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    <title>The Hats We Wear</title>
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    <description>The Hats We Wear features artists and leaders from the film and television industries as they discuss their career highs and lows – and how life experiences have shaped their perspectives as people and storytellers. 

Hosted by National Screen Institute communications intern Emily Palmer, this podcast not only covers topics like film and television - but also family, injustices and the road to reaching one’s dreams.

This podcast series is powered by the Canadian film, television and digital media training organization, the National Screen Institute (NSI). The NSI office is located on Treaty One Territory – we acknowledge and honour the lands we occupy and their traditional keepers: the Anishnaabe, Cree, Dakota and Métis. We acknowledge the ancestors of this land and commit to honour their vision and uphold our Treaty responsibilities as a settler organization occupying these lands.

Music provided by Blue Dot Sessions. Logo and graphic created by Leigh Vossen.</description>
    <copyright>National Screen Institute</copyright>
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    <pubDate>Wed, 23 Jul 2025 09:34:41 -0500</pubDate>
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    <itunes:category text="Arts"/>
    <itunes:type>episodic</itunes:type>
    <itunes:author>Emily Palmer</itunes:author>
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    <itunes:summary>The Hats We Wear features artists and leaders from the film and television industries as they discuss their career highs and lows – and how life experiences have shaped their perspectives as people and storytellers. 

Hosted by National Screen Institute communications intern Emily Palmer, this podcast not only covers topics like film and television - but also family, injustices and the road to reaching one’s dreams.

This podcast series is powered by the Canadian film, television and digital media training organization, the National Screen Institute (NSI). The NSI office is located on Treaty One Territory – we acknowledge and honour the lands we occupy and their traditional keepers: the Anishnaabe, Cree, Dakota and Métis. We acknowledge the ancestors of this land and commit to honour their vision and uphold our Treaty responsibilities as a settler organization occupying these lands.

Music provided by Blue Dot Sessions. Logo and graphic created by Leigh Vossen.</itunes:summary>
    <itunes:subtitle>The Hats We Wear features artists and leaders from the film and television industries as they discuss their career highs and lows – and how life experiences have shaped their perspectives as people and storytellers.</itunes:subtitle>
    <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
    <itunes:owner>
      <itunes:name>National Screen Institute</itunes:name>
    </itunes:owner>
    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>Part Two: What Inspired You In 2021?</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Part Two: What Inspired You In 2021?</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/01608e77</link>
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        <![CDATA[<p>This episode features:</p><p>0:46 - 1:15 – Kerry Ryan, The Winnipeg Foundation</p><p>1:17 - 2:41 – Chris Vajcner, National Screen Institute</p><p>2:44 - 3:04 – Adam Smoluk, Film Training Manitoba</p><p>3:06 - 3:36 – Dahlia Thompson, CBC</p><p>3:39 - 4:06 – Ursula Lawson, National Screen Institute</p><p>4:09 - 4:26 – Steven Foster, Directors Guild of Canada</p><p>4:29 - 4:50 – Esther Viragh, National Film Board of Canada</p><p>4:53 - 5:17 – Trish Dolman, Screen Siren Pictures</p><p>5:20 - 5:49 – Liz Janzen</p><p>5:51 - 6:15 – Jackie Wild, TELUS</p><p>6:17 - 6:40 – Avi Federgreen</p><p>6:42 - 8:33 – Annelise Larson, Storypreneurs Unite</p><p>8:35 - 8:54 – Marileen Bartlett, Centre for Aboriginal Human Resource Development (CAHRD)</p><p>8:56 - 9:29 – Maxine Quigley</p><p>9:31 - 9:48 – Maureen Judge</p><p>9:50 - 10:26 – Michael Levine, National Screen Institute board of directors</p><p>10:28 - 11:52 – Jennifer Holness, Hungry Eyes Media</p>]]>
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      <content:encoded>
        <![CDATA[<p>This episode features:</p><p>0:46 - 1:15 – Kerry Ryan, The Winnipeg Foundation</p><p>1:17 - 2:41 – Chris Vajcner, National Screen Institute</p><p>2:44 - 3:04 – Adam Smoluk, Film Training Manitoba</p><p>3:06 - 3:36 – Dahlia Thompson, CBC</p><p>3:39 - 4:06 – Ursula Lawson, National Screen Institute</p><p>4:09 - 4:26 – Steven Foster, Directors Guild of Canada</p><p>4:29 - 4:50 – Esther Viragh, National Film Board of Canada</p><p>4:53 - 5:17 – Trish Dolman, Screen Siren Pictures</p><p>5:20 - 5:49 – Liz Janzen</p><p>5:51 - 6:15 – Jackie Wild, TELUS</p><p>6:17 - 6:40 – Avi Federgreen</p><p>6:42 - 8:33 – Annelise Larson, Storypreneurs Unite</p><p>8:35 - 8:54 – Marileen Bartlett, Centre for Aboriginal Human Resource Development (CAHRD)</p><p>8:56 - 9:29 – Maxine Quigley</p><p>9:31 - 9:48 – Maureen Judge</p><p>9:50 - 10:26 – Michael Levine, National Screen Institute board of directors</p><p>10:28 - 11:52 – Jennifer Holness, Hungry Eyes Media</p>]]>
      </content:encoded>
      <pubDate>Tue, 21 Dec 2021 09:00:00 -0600</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/01608e77/dd4cc8a7.mp3" length="19474382" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>807</itunes:duration>
      <itunes:summary>We asked storytellers, friends and creative industry leaders to share their thoughts on 2021 and reflect on this question:
Despite the challenges of the past year, what continues to inspire you?</itunes:summary>
      <itunes:subtitle>We asked storytellers, friends and creative industry leaders to share their thoughts on 2021 and reflect on this question:
Despite the challenges of the past year, what continues to inspire you?</itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Part Three: What Inspired You In 2021?</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Part Three: What Inspired You In 2021?</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/5457a65a</link>
      <description>
        <![CDATA[<p>This episode features:</p><p>0:46 - 2:32 – Andrew Forbes</p><p>2:34 - 2:50 – Greg Jeffs, William F. White</p><p>2:53 - 3:18 – Mandi Taylor, RBC</p><p>3:20 - 3:52 – Christa Dickenson, Telefilm Canada</p><p>3:54 - 4:11 – Adam Kirkham, Hot Docs</p><p>4:14 - 4:43 – Heather Hawthorn Doyle</p><p>4:46 - 5:05 - Carissa McCart, TELUS and National Screen Institute board of directors</p><p>5:07 - 5:27 – Kenny Boyce, City of Winnipeg</p><p>5:30 - 5:58 – Tim Southam</p><p>6:01 - 7:01 – Marlene Kendall, National Screen Institute board of directors</p><p>7:04 - 7:16 – Lisa Ducharme, APTN</p><p>7:19 - 7:37 – Monique Perro, IATSE Local 856</p><p>7:40 - 8:07 – Erin Creasey, Ontario Creates</p><p>8:10 - 9:18 – Dan Bekerman, Scythia Films</p><p>9:21 - 10:15 – Camilla MacEachern, Northwest Territories Film Commission</p><p>10:18 - 10:54 – Shane Smith, Hot Docs</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This episode features:</p><p>0:46 - 2:32 – Andrew Forbes</p><p>2:34 - 2:50 – Greg Jeffs, William F. White</p><p>2:53 - 3:18 – Mandi Taylor, RBC</p><p>3:20 - 3:52 – Christa Dickenson, Telefilm Canada</p><p>3:54 - 4:11 – Adam Kirkham, Hot Docs</p><p>4:14 - 4:43 – Heather Hawthorn Doyle</p><p>4:46 - 5:05 - Carissa McCart, TELUS and National Screen Institute board of directors</p><p>5:07 - 5:27 – Kenny Boyce, City of Winnipeg</p><p>5:30 - 5:58 – Tim Southam</p><p>6:01 - 7:01 – Marlene Kendall, National Screen Institute board of directors</p><p>7:04 - 7:16 – Lisa Ducharme, APTN</p><p>7:19 - 7:37 – Monique Perro, IATSE Local 856</p><p>7:40 - 8:07 – Erin Creasey, Ontario Creates</p><p>8:10 - 9:18 – Dan Bekerman, Scythia Films</p><p>9:21 - 10:15 – Camilla MacEachern, Northwest Territories Film Commission</p><p>10:18 - 10:54 – Shane Smith, Hot Docs</p>]]>
      </content:encoded>
      <pubDate>Tue, 21 Dec 2021 09:00:00 -0600</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/5457a65a/f5199a6a.mp3" length="18170900" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>753</itunes:duration>
      <itunes:summary>We asked storytellers, friends and creative industry leaders to share their thoughts on 2021 and reflect on this question:
Despite the challenges of the past year, what continues to inspire you?</itunes:summary>
      <itunes:subtitle>We asked storytellers, friends and creative industry leaders to share their thoughts on 2021 and reflect on this question:
Despite the challenges of the past year, what continues to inspire you?</itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Part One: What Inspired You In 2021?</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Part One: What Inspired You In 2021?</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">aeef1a0d-c745-464b-976d-063b64370f54</guid>
      <link>https://share.transistor.fm/s/abaec75b</link>
      <description>
        <![CDATA[<p>This episode features:</p><p>1:54 - 2:23 – Nicole Matiation</p><p>2:24 - 3:19 – Jeff Newman, Nüman Films</p><p>3:22 - 3:48 – Nicole Ungurian and Bill Crossman, Guppy Design</p><p>3:51 - 4:11 – Julie Hackett, National Screen Institute</p><p>4:14 - 4:24 – Alexandra Zarowny</p><p>4:26 - 5:16 – Brad Pelman, National Screen Institute board of directors</p><p>5:18 - 5:50 – Naomi Johnson, imagineNATIVE</p><p>5:52 - 6:09 – Adam Garnet Jones, APTN</p><p>6:12 - 6:33 – Heather Daughtry, Final Draft Screenwriting</p><p>6:35 - 8:10 – John Bertrand, CBC</p><p>8:12 - 8:42 – John Nues, National Screen Institute</p><p>8:44 - 9:22 – Joan Jenkinson, Black Screen Office</p><p>9:24 - 9:41 – Jessica Gibson, National Screen Institute</p><p>9:44 - 11:10 – Jennifer Podemski, The Shine Network</p><p>11:12 - 11:55 – Iris Merritt, Yukon Media Development</p><p>11:57 - 13:46 – Sarah Simpson Yellowquill, National Screen Institute</p><p>13:59 - 14:41 – Dave Barber, Winnipeg Film Group</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This episode features:</p><p>1:54 - 2:23 – Nicole Matiation</p><p>2:24 - 3:19 – Jeff Newman, Nüman Films</p><p>3:22 - 3:48 – Nicole Ungurian and Bill Crossman, Guppy Design</p><p>3:51 - 4:11 – Julie Hackett, National Screen Institute</p><p>4:14 - 4:24 – Alexandra Zarowny</p><p>4:26 - 5:16 – Brad Pelman, National Screen Institute board of directors</p><p>5:18 - 5:50 – Naomi Johnson, imagineNATIVE</p><p>5:52 - 6:09 – Adam Garnet Jones, APTN</p><p>6:12 - 6:33 – Heather Daughtry, Final Draft Screenwriting</p><p>6:35 - 8:10 – John Bertrand, CBC</p><p>8:12 - 8:42 – John Nues, National Screen Institute</p><p>8:44 - 9:22 – Joan Jenkinson, Black Screen Office</p><p>9:24 - 9:41 – Jessica Gibson, National Screen Institute</p><p>9:44 - 11:10 – Jennifer Podemski, The Shine Network</p><p>11:12 - 11:55 – Iris Merritt, Yukon Media Development</p><p>11:57 - 13:46 – Sarah Simpson Yellowquill, National Screen Institute</p><p>13:59 - 14:41 – Dave Barber, Winnipeg Film Group</p>]]>
      </content:encoded>
      <pubDate>Tue, 21 Dec 2021 09:00:00 -0600</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/abaec75b/c992bbe9.mp3" length="23554650" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>977</itunes:duration>
      <itunes:summary>We asked storytellers, friends and creative industry leaders to share their thoughts on 2021 and reflect on this question:
Despite the challenges of the past year, what continues to inspire you?</itunes:summary>
      <itunes:subtitle>We asked storytellers, friends and creative industry leaders to share their thoughts on 2021 and reflect on this question:
Despite the challenges of the past year, what continues to inspire you?</itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Nadine Arpin</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Nadine Arpin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">36fd4b18-7886-4d09-8e43-65f272c91c9f</guid>
      <link>https://share.transistor.fm/s/254ba22b</link>
      <description>
        <![CDATA[<em>“It’s taken me a long time to feel really comfortable in my skin. I feel like I’ve finally come into my own.”</em><p>Wiiya's current project, <em>Eve Zaremba’s Dyke Detective</em>, follows the origin story of the 1978 graphic novel character Helen Keremos, an Indigenous lesbian detective. Nadine reveals their personal connection to the character, as they describe their grief surrounding the loss of a friend - an Indigenous woman in Sioux Lookout whose death went unsolved.</p><p><br></p><p><br>Nadine is a graduate of the <a href="https://nsi-canada.ca/courses/nsi-indigidocs/">NSI IndigiDocs</a> program.</p><p><em>Wiiya: Michef pronoun, they/them </em></p><p><br></p><p><br><em>Trigger warning: This episode contains discussions surrounding trauma and violence against Indigenous women.</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<em>“It’s taken me a long time to feel really comfortable in my skin. I feel like I’ve finally come into my own.”</em><p>Wiiya's current project, <em>Eve Zaremba’s Dyke Detective</em>, follows the origin story of the 1978 graphic novel character Helen Keremos, an Indigenous lesbian detective. Nadine reveals their personal connection to the character, as they describe their grief surrounding the loss of a friend - an Indigenous woman in Sioux Lookout whose death went unsolved.</p><p><br></p><p><br>Nadine is a graduate of the <a href="https://nsi-canada.ca/courses/nsi-indigidocs/">NSI IndigiDocs</a> program.</p><p><em>Wiiya: Michef pronoun, they/them </em></p><p><br></p><p><br><em>Trigger warning: This episode contains discussions surrounding trauma and violence against Indigenous women.</em></p>]]>
      </content:encoded>
      <pubDate>Wed, 08 Dec 2021 12:41:23 -0600</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/254ba22b/a70de732.mp3" length="30025820" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>1249</itunes:duration>
      <itunes:summary>Two-spirited, Red River Basin Métis filmmaker Nadine Arpin discusses the magic of animation, and how they use the medium to tell honest, vulnerable stories. </itunes:summary>
      <itunes:subtitle>Two-spirited, Red River Basin Métis filmmaker Nadine Arpin discusses the magic of animation, and how they use the medium to tell honest, vulnerable stories. </itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Joy Loewen</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Joy Loewen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ea625bc1-530a-4c48-a5e1-a4f1bd342736</guid>
      <link>https://share.transistor.fm/s/a3b014a3</link>
      <description>
        <![CDATA[“I do have a belief that we can bring people together through story. And how we support those storytellers is critical - that’s the essence of what we do at the National Screen Institute.”<p>Leader, advocate, mother and friend are just a few of the many hats worn by National Screen Institute CEO Joy Loewen. </p><p> </p><p>In this episode, Joy discusses the path that led her to her current role as CEO. From growing up in Steinbach, Manitoba, to building her career in the media industry, to becoming a mother - Joy explains not only what she does but, more importantly, why she does it.</p><p> </p><p>Joy has worked with the National Screen Institute for 10 years, serving in many different roles until her appointment as CEO in January 2020. Since then, Joy has launched multiple new programs to address the needs of storytellers, created a strategic plan for the organization and navigated the challenges of working through a global pandemic.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[“I do have a belief that we can bring people together through story. And how we support those storytellers is critical - that’s the essence of what we do at the National Screen Institute.”<p>Leader, advocate, mother and friend are just a few of the many hats worn by National Screen Institute CEO Joy Loewen. </p><p> </p><p>In this episode, Joy discusses the path that led her to her current role as CEO. From growing up in Steinbach, Manitoba, to building her career in the media industry, to becoming a mother - Joy explains not only what she does but, more importantly, why she does it.</p><p> </p><p>Joy has worked with the National Screen Institute for 10 years, serving in many different roles until her appointment as CEO in January 2020. Since then, Joy has launched multiple new programs to address the needs of storytellers, created a strategic plan for the organization and navigated the challenges of working through a global pandemic.</p>]]>
      </content:encoded>
      <pubDate>Tue, 30 Nov 2021 10:11:04 -0600</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/a3b014a3/cc63353f.mp3" length="32539031" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>1976</itunes:duration>
      <itunes:summary>Inspired by the brave and vulnerable storytellers within our community, National Screen Institute CEO Joy Loewen shares a piece of her own story with us.</itunes:summary>
      <itunes:subtitle>Inspired by the brave and vulnerable storytellers within our community, National Screen Institute CEO Joy Loewen shares a piece of her own story with us.</itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Cheyenne Bruneau</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Cheyenne Bruneau</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">8e1200ac-71d9-49bf-ac3c-444ee790a6ab</guid>
      <link>https://share.transistor.fm/s/a8c1d89a</link>
      <description>
        <![CDATA[<em>“Art can impact people on such a soul level - and you’re complete strangers. It’s incredible that way.”</em> <p>Cheyenne Bruneau, also known as Miss Rae in the band Miss Rae &amp; The Midnight Ramblers, wrote her first song<em> Last Time</em> when she was 19. She explains the meaning behind the song, and its power to transcend her own narrative and become something that her audiences can relate to.</p><p>Cheyenne joined the National Screen Institute team in 2021 as program manager for <a href="https://nsi-canada.ca/courses/nsi-art-of-business-management/">NSI Art of Business Management - Indigenous Edition</a>. Cheyenne is also co-program manager of the inaugural <a href="https://nsi-canada.ca/courses/tiktok-indigenous-creators/">TikTok Accelerator for Indigenous Creators</a>.</p><p><br>Cheyenne is an alumna of the <a href="https://nsi-canada.ca/courses/cbc-new-indigenous-voices/">CBC New Indigenous Voices</a> program. </p><p><br><em>Trigger warning: This episode contains discussions around domestic violence.</em></p><p>Music provided by Blue Dot Sessions and Miss Rae &amp; The Midnight Ramblers.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<em>“Art can impact people on such a soul level - and you’re complete strangers. It’s incredible that way.”</em> <p>Cheyenne Bruneau, also known as Miss Rae in the band Miss Rae &amp; The Midnight Ramblers, wrote her first song<em> Last Time</em> when she was 19. She explains the meaning behind the song, and its power to transcend her own narrative and become something that her audiences can relate to.</p><p>Cheyenne joined the National Screen Institute team in 2021 as program manager for <a href="https://nsi-canada.ca/courses/nsi-art-of-business-management/">NSI Art of Business Management - Indigenous Edition</a>. Cheyenne is also co-program manager of the inaugural <a href="https://nsi-canada.ca/courses/tiktok-indigenous-creators/">TikTok Accelerator for Indigenous Creators</a>.</p><p><br>Cheyenne is an alumna of the <a href="https://nsi-canada.ca/courses/cbc-new-indigenous-voices/">CBC New Indigenous Voices</a> program. </p><p><br><em>Trigger warning: This episode contains discussions around domestic violence.</em></p><p>Music provided by Blue Dot Sessions and Miss Rae &amp; The Midnight Ramblers.</p>]]>
      </content:encoded>
      <pubDate>Tue, 23 Nov 2021 11:02:57 -0600</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/a8c1d89a/d3d37e98.mp3" length="23924777" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>1332</itunes:duration>
      <itunes:summary>Musician, writer and producer Cheyenne Bruneau shares her experience in the music industry, and the healing and spiritual process she takes in creating her art. </itunes:summary>
      <itunes:subtitle>Musician, writer and producer Cheyenne Bruneau shares her experience in the music industry, and the healing and spiritual process she takes in creating her art. </itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Josh Epstein</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Josh Epstein</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0b1bbfd1</link>
      <description>
        <![CDATA[<em>“I think everyone has at least one story that they can tell better than anyone else.”</em><p>Josh co-wrote and produced the feature, <a href="https://www.imdb.com/title/tt3364264/"><em>Adventures in Public School</em></a>, in 2014 through the NSI Features First program along with fellow grad Kyle Rideout. Josh walks us through their process, from researching the characters to premiering the film at the Toronto International Film Festival.</p><p>Josh will work with National Screen Institute participants as a producer facilitator in the new program, <a href="https://nsi-canada.ca/courses/nsi-series-incubator/">NSI Series Incubator</a>.</p><p>Josh is an alumnus of <a href="https://www.nsi-canada.ca/courses/nsi-drama-prize/">NSI Drama Prize</a>, <a href="https://www.nsi-canada.ca/courses/nsi-features-first/">NSI Features First</a> and <a href="https://www.nsi-canada.ca/courses/nsi-totally-television/">NSI Totally Television</a>.</p><p><em>Music provided by Blue Dot Sessions.</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<em>“I think everyone has at least one story that they can tell better than anyone else.”</em><p>Josh co-wrote and produced the feature, <a href="https://www.imdb.com/title/tt3364264/"><em>Adventures in Public School</em></a>, in 2014 through the NSI Features First program along with fellow grad Kyle Rideout. Josh walks us through their process, from researching the characters to premiering the film at the Toronto International Film Festival.</p><p>Josh will work with National Screen Institute participants as a producer facilitator in the new program, <a href="https://nsi-canada.ca/courses/nsi-series-incubator/">NSI Series Incubator</a>.</p><p>Josh is an alumnus of <a href="https://www.nsi-canada.ca/courses/nsi-drama-prize/">NSI Drama Prize</a>, <a href="https://www.nsi-canada.ca/courses/nsi-features-first/">NSI Features First</a> and <a href="https://www.nsi-canada.ca/courses/nsi-totally-television/">NSI Totally Television</a>.</p><p><em>Music provided by Blue Dot Sessions.</em></p>]]>
      </content:encoded>
      <pubDate>Tue, 16 Nov 2021 12:57:39 -0600</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/0b1bbfd1/07804ad5.mp3" length="21631681" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>1232</itunes:duration>
      <itunes:summary>Josh Epstein discusses his path to becoming a writer and producer, and how his first acting role as Michael in Peter Pan sparked a love for storytelling that has stayed with him to this day.</itunes:summary>
      <itunes:subtitle>Josh Epstein discusses his path to becoming a writer and producer, and how his first acting role as Michael in Peter Pan sparked a love for storytelling that has stayed with him to this day.</itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Darcy Waite</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Darcy Waite</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/adbcacd7</link>
      <description>
        <![CDATA[<em>“Find what drives you, once you find that – it doesn’t matter if it gets hard. It’s always fun.”</em><p>Darcy's feature film, <a href="https://www.imdb.com/title/tt9808838/"><em>Ruthless Souls</em></a> - produced through the Telefilm Talent to Watch program - premiered at imagineNATIVE Film + Media Arts Festival in 2019 and was part of Telefilm’s Canadian Perspectives Program in Berlinale in 2020.</p><p><br>Darcy is an alumnus of <a href="https://nsi-canada.ca/courses/cbc-new-indigenous-voices/">CBC New Indigenous Voices</a>, <a href="https://nsi-canada.ca/courses/nsi-indigidocs/">NSI IndigiDocs</a> and <a href="https://nsi-canada.ca/courses/nsi-art-of-business-management/">NSI Art of Business Management – Indigenous Edition</a>. </p><p><em>Music provided by Blue Dot Sessions.</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<em>“Find what drives you, once you find that – it doesn’t matter if it gets hard. It’s always fun.”</em><p>Darcy's feature film, <a href="https://www.imdb.com/title/tt9808838/"><em>Ruthless Souls</em></a> - produced through the Telefilm Talent to Watch program - premiered at imagineNATIVE Film + Media Arts Festival in 2019 and was part of Telefilm’s Canadian Perspectives Program in Berlinale in 2020.</p><p><br>Darcy is an alumnus of <a href="https://nsi-canada.ca/courses/cbc-new-indigenous-voices/">CBC New Indigenous Voices</a>, <a href="https://nsi-canada.ca/courses/nsi-indigidocs/">NSI IndigiDocs</a> and <a href="https://nsi-canada.ca/courses/nsi-art-of-business-management/">NSI Art of Business Management – Indigenous Edition</a>. </p><p><em>Music provided by Blue Dot Sessions.</em></p>]]>
      </content:encoded>
      <pubDate>Tue, 09 Nov 2021 11:36:26 -0600</pubDate>
      <author>Emily Palmer</author>
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      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>1435</itunes:duration>
      <itunes:summary>Comedy writer and producer Darcy Waite shares the highs and lows of being a comedian, from bombing a stand-up gig to becoming the hilarious, energetic host of APTN’s That’s AWSM!  

Darcy addresses the importance of diversity on set, and the perspective he brings to his role as a board member with the Canadian Media Producers Association.</itunes:summary>
      <itunes:subtitle>Comedy writer and producer Darcy Waite shares the highs and lows of being a comedian, from bombing a stand-up gig to becoming the hilarious, energetic host of APTN’s That’s AWSM!  

Darcy addresses the importance of diversity on set, and the perspective</itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Karen Lam</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Karen Lam</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/99f416f8</link>
      <description>
        <![CDATA[“In writing, I think I’m a lot more conscious of my own responsibility.”<p>For over two decades, Karen has written, produced and directed a multitude of acclaimed feature and short film projects, including: <em>Stained</em> (2010), <em>Evangeline</em> (2013) and a short film tribute to Sandra Oh entitled <em>Sandra Oh: Inspiration</em> (2019).</p><p>Her recent feature, <a href="https://www.imdb.com/title/tt8338494/"><em>The Curse of Willow Song</em></a>, won the Leo Award for best direction and the Best BC Film award at Vancouver International Film Festival.</p><p>Karen shares her expertise with National Screen Institute participants as a mentor for <a href="https://nsi-canada.ca/courses/telus-storyhive/">TELUS STORYHIVE</a> and director advisor for <a href="https://nsi-canada.ca/courses/nsi-series-incubator/">NSI Series Incubator</a>.  </p><p>Karen is a graduate of <a href="https://nsi-canada.ca/courses/nsi-drama-prize/">NSI Drama Prize</a> and <a href="https://nsi-canada.ca/courses/nsi-totally-television/">NSI Totally Television</a>. </p><p><em>Music provided by Blue Dot Sessions.</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[“In writing, I think I’m a lot more conscious of my own responsibility.”<p>For over two decades, Karen has written, produced and directed a multitude of acclaimed feature and short film projects, including: <em>Stained</em> (2010), <em>Evangeline</em> (2013) and a short film tribute to Sandra Oh entitled <em>Sandra Oh: Inspiration</em> (2019).</p><p>Her recent feature, <a href="https://www.imdb.com/title/tt8338494/"><em>The Curse of Willow Song</em></a>, won the Leo Award for best direction and the Best BC Film award at Vancouver International Film Festival.</p><p>Karen shares her expertise with National Screen Institute participants as a mentor for <a href="https://nsi-canada.ca/courses/telus-storyhive/">TELUS STORYHIVE</a> and director advisor for <a href="https://nsi-canada.ca/courses/nsi-series-incubator/">NSI Series Incubator</a>.  </p><p>Karen is a graduate of <a href="https://nsi-canada.ca/courses/nsi-drama-prize/">NSI Drama Prize</a> and <a href="https://nsi-canada.ca/courses/nsi-totally-television/">NSI Totally Television</a>. </p><p><em>Music provided by Blue Dot Sessions.</em></p>]]>
      </content:encoded>
      <pubDate>Tue, 02 Nov 2021 11:43:37 -0500</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/99f416f8/245fcb8b.mp3" length="21310301" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>1337</itunes:duration>
      <itunes:summary>Horror film enthusiast Karen Lam discusses the process she took to create her award-winning, haunting film The Curse of Willow Song.

As an Asian writer, director and producer, Karen encounters tokenism within the industry. She discusses her thoughts on using her authentic voice and staying true to herself.</itunes:summary>
      <itunes:subtitle>Horror film enthusiast Karen Lam discusses the process she took to create her award-winning, haunting film The Curse of Willow Song.

As an Asian writer, director and producer, Karen encounters tokenism within the industry. She discusses her thoughts on</itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ian Bawa</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Ian Bawa</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/4a4b324f</link>
      <description>
        <![CDATA[“There’s something very important about using art to be vulnerable”<p>Ian's short film <a href="https://www.imdb.com/title/tt12974914/"><em>Strong Son</em></a> - which stars his late father - gained attention at festivals across the country, including the Toronto International Film Festival (TIFF). The short was optioned by Farpoint Films earlier this year and is set to begin production as a feature film in 2022.</p><p>This year, Ian was selected for Reelworld’s Emerging 20 initiative and TIFF’s Talent Development Filmmaker Lab.</p><p>Ian is a graduate of the <a href="https://nsi-canada.ca/courses/nsi-totally-television/">NSI Totally Television</a> and <a href="https://nsi-canada.ca/courses/nsi-business-for-producers-3/">NSI Business for Producers</a> programs. </p><p><em>Trigger Warning: This episode contains discussions about grief and includes strong language.</em></p><p>Music provided by Blue Dot Sessions.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[“There’s something very important about using art to be vulnerable”<p>Ian's short film <a href="https://www.imdb.com/title/tt12974914/"><em>Strong Son</em></a> - which stars his late father - gained attention at festivals across the country, including the Toronto International Film Festival (TIFF). The short was optioned by Farpoint Films earlier this year and is set to begin production as a feature film in 2022.</p><p>This year, Ian was selected for Reelworld’s Emerging 20 initiative and TIFF’s Talent Development Filmmaker Lab.</p><p>Ian is a graduate of the <a href="https://nsi-canada.ca/courses/nsi-totally-television/">NSI Totally Television</a> and <a href="https://nsi-canada.ca/courses/nsi-business-for-producers-3/">NSI Business for Producers</a> programs. </p><p><em>Trigger Warning: This episode contains discussions about grief and includes strong language.</em></p><p>Music provided by Blue Dot Sessions.</p>]]>
      </content:encoded>
      <pubDate>Thu, 28 Oct 2021 19:44:38 -0500</pubDate>
      <author>Emily Palmer</author>
      <enclosure url="https://media.transistor.fm/4a4b324f/aab809e4.mp3" length="24133259" type="audio/mpeg"/>
      <itunes:author>Emily Palmer</itunes:author>
      <itunes:duration>1454</itunes:duration>
      <itunes:summary>Winnipeg-based filmmaker Ian Bawa discusses his grief surrounding the loss of both his parents, and how using his vulnerability throughout his storytelling has shaped his career.</itunes:summary>
      <itunes:subtitle>Winnipeg-based filmmaker Ian Bawa discusses his grief surrounding the loss of both his parents, and how using his vulnerability throughout his storytelling has shaped his career.</itunes:subtitle>
      <itunes:keywords>personal, intimate, interview, filmmaker, Canada, producer, writer, director, filmmaking</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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