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    <title>The Scene</title>
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    <description>The Scene Podcast is a series of little plays brought to you by Janno Media and Get Over It Productions. </description>
    <copyright>Janno Media</copyright>
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    <podcast:locked>yes</podcast:locked>
    <podcast:trailer pubdate="Thu, 24 Dec 2020 13:02:36 +0000" url="https://media.transistor.fm/71066139/f14cf9bc.mp3" length="1895563" type="audio/mpeg" season="1">Sneek preview of a new episode for season 2 - coming soon</podcast:trailer>
    <language>en</language>
    <pubDate>Mon, 10 Aug 2026 20:09:15 +0100</pubDate>
    <lastBuildDate>Mon, 10 Aug 2026 20:10:12 +0100</lastBuildDate>
    <link>http://www.thescenepodcast.co.uk</link>
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      <title>The Scene</title>
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    <itunes:summary>The Scene Podcast is a series of little plays brought to you by Janno Media and Get Over It Productions. </itunes:summary>
    <itunes:subtitle>The Scene Podcast is a series of little plays brought to you by Janno Media and Get Over It Productions.</itunes:subtitle>
    <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
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      <itunes:name>Janno Media</itunes:name>
      <itunes:email>thescene@jannomedia.com</itunes:email>
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    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>The Scene X Camden Fringe - ORWELL: The Road To 1984</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>21</itunes:episode>
      <podcast:episode>21</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - ORWELL: The Road To 1984</itunes:title>
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        <![CDATA[<p>This moving and powerful one-man play is a timely portrait of a writer whose words remain a warning - and a hope.</p><p>George Orwell is perhaps the most influential English writer of the twentieth century. </p><p>His classic tales Animal Farm and Nineteen Eighty-Four which warn of the dangers of totalitarianism - erosion of free speech, abuse of power, increasing control of all aspects of our everyday lives - resonate now more than ever.</p><p>Orwell’s dystopian concepts such as 'Big Brother is watching you', 'Room 101' and 'thoughtcrime' have become everyday phrases.</p><p>But where did his vision of the future come from? </p><p>Actor MARK STRATFORD takes you on a fascinating journey through the extraordinary experiences that shaped the work of this perceptive and compelling writer. </p><p>In Orwell’s words, we travel through many of the remarkable episodes in his life including his time at a grim boarding school, being a police officer in colonial Burma, his adventures tramping through England to live among the poor and underprivileged, and his extraordinarily close shave with death in the Spanish Civil War.</p><p>Mark has previously performed at the Camden Fringe in his one-man plays The Strange Case of Dr Jekyll and Mr Hyde (which he adapted from the novella by Robert Louis Stevenson) and Macready! Dickens’ Theatrical Friend (which tells the fascinating true story of the great Victorian actor-manager, William Charles Macready – the man to whom Dickens dedicated Nicholas Nickelby).</p><p>He's currently part-way through a tour of ORWELL: The Road to 1984 which is being performed at pub theatres, literary festivals and studio venues all over England.</p><p>In this age of misinformation, political extremism and digital surveillance this is certainly a play for our time!</p>]]>
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        <![CDATA[<p>This moving and powerful one-man play is a timely portrait of a writer whose words remain a warning - and a hope.</p><p>George Orwell is perhaps the most influential English writer of the twentieth century. </p><p>His classic tales Animal Farm and Nineteen Eighty-Four which warn of the dangers of totalitarianism - erosion of free speech, abuse of power, increasing control of all aspects of our everyday lives - resonate now more than ever.</p><p>Orwell’s dystopian concepts such as 'Big Brother is watching you', 'Room 101' and 'thoughtcrime' have become everyday phrases.</p><p>But where did his vision of the future come from? </p><p>Actor MARK STRATFORD takes you on a fascinating journey through the extraordinary experiences that shaped the work of this perceptive and compelling writer. </p><p>In Orwell’s words, we travel through many of the remarkable episodes in his life including his time at a grim boarding school, being a police officer in colonial Burma, his adventures tramping through England to live among the poor and underprivileged, and his extraordinarily close shave with death in the Spanish Civil War.</p><p>Mark has previously performed at the Camden Fringe in his one-man plays The Strange Case of Dr Jekyll and Mr Hyde (which he adapted from the novella by Robert Louis Stevenson) and Macready! Dickens’ Theatrical Friend (which tells the fascinating true story of the great Victorian actor-manager, William Charles Macready – the man to whom Dickens dedicated Nicholas Nickelby).</p><p>He's currently part-way through a tour of ORWELL: The Road to 1984 which is being performed at pub theatres, literary festivals and studio venues all over England.</p><p>In this age of misinformation, political extremism and digital surveillance this is certainly a play for our time!</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Aug 2026 20:09:12 +0100</pubDate>
      <author>Janno Media</author>
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      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1137</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This moving and powerful one-man play is a timely portrait of a writer whose words remain a warning - and a hope.</p><p>George Orwell is perhaps the most influential English writer of the twentieth century. </p><p>His classic tales Animal Farm and Nineteen Eighty-Four which warn of the dangers of totalitarianism - erosion of free speech, abuse of power, increasing control of all aspects of our everyday lives - resonate now more than ever.</p><p>Orwell’s dystopian concepts such as 'Big Brother is watching you', 'Room 101' and 'thoughtcrime' have become everyday phrases.</p><p>But where did his vision of the future come from? </p><p>Actor MARK STRATFORD takes you on a fascinating journey through the extraordinary experiences that shaped the work of this perceptive and compelling writer. </p><p>In Orwell’s words, we travel through many of the remarkable episodes in his life including his time at a grim boarding school, being a police officer in colonial Burma, his adventures tramping through England to live among the poor and underprivileged, and his extraordinarily close shave with death in the Spanish Civil War.</p><p>Mark has previously performed at the Camden Fringe in his one-man plays The Strange Case of Dr Jekyll and Mr Hyde (which he adapted from the novella by Robert Louis Stevenson) and Macready! Dickens’ Theatrical Friend (which tells the fascinating true story of the great Victorian actor-manager, William Charles Macready – the man to whom Dickens dedicated Nicholas Nickelby).</p><p>He's currently part-way through a tour of ORWELL: The Road to 1984 which is being performed at pub theatres, literary festivals and studio venues all over England.</p><p>In this age of misinformation, political extremism and digital surveillance this is certainly a play for our time!</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>The Scene X Camden Fringe - In Our Broken Hours</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>20</itunes:episode>
      <podcast:episode>20</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - In Our Broken Hours</itunes:title>
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        <![CDATA[<p>In Our Broken Hours is a play about the cost of caring for someone you love. Mack, a middleaged, unemployed alcoholic, drifts through life from one bottle to the next, unable to confront the damage his dependency has caused. His daughter Emma increasingly finds herself in the role of carer; a role she never asked for and cannot easily step away from.</p><p>As the play unfolds, their relationship strains under the weight of memory and responsibility. Moments of tenderness sit alongside frustration and fear, and Emma’s unconditional love for her father is tested as addiction begins to reshape the foundations of their family.</p><p>Drawing on lived experience, the play explores a dynamic that will be familiar to many: the push and pull between care and selfpreservation, and the emotional labour carried by those who love someone in the grip of dependency.</p><p>A Youngish Perspective awarded it four stars, describing it as “not simply a play about addiction but a study of the stories families tell themselves in order to keep going.”</p><p>Produced by Falstaff Theatrical, In Our Broken Hours stars Simon Ashton and Giulia Rose as Mack and Emma. Written and directed by Alex Viveash.</p><p>Falstaff Theatrical focuses on new writing and contemporary drama. The company develops intimate, characterdriven work exploring the complexities of modern life, with a particular interest in the small interactions in life which shape who we are and who we become.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In Our Broken Hours is a play about the cost of caring for someone you love. Mack, a middleaged, unemployed alcoholic, drifts through life from one bottle to the next, unable to confront the damage his dependency has caused. His daughter Emma increasingly finds herself in the role of carer; a role she never asked for and cannot easily step away from.</p><p>As the play unfolds, their relationship strains under the weight of memory and responsibility. Moments of tenderness sit alongside frustration and fear, and Emma’s unconditional love for her father is tested as addiction begins to reshape the foundations of their family.</p><p>Drawing on lived experience, the play explores a dynamic that will be familiar to many: the push and pull between care and selfpreservation, and the emotional labour carried by those who love someone in the grip of dependency.</p><p>A Youngish Perspective awarded it four stars, describing it as “not simply a play about addiction but a study of the stories families tell themselves in order to keep going.”</p><p>Produced by Falstaff Theatrical, In Our Broken Hours stars Simon Ashton and Giulia Rose as Mack and Emma. Written and directed by Alex Viveash.</p><p>Falstaff Theatrical focuses on new writing and contemporary drama. The company develops intimate, characterdriven work exploring the complexities of modern life, with a particular interest in the small interactions in life which shape who we are and who we become.</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Aug 2026 20:06:50 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/0a7f7364/0e1d6e7d.mp3" length="23659540" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>985</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In Our Broken Hours is a play about the cost of caring for someone you love. Mack, a middleaged, unemployed alcoholic, drifts through life from one bottle to the next, unable to confront the damage his dependency has caused. His daughter Emma increasingly finds herself in the role of carer; a role she never asked for and cannot easily step away from.</p><p>As the play unfolds, their relationship strains under the weight of memory and responsibility. Moments of tenderness sit alongside frustration and fear, and Emma’s unconditional love for her father is tested as addiction begins to reshape the foundations of their family.</p><p>Drawing on lived experience, the play explores a dynamic that will be familiar to many: the push and pull between care and selfpreservation, and the emotional labour carried by those who love someone in the grip of dependency.</p><p>A Youngish Perspective awarded it four stars, describing it as “not simply a play about addiction but a study of the stories families tell themselves in order to keep going.”</p><p>Produced by Falstaff Theatrical, In Our Broken Hours stars Simon Ashton and Giulia Rose as Mack and Emma. Written and directed by Alex Viveash.</p><p>Falstaff Theatrical focuses on new writing and contemporary drama. The company develops intimate, characterdriven work exploring the complexities of modern life, with a particular interest in the small interactions in life which shape who we are and who we become.</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>The Scene X Camden Fringe - BEIGE</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>19</itunes:episode>
      <podcast:episode>19</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - BEIGE</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/ba2b3c6c</link>
      <description>
        <![CDATA[<p>A story about identity, belonging and the spaces in between.</p><p><br></p><p>BEIGE is a bold, darkly funny and deeply personal two-woman performance about the violence of being "easy to consume”. </p><p><br></p><p>A woman stands before an audience and tries to explain who she is. Not because she wants to, but because she has learned that clarity is currency. Caught between cultures, expectations and labels, she finds herself performing versions of herself for everyone except herself.</p><p><br></p><p>Blending storytelling, physical theatre and sharp humour, BEIGE explores race, femininity, ambition and mental health, exposing the quiet negotiations we make to be loved, hired, desired and understood. It asks what is lost when we soften our edges, flatten our contradictions and make ourselves more palatable.</p><p><br></p><p>Raw, playful and confrontational, BEIGE is a reckoning with identity in a world that rewards neutrality, and a celebration of the complexity of being human.</p><p><br></p><p>It is for anyone who has ever felt caught between worlds, searching for a place to belong.</p><p><br></p><p>The Wave &amp; Loop is a new London-based theatre company founded by Rebecca Tozzoli-Clozza and Jessica Nlabu, focusing on exploring human connection, mental health, and the ways we see ourselves and the world around us through live performance.</p><p><br></p><p>We create altered perception through theatre, not as escapism or entertainment, but as a means of generating heightened awareness. Our work invites audiences to move beyond habitual perception, as time, identity and reality subtly destabilise. Engaging with mental health as a series of perceptual loops, we aim to interrupt fixed narratives and open space for new ways of seeing.</p><p><br></p><p>By disrupting familiar perception, the work mirrors and gently challenges the fixed narratives often present in mental health struggles, offering audiences a new perspective on themselves.</p><p><br></p><p>CAST</p><p>Jessica Nlabu</p><p>Shannon Kurlander</p><p><br></p><p>CREATIVES</p><p>Writer: Jessica Nlabu</p><p>Director: Catherine Mieses</p><p>Producer &amp; PM: Rebecca Tozzoli-Clozza</p><p>Lighting &amp; Sound Designer: Nathan Hunt</p><p>Stage Manager: Jude Chibueze Meju</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A story about identity, belonging and the spaces in between.</p><p><br></p><p>BEIGE is a bold, darkly funny and deeply personal two-woman performance about the violence of being "easy to consume”. </p><p><br></p><p>A woman stands before an audience and tries to explain who she is. Not because she wants to, but because she has learned that clarity is currency. Caught between cultures, expectations and labels, she finds herself performing versions of herself for everyone except herself.</p><p><br></p><p>Blending storytelling, physical theatre and sharp humour, BEIGE explores race, femininity, ambition and mental health, exposing the quiet negotiations we make to be loved, hired, desired and understood. It asks what is lost when we soften our edges, flatten our contradictions and make ourselves more palatable.</p><p><br></p><p>Raw, playful and confrontational, BEIGE is a reckoning with identity in a world that rewards neutrality, and a celebration of the complexity of being human.</p><p><br></p><p>It is for anyone who has ever felt caught between worlds, searching for a place to belong.</p><p><br></p><p>The Wave &amp; Loop is a new London-based theatre company founded by Rebecca Tozzoli-Clozza and Jessica Nlabu, focusing on exploring human connection, mental health, and the ways we see ourselves and the world around us through live performance.</p><p><br></p><p>We create altered perception through theatre, not as escapism or entertainment, but as a means of generating heightened awareness. Our work invites audiences to move beyond habitual perception, as time, identity and reality subtly destabilise. Engaging with mental health as a series of perceptual loops, we aim to interrupt fixed narratives and open space for new ways of seeing.</p><p><br></p><p>By disrupting familiar perception, the work mirrors and gently challenges the fixed narratives often present in mental health struggles, offering audiences a new perspective on themselves.</p><p><br></p><p>CAST</p><p>Jessica Nlabu</p><p>Shannon Kurlander</p><p><br></p><p>CREATIVES</p><p>Writer: Jessica Nlabu</p><p>Director: Catherine Mieses</p><p>Producer &amp; PM: Rebecca Tozzoli-Clozza</p><p>Lighting &amp; Sound Designer: Nathan Hunt</p><p>Stage Manager: Jude Chibueze Meju</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Aug 2026 20:03:07 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/ba2b3c6c/ba7d4f95.mp3" length="20403477" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>849</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A story about identity, belonging and the spaces in between.</p><p><br></p><p>BEIGE is a bold, darkly funny and deeply personal two-woman performance about the violence of being "easy to consume”. </p><p><br></p><p>A woman stands before an audience and tries to explain who she is. Not because she wants to, but because she has learned that clarity is currency. Caught between cultures, expectations and labels, she finds herself performing versions of herself for everyone except herself.</p><p><br></p><p>Blending storytelling, physical theatre and sharp humour, BEIGE explores race, femininity, ambition and mental health, exposing the quiet negotiations we make to be loved, hired, desired and understood. It asks what is lost when we soften our edges, flatten our contradictions and make ourselves more palatable.</p><p><br></p><p>Raw, playful and confrontational, BEIGE is a reckoning with identity in a world that rewards neutrality, and a celebration of the complexity of being human.</p><p><br></p><p>It is for anyone who has ever felt caught between worlds, searching for a place to belong.</p><p><br></p><p>The Wave &amp; Loop is a new London-based theatre company founded by Rebecca Tozzoli-Clozza and Jessica Nlabu, focusing on exploring human connection, mental health, and the ways we see ourselves and the world around us through live performance.</p><p><br></p><p>We create altered perception through theatre, not as escapism or entertainment, but as a means of generating heightened awareness. Our work invites audiences to move beyond habitual perception, as time, identity and reality subtly destabilise. Engaging with mental health as a series of perceptual loops, we aim to interrupt fixed narratives and open space for new ways of seeing.</p><p><br></p><p>By disrupting familiar perception, the work mirrors and gently challenges the fixed narratives often present in mental health struggles, offering audiences a new perspective on themselves.</p><p><br></p><p>CAST</p><p>Jessica Nlabu</p><p>Shannon Kurlander</p><p><br></p><p>CREATIVES</p><p>Writer: Jessica Nlabu</p><p>Director: Catherine Mieses</p><p>Producer &amp; PM: Rebecca Tozzoli-Clozza</p><p>Lighting &amp; Sound Designer: Nathan Hunt</p><p>Stage Manager: Jude Chibueze Meju</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Motopia</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>18</itunes:episode>
      <podcast:episode>18</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Motopia</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d2f949d7</link>
      <description>
        <![CDATA[<p>"Once upon a time, there was a forest, where the sun and the wind and the people ran through the trees with free abandon. Welcome to Motopia!"</p><p>A new piece of writing, <em>'Motopia'</em> is a musical choose-your-own adventure play where the choices of the protagonist are placed in the audience’s hands as they navigate their way through The Forest. Imagine the Fighting Fantasy books come to life, or as one audience member put it, “D&amp;D the Musical.”<br>Join Pip as they navigate increasingly complex choices, and the excitement, loss and responsibility that free-will (or lack thereof) brings, leading them to question "What do you do when you don't know what to do?"</p><p>The audience are equipped with a simple ‘paddle’, one side yellow, the other blue, allowing them to vote on certain choices within the story. “Children’s theatre, but for adults”, the play does not fear the dark but invites the audience to rediscover the trials of adulthood agency through the bright eyes of a naïve adventurer.</p><p>The world of <em>Motopia</em> is explored through a fairytale lens of childlike wonder, with a cast of five actor-musicians, original music and eccentric characters threaded throughout.</p><p>Bringing to show to life onstage are Morwenna Brown, Samuel Collins-Webb, Caoimhe de Brún, Sophie Pamment and Adam Pinnock;</p><p>Joined by the talented Bryony Maguire on Lighting Design and Operation and Lyra Winter as Stage Manager.</p><p>This is Morwenna Brown’s writing and producing debut. They are very excited to work alongside director and dramaturgist, Anna Wellman, to bring <em>Motopia</em> to the stage, an idea that has seen many iterations and been in the works for nearly four years.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>"Once upon a time, there was a forest, where the sun and the wind and the people ran through the trees with free abandon. Welcome to Motopia!"</p><p>A new piece of writing, <em>'Motopia'</em> is a musical choose-your-own adventure play where the choices of the protagonist are placed in the audience’s hands as they navigate their way through The Forest. Imagine the Fighting Fantasy books come to life, or as one audience member put it, “D&amp;D the Musical.”<br>Join Pip as they navigate increasingly complex choices, and the excitement, loss and responsibility that free-will (or lack thereof) brings, leading them to question "What do you do when you don't know what to do?"</p><p>The audience are equipped with a simple ‘paddle’, one side yellow, the other blue, allowing them to vote on certain choices within the story. “Children’s theatre, but for adults”, the play does not fear the dark but invites the audience to rediscover the trials of adulthood agency through the bright eyes of a naïve adventurer.</p><p>The world of <em>Motopia</em> is explored through a fairytale lens of childlike wonder, with a cast of five actor-musicians, original music and eccentric characters threaded throughout.</p><p>Bringing to show to life onstage are Morwenna Brown, Samuel Collins-Webb, Caoimhe de Brún, Sophie Pamment and Adam Pinnock;</p><p>Joined by the talented Bryony Maguire on Lighting Design and Operation and Lyra Winter as Stage Manager.</p><p>This is Morwenna Brown’s writing and producing debut. They are very excited to work alongside director and dramaturgist, Anna Wellman, to bring <em>Motopia</em> to the stage, an idea that has seen many iterations and been in the works for nearly four years.</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Aug 2026 19:59:46 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/d2f949d7/d6f56094.mp3" length="14494582" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>603</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>"Once upon a time, there was a forest, where the sun and the wind and the people ran through the trees with free abandon. Welcome to Motopia!"</p><p>A new piece of writing, <em>'Motopia'</em> is a musical choose-your-own adventure play where the choices of the protagonist are placed in the audience’s hands as they navigate their way through The Forest. Imagine the Fighting Fantasy books come to life, or as one audience member put it, “D&amp;D the Musical.”<br>Join Pip as they navigate increasingly complex choices, and the excitement, loss and responsibility that free-will (or lack thereof) brings, leading them to question "What do you do when you don't know what to do?"</p><p>The audience are equipped with a simple ‘paddle’, one side yellow, the other blue, allowing them to vote on certain choices within the story. “Children’s theatre, but for adults”, the play does not fear the dark but invites the audience to rediscover the trials of adulthood agency through the bright eyes of a naïve adventurer.</p><p>The world of <em>Motopia</em> is explored through a fairytale lens of childlike wonder, with a cast of five actor-musicians, original music and eccentric characters threaded throughout.</p><p>Bringing to show to life onstage are Morwenna Brown, Samuel Collins-Webb, Caoimhe de Brún, Sophie Pamment and Adam Pinnock;</p><p>Joined by the talented Bryony Maguire on Lighting Design and Operation and Lyra Winter as Stage Manager.</p><p>This is Morwenna Brown’s writing and producing debut. They are very excited to work alongside director and dramaturgist, Anna Wellman, to bring <em>Motopia</em> to the stage, an idea that has seen many iterations and been in the works for nearly four years.</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Your Favourite American Woman</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>17</itunes:episode>
      <podcast:episode>17</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Your Favourite American Woman</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">45d1b651-3933-453d-8880-02d723a3878a</guid>
      <link>https://share.transistor.fm/s/4e94dc9b</link>
      <description>
        <![CDATA[<p>C is an Asian American woman and a history professor’s assistant, now living and working in the UK. She comes from immigrants, is an immigrant herself, and is very eager to please. But just how eager?</p><p> Despite her nervous and intellectual demeanor, C’s past and emotions run deep. From show business aspirations to fleeing political instability, C has left a lot behind in America. And she still has a fresher history lecture session to teach you, through original music, choreography, and slideshow presentations. Ready for class?</p><p>Your Favourite American Woman is Ciarlene Coleman’s second original, solo production. It is also the spiritual successor to her first, Your Best American Girl, which premiered at the 2019 San Diego Fringe Festival and was awarded Best World Premiere, Best of Fest, and Critic’s Pick. </p><p>Off the Beat Productions, co-founded by Sofia Zaragoza and Alara Koroglu, is dedicated to producing thought-provoking and socially relevant theatre that amplifies diverse voices within working-class communities.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>C is an Asian American woman and a history professor’s assistant, now living and working in the UK. She comes from immigrants, is an immigrant herself, and is very eager to please. But just how eager?</p><p> Despite her nervous and intellectual demeanor, C’s past and emotions run deep. From show business aspirations to fleeing political instability, C has left a lot behind in America. And she still has a fresher history lecture session to teach you, through original music, choreography, and slideshow presentations. Ready for class?</p><p>Your Favourite American Woman is Ciarlene Coleman’s second original, solo production. It is also the spiritual successor to her first, Your Best American Girl, which premiered at the 2019 San Diego Fringe Festival and was awarded Best World Premiere, Best of Fest, and Critic’s Pick. </p><p>Off the Beat Productions, co-founded by Sofia Zaragoza and Alara Koroglu, is dedicated to producing thought-provoking and socially relevant theatre that amplifies diverse voices within working-class communities.</p>]]>
      </content:encoded>
      <pubDate>Sun, 09 Aug 2026 17:29:03 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/4e94dc9b/03815fb2.mp3" length="15747932" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>655</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>C is an Asian American woman and a history professor’s assistant, now living and working in the UK. She comes from immigrants, is an immigrant herself, and is very eager to please. But just how eager?</p><p> Despite her nervous and intellectual demeanor, C’s past and emotions run deep. From show business aspirations to fleeing political instability, C has left a lot behind in America. And she still has a fresher history lecture session to teach you, through original music, choreography, and slideshow presentations. Ready for class?</p><p>Your Favourite American Woman is Ciarlene Coleman’s second original, solo production. It is also the spiritual successor to her first, Your Best American Girl, which premiered at the 2019 San Diego Fringe Festival and was awarded Best World Premiere, Best of Fest, and Critic’s Pick. </p><p>Off the Beat Productions, co-founded by Sofia Zaragoza and Alara Koroglu, is dedicated to producing thought-provoking and socially relevant theatre that amplifies diverse voices within working-class communities.</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Harmonise or Die</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>16</itunes:episode>
      <podcast:episode>16</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Harmonise or Die</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d5e013cf-7d1c-4b4c-a859-d292a380545d</guid>
      <link>https://share.transistor.fm/s/f02b0736</link>
      <description>
        <![CDATA[<p>Definitely-Not-A-Cult Productions presents…</p><p>“Harmonise Or Die” a dark, side-eyed, comedy, sci-fi set in a post-scarcity utopia where citizens must maintain strict emotional regulation in order to retain their citizenship. </p><p>Trapped in a high-tech correctional facility, Gabriel (Joel Stern) and Lyra (Mila Michael), face the consequences of their “deviant outbursts”. Now, in order to return home, they must co-operate on challenges designed to break them and prove their relationship is “harmonious”, or face banishment into the hostile wastelands forever.</p><p>A new play by Joel Stern.</p><p>Broadway World “The script by Joel Stern is a deft blend of biting satire and emotional intelligence”.</p><p>Directed by Lyna Dubarry. Produced by Mila Michael. Musical Director: Tom Cagnoni. Costumes by Santiago Liendo. Props by Jonathan Maers. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Definitely-Not-A-Cult Productions presents…</p><p>“Harmonise Or Die” a dark, side-eyed, comedy, sci-fi set in a post-scarcity utopia where citizens must maintain strict emotional regulation in order to retain their citizenship. </p><p>Trapped in a high-tech correctional facility, Gabriel (Joel Stern) and Lyra (Mila Michael), face the consequences of their “deviant outbursts”. Now, in order to return home, they must co-operate on challenges designed to break them and prove their relationship is “harmonious”, or face banishment into the hostile wastelands forever.</p><p>A new play by Joel Stern.</p><p>Broadway World “The script by Joel Stern is a deft blend of biting satire and emotional intelligence”.</p><p>Directed by Lyna Dubarry. Produced by Mila Michael. Musical Director: Tom Cagnoni. Costumes by Santiago Liendo. Props by Jonathan Maers. </p>]]>
      </content:encoded>
      <pubDate>Sat, 08 Aug 2026 11:34:17 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/f02b0736/fffa5a55.mp3" length="18718913" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>779</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Definitely-Not-A-Cult Productions presents…</p><p>“Harmonise Or Die” a dark, side-eyed, comedy, sci-fi set in a post-scarcity utopia where citizens must maintain strict emotional regulation in order to retain their citizenship. </p><p>Trapped in a high-tech correctional facility, Gabriel (Joel Stern) and Lyra (Mila Michael), face the consequences of their “deviant outbursts”. Now, in order to return home, they must co-operate on challenges designed to break them and prove their relationship is “harmonious”, or face banishment into the hostile wastelands forever.</p><p>A new play by Joel Stern.</p><p>Broadway World “The script by Joel Stern is a deft blend of biting satire and emotional intelligence”.</p><p>Directed by Lyna Dubarry. Produced by Mila Michael. Musical Director: Tom Cagnoni. Costumes by Santiago Liendo. Props by Jonathan Maers. </p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Momma's Got A Brand New Toy Kitchen</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>15</itunes:episode>
      <podcast:episode>15</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Momma's Got A Brand New Toy Kitchen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a790ee64-7df5-4a42-924d-d220cce35801</guid>
      <link>https://share.transistor.fm/s/e1bcd37b</link>
      <description>
        <![CDATA[<p>The basic idea is to use the toy kitchen (I got as a toddler) to act as a metaphorical play area in which to explore, create and entertain, whilst also demonstrating that the kitchen is being used as a form of masking for a woman aka myself growing up with autism. I’m using the new show to be truly raw with the audience and daring them to validate my experiences (both good and bad). I’m looking to delve into why my brain doesn’t fit the mold, why my body doesn’t fit the mold and why I no longer want to hide behind a toy kitchen. </p><p> </p><p>The show’s key themes are:</p><ul><li>Gender,</li><li>Identity,</li><li>Autism,</li><li>Society</li><li>Growing up in the 1990s/2000s.  </li></ul><p>Momma’s Bio:</p><p> </p><p>Bex Turner is a high energy, eccentric, surreal, stand up/character comic. Her likeability combined with her comedic sense of adventure makes audiences love her. </p><p>Quarter Finalist at Leicester Square New Comedian of the Year.</p><p>Semi Finalist for Laughing Horse New Act of the Year. </p><p><br></p><p>She has also performed her solo shows at various festivals including Guildford, Leicester, Camden, Faversham, Clapham, Brighton, Edinburgh, Dundee, Hastings, Nottingham and the Women in Comedy Festival (Manchester). </p><p><br></p><p>"certainly very funny was Bex Turner" - Chortle. </p><p> </p><p>“Fearlessly funny, gorgeously unhinged and imaginative, you will not get bored watching Rebekka.” </p><p>-Funny Women.</p><p> </p><p>Momma’s lil’helpers:</p><p><a href="https://www.instagram.com/boredxcore/">Josh InVain</a> &amp; <a href="https://www.instagram.com/charlievmartin/">Charlie Vero-Martin</a> have been providing dramaturgy help.</p><p><a href="https://www.instagram.com/oro.comedy/">Oro Rose</a> has provided their singing skills for a sound cue. </p><p><a href="https://www.instagram.com/katelennoncomedy/">Kate Lennon</a> has provided admin assistance via REPPD. </p><p><a href="https://www.instagram.com/_hannahbrackenbury_/">Hannah Brackenbury</a> has taken my photos. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The basic idea is to use the toy kitchen (I got as a toddler) to act as a metaphorical play area in which to explore, create and entertain, whilst also demonstrating that the kitchen is being used as a form of masking for a woman aka myself growing up with autism. I’m using the new show to be truly raw with the audience and daring them to validate my experiences (both good and bad). I’m looking to delve into why my brain doesn’t fit the mold, why my body doesn’t fit the mold and why I no longer want to hide behind a toy kitchen. </p><p> </p><p>The show’s key themes are:</p><ul><li>Gender,</li><li>Identity,</li><li>Autism,</li><li>Society</li><li>Growing up in the 1990s/2000s.  </li></ul><p>Momma’s Bio:</p><p> </p><p>Bex Turner is a high energy, eccentric, surreal, stand up/character comic. Her likeability combined with her comedic sense of adventure makes audiences love her. </p><p>Quarter Finalist at Leicester Square New Comedian of the Year.</p><p>Semi Finalist for Laughing Horse New Act of the Year. </p><p><br></p><p>She has also performed her solo shows at various festivals including Guildford, Leicester, Camden, Faversham, Clapham, Brighton, Edinburgh, Dundee, Hastings, Nottingham and the Women in Comedy Festival (Manchester). </p><p><br></p><p>"certainly very funny was Bex Turner" - Chortle. </p><p> </p><p>“Fearlessly funny, gorgeously unhinged and imaginative, you will not get bored watching Rebekka.” </p><p>-Funny Women.</p><p> </p><p>Momma’s lil’helpers:</p><p><a href="https://www.instagram.com/boredxcore/">Josh InVain</a> &amp; <a href="https://www.instagram.com/charlievmartin/">Charlie Vero-Martin</a> have been providing dramaturgy help.</p><p><a href="https://www.instagram.com/oro.comedy/">Oro Rose</a> has provided their singing skills for a sound cue. </p><p><a href="https://www.instagram.com/katelennoncomedy/">Kate Lennon</a> has provided admin assistance via REPPD. </p><p><a href="https://www.instagram.com/_hannahbrackenbury_/">Hannah Brackenbury</a> has taken my photos. </p>]]>
      </content:encoded>
      <pubDate>Sat, 08 Aug 2026 11:32:20 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/e1bcd37b/db404a0c.mp3" length="28865328" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1202</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The basic idea is to use the toy kitchen (I got as a toddler) to act as a metaphorical play area in which to explore, create and entertain, whilst also demonstrating that the kitchen is being used as a form of masking for a woman aka myself growing up with autism. I’m using the new show to be truly raw with the audience and daring them to validate my experiences (both good and bad). I’m looking to delve into why my brain doesn’t fit the mold, why my body doesn’t fit the mold and why I no longer want to hide behind a toy kitchen. </p><p> </p><p>The show’s key themes are:</p><ul><li>Gender,</li><li>Identity,</li><li>Autism,</li><li>Society</li><li>Growing up in the 1990s/2000s.  </li></ul><p>Momma’s Bio:</p><p> </p><p>Bex Turner is a high energy, eccentric, surreal, stand up/character comic. Her likeability combined with her comedic sense of adventure makes audiences love her. </p><p>Quarter Finalist at Leicester Square New Comedian of the Year.</p><p>Semi Finalist for Laughing Horse New Act of the Year. </p><p><br></p><p>She has also performed her solo shows at various festivals including Guildford, Leicester, Camden, Faversham, Clapham, Brighton, Edinburgh, Dundee, Hastings, Nottingham and the Women in Comedy Festival (Manchester). </p><p><br></p><p>"certainly very funny was Bex Turner" - Chortle. </p><p> </p><p>“Fearlessly funny, gorgeously unhinged and imaginative, you will not get bored watching Rebekka.” </p><p>-Funny Women.</p><p> </p><p>Momma’s lil’helpers:</p><p><a href="https://www.instagram.com/boredxcore/">Josh InVain</a> &amp; <a href="https://www.instagram.com/charlievmartin/">Charlie Vero-Martin</a> have been providing dramaturgy help.</p><p><a href="https://www.instagram.com/oro.comedy/">Oro Rose</a> has provided their singing skills for a sound cue. </p><p><a href="https://www.instagram.com/katelennoncomedy/">Kate Lennon</a> has provided admin assistance via REPPD. </p><p><a href="https://www.instagram.com/_hannahbrackenbury_/">Hannah Brackenbury</a> has taken my photos. </p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Falling Out</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Falling Out</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">db6fc90a-2494-4c0b-b7b5-7609a29bf479</guid>
      <link>https://share.transistor.fm/s/6c1ac61c</link>
      <description>
        <![CDATA[<p><strong>Falling Out</strong> is a comedy-drama that brings together two polar-opposite personalities in the form of estranged brothers, trapping them in a nuclear fallout shelter at the end of the world. Will they see eye to eye, or try to scratch them out?</p><p>The play is written by <strong>Kalum Wilson</strong> and <strong>Liam Bull</strong>, both born and raised in Essex, with their upbringing being reflected throughout the play—for better and worse.</p><p>Kalum is an award-winning writer (New Writer’s Collective 2026) focusing on comedy-dramas, telling stories which, on paper, could just as easily be bleak dramas. He loves to find the comedy in the catastrophe, the laughs in the lousy, and the ha-ha in the horrible.</p><p>After graduating from Rose Bruford College and moving to London in 2021, Liam has worked across theatre and screen. His credits include <em>Supacell</em> (Netflix), <em>The Black Silence</em> (Bohemian Pictures), <em>Halfway Between Land and Sea</em> (Estuary on Film), <em>Macbeth</em> (Watermill Theatre), <em>Swallow the Lake</em> (Mercury Theatre), and <em>The Flood</em> (Queen’s Theatre). He will also star as Miles in Falling Out.</p><p>Jacob Collins plays Connor. His credits include commercials for The Gym Group and Starling Bank, as well as a three-person immersive production of <em>A Christmas Carol</em>.</p><p>Micky David plays Danny. Most recently he starred as James Binley in <em>Landship</em>, a WWI feature based on the true story of the Frey Bentos tank crew. His debut short film, <em>Chasing Adonis</em>, which he wrote and stars in, explores body dysmorphia in men.</p><p>Following nuclear war, two estranged brothers are forced to co-exist in their father's doomsday bunker—an option only slightly preferable to the bombs. While Miles grieves for the world, art and culture, Connor's just annoyed he never found out if Aston Villa equalised.</p><p>As the months crawl by, tensions rise, old wounds are reopened, and secrets struggle to stay buried. Their only grip on sanity is an old games console—a link to their shared childhood. When it breaks, so does their fragile peace.</p><p>They survived the bombs, but will they survive each other?</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Falling Out</strong> is a comedy-drama that brings together two polar-opposite personalities in the form of estranged brothers, trapping them in a nuclear fallout shelter at the end of the world. Will they see eye to eye, or try to scratch them out?</p><p>The play is written by <strong>Kalum Wilson</strong> and <strong>Liam Bull</strong>, both born and raised in Essex, with their upbringing being reflected throughout the play—for better and worse.</p><p>Kalum is an award-winning writer (New Writer’s Collective 2026) focusing on comedy-dramas, telling stories which, on paper, could just as easily be bleak dramas. He loves to find the comedy in the catastrophe, the laughs in the lousy, and the ha-ha in the horrible.</p><p>After graduating from Rose Bruford College and moving to London in 2021, Liam has worked across theatre and screen. His credits include <em>Supacell</em> (Netflix), <em>The Black Silence</em> (Bohemian Pictures), <em>Halfway Between Land and Sea</em> (Estuary on Film), <em>Macbeth</em> (Watermill Theatre), <em>Swallow the Lake</em> (Mercury Theatre), and <em>The Flood</em> (Queen’s Theatre). He will also star as Miles in Falling Out.</p><p>Jacob Collins plays Connor. His credits include commercials for The Gym Group and Starling Bank, as well as a three-person immersive production of <em>A Christmas Carol</em>.</p><p>Micky David plays Danny. Most recently he starred as James Binley in <em>Landship</em>, a WWI feature based on the true story of the Frey Bentos tank crew. His debut short film, <em>Chasing Adonis</em>, which he wrote and stars in, explores body dysmorphia in men.</p><p>Following nuclear war, two estranged brothers are forced to co-exist in their father's doomsday bunker—an option only slightly preferable to the bombs. While Miles grieves for the world, art and culture, Connor's just annoyed he never found out if Aston Villa equalised.</p><p>As the months crawl by, tensions rise, old wounds are reopened, and secrets struggle to stay buried. Their only grip on sanity is an old games console—a link to their shared childhood. When it breaks, so does their fragile peace.</p><p>They survived the bombs, but will they survive each other?</p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Aug 2026 20:30:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/6c1ac61c/33c0a18a.mp3" length="19606634" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>816</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong>Falling Out</strong> is a comedy-drama that brings together two polar-opposite personalities in the form of estranged brothers, trapping them in a nuclear fallout shelter at the end of the world. Will they see eye to eye, or try to scratch them out?</p><p>The play is written by <strong>Kalum Wilson</strong> and <strong>Liam Bull</strong>, both born and raised in Essex, with their upbringing being reflected throughout the play—for better and worse.</p><p>Kalum is an award-winning writer (New Writer’s Collective 2026) focusing on comedy-dramas, telling stories which, on paper, could just as easily be bleak dramas. He loves to find the comedy in the catastrophe, the laughs in the lousy, and the ha-ha in the horrible.</p><p>After graduating from Rose Bruford College and moving to London in 2021, Liam has worked across theatre and screen. His credits include <em>Supacell</em> (Netflix), <em>The Black Silence</em> (Bohemian Pictures), <em>Halfway Between Land and Sea</em> (Estuary on Film), <em>Macbeth</em> (Watermill Theatre), <em>Swallow the Lake</em> (Mercury Theatre), and <em>The Flood</em> (Queen’s Theatre). He will also star as Miles in Falling Out.</p><p>Jacob Collins plays Connor. His credits include commercials for The Gym Group and Starling Bank, as well as a three-person immersive production of <em>A Christmas Carol</em>.</p><p>Micky David plays Danny. Most recently he starred as James Binley in <em>Landship</em>, a WWI feature based on the true story of the Frey Bentos tank crew. His debut short film, <em>Chasing Adonis</em>, which he wrote and stars in, explores body dysmorphia in men.</p><p>Following nuclear war, two estranged brothers are forced to co-exist in their father's doomsday bunker—an option only slightly preferable to the bombs. While Miles grieves for the world, art and culture, Connor's just annoyed he never found out if Aston Villa equalised.</p><p>As the months crawl by, tensions rise, old wounds are reopened, and secrets struggle to stay buried. Their only grip on sanity is an old games console—a link to their shared childhood. When it breaks, so does their fragile peace.</p><p>They survived the bombs, but will they survive each other?</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Thre Scene X Camden Fringe - One Time For The Birthday Girl</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>Thre Scene X Camden Fringe - One Time For The Birthday Girl</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">2451b863-3d46-4770-b65f-443cf7108296</guid>
      <link>https://share.transistor.fm/s/81f71519</link>
      <description>
        <![CDATA[<p>Time flies when you have no idea what you're doing!</p><p>DNT WAIT UP, a theatre company focused on new writing, returns with <em>One Time for the Birthday Girl!<br></em><br></p><p>You're cordially invited to a one-woman show celebrating the story of a woman on the cusp of a new decade, as she reflects on her journey into adulthood and the challenges that have shaped her along the way. Join our Birthday Girl on a trip down memory lane through Black British girlhood in the 00s and 10s—think Tumblr, skinny jeans, and an emo phase that just won't quit—as she navigates the lessons that lead her towards self-acceptance.</p><p>Fun, nostalgic and deeply honest, <em>One Time for the Birthday Girl!</em> is a conversation starter that explores identity, growing up and the pressures of adulthood through a distinctly Black British lens. At its heart is a story about learning to let go of expectations and embrace yourself. As our Birthday Girl puts it: <em>"It has taken me a while, but I have decided that I no longer care."<br></em><br></p><p>Co-founded by Kaneesha Watt (Writer/Performer) and Temilola Ademilola (Director), DNT WAIT UP first presented the play at Lambeth Fringe 2025. Following its debut, the team is excited to bring <em>One Time for the Birthday Girl!</em> to Camden Fringe.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Time flies when you have no idea what you're doing!</p><p>DNT WAIT UP, a theatre company focused on new writing, returns with <em>One Time for the Birthday Girl!<br></em><br></p><p>You're cordially invited to a one-woman show celebrating the story of a woman on the cusp of a new decade, as she reflects on her journey into adulthood and the challenges that have shaped her along the way. Join our Birthday Girl on a trip down memory lane through Black British girlhood in the 00s and 10s—think Tumblr, skinny jeans, and an emo phase that just won't quit—as she navigates the lessons that lead her towards self-acceptance.</p><p>Fun, nostalgic and deeply honest, <em>One Time for the Birthday Girl!</em> is a conversation starter that explores identity, growing up and the pressures of adulthood through a distinctly Black British lens. At its heart is a story about learning to let go of expectations and embrace yourself. As our Birthday Girl puts it: <em>"It has taken me a while, but I have decided that I no longer care."<br></em><br></p><p>Co-founded by Kaneesha Watt (Writer/Performer) and Temilola Ademilola (Director), DNT WAIT UP first presented the play at Lambeth Fringe 2025. Following its debut, the team is excited to bring <em>One Time for the Birthday Girl!</em> to Camden Fringe.<br></p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Aug 2026 18:15:32 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/81f71519/e59f8e74.mp3" length="31006315" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1291</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Time flies when you have no idea what you're doing!</p><p>DNT WAIT UP, a theatre company focused on new writing, returns with <em>One Time for the Birthday Girl!<br></em><br></p><p>You're cordially invited to a one-woman show celebrating the story of a woman on the cusp of a new decade, as she reflects on her journey into adulthood and the challenges that have shaped her along the way. Join our Birthday Girl on a trip down memory lane through Black British girlhood in the 00s and 10s—think Tumblr, skinny jeans, and an emo phase that just won't quit—as she navigates the lessons that lead her towards self-acceptance.</p><p>Fun, nostalgic and deeply honest, <em>One Time for the Birthday Girl!</em> is a conversation starter that explores identity, growing up and the pressures of adulthood through a distinctly Black British lens. At its heart is a story about learning to let go of expectations and embrace yourself. As our Birthday Girl puts it: <em>"It has taken me a while, but I have decided that I no longer care."<br></em><br></p><p>Co-founded by Kaneesha Watt (Writer/Performer) and Temilola Ademilola (Director), DNT WAIT UP first presented the play at Lambeth Fringe 2025. Following its debut, the team is excited to bring <em>One Time for the Birthday Girl!</em> to Camden Fringe.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Earworm</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Earworm</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">90617c94-f273-488e-9682-6052cc776515</guid>
      <link>https://share.transistor.fm/s/2d1dc239</link>
      <description>
        <![CDATA[<p>ARiot Theatre is a bold, queer-led theatre company dedicated to creating work that is psychologically driven, narrative-based, and unapologetically chaotic. Exploring modern queer neuroses, social friction, and the messy realities of human connection, it challenges safe and predictable storytelling through a blend of cerebral dialogue, bittersweet humour, and visceral performance.</p><p><em>Earworm</em> is an anti-rom-com about loneliness, commitment, and the songs we use to endure it all. It follows Guy, an alternative cabaret artist searching for the perfect song to make sense of the breakdown of his relationship with John, a scholar of queer relationships. As heartbreak takes hold, Guy’s soundtrack-obsessed mind turns pop songs into emotional lifelines, compulsions, and loops he cannot escape.</p><p>Through a disastrous dinner party, awkward hookups, and a relentless search for the perfect breakup anthem, <em>Earworm</em> explores the contradictions of modern intimacy: our craving for freedom and excitement alongside our need for stability, compromise, and connection.</p><p> Echoing <em>Abigail’s Party</em> with a distinctly queer twist, the play asks what happens when our desire for freedom collides with our need to belong.</p><p><br>As one line in the play suggests:<br>“We need to remind ourselves what made us love that song in the beginning. Otherwise, it’s an earworm.”</p><p>Written and directed by Gur Arie Piepskovitz, with dramaturgy by Avihud Tidhar, <em>Earworm</em> features Avihud Tidhar, Brodie Bass, Waylon Jacobs, and Reece Lewis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>ARiot Theatre is a bold, queer-led theatre company dedicated to creating work that is psychologically driven, narrative-based, and unapologetically chaotic. Exploring modern queer neuroses, social friction, and the messy realities of human connection, it challenges safe and predictable storytelling through a blend of cerebral dialogue, bittersweet humour, and visceral performance.</p><p><em>Earworm</em> is an anti-rom-com about loneliness, commitment, and the songs we use to endure it all. It follows Guy, an alternative cabaret artist searching for the perfect song to make sense of the breakdown of his relationship with John, a scholar of queer relationships. As heartbreak takes hold, Guy’s soundtrack-obsessed mind turns pop songs into emotional lifelines, compulsions, and loops he cannot escape.</p><p>Through a disastrous dinner party, awkward hookups, and a relentless search for the perfect breakup anthem, <em>Earworm</em> explores the contradictions of modern intimacy: our craving for freedom and excitement alongside our need for stability, compromise, and connection.</p><p> Echoing <em>Abigail’s Party</em> with a distinctly queer twist, the play asks what happens when our desire for freedom collides with our need to belong.</p><p><br>As one line in the play suggests:<br>“We need to remind ourselves what made us love that song in the beginning. Otherwise, it’s an earworm.”</p><p>Written and directed by Gur Arie Piepskovitz, with dramaturgy by Avihud Tidhar, <em>Earworm</em> features Avihud Tidhar, Brodie Bass, Waylon Jacobs, and Reece Lewis.</p>]]>
      </content:encoded>
      <pubDate>Mon, 27 Jul 2026 19:30:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/2d1dc239/7354e7b6.mp3" length="31038964" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1292</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>ARiot Theatre is a bold, queer-led theatre company dedicated to creating work that is psychologically driven, narrative-based, and unapologetically chaotic. Exploring modern queer neuroses, social friction, and the messy realities of human connection, it challenges safe and predictable storytelling through a blend of cerebral dialogue, bittersweet humour, and visceral performance.</p><p><em>Earworm</em> is an anti-rom-com about loneliness, commitment, and the songs we use to endure it all. It follows Guy, an alternative cabaret artist searching for the perfect song to make sense of the breakdown of his relationship with John, a scholar of queer relationships. As heartbreak takes hold, Guy’s soundtrack-obsessed mind turns pop songs into emotional lifelines, compulsions, and loops he cannot escape.</p><p>Through a disastrous dinner party, awkward hookups, and a relentless search for the perfect breakup anthem, <em>Earworm</em> explores the contradictions of modern intimacy: our craving for freedom and excitement alongside our need for stability, compromise, and connection.</p><p> Echoing <em>Abigail’s Party</em> with a distinctly queer twist, the play asks what happens when our desire for freedom collides with our need to belong.</p><p><br>As one line in the play suggests:<br>“We need to remind ourselves what made us love that song in the beginning. Otherwise, it’s an earworm.”</p><p>Written and directed by Gur Arie Piepskovitz, with dramaturgy by Avihud Tidhar, <em>Earworm</em> features Avihud Tidhar, Brodie Bass, Waylon Jacobs, and Reece Lewis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Nutting Really Matters</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Nutting Really Matters</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">06ceb764-5eed-49b9-be7e-d67c4c488f8e</guid>
      <link>https://share.transistor.fm/s/0ffd1dc5</link>
      <description>
        <![CDATA[<p>Stewart Nutting is a London-based stand-up comedian whose work blends anecdotal, observational and philosophical comedy with dry humour, awkward honesty and quietly absurd reflections on modern life.</p><p>His debut solo hour, <em>Nutting Really Matters</em>, is a story-led stand-up show about nihilism, burnout, depression and the strange things we choose to care about anyway. Moving from overthinking childhood anxieties into the awkwardness of adult life, the show explores what happens when you try to find meaning in a world that often feels fairly pointless - and how purpose can sometimes come from the smallest, stupidest and most unexpected places.</p><p>Thoughtful, slightly bleak and unexpectedly warm, <em>Nutting Really Matters</em> combines personal storytelling with absurd observations about social awkwardness, relationships, questionable coping mechanisms and the ongoing human need to keep participating, even when you are not entirely sure why.</p><p>Written and performed by Stewart Nutting.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Stewart Nutting is a London-based stand-up comedian whose work blends anecdotal, observational and philosophical comedy with dry humour, awkward honesty and quietly absurd reflections on modern life.</p><p>His debut solo hour, <em>Nutting Really Matters</em>, is a story-led stand-up show about nihilism, burnout, depression and the strange things we choose to care about anyway. Moving from overthinking childhood anxieties into the awkwardness of adult life, the show explores what happens when you try to find meaning in a world that often feels fairly pointless - and how purpose can sometimes come from the smallest, stupidest and most unexpected places.</p><p>Thoughtful, slightly bleak and unexpectedly warm, <em>Nutting Really Matters</em> combines personal storytelling with absurd observations about social awkwardness, relationships, questionable coping mechanisms and the ongoing human need to keep participating, even when you are not entirely sure why.</p><p>Written and performed by Stewart Nutting.</p>]]>
      </content:encoded>
      <pubDate>Mon, 27 Jul 2026 15:23:45 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/0ffd1dc5/d10a9014.mp3" length="30477366" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1269</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Stewart Nutting is a London-based stand-up comedian whose work blends anecdotal, observational and philosophical comedy with dry humour, awkward honesty and quietly absurd reflections on modern life.</p><p>His debut solo hour, <em>Nutting Really Matters</em>, is a story-led stand-up show about nihilism, burnout, depression and the strange things we choose to care about anyway. Moving from overthinking childhood anxieties into the awkwardness of adult life, the show explores what happens when you try to find meaning in a world that often feels fairly pointless - and how purpose can sometimes come from the smallest, stupidest and most unexpected places.</p><p>Thoughtful, slightly bleak and unexpectedly warm, <em>Nutting Really Matters</em> combines personal storytelling with absurd observations about social awkwardness, relationships, questionable coping mechanisms and the ongoing human need to keep participating, even when you are not entirely sure why.</p><p>Written and performed by Stewart Nutting.</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - John Callaghan's Cabaret Electro</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - John Callaghan's Cabaret Electro</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">176b4f03-70e3-4327-8b01-0e3a29b3897c</guid>
      <link>https://share.transistor.fm/s/8579a9e6</link>
      <description>
        <![CDATA[<p>John Callaghan's Cabaret Electro is a showcase of John's thoughtful electronic songs, illustrated with costumes, surreal visuals, lighting effects and live electronics. The songs are autobiographical and involve topics such as neurodivergence, asexuality and timewasting. They're always optimistic and positive, and humour is as an important a part of the show as it is of John's life.</p><p><br></p><p>Born in Birmingham and living in London, John has directed videos for Professor Elemental as well as Antigen Records. He's had releases on Warp Records and has performed in France, Germany and Austria. His day job is as a nude model for artists.</p><p><br></p><p>He can hold a note for 29 seconds, has no particular eye colour, and can tear an apple in half. He's 173cm tall, weighs 82.8kg and has a blood pressure of 121/77. </p><p>Not that that's remarkable. </p><p>He just never knows what to write for these things.</p><p>Showings:</p><p>16th August at 8pm<br>Aces and Eights, London, NW5 2HP</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>John Callaghan's Cabaret Electro is a showcase of John's thoughtful electronic songs, illustrated with costumes, surreal visuals, lighting effects and live electronics. The songs are autobiographical and involve topics such as neurodivergence, asexuality and timewasting. They're always optimistic and positive, and humour is as an important a part of the show as it is of John's life.</p><p><br></p><p>Born in Birmingham and living in London, John has directed videos for Professor Elemental as well as Antigen Records. He's had releases on Warp Records and has performed in France, Germany and Austria. His day job is as a nude model for artists.</p><p><br></p><p>He can hold a note for 29 seconds, has no particular eye colour, and can tear an apple in half. He's 173cm tall, weighs 82.8kg and has a blood pressure of 121/77. </p><p>Not that that's remarkable. </p><p>He just never knows what to write for these things.</p><p>Showings:</p><p>16th August at 8pm<br>Aces and Eights, London, NW5 2HP</p>]]>
      </content:encoded>
      <pubDate>Sat, 25 Jul 2026 15:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/8579a9e6/af438286.mp3" length="25128688" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1046</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>John Callaghan's Cabaret Electro is a showcase of John's thoughtful electronic songs, illustrated with costumes, surreal visuals, lighting effects and live electronics. The songs are autobiographical and involve topics such as neurodivergence, asexuality and timewasting. They're always optimistic and positive, and humour is as an important a part of the show as it is of John's life.</p><p><br></p><p>Born in Birmingham and living in London, John has directed videos for Professor Elemental as well as Antigen Records. He's had releases on Warp Records and has performed in France, Germany and Austria. His day job is as a nude model for artists.</p><p><br></p><p>He can hold a note for 29 seconds, has no particular eye colour, and can tear an apple in half. He's 173cm tall, weighs 82.8kg and has a blood pressure of 121/77. </p><p>Not that that's remarkable. </p><p>He just never knows what to write for these things.</p><p>Showings:</p><p>16th August at 8pm<br>Aces and Eights, London, NW5 2HP</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Thieves In Satin</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Thieves In Satin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">71ef1c2b-653b-4e1e-9d51-ae5f6520e2e9</guid>
      <link>https://share.transistor.fm/s/904b4b92</link>
      <description>
        <![CDATA[<p>Step into the dazzling yet dangerous world of "THIEVES IN SATIN", the electrifying new production from Moving Stories Dance Company. Inspired by the infamous all-female UK crime syndicate, The Forty Elephants, this breathtaking dance spectacle unravels the story of Diamond Alice, The Bobbed Hair Bandit, and Baby-Faced Maggie—women who stole more than just riches; they stole the spotlight.</p><p><br></p><p>Born in the shadows of a Lambeth workhouse, Alice Diamond had no choice but to fight for survival. A master thief by her teens, she rose to power as the formidable Queen of the Forty Elephants, leading a gang of fearless women who lived by their own rules. By the 1920s, they had reached legendary status—draped in satin, dripping in stolen jewels, and dancing the night away with the very aristocrats they deceived.</p><p><br></p><p>Now in its 6th triumphant year, Moving Stories Dance Company has captivated audiences with its bold, narrative-driven productions. The company makes it’s exciting debut at the Camden Fringe.. Featuring an ensemble of ballet, contemporary, and West End performers, the company is known for blending gripping storytelling with dynamic choreography.</p><p><br></p><p>THIEVES IN SATIN is a thrilling fusion of elegance and danger, a celebration of rebellion and resilience. Join us for an unforgettable journey through the hidden underworld of 1920s London—where crime was an art, and these women were the masters.</p><p><br></p><p><strong>Production &amp; Cast</strong></p><p>Director &amp; Choreographer - Lucy Potter</p><p>Assistant Choreographer - Kate Finegan</p><p>Scriptwriter - Stuart Pallant</p><p>Cast - Kate Finegan, Lucy Potter, Heather Craig, Faye Barker, Susan Wardlow, Stella Grace, Tommi Sliiden, Ben Garner &amp; Louise Dalton</p><p>Voiceover - Janet South</p><p>Lighting Design &amp; Operation - Sebastian Petit</p><p>Sound &amp; Projection - Matthew Powell</p><p>Stage Management &amp; Props - Stuart Pallant</p><p>Marketing - Ben Garner</p><p>Poster &amp; Programme Design - Ben Garner</p><p>Admin &amp; Social Media - Heather Craig</p><p>Wardrobe - Moving Stories Company</p><p>Showings: </p><p>16th August at 5pm<br>The Cockpit Theatre, NW8 8EH</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Step into the dazzling yet dangerous world of "THIEVES IN SATIN", the electrifying new production from Moving Stories Dance Company. Inspired by the infamous all-female UK crime syndicate, The Forty Elephants, this breathtaking dance spectacle unravels the story of Diamond Alice, The Bobbed Hair Bandit, and Baby-Faced Maggie—women who stole more than just riches; they stole the spotlight.</p><p><br></p><p>Born in the shadows of a Lambeth workhouse, Alice Diamond had no choice but to fight for survival. A master thief by her teens, she rose to power as the formidable Queen of the Forty Elephants, leading a gang of fearless women who lived by their own rules. By the 1920s, they had reached legendary status—draped in satin, dripping in stolen jewels, and dancing the night away with the very aristocrats they deceived.</p><p><br></p><p>Now in its 6th triumphant year, Moving Stories Dance Company has captivated audiences with its bold, narrative-driven productions. The company makes it’s exciting debut at the Camden Fringe.. Featuring an ensemble of ballet, contemporary, and West End performers, the company is known for blending gripping storytelling with dynamic choreography.</p><p><br></p><p>THIEVES IN SATIN is a thrilling fusion of elegance and danger, a celebration of rebellion and resilience. Join us for an unforgettable journey through the hidden underworld of 1920s London—where crime was an art, and these women were the masters.</p><p><br></p><p><strong>Production &amp; Cast</strong></p><p>Director &amp; Choreographer - Lucy Potter</p><p>Assistant Choreographer - Kate Finegan</p><p>Scriptwriter - Stuart Pallant</p><p>Cast - Kate Finegan, Lucy Potter, Heather Craig, Faye Barker, Susan Wardlow, Stella Grace, Tommi Sliiden, Ben Garner &amp; Louise Dalton</p><p>Voiceover - Janet South</p><p>Lighting Design &amp; Operation - Sebastian Petit</p><p>Sound &amp; Projection - Matthew Powell</p><p>Stage Management &amp; Props - Stuart Pallant</p><p>Marketing - Ben Garner</p><p>Poster &amp; Programme Design - Ben Garner</p><p>Admin &amp; Social Media - Heather Craig</p><p>Wardrobe - Moving Stories Company</p><p>Showings: </p><p>16th August at 5pm<br>The Cockpit Theatre, NW8 8EH</p>]]>
      </content:encoded>
      <pubDate>Sat, 25 Jul 2026 10:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/904b4b92/8d36f1d7.mp3" length="28776321" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1198</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Step into the dazzling yet dangerous world of "THIEVES IN SATIN", the electrifying new production from Moving Stories Dance Company. Inspired by the infamous all-female UK crime syndicate, The Forty Elephants, this breathtaking dance spectacle unravels the story of Diamond Alice, The Bobbed Hair Bandit, and Baby-Faced Maggie—women who stole more than just riches; they stole the spotlight.</p><p><br></p><p>Born in the shadows of a Lambeth workhouse, Alice Diamond had no choice but to fight for survival. A master thief by her teens, she rose to power as the formidable Queen of the Forty Elephants, leading a gang of fearless women who lived by their own rules. By the 1920s, they had reached legendary status—draped in satin, dripping in stolen jewels, and dancing the night away with the very aristocrats they deceived.</p><p><br></p><p>Now in its 6th triumphant year, Moving Stories Dance Company has captivated audiences with its bold, narrative-driven productions. The company makes it’s exciting debut at the Camden Fringe.. Featuring an ensemble of ballet, contemporary, and West End performers, the company is known for blending gripping storytelling with dynamic choreography.</p><p><br></p><p>THIEVES IN SATIN is a thrilling fusion of elegance and danger, a celebration of rebellion and resilience. Join us for an unforgettable journey through the hidden underworld of 1920s London—where crime was an art, and these women were the masters.</p><p><br></p><p><strong>Production &amp; Cast</strong></p><p>Director &amp; Choreographer - Lucy Potter</p><p>Assistant Choreographer - Kate Finegan</p><p>Scriptwriter - Stuart Pallant</p><p>Cast - Kate Finegan, Lucy Potter, Heather Craig, Faye Barker, Susan Wardlow, Stella Grace, Tommi Sliiden, Ben Garner &amp; Louise Dalton</p><p>Voiceover - Janet South</p><p>Lighting Design &amp; Operation - Sebastian Petit</p><p>Sound &amp; Projection - Matthew Powell</p><p>Stage Management &amp; Props - Stuart Pallant</p><p>Marketing - Ben Garner</p><p>Poster &amp; Programme Design - Ben Garner</p><p>Admin &amp; Social Media - Heather Craig</p><p>Wardrobe - Moving Stories Company</p><p>Showings: </p><p>16th August at 5pm<br>The Cockpit Theatre, NW8 8EH</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Here's To The Ladies!</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Here's To The Ladies!</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">54a4bb5a-f23b-40d7-b21b-dcc834e05662</guid>
      <link>https://share.transistor.fm/s/07ae74f1</link>
      <description>
        <![CDATA[<p>We all know the names Gershwin, Porter, Berlin, and other male songwriters who shaped the growth of American popular song in the early 1900’s. But where are the women’s names? </p><p>Here’s to the Ladies! pays tribute to the talent, wit, and vision of the women who helped shape what has become known as The Great American Songbook. Kay Swift, Dorothy Fields and Ann Ronell are some of the most influential. These women brought a unique vision and heart to their music and helped an entire nation to endure years of war, depression, upheaval and change with music that is still loved around the world. With persistence, talent, and sheer love of the art, these women broke down countless barriers, opening doors for future women in the music industry.</p><p>Conceived &amp; Created by<br>Joanne Schmoll</p><p>Performed by<br>Chyna-Rose Frederick<br>Miles Timmis<br>Emma Houlahan</p><p>Music Director<br>Falk Meier</p><p>Choreographer/ A.D<br>Halle Utterback</p><p>Showings:<br>14th and 15th August - 7:30pm<br>16th August - 4:00pm</p><p>Upstirs at the Gatehouse, London, N6 4BD<strong></strong></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>We all know the names Gershwin, Porter, Berlin, and other male songwriters who shaped the growth of American popular song in the early 1900’s. But where are the women’s names? </p><p>Here’s to the Ladies! pays tribute to the talent, wit, and vision of the women who helped shape what has become known as The Great American Songbook. Kay Swift, Dorothy Fields and Ann Ronell are some of the most influential. These women brought a unique vision and heart to their music and helped an entire nation to endure years of war, depression, upheaval and change with music that is still loved around the world. With persistence, talent, and sheer love of the art, these women broke down countless barriers, opening doors for future women in the music industry.</p><p>Conceived &amp; Created by<br>Joanne Schmoll</p><p>Performed by<br>Chyna-Rose Frederick<br>Miles Timmis<br>Emma Houlahan</p><p>Music Director<br>Falk Meier</p><p>Choreographer/ A.D<br>Halle Utterback</p><p>Showings:<br>14th and 15th August - 7:30pm<br>16th August - 4:00pm</p><p>Upstirs at the Gatehouse, London, N6 4BD<strong></strong></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Fri, 24 Jul 2026 16:35:53 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/07ae74f1/36c4aa76.mp3" length="24349176" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1014</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>We all know the names Gershwin, Porter, Berlin, and other male songwriters who shaped the growth of American popular song in the early 1900’s. But where are the women’s names? </p><p>Here’s to the Ladies! pays tribute to the talent, wit, and vision of the women who helped shape what has become known as The Great American Songbook. Kay Swift, Dorothy Fields and Ann Ronell are some of the most influential. These women brought a unique vision and heart to their music and helped an entire nation to endure years of war, depression, upheaval and change with music that is still loved around the world. With persistence, talent, and sheer love of the art, these women broke down countless barriers, opening doors for future women in the music industry.</p><p>Conceived &amp; Created by<br>Joanne Schmoll</p><p>Performed by<br>Chyna-Rose Frederick<br>Miles Timmis<br>Emma Houlahan</p><p>Music Director<br>Falk Meier</p><p>Choreographer/ A.D<br>Halle Utterback</p><p>Showings:<br>14th and 15th August - 7:30pm<br>16th August - 4:00pm</p><p>Upstirs at the Gatehouse, London, N6 4BD<strong></strong></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - I'm A Philosopher, Why The Fu*k Am I Here?</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - I'm A Philosopher, Why The Fu*k Am I Here?</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">09e9e801-0ebb-495c-9200-86eb18df88b3</guid>
      <link>https://share.transistor.fm/s/c18fb289</link>
      <description>
        <![CDATA[<p>The good folks at <strong>Make My Show </strong>bring you interactive, lip-sync, musical comedy pastiche of reality TV called,<strong> ‘I’m a Philosopher! Why the Fuck am I Here?’.</strong> </p><p>The show is an anarchic, funny and frivolous reimagining of a certain, well-known, jungle-based reality gameshow; but instead of being populated by a bunch of D-List ‘celebrities’ ours features some of the worlds greatest intellectuals (and Jordan Perterson). Think of swapping Danny Dyer and Katie Price for Jean Jacques Rousseau and Judith Butler.</p><p>And it’s fully interactive, so where they get to sing, dance and squabble; you get to vote on who gets evicted and who has to eat the ostrich eyeballs. It’s like a cross between the irreverent humour ‘Oh, Mary!’ and the wordplay of Tom Stoppard’s Travesties, but with you deciding what happens – this show is never the same twice.You might even get a bit-part as one of the watching philosophers (if you’ve ever fancied playing Plato, Simone de Beauvoir or Karl Marx - here's your chance.) </p><p>It’s directed by <strong>Maddie Hurley</strong>, who infuses it with their experience of lip-sync cabaret and stars <strong>Senne Lambrechts</strong> (as ‘JJ’ Rousseau), <strong>Oscar Nicholson</strong> (as ‘Tommy’ Hobbes), <strong>Laura Shipler Chico</strong> (as Ayn ‘Randy’ Rand, ‘Judy’ Butler and the Bear!) and <strong>Will Robertson</strong> (as ‘Pete’ Singer and ‘Jordo’ Peterson). </p><p>Movement and choreography are directed by <strong>Angela Botha</strong> and our assistant director, <strong>Jess Beith</strong>, also takes a cameo role. The play was written by <strong>Roger Francis</strong> and is being performed at <strong>The Cockpit in Marylebone on the 13th, 14th and 15th of August at 9pm<br></strong><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The good folks at <strong>Make My Show </strong>bring you interactive, lip-sync, musical comedy pastiche of reality TV called,<strong> ‘I’m a Philosopher! Why the Fuck am I Here?’.</strong> </p><p>The show is an anarchic, funny and frivolous reimagining of a certain, well-known, jungle-based reality gameshow; but instead of being populated by a bunch of D-List ‘celebrities’ ours features some of the worlds greatest intellectuals (and Jordan Perterson). Think of swapping Danny Dyer and Katie Price for Jean Jacques Rousseau and Judith Butler.</p><p>And it’s fully interactive, so where they get to sing, dance and squabble; you get to vote on who gets evicted and who has to eat the ostrich eyeballs. It’s like a cross between the irreverent humour ‘Oh, Mary!’ and the wordplay of Tom Stoppard’s Travesties, but with you deciding what happens – this show is never the same twice.You might even get a bit-part as one of the watching philosophers (if you’ve ever fancied playing Plato, Simone de Beauvoir or Karl Marx - here's your chance.) </p><p>It’s directed by <strong>Maddie Hurley</strong>, who infuses it with their experience of lip-sync cabaret and stars <strong>Senne Lambrechts</strong> (as ‘JJ’ Rousseau), <strong>Oscar Nicholson</strong> (as ‘Tommy’ Hobbes), <strong>Laura Shipler Chico</strong> (as Ayn ‘Randy’ Rand, ‘Judy’ Butler and the Bear!) and <strong>Will Robertson</strong> (as ‘Pete’ Singer and ‘Jordo’ Peterson). </p><p>Movement and choreography are directed by <strong>Angela Botha</strong> and our assistant director, <strong>Jess Beith</strong>, also takes a cameo role. The play was written by <strong>Roger Francis</strong> and is being performed at <strong>The Cockpit in Marylebone on the 13th, 14th and 15th of August at 9pm<br></strong><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 23 Jul 2026 15:07:20 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/c18fb289/5c577ea5.mp3" length="33707187" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1403</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The good folks at <strong>Make My Show </strong>bring you interactive, lip-sync, musical comedy pastiche of reality TV called,<strong> ‘I’m a Philosopher! Why the Fuck am I Here?’.</strong> </p><p>The show is an anarchic, funny and frivolous reimagining of a certain, well-known, jungle-based reality gameshow; but instead of being populated by a bunch of D-List ‘celebrities’ ours features some of the worlds greatest intellectuals (and Jordan Perterson). Think of swapping Danny Dyer and Katie Price for Jean Jacques Rousseau and Judith Butler.</p><p>And it’s fully interactive, so where they get to sing, dance and squabble; you get to vote on who gets evicted and who has to eat the ostrich eyeballs. It’s like a cross between the irreverent humour ‘Oh, Mary!’ and the wordplay of Tom Stoppard’s Travesties, but with you deciding what happens – this show is never the same twice.You might even get a bit-part as one of the watching philosophers (if you’ve ever fancied playing Plato, Simone de Beauvoir or Karl Marx - here's your chance.) </p><p>It’s directed by <strong>Maddie Hurley</strong>, who infuses it with their experience of lip-sync cabaret and stars <strong>Senne Lambrechts</strong> (as ‘JJ’ Rousseau), <strong>Oscar Nicholson</strong> (as ‘Tommy’ Hobbes), <strong>Laura Shipler Chico</strong> (as Ayn ‘Randy’ Rand, ‘Judy’ Butler and the Bear!) and <strong>Will Robertson</strong> (as ‘Pete’ Singer and ‘Jordo’ Peterson). </p><p>Movement and choreography are directed by <strong>Angela Botha</strong> and our assistant director, <strong>Jess Beith</strong>, also takes a cameo role. The play was written by <strong>Roger Francis</strong> and is being performed at <strong>The Cockpit in Marylebone on the 13th, 14th and 15th of August at 9pm<br></strong><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Wilder!</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Wilder!</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">24cb835b-63ee-4ef1-bdb5-1c720812fe10</guid>
      <link>https://share.transistor.fm/s/6c9157f6</link>
      <description>
        <![CDATA[<p>Wilder! is a fast-paced, absurd dark comedy; think <em>Desperate Housewives</em> meets <em>The Play That Goes Wrong</em> meets <em>Bonnie and Clyde</em>.</p><p>“Set in a town fiercely ruled by its housewives, the story follows Gloria and Gregory Wilder, a glamorous young couple who seem to have it all. But beneath their picture-perfect life lies a deadly secret, one that could cost them everything. As they navigate the highs and lows of marriage, the Wilders must outwit nosy neighbours, gossip-fuelled streets, and an endless barrage of garden club invitations. In a community where appearances are everything, staying unnoticed may be their greatest challenge of all.”</p><p>Wilder! is written and produced by Thomas Billiouw &amp; Dany Van Brabant who also play the leads of <em>Gregory</em> and <em>Gloria Wilder</em>. The rest of the cast includes Evie Weldon as <em>Martha Hoover</em>, Jess-Vince Moin as <em>Phyllis Amberhide</em>, and Kgalalelo Thakadu as <em>Sheryl-Anne Bowman</em>. The production is directed by Jillian Osborne, with fight choreography by Becca Watkin, Amy Marsden as set designer, Ella Shaw as cultural consultant. </p><p>We're a very international cast &amp; crew with members from Wales, Ireland, Belgium, Botswana, the U.S., and Australia. That mix is reflected in the play itself, since it’s set in a town that isn’t tied to any one physical place. It’s an idyllic suburb that could exist anywhere, reflecting our natural mix of accents. </p><p>This piece focuses on giving audiences a genuinely good time, combining playful staging with juicy, character-driven chaos, and plenty of twists and turns along the way. With Wilder!, we aim to create a show that surprises, entertains, and leaves audiences giggling, gasping, and gossiping all the way home.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Wilder! is a fast-paced, absurd dark comedy; think <em>Desperate Housewives</em> meets <em>The Play That Goes Wrong</em> meets <em>Bonnie and Clyde</em>.</p><p>“Set in a town fiercely ruled by its housewives, the story follows Gloria and Gregory Wilder, a glamorous young couple who seem to have it all. But beneath their picture-perfect life lies a deadly secret, one that could cost them everything. As they navigate the highs and lows of marriage, the Wilders must outwit nosy neighbours, gossip-fuelled streets, and an endless barrage of garden club invitations. In a community where appearances are everything, staying unnoticed may be their greatest challenge of all.”</p><p>Wilder! is written and produced by Thomas Billiouw &amp; Dany Van Brabant who also play the leads of <em>Gregory</em> and <em>Gloria Wilder</em>. The rest of the cast includes Evie Weldon as <em>Martha Hoover</em>, Jess-Vince Moin as <em>Phyllis Amberhide</em>, and Kgalalelo Thakadu as <em>Sheryl-Anne Bowman</em>. The production is directed by Jillian Osborne, with fight choreography by Becca Watkin, Amy Marsden as set designer, Ella Shaw as cultural consultant. </p><p>We're a very international cast &amp; crew with members from Wales, Ireland, Belgium, Botswana, the U.S., and Australia. That mix is reflected in the play itself, since it’s set in a town that isn’t tied to any one physical place. It’s an idyllic suburb that could exist anywhere, reflecting our natural mix of accents. </p><p>This piece focuses on giving audiences a genuinely good time, combining playful staging with juicy, character-driven chaos, and plenty of twists and turns along the way. With Wilder!, we aim to create a show that surprises, entertains, and leaves audiences giggling, gasping, and gossiping all the way home.</p>]]>
      </content:encoded>
      <pubDate>Wed, 22 Jul 2026 16:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/6c9157f6/7ea1d424.mp3" length="26916744" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1121</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Wilder! is a fast-paced, absurd dark comedy; think <em>Desperate Housewives</em> meets <em>The Play That Goes Wrong</em> meets <em>Bonnie and Clyde</em>.</p><p>“Set in a town fiercely ruled by its housewives, the story follows Gloria and Gregory Wilder, a glamorous young couple who seem to have it all. But beneath their picture-perfect life lies a deadly secret, one that could cost them everything. As they navigate the highs and lows of marriage, the Wilders must outwit nosy neighbours, gossip-fuelled streets, and an endless barrage of garden club invitations. In a community where appearances are everything, staying unnoticed may be their greatest challenge of all.”</p><p>Wilder! is written and produced by Thomas Billiouw &amp; Dany Van Brabant who also play the leads of <em>Gregory</em> and <em>Gloria Wilder</em>. The rest of the cast includes Evie Weldon as <em>Martha Hoover</em>, Jess-Vince Moin as <em>Phyllis Amberhide</em>, and Kgalalelo Thakadu as <em>Sheryl-Anne Bowman</em>. The production is directed by Jillian Osborne, with fight choreography by Becca Watkin, Amy Marsden as set designer, Ella Shaw as cultural consultant. </p><p>We're a very international cast &amp; crew with members from Wales, Ireland, Belgium, Botswana, the U.S., and Australia. That mix is reflected in the play itself, since it’s set in a town that isn’t tied to any one physical place. It’s an idyllic suburb that could exist anywhere, reflecting our natural mix of accents. </p><p>This piece focuses on giving audiences a genuinely good time, combining playful staging with juicy, character-driven chaos, and plenty of twists and turns along the way. With Wilder!, we aim to create a show that surprises, entertains, and leaves audiences giggling, gasping, and gossiping all the way home.</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Steaks and Lesbians</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Steaks and Lesbians</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">aff02ccb-5f0c-4ba5-88f7-ebda33415489</guid>
      <link>https://share.transistor.fm/s/e82e3948</link>
      <description>
        <![CDATA[<p>The show follows Stevie (Ryley Pennycard) and River (Billie Billington) , two best friends living in London. Stevie is an aspiring writer and River an aspiring actor. We follow them as they navigate the first lesbian heartbreak, social media’s views on love and their own personal emotional chaos all while trying to cook the perfect steak dinner. </p><p><br></p><p>Amity as a company aims to offer real representation on stage, we believe in listening to others experiences and offering a space for it to be seen. We want people to have the chance to share their stories and have theatre that accurately portrays them and their experiences. </p><p><br>Steaks and Lesbians aims to show the beauty in queerness, both relationships and friendships. The writing plays on the use of stereotypes, but taking away from the stereotypes placed upon queer communities by heterosexual people, and using instead ones that we ourselves joke and play with. Written by a lesbian about lesbians, aiming to give representation in an authentic way, representing the queer community in the way we see around us, not what people think it is.</p><p><br></p><p>We started writing this show at 2AM in our student flat, two years ago and we have worked on it ever since, blending in new experiences, new emotions and new friendships and now we are ready to share it. Inspired by the friendships we made as we navigated our adulthood and identities, the friendships we had shaped us and gave us days of laughter we will never forget. We wanted to share this and turn it into something everyone can enjoy with us. </p><p><br></p><p>Editor/Director/Producer: Amelia C Owens</p><p>Head of Technical: Charlotte Philpot</p><p>Sound: Kaci Johnson</p><p>Stage Manager: Izzie Stevens</p><p>Costume: Cara Marie Harrison</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The show follows Stevie (Ryley Pennycard) and River (Billie Billington) , two best friends living in London. Stevie is an aspiring writer and River an aspiring actor. We follow them as they navigate the first lesbian heartbreak, social media’s views on love and their own personal emotional chaos all while trying to cook the perfect steak dinner. </p><p><br></p><p>Amity as a company aims to offer real representation on stage, we believe in listening to others experiences and offering a space for it to be seen. We want people to have the chance to share their stories and have theatre that accurately portrays them and their experiences. </p><p><br>Steaks and Lesbians aims to show the beauty in queerness, both relationships and friendships. The writing plays on the use of stereotypes, but taking away from the stereotypes placed upon queer communities by heterosexual people, and using instead ones that we ourselves joke and play with. Written by a lesbian about lesbians, aiming to give representation in an authentic way, representing the queer community in the way we see around us, not what people think it is.</p><p><br></p><p>We started writing this show at 2AM in our student flat, two years ago and we have worked on it ever since, blending in new experiences, new emotions and new friendships and now we are ready to share it. Inspired by the friendships we made as we navigated our adulthood and identities, the friendships we had shaped us and gave us days of laughter we will never forget. We wanted to share this and turn it into something everyone can enjoy with us. </p><p><br></p><p>Editor/Director/Producer: Amelia C Owens</p><p>Head of Technical: Charlotte Philpot</p><p>Sound: Kaci Johnson</p><p>Stage Manager: Izzie Stevens</p><p>Costume: Cara Marie Harrison</p>]]>
      </content:encoded>
      <pubDate>Wed, 22 Jul 2026 11:08:09 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/e82e3948/49bd2d99.mp3" length="18089331" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>753</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The show follows Stevie (Ryley Pennycard) and River (Billie Billington) , two best friends living in London. Stevie is an aspiring writer and River an aspiring actor. We follow them as they navigate the first lesbian heartbreak, social media’s views on love and their own personal emotional chaos all while trying to cook the perfect steak dinner. </p><p><br></p><p>Amity as a company aims to offer real representation on stage, we believe in listening to others experiences and offering a space for it to be seen. We want people to have the chance to share their stories and have theatre that accurately portrays them and their experiences. </p><p><br>Steaks and Lesbians aims to show the beauty in queerness, both relationships and friendships. The writing plays on the use of stereotypes, but taking away from the stereotypes placed upon queer communities by heterosexual people, and using instead ones that we ourselves joke and play with. Written by a lesbian about lesbians, aiming to give representation in an authentic way, representing the queer community in the way we see around us, not what people think it is.</p><p><br></p><p>We started writing this show at 2AM in our student flat, two years ago and we have worked on it ever since, blending in new experiences, new emotions and new friendships and now we are ready to share it. Inspired by the friendships we made as we navigated our adulthood and identities, the friendships we had shaped us and gave us days of laughter we will never forget. We wanted to share this and turn it into something everyone can enjoy with us. </p><p><br></p><p>Editor/Director/Producer: Amelia C Owens</p><p>Head of Technical: Charlotte Philpot</p><p>Sound: Kaci Johnson</p><p>Stage Manager: Izzie Stevens</p><p>Costume: Cara Marie Harrison</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - The Dance Plague of 1518</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - The Dance Plague of 1518</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a9fd3841-4e04-40b2-8a6a-63213ebd8c0c</guid>
      <link>https://share.transistor.fm/s/b1b86b0e</link>
      <description>
        <![CDATA[<p>SO CATCHY IT’S CONTAGIOUS.</p><p>Hamilton. Six. Cats. All musicals based on historical events.</p><p>Four struggling ‘Theatre In Education’ actors decide to cash in on this trend and stage a musical retelling of histories weirdest phenomenon-</p><p>“The Dance Plague of 1518”.</p><p>The only catch: they know nothing about “The Dance Plague of 1518”. </p><p>Their ‘educational’ show tells the story of Princess Frau, who escapes the confines of her castle to Strasbourg- a depressing little village in need of a bath. She takes it upon herself to ignite a spark within the community, but unknowingly ignites the infamous ‘Dance Fever’- a deadly disco disease beyond anyone’s control.</p><p>Is a higher power at play?</p><p>Will her father, King Francis, track her down?</p><p>Is the Pope catholic?</p><p>All will be revealed in the first disastrous musical from Tickel &amp; Trotman.</p><p><br></p><p>'THE DANCE PLAGUE OF 1518' received stellar reviews from it's sellout preview in February:</p><p>"COMPLETELY STUPID, IN THE MOST CHARMING SENSE."- A Youngish Perspective- 4/5</p><p>"TICKEL AND TROTMAN HAVE CREATED A HILARIOUS MUSICAL."- Everything Theatre- 4/5</p><p><br></p><p>CAST:</p><p>Finn Tickel</p><p>Sam Trotman</p><p>Harrison Macdonald-Taylor</p><p>Caoimhe De Brun</p><p><br></p><p>Creatives: </p><p>Book, Music and Lyrics: Finn Tickel &amp; Sam Trotman</p><p>Associate Producer: Teresa Morrison</p><p>Set Designer: Noga Gilboa</p><p>Costume Designer: Sirry Johannsdottir</p><p>Choreographer: Aniella Charalambous</p><p>Lighting Designer: Harry Heslop</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>SO CATCHY IT’S CONTAGIOUS.</p><p>Hamilton. Six. Cats. All musicals based on historical events.</p><p>Four struggling ‘Theatre In Education’ actors decide to cash in on this trend and stage a musical retelling of histories weirdest phenomenon-</p><p>“The Dance Plague of 1518”.</p><p>The only catch: they know nothing about “The Dance Plague of 1518”. </p><p>Their ‘educational’ show tells the story of Princess Frau, who escapes the confines of her castle to Strasbourg- a depressing little village in need of a bath. She takes it upon herself to ignite a spark within the community, but unknowingly ignites the infamous ‘Dance Fever’- a deadly disco disease beyond anyone’s control.</p><p>Is a higher power at play?</p><p>Will her father, King Francis, track her down?</p><p>Is the Pope catholic?</p><p>All will be revealed in the first disastrous musical from Tickel &amp; Trotman.</p><p><br></p><p>'THE DANCE PLAGUE OF 1518' received stellar reviews from it's sellout preview in February:</p><p>"COMPLETELY STUPID, IN THE MOST CHARMING SENSE."- A Youngish Perspective- 4/5</p><p>"TICKEL AND TROTMAN HAVE CREATED A HILARIOUS MUSICAL."- Everything Theatre- 4/5</p><p><br></p><p>CAST:</p><p>Finn Tickel</p><p>Sam Trotman</p><p>Harrison Macdonald-Taylor</p><p>Caoimhe De Brun</p><p><br></p><p>Creatives: </p><p>Book, Music and Lyrics: Finn Tickel &amp; Sam Trotman</p><p>Associate Producer: Teresa Morrison</p><p>Set Designer: Noga Gilboa</p><p>Costume Designer: Sirry Johannsdottir</p><p>Choreographer: Aniella Charalambous</p><p>Lighting Designer: Harry Heslop</p>]]>
      </content:encoded>
      <pubDate>Tue, 21 Jul 2026 09:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/b1b86b0e/77459bda.mp3" length="15746470" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>655</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>SO CATCHY IT’S CONTAGIOUS.</p><p>Hamilton. Six. Cats. All musicals based on historical events.</p><p>Four struggling ‘Theatre In Education’ actors decide to cash in on this trend and stage a musical retelling of histories weirdest phenomenon-</p><p>“The Dance Plague of 1518”.</p><p>The only catch: they know nothing about “The Dance Plague of 1518”. </p><p>Their ‘educational’ show tells the story of Princess Frau, who escapes the confines of her castle to Strasbourg- a depressing little village in need of a bath. She takes it upon herself to ignite a spark within the community, but unknowingly ignites the infamous ‘Dance Fever’- a deadly disco disease beyond anyone’s control.</p><p>Is a higher power at play?</p><p>Will her father, King Francis, track her down?</p><p>Is the Pope catholic?</p><p>All will be revealed in the first disastrous musical from Tickel &amp; Trotman.</p><p><br></p><p>'THE DANCE PLAGUE OF 1518' received stellar reviews from it's sellout preview in February:</p><p>"COMPLETELY STUPID, IN THE MOST CHARMING SENSE."- A Youngish Perspective- 4/5</p><p>"TICKEL AND TROTMAN HAVE CREATED A HILARIOUS MUSICAL."- Everything Theatre- 4/5</p><p><br></p><p>CAST:</p><p>Finn Tickel</p><p>Sam Trotman</p><p>Harrison Macdonald-Taylor</p><p>Caoimhe De Brun</p><p><br></p><p>Creatives: </p><p>Book, Music and Lyrics: Finn Tickel &amp; Sam Trotman</p><p>Associate Producer: Teresa Morrison</p><p>Set Designer: Noga Gilboa</p><p>Costume Designer: Sirry Johannsdottir</p><p>Choreographer: Aniella Charalambous</p><p>Lighting Designer: Harry Heslop</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Sevrin Fay</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Sevrin Fay</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">3a1225b9-fcda-42ca-aef1-3eeb02fb2371</guid>
      <link>https://share.transistor.fm/s/bb7e8f1f</link>
      <description>
        <![CDATA[<p>Sevrin Fay presents a rare performance "Your faith is written - now hear it sung" that transforms Eastern-European dream-folk tradition into original English-language dark fairy tales of magic, forbidden love and loss.</p><p><br></p><p>Of particular interest is fortune telling. At the entrance to the hall, each visitor will draw a rune—a magical Scandinavian symbol—that is intended exclusively for them. During the concert, each rune will be deciphered. What will it mean? A vision of the future? Good advice? A revealed secret? Only you will know. This is how the world speaks to us in a quiet and secret voice.</p><p><br></p><p>Every song is a self-contained story, evoking misty forests, forgotten kingdoms and the bittersweet edge of wonder. The poetic lyrics explore the fragility of beauty and the redemptive power of unconditional love.</p><p><br></p><p>With ethereal vocals, acoustic guitar, subtle percussion and accordion, the Sevrin Fay creates deeply cinematic and immersive soundscapes where shadowy Celtic knots intertwine with introspective indie-folk.</p><p><br></p><p>Sevrin Fay is not a covers band or a generic folk project. It is the first English-language incarnation of a distinctive dream-folk universe that Ekaterina Gopenko has been developing for 18 years across Europe. An authentic Eastern-European narrative tradition, performed in English for the first time in the UK.</p><p><br></p><p>Ekaterina Gopenko - voice, guitar, author of idea, texts, songs</p><p>Daniel Kniazev - back vocals, guitar, accordion</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Sevrin Fay presents a rare performance "Your faith is written - now hear it sung" that transforms Eastern-European dream-folk tradition into original English-language dark fairy tales of magic, forbidden love and loss.</p><p><br></p><p>Of particular interest is fortune telling. At the entrance to the hall, each visitor will draw a rune—a magical Scandinavian symbol—that is intended exclusively for them. During the concert, each rune will be deciphered. What will it mean? A vision of the future? Good advice? A revealed secret? Only you will know. This is how the world speaks to us in a quiet and secret voice.</p><p><br></p><p>Every song is a self-contained story, evoking misty forests, forgotten kingdoms and the bittersweet edge of wonder. The poetic lyrics explore the fragility of beauty and the redemptive power of unconditional love.</p><p><br></p><p>With ethereal vocals, acoustic guitar, subtle percussion and accordion, the Sevrin Fay creates deeply cinematic and immersive soundscapes where shadowy Celtic knots intertwine with introspective indie-folk.</p><p><br></p><p>Sevrin Fay is not a covers band or a generic folk project. It is the first English-language incarnation of a distinctive dream-folk universe that Ekaterina Gopenko has been developing for 18 years across Europe. An authentic Eastern-European narrative tradition, performed in English for the first time in the UK.</p><p><br></p><p>Ekaterina Gopenko - voice, guitar, author of idea, texts, songs</p><p>Daniel Kniazev - back vocals, guitar, accordion</p>]]>
      </content:encoded>
      <pubDate>Mon, 20 Jul 2026 08:58:04 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/bb7e8f1f/5161c167.mp3" length="27703312" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1153</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Sevrin Fay presents a rare performance "Your faith is written - now hear it sung" that transforms Eastern-European dream-folk tradition into original English-language dark fairy tales of magic, forbidden love and loss.</p><p><br></p><p>Of particular interest is fortune telling. At the entrance to the hall, each visitor will draw a rune—a magical Scandinavian symbol—that is intended exclusively for them. During the concert, each rune will be deciphered. What will it mean? A vision of the future? Good advice? A revealed secret? Only you will know. This is how the world speaks to us in a quiet and secret voice.</p><p><br></p><p>Every song is a self-contained story, evoking misty forests, forgotten kingdoms and the bittersweet edge of wonder. The poetic lyrics explore the fragility of beauty and the redemptive power of unconditional love.</p><p><br></p><p>With ethereal vocals, acoustic guitar, subtle percussion and accordion, the Sevrin Fay creates deeply cinematic and immersive soundscapes where shadowy Celtic knots intertwine with introspective indie-folk.</p><p><br></p><p>Sevrin Fay is not a covers band or a generic folk project. It is the first English-language incarnation of a distinctive dream-folk universe that Ekaterina Gopenko has been developing for 18 years across Europe. An authentic Eastern-European narrative tradition, performed in English for the first time in the UK.</p><p><br></p><p>Ekaterina Gopenko - voice, guitar, author of idea, texts, songs</p><p>Daniel Kniazev - back vocals, guitar, accordion</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - The Vampire Run</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - The Vampire Run</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">06edf787-1f56-48cb-93b6-34f9085259ce</guid>
      <link>https://share.transistor.fm/s/149f98c7</link>
      <description>
        <![CDATA[<p>Following successful runs at the Lambeth and Brighton Fringes, Marrowbones presents the Edinburgh preview of the interactive horror comedy The Vampire Run at the Camden Fringe. Find it on the 6th August, 9:30pm at Aces &amp; Eights.</p><p>A dark and stormy night. A vampire’s castle outlined by lightning. An hour to find and kill the dreaded fiend. And one idiot trying to manage the escalating chaos.</p><p>Join a fast-paced, hilariously deadly choose-your-own adventure. Three players at a time must decide how to approach a variety of obstacles to reach the vampire’s chamber, BUT one of the players is evil and the audience must decide who before it’s too late.</p><p>This is the debut solo show from award winning writer and performer Jonathan Laury (Best Comedy, Unrestricted View Film Festival 2019). Think something like Knightmare meets Traitors, hosted by the lovechild of Vincent Price and Alex Horne.</p><p>It’s a comedy, it’s a horror, it’s a game, it’s a show! And it’s definitely the most fun you can have dying horribly.</p><p>Audiences have described The Vampire Run as “Brilliant, slick, funny, 10/10”, “An instant Fringe classic”, and ‘My favourite theatrical experience of the year.” It debuted at the Lambeth Fringe 2025, where it was shortlisted for the Glitch award.</p><p>Following the Aces &amp; Eights show, The Vampire Run is heading to Edinburgh where it will run nightly from 12th August at Home Bar at 9:15pm as part of the Free Festival.</p><p>18+ (due to venue restrictions), contains strong language and graphic descriptions of death.</p><p><br>MARROWBONES</p><p>Marrowbones specialises in dark and stormy nights and in one lit window high up in an imposing mansion. They create shows for stage and audio with a strong sense of the gothic, from live interactive comedy horror to narrative eerie podcasts. They’re a queer friendly, trans-inclusive company who believe that everyone should be able to enjoy being scared silly. <a href="https://www.marrowbonesproductions.co.uk/">https://www.marrowbonesproductions.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Following successful runs at the Lambeth and Brighton Fringes, Marrowbones presents the Edinburgh preview of the interactive horror comedy The Vampire Run at the Camden Fringe. Find it on the 6th August, 9:30pm at Aces &amp; Eights.</p><p>A dark and stormy night. A vampire’s castle outlined by lightning. An hour to find and kill the dreaded fiend. And one idiot trying to manage the escalating chaos.</p><p>Join a fast-paced, hilariously deadly choose-your-own adventure. Three players at a time must decide how to approach a variety of obstacles to reach the vampire’s chamber, BUT one of the players is evil and the audience must decide who before it’s too late.</p><p>This is the debut solo show from award winning writer and performer Jonathan Laury (Best Comedy, Unrestricted View Film Festival 2019). Think something like Knightmare meets Traitors, hosted by the lovechild of Vincent Price and Alex Horne.</p><p>It’s a comedy, it’s a horror, it’s a game, it’s a show! And it’s definitely the most fun you can have dying horribly.</p><p>Audiences have described The Vampire Run as “Brilliant, slick, funny, 10/10”, “An instant Fringe classic”, and ‘My favourite theatrical experience of the year.” It debuted at the Lambeth Fringe 2025, where it was shortlisted for the Glitch award.</p><p>Following the Aces &amp; Eights show, The Vampire Run is heading to Edinburgh where it will run nightly from 12th August at Home Bar at 9:15pm as part of the Free Festival.</p><p>18+ (due to venue restrictions), contains strong language and graphic descriptions of death.</p><p><br>MARROWBONES</p><p>Marrowbones specialises in dark and stormy nights and in one lit window high up in an imposing mansion. They create shows for stage and audio with a strong sense of the gothic, from live interactive comedy horror to narrative eerie podcasts. They’re a queer friendly, trans-inclusive company who believe that everyone should be able to enjoy being scared silly. <a href="https://www.marrowbonesproductions.co.uk/">https://www.marrowbonesproductions.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Sun, 19 Jul 2026 08:52:26 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/149f98c7/04004e74.mp3" length="29183976" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1215</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Following successful runs at the Lambeth and Brighton Fringes, Marrowbones presents the Edinburgh preview of the interactive horror comedy The Vampire Run at the Camden Fringe. Find it on the 6th August, 9:30pm at Aces &amp; Eights.</p><p>A dark and stormy night. A vampire’s castle outlined by lightning. An hour to find and kill the dreaded fiend. And one idiot trying to manage the escalating chaos.</p><p>Join a fast-paced, hilariously deadly choose-your-own adventure. Three players at a time must decide how to approach a variety of obstacles to reach the vampire’s chamber, BUT one of the players is evil and the audience must decide who before it’s too late.</p><p>This is the debut solo show from award winning writer and performer Jonathan Laury (Best Comedy, Unrestricted View Film Festival 2019). Think something like Knightmare meets Traitors, hosted by the lovechild of Vincent Price and Alex Horne.</p><p>It’s a comedy, it’s a horror, it’s a game, it’s a show! And it’s definitely the most fun you can have dying horribly.</p><p>Audiences have described The Vampire Run as “Brilliant, slick, funny, 10/10”, “An instant Fringe classic”, and ‘My favourite theatrical experience of the year.” It debuted at the Lambeth Fringe 2025, where it was shortlisted for the Glitch award.</p><p>Following the Aces &amp; Eights show, The Vampire Run is heading to Edinburgh where it will run nightly from 12th August at Home Bar at 9:15pm as part of the Free Festival.</p><p>18+ (due to venue restrictions), contains strong language and graphic descriptions of death.</p><p><br>MARROWBONES</p><p>Marrowbones specialises in dark and stormy nights and in one lit window high up in an imposing mansion. They create shows for stage and audio with a strong sense of the gothic, from live interactive comedy horror to narrative eerie podcasts. They’re a queer friendly, trans-inclusive company who believe that everyone should be able to enjoy being scared silly. <a href="https://www.marrowbonesproductions.co.uk/">https://www.marrowbonesproductions.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene X Camden Fringe - Together In The End</title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>The Scene X Camden Fringe - Together In The End</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">82852dc1-0a55-4494-9c21-6f3d66c47c9a</guid>
      <link>https://share.transistor.fm/s/2167aff9</link>
      <description>
        <![CDATA[<p>Together in the End is a gripping new two-hander by Niall McCarthy, presented by NCProductions and premiering at Camden Fringe 2026.</p><p><br></p><p>Where does love go when the world explodes?</p><p>When a holiday in the South of France is interrupted by an existential global threat, Adam and Lily are forced to confront the questions they've spent years avoiding. </p><p>As the outside world edges towards catastrophe, old arguments resurface, private fears emerge, and the stories they've built around their relationship begin to unravel. </p><p>Blending sharp humour with emotional honesty, Together in the End explores love under pressure, the weight of history, and our need to find meaning when everything else feels uncertain.</p><p><br></p><p>Staged as an intimate, actor-led production, the play strips away distractions to focus on two people facing the unimaginable. </p><p>Urgent, challenging and deeply human, it asks a simple but profound question: if everything ended tomorrow, who would you choose to face it with?</p><p><br></p><p>Produced by North London-based NCProductions, the company continues its mission to champion bold new writing that engages directly with contemporary life. </p><p>Drawing on experience across theatre, film and live events, NCProductions brings cinematic precision, striking visuals and emotionally driven storytelling to the stage.</p><p><strong>Written by:</strong> Niall McCarthy<br><strong>Presented by:</strong> NCProductions<br><strong>Director:</strong> Kay Dent<br><strong>Producer:</strong> Viola Rizzardi<br><strong>Cast:</strong> Matthew Blaney &amp; Juliette Smith<br><strong>Sound Designer:</strong> Ryan Rusconi<br><strong>Set Designer:</strong> Salomé Gonçalves</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Together in the End is a gripping new two-hander by Niall McCarthy, presented by NCProductions and premiering at Camden Fringe 2026.</p><p><br></p><p>Where does love go when the world explodes?</p><p>When a holiday in the South of France is interrupted by an existential global threat, Adam and Lily are forced to confront the questions they've spent years avoiding. </p><p>As the outside world edges towards catastrophe, old arguments resurface, private fears emerge, and the stories they've built around their relationship begin to unravel. </p><p>Blending sharp humour with emotional honesty, Together in the End explores love under pressure, the weight of history, and our need to find meaning when everything else feels uncertain.</p><p><br></p><p>Staged as an intimate, actor-led production, the play strips away distractions to focus on two people facing the unimaginable. </p><p>Urgent, challenging and deeply human, it asks a simple but profound question: if everything ended tomorrow, who would you choose to face it with?</p><p><br></p><p>Produced by North London-based NCProductions, the company continues its mission to champion bold new writing that engages directly with contemporary life. </p><p>Drawing on experience across theatre, film and live events, NCProductions brings cinematic precision, striking visuals and emotionally driven storytelling to the stage.</p><p><strong>Written by:</strong> Niall McCarthy<br><strong>Presented by:</strong> NCProductions<br><strong>Director:</strong> Kay Dent<br><strong>Producer:</strong> Viola Rizzardi<br><strong>Cast:</strong> Matthew Blaney &amp; Juliette Smith<br><strong>Sound Designer:</strong> Ryan Rusconi<br><strong>Set Designer:</strong> Salomé Gonçalves</p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Jul 2026 10:55:01 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/2167aff9/23728406.mp3" length="26230755" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1092</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Together in the End is a gripping new two-hander by Niall McCarthy, presented by NCProductions and premiering at Camden Fringe 2026.</p><p><br></p><p>Where does love go when the world explodes?</p><p>When a holiday in the South of France is interrupted by an existential global threat, Adam and Lily are forced to confront the questions they've spent years avoiding. </p><p>As the outside world edges towards catastrophe, old arguments resurface, private fears emerge, and the stories they've built around their relationship begin to unravel. </p><p>Blending sharp humour with emotional honesty, Together in the End explores love under pressure, the weight of history, and our need to find meaning when everything else feels uncertain.</p><p><br></p><p>Staged as an intimate, actor-led production, the play strips away distractions to focus on two people facing the unimaginable. </p><p>Urgent, challenging and deeply human, it asks a simple but profound question: if everything ended tomorrow, who would you choose to face it with?</p><p><br></p><p>Produced by North London-based NCProductions, the company continues its mission to champion bold new writing that engages directly with contemporary life. </p><p>Drawing on experience across theatre, film and live events, NCProductions brings cinematic precision, striking visuals and emotionally driven storytelling to the stage.</p><p><strong>Written by:</strong> Niall McCarthy<br><strong>Presented by:</strong> NCProductions<br><strong>Director:</strong> Kay Dent<br><strong>Producer:</strong> Viola Rizzardi<br><strong>Cast:</strong> Matthew Blaney &amp; Juliette Smith<br><strong>Sound Designer:</strong> Ryan Rusconi<br><strong>Set Designer:</strong> Salomé Gonçalves</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene duz Lambeth Fringe - Willy Witches</title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>The Scene duz Lambeth Fringe - Willy Witches</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">518531cc-e672-447d-881a-4607bc311897</guid>
      <link>https://share.transistor.fm/s/570bf763</link>
      <description>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Mardy Cow Theatre Presents Willy Witches<br></strong><br></p><p>Curious ailment has effected the men of this village... All of them are missing their manhoods! The cause? Willy Witches! In Mardy Cow Theatre’s debut play written by Hannah Breedon and Hannah Willey, follow Minerva, Hazel, Sabrina and Bonnie as they navigate life in 17th Century England as women trying not to be burnt at the stake! The piece is a sharp and witty look at some of England's lost history in regards to the witch trials featuring an ensemble of cast full of quirky characters including an indifferent priest, a sassy teenage witch, a terrifying witch hunter and of course, the men who are mourning the loss of their members. Our aim as a company is to shine a light on the bygone stories of women and retell them from the female perspective, with a sense of humour and sometimes, absolute absurdity! Come see Willy Witches at The Bread and Roses Theatre on 8th, 9th and 10th October. We guarantee it'll knock your cocks off!</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Mardy Cow Theatre Presents Willy Witches<br></strong><br></p><p>Curious ailment has effected the men of this village... All of them are missing their manhoods! The cause? Willy Witches! In Mardy Cow Theatre’s debut play written by Hannah Breedon and Hannah Willey, follow Minerva, Hazel, Sabrina and Bonnie as they navigate life in 17th Century England as women trying not to be burnt at the stake! The piece is a sharp and witty look at some of England's lost history in regards to the witch trials featuring an ensemble of cast full of quirky characters including an indifferent priest, a sassy teenage witch, a terrifying witch hunter and of course, the men who are mourning the loss of their members. Our aim as a company is to shine a light on the bygone stories of women and retell them from the female perspective, with a sense of humour and sometimes, absolute absurdity! Come see Willy Witches at The Bread and Roses Theatre on 8th, 9th and 10th October. We guarantee it'll knock your cocks off!</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </content:encoded>
      <pubDate>Sun, 05 Oct 2025 19:30:43 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/570bf763/33a1edeb.mp3" length="19764491" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>824</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Mardy Cow Theatre Presents Willy Witches<br></strong><br></p><p>Curious ailment has effected the men of this village... All of them are missing their manhoods! The cause? Willy Witches! In Mardy Cow Theatre’s debut play written by Hannah Breedon and Hannah Willey, follow Minerva, Hazel, Sabrina and Bonnie as they navigate life in 17th Century England as women trying not to be burnt at the stake! The piece is a sharp and witty look at some of England's lost history in regards to the witch trials featuring an ensemble of cast full of quirky characters including an indifferent priest, a sassy teenage witch, a terrifying witch hunter and of course, the men who are mourning the loss of their members. Our aim as a company is to shine a light on the bygone stories of women and retell them from the female perspective, with a sense of humour and sometimes, absolute absurdity! Come see Willy Witches at The Bread and Roses Theatre on 8th, 9th and 10th October. We guarantee it'll knock your cocks off!</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene duz Lambeth Fringe - This Wasn't The Plan</title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>The Scene duz Lambeth Fringe - This Wasn't The Plan</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">783b2421-90e1-45b0-aa93-0021f659e078</guid>
      <link>https://share.transistor.fm/s/9d0c9d72</link>
      <description>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p>Our show is a tapestry of our experiences as women of colour in our early 30s — navigating identity, illness, love, and the messy art of self-acceptance, one failure at a time.</p><p>Iman is a psychiatrist-turned-comedian who can’t drive, won’t run, and once developed a deeply questionable tap dancing habit. From accidental real estate disasters to unintentionally faking a pregnancy for social reasons, her life is a parade of chaos, confusion, and unexpected public appearances (including 1/10 of a second in a Dove ad). Whether she’s navigating strange incidents at work, using the love languages quiz as DIY couples therapy, or failing to recognise people she’s definitely met, Iman turns her misadventures into brutally honest, self-deprecating storytelling — sharp, hilarious, and just a little unhinged.</p><p>Stuti is a rising comedic voice serving sharp cultural commentary with a generous dose of self-deprecating wit. Navigating turning 30, gym guilt, Instagram milestones, chaotic weddings, and the quirks of cross-cultural life, she champions radical self-acceptance with both heart and hilarity. Whether she’s ranking brides like it’s a sport or casually unpacking her health issues on stage, Stuti brings a millennial desi lens to life’s absurdities — with candour, charm, and zero patience for LinkedIn energy.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p>Our show is a tapestry of our experiences as women of colour in our early 30s — navigating identity, illness, love, and the messy art of self-acceptance, one failure at a time.</p><p>Iman is a psychiatrist-turned-comedian who can’t drive, won’t run, and once developed a deeply questionable tap dancing habit. From accidental real estate disasters to unintentionally faking a pregnancy for social reasons, her life is a parade of chaos, confusion, and unexpected public appearances (including 1/10 of a second in a Dove ad). Whether she’s navigating strange incidents at work, using the love languages quiz as DIY couples therapy, or failing to recognise people she’s definitely met, Iman turns her misadventures into brutally honest, self-deprecating storytelling — sharp, hilarious, and just a little unhinged.</p><p>Stuti is a rising comedic voice serving sharp cultural commentary with a generous dose of self-deprecating wit. Navigating turning 30, gym guilt, Instagram milestones, chaotic weddings, and the quirks of cross-cultural life, she champions radical self-acceptance with both heart and hilarity. Whether she’s ranking brides like it’s a sport or casually unpacking her health issues on stage, Stuti brings a millennial desi lens to life’s absurdities — with candour, charm, and zero patience for LinkedIn energy.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </content:encoded>
      <pubDate>Sun, 05 Oct 2025 19:28:27 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/9d0c9d72/3f8d6a6d.mp3" length="26756253" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1114</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p>Our show is a tapestry of our experiences as women of colour in our early 30s — navigating identity, illness, love, and the messy art of self-acceptance, one failure at a time.</p><p>Iman is a psychiatrist-turned-comedian who can’t drive, won’t run, and once developed a deeply questionable tap dancing habit. From accidental real estate disasters to unintentionally faking a pregnancy for social reasons, her life is a parade of chaos, confusion, and unexpected public appearances (including 1/10 of a second in a Dove ad). Whether she’s navigating strange incidents at work, using the love languages quiz as DIY couples therapy, or failing to recognise people she’s definitely met, Iman turns her misadventures into brutally honest, self-deprecating storytelling — sharp, hilarious, and just a little unhinged.</p><p>Stuti is a rising comedic voice serving sharp cultural commentary with a generous dose of self-deprecating wit. Navigating turning 30, gym guilt, Instagram milestones, chaotic weddings, and the quirks of cross-cultural life, she champions radical self-acceptance with both heart and hilarity. Whether she’s ranking brides like it’s a sport or casually unpacking her health issues on stage, Stuti brings a millennial desi lens to life’s absurdities — with candour, charm, and zero patience for LinkedIn energy.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene duz Lambeth Fringe - The Dying Wish</title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>The Scene duz Lambeth Fringe - The Dying Wish</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <guid isPermaLink="false">c27b2555-1b13-4780-a87f-e8715e45f649</guid>
      <link>https://share.transistor.fm/s/6beb45d4</link>
      <description>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>The Dying Wish<br></strong><br></p><p>This bold new tragicomedy by Brazilian writer Mauro Fazion combines dark comedy with raw realism to hold up a mirror to our collective contradictions. While the play’s style is not strictly realistic, its content is deeply rooted in truth. As Mauro says: “It’s so deeply realistic, it looks like nonsense.” Using absurdist dialogue, surreal scenarios, and clownesque theatricality, the play exposes the cracks in our systems of justice, bureaucracy, and institutionalised violence.</p><p>Set in a crumbling execution chamber, two hangmen, Rooney and Ingmar, wrestle with increasingly nonsensical orders as they prepare to hang Paul Freeman, a man condemned for ambiguous “crimes”, that reveal more about a broken system than the convict himself. Inspired by real events and steeped in the spirit of Brecht, Ionesco, Arrabal, and the Theatre of the Absurd, the play is both biting satire and haunting human drama.</p><p>As one reviewer put it: “This is the theatre we want to see.” Produced by Fractured Time Productions, this daring new writing invites audiences to think, feel, and question the world around them, proof that timeless, provocative theatre still has the power to change us.</p><p><br>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>The Dying Wish<br></strong><br></p><p>This bold new tragicomedy by Brazilian writer Mauro Fazion combines dark comedy with raw realism to hold up a mirror to our collective contradictions. While the play’s style is not strictly realistic, its content is deeply rooted in truth. As Mauro says: “It’s so deeply realistic, it looks like nonsense.” Using absurdist dialogue, surreal scenarios, and clownesque theatricality, the play exposes the cracks in our systems of justice, bureaucracy, and institutionalised violence.</p><p>Set in a crumbling execution chamber, two hangmen, Rooney and Ingmar, wrestle with increasingly nonsensical orders as they prepare to hang Paul Freeman, a man condemned for ambiguous “crimes”, that reveal more about a broken system than the convict himself. Inspired by real events and steeped in the spirit of Brecht, Ionesco, Arrabal, and the Theatre of the Absurd, the play is both biting satire and haunting human drama.</p><p>As one reviewer put it: “This is the theatre we want to see.” Produced by Fractured Time Productions, this daring new writing invites audiences to think, feel, and question the world around them, proof that timeless, provocative theatre still has the power to change us.</p><p><br>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 29 Sep 2025 19:33:02 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/6beb45d4/d64d6e29.mp3" length="21357299" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>889</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>The Dying Wish<br></strong><br></p><p>This bold new tragicomedy by Brazilian writer Mauro Fazion combines dark comedy with raw realism to hold up a mirror to our collective contradictions. While the play’s style is not strictly realistic, its content is deeply rooted in truth. As Mauro says: “It’s so deeply realistic, it looks like nonsense.” Using absurdist dialogue, surreal scenarios, and clownesque theatricality, the play exposes the cracks in our systems of justice, bureaucracy, and institutionalised violence.</p><p>Set in a crumbling execution chamber, two hangmen, Rooney and Ingmar, wrestle with increasingly nonsensical orders as they prepare to hang Paul Freeman, a man condemned for ambiguous “crimes”, that reveal more about a broken system than the convict himself. Inspired by real events and steeped in the spirit of Brecht, Ionesco, Arrabal, and the Theatre of the Absurd, the play is both biting satire and haunting human drama.</p><p>As one reviewer put it: “This is the theatre we want to see.” Produced by Fractured Time Productions, this daring new writing invites audiences to think, feel, and question the world around them, proof that timeless, provocative theatre still has the power to change us.</p><p><br>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene duz Lambeth Fringe - Washing Machine Vortex</title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>The Scene duz Lambeth Fringe - Washing Machine Vortex</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5ce568a4-f2fe-407d-9c84-3125983bf0fd</guid>
      <link>https://share.transistor.fm/s/86d52fac</link>
      <description>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Washing Machine Vortex<br></strong><br></p><p>A 'Greek-style' tragedy! While doing the washing for her elderly father, one woman dives into the swirling cycles of her past — confronting psychoanalysis, patriarchy, and the spirit of Electra herself. Blending autobiography, visual storytelling, and a rocking 60s soundtrack to create something deeply personal and defiantly bold. Sarah MK Archdeacon with Hana Lane, Jon C Archdeacon and Tom Marshman.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Washing Machine Vortex<br></strong><br></p><p>A 'Greek-style' tragedy! While doing the washing for her elderly father, one woman dives into the swirling cycles of her past — confronting psychoanalysis, patriarchy, and the spirit of Electra herself. Blending autobiography, visual storytelling, and a rocking 60s soundtrack to create something deeply personal and defiantly bold. Sarah MK Archdeacon with Hana Lane, Jon C Archdeacon and Tom Marshman.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </content:encoded>
      <pubDate>Fri, 26 Sep 2025 18:53:30 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/86d52fac/9a27e011.mp3" length="28095344" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1170</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Washing Machine Vortex<br></strong><br></p><p>A 'Greek-style' tragedy! While doing the washing for her elderly father, one woman dives into the swirling cycles of her past — confronting psychoanalysis, patriarchy, and the spirit of Electra herself. Blending autobiography, visual storytelling, and a rocking 60s soundtrack to create something deeply personal and defiantly bold. Sarah MK Archdeacon with Hana Lane, Jon C Archdeacon and Tom Marshman.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene duz Lambeth Fringe - Bog Body</title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>The Scene duz Lambeth Fringe - Bog Body</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0f8f65c3-1b9f-4a02-912b-931a9b72dc60</guid>
      <link>https://share.transistor.fm/s/1fecf4f5</link>
      <description>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Bog Body: A One-Woman Show<br></strong><br></p><p>This terrifying one-woman show is not for the faint of heart. Award-winning actress and playwright Olivia Cordell debuts her first one-woman show after a successful workshop at the Cockpit Theatre. BOG BODY is a tour de force performance that will leave audiences scared, thrilled, and ultimately, moved. Join forensic anthropologist Dr. Alyssa Kim for a thrilling lecture on a supposedly cursed “bog body”: 2000-year-old human remains found in a peat bog. You'll laugh, you'll cry, and you'll scream as she faces off against an ancient monster and her own deepest fears.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Bog Body: A One-Woman Show<br></strong><br></p><p>This terrifying one-woman show is not for the faint of heart. Award-winning actress and playwright Olivia Cordell debuts her first one-woman show after a successful workshop at the Cockpit Theatre. BOG BODY is a tour de force performance that will leave audiences scared, thrilled, and ultimately, moved. Join forensic anthropologist Dr. Alyssa Kim for a thrilling lecture on a supposedly cursed “bog body”: 2000-year-old human remains found in a peat bog. You'll laugh, you'll cry, and you'll scream as she faces off against an ancient monster and her own deepest fears.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 24 Sep 2025 22:02:40 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/1fecf4f5/d5409052.mp3" length="48367079" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>2015</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The Scene gets up close to some of the artists and perfomers taking part in this years Lambeth Fringe. Offering up sneak previews of a few choice shows, and insights in to the purpose and process that bring these pieces to life.</p><p><strong>Bog Body: A One-Woman Show<br></strong><br></p><p>This terrifying one-woman show is not for the faint of heart. Award-winning actress and playwright Olivia Cordell debuts her first one-woman show after a successful workshop at the Cockpit Theatre. BOG BODY is a tour de force performance that will leave audiences scared, thrilled, and ultimately, moved. Join forensic anthropologist Dr. Alyssa Kim for a thrilling lecture on a supposedly cursed “bog body”: 2000-year-old human remains found in a peat bog. You'll laugh, you'll cry, and you'll scream as she faces off against an ancient monster and her own deepest fears.</p><p>Tickets through the Lambeth Fringe website: <a href="https://lambethfringe.com/events">https://lambethfringe.com/events</a><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>La Dames Aux Camélias by Darren Ross</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>La Dames Aux Camélias by Darren Ross</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">54b39adc-ad48-445e-b1c1-4743b3ad2055</guid>
      <link>https://share.transistor.fm/s/e4fa94cc</link>
      <description>
        <![CDATA[<p>The greatest mystery of contemporary art is about to be blown wide open. La Dame Aux Camelia explores the high-stakes games of value, identity, and authenticity in the ever-shifting landscape of contemporary art. But ya know, with jokes.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Fanshawe - Luke Merchant<br>Ethel - Velenzia Spearpoint<br>Terri - Sassy Clyde</p><p>Directed by John Powell<br>Sound design - Nicholas Hadwin-Guardiola<br>Production Assistance - Nicholas Hadwin-Guardiola and David Thomas</p><p>Thanks to The Young Actors Theatre, Islington -  where this episode was recorded.</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The greatest mystery of contemporary art is about to be blown wide open. La Dame Aux Camelia explores the high-stakes games of value, identity, and authenticity in the ever-shifting landscape of contemporary art. But ya know, with jokes.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Fanshawe - Luke Merchant<br>Ethel - Velenzia Spearpoint<br>Terri - Sassy Clyde</p><p>Directed by John Powell<br>Sound design - Nicholas Hadwin-Guardiola<br>Production Assistance - Nicholas Hadwin-Guardiola and David Thomas</p><p>Thanks to The Young Actors Theatre, Islington -  where this episode was recorded.</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Fri, 16 May 2025 13:53:55 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/e4fa94cc/6d6b421d.mp3" length="29958556" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/dT8fBBSgAI9m-r1qHZUwzSSqd5GVDsBqdCG-_nzR_bw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jODJk/YzY5NWExZWEzZGZk/NzA5YmI2M2U3Y2I4/MzA0Yy5wbmc.jpg"/>
      <itunes:duration>1247</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The greatest mystery of contemporary art is about to be blown wide open. La Dame Aux Camelia explores the high-stakes games of value, identity, and authenticity in the ever-shifting landscape of contemporary art. But ya know, with jokes.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Fanshawe - Luke Merchant<br>Ethel - Velenzia Spearpoint<br>Terri - Sassy Clyde</p><p>Directed by John Powell<br>Sound design - Nicholas Hadwin-Guardiola<br>Production Assistance - Nicholas Hadwin-Guardiola and David Thomas</p><p>Thanks to The Young Actors Theatre, Islington -  where this episode was recorded.</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Diary Of A Sci-fi Novelist by Carmen Walton</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Diary Of A Sci-fi Novelist by Carmen Walton</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">11bb8e30-30f1-4eac-99e4-5ae3fcae7148</guid>
      <link>https://share.transistor.fm/s/0f48752e</link>
      <description>
        <![CDATA[<p>Zillah keeps a diary. It documents her Sci-fi writing aspirations, her romantic endeavours and the various ways she makes a buck; the most lucrative of these being as a biography Ghost Writer for the criminal underworld. How and when will these worlds collide?</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Zillah - Sassy Clyde<br>Nathan - Eric Carte<br>Luke Merchant - Declan<br>Paula Benson - Mum<br>Velenzia Spearpoint - Ariadne<br>Rob Tofield - Donald</p><p>Directed by John Powell<br>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Thanks to The Young Actors Theatre, Islington -  where this episode was recorded.</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Zillah keeps a diary. It documents her Sci-fi writing aspirations, her romantic endeavours and the various ways she makes a buck; the most lucrative of these being as a biography Ghost Writer for the criminal underworld. How and when will these worlds collide?</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Zillah - Sassy Clyde<br>Nathan - Eric Carte<br>Luke Merchant - Declan<br>Paula Benson - Mum<br>Velenzia Spearpoint - Ariadne<br>Rob Tofield - Donald</p><p>Directed by John Powell<br>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Thanks to The Young Actors Theatre, Islington -  where this episode was recorded.</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Sat, 01 Feb 2025 17:27:41 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/0f48752e/1864ce5b.mp3" length="26367877" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/elMGuBkto1QIAQQN51CgVAHp8jK34hbL0ZOIXfxV8Pg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xN2Uy/ZDc3OGIyMjlhYWVk/MDEwZTY0MjliYWM0/MjBhMS5wbmc.jpg"/>
      <itunes:duration>1095</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Zillah keeps a diary. It documents her Sci-fi writing aspirations, her romantic endeavours and the various ways she makes a buck; the most lucrative of these being as a biography Ghost Writer for the criminal underworld. How and when will these worlds collide?</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Zillah - Sassy Clyde<br>Nathan - Eric Carte<br>Luke Merchant - Declan<br>Paula Benson - Mum<br>Velenzia Spearpoint - Ariadne<br>Rob Tofield - Donald</p><p>Directed by John Powell<br>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Thanks to The Young Actors Theatre, Islington -  where this episode was recorded.</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Overflown by Niall McCarthy</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Overflown by Niall McCarthy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6e614194-6f56-47cc-89b2-cb1ca1fe4057</guid>
      <link>https://share.transistor.fm/s/fdfdc3c0</link>
      <description>
        <![CDATA[<p>In what they think are their final minutes, strangers Sam and Alex grapple with some tricky personal and moralistic admin.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Nemide May - Sam<br>Jarreau Antoine - Alex<br>Luke Merchant - The Pilot<br>Velenzia Spearpoint - Ash</p><p>Thanks to Soho House where this episode was recorded.</p><p>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In what they think are their final minutes, strangers Sam and Alex grapple with some tricky personal and moralistic admin.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Nemide May - Sam<br>Jarreau Antoine - Alex<br>Luke Merchant - The Pilot<br>Velenzia Spearpoint - Ash</p><p>Thanks to Soho House where this episode was recorded.</p><p>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Sun, 12 Jan 2025 14:08:27 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/fdfdc3c0/8eb6c048.mp3" length="17496099" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/jTHVzSF73Co1StaWrR7gmIhNqHrAg6Ep8diK2uUPan4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80MjJk/MjBlNjRiMDE2ZDAz/OTlmNTdlZjY2MWI1/NTE0Yy5wbmc.jpg"/>
      <itunes:duration>726</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In what they think are their final minutes, strangers Sam and Alex grapple with some tricky personal and moralistic admin.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Nemide May - Sam<br>Jarreau Antoine - Alex<br>Luke Merchant - The Pilot<br>Velenzia Spearpoint - Ash</p><p>Thanks to Soho House where this episode was recorded.</p><p>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene Talks To... Sarah Tombling</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>The Scene Talks To... Sarah Tombling</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0249f327-819c-4e8f-add7-07ba97a018f7</guid>
      <link>https://share.transistor.fm/s/9cb24fdc</link>
      <description>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us.</p><p>In the third of this interview series, Sarah Tombling tells us all about her career as a Production Manager, then Producer and the specifics of those roles in the overall picture of audio production.</p><p>The third series of <a href="https://www.bbc.co.uk/programmes/m001k8q9">Who Killed Aldridge Kemp</a> – <a href="https://www.bbc.co.uk/programmes/m00254h2"><em>Aldrich Kemp and the Rose of Pamir</em></a> and  <a href="https://www.bbc.co.uk/programmes/p06spb8w">The Lovecraft Investigations</a> are available on <a href="https://www.bbc.co.uk/sounds">BBC Sounds.</a></p><p> </p><p><a href="https://www.bbc.co.uk/sounds/play/m0025vhl">The Heat of The Sun</a> from <a href="http://bigfishfilms.co.uk/radio">Big Fish radio.</a></p><p> </p><p><br></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us.</p><p>In the third of this interview series, Sarah Tombling tells us all about her career as a Production Manager, then Producer and the specifics of those roles in the overall picture of audio production.</p><p>The third series of <a href="https://www.bbc.co.uk/programmes/m001k8q9">Who Killed Aldridge Kemp</a> – <a href="https://www.bbc.co.uk/programmes/m00254h2"><em>Aldrich Kemp and the Rose of Pamir</em></a> and  <a href="https://www.bbc.co.uk/programmes/p06spb8w">The Lovecraft Investigations</a> are available on <a href="https://www.bbc.co.uk/sounds">BBC Sounds.</a></p><p> </p><p><a href="https://www.bbc.co.uk/sounds/play/m0025vhl">The Heat of The Sun</a> from <a href="http://bigfishfilms.co.uk/radio">Big Fish radio.</a></p><p> </p><p><br></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 19 Dec 2024 16:30:40 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/9cb24fdc/78425591.mp3" length="43004622" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1791</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us.</p><p>In the third of this interview series, Sarah Tombling tells us all about her career as a Production Manager, then Producer and the specifics of those roles in the overall picture of audio production.</p><p>The third series of <a href="https://www.bbc.co.uk/programmes/m001k8q9">Who Killed Aldridge Kemp</a> – <a href="https://www.bbc.co.uk/programmes/m00254h2"><em>Aldrich Kemp and the Rose of Pamir</em></a> and  <a href="https://www.bbc.co.uk/programmes/p06spb8w">The Lovecraft Investigations</a> are available on <a href="https://www.bbc.co.uk/sounds">BBC Sounds.</a></p><p> </p><p><a href="https://www.bbc.co.uk/sounds/play/m0025vhl">The Heat of The Sun</a> from <a href="http://bigfishfilms.co.uk/radio">Big Fish radio.</a></p><p> </p><p><br></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Who You Are by Isabel Ceatano de Rocha</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Who You Are by Isabel Ceatano de Rocha</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">829b9c72-b360-44ed-a8f6-39dcb7e962db</guid>
      <link>https://share.transistor.fm/s/49b3078b</link>
      <description>
        <![CDATA[<p>A look inside the mind of a psychopath, whose conscience choruses justification for her heinous acts.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Tracey - Kate Reed-Williams<br>Greek Chorus - Barbara Horne, Julia Parleto, Sam Peace</p><p>Sound design - Evolve Audio FX</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a><br>This podplay was a collaboration with <a href="https://inkfestival.org/">INK Festival</a>. </p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A look inside the mind of a psychopath, whose conscience choruses justification for her heinous acts.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Tracey - Kate Reed-Williams<br>Greek Chorus - Barbara Horne, Julia Parleto, Sam Peace</p><p>Sound design - Evolve Audio FX</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a><br>This podplay was a collaboration with <a href="https://inkfestival.org/">INK Festival</a>. </p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Sat, 14 Dec 2024 11:21:10 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/49b3078b/6b360f19.mp3" length="15796195" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/O1_o5c7GtTrVzNB0ZDIAAhMn7Ir00biHu5ZfRRgrmKA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mODI4/YWE5NThhZDljYWUx/ZmQ2NGMxNTRlMTE2/NjFiMi5wbmc.jpg"/>
      <itunes:duration>657</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A look inside the mind of a psychopath, whose conscience choruses justification for her heinous acts.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Tracey - Kate Reed-Williams<br>Greek Chorus - Barbara Horne, Julia Parleto, Sam Peace</p><p>Sound design - Evolve Audio FX</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a><br>This podplay was a collaboration with <a href="https://inkfestival.org/">INK Festival</a>. </p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>A Dangerous Truth by Tom Jensen</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>A Dangerous Truth by Tom Jensen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">36d2ba66-62be-4765-8b69-27d6f55c203d</guid>
      <link>https://share.transistor.fm/s/c630732d</link>
      <description>
        <![CDATA[<p>Mel and Faye section their daughter for her delusional beliefs. But is it really HER who poses a threat to society?</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Velenzia Spearpoint - Saffron<br>Paula Benson - Faye<br>Eric Carte - Mel<br>Sassy Clyde - Dr Walsh</p><p>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Mel and Faye section their daughter for her delusional beliefs. But is it really HER who poses a threat to society?</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Velenzia Spearpoint - Saffron<br>Paula Benson - Faye<br>Eric Carte - Mel<br>Sassy Clyde - Dr Walsh</p><p>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Sat, 07 Dec 2024 09:38:18 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/c630732d/10182e19.mp3" length="15043734" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/HkIqWVJe7QLT1_MLZj1MUY4TF1kREdpIt0WkgiU-eXg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85YWZi/ZGU5ZTFkZDI0ODY3/ZWFhMmRlNjRlYTNm/OWI2YS5wbmc.jpg"/>
      <itunes:duration>624</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Mel and Faye section their daughter for her delusional beliefs. But is it really HER who poses a threat to society?</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Velenzia Spearpoint - Saffron<br>Paula Benson - Faye<br>Eric Carte - Mel<br>Sassy Clyde - Dr Walsh</p><p>Sound design - Sassy Clyde<br>Production Assistance - Nicholas Hadwin-Guardiola</p><p>Masterclass in sound design during this recording session by David Thomas.</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene Talks To.... David Thomas</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>The Scene Talks To.... David Thomas</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f5f02dd7-17f0-4840-8903-7ad6469ec0fe</guid>
      <link>https://share.transistor.fm/s/8aef045b</link>
      <description>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us.</p><p>In the second of this interview series, David Thomas tells us all about the art of recording sound - mainly on location, for maximum authenticity.</p><p>David has worked on some of favourite podcast drama series for the BBC and Audible - things like The Lovecraft Investigations, Who Killed Aldridge Kemp, Silos - to name a few.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us.</p><p>In the second of this interview series, David Thomas tells us all about the art of recording sound - mainly on location, for maximum authenticity.</p><p>David has worked on some of favourite podcast drama series for the BBC and Audible - things like The Lovecraft Investigations, Who Killed Aldridge Kemp, Silos - to name a few.</p>]]>
      </content:encoded>
      <pubDate>Wed, 04 Dec 2024 08:37:53 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/8aef045b/2d66b8ad.mp3" length="51404136" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>2140</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us.</p><p>In the second of this interview series, David Thomas tells us all about the art of recording sound - mainly on location, for maximum authenticity.</p><p>David has worked on some of favourite podcast drama series for the BBC and Audible - things like The Lovecraft Investigations, Who Killed Aldridge Kemp, Silos - to name a few.</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Afternoon Tea by Kevin O'Connor</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Afternoon Tea by Kevin O'Connor</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">cf024115-c013-49f8-a36a-6e1ccb622b58</guid>
      <link>https://share.transistor.fm/s/4bbe0065</link>
      <description>
        <![CDATA[<p>A Georgian, high society picnic takes an unexpected turn, challenging gender norms and sexual fluidity.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Luke Merchant - Leopold<br>Nemide May - May<br>Jarreau Antoine - Elijah<br>Sassy Clyde - Alissa</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Thanks to Soho House Studios where this episode was recorded.</p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A Georgian, high society picnic takes an unexpected turn, challenging gender norms and sexual fluidity.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Luke Merchant - Leopold<br>Nemide May - May<br>Jarreau Antoine - Elijah<br>Sassy Clyde - Alissa</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Thanks to Soho House Studios where this episode was recorded.</p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Sat, 30 Nov 2024 11:17:01 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/4bbe0065/bdb8b994.mp3" length="19732422" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/881f3oFkBWm5bx6tnFHUPwm28af0ZyZrJA43PfloSl0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xOGVh/NGQxZDg1NmE2Nzg4/YjRhODJlN2NjNTY4/YWYwZi5wbmc.jpg"/>
      <itunes:duration>821</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A Georgian, high society picnic takes an unexpected turn, challenging gender norms and sexual fluidity.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Luke Merchant - Leopold<br>Nemide May - May<br>Jarreau Antoine - Elijah<br>Sassy Clyde - Alissa</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Thanks to Soho House Studios where this episode was recorded.</p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Warning by Katharine Armitage</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Warning by Katharine Armitage</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a107a228-af23-4bc8-a0c2-48a4f1979718</guid>
      <link>https://share.transistor.fm/s/508bb4a0</link>
      <description>
        <![CDATA[<p>A spicy, twisty psychological drama, set on a lonely country road in the dead of night. The story contains details of a car accident where someone lost their life, so if this is sensitive topic for you then please listen with care.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Jarreau Antoine - Josh<br>Sassy Clyde - Angela</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A spicy, twisty psychological drama, set on a lonely country road in the dead of night. The story contains details of a car accident where someone lost their life, so if this is sensitive topic for you then please listen with care.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Jarreau Antoine - Josh<br>Sassy Clyde - Angela</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Sat, 23 Nov 2024 13:03:19 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/508bb4a0/459603b5.mp3" length="15422796" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/LST2CaijaDwyaF_8DDrPOZJIbzQHfIYrkF_Ztr7CU6s/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zOWU3/Mzk0NzU5YjIxMTkz/MDk5ODQzZTQyNmUx/Y2QyMC5wbmc.jpg"/>
      <itunes:duration>640</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A spicy, twisty psychological drama, set on a lonely country road in the dead of night. The story contains details of a car accident where someone lost their life, so if this is sensitive topic for you then please listen with care.</p><p>As ever, we encourage you to listen with headphones for the best experience of the story.</p><p>Cast:<br>Jarreau Antoine - Josh<br>Sassy Clyde - Angela</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Send your own short scripts in to be considered for podification, in season 5 of The Scene Podcast</p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Scene Talks To.... Julia Sowerbutt</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>The Scene Talks To.... Julia Sowerbutt</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <guid isPermaLink="false">de580b02-7da6-4ef3-8142-fb4f49061678</guid>
      <link>https://share.transistor.fm/s/b4d9b0fa</link>
      <description>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us. </p><p>In the FIRST of this interview series, Julia Sowerbutt tells us all about her experience of running one of the UK's largest New Writing events - INK Festival, which takes place each year in Suffolk. Poetry, comedy, workshops, talks - ALSO make up the bill, "..we've been described as a mini Edinburgh!"</p><p>We chat about how she got 'here', the challenges and rewards, and why it's important to continue providing space for creatives to practice their craft.</p><p>You can  find out more about <a href="https://inkfestival.org/">INK Festival here</a>, and if you are a writer - at ANY stage of your journey -  the window for submitting your work for next year's INK Festival (2025) is opening up in June, so keep an eye on the website and get those biros sharpened. <br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us. </p><p>In the FIRST of this interview series, Julia Sowerbutt tells us all about her experience of running one of the UK's largest New Writing events - INK Festival, which takes place each year in Suffolk. Poetry, comedy, workshops, talks - ALSO make up the bill, "..we've been described as a mini Edinburgh!"</p><p>We chat about how she got 'here', the challenges and rewards, and why it's important to continue providing space for creatives to practice their craft.</p><p>You can  find out more about <a href="https://inkfestival.org/">INK Festival here</a>, and if you are a writer - at ANY stage of your journey -  the window for submitting your work for next year's INK Festival (2025) is opening up in June, so keep an eye on the website and get those biros sharpened. <br></p>]]>
      </content:encoded>
      <pubDate>Thu, 11 Apr 2024 18:26:48 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/b4d9b0fa/ec2e49f2.mp3" length="35055020" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/HpGqGdxC2_28SRWCi8W8iEn8cWQ6KNiADBOLlZy7meg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81NDk2/NTI3YTAxYTE1ZDcy/MjUzNmI5OTJhNDJk/NzVhNy5wbmc.jpg"/>
      <itunes:duration>1460</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In our new sub-series, The Scene will be chatting to various folks in the know about all things New Writing, audio, theatre, distribution, Production..... to see what we can learn from people who've been doing it all much longer than us. </p><p>In the FIRST of this interview series, Julia Sowerbutt tells us all about her experience of running one of the UK's largest New Writing events - INK Festival, which takes place each year in Suffolk. Poetry, comedy, workshops, talks - ALSO make up the bill, "..we've been described as a mini Edinburgh!"</p><p>We chat about how she got 'here', the challenges and rewards, and why it's important to continue providing space for creatives to practice their craft.</p><p>You can  find out more about <a href="https://inkfestival.org/">INK Festival here</a>, and if you are a writer - at ANY stage of your journey -  the window for submitting your work for next year's INK Festival (2025) is opening up in June, so keep an eye on the website and get those biros sharpened. <br></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Hacking Tyler by Judy Klass and Ron Reed</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Hacking Tyler by Judy Klass and Ron Reed</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5a6dd963-5794-46d5-a97c-4b98652a88f4</guid>
      <link>https://share.transistor.fm/s/293f9462</link>
      <description>
        <![CDATA[<p>Imagine your best friend suddenly adopts a load of world views and values which makes them unrecognisable to you. <br>Might you think that they had been brain washed? <br>What if we lived in a world where people could be 'hacked'? <br>A world where the technology exists to actually put these ideas in to their brain...</p><p>How would you distinguish their true essence, from their programming? </p><p>Cast:<br>Tyler - Duncan Watkinson<br>Remi - Lottie Bourne</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Imagine your best friend suddenly adopts a load of world views and values which makes them unrecognisable to you. <br>Might you think that they had been brain washed? <br>What if we lived in a world where people could be 'hacked'? <br>A world where the technology exists to actually put these ideas in to their brain...</p><p>How would you distinguish their true essence, from their programming? </p><p>Cast:<br>Tyler - Duncan Watkinson<br>Remi - Lottie Bourne</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 16 Oct 2023 11:29:33 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/293f9462/31a18ad7.mp3" length="34241689" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/YoBZPzJluHjzkBHtBd8Rt0PJRNk7J0sPqqReMMlEcV8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE1NDc4NDgv/MTY5NzQ1MTg5NC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>1423</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Imagine your best friend suddenly adopts a load of world views and values which makes them unrecognisable to you. <br>Might you think that they had been brain washed? <br>What if we lived in a world where people could be 'hacked'? <br>A world where the technology exists to actually put these ideas in to their brain...</p><p>How would you distinguish their true essence, from their programming? </p><p>Cast:<br>Tyler - Duncan Watkinson<br>Remi - Lottie Bourne</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Bloody Paperwork by Lawrence Quilty</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Bloody Paperwork by Lawrence Quilty</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a0a9d843-6e6b-41fa-bc03-e63d6ace7988</guid>
      <link>https://share.transistor.fm/s/b9010057</link>
      <description>
        <![CDATA[<p>This is the story of Hailey Glass, a disgraced politician whose arrogance and blinkered ambition, made her an easy mark to exploit and frame for the war crimes of a corrupt government.</p><p>Cast: <br>Hailey Glass - Teresa Jennings <br>Rosanna Crowley - Grace Dunne<br>Aiden Glass, Judge - Stephen Riddle <br>Secretary, Lawyer 1, Journo 1 - Laide Sonola<br>Samuel Baum, Lawyer 2 , Journo 2 - Duncan Watkinson</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is the story of Hailey Glass, a disgraced politician whose arrogance and blinkered ambition, made her an easy mark to exploit and frame for the war crimes of a corrupt government.</p><p>Cast: <br>Hailey Glass - Teresa Jennings <br>Rosanna Crowley - Grace Dunne<br>Aiden Glass, Judge - Stephen Riddle <br>Secretary, Lawyer 1, Journo 1 - Laide Sonola<br>Samuel Baum, Lawyer 2 , Journo 2 - Duncan Watkinson</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 09 Oct 2023 08:30:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/b9010057/4786cc46.mp3" length="24423762" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/VBQHdzCU8ST2ZCLpwOHZWkHGctzu7xzPDsrFDNEFivM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE1Mzg3NDIv/MTY5Njc4ODY2OS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>1013</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is the story of Hailey Glass, a disgraced politician whose arrogance and blinkered ambition, made her an easy mark to exploit and frame for the war crimes of a corrupt government.</p><p>Cast: <br>Hailey Glass - Teresa Jennings <br>Rosanna Crowley - Grace Dunne<br>Aiden Glass, Judge - Stephen Riddle <br>Secretary, Lawyer 1, Journo 1 - Laide Sonola<br>Samuel Baum, Lawyer 2 , Journo 2 - Duncan Watkinson</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sickening by Daisy Garroch</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Sickening by Daisy Garroch</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">1b2bf804-403a-40d5-9c0b-5c41f64ac767</guid>
      <link>https://share.transistor.fm/s/3f91a7df</link>
      <description>
        <![CDATA[<p>David and Susie attend their millionth social obligation event of the Summer - a gender reveal - and one they're not likely to ever forget. That is, unless, the <strong>next </strong>expectant mother finds an <strong>even more</strong> outrageous way to make the party go off. </p><p>Cast:<br>David - Peter Hardingham<br>Susie - Lottie Bourne<br>Jemima - Nicola Moore<br>Jessica - Beth Johnston<br>Pauline - Paula Benson <br>Kev - Aaron Douglas</p><p>Sound design and narration - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>David and Susie attend their millionth social obligation event of the Summer - a gender reveal - and one they're not likely to ever forget. That is, unless, the <strong>next </strong>expectant mother finds an <strong>even more</strong> outrageous way to make the party go off. </p><p>Cast:<br>David - Peter Hardingham<br>Susie - Lottie Bourne<br>Jemima - Nicola Moore<br>Jessica - Beth Johnston<br>Pauline - Paula Benson <br>Kev - Aaron Douglas</p><p>Sound design and narration - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 25 Sep 2023 18:25:59 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/3f91a7df/c052ddbd.mp3" length="10554077" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/5z_wrU-_bzWrBEjiBvySQNAEuleKWfKBRI0VnKTZL1U/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE1MTkxNjgv/MTY5NTY2Mjc1OS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>656</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>David and Susie attend their millionth social obligation event of the Summer - a gender reveal - and one they're not likely to ever forget. That is, unless, the <strong>next </strong>expectant mother finds an <strong>even more</strong> outrageous way to make the party go off. </p><p>Cast:<br>David - Peter Hardingham<br>Susie - Lottie Bourne<br>Jemima - Nicola Moore<br>Jessica - Beth Johnston<br>Pauline - Paula Benson <br>Kev - Aaron Douglas</p><p>Sound design and narration - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>RELOAD: Four Glasses by Marshall Veniar</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:title>RELOAD: Four Glasses by Marshall Veniar</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <guid isPermaLink="false">2a7f6ce9-6c07-41f8-bf1c-9875099fba9e</guid>
      <link>https://share.transistor.fm/s/52e473ed</link>
      <description>
        <![CDATA[<p>Four friends meet up regularly to share witticisms and woes about the difficulties of getting pregnant. </p><p>*There is discussion in this play about gender identity and infertility which some listeners may be sensitive to. Please take care while listening.</p><p>Cast:<br>Kathy - Emma Stannard<br>Alice - Velenzia Spearpoint<br>Becca - Kate Martin<br>Sam - Sassy Clyde</p><p>Sound design by Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Four friends meet up regularly to share witticisms and woes about the difficulties of getting pregnant. </p><p>*There is discussion in this play about gender identity and infertility which some listeners may be sensitive to. Please take care while listening.</p><p>Cast:<br>Kathy - Emma Stannard<br>Alice - Velenzia Spearpoint<br>Becca - Kate Martin<br>Sam - Sassy Clyde</p><p>Sound design by Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 18 Sep 2023 17:48:45 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/52e473ed/550a2155.mp3" length="18325586" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>761</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Four friends meet up regularly to share witticisms and woes about the difficulties of getting pregnant. </p><p>*There is discussion in this play about gender identity and infertility which some listeners may be sensitive to. Please take care while listening.</p><p>Cast:<br>Kathy - Emma Stannard<br>Alice - Velenzia Spearpoint<br>Becca - Kate Martin<br>Sam - Sassy Clyde</p><p>Sound design by Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>RELOAD: GAIA by Lawrence Quilty</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:title>RELOAD: GAIA by Lawrence Quilty</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <guid isPermaLink="false">c9045f54-2b6f-4897-a6e7-39b11299bbaa</guid>
      <link>https://share.transistor.fm/s/dd041488</link>
      <description>
        <![CDATA[<p>Set a short way in to an unrecognisable future, the younger generation put the older on trial for their past crimes against the environment.</p><p>Cast:<br>Young woman - Maddie O'Brien<br>Harman - Arty Froushan</p><p>Additional voices/ Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Set a short way in to an unrecognisable future, the younger generation put the older on trial for their past crimes against the environment.</p><p>Cast:<br>Young woman - Maddie O'Brien<br>Harman - Arty Froushan</p><p>Additional voices/ Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 11 Sep 2023 08:30:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/dd041488/5c38a62b.mp3" length="35075337" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1459</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Set a short way in to an unrecognisable future, the younger generation put the older on trial for their past crimes against the environment.</p><p>Cast:<br>Young woman - Maddie O'Brien<br>Harman - Arty Froushan</p><p>Additional voices/ Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>RELOAD: Mites by James Mannion</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:title>RELOAD: Mites by James Mannion</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <guid isPermaLink="false">b4c62ab5-a7b5-4f09-8b48-78c7b0d01af2</guid>
      <link>https://share.transistor.fm/s/df3fd32a</link>
      <description>
        <![CDATA[<p>A pest controller responds to a call out from a wealthy aging lady, living all alone after her husbands mysterious disappearance. Although she can’t remember placing the call, she <strong>is</strong> in dire need of his…… services. </p><p>Cast:<br>Woman - Wendy Fisher<br>Man - Arty Froushan</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A pest controller responds to a call out from a wealthy aging lady, living all alone after her husbands mysterious disappearance. Although she can’t remember placing the call, she <strong>is</strong> in dire need of his…… services. </p><p>Cast:<br>Woman - Wendy Fisher<br>Man - Arty Froushan</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 04 Sep 2023 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/df3fd32a/06630e54.mp3" length="25648224" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/eeDjdf6PlB9t7uTiUZHveF8Dr4-2MOpSb3I6-gFEYcE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0NzkwOTcv/MTY5MzIxNzE0NC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>1069</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A pest controller responds to a call out from a wealthy aging lady, living all alone after her husbands mysterious disappearance. Although she can’t remember placing the call, she <strong>is</strong> in dire need of his…… services. </p><p>Cast:<br>Woman - Wendy Fisher<br>Man - Arty Froushan</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Daddy Issues by Lynsey Cullen</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Daddy Issues by Lynsey Cullen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7de61972-0ee2-4331-a9bc-7aad6e887a25</guid>
      <link>https://share.transistor.fm/s/c832f4a5</link>
      <description>
        <![CDATA[<p>These days, there is no such thing as a ‘typical’ family unit. As the gender and sexuality spectrum continues to diversify and evolve, how human kind sets about producing and raising the next generation, requires ever more creative thinking.</p><p>Cast:<br>Jess - Laide Sonola<br>Ben - Aaron Douglas</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>These days, there is no such thing as a ‘typical’ family unit. As the gender and sexuality spectrum continues to diversify and evolve, how human kind sets about producing and raising the next generation, requires ever more creative thinking.</p><p>Cast:<br>Jess - Laide Sonola<br>Ben - Aaron Douglas</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 28 Aug 2023 08:22:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/c832f4a5/4c79ab12.mp3" length="13427627" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/rmpho201IkYd-YPBmwbiXj_-LDmtgRs3EwdKuH2Mnoc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0Nzg3MDgv/MTY5MzE2NzgxMS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>557</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>These days, there is no such thing as a ‘typical’ family unit. As the gender and sexuality spectrum continues to diversify and evolve, how human kind sets about producing and raising the next generation, requires ever more creative thinking.</p><p>Cast:<br>Jess - Laide Sonola<br>Ben - Aaron Douglas</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>My Wee Home by Aaron Hickland</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>My Wee Home by Aaron Hickland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">cc6526f8-9155-4100-83e0-fa098881fe8b</guid>
      <link>https://share.transistor.fm/s/69c5ff51</link>
      <description>
        <![CDATA[<p>How much of our relationships are conducted without the other person even needing to be there? Conversations sprawling across many mediums, over weeks and months - leaving a trail behind them. A record of our attempt to understand each other, stay connected, and overcome our differences.</p><p>Cast:<br>Dierdre - Teresa Jennings<br>John - Stephen Riddle<br>Fionn - Nicola Moore</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>How much of our relationships are conducted without the other person even needing to be there? Conversations sprawling across many mediums, over weeks and months - leaving a trail behind them. A record of our attempt to understand each other, stay connected, and overcome our differences.</p><p>Cast:<br>Dierdre - Teresa Jennings<br>John - Stephen Riddle<br>Fionn - Nicola Moore</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 21 Aug 2023 12:15:53 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/69c5ff51/a2e7f0de.mp3" length="31955235" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/pw-ig7WUIOeOuwyr9AuyFyhr4IGT3AtobMTSjv0T_Nc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0Njc4MDYv/MTY5MjYxNjEyNS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>1328</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>How much of our relationships are conducted without the other person even needing to be there? Conversations sprawling across many mediums, over weeks and months - leaving a trail behind them. A record of our attempt to understand each other, stay connected, and overcome our differences.</p><p>Cast:<br>Dierdre - Teresa Jennings<br>John - Stephen Riddle<br>Fionn - Nicola Moore</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Artist Unknown by Nicky Denovan</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Artist Unknown by Nicky Denovan</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c86d3ea8-d1cc-44e5-88ed-27c616079e18</guid>
      <link>https://share.transistor.fm/s/862c9d1a</link>
      <description>
        <![CDATA[<p>At a house clearance undertaken by sibling Grace and Nick, whose Mum has recently passed away, they take a trip down memory lane. As they lovingly sort through her bits and pieces they stumble across an entry in her diary that turns their entire world upside down.....</p><p>Cast:<br>Grace - Lottie Bourne<br>Nick - Peter Hardingham</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>At a house clearance undertaken by sibling Grace and Nick, whose Mum has recently passed away, they take a trip down memory lane. As they lovingly sort through her bits and pieces they stumble across an entry in her diary that turns their entire world upside down.....</p><p>Cast:<br>Grace - Lottie Bourne<br>Nick - Peter Hardingham</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 14 Aug 2023 08:55:23 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/862c9d1a/80d973ca.mp3" length="18316944" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/GF-OpPTyQf7rO2i0Nor0I_-OsME4CfjX_TBfn8lXzDg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0NjAwNDAv/MTY5MTk5OTYxMS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>759</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>At a house clearance undertaken by sibling Grace and Nick, whose Mum has recently passed away, they take a trip down memory lane. As they lovingly sort through her bits and pieces they stumble across an entry in her diary that turns their entire world upside down.....</p><p>Cast:<br>Grace - Lottie Bourne<br>Nick - Peter Hardingham</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Matt &amp; Eva Are Not Dead Yet by Emily Jane Clark</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Matt &amp; Eva Are Not Dead Yet by Emily Jane Clark</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">aeedcc44-7a85-42ed-8b79-faaa3c4c291c</guid>
      <link>https://share.transistor.fm/s/8578b2f3</link>
      <description>
        <![CDATA[<p>Not all happy endings are the happy endings we read about in story books. Matt &amp; Eva have one or two things to get off their chest, before it's too late...<br> <br>Cast:<br>Eva - Grace Dunne<br>Matt - Aaron Douglas</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Not all happy endings are the happy endings we read about in story books. Matt &amp; Eva have one or two things to get off their chest, before it's too late...<br> <br>Cast:<br>Eva - Grace Dunne<br>Matt - Aaron Douglas</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 07 Aug 2023 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/8578b2f3/36a65d37.mp3" length="14636696" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/x4RPYKko8fYeVt2-k6jOECy-giVCrIIm8uS9rCinTOQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0NDk0MDUv/MTY5MTM0Njc3NC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>912</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Not all happy endings are the happy endings we read about in story books. Matt &amp; Eva have one or two things to get off their chest, before it's too late...<br> <br>Cast:<br>Eva - Grace Dunne<br>Matt - Aaron Douglas</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Laugh Track by Liam D Gillies</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Laugh Track by Liam D Gillies</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">74db160e-2cae-4508-bd4e-b54e5bf0abe4</guid>
      <link>https://share.transistor.fm/s/f78e7324</link>
      <description>
        <![CDATA[<p>Jessie and Claire struggle to keep their spirits up and their limbs attached, while surviving every day in a terrifying reality - watched over by a monstrous captor with a taste for tacky comedy.<br> <br>Cast:<br>Jessie - Beth Johnston<br>Amanda - Grace Dunne</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Jessie and Claire struggle to keep their spirits up and their limbs attached, while surviving every day in a terrifying reality - watched over by a monstrous captor with a taste for tacky comedy.<br> <br>Cast:<br>Jessie - Beth Johnston<br>Amanda - Grace Dunne</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 31 Jul 2023 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/f78e7324/6dbdd703.mp3" length="12479638" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/JFksKeybjWBzpfKGpEu9R6BNQ3IoPbRXqmE_RocfYSg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0Mzc3ODgv/MTY5MDc1MzE5OC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>518</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Jessie and Claire struggle to keep their spirits up and their limbs attached, while surviving every day in a terrifying reality - watched over by a monstrous captor with a taste for tacky comedy.<br> <br>Cast:<br>Jessie - Beth Johnston<br>Amanda - Grace Dunne</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>I Think This Will Be Good For Us by Will Pinhey</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>I Think This Will Be Good For Us by Will Pinhey</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5c78e897-f0bd-42c1-94a5-e05245066ac8</guid>
      <link>https://share.transistor.fm/s/e27869e1</link>
      <description>
        <![CDATA[<p>Modern relationships take many forms. We listen here to long-term couple Jan and Michael, as they share with us their concerns and considerations around the potential polyamorous turn, their relationship is about to take.<br> <br>Cast:<br>Jan - Beth Johnston<br>Michael - Peter Hardingham</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Modern relationships take many forms. We listen here to long-term couple Jan and Michael, as they share with us their concerns and considerations around the potential polyamorous turn, their relationship is about to take.<br> <br>Cast:<br>Jan - Beth Johnston<br>Michael - Peter Hardingham</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 24 Jul 2023 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/e27869e1/977a8dac.mp3" length="10978840" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/gaIKh6KI0urXhbLMHxhTOPBr24Xhn_2c4-qHdzACx18/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0Mjk2NjEv/MTY5MDEzOTA2MC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>681</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Modern relationships take many forms. We listen here to long-term couple Jan and Michael, as they share with us their concerns and considerations around the potential polyamorous turn, their relationship is about to take.<br> <br>Cast:<br>Jan - Beth Johnston<br>Michael - Peter Hardingham</p><p>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Writer Stephen Saleh reacts to hearing his podplay</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:title>Writer Stephen Saleh reacts to hearing his podplay</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <guid isPermaLink="false">34510f0e-b58d-40c1-879c-fcb4d4a33f14</guid>
      <link>https://share.transistor.fm/s/0d4eaa90</link>
      <description>
        <![CDATA[<p>Sassy Clyde talks to Stephen Saleh about his podplay Lockdown No. 36.</p><p>“We do have short memories, and we forget how bloody grim it was….”</p><p>Listen to the podplay <a href="https://thescenepodcast.co.uk/season-three">here</a><br></p><p>ARE YOU A WRITER? We are looking for scripts for SEASON 4! </p><p>Send them in to us <a href="https://thescenepodcast.co.uk/season-four">here!</a></p><p> </p><p>Instagram: <a href="https://www.instagram.com/thescene_pod/">https://www.instagram.com/thescene_pod/</a></p><p>Twitter: <a href="https://twitter.com/thescene_pod/">https://twitter.com/thescene_pod/</a></p><p>Facebook: <a href="https://www.facebook.com/thescenepod/">https://www.facebook.com/thescenepod/</a></p><p>Thanks to <a href="https://jannomedia.com/news/season-3-of-the-scene-has-landed">Janno Media</a> for their support</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Sassy Clyde talks to Stephen Saleh about his podplay Lockdown No. 36.</p><p>“We do have short memories, and we forget how bloody grim it was….”</p><p>Listen to the podplay <a href="https://thescenepodcast.co.uk/season-three">here</a><br></p><p>ARE YOU A WRITER? We are looking for scripts for SEASON 4! </p><p>Send them in to us <a href="https://thescenepodcast.co.uk/season-four">here!</a></p><p> </p><p>Instagram: <a href="https://www.instagram.com/thescene_pod/">https://www.instagram.com/thescene_pod/</a></p><p>Twitter: <a href="https://twitter.com/thescene_pod/">https://twitter.com/thescene_pod/</a></p><p>Facebook: <a href="https://www.facebook.com/thescenepod/">https://www.facebook.com/thescenepod/</a></p><p>Thanks to <a href="https://jannomedia.com/news/season-3-of-the-scene-has-landed">Janno Media</a> for their support</p>]]>
      </content:encoded>
      <pubDate>Fri, 21 Jul 2023 12:24:58 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/0d4eaa90/1c6ae7f0.mp3" length="5107657" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>210</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Sassy Clyde talks to Stephen Saleh about his podplay Lockdown No. 36.</p><p>“We do have short memories, and we forget how bloody grim it was….”</p><p>Listen to the podplay <a href="https://thescenepodcast.co.uk/season-three">here</a><br></p><p>ARE YOU A WRITER? We are looking for scripts for SEASON 4! </p><p>Send them in to us <a href="https://thescenepodcast.co.uk/season-four">here!</a></p><p> </p><p>Instagram: <a href="https://www.instagram.com/thescene_pod/">https://www.instagram.com/thescene_pod/</a></p><p>Twitter: <a href="https://twitter.com/thescene_pod/">https://twitter.com/thescene_pod/</a></p><p>Facebook: <a href="https://www.facebook.com/thescenepod/">https://www.facebook.com/thescenepod/</a></p><p>Thanks to <a href="https://jannomedia.com/news/season-3-of-the-scene-has-landed">Janno Media</a> for their support</p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Lockdown No.36 by Stephen Saleh</title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Lockdown No.36 by Stephen Saleh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">67cdb1d5-df3a-48f6-8cda-fd628a447b45</guid>
      <link>https://share.transistor.fm/s/834ae4b1</link>
      <description>
        <![CDATA[<p> Set some way in to the future, we visit a dingy bar in an overcrowded city and hear how the Covid-19 Pandemic, brought about a bitter sweet gender equality. <br> <br>Cast:<br>Mrs. Sohcahtoa - Paula Benson<br>Gronda - Grace Dunne<br>Jenny - Laide Sonola</p><p>Additional voices - Velenzia Spearpoint and Sassy Clyde<br>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p> Set some way in to the future, we visit a dingy bar in an overcrowded city and hear how the Covid-19 Pandemic, brought about a bitter sweet gender equality. <br> <br>Cast:<br>Mrs. Sohcahtoa - Paula Benson<br>Gronda - Grace Dunne<br>Jenny - Laide Sonola</p><p>Additional voices - Velenzia Spearpoint and Sassy Clyde<br>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Jul 2023 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/834ae4b1/7e8518f5.mp3" length="10005958" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Zteqi-05dyApYOjeR-kIGZOYsqKj9YoKAclHgsphyfk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0MTg1NTkv/MTY4OTI2ODc1My1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>621</itunes:duration>
      <itunes:summary>
        <![CDATA[<p> Set some way in to the future, we visit a dingy bar in an overcrowded city and hear how the Covid-19 Pandemic, brought about a bitter sweet gender equality. <br> <br>Cast:<br>Mrs. Sohcahtoa - Paula Benson<br>Gronda - Grace Dunne<br>Jenny - Laide Sonola</p><p>Additional voices - Velenzia Spearpoint and Sassy Clyde<br>Sound design - Sassy Clyde</p><p>Produced by <a href="https://www.jannomedia.com">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>If Nothing Happens by Sue Hassall</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>If Nothing Happens by Sue Hassall</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">4febfd77-72b6-4b99-a34f-9d83fb4e6693</guid>
      <link>https://share.transistor.fm/s/f18309f3</link>
      <description>
        <![CDATA[<p>Gloria hunkers down and prepares for the worst in the safety of her cellar. Surrounded by everything she could possibly need to survive what she is certain is the impending end of days, there is one precious neccesity she must bring to her side before it’s too late… her beloved son, Noblet.</p><p>Cast: <br>Gloria - Paula Benson<br>Noblet - Duncan Watkinson</p><p>Directed by Niamh Handley-Vaughan</p><p>Sound design by <a href="http://jannomedia.com">Janno Media</a></p><p>Our season jinlgle was conjured by Emma McGrath. Emma’s new EP Settled In Motion is out now, so why not have a listen of it at her website <a href="http://www.emmamcgrath.co.uk">Emma McGrath.co.uk</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Gloria hunkers down and prepares for the worst in the safety of her cellar. Surrounded by everything she could possibly need to survive what she is certain is the impending end of days, there is one precious neccesity she must bring to her side before it’s too late… her beloved son, Noblet.</p><p>Cast: <br>Gloria - Paula Benson<br>Noblet - Duncan Watkinson</p><p>Directed by Niamh Handley-Vaughan</p><p>Sound design by <a href="http://jannomedia.com">Janno Media</a></p><p>Our season jinlgle was conjured by Emma McGrath. Emma’s new EP Settled In Motion is out now, so why not have a listen of it at her website <a href="http://www.emmamcgrath.co.uk">Emma McGrath.co.uk</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 29 Mar 2021 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/f18309f3/c461ce09.mp3" length="55387660" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1383</itunes:duration>
      <itunes:summary>Gloria hunkers down and prepares for the worst in the safety of her cellar.</itunes:summary>
      <itunes:subtitle>Gloria hunkers down and prepares for the worst in the safety of her cellar.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>A New Goddess In Town by L.Z Zyphyr</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>A New Goddess In Town by L.Z Zyphyr</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">df13519c-4cf3-4c45-a578-5647341a0f19</guid>
      <link>https://share.transistor.fm/s/42b131d8</link>
      <description>
        <![CDATA[<p>A New Goddess In Town by L.Z Zephyr</p><p>There has been a shake up upstairs, and recently deceased Brick finds himself on the receiving end of some rather probing questions - hoping his answers bring him the approval of the Big Guy, sorry, Big Gal, herself. </p><p>Cast:</p><p>Brick - Hassan Govia<br>Jezra  - Heather Warne <br>Cece - Odera Iwugo <br>Hilary - Helen Jessica Liggat  </p><p>Directed by Paula Benson. </p><p><br>Sound design by <a href="http://jannomedia.com">Janno Media </a></p><p>Our season jingle is from the strings of Emma McGrath. Emma’s new EP Settled In Motion is out now. Do yourelf a favour? Go and listen to it now, via her website <a href="http://emmamcgrath.co.uk">Emma McGrath.co.uk.</a> </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A New Goddess In Town by L.Z Zephyr</p><p>There has been a shake up upstairs, and recently deceased Brick finds himself on the receiving end of some rather probing questions - hoping his answers bring him the approval of the Big Guy, sorry, Big Gal, herself. </p><p>Cast:</p><p>Brick - Hassan Govia<br>Jezra  - Heather Warne <br>Cece - Odera Iwugo <br>Hilary - Helen Jessica Liggat  </p><p>Directed by Paula Benson. </p><p><br>Sound design by <a href="http://jannomedia.com">Janno Media </a></p><p>Our season jingle is from the strings of Emma McGrath. Emma’s new EP Settled In Motion is out now. Do yourelf a favour? Go and listen to it now, via her website <a href="http://emmamcgrath.co.uk">Emma McGrath.co.uk.</a> </p>]]>
      </content:encoded>
      <pubDate>Mon, 22 Mar 2021 08:00:00 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/42b131d8/76549716.mp3" length="34333031" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>857</itunes:duration>
      <itunes:summary>There has been a shake up upstairs, and recently deceased Brick finds himself on the recieving end of some rather probing questions...</itunes:summary>
      <itunes:subtitle>There has been a shake up upstairs, and recently deceased Brick finds himself on the recieving end of some rather probing questions...</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Robbing Class by Michelle Payne</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>The Robbing Class by Michelle Payne</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">335addfe-7b7c-47e8-bd8d-b013c37a864a</guid>
      <link>https://share.transistor.fm/s/fc792323</link>
      <description>
        <![CDATA[<p>Two sisters, find that crime is their only hope of surviving the rising cost of living in London. And, there is always room for one more accomplice to join the family…</p><p><br></p><p>In this episode we are proud to feature the talented graduates of Savi Arts, a brand new training platform for creatives. </p><p>For more information visit <a href="http://savi-arts.co.uk">Savi-arts.co.uk. </a></p><p>This episode contains strong language.</p><p>Cast:<br>Rosie - Emily Clark <br>Lucy - Sophia DeSouza <br>Bianca - Iwona Marciniak</p><p><br>Directed by Michelle Payne</p><p><br>Sound production was by <a href="http://jannomedia.com">Janno Media</a></p><p><br>Our toe tapping jingle is by Emma McGrath whose latest EP Settled In Motion is out now and available to listen to via her website <br><a href="http://EmmaMcGrath.co.uk.">Emma McGrath.co.uk</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Two sisters, find that crime is their only hope of surviving the rising cost of living in London. And, there is always room for one more accomplice to join the family…</p><p><br></p><p>In this episode we are proud to feature the talented graduates of Savi Arts, a brand new training platform for creatives. </p><p>For more information visit <a href="http://savi-arts.co.uk">Savi-arts.co.uk. </a></p><p>This episode contains strong language.</p><p>Cast:<br>Rosie - Emily Clark <br>Lucy - Sophia DeSouza <br>Bianca - Iwona Marciniak</p><p><br>Directed by Michelle Payne</p><p><br>Sound production was by <a href="http://jannomedia.com">Janno Media</a></p><p><br>Our toe tapping jingle is by Emma McGrath whose latest EP Settled In Motion is out now and available to listen to via her website <br><a href="http://EmmaMcGrath.co.uk.">Emma McGrath.co.uk</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 15 Mar 2021 09:20:40 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/fc792323/dba0ee95.mp3" length="22740250" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>946</itunes:duration>
      <itunes:summary>Two sisters, find that crime is their only hope of surviving the rising cost of living in London.</itunes:summary>
      <itunes:subtitle>Two sisters, find that crime is their only hope of surviving the rising cost of living in London.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>Three Women In A Music Box by Dan Horrigan</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Three Women In A Music Box by Dan Horrigan</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5d1c9195-ccd1-4eb3-ad5b-9db51f53c653</guid>
      <link>https://share.transistor.fm/s/d6ed700b</link>
      <description>
        <![CDATA[<p>We all need people to turn to and places to go, to offload our deepest's and our darkest’s. This little PodPlay takes a look at one girls stash of secrets...</p><p>Three Women In A Music Box by Dan Horrigan</p><p>Cast:</p><p>Annabel - Odera Iwugo<br>Cora - Faye Bennett<br>Bernadette - Velenzia Spearpoint</p><p>Sound production by <a href="http://jannomedia.com">Janno Media</a></p><p>Our season jingle was strummed just for us by Emma McGrath. Emma's latest EP, 'Settled In Motion' is out now and you can listen to it via her website <a href="http:/www.emmamcgrath.co.uk">www.emmamcgrath.co.uk</a><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>We all need people to turn to and places to go, to offload our deepest's and our darkest’s. This little PodPlay takes a look at one girls stash of secrets...</p><p>Three Women In A Music Box by Dan Horrigan</p><p>Cast:</p><p>Annabel - Odera Iwugo<br>Cora - Faye Bennett<br>Bernadette - Velenzia Spearpoint</p><p>Sound production by <a href="http://jannomedia.com">Janno Media</a></p><p>Our season jingle was strummed just for us by Emma McGrath. Emma's latest EP, 'Settled In Motion' is out now and you can listen to it via her website <a href="http:/www.emmamcgrath.co.uk">www.emmamcgrath.co.uk</a><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 08 Mar 2021 10:31:52 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/d6ed700b/c4673edf.mp3" length="16447782" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>684</itunes:duration>
      <itunes:summary>We all need somewhere to go to off load our deepest's and our darkest's...</itunes:summary>
      <itunes:subtitle>We all need somewhere to go to off load our deepest's and our darkest's...</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Aberrations by Andrew Curtis pt.2</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Aberrations by Andrew Curtis pt.2</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e6eedd0f-296a-4389-931c-88d55dbb9efa</guid>
      <link>https://share.transistor.fm/s/d2bbee2d</link>
      <description>
        <![CDATA[<p>Caught between obligations to her old and pressures from her new relationships, with just a side of ‘understaffed, 12 hour NHS hospital shift’ thrown in for good measure, how long will it be before Joan completely flips her lid?… and which poor souls will be standing in the line of fire when she does. </p><p>Joan was played by Helen Jessica Liggat<br>Sound production was by <a href="https://www.jannomedia.com">Janno Media</a></p><p>Our season jingle was written for us by McGrath. <em>Emma</em>, McGrath. <br>Her latest EP 'Settled In Motion' is out now, available to hear through her <a href="https://www.emmamcgrath.co.uk">website</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Caught between obligations to her old and pressures from her new relationships, with just a side of ‘understaffed, 12 hour NHS hospital shift’ thrown in for good measure, how long will it be before Joan completely flips her lid?… and which poor souls will be standing in the line of fire when she does. </p><p>Joan was played by Helen Jessica Liggat<br>Sound production was by <a href="https://www.jannomedia.com">Janno Media</a></p><p>Our season jingle was written for us by McGrath. <em>Emma</em>, McGrath. <br>Her latest EP 'Settled In Motion' is out now, available to hear through her <a href="https://www.emmamcgrath.co.uk">website</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 01 Mar 2021 15:12:13 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/d2bbee2d/7c5a2ccf.mp3" length="26749187" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1113</itunes:duration>
      <itunes:summary>How long will it be before Joan completely flips her lid?</itunes:summary>
      <itunes:subtitle>How long will it be before Joan completely flips her lid?</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>Aberrations by Andrew Curtis - pt. 1</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Aberrations by Andrew Curtis - pt. 1</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c8717aa8</link>
      <description>
        <![CDATA[<p>In this two parter, we follow our heroine Joan, as she navigates shift work on the renal ward of an NHS hospital, and a new relationship. As if that’s not enough to be getting on with, she then get call from her ex-girlfriend Izzy, asking for help…</p><p><br></p><p>This was part one of two, so please tune in next week to find out what happens next.</p><p><br>Joan was played by Helen Jessica Liggat</p><p><br>Sound production was by <a href="https://www.jannomedia.com">Janno Media</a></p><p><br></p><p>*This episode contains some strong language</p><p>Our season jingle was written for us by the unstoppable Emma McGrath. </p><p>Emma’s latest EP Settled in Motion is out now and you can listen to it via her <a href="https://www.emmamcgrath.co.uk">website</a></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this two parter, we follow our heroine Joan, as she navigates shift work on the renal ward of an NHS hospital, and a new relationship. As if that’s not enough to be getting on with, she then get call from her ex-girlfriend Izzy, asking for help…</p><p><br></p><p>This was part one of two, so please tune in next week to find out what happens next.</p><p><br>Joan was played by Helen Jessica Liggat</p><p><br>Sound production was by <a href="https://www.jannomedia.com">Janno Media</a></p><p><br></p><p>*This episode contains some strong language</p><p>Our season jingle was written for us by the unstoppable Emma McGrath. </p><p>Emma’s latest EP Settled in Motion is out now and you can listen to it via her <a href="https://www.emmamcgrath.co.uk">website</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 22 Feb 2021 08:00:00 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/c8717aa8/c22c3d4e.mp3" length="22660833" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>942</itunes:duration>
      <itunes:summary>In this two parter, we follow our heroine Joan as she navigates shift work on the renal ward of an NHS hospital, and a new relationship. </itunes:summary>
      <itunes:subtitle>In this two parter, we follow our heroine Joan as she navigates shift work on the renal ward of an NHS hospital, and a new relationship. </itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>Four Glasses by Marshall Veniar</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Four Glasses by Marshall Veniar</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">fa7028fe-2630-484a-ac5b-b12d6661c79c</guid>
      <link>https://share.transistor.fm/s/13d71f75</link>
      <description>
        <![CDATA[<p><strong>Cast:<br></strong>Kathy - Emma Stannard<br>Becca - Kate Cooper  <br>Alice - Velenzia Spearpoint <br>Sam - Sassy Clyde</p><p>Directed by Micha Mirto </p><p>Sound design by <a href="https://www.jannomedia.com">Janno Media</a></p><p>Our season jingle was written by our dear friend Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="https://www.emmamcgrath.co.uk">www.emmamcgrath.co.uk</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Cast:<br></strong>Kathy - Emma Stannard<br>Becca - Kate Cooper  <br>Alice - Velenzia Spearpoint <br>Sam - Sassy Clyde</p><p>Directed by Micha Mirto </p><p>Sound design by <a href="https://www.jannomedia.com">Janno Media</a></p><p>Our season jingle was written by our dear friend Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="https://www.emmamcgrath.co.uk">www.emmamcgrath.co.uk</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 15 Feb 2021 07:47:27 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/13d71f75/331fc627.mp3" length="11034638" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>688</itunes:duration>
      <itunes:summary>Four friends meet regularly to share their witticisms and woes on the difficulties of getting pregnant. As you might imagine, this episode contains references to sex and the odd swear word, it may not be suitable for younger listeners. There is also some discussion about gender identity, which some listeners may find triggering. </itunes:summary>
      <itunes:subtitle>Four friends meet regularly to share their witticisms and woes on the difficulties of getting pregnant. As you might imagine, this episode contains references to sex and the odd swear word, it may not be suitable for younger listeners. There is also some </itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>CRUMS by Jane Quill</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>CRUMS by Jane Quill</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">df8575b6-c4dc-4492-a9f3-2d5ddebc533b</guid>
      <link>https://share.transistor.fm/s/3bb153ca</link>
      <description>
        <![CDATA[<p><strong>Cast:</strong><br>Tara – Phyllis Logan<br>Martha – Paula Benson<br>Madison – Velenzia Spearpoint<br>Mel – Sassy Clyde</p><p>Sound production was by <a href="https://www.jannomedia.com">Janno Media</a>. </p><p>Our season jingle was written for us by uber cool Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="https://www.emmamcgrath.co.uk">www.emmamcgrath.co.uk</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Cast:</strong><br>Tara – Phyllis Logan<br>Martha – Paula Benson<br>Madison – Velenzia Spearpoint<br>Mel – Sassy Clyde</p><p>Sound production was by <a href="https://www.jannomedia.com">Janno Media</a>. </p><p>Our season jingle was written for us by uber cool Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="https://www.emmamcgrath.co.uk">www.emmamcgrath.co.uk</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 08 Feb 2021 08:00:00 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/3bb153ca/36259a7e.mp3" length="13157131" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>820</itunes:duration>
      <itunes:summary>Take a trip with us into the world of corporate realignment. This presentation will leave you wondering how you ever ran your business without the help of the CRUMS automated system.</itunes:summary>
      <itunes:subtitle>Take a trip with us into the world of corporate realignment. This presentation will leave you wondering how you ever ran your business without the help of the CRUMS automated system.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Exploding Maggie by Kevin Jones</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Exploding Maggie by Kevin Jones</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/058a947f</link>
      <description>
        <![CDATA[<p>Exploding Maggie by Kevin Jones starred Kevin McNally as the Writer and Sassy Clyde as Maggie. Sound production was by <a href="https://www.jannomedia.com">Janno Media</a>. </p><p>Our theme tune this season was written by the wonderful Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="https://www.emmamcgrath.co.uk">emmamcgrath.co.uk</a></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Exploding Maggie by Kevin Jones starred Kevin McNally as the Writer and Sassy Clyde as Maggie. Sound production was by <a href="https://www.jannomedia.com">Janno Media</a>. </p><p>Our theme tune this season was written by the wonderful Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="https://www.emmamcgrath.co.uk">emmamcgrath.co.uk</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 01 Feb 2021 08:00:00 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/058a947f/593a0366.mp3" length="9081137" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>566</itunes:duration>
      <itunes:summary>What might happen if the lead character of the novel you were writing refused to take one more step along the path you were building for them?</itunes:summary>
      <itunes:subtitle>What might happen if the lead character of the novel you were writing refused to take one more step along the path you were building for them?</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>Mites by James Mannion</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Mites by James Mannion</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9262fad8-18c8-47ab-988f-b5b5107997e5</guid>
      <link>https://share.transistor.fm/s/772c2889</link>
      <description>
        <![CDATA[<p>A pest controller responds to a call out from a wealthy aging lady, living all alone after her husbands mysterious disappearance. Although she can’t remember placing the call, she <strong>is</strong> in dire need of his…… services. This surrealist piece of comedy drama never quite clarifies who, if anyone, is <em>playing</em> who…. </p><p><br></p><p><strong>Cast:</strong><br>Wendy Fisher as Woman<br>Arty Froushan as Man. </p><p>Sound production by <a href="http://www.jannomedia.com">Janno Media</a>. </p><p>Our theme tune this season was written by the wonderful Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="http://www.emmamcgrath.co.uk">emmamcgrath.co.uk</a></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A pest controller responds to a call out from a wealthy aging lady, living all alone after her husbands mysterious disappearance. Although she can’t remember placing the call, she <strong>is</strong> in dire need of his…… services. This surrealist piece of comedy drama never quite clarifies who, if anyone, is <em>playing</em> who…. </p><p><br></p><p><strong>Cast:</strong><br>Wendy Fisher as Woman<br>Arty Froushan as Man. </p><p>Sound production by <a href="http://www.jannomedia.com">Janno Media</a>. </p><p>Our theme tune this season was written by the wonderful Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="http://www.emmamcgrath.co.uk">emmamcgrath.co.uk</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 25 Jan 2021 08:00:00 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/772c2889/7f66d0a6.mp3" length="16773576" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1046</itunes:duration>
      <itunes:summary>A pest controller responds to a call out from a wealthy aging lady, living all alone after her husbands mysterious disappearance. Although she can’t remember placing the call, she is in dire need of his…… services. This surrealist piece of comedy drama never quite clarifies who, if anyone, is playing who…. </itunes:summary>
      <itunes:subtitle>A pest controller responds to a call out from a wealthy aging lady, living all alone after her husbands mysterious disappearance. Although she can’t remember placing the call, she is in dire need of his…… services. This surrealist piece of comedy drama ne</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>GAIA by Lawrence Quilty</title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>GAIA by Lawrence Quilty</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">66236246-93bb-41b7-bf00-b77e6a6491c9</guid>
      <link>https://share.transistor.fm/s/eb3160af</link>
      <description>
        <![CDATA[<p>Brilliantly un-nerving, with a ‘just around the corner’ feel to it, this is GAIA by Lawrence Quilty. </p><p>The Young Woman – Maddie O’Brien</p><p>Harmen – Arty Froushan</p><p>GAIA – Sassy Clyde</p><p>Directed by Sassy Clyde</p><p>Sound design by Janno Media</p><p>Our theme tune this season was written by the incredibly talented Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="https://www.emmamcgrath.co.uk">www.emmamcgrath.co.uk</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Brilliantly un-nerving, with a ‘just around the corner’ feel to it, this is GAIA by Lawrence Quilty. </p><p>The Young Woman – Maddie O’Brien</p><p>Harmen – Arty Froushan</p><p>GAIA – Sassy Clyde</p><p>Directed by Sassy Clyde</p><p>Sound design by Janno Media</p><p>Our theme tune this season was written by the incredibly talented Emma McGrath.  Emma’s latest EP Settled In Motion is out now, you can listen to it via her website <a href="https://www.emmamcgrath.co.uk">www.emmamcgrath.co.uk</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 18 Jan 2021 08:00:00 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/eb3160af/b4367132.mp3" length="22523448" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>1406</itunes:duration>
      <itunes:summary>Set in a dystopian future, the younger generation hold the older accountable for their past crimes against the environment.</itunes:summary>
      <itunes:subtitle>Set in a dystopian future, the younger generation hold the older accountable for their past crimes against the environment.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>Sneek preview of a new episode for season 2 - coming soon</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Sneek preview of a new episode for season 2 - coming soon</itunes:title>
      <itunes:episodeType>trailer</itunes:episodeType>
      <guid isPermaLink="false">f6fd0435-af8d-4204-b879-5a6dbb957383</guid>
      <link>https://share.transistor.fm/s/71066139</link>
      <description>
        <![CDATA[We're looking forward to launching season 2 very soon - but for now, here's a sneak peak of a new epsiode.]]>
      </description>
      <content:encoded>
        <![CDATA[We're looking forward to launching season 2 very soon - but for now, here's a sneak peak of a new epsiode.]]>
      </content:encoded>
      <pubDate>Thu, 24 Dec 2020 13:02:36 +0000</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/71066139/f14cf9bc.mp3" length="1895563" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>116</itunes:duration>
      <itunes:summary>We're looking forward to launching season 2 very soon - but for now, here's a sneak peak of a new epsiode.</itunes:summary>
      <itunes:subtitle>We're looking forward to launching season 2 very soon - but for now, here's a sneak peak of a new epsiode.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>Seen And Not Heard by Laura Shoebottom</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Seen And Not Heard by Laura Shoebottom</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6fad6a68-3198-4381-80fb-2ec3fb8b407c</guid>
      <link>https://share.transistor.fm/s/17df85fa</link>
      <description>
        <![CDATA[<p>Written by Laura Shoebottom</p><p>Cast:<br>Alice – Maia Collins<br>Just In Case Lady – Odera Ndujiuba<br>Fight Lady – Katherine Lea<br>Mum – Joan Potter</p><p>Directed by Amy Toledano</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Written by Laura Shoebottom</p><p>Cast:<br>Alice – Maia Collins<br>Just In Case Lady – Odera Ndujiuba<br>Fight Lady – Katherine Lea<br>Mum – Joan Potter</p><p>Directed by Amy Toledano</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Aug 2020 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/17df85fa/8b61f9ad.mp3" length="22626339" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>940</itunes:duration>
      <itunes:summary>Will Alice’s musings lead her to finally reach out and connect to another human being in the lonely old city she moves through each day?</itunes:summary>
      <itunes:subtitle>Will Alice’s musings lead her to finally reach out and connect to another human being in the lonely old city she moves through each day?</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ever Changing Skyline by Emma Pitt</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Ever Changing Skyline by Emma Pitt</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">17af9151-93e4-4593-a064-f48d193144dc</guid>
      <link>https://share.transistor.fm/s/d7a40a8f</link>
      <description>
        <![CDATA[<p>Written by Emma Pitt</p><p>Cast:<br>Julia - Meg Lake<br>Grace - Lucy McIlgorm</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Written by Emma Pitt</p><p>Cast:<br>Julia - Meg Lake<br>Grace - Lucy McIlgorm</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Aug 2020 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
      <enclosure url="https://media.transistor.fm/d7a40a8f/b63cade5.mp3" length="20639410" type="audio/mpeg"/>
      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>857</itunes:duration>
      <itunes:summary>Julia doesn’t know how she is going to carry on, when she meets Grace on a railway bridge at a popular suicide spot.  As they get to know each other, they are able to offer the other comfort and wisdom.</itunes:summary>
      <itunes:subtitle>Julia doesn’t know how she is going to carry on, when she meets Grace on a railway bridge at a popular suicide spot.  As they get to know each other, they are able to offer the other comfort and wisdom.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Don't Move by Jessica Mallett</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Don't Move by Jessica Mallett</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7ee740c5-869d-4d74-8052-d5e60f4eeb53</guid>
      <link>https://share.transistor.fm/s/4bd7ab95</link>
      <description>
        <![CDATA[<p>Written by Jessica Mallet</p><p>Cast:<br>Statue - Velenzia Spearpoint<br><strong><br></strong>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Written by Jessica Mallet</p><p>Cast:<br>Statue - Velenzia Spearpoint<br><strong><br></strong>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Aug 2020 08:44:29 +0100</pubDate>
      <author>Janno Media</author>
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      <itunes:duration>1090</itunes:duration>
      <itunes:summary>Don’t Move follows a day in the life of a Living Statue working her pitch every day in London’s iconic Covent Garden. Frustrated with the hand life has dealt her, she is full of a quiet and motionless resentment – as she glares out every day, at an under appreciating world, from behind thick silver eyelashes. 
Warning - This episode contains explicit content.</itunes:summary>
      <itunes:subtitle>Don’t Move follows a day in the life of a Living Statue working her pitch every day in London’s iconic Covent Garden. Frustrated with the hand life has dealt her, she is full of a quiet and motionless resentment – as she glares out every day, at an under </itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
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    <item>
      <title>Make Your Fortune by Michael Staniforth</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Make Your Fortune by Michael Staniforth</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Written by Michael Staniforth</p><p>Cast:<br>Fiona - Flora Sowerby<br>Phillip - Thomas Delacourt<br>The ‘Expert’ - Eddie Chamberlain <br>Carol - Fay Jagger </p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
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      <content:encoded>
        <![CDATA[<p>Written by Michael Staniforth</p><p>Cast:<br>Fiona - Flora Sowerby<br>Phillip - Thomas Delacourt<br>The ‘Expert’ - Eddie Chamberlain <br>Carol - Fay Jagger </p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 27 Jul 2020 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
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      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>956</itunes:duration>
      <itunes:summary>Two over enthusiastic TV hosts, in a bid to unearth lost treasures of the art world, barge in to Carol’s morning and begin scrutinising her 6 year old daughter's finger paintings.</itunes:summary>
      <itunes:subtitle>Two over enthusiastic TV hosts, in a bid to unearth lost treasures of the art world, barge in to Carol’s morning and begin scrutinising her 6 year old daughter's finger paintings.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Vast by Callie Walsh</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Vast by Callie Walsh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Written by Callie Walsh</p><p>Cast:<br>Brooke – Sassy Clyde <br>Harvey – Lene Kqiku</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Written by Callie Walsh</p><p>Cast:<br>Brooke – Sassy Clyde <br>Harvey – Lene Kqiku</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 20 Jul 2020 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
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      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>863</itunes:duration>
      <itunes:summary>Vast is a beautiful look at love and the lengths those who care about us will go to, to keep us afloat when we feel like going under.</itunes:summary>
      <itunes:subtitle>Vast is a beautiful look at love and the lengths those who care about us will go to, to keep us afloat when we feel like going under.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Last Taboo by Tom Jensen</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>The Last Taboo by Tom Jensen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/1829f17c</link>
      <description>
        <![CDATA[<p>Written by Tom Jensen</p><p>Cast:<br>Pam - Rebecca Ward<br>Terry - Duncan Watkinson</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Written by Tom Jensen</p><p>Cast:<br>Pam - Rebecca Ward<br>Terry - Duncan Watkinson</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 13 Jul 2020 08:00:00 +0100</pubDate>
      <author>Janno Media</author>
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      <itunes:author>Janno Media</itunes:author>
      <itunes:duration>803</itunes:duration>
      <itunes:summary>Pam and Terry have been married for years and are still very much in love. There is little that could come between them. That is until, Pam is discovered to have committed the ultimate wifely betrayal…..</itunes:summary>
      <itunes:subtitle>Pam and Terry have been married for years and are still very much in love. There is little that could come between them. That is until, Pam is discovered to have committed the ultimate wifely betrayal…..</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
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    <item>
      <title>Relative Values by Viv Young</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Relative Values by Viv Young</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Written by Viv Young</p><p>Cast:<br>Alison – Jillian Aitkin<br>Rosemary – Cindy Evans<br>Pamela – Paula Benson<br>Directed by Deanna Arthur</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Written by Viv Young</p><p>Cast:<br>Alison – Jillian Aitkin<br>Rosemary – Cindy Evans<br>Pamela – Paula Benson<br>Directed by Deanna Arthur</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 06 Jul 2020 08:00:00 +0100</pubDate>
      <author>Get Over It Productions &amp; Viv Young</author>
      <enclosure url="https://media.transistor.fm/17eb378b/988041f8.mp3" length="19488193" type="audio/mpeg"/>
      <itunes:author>Get Over It Productions &amp; Viv Young</itunes:author>
      <itunes:duration>809</itunes:duration>
      <itunes:summary>Two sisters suspiciously await the arrival of a long lost relative, wondering what implications this might have on the status of their inheritance...</itunes:summary>
      <itunes:subtitle>Two sisters suspiciously await the arrival of a long lost relative, wondering what implications this might have on the status of their inheritance...</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Foundering by Miranda Colmans</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Foundering by Miranda Colmans</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/1cc53656</link>
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        <![CDATA[<p>Written by Miranda Colmans</p><p>Cast:<br>Carrie – Velenzia Spearpoint<br>Mel – Sassy Clyde<br>Siobhan - Anna Hawkes</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Written by Miranda Colmans</p><p>Cast:<br>Carrie – Velenzia Spearpoint<br>Mel – Sassy Clyde<br>Siobhan - Anna Hawkes</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 29 Jun 2020 08:00:00 +0100</pubDate>
      <author>Get Over It Productions &amp; Miranda Colmans</author>
      <enclosure url="https://media.transistor.fm/1cc53656/9313d4ef.mp3" length="20582439" type="audio/mpeg"/>
      <itunes:author>Get Over It Productions &amp; Miranda Colmans</itunes:author>
      <itunes:duration>855</itunes:duration>
      <itunes:summary>Carrie and Mel, young and in love, are preparing dinner for Mel's oldest school friend, Siobhan.  When Siobhan arrives the familiar tension between her and Carrie seems unusually amped up and the couple are left wondering what could have happened to put Siobhan in this mood...</itunes:summary>
      <itunes:subtitle>Carrie and Mel, young and in love, are preparing dinner for Mel's oldest school friend, Siobhan.  When Siobhan arrives the familiar tension between her and Carrie seems unusually amped up and the couple are left wondering what could have happened to put S</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Boxsets by Richard Fitchett</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Boxsets by Richard Fitchett</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/cbb494fc</link>
      <description>
        <![CDATA[<p>Boxsets by Richard Fitchett</p><p>Cast:<br>Christine - Flora Sowerby<br>Gina - Fay Jagger</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Boxsets by Richard Fitchett</p><p>Cast:<br>Christine - Flora Sowerby<br>Gina - Fay Jagger</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 22 Jun 2020 08:00:00 +0100</pubDate>
      <author>Get Over It Productions &amp; Richard Fitchett</author>
      <enclosure url="https://media.transistor.fm/cbb494fc/0030fbba.mp3" length="16139715" type="audio/mpeg"/>
      <itunes:author>Get Over It Productions &amp; Richard Fitchett</itunes:author>
      <itunes:duration>670</itunes:duration>
      <itunes:summary>Trapped in her London bedsit, Gina is paid a visit by her best friend Christine who is deeply concerned at Gina's increasingly hermit like behaviour.

Written by Richard Fitchett

Cast:
Gina – Fay Jagger
Christine – Flora Sowerby</itunes:summary>
      <itunes:subtitle>Trapped in her London bedsit, Gina is paid a visit by her best friend Christine who is deeply concerned at Gina's increasingly hermit like behaviour.

Written by Richard Fitchett

Cast:
Gina – Fay Jagger
Christine – Flora Sowerby</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Captain by Kevin Jones</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Captain by Kevin Jones</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/47abb459</link>
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        <![CDATA[<p>Captain by Kevin Jones.</p><p>Cast:<br>Captain - Duncan Watkinson <br>The Investigator - Sassy Clyde</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Captain by Kevin Jones.</p><p>Cast:<br>Captain - Duncan Watkinson <br>The Investigator - Sassy Clyde</p><p>Sound design by the team at Janno Media</p><p>Produced by <a href="https://www.jannomedia.com/">Janno Media</a> in association with <a href="https://www/getoveritproductions.co.uk">Get Over It Productions</a></p><p>Our season jingle is by Emma McGrath<br><a href="http://www.emmamcgrath.co.uk/">Emma McGrath.co.uk</a></p><p>Come visit us:<br><a href="https://thescenepodcast.co.uk/">https://thescenepodcast.co.uk/</a><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 10 Jun 2020 22:00:00 +0100</pubDate>
      <author>Get Over It Productions &amp; Kevin Jones</author>
      <enclosure url="https://media.transistor.fm/47abb459/0f1ebaf4.mp3" length="16349420" type="audio/mpeg"/>
      <itunes:author>Get Over It Productions &amp; Kevin Jones</itunes:author>
      <itunes:duration>679</itunes:duration>
      <itunes:summary>An investigation is underway in to the events surrounding a ship wreck that saw a very expensive government owned cargo liner, find its way to the bottom of the sea.</itunes:summary>
      <itunes:subtitle>An investigation is underway in to the events surrounding a ship wreck that saw a very expensive government owned cargo liner, find its way to the bottom of the sea.</itunes:subtitle>
      <itunes:keywords>Performing Arts, Acting, Writing, Theatre</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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