: https://namimn.org/</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Mindy Greiling was a member of the Minnesota House of Representatives for twenty years. She has served on state and national boards of the National Alliance on Mental Illness and is on the University of Minnesota Psychiatry Community Advisory Council. George Realmuto is a professor in the department of psychiatry at the University of Minnesota Medical School. Both George and Mindy are parents of children with brain disease. Mindy’s son, Jim, is 42 and was diagnosed with schizoaffective disorder in his early twenties. George’s daughter, a mother and an award-winning creative, passed away in 2019 as a result of chemical and mental illness. She would be 38 today. Both are here to share their experiences, their expertise, and their hopes for the future of caring for loved ones facing mental and substance use disorders. This conversation was recorded in September 2020. </p><p>Resources: <br>-National Alliance on Mental Illness: https://www.nami.org/ <br>-NAMI Minnesota: https://namimn.org/</p>]]>
      </content:encoded>
      <pubDate>Tue, 06 Oct 2020 08:20:17 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/9703f534/266e43e7.mp3" length="82000616" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/o-dl2kD6QtwqHv7wjKsPwxYrf1DfkhncSmTouq-XTuU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2Ny8x/NjI1NzcxMTcwLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3416</itunes:duration>
      <itunes:summary>Mindy Greiling was a member of the Minnesota House of Representatives for twenty years. She has served on state and national boards of the National Alliance on Mental Illness and is on the University of Minnesota Psychiatry Community Advisory Council. George Realmuto is a professor in the department of psychiatry at the University of Minnesota Medical School. Both George and Mindy are parents of children with brain disease. Mindy’s son, Jim, is 42 and was diagnosed with schizoaffective disorder in his early twenties. George’s daughter, a mother and an award-winning creative, passed away in 2019 as a result of chemical and mental illness. She would be 38 today. Both are here to share their experiences, their expertise, and their hopes for the future of caring for loved ones facing mental and substance use disorders. This conversation was recorded in September 2020.

Resources:
-National Alliance on Mental Illness: https://www.nami.org/
-NAMI Minnesota: https://namimn.org/

Event:
-On Oct. 8th, 2020, Mindy Greiling speaks live with Sue Abderholden of NAMI Minnesota at 1pm Central. https://www.hhh.umn.edu/event/book-launch-fix-what-you-can-mindy-greiling</itunes:summary>
      <itunes:subtitle>Mindy Greiling was a member of the Minnesota House of Representatives for twenty years. She has served on state and national boards of the National Alliance on Mental Illness and is on the University of Minnesota Psychiatry Community Advisory Council. Geo</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/9703f534/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Hope and Art when the World is Falling Apart.</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Hope and Art when the World is Falling Apart.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">tag:soundcloud,2010:tracks/898395016</guid>
      <link>https://share.transistor.fm/s/534b060e</link>
      <description>
        <![CDATA[<p>In the era of climate change, how can we imagine better futures? AN ECOTOPIAN LEXICON is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision what could be. The book connects thirty authors and fourteen artists from a range of backgrounds and locations, and three of them are here in discussion today: anthropologist and herbalist Charis Boke, visual artist Michelle Kuen Suet Fung, and Sam Solnick of the University of Liverpool.</p><p><br>For more information, visit ecotopianlexicon.com. </p><p><br>Works and writers referenced in this episode in order of appearance: <br>David Attenborough’s The Private Life of Plants <br>Carolyn Fornoff <br>The Arts of Living on a Damaged Planet, edited by Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt <br>bell hooks <br>Evelyn Reilly <br>Karen Barad <br>Donna Haraway <br>Climate Changed by Philippe Squarzoni </p><p><br>Thanks to the conversants: <br>Charis Boke, charisboke.com <br>Michelle Kuen Suet Fung, michelleksfung.com <br>Sam Solnick, @LitSciHub on Twitter</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the era of climate change, how can we imagine better futures? AN ECOTOPIAN LEXICON is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision what could be. The book connects thirty authors and fourteen artists from a range of backgrounds and locations, and three of them are here in discussion today: anthropologist and herbalist Charis Boke, visual artist Michelle Kuen Suet Fung, and Sam Solnick of the University of Liverpool.</p><p><br>For more information, visit ecotopianlexicon.com. </p><p><br>Works and writers referenced in this episode in order of appearance: <br>David Attenborough’s The Private Life of Plants <br>Carolyn Fornoff <br>The Arts of Living on a Damaged Planet, edited by Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt <br>bell hooks <br>Evelyn Reilly <br>Karen Barad <br>Donna Haraway <br>Climate Changed by Philippe Squarzoni </p><p><br>Thanks to the conversants: <br>Charis Boke, charisboke.com <br>Michelle Kuen Suet Fung, michelleksfung.com <br>Sam Solnick, @LitSciHub on Twitter</p>]]>
      </content:encoded>
      <pubDate>Wed, 23 Sep 2020 15:07:08 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/534b060e/957d798d.mp3" length="114384980" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/3Duzy__TmLloeg-O0jF4sLyruHc7uz6dSoz6uwkgOmE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2Ni8x/NjI1NzcxMTY4LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>4765</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the era of climate change, how can we imagine better futures? AN ECOTOPIAN LEXICON is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision what could be. The book connects thirty authors and fourteen artists from a range of backgrounds and locations, and three of them are here in discussion today: anthropologist and herbalist Charis Boke, visual artist Michelle Kuen Suet Fung, and Sam Solnick of the University of Liverpool.</p><p><br>For more information, visit ecotopianlexicon.com. </p><p><br>Works and writers referenced in this episode in order of appearance: <br>David Attenborough’s The Private Life of Plants <br>Carolyn Fornoff <br>The Arts of Living on a Damaged Planet, edited by Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt <br>bell hooks <br>Evelyn Reilly <br>Karen Barad <br>Donna Haraway <br>Climate Changed by Philippe Squarzoni </p><p><br>Thanks to the conversants: <br>Charis Boke, charisboke.com <br>Michelle Kuen Suet Fung, michelleksfung.com <br>Sam Solnick, @LitSciHub on Twitter</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/534b060e/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Mental health care and criminal justice reform. (Mental Health Series, Part 1)</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Mental health care and criminal justice reform. (Mental Health Series, Part 1)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">tag:soundcloud,2010:tracks/893704597</guid>
      <link>https://share.transistor.fm/s/cf063161</link>
      <description>
        <![CDATA[<p>In his early twenties, Mindy Greiling’s son, Jim, was diagnosed with schizoaffective disorder. At the time, and for more than a decade after, Greiling was a Minnesota state legislator who struggled, along with her husband, to navigate and improve the state’s inadequate mental health system. Her book FIX WHAT YOU CAN is an illuminating and frank account of caring for a person with a mental illness, told by a parent and advocate. Greiling is joined here today by Minnesota Public Radio’s mental health reporter Alisa Roth, author of INSANE: AMERICA’S CRIMINAL TREATMENT OF MENTAL ILLNESS. This edited conversation was recorded in August 2020. For more information, please visit z.umn.edu/fixwhatyoucan.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In his early twenties, Mindy Greiling’s son, Jim, was diagnosed with schizoaffective disorder. At the time, and for more than a decade after, Greiling was a Minnesota state legislator who struggled, along with her husband, to navigate and improve the state’s inadequate mental health system. Her book FIX WHAT YOU CAN is an illuminating and frank account of caring for a person with a mental illness, told by a parent and advocate. Greiling is joined here today by Minnesota Public Radio’s mental health reporter Alisa Roth, author of INSANE: AMERICA’S CRIMINAL TREATMENT OF MENTAL ILLNESS. This edited conversation was recorded in August 2020. For more information, please visit z.umn.edu/fixwhatyoucan.</p>]]>
      </content:encoded>
      <pubDate>Tue, 15 Sep 2020 10:32:32 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/cf063161/25ba4e6e.mp3" length="59494444" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/0wqt_4WrBDwIna1NmKx3ZSgmwPB7ZHaNhtuoWZqhy5U/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2NS8x/NjI1NzcxMTY1LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2478</itunes:duration>
      <itunes:summary>In his early twenties, Mindy Greiling’s son, Jim, was diagnosed with schizoaffective disorder. At the time, and for more than a decade after, Greiling was a Minnesota state legislator who struggled, along with her husband, to navigate and improve the state’s inadequate mental health system. Her book FIX WHAT YOU CAN is an illuminating and frank account of caring for a person with a mental illness, told by a parent and advocate. Greiling is joined here today by Minnesota Public Radio’s mental health reporter Alisa Roth, author of INSANE: AMERICA’S CRIMINAL TREATMENT OF MENTAL ILLNESS. This edited conversation was recorded in August 2020.

For more information, please visit z.umn.edu/fixwhatyoucan.</itunes:summary>
      <itunes:subtitle>In his early twenties, Mindy Greiling’s son, Jim, was diagnosed with schizoaffective disorder. At the time, and for more than a decade after, Greiling was a Minnesota state legislator who struggled, along with her husband, to navigate and improve the stat</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/cf063161/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Anthropocene Poetics: David Farrier with Adam Dickinson</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Anthropocene Poetics: David Farrier with Adam Dickinson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">tag:soundcloud,2010:tracks/881163247</guid>
      <link>https://share.transistor.fm/s/80e10bc4</link>
      <description>
        <![CDATA[<p>The Anthropocenic condition gives us “a sense of the proximity we have to things we might otherwise have thought very distant from us.” David Farrier, author of Anthropocene Poetics, discusses deep time, extinction, and intimacy, asking how poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time. David is professor of literature and the environment at the University of Edinburgh, and he is joined here in conversation by Adam Dickinson, who is the author of four books of poetry including Anatomic. Adam is a professor in the English department at Brock University in Ontario. </p><p><br>For more information, please visit z.umn.edu/poetics. </p><p><br>Topics discussed include diffraction-based poetics; Donna Haraway's reminder that we are kin-making beings; the concept of the Clinamen; Evelyn Reilly; Elizabeth Bishop; Seamus Heaney; Deborah Bird Rose; Karen Barad; Alfred Jarry. Additionally, David and Adam recommend poets whose work addresses the Anthropocene: <br>Brenda Hillman <br>Angela Rawlings <br>Harryette Mullen <br>Juliana Spahr <br>Jen Bervin <br>Alexis Pauline Gumbs <br>Liz Howard <br>Dea Antonsen and Ida Bencke <br>Morten Søndergaard <br>Karin Bolender <br>Amanda Ackerman <br>Craig Santos Perez <br>Sean Hewitt</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The Anthropocenic condition gives us “a sense of the proximity we have to things we might otherwise have thought very distant from us.” David Farrier, author of Anthropocene Poetics, discusses deep time, extinction, and intimacy, asking how poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time. David is professor of literature and the environment at the University of Edinburgh, and he is joined here in conversation by Adam Dickinson, who is the author of four books of poetry including Anatomic. Adam is a professor in the English department at Brock University in Ontario. </p><p><br>For more information, please visit z.umn.edu/poetics. </p><p><br>Topics discussed include diffraction-based poetics; Donna Haraway's reminder that we are kin-making beings; the concept of the Clinamen; Evelyn Reilly; Elizabeth Bishop; Seamus Heaney; Deborah Bird Rose; Karen Barad; Alfred Jarry. Additionally, David and Adam recommend poets whose work addresses the Anthropocene: <br>Brenda Hillman <br>Angela Rawlings <br>Harryette Mullen <br>Juliana Spahr <br>Jen Bervin <br>Alexis Pauline Gumbs <br>Liz Howard <br>Dea Antonsen and Ida Bencke <br>Morten Søndergaard <br>Karin Bolender <br>Amanda Ackerman <br>Craig Santos Perez <br>Sean Hewitt</p>]]>
      </content:encoded>
      <pubDate>Mon, 24 Aug 2020 09:31:54 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/80e10bc4/7187bfa8.mp3" length="84319191" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/8La_CvXafNMAsvUSGMyggZ-mkhvbzJiklCma4msJVoQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2NC8x/NjI1NzcxMTYzLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3513</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The Anthropocenic condition gives us “a sense of the proximity we have to things we might otherwise have thought very distant from us.” David Farrier, author of Anthropocene Poetics, discusses deep time, extinction, and intimacy, asking how poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time. David is professor of literature and the environment at the University of Edinburgh, and he is joined here in conversation by Adam Dickinson, who is the author of four books of poetry including Anatomic. Adam is a professor in the English department at Brock University in Ontario. </p><p><br>For more information, please visit z.umn.edu/poetics. </p><p><br>Topics discussed include diffraction-based poetics; Donna Haraway's reminder that we are kin-making beings; the concept of the Clinamen; Evelyn Reilly; Elizabeth Bishop; Seamus Heaney; Deborah Bird Rose; Karen Barad; Alfred Jarry. Additionally, David and Adam recommend poets whose work addresses the Anthropocene: <br>Brenda Hillman <br>Angela Rawlings <br>Harryette Mullen <br>Juliana Spahr <br>Jen Bervin <br>Alexis Pauline Gumbs <br>Liz Howard <br>Dea Antonsen and Ida Bencke <br>Morten Søndergaard <br>Karin Bolender <br>Amanda Ackerman <br>Craig Santos Perez <br>Sean Hewitt</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/80e10bc4/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>"There's a life that the page gives": Writings on Miscarriage and Infant Loss</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>"There's a life that the page gives": Writings on Miscarriage and Infant Loss</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">tag:soundcloud,2010:tracks/875191033</guid>
      <link>https://share.transistor.fm/s/4692414c</link>
      <description>
        <![CDATA[<p>Miscarriage and infant loss are experiences that disproportionately affect Indigenous women and women of color. WHAT GOD IS HONORED HERE? is the first book of its kind, a literary collection of voices of these women coming together to speak about the traumas and tragedies of womanhood. "We are talking about equity. We are talking about racism. We are talking about all of the things that we’ve been needing to talk about. This work is only still beginning," says co-editor Kao Kalia Yang, who is joined here by co-editor Shannon Gibney and writers Michelle Borok, Soniah Kamal, Jami Nakamura Lin, and Seema Reza. This edited conversation was recorded in July 2020. More about the book: z.umn.edu/wgihh A transcript of this conversation is available: z.umn.edu/t-wgihh</p>]]>
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      <content:encoded>
        <![CDATA[<p>Miscarriage and infant loss are experiences that disproportionately affect Indigenous women and women of color. WHAT GOD IS HONORED HERE? is the first book of its kind, a literary collection of voices of these women coming together to speak about the traumas and tragedies of womanhood. "We are talking about equity. We are talking about racism. We are talking about all of the things that we’ve been needing to talk about. This work is only still beginning," says co-editor Kao Kalia Yang, who is joined here by co-editor Shannon Gibney and writers Michelle Borok, Soniah Kamal, Jami Nakamura Lin, and Seema Reza. This edited conversation was recorded in July 2020. More about the book: z.umn.edu/wgihh A transcript of this conversation is available: z.umn.edu/t-wgihh</p>]]>
      </content:encoded>
      <pubDate>Thu, 13 Aug 2020 11:23:44 -0500</pubDate>
      <author>University of Minnesota Press</author>
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      <itunes:author>University of Minnesota Press</itunes:author>
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      <itunes:duration>3799</itunes:duration>
      <itunes:summary>Miscarriage and infant loss are experiences that disproportionately affect Indigenous women and women of color. WHAT GOD IS HONORED HERE? is the first book of its kind, a literary collection of voices of these women coming together to speak about the traumas and tragedies of womanhood. "We are talking about equity. We are talking about racism. We are talking about all of the things that we’ve been needing to talk about. This work is only still beginning," says co-editor Kao Kalia Yang, who is joined here by co-editor Shannon Gibney and writers Michelle Borok, Soniah Kamal, Jami Nakamura Lin, and Seema Reza. This edited conversation was recorded in July 2020.

More about the book: z.umn.edu/wgihh

A transcript of this conversation is available: z.umn.edu/t-wgihh</itunes:summary>
      <itunes:subtitle>Miscarriage and infant loss are experiences that disproportionately affect Indigenous women and women of color. WHAT GOD IS HONORED HERE? is the first book of its kind, a literary collection of voices of these women coming together to speak about the trau</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Tell Me Your Names and I Will Testify: Carolyn Holbrook with Sherrie Fernandez-Williams</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Tell Me Your Names and I Will Testify: Carolyn Holbrook with Sherrie Fernandez-Williams</itunes:title>
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      <link>https://share.transistor.fm/s/de78421d</link>
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        <![CDATA[<p>Once a pregnant sixteen-year-old incarcerated in the Minnesota juvenile justice system, now a celebrated writer, arts activist, and teacher who helps others unlock their creative power, Carolyn Holbrook has heeded the call to tell the story of her life. Tell Me Your Names and I Will Testify is a memoir in essays in which Holbrook summons untold stories stifled by pain or prejudice or ignorance, and ultimately demonstrates how creative writing can be a powerful tool for challenging racism. Holbrook was founder of the literary arts organization SASE: The Write Place and now leads More Than a Single Story, a series of community conversations for people of color and indigenous writers and arts activists. She is joined here by Sherrie Fernandez-Williams, a writer based in the Twin Cities and the author of Soft: A Memoir. This edited conversation was recorded in July 2020. More about the book: z.umn.edu/holbrook A transcript of this conversation is available: z.umn.edu/t-holbrook</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Once a pregnant sixteen-year-old incarcerated in the Minnesota juvenile justice system, now a celebrated writer, arts activist, and teacher who helps others unlock their creative power, Carolyn Holbrook has heeded the call to tell the story of her life. Tell Me Your Names and I Will Testify is a memoir in essays in which Holbrook summons untold stories stifled by pain or prejudice or ignorance, and ultimately demonstrates how creative writing can be a powerful tool for challenging racism. Holbrook was founder of the literary arts organization SASE: The Write Place and now leads More Than a Single Story, a series of community conversations for people of color and indigenous writers and arts activists. She is joined here by Sherrie Fernandez-Williams, a writer based in the Twin Cities and the author of Soft: A Memoir. This edited conversation was recorded in July 2020. More about the book: z.umn.edu/holbrook A transcript of this conversation is available: z.umn.edu/t-holbrook</p>]]>
      </content:encoded>
      <pubDate>Wed, 05 Aug 2020 09:07:05 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/de78421d/69837552.mp3" length="90845106" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/QNCyl2G1DoORrnGYl30iKZoBEWZb_-lc1IoGU67To1A/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2Mi8x/NjI1NzcxMTU3LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>3785</itunes:duration>
      <itunes:summary>Once a pregnant sixteen-year-old incarcerated in the Minnesota juvenile justice system, now a celebrated writer, arts activist, and teacher who helps others unlock their creative power, Carolyn Holbrook has heeded the call to tell the story of her life. Tell Me Your Names and I Will Testify is a memoir in essays in which Holbrook summons untold stories stifled by pain or prejudice or ignorance, and ultimately demonstrates how creative writing can be a powerful tool for challenging racism. Holbrook was founder of the literary arts organization SASE: The Write Place and now leads More Than a Single Story, a series of community conversations for people of color and indigenous writers and arts activists. She is joined here by Sherrie Fernandez-Williams, a writer based in the Twin Cities and the author of Soft: A Memoir. This edited conversation was recorded in July 2020.

More about the book: z.umn.edu/holbrook

A transcript of this conversation is available: z.umn.edu/t-holbrook</itunes:summary>
      <itunes:subtitle>Once a pregnant sixteen-year-old incarcerated in the Minnesota juvenile justice system, now a celebrated writer, arts activist, and teacher who helps others unlock their creative power, Carolyn Holbrook has heeded the call to tell the story of her life. T</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/de78421d/transcript.txt" type="text/plain"/>
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    <item>
      <title>Digitize and Punish: Racial Criminalization in the Digital Age</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Digitize and Punish: Racial Criminalization in the Digital Age</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/7cae8652</link>
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        <![CDATA[<p>Digitize and Punish is a comprehensive study of the use of digital technology in American criminal justice. Brian Jefferson shows how the technology has expanded the wars on crime and drugs, enabling our current state of mass incarceration and further entrenching the nation’s racialized policing and punishment. After examining how the criminal justice system conceptualized the benefits of computers to surveil criminalized populations, Jefferson focuses on New York City and Chicago to provide a grounded account of the deployment of digital computing in urban police departments. This conversation between Jefferson and University of Minnesota Press senior editor Pieter Martin was recorded in July 2020. More about the book: z.umn.edu/digitizeandpunish A transcript of this conversation is available: z.umn.edu/t-digitizeandpunish</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Digitize and Punish is a comprehensive study of the use of digital technology in American criminal justice. Brian Jefferson shows how the technology has expanded the wars on crime and drugs, enabling our current state of mass incarceration and further entrenching the nation’s racialized policing and punishment. After examining how the criminal justice system conceptualized the benefits of computers to surveil criminalized populations, Jefferson focuses on New York City and Chicago to provide a grounded account of the deployment of digital computing in urban police departments. This conversation between Jefferson and University of Minnesota Press senior editor Pieter Martin was recorded in July 2020. More about the book: z.umn.edu/digitizeandpunish A transcript of this conversation is available: z.umn.edu/t-digitizeandpunish</p>]]>
      </content:encoded>
      <pubDate>Fri, 24 Jul 2020 22:21:56 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/7cae8652/3e3318ea.mp3" length="58709122" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/bMqzdryLV1ReuWQbKfpdgmbJD0l4r-8SdCEzCg13LnA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2MS8x/NjI1NzcxMTU1LWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2446</itunes:duration>
      <itunes:summary>Digitize and Punish is a comprehensive study of the use of digital technology in American criminal justice. Brian Jefferson shows how the technology has expanded the wars on crime and drugs, enabling our current state of mass incarceration and further entrenching the nation’s racialized policing and punishment. After examining how the criminal justice system conceptualized the benefits of computers to surveil criminalized populations, Jefferson focuses on New York City and Chicago to provide a grounded account of the deployment of digital computing in urban police departments. This conversation between Jefferson and University of Minnesota Press senior editor Pieter Martin was recorded in July 2020.

More about the book: z.umn.edu/digitizeandpunish

A transcript of this conversation is available: z.umn.edu/t-digitizeandpunish</itunes:summary>
      <itunes:subtitle>Digitize and Punish is a comprehensive study of the use of digital technology in American criminal justice. Brian Jefferson shows how the technology has expanded the wars on crime and drugs, enabling our current state of mass incarceration and further ent</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/7cae8652/transcript.txt" type="text/plain"/>
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    <item>
      <title>Christopher Isherwood in Transit: A 21st-Century Perspective</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Christopher Isherwood in Transit: A 21st-Century Perspective</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/13e2c5ac</link>
      <description>
        <![CDATA[<p>Isherwood in Transit is a collection of essays that considers Christopher Isherwood as a transnational writer whose identity, politics, and beliefs were constantly transformed by global connections arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. We are here today to talk about Isherwood’s reception and history of publication in the US, as well as what we mean by the title ‘Isherwood in Transit’, which is open to interpretation and refers to the writer’s movement on a personal and spiritual level as much as geographic. Here we have book editors Jim Berg and Chris Freeman, who have coedited several volumes on Isherwood including The Isherwood Century and The American Isherwood. Berg is associate dean of faculty at the Borough of Manhattan Community College in New York City. Freeman is professor of English and gender studies at the University of Southern California. They are joined by University of Minnesota Press director Doug Armato. This conversation was recorded in June 2020. More about the book: z.umn.edu/intransit. A transcript of this conversation is available: z.umn.edu/t-intransit</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Isherwood in Transit is a collection of essays that considers Christopher Isherwood as a transnational writer whose identity, politics, and beliefs were constantly transformed by global connections arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. We are here today to talk about Isherwood’s reception and history of publication in the US, as well as what we mean by the title ‘Isherwood in Transit’, which is open to interpretation and refers to the writer’s movement on a personal and spiritual level as much as geographic. Here we have book editors Jim Berg and Chris Freeman, who have coedited several volumes on Isherwood including The Isherwood Century and The American Isherwood. Berg is associate dean of faculty at the Borough of Manhattan Community College in New York City. Freeman is professor of English and gender studies at the University of Southern California. They are joined by University of Minnesota Press director Doug Armato. This conversation was recorded in June 2020. More about the book: z.umn.edu/intransit. A transcript of this conversation is available: z.umn.edu/t-intransit</p>]]>
      </content:encoded>
      <pubDate>Wed, 24 Jun 2020 15:18:35 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/13e2c5ac/5978c0a1.mp3" length="67663177" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Jqw9UOww8NQTscfUEJOUivyUZFKEr-Mq4s4Uvc1q17E/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk2MC8x/NjI1NzcxMTUyLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2819</itunes:duration>
      <itunes:summary>Isherwood in Transit is a collection of essays that considers Christopher Isherwood as a transnational writer whose identity, politics, and beliefs were constantly transformed by global connections arising from journeys to Germany, Japan, China, and Argentina; his migration to the United States; and his conversion to Vedanta Hinduism in the 1940s. We are here today to talk about Isherwood’s reception and history of publication in the US, as well as what we mean by the title ‘Isherwood in Transit’, which is open to interpretation and refers to the writer’s movement on a personal and spiritual level as much as geographic. Here we have book editors Jim Berg and Chris Freeman, who have coedited several volumes on Isherwood including The Isherwood Century and The American Isherwood. Berg is associate dean of faculty at the Borough of Manhattan Community College in New York City. Freeman is professor of English and gender studies at the University of Southern California. They are joined by University of Minnesota Press director Doug Armato. This conversation was recorded in June 2020. 

More about the book: z.umn.edu/intransit.

A transcript of this conversation is available: z.umn.edu/t-intransit</itunes:summary>
      <itunes:subtitle>Isherwood in Transit is a collection of essays that considers Christopher Isherwood as a transnational writer whose identity, politics, and beliefs were constantly transformed by global connections arising from journeys to Germany, Japan, China, and Argen</itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/13e2c5ac/transcript.txt" type="text/plain"/>
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    <item>
      <title>Red Gold: The Managed Extinction of the Giant Bluefin Tuna</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Red Gold: The Managed Extinction of the Giant Bluefin Tuna</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/899e8cb5</link>
      <description>
        <![CDATA[<p>Red Gold: The Managed Extinction of the Giant Bluefin Tuna is a book that asks why so many big bluefin tuna have vanished from the Atlantic Ocean. Author Jen Telesca notes that the term “red gold” has emerged out of the exorbitant price her ruby-colored flesh commands on the global market; for reference, in January 2019, a 613-pound Pacific bluefin tuna sold at market in Tokyo for an astounding record of $3.1 million US dollars. To research this book, Telesca gained unparalleled access to the International Commission for the Conservation of Atlantic Tunas (also known as ICCAT) to show that the institution has faithfully executed the task assigned to it by international law: to fish as hard as possible to grow national economies. This interview between Telesca and editor Jason Weidemann was recorded in May 2020. </p><p><br>More about the book: http://z.umn.edu/redgold </p><p><br>A transcription of this conversation is available: z.umn.edu/t-redgold</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Red Gold: The Managed Extinction of the Giant Bluefin Tuna is a book that asks why so many big bluefin tuna have vanished from the Atlantic Ocean. Author Jen Telesca notes that the term “red gold” has emerged out of the exorbitant price her ruby-colored flesh commands on the global market; for reference, in January 2019, a 613-pound Pacific bluefin tuna sold at market in Tokyo for an astounding record of $3.1 million US dollars. To research this book, Telesca gained unparalleled access to the International Commission for the Conservation of Atlantic Tunas (also known as ICCAT) to show that the institution has faithfully executed the task assigned to it by international law: to fish as hard as possible to grow national economies. This interview between Telesca and editor Jason Weidemann was recorded in May 2020. </p><p><br>More about the book: http://z.umn.edu/redgold </p><p><br>A transcription of this conversation is available: z.umn.edu/t-redgold</p>]]>
      </content:encoded>
      <pubDate>Tue, 09 Jun 2020 11:27:44 -0500</pubDate>
      <author>University of Minnesota Press</author>
      <enclosure url="https://media.transistor.fm/899e8cb5/56bef1c8.mp3" length="61099840" type="audio/mpeg"/>
      <itunes:author>University of Minnesota Press</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/zEE2Xyc8837TRW2vY6hLTWQuQv1w7niW2mS_pdm0mOM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzU4ODk1OS8x/NjI1NzcxMTUwLWFy/dHdvcmsuanBn.jpg"/>
      <itunes:duration>2545</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Red Gold: The Managed Extinction of the Giant Bluefin Tuna is a book that asks why so many big bluefin tuna have vanished from the Atlantic Ocean. Author Jen Telesca notes that the term “red gold” has emerged out of the exorbitant price her ruby-colored flesh commands on the global market; for reference, in January 2019, a 613-pound Pacific bluefin tuna sold at market in Tokyo for an astounding record of $3.1 million US dollars. To research this book, Telesca gained unparalleled access to the International Commission for the Conservation of Atlantic Tunas (also known as ICCAT) to show that the institution has faithfully executed the task assigned to it by international law: to fish as hard as possible to grow national economies. This interview between Telesca and editor Jason Weidemann was recorded in May 2020. </p><p><br>More about the book: http://z.umn.edu/redgold </p><p><br>A transcription of this conversation is available: z.umn.edu/t-redgold</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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