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    <title>The Frogs</title>
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    <description>Alex &amp; Tobie travel to different theater communities in LA to explore what’s happening on the ground. They have conversations with some of the world’s most renowned theater practitioners. Discussing broad topics: theater, film, TV, music, current events—all viewed through the lens of theater and culture. The Frogs will get people excited about the theater by first conquering our city (LA), then the country, and eventually the world—by engaging the community in meaningful conversations about the arts. The Frogs are unapologetically Black, theater nerd culture, mixed with real-world energy. It’s intellectual and ratchet, classy but down-to-earth.</description>
    <copyright>© 2025 Outside In Theatre</copyright>
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    <pubDate>Mon, 25 May 2026 06:00:11 -0700</pubDate>
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    <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
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    <itunes:summary>Alex &amp; Tobie travel to different theater communities in LA to explore what’s happening on the ground. They have conversations with some of the world’s most renowned theater practitioners. Discussing broad topics: theater, film, TV, music, current events—all viewed through the lens of theater and culture. The Frogs will get people excited about the theater by first conquering our city (LA), then the country, and eventually the world—by engaging the community in meaningful conversations about the arts. The Frogs are unapologetically Black, theater nerd culture, mixed with real-world energy. It’s intellectual and ratchet, classy but down-to-earth.</itunes:summary>
    <itunes:subtitle>Alex &amp; Tobie travel to different theater communities in LA to explore what’s happening on the ground.</itunes:subtitle>
    <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
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      <itunes:name>Outside In Theatre</itunes:name>
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    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>Simon Rich: SNL, AI, and the rebirth of the live event </title>
      <itunes:episode>19</itunes:episode>
      <podcast:episode>19</podcast:episode>
      <itunes:title>Simon Rich: SNL, AI, and the rebirth of the live event </itunes:title>
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        <![CDATA[<p>Simon Rich: SNL, AI, and the rebirth of the live event </p><p><br></p><p>The Frogs sit down with Thurber Prize &amp; Emmy-winning writer Simon Rich for a wide-ranging conversation about comedy, writing rooms, theatre, and what it means to tell stories in the age of AI.</p><p><br></p><p>From writing on <em>Saturday Night Live </em>to creating <em>Man Seeking Woman</em> and <em>Miracle Workers</em>, adapting work for Broadway, and exploring absurdity, satire, and live performance. Simon and the Frogs get into the one thing AI still can’t replicate: lived experience.</p><p><br></p><p>The conversation moves through absurdity and satire, the electricity of live theatre, and why a room full of humans laughing together still hits different in a world built around algorithms and content.</p><p><br></p><p>It’s Funny. It’s Thoughtful. It’s Existential.</p><p>Theatre. Culture. Vibe. </p><p><br></p><p>PRODUCTION CREDITS</p><p>Hosted by — Alex Ubokudom &amp; Tobie Windham</p><p>Producer — Jessica Hanna</p><p>Video &amp; Audio Editor — Byron Rogers Jr.</p><p>Social Media &amp; Marketing — Janine Lee Papio</p><p>Theme Music — Arlo Sanders</p><p>Produced by Outside In Theatre + The Frogs</p><p><br></p>]]>
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      <content:encoded>
        <![CDATA[<p>Simon Rich: SNL, AI, and the rebirth of the live event </p><p><br></p><p>The Frogs sit down with Thurber Prize &amp; Emmy-winning writer Simon Rich for a wide-ranging conversation about comedy, writing rooms, theatre, and what it means to tell stories in the age of AI.</p><p><br></p><p>From writing on <em>Saturday Night Live </em>to creating <em>Man Seeking Woman</em> and <em>Miracle Workers</em>, adapting work for Broadway, and exploring absurdity, satire, and live performance. Simon and the Frogs get into the one thing AI still can’t replicate: lived experience.</p><p><br></p><p>The conversation moves through absurdity and satire, the electricity of live theatre, and why a room full of humans laughing together still hits different in a world built around algorithms and content.</p><p><br></p><p>It’s Funny. It’s Thoughtful. It’s Existential.</p><p>Theatre. Culture. Vibe. </p><p><br></p><p>PRODUCTION CREDITS</p><p>Hosted by — Alex Ubokudom &amp; Tobie Windham</p><p>Producer — Jessica Hanna</p><p>Video &amp; Audio Editor — Byron Rogers Jr.</p><p>Social Media &amp; Marketing — Janine Lee Papio</p><p>Theme Music — Arlo Sanders</p><p>Produced by Outside In Theatre + The Frogs</p><p><br></p>]]>
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      <pubDate>Mon, 25 May 2026 06:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
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      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>2900</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Simon Rich: SNL, AI, and the rebirth of the live event </p><p><br></p><p>The Frogs sit down with Thurber Prize &amp; Emmy-winning writer Simon Rich for a wide-ranging conversation about comedy, writing rooms, theatre, and what it means to tell stories in the age of AI.</p><p><br></p><p>From writing on <em>Saturday Night Live </em>to creating <em>Man Seeking Woman</em> and <em>Miracle Workers</em>, adapting work for Broadway, and exploring absurdity, satire, and live performance. Simon and the Frogs get into the one thing AI still can’t replicate: lived experience.</p><p><br></p><p>The conversation moves through absurdity and satire, the electricity of live theatre, and why a room full of humans laughing together still hits different in a world built around algorithms and content.</p><p><br></p><p>It’s Funny. It’s Thoughtful. It’s Existential.</p><p>Theatre. Culture. Vibe. </p><p><br></p><p>PRODUCTION CREDITS</p><p>Hosted by — Alex Ubokudom &amp; Tobie Windham</p><p>Producer — Jessica Hanna</p><p>Video &amp; Audio Editor — Byron Rogers Jr.</p><p>Social Media &amp; Marketing — Janine Lee Papio</p><p>Theme Music — Arlo Sanders</p><p>Produced by Outside In Theatre + The Frogs</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Robert Wisdom: Presence is the Work</title>
      <itunes:episode>18</itunes:episode>
      <podcast:episode>18</podcast:episode>
      <itunes:title>Robert Wisdom: Presence is the Work</itunes:title>
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        <![CDATA[<p>Robert Wisdom: Presence is the Work</p><p><br></p><p>Robert Wisdom will next be seen in <em>The Terminal List: Dark Wolf</em> opposite Chris Pratt and Taylor Kitsch, and in Netflix’s <em>Trinity</em> alongside Gugu Mbatha-Raw, Richard Madden, and Marcia Gay Harden.</p><p><br></p><p>He appeared in HBO’s <em>Barry</em> opposite Bill Hader and in Apple TV+‘s <em>Black Bird</em>. On the film side, he’s worked with Denzel Washington on <em>A Journal for Jordan </em>and appeared in everything from <em>Motherless Brooklyn</em> to <em>The Dark Knight Rises</em>.</p><p>But what defines Robert’s work isn’t the credits. It’s the presence.</p><p><br></p><p>From Bunny Colvin on <em>The Wire</em> to rooms across television and film, he brings a lived-in quality that can’t be manufactured. You feel the history. You feel the weight. Nothing is extra.</p><p><br></p><p>This is an actor who has moved through life and craft at the same time. Building a body of work that speaks before it explains.</p><p><br></p><p>Theatre. Culture. Vibe.</p><p><br></p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Jessica Hanna</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Robert Wisdom: Presence is the Work</p><p><br></p><p>Robert Wisdom will next be seen in <em>The Terminal List: Dark Wolf</em> opposite Chris Pratt and Taylor Kitsch, and in Netflix’s <em>Trinity</em> alongside Gugu Mbatha-Raw, Richard Madden, and Marcia Gay Harden.</p><p><br></p><p>He appeared in HBO’s <em>Barry</em> opposite Bill Hader and in Apple TV+‘s <em>Black Bird</em>. On the film side, he’s worked with Denzel Washington on <em>A Journal for Jordan </em>and appeared in everything from <em>Motherless Brooklyn</em> to <em>The Dark Knight Rises</em>.</p><p>But what defines Robert’s work isn’t the credits. It’s the presence.</p><p><br></p><p>From Bunny Colvin on <em>The Wire</em> to rooms across television and film, he brings a lived-in quality that can’t be manufactured. You feel the history. You feel the weight. Nothing is extra.</p><p><br></p><p>This is an actor who has moved through life and craft at the same time. Building a body of work that speaks before it explains.</p><p><br></p><p>Theatre. Culture. Vibe.</p><p><br></p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Jessica Hanna</p>]]>
      </content:encoded>
      <pubDate>Mon, 27 Apr 2026 06:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/a23875b0/b57e1b2a.mp3" length="47866789" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>2989</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Robert Wisdom: Presence is the Work</p><p><br></p><p>Robert Wisdom will next be seen in <em>The Terminal List: Dark Wolf</em> opposite Chris Pratt and Taylor Kitsch, and in Netflix’s <em>Trinity</em> alongside Gugu Mbatha-Raw, Richard Madden, and Marcia Gay Harden.</p><p><br></p><p>He appeared in HBO’s <em>Barry</em> opposite Bill Hader and in Apple TV+‘s <em>Black Bird</em>. On the film side, he’s worked with Denzel Washington on <em>A Journal for Jordan </em>and appeared in everything from <em>Motherless Brooklyn</em> to <em>The Dark Knight Rises</em>.</p><p>But what defines Robert’s work isn’t the credits. It’s the presence.</p><p><br></p><p>From Bunny Colvin on <em>The Wire</em> to rooms across television and film, he brings a lived-in quality that can’t be manufactured. You feel the history. You feel the weight. Nothing is extra.</p><p><br></p><p>This is an actor who has moved through life and craft at the same time. Building a body of work that speaks before it explains.</p><p><br></p><p>Theatre. Culture. Vibe.</p><p><br></p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Jessica Hanna</p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Angelica Chéri: Writing the Future</title>
      <itunes:episode>17</itunes:episode>
      <podcast:episode>17</podcast:episode>
      <itunes:title>Angelica Chéri: Writing the Future</itunes:title>
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        <![CDATA[<p><br>Angelica Chéri: Writing the Future</p><p>Angelica Chéri: playwright, musical theatre writer, screenwriter, poet. Named by Variety as one of Broadway’s Top Ten Stars to Watch in 2025, Angelica is one of the most exciting voices shaping the future of theatre and musical storytelling.</p><p>You may know her work from the Prophet’s Cycle Trilogy-<em>The Seeds of Abraham</em>, <em>The Sting of White Roses</em>, and <em>Crowndation: I Will Not Lie to David,</em> as well as plays like <em>Berta, Berta</em> and <em>The Wiring &amp; the Switches</em>. Her musical <em>Wanted</em>, written with collaborator Ross Baum, won the prestigious Richard Rodgers Award, was named a New York Times Critic’s Pick, and is headed to Broadway in Fall 2026.</p><p>We talk about building theatrical worlds that move between history, myth, and prophecy. We get into the impact of family on artistry and the journey of bringing <em>Phenomenal Woman</em>, her biographical play about Maya Angelou, directed by Debbie Allen, toward its Broadway premiere.</p><p>Angelica is out here writing plays, musicals, TV, and immersive worlds like the lines between them don’t matter. This is a conversation about big imagination, collaboration, and just a good time.</p><p>IG @angelicacheri</p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Technical Production by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders | Produced by Jessica Hanna​​​​​​​​​​​​​​​​</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Angelica Chéri: Writing the Future</p><p>Angelica Chéri: playwright, musical theatre writer, screenwriter, poet. Named by Variety as one of Broadway’s Top Ten Stars to Watch in 2025, Angelica is one of the most exciting voices shaping the future of theatre and musical storytelling.</p><p>You may know her work from the Prophet’s Cycle Trilogy-<em>The Seeds of Abraham</em>, <em>The Sting of White Roses</em>, and <em>Crowndation: I Will Not Lie to David,</em> as well as plays like <em>Berta, Berta</em> and <em>The Wiring &amp; the Switches</em>. Her musical <em>Wanted</em>, written with collaborator Ross Baum, won the prestigious Richard Rodgers Award, was named a New York Times Critic’s Pick, and is headed to Broadway in Fall 2026.</p><p>We talk about building theatrical worlds that move between history, myth, and prophecy. We get into the impact of family on artistry and the journey of bringing <em>Phenomenal Woman</em>, her biographical play about Maya Angelou, directed by Debbie Allen, toward its Broadway premiere.</p><p>Angelica is out here writing plays, musicals, TV, and immersive worlds like the lines between them don’t matter. This is a conversation about big imagination, collaboration, and just a good time.</p><p>IG @angelicacheri</p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Technical Production by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders | Produced by Jessica Hanna​​​​​​​​​​​​​​​​</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 30 Mar 2026 06:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/5ce7bba0/81cc45ae.mp3" length="38280894" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>2390</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Angelica Chéri: Writing the Future</p><p>Angelica Chéri: playwright, musical theatre writer, screenwriter, poet. Named by Variety as one of Broadway’s Top Ten Stars to Watch in 2025, Angelica is one of the most exciting voices shaping the future of theatre and musical storytelling.</p><p>You may know her work from the Prophet’s Cycle Trilogy-<em>The Seeds of Abraham</em>, <em>The Sting of White Roses</em>, and <em>Crowndation: I Will Not Lie to David,</em> as well as plays like <em>Berta, Berta</em> and <em>The Wiring &amp; the Switches</em>. Her musical <em>Wanted</em>, written with collaborator Ross Baum, won the prestigious Richard Rodgers Award, was named a New York Times Critic’s Pick, and is headed to Broadway in Fall 2026.</p><p>We talk about building theatrical worlds that move between history, myth, and prophecy. We get into the impact of family on artistry and the journey of bringing <em>Phenomenal Woman</em>, her biographical play about Maya Angelou, directed by Debbie Allen, toward its Broadway premiere.</p><p>Angelica is out here writing plays, musicals, TV, and immersive worlds like the lines between them don’t matter. This is a conversation about big imagination, collaboration, and just a good time.</p><p>IG @angelicacheri</p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Technical Production by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders | Produced by Jessica Hanna​​​​​​​​​​​​​​​​</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Johnny Ray Gill: In Every Form</title>
      <itunes:episode>16</itunes:episode>
      <podcast:episode>16</podcast:episode>
      <itunes:title>Johnny Ray Gill: In Every Form</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0ce29d6c</link>
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        <![CDATA[<p><strong>Johnny Ray Gill: In Every Form<br></strong><br></p><p>It’s Black History Month, and we’re sitting down with a friend of the pod, Johnny Ray Gill, who is a magnificent actor and storyteller. Season two of <em>Cross</em> dropped February 11th on Prime, and Johnny Ray as Bobby Trey is layered, dangerous, and deeply human. You can feel the weight of history underneath his performance. Johnny doesn’t just play characters. He builds inner lives that carry memory and consequence.</p><p>A UCSD/La Jolla Playhouse MFA graduate, Johnny Ray moves fluidly across television, cinema, and music. You’ve seen him as Kerwin in <em>Rectify</em>, Sam in <em>Underground</em>, Gustav in <em>Braindead</em>, and Sex Henry in <em>Grand Crew</em>, alongside work in <em>Snowfall</em>, <em>True Blood</em>, <em>Chicago P.D</em>., and <em>NCIS</em>. Beyond acting, he’s a writer and director under his banner First Flock Pictures, with award-winning projects like <em>Laying Pipe </em>and a debut rap album, <em>Screenplays</em>, led by the haunting “Green Shoe Music.” </p><p>This episode is about story, satire, climate justice, and the responsibility of making art that refuses to be contained</p><p>IG &amp; Twitter @JohnnyRayGill</p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Johnny Ray Gill: In Every Form<br></strong><br></p><p>It’s Black History Month, and we’re sitting down with a friend of the pod, Johnny Ray Gill, who is a magnificent actor and storyteller. Season two of <em>Cross</em> dropped February 11th on Prime, and Johnny Ray as Bobby Trey is layered, dangerous, and deeply human. You can feel the weight of history underneath his performance. Johnny doesn’t just play characters. He builds inner lives that carry memory and consequence.</p><p>A UCSD/La Jolla Playhouse MFA graduate, Johnny Ray moves fluidly across television, cinema, and music. You’ve seen him as Kerwin in <em>Rectify</em>, Sam in <em>Underground</em>, Gustav in <em>Braindead</em>, and Sex Henry in <em>Grand Crew</em>, alongside work in <em>Snowfall</em>, <em>True Blood</em>, <em>Chicago P.D</em>., and <em>NCIS</em>. Beyond acting, he’s a writer and director under his banner First Flock Pictures, with award-winning projects like <em>Laying Pipe </em>and a debut rap album, <em>Screenplays</em>, led by the haunting “Green Shoe Music.” </p><p>This episode is about story, satire, climate justice, and the responsibility of making art that refuses to be contained</p><p>IG &amp; Twitter @JohnnyRayGill</p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 23 Feb 2026 06:00:00 -0800</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/0ce29d6c/9cbb41da.mp3" length="46094219" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>2879</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong>Johnny Ray Gill: In Every Form<br></strong><br></p><p>It’s Black History Month, and we’re sitting down with a friend of the pod, Johnny Ray Gill, who is a magnificent actor and storyteller. Season two of <em>Cross</em> dropped February 11th on Prime, and Johnny Ray as Bobby Trey is layered, dangerous, and deeply human. You can feel the weight of history underneath his performance. Johnny doesn’t just play characters. He builds inner lives that carry memory and consequence.</p><p>A UCSD/La Jolla Playhouse MFA graduate, Johnny Ray moves fluidly across television, cinema, and music. You’ve seen him as Kerwin in <em>Rectify</em>, Sam in <em>Underground</em>, Gustav in <em>Braindead</em>, and Sex Henry in <em>Grand Crew</em>, alongside work in <em>Snowfall</em>, <em>True Blood</em>, <em>Chicago P.D</em>., and <em>NCIS</em>. Beyond acting, he’s a writer and director under his banner First Flock Pictures, with award-winning projects like <em>Laying Pipe </em>and a debut rap album, <em>Screenplays</em>, led by the haunting “Green Shoe Music.” </p><p>This episode is about story, satire, climate justice, and the responsibility of making art that refuses to be contained</p><p>IG &amp; Twitter @JohnnyRayGill</p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kacie Rogers: No Permission Required</title>
      <itunes:episode>15</itunes:episode>
      <podcast:episode>15</podcast:episode>
      <itunes:title>Kacie Rogers: No Permission Required</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e1412048</link>
      <description>
        <![CDATA[<p>Kacie Rogers: No Permission Required</p><p>Kacie Rogers- actor, writer, producer, and community builder. This is a conversation rooted in theatre, process, and legacy. A two-time NAACP Award winner trained at AMDA, Kacie has worked with many of Los Angeles’ vital theatre companies, including The Robey Theatre Co., IAMA, The Fountain Theatre, Outside In Theatre, Skylight Theatre, A Noise Within, and the Geffen Playhouse, alongside screen work on <em>Curb Your Enthusiasm</em>, <em>Grace &amp; Frankie</em>, <em>Grand Crew</em>, and <em>Home Economics</em>.</p><p>We talk about her acclaimed one-woman show <em>I Sell Windows</em>, the emotional and cultural weight of <em>Furlough’s Paradise</em>, as well as the creation of Bottle Tree Theatre Co., an artist-led ecosystem centered on storytelling and community.</p><p>Kacie also has breaking news: she’s pitching her first feature film and stepping into <em>Octopus’s Garden</em>, an Outside In x Boston Court x Circle X co-production premiering March 7 at Boston Court in Pasadena. This is a conversation about building what you wish existed and inviting others to grow it with you.</p><p> IG @kacie.rogers </p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Kacie Rogers: No Permission Required</p><p>Kacie Rogers- actor, writer, producer, and community builder. This is a conversation rooted in theatre, process, and legacy. A two-time NAACP Award winner trained at AMDA, Kacie has worked with many of Los Angeles’ vital theatre companies, including The Robey Theatre Co., IAMA, The Fountain Theatre, Outside In Theatre, Skylight Theatre, A Noise Within, and the Geffen Playhouse, alongside screen work on <em>Curb Your Enthusiasm</em>, <em>Grace &amp; Frankie</em>, <em>Grand Crew</em>, and <em>Home Economics</em>.</p><p>We talk about her acclaimed one-woman show <em>I Sell Windows</em>, the emotional and cultural weight of <em>Furlough’s Paradise</em>, as well as the creation of Bottle Tree Theatre Co., an artist-led ecosystem centered on storytelling and community.</p><p>Kacie also has breaking news: she’s pitching her first feature film and stepping into <em>Octopus’s Garden</em>, an Outside In x Boston Court x Circle X co-production premiering March 7 at Boston Court in Pasadena. This is a conversation about building what you wish existed and inviting others to grow it with you.</p><p> IG @kacie.rogers </p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 19 Jan 2026 06:00:00 -0800</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/e1412048/aef97f82.mp3" length="39304896" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>2454</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Kacie Rogers: No Permission Required</p><p>Kacie Rogers- actor, writer, producer, and community builder. This is a conversation rooted in theatre, process, and legacy. A two-time NAACP Award winner trained at AMDA, Kacie has worked with many of Los Angeles’ vital theatre companies, including The Robey Theatre Co., IAMA, The Fountain Theatre, Outside In Theatre, Skylight Theatre, A Noise Within, and the Geffen Playhouse, alongside screen work on <em>Curb Your Enthusiasm</em>, <em>Grace &amp; Frankie</em>, <em>Grand Crew</em>, and <em>Home Economics</em>.</p><p>We talk about her acclaimed one-woman show <em>I Sell Windows</em>, the emotional and cultural weight of <em>Furlough’s Paradise</em>, as well as the creation of Bottle Tree Theatre Co., an artist-led ecosystem centered on storytelling and community.</p><p>Kacie also has breaking news: she’s pitching her first feature film and stepping into <em>Octopus’s Garden</em>, an Outside In x Boston Court x Circle X co-production premiering March 7 at Boston Court in Pasadena. This is a conversation about building what you wish existed and inviting others to grow it with you.</p><p> IG @kacie.rogers </p><p>Theatre. Culture. Vibe.</p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Adrianna Mitchell - The Holiday’s with a Crutch </title>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>Adrianna Mitchell - The Holiday’s with a Crutch </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/eb5106d5</link>
      <description>
        <![CDATA[<p>Adrianna Mitchell - The Holiday’s with a <em>Crutch </em></p><p><br></p><p>We welcome Adrianna Mitchell to The Frogs podcast, currently starring opposite Tracy Morgan and Kecia Lewis in <em>Crutch</em> on Paramount+.</p><p><br></p><p>Adrianna talks about craft, discipline, Spelman, and the body of work she’s been building. We get into process: how grit, presence, and being ready to move from drama to comedy when moment needs it.</p><p><br></p><p>We also talk about the rooms that shaped her:</p><p><em>Fat Ham</em> (The Public, Broadway, Geffen), <em>Snowfall</em>, <em>Grey</em>’<em>s Anatomy</em>, <em>The Good Fight</em>, <em>Evil</em>, <em>Law &amp; Order</em>, and Regional theaters credits across the country.</p><p><br></p><p>Each role sharpening her instrument.</p><p>Each role getting her deeper into her bag.</p><p><br></p><p>This conversation is about family. About resilience. About building over time. She’s your favorite actor’s favorite actor.</p><p><br></p><p>Adrianna shows us what it looks like when you trust that work begets work.</p><p>As always,</p><p>Theatre. Culture. Vibe.</p><p><br></p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Adrianna Mitchell - The Holiday’s with a <em>Crutch </em></p><p><br></p><p>We welcome Adrianna Mitchell to The Frogs podcast, currently starring opposite Tracy Morgan and Kecia Lewis in <em>Crutch</em> on Paramount+.</p><p><br></p><p>Adrianna talks about craft, discipline, Spelman, and the body of work she’s been building. We get into process: how grit, presence, and being ready to move from drama to comedy when moment needs it.</p><p><br></p><p>We also talk about the rooms that shaped her:</p><p><em>Fat Ham</em> (The Public, Broadway, Geffen), <em>Snowfall</em>, <em>Grey</em>’<em>s Anatomy</em>, <em>The Good Fight</em>, <em>Evil</em>, <em>Law &amp; Order</em>, and Regional theaters credits across the country.</p><p><br></p><p>Each role sharpening her instrument.</p><p>Each role getting her deeper into her bag.</p><p><br></p><p>This conversation is about family. About resilience. About building over time. She’s your favorite actor’s favorite actor.</p><p><br></p><p>Adrianna shows us what it looks like when you trust that work begets work.</p><p>As always,</p><p>Theatre. Culture. Vibe.</p><p><br></p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p>]]>
      </content:encoded>
      <pubDate>Mon, 22 Dec 2025 06:00:00 -0800</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/eb5106d5/9a228e85.mp3" length="49969605" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>3121</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Adrianna Mitchell - The Holiday’s with a <em>Crutch </em></p><p><br></p><p>We welcome Adrianna Mitchell to The Frogs podcast, currently starring opposite Tracy Morgan and Kecia Lewis in <em>Crutch</em> on Paramount+.</p><p><br></p><p>Adrianna talks about craft, discipline, Spelman, and the body of work she’s been building. We get into process: how grit, presence, and being ready to move from drama to comedy when moment needs it.</p><p><br></p><p>We also talk about the rooms that shaped her:</p><p><em>Fat Ham</em> (The Public, Broadway, Geffen), <em>Snowfall</em>, <em>Grey</em>’<em>s Anatomy</em>, <em>The Good Fight</em>, <em>Evil</em>, <em>Law &amp; Order</em>, and Regional theaters credits across the country.</p><p><br></p><p>Each role sharpening her instrument.</p><p>Each role getting her deeper into her bag.</p><p><br></p><p>This conversation is about family. About resilience. About building over time. She’s your favorite actor’s favorite actor.</p><p><br></p><p>Adrianna shows us what it looks like when you trust that work begets work.</p><p>As always,</p><p>Theatre. Culture. Vibe.</p><p><br></p><p>Production Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr.</p><p>Recorded &amp; Mixed by Byron Rogers, Jr.</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Biko Eisen-Martin: Table 17 and The Bay Area</title>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>Biko Eisen-Martin: Table 17 and The Bay Area</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/127d97d3</link>
      <description>
        <![CDATA[<p><strong>Biko Eisen-Martin: Table 17 and The Bay Area</strong></p><p><br>Season Two rolls on with Biko Eisen-Martin, the force at the center of the Geffen Playhouse’s West Coast Premiere of Table 17.</p><p>Biko sits with The Frogs to break down what it means to carry a story this raw. We dive into the emotional architecture behind playing Dallas, both in the new Geffen production and in the original MCC Off-Broadway run.</p><p>We also look back at the path that shaped him:</p><p>Lift (Off-Broadway), Hamlet, Pac and Biggie Are Dead, Taming of the Shrew, Ruined, King Lear, Radio Golf, The XIXth at The Old Globe, and Topdog/Underdog. </p><p>Each role sharpening his instrument. Each play adding weight to his presence onstage. </p><p>This episode is about discipline and the deep work required to hold space for stories that matter.</p><p>Biko shows us what it looks like when an actor is fully alive in the work. </p><p>As always,  Theatre. Culture. Vibe. </p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr</p><p>Recorded &amp; Mixed by Byron Rogers, Jr</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Biko Eisen-Martin: Table 17 and The Bay Area</strong></p><p><br>Season Two rolls on with Biko Eisen-Martin, the force at the center of the Geffen Playhouse’s West Coast Premiere of Table 17.</p><p>Biko sits with The Frogs to break down what it means to carry a story this raw. We dive into the emotional architecture behind playing Dallas, both in the new Geffen production and in the original MCC Off-Broadway run.</p><p>We also look back at the path that shaped him:</p><p>Lift (Off-Broadway), Hamlet, Pac and Biggie Are Dead, Taming of the Shrew, Ruined, King Lear, Radio Golf, The XIXth at The Old Globe, and Topdog/Underdog. </p><p>Each role sharpening his instrument. Each play adding weight to his presence onstage. </p><p>This episode is about discipline and the deep work required to hold space for stories that matter.</p><p>Biko shows us what it looks like when an actor is fully alive in the work. </p><p>As always,  Theatre. Culture. Vibe. </p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr</p><p>Recorded &amp; Mixed by Byron Rogers, Jr</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p>]]>
      </content:encoded>
      <pubDate>Mon, 24 Nov 2025 08:00:00 -0800</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/127d97d3/4edbbfe0.mp3" length="54918188" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>3430</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong>Biko Eisen-Martin: Table 17 and The Bay Area</strong></p><p><br>Season Two rolls on with Biko Eisen-Martin, the force at the center of the Geffen Playhouse’s West Coast Premiere of Table 17.</p><p>Biko sits with The Frogs to break down what it means to carry a story this raw. We dive into the emotional architecture behind playing Dallas, both in the new Geffen production and in the original MCC Off-Broadway run.</p><p>We also look back at the path that shaped him:</p><p>Lift (Off-Broadway), Hamlet, Pac and Biggie Are Dead, Taming of the Shrew, Ruined, King Lear, Radio Golf, The XIXth at The Old Globe, and Topdog/Underdog. </p><p>Each role sharpening his instrument. Each play adding weight to his presence onstage. </p><p>This episode is about discipline and the deep work required to hold space for stories that matter.</p><p>Biko shows us what it looks like when an actor is fully alive in the work. </p><p>As always,  Theatre. Culture. Vibe. </p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Byron Rogers, Jr</p><p>Recorded &amp; Mixed by Byron Rogers, Jr</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Roger Guenveur Smith: In Honor of Jean-Michel Basquiat &amp; The One-Man Revolution</title>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Roger Guenveur Smith: In Honor of Jean-Michel Basquiat &amp; The One-Man Revolution</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/4ac27a42</link>
      <description>
        <![CDATA[<p>Roger Guenveur Smith: In Honor of Jean-Michel Basquiat &amp; The One-Man<br>Revolution</p><p>Season Two keeps jumping with one of American theater’s greatest storytellers, Roger<br>Guenveur Smith: actor, writer, director, and one-man cultural force. From his iconic<br>collaborations with Spike Lee (Do the Right Thing, Malcolm X, Get on the Bus) to his Obie<br>Award–winning solo shows (A Huey P. Newton Story), Roger has built a career bending form,<br>fusing politics and performance, and refusing to fit in anyone’s box.</p><p>Now he’s back on stage with In Honor of Jean-Michel Basquiat, his newest one-man show<br>exploring his friendship with the extraordinary Basquiat. Running now at Outside In Theatre<br>through November 9 and headed to the Under the Radar Festival in New York City in January<br>2026, the piece continues Roger’s legacy of art as both testimony and transformation.<br>In this episode, Roger sits with The Frogs to talk about brotherhood in art, the risks of telling<br>history through your own body, and what it means to carry the brilliance and burden of genius<br>onstage.</p><p>This isn’t just a conversation, it’s an excavation, a production, a ritual, church, and a moment.<br>Raw, poetic, and straight from the source.</p><p>Credits:<br>A production of Outside In Theatre in Highland Park, Los Angeles<br>Created by Alex Ubokudom &amp; Tobie Windham<br>Edited by Brianna Seamster &amp; Byron Rogers, Jr.<br>Recorded &amp; Mixed by Arlo Sanders<br>Theme Song by Arlo Sanders<br>Produced by Brianna Seamster &amp; Jessica Hanna<br>Executive Produced by The Frogs &amp; Outside In Theatre<br>Recorded at Outside In Theatre</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Roger Guenveur Smith: In Honor of Jean-Michel Basquiat &amp; The One-Man<br>Revolution</p><p>Season Two keeps jumping with one of American theater’s greatest storytellers, Roger<br>Guenveur Smith: actor, writer, director, and one-man cultural force. From his iconic<br>collaborations with Spike Lee (Do the Right Thing, Malcolm X, Get on the Bus) to his Obie<br>Award–winning solo shows (A Huey P. Newton Story), Roger has built a career bending form,<br>fusing politics and performance, and refusing to fit in anyone’s box.</p><p>Now he’s back on stage with In Honor of Jean-Michel Basquiat, his newest one-man show<br>exploring his friendship with the extraordinary Basquiat. Running now at Outside In Theatre<br>through November 9 and headed to the Under the Radar Festival in New York City in January<br>2026, the piece continues Roger’s legacy of art as both testimony and transformation.<br>In this episode, Roger sits with The Frogs to talk about brotherhood in art, the risks of telling<br>history through your own body, and what it means to carry the brilliance and burden of genius<br>onstage.</p><p>This isn’t just a conversation, it’s an excavation, a production, a ritual, church, and a moment.<br>Raw, poetic, and straight from the source.</p><p>Credits:<br>A production of Outside In Theatre in Highland Park, Los Angeles<br>Created by Alex Ubokudom &amp; Tobie Windham<br>Edited by Brianna Seamster &amp; Byron Rogers, Jr.<br>Recorded &amp; Mixed by Arlo Sanders<br>Theme Song by Arlo Sanders<br>Produced by Brianna Seamster &amp; Jessica Hanna<br>Executive Produced by The Frogs &amp; Outside In Theatre<br>Recorded at Outside In Theatre</p>]]>
      </content:encoded>
      <pubDate>Mon, 20 Oct 2025 06:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/4ac27a42/cc67e7f7.mp3" length="48044048" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>3001</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Roger Guenveur Smith: In Honor of Jean-Michel Basquiat &amp; The One-Man<br>Revolution</p><p>Season Two keeps jumping with one of American theater’s greatest storytellers, Roger<br>Guenveur Smith: actor, writer, director, and one-man cultural force. From his iconic<br>collaborations with Spike Lee (Do the Right Thing, Malcolm X, Get on the Bus) to his Obie<br>Award–winning solo shows (A Huey P. Newton Story), Roger has built a career bending form,<br>fusing politics and performance, and refusing to fit in anyone’s box.</p><p>Now he’s back on stage with In Honor of Jean-Michel Basquiat, his newest one-man show<br>exploring his friendship with the extraordinary Basquiat. Running now at Outside In Theatre<br>through November 9 and headed to the Under the Radar Festival in New York City in January<br>2026, the piece continues Roger’s legacy of art as both testimony and transformation.<br>In this episode, Roger sits with The Frogs to talk about brotherhood in art, the risks of telling<br>history through your own body, and what it means to carry the brilliance and burden of genius<br>onstage.</p><p>This isn’t just a conversation, it’s an excavation, a production, a ritual, church, and a moment.<br>Raw, poetic, and straight from the source.</p><p>Credits:<br>A production of Outside In Theatre in Highland Park, Los Angeles<br>Created by Alex Ubokudom &amp; Tobie Windham<br>Edited by Brianna Seamster &amp; Byron Rogers, Jr.<br>Recorded &amp; Mixed by Arlo Sanders<br>Theme Song by Arlo Sanders<br>Produced by Brianna Seamster &amp; Jessica Hanna<br>Executive Produced by The Frogs &amp; Outside In Theatre<br>Recorded at Outside In Theatre</p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tarell McCraney &amp; André Holland: Brotherly Love in the Theater — Friendship, Authenticity &amp; Keith Sweat</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Tarell McCraney &amp; André Holland: Brotherly Love in the Theater — Friendship, Authenticity &amp; Keith Sweat</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">8801c213-18d8-46f8-8f23-0bdad1948568</guid>
      <link>https://share.transistor.fm/s/13d7441d</link>
      <description>
        <![CDATA[<p><strong><br>Tarell McCraney &amp; André Holland: Brotherly Love in the Theater — Friendship, Authenticity &amp; Keith Sweat<br></strong><br></p><p><br>Season 2 of The Frogs begins with two artists whose work continues to shape culture.</p><p><strong><br>Tarell Alvin McCraney</strong> is the Artistic Director of the Geffen Playhouse, guiding the artistic vision for its stages. An award-winning writer, producer, and educator, he is best known for <em>The Brother/Sister Plays </em>and for penning<em> In Moonlight Black Boys Look Blue</em>, the script that became the Academy Award–winning film <em>Moonlight</em>. McCraney’s influence spans Steppenwolf, Yale, and the Royal Shakespeare Company, marking him as one of the most important theatrical voices of our time.</p><p><strong><br>André Holland</strong> is an acclaimed actor and producer, celebrated for his range across film, TV, and stage. Fresh off Sundance with <em>Love, Brooklyn </em>and <em>The Actor</em>, and SXSW with <em>The Dutchman</em>, Holland has delivered unforgettable performances in <em>Moonlight</em>, <em>Selma</em>, <em>Passing</em>, and <em>High Flying Bird</em>. His TV credits include <em>The Big Cigar</em>, <em>The Eddy</em>, and <em>The Knick</em>, alongside stage work from Broadway to Shakespeare’s Globe.</p><p><br>Together, they reunite for <em>The Brothers Size</em>, exploring brotherhood, legacy, and art. In this episode, these two giants sit with The Frogs to talk about the things rarely said but always essential.</p><p><br>Credits (Season 2):</p><ul><li>A production of Outside In Theatre in Highland Park, Los Angeles<p><br></p></li><li>Created by Alex Ubokudom &amp; Tobie Windham<p><br></p></li><li>Edited by Brianna Seamster &amp; Byron Rogers<p><br></p></li><li>Recorded &amp; Mixed by Arlo Sanders<p><br></p></li><li>Theme Song by Arlo Sanders<p><br></p></li><li>Produced by Brianna Seamster &amp; Jessica Hanna<p><br></p></li><li>Executive Produced by The Frogs &amp; Outside In Theatre<p><br></p></li></ul><p>Recorded at Outside In Theatre </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong><br>Tarell McCraney &amp; André Holland: Brotherly Love in the Theater — Friendship, Authenticity &amp; Keith Sweat<br></strong><br></p><p><br>Season 2 of The Frogs begins with two artists whose work continues to shape culture.</p><p><strong><br>Tarell Alvin McCraney</strong> is the Artistic Director of the Geffen Playhouse, guiding the artistic vision for its stages. An award-winning writer, producer, and educator, he is best known for <em>The Brother/Sister Plays </em>and for penning<em> In Moonlight Black Boys Look Blue</em>, the script that became the Academy Award–winning film <em>Moonlight</em>. McCraney’s influence spans Steppenwolf, Yale, and the Royal Shakespeare Company, marking him as one of the most important theatrical voices of our time.</p><p><strong><br>André Holland</strong> is an acclaimed actor and producer, celebrated for his range across film, TV, and stage. Fresh off Sundance with <em>Love, Brooklyn </em>and <em>The Actor</em>, and SXSW with <em>The Dutchman</em>, Holland has delivered unforgettable performances in <em>Moonlight</em>, <em>Selma</em>, <em>Passing</em>, and <em>High Flying Bird</em>. His TV credits include <em>The Big Cigar</em>, <em>The Eddy</em>, and <em>The Knick</em>, alongside stage work from Broadway to Shakespeare’s Globe.</p><p><br>Together, they reunite for <em>The Brothers Size</em>, exploring brotherhood, legacy, and art. In this episode, these two giants sit with The Frogs to talk about the things rarely said but always essential.</p><p><br>Credits (Season 2):</p><ul><li>A production of Outside In Theatre in Highland Park, Los Angeles<p><br></p></li><li>Created by Alex Ubokudom &amp; Tobie Windham<p><br></p></li><li>Edited by Brianna Seamster &amp; Byron Rogers<p><br></p></li><li>Recorded &amp; Mixed by Arlo Sanders<p><br></p></li><li>Theme Song by Arlo Sanders<p><br></p></li><li>Produced by Brianna Seamster &amp; Jessica Hanna<p><br></p></li><li>Executive Produced by The Frogs &amp; Outside In Theatre<p><br></p></li></ul><p>Recorded at Outside In Theatre </p>]]>
      </content:encoded>
      <pubDate>Mon, 22 Sep 2025 08:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/13d7441d/4a815893.mp3" length="43363870" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>2708</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong><br>Tarell McCraney &amp; André Holland: Brotherly Love in the Theater — Friendship, Authenticity &amp; Keith Sweat<br></strong><br></p><p><br>Season 2 of The Frogs begins with two artists whose work continues to shape culture.</p><p><strong><br>Tarell Alvin McCraney</strong> is the Artistic Director of the Geffen Playhouse, guiding the artistic vision for its stages. An award-winning writer, producer, and educator, he is best known for <em>The Brother/Sister Plays </em>and for penning<em> In Moonlight Black Boys Look Blue</em>, the script that became the Academy Award–winning film <em>Moonlight</em>. McCraney’s influence spans Steppenwolf, Yale, and the Royal Shakespeare Company, marking him as one of the most important theatrical voices of our time.</p><p><strong><br>André Holland</strong> is an acclaimed actor and producer, celebrated for his range across film, TV, and stage. Fresh off Sundance with <em>Love, Brooklyn </em>and <em>The Actor</em>, and SXSW with <em>The Dutchman</em>, Holland has delivered unforgettable performances in <em>Moonlight</em>, <em>Selma</em>, <em>Passing</em>, and <em>High Flying Bird</em>. His TV credits include <em>The Big Cigar</em>, <em>The Eddy</em>, and <em>The Knick</em>, alongside stage work from Broadway to Shakespeare’s Globe.</p><p><br>Together, they reunite for <em>The Brothers Size</em>, exploring brotherhood, legacy, and art. In this episode, these two giants sit with The Frogs to talk about the things rarely said but always essential.</p><p><br>Credits (Season 2):</p><ul><li>A production of Outside In Theatre in Highland Park, Los Angeles<p><br></p></li><li>Created by Alex Ubokudom &amp; Tobie Windham<p><br></p></li><li>Edited by Brianna Seamster &amp; Byron Rogers<p><br></p></li><li>Recorded &amp; Mixed by Arlo Sanders<p><br></p></li><li>Theme Song by Arlo Sanders<p><br></p></li><li>Produced by Brianna Seamster &amp; Jessica Hanna<p><br></p></li><li>Executive Produced by The Frogs &amp; Outside In Theatre<p><br></p></li></ul><p>Recorded at Outside In Theatre </p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Theatre Is Ours</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>The Theatre Is Ours</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c52e02c5</link>
      <description>
        <![CDATA[<p><strong>The Frogs Live- <br></strong><br></p><p>Episode 10- The Theatre Is Ours</p><p>Location: Outside In Theatre, Los Angeles</p><p>Recorded Live: May 24, 2025</p><p>A night of theater, culture, and vibe: recorded live with a studio audience under the lights of Outside In Theatre.</p><p>This special episode features a live performance and deep conversation with the creators and stars behind Red for Revolution, an award-winning audio drama centering Black femme queer love, lineage, and liberation.</p><p>We’re also joined by the incomparable Roger Q. Mason, playwright and provocateur, discussing their genre-busting Calif’s trilogy, in development with Outside In.</p><p>Featuring:</p><ul><li>🎭 Jana Naomi Smith, creator of <em>Red for Revolution</em>, writer, director, and cultural conjurer<p></p></li><li>🎙️ Caro Guzmán, actor, storyteller, and performer in Red for Revolution<p></p></li><li>🖋️ Roger Q. Mason, Obie-nominated playwright of Lavender Men and creator of the <em>Califa’s Trilogy</em>:<p></p><ul><li><em>California Story</em><p></p></li><li><em>Hide &amp; Hide</em><p></p></li><li><em>Juana Maria</em><p></p></li></ul></li><li>Ave.Noelle, musical guest<br>An unforgettable blend of vintage soul and future-forward vibes. </li></ul><p>Follow us:</p><p>@the_frogs_podcast_ | @OutsideInThtr  | @rogerq.mason | @redforrevolutionpod</p><p>Special thanks to:</p><p>Outside In Theatre, the cast of Red for Revolution, and our community of listeners and dreamers.</p><p>Produced by:</p><p>Outside In Theatre in conjunction with The Frogs</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Live show program Design by: Atlas Buescher</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>The Frogs Live- <br></strong><br></p><p>Episode 10- The Theatre Is Ours</p><p>Location: Outside In Theatre, Los Angeles</p><p>Recorded Live: May 24, 2025</p><p>A night of theater, culture, and vibe: recorded live with a studio audience under the lights of Outside In Theatre.</p><p>This special episode features a live performance and deep conversation with the creators and stars behind Red for Revolution, an award-winning audio drama centering Black femme queer love, lineage, and liberation.</p><p>We’re also joined by the incomparable Roger Q. Mason, playwright and provocateur, discussing their genre-busting Calif’s trilogy, in development with Outside In.</p><p>Featuring:</p><ul><li>🎭 Jana Naomi Smith, creator of <em>Red for Revolution</em>, writer, director, and cultural conjurer<p></p></li><li>🎙️ Caro Guzmán, actor, storyteller, and performer in Red for Revolution<p></p></li><li>🖋️ Roger Q. Mason, Obie-nominated playwright of Lavender Men and creator of the <em>Califa’s Trilogy</em>:<p></p><ul><li><em>California Story</em><p></p></li><li><em>Hide &amp; Hide</em><p></p></li><li><em>Juana Maria</em><p></p></li></ul></li><li>Ave.Noelle, musical guest<br>An unforgettable blend of vintage soul and future-forward vibes. </li></ul><p>Follow us:</p><p>@the_frogs_podcast_ | @OutsideInThtr  | @rogerq.mason | @redforrevolutionpod</p><p>Special thanks to:</p><p>Outside In Theatre, the cast of Red for Revolution, and our community of listeners and dreamers.</p><p>Produced by:</p><p>Outside In Theatre in conjunction with The Frogs</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Live show program Design by: Atlas Buescher</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 31 May 2025 18:18:50 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/c52e02c5/299011a3.mp3" length="183462807" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>4586</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong>The Frogs Live- <br></strong><br></p><p>Episode 10- The Theatre Is Ours</p><p>Location: Outside In Theatre, Los Angeles</p><p>Recorded Live: May 24, 2025</p><p>A night of theater, culture, and vibe: recorded live with a studio audience under the lights of Outside In Theatre.</p><p>This special episode features a live performance and deep conversation with the creators and stars behind Red for Revolution, an award-winning audio drama centering Black femme queer love, lineage, and liberation.</p><p>We’re also joined by the incomparable Roger Q. Mason, playwright and provocateur, discussing their genre-busting Calif’s trilogy, in development with Outside In.</p><p>Featuring:</p><ul><li>🎭 Jana Naomi Smith, creator of <em>Red for Revolution</em>, writer, director, and cultural conjurer<p></p></li><li>🎙️ Caro Guzmán, actor, storyteller, and performer in Red for Revolution<p></p></li><li>🖋️ Roger Q. Mason, Obie-nominated playwright of Lavender Men and creator of the <em>Califa’s Trilogy</em>:<p></p><ul><li><em>California Story</em><p></p></li><li><em>Hide &amp; Hide</em><p></p></li><li><em>Juana Maria</em><p></p></li></ul></li><li>Ave.Noelle, musical guest<br>An unforgettable blend of vintage soul and future-forward vibes. </li></ul><p>Follow us:</p><p>@the_frogs_podcast_ | @OutsideInThtr  | @rogerq.mason | @redforrevolutionpod</p><p>Special thanks to:</p><p>Outside In Theatre, the cast of Red for Revolution, and our community of listeners and dreamers.</p><p>Produced by:</p><p>Outside In Theatre in conjunction with The Frogs</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Live show program Design by: Atlas Buescher</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Andrea Patterson — The Storyteller’s Blueprint</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Andrea Patterson — The Storyteller’s Blueprint</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fda0d050</link>
      <description>
        <![CDATA[<p>Andrea Patterson is a powerhouse on stage and screen, blending raw storytelling with undeniable craft. A graduate of Purchase College’s Acting Conservatory, she’s brought unforgettable performances to some of the most respected theaters in the country.</p><p>Her portrayal of Helen in <em>Memnon</em> at the Getty Villa, produced with the Classical Theatre of Harlem, redefined the myth, bringing depth and fire to an iconic character. Onstage, her work in <em>Cullud Wattah</em> earned her a Drama Desk Award Nomination (2022) for Outstanding Actress in a Play, alongside heavyweights like Phylicia Rashad and Ruth Negga. Her role in <em>Confederates</em> showcased her command of layered storytelling, exploring the dangerous game Black women navigate across history.</p><p>Her craft was further recognized with an Obie Award (2023) for Sustained Achievement in Performance, solidifying her as a vital force in American theater.</p><p>On screen, Andrea’s magnetic presence has left its mark with standout roles in <em>Law &amp; Order</em>, <em>Blue Bloods</em>, <em>The Blacklist</em>, and <em>The Good Wife</em>. Her versatility proves that both stage and screen are just extensions of her storytelling reach, always grounded, always real.</p><p>Andrea Patterson is more than an actor; she’s a narrative architect, building stories that confront, challenge, and transcend.</p><p>🎭 Follow her journey: @andreapatterson</p><p>🎧 Follow us: @OutsideInThtr | @the_frogs_podcast_</p><p>Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Andrea Patterson is a powerhouse on stage and screen, blending raw storytelling with undeniable craft. A graduate of Purchase College’s Acting Conservatory, she’s brought unforgettable performances to some of the most respected theaters in the country.</p><p>Her portrayal of Helen in <em>Memnon</em> at the Getty Villa, produced with the Classical Theatre of Harlem, redefined the myth, bringing depth and fire to an iconic character. Onstage, her work in <em>Cullud Wattah</em> earned her a Drama Desk Award Nomination (2022) for Outstanding Actress in a Play, alongside heavyweights like Phylicia Rashad and Ruth Negga. Her role in <em>Confederates</em> showcased her command of layered storytelling, exploring the dangerous game Black women navigate across history.</p><p>Her craft was further recognized with an Obie Award (2023) for Sustained Achievement in Performance, solidifying her as a vital force in American theater.</p><p>On screen, Andrea’s magnetic presence has left its mark with standout roles in <em>Law &amp; Order</em>, <em>Blue Bloods</em>, <em>The Blacklist</em>, and <em>The Good Wife</em>. Her versatility proves that both stage and screen are just extensions of her storytelling reach, always grounded, always real.</p><p>Andrea Patterson is more than an actor; she’s a narrative architect, building stories that confront, challenge, and transcend.</p><p>🎭 Follow her journey: @andreapatterson</p><p>🎧 Follow us: @OutsideInThtr | @the_frogs_podcast_</p><p>Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 12 May 2025 09:21:31 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/fda0d050/b4a3fd58.mp3" length="121616420" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>3040</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Andrea Patterson is a powerhouse on stage and screen, blending raw storytelling with undeniable craft. A graduate of Purchase College’s Acting Conservatory, she’s brought unforgettable performances to some of the most respected theaters in the country.</p><p>Her portrayal of Helen in <em>Memnon</em> at the Getty Villa, produced with the Classical Theatre of Harlem, redefined the myth, bringing depth and fire to an iconic character. Onstage, her work in <em>Cullud Wattah</em> earned her a Drama Desk Award Nomination (2022) for Outstanding Actress in a Play, alongside heavyweights like Phylicia Rashad and Ruth Negga. Her role in <em>Confederates</em> showcased her command of layered storytelling, exploring the dangerous game Black women navigate across history.</p><p>Her craft was further recognized with an Obie Award (2023) for Sustained Achievement in Performance, solidifying her as a vital force in American theater.</p><p>On screen, Andrea’s magnetic presence has left its mark with standout roles in <em>Law &amp; Order</em>, <em>Blue Bloods</em>, <em>The Blacklist</em>, and <em>The Good Wife</em>. Her versatility proves that both stage and screen are just extensions of her storytelling reach, always grounded, always real.</p><p>Andrea Patterson is more than an actor; she’s a narrative architect, building stories that confront, challenge, and transcend.</p><p>🎭 Follow her journey: @andreapatterson</p><p>🎧 Follow us: @OutsideInThtr | @the_frogs_podcast_</p><p>Credits:</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>LarryJean Powell — Infinite Artist. Cultural Architect. South Central Griot.</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>LarryJean Powell — Infinite Artist. Cultural Architect. South Central Griot.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d5e1618f</link>
      <description>
        <![CDATA[<p><br>LarryJean Powell — Infinite Artist. Cultural Architect. South Central Griot.</p><p><br>LarryJean Powell (theirs) is a true infini-hyphenate: actor, writer, director, and creator. Born and raised in South Central LA. They’ve premiered new work in powerhouse plays like <em>The Christians</em>, <em>The Legend of Georgia McBride, Father Comes Home From the Wars</em>, and <em>While I Yet Live</em>, carving out a lane where art, activism, and legacy meet.</p><p><br>On screen, you’ve seen them as Rick James in MGM+’s <em>Hotel Cocaine</em>, in <em>White Men Can’t Jump</em>, and on BET+’s <em>The</em> <em>Ms. Pat Show</em>. Their digital series <em>The Gaze </em>earned two Daytime Emmy nominations, and their debut feature <em>Mother’s Milk: A Film Quilt </em>took home a Special Jury Prize at the Seattle International Film Festival.</p><p><br>An award-winning creator across stage and screen, LarryJean keeps the roots deep and the vision wide, shaping the next wave as a lecturer at USC, a writer on <em>The Ms. Pat Show</em>, and a director for works like <em>Pipeline</em> by Dominique Morisseau.</p><p><br>Catch their work at larryjean.com</p><p><br>Follow the vibe: @thepowelloflove</p><p><br>@OutsideInThtr and @the_frogs_podcast_</p><p><strong><br>Credits:<br></strong><br></p><p><br>A production of Outside In Theatre in Highland Park, Los Angeles</p><p><br>Created by Alex Ubokudom &amp; Tobie Windham</p><p><br>Edited by Brianna Seamster</p><p><br>Recorded &amp; Mixed by Arlo Sanders</p><p><br>Theme Song by Arlo Sanders</p><p><br>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br>Executive Produced by The Frogs &amp; Outside In Theatre</p><p><br>Recorded at Outside In Theatre</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>LarryJean Powell — Infinite Artist. Cultural Architect. South Central Griot.</p><p><br>LarryJean Powell (theirs) is a true infini-hyphenate: actor, writer, director, and creator. Born and raised in South Central LA. They’ve premiered new work in powerhouse plays like <em>The Christians</em>, <em>The Legend of Georgia McBride, Father Comes Home From the Wars</em>, and <em>While I Yet Live</em>, carving out a lane where art, activism, and legacy meet.</p><p><br>On screen, you’ve seen them as Rick James in MGM+’s <em>Hotel Cocaine</em>, in <em>White Men Can’t Jump</em>, and on BET+’s <em>The</em> <em>Ms. Pat Show</em>. Their digital series <em>The Gaze </em>earned two Daytime Emmy nominations, and their debut feature <em>Mother’s Milk: A Film Quilt </em>took home a Special Jury Prize at the Seattle International Film Festival.</p><p><br>An award-winning creator across stage and screen, LarryJean keeps the roots deep and the vision wide, shaping the next wave as a lecturer at USC, a writer on <em>The Ms. Pat Show</em>, and a director for works like <em>Pipeline</em> by Dominique Morisseau.</p><p><br>Catch their work at larryjean.com</p><p><br>Follow the vibe: @thepowelloflove</p><p><br>@OutsideInThtr and @the_frogs_podcast_</p><p><strong><br>Credits:<br></strong><br></p><p><br>A production of Outside In Theatre in Highland Park, Los Angeles</p><p><br>Created by Alex Ubokudom &amp; Tobie Windham</p><p><br>Edited by Brianna Seamster</p><p><br>Recorded &amp; Mixed by Arlo Sanders</p><p><br>Theme Song by Arlo Sanders</p><p><br>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br>Executive Produced by The Frogs &amp; Outside In Theatre</p><p><br>Recorded at Outside In Theatre</p>]]>
      </content:encoded>
      <pubDate>Mon, 28 Apr 2025 08:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/d5e1618f/502a58ca.mp3" length="152938341" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>3823</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>LarryJean Powell — Infinite Artist. Cultural Architect. South Central Griot.</p><p><br>LarryJean Powell (theirs) is a true infini-hyphenate: actor, writer, director, and creator. Born and raised in South Central LA. They’ve premiered new work in powerhouse plays like <em>The Christians</em>, <em>The Legend of Georgia McBride, Father Comes Home From the Wars</em>, and <em>While I Yet Live</em>, carving out a lane where art, activism, and legacy meet.</p><p><br>On screen, you’ve seen them as Rick James in MGM+’s <em>Hotel Cocaine</em>, in <em>White Men Can’t Jump</em>, and on BET+’s <em>The</em> <em>Ms. Pat Show</em>. Their digital series <em>The Gaze </em>earned two Daytime Emmy nominations, and their debut feature <em>Mother’s Milk: A Film Quilt </em>took home a Special Jury Prize at the Seattle International Film Festival.</p><p><br>An award-winning creator across stage and screen, LarryJean keeps the roots deep and the vision wide, shaping the next wave as a lecturer at USC, a writer on <em>The Ms. Pat Show</em>, and a director for works like <em>Pipeline</em> by Dominique Morisseau.</p><p><br>Catch their work at larryjean.com</p><p><br>Follow the vibe: @thepowelloflove</p><p><br>@OutsideInThtr and @the_frogs_podcast_</p><p><strong><br>Credits:<br></strong><br></p><p><br>A production of Outside In Theatre in Highland Park, Los Angeles</p><p><br>Created by Alex Ubokudom &amp; Tobie Windham</p><p><br>Edited by Brianna Seamster</p><p><br>Recorded &amp; Mixed by Arlo Sanders</p><p><br>Theme Song by Arlo Sanders</p><p><br>Produced by Brianna Seamster &amp; Jessica Hanna</p><p><br>Executive Produced by The Frogs &amp; Outside In Theatre</p><p><br>Recorded at Outside In Theatre</p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jerrie Johnson: Art, Audacity, Heart, and HARLEM</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Jerrie Johnson: Art, Audacity, Heart, and HARLEM</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/78e8ac66</link>
      <description>
        <![CDATA[<p><strong>Jerrie Johnson: Art, Audacity, Heart, and HARLEM<br></strong><br></p><p>Jerrie Johnson (she/they) is the kind of artist who doesn’t just take up space, they reshape it. You probably know them as Tye from Amazon Prime’s <em>Harlem</em>, where their bold, magnetic energy became an instant standout. Jerrie also pulled up in <em>Survival of the Thickest</em> on Netflix, <em>Good Trouble</em> on Hulu, and the indie film <em>Mother’s Milk</em>. A Penn State alum with a BA in Performance Studies and an MFA from the American Conservatory Theater, Jerrie brings both fire and finesse to every room they enter.</p><p>Off screen, they’re just as powerful. Poet, performer, and wellness advocate. Their solo show in San Francisco with SFBATCO got all the flowers, and during quarantine, they became a published poet. But beyond the work, Jerrie is building something bigger. A vision rooted in access, healing, and community. They’re currently manifesting a retreat farm where artists can reset, create, and be cared for. It’s giving purpose, it’s giving legacy, and it’s giving joy.</p><p>Follow Jerrie on IG:<a href="https://www.instagram.com/theejerriejohnson"> @theejerriejohnson</a></p><p><a href="https://www.instagram.com/the_frogs_podcast_">@the_frogs_podcast_</a> |<a href="https://www.instagram.com/outsideinthtr"> @OutsideInThtr</a></p><p>Credits</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom and Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded and Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster and Jessica Hanna</p><p>Executive Produced by The Frogs and Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Jerrie Johnson: Art, Audacity, Heart, and HARLEM<br></strong><br></p><p>Jerrie Johnson (she/they) is the kind of artist who doesn’t just take up space, they reshape it. You probably know them as Tye from Amazon Prime’s <em>Harlem</em>, where their bold, magnetic energy became an instant standout. Jerrie also pulled up in <em>Survival of the Thickest</em> on Netflix, <em>Good Trouble</em> on Hulu, and the indie film <em>Mother’s Milk</em>. A Penn State alum with a BA in Performance Studies and an MFA from the American Conservatory Theater, Jerrie brings both fire and finesse to every room they enter.</p><p>Off screen, they’re just as powerful. Poet, performer, and wellness advocate. Their solo show in San Francisco with SFBATCO got all the flowers, and during quarantine, they became a published poet. But beyond the work, Jerrie is building something bigger. A vision rooted in access, healing, and community. They’re currently manifesting a retreat farm where artists can reset, create, and be cared for. It’s giving purpose, it’s giving legacy, and it’s giving joy.</p><p>Follow Jerrie on IG:<a href="https://www.instagram.com/theejerriejohnson"> @theejerriejohnson</a></p><p><a href="https://www.instagram.com/the_frogs_podcast_">@the_frogs_podcast_</a> |<a href="https://www.instagram.com/outsideinthtr"> @OutsideInThtr</a></p><p>Credits</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom and Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded and Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster and Jessica Hanna</p><p>Executive Produced by The Frogs and Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 14 Apr 2025 08:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/78e8ac66/11ff2306.mp3" length="148984342" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>3724</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong>Jerrie Johnson: Art, Audacity, Heart, and HARLEM<br></strong><br></p><p>Jerrie Johnson (she/they) is the kind of artist who doesn’t just take up space, they reshape it. You probably know them as Tye from Amazon Prime’s <em>Harlem</em>, where their bold, magnetic energy became an instant standout. Jerrie also pulled up in <em>Survival of the Thickest</em> on Netflix, <em>Good Trouble</em> on Hulu, and the indie film <em>Mother’s Milk</em>. A Penn State alum with a BA in Performance Studies and an MFA from the American Conservatory Theater, Jerrie brings both fire and finesse to every room they enter.</p><p>Off screen, they’re just as powerful. Poet, performer, and wellness advocate. Their solo show in San Francisco with SFBATCO got all the flowers, and during quarantine, they became a published poet. But beyond the work, Jerrie is building something bigger. A vision rooted in access, healing, and community. They’re currently manifesting a retreat farm where artists can reset, create, and be cared for. It’s giving purpose, it’s giving legacy, and it’s giving joy.</p><p>Follow Jerrie on IG:<a href="https://www.instagram.com/theejerriejohnson"> @theejerriejohnson</a></p><p><a href="https://www.instagram.com/the_frogs_podcast_">@the_frogs_podcast_</a> |<a href="https://www.instagram.com/outsideinthtr"> @OutsideInThtr</a></p><p>Credits</p><p>A production of Outside In Theatre in Highland Park, Los Angeles</p><p>Created by Alex Ubokudom and Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded and Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster and Jessica Hanna</p><p>Executive Produced by The Frogs and Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sophina Brown: Creating Space and the New Black Theatre Movement</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Sophina Brown: Creating Space and the New Black Theatre Movement</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d7bbc5e1</link>
      <description>
        <![CDATA[<p><strong>Sophina Brown: Creating Space and the New Black Theatre Movement <br></strong><br></p><p>Sophina Brown is a force on stage, on screen, and in the community. After graduating from the University of Michigan’s BFA Theatre program and making her Broadway debut in The Lion King, she moved to LA to break into TV but never stopped fighting for the theater. Inspired by August Wilson’s The Ground on Which I Stand, Sophina began producing Black theatre in Los Angeles, determined to create space, equity, and opportunity for Black artists and audiences. In 2020, she founded Support Black Theatre, a nonprofit that has secured over $1.3 million for Black theaters, partnered with nearly 200 Black businesses, served more than 20,000 community members, and earned a prestigious Lilly Award for its impact.</p><p>In this episode, we chop it up about building legacy, creating access, and staying rooted in purpose. From national tours to network TV (Shark, Numb3rs, Twenties, Kindred), to starring in Bosch: Legacy (dropping March 2025), Sophina’s career is proof that the hustle doesn’t stop but the mission always leads.</p><p>Whether she’s acting, producing, or organizing, Sophina is showing what it means to lead with love and strategy and to make sure Black theatre not only survives but thrives.</p><p>Support Black Theatre</p><p>Website:<a href="https://www.supportblacktheatre.org"> supportblacktheatre.org</a></p><p>IG:<a href="https://www.instagram.com/supportblacktheatre"> @SupportBlackTheatre</a></p><p><a href="https://www.instagram.com/the_frogs_podcast_">@the_frogs_podcast_</a> |<a href="https://www.instagram.com/outsideinthtr"> @OutsideInThtr</a></p><p>Credits</p><p>📍 A production of Outside In Theatre in Highland Park, Los Angeles</p><p>🎭 Created by Alex Ubokudom and Tobie Windham</p><p>🎧 Edited by Brianna Seamster</p><p>🎚 Recorded and Mixed by Arlo Sanders</p><p>🎵 Theme Song by Arlo Sanders</p><p>🎬 Produced by Brianna Seamster and Jessica Hanna</p><p>🎙 Executive Produced by The Frogs and Outside In Theatre</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Sophina Brown: Creating Space and the New Black Theatre Movement <br></strong><br></p><p>Sophina Brown is a force on stage, on screen, and in the community. After graduating from the University of Michigan’s BFA Theatre program and making her Broadway debut in The Lion King, she moved to LA to break into TV but never stopped fighting for the theater. Inspired by August Wilson’s The Ground on Which I Stand, Sophina began producing Black theatre in Los Angeles, determined to create space, equity, and opportunity for Black artists and audiences. In 2020, she founded Support Black Theatre, a nonprofit that has secured over $1.3 million for Black theaters, partnered with nearly 200 Black businesses, served more than 20,000 community members, and earned a prestigious Lilly Award for its impact.</p><p>In this episode, we chop it up about building legacy, creating access, and staying rooted in purpose. From national tours to network TV (Shark, Numb3rs, Twenties, Kindred), to starring in Bosch: Legacy (dropping March 2025), Sophina’s career is proof that the hustle doesn’t stop but the mission always leads.</p><p>Whether she’s acting, producing, or organizing, Sophina is showing what it means to lead with love and strategy and to make sure Black theatre not only survives but thrives.</p><p>Support Black Theatre</p><p>Website:<a href="https://www.supportblacktheatre.org"> supportblacktheatre.org</a></p><p>IG:<a href="https://www.instagram.com/supportblacktheatre"> @SupportBlackTheatre</a></p><p><a href="https://www.instagram.com/the_frogs_podcast_">@the_frogs_podcast_</a> |<a href="https://www.instagram.com/outsideinthtr"> @OutsideInThtr</a></p><p>Credits</p><p>📍 A production of Outside In Theatre in Highland Park, Los Angeles</p><p>🎭 Created by Alex Ubokudom and Tobie Windham</p><p>🎧 Edited by Brianna Seamster</p><p>🎚 Recorded and Mixed by Arlo Sanders</p><p>🎵 Theme Song by Arlo Sanders</p><p>🎬 Produced by Brianna Seamster and Jessica Hanna</p><p>🎙 Executive Produced by The Frogs and Outside In Theatre</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 31 Mar 2025 08:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/d7bbc5e1/11bd7cbf.mp3" length="175806888" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>4395</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><strong>Sophina Brown: Creating Space and the New Black Theatre Movement <br></strong><br></p><p>Sophina Brown is a force on stage, on screen, and in the community. After graduating from the University of Michigan’s BFA Theatre program and making her Broadway debut in The Lion King, she moved to LA to break into TV but never stopped fighting for the theater. Inspired by August Wilson’s The Ground on Which I Stand, Sophina began producing Black theatre in Los Angeles, determined to create space, equity, and opportunity for Black artists and audiences. In 2020, she founded Support Black Theatre, a nonprofit that has secured over $1.3 million for Black theaters, partnered with nearly 200 Black businesses, served more than 20,000 community members, and earned a prestigious Lilly Award for its impact.</p><p>In this episode, we chop it up about building legacy, creating access, and staying rooted in purpose. From national tours to network TV (Shark, Numb3rs, Twenties, Kindred), to starring in Bosch: Legacy (dropping March 2025), Sophina’s career is proof that the hustle doesn’t stop but the mission always leads.</p><p>Whether she’s acting, producing, or organizing, Sophina is showing what it means to lead with love and strategy and to make sure Black theatre not only survives but thrives.</p><p>Support Black Theatre</p><p>Website:<a href="https://www.supportblacktheatre.org"> supportblacktheatre.org</a></p><p>IG:<a href="https://www.instagram.com/supportblacktheatre"> @SupportBlackTheatre</a></p><p><a href="https://www.instagram.com/the_frogs_podcast_">@the_frogs_podcast_</a> |<a href="https://www.instagram.com/outsideinthtr"> @OutsideInThtr</a></p><p>Credits</p><p>📍 A production of Outside In Theatre in Highland Park, Los Angeles</p><p>🎭 Created by Alex Ubokudom and Tobie Windham</p><p>🎧 Edited by Brianna Seamster</p><p>🎚 Recorded and Mixed by Arlo Sanders</p><p>🎵 Theme Song by Arlo Sanders</p><p>🎬 Produced by Brianna Seamster and Jessica Hanna</p><p>🎙 Executive Produced by The Frogs and Outside In Theatre</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Daisuke Tsuji: The Art of Being a Clown</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Daisuke Tsuji: The Art of Being a Clown</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0736e6bb-c093-4bbc-b37c-65cb9e5b0217</guid>
      <link>https://share.transistor.fm/s/15ce64ef</link>
      <description>
        <![CDATA[<p>Daisuke Tsuji: The Art of Being a Clown</p><p>Daisuke Tsuji is more than an actor, he’s a beautiful spirit, a dedicated artist, and a true practitioner of craft. He’s a clown, not the red-nose, ha-ha kind, though we learn he knows a bit about that as well, but the kind that sees the world for what it is and meets it with curiosity, vulnerability, and play. Whether on stage, in motion capture, or in the rehearsal room, he is an explorer of life, always searching for truth in the work.</p><p>Right now, he’s stepping into one of the most complex roles of his career: Duch in Cambodian Rock Band at East West Players. The play is a collision of history, music, and memory, demanding its performers to move between humor and horror, joy and devastation, often in the same breath.</p><p>You may know him as Jin Sakai in Ghost of Tsushima or from his years at the Oregon Shakespeare Festival, but this conversation is about something deeper. It’s about what it means to hold history in your body, to wrestle with the weight of storytelling, and to find lightness even in the heaviest of roles.</p><p>Daisuke shares how Cambodian Rock Band has shaped him, the philosophy that guides his work, and how being a clown, an artist fully present in the moment, has helped him navigate a career that spans Shakespeare, Cirque du Soleil, video games, and beyond.</p><p>This one’s special. Tap in.</p><p>🎭 Follow Outside In Theatre: @OutsideInThtr</p><p>🎙️ Follow The Frogs Podcast: @the_frogs_podcast_</p><p>🔹 Follow Daisuke: @daisuketsuji</p><p>⸻</p><p>Credits:</p><p>📍 A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p>🎭 Created by Alex Ubokudom &amp; Tobie Windham</p><p>🎧 Edited by Brianna Seamster</p><p>🎚 Recorded &amp; Mixed by Arlo Sanders</p><p>🎵 Theme Song by Arlo Sanders</p><p>🎬 Produced by Brianna Seamster &amp; Jessica Hanna</p><p>🎙 Executive Produced by The Frogs &amp; Outside In Theatre</p><p>🎤 Recorded at Outside In Theatre</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Daisuke Tsuji: The Art of Being a Clown</p><p>Daisuke Tsuji is more than an actor, he’s a beautiful spirit, a dedicated artist, and a true practitioner of craft. He’s a clown, not the red-nose, ha-ha kind, though we learn he knows a bit about that as well, but the kind that sees the world for what it is and meets it with curiosity, vulnerability, and play. Whether on stage, in motion capture, or in the rehearsal room, he is an explorer of life, always searching for truth in the work.</p><p>Right now, he’s stepping into one of the most complex roles of his career: Duch in Cambodian Rock Band at East West Players. The play is a collision of history, music, and memory, demanding its performers to move between humor and horror, joy and devastation, often in the same breath.</p><p>You may know him as Jin Sakai in Ghost of Tsushima or from his years at the Oregon Shakespeare Festival, but this conversation is about something deeper. It’s about what it means to hold history in your body, to wrestle with the weight of storytelling, and to find lightness even in the heaviest of roles.</p><p>Daisuke shares how Cambodian Rock Band has shaped him, the philosophy that guides his work, and how being a clown, an artist fully present in the moment, has helped him navigate a career that spans Shakespeare, Cirque du Soleil, video games, and beyond.</p><p>This one’s special. Tap in.</p><p>🎭 Follow Outside In Theatre: @OutsideInThtr</p><p>🎙️ Follow The Frogs Podcast: @the_frogs_podcast_</p><p>🔹 Follow Daisuke: @daisuketsuji</p><p>⸻</p><p>Credits:</p><p>📍 A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p>🎭 Created by Alex Ubokudom &amp; Tobie Windham</p><p>🎧 Edited by Brianna Seamster</p><p>🎚 Recorded &amp; Mixed by Arlo Sanders</p><p>🎵 Theme Song by Arlo Sanders</p><p>🎬 Produced by Brianna Seamster &amp; Jessica Hanna</p><p>🎙 Executive Produced by The Frogs &amp; Outside In Theatre</p><p>🎤 Recorded at Outside In Theatre</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Mar 2025 08:00:00 -0700</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/15ce64ef/5a8faac8.mp3" length="71241500" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>2964</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Daisuke Tsuji: The Art of Being a Clown</p><p>Daisuke Tsuji is more than an actor, he’s a beautiful spirit, a dedicated artist, and a true practitioner of craft. He’s a clown, not the red-nose, ha-ha kind, though we learn he knows a bit about that as well, but the kind that sees the world for what it is and meets it with curiosity, vulnerability, and play. Whether on stage, in motion capture, or in the rehearsal room, he is an explorer of life, always searching for truth in the work.</p><p>Right now, he’s stepping into one of the most complex roles of his career: Duch in Cambodian Rock Band at East West Players. The play is a collision of history, music, and memory, demanding its performers to move between humor and horror, joy and devastation, often in the same breath.</p><p>You may know him as Jin Sakai in Ghost of Tsushima or from his years at the Oregon Shakespeare Festival, but this conversation is about something deeper. It’s about what it means to hold history in your body, to wrestle with the weight of storytelling, and to find lightness even in the heaviest of roles.</p><p>Daisuke shares how Cambodian Rock Band has shaped him, the philosophy that guides his work, and how being a clown, an artist fully present in the moment, has helped him navigate a career that spans Shakespeare, Cirque du Soleil, video games, and beyond.</p><p>This one’s special. Tap in.</p><p>🎭 Follow Outside In Theatre: @OutsideInThtr</p><p>🎙️ Follow The Frogs Podcast: @the_frogs_podcast_</p><p>🔹 Follow Daisuke: @daisuketsuji</p><p>⸻</p><p>Credits:</p><p>📍 A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p>🎭 Created by Alex Ubokudom &amp; Tobie Windham</p><p>🎧 Edited by Brianna Seamster</p><p>🎚 Recorded &amp; Mixed by Arlo Sanders</p><p>🎵 Theme Song by Arlo Sanders</p><p>🎬 Produced by Brianna Seamster &amp; Jessica Hanna</p><p>🎙 Executive Produced by The Frogs &amp; Outside In Theatre</p><p>🎤 Recorded at Outside In Theatre</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Hamish Linklater: The Ghosts of Theatre, Batman, Nickel Boys &amp; the Lakers</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Hamish Linklater: The Ghosts of Theatre, Batman, Nickel Boys &amp; the Lakers</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c7602448</link>
      <description>
        <![CDATA[<p><br><strong>Hamish Linklater: The Ghosts of Theatre, Batman, Nickel Boys &amp; the Lakers</strong></p><p>Hamish Linklater is a powerhouse: actor, writer, director, producer, and a master of storytelling across every medium. Right now, he’s commanding the stage in <em>Ghosts</em> at Lincoln Center, voicing Batman in the new animated <em>Batman</em> series, and starring in <em>Nickel Boys</em>, which just snagged an Academy Award nomination for Best Picture.</p><p>You’ve seen him in <em>The Big Short, Midnight Mass, Fargo, The Newsroom, </em>and<em> Manhunt</em>, but Hamish isn’t just about delivering iconic performances, he’s a playwright, too. His works <em>Paris, Actors!, The Whirligig</em>, and <em>The Vandal </em>prove his pen is just as sharp as his performances. And let’s not forget <em>Downtown Owl</em>, his directorial debut alongside Lily Rabe, which premiered at Tribeca in 2023.</p><p>On stage, Hamish has left his mark with standout performances in <em>Much Ado About Nothing</em>, <em>The Merchant of Venice</em>, and <em>Twelfth Night </em>for Shakespeare in the Park, earning Drama Desk, Lortel, and Outer Critics Circle nominations, as well as an Obie Award.</p><p>In this episode, we chop it up with Hamish about the Ghosts of theater, the weight of legacy, and what it’s like stepping into the Dark Knight’s boots. Tap in for a fly conversation.</p><p>🎭 Follow Outside In Theatre:<a href="https://www.instagram.com/OutsideInThtr"> @OutsideInThtr<br></a><br></p><p>🎙️ Follow The Frogs Podcast:<a href="https://www.instagram.com/the_frogs_podcast_"> @the_frogs_podcast_<br></a><br></p><p>🔹 Follow Hamish:<a href="https://www.instagram.com/therealhamishlinklater"> @therealhamishlinklater<br></a><br></p><p>Credits:</p><p>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br><strong>Hamish Linklater: The Ghosts of Theatre, Batman, Nickel Boys &amp; the Lakers</strong></p><p>Hamish Linklater is a powerhouse: actor, writer, director, producer, and a master of storytelling across every medium. Right now, he’s commanding the stage in <em>Ghosts</em> at Lincoln Center, voicing Batman in the new animated <em>Batman</em> series, and starring in <em>Nickel Boys</em>, which just snagged an Academy Award nomination for Best Picture.</p><p>You’ve seen him in <em>The Big Short, Midnight Mass, Fargo, The Newsroom, </em>and<em> Manhunt</em>, but Hamish isn’t just about delivering iconic performances, he’s a playwright, too. His works <em>Paris, Actors!, The Whirligig</em>, and <em>The Vandal </em>prove his pen is just as sharp as his performances. And let’s not forget <em>Downtown Owl</em>, his directorial debut alongside Lily Rabe, which premiered at Tribeca in 2023.</p><p>On stage, Hamish has left his mark with standout performances in <em>Much Ado About Nothing</em>, <em>The Merchant of Venice</em>, and <em>Twelfth Night </em>for Shakespeare in the Park, earning Drama Desk, Lortel, and Outer Critics Circle nominations, as well as an Obie Award.</p><p>In this episode, we chop it up with Hamish about the Ghosts of theater, the weight of legacy, and what it’s like stepping into the Dark Knight’s boots. Tap in for a fly conversation.</p><p>🎭 Follow Outside In Theatre:<a href="https://www.instagram.com/OutsideInThtr"> @OutsideInThtr<br></a><br></p><p>🎙️ Follow The Frogs Podcast:<a href="https://www.instagram.com/the_frogs_podcast_"> @the_frogs_podcast_<br></a><br></p><p>🔹 Follow Hamish:<a href="https://www.instagram.com/therealhamishlinklater"> @therealhamishlinklater<br></a><br></p><p>Credits:</p><p>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Mar 2025 08:00:00 -0800</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/c7602448/d7c6072e.mp3" length="75561477" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>1888</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br><strong>Hamish Linklater: The Ghosts of Theatre, Batman, Nickel Boys &amp; the Lakers</strong></p><p>Hamish Linklater is a powerhouse: actor, writer, director, producer, and a master of storytelling across every medium. Right now, he’s commanding the stage in <em>Ghosts</em> at Lincoln Center, voicing Batman in the new animated <em>Batman</em> series, and starring in <em>Nickel Boys</em>, which just snagged an Academy Award nomination for Best Picture.</p><p>You’ve seen him in <em>The Big Short, Midnight Mass, Fargo, The Newsroom, </em>and<em> Manhunt</em>, but Hamish isn’t just about delivering iconic performances, he’s a playwright, too. His works <em>Paris, Actors!, The Whirligig</em>, and <em>The Vandal </em>prove his pen is just as sharp as his performances. And let’s not forget <em>Downtown Owl</em>, his directorial debut alongside Lily Rabe, which premiered at Tribeca in 2023.</p><p>On stage, Hamish has left his mark with standout performances in <em>Much Ado About Nothing</em>, <em>The Merchant of Venice</em>, and <em>Twelfth Night </em>for Shakespeare in the Park, earning Drama Desk, Lortel, and Outer Critics Circle nominations, as well as an Obie Award.</p><p>In this episode, we chop it up with Hamish about the Ghosts of theater, the weight of legacy, and what it’s like stepping into the Dark Knight’s boots. Tap in for a fly conversation.</p><p>🎭 Follow Outside In Theatre:<a href="https://www.instagram.com/OutsideInThtr"> @OutsideInThtr<br></a><br></p><p>🎙️ Follow The Frogs Podcast:<a href="https://www.instagram.com/the_frogs_podcast_"> @the_frogs_podcast_<br></a><br></p><p>🔹 Follow Hamish:<a href="https://www.instagram.com/therealhamishlinklater"> @therealhamishlinklater<br></a><br></p><p>Credits:</p><p>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p>Created by Alex Ubokudom &amp; Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster &amp; Jessica Hanna</p><p>Executive Produced by The Frogs &amp; Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Stacy Amma Osei-Kuffour – The Magical, Unrestrained, Comedic mind of Stacy Amma</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Stacy Amma Osei-Kuffour – The Magical, Unrestrained, Comedic mind of Stacy Amma</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/72c7f007</link>
      <description>
        <![CDATA[<p><br>Stacy Amma Osei-Kuffour – The Magical, Unrestrained, Comedic mind of Stacy Amma</p><p>Stacy Osei-Kuffour is a powerhouse TV writer and playwright redefining modern storytelling. With credits like Hulu’s THE BEAR (which just earned her a WGA for Best Comedy), Apple’s THE MORNING SHOW, HBO’s RUN (from Vicky Jones and Phoebe Waller-Bridge), Amazon’s THE POWER, HBO’s WATCHMEN (earning her another WGA for Best Drama), and Jordan Peele’s HUNTERS starring Al Pacino, she’s consistently pushing creative boundaries. She also penned an Emmy-nominated episode of PEN15 for Hulu.</p><p>Hailing from Chicago, Stacy honed her craft with a BFA in Acting from NYU and an MFA in Playwriting from Hunter College. Her critically acclaimed play Hang Man premiered at Chicago’s Gift Theatre in 2018, solidifying her status as one of today’s boldest voices.</p><p>We’re stoked to have Stacy’s unique blend of grit, wit, and soul on The Frogs Podcast, where high-level art meets real, unfiltered storytelling.</p><p>Follow Us:</p><p>🎭 @OutsideInThtr</p><p>🎙️ @the_frogs_podcast_</p><p>Credits: </p><p><b>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles<br>Created by Alex Ubokudom and Tobie Windham<br>Edited by Brianna Seamster<br>Recorded &amp; Mixed by Arlo Sanders<br>Theme Song by Arlo Sanders<br>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna<br>Executive Produced by The Frogs and Outside In Theatre<br>Recorded at Outside In Theatre</b></p><p><a href="https://www.instagram.com/the_frogs_prodcast_"><br></a><br></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Stacy Amma Osei-Kuffour – The Magical, Unrestrained, Comedic mind of Stacy Amma</p><p>Stacy Osei-Kuffour is a powerhouse TV writer and playwright redefining modern storytelling. With credits like Hulu’s THE BEAR (which just earned her a WGA for Best Comedy), Apple’s THE MORNING SHOW, HBO’s RUN (from Vicky Jones and Phoebe Waller-Bridge), Amazon’s THE POWER, HBO’s WATCHMEN (earning her another WGA for Best Drama), and Jordan Peele’s HUNTERS starring Al Pacino, she’s consistently pushing creative boundaries. She also penned an Emmy-nominated episode of PEN15 for Hulu.</p><p>Hailing from Chicago, Stacy honed her craft with a BFA in Acting from NYU and an MFA in Playwriting from Hunter College. Her critically acclaimed play Hang Man premiered at Chicago’s Gift Theatre in 2018, solidifying her status as one of today’s boldest voices.</p><p>We’re stoked to have Stacy’s unique blend of grit, wit, and soul on The Frogs Podcast, where high-level art meets real, unfiltered storytelling.</p><p>Follow Us:</p><p>🎭 @OutsideInThtr</p><p>🎙️ @the_frogs_podcast_</p><p>Credits: </p><p><b>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles<br>Created by Alex Ubokudom and Tobie Windham<br>Edited by Brianna Seamster<br>Recorded &amp; Mixed by Arlo Sanders<br>Theme Song by Arlo Sanders<br>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna<br>Executive Produced by The Frogs and Outside In Theatre<br>Recorded at Outside In Theatre</b></p><p><a href="https://www.instagram.com/the_frogs_prodcast_"><br></a><br></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Feb 2025 08:00:00 -0800</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/72c7f007/d16504a8.mp3" length="28714352" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>1792</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Stacy Amma Osei-Kuffour – The Magical, Unrestrained, Comedic mind of Stacy Amma</p><p>Stacy Osei-Kuffour is a powerhouse TV writer and playwright redefining modern storytelling. With credits like Hulu’s THE BEAR (which just earned her a WGA for Best Comedy), Apple’s THE MORNING SHOW, HBO’s RUN (from Vicky Jones and Phoebe Waller-Bridge), Amazon’s THE POWER, HBO’s WATCHMEN (earning her another WGA for Best Drama), and Jordan Peele’s HUNTERS starring Al Pacino, she’s consistently pushing creative boundaries. She also penned an Emmy-nominated episode of PEN15 for Hulu.</p><p>Hailing from Chicago, Stacy honed her craft with a BFA in Acting from NYU and an MFA in Playwriting from Hunter College. Her critically acclaimed play Hang Man premiered at Chicago’s Gift Theatre in 2018, solidifying her status as one of today’s boldest voices.</p><p>We’re stoked to have Stacy’s unique blend of grit, wit, and soul on The Frogs Podcast, where high-level art meets real, unfiltered storytelling.</p><p>Follow Us:</p><p>🎭 @OutsideInThtr</p><p>🎙️ @the_frogs_podcast_</p><p>Credits: </p><p><b>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles<br>Created by Alex Ubokudom and Tobie Windham<br>Edited by Brianna Seamster<br>Recorded &amp; Mixed by Arlo Sanders<br>Theme Song by Arlo Sanders<br>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna<br>Executive Produced by The Frogs and Outside In Theatre<br>Recorded at Outside In Theatre</b></p><p><a href="https://www.instagram.com/the_frogs_prodcast_"><br></a><br></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Eric Berryman – Grandma Would Dig This</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Eric Berryman – Grandma Would Dig This</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/93ccf835</link>
      <description>
        <![CDATA[<p><br>Baltimore-born, NYC-based, and always in conversation with the past, Eric Berryman is an artist whose work is guided by a simple but profound question: Would Grandma dig this?</p><p>Eric grew up steeped in the stories and wisdom of his grandparents, and that influence echoes through every role he takes on. Whether he’s resurrecting the oral traditions of Black storytelling, reimagining history on stage, or bringing complex characters to life on screen, his work carries a deep sense of reverence and rhythm.</p><p>Theater Credits Include:</p><ul><li>Get Your Ass in the Water and Swim Like Me (Wooster Group) – A love letter to the lost art of “toasts,” the rhyming oral traditions that helped shape hip-hop. The NY Times calls it “a joy and a provocation.</li><li>The Ford/Hill Project (The Public Theatre)</li><li>Memnon (Getty Villa/Classical Theatre of Harlem)</li><li>Primary Trust (Roundabout Theatre)</li><li>The B-Side: Negro Folklore from Texas State Prisons (Wooster Group/St. Ann’s Warehouse – Drama Desk Nomination)<p></p></li></ul><p><br>Film &amp; TV Credits Include:</p><ul><li>The Penguin (HBO MAX)</li><li>Atlanta (FX)</li><li>Marriage Story (Netflix)</li><li>Evil (Paramount+)</li><li>Marvelous Mrs. Maisel<p></p></li></ul><p>A graduate of The Baltimore School for the Arts and Carnegie Mellon University, Eric isn’t just performing, he’s preserving, remixing, and pushing forward the stories that shape us.</p><p>Eric Berryman. The past in his bones, the future in his hands.  </p><p>Oh, and he has no social media, because some things are better left offline.</p><p><br>Follow Us:</p><p>🎭 @OutsideInThtr</p><p>🎙️ @the_frogs_podcast_</p><p><b>Credit info: </b></p><p><b>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</b></p><p><b>Created by Alex Ubokudom and Tobie Windham</b></p><p><b>Edited by Brianna Seamster</b></p><p><b>Recorded &amp; Mixed by Arlo Sanders</b></p><p><b>Theme Song by Arlo Sanders</b></p><p><b>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna</b></p><p><b>Executive Produced by The Frogs and Outside In Theatre</b></p><p><b>Recorded at Outside In Theatre</b></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Baltimore-born, NYC-based, and always in conversation with the past, Eric Berryman is an artist whose work is guided by a simple but profound question: Would Grandma dig this?</p><p>Eric grew up steeped in the stories and wisdom of his grandparents, and that influence echoes through every role he takes on. Whether he’s resurrecting the oral traditions of Black storytelling, reimagining history on stage, or bringing complex characters to life on screen, his work carries a deep sense of reverence and rhythm.</p><p>Theater Credits Include:</p><ul><li>Get Your Ass in the Water and Swim Like Me (Wooster Group) – A love letter to the lost art of “toasts,” the rhyming oral traditions that helped shape hip-hop. The NY Times calls it “a joy and a provocation.</li><li>The Ford/Hill Project (The Public Theatre)</li><li>Memnon (Getty Villa/Classical Theatre of Harlem)</li><li>Primary Trust (Roundabout Theatre)</li><li>The B-Side: Negro Folklore from Texas State Prisons (Wooster Group/St. Ann’s Warehouse – Drama Desk Nomination)<p></p></li></ul><p><br>Film &amp; TV Credits Include:</p><ul><li>The Penguin (HBO MAX)</li><li>Atlanta (FX)</li><li>Marriage Story (Netflix)</li><li>Evil (Paramount+)</li><li>Marvelous Mrs. Maisel<p></p></li></ul><p>A graduate of The Baltimore School for the Arts and Carnegie Mellon University, Eric isn’t just performing, he’s preserving, remixing, and pushing forward the stories that shape us.</p><p>Eric Berryman. The past in his bones, the future in his hands.  </p><p>Oh, and he has no social media, because some things are better left offline.</p><p><br>Follow Us:</p><p>🎭 @OutsideInThtr</p><p>🎙️ @the_frogs_podcast_</p><p><b>Credit info: </b></p><p><b>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</b></p><p><b>Created by Alex Ubokudom and Tobie Windham</b></p><p><b>Edited by Brianna Seamster</b></p><p><b>Recorded &amp; Mixed by Arlo Sanders</b></p><p><b>Theme Song by Arlo Sanders</b></p><p><b>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna</b></p><p><b>Executive Produced by The Frogs and Outside In Theatre</b></p><p><b>Recorded at Outside In Theatre</b></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Feb 2025 08:00:00 -0800</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/93ccf835/1ef66388.mp3" length="155770984" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>3894</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Baltimore-born, NYC-based, and always in conversation with the past, Eric Berryman is an artist whose work is guided by a simple but profound question: Would Grandma dig this?</p><p>Eric grew up steeped in the stories and wisdom of his grandparents, and that influence echoes through every role he takes on. Whether he’s resurrecting the oral traditions of Black storytelling, reimagining history on stage, or bringing complex characters to life on screen, his work carries a deep sense of reverence and rhythm.</p><p>Theater Credits Include:</p><ul><li>Get Your Ass in the Water and Swim Like Me (Wooster Group) – A love letter to the lost art of “toasts,” the rhyming oral traditions that helped shape hip-hop. The NY Times calls it “a joy and a provocation.</li><li>The Ford/Hill Project (The Public Theatre)</li><li>Memnon (Getty Villa/Classical Theatre of Harlem)</li><li>Primary Trust (Roundabout Theatre)</li><li>The B-Side: Negro Folklore from Texas State Prisons (Wooster Group/St. Ann’s Warehouse – Drama Desk Nomination)<p></p></li></ul><p><br>Film &amp; TV Credits Include:</p><ul><li>The Penguin (HBO MAX)</li><li>Atlanta (FX)</li><li>Marriage Story (Netflix)</li><li>Evil (Paramount+)</li><li>Marvelous Mrs. Maisel<p></p></li></ul><p>A graduate of The Baltimore School for the Arts and Carnegie Mellon University, Eric isn’t just performing, he’s preserving, remixing, and pushing forward the stories that shape us.</p><p>Eric Berryman. The past in his bones, the future in his hands.  </p><p>Oh, and he has no social media, because some things are better left offline.</p><p><br>Follow Us:</p><p>🎭 @OutsideInThtr</p><p>🎙️ @the_frogs_podcast_</p><p><b>Credit info: </b></p><p><b>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</b></p><p><b>Created by Alex Ubokudom and Tobie Windham</b></p><p><b>Edited by Brianna Seamster</b></p><p><b>Recorded &amp; Mixed by Arlo Sanders</b></p><p><b>Theme Song by Arlo Sanders</b></p><p><b>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna</b></p><p><b>Executive Produced by The Frogs and Outside In Theatre</b></p><p><b>Recorded at Outside In Theatre</b></p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Will Power: The Man, The Myth, The Theater Legend</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Will Power: The Man, The Myth, The Theater Legend</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/6ad7e0bb</link>
      <description>
        <![CDATA[<p><br>Will Power: The Man, The Myth, The Theater Legend </p><p><br>Let’s talk about the powerhouse that is Will Power, an internationally acclaimed playwright, performer, lyricist, and educator. This man’s work has graced stages from Lincoln Center to the Sydney Opera House, and everywhere in between, including venues in Asia, Africa, Europe, and all across North America. You name it, he’s been there!</p><p><br>But here’s the thing: Will isn’t just about the prestige of the global stage. He’s a Professor of Theater at Occidental College right here in Los Angeles, shaping the next generation of storytellers. </p><p><br>Now, about his play…</p><p><br>In September 2024, Will’s incredible play MEMNON took center stage at the Getty Villa in a co-production with the Classical Theatre of Harlem. Think epic ancient warrior tales infused with that unmistakable Will Power magic. You can check out more about this groundbreaking production here:</p><p><a href="https://www.getty.edu/visit/cal/events/ev_4197.html"><br>Getty Villa Event<br></a><br></p><p><a href="https://www.cthnyc.org/btc/?gad_source=1&amp;gclid=Cj0KCQiAs5i8BhDmARIsAGE4xHzDbQM0UuP7G4B9t5FjJjEv7nKAzJLmyxMHJgBWP_v6YQlpAyp9HSoaAjTKEALw_wcB"><br>Classical Theatre of Harlem<br></a><br></p><p><br>Jump on it: If you haven’t tapped into Will Power’s brilliance, fix that. Check out<a href="http://willpower.tv/"> his site</a> for the full rundown on his iconic career.</p><p><br>This is the level of talent we’re talking about on The Frogs. Culture. Theater. Vibes.  🐸🔥</p><p><br>Follow Us:</p><p><br>🎭 @OutsideInThtr</p><p><br>🎙️ @the_frogs_prodcast_</p><p><strong>Los Angeles County Wildfire Resources:</strong></p><p><br></p><p>LA County Arts Resource Page</p><p><a href="https://www.lacountyarts.org/experiences/arts-and-culture-digital-resource-center/2025-la-county-wildfire-recovery-resources">https://www.lacountyarts.org/experiences/arts-and-culture-digital-resource-center/2025-la-county-wildfire-recovery-resources</a></p><p><br></p><p>WalkGoodLA </p><p><a href="https://www.walkgoodla.org/">https://www.walkgoodla.org/</a></p><p><br></p><p>California Community Foundation</p><p><a href="https://www.calfund.org/">https://www.calfund.org/</a></p><p><br></p><p>Pasadena Humane Society</p><p><a href="https://pasadenahumane.org/">https://pasadenahumane.org/</a></p><p><br></p><p>LA County Recovers:</p><p><a href="https://recovery.lacounty.gov/">https://recovery.lacounty.gov/</a></p><p><br></p><p>Credit info: </p><p>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p><br></p><p>Created by Alex Ubokudom and Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna</p><p>Executive Produced by The Frogs and Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Will Power: The Man, The Myth, The Theater Legend </p><p><br>Let’s talk about the powerhouse that is Will Power, an internationally acclaimed playwright, performer, lyricist, and educator. This man’s work has graced stages from Lincoln Center to the Sydney Opera House, and everywhere in between, including venues in Asia, Africa, Europe, and all across North America. You name it, he’s been there!</p><p><br>But here’s the thing: Will isn’t just about the prestige of the global stage. He’s a Professor of Theater at Occidental College right here in Los Angeles, shaping the next generation of storytellers. </p><p><br>Now, about his play…</p><p><br>In September 2024, Will’s incredible play MEMNON took center stage at the Getty Villa in a co-production with the Classical Theatre of Harlem. Think epic ancient warrior tales infused with that unmistakable Will Power magic. You can check out more about this groundbreaking production here:</p><p><a href="https://www.getty.edu/visit/cal/events/ev_4197.html"><br>Getty Villa Event<br></a><br></p><p><a href="https://www.cthnyc.org/btc/?gad_source=1&amp;gclid=Cj0KCQiAs5i8BhDmARIsAGE4xHzDbQM0UuP7G4B9t5FjJjEv7nKAzJLmyxMHJgBWP_v6YQlpAyp9HSoaAjTKEALw_wcB"><br>Classical Theatre of Harlem<br></a><br></p><p><br>Jump on it: If you haven’t tapped into Will Power’s brilliance, fix that. Check out<a href="http://willpower.tv/"> his site</a> for the full rundown on his iconic career.</p><p><br>This is the level of talent we’re talking about on The Frogs. Culture. Theater. Vibes.  🐸🔥</p><p><br>Follow Us:</p><p><br>🎭 @OutsideInThtr</p><p><br>🎙️ @the_frogs_prodcast_</p><p><strong>Los Angeles County Wildfire Resources:</strong></p><p><br></p><p>LA County Arts Resource Page</p><p><a href="https://www.lacountyarts.org/experiences/arts-and-culture-digital-resource-center/2025-la-county-wildfire-recovery-resources">https://www.lacountyarts.org/experiences/arts-and-culture-digital-resource-center/2025-la-county-wildfire-recovery-resources</a></p><p><br></p><p>WalkGoodLA </p><p><a href="https://www.walkgoodla.org/">https://www.walkgoodla.org/</a></p><p><br></p><p>California Community Foundation</p><p><a href="https://www.calfund.org/">https://www.calfund.org/</a></p><p><br></p><p>Pasadena Humane Society</p><p><a href="https://pasadenahumane.org/">https://pasadenahumane.org/</a></p><p><br></p><p>LA County Recovers:</p><p><a href="https://recovery.lacounty.gov/">https://recovery.lacounty.gov/</a></p><p><br></p><p>Credit info: </p><p>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p><br></p><p>Created by Alex Ubokudom and Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna</p><p>Executive Produced by The Frogs and Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 20 Jan 2025 00:02:23 -0800</pubDate>
      <author>Alex Ubokudom, Tobie Windham </author>
      <enclosure url="https://media.transistor.fm/6ad7e0bb/89fcbe6d.mp3" length="140541567" type="audio/mpeg"/>
      <itunes:author>Alex Ubokudom, Tobie Windham </itunes:author>
      <itunes:duration>3513</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Will Power: The Man, The Myth, The Theater Legend </p><p><br>Let’s talk about the powerhouse that is Will Power, an internationally acclaimed playwright, performer, lyricist, and educator. This man’s work has graced stages from Lincoln Center to the Sydney Opera House, and everywhere in between, including venues in Asia, Africa, Europe, and all across North America. You name it, he’s been there!</p><p><br>But here’s the thing: Will isn’t just about the prestige of the global stage. He’s a Professor of Theater at Occidental College right here in Los Angeles, shaping the next generation of storytellers. </p><p><br>Now, about his play…</p><p><br>In September 2024, Will’s incredible play MEMNON took center stage at the Getty Villa in a co-production with the Classical Theatre of Harlem. Think epic ancient warrior tales infused with that unmistakable Will Power magic. You can check out more about this groundbreaking production here:</p><p><a href="https://www.getty.edu/visit/cal/events/ev_4197.html"><br>Getty Villa Event<br></a><br></p><p><a href="https://www.cthnyc.org/btc/?gad_source=1&amp;gclid=Cj0KCQiAs5i8BhDmARIsAGE4xHzDbQM0UuP7G4B9t5FjJjEv7nKAzJLmyxMHJgBWP_v6YQlpAyp9HSoaAjTKEALw_wcB"><br>Classical Theatre of Harlem<br></a><br></p><p><br>Jump on it: If you haven’t tapped into Will Power’s brilliance, fix that. Check out<a href="http://willpower.tv/"> his site</a> for the full rundown on his iconic career.</p><p><br>This is the level of talent we’re talking about on The Frogs. Culture. Theater. Vibes.  🐸🔥</p><p><br>Follow Us:</p><p><br>🎭 @OutsideInThtr</p><p><br>🎙️ @the_frogs_prodcast_</p><p><strong>Los Angeles County Wildfire Resources:</strong></p><p><br></p><p>LA County Arts Resource Page</p><p><a href="https://www.lacountyarts.org/experiences/arts-and-culture-digital-resource-center/2025-la-county-wildfire-recovery-resources">https://www.lacountyarts.org/experiences/arts-and-culture-digital-resource-center/2025-la-county-wildfire-recovery-resources</a></p><p><br></p><p>WalkGoodLA </p><p><a href="https://www.walkgoodla.org/">https://www.walkgoodla.org/</a></p><p><br></p><p>California Community Foundation</p><p><a href="https://www.calfund.org/">https://www.calfund.org/</a></p><p><br></p><p>Pasadena Humane Society</p><p><a href="https://pasadenahumane.org/">https://pasadenahumane.org/</a></p><p><br></p><p>LA County Recovers:</p><p><a href="https://recovery.lacounty.gov/">https://recovery.lacounty.gov/</a></p><p><br></p><p>Credit info: </p><p>A production of Outside In Theatre in the Highland Park neighborhood of Los Angeles</p><p><br></p><p>Created by Alex Ubokudom and Tobie Windham</p><p>Edited by Brianna Seamster</p><p>Recorded &amp; Mixed by Arlo Sanders</p><p>Theme Song by Arlo Sanders</p><p>Produced by Brianna Seamster, Jiahui Ji and Jessica Hanna</p><p>Executive Produced by The Frogs and Outside In Theatre</p><p>Recorded at Outside In Theatre</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>the frogs, theatre, theater, Alex Ubokudom, Tobie Windham, arts, culture </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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