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    <title>The Cinematic Odyssey</title>
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    <description>On The Cinematic Odyssey podcast, your hosts and amateur film lovers Max Clark and Tristen Rodriguez take their film exploration beyond the blockbusters and through the art house sphere. We typically discuss the impact the film has had on us and the film world, memorable shots and the meaning behind certain narrative choices, and the design of the work from camera angles to costuming. With our own signature brand of humor and curiosity, follow our journeys and maybe take some recommendations home as we try to expand the mainstream recognition of great film. </description>
    <copyright>U92 the Moose</copyright>
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    <pubDate>Wed, 25 Jun 2025 12:00:17 -0400</pubDate>
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      <title>The Cinematic Odyssey</title>
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    <itunes:author>U92 the Moose | WWVU</itunes:author>
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    <itunes:summary>On The Cinematic Odyssey podcast, your hosts and amateur film lovers Max Clark and Tristen Rodriguez take their film exploration beyond the blockbusters and through the art house sphere. We typically discuss the impact the film has had on us and the film world, memorable shots and the meaning behind certain narrative choices, and the design of the work from camera angles to costuming. With our own signature brand of humor and curiosity, follow our journeys and maybe take some recommendations home as we try to expand the mainstream recognition of great film. </itunes:summary>
    <itunes:subtitle>On The Cinematic Odyssey podcast, your hosts and amateur film lovers Max Clark and Tristen Rodriguez take their film exploration beyond the blockbusters and through the art house sphere.</itunes:subtitle>
    <itunes:keywords></itunes:keywords>
    <itunes:owner>
      <itunes:name>U92 the Moose | WWVU</itunes:name>
    </itunes:owner>
    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>Perfect Days: Content to Clean Toilets</title>
      <itunes:episode>74</itunes:episode>
      <podcast:episode>74</podcast:episode>
      <itunes:title>Perfect Days: Content to Clean Toilets</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>On the seventieth episode of the Cinematic Odyssey, Tristen and Max dive into Perfect Days, the philosophical, slice of life piece from Wim Wenders. Tristen laments about the impossibility of contentment in American society, especially on the eve of the NBA Finals, Max dives into whether or not it's sad to not fight for dramatic change, and both hosts pitch brand new merch ideas (sponsor pending). Have some fun thinking about toilets, tic-tac-toe, and Thunderous Tristen praise.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the seventieth episode of the Cinematic Odyssey, Tristen and Max dive into Perfect Days, the philosophical, slice of life piece from Wim Wenders. Tristen laments about the impossibility of contentment in American society, especially on the eve of the NBA Finals, Max dives into whether or not it's sad to not fight for dramatic change, and both hosts pitch brand new merch ideas (sponsor pending). Have some fun thinking about toilets, tic-tac-toe, and Thunderous Tristen praise.</p>]]>
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      <pubDate>Wed, 25 Jun 2025 12:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
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      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3647</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the seventieth episode of the Cinematic Odyssey, Tristen and Max dive into Perfect Days, the philosophical, slice of life piece from Wim Wenders. Tristen laments about the impossibility of contentment in American society, especially on the eve of the NBA Finals, Max dives into whether or not it's sad to not fight for dramatic change, and both hosts pitch brand new merch ideas (sponsor pending). Have some fun thinking about toilets, tic-tac-toe, and Thunderous Tristen praise.</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, japan, germany, koji yakusho, contentment, philosophy, toilet, thunder, velvet underground, tote bags</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Anora: Sex Workers and Cinderella Stories</title>
      <itunes:episode>73</itunes:episode>
      <podcast:episode>73</podcast:episode>
      <itunes:title>Anora: Sex Workers and Cinderella Stories</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f2702bb4</link>
      <description>
        <![CDATA[<p>On the sixty-ninth episode of the Cinematic Odyssey, Tristen and Max dive into Best Picture and Palme D'or winner Anora from writer/director/editor Sean Baker. Fitting. Max gets heated quickly about human decency and Tristen adds context to the simple way the film is shot. Warning: adult content and some profanity. Also featuring the best time to say 'I love you', Max's hidden appreciation for Russian Orthodoxy, and a dive into last week's Cannes Film Festival and the new movies coming soon to America. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-ninth episode of the Cinematic Odyssey, Tristen and Max dive into Best Picture and Palme D'or winner Anora from writer/director/editor Sean Baker. Fitting. Max gets heated quickly about human decency and Tristen adds context to the simple way the film is shot. Warning: adult content and some profanity. Also featuring the best time to say 'I love you', Max's hidden appreciation for Russian Orthodoxy, and a dive into last week's Cannes Film Festival and the new movies coming soon to America. </p>]]>
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      <pubDate>Wed, 28 May 2025 12:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/f2702bb4/18b8a9f0.mp3" length="67181484" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4792</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-ninth episode of the Cinematic Odyssey, Tristen and Max dive into Best Picture and Palme D'or winner Anora from writer/director/editor Sean Baker. Fitting. Max gets heated quickly about human decency and Tristen adds context to the simple way the film is shot. Warning: adult content and some profanity. Also featuring the best time to say 'I love you', Max's hidden appreciation for Russian Orthodoxy, and a dive into last week's Cannes Film Festival and the new movies coming soon to America. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, anora, sean baker, russia, mikey madison, cannes, comedy, drunk, sex worker, cinderella</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Fantastic Mr. Fox: Wes Anderson's Claymation Achievement</title>
      <itunes:episode>72</itunes:episode>
      <podcast:episode>72</podcast:episode>
      <itunes:title>Fantastic Mr. Fox: Wes Anderson's Claymation Achievement</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>On the sixty-eighth episode of the Cinematic Odyssey, Tristen and Max dive into Wes Anderson's first venture into animation with an adaptation of the Roald Dahl story Fantastic Mr. Fox. Max breaks down what he thinks the main theme of the movie is and also what his younger self believed, with Tristen praising the simplicity of the film. Also featured: Tristen singing, Max trying out Gen-Z slang, and hearty discussions on corduroy and trademarks. Enjoy!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-eighth episode of the Cinematic Odyssey, Tristen and Max dive into Wes Anderson's first venture into animation with an adaptation of the Roald Dahl story Fantastic Mr. Fox. Max breaks down what he thinks the main theme of the movie is and also what his younger self believed, with Tristen praising the simplicity of the film. Also featured: Tristen singing, Max trying out Gen-Z slang, and hearty discussions on corduroy and trademarks. Enjoy!</p>]]>
      </content:encoded>
      <pubDate>Wed, 21 May 2025 12:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/7acdaf8f/b932f6bc.mp3" length="37299977" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>2810</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-eighth episode of the Cinematic Odyssey, Tristen and Max dive into Wes Anderson's first venture into animation with an adaptation of the Roald Dahl story Fantastic Mr. Fox. Max breaks down what he thinks the main theme of the movie is and also what his younger self believed, with Tristen praising the simplicity of the film. Also featured: Tristen singing, Max trying out Gen-Z slang, and hearty discussions on corduroy and trademarks. Enjoy!</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, wes anderson, mr. fox, roald dahl, nature, folk, corduroy</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>L'immensita: The Trans-Musical Experience</title>
      <itunes:episode>71</itunes:episode>
      <podcast:episode>71</podcast:episode>
      <itunes:title>L'immensita: The Trans-Musical Experience</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2d47c5c3</link>
      <description>
        <![CDATA[<p>On the sixty-seventh episode of the Cinematic Odyssey, Tristen and Max dive into Emanuele Crialese's semi-autobiographical work L'immensita: one of Max's favorite films. The Italian language quasi-musical brings your hosts into a discussion of properly depicting the transgender experience, allusions to other current films that address the subject, and a good bit of criticism for the Academy Award nominated film that tries its best in the same vein. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-seventh episode of the Cinematic Odyssey, Tristen and Max dive into Emanuele Crialese's semi-autobiographical work L'immensita: one of Max's favorite films. The Italian language quasi-musical brings your hosts into a discussion of properly depicting the transgender experience, allusions to other current films that address the subject, and a good bit of criticism for the Academy Award nominated film that tries its best in the same vein. </p>]]>
      </content:encoded>
      <pubDate>Wed, 02 Apr 2025 12:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/2d47c5c3/3b1e3427.mp3" length="50177736" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3725</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-seventh episode of the Cinematic Odyssey, Tristen and Max dive into Emanuele Crialese's semi-autobiographical work L'immensita: one of Max's favorite films. The Italian language quasi-musical brings your hosts into a discussion of properly depicting the transgender experience, allusions to other current films that address the subject, and a good bit of criticism for the Academy Award nominated film that tries its best in the same vein. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, italy, spain, penelope cruz, emilia perez, trans, lgbtqia, catholic</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Fanny and Alexander: Bergman's Masterpiece</title>
      <itunes:episode>70</itunes:episode>
      <podcast:episode>70</podcast:episode>
      <itunes:title>Fanny and Alexander: Bergman's Masterpiece</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">45f9eec6-f924-4983-8095-d3ec4ec0e3a1</guid>
      <link>https://share.transistor.fm/s/28d048dd</link>
      <description>
        <![CDATA[<p>In this special episode of The Cinematic Odyssey, Max and Tristen discuss the classic and timeless Fanny and Alexander from one of cinema's greatest filmmakers: Ingmar Bergman. On the episode Max and Tristen go back and forth with hot takes about the Christmas film "genre", the choices Bergman made, and the dark themes of the film. It gets heated as Tristen vehemently defends the genius of Ingmar Bergman while Max attempts to tear it down. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this special episode of The Cinematic Odyssey, Max and Tristen discuss the classic and timeless Fanny and Alexander from one of cinema's greatest filmmakers: Ingmar Bergman. On the episode Max and Tristen go back and forth with hot takes about the Christmas film "genre", the choices Bergman made, and the dark themes of the film. It gets heated as Tristen vehemently defends the genius of Ingmar Bergman while Max attempts to tear it down. </p>]]>
      </content:encoded>
      <pubDate>Tue, 01 Apr 2025 21:51:27 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/28d048dd/24a91c7f.mp3" length="1295383" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>80</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this special episode of The Cinematic Odyssey, Max and Tristen discuss the classic and timeless Fanny and Alexander from one of cinema's greatest filmmakers: Ingmar Bergman. On the episode Max and Tristen go back and forth with hot takes about the Christmas film "genre", the choices Bergman made, and the dark themes of the film. It gets heated as Tristen vehemently defends the genius of Ingmar Bergman while Max attempts to tear it down. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, bergman, sweden, swedish, April Fools, podcast</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Oscars 2025: Our Picks and Predictions</title>
      <itunes:episode>69</itunes:episode>
      <podcast:episode>69</podcast:episode>
      <itunes:title>Oscars 2025: Our Picks and Predictions</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">203eaa33-8cb1-49bd-8fc6-e6a6cc07c5f9</guid>
      <link>https://share.transistor.fm/s/67c7e139</link>
      <description>
        <![CDATA[<p>On the sixty-sixth episode of The Cinematic Odyssey, Tristen and Max run through all categories for the 97th Academy Awards with their picks and predictions for how the night might go. The episode includes a heated debate about the use of AI in film, a shoutout to longtime Cinematic Odyssey listener Bowen Yang, and the most predictable Best Picture choice coming from the both of them. They also discuss snubs, techno, and Denis Villeneuve, in a semi-thorough awards preparation. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-sixth episode of The Cinematic Odyssey, Tristen and Max run through all categories for the 97th Academy Awards with their picks and predictions for how the night might go. The episode includes a heated debate about the use of AI in film, a shoutout to longtime Cinematic Odyssey listener Bowen Yang, and the most predictable Best Picture choice coming from the both of them. They also discuss snubs, techno, and Denis Villeneuve, in a semi-thorough awards preparation. </p>]]>
      </content:encoded>
      <pubDate>Fri, 28 Feb 2025 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/67c7e139/8f6b72c0.mp3" length="82086219" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>5587</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-sixth episode of The Cinematic Odyssey, Tristen and Max run through all categories for the 97th Academy Awards with their picks and predictions for how the night might go. The episode includes a heated debate about the use of AI in film, a shoutout to longtime Cinematic Odyssey listener Bowen Yang, and the most predictable Best Picture choice coming from the both of them. They also discuss snubs, techno, and Denis Villeneuve, in a semi-thorough awards preparation. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, awards, oscars, academy, sag, wga, bafta, pga, dga, director, actor, picture</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Lost Highway: Lynch's Haunting Cyclical Psycho Thriller</title>
      <itunes:episode>68</itunes:episode>
      <podcast:episode>68</podcast:episode>
      <itunes:title>Lost Highway: Lynch's Haunting Cyclical Psycho Thriller</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9bfb4d50-a56f-45ab-8df0-19a3df751879</guid>
      <link>https://share.transistor.fm/s/75735991</link>
      <description>
        <![CDATA[<p>On the sixty-fifth episode of the Cinematic Odyssey, Tristen and Max delve into their second David Lynch film, 1997's Lost Highway, in honor of the great writer-director's passing in January. Tristen recounts the creepiest thing he's seen in the movie, Max tries to one-up him with creepier options, and they both offer their opinions on reality, the state of dreams and the supernatural, and Gary Busey. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-fifth episode of the Cinematic Odyssey, Tristen and Max delve into their second David Lynch film, 1997's Lost Highway, in honor of the great writer-director's passing in January. Tristen recounts the creepiest thing he's seen in the movie, Max tries to one-up him with creepier options, and they both offer their opinions on reality, the state of dreams and the supernatural, and Gary Busey. </p>]]>
      </content:encoded>
      <pubDate>Thu, 27 Feb 2025 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/75735991/03b8d4c4.mp3" length="55835621" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3968</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-fifth episode of the Cinematic Odyssey, Tristen and Max delve into their second David Lynch film, 1997's Lost Highway, in honor of the great writer-director's passing in January. Tristen recounts the creepiest thing he's seen in the movie, Max tries to one-up him with creepier options, and they both offer their opinions on reality, the state of dreams and the supernatural, and Gary Busey. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, david lynch, lost highway, american, thriller, horror, supernatural, dreams, videos, inside the house</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>8 1/2: Fellini's Busy Italian Opus or A Director in a Midlife Crisis</title>
      <itunes:episode>67</itunes:episode>
      <podcast:episode>67</podcast:episode>
      <itunes:title>8 1/2: Fellini's Busy Italian Opus or A Director in a Midlife Crisis</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e0dbdf88-41be-4fd4-b679-f54d4013b552</guid>
      <link>https://share.transistor.fm/s/35e76a1e</link>
      <description>
        <![CDATA[<p>On the sixty-fourth episode of the Cinematic Odyssey, Tristen and Max venture over to Italy for their first foray into Federico Fellini's most well-known film, 8 1/2. The dreamlike narrative filled with delusions and women has Max wondering if it would be easier watching if he spoke Italian and Tristen talking about his fountain vision as well as some extensive allegory. Recorded in October 2024. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-fourth episode of the Cinematic Odyssey, Tristen and Max venture over to Italy for their first foray into Federico Fellini's most well-known film, 8 1/2. The dreamlike narrative filled with delusions and women has Max wondering if it would be easier watching if he spoke Italian and Tristen talking about his fountain vision as well as some extensive allegory. Recorded in October 2024. </p>]]>
      </content:encoded>
      <pubDate>Thu, 13 Feb 2025 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/35e76a1e/369922be.mp3" length="46513473" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3420</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-fourth episode of the Cinematic Odyssey, Tristen and Max venture over to Italy for their first foray into Federico Fellini's most well-known film, 8 1/2. The dreamlike narrative filled with delusions and women has Max wondering if it would be easier watching if he spoke Italian and Tristen talking about his fountain vision as well as some extensive allegory. Recorded in October 2024. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, italy, fellini, 8 1/2, director, foreign language, foreign film, meta, dream, women</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Rye Lane: Love in the Neighborhood of South London's Public Toilets</title>
      <itunes:episode>66</itunes:episode>
      <podcast:episode>66</podcast:episode>
      <itunes:title>Rye Lane: Love in the Neighborhood of South London's Public Toilets</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a8d8fb66</link>
      <description>
        <![CDATA[<p>On the sixty-third episode of the Cinematic Odyssey, Tristen and Max dive into Max's favorite movie from 2024, Rye Lane. A feature debut from all leads and the director, it's a testament to the simplicity of good chemistry and a strong romantic story. Hear Tristen and Max banter in British accents, discuss the worst breakups of all time, and the wonders of the public restroom system. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-third episode of the Cinematic Odyssey, Tristen and Max dive into Max's favorite movie from 2024, Rye Lane. A feature debut from all leads and the director, it's a testament to the simplicity of good chemistry and a strong romantic story. Hear Tristen and Max banter in British accents, discuss the worst breakups of all time, and the wonders of the public restroom system. </p>]]>
      </content:encoded>
      <pubDate>Fri, 24 Jan 2025 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/a8d8fb66/b124d8b7.mp3" length="38587173" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>2699</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-third episode of the Cinematic Odyssey, Tristen and Max dive into Max's favorite movie from 2024, Rye Lane. A feature debut from all leads and the director, it's a testament to the simplicity of good chemistry and a strong romantic story. Hear Tristen and Max banter in British accents, discuss the worst breakups of all time, and the wonders of the public restroom system. </p>]]>
      </itunes:summary>
      <itunes:keywords>cinema, film, movie, podcast, english, british, bipoc, black, tribe called quest, romcom, short, before</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>O Brother Where Art Thou?: The Coen Brothers Folksy Odyssey</title>
      <itunes:episode>65</itunes:episode>
      <podcast:episode>65</podcast:episode>
      <itunes:title>O Brother Where Art Thou?: The Coen Brothers Folksy Odyssey</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">dd161bc0-3487-46f9-9284-1cd91300f873</guid>
      <link>https://share.transistor.fm/s/c1d9e740</link>
      <description>
        <![CDATA[<p>On the sixty-second episode of The Cinematic Odyssey, though recorded on September 29, 2024, Tristen and Max dive into their first look at the Coen Brothers and their 2000 epic "O Brother Where Art Thou?". They go through ghost stories and fables of the actual American South while comparing this film to Homer's Odyssey, with Max also gushing over the banjo and the Soggy Bottom Boys. Tristen and Max also dive into the idea of deus ex machina (dir. Alex Garland) and how the movie is far more Greek than it appears. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-second episode of The Cinematic Odyssey, though recorded on September 29, 2024, Tristen and Max dive into their first look at the Coen Brothers and their 2000 epic "O Brother Where Art Thou?". They go through ghost stories and fables of the actual American South while comparing this film to Homer's Odyssey, with Max also gushing over the banjo and the Soggy Bottom Boys. Tristen and Max also dive into the idea of deus ex machina (dir. Alex Garland) and how the movie is far more Greek than it appears. </p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Jan 2025 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/c1d9e740/69393cb0.mp3" length="51157656" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3903</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-second episode of The Cinematic Odyssey, though recorded on September 29, 2024, Tristen and Max dive into their first look at the Coen Brothers and their 2000 epic "O Brother Where Art Thou?". They go through ghost stories and fables of the actual American South while comparing this film to Homer's Odyssey, with Max also gushing over the banjo and the Soggy Bottom Boys. Tristen and Max also dive into the idea of deus ex machina (dir. Alex Garland) and how the movie is far more Greek than it appears. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, coen, folk, banjo, blues, soggy bottom boys, american south, evangelism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Our Cinematic Odysseys: Our Highs and Lows from 2024</title>
      <itunes:episode>64</itunes:episode>
      <podcast:episode>64</podcast:episode>
      <itunes:title>Our Cinematic Odysseys: Our Highs and Lows from 2024</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a7879d25-2216-45e6-891f-273e01bd098b</guid>
      <link>https://share.transistor.fm/s/3f8053f3</link>
      <description>
        <![CDATA[<p>On the sixty-first official episode, Tristen and Max spent a lot of time at the theater and now review their bottom 5 movies and top 15 from the year 2024. Tristen's list is exclusively movies that came out in 2024 and Max's follows everything he saw for the first time, but in their grand return in a majestic episode (approximately one half of The Brutalist), the jokes are rolling, criticism is flying, and praise is abundant for some fantastic films with much more to come. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixty-first official episode, Tristen and Max spent a lot of time at the theater and now review their bottom 5 movies and top 15 from the year 2024. Tristen's list is exclusively movies that came out in 2024 and Max's follows everything he saw for the first time, but in their grand return in a majestic episode (approximately one half of The Brutalist), the jokes are rolling, criticism is flying, and praise is abundant for some fantastic films with much more to come. </p>]]>
      </content:encoded>
      <pubDate>Tue, 14 Jan 2025 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/3f8053f3/f3429346.mp3" length="107394681" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>7419</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixty-first official episode, Tristen and Max spent a lot of time at the theater and now review their bottom 5 movies and top 15 from the year 2024. Tristen's list is exclusively movies that came out in 2024 and Max's follows everything he saw for the first time, but in their grand return in a majestic episode (approximately one half of The Brutalist), the jokes are rolling, criticism is flying, and praise is abundant for some fantastic films with much more to come. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, rankings, 2024, top, bottom, brutalist, art, substance, rye lane</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Half-Year Recap: What We've Seen and What's Up Next</title>
      <itunes:episode>63</itunes:episode>
      <podcast:episode>63</podcast:episode>
      <itunes:title>Half-Year Recap: What We've Seen and What's Up Next</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">00ecbc3c-c417-4362-a382-a238d88858e3</guid>
      <link>https://share.transistor.fm/s/8092a7bb</link>
      <description>
        <![CDATA[<p>Around the midpoint of 2024, as Tristen and Max reform the podcast you know and love, they take a look back at the first half of the year for some of the big swings and occasional misses of their cinema experience. Then, they turn towards the future and what they're most excited for in the latter half of 2024. Maybe this serves as recommendations, but Tristen and Max have some fun talking about what they love about movies. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Around the midpoint of 2024, as Tristen and Max reform the podcast you know and love, they take a look back at the first half of the year for some of the big swings and occasional misses of their cinema experience. Then, they turn towards the future and what they're most excited for in the latter half of 2024. Maybe this serves as recommendations, but Tristen and Max have some fun talking about what they love about movies. </p>]]>
      </content:encoded>
      <pubDate>Sat, 13 Jul 2024 07:21:43 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/8092a7bb/5bc91c10.mp3" length="47708464" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3524</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Around the midpoint of 2024, as Tristen and Max reform the podcast you know and love, they take a look back at the first half of the year for some of the big swings and occasional misses of their cinema experience. Then, they turn towards the future and what they're most excited for in the latter half of 2024. Maybe this serves as recommendations, but Tristen and Max have some fun talking about what they love about movies. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, review, expectations, 2024</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Opening Night: Mania and Melodrama Improvised for our True Selves</title>
      <itunes:episode>62</itunes:episode>
      <podcast:episode>62</podcast:episode>
      <itunes:title>Opening Night: Mania and Melodrama Improvised for our True Selves</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f2ab9f57-be43-499e-b4c4-4c4709617f26</guid>
      <link>https://share.transistor.fm/s/e8754e96</link>
      <description>
        <![CDATA[<p>On the sixtieth episode of the Cinematic Odyssey, Tristen and Max dive into John Cassavetes's experimental indie film Opening Night. Through discussion of Cassavetes's unconventional storytelling, massive narrative undertaking, and relationship with the film's star, the guys try to decide whether the film is a masterpiece or lacking in some areas. Make the call yourselves, but please stay out of the street afterwards. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixtieth episode of the Cinematic Odyssey, Tristen and Max dive into John Cassavetes's experimental indie film Opening Night. Through discussion of Cassavetes's unconventional storytelling, massive narrative undertaking, and relationship with the film's star, the guys try to decide whether the film is a masterpiece or lacking in some areas. Make the call yourselves, but please stay out of the street afterwards. </p>]]>
      </content:encoded>
      <pubDate>Fri, 21 Jun 2024 12:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/e8754e96/2a7dee95.mp3" length="42669414" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3337</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the sixtieth episode of the Cinematic Odyssey, Tristen and Max dive into John Cassavetes's experimental indie film Opening Night. Through discussion of Cassavetes's unconventional storytelling, massive narrative undertaking, and relationship with the film's star, the guys try to decide whether the film is a masterpiece or lacking in some areas. Make the call yourselves, but please stay out of the street afterwards. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, gena rowlands, john cassavetes, youth, aging, acting, stage, theater, play, artistry</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Asteroid City: Wes Anderson's Hypothetical Metaphor on Stage on Film</title>
      <itunes:episode>61</itunes:episode>
      <podcast:episode>61</podcast:episode>
      <itunes:title>Asteroid City: Wes Anderson's Hypothetical Metaphor on Stage on Film</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">021d243c-54a5-4b3f-824b-dbe13e2e2eb9</guid>
      <link>https://share.transistor.fm/s/0fd580e8</link>
      <description>
        <![CDATA[<p>On the fifty-ninth episode of the Cinematic Odyssey, Tristen and Max return from an extended alien abduction to discuss Wes Anderson's latest feature, Asteroid City. One of Max's favorites, he delves into why the content and substance of the film works so well, and Tristen uncovers why it might not be one of his better pieces. The ensemble cast receives praise and there are lots of laughs to go around, with the episode also including a sneak peek into what Tristen and Max have been able to see in the weeks absent on the alien ship. You won't want to miss it!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifty-ninth episode of the Cinematic Odyssey, Tristen and Max return from an extended alien abduction to discuss Wes Anderson's latest feature, Asteroid City. One of Max's favorites, he delves into why the content and substance of the film works so well, and Tristen uncovers why it might not be one of his better pieces. The ensemble cast receives praise and there are lots of laughs to go around, with the episode also including a sneak peek into what Tristen and Max have been able to see in the weeks absent on the alien ship. You won't want to miss it!</p>]]>
      </content:encoded>
      <pubDate>Fri, 03 May 2024 12:03:54 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/0fd580e8/8f9a1105.mp3" length="44612840" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3433</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fifty-ninth episode of the Cinematic Odyssey, Tristen and Max return from an extended alien abduction to discuss Wes Anderson's latest feature, Asteroid City. One of Max's favorites, he delves into why the content and substance of the film works so well, and Tristen uncovers why it might not be one of his better pieces. The ensemble cast receives praise and there are lots of laughs to go around, with the episode also including a sneak peek into what Tristen and Max have been able to see in the weeks absent on the alien ship. You won't want to miss it!</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, wes anderson, ensemble, comedy, alien, bluegrass, podcast, existentialism, absurdism, metaphor</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Bonus Episode: Oscars 2024 Edition</title>
      <itunes:episode>60</itunes:episode>
      <podcast:episode>60</podcast:episode>
      <itunes:title>Bonus Episode: Oscars 2024 Edition</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">017c0379-5646-45b0-a6fc-dfc02fe5eb36</guid>
      <link>https://share.transistor.fm/s/3497da46</link>
      <description>
        <![CDATA[<p>On this bonus episode of the Cinematic Odyssey, Tristen and Max walk you through their picks, predictions, and thoughts on every award category. For insight on major awards like screenplay, acting, directing, and Best Picture, skip to the one hour mark of the episode. Max monologues about the shorts and documentary nominees while Tristen stews with the anxiety of his worst nightmare coming true this awards season. What might that be? Give it a listen and laugh along with us as we prep for the 96th Academy Awards. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On this bonus episode of the Cinematic Odyssey, Tristen and Max walk you through their picks, predictions, and thoughts on every award category. For insight on major awards like screenplay, acting, directing, and Best Picture, skip to the one hour mark of the episode. Max monologues about the shorts and documentary nominees while Tristen stews with the anxiety of his worst nightmare coming true this awards season. What might that be? Give it a listen and laugh along with us as we prep for the 96th Academy Awards. </p>]]>
      </content:encoded>
      <pubDate>Sat, 09 Mar 2024 07:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/3497da46/6ccffde0.mp3" length="97687087" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>7241</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On this bonus episode of the Cinematic Odyssey, Tristen and Max walk you through their picks, predictions, and thoughts on every award category. For insight on major awards like screenplay, acting, directing, and Best Picture, skip to the one hour mark of the episode. Max monologues about the shorts and documentary nominees while Tristen stews with the anxiety of his worst nightmare coming true this awards season. What might that be? Give it a listen and laugh along with us as we prep for the 96th Academy Awards. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, oscar, awards, predictions, picks, 2024, foreign, american, screenplay, director, nolan, actor</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>The Zone of Interest: Glazer's Depiction of Atrocity Through the Mundane</title>
      <itunes:episode>59</itunes:episode>
      <podcast:episode>59</podcast:episode>
      <itunes:title>The Zone of Interest: Glazer's Depiction of Atrocity Through the Mundane</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">46f006bf-ddaf-4bbd-b5f5-eadbf5bd1cd1</guid>
      <link>https://share.transistor.fm/s/b73453f3</link>
      <description>
        <![CDATA[<p>On the fifty-eighth episode of the Cinematic Odyssey, Tristen and Max take a look at Jonathan Glazer's Oscar-nominated film The Zone of Interest. Tristens walks you through why he believes this is the best film of the decade so far and Max provides insight on the acting value that the film has to offer. Both are chilled and in awe over the haunting nature of a film that features no on-screen atrocities, yet still provides the same repulsion. Even the sound and score are incredible, creating a terrifyingly quaint depiction of life next to a death camp. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifty-eighth episode of the Cinematic Odyssey, Tristen and Max take a look at Jonathan Glazer's Oscar-nominated film The Zone of Interest. Tristens walks you through why he believes this is the best film of the decade so far and Max provides insight on the acting value that the film has to offer. Both are chilled and in awe over the haunting nature of a film that features no on-screen atrocities, yet still provides the same repulsion. Even the sound and score are incredible, creating a terrifyingly quaint depiction of life next to a death camp. </p>]]>
      </content:encoded>
      <pubDate>Thu, 07 Mar 2024 07:52:31 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/b73453f3/2916398a.mp3" length="50511429" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3753</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fifty-eighth episode of the Cinematic Odyssey, Tristen and Max take a look at Jonathan Glazer's Oscar-nominated film The Zone of Interest. Tristens walks you through why he believes this is the best film of the decade so far and Max provides insight on the acting value that the film has to offer. Both are chilled and in awe over the haunting nature of a film that features no on-screen atrocities, yet still provides the same repulsion. Even the sound and score are incredible, creating a terrifyingly quaint depiction of life next to a death camp. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, oscar, british, german, nazi, holocaust, soundtrack, score, auschwitz, atrocity, foreign</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Past Lives: The Philosophical Romance Debut from Celine Song</title>
      <itunes:episode>58</itunes:episode>
      <podcast:episode>58</podcast:episode>
      <itunes:title>Past Lives: The Philosophical Romance Debut from Celine Song</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ffe74102-7e3f-4792-a4fc-76279a718164</guid>
      <link>https://share.transistor.fm/s/fe21ebd7</link>
      <description>
        <![CDATA[<p>On the fifty-seventh episode of The Cinematic Odyssey, Tristen and Max dive into 2024 Best Picture nominee Past Lives, the feature directorial and screenwriting debut of Celine Song. Hear why they loved the film, what great secrets are hidden in the camerawork, and Max's next musical theatre history rant that actually has some merit. This is a film you'll want to see at some point in your life, one that's sweet and romantic and hopeful for this life, all the lives that came before, and every life that comes after. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifty-seventh episode of The Cinematic Odyssey, Tristen and Max dive into 2024 Best Picture nominee Past Lives, the feature directorial and screenwriting debut of Celine Song. Hear why they loved the film, what great secrets are hidden in the camerawork, and Max's next musical theatre history rant that actually has some merit. This is a film you'll want to see at some point in your life, one that's sweet and romantic and hopeful for this life, all the lives that came before, and every life that comes after. </p>]]>
      </content:encoded>
      <pubDate>Sat, 02 Mar 2024 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/fe21ebd7/81b18c19.mp3" length="49479753" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3679</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fifty-seventh episode of The Cinematic Odyssey, Tristen and Max dive into 2024 Best Picture nominee Past Lives, the feature directorial and screenwriting debut of Celine Song. Hear why they loved the film, what great secrets are hidden in the camerawork, and Max's next musical theatre history rant that actually has some merit. This is a film you'll want to see at some point in your life, one that's sweet and romantic and hopeful for this life, all the lives that came before, and every life that comes after. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, oscar, korea, america, carousel, rodgers and hammerstein, romance, drama, love</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Love Actually: Connecting Stories Bring Holiday Love</title>
      <itunes:episode>57</itunes:episode>
      <podcast:episode>57</podcast:episode>
      <itunes:title>Love Actually: Connecting Stories Bring Holiday Love</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">2a5045ca-80e7-4307-8e73-5706a7f84464</guid>
      <link>https://share.transistor.fm/s/fa2ba7f0</link>
      <description>
        <![CDATA[<p>On the fifty-sixth episode of the Cinematic Odyssey, and special Valentine's edition, Tristen and Max uncover the beautiful mystery of Richard Curtis's Love Actually. One of Max's favorite rewatches come holiday season, Tristen enters with no expectations and the result does not shock you at all. Discussing the writing, performances of the ensemble cast, and even Richard Curtis's other works, this episode is sure to be one that captures that special feeling for you and a loved one, otherwise it probably would be creepy. Also, if you missed your seminar on workplace harassment, this is the place to be!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifty-sixth episode of the Cinematic Odyssey, and special Valentine's edition, Tristen and Max uncover the beautiful mystery of Richard Curtis's Love Actually. One of Max's favorite rewatches come holiday season, Tristen enters with no expectations and the result does not shock you at all. Discussing the writing, performances of the ensemble cast, and even Richard Curtis's other works, this episode is sure to be one that captures that special feeling for you and a loved one, otherwise it probably would be creepy. Also, if you missed your seminar on workplace harassment, this is the place to be!</p>]]>
      </content:encoded>
      <pubDate>Fri, 16 Feb 2024 06:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/fa2ba7f0/aecd4638.mp3" length="63575857" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4882</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fifty-sixth episode of the Cinematic Odyssey, and special Valentine's edition, Tristen and Max uncover the beautiful mystery of Richard Curtis's Love Actually. One of Max's favorite rewatches come holiday season, Tristen enters with no expectations and the result does not shock you at all. Discussing the writing, performances of the ensemble cast, and even Richard Curtis's other works, this episode is sure to be one that captures that special feeling for you and a loved one, otherwise it probably would be creepy. Also, if you missed your seminar on workplace harassment, this is the place to be!</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, love, 9-11, christmas, ensemble, hugh grant, podcast, romcom, valentine</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Letter Never Sent: Kalatozov's Soviet Diamond Adventure</title>
      <itunes:episode>56</itunes:episode>
      <podcast:episode>56</podcast:episode>
      <itunes:title>Letter Never Sent: Kalatozov's Soviet Diamond Adventure</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9016f4ec-d8d8-43a4-be7e-9ae8e9e5f887</guid>
      <link>https://share.transistor.fm/s/e2cd6c43</link>
      <description>
        <![CDATA[<p>On the fifty-fifth episode of the Cinematic Odyssey, Tristen and Max return from hiatus to their shortest episode ever! In it, both discuss thoughts and opinions on Soviet director Mikhail Kalatozov's 1960 adventure film Letter Never Sent, the same director that directed Tristen's top overall film of 2023. Tristen gushes on visual effects and technical capabilities, Max slams a man named Konstantin, and there are plenty of puns to go around.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifty-fifth episode of the Cinematic Odyssey, Tristen and Max return from hiatus to their shortest episode ever! In it, both discuss thoughts and opinions on Soviet director Mikhail Kalatozov's 1960 adventure film Letter Never Sent, the same director that directed Tristen's top overall film of 2023. Tristen gushes on visual effects and technical capabilities, Max slams a man named Konstantin, and there are plenty of puns to go around.</p>]]>
      </content:encoded>
      <pubDate>Sat, 10 Feb 2024 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/e2cd6c43/994603d0.mp3" length="37095747" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3074</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fifty-fifth episode of the Cinematic Odyssey, Tristen and Max return from hiatus to their shortest episode ever! In it, both discuss thoughts and opinions on Soviet director Mikhail Kalatozov's 1960 adventure film Letter Never Sent, the same director that directed Tristen's top overall film of 2023. Tristen gushes on visual effects and technical capabilities, Max slams a man named Konstantin, and there are plenty of puns to go around.</p>]]>
      </itunes:summary>
      <itunes:keywords>film, soviet, movie, cinema, podcast, kalatozov, adventure, diamond, survival, elements, practical effects, disney channel, chicken</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Harakiri: Kobayashi's Samurai Code of Respect in Feudal Japan</title>
      <itunes:episode>55</itunes:episode>
      <podcast:episode>55</podcast:episode>
      <itunes:title>Harakiri: Kobayashi's Samurai Code of Respect in Feudal Japan</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e77142f3-a5a9-4820-a2d5-1d3e12b0b017</guid>
      <link>https://share.transistor.fm/s/b6916f9c</link>
      <description>
        <![CDATA[<p>On the fifty-fourth episode of the Cinematic Odyssey, Tristen and Max take their first look at the extensive filmography of Masaki Kobayashi and his samurai tale Harakiri. A masterful philosophical discussion applicable to this day, several interlacing stories are told in a disgraced samurai's path to commit ritualistic seppuku or harakiri. Tristen and Max get into the ethical issues of the film and how it appears to American society, talk about the hairstyles that make men, and a bit of Oscar nomination buzz including Tristen's most shocking revelation on the podcast. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifty-fourth episode of the Cinematic Odyssey, Tristen and Max take their first look at the extensive filmography of Masaki Kobayashi and his samurai tale Harakiri. A masterful philosophical discussion applicable to this day, several interlacing stories are told in a disgraced samurai's path to commit ritualistic seppuku or harakiri. Tristen and Max get into the ethical issues of the film and how it appears to American society, talk about the hairstyles that make men, and a bit of Oscar nomination buzz including Tristen's most shocking revelation on the podcast. </p>]]>
      </content:encoded>
      <pubDate>Thu, 25 Jan 2024 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/b6916f9c/2fe2cc2b.mp3" length="63644506" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4783</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fifty-fourth episode of the Cinematic Odyssey, Tristen and Max take their first look at the extensive filmography of Masaki Kobayashi and his samurai tale Harakiri. A masterful philosophical discussion applicable to this day, several interlacing stories are told in a disgraced samurai's path to commit ritualistic seppuku or harakiri. Tristen and Max get into the ethical issues of the film and how it appears to American society, talk about the hairstyles that make men, and a bit of Oscar nomination buzz including Tristen's most shocking revelation on the podcast. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, japan, kobayashi, samurai, ethics, respect, swordfight, topknot, oscars, kurosawa</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Our Cinematic Odyssies: Our Highs and Lows from 2023</title>
      <itunes:episode>54</itunes:episode>
      <podcast:episode>54</podcast:episode>
      <itunes:title>Our Cinematic Odyssies: Our Highs and Lows from 2023</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">1a087478-080f-47ea-8aa7-acbae4c90326</guid>
      <link>https://share.transistor.fm/s/4723d2b0</link>
      <description>
        <![CDATA[<p>On the fifty-third episode of the Cinematic Odyssey, Tristen and Max walk through both ends of the spectrum of their 2023 in film. A number of past episodes are referenced and some shock and awe is included while both lists are blind-revealed live on the podcast. Your hosts share their bottom 5 and top 15 films that they saw for the first time in the calendar year 2023 and reveal a few more honorable mentions that didn't get the light to make the list. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifty-third episode of the Cinematic Odyssey, Tristen and Max walk through both ends of the spectrum of their 2023 in film. A number of past episodes are referenced and some shock and awe is included while both lists are blind-revealed live on the podcast. Your hosts share their bottom 5 and top 15 films that they saw for the first time in the calendar year 2023 and reveal a few more honorable mentions that didn't get the light to make the list. </p>]]>
      </content:encoded>
      <pubDate>Wed, 03 Jan 2024 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/4723d2b0/9c603cfe.mp3" length="88897057" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>6693</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fifty-third episode of the Cinematic Odyssey, Tristen and Max walk through both ends of the spectrum of their 2023 in film. A number of past episodes are referenced and some shock and awe is included while both lists are blind-revealed live on the podcast. Your hosts share their bottom 5 and top 15 films that they saw for the first time in the calendar year 2023 and reveal a few more honorable mentions that didn't get the light to make the list. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, top 15, bottom 5, wong kar-wai, 2023, theaters, documentary, spike lee</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>It's A Wonderful Life: The Guide to New Perspective Whilst Avoiding Monopoly</title>
      <itunes:episode>53</itunes:episode>
      <podcast:episode>53</podcast:episode>
      <itunes:title>It's A Wonderful Life: The Guide to New Perspective Whilst Avoiding Monopoly</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">2ab5a67e-61a7-42c2-9bbb-bb8b31369d86</guid>
      <link>https://share.transistor.fm/s/4a4f3963</link>
      <description>
        <![CDATA[<p>On the fifty-second episode of the Cinematic Odyssey, Tristen and Max venture into Frank Capra's holiday classic It's a Wonderful Life. While wandering through the early failings of this movie, both comment on the story quality and the moral philosophy behind the film. Tristen provides his commentary on the Monopoly Man, Max has another game show up his sleeve, and both present the hidden theme of the film that goes over the heads of most viewers. Stick around, you won't want to miss this episode!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifty-second episode of the Cinematic Odyssey, Tristen and Max venture into Frank Capra's holiday classic It's a Wonderful Life. While wandering through the early failings of this movie, both comment on the story quality and the moral philosophy behind the film. Tristen provides his commentary on the Monopoly Man, Max has another game show up his sleeve, and both present the hidden theme of the film that goes over the heads of most viewers. Stick around, you won't want to miss this episode!</p>]]>
      </content:encoded>
      <pubDate>Fri, 22 Dec 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/4a4f3963/9f9f50b9.mp3" length="63969865" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>5105</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fifty-second episode of the Cinematic Odyssey, Tristen and Max venture into Frank Capra's holiday classic It's a Wonderful Life. While wandering through the early failings of this movie, both comment on the story quality and the moral philosophy behind the film. Tristen provides his commentary on the Monopoly Man, Max has another game show up his sleeve, and both present the hidden theme of the film that goes over the heads of most viewers. Stick around, you won't want to miss this episode!</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, james stewart, frank capra, it's a wonderful life, drama, christmas, god, angel, bell, buy local, capitalism, monopoly</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Eyes Wide Shut: The Terrifying Blues of Jealousy, Love, Desire, and Cults</title>
      <itunes:episode>52</itunes:episode>
      <podcast:episode>52</podcast:episode>
      <itunes:title>Eyes Wide Shut: The Terrifying Blues of Jealousy, Love, Desire, and Cults</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0f8bc7ff-5d9e-4a17-86ae-5768551a1a53</guid>
      <link>https://share.transistor.fm/s/0d048a73</link>
      <description>
        <![CDATA[<p>On the 51st episode of The Cinematic Odyssey, Max and Tristen tackle the enigmatic, seductive, and oh so frightful final film from the cinematic legend Stanley Kubrick. As it was tradition with Kubrick and his work, Eyes Wide Shut was mired in controversy. Ranging from the taboo themes and scenes, the record-breaking filming period, Kubrick's untimely death, studio intervention, and a lot more. Max and Tristen discuss the wild ride that is Eyes Wide Shut, the final film to cap Kubrick's immaculate body of work and the film that he claimed to be his "greatest contribution to the art of cinema." </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the 51st episode of The Cinematic Odyssey, Max and Tristen tackle the enigmatic, seductive, and oh so frightful final film from the cinematic legend Stanley Kubrick. As it was tradition with Kubrick and his work, Eyes Wide Shut was mired in controversy. Ranging from the taboo themes and scenes, the record-breaking filming period, Kubrick's untimely death, studio intervention, and a lot more. Max and Tristen discuss the wild ride that is Eyes Wide Shut, the final film to cap Kubrick's immaculate body of work and the film that he claimed to be his "greatest contribution to the art of cinema." </p>]]>
      </content:encoded>
      <pubDate>Wed, 13 Dec 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/0d048a73/c9c85648.mp3" length="77956309" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/zokVxGYCWhYX12xpjFUT6kzvhHgj0Ty8lu9OKFd7p5g/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE2NDMwMjAv/MTcwMjQ2Mjk5Ny1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>5904</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the 51st episode of The Cinematic Odyssey, Max and Tristen tackle the enigmatic, seductive, and oh so frightful final film from the cinematic legend Stanley Kubrick. As it was tradition with Kubrick and his work, Eyes Wide Shut was mired in controversy. Ranging from the taboo themes and scenes, the record-breaking filming period, Kubrick's untimely death, studio intervention, and a lot more. Max and Tristen discuss the wild ride that is Eyes Wide Shut, the final film to cap Kubrick's immaculate body of work and the film that he claimed to be his "greatest contribution to the art of cinema." </p>]]>
      </itunes:summary>
      <itunes:keywords>Stanley Kubrick, Eyes Wide Shut, film, cinema, 1999, US, Tom Cruise, Nicole Kidman</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>In the Mood for Love: Coincidence and Unrelatable Regret from Wong Kar-wai</title>
      <itunes:episode>51</itunes:episode>
      <podcast:episode>51</podcast:episode>
      <itunes:title>In the Mood for Love: Coincidence and Unrelatable Regret from Wong Kar-wai</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">8a6766b4-f64f-4e4d-b3ff-7455a09b8970</guid>
      <link>https://share.transistor.fm/s/b41c36b3</link>
      <description>
        <![CDATA[<p>On the fiftieth (!) official episode of the Cinematic Odyssey, Tristen and Max revisit Wong Kar-wai for the second time on the podcast, for In the Mood for Love, what many consider to be his masterpiece. Tristen rationalizes his lack of understanding of the piece and Max gets real for a moment while referencing musicals and more. Tristen makes a brilliant observation about cameras and there's more than one discussion about the soundtrack taking place! Plus, a fun game for the loyal listener with the opportunity to choose how the podcast plays out!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fiftieth (!) official episode of the Cinematic Odyssey, Tristen and Max revisit Wong Kar-wai for the second time on the podcast, for In the Mood for Love, what many consider to be his masterpiece. Tristen rationalizes his lack of understanding of the piece and Max gets real for a moment while referencing musicals and more. Tristen makes a brilliant observation about cameras and there's more than one discussion about the soundtrack taking place! Plus, a fun game for the loyal listener with the opportunity to choose how the podcast plays out!</p>]]>
      </content:encoded>
      <pubDate>Wed, 06 Dec 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/b41c36b3/e7abef74.mp3" length="54447033" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4398</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fiftieth (!) official episode of the Cinematic Odyssey, Tristen and Max revisit Wong Kar-wai for the second time on the podcast, for In the Mood for Love, what many consider to be his masterpiece. Tristen rationalizes his lack of understanding of the piece and Max gets real for a moment while referencing musicals and more. Tristen makes a brilliant observation about cameras and there's more than one discussion about the soundtrack taking place! Plus, a fun game for the loyal listener with the opportunity to choose how the podcast plays out!</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, odyssey, podcast, hongkong, france, wongkarwai, foreign film, art film, love, romance, drama</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>The Wolf of Wall Street: Scorsese's Misinterpreted Indictment of Debauchery</title>
      <itunes:episode>50</itunes:episode>
      <podcast:episode>50</podcast:episode>
      <itunes:title>The Wolf of Wall Street: Scorsese's Misinterpreted Indictment of Debauchery</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ddb0b943-e6f4-461a-a4d6-fe73b67a5ca3</guid>
      <link>https://share.transistor.fm/s/8d2a2c59</link>
      <description>
        <![CDATA[<p>On the forty-ninth episode of the Cinematic Odyssey, Tristen and Max venture into their first Scorsese film, his oft debated 2013 effort The Wolf of Wall Street. Max compares the film's heightened emotions to musicals and Tristen delivers a long-awaited monologue on the misinterpretation of the film and how people can love it for the wrong reasons. Also featured is a discussion on the morality of Belfort's efforts and new names for a 150 million dollar yacht, if one were owned by Max. All this and more in the brand new episode!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-ninth episode of the Cinematic Odyssey, Tristen and Max venture into their first Scorsese film, his oft debated 2013 effort The Wolf of Wall Street. Max compares the film's heightened emotions to musicals and Tristen delivers a long-awaited monologue on the misinterpretation of the film and how people can love it for the wrong reasons. Also featured is a discussion on the morality of Belfort's efforts and new names for a 150 million dollar yacht, if one were owned by Max. All this and more in the brand new episode!</p>]]>
      </content:encoded>
      <pubDate>Wed, 29 Nov 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/8d2a2c59/2dca0055.mp3" length="67241760" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>5327</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-ninth episode of the Cinematic Odyssey, Tristen and Max venture into their first Scorsese film, his oft debated 2013 effort The Wolf of Wall Street. Max compares the film's heightened emotions to musicals and Tristen delivers a long-awaited monologue on the misinterpretation of the film and how people can love it for the wrong reasons. Also featured is a discussion on the morality of Belfort's efforts and new names for a 150 million dollar yacht, if one were owned by Max. All this and more in the brand new episode!</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, scorsese, podcast, dicaprio, finance, stocks, belfort, economy, fraud, capitalism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Autumn Sonata: Bergman and Bergman Collaboratively Searching for Sincerity</title>
      <itunes:episode>49</itunes:episode>
      <podcast:episode>49</podcast:episode>
      <itunes:title>Autumn Sonata: Bergman and Bergman Collaboratively Searching for Sincerity</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">78e2b957-20ce-465b-9c45-38a901a580e6</guid>
      <link>https://share.transistor.fm/s/8ffbf376</link>
      <description>
        <![CDATA[<p>On the forty-eighth episode of the Cinematic Odyssey, Tristen, Max, and special guest Mackenzie venture into their first of Ingmar Bergman's efforts on the podcast, 1978's Autumn Sonata starring Ingrid Bergman (no relation). Max takes a trip down a musical rabbit hole, Tristen relives the tension building in the first half of the film, and Mackenzie offers questions regarding the definition of a parent and caregiver. The episode culminates, much like the film, in an epic battle and the first game show ever hosted on the Cinematic Odyssey. You won't want to miss it!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-eighth episode of the Cinematic Odyssey, Tristen, Max, and special guest Mackenzie venture into their first of Ingmar Bergman's efforts on the podcast, 1978's Autumn Sonata starring Ingrid Bergman (no relation). Max takes a trip down a musical rabbit hole, Tristen relives the tension building in the first half of the film, and Mackenzie offers questions regarding the definition of a parent and caregiver. The episode culminates, much like the film, in an epic battle and the first game show ever hosted on the Cinematic Odyssey. You won't want to miss it!</p>]]>
      </content:encoded>
      <pubDate>Wed, 22 Nov 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/8ffbf376/a9c41f4a.mp3" length="73420415" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>5821</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-eighth episode of the Cinematic Odyssey, Tristen, Max, and special guest Mackenzie venture into their first of Ingmar Bergman's efforts on the podcast, 1978's Autumn Sonata starring Ingrid Bergman (no relation). Max takes a trip down a musical rabbit hole, Tristen relives the tension building in the first half of the film, and Mackenzie offers questions regarding the definition of a parent and caregiver. The episode culminates, much like the film, in an epic battle and the first game show ever hosted on the Cinematic Odyssey. You won't want to miss it!</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, bergman, sweden, drama, family, love, neglect, generations, caregiver, mothers, daughters, autumn, sonata</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>The Square: Artful Misbehaving and Consequences satirized by Ruben Östlund</title>
      <itunes:episode>48</itunes:episode>
      <podcast:episode>48</podcast:episode>
      <itunes:title>The Square: Artful Misbehaving and Consequences satirized by Ruben Östlund</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">674b75bc-edd8-4f15-b8c9-5dd39b01312f</guid>
      <link>https://share.transistor.fm/s/584d10d3</link>
      <description>
        <![CDATA[<p>On the forty-seventh episode of the Cinematic Odyssey, Tristen and Max delve into their second of Ruben Östlund's social satires, The Square. This time, in the art world, Tristen discusses why he doesn't like the film as much and Max commends the physical behavior of each actor on screen while bestowing a title on Östlund with a Cinematic Odyssey first. Max also introduces a brand new segment to end the episode off and the discussion of which character has the best drip finds another agreement. All this and more inside this wonderful episode. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-seventh episode of the Cinematic Odyssey, Tristen and Max delve into their second of Ruben Östlund's social satires, The Square. This time, in the art world, Tristen discusses why he doesn't like the film as much and Max commends the physical behavior of each actor on screen while bestowing a title on Östlund with a Cinematic Odyssey first. Max also introduces a brand new segment to end the episode off and the discussion of which character has the best drip finds another agreement. All this and more inside this wonderful episode. </p>]]>
      </content:encoded>
      <pubDate>Wed, 15 Nov 2023 15:40:46 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/584d10d3/caf1d1eb.mp3" length="60435602" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4365</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-seventh episode of the Cinematic Odyssey, Tristen and Max delve into their second of Ruben Östlund's social satires, The Square. This time, in the art world, Tristen discusses why he doesn't like the film as much and Max commends the physical behavior of each actor on screen while bestowing a title on Östlund with a Cinematic Odyssey first. Max also introduces a brand new segment to end the episode off and the discussion of which character has the best drip finds another agreement. All this and more inside this wonderful episode. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, satire, social satire, art, museum, method, movement, explosion, children, cannes</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>There Will Be Blood: The Timeless Fight of Capitalism and Religion from Paul Thomas Anderson</title>
      <itunes:episode>47</itunes:episode>
      <podcast:episode>47</podcast:episode>
      <itunes:title>There Will Be Blood: The Timeless Fight of Capitalism and Religion from Paul Thomas Anderson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">24d49e6e-1ba4-4761-a9f1-718ec27ba1dd</guid>
      <link>https://share.transistor.fm/s/8947cd46</link>
      <description>
        <![CDATA[<p>On the forty-sixth episode of the Cinematic Odyssey, Tristen and Max break into what Tristen has called the best film of the 21st century: There Will Be Blood, from Paul Thomas Anderson. Max launches into his reasoning on why it's believed that Daniel Day-Lewis presents one of the great acting performances ever in this film and Tristen navigates the plot mentioning and explaining every symbol he can. Does Max actually like this Paul Thomas Anderson film? Is Tristen right about the film's timeless struggle and message? Find out, along with a brand-new closing segment introduced this week on the Cinematic Odyssey. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-sixth episode of the Cinematic Odyssey, Tristen and Max break into what Tristen has called the best film of the 21st century: There Will Be Blood, from Paul Thomas Anderson. Max launches into his reasoning on why it's believed that Daniel Day-Lewis presents one of the great acting performances ever in this film and Tristen navigates the plot mentioning and explaining every symbol he can. Does Max actually like this Paul Thomas Anderson film? Is Tristen right about the film's timeless struggle and message? Find out, along with a brand-new closing segment introduced this week on the Cinematic Odyssey. </p>]]>
      </content:encoded>
      <pubDate>Wed, 08 Nov 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/8947cd46/bd75f3f5.mp3" length="69270281" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4952</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-sixth episode of the Cinematic Odyssey, Tristen and Max break into what Tristen has called the best film of the 21st century: There Will Be Blood, from Paul Thomas Anderson. Max launches into his reasoning on why it's believed that Daniel Day-Lewis presents one of the great acting performances ever in this film and Tristen navigates the plot mentioning and explaining every symbol he can. Does Max actually like this Paul Thomas Anderson film? Is Tristen right about the film's timeless struggle and message? Find out, along with a brand-new closing segment introduced this week on the Cinematic Odyssey. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, paul thomas anderson, there will be blood, period, drama, oil, acting, religion, capitalism</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Eraserhead: A Surrealist Look at Horror, Humanity, and Fatherhood from David Lynch</title>
      <itunes:episode>46</itunes:episode>
      <podcast:episode>46</podcast:episode>
      <itunes:title>Eraserhead: A Surrealist Look at Horror, Humanity, and Fatherhood from David Lynch</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">3c466085-fd44-4341-a7a1-0ea9e5a996b8</guid>
      <link>https://share.transistor.fm/s/9e037ac2</link>
      <description>
        <![CDATA[<p>On the forty-fifth episode of the Cinematic Odyssey, Tristen and Max investigate David Lynch's cult classic first feature film, Eraserhead. They explore the lengthy process of the creation of this film and how it ever got to the big screen in the first place and then each provide their own interpretation on the film's meaning. Max revels in the surreal and metaphorical language and imagery within the film and Tristen provides his commentary on the style of Lynch bleeding into his later projects. Features Hot Takes from both Tristen and Max. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-fifth episode of the Cinematic Odyssey, Tristen and Max investigate David Lynch's cult classic first feature film, Eraserhead. They explore the lengthy process of the creation of this film and how it ever got to the big screen in the first place and then each provide their own interpretation on the film's meaning. Max revels in the surreal and metaphorical language and imagery within the film and Tristen provides his commentary on the style of Lynch bleeding into his later projects. Features Hot Takes from both Tristen and Max. </p>]]>
      </content:encoded>
      <pubDate>Wed, 01 Nov 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/9e037ac2/6b03192c.mp3" length="57466517" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4415</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-fifth episode of the Cinematic Odyssey, Tristen and Max investigate David Lynch's cult classic first feature film, Eraserhead. They explore the lengthy process of the creation of this film and how it ever got to the big screen in the first place and then each provide their own interpretation on the film's meaning. Max revels in the surreal and metaphorical language and imagery within the film and Tristen provides his commentary on the style of Lynch bleeding into his later projects. Features Hot Takes from both Tristen and Max. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, podcast, lynch, davidlynch, surrealism, body, horror, suspense, alien, parenting, fatherhood, human, morals, subconscious, twin peaks</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Bonus Halloween Episode: Hereditary</title>
      <itunes:episode>45</itunes:episode>
      <podcast:episode>45</podcast:episode>
      <itunes:title>Bonus Halloween Episode: Hereditary</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">57721d9d-674a-410d-a3fc-a952c65c0695</guid>
      <link>https://share.transistor.fm/s/08d5bfea</link>
      <description>
        <![CDATA[<p>On this special bonus Halloween episode of the Cinematic Odyssey, Tristen and Max delve into what some have called the best horror film of the past few years: Hereditary. They have no shortage of kind words for the performance of Toni Collette and truly dive into every scare and strategy that made Max petrified. Plus, Tristen has a hot take on the lore and legacy of this film. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On this special bonus Halloween episode of the Cinematic Odyssey, Tristen and Max delve into what some have called the best horror film of the past few years: Hereditary. They have no shortage of kind words for the performance of Toni Collette and truly dive into every scare and strategy that made Max petrified. Plus, Tristen has a hot take on the lore and legacy of this film. </p>]]>
      </content:encoded>
      <pubDate>Tue, 31 Oct 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/08d5bfea/77d22c56.mp3" length="57952664" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4347</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On this special bonus Halloween episode of the Cinematic Odyssey, Tristen and Max delve into what some have called the best horror film of the past few years: Hereditary. They have no shortage of kind words for the performance of Toni Collette and truly dive into every scare and strategy that made Max petrified. Plus, Tristen has a hot take on the lore and legacy of this film. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, horror, thriller, demon, aster, a24, possession, hereditary</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Night of the Living Dead: Romero's Genre-Defining Improvisational Horror </title>
      <itunes:episode>44</itunes:episode>
      <podcast:episode>44</podcast:episode>
      <itunes:title>Night of the Living Dead: Romero's Genre-Defining Improvisational Horror </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">32d19811-50bf-42eb-8aee-951fb427250b</guid>
      <link>https://share.transistor.fm/s/2884a933</link>
      <description>
        <![CDATA[<p>On the forty-fourth episode of the Cinematic Odyssey, Tristen, Max, and special guest Judah delve into George Romero's pioneering horror cult classic Night of the Living Dead. Max brings up his feelings about gore and an unfinished script, Judah presents questions and about the nudity and gore present on screen, and Tristen contextualizes the film within the culture and time period of its creation. They ultimately rule on the lasting effects that the film has had on the horror genre but how that does not necessarily make it a masterpiece or an excellent movie. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-fourth episode of the Cinematic Odyssey, Tristen, Max, and special guest Judah delve into George Romero's pioneering horror cult classic Night of the Living Dead. Max brings up his feelings about gore and an unfinished script, Judah presents questions and about the nudity and gore present on screen, and Tristen contextualizes the film within the culture and time period of its creation. They ultimately rule on the lasting effects that the film has had on the horror genre but how that does not necessarily make it a masterpiece or an excellent movie. </p>]]>
      </content:encoded>
      <pubDate>Wed, 25 Oct 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/2884a933/57b0b9d5.mp3" length="61124446" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4339</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-fourth episode of the Cinematic Odyssey, Tristen, Max, and special guest Judah delve into George Romero's pioneering horror cult classic Night of the Living Dead. Max brings up his feelings about gore and an unfinished script, Judah presents questions and about the nudity and gore present on screen, and Tristen contextualizes the film within the culture and time period of its creation. They ultimately rule on the lasting effects that the film has had on the horror genre but how that does not necessarily make it a masterpiece or an excellent movie. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, romero, halloween, zombie, horror, thriller, gore, suspense, violence, dead, undead</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Cure: Mesmerized by the Sounds of Horror</title>
      <itunes:episode>43</itunes:episode>
      <podcast:episode>43</podcast:episode>
      <itunes:title>Cure: Mesmerized by the Sounds of Horror</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">2635475f-bee7-466f-951f-d10d5885fe5a</guid>
      <link>https://share.transistor.fm/s/c4f6f580</link>
      <description>
        <![CDATA[<p>On the forty-third episode of the Cinematic Odyssey, Tristen and Max venture into the world of horror film with Kiyoshi Kurosawa's Cure for the one-year anniversary episode of the podcast! They both explore the usage of sound in the film and how ordinary happenings are heightened to great effect. Max also divulges his disgust with many images in the film, finding gore disgusting. They wrap with how tight and well coordinated the script is and also rank their five favorites in films discussed on the podcast so far. Thank you all for listening to the Cinematic Odyssey for one year now! Here's to many more. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-third episode of the Cinematic Odyssey, Tristen and Max venture into the world of horror film with Kiyoshi Kurosawa's Cure for the one-year anniversary episode of the podcast! They both explore the usage of sound in the film and how ordinary happenings are heightened to great effect. Max also divulges his disgust with many images in the film, finding gore disgusting. They wrap with how tight and well coordinated the script is and also rank their five favorites in films discussed on the podcast so far. Thank you all for listening to the Cinematic Odyssey for one year now! Here's to many more. </p>]]>
      </content:encoded>
      <pubDate>Wed, 18 Oct 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/c4f6f580/4367e1da.mp3" length="71201245" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>5565</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-third episode of the Cinematic Odyssey, Tristen and Max venture into the world of horror film with Kiyoshi Kurosawa's Cure for the one-year anniversary episode of the podcast! They both explore the usage of sound in the film and how ordinary happenings are heightened to great effect. Max also divulges his disgust with many images in the film, finding gore disgusting. They wrap with how tight and well coordinated the script is and also rank their five favorites in films discussed on the podcast so far. Thank you all for listening to the Cinematic Odyssey for one year now! Here's to many more. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, japan, horror, cure, hypnotism, mesmer, psychology, thriller</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>The Ascent: Soviet Patriotism or Christian Martyrdom at the Height of the Cold War</title>
      <itunes:episode>42</itunes:episode>
      <podcast:episode>42</podcast:episode>
      <itunes:title>The Ascent: Soviet Patriotism or Christian Martyrdom at the Height of the Cold War</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0d1d9d75-0772-41e9-84c7-a5bba1277da4</guid>
      <link>https://share.transistor.fm/s/e8d3685a</link>
      <description>
        <![CDATA[<p>On the forty-second episode of the Cinematic Odyssey, Tristen and Max dive into one of the great war films of the twentieth century, Soviet effort The Ascent from Larisa Shepitko. Tristen ventures into his breakdown of all the biblical references in the film during a period of state atheism in the USSR and Max provides insight as to the nationalist value of the film and how it got released with no cuts. Both were blown away by the beauty of each shot and you'll have to stick around to hear whether the ending is happy or sad, and can it be both?</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-second episode of the Cinematic Odyssey, Tristen and Max dive into one of the great war films of the twentieth century, Soviet effort The Ascent from Larisa Shepitko. Tristen ventures into his breakdown of all the biblical references in the film during a period of state atheism in the USSR and Max provides insight as to the nationalist value of the film and how it got released with no cuts. Both were blown away by the beauty of each shot and you'll have to stick around to hear whether the ending is happy or sad, and can it be both?</p>]]>
      </content:encoded>
      <pubDate>Wed, 11 Oct 2023 12:21:15 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/e8d3685a/d02caefd.mp3" length="52727167" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3952</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-second episode of the Cinematic Odyssey, Tristen and Max dive into one of the great war films of the twentieth century, Soviet effort The Ascent from Larisa Shepitko. Tristen ventures into his breakdown of all the biblical references in the film during a period of state atheism in the USSR and Max provides insight as to the nationalist value of the film and how it got released with no cuts. Both were blown away by the beauty of each shot and you'll have to stick around to hear whether the ending is happy or sad, and can it be both?</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, soviet, wwii, patriotism, catholic</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Good Time: Mean Streets and Who's Truly At Fault from the Safdie Brothers</title>
      <itunes:episode>41</itunes:episode>
      <podcast:episode>41</podcast:episode>
      <itunes:title>Good Time: Mean Streets and Who's Truly At Fault from the Safdie Brothers</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">15e94172-105e-492e-8ac2-9dee25d5076f</guid>
      <link>https://share.transistor.fm/s/b958e3d7</link>
      <description>
        <![CDATA[<p>On the forty-first episode of the Cinematic Odyssey, Tristen and Max venture into Long Island's rough part for the Safdie Brothers' fourth feature film, Good Time. Tristen discusses how the film sheds an excellent light on American poverty and the issues with support systems and Max compares the film with the Safdies' next effort, Uncut Gems, and remains a hardliner against the latter. Full of blunt truths and uncomfortable circumstances, the film will take you through an unforgettable night, and Tristen and Max help wade through some of them. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the forty-first episode of the Cinematic Odyssey, Tristen and Max venture into Long Island's rough part for the Safdie Brothers' fourth feature film, Good Time. Tristen discusses how the film sheds an excellent light on American poverty and the issues with support systems and Max compares the film with the Safdies' next effort, Uncut Gems, and remains a hardliner against the latter. Full of blunt truths and uncomfortable circumstances, the film will take you through an unforgettable night, and Tristen and Max help wade through some of them. </p>]]>
      </content:encoded>
      <pubDate>Wed, 04 Oct 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/b958e3d7/42da3839.mp3" length="61681726" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4587</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the forty-first episode of the Cinematic Odyssey, Tristen and Max venture into Long Island's rough part for the Safdie Brothers' fourth feature film, Good Time. Tristen discusses how the film sheds an excellent light on American poverty and the issues with support systems and Max compares the film with the Safdies' next effort, Uncut Gems, and remains a hardliner against the latter. Full of blunt truths and uncomfortable circumstances, the film will take you through an unforgettable night, and Tristen and Max help wade through some of them. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, safdie, thriller, poverty, crime, pattinson, drama, disability</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>City of God: The Origins of Brazilian Gang Violence Through a Child's Eyes</title>
      <itunes:episode>40</itunes:episode>
      <podcast:episode>40</podcast:episode>
      <itunes:title>City of God: The Origins of Brazilian Gang Violence Through a Child's Eyes</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0d0f5447-d80a-4d67-9296-d601c6d22e9d</guid>
      <link>https://share.transistor.fm/s/78f2115c</link>
      <description>
        <![CDATA[<p>On the fortieth episode of The Cinematic Odyssey, Tristen, Max, and special guest Mackenzie venture into the gripping masterpiece City of God from Brazilian directors Fernando Meirelles and Katia Lund. Max and Mackenzie lather on the praise as one of the best films they have ever seen and Tristen discusses the role of the police in this film as well as in his favorite, France's La Haine. An intricate discussion is had an corruption and the cycle of poverty, the influences that children have, and the effective storytelling that leaves no stone unturned as well as the bonus feature about what actually constitutes a historical epic film. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fortieth episode of The Cinematic Odyssey, Tristen, Max, and special guest Mackenzie venture into the gripping masterpiece City of God from Brazilian directors Fernando Meirelles and Katia Lund. Max and Mackenzie lather on the praise as one of the best films they have ever seen and Tristen discusses the role of the police in this film as well as in his favorite, France's La Haine. An intricate discussion is had an corruption and the cycle of poverty, the influences that children have, and the effective storytelling that leaves no stone unturned as well as the bonus feature about what actually constitutes a historical epic film. </p>]]>
      </content:encoded>
      <pubDate>Wed, 27 Sep 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/78f2115c/a0bc00cd.mp3" length="80875967" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>6321</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the fortieth episode of The Cinematic Odyssey, Tristen, Max, and special guest Mackenzie venture into the gripping masterpiece City of God from Brazilian directors Fernando Meirelles and Katia Lund. Max and Mackenzie lather on the praise as one of the best films they have ever seen and Tristen discusses the role of the police in this film as well as in his favorite, France's La Haine. An intricate discussion is had an corruption and the cycle of poverty, the influences that children have, and the effective storytelling that leaves no stone unturned as well as the bonus feature about what actually constitutes a historical epic film. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, brazil, rio, violence, gangs, chicken, rocket</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Swiss Army Man: Contemplating Relationships Through Experience with a Corpse</title>
      <itunes:episode>39</itunes:episode>
      <podcast:episode>39</podcast:episode>
      <itunes:title>Swiss Army Man: Contemplating Relationships Through Experience with a Corpse</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">467e0664-333d-44e2-bc3f-ba0a58da8fc4</guid>
      <link>https://share.transistor.fm/s/d53061c5</link>
      <description>
        <![CDATA[<p>On the thirty-ninth episode of the Cinematic Odyssey, Tristen and Max venture back to the world of the Daniels to discuss their feature film debut, Swiss Army Man. Tristen works to compare this film and style to their latest hit, Everything Everywhere All At Once, taking the pieces of philosophy present in both, and Max breaks down how this film works to make us confront the way we live our lives every day. They both however have fun with the intense creativity and uniqueness that the Daniels bring to their work. The list of the episode regards short films, much like this one, at least under 100 minutes, and the top choices for both hosts sharing what they're passionate about. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirty-ninth episode of the Cinematic Odyssey, Tristen and Max venture back to the world of the Daniels to discuss their feature film debut, Swiss Army Man. Tristen works to compare this film and style to their latest hit, Everything Everywhere All At Once, taking the pieces of philosophy present in both, and Max breaks down how this film works to make us confront the way we live our lives every day. They both however have fun with the intense creativity and uniqueness that the Daniels bring to their work. The list of the episode regards short films, much like this one, at least under 100 minutes, and the top choices for both hosts sharing what they're passionate about. </p>]]>
      </content:encoded>
      <pubDate>Wed, 20 Sep 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/d53061c5/4c145c29.mp3" length="55941733" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4175</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the thirty-ninth episode of the Cinematic Odyssey, Tristen and Max venture back to the world of the Daniels to discuss their feature film debut, Swiss Army Man. Tristen works to compare this film and style to their latest hit, Everything Everywhere All At Once, taking the pieces of philosophy present in both, and Max breaks down how this film works to make us confront the way we live our lives every day. They both however have fun with the intense creativity and uniqueness that the Daniels bring to their work. The list of the episode regards short films, much like this one, at least under 100 minutes, and the top choices for both hosts sharing what they're passionate about. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, daniels, absurd, comedy, philosophy, voltaire, altrusim, black comedy</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Andrei Rublev: Tarkovsky's Dive into Christianity, Purpose, and the Everlasting Road to Self-Improvement</title>
      <itunes:episode>38</itunes:episode>
      <podcast:episode>38</podcast:episode>
      <itunes:title>Andrei Rublev: Tarkovsky's Dive into Christianity, Purpose, and the Everlasting Road to Self-Improvement</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">1c8159df-8675-4025-bf90-86f85d97c10f</guid>
      <link>https://share.transistor.fm/s/5361c196</link>
      <description>
        <![CDATA[<p>On the thirty-eighth episode of The Cinematic Odyssey, Tristen and Max make their first voyage into the grand works of Andrei Tarkovsky and his historical epic sharing a first name. Tristen rationalizes the difficulty of understanding such a massive work and the immediate reactions to the piece while also understanding that Tarkovsky is one of the greats. Max provides religious background and explores the dialogue that ranges from compelling to mesmerizing and they both are in agreement that this film is a feat, let alone for a new director at the time. Tristen and Max end with personal hot takes on directors, slowly getting spicier near the finish line. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirty-eighth episode of The Cinematic Odyssey, Tristen and Max make their first voyage into the grand works of Andrei Tarkovsky and his historical epic sharing a first name. Tristen rationalizes the difficulty of understanding such a massive work and the immediate reactions to the piece while also understanding that Tarkovsky is one of the greats. Max provides religious background and explores the dialogue that ranges from compelling to mesmerizing and they both are in agreement that this film is a feat, let alone for a new director at the time. Tristen and Max end with personal hot takes on directors, slowly getting spicier near the finish line. </p>]]>
      </content:encoded>
      <pubDate>Wed, 06 Sep 2023 13:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/5361c196/ba6689d2.mp3" length="91714318" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>5726</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the thirty-eighth episode of The Cinematic Odyssey, Tristen and Max make their first voyage into the grand works of Andrei Tarkovsky and his historical epic sharing a first name. Tristen rationalizes the difficulty of understanding such a massive work and the immediate reactions to the piece while also understanding that Tarkovsky is one of the greats. Max provides religious background and explores the dialogue that ranges from compelling to mesmerizing and they both are in agreement that this film is a feat, let alone for a new director at the time. Tristen and Max end with personal hot takes on directors, slowly getting spicier near the finish line. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, soviet, tarkovsky, rublev, christianity, icon, greek, philosophy, vignette</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Ikiru: A Soul Gripping Story of Humility and the Search for Living the Fulfilled Life </title>
      <itunes:episode>37</itunes:episode>
      <podcast:episode>37</podcast:episode>
      <itunes:title>Ikiru: A Soul Gripping Story of Humility and the Search for Living the Fulfilled Life </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">2a0b285a-de2f-49ca-bc23-abcb98d12aea</guid>
      <link>https://share.transistor.fm/s/0890e13b</link>
      <description>
        <![CDATA[<p>On the 37th episode of The Cinematic Odyssey, Max and Tristen discuss their opinions on one of cinema's towering achievements, from the late cinematic titan, pioneer, and master, Akira Kurosawa. Ikiru, translated to english as "To Live" follows an old man in the final days of his life where he attempts to right the wrongs of his past and salvage the previous wasted decades of his life mired in monotony, boredom, disdain, and lovelessness. We talk about the various technical achievements that Kurosawa showcases, the towering performance of Takashi Shimura, and the philosophy behind the message of the film. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the 37th episode of The Cinematic Odyssey, Max and Tristen discuss their opinions on one of cinema's towering achievements, from the late cinematic titan, pioneer, and master, Akira Kurosawa. Ikiru, translated to english as "To Live" follows an old man in the final days of his life where he attempts to right the wrongs of his past and salvage the previous wasted decades of his life mired in monotony, boredom, disdain, and lovelessness. We talk about the various technical achievements that Kurosawa showcases, the towering performance of Takashi Shimura, and the philosophy behind the message of the film. </p>]]>
      </content:encoded>
      <pubDate>Wed, 30 Aug 2023 07:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/0890e13b/4467cc24.mp3" length="60070949" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/8H5NIe2aQtxtNZi2_DFfFuJIy_FxRCn8b3atmc62Ltc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0ODIxNjkv/MTY5MzM3OTkxNC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3748</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the 37th episode of The Cinematic Odyssey, Max and Tristen discuss their opinions on one of cinema's towering achievements, from the late cinematic titan, pioneer, and master, Akira Kurosawa. Ikiru, translated to english as "To Live" follows an old man in the final days of his life where he attempts to right the wrongs of his past and salvage the previous wasted decades of his life mired in monotony, boredom, disdain, and lovelessness. We talk about the various technical achievements that Kurosawa showcases, the towering performance of Takashi Shimura, and the philosophy behind the message of the film. </p>]]>
      </itunes:summary>
      <itunes:keywords>akira kurosawa, japan, ikiru, criterion, film, movie, arthouse</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>A Man Escaped: Hope, Human Connection, and the Patience Required to Escape</title>
      <itunes:episode>36</itunes:episode>
      <podcast:episode>36</podcast:episode>
      <itunes:title>A Man Escaped: Hope, Human Connection, and the Patience Required to Escape</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e0b5514d-960e-40d3-9328-38b3432cabd8</guid>
      <link>https://share.transistor.fm/s/472186fe</link>
      <description>
        <![CDATA[<p>On the thirty-sixth episode of the Cinematic Odyssey, Tristen and Max unpack the documentarian effort of French director Robert Bresson in his acclaimed A Man Escaped. Packed with minute details and patient unease and suspense, both hosts respect the effort to make the film as realistic as possible to the memoir it was based on, as well as true human physicality. Max makes a series of absolutely horrible comparisons between this film and pop culture of today, while Tristen remains in awe of every shot and each poignant detail. They both are able to come away with the knowledge that this film is more than just an escape: it's about trust, hope, and the human spirit to fight on and keep living. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirty-sixth episode of the Cinematic Odyssey, Tristen and Max unpack the documentarian effort of French director Robert Bresson in his acclaimed A Man Escaped. Packed with minute details and patient unease and suspense, both hosts respect the effort to make the film as realistic as possible to the memoir it was based on, as well as true human physicality. Max makes a series of absolutely horrible comparisons between this film and pop culture of today, while Tristen remains in awe of every shot and each poignant detail. They both are able to come away with the knowledge that this film is more than just an escape: it's about trust, hope, and the human spirit to fight on and keep living. </p>]]>
      </content:encoded>
      <pubDate>Wed, 23 Aug 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/472186fe/a51d1286.mp3" length="48287493" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3011</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the thirty-sixth episode of the Cinematic Odyssey, Tristen and Max unpack the documentarian effort of French director Robert Bresson in his acclaimed A Man Escaped. Packed with minute details and patient unease and suspense, both hosts respect the effort to make the film as realistic as possible to the memoir it was based on, as well as true human physicality. Max makes a series of absolutely horrible comparisons between this film and pop culture of today, while Tristen remains in awe of every shot and each poignant detail. They both are able to come away with the knowledge that this film is more than just an escape: it's about trust, hope, and the human spirit to fight on and keep living. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, french, bresson, director, prison break, wwii, fontaine</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Princess Mononoke: Miyazaki's Stunning Portrait of Man's Destructive Behavior Towards Earth and Themselves </title>
      <itunes:episode>35</itunes:episode>
      <podcast:episode>35</podcast:episode>
      <itunes:title>Princess Mononoke: Miyazaki's Stunning Portrait of Man's Destructive Behavior Towards Earth and Themselves </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c9b38f42-f5dd-4da9-9e33-a37aa2b1761a</guid>
      <link>https://share.transistor.fm/s/48867987</link>
      <description>
        <![CDATA[<p>On the 35th episode of The Cinematic Odyssey, Max and Tristen discuss one of cinema's most respected, storied, and greatest filmmakers, Hayao Miyazaki. We talk in depth of his 1997 masterwork Princess Mononoke where we see Miyazaki unveil the futile violence of human conflict and the abusive relationship that man has with nature. Princess Mononoke finds Miyazaki filled with a burning passion out to showcase the destructive nonchalance of human beings towards earth and themselves.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the 35th episode of The Cinematic Odyssey, Max and Tristen discuss one of cinema's most respected, storied, and greatest filmmakers, Hayao Miyazaki. We talk in depth of his 1997 masterwork Princess Mononoke where we see Miyazaki unveil the futile violence of human conflict and the abusive relationship that man has with nature. Princess Mononoke finds Miyazaki filled with a burning passion out to showcase the destructive nonchalance of human beings towards earth and themselves.</p>]]>
      </content:encoded>
      <pubDate>Wed, 09 Aug 2023 22:28:35 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/48867987/1465649b.mp3" length="60840422" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/jK-vXvafgKaryj0Xm_sAKjKe6MgFgCTyuW5I6luS5h4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzE0NDkwNjkv/MTY5MTYzNDUxNS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3796</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the 35th episode of The Cinematic Odyssey, Max and Tristen discuss one of cinema's most respected, storied, and greatest filmmakers, Hayao Miyazaki. We talk in depth of his 1997 masterwork Princess Mononoke where we see Miyazaki unveil the futile violence of human conflict and the abusive relationship that man has with nature. Princess Mononoke finds Miyazaki filled with a burning passion out to showcase the destructive nonchalance of human beings towards earth and themselves.</p>]]>
      </itunes:summary>
      <itunes:keywords>miyazaki, studio ghibli, princess mononoke, japan, animation, anime</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Children of Men: Displaying Hope in a World With No Children</title>
      <itunes:episode>34</itunes:episode>
      <podcast:episode>34</podcast:episode>
      <itunes:title>Children of Men: Displaying Hope in a World With No Children</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c012374f-b999-442b-8ba1-458f76a49574</guid>
      <link>https://share.transistor.fm/s/82853610</link>
      <description>
        <![CDATA[<p>On the thirty-fourth episode of the Cinematic Odyssey, Tristen and Max venture into Alfonso Cuarón‘s alternate future in one of Tristen‘s top films of all time: Children of Men. They discuss the biblical and religious meanings of the images and themes used, how the cinematography of the film makes it special, and even the shades of morality and how moral a police state can be. No arguments ensue but this is a film for the ages and both Tristen and Max say it’s well worth your time. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirty-fourth episode of the Cinematic Odyssey, Tristen and Max venture into Alfonso Cuarón‘s alternate future in one of Tristen‘s top films of all time: Children of Men. They discuss the biblical and religious meanings of the images and themes used, how the cinematography of the film makes it special, and even the shades of morality and how moral a police state can be. No arguments ensue but this is a film for the ages and both Tristen and Max say it’s well worth your time. </p>]]>
      </content:encoded>
      <pubDate>Wed, 02 Aug 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/82853610/2a84356b.mp3" length="88558682" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>5528</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the thirty-fourth episode of the Cinematic Odyssey, Tristen and Max venture into Alfonso Cuarón‘s alternate future in one of Tristen‘s top films of all time: Children of Men. They discuss the biblical and religious meanings of the images and themes used, how the cinematography of the film makes it special, and even the shades of morality and how moral a police state can be. No arguments ensue but this is a film for the ages and both Tristen and Max say it’s well worth your time. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, cuaron, sci-fi, dystopian, morality, immigration, pregnancy, bible</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Taste of Cherry: Iranian Morality on Mortality</title>
      <itunes:episode>33</itunes:episode>
      <podcast:episode>33</podcast:episode>
      <itunes:title>Taste of Cherry: Iranian Morality on Mortality</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f527d86f-64e1-4e46-86ca-bc27f2f7f086</guid>
      <link>https://share.transistor.fm/s/2229abfb</link>
      <description>
        <![CDATA[<p>On the thirty-third episode of the Cinematic Odyssey, Tristen and Max discuss where they’ve been the past month and where their travels have taken them. Neither, however, have been to Iran which is where Taste of Cherry is set. Max discusses what he missed from the film and Tristen attempts to instill meaning in the captivating philosophical drama. They discuss the virtues of life and living and also the moral weight of the given circumstances of the film. The film may move slow, but it opens an existential can of worms, allowing us to ponder what life is worth living. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirty-third episode of the Cinematic Odyssey, Tristen and Max discuss where they’ve been the past month and where their travels have taken them. Neither, however, have been to Iran which is where Taste of Cherry is set. Max discusses what he missed from the film and Tristen attempts to instill meaning in the captivating philosophical drama. They discuss the virtues of life and living and also the moral weight of the given circumstances of the film. The film may move slow, but it opens an existential can of worms, allowing us to ponder what life is worth living. </p>]]>
      </content:encoded>
      <pubDate>Wed, 26 Jul 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/2229abfb/ec158de6.mp3" length="70835945" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4421</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the thirty-third episode of the Cinematic Odyssey, Tristen and Max discuss where they’ve been the past month and where their travels have taken them. Neither, however, have been to Iran which is where Taste of Cherry is set. Max discusses what he missed from the film and Tristen attempts to instill meaning in the captivating philosophical drama. They discuss the virtues of life and living and also the moral weight of the given circumstances of the film. The film may move slow, but it opens an existential can of worms, allowing us to ponder what life is worth living. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, iran, cannes, mortality, morality</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>The History of the Seattle Mariners: Celebrating Individuals in the Pacific Northwest</title>
      <itunes:episode>32</itunes:episode>
      <podcast:episode>32</podcast:episode>
      <itunes:title>The History of the Seattle Mariners: Celebrating Individuals in the Pacific Northwest</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">83fbc761-e454-4f8a-8353-5d50924908d6</guid>
      <link>https://share.transistor.fm/s/bf49f889</link>
      <description>
        <![CDATA[<p>On the thirty-second episode of the Cinematic Odyssey, Tristen and Max dive into the six-part documentary series from Jon Bois and Alex Rubenstein on the history of baseball's Seattle Mariners. They both touch on their experience growing up with baseball and how the Seattle Mariners have never lived in the forefront of either of their pasts. Tristen discusses the importance of Seattle's geography as well as the themes of home, humility, and loyalty while Max delves into olde poetry to connect love of life to the identity of the Seattle Mariners, devoid of any major accomplishments. Tristen and Max both say that they never thought a team from obscurity could make them cry. It happens here. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirty-second episode of the Cinematic Odyssey, Tristen and Max dive into the six-part documentary series from Jon Bois and Alex Rubenstein on the history of baseball's Seattle Mariners. They both touch on their experience growing up with baseball and how the Seattle Mariners have never lived in the forefront of either of their pasts. Tristen discusses the importance of Seattle's geography as well as the themes of home, humility, and loyalty while Max delves into olde poetry to connect love of life to the identity of the Seattle Mariners, devoid of any major accomplishments. Tristen and Max both say that they never thought a team from obscurity could make them cry. It happens here. </p>]]>
      </content:encoded>
      <pubDate>Wed, 21 Jun 2023 07:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/bf49f889/28c1327b.mp3" length="82230807" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>5133</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the thirty-second episode of the Cinematic Odyssey, Tristen and Max dive into the six-part documentary series from Jon Bois and Alex Rubenstein on the history of baseball's Seattle Mariners. They both touch on their experience growing up with baseball and how the Seattle Mariners have never lived in the forefront of either of their pasts. Tristen discusses the importance of Seattle's geography as well as the themes of home, humility, and loyalty while Max delves into olde poetry to connect love of life to the identity of the Seattle Mariners, devoid of any major accomplishments. Tristen and Max both say that they never thought a team from obscurity could make them cry. It happens here. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, documentary, sports, seattle, mariners, baseball, mlb, jonbois</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Drive My Car: Japan's Chekhovian Guide to Authenticity and Coping</title>
      <itunes:episode>31</itunes:episode>
      <podcast:episode>31</podcast:episode>
      <itunes:title>Drive My Car: Japan's Chekhovian Guide to Authenticity and Coping</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">395ce31a-e75e-47ee-a6de-41ddb3f3dbf6</guid>
      <link>https://share.transistor.fm/s/e2eb80da</link>
      <description>
        <![CDATA[<p>On the thirty-first episode of the Cinematic Odyssey, Tristen and Max dive into one of the best international films of recent memory with Ryusuke Hamaguchi and Japan's <em>Drive My Car</em>. The two spend a lot of time poring over the deeply layered script and the double and triple meanings behind every word spoken, Max gives a rundown on Uncle Vanya and Russian theatre, and Tristen defends the inaction of the main character. While it may be a slow drama, it remains absolutely captivating and spellbinding, drawing audiences in deep and not letting go. The emotional punches are many and Tristen and Max try to break down how symbolic the text actually is. This film is highly recommended by both Tristen and Max. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirty-first episode of the Cinematic Odyssey, Tristen and Max dive into one of the best international films of recent memory with Ryusuke Hamaguchi and Japan's <em>Drive My Car</em>. The two spend a lot of time poring over the deeply layered script and the double and triple meanings behind every word spoken, Max gives a rundown on Uncle Vanya and Russian theatre, and Tristen defends the inaction of the main character. While it may be a slow drama, it remains absolutely captivating and spellbinding, drawing audiences in deep and not letting go. The emotional punches are many and Tristen and Max try to break down how symbolic the text actually is. This film is highly recommended by both Tristen and Max. </p>]]>
      </content:encoded>
      <pubDate>Wed, 14 Jun 2023 20:55:33 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/e2eb80da/df700bdf.mp3" length="78457034" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4897</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the thirty-first episode of the Cinematic Odyssey, Tristen and Max dive into one of the best international films of recent memory with Ryusuke Hamaguchi and Japan's <em>Drive My Car</em>. The two spend a lot of time poring over the deeply layered script and the double and triple meanings behind every word spoken, Max gives a rundown on Uncle Vanya and Russian theatre, and Tristen defends the inaction of the main character. While it may be a slow drama, it remains absolutely captivating and spellbinding, drawing audiences in deep and not letting go. The emotional punches are many and Tristen and Max try to break down how symbolic the text actually is. This film is highly recommended by both Tristen and Max. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, japan, foreign, chekhov, uncle vanya, realism, misery, grief, drama, saab</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Thief: Contracts, Jewels, and Labor Disputes Within Illicit Careers</title>
      <itunes:episode>30</itunes:episode>
      <podcast:episode>30</podcast:episode>
      <itunes:title>Thief: Contracts, Jewels, and Labor Disputes Within Illicit Careers</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">14c2ba2b-b589-409f-af23-7601f211da2f</guid>
      <link>https://share.transistor.fm/s/f8e0ab58</link>
      <description>
        <![CDATA[<p>On the thirtieth episode of the Cinematic Odyssey, Tristen and Max dive into Michael Mann's feature film debut Thief, written and directed (and executive produced) by Mann himself, starring James Caan. Max ventures into the moral ambiguity of the film and how the viewer can make a list of which bad deeds are worse than others, and Tristen discusses the captivating camerawork and seamless shots that create the robbery scenes and what it says about the work of a thief. Mixed feelings are exchanged between the two hosts, but it concludes with a very solid agreement that this film is the best that it can be, doing its best to root for the little guy to escape the crushing thumb of organized crime. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirtieth episode of the Cinematic Odyssey, Tristen and Max dive into Michael Mann's feature film debut Thief, written and directed (and executive produced) by Mann himself, starring James Caan. Max ventures into the moral ambiguity of the film and how the viewer can make a list of which bad deeds are worse than others, and Tristen discusses the captivating camerawork and seamless shots that create the robbery scenes and what it says about the work of a thief. Mixed feelings are exchanged between the two hosts, but it concludes with a very solid agreement that this film is the best that it can be, doing its best to root for the little guy to escape the crushing thumb of organized crime. </p>]]>
      </content:encoded>
      <pubDate>Wed, 07 Jun 2023 13:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/f8e0ab58/c889097f.mp3" length="76289499" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4762</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the thirtieth episode of the Cinematic Odyssey, Tristen and Max dive into Michael Mann's feature film debut Thief, written and directed (and executive produced) by Mann himself, starring James Caan. Max ventures into the moral ambiguity of the film and how the viewer can make a list of which bad deeds are worse than others, and Tristen discusses the captivating camerawork and seamless shots that create the robbery scenes and what it says about the work of a thief. Mixed feelings are exchanged between the two hosts, but it concludes with a very solid agreement that this film is the best that it can be, doing its best to root for the little guy to escape the crushing thumb of organized crime. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, drama, thief, mann, capitalism, mob, chicago, workers</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Soy Cuba: The Retrospective Propaganda Film of an Humanist Nature</title>
      <itunes:episode>29</itunes:episode>
      <podcast:episode>29</podcast:episode>
      <itunes:title>Soy Cuba: The Retrospective Propaganda Film of an Humanist Nature</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d821ea79-64bf-4217-a533-011ab5705aca</guid>
      <link>https://share.transistor.fm/s/c7855398</link>
      <description>
        <![CDATA[<p>On the twenty-ninth episode of the Cinematic Odyssey, Tristen and Max dive into Mikhail Kalatozov's nearly lost work Soy Cuba-- or I Am Cuba. Tristen and Max discuss the historical timeline in Cuba and why the film was made under the Castro regime, how the camera acts just as important as any of the others that we see on screen, and the delicate balance between national pride and nationalism. The beautiful poetry that ties each vignette of the film together lets both Tristen and Max reset and identify the feelings of another nation, one so close, and yet, so strange to our lives. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the twenty-ninth episode of the Cinematic Odyssey, Tristen and Max dive into Mikhail Kalatozov's nearly lost work Soy Cuba-- or I Am Cuba. Tristen and Max discuss the historical timeline in Cuba and why the film was made under the Castro regime, how the camera acts just as important as any of the others that we see on screen, and the delicate balance between national pride and nationalism. The beautiful poetry that ties each vignette of the film together lets both Tristen and Max reset and identify the feelings of another nation, one so close, and yet, so strange to our lives. </p>]]>
      </content:encoded>
      <pubDate>Wed, 31 May 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/c7855398/ac67b494.mp3" length="41658314" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4452</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the twenty-ninth episode of the Cinematic Odyssey, Tristen and Max dive into Mikhail Kalatozov's nearly lost work Soy Cuba-- or I Am Cuba. Tristen and Max discuss the historical timeline in Cuba and why the film was made under the Castro regime, how the camera acts just as important as any of the others that we see on screen, and the delicate balance between national pride and nationalism. The beautiful poetry that ties each vignette of the film together lets both Tristen and Max reset and identify the feelings of another nation, one so close, and yet, so strange to our lives. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, soviet, spanish, cuba, art, castro, communism, human, worker, intruder</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Gone Girl: Taking on Victimhood, Marriage, and Manipulation through Fraud</title>
      <itunes:episode>28</itunes:episode>
      <podcast:episode>28</podcast:episode>
      <itunes:title>Gone Girl: Taking on Victimhood, Marriage, and Manipulation through Fraud</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">bc18b4a2-4543-40b2-8173-e92de4250ccb</guid>
      <link>https://share.transistor.fm/s/5ed672bf</link>
      <description>
        <![CDATA[<p>On the twenty-eighth episode of the Cinematic Odyssey, Tristen and Max venture into the thriller realm with David Fincher and Gillian Flynn's captivating and engrossing <em>Gone Girl</em>. Both remain shocked at the amount of twists and turns, wondering how there possibly can be another layer added to the intensely twisted story. Max gets philosophical and poses questions about manipulation and who is the real victim of the story, while Tristen explores which character might be the worst in the film. All in all, just like the movie, we hope you can't turn away. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the twenty-eighth episode of the Cinematic Odyssey, Tristen and Max venture into the thriller realm with David Fincher and Gillian Flynn's captivating and engrossing <em>Gone Girl</em>. Both remain shocked at the amount of twists and turns, wondering how there possibly can be another layer added to the intensely twisted story. Max gets philosophical and poses questions about manipulation and who is the real victim of the story, while Tristen explores which character might be the worst in the film. All in all, just like the movie, we hope you can't turn away. </p>]]>
      </content:encoded>
      <pubDate>Wed, 24 May 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/5ed672bf/dc79b636.mp3" length="68157692" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4253</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the twenty-eighth episode of the Cinematic Odyssey, Tristen and Max venture into the thriller realm with David Fincher and Gillian Flynn's captivating and engrossing <em>Gone Girl</em>. Both remain shocked at the amount of twists and turns, wondering how there possibly can be another layer added to the intensely twisted story. Max gets philosophical and poses questions about manipulation and who is the real victim of the story, while Tristen explores which character might be the worst in the film. All in all, just like the movie, we hope you can't turn away. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, mystery, fincher, flynn, gone girl, thriller, affleck</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>2001: A Space Odyssey: Kubrick's Visually Stunning Artistic Masterpiece</title>
      <itunes:episode>27</itunes:episode>
      <podcast:episode>27</podcast:episode>
      <itunes:title>2001: A Space Odyssey: Kubrick's Visually Stunning Artistic Masterpiece</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e66a43cf-ddea-4dd0-a529-2bd9a306402a</guid>
      <link>https://share.transistor.fm/s/e22ece00</link>
      <description>
        <![CDATA[<p>On the twenty-seventh episode of the Cinematic Odyssey, Tristen and Max finally adventure beyond Earth's atmosphere for their first film of the great Stanley Kubrick. Tristen enjoys his rewatch and delivers his rendition of meaning to the cryptic and open-ended film, while Max remains surprised at the rating and amount of classical music all while being stunned by the breathtaking visual effects. Both Tristen and Max have similar views on the meaning of the piece, though one skews more optimistic than the other: you'll have to listen and watch to find out who's who!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the twenty-seventh episode of the Cinematic Odyssey, Tristen and Max finally adventure beyond Earth's atmosphere for their first film of the great Stanley Kubrick. Tristen enjoys his rewatch and delivers his rendition of meaning to the cryptic and open-ended film, while Max remains surprised at the rating and amount of classical music all while being stunned by the breathtaking visual effects. Both Tristen and Max have similar views on the meaning of the piece, though one skews more optimistic than the other: you'll have to listen and watch to find out who's who!</p>]]>
      </content:encoded>
      <pubDate>Wed, 10 May 2023 07:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/e22ece00/22329c76.mp3" length="77458061" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4738</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the twenty-seventh episode of the Cinematic Odyssey, Tristen and Max finally adventure beyond Earth's atmosphere for their first film of the great Stanley Kubrick. Tristen enjoys his rewatch and delivers his rendition of meaning to the cryptic and open-ended film, while Max remains surprised at the rating and amount of classical music all while being stunned by the breathtaking visual effects. Both Tristen and Max have similar views on the meaning of the piece, though one skews more optimistic than the other: you'll have to listen and watch to find out who's who!</p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, kubrick, art film, space, moon, monolith, ai, computers, hal</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>The Lobster: The Absurd Fable on Love, Struggles, and Sacrifice</title>
      <itunes:episode>26</itunes:episode>
      <podcast:episode>26</podcast:episode>
      <itunes:title>The Lobster: The Absurd Fable on Love, Struggles, and Sacrifice</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ad5c3395-3f02-43d4-b5d9-b7fffe441c04</guid>
      <link>https://share.transistor.fm/s/b189ae08</link>
      <description>
        <![CDATA[<p>On the 26th episode of The Cinematic Odyssey, Tristen and Max venture into Yorgos Lanthimos's 2015 darkly comic fable, The Lobster, and discuss, of all things, love. Both attempt to surmise meaning from the ambiguous ending and careful character development of Colin Farrell's lead role, and reflect on the archetypes of characters rather than using names. The highlight of the episode includes a Eureka! moment from Tristen for a change, breaking through to understand the true meaning of why this is a romantic comedy and how we can love in our lives. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the 26th episode of The Cinematic Odyssey, Tristen and Max venture into Yorgos Lanthimos's 2015 darkly comic fable, The Lobster, and discuss, of all things, love. Both attempt to surmise meaning from the ambiguous ending and careful character development of Colin Farrell's lead role, and reflect on the archetypes of characters rather than using names. The highlight of the episode includes a Eureka! moment from Tristen for a change, breaking through to understand the true meaning of why this is a romantic comedy and how we can love in our lives. </p>]]>
      </content:encoded>
      <pubDate>Wed, 19 Apr 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/b189ae08/d97cd17b.mp3" length="64956023" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>4053</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the 26th episode of The Cinematic Odyssey, Tristen and Max venture into Yorgos Lanthimos's 2015 darkly comic fable, The Lobster, and discuss, of all things, love. Both attempt to surmise meaning from the ambiguous ending and careful character development of Colin Farrell's lead role, and reflect on the archetypes of characters rather than using names. The highlight of the episode includes a Eureka! moment from Tristen for a change, breaking through to understand the true meaning of why this is a romantic comedy and how we can love in our lives. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, lobster, yorgos lanthimos, colin farrell, fable, absurd, romantic comedy</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Fallen Angels: Searching for Love in Isolation and Misunderstanding </title>
      <itunes:episode>25</itunes:episode>
      <podcast:episode>25</podcast:episode>
      <itunes:title>Fallen Angels: Searching for Love in Isolation and Misunderstanding </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c09c0012-25e3-412e-ac5d-63a3e3fc3583</guid>
      <link>https://share.transistor.fm/s/35023736</link>
      <description>
        <![CDATA[<p>On the 25th episode of The Cinematic Odyssey Max and Tristen talk about the well beloved film Fallen Angels from Hong Kong second wave filmmaker Wong Kar-wai. Fallen Angels was a film born out of secondary ideas from Kar-wai's previous film Chungking Express. While Fallen Angels shares the same visual identity as the last, this film explores isolation, love, and melancholy in dark, gritty, neon-lit alleyways, streets, and apartments. We talk in detail about Wong's distinct and instantly recognizable visual aesthetic and how he incorporates visual motifs to enhance a theme, tone, or mood. Wong Kar-wai is a master of the art form and Fallen Angels is one of his finest pictures in his legendary filmography. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the 25th episode of The Cinematic Odyssey Max and Tristen talk about the well beloved film Fallen Angels from Hong Kong second wave filmmaker Wong Kar-wai. Fallen Angels was a film born out of secondary ideas from Kar-wai's previous film Chungking Express. While Fallen Angels shares the same visual identity as the last, this film explores isolation, love, and melancholy in dark, gritty, neon-lit alleyways, streets, and apartments. We talk in detail about Wong's distinct and instantly recognizable visual aesthetic and how he incorporates visual motifs to enhance a theme, tone, or mood. Wong Kar-wai is a master of the art form and Fallen Angels is one of his finest pictures in his legendary filmography. </p>]]>
      </content:encoded>
      <pubDate>Wed, 12 Apr 2023 08:00:00 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/35023736/11d3f22a.mp3" length="50230203" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/hptGuAqy920rIohrzwOjtBmDn-7C0xjrQC4agWOYY28/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEyNzkxMTIv/MTY4MTI1MjAxMy1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4049</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the 25th episode of The Cinematic Odyssey Max and Tristen talk about the well beloved film Fallen Angels from Hong Kong second wave filmmaker Wong Kar-wai. Fallen Angels was a film born out of secondary ideas from Kar-wai's previous film Chungking Express. While Fallen Angels shares the same visual identity as the last, this film explores isolation, love, and melancholy in dark, gritty, neon-lit alleyways, streets, and apartments. We talk in detail about Wong's distinct and instantly recognizable visual aesthetic and how he incorporates visual motifs to enhance a theme, tone, or mood. Wong Kar-wai is a master of the art form and Fallen Angels is one of his finest pictures in his legendary filmography. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, hong kong, wong kar-wai, drama, narration</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Fanny and Alexander: Fate, Family, and Finding Solace in Suffering </title>
      <itunes:episode>24</itunes:episode>
      <podcast:episode>24</podcast:episode>
      <itunes:title>Fanny and Alexander: Fate, Family, and Finding Solace in Suffering </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7d9619a8-96e6-4f57-99af-a5ab0be28ffc</guid>
      <link>https://share.transistor.fm/s/7bf69403</link>
      <description>
        <![CDATA[<p>In the 24th episode of The Cinematic Odyssey Max and Tristen discuss the classic and timeless Fanny and Alexander from one of cinemas greatest filmmakers, Ingmar Bergman. On the episode Max and Tristen go back and forth with hot takes about the Christmas film "genre", the choices Bergman made, and the dark themes of the film. It gets heated as Tristen vehemently defends the genius of Ingmar Bergman while Max attempts to tear it down. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the 24th episode of The Cinematic Odyssey Max and Tristen discuss the classic and timeless Fanny and Alexander from one of cinemas greatest filmmakers, Ingmar Bergman. On the episode Max and Tristen go back and forth with hot takes about the Christmas film "genre", the choices Bergman made, and the dark themes of the film. It gets heated as Tristen vehemently defends the genius of Ingmar Bergman while Max attempts to tear it down. </p>]]>
      </content:encoded>
      <pubDate>Wed, 05 Apr 2023 14:32:39 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/7bf69403/39ff98a6.mp3" length="64281856" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/48z21Hl2FyRBJ4W4_TyTBmeXVgScrYmyxrZoLqpFB6I/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEyNzcwNTEv/MTY4MDcxOTU1OS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4011</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the 24th episode of The Cinematic Odyssey Max and Tristen discuss the classic and timeless Fanny and Alexander from one of cinemas greatest filmmakers, Ingmar Bergman. On the episode Max and Tristen go back and forth with hot takes about the Christmas film "genre", the choices Bergman made, and the dark themes of the film. It gets heated as Tristen vehemently defends the genius of Ingmar Bergman while Max attempts to tear it down. </p>]]>
      </itunes:summary>
      <itunes:keywords>fanny and alexander, ingmar bergman, cinema, movie, film, sweeden, neil breen, fateful findings</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Assassination of Jesse James by the Coward Robert Ford: A Mythological Fascination of the Wild West</title>
      <itunes:episode>23</itunes:episode>
      <podcast:episode>23</podcast:episode>
      <itunes:title>The Assassination of Jesse James by the Coward Robert Ford: A Mythological Fascination of the Wild West</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5f8b3be0-341c-4cbb-949c-9bf290f5c813</guid>
      <link>https://share.transistor.fm/s/7d12c990</link>
      <description>
        <![CDATA[<p>On the 23rd episode of The Cinematic Odyssey Max and Tristen discuss a western period piece that has flown under the radar since its release in 2007. Considering it came out in the same year as No Country For Old Men and There Will Be Blood, The Assassination of Jesse James by the Coward Robert Ford hasn't been privileged to receive the same acclaim and coverage as the other two films. However, Tristen thinks that this film rightfully deserves to be in the conversation with those other two films and Max thinks otherwise. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the 23rd episode of The Cinematic Odyssey Max and Tristen discuss a western period piece that has flown under the radar since its release in 2007. Considering it came out in the same year as No Country For Old Men and There Will Be Blood, The Assassination of Jesse James by the Coward Robert Ford hasn't been privileged to receive the same acclaim and coverage as the other two films. However, Tristen thinks that this film rightfully deserves to be in the conversation with those other two films and Max thinks otherwise. </p>]]>
      </content:encoded>
      <pubDate>Wed, 29 Mar 2023 17:52:26 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/7d12c990/7cc0cc89.mp3" length="63348963" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/zwTY4tjwKihV81ZEqp6IcQDOgbllB2Ha6eUs4FFgYLE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEyNjkzMjkv/MTY4MDEyNjc0Ni1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3958</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the 23rd episode of The Cinematic Odyssey Max and Tristen discuss a western period piece that has flown under the radar since its release in 2007. Considering it came out in the same year as No Country For Old Men and There Will Be Blood, The Assassination of Jesse James by the Coward Robert Ford hasn't been privileged to receive the same acclaim and coverage as the other two films. However, Tristen thinks that this film rightfully deserves to be in the conversation with those other two films and Max thinks otherwise. </p>]]>
      </itunes:summary>
      <itunes:keywords>brad pitt, casey affleck, the assassination of jesse james by the coward robert ford, jesse james, robert ford, andrew dominik, film, cinema, movie</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Everything Everywhere All At Once: A Captivating Look at Nihilism and Life through the Absurd</title>
      <itunes:episode>22</itunes:episode>
      <podcast:episode>22</podcast:episode>
      <itunes:title>Everything Everywhere All At Once: A Captivating Look at Nihilism and Life through the Absurd</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">068715c0-de98-4884-a40c-aab039a5516e</guid>
      <link>https://share.transistor.fm/s/9e2890df</link>
      <description>
        <![CDATA[<p>On the 22nd episode of the Cinematic Odyssey, Tristen and Max revisit the newly crowned Best Picture from the Daniels, Everything Everywhere All At Once, a sweeping, captivating, and absurd film that has captured the nation's attention. Tristen discusses the role that personal preference plays in viewing this film, Max rants on about philosophy and his favorite Frenchman Albert Camus, and they both come together to appreciate the good that this film has to offer. Max even pulls out how to live a better life and they both discuss the role of representation in making this film a smash success. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the 22nd episode of the Cinematic Odyssey, Tristen and Max revisit the newly crowned Best Picture from the Daniels, Everything Everywhere All At Once, a sweeping, captivating, and absurd film that has captured the nation's attention. Tristen discusses the role that personal preference plays in viewing this film, Max rants on about philosophy and his favorite Frenchman Albert Camus, and they both come together to appreciate the good that this film has to offer. Max even pulls out how to live a better life and they both discuss the role of representation in making this film a smash success. </p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Mar 2023 16:42:48 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/9e2890df/e0e0b1b4.mp3" length="75132369" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/EmrSt5vtqPDYaF0glrZbklGIbMjFTRy4l8_pmgelzyc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEyNTIxMDMv/MTY3OTA4NTY2Ni1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4693</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the 22nd episode of the Cinematic Odyssey, Tristen and Max revisit the newly crowned Best Picture from the Daniels, Everything Everywhere All At Once, a sweeping, captivating, and absurd film that has captured the nation's attention. Tristen discusses the role that personal preference plays in viewing this film, Max rants on about philosophy and his favorite Frenchman Albert Camus, and they both come together to appreciate the good that this film has to offer. Max even pulls out how to live a better life and they both discuss the role of representation in making this film a smash success. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, oscar, best picture, asian, camus, absurd, nihilist, bagel, eeaao</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>The 95th Oscars: Our Picks, Predictions, and Tristen Roasting the Academy Voters </title>
      <itunes:episode>21</itunes:episode>
      <podcast:episode>21</podcast:episode>
      <itunes:title>The 95th Oscars: Our Picks, Predictions, and Tristen Roasting the Academy Voters </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">b20d3b0b-9aed-4757-bc0f-6a881534d9fb</guid>
      <link>https://share.transistor.fm/s/c02b882f</link>
      <description>
        <![CDATA[<p>In the 21st episode of The Cinematic Odyssey Max and Tristen go over their picks and predictions for this years Oscars ceremony. They go over every single category and talk about snubs and films that were nominated this year. Who is deserving and who isn't of that illustrious golden trophy? </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the 21st episode of The Cinematic Odyssey Max and Tristen go over their picks and predictions for this years Oscars ceremony. They go over every single category and talk about snubs and films that were nominated this year. Who is deserving and who isn't of that illustrious golden trophy? </p>]]>
      </content:encoded>
      <pubDate>Mon, 06 Mar 2023 08:30:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/c02b882f/26ec506f.mp3" length="80277506" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/OR4LojWyLA3dOLO6Qxd7_ocJ9FWz_mqjy-tZ541S49w/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEyMzQwNDUv/MTY3ODA2NjU2Ny1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>6802</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the 21st episode of The Cinematic Odyssey Max and Tristen go over their picks and predictions for this years Oscars ceremony. They go over every single category and talk about snubs and films that were nominated this year. Who is deserving and who isn't of that illustrious golden trophy? </p>]]>
      </itunes:summary>
      <itunes:keywords>oscars, film, cinema, movie, a24, everything everywhere all at once, nope, TÁR, banshees of inisherin, the fablemans, elvis, </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Magnolia: The San Fernando Valley Miracle of 1999 and The Genius of Paul Thomas Anderson </title>
      <itunes:episode>20</itunes:episode>
      <podcast:episode>20</podcast:episode>
      <itunes:title>Magnolia: The San Fernando Valley Miracle of 1999 and The Genius of Paul Thomas Anderson </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">23300eb9-25bb-40e2-b6b9-2e0f632bd679</guid>
      <link>https://share.transistor.fm/s/7ad308de</link>
      <description>
        <![CDATA[<p>On the 20th episode of The Cinematic Odyssey, Tristen, Max, and special guest Declan discuss the operatic and grand anthology film, Magnolia, from the living genius Paul Thomas Anderson. In his third feature length film of his career, Paul Thomas Anderson, achieves an artistic feat seldom filmmakers have eclipsed, let alone attempted, and that is creating a grand and epic story encompassing 9 different main characters and tying in each of their own separate experiences into a unifying theme. And not only that but executing that vision with immense confidence, bravado, grace, and style. PTA's 1999 opus still stands tall as one of his best films in his filmography among a catalogue that is one of the greatest the art form has ever seen. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the 20th episode of The Cinematic Odyssey, Tristen, Max, and special guest Declan discuss the operatic and grand anthology film, Magnolia, from the living genius Paul Thomas Anderson. In his third feature length film of his career, Paul Thomas Anderson, achieves an artistic feat seldom filmmakers have eclipsed, let alone attempted, and that is creating a grand and epic story encompassing 9 different main characters and tying in each of their own separate experiences into a unifying theme. And not only that but executing that vision with immense confidence, bravado, grace, and style. PTA's 1999 opus still stands tall as one of his best films in his filmography among a catalogue that is one of the greatest the art form has ever seen. </p>]]>
      </content:encoded>
      <pubDate>Wed, 01 Mar 2023 08:30:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/7ad308de/66d61f23.mp3" length="46615488" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/-izctPlukOGsfFJ8fvJblnMV3jmY9zVQ3vrTv7WAOrg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEyMjEyNTEv/MTY3NzYzMjU4NC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3994</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the 20th episode of The Cinematic Odyssey, Tristen, Max, and special guest Declan discuss the operatic and grand anthology film, Magnolia, from the living genius Paul Thomas Anderson. In his third feature length film of his career, Paul Thomas Anderson, achieves an artistic feat seldom filmmakers have eclipsed, let alone attempted, and that is creating a grand and epic story encompassing 9 different main characters and tying in each of their own separate experiences into a unifying theme. And not only that but executing that vision with immense confidence, bravado, grace, and style. PTA's 1999 opus still stands tall as one of his best films in his filmography among a catalogue that is one of the greatest the art form has ever seen. </p>]]>
      </itunes:summary>
      <itunes:keywords>Paul Thomas Anderson, Magnolia, Film, Cinema</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Moonlight: A Colorful Tale of Maturation, Growth, and Masculinity</title>
      <itunes:episode>19</itunes:episode>
      <podcast:episode>19</podcast:episode>
      <itunes:title>Moonlight: A Colorful Tale of Maturation, Growth, and Masculinity</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">25b65139-4774-4069-ad80-e8f38ebc9650</guid>
      <link>https://share.transistor.fm/s/e0f705ca</link>
      <description>
        <![CDATA[<p>On the nineteenth episode of the Cinematic Odyssey, Tristen and Max take a look at Barry Jenkins' Best Picture winner, and a film that absolutely deserved the award, Moonlight. Max is more on his game and swears he had his eyes on the wardrobe, Tristen chimes in about the depiction of the cycle of poverty, and they both discuss the use of literal and mood color and its impact on the film. They also mention the universal nature of the film despite how it may look, and Max gets to rant about his favorite Broadway musical in the process. Max says this will be a top 5 movie for him at the end of the year. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the nineteenth episode of the Cinematic Odyssey, Tristen and Max take a look at Barry Jenkins' Best Picture winner, and a film that absolutely deserved the award, Moonlight. Max is more on his game and swears he had his eyes on the wardrobe, Tristen chimes in about the depiction of the cycle of poverty, and they both discuss the use of literal and mood color and its impact on the film. They also mention the universal nature of the film despite how it may look, and Max gets to rant about his favorite Broadway musical in the process. Max says this will be a top 5 movie for him at the end of the year. </p>]]>
      </content:encoded>
      <pubDate>Wed, 22 Feb 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/e0f705ca/4f35eda7.mp3" length="45515034" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:duration>3886</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the nineteenth episode of the Cinematic Odyssey, Tristen and Max take a look at Barry Jenkins' Best Picture winner, and a film that absolutely deserved the award, Moonlight. Max is more on his game and swears he had his eyes on the wardrobe, Tristen chimes in about the depiction of the cycle of poverty, and they both discuss the use of literal and mood color and its impact on the film. They also mention the universal nature of the film despite how it may look, and Max gets to rant about his favorite Broadway musical in the process. Max says this will be a top 5 movie for him at the end of the year. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, black, oscar, moonlight, gay, coming of age</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Decision To Leave: Park Chan-wook's Film on Forbidden Love and Obsession</title>
      <itunes:episode>17</itunes:episode>
      <podcast:episode>17</podcast:episode>
      <itunes:title>Decision To Leave: Park Chan-wook's Film on Forbidden Love and Obsession</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">11a83d3b-2889-4301-9198-3f0272ed753d</guid>
      <link>https://share.transistor.fm/s/c613a086</link>
      <description>
        <![CDATA[<p>On the seventeenth episode of the Cinematic Odyssey, Tristen and Max dive into the cinematographic wonder of South Korea's Decision to Leave. Tristen marvels at the intricate story and Max compares the dedication of each shot to the inner workings of every character. The story surrounds a simple What if?; What if a police officer fell in love with a suspect? Less mystery and more relationship drama, Tristen and Max remain astounded as to the fantastic craftsmanship of the film and how it has fallen out of the public eye. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the seventeenth episode of the Cinematic Odyssey, Tristen and Max dive into the cinematographic wonder of South Korea's Decision to Leave. Tristen marvels at the intricate story and Max compares the dedication of each shot to the inner workings of every character. The story surrounds a simple What if?; What if a police officer fell in love with a suspect? Less mystery and more relationship drama, Tristen and Max remain astounded as to the fantastic craftsmanship of the film and how it has fallen out of the public eye. </p>]]>
      </content:encoded>
      <pubDate>Wed, 08 Feb 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/c613a086/71ded87f.mp3" length="41149432" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/lms1A2jaIbV_0-NtZKVuvBVee1-1ztNDZc_cmBjf7J8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExODk4MjYv/MTY3NTg3NjI2OC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3814</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the seventeenth episode of the Cinematic Odyssey, Tristen and Max dive into the cinematographic wonder of South Korea's Decision to Leave. Tristen marvels at the intricate story and Max compares the dedication of each shot to the inner workings of every character. The story surrounds a simple What if?; What if a police officer fell in love with a suspect? Less mystery and more relationship drama, Tristen and Max remain astounded as to the fantastic craftsmanship of the film and how it has fallen out of the public eye. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, mystery, foreign, korean, romance</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Aftersun: A Sentimental Retrospective on Depression Through Memory, Family, and Home Video</title>
      <itunes:episode>18</itunes:episode>
      <podcast:episode>18</podcast:episode>
      <itunes:title>Aftersun: A Sentimental Retrospective on Depression Through Memory, Family, and Home Video</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7482a75f-53fc-49c8-aa52-9fe040888cfc</guid>
      <link>https://share.transistor.fm/s/8fd57908</link>
      <description>
        <![CDATA[<p>On the eighteenth episode of the Cinematic Odyssey, Tristen and Max venture into Charlotte Wells' feature film directorial debut, Aftersun. Tristen comments on the excellent narrative structure of the story and Max pulls prime cinematographic analysis from underneath his analysis hat. Max also experiences a grand series of Eureka! moments during the episode, meaning the fun of the film comes from putting the pieces together after the fact: a major theme of the work as well. This is one of Tristen's top movies released in 2022. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the eighteenth episode of the Cinematic Odyssey, Tristen and Max venture into Charlotte Wells' feature film directorial debut, Aftersun. Tristen comments on the excellent narrative structure of the story and Max pulls prime cinematographic analysis from underneath his analysis hat. Max also experiences a grand series of Eureka! moments during the episode, meaning the fun of the film comes from putting the pieces together after the fact: a major theme of the work as well. This is one of Tristen's top movies released in 2022. </p>]]>
      </content:encoded>
      <pubDate>Wed, 08 Feb 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/8fd57908/07b26a96.mp3" length="49712773" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/6v9kuFsymIsvcucrsRLhayMEr8FxsQJt3JzVNnu5t6E/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExOTk0NDUv/MTY3NjQ0NDQ4NC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3879</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On the eighteenth episode of the Cinematic Odyssey, Tristen and Max venture into Charlotte Wells' feature film directorial debut, Aftersun. Tristen comments on the excellent narrative structure of the story and Max pulls prime cinematographic analysis from underneath his analysis hat. Max also experiences a grand series of Eureka! moments during the episode, meaning the fun of the film comes from putting the pieces together after the fact: a major theme of the work as well. This is one of Tristen's top movies released in 2022. </p>]]>
      </itunes:summary>
      <itunes:keywords>film, cinema, movie, depression, family, nostalgia, home video, coming of age</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Yi Yi: The Meditative Nature of Life </title>
      <itunes:episode>16</itunes:episode>
      <podcast:episode>16</podcast:episode>
      <itunes:title>Yi Yi: The Meditative Nature of Life </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">88cc082e-ebc7-4f26-b21f-39a5a778987e</guid>
      <link>https://share.transistor.fm/s/fabfca4a</link>
      <description>
        <![CDATA[<p>On the sixteenth episode of The Cinematic Odyssey Max and Tristen discuss one of Tristen's all time favorite films, Yi Yi. The swansong masterpiece from the late and great Edward Yang, a pioneer of the Taiwanese new wave and the slow cinema movement. His final film is a beautiful, moving, patient portrait of life, showcasing the mundanities of life with utter grace, care, and confidence. We go into the details of how Yang pulled it off and the importance of art and how it plays a role in our lives. Tristen considers Yi Yi to be one of the greatest films he's seen in his life and is a top 10 all time favorite. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixteenth episode of The Cinematic Odyssey Max and Tristen discuss one of Tristen's all time favorite films, Yi Yi. The swansong masterpiece from the late and great Edward Yang, a pioneer of the Taiwanese new wave and the slow cinema movement. His final film is a beautiful, moving, patient portrait of life, showcasing the mundanities of life with utter grace, care, and confidence. We go into the details of how Yang pulled it off and the importance of art and how it plays a role in our lives. Tristen considers Yi Yi to be one of the greatest films he's seen in his life and is a top 10 all time favorite. </p>]]>
      </content:encoded>
      <pubDate>Wed, 01 Feb 2023 08:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/fabfca4a/7f936cfa.mp3" length="49940326" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/sRGvQXD12Le0oLOeZ0j1Ga-X07C5ZTnDFqqMpggutZc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExODAxOTEv/MTY3NTE5NjI0MS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4172</itunes:duration>
      <itunes:summary>On the sixteenth episode of The Cinematic Odyssey Max and Tristen discuss one of Tristen's all time favorite films, Yi Yi. The swansong masterpiece from the late and great Edward Yang, a pioneer of the Taiwanese new wave and the slow cinema movement. His final film is a beautiful, moving, patient portrait of life, showcasing the mundanities of life with utter grace, care, and confidence. We go into the details of how Yang pulled it off and the importance of art and how it plays a role in our lives. Tristen considers Yi Yi to be one of the greatest films he's seen in his life and is a top 10 all time favorite. </itunes:summary>
      <itunes:subtitle>On the sixteenth episode of The Cinematic Odyssey Max and Tristen discuss one of Tristen's all time favorite films, Yi Yi. The swansong masterpiece from the late and great Edward Yang, a pioneer of the Taiwanese new wave and the slow cinema movement. His </itunes:subtitle>
      <itunes:keywords>film, cinema, edward yang, yi yi</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Prisoners: A Suspenseful Study on Grief, Parenting, and Coping</title>
      <itunes:episode>15</itunes:episode>
      <podcast:episode>15</podcast:episode>
      <itunes:title>Prisoners: A Suspenseful Study on Grief, Parenting, and Coping</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">677ac5cf-cfe6-4f18-ac3f-dadfb34fce31</guid>
      <link>https://share.transistor.fm/s/14f85c30</link>
      <description>
        <![CDATA[<p>On the fifteenth episode of the Cinematic Odyssey, Tristen and Max take a long look at Denis Villeneuve's complex mystery surrounding what a father would do for his child. Tristen remarks on the remarkable storytelling and power in every shot and Max examines the acting performances of Hugh Jackman and Paul Dano as well as having the biggest 'Eureka' moment in podcast history so far. They concede that the film is fun for the mystery lover and disturbing for those entertaining moral character, but a compelling film that is a good watch when all is said and done. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifteenth episode of the Cinematic Odyssey, Tristen and Max take a long look at Denis Villeneuve's complex mystery surrounding what a father would do for his child. Tristen remarks on the remarkable storytelling and power in every shot and Max examines the acting performances of Hugh Jackman and Paul Dano as well as having the biggest 'Eureka' moment in podcast history so far. They concede that the film is fun for the mystery lover and disturbing for those entertaining moral character, but a compelling film that is a good watch when all is said and done. </p>]]>
      </content:encoded>
      <pubDate>Wed, 25 Jan 2023 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/14f85c30/2f86c5d6.mp3" length="59052626" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/wJ0WeEWZgvWvNNIXDmLREnY2s8SoR6s5lzYWr8-_G9Y/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExNzIwNjQv/MTY3NDM0Mjc2MS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4308</itunes:duration>
      <itunes:summary>On the fifteenth episode of the Cinematic Odyssey, Tristen and Max take a long look at Denis Villeneuve's complex mystery surrounding what a father would do for his child. Tristen remarks on the remarkable storytelling and power in every shot and Max examines the acting performances of Hugh Jackman and Paul Dano as well as having the biggest 'Eureka' moment in podcast history so far. They concede that the film is fun for the mystery lover and disturbing for those entertaining moral character, but a compelling film that is a good watch when all is said and done. </itunes:summary>
      <itunes:subtitle>On the fifteenth episode of the Cinematic Odyssey, Tristen and Max take a long look at Denis Villeneuve's complex mystery surrounding what a father would do for his child. Tristen remarks on the remarkable storytelling and power in every shot and Max exam</itunes:subtitle>
      <itunes:keywords>film, movie, cinema, thriller, suspense, mystery, crime</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>RRR: An Outrageous Lampooning Spectacle about Revolution and Brotherhood</title>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>RRR: An Outrageous Lampooning Spectacle about Revolution and Brotherhood</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">8c33dc64-b74d-4828-a45f-831ce9e255d6</guid>
      <link>https://share.transistor.fm/s/735f1130</link>
      <description>
        <![CDATA[<p>On the fourteenth episode of the Cinematic Odyssey, Tristen and Max discuss the most intense, crazy, and lampooning film either has every seen with S. S. Rajamouli's RRR. Max remarks on the stunt performances and intricacies, Tristen frowns on Netflix's linguistic options, and both provide feedback on the debate between national pride versus nationalism. They discuss why these protagonists are "the most powerful men Max has ever seen" and how this relates to the entire point of the film. Both strongly believe that this film should be watched by everyone and, more importantly, think that anyone can enjoy this movie. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fourteenth episode of the Cinematic Odyssey, Tristen and Max discuss the most intense, crazy, and lampooning film either has every seen with S. S. Rajamouli's RRR. Max remarks on the stunt performances and intricacies, Tristen frowns on Netflix's linguistic options, and both provide feedback on the debate between national pride versus nationalism. They discuss why these protagonists are "the most powerful men Max has ever seen" and how this relates to the entire point of the film. Both strongly believe that this film should be watched by everyone and, more importantly, think that anyone can enjoy this movie. </p>]]>
      </content:encoded>
      <pubDate>Sat, 21 Jan 2023 17:47:46 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/735f1130/89497dbd.mp3" length="56965927" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/zuTnfCsBAjA56TfFer6Yv_oMjWPt1RBZCRD_4Hp6CDs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExNzIwNjMv/MTY3NDM0MTgzOS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4102</itunes:duration>
      <itunes:summary>On the fourteenth episode of the Cinematic Odyssey, Tristen and Max discuss the most intense, crazy, and lampooning film either has every seen with S. S. Rajamouli's RRR. Max remarks on the stunt performances and intricacies, Tristen frowns on Netflix's linguistic options, and both provide feedback on the debate between national pride versus nationalism. They discuss why these protagonists are "the most powerful men Max has ever seen" and how this relates to the entire point of the film. Both strongly believe that this film should be watched by everyone and, more importantly, think that anyone can enjoy this movie. </itunes:summary>
      <itunes:subtitle>On the fourteenth episode of the Cinematic Odyssey, Tristen and Max discuss the most intense, crazy, and lampooning film either has every seen with S. S. Rajamouli's RRR. Max remarks on the stunt performances and intricacies, Tristen frowns on Netflix's l</itunes:subtitle>
      <itunes:keywords>film, cinema, movie, foreign, india, stunt</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>CODA: A Story of Togetherness, Understanding, and Appreciation in Sound</title>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>CODA: A Story of Togetherness, Understanding, and Appreciation in Sound</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6523c8a6-3ee5-4002-9f64-5348389c326d</guid>
      <link>https://share.transistor.fm/s/b6104ba5</link>
      <description>
        <![CDATA[<p>On the thirteenth episode of the Cinematic Odyssey, Tristen and Max delve into Max's number one film from the previous year. Max comes to terms with his analysis hat, Tristen is the most animated that he's ever been on this show, and debate sparks over what story they rather would have consumed. We discuss the complex characters contained within the film and why there appears to never be any resolution to the problems that are faced in the story. The conversation in this episode is the liveliest its ever been; a great way to start 2023!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the thirteenth episode of the Cinematic Odyssey, Tristen and Max delve into Max's number one film from the previous year. Max comes to terms with his analysis hat, Tristen is the most animated that he's ever been on this show, and debate sparks over what story they rather would have consumed. We discuss the complex characters contained within the film and why there appears to never be any resolution to the problems that are faced in the story. The conversation in this episode is the liveliest its ever been; a great way to start 2023!</p>]]>
      </content:encoded>
      <pubDate>Fri, 13 Jan 2023 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/b6104ba5/728125f6.mp3" length="63234647" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/F4NNKleUiqu49jK9qpyJv8vYrKITUafqLQ7ZTKMQbX8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExNjYwNjgv/MTY3NDM0MTg2Mi1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4416</itunes:duration>
      <itunes:summary>On the thirteenth episode of the Cinematic Odyssey, Tristen and Max delve into Max's number one film from the previous year. Max comes to terms with his analysis hat, Tristen is the most animated that he's ever been on this show, and debate sparks over what story they rather would have consumed. We discuss the complex characters contained within the film and why there appears to never be any resolution to the problems that are faced in the story. The conversation in this episode is the liveliest its ever been; a great way to start 2023!</itunes:summary>
      <itunes:subtitle>On the thirteenth episode of the Cinematic Odyssey, Tristen and Max delve into Max's number one film from the previous year. Max comes to terms with his analysis hat, Tristen is the most animated that he's ever been on this show, and debate sparks over wh</itunes:subtitle>
      <itunes:keywords>film, movie, cinema, oscar, music, deaf</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Our Cinematic Odysseys: The Best and Worst of Film in 2022</title>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Our Cinematic Odysseys: The Best and Worst of Film in 2022</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">63a19d99-59e6-48b5-81fa-e4a253f1caf9</guid>
      <link>https://share.transistor.fm/s/fd1fc2f3</link>
      <description>
        <![CDATA[<p>On the twelfth episode of the Cinematic Odyssey, Tristen and Max delve into the tops and bottoms of cinema in 2022. Max presents his bottom five and top fifteen films that he saw for the first time in the year 2022, inviting controversy and Tristen's disappointment along with it. Tristen lists the films he saw for the first time this year that he rates at five stars, not ranking, but commending excellence in film. It sparks an interesting debate on ranking films based on personal preference versus using a critical lens. You can decide on which side to take, though there never is a right answer. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the twelfth episode of the Cinematic Odyssey, Tristen and Max delve into the tops and bottoms of cinema in 2022. Max presents his bottom five and top fifteen films that he saw for the first time in the year 2022, inviting controversy and Tristen's disappointment along with it. Tristen lists the films he saw for the first time this year that he rates at five stars, not ranking, but commending excellence in film. It sparks an interesting debate on ranking films based on personal preference versus using a critical lens. You can decide on which side to take, though there never is a right answer. </p>]]>
      </content:encoded>
      <pubDate>Fri, 06 Jan 2023 17:31:08 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/fd1fc2f3/98dde007.mp3" length="92592362" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/PMynTHoU_KxbJCukp7UBHLEUU4VTisFDUqP0THiys5Q/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExNTg3NTgv/MTY3NDM0MTg4NS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>5780</itunes:duration>
      <itunes:summary>On the twelfth episode of the Cinematic Odyssey, Tristen and Max delve into the tops and bottoms of cinema in 2022. Max presents his bottom five and top fifteen films that he saw for the first time in the year 2022, inviting controversy and Tristen's disappointment along with it. Tristen lists the films he saw for the first time this year that he rates at five stars, not ranking, but commending excellence in film. It sparks an interesting debate on ranking films based on personal preference versus using a critical lens. You can decide on which side to take, though there never is a right answer. </itunes:summary>
      <itunes:subtitle>On the twelfth episode of the Cinematic Odyssey, Tristen and Max delve into the tops and bottoms of cinema in 2022. Max presents his bottom five and top fifteen films that he saw for the first time in the year 2022, inviting controversy and Tristen's disa</itunes:subtitle>
      <itunes:keywords>film, cinema, movies, list, oscar</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Christmas Films: The Good, The Bad, and The Frosty</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Christmas Films: The Good, The Bad, and The Frosty</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">3f90d79c-1433-4713-b282-521746612e4c</guid>
      <link>https://share.transistor.fm/s/116ebe58</link>
      <description>
        <![CDATA[<p>On the eleventh episode of the Cinematic Odyssey Tristen, Max, and special guest Mackenzie discuss their unique and nostalgic memories of Christmas movies both old and new. Mackenzie and Max provide their top five Christmas movies of all time and debate the difference between a Christmas movie and a holiday movie. Tristen educates about Ingmar Bergman and Stanley Kubrick and their Christmas movies that may or may not technically count and Max articulates in no uncertain terms what he views as the worst Christmas movie in existence. A fun, lighthearted, and sometimes contentious discussion over the films that bring people together this holiday season. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the eleventh episode of the Cinematic Odyssey Tristen, Max, and special guest Mackenzie discuss their unique and nostalgic memories of Christmas movies both old and new. Mackenzie and Max provide their top five Christmas movies of all time and debate the difference between a Christmas movie and a holiday movie. Tristen educates about Ingmar Bergman and Stanley Kubrick and their Christmas movies that may or may not technically count and Max articulates in no uncertain terms what he views as the worst Christmas movie in existence. A fun, lighthearted, and sometimes contentious discussion over the films that bring people together this holiday season. </p>]]>
      </content:encoded>
      <pubDate>Wed, 28 Dec 2022 00:20:31 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/116ebe58/4cd03393.mp3" length="62426325" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/ckT0VIUYJ_Au6rr4ynj9X2lsJ7XGo9Mj4EXN9E3KMEY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExNDc4NTcv/MTY3MjIwNDYwNC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3895</itunes:duration>
      <itunes:summary>On the eleventh episode of the Cinematic Odyssey Tristen, Max, and special guest Mackenzie discuss their unique and nostalgic memories of Christmas movies both old and new. Mackenzie and Max provide their top five Christmas movies of all time and debate the difference between a Christmas movie and a holiday movie. Tristen educates about Ingmar Bergman and Stanley Kubrick and their Christmas movies that may or may not technically count and Max articulates in no uncertain terms what he views as the worst Christmas movie in existence. A fun, lighthearted, and sometimes contentious discussion over the films that bring people together this holiday season. </itunes:summary>
      <itunes:subtitle>On the eleventh episode of the Cinematic Odyssey Tristen, Max, and special guest Mackenzie discuss their unique and nostalgic memories of Christmas movies both old and new. Mackenzie and Max provide their top five Christmas movies of all time and debate t</itunes:subtitle>
      <itunes:keywords>film, cinema, movie, christmas, holiday, special</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
      <podcast:chapters url="https://share.transistor.fm/s/116ebe58/chapters.json" type="application/json+chapters"/>
    </item>
    <item>
      <title>Triangle of Sadness: Brilliant Satire Masked by Absurd Hilarity </title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Triangle of Sadness: Brilliant Satire Masked by Absurd Hilarity </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c6b88f16-a5a5-40fd-88f8-bb470ad5b2cb</guid>
      <link>https://share.transistor.fm/s/6785e0a9</link>
      <description>
        <![CDATA[<p>On the tenth episode of The Cinematic Odyssey Max and Tristen discuss the 2022 Palme d'Or winner, Triangle of Sadness. A brilliant and modern re-telling of the genius satirical works of Luis Buñuel, Ruben Östlund takes on class and social commentary with an incredible comedic identity. We dive into the sequences that made us laugh most and those that hit the hardest, analyzing Östlund's perspective on the clash between the proletariat and bourgeoisie. Max says that this is his pick for the best film of the year. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the tenth episode of The Cinematic Odyssey Max and Tristen discuss the 2022 Palme d'Or winner, Triangle of Sadness. A brilliant and modern re-telling of the genius satirical works of Luis Buñuel, Ruben Östlund takes on class and social commentary with an incredible comedic identity. We dive into the sequences that made us laugh most and those that hit the hardest, analyzing Östlund's perspective on the clash between the proletariat and bourgeoisie. Max says that this is his pick for the best film of the year. </p>]]>
      </content:encoded>
      <pubDate>Fri, 16 Dec 2022 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/6785e0a9/ad5353e5.mp3" length="71866908" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/wU4WMSIJU_VlTDRt9irkQAyiiiDMoCPHZzKI-7IMCxE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExMzgwMDgv/MTY3MTE4NzMyOS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4490</itunes:duration>
      <itunes:summary>On the tenth episode of The Cinematic Odyssey Max and Tristen discuss the 2022 Palme d'Or winner, Triangle of Sadness. A brilliant and modern re-telling of the genius satirical works of Luis Buñuel, Ruben Östlund takes on class and social commentary with an incredible comedic identity. We dive into the sequences that made us laugh most and those that hit the hardest, analyzing Östlund's perspective on the clash between the proletariat and bourgeoisie. Max says that this is his pick for the best film of the year. </itunes:summary>
      <itunes:subtitle>On the tenth episode of The Cinematic Odyssey Max and Tristen discuss the 2022 Palme d'Or winner, Triangle of Sadness. A brilliant and modern re-telling of the genius satirical works of Luis Buñuel, Ruben Östlund takes on class and social commentary with </itunes:subtitle>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>TÁR: A Tour de Force Examining the Deep Rooted Flaws of a Genius </title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>TÁR: A Tour de Force Examining the Deep Rooted Flaws of a Genius </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">278081f2-3631-49a0-a5dd-1316a8c6c003</guid>
      <link>https://share.transistor.fm/s/57c66e6f</link>
      <description>
        <![CDATA[<p>On the ninth episode of The Cinematic Odyssey Tristen, Max, and special guest Mackenzie take on the gargantuan task of trying to analyze the deeply nuanced and genius film of TÁR. On the episode they discuss the themes in detail and try to wrap their minds around the extremely flawed character of Lydia Tár, played by Cate Blanchett, going into the stark contrast of her musical genius and the sinister and ugly side of her character. The relevant discussion of separating the art from the artist takes center stage in this fictional biopic and the clinical observant direction of Todd Field adds such a refreshing take on the age old discussion. TÁR offers far more than what is deciphered on the surface and proves, without a shadow of a doubt, to be a genuine masterwork in filmmaking and will most likely go down as the best film of 2022 and one of the best films of the decade. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the ninth episode of The Cinematic Odyssey Tristen, Max, and special guest Mackenzie take on the gargantuan task of trying to analyze the deeply nuanced and genius film of TÁR. On the episode they discuss the themes in detail and try to wrap their minds around the extremely flawed character of Lydia Tár, played by Cate Blanchett, going into the stark contrast of her musical genius and the sinister and ugly side of her character. The relevant discussion of separating the art from the artist takes center stage in this fictional biopic and the clinical observant direction of Todd Field adds such a refreshing take on the age old discussion. TÁR offers far more than what is deciphered on the surface and proves, without a shadow of a doubt, to be a genuine masterwork in filmmaking and will most likely go down as the best film of 2022 and one of the best films of the decade. </p>]]>
      </content:encoded>
      <pubDate>Fri, 09 Dec 2022 11:50:45 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/57c66e6f/0fa04322.mp3" length="49695039" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/HXzlHtqmH29azbdMNcYRICLHcFazp8jKAkUfh9TTQ60/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExMjUyNTgv/MTY3MDYwNDYyNS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>6282</itunes:duration>
      <itunes:summary>On the ninth episode of The Cinematic Odyssey Tristen, Max, and special guest Mackenzie take on the gargantuan task of trying to analyze the deeply nuanced and genius film of TÁR. On the episode they discuss the themes in detail and try to wrap their minds around the extremely flawed character of Lydia Tár, played by Cate Blanchett, going into the stark contrast of her musical genius and the sinister and ugly side of her character. The relevant discussion of separating the art from the artist takes center stage in this fictional biopic and the clinical observant direction of Todd Field adds such a refreshing take on the age old discussion. TÁR offers far more than what is deciphered on the surface and proves, without a shadow of a doubt, to be a genuine masterwork in filmmaking and will most likely go down as the best film of 2022 and one of the best films of the decade. </itunes:summary>
      <itunes:subtitle>On the ninth episode of The Cinematic Odyssey Tristen, Max, and special guest Mackenzie take on the gargantuan task of trying to analyze the deeply nuanced and genius film of TÁR. On the episode they discuss the themes in detail and try to wrap their mind</itunes:subtitle>
      <itunes:keywords>film, cinema, movie, Todd Field, Cate Blanchett, TÁR</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>The Royal Tenenbaums: Hilarity, Dysfunction, and Monotony through Familial Wreckage</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>The Royal Tenenbaums: Hilarity, Dysfunction, and Monotony through Familial Wreckage</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a2af9c12-5aed-401b-94a6-25ae347fd60a</guid>
      <link>https://share.transistor.fm/s/4ee6187e</link>
      <description>
        <![CDATA[<p>On the eighth episode of The Cinematic Odyssey, Tristen and Max venture through the bland acting choices, colorful scenic design, and what it means to care about one's family as they discuss Wes Anderson's funny family drama The Royal Tenenbaums. Discussing the symmetry of Anderson's shots and how the audience may find themselves self-aware, rather than projecting values onto emotional characters. There are plenty of laughs to be had even as they examine a destroyed family unit with one father's gutsy and morally flawed decision to try and save his relationship with each of them. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the eighth episode of The Cinematic Odyssey, Tristen and Max venture through the bland acting choices, colorful scenic design, and what it means to care about one's family as they discuss Wes Anderson's funny family drama The Royal Tenenbaums. Discussing the symmetry of Anderson's shots and how the audience may find themselves self-aware, rather than projecting values onto emotional characters. There are plenty of laughs to be had even as they examine a destroyed family unit with one father's gutsy and morally flawed decision to try and save his relationship with each of them. </p>]]>
      </content:encoded>
      <pubDate>Fri, 02 Dec 2022 12:42:52 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/4ee6187e/1ecc5270.mp3" length="57331860" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/rJdj9c2VUEGZkJYwJ_djEFyvGiyVkb7p3mrfSc2Cv2A/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzExMTc2MDEv/MTY3MDAwMjk3Mi1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3579</itunes:duration>
      <itunes:summary>On the eighth episode of The Cinematic Odyssey, Tristen and Max venture through the bland acting choices, colorful scenic design, and what it means to care about one's family as they discuss Wes Anderson's funny family drama The Royal Tenenbaums. Discussing the symmetry of Anderson's shots and how the audience may find themselves self-aware, rather than projecting values onto emotional characters. There are plenty of laughs to be had even as they examine a destroyed family unit with one father's gutsy and morally flawed decision to try and save his relationship with each of them. </itunes:summary>
      <itunes:subtitle>On the eighth episode of The Cinematic Odyssey, Tristen and Max venture through the bland acting choices, colorful scenic design, and what it means to care about one's family as they discuss Wes Anderson's funny family drama The Royal Tenenbaums. Discussi</itunes:subtitle>
      <itunes:keywords>film, cinema, movie, wes anderson, the royal tenenbaums</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Ran: The Tragic and Bleak Masterpiece from One of Cinema's Legendary Figures, Akira Kurosawa</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Ran: The Tragic and Bleak Masterpiece from One of Cinema's Legendary Figures, Akira Kurosawa</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0ab6c900-8017-42a2-a833-eb389524fb85</guid>
      <link>https://share.transistor.fm/s/afd2ed69</link>
      <description>
        <![CDATA[<p>On the seventh episode of The Cinematic Odyssey, Tristen and Max discuss the late masterpiece from one of the greatest filmmakers that has ever lived, Akira Kurosawa's Ran. Ran is an adaptation of Shakespeare's King Lear and is universally considered to be the greatest film adaptation of The Bard's work. Ran was the final epic that Kurosawa created in his illustrious and legendary career, and in this episode Tristen and Max discuss all of the aspects of what makes this film so special. Tristen says that this is one of the greatest films he's ever seen in his life and implores that those listening to go stop what they're doing and watch the film.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the seventh episode of The Cinematic Odyssey, Tristen and Max discuss the late masterpiece from one of the greatest filmmakers that has ever lived, Akira Kurosawa's Ran. Ran is an adaptation of Shakespeare's King Lear and is universally considered to be the greatest film adaptation of The Bard's work. Ran was the final epic that Kurosawa created in his illustrious and legendary career, and in this episode Tristen and Max discuss all of the aspects of what makes this film so special. Tristen says that this is one of the greatest films he's ever seen in his life and implores that those listening to go stop what they're doing and watch the film.</p>]]>
      </content:encoded>
      <pubDate>Fri, 25 Nov 2022 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/afd2ed69/d1cbdc01.mp3" length="74406921" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/xjhIG2u_Z8gLkGd84M7PBth8uh4vUSTnwcwK7F-U-zw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwOTU2Mjgv/MTY2ODQ1NTE3Ny1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>5715</itunes:duration>
      <itunes:summary>On the seventh episode of The Cinematic Odyssey, Tristen and Max discuss the late masterpiece from one of the greatest filmmakers that has ever lived, Akira Kurosawa's Ran. Ran is an adaptation of Shakespeare's King Lear and is universally considered to be the greatest film adaptation of The Bard's work. Ran was the final epic that Kurosawa created in his illustrious and legendary career, and in this episode Tristen and Max discuss all of the aspects of what makes this film so special. Tristen says that this is one of the greatest films he's ever seen in his life and implores that those listening to go stop what they're doing and watch the film. </itunes:summary>
      <itunes:subtitle>On the seventh episode of The Cinematic Odyssey, Tristen and Max discuss the late masterpiece from one of the greatest filmmakers that has ever lived, Akira Kurosawa's Ran. Ran is an adaptation of Shakespeare's King Lear and is universally considered to b</itunes:subtitle>
      <itunes:keywords>film, cinema, movie, ran, akira kurosawa</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Parasite: Bong Joon-ho's Sharp and Thrilling Masterclass in Exploring Class Warfare </title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Parasite: Bong Joon-ho's Sharp and Thrilling Masterclass in Exploring Class Warfare </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">85162966-f79d-4cdb-b621-700422b9fef6</guid>
      <link>https://share.transistor.fm/s/55c81a43</link>
      <description>
        <![CDATA[<p>On the sixth episode of The Cinematic Odyssey, Max and Tristen discuss one of the greatest films of the 2010's: Parasite. In their conversation they go into detail about capitalism and how Bong Joon-ho masterfully crafts an exposé on its systematic failures. They discuss the shocking reveal that occurs in the middle of the film and how that dramatically changes the tone and direction of the themes. The film has been heralded as one of the best films of the past decade and it showcases the whole world of foreign cinema that casual American movie goers are missing out on. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the sixth episode of The Cinematic Odyssey, Max and Tristen discuss one of the greatest films of the 2010's: Parasite. In their conversation they go into detail about capitalism and how Bong Joon-ho masterfully crafts an exposé on its systematic failures. They discuss the shocking reveal that occurs in the middle of the film and how that dramatically changes the tone and direction of the themes. The film has been heralded as one of the best films of the past decade and it showcases the whole world of foreign cinema that casual American movie goers are missing out on. </p>]]>
      </content:encoded>
      <pubDate>Fri, 18 Nov 2022 12:00:00 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/55c81a43/b13acdfa.mp3" length="59545625" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/SYSlCKFygb7wMw1XvmqSsVvZvKQZOyRZNe5IJ7Q_HY4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwOTU2Mjcv/MTY2ODQ1NDAyOC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4738</itunes:duration>
      <itunes:summary>On the sixth episode of The Cinematic Odyssey, Max and Tristen discuss one of the greatest films of the 2010's: Parasite. In their conversation they go into detail about capitalism and how Bong Joon-ho masterfully crafts an exposé on its systematic failures. They discuss the shocking reveal that occurs in the middle of the film and how that dramatically changes the tone and direction of the themes. The film has been heralded as one of the best films of the past decade and it showcases the whole world of foreign cinema that casual American movie goers are missing out on. </itunes:summary>
      <itunes:subtitle>On the sixth episode of The Cinematic Odyssey, Max and Tristen discuss one of the greatest films of the 2010's: Parasite. In their conversation they go into detail about capitalism and how Bong Joon-ho masterfully crafts an exposé on its systematic failur</itunes:subtitle>
      <itunes:keywords>film, cinema, movies, parasite, bong joon-ho</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Lady Bird: A Beautiful Heart Wrenching Look into Motherhood and Growing Up from the Exciting Greta Gerwig</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Lady Bird: A Beautiful Heart Wrenching Look into Motherhood and Growing Up from the Exciting Greta Gerwig</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c194ea00-50cf-4866-8f4d-18f0f34305bc</guid>
      <link>https://share.transistor.fm/s/95f450c5</link>
      <description>
        <![CDATA[<p>On the fifth episode of The Cinematic Odyssey, Max, Tristen and special guest Zoe discuss the directorial debut from Greta Gerwig: Lady Bird. They go into the various characters, particularly Marion and Lady Bird and their complicated mother and daughter relationship. Discussing in detail the various tumultuous moments that serve as defining moments for the progression of Lady Bird's character and her relationship with her mother. The film has been rightfully praised since its release in 2017 and is widely considered to be one of the best coming of age films of the 2010's and one of the best films of that year.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fifth episode of The Cinematic Odyssey, Max, Tristen and special guest Zoe discuss the directorial debut from Greta Gerwig: Lady Bird. They go into the various characters, particularly Marion and Lady Bird and their complicated mother and daughter relationship. Discussing in detail the various tumultuous moments that serve as defining moments for the progression of Lady Bird's character and her relationship with her mother. The film has been rightfully praised since its release in 2017 and is widely considered to be one of the best coming of age films of the 2010's and one of the best films of that year.</p>]]>
      </content:encoded>
      <pubDate>Fri, 11 Nov 2022 12:46:19 -0500</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/95f450c5/6c0254cc.mp3" length="79138795" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/JnWgElaL3IST2u-gbUfoyOyS3QOo2N_PgxOZ0W6bFtY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwOTQ1MTIv/MTY2ODE4ODc3OS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>4945</itunes:duration>
      <itunes:summary>On the fifth episode of The Cinematic Odyssey, Max, Tristen, and special guest Zoe discuss the directorial debut from Greta Gerwig: Lady Bird. They go into the various characters, particularly Marion and Lady Bird and their complicated mother and daughter relationship. Discussing in detail the various tumultuous moments that serve as defining moments for the progression of Lady Bird's character and her relationship with her mother. The film has been rightfully praised since its release in 2017 and is widely considered to be one of the best coming of age films of the 2010's and one of the best films of that year.</itunes:summary>
      <itunes:subtitle>On the fifth episode of The Cinematic Odyssey, Max, Tristen, and special guest Zoe discuss the directorial debut from Greta Gerwig: Lady Bird. They go into the various characters, particularly Marion and Lady Bird and their complicated mother and daughter</itunes:subtitle>
      <itunes:keywords>film, cinema, Greta Gerwig, Lady Bird, movies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Licorice Pizza: Immature Naiveite and the Dilemma of Growing Up from the Masterful Paul Thomas Anderson</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Licorice Pizza: Immature Naiveite and the Dilemma of Growing Up from the Masterful Paul Thomas Anderson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c9360bd0</link>
      <description>
        <![CDATA[<p>On the fourth episode of The Cinematic Odyssey Max and Tristen dive into the personal and wonderfully realized world of PTA's Licorice Pizza. A love letter to his hometown of the San Fernando Valley in Los Angeles and to the 70s, the film, depending on who you ask, is either about the ills of growing up and becoming an adult or is a complicated love story or both! Max and Tristen go back and forth arguing for and against the merits of the film. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the fourth episode of The Cinematic Odyssey Max and Tristen dive into the personal and wonderfully realized world of PTA's Licorice Pizza. A love letter to his hometown of the San Fernando Valley in Los Angeles and to the 70s, the film, depending on who you ask, is either about the ills of growing up and becoming an adult or is a complicated love story or both! Max and Tristen go back and forth arguing for and against the merits of the film. </p>]]>
      </content:encoded>
      <pubDate>Fri, 04 Nov 2022 13:11:48 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/c9360bd0/32730a83.mp3" length="57333264" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/hFeso3IU3kWzZ0i88cHn3V3SQ6-fuKsvyFOVHjebwhk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwNzUyNzkv/MTY2NzU4MTkwOC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3581</itunes:duration>
      <itunes:summary>On the fourth episode of The Cinematic Odyssey, Max and Tristen dive into the personal and wonderfully realized world of PTA's Licorice Pizza. A love letter to his hometown of the San Fernando Valley in Los Angeles and to the 70s. The film, depending on who you ask, is either about the ills of growing up and becoming an adult or is a complicated love story or both! Max and Tristen go back and forth arguing for and against the merits of the film. </itunes:summary>
      <itunes:subtitle>On the fourth episode of The Cinematic Odyssey, Max and Tristen dive into the personal and wonderfully realized world of PTA's Licorice Pizza. A love letter to his hometown of the San Fernando Valley in Los Angeles and to the 70s. The film, depending on w</itunes:subtitle>
      <itunes:keywords>film, cinema, Licorice Pizza, Paul Thomas Anderson</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Uncut Gems: Mania, Paranoia, Anxiety in a Man's Life. A Film from the Safdie Brothers.</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Uncut Gems: Mania, Paranoia, Anxiety in a Man's Life. A Film from the Safdie Brothers.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ee5b8f75-885c-463e-afc8-586a28f24b2c</guid>
      <link>https://share.transistor.fm/s/d2b8536a</link>
      <description>
        <![CDATA[<p>On the third episode of The Cinematic Odyssey Tristen, Max, and special guest Griffin "Danger" McMorrow discuss the genius or inept decisions made by Josh &amp; Benny Safdie and Adam Sandler in the creation of Uncut Gems. We go into the nitty gritty details of Sandler's character, the intricacies of his performance, the impressive scope of the screenplay, the impeccable direction, and many more things that contribute to the creation of Uncut Gems. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On the third episode of The Cinematic Odyssey Tristen, Max, and special guest Griffin "Danger" McMorrow discuss the genius or inept decisions made by Josh &amp; Benny Safdie and Adam Sandler in the creation of Uncut Gems. We go into the nitty gritty details of Sandler's character, the intricacies of his performance, the impressive scope of the screenplay, the impeccable direction, and many more things that contribute to the creation of Uncut Gems. </p>]]>
      </content:encoded>
      <pubDate>Fri, 28 Oct 2022 16:07:58 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/d2b8536a/be3e907f.mp3" length="44539589" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/PPqHjFwFvRhSpLSYyjzjHJo36jlmCb40wK45ZvNyUCc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwODAyNDUv/MTY2Njk4NDc2NS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3931</itunes:duration>
      <itunes:summary>On the third episode of The Cinematic Odyssey Tristen, Max, and special guest Griffin "Danger" McMorrow discuss the genius or inept decisions made by Josh &amp;amp; Benny Safdie and Adam Sandler in the creation of Uncut Gems. We go into the nitty gritty details of Sandler's character, the intricacies of his performance, the impressive scope of the screenplay, the impeccable direction, and many more things that contribute to the creation of Uncut Gems. </itunes:summary>
      <itunes:subtitle>On the third episode of The Cinematic Odyssey Tristen, Max, and special guest Griffin "Danger" McMorrow discuss the genius or inept decisions made by Josh &amp;amp; Benny Safdie and Adam Sandler in the creation of Uncut Gems. We go into the nitty gritty detai</itunes:subtitle>
      <itunes:keywords>film, cinema, Safdie Brothers, Adam Sandler, Uncut Gems</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>Jojo Rabbit: An Emotional Anti-Hate Satire from Taika Waititi</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Jojo Rabbit: An Emotional Anti-Hate Satire from Taika Waititi</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/6089b649</link>
      <description>
        <![CDATA[<p>In the second episode of The Cinematic Odyssey, Max and Tristen discuss Jojo Rabbit, an anti-hate, anti-Nazi, and pro-love film from Taika Waititi. We discuss the question of whether or not it's okay to satirize the Nazi regime, the progression of Jojo letting go of his hatred and learning to love and gain his childlike innocence, and other aspects of the film that can be seen as questionable and or either brilliant choices of Taika Waititi.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the second episode of The Cinematic Odyssey, Max and Tristen discuss Jojo Rabbit, an anti-hate, anti-Nazi, and pro-love film from Taika Waititi. We discuss the question of whether or not it's okay to satirize the Nazi regime, the progression of Jojo letting go of his hatred and learning to love and gain his childlike innocence, and other aspects of the film that can be seen as questionable and or either brilliant choices of Taika Waititi.</p>]]>
      </content:encoded>
      <pubDate>Fri, 21 Oct 2022 13:09:51 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/6089b649/39d01947.mp3" length="58224794" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/oa95JKIu9nZ1EsTtZ2o3xxN4CsK88bKviaM7OsGtUZw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwNzE3MjIv/MTY2NjM3MjE5MS1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3638</itunes:duration>
      <itunes:summary>In the second episode of The Cinematic Odyssey, Max and Tristen discuss Jojo Rabbit, an anti-hate, anti-Nazi, and pro-love film from Taika Waititi. We discuss the question of whether or not it's okay to satirize the Nazi regime, the progression of Jojo letting go of his hatred and learning to love and gain his childlike innocence, and other aspects of the film that can be seen as questionable choices of Taika. </itunes:summary>
      <itunes:subtitle>In the second episode of The Cinematic Odyssey, Max and Tristen discuss Jojo Rabbit, an anti-hate, anti-Nazi, and pro-love film from Taika Waititi. We discuss the question of whether or not it's okay to satirize the Nazi regime, the progression of Jojo le</itunes:subtitle>
      <itunes:keywords>film, jojo rabbit, taika waititi, movies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
    </item>
    <item>
      <title>La Haine: The Explosive and Raw Masterpiece from Mathieu Kassovitz</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>La Haine: The Explosive and Raw Masterpiece from Mathieu Kassovitz</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d8fbc97c-360b-4e9f-a98a-c550decd75a3</guid>
      <link>https://share.transistor.fm/s/09a6300e</link>
      <description>
        <![CDATA[<p>In the inaugural episode of The Cinematic Odyssey Max and Tristen discuss Mathieu Kassovitz's masterpiece, La Haine. A politically charged film that dissects the cycle of violence and poverty from the perspective of three minorities in Paris, France. La Haine has been hailed as one of the greatest films to come out of France and continues to be an extremely high benchmark in cinema. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the inaugural episode of The Cinematic Odyssey Max and Tristen discuss Mathieu Kassovitz's masterpiece, La Haine. A politically charged film that dissects the cycle of violence and poverty from the perspective of three minorities in Paris, France. La Haine has been hailed as one of the greatest films to come out of France and continues to be an extremely high benchmark in cinema. </p>]]>
      </content:encoded>
      <pubDate>Tue, 18 Oct 2022 16:39:40 -0400</pubDate>
      <author>U92 the Moose | WWVU</author>
      <enclosure url="https://media.transistor.fm/09a6300e/fa00bea9.mp3" length="53701966" type="audio/mpeg"/>
      <itunes:author>U92 the Moose | WWVU</itunes:author>
      <itunes:image href="https://img.transistor.fm/vspFz5yjgoJCT25G-tuw0e7rPxDLT3N1EQ4WmwHwBXw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lcGlz/b2RlLzEwNjgzNzgv/MTY2NjEyNTU4MC1h/cnR3b3JrLmpwZw.jpg"/>
      <itunes:duration>3355</itunes:duration>
      <itunes:summary>In the inaugural episode of The Cinematic Odyssey Max and Tristen discuss Mathieu Kassovitz's masterpiece, La Haine. A politically charged film that dissects the cycle of violence and poverty from the perspective of three minorities in Paris, France.</itunes:summary>
      <itunes:subtitle>In the inaugural episode of The Cinematic Odyssey Max and Tristen discuss Mathieu Kassovitz's masterpiece, La Haine. A politically charged film that dissects the cycle of violence and poverty from the perspective of three minorities in Paris, France.</itunes:subtitle>
      <itunes:keywords>Film, Movies, Art House, Drama, Letterboxd, La Haine</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host">Max Clark</podcast:person>
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