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    <title>The Music Talkshow</title>
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    <description>“Music Talkshow” is a musicology dissemination show by our local University of Oslo early career music and sound researchers – PhD’s and postdocs. How do we communicate our research to the “outside” world? How do we maintain our relevance to society as academics? People who write about music, but not the music itself? In other words, how does our work relate to the real world, and how does the real-world manifests in our work?

In this show, we tackle these unanswerable questions with a light-hearted approach: through informal conversations, sound and music examples, and perhaps some experiments. We hope to bridge the gap between those who wonder about music casually and those who do that professionally – from prospective students to lifelong music fans, fidelity nerds, and helpless cheesy romantics. By doing so, we will leave our own comfort zones to show the diversity of the academic community to showcase new voices and sounds, encourage participation, and take an alternative turn on the University.</description>
    <copyright>© 2025 Radio Nova</copyright>
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    <pubDate>Sat, 07 Dec 2024 03:06:33 -0800</pubDate>
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      <title>The Music Talkshow</title>
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    <itunes:summary>“Music Talkshow” is a musicology dissemination show by our local University of Oslo early career music and sound researchers – PhD’s and postdocs. How do we communicate our research to the “outside” world? How do we maintain our relevance to society as academics? People who write about music, but not the music itself? In other words, how does our work relate to the real world, and how does the real-world manifests in our work?

In this show, we tackle these unanswerable questions with a light-hearted approach: through informal conversations, sound and music examples, and perhaps some experiments. We hope to bridge the gap between those who wonder about music casually and those who do that professionally – from prospective students to lifelong music fans, fidelity nerds, and helpless cheesy romantics. By doing so, we will leave our own comfort zones to show the diversity of the academic community to showcase new voices and sounds, encourage participation, and take an alternative turn on the University.</itunes:summary>
    <itunes:subtitle>“Music Talkshow” is a musicology dissemination show by our local University of Oslo early career music and sound researchers – PhD’s and postdocs.</itunes:subtitle>
    <itunes:keywords>research, musicology, technology, sound studies</itunes:keywords>
    <itunes:owner>
      <itunes:name>Radio Nova</itunes:name>
    </itunes:owner>
    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>How Do Musicologists Celebrate Christmas?</title>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>How Do Musicologists Celebrate Christmas?</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>It’s starting to look a lot like work party (Julebord) season, and we are excited to brag about ours shamelessly, but also ask: what makes a good celebration between colleagues? </p><p>In the last show of the 2024 season, Julie, Kristina, Aleksander and Ieva sit down to chat about how musicologists celebrate Christmas. By sharing the perspectives of our party committee and our in-house band, we reflect on the importance of collective music-making, listen to some tunes, and have some laughs. </p><p>References:</p><p>Wham! - Last Christmas</p><p>Vazelina Bilopphøggers - Hem'att tel jul</p><p>Oslo fagottkor - Running To The Sea</p><p>Carola and Viktor Norén - Stjärnorna lyser för oss</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>It’s starting to look a lot like work party (Julebord) season, and we are excited to brag about ours shamelessly, but also ask: what makes a good celebration between colleagues? </p><p>In the last show of the 2024 season, Julie, Kristina, Aleksander and Ieva sit down to chat about how musicologists celebrate Christmas. By sharing the perspectives of our party committee and our in-house band, we reflect on the importance of collective music-making, listen to some tunes, and have some laughs. </p><p>References:</p><p>Wham! - Last Christmas</p><p>Vazelina Bilopphøggers - Hem'att tel jul</p><p>Oslo fagottkor - Running To The Sea</p><p>Carola and Viktor Norén - Stjärnorna lyser för oss</p><p><br></p>]]>
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      <pubDate>Sat, 07 Dec 2024 03:05:54 -0800</pubDate>
      <author>Radio Nova</author>
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      <itunes:author>Radio Nova</itunes:author>
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      <itunes:duration>2773</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>It’s starting to look a lot like work party (Julebord) season, and we are excited to brag about ours shamelessly, but also ask: what makes a good celebration between colleagues? </p><p>In the last show of the 2024 season, Julie, Kristina, Aleksander and Ieva sit down to chat about how musicologists celebrate Christmas. By sharing the perspectives of our party committee and our in-house band, we reflect on the importance of collective music-making, listen to some tunes, and have some laughs. </p><p>References:</p><p>Wham! - Last Christmas</p><p>Vazelina Bilopphøggers - Hem'att tel jul</p><p>Oslo fagottkor - Running To The Sea</p><p>Carola and Viktor Norén - Stjärnorna lyser för oss</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Musicology, Christmas, talkshow</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Halloween Film Music Special</title>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>Halloween Film Music Special</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/96b72a9a</link>
      <description>
        <![CDATA[<p>As we are closing up on Halloween, Kristina Klugnes and Eirik Jacobsen take us though some historical moments of horror film music! What is the sound of horror music and how has it developed from the 1930s until today?<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>As we are closing up on Halloween, Kristina Klugnes and Eirik Jacobsen take us though some historical moments of horror film music! What is the sound of horror music and how has it developed from the 1930s until today?<br></p>]]>
      </content:encoded>
      <pubDate>Fri, 22 Nov 2024 02:18:21 -0800</pubDate>
      <author>Kristina Klugnes, Eirik Jacobsen</author>
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      <itunes:author>Kristina Klugnes, Eirik Jacobsen</itunes:author>
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      <itunes:duration>2584</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>As we are closing up on Halloween, Kristina Klugnes and Eirik Jacobsen take us though some historical moments of horror film music! What is the sound of horror music and how has it developed from the 1930s until today?<br></p>]]>
      </itunes:summary>
      <itunes:keywords>horror films, film music, musicology, talkshow, halloween</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Music and Gardens</title>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Music and Gardens</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/426aeb80</link>
      <description>
        <![CDATA[<p>In this episode, we take a stroll with IMV postdoctoral fellow Sadie Menicanin through Oslo’s Botaniske hage. As we walk along gravel paths and under shady boughs, we discuss Sadie’s recent and current research related to music and gardens. The conversation touches on garden scenes in French grand opera, Vienna’s municipal planning of green space in the later 19th century, erotically charged greenhouses, imperial botanical gardens, outdoor concerts, songs for hiking, class-coded noise complaints in public green spaces, and more. </p><p>Together with her colleague Cana McGhee, Sadie is hosting a symposium on 28-29 October at IMV called “grounded,” which will delve into themes of soil, waste, and decomposition, and will explore music’s many connections to such material and political environmental matters. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode, we take a stroll with IMV postdoctoral fellow Sadie Menicanin through Oslo’s Botaniske hage. As we walk along gravel paths and under shady boughs, we discuss Sadie’s recent and current research related to music and gardens. The conversation touches on garden scenes in French grand opera, Vienna’s municipal planning of green space in the later 19th century, erotically charged greenhouses, imperial botanical gardens, outdoor concerts, songs for hiking, class-coded noise complaints in public green spaces, and more. </p><p>Together with her colleague Cana McGhee, Sadie is hosting a symposium on 28-29 October at IMV called “grounded,” which will delve into themes of soil, waste, and decomposition, and will explore music’s many connections to such material and political environmental matters. </p>]]>
      </content:encoded>
      <pubDate>Sat, 12 Oct 2024 00:35:45 -0700</pubDate>
      <author>Sadie Menicanin</author>
      <enclosure url="https://media.transistor.fm/426aeb80/684e97b8.mp3" length="51635832" type="audio/mpeg"/>
      <itunes:author>Sadie Menicanin</itunes:author>
      <itunes:image href="https://img.transistor.fm/A_SiCrtVU7F1lIt41UMwuB_Cj0IALwnUML9W7TRGZ2w/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jNTg0/Yzk3ZjE4MjZjMWE2/YmJhYWMxNjJmOTlh/M2ZiZi5wbmc.jpg"/>
      <itunes:duration>3220</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode, we take a stroll with IMV postdoctoral fellow Sadie Menicanin through Oslo’s Botaniske hage. As we walk along gravel paths and under shady boughs, we discuss Sadie’s recent and current research related to music and gardens. The conversation touches on garden scenes in French grand opera, Vienna’s municipal planning of green space in the later 19th century, erotically charged greenhouses, imperial botanical gardens, outdoor concerts, songs for hiking, class-coded noise complaints in public green spaces, and more. </p><p>Together with her colleague Cana McGhee, Sadie is hosting a symposium on 28-29 October at IMV called “grounded,” which will delve into themes of soil, waste, and decomposition, and will explore music’s many connections to such material and political environmental matters. </p>]]>
      </itunes:summary>
      <itunes:keywords>Research, Musicology, sound studies, ecomusicology, music history</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>When Queer and Opera Intersect</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>When Queer and Opera Intersect</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f5b90282</link>
      <description>
        <![CDATA[<p>Join Daniel Fong (Doctoral Research Fellow, IMV) and Queer opera singer and activist, Angelle Khachik, as they ruminate on what Queer Opera might be today and discuss some famous and not-so-well-known Queer operas.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Join Daniel Fong (Doctoral Research Fellow, IMV) and Queer opera singer and activist, Angelle Khachik, as they ruminate on what Queer Opera might be today and discuss some famous and not-so-well-known Queer operas.</p>]]>
      </content:encoded>
      <pubDate>Sun, 30 Jun 2024 08:57:54 -0700</pubDate>
      <author>Daniel Fong, Angelle Khachik</author>
      <enclosure url="https://media.transistor.fm/f5b90282/b84b3ef7.mp3" length="43831778" type="audio/mpeg"/>
      <itunes:author>Daniel Fong, Angelle Khachik</itunes:author>
      <itunes:image href="https://img.transistor.fm/feNBJxw9dctFFrNFW-KhZtNJQueumV_CJbK1EvzFv20/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82ODZh/ZWRmZTczNzRlNTNi/MjBhZTdiYjBlOWUz/ZDM3OC5wbmc.jpg"/>
      <itunes:duration>2736</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Join Daniel Fong (Doctoral Research Fellow, IMV) and Queer opera singer and activist, Angelle Khachik, as they ruminate on what Queer Opera might be today and discuss some famous and not-so-well-known Queer operas.</p>]]>
      </itunes:summary>
      <itunes:keywords>research, musicology, queer studies, opera, interview</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Playing Music with Machines with Vincenzo Madaghiele</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Playing Music with Machines with Vincenzo Madaghiele</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">67b98078-7814-46f7-a52a-2d25572ed88a</guid>
      <link>https://share.transistor.fm/s/5a6e27be</link>
      <description>
        <![CDATA[<p>In this episode of The Music Talkshow, it's all about playing music with machines! How can we best interact and play music with machines? What does it mean for a machine to be a good bandmate? </p><p>This, and so much more, is the topic of PhD candidate Vincenzo Madaghiele's research project at the UiO. On today's show, Vinzenco shares details of his recent artistic projects, his PhD research and insights into complex music tech topics such as mapping, machine-learning, algorithmic instrument design, software and more.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode of The Music Talkshow, it's all about playing music with machines! How can we best interact and play music with machines? What does it mean for a machine to be a good bandmate? </p><p>This, and so much more, is the topic of PhD candidate Vincenzo Madaghiele's research project at the UiO. On today's show, Vinzenco shares details of his recent artistic projects, his PhD research and insights into complex music tech topics such as mapping, machine-learning, algorithmic instrument design, software and more.<br></p>]]>
      </content:encoded>
      <pubDate>Fri, 07 Jun 2024 19:28:40 -0700</pubDate>
      <author>Vincenzo Madaghiele, Aleksander Tidemann</author>
      <enclosure url="https://media.transistor.fm/5a6e27be/f1c23005.mp3" length="35477470" type="audio/mpeg"/>
      <itunes:author>Vincenzo Madaghiele, Aleksander Tidemann</itunes:author>
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      <itunes:duration>2214</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode of The Music Talkshow, it's all about playing music with machines! How can we best interact and play music with machines? What does it mean for a machine to be a good bandmate? </p><p>This, and so much more, is the topic of PhD candidate Vincenzo Madaghiele's research project at the UiO. On today's show, Vinzenco shares details of his recent artistic projects, his PhD research and insights into complex music tech topics such as mapping, machine-learning, algorithmic instrument design, software and more.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>research, musicology, technology, sound studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Eastern Easter</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Eastern Easter</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a0265e49-9e84-4322-ad91-4912b1b74244</guid>
      <link>https://share.transistor.fm/s/207fdabb</link>
      <description>
        <![CDATA[<p>In this Easter special, doctoral research fellow Kristina Sočanski Čelik shares her insights and reminiscences of Eastern Easter - and the religious musical traditions of the Orthodox Christian church. Based on her research on how contemporary composition relates sonic experiences to the spiritual, this show takes listeners across the Greek, Ukrainian, Serbian, and North Macedonian Easter soundscapes, while offering folkloric and sacral readings of the works of Ljubica Marić and Arvo Pärt.</p><p>Listening List:</p><p> </p><p>1.     The Sorrowful Mother - Vydubychi Church Chorus</p><p>2.     Anastaseos Imera - Divna Ljubojevic &amp; "The Melodists" Choir</p><p>3.     Arvo Pärt – Cantus in Memoriam Benjamin Britten – Norwegian Chamber Orchestra – Terje Tønnesen, conductor</p><p>4.     Arvo Pärt – Für Alina – Kristina Socanski, piano</p><p>5.     Ljubica Marić – The Byzantine Concerto - Olga Jovanović, piano - Belgrade Philharmonic Orchestra -  Oskar Danon, conductor</p><p>6.     Serbian Octoechoe – Gospodi Vozzvah – Voice 1 – Marija Jovićević, Nikola Radunović, chanters</p><p>7.     Stevan Mokranjac – Passion Week – Radio Television Belgrade Choir – Vladimir Kranjčević, conductor</p><p>8.     Trad: Easter Ring Dance (Veligdensko oro) – Bajsa Arifovska </p><p> </p><p>References:</p><p> </p><p><a href="https://www.timeanddate.com/calendar/revised-julian-calendar.html">"The Revised Julian Calendar"</a>. Time and Date. Retrieved 25 December 2017.</p><p> </p><p>Ribic, Romana. (2014). “Audio Recordings of Hymns from the Octoechos as </p><p>Written Down by Stevan Stojanović Mokranjac”. New Sound 43, I/2014. </p><p> </p><p>Cizmic, Maria and Helbig, Adriana. "10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives". <em>Arvo Pärt: Sounding the Sacred</em>, edited by Peter C. Bouteneff, Jeffers Engelhardt and Robert Saler, New York, USA: Fordham University Press, 2020, pp. 177-194. <a href="https://doi.org/10.1515/9780823289783-010">https://doi.org/10.1515/9780823289783-010</a></p><p> </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this Easter special, doctoral research fellow Kristina Sočanski Čelik shares her insights and reminiscences of Eastern Easter - and the religious musical traditions of the Orthodox Christian church. Based on her research on how contemporary composition relates sonic experiences to the spiritual, this show takes listeners across the Greek, Ukrainian, Serbian, and North Macedonian Easter soundscapes, while offering folkloric and sacral readings of the works of Ljubica Marić and Arvo Pärt.</p><p>Listening List:</p><p> </p><p>1.     The Sorrowful Mother - Vydubychi Church Chorus</p><p>2.     Anastaseos Imera - Divna Ljubojevic &amp; "The Melodists" Choir</p><p>3.     Arvo Pärt – Cantus in Memoriam Benjamin Britten – Norwegian Chamber Orchestra – Terje Tønnesen, conductor</p><p>4.     Arvo Pärt – Für Alina – Kristina Socanski, piano</p><p>5.     Ljubica Marić – The Byzantine Concerto - Olga Jovanović, piano - Belgrade Philharmonic Orchestra -  Oskar Danon, conductor</p><p>6.     Serbian Octoechoe – Gospodi Vozzvah – Voice 1 – Marija Jovićević, Nikola Radunović, chanters</p><p>7.     Stevan Mokranjac – Passion Week – Radio Television Belgrade Choir – Vladimir Kranjčević, conductor</p><p>8.     Trad: Easter Ring Dance (Veligdensko oro) – Bajsa Arifovska </p><p> </p><p>References:</p><p> </p><p><a href="https://www.timeanddate.com/calendar/revised-julian-calendar.html">"The Revised Julian Calendar"</a>. Time and Date. Retrieved 25 December 2017.</p><p> </p><p>Ribic, Romana. (2014). “Audio Recordings of Hymns from the Octoechos as </p><p>Written Down by Stevan Stojanović Mokranjac”. New Sound 43, I/2014. </p><p> </p><p>Cizmic, Maria and Helbig, Adriana. "10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives". <em>Arvo Pärt: Sounding the Sacred</em>, edited by Peter C. Bouteneff, Jeffers Engelhardt and Robert Saler, New York, USA: Fordham University Press, 2020, pp. 177-194. <a href="https://doi.org/10.1515/9780823289783-010">https://doi.org/10.1515/9780823289783-010</a></p><p> </p>]]>
      </content:encoded>
      <pubDate>Sat, 30 Mar 2024 07:07:40 -0700</pubDate>
      <author>Kristina Sočanski Čelik, Radio Nova</author>
      <enclosure url="https://media.transistor.fm/207fdabb/36c4a808.mp3" length="30555830" type="audio/mpeg"/>
      <itunes:author>Kristina Sočanski Čelik, Radio Nova</itunes:author>
      <itunes:image href="https://img.transistor.fm/g6fpTWLTodjzzppLN3hZr1wl9lESHz00coE1jQycmvY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE4MjEwMzMv/MTcxMTgwNzY2MC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>1908</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this Easter special, doctoral research fellow Kristina Sočanski Čelik shares her insights and reminiscences of Eastern Easter - and the religious musical traditions of the Orthodox Christian church. Based on her research on how contemporary composition relates sonic experiences to the spiritual, this show takes listeners across the Greek, Ukrainian, Serbian, and North Macedonian Easter soundscapes, while offering folkloric and sacral readings of the works of Ljubica Marić and Arvo Pärt.</p><p>Listening List:</p><p> </p><p>1.     The Sorrowful Mother - Vydubychi Church Chorus</p><p>2.     Anastaseos Imera - Divna Ljubojevic &amp; "The Melodists" Choir</p><p>3.     Arvo Pärt – Cantus in Memoriam Benjamin Britten – Norwegian Chamber Orchestra – Terje Tønnesen, conductor</p><p>4.     Arvo Pärt – Für Alina – Kristina Socanski, piano</p><p>5.     Ljubica Marić – The Byzantine Concerto - Olga Jovanović, piano - Belgrade Philharmonic Orchestra -  Oskar Danon, conductor</p><p>6.     Serbian Octoechoe – Gospodi Vozzvah – Voice 1 – Marija Jovićević, Nikola Radunović, chanters</p><p>7.     Stevan Mokranjac – Passion Week – Radio Television Belgrade Choir – Vladimir Kranjčević, conductor</p><p>8.     Trad: Easter Ring Dance (Veligdensko oro) – Bajsa Arifovska </p><p> </p><p>References:</p><p> </p><p><a href="https://www.timeanddate.com/calendar/revised-julian-calendar.html">"The Revised Julian Calendar"</a>. Time and Date. Retrieved 25 December 2017.</p><p> </p><p>Ribic, Romana. (2014). “Audio Recordings of Hymns from the Octoechos as </p><p>Written Down by Stevan Stojanović Mokranjac”. New Sound 43, I/2014. </p><p> </p><p>Cizmic, Maria and Helbig, Adriana. "10. The Piano and the Performing Body in the Music of Arvo Pärt: Phenomenological Perspectives". <em>Arvo Pärt: Sounding the Sacred</em>, edited by Peter C. Bouteneff, Jeffers Engelhardt and Robert Saler, New York, USA: Fordham University Press, 2020, pp. 177-194. <a href="https://doi.org/10.1515/9780823289783-010">https://doi.org/10.1515/9780823289783-010</a></p><p> </p>]]>
      </itunes:summary>
      <itunes:keywords>research, easter, musicology, orthodox</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>What is Musical Inheritance? Part 2</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>What is Musical Inheritance? Part 2</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">43335785-cf96-4600-947b-f33e3cb090b0</guid>
      <link>https://share.transistor.fm/s/953189cc</link>
      <description>
        <![CDATA[<p>In this episode of The Music Talkshow, produced by Tejaswinee Kelkar in collaboration with Oslo's Historical Museum, Tejaswinee speaks with Dr. Boro Baski about the musical heritage of the Santhal ethnic community; the instrument banam and the long process of creating, becoming, and in other ways inheriting musical heritage, such as singing folk songs, dancing practices and festivals, through the instrument; and how this inheritance is contextualised in a changing society and other kinds of musical learning.</p><p>This English language interview (with excerpts of Norwegian)  follows a thematic exhibition at the museum and comes with a list of English language references, which, together with the full version, can be found here: https://www.historiskmuseum.no/utstillinger/arv/podkast/</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode of The Music Talkshow, produced by Tejaswinee Kelkar in collaboration with Oslo's Historical Museum, Tejaswinee speaks with Dr. Boro Baski about the musical heritage of the Santhal ethnic community; the instrument banam and the long process of creating, becoming, and in other ways inheriting musical heritage, such as singing folk songs, dancing practices and festivals, through the instrument; and how this inheritance is contextualised in a changing society and other kinds of musical learning.</p><p>This English language interview (with excerpts of Norwegian)  follows a thematic exhibition at the museum and comes with a list of English language references, which, together with the full version, can be found here: https://www.historiskmuseum.no/utstillinger/arv/podkast/</p>]]>
      </content:encoded>
      <pubDate>Sat, 02 Mar 2024 00:38:03 -0800</pubDate>
      <author>Radio Nova</author>
      <enclosure url="https://media.transistor.fm/953189cc/2a038540.mp3" length="27576806" type="audio/mpeg"/>
      <itunes:author>Radio Nova</itunes:author>
      <itunes:image href="https://img.transistor.fm/5gNTFeRViQMM9KDUVypzhmuyqyR4njpBRTuTU0l8lII/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE3Njk4ODUv/MTcwOTM2ODY4My1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>1717</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode of The Music Talkshow, produced by Tejaswinee Kelkar in collaboration with Oslo's Historical Museum, Tejaswinee speaks with Dr. Boro Baski about the musical heritage of the Santhal ethnic community; the instrument banam and the long process of creating, becoming, and in other ways inheriting musical heritage, such as singing folk songs, dancing practices and festivals, through the instrument; and how this inheritance is contextualised in a changing society and other kinds of musical learning.</p><p>This English language interview (with excerpts of Norwegian)  follows a thematic exhibition at the museum and comes with a list of English language references, which, together with the full version, can be found here: https://www.historiskmuseum.no/utstillinger/arv/podkast/</p>]]>
      </itunes:summary>
      <itunes:keywords>musicology, research, history, heritage</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>What is Musical Inheritance? Part 1</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>What is Musical Inheritance? Part 1</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c14c7f38-425d-4d72-a340-da93d9841025</guid>
      <link>https://share.transistor.fm/s/8b52a84d</link>
      <description>
        <![CDATA[<p>The Music Talkshow is back after the winter break with the first episode of a podcast series “What is musical inheritance?”, produced by Tejaswinee Kelkar in collaboration with the Oslo's Historical Museum.</p><p>Here, Tejaswinee speaks about the music of the Viking ages with Einar Selvik, also known for his band Wardruna. They discuss musical - and other - visions of the Viking era, their recreation today, and a broader shift towards the interest in neofolk and pre-Christian traditions, especially in such genres as black metal. </p><p>This Norwegian language podcast comes together with a thematic exhibition at the museum and a list of English language references, which, together with the full version, can be found here: https://www.historiskmuseum.no/utstillinger/arv/podkast/<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The Music Talkshow is back after the winter break with the first episode of a podcast series “What is musical inheritance?”, produced by Tejaswinee Kelkar in collaboration with the Oslo's Historical Museum.</p><p>Here, Tejaswinee speaks about the music of the Viking ages with Einar Selvik, also known for his band Wardruna. They discuss musical - and other - visions of the Viking era, their recreation today, and a broader shift towards the interest in neofolk and pre-Christian traditions, especially in such genres as black metal. </p><p>This Norwegian language podcast comes together with a thematic exhibition at the museum and a list of English language references, which, together with the full version, can be found here: https://www.historiskmuseum.no/utstillinger/arv/podkast/<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 27 Jan 2024 06:49:02 -0800</pubDate>
      <author>Radio Nova</author>
      <enclosure url="https://media.transistor.fm/8b52a84d/f2bb4588.mp3" length="4759200" type="audio/mpeg"/>
      <itunes:author>Radio Nova</itunes:author>
      <itunes:image href="https://img.transistor.fm/sy3EEvtR7dgr16JFnxS2tbErjbQsgoL7LYcWhbCT4hw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE3MDYyMDAv/MTcwNjM2Njk0Mi1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>291</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The Music Talkshow is back after the winter break with the first episode of a podcast series “What is musical inheritance?”, produced by Tejaswinee Kelkar in collaboration with the Oslo's Historical Museum.</p><p>Here, Tejaswinee speaks about the music of the Viking ages with Einar Selvik, also known for his band Wardruna. They discuss musical - and other - visions of the Viking era, their recreation today, and a broader shift towards the interest in neofolk and pre-Christian traditions, especially in such genres as black metal. </p><p>This Norwegian language podcast comes together with a thematic exhibition at the museum and a list of English language references, which, together with the full version, can be found here: https://www.historiskmuseum.no/utstillinger/arv/podkast/<br></p>]]>
      </itunes:summary>
      <itunes:keywords>musicology, research, history, heritage</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Medieval Christmas Music</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Medieval Christmas Music</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/98e9ab47</link>
      <description>
        <![CDATA[<p>In this episode, Ieva Gudaitytė talks to James Tomlinson about Christmas music in late medieval England. The conversation involves aspects of medieval book production and the transmission of polyphony within England and abroad. It introduces music written for the Christmas period and contexts in which these elusive musical survivors might have been performed. They chat about the ephemerality of medieval polyphony, how popular musical settings were worked and reworked over time, and the challenges of working with the paucity of surviving sources.</p><p><br></p><p>References:</p><ul><li>Bowers, Roger. "Obligation, Agency, and Laissez-Faire: The Promotion of Polyphonic Composition for the Church in Fifteenth-Century England." In Iain Fenlon, ed. <em>Music in Medieval and Early Modern Europe: Patronage, Sources and Texts</em>. Cambridge University Press, 1981: 1-19.</li><li>Harris, Max. <em>Sacred Folly: A New History of the Feast of Fools</em>. Cornell University Press, 2011.</li></ul>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode, Ieva Gudaitytė talks to James Tomlinson about Christmas music in late medieval England. The conversation involves aspects of medieval book production and the transmission of polyphony within England and abroad. It introduces music written for the Christmas period and contexts in which these elusive musical survivors might have been performed. They chat about the ephemerality of medieval polyphony, how popular musical settings were worked and reworked over time, and the challenges of working with the paucity of surviving sources.</p><p><br></p><p>References:</p><ul><li>Bowers, Roger. "Obligation, Agency, and Laissez-Faire: The Promotion of Polyphonic Composition for the Church in Fifteenth-Century England." In Iain Fenlon, ed. <em>Music in Medieval and Early Modern Europe: Patronage, Sources and Texts</em>. Cambridge University Press, 1981: 1-19.</li><li>Harris, Max. <em>Sacred Folly: A New History of the Feast of Fools</em>. Cornell University Press, 2011.</li></ul>]]>
      </content:encoded>
      <pubDate>Sat, 25 Nov 2023 23:59:51 -0800</pubDate>
      <author>James Tomlinson, Ieva Gudaitytė</author>
      <enclosure url="https://media.transistor.fm/98e9ab47/33c79116.mp3" length="48840390" type="audio/mpeg"/>
      <itunes:author>James Tomlinson, Ieva Gudaitytė</itunes:author>
      <itunes:image href="https://img.transistor.fm/g0pVCPZKLbtn6oLDCpgioMceSsTR2E9n8OJ06Euqv0U/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE2MTI0MTYv/MTcwMDk4NTU5MS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3048</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode, Ieva Gudaitytė talks to James Tomlinson about Christmas music in late medieval England. The conversation involves aspects of medieval book production and the transmission of polyphony within England and abroad. It introduces music written for the Christmas period and contexts in which these elusive musical survivors might have been performed. They chat about the ephemerality of medieval polyphony, how popular musical settings were worked and reworked over time, and the challenges of working with the paucity of surviving sources.</p><p><br></p><p>References:</p><ul><li>Bowers, Roger. "Obligation, Agency, and Laissez-Faire: The Promotion of Polyphonic Composition for the Church in Fifteenth-Century England." In Iain Fenlon, ed. <em>Music in Medieval and Early Modern Europe: Patronage, Sources and Texts</em>. Cambridge University Press, 1981: 1-19.</li><li>Harris, Max. <em>Sacred Folly: A New History of the Feast of Fools</em>. Cornell University Press, 2011.</li></ul>]]>
      </itunes:summary>
      <itunes:keywords>research; musicology; talkshow; Medieval; 14th century; Christmas; polyphony</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Songs from the Inside</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Songs from the Inside</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">960a90ee-9629-4b86-a7c5-8a09e1f9b75a</guid>
      <link>https://share.transistor.fm/s/34ad53c4</link>
      <description>
        <![CDATA[<p>This episode of the Music Talkshow is on the complex theme of music-making in prisons. IMV researchers Áine Mangaoang and Lucy Cathcart Frödén share tracks written or recorded in prisons in Norway, Iceland and Ireland, and discuss connections between music-making, identity and mental health, and the role music and shared creative processes could play in alternatives to incarceration. Along the way they’ll share recorded excerpts of a public conversation earlier in 2023 with special guest, Norwegian Hip Hop artist Belizio. </p><p><br><strong>References and links</strong></p><p><strong> </strong></p><p><a href="https://www.hf.uio.no/imv/english/research/projects/prisons-of-note/index.html">Prisons of Note project (University of Oslo)</a></p><p> </p><p><a href="https://www.musikkifengselogfrihet.no/">Musikk i Fengsel og Frihet (Music in Prison and Freedom, Norway)</a></p><p> </p><p><a href="https://education.uiowa.edu/directory/mary-cohen">Mary Cohen (researcher/practitioner on music in prisons in the US)</a></p><p> </p><p><a href="https://scholar.google.com/citations?user=SbZPTuwAAAAJ&amp;hl=en">Kate Herrity (criminologist interested in sound and the sensory in prisons)</a></p><p> </p><p><a href="https://www.crim.cam.ac.uk/People/professor-ben-crewe">Ben Crewe (criminologist who has written about ‘the pains of imprisonment’)</a></p><p> </p><p><a href="https://journals.sagepub.com/doi/full/10.1177/10298649211014235">Facilitators’ perspectives on music in Norwegian prisons (article by Áine)</a></p><p> </p><p><a href="https://www.voxliminis.co.uk/projects/distant-voices/">Distant Voices (songwriting-as-research in prisons in Scotland)</a></p><p> </p><p><a href="https://www.flowcode.com/page/theartofbridging">The Art of Bridging (podcast on the Distant Voices project, made by Lucy)</a></p><p> </p><p><a href="https://www.voxliminis.co.uk/the-art-of-bridging-learning-resources/">Learning Resources from The Art of Bridging</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This episode of the Music Talkshow is on the complex theme of music-making in prisons. IMV researchers Áine Mangaoang and Lucy Cathcart Frödén share tracks written or recorded in prisons in Norway, Iceland and Ireland, and discuss connections between music-making, identity and mental health, and the role music and shared creative processes could play in alternatives to incarceration. Along the way they’ll share recorded excerpts of a public conversation earlier in 2023 with special guest, Norwegian Hip Hop artist Belizio. </p><p><br><strong>References and links</strong></p><p><strong> </strong></p><p><a href="https://www.hf.uio.no/imv/english/research/projects/prisons-of-note/index.html">Prisons of Note project (University of Oslo)</a></p><p> </p><p><a href="https://www.musikkifengselogfrihet.no/">Musikk i Fengsel og Frihet (Music in Prison and Freedom, Norway)</a></p><p> </p><p><a href="https://education.uiowa.edu/directory/mary-cohen">Mary Cohen (researcher/practitioner on music in prisons in the US)</a></p><p> </p><p><a href="https://scholar.google.com/citations?user=SbZPTuwAAAAJ&amp;hl=en">Kate Herrity (criminologist interested in sound and the sensory in prisons)</a></p><p> </p><p><a href="https://www.crim.cam.ac.uk/People/professor-ben-crewe">Ben Crewe (criminologist who has written about ‘the pains of imprisonment’)</a></p><p> </p><p><a href="https://journals.sagepub.com/doi/full/10.1177/10298649211014235">Facilitators’ perspectives on music in Norwegian prisons (article by Áine)</a></p><p> </p><p><a href="https://www.voxliminis.co.uk/projects/distant-voices/">Distant Voices (songwriting-as-research in prisons in Scotland)</a></p><p> </p><p><a href="https://www.flowcode.com/page/theartofbridging">The Art of Bridging (podcast on the Distant Voices project, made by Lucy)</a></p><p> </p><p><a href="https://www.voxliminis.co.uk/the-art-of-bridging-learning-resources/">Learning Resources from The Art of Bridging</a></p>]]>
      </content:encoded>
      <pubDate>Sat, 28 Oct 2023 01:09:26 -0700</pubDate>
      <author>Dr Lucy Cathcart Frödén; Dr Áine Mangaoang; special guest Emil Hortman (a.k.a. Belizio)</author>
      <enclosure url="https://media.transistor.fm/34ad53c4/0643c4f1.mp3" length="41079584" type="audio/mpeg"/>
      <itunes:author>Dr Lucy Cathcart Frödén; Dr Áine Mangaoang; special guest Emil Hortman (a.k.a. Belizio)</itunes:author>
      <itunes:image href="https://img.transistor.fm/PnXi5vOUwQ7sUAGb8Huh_xCLbN2AJm6WM6fR8oDk99s/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE1NzA2ODgv/MTY5ODQ4MDU2Ni1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>2563</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This episode of the Music Talkshow is on the complex theme of music-making in prisons. IMV researchers Áine Mangaoang and Lucy Cathcart Frödén share tracks written or recorded in prisons in Norway, Iceland and Ireland, and discuss connections between music-making, identity and mental health, and the role music and shared creative processes could play in alternatives to incarceration. Along the way they’ll share recorded excerpts of a public conversation earlier in 2023 with special guest, Norwegian Hip Hop artist Belizio. </p><p><br><strong>References and links</strong></p><p><strong> </strong></p><p><a href="https://www.hf.uio.no/imv/english/research/projects/prisons-of-note/index.html">Prisons of Note project (University of Oslo)</a></p><p> </p><p><a href="https://www.musikkifengselogfrihet.no/">Musikk i Fengsel og Frihet (Music in Prison and Freedom, Norway)</a></p><p> </p><p><a href="https://education.uiowa.edu/directory/mary-cohen">Mary Cohen (researcher/practitioner on music in prisons in the US)</a></p><p> </p><p><a href="https://scholar.google.com/citations?user=SbZPTuwAAAAJ&amp;hl=en">Kate Herrity (criminologist interested in sound and the sensory in prisons)</a></p><p> </p><p><a href="https://www.crim.cam.ac.uk/People/professor-ben-crewe">Ben Crewe (criminologist who has written about ‘the pains of imprisonment’)</a></p><p> </p><p><a href="https://journals.sagepub.com/doi/full/10.1177/10298649211014235">Facilitators’ perspectives on music in Norwegian prisons (article by Áine)</a></p><p> </p><p><a href="https://www.voxliminis.co.uk/projects/distant-voices/">Distant Voices (songwriting-as-research in prisons in Scotland)</a></p><p> </p><p><a href="https://www.flowcode.com/page/theartofbridging">The Art of Bridging (podcast on the Distant Voices project, made by Lucy)</a></p><p> </p><p><a href="https://www.voxliminis.co.uk/the-art-of-bridging-learning-resources/">Learning Resources from The Art of Bridging</a></p>]]>
      </itunes:summary>
      <itunes:keywords>musicology; research; talkshow; music in prisons</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:chapters url="https://share.transistor.fm/s/34ad53c4/chapters.json" type="application/json+chapters"/>
    </item>
    <item>
      <title>Popular Music Cultures of the 20th and 21st Centuries</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Popular Music Cultures of the 20th and 21st Centuries</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9b542e40-109d-46be-8973-a97e4f4915a1</guid>
      <link>https://share.transistor.fm/s/f38d94b7</link>
      <description>
        <![CDATA[<p>In this episode of The Music Talkshow, our music researchers Veronika Muchitsch and Mirjana Plath are chatting about popular music cultures of the 20th and 21st centuries. </p><p>We’re discussing pride music, technology, and stylistic changes through time. On top of fascinating research, you can enjoy music from 1874 to 2023. Even football fans get their money's worth.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode of The Music Talkshow, our music researchers Veronika Muchitsch and Mirjana Plath are chatting about popular music cultures of the 20th and 21st centuries. </p><p>We’re discussing pride music, technology, and stylistic changes through time. On top of fascinating research, you can enjoy music from 1874 to 2023. Even football fans get their money's worth.</p>]]>
      </content:encoded>
      <pubDate>Sun, 01 Oct 2023 02:47:05 -0700</pubDate>
      <author>Dr. Veronika Muchitsch; Mirjana Plath</author>
      <enclosure url="https://media.transistor.fm/f38d94b7/0a9982e8.mp3" length="28517217" type="audio/mpeg"/>
      <itunes:author>Dr. Veronika Muchitsch; Mirjana Plath</itunes:author>
      <itunes:image href="https://img.transistor.fm/h--O2R-nR5VNDy4sK9V0mbK02jDY9qXgeJMqFQUXMUo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE1MjkwNzQv/MTY5NjE1MzYyNS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>1776</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode of The Music Talkshow, our music researchers Veronika Muchitsch and Mirjana Plath are chatting about popular music cultures of the 20th and 21st centuries. </p><p>We’re discussing pride music, technology, and stylistic changes through time. On top of fascinating research, you can enjoy music from 1874 to 2023. Even football fans get their money's worth.</p>]]>
      </itunes:summary>
      <itunes:keywords>research, musicology, technology, sound studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sensing contexts - An audio walk through Nasjonalmuseet </title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Sensing contexts - An audio walk through Nasjonalmuseet </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a688ab29</link>
      <description>
        <![CDATA[<p>Fotocredit: Frode Larsen / Nasjonalmuseet / UiO</p><p>UiO research center RITMO's postdoctoral fellow Dr. Remy Martin and doctoral fellow Martin Pleiß took this episode as an opportunity to stroll through one of Oslo’s most prominent places for experiencing art - the national museum of Norway. They do not simply look around, but pay attention to how we use sounds to make sense of what we experience. They talk about the need for places and emotions, how our senses give us references, and why music is so great to experience these perceptual powers every day.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Fotocredit: Frode Larsen / Nasjonalmuseet / UiO</p><p>UiO research center RITMO's postdoctoral fellow Dr. Remy Martin and doctoral fellow Martin Pleiß took this episode as an opportunity to stroll through one of Oslo’s most prominent places for experiencing art - the national museum of Norway. They do not simply look around, but pay attention to how we use sounds to make sense of what we experience. They talk about the need for places and emotions, how our senses give us references, and why music is so great to experience these perceptual powers every day.</p>]]>
      </content:encoded>
      <pubDate>Fri, 01 Sep 2023 08:31:46 -0700</pubDate>
      <author>Martin Pleiß; Dr. Remy Martin</author>
      <enclosure url="https://media.transistor.fm/a688ab29/5c6940eb.mp3" length="54928972" type="audio/mpeg"/>
      <itunes:author>Martin Pleiß; Dr. Remy Martin</itunes:author>
      <itunes:image href="https://img.transistor.fm/0pzsS_PF0S5A3otCEiXgRs26fwBFwtK_jwjHI5WQtxQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0ODU5NzEv/MTY5MzU2NDIwNy1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3429</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Fotocredit: Frode Larsen / Nasjonalmuseet / UiO</p><p>UiO research center RITMO's postdoctoral fellow Dr. Remy Martin and doctoral fellow Martin Pleiß took this episode as an opportunity to stroll through one of Oslo’s most prominent places for experiencing art - the national museum of Norway. They do not simply look around, but pay attention to how we use sounds to make sense of what we experience. They talk about the need for places and emotions, how our senses give us references, and why music is so great to experience these perceptual powers every day.</p>]]>
      </itunes:summary>
      <itunes:keywords>research, musicology, interdiscplinarity, sound walk, sound studies, experimental</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Music and social media</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Music and social media</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6f92fc16-ed69-46ad-83a3-eb3c37f7ab13</guid>
      <link>https://share.transistor.fm/s/cd4d3e1b</link>
      <description>
        <![CDATA[<p>Sosiale medier er over alt, også i musikklivet. I den neste episoden av The Music Talkshow prater doktorgradsstipendiat Eirik Jacobsen om sin forskning på sosiale mediers påvirkning på uavhengig musikkultur. Hør hans samtale med musikerne Dionisia Fjelldalen fra bandet MÍO og Janos Andersson fra bandet Janos.</p><p><br></p><p>Social media is everywhere, also in musical life. Hear PhD candidate Eirik Jacobsen talk about his research on social media in independent music culture in conversation with two musicians, in the next episode of The Music Talkshow! (Conversation in Norwegian).</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Sosiale medier er over alt, også i musikklivet. I den neste episoden av The Music Talkshow prater doktorgradsstipendiat Eirik Jacobsen om sin forskning på sosiale mediers påvirkning på uavhengig musikkultur. Hør hans samtale med musikerne Dionisia Fjelldalen fra bandet MÍO og Janos Andersson fra bandet Janos.</p><p><br></p><p>Social media is everywhere, also in musical life. Hear PhD candidate Eirik Jacobsen talk about his research on social media in independent music culture in conversation with two musicians, in the next episode of The Music Talkshow! (Conversation in Norwegian).</p>]]>
      </content:encoded>
      <pubDate>Fri, 30 Jun 2023 03:41:23 -0700</pubDate>
      <author>Eirik Jacobsen</author>
      <enclosure url="https://media.transistor.fm/cd4d3e1b/201a6f4b.mp3" length="46226512" type="audio/mpeg"/>
      <itunes:author>Eirik Jacobsen</itunes:author>
      <itunes:image href="https://img.transistor.fm/-rqxIqSjjOaOf1Gd1gvgtQLD365-XZQhDL_SyBef9zo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0MDM1OTMv/MTY4ODEyNjA0NC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>2882</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Sosiale medier er over alt, også i musikklivet. I den neste episoden av The Music Talkshow prater doktorgradsstipendiat Eirik Jacobsen om sin forskning på sosiale mediers påvirkning på uavhengig musikkultur. Hør hans samtale med musikerne Dionisia Fjelldalen fra bandet MÍO og Janos Andersson fra bandet Janos.</p><p><br></p><p>Social media is everywhere, also in musical life. Hear PhD candidate Eirik Jacobsen talk about his research on social media in independent music culture in conversation with two musicians, in the next episode of The Music Talkshow! (Conversation in Norwegian).</p>]]>
      </itunes:summary>
      <itunes:keywords>research, musicology, social media, music</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Music Talkshow: introduction</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>The Music Talkshow: introduction</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">aea1a43f-8bed-402c-8271-97f1d00b456e</guid>
      <link>https://share.transistor.fm/s/622464dc</link>
      <description>
        <![CDATA[<p>“The Music Talkshow” is a musicology dissemination show by our local University of Oslo early career music and sound researchers – PhD’s and postdocs. In this show, we hope to bridge the gap between those who wonder about music casually and those who do that professionally – from prospective students to lifelong music fans, fidelity nerds, and helpless cheesy romantics.</p><p>In this first show Aleksander, Tejaswinee and Ieva introduce the series and share some of their favourite and also original tunes.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>“The Music Talkshow” is a musicology dissemination show by our local University of Oslo early career music and sound researchers – PhD’s and postdocs. In this show, we hope to bridge the gap between those who wonder about music casually and those who do that professionally – from prospective students to lifelong music fans, fidelity nerds, and helpless cheesy romantics.</p><p>In this first show Aleksander, Tejaswinee and Ieva introduce the series and share some of their favourite and also original tunes.</p>]]>
      </content:encoded>
      <pubDate>Thu, 08 Jun 2023 04:52:55 -0700</pubDate>
      <author>Dr. Tejaswinee Kelkar; Aleksander Tidemann; Ieva Gudaitytė</author>
      <enclosure url="https://media.transistor.fm/622464dc/7bc84fd7.mp3" length="40115127" type="audio/mpeg"/>
      <itunes:author>Dr. Tejaswinee Kelkar; Aleksander Tidemann; Ieva Gudaitytė</itunes:author>
      <itunes:image href="https://img.transistor.fm/IhVQvY2OQOV9KPHugaTDIXW6iDEo8fVpfSTli8Szh2I/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEzNzQ4NTUv/MTY4NjIzMTc1OS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>2508</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>“The Music Talkshow” is a musicology dissemination show by our local University of Oslo early career music and sound researchers – PhD’s and postdocs. In this show, we hope to bridge the gap between those who wonder about music casually and those who do that professionally – from prospective students to lifelong music fans, fidelity nerds, and helpless cheesy romantics.</p><p>In this first show Aleksander, Tejaswinee and Ieva introduce the series and share some of their favourite and also original tunes.</p>]]>
      </itunes:summary>
      <itunes:keywords>musicology, soundstudies, experimental, technology, research</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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