An overflow of dreams and violence undercuts Fagbreaks outside a hotdog street food kitchen in the back of a  South Bermondsey trading estate.

During a summer’s season four co-workers fight and unpick their fears, hopes and dreams. How did they arrive here? Can they escape the cycle?

A new play exploring the dreams, delusion, despair and desires of four people who deteriorate over one summer.

RatGurl Productions

Cast 

CASH- Mackenzie Proll

JAMMO- Angus Foulkes 

BENJI- Louis Vaughan 

P- Thea Rubina 

Creatives

Director- James Tudor Jones

Writer- Purnima Rai

Producer- Ana Joâo 

Fight Director- Jason Theodoulou

Sound Designer- Angelos Stilles 

Tech Operator- Ellen Malpas

With thanks to Davina Ndelela and Chloé Jarrett-Bell

Running time: 60mins

Date & Time: Thursday 22nd & Friday 23rd October @7.30pm
The Bread and Roses Theatre

Raised to be the success story everyone wanted, Saaj Raja chose double lives instead: forbidden loves, an unconventional dream, and a talent for talking his way into rooms he had no business being in.

From suburban Britain to the trading floors of Hong Kong, Bad Indian is a funny, fearless and deeply personal solo show that blends storytelling, movement and humour to explore identity, family, ambition and the masks we wear to survive. As expectations collide with authenticity, Saaj asks: what happens when you stop being who everyone expects and start becoming who you really are?

Developed through sold-out performances and directed by acclaimed theatre director Scott Le Crass, Bad Indian is an intimate and emotionally charged production that balances razor-sharp comedy with vulnerable, confessional storytelling.

Early audiences have called it:

"Powerful, moving and incredibly funny."

"A story that needed to be told."

"Raw, honest and beautifully performed."

Whether you've ever felt caught between cultures, careers, relationships—or simply between who you are and who you're expected to be—Bad Indian invites you to laugh, reflect, and leave seeing yourself a little differently.

Bad Productions Studios

Writer & Performer: Saaj Raja

Director: Scott Le Crass

Producer: Jessica Folwer & Laura Yee

Composer & Sound Designer: Pierre Flasse

Associate Sound Designer: Amy K. Pix

Lighting Designer: Abhinav Mishra

Running time: 70mins

Date & Time: Wednesday 21st & Thursday 22nd October @7.15pm

Out of Place Theatre presents “The Third Coming of Jesus Christ”, an absurdist comedy tackling the themes of free will, human nature, christianity and human adversity. The tale of Cain and Abel is a very dramatic story of choice. Will Cain overcome the envy for his brother? Or is his cry to God perfectly justified? He's got a second chance for us to find out. 

Karol Stanisz's absurdist play combines laughter together with the immediately recognisable characters is a perfect storm for Lambeth Festival. Directed by Gabrielle Hofmann and with music by Ciara Cogley, it's bound to be a wild ride that will move you, make you laugh and prompt you to re-evaluate your spiritual landscape.

Written by Karol Stanisz

Directed by Gabrielle Hofmann

Date & Time: Sunday 18th October @7pm

Running Time: 50 mins

An intimate new play exploring love, expectation and the hidden assumptions we hold onto in relationships.

Told through a non-linear structure moving between memories and the present, the story follows Sky and Noah as an unexpected pregnancy forces them to confront a conversation they've spent years avoiding. As past and present unfold, the expectations they place on themselves, each other and their future begin to unravel, revealing how two people can experience the same relationship through entirely different lenses.

The play invites audiences to examine their own assumptions alongside its characters. It explores the limits of empathy, the complexity of communication and the challenge of seeing beyond our own perspective.

Honest, intimate and thought-provoking, this two-hander blends humour with heartbreak to explore the moments that define us, the conversations we avoid and the words we leave unsaid. Audiences can expect a raw, emotionally resonant story that lingers long after the final scene, inviting reflection on love, choice and what it really means to be attuned to another person.

Thread & Frame Creative Studio

Writer: Deanna Arthur

Director: Samantha Pears

Cast: Nathan Lwanga, Deanna Arthur

Assistant Producers: Lola Norris, Elle Peters and Tamaki Fukaya

Running time: 60mins

Date & Time: Thursday 15th and Friday 16th October @7.30pm

When fun-loving Louisa discovers a mysterious jar in her uncle’s forbidden study, she is whisked away to Sweetland – a colourful world of lemonade seas, toffee valleys and peppermint mountains. But the wicked Sugar King threatens the land, and only Louisa can stop him.

Joined by Choco, a wonderfully imperfect chocolate friend, Louisa embarks on an extraordinary adventure filled with puppetry, masks, magic, original songs, and plenty of audience participation.

Funny, imaginative and full of heart, The Magic Sweet Jar is an interactive family show about friendship, courage and learning that every feeling has its place. 

For ages 6+ and their grown-ups.

Developed  with support from the Marlowe Theatre. 

Content Information: The show gently explores loss and emotional resilience through humour, fantasy and play.

Written & Directed by Sally Horowitz and Benjamin Way

Date & Time: Saturday 17th October @12pm - Vauxhall City Farm

Running Time: 50 mins

But after countless resets, cracks begin to form. Gabi feels the weight of the real world pressing in and is ready to move forward into tomorrow. Fiona, overwhelmed by responsibilities she hasn’t faced and comforted by the controlled chaos of the loop, clings to the idea of one more perfect do-over.

Their conflict erupts into an argument that breaks the Time Machine, and in the aftermath, the loop collapses. When the world stabilizes, Fiona finds herself stranded: the machine won’t restart, the timeline has shifted, and the Gabi she knew, the one she entered the loop with, is gone.

The play follows Fiona as she attempts to repair the machine, retrace the loops, and navigate unfamiliar versions of the day in hopes of returning to her original timeline. Along the way, she confronts the consequences she tried to outrun, the parts of herself she avoided, and the possibility that moving forward may be the only way to find Gabi again, if she ever can.

At its heart, the play explores friendship, fear of change, the lure of nostalgia, and the courage it takes to let tomorrow finally arrive.

Cast & Creative Team

Writer: Ryann Fasolis

Date & Time: Saturday 10th & Sunday 11th October @ 8:30pm

Running Time: 60 mins

Betty, Lillie and Michelle, a family of three women, are all fed up with love and it just not going their way. With Betty’s husband suffering with dementia, Michelle separating from her partner and Lillie fearful of the next rejection around the corner; Michelle decides to throw a Galentine’s day to cure her own loneliness and to help her family forget about theirs too.

We follow the three women on the lead up to this crucial day as they explore what love really means.

A heartbreaking female led play full of emotion, warmth and of course love. The Love That I’ve Lost begs the question: What is love when you only feel its absence. A unique story focused on the forgotten loveless tales of women of all ages, and the hardships and fears that love brings us all. While deeply emotional, it’s honest and brutally human.

Cast and Crew

Writer & Director : Morgan Clarice

Producer: Lacey Beaumont

Cast

Betty: Nina Anderson

Michelle: Amelia Dunn

Lillie: Harriet Spence-Reid

Running time: 70 mins

Date & Time: Thursday 8th & Friday 9th October @ 6:00pm

“Funny, visceral and ambitious...a play that will encourage you to find a more truthful adjective than ‘fine’ next time someone asks how you are.” 4 stars, Binge Fringe

Written by Jesse Dupré & Ally Cologna

Directed by Ally Cologna

Date & Time: Sunday 4th & Monday 5th October @ 7pm

Running Time: 60 mins

Featuring a deeply overambitious PowerPoint presentation (given Hari's technical prowess), the show blends humour and storytelling to take audiences through the messier side of mourning. It looks at what it means to lose someone you didn’t feel close to, how frankly ridiculous funerals can be, and challenges the idea that there’s a ‘right’ way to grieve.

'As I was watching it, I realised that will be me one day. I feel a little more prepared now.' - Audience Member

A funny and unexpectedly moving piece of theatre that uses humour to explore the darker sides of life (and death). If expressing how you feel has ever made someone else feel uncomfortable, this is probably the show for you.

‘So fascinating. Anger, feeling like you’ve been told off, naughtiness, numbness; [you can have] all of these in the context of very loving relationships. Weird grief about a weird relationship is a fascinating subject.’ - Audience Member

Written and performed by Hari Berrow

Director: Phil Okwedy

Date & Time: Sunday 4th October @ 7PM

Lisa and Laura are two old estranged friends who run into each other in a hospital waiting room. One hopes for a rekindling of the old friendship, the other would rather die than live in the past. Laura's cheerfulness and optimism clashes with Lisa's serious approach to life and friendship. Who will win in this battle of emotions?

Cast & Creative Team

Bad Dolls

Writer: Dani Vilu

Director: Yasamin Rashid

Date & Time: Friday 2nd & Saturday 3rd October @ 5:30pm

Karyna is a Ukrainian comedian, actor, filmmaker, and artist. Her stand up is all about story telling and observations about identity, cultural differences, sex, some bodily fluids, and childhood experiences.

Mike is a stand up and character comedian from up North whose comedy is a little bit observational, a little bit pop culture, a little bit rude, and a little bit weird.

They are a real life married couple and have been honing their live comedy craft since 2017, starting out together (but separately) on the expat circuit in Prague, CZ before coming to the UK in 2019, first being based on the North West circuit, then moving to London in 2022.

Double Fantasy features real love, big laughs, and two very unique approaches to live comedy. This hot international duo may not have kids but they have birthed out this raw, howling baby stand up special just for you. Come have a look at it.

Written and Directed by Karyna Aslanova and Mike Pigskin

Date & Time: Thursday 1st October @ 8:00pm - The Sparrowhawk

Running Time: 75 mins

Nathan reaches out to his two brothers Aaron and Karl to help him find their father who has been missing for two days. In an afternoon full of surprises and revelations, the family begin to come to terms with the terrible trauma that their father has visited on all of them. Beyond Nathan and his brothers, Dad's malign influence has broken the lives of Nathan's ex wife Leila and their son Daniel. 

DAD is about the ripple effects of control and the persistence of past trauma. A shocking resolution suggests there is only one way to truly escape.

Produced by Cellar Door Theatre Company

Cast
Ivan Kaye as Aaron
David Solomon as Nathan
Nigel Betts as Karl
Paul Kelvin as Daniel
Joanne Arber as Leila
Jerry Ezekiel as Alistair

Creative
Written by David Solomon
Directed by Brittany Rex
Lighting and Sound Design by James Denny
Fight Direction by Robin Hellier

Date & Time: 22nd September - 3rd October at 7:30pm
Running Time: 60 mins
Content warnings: 18+, Domestic abuse, sexual assault

George Orwell is perhaps the most influential English writer of the twentieth century. 

His classic tales Animal Farm and Nineteen Eighty-Four which warn of the dangers of totalitarianism - erosion of free speech, abuse of power, increasing control of all aspects of our everyday lives - resonate now more than ever.

Orwell’s dystopian concepts such as 'Big Brother is watching you', 'Room 101' and 'thoughtcrime' have become everyday phrases.

But where did his vision of the future come from? 

Actor MARK STRATFORD takes you on a fascinating journey through the extraordinary experiences that shaped the work of this perceptive and compelling writer. 

In Orwell’s words, we travel through many of the remarkable episodes in his life including his time at a grim boarding school, being a police officer in colonial Burma, his adventures tramping through England to live among the poor and underprivileged, and his extraordinarily close shave with death in the Spanish Civil War.

Mark has previously performed at the Camden Fringe in his one-man plays The Strange Case of Dr Jekyll and Mr Hyde (which he adapted from the novella by Robert Louis Stevenson) and Macready! Dickens’ Theatrical Friend (which tells the fascinating true story of the great Victorian actor-manager, William Charles Macready – the man to whom Dickens dedicated Nicholas Nickelby).

He's currently part-way through a tour of ORWELL: The Road to 1984 which is being performed at pub theatres, literary festivals and studio venues all over England.

In this age of misinformation, political extremism and digital surveillance this is certainly a play for our time!

As the play unfolds, their relationship strains under the weight of memory and responsibility. Moments of tenderness sit alongside frustration and fear, and Emma’s unconditional love for her father is tested as addiction begins to reshape the foundations of their family.

Drawing on lived experience, the play explores a dynamic that will be familiar to many: the push and pull between care and selfpreservation, and the emotional labour carried by those who love someone in the grip of dependency.

A Youngish Perspective awarded it four stars, describing it as “not simply a play about addiction but a study of the stories families tell themselves in order to keep going.”

Produced by Falstaff Theatrical, In Our Broken Hours stars Simon Ashton and Giulia Rose as Mack and Emma. Written and directed by Alex Viveash.

Falstaff Theatrical focuses on new writing and contemporary drama. The company develops intimate, characterdriven work exploring the complexities of modern life, with a particular interest in the small interactions in life which shape who we are and who we become.

BEIGE is a bold, darkly funny and deeply personal two-woman performance about the violence of being "easy to consume”. 

A woman stands before an audience and tries to explain who she is. Not because she wants to, but because she has learned that clarity is currency. Caught between cultures, expectations and labels, she finds herself performing versions of herself for everyone except herself.

Blending storytelling, physical theatre and sharp humour, BEIGE explores race, femininity, ambition and mental health, exposing the quiet negotiations we make to be loved, hired, desired and understood. It asks what is lost when we soften our edges, flatten our contradictions and make ourselves more palatable.

Raw, playful and confrontational, BEIGE is a reckoning with identity in a world that rewards neutrality, and a celebration of the complexity of being human.

It is for anyone who has ever felt caught between worlds, searching for a place to belong.

The Wave & Loop is a new London-based theatre company founded by Rebecca Tozzoli-Clozza and Jessica Nlabu, focusing on exploring human connection, mental health, and the ways we see ourselves and the world around us through live performance.

We create altered perception through theatre, not as escapism or entertainment, but as a means of generating heightened awareness. Our work invites audiences to move beyond habitual perception, as time, identity and reality subtly destabilise. Engaging with mental health as a series of perceptual loops, we aim to interrupt fixed narratives and open space for new ways of seeing.

By disrupting familiar perception, the work mirrors and gently challenges the fixed narratives often present in mental health struggles, offering audiences a new perspective on themselves.

CAST

Jessica Nlabu

Shannon Kurlander

CREATIVES

Writer: Jessica Nlabu

Director: Catherine Mieses

Producer & PM: Rebecca Tozzoli-Clozza

Lighting & Sound Designer: Nathan Hunt

Stage Manager: Jude Chibueze Meju

A new piece of writing, 'Motopia' is a musical choose-your-own adventure play where the choices of the protagonist are placed in the audience’s hands as they navigate their way through The Forest. Imagine the Fighting Fantasy books come to life, or as one audience member put it, “D&D the Musical.”
Join Pip as they navigate increasingly complex choices, and the excitement, loss and responsibility that free-will (or lack thereof) brings, leading them to question "What do you do when you don't know what to do?"

The audience are equipped with a simple ‘paddle’, one side yellow, the other blue, allowing them to vote on certain choices within the story. “Children’s theatre, but for adults”, the play does not fear the dark but invites the audience to rediscover the trials of adulthood agency through the bright eyes of a naïve adventurer.

The world of Motopia is explored through a fairytale lens of childlike wonder, with a cast of five actor-musicians, original music and eccentric characters threaded throughout.

Bringing to show to life onstage are Morwenna Brown, Samuel Collins-Webb, Caoimhe de Brún, Sophie Pamment and Adam Pinnock;

Joined by the talented Bryony Maguire on Lighting Design and Operation and Lyra Winter as Stage Manager.

This is Morwenna Brown’s writing and producing debut. They are very excited to work alongside director and dramaturgist, Anna Wellman, to bring Motopia to the stage, an idea that has seen many iterations and been in the works for nearly four years.

 Despite her nervous and intellectual demeanor, C’s past and emotions run deep. From show business aspirations to fleeing political instability, C has left a lot behind in America. And she still has a fresher history lecture session to teach you, through original music, choreography, and slideshow presentations. Ready for class?

Your Favourite American Woman is Ciarlene Coleman’s second original, solo production. It is also the spiritual successor to her first, Your Best American Girl, which premiered at the 2019 San Diego Fringe Festival and was awarded Best World Premiere, Best of Fest, and Critic’s Pick. 

Off the Beat Productions, co-founded by Sofia Zaragoza and Alara Koroglu, is dedicated to producing thought-provoking and socially relevant theatre that amplifies diverse voices within working-class communities.

“Harmonise Or Die” a dark, side-eyed, comedy, sci-fi set in a post-scarcity utopia where citizens must maintain strict emotional regulation in order to retain their citizenship. 

Trapped in a high-tech correctional facility, Gabriel (Joel Stern) and Lyra (Mila Michael), face the consequences of their “deviant outbursts”. Now, in order to return home, they must co-operate on challenges designed to break them and prove their relationship is “harmonious”, or face banishment into the hostile wastelands forever.

A new play by Joel Stern.

Broadway World “The script by Joel Stern is a deft blend of biting satire and emotional intelligence”.

Directed by Lyna Dubarry. Produced by Mila Michael. Musical Director: Tom Cagnoni. Costumes by Santiago Liendo. Props by Jonathan Maers. 

The show’s key themes are:

• Gender,
• Identity,
• Autism,
• Society
• Growing up in the 1990s/2000s.  

Momma’s Bio:

Bex Turner is a high energy, eccentric, surreal, stand up/character comic. Her likeability combined with her comedic sense of adventure makes audiences love her. 

Quarter Finalist at Leicester Square New Comedian of the Year.

Semi Finalist for Laughing Horse New Act of the Year. 

She has also performed her solo shows at various festivals including Guildford, Leicester, Camden, Faversham, Clapham, Brighton, Edinburgh, Dundee, Hastings, Nottingham and the Women in Comedy Festival (Manchester). 

"certainly very funny was Bex Turner" - Chortle. 

“Fearlessly funny, gorgeously unhinged and imaginative, you will not get bored watching Rebekka.” 

-Funny Women.

Momma’s lil’helpers:

Josh InVain & Charlie Vero-Martin have been providing dramaturgy help.

Oro Rose has provided their singing skills for a sound cue. 

Kate Lennon has provided admin assistance via REPPD. 

Hannah Brackenbury has taken my photos. 

The play is written by Kalum Wilson and Liam Bull, both born and raised in Essex, with their upbringing being reflected throughout the play—for better and worse.

Kalum is an award-winning writer (New Writer’s Collective 2026) focusing on comedy-dramas, telling stories which, on paper, could just as easily be bleak dramas. He loves to find the comedy in the catastrophe, the laughs in the lousy, and the ha-ha in the horrible.

After graduating from Rose Bruford College and moving to London in 2021, Liam has worked across theatre and screen. His credits include Supacell (Netflix), The Black Silence (Bohemian Pictures), Halfway Between Land and Sea (Estuary on Film), Macbeth (Watermill Theatre), Swallow the Lake (Mercury Theatre), and The Flood (Queen’s Theatre). He will also star as Miles in Falling Out.

Jacob Collins plays Connor. His credits include commercials for The Gym Group and Starling Bank, as well as a three-person immersive production of A Christmas Carol.

Micky David plays Danny. Most recently he starred as James Binley in Landship, a WWI feature based on the true story of the Frey Bentos tank crew. His debut short film, Chasing Adonis, which he wrote and stars in, explores body dysmorphia in men.

Following nuclear war, two estranged brothers are forced to co-exist in their father's doomsday bunker—an option only slightly preferable to the bombs. While Miles grieves for the world, art and culture, Connor's just annoyed he never found out if Aston Villa equalised.

As the months crawl by, tensions rise, old wounds are reopened, and secrets struggle to stay buried. Their only grip on sanity is an old games console—a link to their shared childhood. When it breaks, so does their fragile peace.

They survived the bombs, but will they survive each other?

DNT WAIT UP, a theatre company focused on new writing, returns with One Time for the Birthday Girl!

You're cordially invited to a one-woman show celebrating the story of a woman on the cusp of a new decade, as she reflects on her journey into adulthood and the challenges that have shaped her along the way. Join our Birthday Girl on a trip down memory lane through Black British girlhood in the 00s and 10s—think Tumblr, skinny jeans, and an emo phase that just won't quit—as she navigates the lessons that lead her towards self-acceptance.

Fun, nostalgic and deeply honest, One Time for the Birthday Girl! is a conversation starter that explores identity, growing up and the pressures of adulthood through a distinctly Black British lens. At its heart is a story about learning to let go of expectations and embrace yourself. As our Birthday Girl puts it: "It has taken me a while, but I have decided that I no longer care."

Co-founded by Kaneesha Watt (Writer/Performer) and Temilola Ademilola (Director), DNT WAIT UP first presented the play at Lambeth Fringe 2025. Following its debut, the team is excited to bring One Time for the Birthday Girl! to Camden Fringe.

Earworm is an anti-rom-com about loneliness, commitment, and the songs we use to endure it all. It follows Guy, an alternative cabaret artist searching for the perfect song to make sense of the breakdown of his relationship with John, a scholar of queer relationships. As heartbreak takes hold, Guy’s soundtrack-obsessed mind turns pop songs into emotional lifelines, compulsions, and loops he cannot escape.

Through a disastrous dinner party, awkward hookups, and a relentless search for the perfect breakup anthem, Earworm explores the contradictions of modern intimacy: our craving for freedom and excitement alongside our need for stability, compromise, and connection.

Echoing Abigail’s Party with a distinctly queer twist, the play asks what happens when our desire for freedom collides with our need to belong.

As one line in the play suggests:
“We need to remind ourselves what made us love that song in the beginning. Otherwise, it’s an earworm.”

Written and directed by Gur Arie Piepskovitz, with dramaturgy by Avihud Tidhar, Earworm features Avihud Tidhar, Brodie Bass, Waylon Jacobs, and Reece Lewis.

His debut solo hour, Nutting Really Matters, is a story-led stand-up show about nihilism, burnout, depression and the strange things we choose to care about anyway. Moving from overthinking childhood anxieties into the awkwardness of adult life, the show explores what happens when you try to find meaning in a world that often feels fairly pointless - and how purpose can sometimes come from the smallest, stupidest and most unexpected places.

Thoughtful, slightly bleak and unexpectedly warm, Nutting Really Matters combines personal storytelling with absurd observations about social awkwardness, relationships, questionable coping mechanisms and the ongoing human need to keep participating, even when you are not entirely sure why.

Written and performed by Stewart Nutting.

Born in Birmingham and living in London, John has directed videos for Professor Elemental as well as Antigen Records. He's had releases on Warp Records and has performed in France, Germany and Austria. His day job is as a nude model for artists.

He can hold a note for 29 seconds, has no particular eye colour, and can tear an apple in half. He's 173cm tall, weighs 82.8kg and has a blood pressure of 121/77. 

Not that that's remarkable. 

He just never knows what to write for these things.

Showings:

16th August at 8pm
Aces and Eights, London, NW5 2HP

Born in the shadows of a Lambeth workhouse, Alice Diamond had no choice but to fight for survival. A master thief by her teens, she rose to power as the formidable Queen of the Forty Elephants, leading a gang of fearless women who lived by their own rules. By the 1920s, they had reached legendary status—draped in satin, dripping in stolen jewels, and dancing the night away with the very aristocrats they deceived.

Now in its 6th triumphant year, Moving Stories Dance Company has captivated audiences with its bold, narrative-driven productions. The company makes it’s exciting debut at the Camden Fringe.. Featuring an ensemble of ballet, contemporary, and West End performers, the company is known for blending gripping storytelling with dynamic choreography.

THIEVES IN SATIN is a thrilling fusion of elegance and danger, a celebration of rebellion and resilience. Join us for an unforgettable journey through the hidden underworld of 1920s London—where crime was an art, and these women were the masters.

Production & Cast

Director & Choreographer - Lucy Potter

Assistant Choreographer - Kate Finegan

Scriptwriter - Stuart Pallant

Cast - Kate Finegan, Lucy Potter, Heather Craig, Faye Barker, Susan Wardlow, Stella Grace, Tommi Sliiden, Ben Garner & Louise Dalton

Voiceover - Janet South

Lighting Design & Operation - Sebastian Petit

Sound & Projection - Matthew Powell

Stage Management & Props - Stuart Pallant

Marketing - Ben Garner

Poster & Programme Design - Ben Garner

Admin & Social Media - Heather Craig

Wardrobe - Moving Stories Company

Showings: 

16th August at 5pm
The Cockpit Theatre, NW8 8EH

Here’s to the Ladies! pays tribute to the talent, wit, and vision of the women who helped shape what has become known as The Great American Songbook. Kay Swift, Dorothy Fields and Ann Ronell are some of the most influential. These women brought a unique vision and heart to their music and helped an entire nation to endure years of war, depression, upheaval and change with music that is still loved around the world. With persistence, talent, and sheer love of the art, these women broke down countless barriers, opening doors for future women in the music industry.

Conceived & Created by
Joanne Schmoll

Performed by
Chyna-Rose Frederick
Miles Timmis
Emma Houlahan

Music Director
Falk Meier

Choreographer/ A.D
Halle Utterback

Showings:
14th and 15th August - 7:30pm
16th August - 4:00pm

Upstirs at the Gatehouse, London, N6 4BD

The show is an anarchic, funny and frivolous reimagining of a certain, well-known, jungle-based reality gameshow; but instead of being populated by a bunch of D-List ‘celebrities’ ours features some of the worlds greatest intellectuals (and Jordan Perterson). Think of swapping Danny Dyer and Katie Price for Jean Jacques Rousseau and Judith Butler.

And it’s fully interactive, so where they get to sing, dance and squabble; you get to vote on who gets evicted and who has to eat the ostrich eyeballs. It’s like a cross between the irreverent humour ‘Oh, Mary!’ and the wordplay of Tom Stoppard’s Travesties, but with you deciding what happens – this show is never the same twice.You might even get a bit-part as one of the watching philosophers (if you’ve ever fancied playing Plato, Simone de Beauvoir or Karl Marx - here's your chance.) 

It’s directed by Maddie Hurley, who infuses it with their experience of lip-sync cabaret and stars Senne Lambrechts (as ‘JJ’ Rousseau), Oscar Nicholson (as ‘Tommy’ Hobbes), Laura Shipler Chico (as Ayn ‘Randy’ Rand, ‘Judy’ Butler and the Bear!) and Will Robertson (as ‘Pete’ Singer and ‘Jordo’ Peterson). 

Movement and choreography are directed by Angela Botha and our assistant director, Jess Beith, also takes a cameo role. The play was written by Roger Francis and is being performed at The Cockpit in Marylebone on the 13th, 14th and 15th of August at 9pm

“Set in a town fiercely ruled by its housewives, the story follows Gloria and Gregory Wilder, a glamorous young couple who seem to have it all. But beneath their picture-perfect life lies a deadly secret, one that could cost them everything. As they navigate the highs and lows of marriage, the Wilders must outwit nosy neighbours, gossip-fuelled streets, and an endless barrage of garden club invitations. In a community where appearances are everything, staying unnoticed may be their greatest challenge of all.”

Wilder! is written and produced by Thomas Billiouw & Dany Van Brabant who also play the leads of Gregory and Gloria Wilder. The rest of the cast includes Evie Weldon as Martha Hoover, Jess-Vince Moin as Phyllis Amberhide, and Kgalalelo Thakadu as Sheryl-Anne Bowman. The production is directed by Jillian Osborne, with fight choreography by Becca Watkin, Amy Marsden as set designer, Ella Shaw as cultural consultant. 

We're a very international cast & crew with members from Wales, Ireland, Belgium, Botswana, the U.S., and Australia. That mix is reflected in the play itself, since it’s set in a town that isn’t tied to any one physical place. It’s an idyllic suburb that could exist anywhere, reflecting our natural mix of accents. 

This piece focuses on giving audiences a genuinely good time, combining playful staging with juicy, character-driven chaos, and plenty of twists and turns along the way. With Wilder!, we aim to create a show that surprises, entertains, and leaves audiences giggling, gasping, and gossiping all the way home.

Amity as a company aims to offer real representation on stage, we believe in listening to others experiences and offering a space for it to be seen. We want people to have the chance to share their stories and have theatre that accurately portrays them and their experiences. 

Steaks and Lesbians aims to show the beauty in queerness, both relationships and friendships. The writing plays on the use of stereotypes, but taking away from the stereotypes placed upon queer communities by heterosexual people, and using instead ones that we ourselves joke and play with. Written by a lesbian about lesbians, aiming to give representation in an authentic way, representing the queer community in the way we see around us, not what people think it is.

We started writing this show at 2AM in our student flat, two years ago and we have worked on it ever since, blending in new experiences, new emotions and new friendships and now we are ready to share it. Inspired by the friendships we made as we navigated our adulthood and identities, the friendships we had shaped us and gave us days of laughter we will never forget. We wanted to share this and turn it into something everyone can enjoy with us. 

Editor/Director/Producer: Amelia C Owens

Head of Technical: Charlotte Philpot

Sound: Kaci Johnson

Stage Manager: Izzie Stevens

Costume: Cara Marie Harrison

Hamilton. Six. Cats. All musicals based on historical events.

Four struggling ‘Theatre In Education’ actors decide to cash in on this trend and stage a musical retelling of histories weirdest phenomenon-

“The Dance Plague of 1518”.

The only catch: they know nothing about “The Dance Plague of 1518”. 

Their ‘educational’ show tells the story of Princess Frau, who escapes the confines of her castle to Strasbourg- a depressing little village in need of a bath. She takes it upon herself to ignite a spark within the community, but unknowingly ignites the infamous ‘Dance Fever’- a deadly disco disease beyond anyone’s control.

Is a higher power at play?

Will her father, King Francis, track her down?

Is the Pope catholic?

All will be revealed in the first disastrous musical from Tickel & Trotman.

'THE DANCE PLAGUE OF 1518' received stellar reviews from it's sellout preview in February:

"COMPLETELY STUPID, IN THE MOST CHARMING SENSE."- A Youngish Perspective- 4/5

"TICKEL AND TROTMAN HAVE CREATED A HILARIOUS MUSICAL."- Everything Theatre- 4/5

CAST:

Finn Tickel

Sam Trotman

Harrison Macdonald-Taylor

Caoimhe De Brun

Creatives: 

Book, Music and Lyrics: Finn Tickel & Sam Trotman

Associate Producer: Teresa Morrison

Set Designer: Noga Gilboa

Costume Designer: Sirry Johannsdottir

Choreographer: Aniella Charalambous

Lighting Designer: Harry Heslop

Of particular interest is fortune telling. At the entrance to the hall, each visitor will draw a rune—a magical Scandinavian symbol—that is intended exclusively for them. During the concert, each rune will be deciphered. What will it mean? A vision of the future? Good advice? A revealed secret? Only you will know. This is how the world speaks to us in a quiet and secret voice.

Every song is a self-contained story, evoking misty forests, forgotten kingdoms and the bittersweet edge of wonder. The poetic lyrics explore the fragility of beauty and the redemptive power of unconditional love.

With ethereal vocals, acoustic guitar, subtle percussion and accordion, the Sevrin Fay creates deeply cinematic and immersive soundscapes where shadowy Celtic knots intertwine with introspective indie-folk.

Sevrin Fay is not a covers band or a generic folk project. It is the first English-language incarnation of a distinctive dream-folk universe that Ekaterina Gopenko has been developing for 18 years across Europe. An authentic Eastern-European narrative tradition, performed in English for the first time in the UK.

Ekaterina Gopenko - voice, guitar, author of idea, texts, songs

Daniel Kniazev - back vocals, guitar, accordion

A dark and stormy night. A vampire’s castle outlined by lightning. An hour to find and kill the dreaded fiend. And one idiot trying to manage the escalating chaos.

Join a fast-paced, hilariously deadly choose-your-own adventure. Three players at a time must decide how to approach a variety of obstacles to reach the vampire’s chamber, BUT one of the players is evil and the audience must decide who before it’s too late.

This is the debut solo show from award winning writer and performer Jonathan Laury (Best Comedy, Unrestricted View Film Festival 2019). Think something like Knightmare meets Traitors, hosted by the lovechild of Vincent Price and Alex Horne.

It’s a comedy, it’s a horror, it’s a game, it’s a show! And it’s definitely the most fun you can have dying horribly.

Audiences have described The Vampire Run as “Brilliant, slick, funny, 10/10”, “An instant Fringe classic”, and ‘My favourite theatrical experience of the year.” It debuted at the Lambeth Fringe 2025, where it was shortlisted for the Glitch award.

Following the Aces & Eights show, The Vampire Run is heading to Edinburgh where it will run nightly from 12th August at Home Bar at 9:15pm as part of the Free Festival.

18+ (due to venue restrictions), contains strong language and graphic descriptions of death.

MARROWBONES

Marrowbones specialises in dark and stormy nights and in one lit window high up in an imposing mansion. They create shows for stage and audio with a strong sense of the gothic, from live interactive comedy horror to narrative eerie podcasts. They’re a queer friendly, trans-inclusive company who believe that everyone should be able to enjoy being scared silly. https://www.marrowbonesproductions.co.uk/

Where does love go when the world explodes?

When a holiday in the South of France is interrupted by an existential global threat, Adam and Lily are forced to confront the questions they've spent years avoiding. 

As the outside world edges towards catastrophe, old arguments resurface, private fears emerge, and the stories they've built around their relationship begin to unravel. 

Blending sharp humour with emotional honesty, Together in the End explores love under pressure, the weight of history, and our need to find meaning when everything else feels uncertain.

Staged as an intimate, actor-led production, the play strips away distractions to focus on two people facing the unimaginable. 

Urgent, challenging and deeply human, it asks a simple but profound question: if everything ended tomorrow, who would you choose to face it with?

Produced by North London-based NCProductions, the company continues its mission to champion bold new writing that engages directly with contemporary life. 

Drawing on experience across theatre, film and live events, NCProductions brings cinematic precision, striking visuals and emotionally driven storytelling to the stage.

Written by: Niall McCarthy
Presented by: NCProductions
Director: Kay Dent
Producer: Viola Rizzardi
Cast: Matthew Blaney & Juliette Smith
Sound Designer: Ryan Rusconi
Set Designer: Salomé Gonçalves

Mardy Cow Theatre Presents Willy Witches

Curious ailment has effected the men of this village... All of them are missing their manhoods! The cause? Willy Witches! In Mardy Cow Theatre’s debut play written by Hannah Breedon and Hannah Willey, follow Minerva, Hazel, Sabrina and Bonnie as they navigate life in 17th Century England as women trying not to be burnt at the stake! The piece is a sharp and witty look at some of England's lost history in regards to the witch trials featuring an ensemble of cast full of quirky characters including an indifferent priest, a sassy teenage witch, a terrifying witch hunter and of course, the men who are mourning the loss of their members. Our aim as a company is to shine a light on the bygone stories of women and retell them from the female perspective, with a sense of humour and sometimes, absolute absurdity! Come see Willy Witches at The Bread and Roses Theatre on 8th, 9th and 10th October. We guarantee it'll knock your cocks off!

Tickets through the Lambeth Fringe website: https://lambethfringe.com/events

Our show is a tapestry of our experiences as women of colour in our early 30s — navigating identity, illness, love, and the messy art of self-acceptance, one failure at a time.

Iman is a psychiatrist-turned-comedian who can’t drive, won’t run, and once developed a deeply questionable tap dancing habit. From accidental real estate disasters to unintentionally faking a pregnancy for social reasons, her life is a parade of chaos, confusion, and unexpected public appearances (including 1/10 of a second in a Dove ad). Whether she’s navigating strange incidents at work, using the love languages quiz as DIY couples therapy, or failing to recognise people she’s definitely met, Iman turns her misadventures into brutally honest, self-deprecating storytelling — sharp, hilarious, and just a little unhinged.

Stuti is a rising comedic voice serving sharp cultural commentary with a generous dose of self-deprecating wit. Navigating turning 30, gym guilt, Instagram milestones, chaotic weddings, and the quirks of cross-cultural life, she champions radical self-acceptance with both heart and hilarity. Whether she’s ranking brides like it’s a sport or casually unpacking her health issues on stage, Stuti brings a millennial desi lens to life’s absurdities — with candour, charm, and zero patience for LinkedIn energy.

Tickets through the Lambeth Fringe website: https://lambethfringe.com/events

The Dying Wish

This bold new tragicomedy by Brazilian writer Mauro Fazion combines dark comedy with raw realism to hold up a mirror to our collective contradictions. While the play’s style is not strictly realistic, its content is deeply rooted in truth. As Mauro says: “It’s so deeply realistic, it looks like nonsense.” Using absurdist dialogue, surreal scenarios, and clownesque theatricality, the play exposes the cracks in our systems of justice, bureaucracy, and institutionalised violence.

Set in a crumbling execution chamber, two hangmen, Rooney and Ingmar, wrestle with increasingly nonsensical orders as they prepare to hang Paul Freeman, a man condemned for ambiguous “crimes”, that reveal more about a broken system than the convict himself. Inspired by real events and steeped in the spirit of Brecht, Ionesco, Arrabal, and the Theatre of the Absurd, the play is both biting satire and haunting human drama.

As one reviewer put it: “This is the theatre we want to see.” Produced by Fractured Time Productions, this daring new writing invites audiences to think, feel, and question the world around them, proof that timeless, provocative theatre still has the power to change us.

Tickets through the Lambeth Fringe website: https://lambethfringe.com/events

Washing Machine Vortex

A 'Greek-style' tragedy! While doing the washing for her elderly father, one woman dives into the swirling cycles of her past — confronting psychoanalysis, patriarchy, and the spirit of Electra herself. Blending autobiography, visual storytelling, and a rocking 60s soundtrack to create something deeply personal and defiantly bold. Sarah MK Archdeacon with Hana Lane, Jon C Archdeacon and Tom Marshman.

Tickets through the Lambeth Fringe website: https://lambethfringe.com/events

Bog Body: A One-Woman Show

This terrifying one-woman show is not for the faint of heart. Award-winning actress and playwright Olivia Cordell debuts her first one-woman show after a successful workshop at the Cockpit Theatre. BOG BODY is a tour de force performance that will leave audiences scared, thrilled, and ultimately, moved. Join forensic anthropologist Dr. Alyssa Kim for a thrilling lecture on a supposedly cursed “bog body”: 2000-year-old human remains found in a peat bog. You'll laugh, you'll cry, and you'll scream as she faces off against an ancient monster and her own deepest fears.

Tickets through the Lambeth Fringe website: https://lambethfringe.com/events

As ever, we encourage you to listen with headphones for the best experience of the story.

Cast:
Fanshawe - Luke Merchant
Ethel - Velenzia Spearpoint
Terri - Sassy Clyde

Directed by John Powell
Sound design - Nicholas Hadwin-Guardiola
Production Assistance - Nicholas Hadwin-Guardiola and David Thomas

Thanks to The Young Actors Theatre, Islington -  where this episode was recorded.

Masterclass in sound design during this recording session by David Thomas.

Produced by Janno Media in association with Get Over It Productions

Come visit us:
https://thescenepodcast.co.uk/

As ever, we encourage you to listen with headphones for the best experience of the story.

Cast:
Zillah - Sassy Clyde
Nathan - Eric Carte
Luke Merchant - Declan
Paula Benson - Mum
Velenzia Spearpoint - Ariadne
Rob Tofield - Donald

Directed by John Powell
Sound design - Sassy Clyde
Production Assistance - Nicholas Hadwin-Guardiola

Thanks to The Young Actors Theatre, Islington -  where this episode was recorded.

Masterclass in sound design during this recording session by David Thomas.

Produced by Janno Media in association with Get Over It Productions

Come visit us:
https://thescenepodcast.co.uk/

As ever, we encourage you to listen with headphones for the best experience of the story.

Cast:
Nemide May - Sam
Jarreau Antoine - Alex
Luke Merchant - The Pilot
Velenzia Spearpoint - Ash

Thanks to Soho House where this episode was recorded.

Sound design - Sassy Clyde
Production Assistance - Nicholas Hadwin-Guardiola

Masterclass in sound design during this recording session by David Thomas.

Produced by Janno Media in association with Get Over It Productions

Come visit us:
https://thescenepodcast.co.uk/

In the third of this interview series, Sarah Tombling tells us all about her career as a Production Manager, then Producer and the specifics of those roles in the overall picture of audio production.

The third series of Who Killed Aldridge Kemp – Aldrich Kemp and the Rose of Pamir and  The Lovecraft Investigations are available on BBC Sounds.

The Heat of The Sun from Big Fish radio.

As ever, we encourage you to listen with headphones for the best experience of the story.

Cast:
Tracey - Kate Reed-Williams
Greek Chorus - Barbara Horne, Julia Parleto, Sam Peace

Sound design - Evolve Audio FX

Produced by Janno Media in association with Get Over It Productions
This podplay was a collaboration with INK Festival. 

Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast

Come visit us:
https://thescenepodcast.co.uk/

As ever, we encourage you to listen with headphones for the best experience of the story.

Cast:
Velenzia Spearpoint - Saffron
Paula Benson - Faye
Eric Carte - Mel
Sassy Clyde - Dr Walsh

Sound design - Sassy Clyde
Production Assistance - Nicholas Hadwin-Guardiola

Masterclass in sound design during this recording session by David Thomas.

Produced by Janno Media in association with Get Over It Productions

Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast

Come visit us:
https://thescenepodcast.co.uk/

In the second of this interview series, David Thomas tells us all about the art of recording sound - mainly on location, for maximum authenticity.

David has worked on some of favourite podcast drama series for the BBC and Audible - things like The Lovecraft Investigations, Who Killed Aldridge Kemp, Silos - to name a few.

As ever, we encourage you to listen with headphones for the best experience of the story.

Cast:
Luke Merchant - Leopold
Nemide May - May
Jarreau Antoine - Elijah
Sassy Clyde - Alissa

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Thanks to Soho House Studios where this episode was recorded.

Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast

Come visit us:
https://thescenepodcast.co.uk/

As ever, we encourage you to listen with headphones for the best experience of the story.

Cast:
Jarreau Antoine - Josh
Sassy Clyde - Angela

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast

Come visit us:
https://thescenepodcast.co.uk/

In the FIRST of this interview series, Julia Sowerbutt tells us all about her experience of running one of the UK's largest New Writing events - INK Festival, which takes place each year in Suffolk. Poetry, comedy, workshops, talks - ALSO make up the bill, "..we've been described as a mini Edinburgh!"

We chat about how she got 'here', the challenges and rewards, and why it's important to continue providing space for creatives to practice their craft.

You can  find out more about INK Festival here, and if you are a writer - at ANY stage of your journey -  the window for submitting your work for next year's INK Festival (2025) is opening up in June, so keep an eye on the website and get those biros sharpened. 

How would you distinguish their true essence, from their programming?

Cast:
Tyler - Duncan Watkinson
Remi - Lottie Bourne

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Hailey Glass - Teresa Jennings
Rosanna Crowley - Grace Dunne
Aiden Glass, Judge - Stephen Riddle
Secretary, Lawyer 1, Journo 1 - Laide Sonola
Samuel Baum, Lawyer 2 , Journo 2 - Duncan Watkinson

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
David - Peter Hardingham
Susie - Lottie Bourne
Jemima - Nicola Moore
Jessica - Beth Johnston
Pauline - Paula Benson
Kev - Aaron Douglas

Sound design and narration - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

*There is discussion in this play about gender identity and infertility which some listeners may be sensitive to. Please take care while listening.

Cast:
Kathy - Emma Stannard
Alice - Velenzia Spearpoint
Becca - Kate Martin
Sam - Sassy Clyde

Sound design by Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Young woman - Maddie O'Brien
Harman - Arty Froushan

Additional voices/ Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Woman - Wendy Fisher
Man - Arty Froushan

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Jess - Laide Sonola
Ben - Aaron Douglas

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Dierdre - Teresa Jennings
John - Stephen Riddle
Fionn - Nicola Moore

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Grace - Lottie Bourne
Nick - Peter Hardingham

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

“We do have short memories, and we forget how bloody grim it was….”

Listen to the podplay here

ARE YOU A WRITER? We are looking for scripts for SEASON 4! 

Send them in to us here!

Instagram: https://www.instagram.com/thescene_pod/

Twitter: https://twitter.com/thescene_pod/

Facebook: https://www.facebook.com/thescenepod/

Thanks to Janno Media for their support

Additional voices - Velenzia Spearpoint and Sassy Clyde
Sound design - Sassy Clyde

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Gloria - Paula Benson
Noblet - Duncan Watkinson

Directed by Niamh Handley-Vaughan

Sound design by Janno Media

Our season jinlgle was conjured by Emma McGrath. Emma’s new EP Settled In Motion is out now, so why not have a listen of it at her website Emma McGrath.co.uk

There has been a shake up upstairs, and recently deceased Brick finds himself on the receiving end of some rather probing questions - hoping his answers bring him the approval of the Big Guy, sorry, Big Gal, herself. 

Cast:

Brick - Hassan Govia
Jezra  - Heather Warne 
Cece - Odera Iwugo 
Hilary - Helen Jessica Liggat  

Directed by Paula Benson. 

Sound design by Janno Media

Our season jingle is from the strings of Emma McGrath. Emma’s new EP Settled In Motion is out now. Do yourelf a favour? Go and listen to it now, via her website Emma McGrath.co.uk. 

In this episode we are proud to feature the talented graduates of Savi Arts, a brand new training platform for creatives. 

For more information visit Savi-arts.co.uk.

This episode contains strong language.

Cast:
Rosie - Emily Clark 
Lucy - Sophia DeSouza 
Bianca - Iwona Marciniak

Directed by Michelle Payne

Sound production was by Janno Media

Our toe tapping jingle is by Emma McGrath whose latest EP Settled In Motion is out now and available to listen to via her website
Emma McGrath.co.uk

Three Women In A Music Box by Dan Horrigan

Cast:

Annabel - Odera Iwugo
Cora - Faye Bennett
Bernadette - Velenzia Spearpoint

Sound production by Janno Media

Our season jingle was strummed just for us by Emma McGrath. Emma's latest EP, 'Settled In Motion' is out now and you can listen to it via her website www.emmamcgrath.co.uk

Joan was played by Helen Jessica Liggat
Sound production was by Janno Media

Our season jingle was written for us by McGrath. Emma, McGrath.
Her latest EP 'Settled In Motion' is out now, available to hear through her website

This was part one of two, so please tune in next week to find out what happens next.

Joan was played by Helen Jessica Liggat

Sound production was by Janno Media

*This episode contains some strong language

Our season jingle was written for us by the unstoppable Emma McGrath.

Emma’s latest EP Settled in Motion is out now and you can listen to it via her website

Directed by Micha Mirto

Sound design by Janno Media

Our season jingle was written by our dear friend Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website www.emmamcgrath.co.uk

Sound production was by Janno Media.

Our season jingle was written for us by uber cool Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website www.emmamcgrath.co.uk

Our theme tune this season was written by the wonderful Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website emmamcgrath.co.uk

Cast:
Wendy Fisher as Woman
Arty Froushan as Man.

Sound production by Janno Media.

Our theme tune this season was written by the wonderful Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website emmamcgrath.co.uk

The Young Woman – Maddie O’Brien

Harmen – Arty Froushan

GAIA – Sassy Clyde

Directed by Sassy Clyde

Sound design by Janno Media

Our theme tune this season was written by the incredibly talented Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website www.emmamcgrath.co.uk

Cast:
Alice – Maia Collins
Just In Case Lady – Odera Ndujiuba
Fight Lady – Katherine Lea
Mum – Joan Potter

Directed by Amy Toledano

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Julia - Meg Lake
Grace - Lucy McIlgorm

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Statue - Velenzia Spearpoint

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Fiona - Flora Sowerby
Phillip - Thomas Delacourt
The ‘Expert’ - Eddie Chamberlain
Carol - Fay Jagger

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Brooke – Sassy Clyde
Harvey – Lene Kqiku

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Pam - Rebecca Ward
Terry - Duncan Watkinson

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Alison – Jillian Aitkin
Rosemary – Cindy Evans
Pamela – Paula Benson
Directed by Deanna Arthur

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Carrie – Velenzia Spearpoint
Mel – Sassy Clyde
Siobhan - Anna Hawkes

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Christine - Flora Sowerby
Gina - Fay Jagger

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/

Cast:
Captain - Duncan Watkinson
The Investigator - Sassy Clyde

Sound design by the team at Janno Media

Produced by Janno Media in association with Get Over It Productions

Our season jingle is by Emma McGrath
Emma McGrath.co.uk

Come visit us:
https://thescenepodcast.co.uk/