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    <description>The Black Studies Podcast is a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</description>
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    <pubDate>Fri, 15 May 2026 14:01:39 -0400</pubDate>
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    <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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    <itunes:summary>The Black Studies Podcast is a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</itunes:summary>
    <itunes:subtitle>The Black Studies Podcast is a Mellon grant sponsored series of conversations examining the history of the field.</itunes:subtitle>
    <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
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      <itunes:name>Ashley Newby and John E. Drabinski</itunes:name>
      <itunes:email>blackstudiespodcast@gmail.com</itunes:email>
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    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
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      <title>Robert Robinson - Department of Africana Studies, John Jay College</title>
      <itunes:episode>262</itunes:episode>
      <podcast:episode>262</podcast:episode>
      <itunes:title>Robert Robinson - Department of Africana Studies, John Jay College</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robert P. Robinson, Assistant Professor of Africana Studies and Gender Studies at John Jay College and Doctoral Faculty in Urban Education, Africana Studies, and Interactive Technology &amp; Pedagogy at The Graduate Center, CUNY. Prior to higher education, he was a K-12 educator and mentor for 11 years. His broad research and teaching focus on the Black Freedom Movement, Black education history, Blackqueer studies, digital humanities, history of education, and curriculum studies. Robinson’s work can be found in <em>Women’s Studies Quarterly, the Journal for Multicultural Education,</em> and <em>The Killens Review of Arts &amp; Letters, </em>and<em> </em>more. Robinson is a National Academy of Education/Spencer Postdoctoral Fellow for his forthcoming book, <em>Education for the Revolution</em>: <em>The Legacy of the Black Panther Party’s Oakland Community School,</em> which will be published in January 2027 through NYU Press’s Black Power Series.</p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robert P. Robinson, Assistant Professor of Africana Studies and Gender Studies at John Jay College and Doctoral Faculty in Urban Education, Africana Studies, and Interactive Technology &amp; Pedagogy at The Graduate Center, CUNY. Prior to higher education, he was a K-12 educator and mentor for 11 years. His broad research and teaching focus on the Black Freedom Movement, Black education history, Blackqueer studies, digital humanities, history of education, and curriculum studies. Robinson’s work can be found in <em>Women’s Studies Quarterly, the Journal for Multicultural Education,</em> and <em>The Killens Review of Arts &amp; Letters, </em>and<em> </em>more. Robinson is a National Academy of Education/Spencer Postdoctoral Fellow for his forthcoming book, <em>Education for the Revolution</em>: <em>The Legacy of the Black Panther Party’s Oakland Community School,</em> which will be published in January 2027 through NYU Press’s Black Power Series.</p>]]>
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      <pubDate>Fri, 15 May 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3476</itunes:duration>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robert P. Robinson, Assistant Professor of Africana Studies and Gender Studies at John Jay College and Doctoral Faculty in Urban Education, Africana Studies, and Interactive Technology &amp; Pedagogy at The Graduate Center, CUNY. Prior to higher education, he was a K-12 educator and mentor for 11 years. His broad research and teaching focus on the Black Freedom Movement, Black education history, Blackqueer studies, digital humanities, history of education, and curriculum studies. Robinson’s work can be found in <em>Women’s Studies Quarterly, the Journal for Multicultural Education,</em> and <em>The Killens Review of Arts &amp; Letters, </em>and<em> </em>more. Robinson is a National Academy of Education/Spencer Postdoctoral Fellow for his forthcoming book, <em>Education for the Revolution</em>: <em>The Legacy of the Black Panther Party’s Oakland Community School,</em> which will be published in January 2027 through NYU Press’s Black Power Series.</p>]]>
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      <itunes:keywords>Black Studies, Africana Studies, African American Studies, Education Studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Melanie Holmes - Department of African American Studies, University of South Carolina</title>
      <itunes:episode>261</itunes:episode>
      <podcast:episode>261</podcast:episode>
      <itunes:title>Melanie Holmes - Department of African American Studies, University of South Carolina</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Melanie Holmes, who teaches in the Department of African American Studies at University of South Carolina. Her research focuses on the meaning and significance of Black Power across geographies, in particular in the political and cultural space of the United States and Barbados. Her work on these issues can be found in a cluster of publications, including “Beautifully Black!: How Negro History Week and the Black History Movement Influenced Education in and Beyond the Black Power Era,” which is forthcoming in the <em>Journal of African American History.</em> In this conversation, we explore the complex history of resistance to antiblack racism, the relationship between Black study and education, and how historical research both grounds and expands the Black Studies imagination.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Melanie Holmes, who teaches in the Department of African American Studies at University of South Carolina. Her research focuses on the meaning and significance of Black Power across geographies, in particular in the political and cultural space of the United States and Barbados. Her work on these issues can be found in a cluster of publications, including “Beautifully Black!: How Negro History Week and the Black History Movement Influenced Education in and Beyond the Black Power Era,” which is forthcoming in the <em>Journal of African American History.</em> In this conversation, we explore the complex history of resistance to antiblack racism, the relationship between Black study and education, and how historical research both grounds and expands the Black Studies imagination.</p>]]>
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      <pubDate>Wed, 13 May 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3251</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Melanie Holmes, who teaches in the Department of African American Studies at University of South Carolina. Her research focuses on the meaning and significance of Black Power across geographies, in particular in the political and cultural space of the United States and Barbados. Her work on these issues can be found in a cluster of publications, including “Beautifully Black!: How Negro History Week and the Black History Movement Influenced Education in and Beyond the Black Power Era,” which is forthcoming in the <em>Journal of African American History.</em> In this conversation, we explore the complex history of resistance to antiblack racism, the relationship between Black study and education, and how historical research both grounds and expands the Black Studies imagination.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, African American Studies, Black Power, Caribbean history, Black politics</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Yomaira Figueroa-Vásquez - Director of the Center for Puerto Rican Studies and Department of Africana, Puerto Rican and Latino Studies, Hunter College</title>
      <itunes:episode>260</itunes:episode>
      <podcast:episode>260</podcast:episode>
      <itunes:title>Yomaira Figueroa-Vásquez - Director of the Center for Puerto Rican Studies and Department of Africana, Puerto Rican and Latino Studies, Hunter College</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.yomairafigueroa.com">Yomaira Figueroa-Vásquez</a>, who teaches in the <a href="https://www.hunter.cuny.edu/people/yomaira-figueroa-vasquez/">Department of Africana, Puerto Rican, and Latino Studies at Hunter College</a>, where she also serves as <a href="https://centropr.hunter.cuny.edu/staff/yomaira-c-figueroa-vasquez/">Director of the Center for Puerto Rican Studies</a>. She has published extensively in popular and scholarly venues and is the author of <a href="https://nupress.northwestern.edu/9780810142428/decolonizing-diasporas/"><em>Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature</em></a><em> </em>(2020) and of the forthcoming <em>The Survival of a People.</em> In this conversation, we discuss the complex geographies of blackness in the Atlantic world, archival work and its relation to Black study, and the expansive historical, literary, and theoretical horizons of Black Studies.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.yomairafigueroa.com">Yomaira Figueroa-Vásquez</a>, who teaches in the <a href="https://www.hunter.cuny.edu/people/yomaira-figueroa-vasquez/">Department of Africana, Puerto Rican, and Latino Studies at Hunter College</a>, where she also serves as <a href="https://centropr.hunter.cuny.edu/staff/yomaira-c-figueroa-vasquez/">Director of the Center for Puerto Rican Studies</a>. She has published extensively in popular and scholarly venues and is the author of <a href="https://nupress.northwestern.edu/9780810142428/decolonizing-diasporas/"><em>Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature</em></a><em> </em>(2020) and of the forthcoming <em>The Survival of a People.</em> In this conversation, we discuss the complex geographies of blackness in the Atlantic world, archival work and its relation to Black study, and the expansive historical, literary, and theoretical horizons of Black Studies.</p>]]>
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      <pubDate>Mon, 11 May 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/4c7ca853/00bc3714.mp3" length="149595462" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3737</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.yomairafigueroa.com">Yomaira Figueroa-Vásquez</a>, who teaches in the <a href="https://www.hunter.cuny.edu/people/yomaira-figueroa-vasquez/">Department of Africana, Puerto Rican, and Latino Studies at Hunter College</a>, where she also serves as <a href="https://centropr.hunter.cuny.edu/staff/yomaira-c-figueroa-vasquez/">Director of the Center for Puerto Rican Studies</a>. She has published extensively in popular and scholarly venues and is the author of <a href="https://nupress.northwestern.edu/9780810142428/decolonizing-diasporas/"><em>Decolonizing Diasporas: Radical Mappings of Afro-Atlantic Literature</em></a><em> </em>(2020) and of the forthcoming <em>The Survival of a People.</em> In this conversation, we discuss the complex geographies of blackness in the Atlantic world, archival work and its relation to Black study, and the expansive historical, literary, and theoretical horizons of Black Studies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, African American Studies, African American literature, Hispanophone Caribbean, Black women's literature, Puerto Rican Studies, Ethnic Studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Desiree Cooper - Writer and Journalist</title>
      <itunes:episode>259</itunes:episode>
      <podcast:episode>259</podcast:episode>
      <itunes:title>Desiree Cooper - Writer and Journalist</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Desiree Cooper, a 2015 Kresge Artist Fellow, Pulitzer Prize-nominated journalist, former attorney, and editor of the groundbreaking 2026 anthology, <a href="https://wsupress.wayne.edu/9780814352243/"><em>Black Summers: Growing up in the Urban Outdoors</em></a>. Her work, which often explores the intersection between gender and race, has appeared in <em>The New York Times, Oprah Daily, MSNBC Daily, Flash Fiction America 2023, Michigan Quarterly Review, The Rumpus</em>, <em>River Teeth</em>, and noted in <em>The Best American Essays 2019</em>. Cooper is the author of the award-winning flash fiction collection, <em>Know the Mother</em>. Her children’s picture book, <em>Nothing Special</em>, is a 2023 Paterson Prizewinner and one of the New York Public Library’s “10 Best Children’s Books of 2022.”  </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Desiree Cooper, a 2015 Kresge Artist Fellow, Pulitzer Prize-nominated journalist, former attorney, and editor of the groundbreaking 2026 anthology, <a href="https://wsupress.wayne.edu/9780814352243/"><em>Black Summers: Growing up in the Urban Outdoors</em></a>. Her work, which often explores the intersection between gender and race, has appeared in <em>The New York Times, Oprah Daily, MSNBC Daily, Flash Fiction America 2023, Michigan Quarterly Review, The Rumpus</em>, <em>River Teeth</em>, and noted in <em>The Best American Essays 2019</em>. Cooper is the author of the award-winning flash fiction collection, <em>Know the Mother</em>. Her children’s picture book, <em>Nothing Special</em>, is a 2023 Paterson Prizewinner and one of the New York Public Library’s “10 Best Children’s Books of 2022.”  </p>]]>
      </content:encoded>
      <pubDate>Fri, 08 May 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d631c400/ce98e27d.mp3" length="147707708" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3692</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Desiree Cooper, a 2015 Kresge Artist Fellow, Pulitzer Prize-nominated journalist, former attorney, and editor of the groundbreaking 2026 anthology, <a href="https://wsupress.wayne.edu/9780814352243/"><em>Black Summers: Growing up in the Urban Outdoors</em></a>. Her work, which often explores the intersection between gender and race, has appeared in <em>The New York Times, Oprah Daily, MSNBC Daily, Flash Fiction America 2023, Michigan Quarterly Review, The Rumpus</em>, <em>River Teeth</em>, and noted in <em>The Best American Essays 2019</em>. Cooper is the author of the award-winning flash fiction collection, <em>Know the Mother</em>. Her children’s picture book, <em>Nothing Special</em>, is a 2023 Paterson Prizewinner and one of the New York Public Library’s “10 Best Children’s Books of 2022.”  </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Michelle B. Taylor - Educator, Author, Advocate</title>
      <itunes:episode>258</itunes:episode>
      <podcast:episode>258</podcast:episode>
      <itunes:title>Michelle B. Taylor - Educator, Author, Advocate</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://liberalarts.temple.edu/sites/liberalarts/files/documents/MTaylorCV2022.pdf">Michelle B. Taylor</a>, an educator, author, and advocate <a href="https://www.feministajones.com">who writes under the name Feminista Jones</a>. She has published widely in popular and scholarly venues, has spoken in academic and community spaces across the country, and earned a doctorate in Africology and African American Studies from Temple University where she teaches courses on gender, race, and media. Her books include <em>Reclaiming Our Space: How Black Feminists Are Changing the World from the Tweets to the Streets </em>(2019),<em> The Secret of Sugar Water </em>(2017),<em> </em>and <em>Push The Button </em>(2014). In this conversation, we discuss the importance of Africological approaches to Black study, the relationship between scholarly inquiry and community activism, and the place of popular and scholarly writing in Black Studies.</p>]]>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://liberalarts.temple.edu/sites/liberalarts/files/documents/MTaylorCV2022.pdf">Michelle B. Taylor</a>, an educator, author, and advocate <a href="https://www.feministajones.com">who writes under the name Feminista Jones</a>. She has published widely in popular and scholarly venues, has spoken in academic and community spaces across the country, and earned a doctorate in Africology and African American Studies from Temple University where she teaches courses on gender, race, and media. Her books include <em>Reclaiming Our Space: How Black Feminists Are Changing the World from the Tweets to the Streets </em>(2019),<em> The Secret of Sugar Water </em>(2017),<em> </em>and <em>Push The Button </em>(2014). In this conversation, we discuss the importance of Africological approaches to Black study, the relationship between scholarly inquiry and community activism, and the place of popular and scholarly writing in Black Studies.</p>]]>
      </content:encoded>
      <pubDate>Wed, 06 May 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/30bcfa89/4d030f39.mp3" length="132720900" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/WFR4DR0rujZ8mUz52StqfNt_lCvGB4pxaTdWbJIAmUY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85YzE2/YTMxZDhiYWFmYWNj/NmU0MWNlZTgzMTVl/NGZmMC5qcGVn.jpg"/>
      <itunes:duration>3318</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://liberalarts.temple.edu/sites/liberalarts/files/documents/MTaylorCV2022.pdf">Michelle B. Taylor</a>, an educator, author, and advocate <a href="https://www.feministajones.com">who writes under the name Feminista Jones</a>. She has published widely in popular and scholarly venues, has spoken in academic and community spaces across the country, and earned a doctorate in Africology and African American Studies from Temple University where she teaches courses on gender, race, and media. Her books include <em>Reclaiming Our Space: How Black Feminists Are Changing the World from the Tweets to the Streets </em>(2019),<em> The Secret of Sugar Water </em>(2017),<em> </em>and <em>Push The Button </em>(2014). In this conversation, we discuss the importance of Africological approaches to Black study, the relationship between scholarly inquiry and community activism, and the place of popular and scholarly writing in Black Studies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, African American Studies, Africana Studies, Africology, Black Feminism, social media</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Joanna Cardenas - Department of African American and African Diaspora Studies, University of California, Berkeley</title>
      <itunes:episode>257</itunes:episode>
      <podcast:episode>257</podcast:episode>
      <itunes:title>Joanna Cardenas - Department of African American and African Diaspora Studies, University of California, Berkeley</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Joanna Cardenas, a doctoral candidate in the Department of African American and African Diaspora Studies at University of California, Berkeley. Her research explores the nexus of critical carceral studies, disability studies, and Black feminist thought, with an emphasis on the intersection of race, class, gender, and space. Through a close spatial analysis of California prisons, her research focuses on how systems of confinement inform  understandings of gender, race, and ableism. She also studies how the carceral state of South Central Los Angeles impacts Black and Latinx women, with a focus on surveillance and other policing practices. With a deep engagement in community-based research, she also helps interrogate the experimentation of new surveillance and policing technologies in Skid Row, the Figueroa corridor, and Los Angeles more broadly. Joanna’s research has been supported by the Greater Good Science Center, the Black Studies Collaboratory, the Center for Race and Gender, Berkeley Law, and Berkeley’s Haas Scholars Program. Beyond academia, Joanna is also actively involved in litigation challenging staff misconduct across California state prisons. In this conversation, we discuss the place of carceral studies in the study of Black life, how urban studies and questions of gender impact Black Studies inquiry, and how community work expands the classroom and intellectual life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Joanna Cardenas, a doctoral candidate in the Department of African American and African Diaspora Studies at University of California, Berkeley. Her research explores the nexus of critical carceral studies, disability studies, and Black feminist thought, with an emphasis on the intersection of race, class, gender, and space. Through a close spatial analysis of California prisons, her research focuses on how systems of confinement inform  understandings of gender, race, and ableism. She also studies how the carceral state of South Central Los Angeles impacts Black and Latinx women, with a focus on surveillance and other policing practices. With a deep engagement in community-based research, she also helps interrogate the experimentation of new surveillance and policing technologies in Skid Row, the Figueroa corridor, and Los Angeles more broadly. Joanna’s research has been supported by the Greater Good Science Center, the Black Studies Collaboratory, the Center for Race and Gender, Berkeley Law, and Berkeley’s Haas Scholars Program. Beyond academia, Joanna is also actively involved in litigation challenging staff misconduct across California state prisons. In this conversation, we discuss the place of carceral studies in the study of Black life, how urban studies and questions of gender impact Black Studies inquiry, and how community work expands the classroom and intellectual life.</p>]]>
      </content:encoded>
      <pubDate>Mon, 04 May 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/86b2965d/433d8838.mp3" length="130630680" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3264</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Joanna Cardenas, a doctoral candidate in the Department of African American and African Diaspora Studies at University of California, Berkeley. Her research explores the nexus of critical carceral studies, disability studies, and Black feminist thought, with an emphasis on the intersection of race, class, gender, and space. Through a close spatial analysis of California prisons, her research focuses on how systems of confinement inform  understandings of gender, race, and ableism. She also studies how the carceral state of South Central Los Angeles impacts Black and Latinx women, with a focus on surveillance and other policing practices. With a deep engagement in community-based research, she also helps interrogate the experimentation of new surveillance and policing technologies in Skid Row, the Figueroa corridor, and Los Angeles more broadly. Joanna’s research has been supported by the Greater Good Science Center, the Black Studies Collaboratory, the Center for Race and Gender, Berkeley Law, and Berkeley’s Haas Scholars Program. Beyond academia, Joanna is also actively involved in litigation challenging staff misconduct across California state prisons. In this conversation, we discuss the place of carceral studies in the study of Black life, how urban studies and questions of gender impact Black Studies inquiry, and how community work expands the classroom and intellectual life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Justin Leroy - Department of History, Duke University</title>
      <itunes:episode>256</itunes:episode>
      <podcast:episode>256</podcast:episode>
      <itunes:title>Justin Leroy - Department of History, Duke University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Justin Leroy, who teaches in the Department of History at Duke University. He specializes in nineteenth-century African American history, with particular interests in intellectual history, slavery, abolition, and the history of capitalism. His first book, <em>The Lowest Freedom</em>, recovers an unexamined tradition in nineteenth-century Black thought that located the failures of emancipation not simply in political exclusion and racial violence, but in wide-ranging forms of economic dispossession that continued to define Black life in freedom. His current research focuses on carceral studies, and he is working on a history of race and policing in nineteenth-century North America. He also has longstanding interests in comparative Black/Indigenous and Black/Asian American histories.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Justin Leroy, who teaches in the Department of History at Duke University. He specializes in nineteenth-century African American history, with particular interests in intellectual history, slavery, abolition, and the history of capitalism. His first book, <em>The Lowest Freedom</em>, recovers an unexamined tradition in nineteenth-century Black thought that located the failures of emancipation not simply in political exclusion and racial violence, but in wide-ranging forms of economic dispossession that continued to define Black life in freedom. His current research focuses on carceral studies, and he is working on a history of race and policing in nineteenth-century North America. He also has longstanding interests in comparative Black/Indigenous and Black/Asian American histories.</p>]]>
      </content:encoded>
      <pubDate>Fri, 01 May 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d27e9abf/a2c9ca9d.mp3" length="144262725" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/a_6XWCyYGOX8BGQEz3isY89Mrqgct9I3L0OJF4CBh1Y/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mMDlk/NDhiMjBhMzIwOGRj/MjRlYWViMGY4NDQ3/NThhZi5qcGc.jpg"/>
      <itunes:duration>3606</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Justin Leroy, who teaches in the Department of History at Duke University. He specializes in nineteenth-century African American history, with particular interests in intellectual history, slavery, abolition, and the history of capitalism. His first book, <em>The Lowest Freedom</em>, recovers an unexamined tradition in nineteenth-century Black thought that located the failures of emancipation not simply in political exclusion and racial violence, but in wide-ranging forms of economic dispossession that continued to define Black life in freedom. His current research focuses on carceral studies, and he is working on a history of race and policing in nineteenth-century North America. He also has longstanding interests in comparative Black/Indigenous and Black/Asian American histories.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kaiama Glover - Department of Black Studies, Yale University</title>
      <itunes:episode>255</itunes:episode>
      <podcast:episode>255</podcast:episode>
      <itunes:title>Kaiama Glover - Department of Black Studies, Yale University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/50f20265</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kaiama L. Glover, professor of Black Studies and French at Yale University. She is the author of <em>A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being </em>and <em>Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon</em>, as well as of numerous essays, articles, and chapters concerning race, gender, and representation in the francophone world. She is currently at work on a biography titled “For the Love of Revolution: René Depestre and the Poetics of a Radical Life" (forthcoming with Liveright/Norton) and a series of essays, “‘Blackness’ in French.” Professor Glover is the prize-winning translator of several works of Haitian prose fiction and francophone non-fiction. She is also the founding co-editor of <em>archipelagos | a journal of Caribbean digital praxis</em> and the founding co-director of the digital humanities project <em>In the Same Boats: Toward an Afro-Atlantic Intellectual Cartography</em>. She has been a contributor to the <em>New York Times Book Review</em> and the co-host of the podcast WRITING HOME | American Voices from the Caribbean. Professor Glover's scholarly, translation, and digital humanities work has been generously supported by fellowships at the New York Public Library Cullman Center, the Columbia Institute for Ideas and Imagination in Paris, the PEN/Heim Foundation, the National Endowment for the Arts, the National Endowment for the Humanities, and the Mellon Foundation.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kaiama L. Glover, professor of Black Studies and French at Yale University. She is the author of <em>A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being </em>and <em>Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon</em>, as well as of numerous essays, articles, and chapters concerning race, gender, and representation in the francophone world. She is currently at work on a biography titled “For the Love of Revolution: René Depestre and the Poetics of a Radical Life" (forthcoming with Liveright/Norton) and a series of essays, “‘Blackness’ in French.” Professor Glover is the prize-winning translator of several works of Haitian prose fiction and francophone non-fiction. She is also the founding co-editor of <em>archipelagos | a journal of Caribbean digital praxis</em> and the founding co-director of the digital humanities project <em>In the Same Boats: Toward an Afro-Atlantic Intellectual Cartography</em>. She has been a contributor to the <em>New York Times Book Review</em> and the co-host of the podcast WRITING HOME | American Voices from the Caribbean. Professor Glover's scholarly, translation, and digital humanities work has been generously supported by fellowships at the New York Public Library Cullman Center, the Columbia Institute for Ideas and Imagination in Paris, the PEN/Heim Foundation, the National Endowment for the Arts, the National Endowment for the Humanities, and the Mellon Foundation.</p>]]>
      </content:encoded>
      <pubDate>Wed, 29 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/50f20265/e8b3b0f2.mp3" length="117109849" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/uAyqkXK_vy3HVWZiLpZgRZMX_N1h1e6GZQQ7JedpQ1o/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xNWEy/OTM2MWMzZDEwMzhl/OWUwNjRhMzg4MmQy/NTM2Ny5qcGc.jpg"/>
      <itunes:duration>2927</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kaiama L. Glover, professor of Black Studies and French at Yale University. She is the author of <em>A Regarded Self: Caribbean Womanhood and the Ethics of Disorderly Being </em>and <em>Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon</em>, as well as of numerous essays, articles, and chapters concerning race, gender, and representation in the francophone world. She is currently at work on a biography titled “For the Love of Revolution: René Depestre and the Poetics of a Radical Life" (forthcoming with Liveright/Norton) and a series of essays, “‘Blackness’ in French.” Professor Glover is the prize-winning translator of several works of Haitian prose fiction and francophone non-fiction. She is also the founding co-editor of <em>archipelagos | a journal of Caribbean digital praxis</em> and the founding co-director of the digital humanities project <em>In the Same Boats: Toward an Afro-Atlantic Intellectual Cartography</em>. She has been a contributor to the <em>New York Times Book Review</em> and the co-host of the podcast WRITING HOME | American Voices from the Caribbean. Professor Glover's scholarly, translation, and digital humanities work has been generously supported by fellowships at the New York Public Library Cullman Center, the Columbia Institute for Ideas and Imagination in Paris, the PEN/Heim Foundation, the National Endowment for the Arts, the National Endowment for the Humanities, and the Mellon Foundation.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Imani Perry - Department of African and African American Studies, Harvard University</title>
      <itunes:episode>254</itunes:episode>
      <podcast:episode>254</podcast:episode>
      <itunes:title>Imani Perry - Department of African and African American Studies, Harvard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/909a7d21</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Imani Perry, who teaches in the Departments of African and African American Studies and Women, Gender, and Sexuality Studies at Harvard University. She has published extensively in popular and scholarly venues and is the author of eight books: <em>Prophets of the Hood: Politics and Poetics in Hip Hop </em>(2004) <em>More Beautiful and More Terrible: The Embrace and Transcendence of Racial Inequality in the United States </em>(2011), <em>Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry </em>(2018), <em>May We Forever Stand: A History of the Black National Anthem </em>(2018), <em>Vexy Thing: On Gender and Liberation </em>(2018), <em>Breathe: A Letter to My Sons </em>(2019), <em>South to America: A Journey Below the Mason-Dixon Line to Understand the Soul of a Nation </em>(2022), and <em>Black in Blues: How a Color Tells the Story of My People </em>(2025). Perry was named MacArthur Fellow in 2023. In this conversation, we discuss the contours of Black study, the expansiveness of the Black Studies imagination, and the place of gender and cultural studies in the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Imani Perry, who teaches in the Departments of African and African American Studies and Women, Gender, and Sexuality Studies at Harvard University. She has published extensively in popular and scholarly venues and is the author of eight books: <em>Prophets of the Hood: Politics and Poetics in Hip Hop </em>(2004) <em>More Beautiful and More Terrible: The Embrace and Transcendence of Racial Inequality in the United States </em>(2011), <em>Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry </em>(2018), <em>May We Forever Stand: A History of the Black National Anthem </em>(2018), <em>Vexy Thing: On Gender and Liberation </em>(2018), <em>Breathe: A Letter to My Sons </em>(2019), <em>South to America: A Journey Below the Mason-Dixon Line to Understand the Soul of a Nation </em>(2022), and <em>Black in Blues: How a Color Tells the Story of My People </em>(2025). Perry was named MacArthur Fellow in 2023. In this conversation, we discuss the contours of Black study, the expansiveness of the Black Studies imagination, and the place of gender and cultural studies in the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 27 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/909a7d21/213c9b8b.mp3" length="100392754" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2509</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Imani Perry, who teaches in the Departments of African and African American Studies and Women, Gender, and Sexuality Studies at Harvard University. She has published extensively in popular and scholarly venues and is the author of eight books: <em>Prophets of the Hood: Politics and Poetics in Hip Hop </em>(2004) <em>More Beautiful and More Terrible: The Embrace and Transcendence of Racial Inequality in the United States </em>(2011), <em>Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry </em>(2018), <em>May We Forever Stand: A History of the Black National Anthem </em>(2018), <em>Vexy Thing: On Gender and Liberation </em>(2018), <em>Breathe: A Letter to My Sons </em>(2019), <em>South to America: A Journey Below the Mason-Dixon Line to Understand the Soul of a Nation </em>(2022), and <em>Black in Blues: How a Color Tells the Story of My People </em>(2025). Perry was named MacArthur Fellow in 2023. In this conversation, we discuss the contours of Black study, the expansiveness of the Black Studies imagination, and the place of gender and cultural studies in the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kinitra Brooks - Department of English, Michigan State University</title>
      <itunes:episode>253</itunes:episode>
      <podcast:episode>253</podcast:episode>
      <itunes:title>Kinitra Brooks - Department of English, Michigan State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/ff0f3054</link>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kinitra Brooks, Associate Chair of Graduate Studies and the Audrey and John Leslie Endowed Chair in Literary Studies in the Department of English at Michigan State University. Dr. Brooks specializes in the study of black women, genre fiction, and popular culture as seen in her weekly column for <em>The Root</em>, “The Safe Negro Guide to Lovecraft Country” and her multiple visits as a commentator on NPR’s <em>1A</em>.  She has co-edited <em>The Lemonade Reader </em>(Routledge 2019), an interdisciplinary collection that explores the nuances of Beyoncé’s 2016 audiovisual project, <em>Lemonade</em>. She has recently co-edited <em>The Renaissance Reader </em>(Routledge 2025), which is also based on a Beyoncé project. Her two other books are <em>Searching for Sycorax: Black Women’s Hauntings of Contemporary Horror </em>(Rutgers UP 2017), a critical treatment of black women in science fiction, fantasy, and horror and <em>Sycorax’s Daughters </em>(Cedar Grove Publishing 2017), an edited volume of short horror fiction written by black women. </p><p>Her current research focuses on portrayals of the Conjure Woman throughout history and in contemporary popular culture as seen in her forthcoming graphic novel, <em>Red Dirt Witch</em> (Abrams Books 2026). Dr. Brooks recently served as the Advancing Equity Through Research Fellow at the Hutchins Center for African &amp; African American Research at Harvard University during the 2018-2019 academic year. Dr. Brooks also served as the Visiting Associate Professor of Women’s Studies and African American Religions in the Women’s Studies in Religion Program at Harvard Divinity School for the 2022-2023 academic year. Dr. Brooks’ current book project, <em>Divine Conjurers: Rootwork, Resistance, and Revolution </em>explores the unique relationship between Black women’s political subversion and Black women’s spirit work.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kinitra Brooks, Associate Chair of Graduate Studies and the Audrey and John Leslie Endowed Chair in Literary Studies in the Department of English at Michigan State University. Dr. Brooks specializes in the study of black women, genre fiction, and popular culture as seen in her weekly column for <em>The Root</em>, “The Safe Negro Guide to Lovecraft Country” and her multiple visits as a commentator on NPR’s <em>1A</em>.  She has co-edited <em>The Lemonade Reader </em>(Routledge 2019), an interdisciplinary collection that explores the nuances of Beyoncé’s 2016 audiovisual project, <em>Lemonade</em>. She has recently co-edited <em>The Renaissance Reader </em>(Routledge 2025), which is also based on a Beyoncé project. Her two other books are <em>Searching for Sycorax: Black Women’s Hauntings of Contemporary Horror </em>(Rutgers UP 2017), a critical treatment of black women in science fiction, fantasy, and horror and <em>Sycorax’s Daughters </em>(Cedar Grove Publishing 2017), an edited volume of short horror fiction written by black women. </p><p>Her current research focuses on portrayals of the Conjure Woman throughout history and in contemporary popular culture as seen in her forthcoming graphic novel, <em>Red Dirt Witch</em> (Abrams Books 2026). Dr. Brooks recently served as the Advancing Equity Through Research Fellow at the Hutchins Center for African &amp; African American Research at Harvard University during the 2018-2019 academic year. Dr. Brooks also served as the Visiting Associate Professor of Women’s Studies and African American Religions in the Women’s Studies in Religion Program at Harvard Divinity School for the 2022-2023 academic year. Dr. Brooks’ current book project, <em>Divine Conjurers: Rootwork, Resistance, and Revolution </em>explores the unique relationship between Black women’s political subversion and Black women’s spirit work.</p>]]>
      </content:encoded>
      <pubDate>Fri, 24 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/ff0f3054/44a04962.mp3" length="118788614" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/sVbIXFxJjD18uVVxm5wVIdwiPGb2ceZs0gsz8JFB6Tw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zZmE4/YTJhYTdjNTJlZGI1/YWRhNzMxZmE2MzQ0/ZTAzYy5qcGc.jpg"/>
      <itunes:duration>2969</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kinitra Brooks, Associate Chair of Graduate Studies and the Audrey and John Leslie Endowed Chair in Literary Studies in the Department of English at Michigan State University. Dr. Brooks specializes in the study of black women, genre fiction, and popular culture as seen in her weekly column for <em>The Root</em>, “The Safe Negro Guide to Lovecraft Country” and her multiple visits as a commentator on NPR’s <em>1A</em>.  She has co-edited <em>The Lemonade Reader </em>(Routledge 2019), an interdisciplinary collection that explores the nuances of Beyoncé’s 2016 audiovisual project, <em>Lemonade</em>. She has recently co-edited <em>The Renaissance Reader </em>(Routledge 2025), which is also based on a Beyoncé project. Her two other books are <em>Searching for Sycorax: Black Women’s Hauntings of Contemporary Horror </em>(Rutgers UP 2017), a critical treatment of black women in science fiction, fantasy, and horror and <em>Sycorax’s Daughters </em>(Cedar Grove Publishing 2017), an edited volume of short horror fiction written by black women. </p><p>Her current research focuses on portrayals of the Conjure Woman throughout history and in contemporary popular culture as seen in her forthcoming graphic novel, <em>Red Dirt Witch</em> (Abrams Books 2026). Dr. Brooks recently served as the Advancing Equity Through Research Fellow at the Hutchins Center for African &amp; African American Research at Harvard University during the 2018-2019 academic year. Dr. Brooks also served as the Visiting Associate Professor of Women’s Studies and African American Religions in the Women’s Studies in Religion Program at Harvard Divinity School for the 2022-2023 academic year. Dr. Brooks’ current book project, <em>Divine Conjurers: Rootwork, Resistance, and Revolution </em>explores the unique relationship between Black women’s political subversion and Black women’s spirit work.</p>]]>
      </itunes:summary>
      <itunes:keywords>Africana Studies, African American Studies, religion, African American religion, African religion, Black culture, African American literature</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>andré carrington - Department of English, University of California, Riverside</title>
      <itunes:episode>252</itunes:episode>
      <podcast:episode>252</podcast:episode>
      <itunes:title>andré carrington - Department of English, University of California, Riverside</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/3c50e143</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://profiles.ucr.edu/app/home/profile/andrc">andré carrington, who teaches in the Department of English at University of California, Riverside</a>. He has published extensively on literature and the speculative arts and is the author of two books, <a href="https://www.upress.umn.edu/9780816678969/speculative-blackness/"><em>Speculative Blackness: The Future of Race in Science Fiction </em></a>(2016) and <a href="https://fordhampress.com/audiofuturism-hb-9781531513320.html"><em>Audiofuturism: Science Fiction Radio Drama and the Black Fantastic Imagination</em></a><em> </em>(2026), as well as editor of <a href="https://www.loa.org/books/the-black-fantastic-20-afrofuturist-stories-paperback/"><em>The Black Fantastic: 20 Afrofuturist Stories</em></a><em> </em>(2025). In this conversation, we discuss the expansiveness of the Black Studies imagination, the place of popular and graphic arts in Black study, and the terms of thinking and teaching Black life in times of political crisis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://profiles.ucr.edu/app/home/profile/andrc">andré carrington, who teaches in the Department of English at University of California, Riverside</a>. He has published extensively on literature and the speculative arts and is the author of two books, <a href="https://www.upress.umn.edu/9780816678969/speculative-blackness/"><em>Speculative Blackness: The Future of Race in Science Fiction </em></a>(2016) and <a href="https://fordhampress.com/audiofuturism-hb-9781531513320.html"><em>Audiofuturism: Science Fiction Radio Drama and the Black Fantastic Imagination</em></a><em> </em>(2026), as well as editor of <a href="https://www.loa.org/books/the-black-fantastic-20-afrofuturist-stories-paperback/"><em>The Black Fantastic: 20 Afrofuturist Stories</em></a><em> </em>(2025). In this conversation, we discuss the expansiveness of the Black Studies imagination, the place of popular and graphic arts in Black study, and the terms of thinking and teaching Black life in times of political crisis.</p>]]>
      </content:encoded>
      <pubDate>Wed, 22 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/3c50e143/afc9938b.mp3" length="148920207" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/cDttK-3eLHTwWWGyAp4RW62Lw5WER0b-zUpwSLxcWc0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kYTc5/MWJiMjIzN2VmYmIy/Y2FhNjRmMGQxNTc0/NmE1NC5qcGVn.jpg"/>
      <itunes:duration>3722</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://profiles.ucr.edu/app/home/profile/andrc">andré carrington, who teaches in the Department of English at University of California, Riverside</a>. He has published extensively on literature and the speculative arts and is the author of two books, <a href="https://www.upress.umn.edu/9780816678969/speculative-blackness/"><em>Speculative Blackness: The Future of Race in Science Fiction </em></a>(2016) and <a href="https://fordhampress.com/audiofuturism-hb-9781531513320.html"><em>Audiofuturism: Science Fiction Radio Drama and the Black Fantastic Imagination</em></a><em> </em>(2026), as well as editor of <a href="https://www.loa.org/books/the-black-fantastic-20-afrofuturist-stories-paperback/"><em>The Black Fantastic: 20 Afrofuturist Stories</em></a><em> </em>(2025). In this conversation, we discuss the expansiveness of the Black Studies imagination, the place of popular and graphic arts in Black study, and the terms of thinking and teaching Black life in times of political crisis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, African American Studies, African American literature, Afro-Futurism, Black Science Fiction</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kyra Gaunt - Department of Music and Theater, State University of New York, Albany</title>
      <itunes:episode>251</itunes:episode>
      <podcast:episode>251</podcast:episode>
      <itunes:title>Kyra Gaunt - Department of Music and Theater, State University of New York, Albany</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e27fa779</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kyra Gaunt, who teaches in the Department of Music and Theater at State University of New York, Albany. She has published extensively on race and gender in both academic and popular venues, and is the author of the groundbreaking work <a href="https://www.amazon.com/Games-Black-Girls-Play-Double-Dutch/dp/0814731201"><em>The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip Hop</em></a><em> </em>(2007). In this conversation, we explore the significance of musical study in the field of Black Studies, the relationship between vernacular cultural practices and world- and idea-making, and how a focus on the experiences of Black girls and women shifts our understanding of the meaning of Black study.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kyra Gaunt, who teaches in the Department of Music and Theater at State University of New York, Albany. She has published extensively on race and gender in both academic and popular venues, and is the author of the groundbreaking work <a href="https://www.amazon.com/Games-Black-Girls-Play-Double-Dutch/dp/0814731201"><em>The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip Hop</em></a><em> </em>(2007). In this conversation, we explore the significance of musical study in the field of Black Studies, the relationship between vernacular cultural practices and world- and idea-making, and how a focus on the experiences of Black girls and women shifts our understanding of the meaning of Black study.</p>]]>
      </content:encoded>
      <pubDate>Mon, 20 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/e27fa779/ff052d1f.mp3" length="170689042" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/CV4odsLfFcrRu0AtnX6pvoffMO7RkeX7qXo8BhkrOO4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82N2Fi/ZDZiY2IyNGNlZGIx/ODMzZjI2NWFmNTNj/ZjQ2MC5qcGc.jpg"/>
      <itunes:duration>4267</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kyra Gaunt, who teaches in the Department of Music and Theater at State University of New York, Albany. She has published extensively on race and gender in both academic and popular venues, and is the author of the groundbreaking work <a href="https://www.amazon.com/Games-Black-Girls-Play-Double-Dutch/dp/0814731201"><em>The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip Hop</em></a><em> </em>(2007). In this conversation, we explore the significance of musical study in the field of Black Studies, the relationship between vernacular cultural practices and world- and idea-making, and how a focus on the experiences of Black girls and women shifts our understanding of the meaning of Black study.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, African American Studies, musicology, Black music, Black cultural studies, Gender studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>LeRhonda Manigault-Bryant - Department of African, African American, and Diaspora Studies, University of North Carolina, Chapel Hill</title>
      <itunes:episode>250</itunes:episode>
      <podcast:episode>250</podcast:episode>
      <itunes:title>LeRhonda Manigault-Bryant - Department of African, African American, and Diaspora Studies, University of North Carolina, Chapel Hill</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a2db3560</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://aaad.unc.edu/faculty-staff/lerhonda-manigault-bryant/">LeRhonda Manigault-Bryant</a>, who teaches in the Department of African, African American, and Diaspora Studies at University of North Carolina, Chapel Hill where she also serves as Director of the <a href="https://stonecenter.unc.edu">Sonja Haynes Stone Center for Research in Black Culture and History</a>. Her work is invested in history, spirituality, and memory, with a particular focus on African American women and religion. To that end, she is the author of <a href="https://www.dukeupress.edu/talking-to-the-dead"><em>Talking to the Dead: Religion, Music, and Lived Memory among Gullah/Geechee Women</em></a><em> </em>(2014) and has edited two books, <a href="https://link.springer.com/book/10.1057/9781137429568"><em>Womanist and Black Feminist Responses to Tyler Perry’s Productions</em></a><em>, </em>with Carol B. Duncan and Tamura A. Lomax (2014) and <a href="https://www.routledge.com/Fat-Religion-Protestant-Christianity-and-the-Construction-of-the-Fat-Body/Gerber-Hill-Manigault-Bryant/p/book/9780367684976"><em>Fat Religion: Protestant Christianity and the Construction of the Fat Body</em></a><em>, </em>with Lynne Gerber and Susan Hill (2021). In this conversation, we discuss the place of historical and religious study in Black Studies, spiritual practice as Black study, and how questions of gender and region transform our approach to the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://aaad.unc.edu/faculty-staff/lerhonda-manigault-bryant/">LeRhonda Manigault-Bryant</a>, who teaches in the Department of African, African American, and Diaspora Studies at University of North Carolina, Chapel Hill where she also serves as Director of the <a href="https://stonecenter.unc.edu">Sonja Haynes Stone Center for Research in Black Culture and History</a>. Her work is invested in history, spirituality, and memory, with a particular focus on African American women and religion. To that end, she is the author of <a href="https://www.dukeupress.edu/talking-to-the-dead"><em>Talking to the Dead: Religion, Music, and Lived Memory among Gullah/Geechee Women</em></a><em> </em>(2014) and has edited two books, <a href="https://link.springer.com/book/10.1057/9781137429568"><em>Womanist and Black Feminist Responses to Tyler Perry’s Productions</em></a><em>, </em>with Carol B. Duncan and Tamura A. Lomax (2014) and <a href="https://www.routledge.com/Fat-Religion-Protestant-Christianity-and-the-Construction-of-the-Fat-Body/Gerber-Hill-Manigault-Bryant/p/book/9780367684976"><em>Fat Religion: Protestant Christianity and the Construction of the Fat Body</em></a><em>, </em>with Lynne Gerber and Susan Hill (2021). In this conversation, we discuss the place of historical and religious study in Black Studies, spiritual practice as Black study, and how questions of gender and region transform our approach to the field.</p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a2db3560/171b925f.mp3" length="120107584" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/GMdf6m0SbU8ag5lkUAfDm_SFbLwt-JWtKlfINRSLZkE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kZGU3/MjgyMTFjMTEzM2U3/NTMxNjU1OGUxYzQw/YWQ5Yi5qcGc.jpg"/>
      <itunes:duration>3002</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://aaad.unc.edu/faculty-staff/lerhonda-manigault-bryant/">LeRhonda Manigault-Bryant</a>, who teaches in the Department of African, African American, and Diaspora Studies at University of North Carolina, Chapel Hill where she also serves as Director of the <a href="https://stonecenter.unc.edu">Sonja Haynes Stone Center for Research in Black Culture and History</a>. Her work is invested in history, spirituality, and memory, with a particular focus on African American women and religion. To that end, she is the author of <a href="https://www.dukeupress.edu/talking-to-the-dead"><em>Talking to the Dead: Religion, Music, and Lived Memory among Gullah/Geechee Women</em></a><em> </em>(2014) and has edited two books, <a href="https://link.springer.com/book/10.1057/9781137429568"><em>Womanist and Black Feminist Responses to Tyler Perry’s Productions</em></a><em>, </em>with Carol B. Duncan and Tamura A. Lomax (2014) and <a href="https://www.routledge.com/Fat-Religion-Protestant-Christianity-and-the-Construction-of-the-Fat-Body/Gerber-Hill-Manigault-Bryant/p/book/9780367684976"><em>Fat Religion: Protestant Christianity and the Construction of the Fat Body</em></a><em>, </em>with Lynne Gerber and Susan Hill (2021). In this conversation, we discuss the place of historical and religious study in Black Studies, spiritual practice as Black study, and how questions of gender and region transform our approach to the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black studies, Africana Studies, African American Studies, Religious studies, African American religion, Black women's history, gender studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Crystal Feimster - Department of Black Studies, Yale University</title>
      <itunes:episode>249</itunes:episode>
      <podcast:episode>249</podcast:episode>
      <itunes:title>Crystal Feimster - Department of Black Studies, Yale University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d6ec7061</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Crystal N. Feimster, Associate Professor of African American Studies and History and affiliated faculty in American Studies and Women’s, Gender, and Sexuality Studies at Yale University, where she also serves as the Harvey Goldblatt Head of Pierson College. A native of North Carolina, she is a historian of nineteenth- and twentieth-century African American history, U.S. women’s history, and the American South. Her scholarship examines racial and sexual violence, bridging social and political history to illuminate long-obscured dimensions of the American past. Attentive to absences and asymmetries in the archive, she draws on gender studies, critical race theory, literary scholarship, and psychoanalysis to interpret some of the most elusive and traumatic facets of human experience.</p><p>Professor Feimster earned her Ph.D. in History from Princeton University and her B.A. in History and Women’s Studies from the University of North Carolina at Chapel Hill. She is the author of the prizewinning <em>Southern Horrors: Women and the Politics of Rape and Lynching</em> (Harvard University Press), recipient of the W.E.B. Du Bois Book Prize and honorable mention for the Darlene Clark Hine Book Prize. Her award-winning scholarship also includes the article “Keeping a Disorderly House in Civil War Kentucky,” which received the Kentucky Historical Society’s Collins Award for best article in the <em>Register of the Kentucky Historical Society</em>, and “Rape and Mutiny at Fort Jackson: Black Laundresses Testify in Civil War Louisiana,” which received honorable mention for the Letitia Woods Brown Article Prize from the Association of Black Women Historians. She has published widely in leading journals and has written essays for broader audiences in <em>The New York Times</em>, <em>The Chronicle of Higher Education</em>, and <em>Slate</em>. She is currently completing two books, <em>Truth Be Told: The Battle for Freedom in Civil War Era Louisiana</em> and <em>Uncivil: Sex and Violence in the Civil War South</em>.</p><p>Her professional appointments reflect her leadership in the field. She is President of the Southern Association of Women’s Historians, a member of the Executive Board of the Society of American Historians, Associate Editor of <em>Civil War History</em>, and Contributing Editor to <em>Labor</em>. She previously served as Co-President of the Coordinating Council for Women in History and has held numerous leadership roles in national scholarly organizations. Her research has been supported by the American Academy of Arts and Sciences, the Institute for Advanced Study, and other distinguished institutions. A devoted and award-winning teacher, Professor Feimster offers well-subscribed courses on the Long Civil Rights Movement, African American Women’s History, Critical Race Theory, and the Women’s Liberation Movement. In recognition of her commitment to undergraduate and graduate mentorship, she has received multiple honors, including the Poorvu Family Award for Interdisciplinary Teaching, the Yale Provost Teaching Prize, the Berkeley College Faculty Mentoring Prize, the Afro-American Cultural Center’s Faculty Excellence Award in Teaching and Mentoring, and the Graduate Mentoring Award in the Humanities.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Crystal N. Feimster, Associate Professor of African American Studies and History and affiliated faculty in American Studies and Women’s, Gender, and Sexuality Studies at Yale University, where she also serves as the Harvey Goldblatt Head of Pierson College. A native of North Carolina, she is a historian of nineteenth- and twentieth-century African American history, U.S. women’s history, and the American South. Her scholarship examines racial and sexual violence, bridging social and political history to illuminate long-obscured dimensions of the American past. Attentive to absences and asymmetries in the archive, she draws on gender studies, critical race theory, literary scholarship, and psychoanalysis to interpret some of the most elusive and traumatic facets of human experience.</p><p>Professor Feimster earned her Ph.D. in History from Princeton University and her B.A. in History and Women’s Studies from the University of North Carolina at Chapel Hill. She is the author of the prizewinning <em>Southern Horrors: Women and the Politics of Rape and Lynching</em> (Harvard University Press), recipient of the W.E.B. Du Bois Book Prize and honorable mention for the Darlene Clark Hine Book Prize. Her award-winning scholarship also includes the article “Keeping a Disorderly House in Civil War Kentucky,” which received the Kentucky Historical Society’s Collins Award for best article in the <em>Register of the Kentucky Historical Society</em>, and “Rape and Mutiny at Fort Jackson: Black Laundresses Testify in Civil War Louisiana,” which received honorable mention for the Letitia Woods Brown Article Prize from the Association of Black Women Historians. She has published widely in leading journals and has written essays for broader audiences in <em>The New York Times</em>, <em>The Chronicle of Higher Education</em>, and <em>Slate</em>. She is currently completing two books, <em>Truth Be Told: The Battle for Freedom in Civil War Era Louisiana</em> and <em>Uncivil: Sex and Violence in the Civil War South</em>.</p><p>Her professional appointments reflect her leadership in the field. She is President of the Southern Association of Women’s Historians, a member of the Executive Board of the Society of American Historians, Associate Editor of <em>Civil War History</em>, and Contributing Editor to <em>Labor</em>. She previously served as Co-President of the Coordinating Council for Women in History and has held numerous leadership roles in national scholarly organizations. Her research has been supported by the American Academy of Arts and Sciences, the Institute for Advanced Study, and other distinguished institutions. A devoted and award-winning teacher, Professor Feimster offers well-subscribed courses on the Long Civil Rights Movement, African American Women’s History, Critical Race Theory, and the Women’s Liberation Movement. In recognition of her commitment to undergraduate and graduate mentorship, she has received multiple honors, including the Poorvu Family Award for Interdisciplinary Teaching, the Yale Provost Teaching Prize, the Berkeley College Faculty Mentoring Prize, the Afro-American Cultural Center’s Faculty Excellence Award in Teaching and Mentoring, and the Graduate Mentoring Award in the Humanities.</p>]]>
      </content:encoded>
      <pubDate>Wed, 15 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d6ec7061/fe122135.mp3" length="133980675" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3349</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Crystal N. Feimster, Associate Professor of African American Studies and History and affiliated faculty in American Studies and Women’s, Gender, and Sexuality Studies at Yale University, where she also serves as the Harvey Goldblatt Head of Pierson College. A native of North Carolina, she is a historian of nineteenth- and twentieth-century African American history, U.S. women’s history, and the American South. Her scholarship examines racial and sexual violence, bridging social and political history to illuminate long-obscured dimensions of the American past. Attentive to absences and asymmetries in the archive, she draws on gender studies, critical race theory, literary scholarship, and psychoanalysis to interpret some of the most elusive and traumatic facets of human experience.</p><p>Professor Feimster earned her Ph.D. in History from Princeton University and her B.A. in History and Women’s Studies from the University of North Carolina at Chapel Hill. She is the author of the prizewinning <em>Southern Horrors: Women and the Politics of Rape and Lynching</em> (Harvard University Press), recipient of the W.E.B. Du Bois Book Prize and honorable mention for the Darlene Clark Hine Book Prize. Her award-winning scholarship also includes the article “Keeping a Disorderly House in Civil War Kentucky,” which received the Kentucky Historical Society’s Collins Award for best article in the <em>Register of the Kentucky Historical Society</em>, and “Rape and Mutiny at Fort Jackson: Black Laundresses Testify in Civil War Louisiana,” which received honorable mention for the Letitia Woods Brown Article Prize from the Association of Black Women Historians. She has published widely in leading journals and has written essays for broader audiences in <em>The New York Times</em>, <em>The Chronicle of Higher Education</em>, and <em>Slate</em>. She is currently completing two books, <em>Truth Be Told: The Battle for Freedom in Civil War Era Louisiana</em> and <em>Uncivil: Sex and Violence in the Civil War South</em>.</p><p>Her professional appointments reflect her leadership in the field. She is President of the Southern Association of Women’s Historians, a member of the Executive Board of the Society of American Historians, Associate Editor of <em>Civil War History</em>, and Contributing Editor to <em>Labor</em>. She previously served as Co-President of the Coordinating Council for Women in History and has held numerous leadership roles in national scholarly organizations. Her research has been supported by the American Academy of Arts and Sciences, the Institute for Advanced Study, and other distinguished institutions. A devoted and award-winning teacher, Professor Feimster offers well-subscribed courses on the Long Civil Rights Movement, African American Women’s History, Critical Race Theory, and the Women’s Liberation Movement. In recognition of her commitment to undergraduate and graduate mentorship, she has received multiple honors, including the Poorvu Family Award for Interdisciplinary Teaching, the Yale Provost Teaching Prize, the Berkeley College Faculty Mentoring Prize, the Afro-American Cultural Center’s Faculty Excellence Award in Teaching and Mentoring, and the Graduate Mentoring Award in the Humanities.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, African American Studies, African American history, Black women's history</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Maya Doig-Acuña - Department of African and African American Studies, Harvard University</title>
      <itunes:episode>248</itunes:episode>
      <podcast:episode>248</podcast:episode>
      <itunes:title>Maya Doig-Acuña - Department of African and African American Studies, Harvard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Maya Doig-Acuña, doctoral candidate in the Department of African and African American Studies at Harvard University. Her work is invested in history and memory studies, with a particular focus on Afro-Latinx culture and identity that emphasizes diasporic movement and structures of kinship. To that end, she is currently completing her doctoral dissertation under the title <em>We are Her Beloved Descendants: Alternate Archives of Afro-Panamanian Memory, Diaspora, and Kinship</em>. In this conversation, we discuss the expansive reach of Black Studies, how Black study informs multidisciplinary approaches to the past, and how Black Studies sensibilities shape critical discourse around memory studies and historical research.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Maya Doig-Acuña, doctoral candidate in the Department of African and African American Studies at Harvard University. Her work is invested in history and memory studies, with a particular focus on Afro-Latinx culture and identity that emphasizes diasporic movement and structures of kinship. To that end, she is currently completing her doctoral dissertation under the title <em>We are Her Beloved Descendants: Alternate Archives of Afro-Panamanian Memory, Diaspora, and Kinship</em>. In this conversation, we discuss the expansive reach of Black Studies, how Black study informs multidisciplinary approaches to the past, and how Black Studies sensibilities shape critical discourse around memory studies and historical research.</p>]]>
      </content:encoded>
      <pubDate>Mon, 13 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d8334326/ed913ddc.mp3" length="108256683" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2706</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Maya Doig-Acuña, doctoral candidate in the Department of African and African American Studies at Harvard University. Her work is invested in history and memory studies, with a particular focus on Afro-Latinx culture and identity that emphasizes diasporic movement and structures of kinship. To that end, she is currently completing her doctoral dissertation under the title <em>We are Her Beloved Descendants: Alternate Archives of Afro-Panamanian Memory, Diaspora, and Kinship</em>. In this conversation, we discuss the expansive reach of Black Studies, how Black study informs multidisciplinary approaches to the past, and how Black Studies sensibilities shape critical discourse around memory studies and historical research.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, Afro-Latinx Studies, Afro-Latino Studies, memory, Latin American history, African diaspora, diaspora, kinship</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Willie J. Wright - Institute of Urban and Regional Research and Planning, University of Rio de Janeiro</title>
      <itunes:episode>247</itunes:episode>
      <podcast:episode>247</podcast:episode>
      <itunes:title>Willie J. Wright - Institute of Urban and Regional Research and Planning, University of Rio de Janeiro</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is with Dr. Willie Jamaal Wright who is a Research Fellow within the Institute of Urban and Regional Research and Planning at the Federal University of Rio de Janeiro. His research interests include the study of urban and black geographies throughout the Black Diaspora. His writing has appeared in the Annals of the American Association of Geographers, the Black Scholar, City &amp; Society and has been supported by the Ford Foundation, the Urban Studies Foundation, and the Andy Warhol Foundation. He is currently co-editing the late geographer, Bobby M. Wilson’s <em>Consumer Political Economy and African America</em> for the University of Georgia Press. Lastly, Dr. Wright is working on his first sole-authored text, <em>Valorizing the Void: Place and Public Art in the Houston's Third Ward</em>. In this conversation, we discuss black geographies as emerging field in black studies, black studies as life studies, as well as a place of refuge for black students.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is with Dr. Willie Jamaal Wright who is a Research Fellow within the Institute of Urban and Regional Research and Planning at the Federal University of Rio de Janeiro. His research interests include the study of urban and black geographies throughout the Black Diaspora. His writing has appeared in the Annals of the American Association of Geographers, the Black Scholar, City &amp; Society and has been supported by the Ford Foundation, the Urban Studies Foundation, and the Andy Warhol Foundation. He is currently co-editing the late geographer, Bobby M. Wilson’s <em>Consumer Political Economy and African America</em> for the University of Georgia Press. Lastly, Dr. Wright is working on his first sole-authored text, <em>Valorizing the Void: Place and Public Art in the Houston's Third Ward</em>. In this conversation, we discuss black geographies as emerging field in black studies, black studies as life studies, as well as a place of refuge for black students.</p>]]>
      </content:encoded>
      <pubDate>Fri, 10 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f17dd149/f9f3bf7f.mp3" length="197932420" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4948</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is with Dr. Willie Jamaal Wright who is a Research Fellow within the Institute of Urban and Regional Research and Planning at the Federal University of Rio de Janeiro. His research interests include the study of urban and black geographies throughout the Black Diaspora. His writing has appeared in the Annals of the American Association of Geographers, the Black Scholar, City &amp; Society and has been supported by the Ford Foundation, the Urban Studies Foundation, and the Andy Warhol Foundation. He is currently co-editing the late geographer, Bobby M. Wilson’s <em>Consumer Political Economy and African America</em> for the University of Georgia Press. Lastly, Dr. Wright is working on his first sole-authored text, <em>Valorizing the Void: Place and Public Art in the Houston's Third Ward</em>. In this conversation, we discuss black geographies as emerging field in black studies, black studies as life studies, as well as a place of refuge for black students.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Mark Sanders - Departments of Africana Studies and English, University of Notre Dame</title>
      <itunes:episode>246</itunes:episode>
      <podcast:episode>246</podcast:episode>
      <itunes:title>Mark Sanders - Departments of Africana Studies and English, University of Notre Dame</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mark Sanders, who teaches in the Departments of Africana Studies and English at University of Notre Dame. He is the author of a number of scholarly articles on African American and Afro-Caribbean literature and culture, as well as author, editor, and translator of three books, <em>Afro-Modernist Aesthetics and the Poetry of Sterling A. Brown </em>(1999), <em>Sterling A. Brown’s A Negro Looks at the South </em>(co-edited with John Edgar Tidwell from 2007) and <em>A Black Soldier’s Story: The Narrative of Ricardo Batrell and the Cuban War of Independence </em>(2010). In this conversation, we discuss the importance of transnational study, language diversity in the Black Americas, and the fecundity of Black Studies critical frames for the study of literature and culture.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mark Sanders, who teaches in the Departments of Africana Studies and English at University of Notre Dame. He is the author of a number of scholarly articles on African American and Afro-Caribbean literature and culture, as well as author, editor, and translator of three books, <em>Afro-Modernist Aesthetics and the Poetry of Sterling A. Brown </em>(1999), <em>Sterling A. Brown’s A Negro Looks at the South </em>(co-edited with John Edgar Tidwell from 2007) and <em>A Black Soldier’s Story: The Narrative of Ricardo Batrell and the Cuban War of Independence </em>(2010). In this conversation, we discuss the importance of transnational study, language diversity in the Black Americas, and the fecundity of Black Studies critical frames for the study of literature and culture.</p>]]>
      </content:encoded>
      <pubDate>Wed, 08 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/dd5eb407/3daf3101.mp3" length="147100134" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/TjSgV9wCvixf21_aIEJwrziPTHm9Sji3YX--2c6exF4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83NWUx/NmY2NDJjNTY2OGNl/MDA5MGYyNjU1MTE0/ZGJhOC5qcGVn.jpg"/>
      <itunes:duration>3677</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mark Sanders, who teaches in the Departments of Africana Studies and English at University of Notre Dame. He is the author of a number of scholarly articles on African American and Afro-Caribbean literature and culture, as well as author, editor, and translator of three books, <em>Afro-Modernist Aesthetics and the Poetry of Sterling A. Brown </em>(1999), <em>Sterling A. Brown’s A Negro Looks at the South </em>(co-edited with John Edgar Tidwell from 2007) and <em>A Black Soldier’s Story: The Narrative of Ricardo Batrell and the Cuban War of Independence </em>(2010). In this conversation, we discuss the importance of transnational study, language diversity in the Black Americas, and the fecundity of Black Studies critical frames for the study of literature and culture.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black studies, Africana Studies, African American studies, Caribbean studies, Afro-Latinix studies, Afro-Latino studies, Black literature, African American Literature, Caribbean literature, transnational</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jocelyn Brown - Department of African American Studies, Ohio University</title>
      <itunes:episode>245</itunes:episode>
      <podcast:episode>245</podcast:episode>
      <itunes:title>Jocelyn Brown - Department of African American Studies, Ohio University</itunes:title>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Jocelyn Brown, Assistant Professor of African American Studies at Ohio University with training in gerontology, applied sociology, and applied psychology. Originally from West Virginia, her scholarship centers Black Appalachian life across the life course. She has a particular focus on health disparities, structural racism, and the political-economic conditions shaping Black communities in Appalachia, the wider U.S., and the African diaspora.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Jocelyn Brown, Assistant Professor of African American Studies at Ohio University with training in gerontology, applied sociology, and applied psychology. Originally from West Virginia, her scholarship centers Black Appalachian life across the life course. She has a particular focus on health disparities, structural racism, and the political-economic conditions shaping Black communities in Appalachia, the wider U.S., and the African diaspora.</p>]]>
      </content:encoded>
      <pubDate>Mon, 06 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/afdcba72/2958cba6.mp3" length="65688034" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>1641</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Jocelyn Brown, Assistant Professor of African American Studies at Ohio University with training in gerontology, applied sociology, and applied psychology. Originally from West Virginia, her scholarship centers Black Appalachian life across the life course. She has a particular focus on health disparities, structural racism, and the political-economic conditions shaping Black communities in Appalachia, the wider U.S., and the African diaspora.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Drew D. Brown - Departments of African American Studies and Sociology, University of Florida</title>
      <itunes:episode>244</itunes:episode>
      <podcast:episode>244</podcast:episode>
      <itunes:title>Drew D. Brown - Departments of African American Studies and Sociology, University of Florida</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/30a8904d</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Drew D. Brown, Assistant Professor in African American Studies and Sociology at the University of Florida, specializing in the intersections of Black Culture and Sports. His current book manuscript explores “Baller Culture,” the hip-hop-informed Black cultural expression found in sports. Analyzing sports media from 1988 to 2008, he argues that film, magazines, and commercials became a public arena where young Black Americans negotiated their cultural expression to shape and reshape identities, build community, and gain popularity. The book shows how they deployed a hybrid identity, which was often commodified and misrepresented by the media. Ultimately, the book highlights the constantly evolving nature of Black cultural identity.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Drew D. Brown, Assistant Professor in African American Studies and Sociology at the University of Florida, specializing in the intersections of Black Culture and Sports. His current book manuscript explores “Baller Culture,” the hip-hop-informed Black cultural expression found in sports. Analyzing sports media from 1988 to 2008, he argues that film, magazines, and commercials became a public arena where young Black Americans negotiated their cultural expression to shape and reshape identities, build community, and gain popularity. The book shows how they deployed a hybrid identity, which was often commodified and misrepresented by the media. Ultimately, the book highlights the constantly evolving nature of Black cultural identity.</p>]]>
      </content:encoded>
      <pubDate>Fri, 03 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/30a8904d/99380824.mp3" length="121631515" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3039</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Drew D. Brown, Assistant Professor in African American Studies and Sociology at the University of Florida, specializing in the intersections of Black Culture and Sports. His current book manuscript explores “Baller Culture,” the hip-hop-informed Black cultural expression found in sports. Analyzing sports media from 1988 to 2008, he argues that film, magazines, and commercials became a public arena where young Black Americans negotiated their cultural expression to shape and reshape identities, build community, and gain popularity. The book shows how they deployed a hybrid identity, which was often commodified and misrepresented by the media. Ultimately, the book highlights the constantly evolving nature of Black cultural identity.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Nneka Dennie - Department of History, Washington and Lee University</title>
      <itunes:episode>243</itunes:episode>
      <podcast:episode>243</podcast:episode>
      <itunes:title>Nneka Dennie - Department of History, Washington and Lee University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/15c5733c</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Nneka Dennie, who teaches in the Department of History at Washington and Lee University. She has published on early African-American thought and history, with particular attention to the work of Mary Ann Shadd Cary, and is the author and editor of <em>Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist</em> (2023) and the in-progress book <em>Redefining Radicalism: Black Women Intellectuals in the Nineteenth Century</em>. In this conversation, we discuss the importance of historical and cultural research in the field of Black Studies, the place of gender in work on the African American intellectual tradition, and the urgency of the study of Black radical thought in our contemporary moment.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Nneka Dennie, who teaches in the Department of History at Washington and Lee University. She has published on early African-American thought and history, with particular attention to the work of Mary Ann Shadd Cary, and is the author and editor of <em>Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist</em> (2023) and the in-progress book <em>Redefining Radicalism: Black Women Intellectuals in the Nineteenth Century</em>. In this conversation, we discuss the importance of historical and cultural research in the field of Black Studies, the place of gender in work on the African American intellectual tradition, and the urgency of the study of Black radical thought in our contemporary moment.</p>]]>
      </content:encoded>
      <pubDate>Wed, 01 Apr 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/15c5733c/286024f4.mp3" length="108496126" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2712</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Nneka Dennie, who teaches in the Department of History at Washington and Lee University. She has published on early African-American thought and history, with particular attention to the work of Mary Ann Shadd Cary, and is the author and editor of <em>Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist</em> (2023) and the in-progress book <em>Redefining Radicalism: Black Women Intellectuals in the Nineteenth Century</em>. In this conversation, we discuss the importance of historical and cultural research in the field of Black Studies, the place of gender in work on the African American intellectual tradition, and the urgency of the study of Black radical thought in our contemporary moment.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Andrea Mays - Department of Africana Studies, University of New Mexico</title>
      <itunes:episode>242</itunes:episode>
      <podcast:episode>242</podcast:episode>
      <itunes:title>Andrea Mays - Department of Africana Studies, University of New Mexico</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/7ea2332e</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Andrea Mays, who teaches in the Department of Africana Studies at University of New Mexico. She has written extensively in public facing venues and has authored scholarly essays that draw on the history of Black art and what it has to say about resistance, refusal, and culture making in an antiblack world. Her work focuses on African American Visual Culture and Black Atlantic Culture and Politics, Afrofuturism, and Black Feminist Studies. Her research interests include Black Atlantic expressions of critical and resistance politics. Mays’ forthcoming essay “Legacies of Wisdom: The Praxis of Teaching Butler’s Visions of Apocalypse During Apocalyptic Times” will be included in a collection titled, <em>Authority in the Speculative Fiction Classroom</em> due out in 2026. Mays’ public scholarship includes essays and articles published in USA Today, The Albuquerque Journal, The Santa Fe Reporter, IKON Feminisms Digital Archive, and the Morgan State University <em>Global Journalism Review</em>. In this conversation, we discuss the importance of art and culture, new horizons of documenting everyday Black life, and the task of cultivating and sustaining the legacy of Black Studies in a politically fraught world.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Andrea Mays, who teaches in the Department of Africana Studies at University of New Mexico. She has written extensively in public facing venues and has authored scholarly essays that draw on the history of Black art and what it has to say about resistance, refusal, and culture making in an antiblack world. Her work focuses on African American Visual Culture and Black Atlantic Culture and Politics, Afrofuturism, and Black Feminist Studies. Her research interests include Black Atlantic expressions of critical and resistance politics. Mays’ forthcoming essay “Legacies of Wisdom: The Praxis of Teaching Butler’s Visions of Apocalypse During Apocalyptic Times” will be included in a collection titled, <em>Authority in the Speculative Fiction Classroom</em> due out in 2026. Mays’ public scholarship includes essays and articles published in USA Today, The Albuquerque Journal, The Santa Fe Reporter, IKON Feminisms Digital Archive, and the Morgan State University <em>Global Journalism Review</em>. In this conversation, we discuss the importance of art and culture, new horizons of documenting everyday Black life, and the task of cultivating and sustaining the legacy of Black Studies in a politically fraught world.</p>]]>
      </content:encoded>
      <pubDate>Mon, 30 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/7ea2332e/82761f8e.mp3" length="124515924" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/4wl9yPzP_g0PtJ9HLGrWoi-Doqdciz8tIj-JJhXCZ8s/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84Yzhj/YjY1MjI2YWYwMDVm/MjlhNjliNTc1Y2Vl/ZDQwMS5qcGVn.jpg"/>
      <itunes:duration>3112</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Andrea Mays, who teaches in the Department of Africana Studies at University of New Mexico. She has written extensively in public facing venues and has authored scholarly essays that draw on the history of Black art and what it has to say about resistance, refusal, and culture making in an antiblack world. Her work focuses on African American Visual Culture and Black Atlantic Culture and Politics, Afrofuturism, and Black Feminist Studies. Her research interests include Black Atlantic expressions of critical and resistance politics. Mays’ forthcoming essay “Legacies of Wisdom: The Praxis of Teaching Butler’s Visions of Apocalypse During Apocalyptic Times” will be included in a collection titled, <em>Authority in the Speculative Fiction Classroom</em> due out in 2026. Mays’ public scholarship includes essays and articles published in USA Today, The Albuquerque Journal, The Santa Fe Reporter, IKON Feminisms Digital Archive, and the Morgan State University <em>Global Journalism Review</em>. In this conversation, we discuss the importance of art and culture, new horizons of documenting everyday Black life, and the task of cultivating and sustaining the legacy of Black Studies in a politically fraught world.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tikia Hamilton - Department of History, Loyola University of Chicago</title>
      <itunes:episode>241</itunes:episode>
      <podcast:episode>241</podcast:episode>
      <itunes:title>Tikia Hamilton - Department of History, Loyola University of Chicago</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a93a83d9</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tikia Hamilton, who teaches in the Department of History at Loyola University of Chicago. Along with a number of scholarly and public facing essays, she is the author of<em> </em><a href="https://press.uchicago.edu/ucp/books/book/chicago/N/bo262964396.html"><em>Nothing Less Than Equality: The Battle Over Segregated Education in the Nation's Capital</em></a>, published in March 2026. In this conversation, we discuss the importance of writing the history of Black life, the centrality of questions of education in Black study, and how Black Studies informs her research questions, sources, and approach to writing.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tikia Hamilton, who teaches in the Department of History at Loyola University of Chicago. Along with a number of scholarly and public facing essays, she is the author of<em> </em><a href="https://press.uchicago.edu/ucp/books/book/chicago/N/bo262964396.html"><em>Nothing Less Than Equality: The Battle Over Segregated Education in the Nation's Capital</em></a>, published in March 2026. In this conversation, we discuss the importance of writing the history of Black life, the centrality of questions of education in Black study, and how Black Studies informs her research questions, sources, and approach to writing.</p>]]>
      </content:encoded>
      <pubDate>Fri, 27 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a93a83d9/276f20f2.mp3" length="119651667" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/j7a-4mEiJQJlghxhwab2XtKUKVhyXZJBsSzC8ALJngg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kZTI3/MWY5MzFhYTNlYjBl/ZDk3MDlkZDQ0MDIz/OGYxNi5qcGVn.jpg"/>
      <itunes:duration>2990</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tikia Hamilton, who teaches in the Department of History at Loyola University of Chicago. Along with a number of scholarly and public facing essays, she is the author of<em> </em><a href="https://press.uchicago.edu/ucp/books/book/chicago/N/bo262964396.html"><em>Nothing Less Than Equality: The Battle Over Segregated Education in the Nation's Capital</em></a>, published in March 2026. In this conversation, we discuss the importance of writing the history of Black life, the centrality of questions of education in Black study, and how Black Studies informs her research questions, sources, and approach to writing.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sam Tecle - Department of Sociology, Toronto Metropolitan University</title>
      <itunes:episode>240</itunes:episode>
      <podcast:episode>240</podcast:episode>
      <itunes:title>Sam Tecle - Department of Sociology, Toronto Metropolitan University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/71f8e208</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sam Tecle, who teaches in the Department of Sociology at Toronto Metropolitan University. His research engages with Black and diaspora studies, Urban studies, and sociology of education with particular focus on the analysis of diverse experiences, trajectories and expressions of Blackness grounded in particular histories of racialization, colonialism, community formation and resistance. In this conversation, we discuss the early formative history of Black Studies in Canada, the roots of Black study epistemologies in everyday practice, and the complexity of diverse stories of blackness for the Black Studies imagination.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sam Tecle, who teaches in the Department of Sociology at Toronto Metropolitan University. His research engages with Black and diaspora studies, Urban studies, and sociology of education with particular focus on the analysis of diverse experiences, trajectories and expressions of Blackness grounded in particular histories of racialization, colonialism, community formation and resistance. In this conversation, we discuss the early formative history of Black Studies in Canada, the roots of Black study epistemologies in everyday practice, and the complexity of diverse stories of blackness for the Black Studies imagination.</p>]]>
      </content:encoded>
      <pubDate>Wed, 25 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/71f8e208/c1672516.mp3" length="131827694" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/VAIbFuQNcEXwfNHImx_M3xiN6nIa0_eRMjvcVYE0T00/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NWU5/NjJjYzViYWIwMTUy/MjE1NjYwNTc0NmZk/MWRkNS5qcGVn.jpg"/>
      <itunes:duration>3295</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sam Tecle, who teaches in the Department of Sociology at Toronto Metropolitan University. His research engages with Black and diaspora studies, Urban studies, and sociology of education with particular focus on the analysis of diverse experiences, trajectories and expressions of Blackness grounded in particular histories of racialization, colonialism, community formation and resistance. In this conversation, we discuss the early formative history of Black Studies in Canada, the roots of Black study epistemologies in everyday practice, and the complexity of diverse stories of blackness for the Black Studies imagination.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>John E. Drabinski - Department of Africana Studies, University of Maryland (book podcast collaboration)</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>John E. Drabinski - Department of Africana Studies, University of Maryland (book podcast collaboration)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a34baff3</link>
      <description>
        <![CDATA[<p>Along with dozens of scholarly articles and a handful of edited books and journal issues, he is the author of seven books: <em>Sensibility and Singularity</em> (2001), <em>Godard Between Identity and Difference</em> (2008), <em>Levinas and the Postcolonial </em>(2012), <em>Glissant and the Middle Passage</em> (2019), and three recent books that are the occasion for our conversation, <em>Atlantic Theory</em> (2025), <em>So Unimaginable a Price </em>(2026) and <em>At the Margins of Nihilism</em> (2026). He is also the co-editor with Michael Sawyer of <em>Journal of French and Francophone Philosophy</em> and co-host of both The Black Studies Podcast and Conversations in Atlantic Theory.</p><p>In today’s conversation, we explore John Drabinski’s three latest monographs. In <em>Atlantic Theory</em>, he traces the enduring legacies of slavery and colonialism while offering a comparative account of critical thought across the Atlantic world. In <em>So Unimaginable a Pric</em>e, he turns to James Baldwin, situating his work within a broader mid-century Atlantic context and placing it in dialogue with thinkers across the Caribbean and Africa.<br>Finally, in <em>At the Margins of Nihilism</em>, he develops a theoretical framework through a comparative reading of Jacques Derrida and Orlando Patterson, drawing on figures such as Richard Wright, Frantz Fanon, and Baldwin to examine how different forms of nihilism operate as closed systems, and how they are unsettled through vernacular practices of life and refusal.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Along with dozens of scholarly articles and a handful of edited books and journal issues, he is the author of seven books: <em>Sensibility and Singularity</em> (2001), <em>Godard Between Identity and Difference</em> (2008), <em>Levinas and the Postcolonial </em>(2012), <em>Glissant and the Middle Passage</em> (2019), and three recent books that are the occasion for our conversation, <em>Atlantic Theory</em> (2025), <em>So Unimaginable a Price </em>(2026) and <em>At the Margins of Nihilism</em> (2026). He is also the co-editor with Michael Sawyer of <em>Journal of French and Francophone Philosophy</em> and co-host of both The Black Studies Podcast and Conversations in Atlantic Theory.</p><p>In today’s conversation, we explore John Drabinski’s three latest monographs. In <em>Atlantic Theory</em>, he traces the enduring legacies of slavery and colonialism while offering a comparative account of critical thought across the Atlantic world. In <em>So Unimaginable a Pric</em>e, he turns to James Baldwin, situating his work within a broader mid-century Atlantic context and placing it in dialogue with thinkers across the Caribbean and Africa.<br>Finally, in <em>At the Margins of Nihilism</em>, he develops a theoretical framework through a comparative reading of Jacques Derrida and Orlando Patterson, drawing on figures such as Richard Wright, Frantz Fanon, and Baldwin to examine how different forms of nihilism operate as closed systems, and how they are unsettled through vernacular practices of life and refusal.</p>]]>
      </content:encoded>
      <pubDate>Tue, 24 Mar 2026 12:00:48 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a34baff3/b2070cad.mp3" length="51771408" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/yqYX8oMjZHrjh54LP3ryUNUd83a41YOW17a5oaLRsQE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81NzE2/NWFjOTc4MThhMTgy/NmZjZjNiMDUxZTc4/YTA0ZC5wbmc.jpg"/>
      <itunes:duration>3695</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Along with dozens of scholarly articles and a handful of edited books and journal issues, he is the author of seven books: <em>Sensibility and Singularity</em> (2001), <em>Godard Between Identity and Difference</em> (2008), <em>Levinas and the Postcolonial </em>(2012), <em>Glissant and the Middle Passage</em> (2019), and three recent books that are the occasion for our conversation, <em>Atlantic Theory</em> (2025), <em>So Unimaginable a Price </em>(2026) and <em>At the Margins of Nihilism</em> (2026). He is also the co-editor with Michael Sawyer of <em>Journal of French and Francophone Philosophy</em> and co-host of both The Black Studies Podcast and Conversations in Atlantic Theory.</p><p>In today’s conversation, we explore John Drabinski’s three latest monographs. In <em>Atlantic Theory</em>, he traces the enduring legacies of slavery and colonialism while offering a comparative account of critical thought across the Atlantic world. In <em>So Unimaginable a Pric</em>e, he turns to James Baldwin, situating his work within a broader mid-century Atlantic context and placing it in dialogue with thinkers across the Caribbean and Africa.<br>Finally, in <em>At the Margins of Nihilism</em>, he develops a theoretical framework through a comparative reading of Jacques Derrida and Orlando Patterson, drawing on figures such as Richard Wright, Frantz Fanon, and Baldwin to examine how different forms of nihilism operate as closed systems, and how they are unsettled through vernacular practices of life and refusal.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Bryce Henson - Department of Communication and Journalism, Texas A&amp;M University</title>
      <itunes:episode>239</itunes:episode>
      <podcast:episode>239</podcast:episode>
      <itunes:title>Bryce Henson - Department of Communication and Journalism, Texas A&amp;M University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Bryce Henson, a critical interpretive social scientist who specializes in Black diasporic cultural studies. Currently, he is an associate professor in the Department of Communication &amp; Journalism with affiliations in Africana Studies and the Race &amp; Ethnic Studies Institute at Texas A&amp;M University. In 2016, he received his PhD from the Institute of Communications Research with a Latin American &amp; Caribbean Studies graduate minor at the University of Illinois, Urbana-Champaign. His first book <em>Emergent Quilombos: Black Life and Hip-Hop in Brazil </em>examines how the Black hip-hop community in Salvador da Bahia constructs the <em>quilombo </em>(maroon)<em> </em>in urban contexts as a mode of fostering and protecting Black life. The book earned three awards from the National Communication Association and honorable mention for Best Book Prize from the Brazilian Studies Association. He is also a co-editor of the 2020 volume, <em>Spaces of New Colonialism: Reading Schools, Museums, and Cities in the Tumult of Globalization</em>. Previously, he was a Fulbright Distinguished Chair in Racial Studies at the Universidade Federal da Bahia in Brazil. He now serves on the advisory board for the Association for the Study of the Worldwide African Diaspora (ASWAD).</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Bryce Henson, a critical interpretive social scientist who specializes in Black diasporic cultural studies. Currently, he is an associate professor in the Department of Communication &amp; Journalism with affiliations in Africana Studies and the Race &amp; Ethnic Studies Institute at Texas A&amp;M University. In 2016, he received his PhD from the Institute of Communications Research with a Latin American &amp; Caribbean Studies graduate minor at the University of Illinois, Urbana-Champaign. His first book <em>Emergent Quilombos: Black Life and Hip-Hop in Brazil </em>examines how the Black hip-hop community in Salvador da Bahia constructs the <em>quilombo </em>(maroon)<em> </em>in urban contexts as a mode of fostering and protecting Black life. The book earned three awards from the National Communication Association and honorable mention for Best Book Prize from the Brazilian Studies Association. He is also a co-editor of the 2020 volume, <em>Spaces of New Colonialism: Reading Schools, Museums, and Cities in the Tumult of Globalization</em>. Previously, he was a Fulbright Distinguished Chair in Racial Studies at the Universidade Federal da Bahia in Brazil. He now serves on the advisory board for the Association for the Study of the Worldwide African Diaspora (ASWAD).</p>]]>
      </content:encoded>
      <pubDate>Mon, 23 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/8fdb182d/e8aa07fc.mp3" length="126084922" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3151</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Bryce Henson, a critical interpretive social scientist who specializes in Black diasporic cultural studies. Currently, he is an associate professor in the Department of Communication &amp; Journalism with affiliations in Africana Studies and the Race &amp; Ethnic Studies Institute at Texas A&amp;M University. In 2016, he received his PhD from the Institute of Communications Research with a Latin American &amp; Caribbean Studies graduate minor at the University of Illinois, Urbana-Champaign. His first book <em>Emergent Quilombos: Black Life and Hip-Hop in Brazil </em>examines how the Black hip-hop community in Salvador da Bahia constructs the <em>quilombo </em>(maroon)<em> </em>in urban contexts as a mode of fostering and protecting Black life. The book earned three awards from the National Communication Association and honorable mention for Best Book Prize from the Brazilian Studies Association. He is also a co-editor of the 2020 volume, <em>Spaces of New Colonialism: Reading Schools, Museums, and Cities in the Tumult of Globalization</em>. Previously, he was a Fulbright Distinguished Chair in Racial Studies at the Universidade Federal da Bahia in Brazil. He now serves on the advisory board for the Association for the Study of the Worldwide African Diaspora (ASWAD).</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>RA Judy - Department of English, University of Pittsburgh</title>
      <itunes:episode>238</itunes:episode>
      <podcast:episode>238</podcast:episode>
      <itunes:title>RA Judy - Department of English, University of Pittsburgh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/131bd6f4</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with RA Judy, who teaches in the Department of English at University of Pittsburgh. He is the author of a number of important articles on aesthetics, language, and knowledge production in the broad Black intellectual tradition as well as two books, <em>(Dis)forming the American Canon: The Vernacular of African Arabic American Slave Narrative</em> (1992) and <em>Sentient Flesh: Thinking in Disorder, Poiēsis in Black</em> (2020). In this conversation, we explore the place of diverse languages in Black Studies research, Black study as geographically adventurous, and the importance of thinking and practicing community work inside critical theoretical study.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with RA Judy, who teaches in the Department of English at University of Pittsburgh. He is the author of a number of important articles on aesthetics, language, and knowledge production in the broad Black intellectual tradition as well as two books, <em>(Dis)forming the American Canon: The Vernacular of African Arabic American Slave Narrative</em> (1992) and <em>Sentient Flesh: Thinking in Disorder, Poiēsis in Black</em> (2020). In this conversation, we explore the place of diverse languages in Black Studies research, Black study as geographically adventurous, and the importance of thinking and practicing community work inside critical theoretical study.</p>]]>
      </content:encoded>
      <pubDate>Fri, 20 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/131bd6f4/3c0c49a0.mp3" length="165230972" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/TWLLz0OGU_R2pgHAhERgUu2Q_gXPIBsN9EhQYu03p1c/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jMjYx/YzIwMzViMmI0ZGEw/YjE1ZTljMjU0NDAw/OGI3ZC5qcGVn.jpg"/>
      <itunes:duration>4130</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with RA Judy, who teaches in the Department of English at University of Pittsburgh. He is the author of a number of important articles on aesthetics, language, and knowledge production in the broad Black intellectual tradition as well as two books, <em>(Dis)forming the American Canon: The Vernacular of African Arabic American Slave Narrative</em> (1992) and <em>Sentient Flesh: Thinking in Disorder, Poiēsis in Black</em> (2020). In this conversation, we explore the place of diverse languages in Black Studies research, Black study as geographically adventurous, and the importance of thinking and practicing community work inside critical theoretical study.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Justene H. Edwards - Department of History, University of Virginia</title>
      <itunes:episode>237</itunes:episode>
      <podcast:episode>237</podcast:episode>
      <itunes:title>Justene H. Edwards - Department of History, University of Virginia</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/19569733</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Justene Hill Edwards, associate professor of history at the University of Virginia. She is the author of <em>Savings and Trust: The Rise and Betrayal of the Freedman’s Bank </em>(Norton, 2024)<em> </em>and <em>Unfree Markets: The Slaves’ Economy and the Rise of Capitalism in South Carolina</em> (Columbia University Press, 2021).  A specialist in African American history, her research examines Black economic life in America.  She has been awarded several fellowships and awards, most recently the 2025 Virginia Literary Award for Nonfiction and the 2025 Frederick Douglass Book Prize.  She is a series editor for the History of U.S. Capitalism Series at Columbia University Press.  </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Justene Hill Edwards, associate professor of history at the University of Virginia. She is the author of <em>Savings and Trust: The Rise and Betrayal of the Freedman’s Bank </em>(Norton, 2024)<em> </em>and <em>Unfree Markets: The Slaves’ Economy and the Rise of Capitalism in South Carolina</em> (Columbia University Press, 2021).  A specialist in African American history, her research examines Black economic life in America.  She has been awarded several fellowships and awards, most recently the 2025 Virginia Literary Award for Nonfiction and the 2025 Frederick Douglass Book Prize.  She is a series editor for the History of U.S. Capitalism Series at Columbia University Press.  </p>]]>
      </content:encoded>
      <pubDate>Wed, 18 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/19569733/17b3cc5c.mp3" length="49842562" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/ZsSV1x4Mqp_v37zpJUhk956PDZMuEoKlmuNJpJV8eP4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lMDc1/ZWY4YzAyMmU1MTIy/YWNkNmM2NWNmNDg0/NTU0Ny5qcGVn.jpg"/>
      <itunes:duration>1246</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Justene Hill Edwards, associate professor of history at the University of Virginia. She is the author of <em>Savings and Trust: The Rise and Betrayal of the Freedman’s Bank </em>(Norton, 2024)<em> </em>and <em>Unfree Markets: The Slaves’ Economy and the Rise of Capitalism in South Carolina</em> (Columbia University Press, 2021).  A specialist in African American history, her research examines Black economic life in America.  She has been awarded several fellowships and awards, most recently the 2025 Virginia Literary Award for Nonfiction and the 2025 Frederick Douglass Book Prize.  She is a series editor for the History of U.S. Capitalism Series at Columbia University Press.  </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tyler D. Parry - Department of African American and African Diaspora Studies, University of Nevada, Las Vegas</title>
      <itunes:episode>236</itunes:episode>
      <podcast:episode>236</podcast:episode>
      <itunes:title>Tyler D. Parry - Department of African American and African Diaspora Studies, University of Nevada, Las Vegas</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/001db9c6</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tyler D. Parry, who teaches in the Department of African American and African Disapora Studies at University of Nevada, Las Vegas. He is the author of a number of scholarly and public-facing essays, and has published <em>Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual</em> (2020) and, with Robert Greene II,<em> Invisible No More: The African American Experience at the University of South Carolina</em> (2021). In this conversation, we explore the importance of regional attentiveness in writing Black history in the United States, thinking blackness in the southwest, and the expansiveness of the Black Studies archive and imagination.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tyler D. Parry, who teaches in the Department of African American and African Disapora Studies at University of Nevada, Las Vegas. He is the author of a number of scholarly and public-facing essays, and has published <em>Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual</em> (2020) and, with Robert Greene II,<em> Invisible No More: The African American Experience at the University of South Carolina</em> (2021). In this conversation, we explore the importance of regional attentiveness in writing Black history in the United States, thinking blackness in the southwest, and the expansiveness of the Black Studies archive and imagination.</p>]]>
      </content:encoded>
      <pubDate>Mon, 16 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/001db9c6/04d3e2a1.mp3" length="131429765" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/3RJa3CaKFwN9eLHhhq7qMZ9AMU3rKlUJDYDJ2acfGDU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NDcy/NzlhZDhkMTgwYzE3/YTYzOTJkYWU0ZjQ1/YmYxOS5qcGc.jpg"/>
      <itunes:duration>3284</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tyler D. Parry, who teaches in the Department of African American and African Disapora Studies at University of Nevada, Las Vegas. He is the author of a number of scholarly and public-facing essays, and has published <em>Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual</em> (2020) and, with Robert Greene II,<em> Invisible No More: The African American Experience at the University of South Carolina</em> (2021). In this conversation, we explore the importance of regional attentiveness in writing Black history in the United States, thinking blackness in the southwest, and the expansiveness of the Black Studies archive and imagination.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, African American history, African American Studies, Black southwest, Las Vegas, archives, urban studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kathryn Sophia Belle - Author, Speaker, and Founder of La Belle Vie Academy</title>
      <itunes:episode>235</itunes:episode>
      <podcast:episode>235</podcast:episode>
      <itunes:title>Kathryn Sophia Belle - Author, Speaker, and Founder of La Belle Vie Academy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/4101046a</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kathryn Sophia Belle, philosopher, published author, and public speaker.  After earning her doctorate in philosophy, she had a successful 20-year career in academia (2003-2023) before resigning/retiring as a tenured associate professor (of philosophy, Black Studies, and Women's Studies) and administrator (directing an Africana Research Center).  Her scholarly specializations include African American/Africana Philosophy, Black Feminist Philosophy, Continental Philosophy/Existentialism, and Social/Political Philosophy. She is author of <em>Beauvoir and Belle: A Black Feminist Critique of The Second Sex </em>(Oxford University Press, 2024) and <em>Hannah Arendt and the Negro Question</em> (Indiana University Press, 2014, also in French: Éditions Kimé, 2023). She is also co-editor of <em>Convergences: Black Feminism and Continental Philosophy</em> (SUNY Press, 2010).  Her current writing projects include a book on the philosophy of Audre Lorde (under contract with Yale University Press) and her own memoir trilogy (Marriage/Motherhood/Erotic Empowerment).  Dr. Belle is founder of La Belle Vie Academy with signature programs: La Belle Vie Writers and Exit Strategies, Happily Unmarried and Erotic Empowerment.  Dr. Belle is now channeling her 20-years of experience and expertise in academia and La Belle Vie Academy with a new venture: Belle's Bed &amp; Breakfast/Boutique Hotel - a continuation and extension of her overall vision.  She is delighted to call Savannah, GA her chosen and spiritual home – ever grateful to be in beloved community.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kathryn Sophia Belle, philosopher, published author, and public speaker.  After earning her doctorate in philosophy, she had a successful 20-year career in academia (2003-2023) before resigning/retiring as a tenured associate professor (of philosophy, Black Studies, and Women's Studies) and administrator (directing an Africana Research Center).  Her scholarly specializations include African American/Africana Philosophy, Black Feminist Philosophy, Continental Philosophy/Existentialism, and Social/Political Philosophy. She is author of <em>Beauvoir and Belle: A Black Feminist Critique of The Second Sex </em>(Oxford University Press, 2024) and <em>Hannah Arendt and the Negro Question</em> (Indiana University Press, 2014, also in French: Éditions Kimé, 2023). She is also co-editor of <em>Convergences: Black Feminism and Continental Philosophy</em> (SUNY Press, 2010).  Her current writing projects include a book on the philosophy of Audre Lorde (under contract with Yale University Press) and her own memoir trilogy (Marriage/Motherhood/Erotic Empowerment).  Dr. Belle is founder of La Belle Vie Academy with signature programs: La Belle Vie Writers and Exit Strategies, Happily Unmarried and Erotic Empowerment.  Dr. Belle is now channeling her 20-years of experience and expertise in academia and La Belle Vie Academy with a new venture: Belle's Bed &amp; Breakfast/Boutique Hotel - a continuation and extension of her overall vision.  She is delighted to call Savannah, GA her chosen and spiritual home – ever grateful to be in beloved community.</p>]]>
      </content:encoded>
      <pubDate>Fri, 13 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/4101046a/be42265b.mp3" length="114654456" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2865</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kathryn Sophia Belle, philosopher, published author, and public speaker.  After earning her doctorate in philosophy, she had a successful 20-year career in academia (2003-2023) before resigning/retiring as a tenured associate professor (of philosophy, Black Studies, and Women's Studies) and administrator (directing an Africana Research Center).  Her scholarly specializations include African American/Africana Philosophy, Black Feminist Philosophy, Continental Philosophy/Existentialism, and Social/Political Philosophy. She is author of <em>Beauvoir and Belle: A Black Feminist Critique of The Second Sex </em>(Oxford University Press, 2024) and <em>Hannah Arendt and the Negro Question</em> (Indiana University Press, 2014, also in French: Éditions Kimé, 2023). She is also co-editor of <em>Convergences: Black Feminism and Continental Philosophy</em> (SUNY Press, 2010).  Her current writing projects include a book on the philosophy of Audre Lorde (under contract with Yale University Press) and her own memoir trilogy (Marriage/Motherhood/Erotic Empowerment).  Dr. Belle is founder of La Belle Vie Academy with signature programs: La Belle Vie Writers and Exit Strategies, Happily Unmarried and Erotic Empowerment.  Dr. Belle is now channeling her 20-years of experience and expertise in academia and La Belle Vie Academy with a new venture: Belle's Bed &amp; Breakfast/Boutique Hotel - a continuation and extension of her overall vision.  She is delighted to call Savannah, GA her chosen and spiritual home – ever grateful to be in beloved community.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Vanessa K. Valdés - Editor, CENTRO Press</title>
      <itunes:episode>234</itunes:episode>
      <podcast:episode>234</podcast:episode>
      <itunes:title>Vanessa K. Valdés - Editor, CENTRO Press</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Vanessa K. Valdés, a writer and scholar whose work focuses on the literatures, visual arts, performances, and histories of Black peoples throughout the Western hemisphere. She served as a professor at The City College for New York for 14 years, from 2007-2021, earning the rank of full professor, before being named the Dean of the Macaulay Honors College (2021-2022), then returning to City College as the Associate Provost for Community Engagement. Beginning in 2025, she was named the Editor of CENTRO Press, the book-making arm of the Center for Puerto Rican Studies at Hunter College. She is the author of <em>Oshun's Daughters: The Search for Womanhood in the Americas </em>(2014) and <em>Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg </em>(2017), namesake of the Schomburg Center for Research in Black Culture in Harlem, New York. She is the editor of <em>Let Spirit Speak! Cultural Journeys through the African Diaspora </em>(2012); <em>The Future Is Now: A New Look at African Diaspora Studies </em>(2012); <em>Racialized Visions: Haiti and the Hispanic Caribbean </em>(2020); and, with Earl Fitz, <em>Machado de Assis, Blackness, and the Americas </em>(2024). From 2021-2023, along with David Pullins, she co-curated <em>Juan de Pareja, Afro-Hispanic Painter</em>, an exhibition at The Metropolitan Museum of Art, and co-authored its exhibition catalogue, published in 2023. </p><p>With <em>Diasporic Blackness</em>, she began a long-standing relationship<em> </em>with the Schomburg Center; she currently serves on its Centennial Advisory Board, and is co-editor, with Barrye Brown and Laura Helton, of a new book, <em>Black Studies on 135th Street: The Founding and Future of the Schomburg Collection</em>, coming in April 2026. In addition to her role at CENTRO Press, she is on the advisory board of <em>Callaloo </em>and <em>Small Axe</em>, and is the series editor of the Afro-Latinx Futures series at the State University of New York Press and a series co-editor, along with Nathan Dize and Annette Joseph-Gabriel, of the Global Black Writers in Translation series at Vanderbilt University Press. You can learn more about her by visiting her website <a href="https://drvkv23.com/">https://drvkv23.com/</a> or following her on Instagram - @drvkv23.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Vanessa K. Valdés, a writer and scholar whose work focuses on the literatures, visual arts, performances, and histories of Black peoples throughout the Western hemisphere. She served as a professor at The City College for New York for 14 years, from 2007-2021, earning the rank of full professor, before being named the Dean of the Macaulay Honors College (2021-2022), then returning to City College as the Associate Provost for Community Engagement. Beginning in 2025, she was named the Editor of CENTRO Press, the book-making arm of the Center for Puerto Rican Studies at Hunter College. She is the author of <em>Oshun's Daughters: The Search for Womanhood in the Americas </em>(2014) and <em>Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg </em>(2017), namesake of the Schomburg Center for Research in Black Culture in Harlem, New York. She is the editor of <em>Let Spirit Speak! Cultural Journeys through the African Diaspora </em>(2012); <em>The Future Is Now: A New Look at African Diaspora Studies </em>(2012); <em>Racialized Visions: Haiti and the Hispanic Caribbean </em>(2020); and, with Earl Fitz, <em>Machado de Assis, Blackness, and the Americas </em>(2024). From 2021-2023, along with David Pullins, she co-curated <em>Juan de Pareja, Afro-Hispanic Painter</em>, an exhibition at The Metropolitan Museum of Art, and co-authored its exhibition catalogue, published in 2023. </p><p>With <em>Diasporic Blackness</em>, she began a long-standing relationship<em> </em>with the Schomburg Center; she currently serves on its Centennial Advisory Board, and is co-editor, with Barrye Brown and Laura Helton, of a new book, <em>Black Studies on 135th Street: The Founding and Future of the Schomburg Collection</em>, coming in April 2026. In addition to her role at CENTRO Press, she is on the advisory board of <em>Callaloo </em>and <em>Small Axe</em>, and is the series editor of the Afro-Latinx Futures series at the State University of New York Press and a series co-editor, along with Nathan Dize and Annette Joseph-Gabriel, of the Global Black Writers in Translation series at Vanderbilt University Press. You can learn more about her by visiting her website <a href="https://drvkv23.com/">https://drvkv23.com/</a> or following her on Instagram - @drvkv23.</p>]]>
      </content:encoded>
      <pubDate>Wed, 11 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/6f022426/8d0581ce.mp3" length="195019409" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/yCimTl5Y4sFLDFa_JgLRGIHSSS8B8MB2UWXuwx4DzA4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8yOTJl/Nzc5YjE0MWE4NDg5/OGQyMDM4OTM1OTg2/NWI3Ni5qcGVn.jpg"/>
      <itunes:duration>4873</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Vanessa K. Valdés, a writer and scholar whose work focuses on the literatures, visual arts, performances, and histories of Black peoples throughout the Western hemisphere. She served as a professor at The City College for New York for 14 years, from 2007-2021, earning the rank of full professor, before being named the Dean of the Macaulay Honors College (2021-2022), then returning to City College as the Associate Provost for Community Engagement. Beginning in 2025, she was named the Editor of CENTRO Press, the book-making arm of the Center for Puerto Rican Studies at Hunter College. She is the author of <em>Oshun's Daughters: The Search for Womanhood in the Americas </em>(2014) and <em>Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg </em>(2017), namesake of the Schomburg Center for Research in Black Culture in Harlem, New York. She is the editor of <em>Let Spirit Speak! Cultural Journeys through the African Diaspora </em>(2012); <em>The Future Is Now: A New Look at African Diaspora Studies </em>(2012); <em>Racialized Visions: Haiti and the Hispanic Caribbean </em>(2020); and, with Earl Fitz, <em>Machado de Assis, Blackness, and the Americas </em>(2024). From 2021-2023, along with David Pullins, she co-curated <em>Juan de Pareja, Afro-Hispanic Painter</em>, an exhibition at The Metropolitan Museum of Art, and co-authored its exhibition catalogue, published in 2023. </p><p>With <em>Diasporic Blackness</em>, she began a long-standing relationship<em> </em>with the Schomburg Center; she currently serves on its Centennial Advisory Board, and is co-editor, with Barrye Brown and Laura Helton, of a new book, <em>Black Studies on 135th Street: The Founding and Future of the Schomburg Collection</em>, coming in April 2026. In addition to her role at CENTRO Press, she is on the advisory board of <em>Callaloo </em>and <em>Small Axe</em>, and is the series editor of the Afro-Latinx Futures series at the State University of New York Press and a series co-editor, along with Nathan Dize and Annette Joseph-Gabriel, of the Global Black Writers in Translation series at Vanderbilt University Press. You can learn more about her by visiting her website <a href="https://drvkv23.com/">https://drvkv23.com/</a> or following her on Instagram - @drvkv23.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, Caribbean Studies, Caribbean history, Caribbean literature, archives</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Bianca Beauchemin - Department of Gender, Sexuality, and Women's Studies, York University</title>
      <itunes:episode>233</itunes:episode>
      <podcast:episode>233</podcast:episode>
      <itunes:title>Bianca Beauchemin - Department of Gender, Sexuality, and Women's Studies, York University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/b0609145</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Bianca Beauchemin, who teaches in the Department of Gender, Sexuality, and Women’s Studies at York University. Her work seeks to disrupt the authority of the colonial archive and of prevalent masculinist framings of insurgency discourses, exploring how embodiment, labor, sensuousness, spirituality, <em>marronage</em>, resistance, and alternative sexualities and genders re-imagine the edicts of freedom and Black liberation. In this conversation, we explore the particularities of Black Studies in a Canadian context, the place of gender and sexuality studies in work of Black study, and the complexity of thinking Canadian blackness.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Bianca Beauchemin, who teaches in the Department of Gender, Sexuality, and Women’s Studies at York University. Her work seeks to disrupt the authority of the colonial archive and of prevalent masculinist framings of insurgency discourses, exploring how embodiment, labor, sensuousness, spirituality, <em>marronage</em>, resistance, and alternative sexualities and genders re-imagine the edicts of freedom and Black liberation. In this conversation, we explore the particularities of Black Studies in a Canadian context, the place of gender and sexuality studies in work of Black study, and the complexity of thinking Canadian blackness.</p>]]>
      </content:encoded>
      <pubDate>Mon, 09 Mar 2026 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/b0609145/06c6081e.mp3" length="143870188" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/oJ7i8vyyyjCBvIrljTWEXMuV8kfQjp-hR9JluUiKfgQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82MGY1/ZGM2NmM0YTM2ZmQw/MGZkNmNjNmMwNjVh/ZGFiOS5qcGc.jpg"/>
      <itunes:duration>3596</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Bianca Beauchemin, who teaches in the Department of Gender, Sexuality, and Women’s Studies at York University. Her work seeks to disrupt the authority of the colonial archive and of prevalent masculinist framings of insurgency discourses, exploring how embodiment, labor, sensuousness, spirituality, <em>marronage</em>, resistance, and alternative sexualities and genders re-imagine the edicts of freedom and Black liberation. In this conversation, we explore the particularities of Black Studies in a Canadian context, the place of gender and sexuality studies in work of Black study, and the complexity of thinking Canadian blackness.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Canada, Gender Studies, Haiti, migration, immigration, Black Studies</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Marlee Bunch -  Samuel DeWitt Proctor Institute, Rutgers University</title>
      <itunes:episode>232</itunes:episode>
      <podcast:episode>232</podcast:episode>
      <itunes:title>Marlee Bunch -  Samuel DeWitt Proctor Institute, Rutgers University</itunes:title>
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      <link>https://share.transistor.fm/s/d8edc780</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Marlee S. Bunch, an interdisciplinary educator, scholar, and author whose work centers oral histories of Black educators, African American educational history, and culturally responsive teaching and leadership. She is a National Academy of Education/Spencer Postdoctoral Fellow and currently serves as a Senior Research Associate with the Samuel DeWitt Proctor Institute for Leadership, Equity &amp; Justice at Rutgers University, New Brunswick. Dr. Bunch has over a decade of experience teaching across secondary and postsecondary contexts and has held leadership roles in curriculum development, educator preparation, and community-based educational initiatives. In partnership with the University of Illinois and the Illinois State Board of Education, she also created two state-approved micro-credentials—one based on <em>The Magnitude of Us</em> and the other on <em>Unlearning the Hush, </em>designed to support educators’ culturally responsive practice through sustained, reflective learning.</p><p>Dr. Bunch is the author of <a href="https://www.amazon.com/Magnitude-Educators-Culturally-Responsive-Classrooms/dp/0807769886"><em>The Magnitude of Us</em></a> (Teachers College Press), which received the Foreword INDIES Book of the Year Award, the Society of Professors of Education Outstanding Book Award, and the National Council of Teachers of English David H. Russell Award for Distinguished Research, <a href="https://go.illinois.edu/f25bunch"><em>Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era</em></a><em> </em>(University of Illinois Press), and <a href="https://www.amazon.com/Leveraging-Human-Centered-Learning-Culturally-Social-Emotional/dp/1032804998/ref=sr_1_3?crid=XS2E0AB1408N&amp;dib=eyJ2IjoiMSJ9.HsAlbJe4in0srI1sEqIYSW1gsePRC6geRaoMBjXQdbqzpzs2vDuyr7Sd7YjfKEDYIVhZ3QL_AWMUpHSmEa5hMs56oXNi6J2FDDpUqgGwHfA.cxr5MGb2JC9AmcZhYxScP6NjzhvJBBCfVGph8GBV8g0&amp;dib_tag=se&amp;keywords=marlee+bunch&amp;qid=1731994586&amp;s=books&amp;sprefix=marlee+bunch,stripbooks,129&amp;sr=1-3"><em>Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12</em>, co-authored with Brittany R. Collins (Routledge).</a><em> </em></p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Marlee S. Bunch, an interdisciplinary educator, scholar, and author whose work centers oral histories of Black educators, African American educational history, and culturally responsive teaching and leadership. She is a National Academy of Education/Spencer Postdoctoral Fellow and currently serves as a Senior Research Associate with the Samuel DeWitt Proctor Institute for Leadership, Equity &amp; Justice at Rutgers University, New Brunswick. Dr. Bunch has over a decade of experience teaching across secondary and postsecondary contexts and has held leadership roles in curriculum development, educator preparation, and community-based educational initiatives. In partnership with the University of Illinois and the Illinois State Board of Education, she also created two state-approved micro-credentials—one based on <em>The Magnitude of Us</em> and the other on <em>Unlearning the Hush, </em>designed to support educators’ culturally responsive practice through sustained, reflective learning.</p><p>Dr. Bunch is the author of <a href="https://www.amazon.com/Magnitude-Educators-Culturally-Responsive-Classrooms/dp/0807769886"><em>The Magnitude of Us</em></a> (Teachers College Press), which received the Foreword INDIES Book of the Year Award, the Society of Professors of Education Outstanding Book Award, and the National Council of Teachers of English David H. Russell Award for Distinguished Research, <a href="https://go.illinois.edu/f25bunch"><em>Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era</em></a><em> </em>(University of Illinois Press), and <a href="https://www.amazon.com/Leveraging-Human-Centered-Learning-Culturally-Social-Emotional/dp/1032804998/ref=sr_1_3?crid=XS2E0AB1408N&amp;dib=eyJ2IjoiMSJ9.HsAlbJe4in0srI1sEqIYSW1gsePRC6geRaoMBjXQdbqzpzs2vDuyr7Sd7YjfKEDYIVhZ3QL_AWMUpHSmEa5hMs56oXNi6J2FDDpUqgGwHfA.cxr5MGb2JC9AmcZhYxScP6NjzhvJBBCfVGph8GBV8g0&amp;dib_tag=se&amp;keywords=marlee+bunch&amp;qid=1731994586&amp;s=books&amp;sprefix=marlee+bunch,stripbooks,129&amp;sr=1-3"><em>Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12</em>, co-authored with Brittany R. Collins (Routledge).</a><em> </em></p>]]>
      </content:encoded>
      <pubDate>Fri, 06 Mar 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d8edc780/59c42dfc.mp3" length="78131586" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/aOYHhhebeU9cQMUq8NN_UGBAmegcv7Ds1oMoL143HxE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83NDcz/NjJlM2QwMWMzZDY4/MjBmZWMwZDQ2MzY4/Y2ZiZS5qcGVn.jpg"/>
      <itunes:duration>1953</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Marlee S. Bunch, an interdisciplinary educator, scholar, and author whose work centers oral histories of Black educators, African American educational history, and culturally responsive teaching and leadership. She is a National Academy of Education/Spencer Postdoctoral Fellow and currently serves as a Senior Research Associate with the Samuel DeWitt Proctor Institute for Leadership, Equity &amp; Justice at Rutgers University, New Brunswick. Dr. Bunch has over a decade of experience teaching across secondary and postsecondary contexts and has held leadership roles in curriculum development, educator preparation, and community-based educational initiatives. In partnership with the University of Illinois and the Illinois State Board of Education, she also created two state-approved micro-credentials—one based on <em>The Magnitude of Us</em> and the other on <em>Unlearning the Hush, </em>designed to support educators’ culturally responsive practice through sustained, reflective learning.</p><p>Dr. Bunch is the author of <a href="https://www.amazon.com/Magnitude-Educators-Culturally-Responsive-Classrooms/dp/0807769886"><em>The Magnitude of Us</em></a> (Teachers College Press), which received the Foreword INDIES Book of the Year Award, the Society of Professors of Education Outstanding Book Award, and the National Council of Teachers of English David H. Russell Award for Distinguished Research, <a href="https://go.illinois.edu/f25bunch"><em>Unlearning the Hush: Oral Histories of Black Female Educators in Mississippi in the Civil Rights Era</em></a><em> </em>(University of Illinois Press), and <a href="https://www.amazon.com/Leveraging-Human-Centered-Learning-Culturally-Social-Emotional/dp/1032804998/ref=sr_1_3?crid=XS2E0AB1408N&amp;dib=eyJ2IjoiMSJ9.HsAlbJe4in0srI1sEqIYSW1gsePRC6geRaoMBjXQdbqzpzs2vDuyr7Sd7YjfKEDYIVhZ3QL_AWMUpHSmEa5hMs56oXNi6J2FDDpUqgGwHfA.cxr5MGb2JC9AmcZhYxScP6NjzhvJBBCfVGph8GBV8g0&amp;dib_tag=se&amp;keywords=marlee+bunch&amp;qid=1731994586&amp;s=books&amp;sprefix=marlee+bunch,stripbooks,129&amp;sr=1-3"><em>Leveraging AI for Human-Centered Learning: Culturally Responsive and Social-Emotional Classroom Practice in Grades 6-12</em>, co-authored with Brittany R. Collins (Routledge).</a><em> </em></p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ashon Crawley - Departments of Religious Studies and African American Studies, University of Virginia</title>
      <itunes:episode>231</itunes:episode>
      <podcast:episode>231</podcast:episode>
      <itunes:title>Ashon Crawley - Departments of Religious Studies and African American Studies, University of Virginia</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashon Crawley, who teaches in the Departments of Religious Studies and of African American Studies at University of Virginia. Along with his numerous scholarly essays and books <em>Black Pentecostal Breath: The Aesthetics of Possibility </em>(2016) and <em>The Lonely Letters </em>(2020), he is a widely exhibited and hosted multimedia artist. In this conversation, we explore the aesthetic and epistemological resonance of religious practice in Black study, the pleasures of adventurous multidisciplinary research, and the open horizons of pedagogical practice in the Black Studies tradition.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashon Crawley, who teaches in the Departments of Religious Studies and of African American Studies at University of Virginia. Along with his numerous scholarly essays and books <em>Black Pentecostal Breath: The Aesthetics of Possibility </em>(2016) and <em>The Lonely Letters </em>(2020), he is a widely exhibited and hosted multimedia artist. In this conversation, we explore the aesthetic and epistemological resonance of religious practice in Black study, the pleasures of adventurous multidisciplinary research, and the open horizons of pedagogical practice in the Black Studies tradition.</p>]]>
      </content:encoded>
      <pubDate>Wed, 04 Mar 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4855</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashon Crawley, who teaches in the Departments of Religious Studies and of African American Studies at University of Virginia. Along with his numerous scholarly essays and books <em>Black Pentecostal Breath: The Aesthetics of Possibility </em>(2016) and <em>The Lonely Letters </em>(2020), he is a widely exhibited and hosted multimedia artist. In this conversation, we explore the aesthetic and epistemological resonance of religious practice in Black study, the pleasures of adventurous multidisciplinary research, and the open horizons of pedagogical practice in the Black Studies tradition.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tashal Brown - College of Education, University of Rhode Island</title>
      <itunes:episode>230</itunes:episode>
      <podcast:episode>230</podcast:episode>
      <itunes:title>Tashal Brown - College of Education, University of Rhode Island</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tashal Brown, assistant professor of Urban Education and Secondary Social Studies in the College of Education at University of Rhode Island. Her research focuses on race, ethnicity, and gender in relation to equity and justice in educational contexts and how the cultivation and enactment of critical literacies and liberatory pedagogies across K–12 schools, community-based spaces, and teacher education shape the perspectives, experiences, and actions of youth and educators. In this conversation, we explore the centrality of the study of childhood in Black Studies, the place of education in the field, and the transformative power of multidisciplinary approaches to understanding Black girlhood.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tashal Brown, assistant professor of Urban Education and Secondary Social Studies in the College of Education at University of Rhode Island. Her research focuses on race, ethnicity, and gender in relation to equity and justice in educational contexts and how the cultivation and enactment of critical literacies and liberatory pedagogies across K–12 schools, community-based spaces, and teacher education shape the perspectives, experiences, and actions of youth and educators. In this conversation, we explore the centrality of the study of childhood in Black Studies, the place of education in the field, and the transformative power of multidisciplinary approaches to understanding Black girlhood.</p>]]>
      </content:encoded>
      <pubDate>Mon, 02 Mar 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/56394228/d3f55996.mp3" length="101827369" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2544</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tashal Brown, assistant professor of Urban Education and Secondary Social Studies in the College of Education at University of Rhode Island. Her research focuses on race, ethnicity, and gender in relation to equity and justice in educational contexts and how the cultivation and enactment of critical literacies and liberatory pedagogies across K–12 schools, community-based spaces, and teacher education shape the perspectives, experiences, and actions of youth and educators. In this conversation, we explore the centrality of the study of childhood in Black Studies, the place of education in the field, and the transformative power of multidisciplinary approaches to understanding Black girlhood.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Hanna Garth - Department of Anthropology, Princeton University</title>
      <itunes:episode>229</itunes:episode>
      <podcast:episode>229</podcast:episode>
      <itunes:title>Hanna Garth - Department of Anthropology, Princeton University</itunes:title>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="http://www.hannagarth.com/about.html">Hanna Garth</a>, Assistant Professor of Anthropology at Princeton University, and was previously Assistant Professor of Anthropology at UC San Diego. She held a University of California President's Postdoctoral Fellowship at the University of California, Irvine. She received her PhD in Anthropology at UCLA, an MPH in Global Health from Boston University, and a BA from Rice University. She is a food anthropologist, broadly focused on how individuals and families navigate food systems in the service of their desires to eat in particular, culturally inflected ways. With critical attention to the granular, everyday experiences of navigating broader systems, her work links macro-scale structures to social and material impacts on life conditions. Her research asks questions like beyond our basic needs for survival, what does it take to live a decent life, and who gets to decide? Her work critically analyzes concepts like justice, interrogating how justice is understood and by whom it is defined? She interrogates concepts like food sovereignty and its possibilities in our contemporary globalized world. She is interested in how people build and maintain community and support networks within broader contexts of inequality and struggles for survival. She studies these issues in Latin America and the Caribbean and among Black and Latinx communities in the United States. | </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="http://www.hannagarth.com/about.html">Hanna Garth</a>, Assistant Professor of Anthropology at Princeton University, and was previously Assistant Professor of Anthropology at UC San Diego. She held a University of California President's Postdoctoral Fellowship at the University of California, Irvine. She received her PhD in Anthropology at UCLA, an MPH in Global Health from Boston University, and a BA from Rice University. She is a food anthropologist, broadly focused on how individuals and families navigate food systems in the service of their desires to eat in particular, culturally inflected ways. With critical attention to the granular, everyday experiences of navigating broader systems, her work links macro-scale structures to social and material impacts on life conditions. Her research asks questions like beyond our basic needs for survival, what does it take to live a decent life, and who gets to decide? Her work critically analyzes concepts like justice, interrogating how justice is understood and by whom it is defined? She interrogates concepts like food sovereignty and its possibilities in our contemporary globalized world. She is interested in how people build and maintain community and support networks within broader contexts of inequality and struggles for survival. She studies these issues in Latin America and the Caribbean and among Black and Latinx communities in the United States. | </p>]]>
      </content:encoded>
      <pubDate>Fri, 27 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/e2767c77/4b03831e.mp3" length="108222067" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2705</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="http://www.hannagarth.com/about.html">Hanna Garth</a>, Assistant Professor of Anthropology at Princeton University, and was previously Assistant Professor of Anthropology at UC San Diego. She held a University of California President's Postdoctoral Fellowship at the University of California, Irvine. She received her PhD in Anthropology at UCLA, an MPH in Global Health from Boston University, and a BA from Rice University. She is a food anthropologist, broadly focused on how individuals and families navigate food systems in the service of their desires to eat in particular, culturally inflected ways. With critical attention to the granular, everyday experiences of navigating broader systems, her work links macro-scale structures to social and material impacts on life conditions. Her research asks questions like beyond our basic needs for survival, what does it take to live a decent life, and who gets to decide? Her work critically analyzes concepts like justice, interrogating how justice is understood and by whom it is defined? She interrogates concepts like food sovereignty and its possibilities in our contemporary globalized world. She is interested in how people build and maintain community and support networks within broader contexts of inequality and struggles for survival. She studies these issues in Latin America and the Caribbean and among Black and Latinx communities in the United States. | </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kimberly Blockett - Department of Africana Studies, University of Delaware</title>
      <itunes:episode>228</itunes:episode>
      <podcast:episode>228</podcast:episode>
      <itunes:title>Kimberly Blockett - Department of Africana Studies, University of Delaware</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kimberly Blockett, who teaches in the Department of Africana Studies at University of Delaware. Along with a number of scholarly articles in prominent journals, she has compiled the heavily annotated edition <em>Memoirs of the Life, Religious Experiences, Ministerial Travels, and Labour’s of Mrs. Elaw</em> (2021), edited the collection <em>Mapping Black Women’s Geographies</em> (2025), and the author of <em>Race, Religion, and Rebellion: The Audacious Ministry of Zilpha Elaw</em> (fall 2026). In this conversation, we discuss the importance of recovering lost voices in a multidisciplinary approach to history, the place of religion in Black study, and the exciting, productive, and imaginative messiness of Black Studies research.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kimberly Blockett, who teaches in the Department of Africana Studies at University of Delaware. Along with a number of scholarly articles in prominent journals, she has compiled the heavily annotated edition <em>Memoirs of the Life, Religious Experiences, Ministerial Travels, and Labour’s of Mrs. Elaw</em> (2021), edited the collection <em>Mapping Black Women’s Geographies</em> (2025), and the author of <em>Race, Religion, and Rebellion: The Audacious Ministry of Zilpha Elaw</em> (fall 2026). In this conversation, we discuss the importance of recovering lost voices in a multidisciplinary approach to history, the place of religion in Black study, and the exciting, productive, and imaginative messiness of Black Studies research.</p>]]>
      </content:encoded>
      <pubDate>Wed, 25 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/9d595d45/0a1dcf50.mp3" length="112473637" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2811</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kimberly Blockett, who teaches in the Department of Africana Studies at University of Delaware. Along with a number of scholarly articles in prominent journals, she has compiled the heavily annotated edition <em>Memoirs of the Life, Religious Experiences, Ministerial Travels, and Labour’s of Mrs. Elaw</em> (2021), edited the collection <em>Mapping Black Women’s Geographies</em> (2025), and the author of <em>Race, Religion, and Rebellion: The Audacious Ministry of Zilpha Elaw</em> (fall 2026). In this conversation, we discuss the importance of recovering lost voices in a multidisciplinary approach to history, the place of religion in Black study, and the exciting, productive, and imaginative messiness of Black Studies research.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Antoine Williams - School of Art and Art History, University of Florida</title>
      <itunes:episode>227</itunes:episode>
      <podcast:episode>227</podcast:episode>
      <itunes:title>Antoine Williams - School of Art and Art History, University of Florida</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c5f91e1b</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Antoine Williams, a multidisciplinary artist and assistant professor of drawing in the expanded field in the School of Art and Art History at University of Florida. His work has been exhibited across the United States and he’s held numerous fellowships and residencies in the arts<em>.</em>His interactive, multimedia, site-specific installation with Josiah Golson titled “Go to the tree and get the pure sap and find out whether they were right” is being exhibited at the Birmingham Museum of Art through early-July 2026.<em> </em>In this conversation, we discuss roots of his concern with Black life, the relationship between study and creative production, and the place of the arts in the Black Studies project.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Antoine Williams, a multidisciplinary artist and assistant professor of drawing in the expanded field in the School of Art and Art History at University of Florida. His work has been exhibited across the United States and he’s held numerous fellowships and residencies in the arts<em>.</em>His interactive, multimedia, site-specific installation with Josiah Golson titled “Go to the tree and get the pure sap and find out whether they were right” is being exhibited at the Birmingham Museum of Art through early-July 2026.<em> </em>In this conversation, we discuss roots of his concern with Black life, the relationship between study and creative production, and the place of the arts in the Black Studies project.</p>]]>
      </content:encoded>
      <pubDate>Mon, 23 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2222</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Antoine Williams, a multidisciplinary artist and assistant professor of drawing in the expanded field in the School of Art and Art History at University of Florida. His work has been exhibited across the United States and he’s held numerous fellowships and residencies in the arts<em>.</em>His interactive, multimedia, site-specific installation with Josiah Golson titled “Go to the tree and get the pure sap and find out whether they were right” is being exhibited at the Birmingham Museum of Art through early-July 2026.<em> </em>In this conversation, we discuss roots of his concern with Black life, the relationship between study and creative production, and the place of the arts in the Black Studies project.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Angela Simms - Departments of Sociology and Urban Studies, Barnard College and Columbia University</title>
      <itunes:episode>226</itunes:episode>
      <podcast:episode>226</podcast:episode>
      <itunes:title>Angela Simms - Departments of Sociology and Urban Studies, Barnard College and Columbia University</itunes:title>
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      <link>https://share.transistor.fm/s/cf03a843</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://barnard.edu/profiles/angela-m-simms">Angela Simms</a>, Assistant Professor of Sociology and Urban Studies at Barnard-Columbia. She studies the political economy of suburban Black middle-class suburbs, and her forthcoming book <a href="http://www.russellsage.org/publications/book/fighting-foothold"><em>Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbi</em>a</a> (Russell Sage, February 2026) asks why majority-Black suburbs that work hard to build stable, thriving communities still face financial barriers that make this harder than it is for their white counterparts.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://barnard.edu/profiles/angela-m-simms">Angela Simms</a>, Assistant Professor of Sociology and Urban Studies at Barnard-Columbia. She studies the political economy of suburban Black middle-class suburbs, and her forthcoming book <a href="http://www.russellsage.org/publications/book/fighting-foothold"><em>Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbi</em>a</a> (Russell Sage, February 2026) asks why majority-Black suburbs that work hard to build stable, thriving communities still face financial barriers that make this harder than it is for their white counterparts.</p>]]>
      </content:encoded>
      <pubDate>Fri, 20 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/cf03a843/2bf98dee.mp3" length="140102644" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3502</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://barnard.edu/profiles/angela-m-simms">Angela Simms</a>, Assistant Professor of Sociology and Urban Studies at Barnard-Columbia. She studies the political economy of suburban Black middle-class suburbs, and her forthcoming book <a href="http://www.russellsage.org/publications/book/fighting-foothold"><em>Fighting for a Foothold: How Government and Markets Undermine Black Middle-Class Suburbi</em>a</a> (Russell Sage, February 2026) asks why majority-Black suburbs that work hard to build stable, thriving communities still face financial barriers that make this harder than it is for their white counterparts.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Robert Bland - Department of History and Africana Studies, University of Tennessee, Knoxville</title>
      <itunes:episode>225</itunes:episode>
      <podcast:episode>225</podcast:episode>
      <itunes:title>Robert Bland - Department of History and Africana Studies, University of Tennessee, Knoxville</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robert Bland, who teaches in the Departments of History and Africana Studies at the University of Tennessee, Knoxville. He is a historian of the late nineteenth- and early twentieth-century United States with an emphasis on the African American experience and the postbellum South. My research and teaching engage questions of racial formation, electoral and cultural politics, and battles over historical memory.</p><p>His latest book - <em>Requieum for Reconstruction Black Countermemory and the Legacy of the Lowcountry’s Lost Political Generation</em> - examines the legacy of Reconstruction in the African American public sphere. It explores the efforts of black South Carolinians and their northern allies to preserve the last bastion of radical Republicanism in the South during the half century that followed Compromise of 1877. In doing so, he illuminates a series of connections between grassroots struggles in the South Carolina Lowcountry over political patronage, disaster relief, local schools, and representations of Gullah folklore and the simultaneous debate in the national black press over how to contest the cultural and intellectual dimensions of the emerging Jim Crow order.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robert Bland, who teaches in the Departments of History and Africana Studies at the University of Tennessee, Knoxville. He is a historian of the late nineteenth- and early twentieth-century United States with an emphasis on the African American experience and the postbellum South. My research and teaching engage questions of racial formation, electoral and cultural politics, and battles over historical memory.</p><p>His latest book - <em>Requieum for Reconstruction Black Countermemory and the Legacy of the Lowcountry’s Lost Political Generation</em> - examines the legacy of Reconstruction in the African American public sphere. It explores the efforts of black South Carolinians and their northern allies to preserve the last bastion of radical Republicanism in the South during the half century that followed Compromise of 1877. In doing so, he illuminates a series of connections between grassroots struggles in the South Carolina Lowcountry over political patronage, disaster relief, local schools, and representations of Gullah folklore and the simultaneous debate in the national black press over how to contest the cultural and intellectual dimensions of the emerging Jim Crow order.</p>]]>
      </content:encoded>
      <pubDate>Wed, 18 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/5ef55e4d/f6d3525d.mp3" length="78626249" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>1965</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robert Bland, who teaches in the Departments of History and Africana Studies at the University of Tennessee, Knoxville. He is a historian of the late nineteenth- and early twentieth-century United States with an emphasis on the African American experience and the postbellum South. My research and teaching engage questions of racial formation, electoral and cultural politics, and battles over historical memory.</p><p>His latest book - <em>Requieum for Reconstruction Black Countermemory and the Legacy of the Lowcountry’s Lost Political Generation</em> - examines the legacy of Reconstruction in the African American public sphere. It explores the efforts of black South Carolinians and their northern allies to preserve the last bastion of radical Republicanism in the South during the half century that followed Compromise of 1877. In doing so, he illuminates a series of connections between grassroots struggles in the South Carolina Lowcountry over political patronage, disaster relief, local schools, and representations of Gullah folklore and the simultaneous debate in the national black press over how to contest the cultural and intellectual dimensions of the emerging Jim Crow order.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Kimberly Thomas McNair - Department of African and African American Studies, Stanford University</title>
      <itunes:episode>224</itunes:episode>
      <podcast:episode>224</podcast:episode>
      <itunes:title>Kimberly Thomas McNair - Department of African and African American Studies, Stanford University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/ae20105d</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kimberly Thomas McNair, who teaches in the Department of African and African American Studies at Stanford University. She teaches widely in literature, gender studies, and cultural studies inside the Black Studies tradition and is completing a book manuscript entitled <em>Every Goodbye Ain’t Gone: T-Shirt Culture and the Black Activist Tradition.</em>In this conversation, we discuss the unique character of Black Studies, relations of disciplines to the non-disciplinary character of the field, and the intersection of politics, memory, and cultural studies in the history of Black social activism.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kimberly Thomas McNair, who teaches in the Department of African and African American Studies at Stanford University. She teaches widely in literature, gender studies, and cultural studies inside the Black Studies tradition and is completing a book manuscript entitled <em>Every Goodbye Ain’t Gone: T-Shirt Culture and the Black Activist Tradition.</em>In this conversation, we discuss the unique character of Black Studies, relations of disciplines to the non-disciplinary character of the field, and the intersection of politics, memory, and cultural studies in the history of Black social activism.</p>]]>
      </content:encoded>
      <pubDate>Mon, 16 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/ae20105d/cbfdc59d.mp3" length="163081079" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4076</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kimberly Thomas McNair, who teaches in the Department of African and African American Studies at Stanford University. She teaches widely in literature, gender studies, and cultural studies inside the Black Studies tradition and is completing a book manuscript entitled <em>Every Goodbye Ain’t Gone: T-Shirt Culture and the Black Activist Tradition.</em>In this conversation, we discuss the unique character of Black Studies, relations of disciplines to the non-disciplinary character of the field, and the intersection of politics, memory, and cultural studies in the history of Black social activism.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ronald Zeigler - Director, Nyumburu Cultural Center, University of Maryland</title>
      <itunes:episode>223</itunes:episode>
      <podcast:episode>223</podcast:episode>
      <itunes:title>Ronald Zeigler - Director, Nyumburu Cultural Center, University of Maryland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a1825fa1</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Dr. Ronald Zeigler, former director of Nyumburu Cultural Center for 25 years; colleague who worked as adjuncted in the African American and Africana Studies Department integral part of the Black community on campus for 47 years.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Dr. Ronald Zeigler, former director of Nyumburu Cultural Center for 25 years; colleague who worked as adjuncted in the African American and Africana Studies Department integral part of the Black community on campus for 47 years.</p>]]>
      </content:encoded>
      <pubDate>Fri, 13 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a1825fa1/26be827a.mp3" length="135568586" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/p159fbK1yGv17vfJYYHP3H_qY2o_WnRSc6IpHXHWsqE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jNWRl/YWMwYWU0NDViNGY4/YjFmYjQ1NGQwMmI2/YTU0Ni5qcGVn.jpg"/>
      <itunes:duration>3388</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Dr. Ronald Zeigler, former director of Nyumburu Cultural Center for 25 years; colleague who worked as adjuncted in the African American and Africana Studies Department integral part of the Black community on campus for 47 years.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Deborah Gray White - Department of History, Rutgers University</title>
      <itunes:episode>222</itunes:episode>
      <podcast:episode>222</podcast:episode>
      <itunes:title>Deborah Gray White - Department of History, Rutgers University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c0e770a7</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Deborah Gray White, an emeritus Board of Governors Distinguished Professor of History at Rutgers University, New Brunswick, New Jersey. She is author of <em>Ar’n’t I A Woman? Female Slaves in the Plantation South;</em> <em>Too Heavy a Load: Black Women in Defense of Themselves, 1894-1994;</em> several K-12 textbooks on United States History, and <em>Let My People Go, African Americans 1804-1860. </em> In 2008, she published an edited work entitled <em>Telling Histories: Black Women in the Ivory Tower</em>, a collection of personal narratives written by African American women historians that chronicle the entry of black women into the modern historical profession and the development of the field of black women’s history. <em>Freedom On My Mind: A History of African Americans</em>, a co-authored college text, is in its third edition. </p><p>As a fellow at the Woodrow Wilson International Center for Scholars in Washington, D.C, and as a John Simon Guggenheim Fellow, White conducted research on  <em>Lost in the USA: American Identity from the Promise Keepers to the Million Mom March</em>.<em> </em> She holds the Carter G. Woodson Medallion and the Frederick Douglass Medal for excellence in African American history, and in 2019 was awarded the Stephen A. Ambrose Oral History Award. From 2016-2021 she co-directed the “Scarlet and Black Project” which investigated Native Americans and African Americans in the history of Rutgers University and is co-editor of the three-part <em>Scarlet and Black</em> series that explores this history. In 2024, the Association for the Study of African American Life and History awarded her its Living Legacy Award for her work in establishing the field of African American women’s history. She is currently at work on an autobiography, tentatively titled “Winning Against Ugly: A Black Historian’s Tale of Love, Loss, and the Historical Profession.”</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Deborah Gray White, an emeritus Board of Governors Distinguished Professor of History at Rutgers University, New Brunswick, New Jersey. She is author of <em>Ar’n’t I A Woman? Female Slaves in the Plantation South;</em> <em>Too Heavy a Load: Black Women in Defense of Themselves, 1894-1994;</em> several K-12 textbooks on United States History, and <em>Let My People Go, African Americans 1804-1860. </em> In 2008, she published an edited work entitled <em>Telling Histories: Black Women in the Ivory Tower</em>, a collection of personal narratives written by African American women historians that chronicle the entry of black women into the modern historical profession and the development of the field of black women’s history. <em>Freedom On My Mind: A History of African Americans</em>, a co-authored college text, is in its third edition. </p><p>As a fellow at the Woodrow Wilson International Center for Scholars in Washington, D.C, and as a John Simon Guggenheim Fellow, White conducted research on  <em>Lost in the USA: American Identity from the Promise Keepers to the Million Mom March</em>.<em> </em> She holds the Carter G. Woodson Medallion and the Frederick Douglass Medal for excellence in African American history, and in 2019 was awarded the Stephen A. Ambrose Oral History Award. From 2016-2021 she co-directed the “Scarlet and Black Project” which investigated Native Americans and African Americans in the history of Rutgers University and is co-editor of the three-part <em>Scarlet and Black</em> series that explores this history. In 2024, the Association for the Study of African American Life and History awarded her its Living Legacy Award for her work in establishing the field of African American women’s history. She is currently at work on an autobiography, tentatively titled “Winning Against Ugly: A Black Historian’s Tale of Love, Loss, and the Historical Profession.”</p>]]>
      </content:encoded>
      <pubDate>Wed, 11 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/c0e770a7/83ee003d.mp3" length="130522230" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3263</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Deborah Gray White, an emeritus Board of Governors Distinguished Professor of History at Rutgers University, New Brunswick, New Jersey. She is author of <em>Ar’n’t I A Woman? Female Slaves in the Plantation South;</em> <em>Too Heavy a Load: Black Women in Defense of Themselves, 1894-1994;</em> several K-12 textbooks on United States History, and <em>Let My People Go, African Americans 1804-1860. </em> In 2008, she published an edited work entitled <em>Telling Histories: Black Women in the Ivory Tower</em>, a collection of personal narratives written by African American women historians that chronicle the entry of black women into the modern historical profession and the development of the field of black women’s history. <em>Freedom On My Mind: A History of African Americans</em>, a co-authored college text, is in its third edition. </p><p>As a fellow at the Woodrow Wilson International Center for Scholars in Washington, D.C, and as a John Simon Guggenheim Fellow, White conducted research on  <em>Lost in the USA: American Identity from the Promise Keepers to the Million Mom March</em>.<em> </em> She holds the Carter G. Woodson Medallion and the Frederick Douglass Medal for excellence in African American history, and in 2019 was awarded the Stephen A. Ambrose Oral History Award. From 2016-2021 she co-directed the “Scarlet and Black Project” which investigated Native Americans and African Americans in the history of Rutgers University and is co-editor of the three-part <em>Scarlet and Black</em> series that explores this history. In 2024, the Association for the Study of African American Life and History awarded her its Living Legacy Award for her work in establishing the field of African American women’s history. She is currently at work on an autobiography, tentatively titled “Winning Against Ugly: A Black Historian’s Tale of Love, Loss, and the Historical Profession.”</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Paul C. Taylor - Department of Philosophy, University of California, Los Angeles</title>
      <itunes:episode>221</itunes:episode>
      <podcast:episode>221</podcast:episode>
      <itunes:title>Paul C. Taylor - Department of Philosophy, University of California, Los Angeles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2560fbce</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Paul C. Taylor, who teaches in the Department of Philosophy at University of California, Los Angeles. In addition to a number of scholarly essays and edited collections on philosophy and the question of race, he is the author of <em>Race: A Philosophical Introduction </em>(2003), <em>On Obama </em>(2015), and <em>Black is Beautiful: A Philosophy of Black Aesthetics </em>(2016). He is currently at work on two book-length projects: <em>Dark Futures</em> and <em>Uneasy Sanctuary: Rethinking Race-Thinking.</em>In this conversation, we discuss the place of philosophical thinking in the study of Black life, critical theory as a form of Black study, and the intersection of aesthetic questions and critical theories of race in the field of Black Studies.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Paul C. Taylor, who teaches in the Department of Philosophy at University of California, Los Angeles. In addition to a number of scholarly essays and edited collections on philosophy and the question of race, he is the author of <em>Race: A Philosophical Introduction </em>(2003), <em>On Obama </em>(2015), and <em>Black is Beautiful: A Philosophy of Black Aesthetics </em>(2016). He is currently at work on two book-length projects: <em>Dark Futures</em> and <em>Uneasy Sanctuary: Rethinking Race-Thinking.</em>In this conversation, we discuss the place of philosophical thinking in the study of Black life, critical theory as a form of Black study, and the intersection of aesthetic questions and critical theories of race in the field of Black Studies.</p>]]>
      </content:encoded>
      <pubDate>Mon, 09 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2968</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Paul C. Taylor, who teaches in the Department of Philosophy at University of California, Los Angeles. In addition to a number of scholarly essays and edited collections on philosophy and the question of race, he is the author of <em>Race: A Philosophical Introduction </em>(2003), <em>On Obama </em>(2015), and <em>Black is Beautiful: A Philosophy of Black Aesthetics </em>(2016). He is currently at work on two book-length projects: <em>Dark Futures</em> and <em>Uneasy Sanctuary: Rethinking Race-Thinking.</em>In this conversation, we discuss the place of philosophical thinking in the study of Black life, critical theory as a form of Black study, and the intersection of aesthetic questions and critical theories of race in the field of Black Studies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Joanna Davis-McElligatt - Department of English, University of North Texas</title>
      <itunes:episode>220</itunes:episode>
      <podcast:episode>220</podcast:episode>
      <itunes:title>Joanna Davis-McElligatt - Department of English, University of North Texas</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Joanna Davis-McElligatt, who teaches in the Department of English at University of North Texas. In addition to a number of scholarly essays and edited collections on literature and graphic arts, she is the author of the forthcoming <em>Black Aliens: Narrative Spacetime in the Cosmic Diaspora</em> (2026)<em>.</em>In this conversation, we discuss the place of the Black literary tradition in the study of Black life, disciplinary limits and possibilities, and how comics, graphic arts, and aesthetic questions they raise expand the Black Studies imagination.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Joanna Davis-McElligatt, who teaches in the Department of English at University of North Texas. In addition to a number of scholarly essays and edited collections on literature and graphic arts, she is the author of the forthcoming <em>Black Aliens: Narrative Spacetime in the Cosmic Diaspora</em> (2026)<em>.</em>In this conversation, we discuss the place of the Black literary tradition in the study of Black life, disciplinary limits and possibilities, and how comics, graphic arts, and aesthetic questions they raise expand the Black Studies imagination.</p>]]>
      </content:encoded>
      <pubDate>Fri, 06 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/701c830a/b9fdb056.mp3" length="119630125" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2990</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Joanna Davis-McElligatt, who teaches in the Department of English at University of North Texas. In addition to a number of scholarly essays and edited collections on literature and graphic arts, she is the author of the forthcoming <em>Black Aliens: Narrative Spacetime in the Cosmic Diaspora</em> (2026)<em>.</em>In this conversation, we discuss the place of the Black literary tradition in the study of Black life, disciplinary limits and possibilities, and how comics, graphic arts, and aesthetic questions they raise expand the Black Studies imagination.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Robin D. G. Kelley - Department of African American Studies, University of California, Los Angeles</title>
      <itunes:episode>219</itunes:episode>
      <podcast:episode>219</podcast:episode>
      <itunes:title>Robin D. G. Kelley - Department of African American Studies, University of California, Los Angeles</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robin D. G. Kelley, Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA.  His books include, <em>Thelonious Monk: The Life and Times of an American Original</em> (2009) <em>Hammer and Hoe: Alabama Communists During the Great Depression</em> (1990, 2nd ed. 2015); <em>Freedom Dreams: The Black Radical Imagination</em> (2002, New Ed. 2020);  <em>Race Rebels: Culture Politics and the Black Working Class</em> (Free Press 1994); <em>Yo’ Mama’s DisFunktional!: Fighting the Culture Wars in Urban America</em> (1997); <em>Africa Speaks, America Answers: Modern Jazz in Revolutionary Times</em> (2012); and forthcoming <em>Making a Killing: Capitalism, Cops, and the War on Black Life </em>(Henry Holt, 2026).  He also co-edited (with Colin Kaepernick and Keeanga-Yamahtta Taylor), <em>Our History Has Always Been Contraband: In Defense of Black Studies</em> (2023); (with Jesse Benjamin), Walter Rodney, <em>The Russian Revolution: A View From the Third World </em> (2018); (with Stephen Tuck) <em>The Other Special Relationship: Race, Rights and Riots in Britain and the United States</em> (2015);  (with Franklin Rosemont) <em>Black, Brown, and Beige:  Surrealist Writings from Africa and the African Diaspora</em> (2009); (with Earl Lewis) <em>To Make Our World Anew: A History of African Americans</em> (2000); and (with Sidney J. Lemelle), <em>Imagining Home: Class, Culture, and Nationalism in the African Diaspora</em> (1995).  Kelley’s articles and essays have appeared in dozens of several anthologies, journals, and magazines, including <em>Hammer and Hope</em>; <em> American Quarterly; African Studies Review;  Journal of American History; New Labor Forum</em>; <em>The Nation; New York Times; New York Review of Books</em>;  <em> Radical History Review; Transition; Black Scholar; Dissent; Rethinking Marxism; Black Music Research Journal; Callaloo; Black Renaissance/Renaissance Noir; </em>and <em>The Boston Review, </em>for which he also serves as Contributing Editor.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robin D. G. Kelley, Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA.  His books include, <em>Thelonious Monk: The Life and Times of an American Original</em> (2009) <em>Hammer and Hoe: Alabama Communists During the Great Depression</em> (1990, 2nd ed. 2015); <em>Freedom Dreams: The Black Radical Imagination</em> (2002, New Ed. 2020);  <em>Race Rebels: Culture Politics and the Black Working Class</em> (Free Press 1994); <em>Yo’ Mama’s DisFunktional!: Fighting the Culture Wars in Urban America</em> (1997); <em>Africa Speaks, America Answers: Modern Jazz in Revolutionary Times</em> (2012); and forthcoming <em>Making a Killing: Capitalism, Cops, and the War on Black Life </em>(Henry Holt, 2026).  He also co-edited (with Colin Kaepernick and Keeanga-Yamahtta Taylor), <em>Our History Has Always Been Contraband: In Defense of Black Studies</em> (2023); (with Jesse Benjamin), Walter Rodney, <em>The Russian Revolution: A View From the Third World </em> (2018); (with Stephen Tuck) <em>The Other Special Relationship: Race, Rights and Riots in Britain and the United States</em> (2015);  (with Franklin Rosemont) <em>Black, Brown, and Beige:  Surrealist Writings from Africa and the African Diaspora</em> (2009); (with Earl Lewis) <em>To Make Our World Anew: A History of African Americans</em> (2000); and (with Sidney J. Lemelle), <em>Imagining Home: Class, Culture, and Nationalism in the African Diaspora</em> (1995).  Kelley’s articles and essays have appeared in dozens of several anthologies, journals, and magazines, including <em>Hammer and Hope</em>; <em> American Quarterly; African Studies Review;  Journal of American History; New Labor Forum</em>; <em>The Nation; New York Times; New York Review of Books</em>;  <em> Radical History Review; Transition; Black Scholar; Dissent; Rethinking Marxism; Black Music Research Journal; Callaloo; Black Renaissance/Renaissance Noir; </em>and <em>The Boston Review, </em>for which he also serves as Contributing Editor.</p>]]>
      </content:encoded>
      <pubDate>Wed, 04 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/12311ea5/a2c18728.mp3" length="168646934" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4214</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Robin D. G. Kelley, Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History at UCLA.  His books include, <em>Thelonious Monk: The Life and Times of an American Original</em> (2009) <em>Hammer and Hoe: Alabama Communists During the Great Depression</em> (1990, 2nd ed. 2015); <em>Freedom Dreams: The Black Radical Imagination</em> (2002, New Ed. 2020);  <em>Race Rebels: Culture Politics and the Black Working Class</em> (Free Press 1994); <em>Yo’ Mama’s DisFunktional!: Fighting the Culture Wars in Urban America</em> (1997); <em>Africa Speaks, America Answers: Modern Jazz in Revolutionary Times</em> (2012); and forthcoming <em>Making a Killing: Capitalism, Cops, and the War on Black Life </em>(Henry Holt, 2026).  He also co-edited (with Colin Kaepernick and Keeanga-Yamahtta Taylor), <em>Our History Has Always Been Contraband: In Defense of Black Studies</em> (2023); (with Jesse Benjamin), Walter Rodney, <em>The Russian Revolution: A View From the Third World </em> (2018); (with Stephen Tuck) <em>The Other Special Relationship: Race, Rights and Riots in Britain and the United States</em> (2015);  (with Franklin Rosemont) <em>Black, Brown, and Beige:  Surrealist Writings from Africa and the African Diaspora</em> (2009); (with Earl Lewis) <em>To Make Our World Anew: A History of African Americans</em> (2000); and (with Sidney J. Lemelle), <em>Imagining Home: Class, Culture, and Nationalism in the African Diaspora</em> (1995).  Kelley’s articles and essays have appeared in dozens of several anthologies, journals, and magazines, including <em>Hammer and Hope</em>; <em> American Quarterly; African Studies Review;  Journal of American History; New Labor Forum</em>; <em>The Nation; New York Times; New York Review of Books</em>;  <em> Radical History Review; Transition; Black Scholar; Dissent; Rethinking Marxism; Black Music Research Journal; Callaloo; Black Renaissance/Renaissance Noir; </em>and <em>The Boston Review, </em>for which he also serves as Contributing Editor.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Clarissa Myrick-Harris White - Department of Africana Studies, Morehouse College</title>
      <itunes:episode>218</itunes:episode>
      <podcast:episode>218</podcast:episode>
      <itunes:title>Clarissa Myrick-Harris White - Department of Africana Studies, Morehouse College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2ffb209f</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Clarissa Myrick-Harris White, PhD, who is a tenured full Professor in the Department of Africana Studies and History at Morehouse College. She leads the college's <a href="https://www.morehousemmj.com">Movement, Memory, and Justice Project</a> and was co-founder of the <a href="https://morehouse.edu/academics/centers-and-institutes/black-mens-research-institute">Morehouse Black Men's Research Institute</a>. Previously she served as Dean of the Humanities and Social Sciences Division, Associate Provost for Curricular and Pedagogical Initiatives and more recently Chair of the Humanities Division at Morehouse. Dr. Myrick-Harris White is currently Co-Editor-In-Chief of <a href="https://www.theblackscholar.org/#">The Black Scholar Journal</a>. Her research and publications focus on the intersection of race, class, culture, and gender in the quest for social change and justice, emphasizing leadership during the Civil Rights and Black Power movements. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Clarissa Myrick-Harris White, PhD, who is a tenured full Professor in the Department of Africana Studies and History at Morehouse College. She leads the college's <a href="https://www.morehousemmj.com">Movement, Memory, and Justice Project</a> and was co-founder of the <a href="https://morehouse.edu/academics/centers-and-institutes/black-mens-research-institute">Morehouse Black Men's Research Institute</a>. Previously she served as Dean of the Humanities and Social Sciences Division, Associate Provost for Curricular and Pedagogical Initiatives and more recently Chair of the Humanities Division at Morehouse. Dr. Myrick-Harris White is currently Co-Editor-In-Chief of <a href="https://www.theblackscholar.org/#">The Black Scholar Journal</a>. Her research and publications focus on the intersection of race, class, culture, and gender in the quest for social change and justice, emphasizing leadership during the Civil Rights and Black Power movements. </p>]]>
      </content:encoded>
      <pubDate>Mon, 02 Feb 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/2ffb209f/f7c209ca.mp3" length="214282513" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>5356</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Clarissa Myrick-Harris White, PhD, who is a tenured full Professor in the Department of Africana Studies and History at Morehouse College. She leads the college's <a href="https://www.morehousemmj.com">Movement, Memory, and Justice Project</a> and was co-founder of the <a href="https://morehouse.edu/academics/centers-and-institutes/black-mens-research-institute">Morehouse Black Men's Research Institute</a>. Previously she served as Dean of the Humanities and Social Sciences Division, Associate Provost for Curricular and Pedagogical Initiatives and more recently Chair of the Humanities Division at Morehouse. Dr. Myrick-Harris White is currently Co-Editor-In-Chief of <a href="https://www.theblackscholar.org/#">The Black Scholar Journal</a>. Her research and publications focus on the intersection of race, class, culture, and gender in the quest for social change and justice, emphasizing leadership during the Civil Rights and Black Power movements. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Nathan Dize - Department of French, Washington University</title>
      <itunes:episode>217</itunes:episode>
      <podcast:episode>217</podcast:episode>
      <itunes:title>Nathan Dize - Department of French, Washington University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c2b6e832</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Nathan H. Dize, who teaches in the Department of French at Washington University in Saint Louis, and<strong> </strong>his<strong> </strong>work is situated at the intersection of French Caribbean literary and intellectual history, African Diaspora studies, translation studies. He is currently working on two projects: <em>Attending to the Dead: Haitian Literature and the Practice of Mourning </em>(SUNY Press) and <em>Handle with Care: The Legacies of African American Translators of Francophone Literature </em>(LSU Press). Nathan is also a translator of Haitian literature, and his translations include the novels <em>Duels </em>by Néhémy Dahomey, <em>The Immortals</em> and <em>The Emperor </em>by Makenzy Orcel, <a href="https://www.upress.virginia.edu/title/5488/"><em>I Am Alive</em></a><em> </em>by Kettly Mars, and <a href="https://bookshop.org/p/books/antoine-of-gommiers-lyonel-trouillot/18756747?ean=9781639640072"><em>Antoine of Gommiers</em></a> by Lyonel Trouillot. He is also a founding member of the <a href="https://kwazmanvwa.com/">Kwazman Vwa collective</a>, a member of the digital networks of <a href="https://www.fanmrebel.com/">Fanm Rebèl</a> and <a href="https://renderingrevolution.ht/">Rendering Revolution: Sartorial Approaches to Haitian History</a>, and a founding editor of the digital history project, <a href="https://colonyincrisis.lib.umd.edu/">A Colony in Crisis: The Saint-Domingue Grain Shortage of 1789</a>. He is a co-editor of the Global Black Writers in Translation series at Vanderbilt University Press.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Nathan H. Dize, who teaches in the Department of French at Washington University in Saint Louis, and<strong> </strong>his<strong> </strong>work is situated at the intersection of French Caribbean literary and intellectual history, African Diaspora studies, translation studies. He is currently working on two projects: <em>Attending to the Dead: Haitian Literature and the Practice of Mourning </em>(SUNY Press) and <em>Handle with Care: The Legacies of African American Translators of Francophone Literature </em>(LSU Press). Nathan is also a translator of Haitian literature, and his translations include the novels <em>Duels </em>by Néhémy Dahomey, <em>The Immortals</em> and <em>The Emperor </em>by Makenzy Orcel, <a href="https://www.upress.virginia.edu/title/5488/"><em>I Am Alive</em></a><em> </em>by Kettly Mars, and <a href="https://bookshop.org/p/books/antoine-of-gommiers-lyonel-trouillot/18756747?ean=9781639640072"><em>Antoine of Gommiers</em></a> by Lyonel Trouillot. He is also a founding member of the <a href="https://kwazmanvwa.com/">Kwazman Vwa collective</a>, a member of the digital networks of <a href="https://www.fanmrebel.com/">Fanm Rebèl</a> and <a href="https://renderingrevolution.ht/">Rendering Revolution: Sartorial Approaches to Haitian History</a>, and a founding editor of the digital history project, <a href="https://colonyincrisis.lib.umd.edu/">A Colony in Crisis: The Saint-Domingue Grain Shortage of 1789</a>. He is a co-editor of the Global Black Writers in Translation series at Vanderbilt University Press.</p>]]>
      </content:encoded>
      <pubDate>Fri, 30 Jan 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2705</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Nathan H. Dize, who teaches in the Department of French at Washington University in Saint Louis, and<strong> </strong>his<strong> </strong>work is situated at the intersection of French Caribbean literary and intellectual history, African Diaspora studies, translation studies. He is currently working on two projects: <em>Attending to the Dead: Haitian Literature and the Practice of Mourning </em>(SUNY Press) and <em>Handle with Care: The Legacies of African American Translators of Francophone Literature </em>(LSU Press). Nathan is also a translator of Haitian literature, and his translations include the novels <em>Duels </em>by Néhémy Dahomey, <em>The Immortals</em> and <em>The Emperor </em>by Makenzy Orcel, <a href="https://www.upress.virginia.edu/title/5488/"><em>I Am Alive</em></a><em> </em>by Kettly Mars, and <a href="https://bookshop.org/p/books/antoine-of-gommiers-lyonel-trouillot/18756747?ean=9781639640072"><em>Antoine of Gommiers</em></a> by Lyonel Trouillot. He is also a founding member of the <a href="https://kwazmanvwa.com/">Kwazman Vwa collective</a>, a member of the digital networks of <a href="https://www.fanmrebel.com/">Fanm Rebèl</a> and <a href="https://renderingrevolution.ht/">Rendering Revolution: Sartorial Approaches to Haitian History</a>, and a founding editor of the digital history project, <a href="https://colonyincrisis.lib.umd.edu/">A Colony in Crisis: The Saint-Domingue Grain Shortage of 1789</a>. He is a co-editor of the Global Black Writers in Translation series at Vanderbilt University Press.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Robin Brooks - Department of English, University of Pittsburgh</title>
      <itunes:episode>216</itunes:episode>
      <podcast:episode>216</podcast:episode>
      <itunes:title>Robin Brooks - Department of English, University of Pittsburgh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Robin Brooks, who teaches in the Department of English at University of Pittsburgh. In addition to a number of scholarly essays and journal publications, she is the author of <em>Class Interruptions: Inequality and Division in African Diasporic Women’s Fiction </em>(2022) and at work on a book project tentatively titled <em>Death Proximity: Grief and Emotional Wellness Stories in Black Communities.</em>In this conversation, we discuss the diasporic Black literary tradition, the expansiveness of the field, and the fecundity of mixed-methods research for the study of Black life. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Robin Brooks, who teaches in the Department of English at University of Pittsburgh. In addition to a number of scholarly essays and journal publications, she is the author of <em>Class Interruptions: Inequality and Division in African Diasporic Women’s Fiction </em>(2022) and at work on a book project tentatively titled <em>Death Proximity: Grief and Emotional Wellness Stories in Black Communities.</em>In this conversation, we discuss the diasporic Black literary tradition, the expansiveness of the field, and the fecundity of mixed-methods research for the study of Black life. </p>]]>
      </content:encoded>
      <pubDate>Wed, 28 Jan 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3114</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Robin Brooks, who teaches in the Department of English at University of Pittsburgh. In addition to a number of scholarly essays and journal publications, she is the author of <em>Class Interruptions: Inequality and Division in African Diasporic Women’s Fiction </em>(2022) and at work on a book project tentatively titled <em>Death Proximity: Grief and Emotional Wellness Stories in Black Communities.</em>In this conversation, we discuss the diasporic Black literary tradition, the expansiveness of the field, and the fecundity of mixed-methods research for the study of Black life. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Annette Joseph-Gabriel - Department of Romance Languages, Duke University</title>
      <itunes:episode>215</itunes:episode>
      <podcast:episode>215</podcast:episode>
      <itunes:title>Annette Joseph-Gabriel - Department of Romance Languages, Duke University</itunes:title>
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      <link>https://share.transistor.fm/s/741e2c14</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Annette Joseph-Gabriel is the John Spencer Bassett Associate Professor of Romance Studies. Her research has been supported by awards from the National Endowment for the Humanities, the National Humanities Center, the American Philosophical Society, the Omohundro Institute of Early American History and Culture, the Folger Shakespeare Library, and others.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Annette Joseph-Gabriel is the John Spencer Bassett Associate Professor of Romance Studies. Her research has been supported by awards from the National Endowment for the Humanities, the National Humanities Center, the American Philosophical Society, the Omohundro Institute of Early American History and Culture, the Folger Shakespeare Library, and others.</p>]]>
      </content:encoded>
      <pubDate>Mon, 26 Jan 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2064</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Annette Joseph-Gabriel is the John Spencer Bassett Associate Professor of Romance Studies. Her research has been supported by awards from the National Endowment for the Humanities, the National Humanities Center, the American Philosophical Society, the Omohundro Institute of Early American History and Culture, the Folger Shakespeare Library, and others.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Derek Handley - Department of English, University of Wisconsin, Milwaukee</title>
      <itunes:episode>214</itunes:episode>
      <podcast:episode>214</podcast:episode>
      <itunes:title>Derek Handley - Department of English, University of Wisconsin, Milwaukee</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Derek Handley, who teaches in the Department of English at University of Wisconsin, Milwaukee. Along with a number of articles on rhetoric, urban studies, and composition, he is the author of <a href="https://www.psupress.org/books/titles/978-0-271-09775-6.html?srsltid=AfmBOorp6NW0WpYAH8JmQHPB9HU3dJFZ7MrEjnUL9kAvuum5OWY2QwMp"><em>Struggle for the City: Rhetorics of Citizenship and Resistance during the Black Freedom Movement</em></a> (2024)<em>.</em>In this conversation, we discuss the the place of rhetorical work in the Black intellectual tradition, community work and politics, and the future of Black Studies as a multi-disciplinary project. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Derek Handley, who teaches in the Department of English at University of Wisconsin, Milwaukee. Along with a number of articles on rhetoric, urban studies, and composition, he is the author of <a href="https://www.psupress.org/books/titles/978-0-271-09775-6.html?srsltid=AfmBOorp6NW0WpYAH8JmQHPB9HU3dJFZ7MrEjnUL9kAvuum5OWY2QwMp"><em>Struggle for the City: Rhetorics of Citizenship and Resistance during the Black Freedom Movement</em></a> (2024)<em>.</em>In this conversation, we discuss the the place of rhetorical work in the Black intellectual tradition, community work and politics, and the future of Black Studies as a multi-disciplinary project. </p>]]>
      </content:encoded>
      <pubDate>Fri, 23 Jan 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/8dcf65f6/3e6a2cc9.mp3" length="129575712" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3239</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Derek Handley, who teaches in the Department of English at University of Wisconsin, Milwaukee. Along with a number of articles on rhetoric, urban studies, and composition, he is the author of <a href="https://www.psupress.org/books/titles/978-0-271-09775-6.html?srsltid=AfmBOorp6NW0WpYAH8JmQHPB9HU3dJFZ7MrEjnUL9kAvuum5OWY2QwMp"><em>Struggle for the City: Rhetorics of Citizenship and Resistance during the Black Freedom Movement</em></a> (2024)<em>.</em>In this conversation, we discuss the the place of rhetorical work in the Black intellectual tradition, community work and politics, and the future of Black Studies as a multi-disciplinary project. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Alisha Gaines - Department of African American and African Studies, University of Virginia</title>
      <itunes:episode>213</itunes:episode>
      <podcast:episode>213</podcast:episode>
      <itunes:title>Alisha Gaines - Department of African American and African Studies, University of Virginia</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/941ab8f4</link>
      <description>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Dr. Alisha Gaines who is an Associate Professor of African American and African Studies at the Carter G. Woodson Institute at the University of Virginia. She is the co-humanities director of the Evergreen Plantation Archaeological Field School in Edgard, Louisana, and is currently writing her second manuscript “Children of the Plantionocene” which centers on Black American origin stories, Black craftscapes, and what we collectively inherit from the plantation. In this conversation, we discuss: black study as an integral component of an insurgent black radical tradition, the black south and the plantation as rich spaces of knowledge production, and the role of black studies in the fight against local, national, and global dimensions of anti-blackness and fascism today</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Dr. Alisha Gaines who is an Associate Professor of African American and African Studies at the Carter G. Woodson Institute at the University of Virginia. She is the co-humanities director of the Evergreen Plantation Archaeological Field School in Edgard, Louisana, and is currently writing her second manuscript “Children of the Plantionocene” which centers on Black American origin stories, Black craftscapes, and what we collectively inherit from the plantation. In this conversation, we discuss: black study as an integral component of an insurgent black radical tradition, the black south and the plantation as rich spaces of knowledge production, and the role of black studies in the fight against local, national, and global dimensions of anti-blackness and fascism today</p>]]>
      </content:encoded>
      <pubDate>Wed, 21 Jan 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/941ab8f4/c8e4ac43.mp3" length="105748261" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2643</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Dr. Alisha Gaines who is an Associate Professor of African American and African Studies at the Carter G. Woodson Institute at the University of Virginia. She is the co-humanities director of the Evergreen Plantation Archaeological Field School in Edgard, Louisana, and is currently writing her second manuscript “Children of the Plantionocene” which centers on Black American origin stories, Black craftscapes, and what we collectively inherit from the plantation. In this conversation, we discuss: black study as an integral component of an insurgent black radical tradition, the black south and the plantation as rich spaces of knowledge production, and the role of black studies in the fight against local, national, and global dimensions of anti-blackness and fascism today</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Terence Keel - Department of African American Studies, University of California, Los Angeles</title>
      <itunes:episode>212</itunes:episode>
      <podcast:episode>212</podcast:episode>
      <itunes:title>Terence Keel - Department of African American Studies, University of California, Los Angeles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f00c14eb</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation with with Terence Keel is an award-winning scholar, the founding director of the BioCritical Studies Lab, and a professor of human biology, society, and African American Studies at the University of California, Los Angeles. Keel has received fellowships from the Robert Wood Johnson Foundation, the Russell Sage Foundation, and the National Institutes of Health. He is the author of <em>Divine Variations: How Christian Thought Became Racial Science</em> and co-editor of <em>Critical Approaches to Science and Religion</em>. His latest book is <em>The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence</em>. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation with with Terence Keel is an award-winning scholar, the founding director of the BioCritical Studies Lab, and a professor of human biology, society, and African American Studies at the University of California, Los Angeles. Keel has received fellowships from the Robert Wood Johnson Foundation, the Russell Sage Foundation, and the National Institutes of Health. He is the author of <em>Divine Variations: How Christian Thought Became Racial Science</em> and co-editor of <em>Critical Approaches to Science and Religion</em>. His latest book is <em>The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence</em>. </p>]]>
      </content:encoded>
      <pubDate>Mon, 19 Jan 2026 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f00c14eb/9c2e1ee9.mp3" length="91872072" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2297</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation with with Terence Keel is an award-winning scholar, the founding director of the BioCritical Studies Lab, and a professor of human biology, society, and African American Studies at the University of California, Los Angeles. Keel has received fellowships from the Robert Wood Johnson Foundation, the Russell Sage Foundation, and the National Institutes of Health. He is the author of <em>Divine Variations: How Christian Thought Became Racial Science</em> and co-editor of <em>Critical Approaches to Science and Religion</em>. His latest book is <em>The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence</em>. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Benjamin Talton - Department of History, Howard University</title>
      <itunes:episode>211</itunes:episode>
      <podcast:episode>211</podcast:episode>
      <itunes:title>Benjamin Talton - Department of History, Howard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/4fd873d1</link>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.benjamintalton.work">Benjamin Talton</a>, Executive Director of the Moorland-Spingarn Research Center and Professor in the Department of History at Howard University. He is an historian who researches and writes about culture and politics in Africa and the African diaspora. He earned his BA in history at Howard University and his doctorate, also in history, at the University of Chicago. Prior to joining Howard, Talton was Professor of History at Temple University. He has also taught African History at Hofstra University and Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. </p><p>A highly respected author, Talton has published three books: <em>The Politics of Social Change in Ghana: The Konkomba Struggle for Political Equality</em> (Palgrave 2010); <em>Black Subjects in Africa and its Diasporas: Race and Gender in Research and Writing</em> (Palgrave 2011), which he co-edited with Dr. Quincy Mills of the University of Maryland; and, most recently, <em>In This Land of Plenty: Mickey Leland and Africa in American Politics</em> (Penn Press 2019), which won the 2020 Wesley-Logan Prize from the American Historical Association. Among his current projects is co-editing Volume III of the <em>Cambridge History of the African Diaspora</em>, with Monique Bedasse and Nemata Blyden, and, chief-editor of all three of the series’ volumes, Michael Gomez. Talton’s work has also appeared in numerous peer-reviewed journals and popular media outlets, including <em>The Washington Post</em>, <a href="https://www.jacobinmag.com/author/benjamin-talton"><em>Jacobin</em></a>, <em>Current History</em>, the <em>Journal of Asian and African Studies</em>, <em>The African Studies Review</em>, <em>The Conversation</em>, <em>Ghana Studies</em>, and <a href="https://africasacountry.com/author/ben-talton"><em>Africa Is A Country</em></a>. </p><p>Talton serves on the editorial board of the <em>American Historical Review</em>, the leading History academic journal. He is a former editor of <a href="https://www.cambridge.org/core/journals/african-studies-review"><em>African Studies Review</em></a>, the leading North American peer-reviewed African Studies journal, and serves on the advisory board for New York University’s <a href="https://csaad.nyu.edu/our-people/">Center for the Study of Africa and the African Diaspora </a>(CSAAD). Dr. Talton is a past president of the <a href="http://ghanastudies.org/">Ghana Studies Association</a> and a former member of the executive board for the Association for the Study of the Worldwide African Diaspora (<a href="https://www.aswadiaspora.org/">ASWAD</a>).</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.benjamintalton.work">Benjamin Talton</a>, Executive Director of the Moorland-Spingarn Research Center and Professor in the Department of History at Howard University. He is an historian who researches and writes about culture and politics in Africa and the African diaspora. He earned his BA in history at Howard University and his doctorate, also in history, at the University of Chicago. Prior to joining Howard, Talton was Professor of History at Temple University. He has also taught African History at Hofstra University and Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. </p><p>A highly respected author, Talton has published three books: <em>The Politics of Social Change in Ghana: The Konkomba Struggle for Political Equality</em> (Palgrave 2010); <em>Black Subjects in Africa and its Diasporas: Race and Gender in Research and Writing</em> (Palgrave 2011), which he co-edited with Dr. Quincy Mills of the University of Maryland; and, most recently, <em>In This Land of Plenty: Mickey Leland and Africa in American Politics</em> (Penn Press 2019), which won the 2020 Wesley-Logan Prize from the American Historical Association. Among his current projects is co-editing Volume III of the <em>Cambridge History of the African Diaspora</em>, with Monique Bedasse and Nemata Blyden, and, chief-editor of all three of the series’ volumes, Michael Gomez. Talton’s work has also appeared in numerous peer-reviewed journals and popular media outlets, including <em>The Washington Post</em>, <a href="https://www.jacobinmag.com/author/benjamin-talton"><em>Jacobin</em></a>, <em>Current History</em>, the <em>Journal of Asian and African Studies</em>, <em>The African Studies Review</em>, <em>The Conversation</em>, <em>Ghana Studies</em>, and <a href="https://africasacountry.com/author/ben-talton"><em>Africa Is A Country</em></a>. </p><p>Talton serves on the editorial board of the <em>American Historical Review</em>, the leading History academic journal. He is a former editor of <a href="https://www.cambridge.org/core/journals/african-studies-review"><em>African Studies Review</em></a>, the leading North American peer-reviewed African Studies journal, and serves on the advisory board for New York University’s <a href="https://csaad.nyu.edu/our-people/">Center for the Study of Africa and the African Diaspora </a>(CSAAD). Dr. Talton is a past president of the <a href="http://ghanastudies.org/">Ghana Studies Association</a> and a former member of the executive board for the Association for the Study of the Worldwide African Diaspora (<a href="https://www.aswadiaspora.org/">ASWAD</a>).</p>]]>
      </content:encoded>
      <pubDate>Fri, 19 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/4fd873d1/35a8e9ae.mp3" length="107128539" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2678</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.benjamintalton.work">Benjamin Talton</a>, Executive Director of the Moorland-Spingarn Research Center and Professor in the Department of History at Howard University. He is an historian who researches and writes about culture and politics in Africa and the African diaspora. He earned his BA in history at Howard University and his doctorate, also in history, at the University of Chicago. Prior to joining Howard, Talton was Professor of History at Temple University. He has also taught African History at Hofstra University and Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. </p><p>A highly respected author, Talton has published three books: <em>The Politics of Social Change in Ghana: The Konkomba Struggle for Political Equality</em> (Palgrave 2010); <em>Black Subjects in Africa and its Diasporas: Race and Gender in Research and Writing</em> (Palgrave 2011), which he co-edited with Dr. Quincy Mills of the University of Maryland; and, most recently, <em>In This Land of Plenty: Mickey Leland and Africa in American Politics</em> (Penn Press 2019), which won the 2020 Wesley-Logan Prize from the American Historical Association. Among his current projects is co-editing Volume III of the <em>Cambridge History of the African Diaspora</em>, with Monique Bedasse and Nemata Blyden, and, chief-editor of all three of the series’ volumes, Michael Gomez. Talton’s work has also appeared in numerous peer-reviewed journals and popular media outlets, including <em>The Washington Post</em>, <a href="https://www.jacobinmag.com/author/benjamin-talton"><em>Jacobin</em></a>, <em>Current History</em>, the <em>Journal of Asian and African Studies</em>, <em>The African Studies Review</em>, <em>The Conversation</em>, <em>Ghana Studies</em>, and <a href="https://africasacountry.com/author/ben-talton"><em>Africa Is A Country</em></a>. </p><p>Talton serves on the editorial board of the <em>American Historical Review</em>, the leading History academic journal. He is a former editor of <a href="https://www.cambridge.org/core/journals/african-studies-review"><em>African Studies Review</em></a>, the leading North American peer-reviewed African Studies journal, and serves on the advisory board for New York University’s <a href="https://csaad.nyu.edu/our-people/">Center for the Study of Africa and the African Diaspora </a>(CSAAD). Dr. Talton is a past president of the <a href="http://ghanastudies.org/">Ghana Studies Association</a> and a former member of the executive board for the Association for the Study of the Worldwide African Diaspora (<a href="https://www.aswadiaspora.org/">ASWAD</a>).</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Mali Collins - Department of Critical Race, Gender, and Culture Studies, American University</title>
      <itunes:episode>210</itunes:episode>
      <podcast:episode>210</podcast:episode>
      <itunes:title>Mali Collins - Department of Critical Race, Gender, and Culture Studies, American University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e77754c5</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mali Collins, who teaches in the Department of Critical Race, Gender, and Culture Studies at American University. Along with numerous scholarly and public pieces, she is the author of <a href="https://ohiostatepress.org/books/titles/9780814215890.html"><em>Scrap Theory: Reproductive Injustice in the Black Feminist Imagination </em></a>(2024) and is a practicing birth, postpartum, and pregnancy termination doula, and a trained Perinatal and Infant Loss advocate with <a href="https://www.wombroom.mom/baltimore-doulas?gad_source=1&amp;gad_campaignid=22804969345&amp;gbraid=0AAAAACNZH-uEmS68F5TtWht1JkGQ-mJ2H&amp;gclid=CjwKCAiA3fnJBhAgEiwAyqmY5VebLiEHV7xRRb-XAt1m1GaHi85ubCfVp8LydI_6-PxakyPO9rVdNBoCGWIQAvD_BwE">The Womb Room</a> in Baltimore, MD. In this conversation, we discuss the intersection of race, gender, and questions of reproduction and its transformative effect for the study of Black life. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mali Collins, who teaches in the Department of Critical Race, Gender, and Culture Studies at American University. Along with numerous scholarly and public pieces, she is the author of <a href="https://ohiostatepress.org/books/titles/9780814215890.html"><em>Scrap Theory: Reproductive Injustice in the Black Feminist Imagination </em></a>(2024) and is a practicing birth, postpartum, and pregnancy termination doula, and a trained Perinatal and Infant Loss advocate with <a href="https://www.wombroom.mom/baltimore-doulas?gad_source=1&amp;gad_campaignid=22804969345&amp;gbraid=0AAAAACNZH-uEmS68F5TtWht1JkGQ-mJ2H&amp;gclid=CjwKCAiA3fnJBhAgEiwAyqmY5VebLiEHV7xRRb-XAt1m1GaHi85ubCfVp8LydI_6-PxakyPO9rVdNBoCGWIQAvD_BwE">The Womb Room</a> in Baltimore, MD. In this conversation, we discuss the intersection of race, gender, and questions of reproduction and its transformative effect for the study of Black life. </p>]]>
      </content:encoded>
      <pubDate>Wed, 17 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/e77754c5/5e8f7bc7.mp3" length="97641545" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2441</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mali Collins, who teaches in the Department of Critical Race, Gender, and Culture Studies at American University. Along with numerous scholarly and public pieces, she is the author of <a href="https://ohiostatepress.org/books/titles/9780814215890.html"><em>Scrap Theory: Reproductive Injustice in the Black Feminist Imagination </em></a>(2024) and is a practicing birth, postpartum, and pregnancy termination doula, and a trained Perinatal and Infant Loss advocate with <a href="https://www.wombroom.mom/baltimore-doulas?gad_source=1&amp;gad_campaignid=22804969345&amp;gbraid=0AAAAACNZH-uEmS68F5TtWht1JkGQ-mJ2H&amp;gclid=CjwKCAiA3fnJBhAgEiwAyqmY5VebLiEHV7xRRb-XAt1m1GaHi85ubCfVp8LydI_6-PxakyPO9rVdNBoCGWIQAvD_BwE">The Womb Room</a> in Baltimore, MD. In this conversation, we discuss the intersection of race, gender, and questions of reproduction and its transformative effect for the study of Black life. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Theodore A. Harris - Writer and Artist</title>
      <itunes:episode>209</itunes:episode>
      <podcast:episode>209</podcast:episode>
      <itunes:title>Theodore A. Harris - Writer and Artist</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/7973c7f2</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://theodoreharris.weebly.com">Theodore A. Harris, a Philadelphia-based artist and writer</a>. Along with numerous exhibits of his multi-media artwork linked via his website, he is the author of <em>Thesentür: Conscientious Objector to Formalism</em>, and co-author of two books with Amiri Baraka <em>Our Flesh of Flames</em> (Anvil Arts Press) and <em>Malcolm X as Ideology</em> (LeBow Books), a book with Fred Moten: i<em> ran from it and was still in it</em> (Cusp Books); and T<em>RIPTYCH: Text by Amiri Baraka and Jack Hirschman</em> (Caza de Poesía)<em>.</em>In this conversation, we discuss the history of Black expressive culture, the importance of art for understanding Black life, and the meaning of creativity in politically fraught times. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://theodoreharris.weebly.com">Theodore A. Harris, a Philadelphia-based artist and writer</a>. Along with numerous exhibits of his multi-media artwork linked via his website, he is the author of <em>Thesentür: Conscientious Objector to Formalism</em>, and co-author of two books with Amiri Baraka <em>Our Flesh of Flames</em> (Anvil Arts Press) and <em>Malcolm X as Ideology</em> (LeBow Books), a book with Fred Moten: i<em> ran from it and was still in it</em> (Cusp Books); and T<em>RIPTYCH: Text by Amiri Baraka and Jack Hirschman</em> (Caza de Poesía)<em>.</em>In this conversation, we discuss the history of Black expressive culture, the importance of art for understanding Black life, and the meaning of creativity in politically fraught times. </p>]]>
      </content:encoded>
      <pubDate>Mon, 15 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/7973c7f2/5afe60a2.mp3" length="72423835" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>1810</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://theodoreharris.weebly.com">Theodore A. Harris, a Philadelphia-based artist and writer</a>. Along with numerous exhibits of his multi-media artwork linked via his website, he is the author of <em>Thesentür: Conscientious Objector to Formalism</em>, and co-author of two books with Amiri Baraka <em>Our Flesh of Flames</em> (Anvil Arts Press) and <em>Malcolm X as Ideology</em> (LeBow Books), a book with Fred Moten: i<em> ran from it and was still in it</em> (Cusp Books); and T<em>RIPTYCH: Text by Amiri Baraka and Jack Hirschman</em> (Caza de Poesía)<em>.</em>In this conversation, we discuss the history of Black expressive culture, the importance of art for understanding Black life, and the meaning of creativity in politically fraught times. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Michael Simanga - Department of Africana Studies, Morehouse College</title>
      <itunes:episode>208</itunes:episode>
      <podcast:episode>208</podcast:episode>
      <itunes:title>Michael Simanga - Department of Africana Studies, Morehouse College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/56f56fb6</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Michael Simanga is an activist writer, multi-disciplinary artist and educator and came of age during the Civil Rights/Black Power Movement as a student organizer and poet in his hometown of Detroit. He was active in the Congress of African People, the African Liberation Support Committee, the National Black Assembly, the anti-apartheid movement, the labor movement and the independent schools movement. As a cultural worker he has focused on building and supporting community based cultural institutions and has spent his adult life as an advocate of art and culture as an instrument of social change and development. He is the former Executive Director of the National Black Arts Festival; former director of Fulton County Arts and Culture and the Southwest Arts Center. Professor Simanga earned an undergraduate degree in History from Oglethorpe University in Atlanta and a Ph.D. in African American Studies from the Union Institute and University of Cincinnati.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Michael Simanga is an activist writer, multi-disciplinary artist and educator and came of age during the Civil Rights/Black Power Movement as a student organizer and poet in his hometown of Detroit. He was active in the Congress of African People, the African Liberation Support Committee, the National Black Assembly, the anti-apartheid movement, the labor movement and the independent schools movement. As a cultural worker he has focused on building and supporting community based cultural institutions and has spent his adult life as an advocate of art and culture as an instrument of social change and development. He is the former Executive Director of the National Black Arts Festival; former director of Fulton County Arts and Culture and the Southwest Arts Center. Professor Simanga earned an undergraduate degree in History from Oglethorpe University in Atlanta and a Ph.D. in African American Studies from the Union Institute and University of Cincinnati.</p>]]>
      </content:encoded>
      <pubDate>Fri, 12 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/56f56fb6/dada9476.mp3" length="184444111" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/FZxX7LuuL3IdvONLTiLr-7AFThxzex1pCk6GCfieo00/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mZTA4/ZGI1MjJjMTk1OGYx/MjU0MzkxYmZhYWEw/YTIyYi5wbmc.jpg"/>
      <itunes:duration>4610</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Michael Simanga is an activist writer, multi-disciplinary artist and educator and came of age during the Civil Rights/Black Power Movement as a student organizer and poet in his hometown of Detroit. He was active in the Congress of African People, the African Liberation Support Committee, the National Black Assembly, the anti-apartheid movement, the labor movement and the independent schools movement. As a cultural worker he has focused on building and supporting community based cultural institutions and has spent his adult life as an advocate of art and culture as an instrument of social change and development. He is the former Executive Director of the National Black Arts Festival; former director of Fulton County Arts and Culture and the Southwest Arts Center. Professor Simanga earned an undergraduate degree in History from Oglethorpe University in Atlanta and a Ph.D. in African American Studies from the Union Institute and University of Cincinnati.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Laylah Amatullah Barrayn - Department of Arts, Culture, and Media, Rutgers University, Newark</title>
      <itunes:episode>207</itunes:episode>
      <podcast:episode>207</podcast:episode>
      <itunes:title>Laylah Amatullah Barrayn - Department of Arts, Culture, and Media, Rutgers University, Newark</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fad9f334</link>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://laylahbarrayn.format.com">Laylah Amatullah Barrayn</a>, who teaches in the <a href="https://sasn.rutgers.edu/laylah-amatullah-barrayn">Department of Arts, Culture, and Media at Rutgers University, Newark</a>. Along with numerous scholarly and public facing articles, Laylah is currently co-organizing <em>To Collect and Collate: Keepers of Black Photography</em>, a convening on Black photography archives to be held at NYU Accra in March 2026. Her exhibition, <a href="https://www.newark.rutgers.edu/news/express-newark-art-center-kicks-annual-theme-rhythm-changes-oct-9-event"><em>Ground of Memory</em> is on view at Express Newark, Rutgers University - Newark</a> until January 30, 2026 and she is working on a book of first person essays on Black photographers. In this conversation, we discuss curatorial work, photography, and the centrality of aesthetic questions in the Black Studies imagination and intellectual tradition.</p>]]>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://laylahbarrayn.format.com">Laylah Amatullah Barrayn</a>, who teaches in the <a href="https://sasn.rutgers.edu/laylah-amatullah-barrayn">Department of Arts, Culture, and Media at Rutgers University, Newark</a>. Along with numerous scholarly and public facing articles, Laylah is currently co-organizing <em>To Collect and Collate: Keepers of Black Photography</em>, a convening on Black photography archives to be held at NYU Accra in March 2026. Her exhibition, <a href="https://www.newark.rutgers.edu/news/express-newark-art-center-kicks-annual-theme-rhythm-changes-oct-9-event"><em>Ground of Memory</em> is on view at Express Newark, Rutgers University - Newark</a> until January 30, 2026 and she is working on a book of first person essays on Black photographers. In this conversation, we discuss curatorial work, photography, and the centrality of aesthetic questions in the Black Studies imagination and intellectual tradition.</p>]]>
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      <pubDate>Wed, 10 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>2867</itunes:duration>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://laylahbarrayn.format.com">Laylah Amatullah Barrayn</a>, who teaches in the <a href="https://sasn.rutgers.edu/laylah-amatullah-barrayn">Department of Arts, Culture, and Media at Rutgers University, Newark</a>. Along with numerous scholarly and public facing articles, Laylah is currently co-organizing <em>To Collect and Collate: Keepers of Black Photography</em>, a convening on Black photography archives to be held at NYU Accra in March 2026. Her exhibition, <a href="https://www.newark.rutgers.edu/news/express-newark-art-center-kicks-annual-theme-rhythm-changes-oct-9-event"><em>Ground of Memory</em> is on view at Express Newark, Rutgers University - Newark</a> until January 30, 2026 and she is working on a book of first person essays on Black photographers. In this conversation, we discuss curatorial work, photography, and the centrality of aesthetic questions in the Black Studies imagination and intellectual tradition.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Rahman A. Culver - Educator and Activist</title>
      <itunes:episode>206</itunes:episode>
      <podcast:episode>206</podcast:episode>
      <itunes:title>Rahman A. Culver - Educator and Activist</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Rahman A. Culver, an educator and activist who works to support measurable, lasting social change. Culver earned his B.A. in Afro-American Studies from University of Maryland in 2001, working to found and serving as director of the Saturday Freedom School program. He is certified in secondary and special education, holding a Master's degree in Public Administration from George Mason University. Culver has worked as an educator in the Montgomery County and Prince George's County public school systems.</p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Rahman A. Culver, an educator and activist who works to support measurable, lasting social change. Culver earned his B.A. in Afro-American Studies from University of Maryland in 2001, working to found and serving as director of the Saturday Freedom School program. He is certified in secondary and special education, holding a Master's degree in Public Administration from George Mason University. Culver has worked as an educator in the Montgomery County and Prince George's County public school systems.</p>]]>
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      <pubDate>Mon, 08 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>3239</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Rahman A. Culver, an educator and activist who works to support measurable, lasting social change. Culver earned his B.A. in Afro-American Studies from University of Maryland in 2001, working to found and serving as director of the Saturday Freedom School program. He is certified in secondary and special education, holding a Master's degree in Public Administration from George Mason University. Culver has worked as an educator in the Montgomery County and Prince George's County public school systems.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Marion Orr - Department of Political Science, Brown University</title>
      <itunes:episode>205</itunes:episode>
      <podcast:episode>205</podcast:episode>
      <itunes:title>Marion Orr - Department of Political Science, Brown University</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://marionorr.com">Marion Orr</a>, the inaugural <a href="https://polisci.brown.edu/people/marion-orr">Frederick Lippitt Professor of Public Policy and Professor of Political Science and Urban Studies at Brown University</a>. He previously was a member of the political science faculty at Duke University. Professor Orr earned his B.A. degree in political science from Savannah State College, M.A. in political science from Atlanta University (now Clark-Atlanta University), and a Ph.D. in Government and Politics from the University of Maryland, College Park. From 2008-2014, Professor Orr served as Director of the Alfred Taubman Center for Public Policy at Brown University. He is a former chair of Brown's Department of Political Science and a former director of Brown's Urban Studies Program. Professor Orr's expertise is in the area of American politics. He specializes in urban politics, race and ethnic politics, and African-American politics. He is the author and editor of eight books. His book, <em>House of Diggs: The Rise and Fall of America's Most Consequential Black Congressman, Charles C. Diggs, Jr.</em> (University of North Carolina Press, 2025), is the first biography of Michigan's first Black member of the U.S. House of Representatives.</p><p><br>Among Professor Orr's other books, <em>Black Social Capital: The Politics of School Reform in Baltimore</em> (University Press of Kansas), won the Policy Studies Organization's Aaron Wildavsky Award and his co-authored, <em>The Color of School Reform: Race, Politics and the Challenge of Urban Education</em> (Princeton University Press), was named the best book by the American Political Science Association's (APSA) Urban Politics Section. He is the coeditor (with Domingo Morel) of <em>Latino Mayors: Political Change in the Postindustrial City</em>. He is also the author of numerous scholarly articles, essays, and reviews. </p><p>In 2019, Professor Orr was awarded the APSA's Hanes Walton, Jr. Career Award that honors a political scientist whose lifetime of distinguished scholarship has made significant contributions to our understanding of racial and ethnic politics. Professor Orr is the recipient of Biographers International Organization Francis "Frank" Rollin Fellowship. He has also held a research fellowship at the Brookings Institution, a Presidential Fellowship from the University of California, Berkeley, and a fellowship from the Ford Foundation. Professor Orr served as President of the APSA's Organized Section on Urban Politics and as Chair of the Governing Board of the Urban Affairs Association (UAA), an international organization devoted to the study of urban issues. Dr. Orr has also served as a member of the executive councils of the American Political Science Association and the National Conference of Black Political Scientists. He has served, or is currently serving, on the editorial boards of the <em>National Political Science Review,</em> <em>Journal of Urban Affairs, Journal of Race, Ethnicity and the City</em>, and <em>Urban Affairs Review</em>.</p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://marionorr.com">Marion Orr</a>, the inaugural <a href="https://polisci.brown.edu/people/marion-orr">Frederick Lippitt Professor of Public Policy and Professor of Political Science and Urban Studies at Brown University</a>. He previously was a member of the political science faculty at Duke University. Professor Orr earned his B.A. degree in political science from Savannah State College, M.A. in political science from Atlanta University (now Clark-Atlanta University), and a Ph.D. in Government and Politics from the University of Maryland, College Park. From 2008-2014, Professor Orr served as Director of the Alfred Taubman Center for Public Policy at Brown University. He is a former chair of Brown's Department of Political Science and a former director of Brown's Urban Studies Program. Professor Orr's expertise is in the area of American politics. He specializes in urban politics, race and ethnic politics, and African-American politics. He is the author and editor of eight books. His book, <em>House of Diggs: The Rise and Fall of America's Most Consequential Black Congressman, Charles C. Diggs, Jr.</em> (University of North Carolina Press, 2025), is the first biography of Michigan's first Black member of the U.S. House of Representatives.</p><p><br>Among Professor Orr's other books, <em>Black Social Capital: The Politics of School Reform in Baltimore</em> (University Press of Kansas), won the Policy Studies Organization's Aaron Wildavsky Award and his co-authored, <em>The Color of School Reform: Race, Politics and the Challenge of Urban Education</em> (Princeton University Press), was named the best book by the American Political Science Association's (APSA) Urban Politics Section. He is the coeditor (with Domingo Morel) of <em>Latino Mayors: Political Change in the Postindustrial City</em>. He is also the author of numerous scholarly articles, essays, and reviews. </p><p>In 2019, Professor Orr was awarded the APSA's Hanes Walton, Jr. Career Award that honors a political scientist whose lifetime of distinguished scholarship has made significant contributions to our understanding of racial and ethnic politics. Professor Orr is the recipient of Biographers International Organization Francis "Frank" Rollin Fellowship. He has also held a research fellowship at the Brookings Institution, a Presidential Fellowship from the University of California, Berkeley, and a fellowship from the Ford Foundation. Professor Orr served as President of the APSA's Organized Section on Urban Politics and as Chair of the Governing Board of the Urban Affairs Association (UAA), an international organization devoted to the study of urban issues. Dr. Orr has also served as a member of the executive councils of the American Political Science Association and the National Conference of Black Political Scientists. He has served, or is currently serving, on the editorial boards of the <em>National Political Science Review,</em> <em>Journal of Urban Affairs, Journal of Race, Ethnicity and the City</em>, and <em>Urban Affairs Review</em>.</p>]]>
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      <pubDate>Fri, 05 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/9db419fb/026fdcb9.mp3" length="82636238" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2065</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://marionorr.com">Marion Orr</a>, the inaugural <a href="https://polisci.brown.edu/people/marion-orr">Frederick Lippitt Professor of Public Policy and Professor of Political Science and Urban Studies at Brown University</a>. He previously was a member of the political science faculty at Duke University. Professor Orr earned his B.A. degree in political science from Savannah State College, M.A. in political science from Atlanta University (now Clark-Atlanta University), and a Ph.D. in Government and Politics from the University of Maryland, College Park. From 2008-2014, Professor Orr served as Director of the Alfred Taubman Center for Public Policy at Brown University. He is a former chair of Brown's Department of Political Science and a former director of Brown's Urban Studies Program. Professor Orr's expertise is in the area of American politics. He specializes in urban politics, race and ethnic politics, and African-American politics. He is the author and editor of eight books. His book, <em>House of Diggs: The Rise and Fall of America's Most Consequential Black Congressman, Charles C. Diggs, Jr.</em> (University of North Carolina Press, 2025), is the first biography of Michigan's first Black member of the U.S. House of Representatives.</p><p><br>Among Professor Orr's other books, <em>Black Social Capital: The Politics of School Reform in Baltimore</em> (University Press of Kansas), won the Policy Studies Organization's Aaron Wildavsky Award and his co-authored, <em>The Color of School Reform: Race, Politics and the Challenge of Urban Education</em> (Princeton University Press), was named the best book by the American Political Science Association's (APSA) Urban Politics Section. He is the coeditor (with Domingo Morel) of <em>Latino Mayors: Political Change in the Postindustrial City</em>. He is also the author of numerous scholarly articles, essays, and reviews. </p><p>In 2019, Professor Orr was awarded the APSA's Hanes Walton, Jr. Career Award that honors a political scientist whose lifetime of distinguished scholarship has made significant contributions to our understanding of racial and ethnic politics. Professor Orr is the recipient of Biographers International Organization Francis "Frank" Rollin Fellowship. He has also held a research fellowship at the Brookings Institution, a Presidential Fellowship from the University of California, Berkeley, and a fellowship from the Ford Foundation. Professor Orr served as President of the APSA's Organized Section on Urban Politics and as Chair of the Governing Board of the Urban Affairs Association (UAA), an international organization devoted to the study of urban issues. Dr. Orr has also served as a member of the executive councils of the American Political Science Association and the National Conference of Black Political Scientists. He has served, or is currently serving, on the editorial boards of the <em>National Political Science Review,</em> <em>Journal of Urban Affairs, Journal of Race, Ethnicity and the City</em>, and <em>Urban Affairs Review</em>.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Irvin Hunt - Departments of English and African American Studies, University of Illinois</title>
      <itunes:episode>204</itunes:episode>
      <podcast:episode>204</podcast:episode>
      <itunes:title>Irvin Hunt - Departments of English and African American Studies, University of Illinois</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://english.illinois.edu/directory/profile/ijh">Irvin Hunt, who teaches in the Departments of English and African American Studies at University of Illinois</a>. He is the author of <a href="https://uncpress.org/9781469667935/dreaming-the-present/"><em>Dreaming the Present: Time, Aesthetics, and the Black Cooperative Movement,</em></a> which won Honorable Mention in the William Scarborough Sanders Prize competition in 2023, and he is at work on two books, a study of contemporary Black poetry titled <em>A New Language for Grief</em> and another titled <em>I Can't Make You Speak: Stories. </em>He is also co-writer of the script for Khalil Joseph's film <a href="https://tiff.net/films/blknws-terms-conditions"><em>BLKNWS: Terms &amp; Conditions</em></a><em>. </em>In this conversation, we discuss the critical Black literary tradition, horizons of expressive culture, and the politics of thinking and doing Black Studies in the contemporary moment. </p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://english.illinois.edu/directory/profile/ijh">Irvin Hunt, who teaches in the Departments of English and African American Studies at University of Illinois</a>. He is the author of <a href="https://uncpress.org/9781469667935/dreaming-the-present/"><em>Dreaming the Present: Time, Aesthetics, and the Black Cooperative Movement,</em></a> which won Honorable Mention in the William Scarborough Sanders Prize competition in 2023, and he is at work on two books, a study of contemporary Black poetry titled <em>A New Language for Grief</em> and another titled <em>I Can't Make You Speak: Stories. </em>He is also co-writer of the script for Khalil Joseph's film <a href="https://tiff.net/films/blknws-terms-conditions"><em>BLKNWS: Terms &amp; Conditions</em></a><em>. </em>In this conversation, we discuss the critical Black literary tradition, horizons of expressive culture, and the politics of thinking and doing Black Studies in the contemporary moment. </p>]]>
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      <pubDate>Wed, 03 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>2586</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://english.illinois.edu/directory/profile/ijh">Irvin Hunt, who teaches in the Departments of English and African American Studies at University of Illinois</a>. He is the author of <a href="https://uncpress.org/9781469667935/dreaming-the-present/"><em>Dreaming the Present: Time, Aesthetics, and the Black Cooperative Movement,</em></a> which won Honorable Mention in the William Scarborough Sanders Prize competition in 2023, and he is at work on two books, a study of contemporary Black poetry titled <em>A New Language for Grief</em> and another titled <em>I Can't Make You Speak: Stories. </em>He is also co-writer of the script for Khalil Joseph's film <a href="https://tiff.net/films/blknws-terms-conditions"><em>BLKNWS: Terms &amp; Conditions</em></a><em>. </em>In this conversation, we discuss the critical Black literary tradition, horizons of expressive culture, and the politics of thinking and doing Black Studies in the contemporary moment. </p>]]>
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      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Jeanine Staples-Dixon - College of Education and Department of African American Studies, Penn State University</title>
      <itunes:episode>203</itunes:episode>
      <podcast:episode>203</podcast:episode>
      <itunes:title>Jeanine Staples-Dixon - College of Education and Department of African American Studies, Penn State University</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Jeanine Staples-Dixon, a Professor of Literacy and Language, African American Studies, and Women’s, Gender, and Sexuality Studies at Penn State's Colleges of Education and Liberal Arts. She also serves as Senior Faculty Mentor for the university, through the Office of Educational Equity. A long-time leader in Critical New Literacies Studies and teacher education, she's currently writing her two forthcoming books, <em>Extraordinary Pedagogies: An Endarkened Feminist Approach To Revolutionizing Teacher Consciousness</em> (Teachers College Press, 2024) and <em>Extraordinary Literacies: Regarding the Literate Lives of Black Girls and Women In Schools &amp; Society</em> (Palgrave MacMillan, 2026). She teaches LLED 580, CI 590, and CI 501 for Penn State's World Campus. Her website is: <a href="https://mailtrack.io/l/8420417bc33337df25c64300de2d94c06c280644?url=https%3A%2F%2Fjeaninestaples.com%2F&amp;u=2369351&amp;signature=947ad4e132fbf81b">https://jeaninestaples.com</a></p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Jeanine Staples-Dixon, a Professor of Literacy and Language, African American Studies, and Women’s, Gender, and Sexuality Studies at Penn State's Colleges of Education and Liberal Arts. She also serves as Senior Faculty Mentor for the university, through the Office of Educational Equity. A long-time leader in Critical New Literacies Studies and teacher education, she's currently writing her two forthcoming books, <em>Extraordinary Pedagogies: An Endarkened Feminist Approach To Revolutionizing Teacher Consciousness</em> (Teachers College Press, 2024) and <em>Extraordinary Literacies: Regarding the Literate Lives of Black Girls and Women In Schools &amp; Society</em> (Palgrave MacMillan, 2026). She teaches LLED 580, CI 590, and CI 501 for Penn State's World Campus. Her website is: <a href="https://mailtrack.io/l/8420417bc33337df25c64300de2d94c06c280644?url=https%3A%2F%2Fjeaninestaples.com%2F&amp;u=2369351&amp;signature=947ad4e132fbf81b">https://jeaninestaples.com</a></p>]]>
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      <pubDate>Mon, 01 Dec 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/1bcd3151/32621557.mp3" length="68246440" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/mClEl4OEfRZdrkjS05vZeAmPkMfRllmJHnZvLgKFinM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iZGUy/YzdmNjQ5ZmVlZDZk/Y2Y0OWYxZTUwYTQ4/NTZiOC5wbmc.jpg"/>
      <itunes:duration>1706</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Jeanine Staples-Dixon, a Professor of Literacy and Language, African American Studies, and Women’s, Gender, and Sexuality Studies at Penn State's Colleges of Education and Liberal Arts. She also serves as Senior Faculty Mentor for the university, through the Office of Educational Equity. A long-time leader in Critical New Literacies Studies and teacher education, she's currently writing her two forthcoming books, <em>Extraordinary Pedagogies: An Endarkened Feminist Approach To Revolutionizing Teacher Consciousness</em> (Teachers College Press, 2024) and <em>Extraordinary Literacies: Regarding the Literate Lives of Black Girls and Women In Schools &amp; Society</em> (Palgrave MacMillan, 2026). She teaches LLED 580, CI 590, and CI 501 for Penn State's World Campus. Her website is: <a href="https://mailtrack.io/l/8420417bc33337df25c64300de2d94c06c280644?url=https%3A%2F%2Fjeaninestaples.com%2F&amp;u=2369351&amp;signature=947ad4e132fbf81b">https://jeaninestaples.com</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Allison A. Waite - Artist and Filmmaker</title>
      <itunes:episode>202</itunes:episode>
      <podcast:episode>202</podcast:episode>
      <itunes:title>Allison A. Waite - Artist and Filmmaker</itunes:title>
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      <link>https://share.transistor.fm/s/fad73108</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.allisonawaite.com/home">Allison A. Waite</a>, a filmmaker based in Los Angeles, California. She has worked on a number of films and has produced, written, and directed a number of pieces including <a href="https://www.kanopy.com/en/product/dope-years-story-latasha-harlins?frontend=kui"><em>The Dope Years</em></a><em>, </em>a documentary on the life and death of Latasha Harlins.<em> </em>In this conversation, we discuss the political significance of art as a facilitator of empathy, the importance of authenticity and voice in Black art making, and the responsibilities of creatives and writers in relation to community. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.allisonawaite.com/home">Allison A. Waite</a>, a filmmaker based in Los Angeles, California. She has worked on a number of films and has produced, written, and directed a number of pieces including <a href="https://www.kanopy.com/en/product/dope-years-story-latasha-harlins?frontend=kui"><em>The Dope Years</em></a><em>, </em>a documentary on the life and death of Latasha Harlins.<em> </em>In this conversation, we discuss the political significance of art as a facilitator of empathy, the importance of authenticity and voice in Black art making, and the responsibilities of creatives and writers in relation to community. </p>]]>
      </content:encoded>
      <pubDate>Fri, 28 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/fad73108/f36f282f.mp3" length="96999546" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/U-qG-K6d3eN41WqQgydwuFbFPOk4-Nqc-XzCGn9vIgA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81ZjMx/OWU2ZmYxNzM2ZGZk/MmFlNDJiMDNmZDFi/N2MwNS5qcGc.jpg"/>
      <itunes:duration>2424</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.allisonawaite.com/home">Allison A. Waite</a>, a filmmaker based in Los Angeles, California. She has worked on a number of films and has produced, written, and directed a number of pieces including <a href="https://www.kanopy.com/en/product/dope-years-story-latasha-harlins?frontend=kui"><em>The Dope Years</em></a><em>, </em>a documentary on the life and death of Latasha Harlins.<em> </em>In this conversation, we discuss the political significance of art as a facilitator of empathy, the importance of authenticity and voice in Black art making, and the responsibilities of creatives and writers in relation to community. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Joyce E. King - Benjamin E. Mays Endowed Chair for Urban Teaching, Learning and Leadership, Africana Studies, and Educational Policy Studies, Georgia State University</title>
      <itunes:episode>201</itunes:episode>
      <podcast:episode>201</podcast:episode>
      <itunes:title>Joyce E. King - Benjamin E. Mays Endowed Chair for Urban Teaching, Learning and Leadership, Africana Studies, and Educational Policy Studies, Georgia State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0171ba7d</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://cas.gsu.edu/profile/joyce-king/">Joyce E. King</a>, Benjamin E. Mays Endowed Chair for Urban Teaching, Learning and Leadership and Professor of Educational Policy Studies in the College of Education &amp; Human Development at Georgia State University. Previously, King held senior academic affairs positions as Provost at Spelman College, Associate Provost at Medgar Evers College, CUNY and Associate Vice Chancellor for Academic Affairs and Diversity Programs at the University of New Orleans. She was director of teacher education for twelve years at Santa Clara University and the first head of the Ethnic Studies Department at Mills College. She completed two prestigious leadership programs: the American Council on Education Fellowship at Stanford University with the President, the Vice President for Planning and Management, and the Office for Multicultural Development. As a W.K. Kellogg National Fellowship recipient, King also studied women’s leadership and grassroots participation in social change in China, Brazil, France, Kenya, Japan, Mali and Peru.</p><p>Widely respected in the fields of urban education and the sociology of education,  King’s research has contributed to the knowledge-base on preparing teachers for diversity and curriculum theorizing through her scholarship, teaching practice and leadership. She served on the Curriculum Commission of the State Board of Education.</p><p>Recent publications include the Harvard Educational Review, The Handbook of Research on Black Education, The Handbook of Research on Teacher Education and Voices of Historical and Contemporary Black Pioneers. In addition, King organized and edited a landmark book, <em>Black Education: A Transformative Research and Action Agenda for the New Century</em> that was published for the American Educational Research Association (2005).</p><p>She has served as co-editor of the top-ranked Review of Educational Research, and her concept of “dysconscious racism” continues to influence research and practice in education and sociology as well in the U.S. and in other countries. A forthcoming book produced in collaboration with teacher educators and classroom teachers is: <em>“Re-membering” History in Student and Teacher Learning: An Afrocentric and Culturally Informed Praxis</em>.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://cas.gsu.edu/profile/joyce-king/">Joyce E. King</a>, Benjamin E. Mays Endowed Chair for Urban Teaching, Learning and Leadership and Professor of Educational Policy Studies in the College of Education &amp; Human Development at Georgia State University. Previously, King held senior academic affairs positions as Provost at Spelman College, Associate Provost at Medgar Evers College, CUNY and Associate Vice Chancellor for Academic Affairs and Diversity Programs at the University of New Orleans. She was director of teacher education for twelve years at Santa Clara University and the first head of the Ethnic Studies Department at Mills College. She completed two prestigious leadership programs: the American Council on Education Fellowship at Stanford University with the President, the Vice President for Planning and Management, and the Office for Multicultural Development. As a W.K. Kellogg National Fellowship recipient, King also studied women’s leadership and grassroots participation in social change in China, Brazil, France, Kenya, Japan, Mali and Peru.</p><p>Widely respected in the fields of urban education and the sociology of education,  King’s research has contributed to the knowledge-base on preparing teachers for diversity and curriculum theorizing through her scholarship, teaching practice and leadership. She served on the Curriculum Commission of the State Board of Education.</p><p>Recent publications include the Harvard Educational Review, The Handbook of Research on Black Education, The Handbook of Research on Teacher Education and Voices of Historical and Contemporary Black Pioneers. In addition, King organized and edited a landmark book, <em>Black Education: A Transformative Research and Action Agenda for the New Century</em> that was published for the American Educational Research Association (2005).</p><p>She has served as co-editor of the top-ranked Review of Educational Research, and her concept of “dysconscious racism” continues to influence research and practice in education and sociology as well in the U.S. and in other countries. A forthcoming book produced in collaboration with teacher educators and classroom teachers is: <em>“Re-membering” History in Student and Teacher Learning: An Afrocentric and Culturally Informed Praxis</em>.</p>]]>
      </content:encoded>
      <pubDate>Wed, 26 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/0171ba7d/656f91c5.mp3" length="97603244" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2439</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://cas.gsu.edu/profile/joyce-king/">Joyce E. King</a>, Benjamin E. Mays Endowed Chair for Urban Teaching, Learning and Leadership and Professor of Educational Policy Studies in the College of Education &amp; Human Development at Georgia State University. Previously, King held senior academic affairs positions as Provost at Spelman College, Associate Provost at Medgar Evers College, CUNY and Associate Vice Chancellor for Academic Affairs and Diversity Programs at the University of New Orleans. She was director of teacher education for twelve years at Santa Clara University and the first head of the Ethnic Studies Department at Mills College. She completed two prestigious leadership programs: the American Council on Education Fellowship at Stanford University with the President, the Vice President for Planning and Management, and the Office for Multicultural Development. As a W.K. Kellogg National Fellowship recipient, King also studied women’s leadership and grassroots participation in social change in China, Brazil, France, Kenya, Japan, Mali and Peru.</p><p>Widely respected in the fields of urban education and the sociology of education,  King’s research has contributed to the knowledge-base on preparing teachers for diversity and curriculum theorizing through her scholarship, teaching practice and leadership. She served on the Curriculum Commission of the State Board of Education.</p><p>Recent publications include the Harvard Educational Review, The Handbook of Research on Black Education, The Handbook of Research on Teacher Education and Voices of Historical and Contemporary Black Pioneers. In addition, King organized and edited a landmark book, <em>Black Education: A Transformative Research and Action Agenda for the New Century</em> that was published for the American Educational Research Association (2005).</p><p>She has served as co-editor of the top-ranked Review of Educational Research, and her concept of “dysconscious racism” continues to influence research and practice in education and sociology as well in the U.S. and in other countries. A forthcoming book produced in collaboration with teacher educators and classroom teachers is: <em>“Re-membering” History in Student and Teacher Learning: An Afrocentric and Culturally Informed Praxis</em>.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ashley Newby, Brie Gorrell, Olivia Blucker, John E. Drabinski - Podcast Editorial Collective, University of Maryland</title>
      <itunes:episode>200</itunes:episode>
      <podcast:episode>200</podcast:episode>
      <itunes:title>Ashley Newby, Brie Gorrell, Olivia Blucker, John E. Drabinski - Podcast Editorial Collective, University of Maryland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/22177edb</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is a collaboration between the podcast’s editorial collective: Brie Gorrell, Olivia Blucker, John Drabinski, and Ashley Newby.In this conversation, we discuss the experience of recording two hundred conversations, how it has impacted our thinking about the field of Black Studies, what those conversations say about the past and future of the field, and what sort of new questions have been opened up for us across The Black Studies Podcast.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is a collaboration between the podcast’s editorial collective: Brie Gorrell, Olivia Blucker, John Drabinski, and Ashley Newby.In this conversation, we discuss the experience of recording two hundred conversations, how it has impacted our thinking about the field of Black Studies, what those conversations say about the past and future of the field, and what sort of new questions have been opened up for us across The Black Studies Podcast.</p>]]>
      </content:encoded>
      <pubDate>Mon, 24 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/22177edb/1e6b353d.mp3" length="99065700" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2475</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is a collaboration between the podcast’s editorial collective: Brie Gorrell, Olivia Blucker, John Drabinski, and Ashley Newby.In this conversation, we discuss the experience of recording two hundred conversations, how it has impacted our thinking about the field of Black Studies, what those conversations say about the past and future of the field, and what sort of new questions have been opened up for us across The Black Studies Podcast.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jaz Riley - Department of African American Studies, University of Illinois</title>
      <itunes:episode>199</itunes:episode>
      <podcast:episode>199</podcast:episode>
      <itunes:title>Jaz Riley - Department of African American Studies, University of Illinois</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fee8b84b</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jaz Riley, Postdoctoral Fellow and incoming Assistant Professor in the Department of African American Studies at University of Illinois.<em> </em>In this conversation, we discuss the ongoing challenge of community for Black Studies research, the critical intervention made by emerging questions of gender for the field, and the politics of Black study in the contemporary university. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jaz Riley, Postdoctoral Fellow and incoming Assistant Professor in the Department of African American Studies at University of Illinois.<em> </em>In this conversation, we discuss the ongoing challenge of community for Black Studies research, the critical intervention made by emerging questions of gender for the field, and the politics of Black study in the contemporary university. </p>]]>
      </content:encoded>
      <pubDate>Fri, 21 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/fee8b84b/df13ce7c.mp3" length="157968936" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3949</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jaz Riley, Postdoctoral Fellow and incoming Assistant Professor in the Department of African American Studies at University of Illinois.<em> </em>In this conversation, we discuss the ongoing challenge of community for Black Studies research, the critical intervention made by emerging questions of gender for the field, and the politics of Black study in the contemporary university. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Carole Boyce-Davies - Department of English, Howard University</title>
      <itunes:episode>198</itunes:episode>
      <podcast:episode>198</podcast:episode>
      <itunes:title>Carole Boyce-Davies - Department of English, Howard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/6f8abe40</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Carole Boyce-Davies, Chair and Professor of African Diaspora Literatures in the Department of Literature and Writing at Howard University, Washington, D.C. (2023 to present). She is the Frank H.T. Rhodes Professor Emerita of Humane Letters in the College of Arts and Sciences and Professor Emerita of Africana Studies and Literatures in English at Cornell University where she taught from 2007-2023. From the mid-1980s and throughout the 1990s, she was a popular award-winning professor at the State University of New York, Binghamton. In 1997, she was recruited to build the African Diaspora Studies Program at Florida International University where she served three successful terms until 2007 when she joined the Cornell faculty. An African Diaspora and Black Feminist Studies scholar in scholarship and in practice, she is a popular speaker on several related topics. In 2015, she was appointed to the prestigious Kwame Nkrumah Chair in African Studies at the University of Ghana, Legon which she deferred and was Visiting Professor at the School of Foreign Studies, Beijing, China 2016.. In 2022, she was a visiting professor at the School of Foreign Languages (FLEX), University of Havana during which time she conducted interviews on women and leadership in Cuba, focusing largely on Havana.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Carole Boyce-Davies, Chair and Professor of African Diaspora Literatures in the Department of Literature and Writing at Howard University, Washington, D.C. (2023 to present). She is the Frank H.T. Rhodes Professor Emerita of Humane Letters in the College of Arts and Sciences and Professor Emerita of Africana Studies and Literatures in English at Cornell University where she taught from 2007-2023. From the mid-1980s and throughout the 1990s, she was a popular award-winning professor at the State University of New York, Binghamton. In 1997, she was recruited to build the African Diaspora Studies Program at Florida International University where she served three successful terms until 2007 when she joined the Cornell faculty. An African Diaspora and Black Feminist Studies scholar in scholarship and in practice, she is a popular speaker on several related topics. In 2015, she was appointed to the prestigious Kwame Nkrumah Chair in African Studies at the University of Ghana, Legon which she deferred and was Visiting Professor at the School of Foreign Studies, Beijing, China 2016.. In 2022, she was a visiting professor at the School of Foreign Languages (FLEX), University of Havana during which time she conducted interviews on women and leadership in Cuba, focusing largely on Havana.</p>]]>
      </content:encoded>
      <pubDate>Wed, 19 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/6f8abe40/90de1bee.mp3" length="78714746" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Rpldh4SvHvojtxNoG1HxwWP4DqDi46bCFZtyKysMiig/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wZGRm/Yjg2YWJjYjE4MTRj/ZTM4NzkzMzEwNWQ0/MDM2NS5wbmc.jpg"/>
      <itunes:duration>1966</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Carole Boyce-Davies, Chair and Professor of African Diaspora Literatures in the Department of Literature and Writing at Howard University, Washington, D.C. (2023 to present). She is the Frank H.T. Rhodes Professor Emerita of Humane Letters in the College of Arts and Sciences and Professor Emerita of Africana Studies and Literatures in English at Cornell University where she taught from 2007-2023. From the mid-1980s and throughout the 1990s, she was a popular award-winning professor at the State University of New York, Binghamton. In 1997, she was recruited to build the African Diaspora Studies Program at Florida International University where she served three successful terms until 2007 when she joined the Cornell faculty. An African Diaspora and Black Feminist Studies scholar in scholarship and in practice, she is a popular speaker on several related topics. In 2015, she was appointed to the prestigious Kwame Nkrumah Chair in African Studies at the University of Ghana, Legon which she deferred and was Visiting Professor at the School of Foreign Studies, Beijing, China 2016.. In 2022, she was a visiting professor at the School of Foreign Languages (FLEX), University of Havana during which time she conducted interviews on women and leadership in Cuba, focusing largely on Havana.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Christopher Tounsel - Department of History, University of Washington</title>
      <itunes:episode>197</itunes:episode>
      <podcast:episode>197</podcast:episode>
      <itunes:title>Christopher Tounsel - Department of History, University of Washington</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/8333b571</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://history.washington.edu/people/christopher-tounsel">Christopher Tounsel</a>, an historian of modern Sudan, with special focus on race and religion as political technologies. His first book, <em>Chosen Peoples: Christianity and Political Imagination in South Sudan</em> (Duke 2021), was named a finalist for the Association for the Study of the Worldwide African Diaspora's Outstanding First Book Award and was a Finalist for the <em>Christianity Today</em> Book Award (History/Biography). His most recent book, <em>Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity </em>(Cornell, 2024), has received honorable mention for the International Studies Association Book Award (Diplomatic Studies section). He has provided Sudan-related commentary for outlets including the BBC, Al Jazeera, Human Rights Watch, and NPR's Throughline.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://history.washington.edu/people/christopher-tounsel">Christopher Tounsel</a>, an historian of modern Sudan, with special focus on race and religion as political technologies. His first book, <em>Chosen Peoples: Christianity and Political Imagination in South Sudan</em> (Duke 2021), was named a finalist for the Association for the Study of the Worldwide African Diaspora's Outstanding First Book Award and was a Finalist for the <em>Christianity Today</em> Book Award (History/Biography). His most recent book, <em>Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity </em>(Cornell, 2024), has received honorable mention for the International Studies Association Book Award (Diplomatic Studies section). He has provided Sudan-related commentary for outlets including the BBC, Al Jazeera, Human Rights Watch, and NPR's Throughline.</p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/8333b571/85f1e8fd.mp3" length="109947422" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2748</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://history.washington.edu/people/christopher-tounsel">Christopher Tounsel</a>, an historian of modern Sudan, with special focus on race and religion as political technologies. His first book, <em>Chosen Peoples: Christianity and Political Imagination in South Sudan</em> (Duke 2021), was named a finalist for the Association for the Study of the Worldwide African Diaspora's Outstanding First Book Award and was a Finalist for the <em>Christianity Today</em> Book Award (History/Biography). His most recent book, <em>Bounds of Blackness: African Americans, Sudan, and the Politics of Solidarity </em>(Cornell, 2024), has received honorable mention for the International Studies Association Book Award (Diplomatic Studies section). He has provided Sudan-related commentary for outlets including the BBC, Al Jazeera, Human Rights Watch, and NPR's Throughline.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Nicole Telfer - Department of Psychology, Notre Dame of Maryland University</title>
      <itunes:episode>196</itunes:episode>
      <podcast:episode>196</podcast:episode>
      <itunes:title>Nicole Telfer - Department of Psychology, Notre Dame of Maryland University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c423321f</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.nicoleatelfer.com">Nicole Telfer</a>, who teaches in the Department of Psychology at Notre Dame of Maryland University. She is the author of a number of essays in both scholarly and popular venues concerned with education, disability, and the lives of Black children.<em> </em>In this conversation, we discuss the impact of Black Studies on psychology research, the significance of the intersection of Black study and research on disability, and the importance of childhood in thinking about Black life. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.nicoleatelfer.com">Nicole Telfer</a>, who teaches in the Department of Psychology at Notre Dame of Maryland University. She is the author of a number of essays in both scholarly and popular venues concerned with education, disability, and the lives of Black children.<em> </em>In this conversation, we discuss the impact of Black Studies on psychology research, the significance of the intersection of Black study and research on disability, and the importance of childhood in thinking about Black life. </p>]]>
      </content:encoded>
      <pubDate>Fri, 14 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/c423321f/35207411.mp3" length="82678614" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2066</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.nicoleatelfer.com">Nicole Telfer</a>, who teaches in the Department of Psychology at Notre Dame of Maryland University. She is the author of a number of essays in both scholarly and popular venues concerned with education, disability, and the lives of Black children.<em> </em>In this conversation, we discuss the impact of Black Studies on psychology research, the significance of the intersection of Black study and research on disability, and the importance of childhood in thinking about Black life. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Rebecca Wanzo - Departments of African and African American Studies and Women, Gender, and Sexuality Studies, Washington University</title>
      <itunes:episode>195</itunes:episode>
      <podcast:episode>195</podcast:episode>
      <itunes:title>Rebecca Wanzo - Departments of African and African American Studies and Women, Gender, and Sexuality Studies, Washington University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.rebeccawanzo.com">Rebecca Wanzo</a>, who teaches in the Departments of African and African American Studies and Women, Gender, and Sexuality Studies at Washington University. Along with a number of scholarly and public facing essays, she is the author of <em>The Suffering Will Not Be Televised: African American Women and Sentimental Political Storytelling</em> (2009) and <em>The Content of Our Caricature: African American Comic Art and Political Belonging</em> (2020).<em> </em>In this conversation, we discuss the expansiveness of Black study, the place of graphic and popular arts in Black Studies research, and the relevance of critical theoretical work for the field. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.rebeccawanzo.com">Rebecca Wanzo</a>, who teaches in the Departments of African and African American Studies and Women, Gender, and Sexuality Studies at Washington University. Along with a number of scholarly and public facing essays, she is the author of <em>The Suffering Will Not Be Televised: African American Women and Sentimental Political Storytelling</em> (2009) and <em>The Content of Our Caricature: African American Comic Art and Political Belonging</em> (2020).<em> </em>In this conversation, we discuss the expansiveness of Black study, the place of graphic and popular arts in Black Studies research, and the relevance of critical theoretical work for the field. </p>]]>
      </content:encoded>
      <pubDate>Wed, 12 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/0a3f3a33/783a5d1e.mp3" length="101439504" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2535</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.rebeccawanzo.com">Rebecca Wanzo</a>, who teaches in the Departments of African and African American Studies and Women, Gender, and Sexuality Studies at Washington University. Along with a number of scholarly and public facing essays, she is the author of <em>The Suffering Will Not Be Televised: African American Women and Sentimental Political Storytelling</em> (2009) and <em>The Content of Our Caricature: African American Comic Art and Political Belonging</em> (2020).<em> </em>In this conversation, we discuss the expansiveness of Black study, the place of graphic and popular arts in Black Studies research, and the relevance of critical theoretical work for the field. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Shanice Robinson-Blacknell - Department of Africana Studies, San Francisco State University</title>
      <itunes:episode>194</itunes:episode>
      <podcast:episode>194</podcast:episode>
      <itunes:title>Shanice Robinson-Blacknell - Department of Africana Studies, San Francisco State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/40e5fbf3</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Shanice Robinson-Blacknell, who teaches in the Department of Africana Studies at San Francisco State University. Shanice’s research and teaching revolve around pedagogy, activism, and the relationship between academic work and community intervention and collaboration.<em> </em>In this conversation, we discuss the meaning of education and pedagogy in Black Studies classrooms, the meaning of community for the past and future of the field, and the distinctiveness of Black ways of making and deploying critical knowledge. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Shanice Robinson-Blacknell, who teaches in the Department of Africana Studies at San Francisco State University. Shanice’s research and teaching revolve around pedagogy, activism, and the relationship between academic work and community intervention and collaboration.<em> </em>In this conversation, we discuss the meaning of education and pedagogy in Black Studies classrooms, the meaning of community for the past and future of the field, and the distinctiveness of Black ways of making and deploying critical knowledge. </p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/40e5fbf3/a3f9225f.mp3" length="114828740" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2870</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Shanice Robinson-Blacknell, who teaches in the Department of Africana Studies at San Francisco State University. Shanice’s research and teaching revolve around pedagogy, activism, and the relationship between academic work and community intervention and collaboration.<em> </em>In this conversation, we discuss the meaning of education and pedagogy in Black Studies classrooms, the meaning of community for the past and future of the field, and the distinctiveness of Black ways of making and deploying critical knowledge. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tamara T. Butler - Executive Director, Avery Research Center for African American History and Culture, College of Charleston</title>
      <itunes:episode>193</itunes:episode>
      <podcast:episode>193</podcast:episode>
      <itunes:title>Tamara T. Butler - Executive Director, Avery Research Center for African American History and Culture, College of Charleston</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/7084bde5</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://tamaratbutler.com">Tamara T. Butler</a>, a community cultivator and thought leader who draws upon lessons learned growing up on Johns Island, South Carolina. Currently, she serves as the Executive Director of the Avery Research Center for African American History and Culture and Associate Dean of Strategic Planning &amp; Community Engagement for the College of Charleston Libraries. </p><p>At the College of Charleston, she is a member of the Executive Committee for African American Studies. Beyond campus, Dr. Butler serves as a commissioner for the Gullah Geechee Cultural Heritage Corridor, a board member for the Coastal Conservation League and International African American Museum and a trustee for the National Council of Teachers of English Research Foundation.  </p><p>The Charleston County School of the Arts alum went on to earn degrees from Xavier University of Louisiana and THE Ohio State University. Prior to joining the team at the Avery Research Center, Dr. Butler was an Associate Professor of Critical Literacies at Michigan State University. As a scholar teaching and working at the intersections of English Education, African American Studies and Ecology, she has authored over 10 journal articles and book chapters that explore youth activism, civic engagement, Black Girlhood, and placemaking. In her co-authored book, <em>Where is the Justice? Engaged Pedagogies in Schools and Communities, </em>Dr. Butler highlights transformative education that centers community partnerships, student voices, and creative educators. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://tamaratbutler.com">Tamara T. Butler</a>, a community cultivator and thought leader who draws upon lessons learned growing up on Johns Island, South Carolina. Currently, she serves as the Executive Director of the Avery Research Center for African American History and Culture and Associate Dean of Strategic Planning &amp; Community Engagement for the College of Charleston Libraries. </p><p>At the College of Charleston, she is a member of the Executive Committee for African American Studies. Beyond campus, Dr. Butler serves as a commissioner for the Gullah Geechee Cultural Heritage Corridor, a board member for the Coastal Conservation League and International African American Museum and a trustee for the National Council of Teachers of English Research Foundation.  </p><p>The Charleston County School of the Arts alum went on to earn degrees from Xavier University of Louisiana and THE Ohio State University. Prior to joining the team at the Avery Research Center, Dr. Butler was an Associate Professor of Critical Literacies at Michigan State University. As a scholar teaching and working at the intersections of English Education, African American Studies and Ecology, she has authored over 10 journal articles and book chapters that explore youth activism, civic engagement, Black Girlhood, and placemaking. In her co-authored book, <em>Where is the Justice? Engaged Pedagogies in Schools and Communities, </em>Dr. Butler highlights transformative education that centers community partnerships, student voices, and creative educators. </p>]]>
      </content:encoded>
      <pubDate>Fri, 07 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/7084bde5/f20823a7.mp3" length="122963128" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/_eGiEpPpwClkKGGdDfg0m3dLXuJgZmUwxjIO5flSAWc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wNTBh/MDY3ZjJjYWQ1N2Ni/YjU3M2UzMmVhZDc2/N2Y1NS5qcGVn.jpg"/>
      <itunes:duration>3073</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://tamaratbutler.com">Tamara T. Butler</a>, a community cultivator and thought leader who draws upon lessons learned growing up on Johns Island, South Carolina. Currently, she serves as the Executive Director of the Avery Research Center for African American History and Culture and Associate Dean of Strategic Planning &amp; Community Engagement for the College of Charleston Libraries. </p><p>At the College of Charleston, she is a member of the Executive Committee for African American Studies. Beyond campus, Dr. Butler serves as a commissioner for the Gullah Geechee Cultural Heritage Corridor, a board member for the Coastal Conservation League and International African American Museum and a trustee for the National Council of Teachers of English Research Foundation.  </p><p>The Charleston County School of the Arts alum went on to earn degrees from Xavier University of Louisiana and THE Ohio State University. Prior to joining the team at the Avery Research Center, Dr. Butler was an Associate Professor of Critical Literacies at Michigan State University. As a scholar teaching and working at the intersections of English Education, African American Studies and Ecology, she has authored over 10 journal articles and book chapters that explore youth activism, civic engagement, Black Girlhood, and placemaking. In her co-authored book, <em>Where is the Justice? Engaged Pedagogies in Schools and Communities, </em>Dr. Butler highlights transformative education that centers community partnerships, student voices, and creative educators. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Chelsea Mikael Frazier - Department of English, Cornell University</title>
      <itunes:episode>192</itunes:episode>
      <podcast:episode>192</podcast:episode>
      <itunes:title>Chelsea Mikael Frazier - Department of English, Cornell University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/228e7153</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies Podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.chelseafrazier.com">Chelsea Mikael Frazier</a>, who teaches in the Department of English at Cornell University. Along with scholarly essays and critical pieces, she is completing a manuscript that assembles a Black feminist ecology drawn from Black women’s art, activism, and storytelling. She also hosts and directs the educational consultation platform <a href="https://www.askanamazon.co"><em>Ask An Amazon</em></a>.<em> </em>In this conversation, we discuss the place of ecological and environmental questions in the field of Black Studies, Black feminist innovations in the field, and the urgent political questions in the study of Black life in the twenty-first century. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies Podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.chelseafrazier.com">Chelsea Mikael Frazier</a>, who teaches in the Department of English at Cornell University. Along with scholarly essays and critical pieces, she is completing a manuscript that assembles a Black feminist ecology drawn from Black women’s art, activism, and storytelling. She also hosts and directs the educational consultation platform <a href="https://www.askanamazon.co"><em>Ask An Amazon</em></a>.<em> </em>In this conversation, we discuss the place of ecological and environmental questions in the field of Black Studies, Black feminist innovations in the field, and the urgent political questions in the study of Black life in the twenty-first century. </p>]]>
      </content:encoded>
      <pubDate>Wed, 05 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/228e7153/a36668c4.mp3" length="165755862" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/VCy2ZhOkvW7k_1I5q0aKiYszYv67qogN_KpkMKOCrQo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mZTUy/ZjliNjdmNGM3NWMz/MDkzNGEzZjViZDI4/NGZhNi5qcGc.jpg"/>
      <itunes:duration>4143</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies Podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.chelseafrazier.com">Chelsea Mikael Frazier</a>, who teaches in the Department of English at Cornell University. Along with scholarly essays and critical pieces, she is completing a manuscript that assembles a Black feminist ecology drawn from Black women’s art, activism, and storytelling. She also hosts and directs the educational consultation platform <a href="https://www.askanamazon.co"><em>Ask An Amazon</em></a>.<em> </em>In this conversation, we discuss the place of ecological and environmental questions in the field of Black Studies, Black feminist innovations in the field, and the urgent political questions in the study of Black life in the twenty-first century. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sara E. Johnson - Department of Literature, University of California, San Diego</title>
      <itunes:episode>191</itunes:episode>
      <podcast:episode>191</podcast:episode>
      <itunes:title>Sara E. Johnson - Department of Literature, University of California, San Diego</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/12385a4b</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sara E. Johnson, who teaches in the Department of Literature at the University of California, San Diego.  She is a literary historian who specializes in cultural production of the eighteenth- and nineteenth century Caribbean across linguistic and imperial boundaries.  She co-directed the UCSD Black Studies Project from 2021-2025.  Her most recent book, <em>Encyclopédie noire: The Making of Moreau de Saint-Méry’s Intellectual World </em>(2023), works with archival fragments to center the world of enslaved knowledge production that made Moreau’s research life and academic fame possible.  It was awarded the Frederick Douglass Book Prize, along with prizes from the Modern Language Association (MLA), the American Historical Association (AHA), the Association for the Study of the Worldwide African Diaspora (ASWAD) and the French Colonial Historical Society.  Her first book, <em>The Fear of French Negroes: Transcolonial Collaboration in the Revolutionary Americas</em> (2012) is an inter-disciplinary study that explored how people of African descent responded to the collapse and reconsolidation of colonial life in the aftermath of the Haitian Revolution.  The book traces expressions of transcolonial black politics in places including Hispaniola, Louisiana, Jamaica, and Cuba, through forms including performance idioms and early black newspapers. Johnson is also the co-editor of <em>Kaiso! Writings By and About Katherine Dunham (</em>2006) and <em>Una ventana a Cuba y los Estudios cubanos</em> (2010). </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sara E. Johnson, who teaches in the Department of Literature at the University of California, San Diego.  She is a literary historian who specializes in cultural production of the eighteenth- and nineteenth century Caribbean across linguistic and imperial boundaries.  She co-directed the UCSD Black Studies Project from 2021-2025.  Her most recent book, <em>Encyclopédie noire: The Making of Moreau de Saint-Méry’s Intellectual World </em>(2023), works with archival fragments to center the world of enslaved knowledge production that made Moreau’s research life and academic fame possible.  It was awarded the Frederick Douglass Book Prize, along with prizes from the Modern Language Association (MLA), the American Historical Association (AHA), the Association for the Study of the Worldwide African Diaspora (ASWAD) and the French Colonial Historical Society.  Her first book, <em>The Fear of French Negroes: Transcolonial Collaboration in the Revolutionary Americas</em> (2012) is an inter-disciplinary study that explored how people of African descent responded to the collapse and reconsolidation of colonial life in the aftermath of the Haitian Revolution.  The book traces expressions of transcolonial black politics in places including Hispaniola, Louisiana, Jamaica, and Cuba, through forms including performance idioms and early black newspapers. Johnson is also the co-editor of <em>Kaiso! Writings By and About Katherine Dunham (</em>2006) and <em>Una ventana a Cuba y los Estudios cubanos</em> (2010). </p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Nov 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/12385a4b/0d9d974f.mp3" length="130295567" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/bMZ7tczRUNKHCaT3J8WzohVwKNt392_RPwgGMXR5cpw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84Njhm/MDI0NGRlZTY2MWVm/ZTcxMmFkYzJiNTIz/NTM4MS5qcGVn.jpg"/>
      <itunes:duration>3257</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sara E. Johnson, who teaches in the Department of Literature at the University of California, San Diego.  She is a literary historian who specializes in cultural production of the eighteenth- and nineteenth century Caribbean across linguistic and imperial boundaries.  She co-directed the UCSD Black Studies Project from 2021-2025.  Her most recent book, <em>Encyclopédie noire: The Making of Moreau de Saint-Méry’s Intellectual World </em>(2023), works with archival fragments to center the world of enslaved knowledge production that made Moreau’s research life and academic fame possible.  It was awarded the Frederick Douglass Book Prize, along with prizes from the Modern Language Association (MLA), the American Historical Association (AHA), the Association for the Study of the Worldwide African Diaspora (ASWAD) and the French Colonial Historical Society.  Her first book, <em>The Fear of French Negroes: Transcolonial Collaboration in the Revolutionary Americas</em> (2012) is an inter-disciplinary study that explored how people of African descent responded to the collapse and reconsolidation of colonial life in the aftermath of the Haitian Revolution.  The book traces expressions of transcolonial black politics in places including Hispaniola, Louisiana, Jamaica, and Cuba, through forms including performance idioms and early black newspapers. Johnson is also the co-editor of <em>Kaiso! Writings By and About Katherine Dunham (</em>2006) and <em>Una ventana a Cuba y los Estudios cubanos</em> (2010). </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Takiyah Harper-Shipman - Department of Africana Studies, Davidson College</title>
      <itunes:episode>190</itunes:episode>
      <podcast:episode>190</podcast:episode>
      <itunes:title>Takiyah Harper-Shipman - Department of Africana Studies, Davidson College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/4c2dee03</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.davidson.edu/people/takiyah-harper-shipman">Takiyah Harper-Shipman, who teaches in the Department of Africana Studies at Davidson College</a>. Along with scholarly essays and critical pieces, she is the author of <a href="https://www.routledge.com/Rethinking-Ownership-of-Development-in-Africa/Harper-Shipman/p/book/9780367787813?srsltid=AfmBOort-fZhLVnJvRPDp93k3In-gUo_WbVYWcNocuQtQd5JtBwhXGPY"><em>Rethinking Ownership of Development in Africa</em></a> (2019) and her second monograph, <a href="https://www.sup.org/books/politics/unruly-fertility"><em>Unruly Fertility: Race, Development, and Decolonial Reproductive Politics</em></a><em>, </em>is forthcoming with Stanford University Press.<em> </em>In this conversation, we discuss the place of political economy in the field of Black Studies, transnational and comparative study, and the urgent political questions in the study of Black life in the twenty-first century. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.davidson.edu/people/takiyah-harper-shipman">Takiyah Harper-Shipman, who teaches in the Department of Africana Studies at Davidson College</a>. Along with scholarly essays and critical pieces, she is the author of <a href="https://www.routledge.com/Rethinking-Ownership-of-Development-in-Africa/Harper-Shipman/p/book/9780367787813?srsltid=AfmBOort-fZhLVnJvRPDp93k3In-gUo_WbVYWcNocuQtQd5JtBwhXGPY"><em>Rethinking Ownership of Development in Africa</em></a> (2019) and her second monograph, <a href="https://www.sup.org/books/politics/unruly-fertility"><em>Unruly Fertility: Race, Development, and Decolonial Reproductive Politics</em></a><em>, </em>is forthcoming with Stanford University Press.<em> </em>In this conversation, we discuss the place of political economy in the field of Black Studies, transnational and comparative study, and the urgent political questions in the study of Black life in the twenty-first century. </p>]]>
      </content:encoded>
      <pubDate>Fri, 31 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/4c2dee03/8082ee66.mp3" length="149596226" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/T2fLszdDbey5b3UKdIvfnxP0dmhrx0eZoCuilxTYsNw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wZmU0/ZDY2MDE2NDYyOGI4/OWM5NjJiZjk5ZWZi/NzM3Yy5qcGVn.jpg"/>
      <itunes:duration>3738</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.davidson.edu/people/takiyah-harper-shipman">Takiyah Harper-Shipman, who teaches in the Department of Africana Studies at Davidson College</a>. Along with scholarly essays and critical pieces, she is the author of <a href="https://www.routledge.com/Rethinking-Ownership-of-Development-in-Africa/Harper-Shipman/p/book/9780367787813?srsltid=AfmBOort-fZhLVnJvRPDp93k3In-gUo_WbVYWcNocuQtQd5JtBwhXGPY"><em>Rethinking Ownership of Development in Africa</em></a> (2019) and her second monograph, <a href="https://www.sup.org/books/politics/unruly-fertility"><em>Unruly Fertility: Race, Development, and Decolonial Reproductive Politics</em></a><em>, </em>is forthcoming with Stanford University Press.<em> </em>In this conversation, we discuss the place of political economy in the field of Black Studies, transnational and comparative study, and the urgent political questions in the study of Black life in the twenty-first century. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Michael Gillespie - Department of Cinema Studies, New York University</title>
      <itunes:episode>189</itunes:episode>
      <podcast:episode>189</podcast:episode>
      <itunes:title>Michael Gillespie - Department of Cinema Studies, New York University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/aa1ad72c</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://tisch.nyu.edu/about/directory/cinema-studies/765277880.html">Michael Gillespie, who teaches in the Department of Cinema Studies at New York University</a>. Along with a number of scholarly essays and critical pieces in key journals and collections, he is author of <a href="https://www.dukeupress.edu/film-blackness"><em>Film Blackness: American Cinema and the Idea of Black Film </em></a>(2016)<em>,</em> co-editor with Lisa Uddin of the groundbreaking art criticism collection <a href="https://asapjournal.com/cluster/black-one-shot-1/"><em>Black One Shot</em></a><em>, </em>and is currently completing a manuscript entitled <em>Dreams and False Alarms: Pleasure, Ambivalence, and the Art of Blackness</em>. He was the consulting producer on <em>The Criterion Collection </em>releases of <em>Deep Cover, Shaft, </em>and<em> Drylongso. </em>In this conversation, we discuss Black Studies as a wide-frame for inquiry, the place of expressive culture in the field, and the particular challenges and gifts of cinema studies for work on Black life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://tisch.nyu.edu/about/directory/cinema-studies/765277880.html">Michael Gillespie, who teaches in the Department of Cinema Studies at New York University</a>. Along with a number of scholarly essays and critical pieces in key journals and collections, he is author of <a href="https://www.dukeupress.edu/film-blackness"><em>Film Blackness: American Cinema and the Idea of Black Film </em></a>(2016)<em>,</em> co-editor with Lisa Uddin of the groundbreaking art criticism collection <a href="https://asapjournal.com/cluster/black-one-shot-1/"><em>Black One Shot</em></a><em>, </em>and is currently completing a manuscript entitled <em>Dreams and False Alarms: Pleasure, Ambivalence, and the Art of Blackness</em>. He was the consulting producer on <em>The Criterion Collection </em>releases of <em>Deep Cover, Shaft, </em>and<em> Drylongso. </em>In this conversation, we discuss Black Studies as a wide-frame for inquiry, the place of expressive culture in the field, and the particular challenges and gifts of cinema studies for work on Black life.</p>]]>
      </content:encoded>
      <pubDate>Wed, 29 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/aa1ad72c/bbba98c4.mp3" length="116205493" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/LX0Q6-kxhy0EQyDU3nxoyqxCZcBorBhvv-cAOpQw4Gs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kNThm/MmQ2YTI5NjdhYzE5/MjBmZTc2N2ViODE0/YWE3OS5qcGc.jpg"/>
      <itunes:duration>2905</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://tisch.nyu.edu/about/directory/cinema-studies/765277880.html">Michael Gillespie, who teaches in the Department of Cinema Studies at New York University</a>. Along with a number of scholarly essays and critical pieces in key journals and collections, he is author of <a href="https://www.dukeupress.edu/film-blackness"><em>Film Blackness: American Cinema and the Idea of Black Film </em></a>(2016)<em>,</em> co-editor with Lisa Uddin of the groundbreaking art criticism collection <a href="https://asapjournal.com/cluster/black-one-shot-1/"><em>Black One Shot</em></a><em>, </em>and is currently completing a manuscript entitled <em>Dreams and False Alarms: Pleasure, Ambivalence, and the Art of Blackness</em>. He was the consulting producer on <em>The Criterion Collection </em>releases of <em>Deep Cover, Shaft, </em>and<em> Drylongso. </em>In this conversation, we discuss Black Studies as a wide-frame for inquiry, the place of expressive culture in the field, and the particular challenges and gifts of cinema studies for work on Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jarvis McInnis - Department of English, Duke University</title>
      <itunes:episode>188</itunes:episode>
      <podcast:episode>188</podcast:episode>
      <itunes:title>Jarvis McInnis - Department of English, Duke University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">243a5236-c553-46ef-8f18-615683f34dcb</guid>
      <link>https://share.transistor.fm/s/9f0f09d6</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://scholars.duke.edu/person/Jarvis.McInnis">Jarvis McInnis</a>, who teaches in the Department of English at Duke University. Along with a number of scholarly essays in key journals, he is author of <a href="https://cup.columbia.edu/book/afterlives-of-the-plantation/9780231215749/"><em>Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South</em></a><em>, </em>published by Columbia University Press in 2025. In this conversation, we discuss the place of the rural Black south in Black Studies, the expansiveness of thinking and theorizing Black life, and how a Black Studies approach to archives and evidence broadens our notion of who does and what is intellectual work. </p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://scholars.duke.edu/person/Jarvis.McInnis">Jarvis McInnis</a>, who teaches in the Department of English at Duke University. Along with a number of scholarly essays in key journals, he is author of <a href="https://cup.columbia.edu/book/afterlives-of-the-plantation/9780231215749/"><em>Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South</em></a><em>, </em>published by Columbia University Press in 2025. In this conversation, we discuss the place of the rural Black south in Black Studies, the expansiveness of thinking and theorizing Black life, and how a Black Studies approach to archives and evidence broadens our notion of who does and what is intellectual work. </p>]]>
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      <pubDate>Mon, 27 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>3062</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://scholars.duke.edu/person/Jarvis.McInnis">Jarvis McInnis</a>, who teaches in the Department of English at Duke University. Along with a number of scholarly essays in key journals, he is author of <a href="https://cup.columbia.edu/book/afterlives-of-the-plantation/9780231215749/"><em>Afterlives of the Plantation: Plotting Agrarian Futures in the Global Black South</em></a><em>, </em>published by Columbia University Press in 2025. In this conversation, we discuss the place of the rural Black south in Black Studies, the expansiveness of thinking and theorizing Black life, and how a Black Studies approach to archives and evidence broadens our notion of who does and what is intellectual work. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Janet Helms - Professor Emeritus, Department of Counseling, Developmental, and Educational Psychology, Boston College</title>
      <itunes:episode>187</itunes:episode>
      <podcast:episode>187</podcast:episode>
      <itunes:title>Janet Helms - Professor Emeritus, Department of Counseling, Developmental, and Educational Psychology, Boston College</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Janet E. Helms, Augustus Long Professor Emeritus in the Department of Counseling, Developmental, and Educational Psychology at Boston College and Co-Founder of Psychologists for Racial Justice.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Janet E. Helms, Augustus Long Professor Emeritus in the Department of Counseling, Developmental, and Educational Psychology at Boston College and Co-Founder of Psychologists for Racial Justice.</p>]]>
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      <pubDate>Fri, 24 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2301</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Janet E. Helms, Augustus Long Professor Emeritus in the Department of Counseling, Developmental, and Educational Psychology at Boston College and Co-Founder of Psychologists for Racial Justice.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Christina Carney - Department of Black Studies, University of Missouri</title>
      <itunes:episode>186</itunes:episode>
      <podcast:episode>186</podcast:episode>
      <itunes:title>Christina Carney - Department of Black Studies, University of Missouri</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.christinajcarney.com">Christina Carney</a>, who teaches in the Department of Black Studies at University of Missouri. Along with a number of scholarly essays in key journals, she is author of <a href="https://www.ucpress.edu/books/disreputable-women/paper"><em>Disreputable Women: Black Sex Economies and the Making of San Diego</em></a><em>, </em>published by University of California Press in 2025. In this conversation, we discuss the transformative role of gender and class in Black Studies discourse, the importance of Black California for thinking about African American life, and the imperatives for Black Studies to take sexual economies seriously when theorizing the structure of Black life.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.christinajcarney.com">Christina Carney</a>, who teaches in the Department of Black Studies at University of Missouri. Along with a number of scholarly essays in key journals, she is author of <a href="https://www.ucpress.edu/books/disreputable-women/paper"><em>Disreputable Women: Black Sex Economies and the Making of San Diego</em></a><em>, </em>published by University of California Press in 2025. In this conversation, we discuss the transformative role of gender and class in Black Studies discourse, the importance of Black California for thinking about African American life, and the imperatives for Black Studies to take sexual economies seriously when theorizing the structure of Black life.</p>]]>
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      <pubDate>Wed, 22 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3312</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.christinajcarney.com">Christina Carney</a>, who teaches in the Department of Black Studies at University of Missouri. Along with a number of scholarly essays in key journals, she is author of <a href="https://www.ucpress.edu/books/disreputable-women/paper"><em>Disreputable Women: Black Sex Economies and the Making of San Diego</em></a><em>, </em>published by University of California Press in 2025. In this conversation, we discuss the transformative role of gender and class in Black Studies discourse, the importance of Black California for thinking about African American life, and the imperatives for Black Studies to take sexual economies seriously when theorizing the structure of Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Ronald J. Stephens - Program in African American Studies, Purdue University</title>
      <itunes:episode>185</itunes:episode>
      <podcast:episode>185</podcast:episode>
      <itunes:title>Ronald J. Stephens - Program in African American Studies, Purdue University</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.cla.purdue.edu/directory/profiles/ronald-j.-stephens.html">Ronald Stephens, who teaches in the Program in African American Studies at Purdue University</a>, where he is <a href="https://events.purdue.edu/event/celebratingthe-centennialanniversary-ofrobertfwilliams">hosting centennial conference on the life and work of Robert F. Williams </a>(22 October 2025). A nationally and internationally recognized expert on the historically significant African American resort in Idlewild, Michigan, he has authored several important works, including <em>Idlewilde: The Rise, Decline, and Rebirth of a Unique African American Resort Town </em>(University of Michigan Press, 2013) and <em>Idlewild: the Black Eden of Michigan</em> (Arcadia, 2001). He is lead co-editor of three volumes: <em>Global Garveyism </em>(University of Florida, 2019), <em>Chicken Bone Beach </em>(Arcadia Publishing, 2023), and <em>African Americans of Denver</em> (Arcadia, 2008), and he is the author of twelve academic journal articles in publications such as the <em>Journal of Black Studies, The Black Scholar, </em>and <em>Black Diaspora Review</em>. He has an article in press with the <em>Michigan Historical Review</em> entitled, “Trailblazers of Justice: Violette Neatley Anderson and Percy J. Langster’s Legal Legacies in Idlewild: the Black Eden and Summer Apollo of Michigan.” Dr. Stephens is currently writing <em>Robert and Mabel Williams: Matrimonial Partnership in Black Resistance History</em> and pursuing a book contract with Wayne State University Press. </p><p><br></p><p>Dr. Stephens has appeared as an expert for numerous media outlets including NPR, the HIstory Channel, and the Smithsonian Channel. Notable features include appearances in the documentaries <em>Negroes with Guns</em> and <em>The Green Book: Road to Freedom</em>, as well as <em>Tony Brown’s Journal, Black Nouveau </em>and HGTV’s <em>Historic African American Towns. </em>His contributions continue to deepen our understanding of African American leisure culture, and resistance history. Recently, he launched <em>The Resilience Journey</em>, a 40-minute bi-weekly podcast based on the experiences of Robert and Mabel Williams as a testament to the power of defiance in the face of oppression and the enduring spirit in the fight for human dignity and equality. The show explores stories of perseverance and empowerment, and where history’s echoes shape our past and future. Each episode dives deep into stories of resistance, resilience, courage, and the relentless pursuit of justice through the lens of those who’ve lived it. </p><p><br>He plans to continue the <em>Resilience Journey</em> and write two other African American biographies - 1. About producer Larry Steele from his Smart Affairs revue from the mid-1940s to the early 1970s; and 2. About John White and the Gotham Hotel of Detroit <em> </em></p><p><br></p><p>Dr. Stephens has over a decade of administrative leadership experience, having served as department chair at Metropolitan State University of Denver and Ohio University, as well as program director of African American Studies at various other institutions. He was born and grew up in Detroit. He attended Detroit Public Schools, and graduated from Wayne State University, earning a B.A. and an M.A. in Speech Communication and M.A. and PhD from Temple University in African American Studies. He is the father of two daughters (Kiara and Karielle) and proud grandfather of twelve grandchildren.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.cla.purdue.edu/directory/profiles/ronald-j.-stephens.html">Ronald Stephens, who teaches in the Program in African American Studies at Purdue University</a>, where he is <a href="https://events.purdue.edu/event/celebratingthe-centennialanniversary-ofrobertfwilliams">hosting centennial conference on the life and work of Robert F. Williams </a>(22 October 2025). A nationally and internationally recognized expert on the historically significant African American resort in Idlewild, Michigan, he has authored several important works, including <em>Idlewilde: The Rise, Decline, and Rebirth of a Unique African American Resort Town </em>(University of Michigan Press, 2013) and <em>Idlewild: the Black Eden of Michigan</em> (Arcadia, 2001). He is lead co-editor of three volumes: <em>Global Garveyism </em>(University of Florida, 2019), <em>Chicken Bone Beach </em>(Arcadia Publishing, 2023), and <em>African Americans of Denver</em> (Arcadia, 2008), and he is the author of twelve academic journal articles in publications such as the <em>Journal of Black Studies, The Black Scholar, </em>and <em>Black Diaspora Review</em>. He has an article in press with the <em>Michigan Historical Review</em> entitled, “Trailblazers of Justice: Violette Neatley Anderson and Percy J. Langster’s Legal Legacies in Idlewild: the Black Eden and Summer Apollo of Michigan.” Dr. Stephens is currently writing <em>Robert and Mabel Williams: Matrimonial Partnership in Black Resistance History</em> and pursuing a book contract with Wayne State University Press. </p><p><br></p><p>Dr. Stephens has appeared as an expert for numerous media outlets including NPR, the HIstory Channel, and the Smithsonian Channel. Notable features include appearances in the documentaries <em>Negroes with Guns</em> and <em>The Green Book: Road to Freedom</em>, as well as <em>Tony Brown’s Journal, Black Nouveau </em>and HGTV’s <em>Historic African American Towns. </em>His contributions continue to deepen our understanding of African American leisure culture, and resistance history. Recently, he launched <em>The Resilience Journey</em>, a 40-minute bi-weekly podcast based on the experiences of Robert and Mabel Williams as a testament to the power of defiance in the face of oppression and the enduring spirit in the fight for human dignity and equality. The show explores stories of perseverance and empowerment, and where history’s echoes shape our past and future. Each episode dives deep into stories of resistance, resilience, courage, and the relentless pursuit of justice through the lens of those who’ve lived it. </p><p><br>He plans to continue the <em>Resilience Journey</em> and write two other African American biographies - 1. About producer Larry Steele from his Smart Affairs revue from the mid-1940s to the early 1970s; and 2. About John White and the Gotham Hotel of Detroit <em> </em></p><p><br></p><p>Dr. Stephens has over a decade of administrative leadership experience, having served as department chair at Metropolitan State University of Denver and Ohio University, as well as program director of African American Studies at various other institutions. He was born and grew up in Detroit. He attended Detroit Public Schools, and graduated from Wayne State University, earning a B.A. and an M.A. in Speech Communication and M.A. and PhD from Temple University in African American Studies. He is the father of two daughters (Kiara and Karielle) and proud grandfather of twelve grandchildren.</p>]]>
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      <pubDate>Mon, 20 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4751</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.cla.purdue.edu/directory/profiles/ronald-j.-stephens.html">Ronald Stephens, who teaches in the Program in African American Studies at Purdue University</a>, where he is <a href="https://events.purdue.edu/event/celebratingthe-centennialanniversary-ofrobertfwilliams">hosting centennial conference on the life and work of Robert F. Williams </a>(22 October 2025). A nationally and internationally recognized expert on the historically significant African American resort in Idlewild, Michigan, he has authored several important works, including <em>Idlewilde: The Rise, Decline, and Rebirth of a Unique African American Resort Town </em>(University of Michigan Press, 2013) and <em>Idlewild: the Black Eden of Michigan</em> (Arcadia, 2001). He is lead co-editor of three volumes: <em>Global Garveyism </em>(University of Florida, 2019), <em>Chicken Bone Beach </em>(Arcadia Publishing, 2023), and <em>African Americans of Denver</em> (Arcadia, 2008), and he is the author of twelve academic journal articles in publications such as the <em>Journal of Black Studies, The Black Scholar, </em>and <em>Black Diaspora Review</em>. He has an article in press with the <em>Michigan Historical Review</em> entitled, “Trailblazers of Justice: Violette Neatley Anderson and Percy J. Langster’s Legal Legacies in Idlewild: the Black Eden and Summer Apollo of Michigan.” Dr. Stephens is currently writing <em>Robert and Mabel Williams: Matrimonial Partnership in Black Resistance History</em> and pursuing a book contract with Wayne State University Press. </p><p><br></p><p>Dr. Stephens has appeared as an expert for numerous media outlets including NPR, the HIstory Channel, and the Smithsonian Channel. Notable features include appearances in the documentaries <em>Negroes with Guns</em> and <em>The Green Book: Road to Freedom</em>, as well as <em>Tony Brown’s Journal, Black Nouveau </em>and HGTV’s <em>Historic African American Towns. </em>His contributions continue to deepen our understanding of African American leisure culture, and resistance history. Recently, he launched <em>The Resilience Journey</em>, a 40-minute bi-weekly podcast based on the experiences of Robert and Mabel Williams as a testament to the power of defiance in the face of oppression and the enduring spirit in the fight for human dignity and equality. The show explores stories of perseverance and empowerment, and where history’s echoes shape our past and future. Each episode dives deep into stories of resistance, resilience, courage, and the relentless pursuit of justice through the lens of those who’ve lived it. </p><p><br>He plans to continue the <em>Resilience Journey</em> and write two other African American biographies - 1. About producer Larry Steele from his Smart Affairs revue from the mid-1940s to the early 1970s; and 2. About John White and the Gotham Hotel of Detroit <em> </em></p><p><br></p><p>Dr. Stephens has over a decade of administrative leadership experience, having served as department chair at Metropolitan State University of Denver and Ohio University, as well as program director of African American Studies at various other institutions. He was born and grew up in Detroit. He attended Detroit Public Schools, and graduated from Wayne State University, earning a B.A. and an M.A. in Speech Communication and M.A. and PhD from Temple University in African American Studies. He is the father of two daughters (Kiara and Karielle) and proud grandfather of twelve grandchildren.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Mia Bay - Faculty of History, University of Cambridge</title>
      <itunes:episode>184</itunes:episode>
      <podcast:episode>184</podcast:episode>
      <itunes:title>Mia Bay - Faculty of History, University of Cambridge</itunes:title>
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      <link>https://share.transistor.fm/s/dd811ddf</link>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.hist.cam.ac.uk/people/professor-mia-bay">Mia Bay, Paul Mellon Professor of American History at University of Cambridge</a>. Mia Bay is a scholar of American and African American intellectual, cultural and social history. A graduate of University of Toronto, she completed her post graduate studies at Yale University under the supervision of David Brion Davis. In recent years, she has taught at the University of Pennsylvania, where she was the Roy F. and Jeanette P. Nichols Professor of American History, and before that she taught at Rutgers University, where she also directed the Rutgers Center for Race and Ethnicity.</p><p><br></p><p>Bay’s most recent book is the Bancroft prize-winning Traveling Black: A Story of Race and Resistance (Harvard University Press, 2021), which also received a PROSE Award for Excellence in American History, the OAH’s Liberty Legacy Award, the Lillian Smith book Award, the Order of the Coif Book Award and the  David J, Langum Prize in Legal History. Her other works include <a href="https://global.oup.com/academic/product/the-white-image-in-the-black-mind-9780195132793?cc=us&amp;lang=en&amp;">The White Image in the Black Mind: African-American Ideas about White People, 1830-1925</a> (Oxford University Press, 2000); <a href="https://us.macmillan.com/books/9780809016464">To Tell the Truth Freely: The Life of Ida B. Wells</a> (Farrar, Straus and Giroux, 2009) and the edited work Ida B Wells, <a href="https://www.penguinrandomhouse.com/books/309644/the-light-of-truth-by-ida-b-wells-edited-with-an-introduction-and-notes-by-mia-bay-general-editor-henry-louis-gates-jr/">The Light of Truth: The Writings of An Anti-Lynching Crusader</a> (Penguin Books, 2014). She is also the co-author, with Waldo Martin and Deborah Gray White, of the textbook <a href="https://www.macmillanlearning.com/college/us/product/Freedom-on-My-Mind/p/1319210155">Freedom on My Mind: A History of African Americans with Documents</a> (Bedford/St. Martins 2012, 1st Edition, 2016, 2nd Edition), and the editor of two collections of essays: <a href="https://uncpress.org/book/9781469620916/toward-an-intellectual-history-of-black-women/">Towards an Intellectual History of Black Women </a>(University of North Carolina Press, 2015), which she co-edited with Farah Jasmin Griffin, Martha S. Jones and Barbara Savage, and <a href="https://www.rutgersuniversitypress.org/race-and-retail/9780813571706">Race and Retail: Consumption Across the Color Line</a>( Rutgers University Press, 2015), which she co-edited with Ann Fabian.  </p><p><br>Bay’s current projects include a new book on the history of African American ideas about Thomas Jefferson.  Her work has been supported by the Starr Center for the Study of the American Experience, the Fletcher Foundation, the National Humanities Center, the Robert H. Smith International Center for Jefferson Studies at Monticello; the American Council of Learned Societies, Boston University’s Institute on Race and Social Division, Harvard University’s Charles Warren Center and W.E.B. Du Bois Centers; and the American Historical Association.  An Organization of American Historians Distinguished Lecturer, Bay is a member of the Gilder Lehrman Center’s advisory board and serves on the editorial boards of Reviews in American History, the Journal of African American History, and the African American Intellectual History Society’s Black Perspectives Blog.  </p><p>Bay is also a frequent consultant on museum and documentary film projects. Her recent public history work includes working with the Smithsonian Institution's National Museum of African American History and Culture (NMAAHC) on one of its inaugural exhibits-- “Defending Freedom, Defining Freedom: The Era of Segregation 1876-1968”-- and serving a scholarly advisor to the Library of Congress and NMAAHC’s Civil Rights History Project. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.hist.cam.ac.uk/people/professor-mia-bay">Mia Bay, Paul Mellon Professor of American History at University of Cambridge</a>. Mia Bay is a scholar of American and African American intellectual, cultural and social history. A graduate of University of Toronto, she completed her post graduate studies at Yale University under the supervision of David Brion Davis. In recent years, she has taught at the University of Pennsylvania, where she was the Roy F. and Jeanette P. Nichols Professor of American History, and before that she taught at Rutgers University, where she also directed the Rutgers Center for Race and Ethnicity.</p><p><br></p><p>Bay’s most recent book is the Bancroft prize-winning Traveling Black: A Story of Race and Resistance (Harvard University Press, 2021), which also received a PROSE Award for Excellence in American History, the OAH’s Liberty Legacy Award, the Lillian Smith book Award, the Order of the Coif Book Award and the  David J, Langum Prize in Legal History. Her other works include <a href="https://global.oup.com/academic/product/the-white-image-in-the-black-mind-9780195132793?cc=us&amp;lang=en&amp;">The White Image in the Black Mind: African-American Ideas about White People, 1830-1925</a> (Oxford University Press, 2000); <a href="https://us.macmillan.com/books/9780809016464">To Tell the Truth Freely: The Life of Ida B. Wells</a> (Farrar, Straus and Giroux, 2009) and the edited work Ida B Wells, <a href="https://www.penguinrandomhouse.com/books/309644/the-light-of-truth-by-ida-b-wells-edited-with-an-introduction-and-notes-by-mia-bay-general-editor-henry-louis-gates-jr/">The Light of Truth: The Writings of An Anti-Lynching Crusader</a> (Penguin Books, 2014). She is also the co-author, with Waldo Martin and Deborah Gray White, of the textbook <a href="https://www.macmillanlearning.com/college/us/product/Freedom-on-My-Mind/p/1319210155">Freedom on My Mind: A History of African Americans with Documents</a> (Bedford/St. Martins 2012, 1st Edition, 2016, 2nd Edition), and the editor of two collections of essays: <a href="https://uncpress.org/book/9781469620916/toward-an-intellectual-history-of-black-women/">Towards an Intellectual History of Black Women </a>(University of North Carolina Press, 2015), which she co-edited with Farah Jasmin Griffin, Martha S. Jones and Barbara Savage, and <a href="https://www.rutgersuniversitypress.org/race-and-retail/9780813571706">Race and Retail: Consumption Across the Color Line</a>( Rutgers University Press, 2015), which she co-edited with Ann Fabian.  </p><p><br>Bay’s current projects include a new book on the history of African American ideas about Thomas Jefferson.  Her work has been supported by the Starr Center for the Study of the American Experience, the Fletcher Foundation, the National Humanities Center, the Robert H. Smith International Center for Jefferson Studies at Monticello; the American Council of Learned Societies, Boston University’s Institute on Race and Social Division, Harvard University’s Charles Warren Center and W.E.B. Du Bois Centers; and the American Historical Association.  An Organization of American Historians Distinguished Lecturer, Bay is a member of the Gilder Lehrman Center’s advisory board and serves on the editorial boards of Reviews in American History, the Journal of African American History, and the African American Intellectual History Society’s Black Perspectives Blog.  </p><p>Bay is also a frequent consultant on museum and documentary film projects. Her recent public history work includes working with the Smithsonian Institution's National Museum of African American History and Culture (NMAAHC) on one of its inaugural exhibits-- “Defending Freedom, Defining Freedom: The Era of Segregation 1876-1968”-- and serving a scholarly advisor to the Library of Congress and NMAAHC’s Civil Rights History Project. </p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/dd811ddf/9558e8db.mp3" length="89804478" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2244</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.hist.cam.ac.uk/people/professor-mia-bay">Mia Bay, Paul Mellon Professor of American History at University of Cambridge</a>. Mia Bay is a scholar of American and African American intellectual, cultural and social history. A graduate of University of Toronto, she completed her post graduate studies at Yale University under the supervision of David Brion Davis. In recent years, she has taught at the University of Pennsylvania, where she was the Roy F. and Jeanette P. Nichols Professor of American History, and before that she taught at Rutgers University, where she also directed the Rutgers Center for Race and Ethnicity.</p><p><br></p><p>Bay’s most recent book is the Bancroft prize-winning Traveling Black: A Story of Race and Resistance (Harvard University Press, 2021), which also received a PROSE Award for Excellence in American History, the OAH’s Liberty Legacy Award, the Lillian Smith book Award, the Order of the Coif Book Award and the  David J, Langum Prize in Legal History. Her other works include <a href="https://global.oup.com/academic/product/the-white-image-in-the-black-mind-9780195132793?cc=us&amp;lang=en&amp;">The White Image in the Black Mind: African-American Ideas about White People, 1830-1925</a> (Oxford University Press, 2000); <a href="https://us.macmillan.com/books/9780809016464">To Tell the Truth Freely: The Life of Ida B. Wells</a> (Farrar, Straus and Giroux, 2009) and the edited work Ida B Wells, <a href="https://www.penguinrandomhouse.com/books/309644/the-light-of-truth-by-ida-b-wells-edited-with-an-introduction-and-notes-by-mia-bay-general-editor-henry-louis-gates-jr/">The Light of Truth: The Writings of An Anti-Lynching Crusader</a> (Penguin Books, 2014). She is also the co-author, with Waldo Martin and Deborah Gray White, of the textbook <a href="https://www.macmillanlearning.com/college/us/product/Freedom-on-My-Mind/p/1319210155">Freedom on My Mind: A History of African Americans with Documents</a> (Bedford/St. Martins 2012, 1st Edition, 2016, 2nd Edition), and the editor of two collections of essays: <a href="https://uncpress.org/book/9781469620916/toward-an-intellectual-history-of-black-women/">Towards an Intellectual History of Black Women </a>(University of North Carolina Press, 2015), which she co-edited with Farah Jasmin Griffin, Martha S. Jones and Barbara Savage, and <a href="https://www.rutgersuniversitypress.org/race-and-retail/9780813571706">Race and Retail: Consumption Across the Color Line</a>( Rutgers University Press, 2015), which she co-edited with Ann Fabian.  </p><p><br>Bay’s current projects include a new book on the history of African American ideas about Thomas Jefferson.  Her work has been supported by the Starr Center for the Study of the American Experience, the Fletcher Foundation, the National Humanities Center, the Robert H. Smith International Center for Jefferson Studies at Monticello; the American Council of Learned Societies, Boston University’s Institute on Race and Social Division, Harvard University’s Charles Warren Center and W.E.B. Du Bois Centers; and the American Historical Association.  An Organization of American Historians Distinguished Lecturer, Bay is a member of the Gilder Lehrman Center’s advisory board and serves on the editorial boards of Reviews in American History, the Journal of African American History, and the African American Intellectual History Society’s Black Perspectives Blog.  </p><p>Bay is also a frequent consultant on museum and documentary film projects. Her recent public history work includes working with the Smithsonian Institution's National Museum of African American History and Culture (NMAAHC) on one of its inaugural exhibits-- “Defending Freedom, Defining Freedom: The Era of Segregation 1876-1968”-- and serving a scholarly advisor to the Library of Congress and NMAAHC’s Civil Rights History Project. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Michael Harriot - Writer and Critic</title>
      <itunes:episode>183</itunes:episode>
      <podcast:episode>183</podcast:episode>
      <itunes:title>Michael Harriot - Writer and Critic</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/76a622b3</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.michaelharriot.com">writer and critic Michael Harriot</a>. Along with numerous journalistic pieces in venues such as <a href="https://www.theroot.com/author/michaelharriot"><em>The Root</em></a><em>, Yes! Magazine, </em><a href="https://thegrio.com/author/michael-harriot/"><em>TheGrio.com</em></a><em>,</em> he is author of the award-winning book <a href="https://www.amazon.com/Black-AF-History-Whitewashed-America/dp/0358439167?_encoding=UTF8&amp;qid=&amp;sr=&amp;linkCode=sl1&amp;tag=negu-20&amp;linkId=41aeb8496a9e032134b61da58e560e0e&amp;language=en_US&amp;ref_=as_li_ss_tl"><em>Black AF History: The UnWhitewashed Story of America</em></a><em>, </em>published by Dey Street Books in 2023. In this conversation, we discuss the importance of study in journalistic and popular writing, the varied and deep roots of Black study, and the cultural and political responsibilities that come with writing about Black life in the twenty-first century. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.michaelharriot.com">writer and critic Michael Harriot</a>. Along with numerous journalistic pieces in venues such as <a href="https://www.theroot.com/author/michaelharriot"><em>The Root</em></a><em>, Yes! Magazine, </em><a href="https://thegrio.com/author/michael-harriot/"><em>TheGrio.com</em></a><em>,</em> he is author of the award-winning book <a href="https://www.amazon.com/Black-AF-History-Whitewashed-America/dp/0358439167?_encoding=UTF8&amp;qid=&amp;sr=&amp;linkCode=sl1&amp;tag=negu-20&amp;linkId=41aeb8496a9e032134b61da58e560e0e&amp;language=en_US&amp;ref_=as_li_ss_tl"><em>Black AF History: The UnWhitewashed Story of America</em></a><em>, </em>published by Dey Street Books in 2023. In this conversation, we discuss the importance of study in journalistic and popular writing, the varied and deep roots of Black study, and the cultural and political responsibilities that come with writing about Black life in the twenty-first century. </p>]]>
      </content:encoded>
      <pubDate>Wed, 15 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/76a622b3/dbdc336a.mp3" length="108210306" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2705</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.michaelharriot.com">writer and critic Michael Harriot</a>. Along with numerous journalistic pieces in venues such as <a href="https://www.theroot.com/author/michaelharriot"><em>The Root</em></a><em>, Yes! Magazine, </em><a href="https://thegrio.com/author/michael-harriot/"><em>TheGrio.com</em></a><em>,</em> he is author of the award-winning book <a href="https://www.amazon.com/Black-AF-History-Whitewashed-America/dp/0358439167?_encoding=UTF8&amp;qid=&amp;sr=&amp;linkCode=sl1&amp;tag=negu-20&amp;linkId=41aeb8496a9e032134b61da58e560e0e&amp;language=en_US&amp;ref_=as_li_ss_tl"><em>Black AF History: The UnWhitewashed Story of America</em></a><em>, </em>published by Dey Street Books in 2023. In this conversation, we discuss the importance of study in journalistic and popular writing, the varied and deep roots of Black study, and the cultural and political responsibilities that come with writing about Black life in the twenty-first century. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sabrina Evans - Department of Literature and Writing, Howard University</title>
      <itunes:episode>182</itunes:episode>
      <podcast:episode>182</podcast:episode>
      <itunes:title>Sabrina Evans - Department of Literature and Writing, Howard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a88b4547</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sabrina Evans, who teaches in the Department of Literature and Writing at Howard University where she specializes in nineteenth- and early twentieth-century African American literature with a focus on Black women's writing, archives, and organizing. Her research examines the intellectual thought and literary production of Black clubwomen such as Frances Ellen Watkins Harper, Anna Julia Cooper, Mary Church Terrell, and Ida B. Wells-Barnett as well as the networks and communities that helped sustain their intellectual and activist work. She is project co-coordinator for the Black Women's Organizing Archive (BWOA). BWOA is a digital humanities project that seeks to locate the scattered archives of nineteenth and early twentieth-century Black women organizers and create teaching and research resources. In this work, she has collaborated with a team of faculty, graduate students, archivists, and librarians to produce papers locators featuring digitized and nondigitized collections of early Black women organizers as well as a digital map highlighting the various libraries and repositories holding their collections.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sabrina Evans, who teaches in the Department of Literature and Writing at Howard University where she specializes in nineteenth- and early twentieth-century African American literature with a focus on Black women's writing, archives, and organizing. Her research examines the intellectual thought and literary production of Black clubwomen such as Frances Ellen Watkins Harper, Anna Julia Cooper, Mary Church Terrell, and Ida B. Wells-Barnett as well as the networks and communities that helped sustain their intellectual and activist work. She is project co-coordinator for the Black Women's Organizing Archive (BWOA). BWOA is a digital humanities project that seeks to locate the scattered archives of nineteenth and early twentieth-century Black women organizers and create teaching and research resources. In this work, she has collaborated with a team of faculty, graduate students, archivists, and librarians to produce papers locators featuring digitized and nondigitized collections of early Black women organizers as well as a digital map highlighting the various libraries and repositories holding their collections.</p>]]>
      </content:encoded>
      <pubDate>Mon, 13 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a88b4547/d3550b1e.mp3" length="102648831" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2565</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sabrina Evans, who teaches in the Department of Literature and Writing at Howard University where she specializes in nineteenth- and early twentieth-century African American literature with a focus on Black women's writing, archives, and organizing. Her research examines the intellectual thought and literary production of Black clubwomen such as Frances Ellen Watkins Harper, Anna Julia Cooper, Mary Church Terrell, and Ida B. Wells-Barnett as well as the networks and communities that helped sustain their intellectual and activist work. She is project co-coordinator for the Black Women's Organizing Archive (BWOA). BWOA is a digital humanities project that seeks to locate the scattered archives of nineteenth and early twentieth-century Black women organizers and create teaching and research resources. In this work, she has collaborated with a team of faculty, graduate students, archivists, and librarians to produce papers locators featuring digitized and nondigitized collections of early Black women organizers as well as a digital map highlighting the various libraries and repositories holding their collections.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jona Alexander - Poet and Filmmaker</title>
      <itunes:episode>181</itunes:episode>
      <podcast:episode>181</podcast:episode>
      <itunes:title>Jona Alexander - Poet and Filmmaker</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/6ab87981</link>
      <description>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </content:encoded>
      <pubDate>Fri, 10 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/6ab87981/a848280b.mp3" length="205596690" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/7Soo1xOXcfyd1H28n785PL4HPQ4P6pey5B8xq892Nko/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iN2Rj/YTNkZTkyYmRjY2Uy/ZmMzNWU2N2QxNWM2/MTNhMS5qcGc.jpg"/>
      <itunes:duration>5138</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Johnathan White - Department of History, Penn State University, Greater Allegheny</title>
      <itunes:episode>180</itunes:episode>
      <podcast:episode>180</podcast:episode>
      <itunes:title>Johnathan White - Department of History, Penn State University, Greater Allegheny</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Johnathan White, who teaches in the Department of History at Penn State, Greater Allegheny. He has taught courses in history, African American studies, black arts, and leadership development. He co-founded the Study of Hip-Hop Conference and the Stewart and Jones Scholar Leadership Program. He is a founding member of the Crossing Bridges committee which serves the surrounding community. In addition, he chairs the Anti-Racism task force at PSUGA. He is also creator of the Black Woman Reaffirmed video project. His up coming album, Love Algorithms, is an eclectic mix of poetry, hip-hop, and spoken word. Finally, he is co-authoring a book, ‘A Love We Need…’, which examines what a divided America can learn from 50 years of Hip Hop culture. He is a board member of the Langston Hughes Poetry Society. In addition, he served as lead instructor of the Full Armor Institute, mentoring young black men at Mt. Olive Baptist church. Moreover, he has conducted black history workshops and seminars on living a vibrant lifestyle that synthesizes faith and the pursuit of social justice. He was awarded the Dr. James Robinson Equal Opportunity Award (honoring those who fight for equity at Penn State) in 2021. He received the highly competitive Atherton Excellence in Teaching Award in 2021 as well. Finally, in 2022 he was a Pittsburgh Courier Men of Excellence honoree. He was recognized for his contribution in the field of education.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Johnathan White, who teaches in the Department of History at Penn State, Greater Allegheny. He has taught courses in history, African American studies, black arts, and leadership development. He co-founded the Study of Hip-Hop Conference and the Stewart and Jones Scholar Leadership Program. He is a founding member of the Crossing Bridges committee which serves the surrounding community. In addition, he chairs the Anti-Racism task force at PSUGA. He is also creator of the Black Woman Reaffirmed video project. His up coming album, Love Algorithms, is an eclectic mix of poetry, hip-hop, and spoken word. Finally, he is co-authoring a book, ‘A Love We Need…’, which examines what a divided America can learn from 50 years of Hip Hop culture. He is a board member of the Langston Hughes Poetry Society. In addition, he served as lead instructor of the Full Armor Institute, mentoring young black men at Mt. Olive Baptist church. Moreover, he has conducted black history workshops and seminars on living a vibrant lifestyle that synthesizes faith and the pursuit of social justice. He was awarded the Dr. James Robinson Equal Opportunity Award (honoring those who fight for equity at Penn State) in 2021. He received the highly competitive Atherton Excellence in Teaching Award in 2021 as well. Finally, in 2022 he was a Pittsburgh Courier Men of Excellence honoree. He was recognized for his contribution in the field of education.</p>]]>
      </content:encoded>
      <pubDate>Wed, 08 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/ef79e7f6/c4f363c4.mp3" length="103846472" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2595</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Johnathan White, who teaches in the Department of History at Penn State, Greater Allegheny. He has taught courses in history, African American studies, black arts, and leadership development. He co-founded the Study of Hip-Hop Conference and the Stewart and Jones Scholar Leadership Program. He is a founding member of the Crossing Bridges committee which serves the surrounding community. In addition, he chairs the Anti-Racism task force at PSUGA. He is also creator of the Black Woman Reaffirmed video project. His up coming album, Love Algorithms, is an eclectic mix of poetry, hip-hop, and spoken word. Finally, he is co-authoring a book, ‘A Love We Need…’, which examines what a divided America can learn from 50 years of Hip Hop culture. He is a board member of the Langston Hughes Poetry Society. In addition, he served as lead instructor of the Full Armor Institute, mentoring young black men at Mt. Olive Baptist church. Moreover, he has conducted black history workshops and seminars on living a vibrant lifestyle that synthesizes faith and the pursuit of social justice. He was awarded the Dr. James Robinson Equal Opportunity Award (honoring those who fight for equity at Penn State) in 2021. He received the highly competitive Atherton Excellence in Teaching Award in 2021 as well. Finally, in 2022 he was a Pittsburgh Courier Men of Excellence honoree. He was recognized for his contribution in the field of education.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Watufani Poe - Department of Communication, Tulane University</title>
      <itunes:episode>179</itunes:episode>
      <podcast:episode>179</podcast:episode>
      <itunes:title>Watufani Poe - Department of Communication, Tulane University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/70436060</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Watufani Poe, who teaches in the Department of Communication at Tulane University. Along with scholarly and public-facing pieces, he is completing a manuscript entitled <em>Resisting Fragmentation: The Embodied Politics of Black Queer Worldmaking</em>, an ethnohistoric study of Black LGBTQ+ social and political activism in Brazil and the United States that outlines how Black LGBTQ+ people push for freedom across various social and political movement spaces and imagine alternative worlds. In this conversation, we discuss the importance of language and transnational work in Black Studies, the political impact of Black study, and the place of questions of gender and sexuality in the field. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Watufani Poe, who teaches in the Department of Communication at Tulane University. Along with scholarly and public-facing pieces, he is completing a manuscript entitled <em>Resisting Fragmentation: The Embodied Politics of Black Queer Worldmaking</em>, an ethnohistoric study of Black LGBTQ+ social and political activism in Brazil and the United States that outlines how Black LGBTQ+ people push for freedom across various social and political movement spaces and imagine alternative worlds. In this conversation, we discuss the importance of language and transnational work in Black Studies, the political impact of Black study, and the place of questions of gender and sexuality in the field. </p>]]>
      </content:encoded>
      <pubDate>Mon, 06 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/70436060/86cffb5d.mp3" length="124642411" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3116</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Watufani Poe, who teaches in the Department of Communication at Tulane University. Along with scholarly and public-facing pieces, he is completing a manuscript entitled <em>Resisting Fragmentation: The Embodied Politics of Black Queer Worldmaking</em>, an ethnohistoric study of Black LGBTQ+ social and political activism in Brazil and the United States that outlines how Black LGBTQ+ people push for freedom across various social and political movement spaces and imagine alternative worlds. In this conversation, we discuss the importance of language and transnational work in Black Studies, the political impact of Black study, and the place of questions of gender and sexuality in the field. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Davarian Baldwin - Department of American Studies, Trinity College</title>
      <itunes:episode>178</itunes:episode>
      <podcast:episode>178</podcast:episode>
      <itunes:title>Davarian Baldwin - Department of American Studies, Trinity College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/23614545</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Davarian Baldwin, Raether Distinguished Professor in the Department of American Studies and founding director of the Smart Cities Research Lab at Trinity College. He is the award-winning author of several books, most recently <em>In the Shadow of the Ivory Tower: How Universities are Plundering Our Cities </em>and worked as the consultant and text author for <em>The World of the Harlem Renaissance: A Jigsaw Puzzle</em>. In addition to teaching and writing, Baldwin has served in the national leadership of the American Association of University Professors and Scholars for Social Justice and sits on several editorial boards including the <em>Journal of African American History</em> and <em>Souls: A Critical Journal of Black Politics, Culture and Society</em>. His commentaries and opinions have been featured in numerous outlets from NBC News, BBC, and HULU to <em>USA Today</em>, <em>The Washington Post</em>, and <em>TIME</em> magazine. Baldwin was named a 2022 Freedom Scholar by the Marguerite Casey Foundation for his work in racial and economic justice.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Davarian Baldwin, Raether Distinguished Professor in the Department of American Studies and founding director of the Smart Cities Research Lab at Trinity College. He is the award-winning author of several books, most recently <em>In the Shadow of the Ivory Tower: How Universities are Plundering Our Cities </em>and worked as the consultant and text author for <em>The World of the Harlem Renaissance: A Jigsaw Puzzle</em>. In addition to teaching and writing, Baldwin has served in the national leadership of the American Association of University Professors and Scholars for Social Justice and sits on several editorial boards including the <em>Journal of African American History</em> and <em>Souls: A Critical Journal of Black Politics, Culture and Society</em>. His commentaries and opinions have been featured in numerous outlets from NBC News, BBC, and HULU to <em>USA Today</em>, <em>The Washington Post</em>, and <em>TIME</em> magazine. Baldwin was named a 2022 Freedom Scholar by the Marguerite Casey Foundation for his work in racial and economic justice.</p>]]>
      </content:encoded>
      <pubDate>Fri, 03 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/23614545/405023a2.mp3" length="164469764" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/E9a47xtFbuFG15GHpp49W20GwXJliOnOVq8XW1BXsYU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81ZGFh/MjFhYzA1Nzc1OGNk/M2E4YzRkMmIyMjU2/YzgwYS5qcGVn.jpg"/>
      <itunes:duration>4111</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Davarian Baldwin, Raether Distinguished Professor in the Department of American Studies and founding director of the Smart Cities Research Lab at Trinity College. He is the award-winning author of several books, most recently <em>In the Shadow of the Ivory Tower: How Universities are Plundering Our Cities </em>and worked as the consultant and text author for <em>The World of the Harlem Renaissance: A Jigsaw Puzzle</em>. In addition to teaching and writing, Baldwin has served in the national leadership of the American Association of University Professors and Scholars for Social Justice and sits on several editorial boards including the <em>Journal of African American History</em> and <em>Souls: A Critical Journal of Black Politics, Culture and Society</em>. His commentaries and opinions have been featured in numerous outlets from NBC News, BBC, and HULU to <em>USA Today</em>, <em>The Washington Post</em>, and <em>TIME</em> magazine. Baldwin was named a 2022 Freedom Scholar by the Marguerite Casey Foundation for his work in racial and economic justice.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Natasha Henry-Dixon - Department of History, York University</title>
      <itunes:episode>177</itunes:episode>
      <podcast:episode>177</podcast:episode>
      <itunes:title>Natasha Henry-Dixon - Department of History, York University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d8384680</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Natasha Henry-Dixon, who teaches in the Department of History at York University in Toronto, Ontario. Along with numerous scholarly and public-facing pieces, she is the author of <em>Emancipation Day: Celebrating Freedom in Canada</em> (2010), <em>Talking about Freedom </em>(2012). She also maintains the website <a href="https://enslavedafricansinearlyontario.ca">One Too Many: Black People Enslaved in Upper Canada, 1760-1834</a>. In this conversation, we discuss the history of Black people in Canada, the complicated relationship between the four centuries of Black presence and the place of immigrants in the Black Canadian imagination, and the importance of public history, education, and Black study. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Natasha Henry-Dixon, who teaches in the Department of History at York University in Toronto, Ontario. Along with numerous scholarly and public-facing pieces, she is the author of <em>Emancipation Day: Celebrating Freedom in Canada</em> (2010), <em>Talking about Freedom </em>(2012). She also maintains the website <a href="https://enslavedafricansinearlyontario.ca">One Too Many: Black People Enslaved in Upper Canada, 1760-1834</a>. In this conversation, we discuss the history of Black people in Canada, the complicated relationship between the four centuries of Black presence and the place of immigrants in the Black Canadian imagination, and the importance of public history, education, and Black study. </p>]]>
      </content:encoded>
      <pubDate>Wed, 01 Oct 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d8384680/ea6de406.mp3" length="132129640" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/QnTw_Qh0m7xI6zYRxYUV-gRf1GNgIczB7ZqkXcsPCWU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kOGVj/NzE3YTlhOTJmNGYz/NmVkNjI1MTUxOWM4/MzM4Ni5qcGc.jpg"/>
      <itunes:duration>3303</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Natasha Henry-Dixon, who teaches in the Department of History at York University in Toronto, Ontario. Along with numerous scholarly and public-facing pieces, she is the author of <em>Emancipation Day: Celebrating Freedom in Canada</em> (2010), <em>Talking about Freedom </em>(2012). She also maintains the website <a href="https://enslavedafricansinearlyontario.ca">One Too Many: Black People Enslaved in Upper Canada, 1760-1834</a>. In this conversation, we discuss the history of Black people in Canada, the complicated relationship between the four centuries of Black presence and the place of immigrants in the Black Canadian imagination, and the importance of public history, education, and Black study. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tara T. Green - Department of African American Studies, University of Houston</title>
      <itunes:episode>176</itunes:episode>
      <podcast:episode>176</podcast:episode>
      <itunes:title>Tara T. Green - Department of African American Studies, University of Houston</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/83951fda</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Tara T. Green, who is the CLASS Distinguished Professor and Chair of African American Studies at the University of Houston. She also has a joint appointment in the English department. Dr. Green is a literary and interdisciplinary studies scholar with a doctorate in English. She is the award-winning author and editor of six books, including <em>Love, Activism, and the Respectable Life of Alice Dunbar-Nelson</em> and <em>See Me Naked: Black Women Defining Pleasure During the Interwar Era</em> as well as the co-curator of the Triad Black Lives Matter Collection housed at University of North Carolina at Greensboro. Black feminism and her Southern familial experiences with storytelling influence her approach to her research areas, which include African American fiction and autobiography, African literature, Black leadership/activism, Black Southern studies, and the Harlem Renaissance. She is from the suburbs of New Orleans, which immensely impacts her work.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Tara T. Green, who is the CLASS Distinguished Professor and Chair of African American Studies at the University of Houston. She also has a joint appointment in the English department. Dr. Green is a literary and interdisciplinary studies scholar with a doctorate in English. She is the award-winning author and editor of six books, including <em>Love, Activism, and the Respectable Life of Alice Dunbar-Nelson</em> and <em>See Me Naked: Black Women Defining Pleasure During the Interwar Era</em> as well as the co-curator of the Triad Black Lives Matter Collection housed at University of North Carolina at Greensboro. Black feminism and her Southern familial experiences with storytelling influence her approach to her research areas, which include African American fiction and autobiography, African literature, Black leadership/activism, Black Southern studies, and the Harlem Renaissance. She is from the suburbs of New Orleans, which immensely impacts her work.</p>]]>
      </content:encoded>
      <pubDate>Mon, 29 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/83951fda/c65dfe68.mp3" length="86834225" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/-x8OICWRk39PrTnzHBXat-xRgg3AvX2vSaxYxrXZMBo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zMWIy/ZjUyZDhiYmUzOTM4/OWIzZTI2ZTZiOWQ4/NmJhMi5qcGVn.jpg"/>
      <itunes:duration>2170</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Tara T. Green, who is the CLASS Distinguished Professor and Chair of African American Studies at the University of Houston. She also has a joint appointment in the English department. Dr. Green is a literary and interdisciplinary studies scholar with a doctorate in English. She is the award-winning author and editor of six books, including <em>Love, Activism, and the Respectable Life of Alice Dunbar-Nelson</em> and <em>See Me Naked: Black Women Defining Pleasure During the Interwar Era</em> as well as the co-curator of the Triad Black Lives Matter Collection housed at University of North Carolina at Greensboro. Black feminism and her Southern familial experiences with storytelling influence her approach to her research areas, which include African American fiction and autobiography, African literature, Black leadership/activism, Black Southern studies, and the Harlem Renaissance. She is from the suburbs of New Orleans, which immensely impacts her work.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tony Louis - Educator and Curriculum Designer</title>
      <itunes:episode>175</itunes:episode>
      <podcast:episode>175</podcast:episode>
      <itunes:title>Tony Louis - Educator and Curriculum Designer</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/abe23238</link>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Tony Louis is a veteran educator with extensive experience in the public school systems of New York, Florida, and Maryland. A specialist in advanced instruction, he has primarily taught International Baccalaureate (IB) and Advanced Placement (AP) literature courses and served as an MYP coordinator. His pedagogy is rooted in the belief that learning is both critical and contextual—an active process in which students collaborate to construct meaning and engage deeply with the world around them. He is also a staunch advocate for educational equity, holding that all students deserve meaningful access to higher education. In pursuit of this mission, he has taught Literature and Critical Race Theory courses for Upward Bound programs at Morehouse College and Rollins College. Over the past three years, he has also pioneered the teaching of Hip-Hop history and culture at the secondary level in Maryland, one of the few such courses in the state.</p><p><br>Through his <em>Power Dreaming</em> initiative, Louis remains committed to amplifying student voices by fostering direct dialogue with leading scholars, artists, and thought leaders—without intermediaries. His career reflects both a passion for intellectual rigor and a dedication to cultivating joy, engagement, and empowerment in the classroom.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Tony Louis is a veteran educator with extensive experience in the public school systems of New York, Florida, and Maryland. A specialist in advanced instruction, he has primarily taught International Baccalaureate (IB) and Advanced Placement (AP) literature courses and served as an MYP coordinator. His pedagogy is rooted in the belief that learning is both critical and contextual—an active process in which students collaborate to construct meaning and engage deeply with the world around them. He is also a staunch advocate for educational equity, holding that all students deserve meaningful access to higher education. In pursuit of this mission, he has taught Literature and Critical Race Theory courses for Upward Bound programs at Morehouse College and Rollins College. Over the past three years, he has also pioneered the teaching of Hip-Hop history and culture at the secondary level in Maryland, one of the few such courses in the state.</p><p><br>Through his <em>Power Dreaming</em> initiative, Louis remains committed to amplifying student voices by fostering direct dialogue with leading scholars, artists, and thought leaders—without intermediaries. His career reflects both a passion for intellectual rigor and a dedication to cultivating joy, engagement, and empowerment in the classroom.</p>]]>
      </content:encoded>
      <pubDate>Fri, 26 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/abe23238/f394d7c1.mp3" length="122470622" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3061</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Tony Louis is a veteran educator with extensive experience in the public school systems of New York, Florida, and Maryland. A specialist in advanced instruction, he has primarily taught International Baccalaureate (IB) and Advanced Placement (AP) literature courses and served as an MYP coordinator. His pedagogy is rooted in the belief that learning is both critical and contextual—an active process in which students collaborate to construct meaning and engage deeply with the world around them. He is also a staunch advocate for educational equity, holding that all students deserve meaningful access to higher education. In pursuit of this mission, he has taught Literature and Critical Race Theory courses for Upward Bound programs at Morehouse College and Rollins College. Over the past three years, he has also pioneered the teaching of Hip-Hop history and culture at the secondary level in Maryland, one of the few such courses in the state.</p><p><br>Through his <em>Power Dreaming</em> initiative, Louis remains committed to amplifying student voices by fostering direct dialogue with leading scholars, artists, and thought leaders—without intermediaries. His career reflects both a passion for intellectual rigor and a dedication to cultivating joy, engagement, and empowerment in the classroom.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Rosa Clemente - Scholar and Activist, Department of Afro-American Studies, University of Massachusetts, Amherst</title>
      <itunes:episode>174</itunes:episode>
      <podcast:episode>174</podcast:episode>
      <itunes:title>Rosa Clemente - Scholar and Activist, Department of Afro-American Studies, University of Massachusetts, Amherst</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Rosa Clemente, a scholar, activist, and late-doctoral candidate in the Department of Afro-American Studies at University of Massachusetts, Amherst. In this conversation, we explore the complex questions of Afro-Latinx identity, cross-racial and cross-ethnic solidarity, and the meaning of Black Studies in times of deep political crisis. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Rosa Clemente, a scholar, activist, and late-doctoral candidate in the Department of Afro-American Studies at University of Massachusetts, Amherst. In this conversation, we explore the complex questions of Afro-Latinx identity, cross-racial and cross-ethnic solidarity, and the meaning of Black Studies in times of deep political crisis. </p>]]>
      </content:encoded>
      <pubDate>Wed, 24 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/59e371c6/1b82715d.mp3" length="135136387" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3378</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Rosa Clemente, a scholar, activist, and late-doctoral candidate in the Department of Afro-American Studies at University of Massachusetts, Amherst. In this conversation, we explore the complex questions of Afro-Latinx identity, cross-racial and cross-ethnic solidarity, and the meaning of Black Studies in times of deep political crisis. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Anna Hinton - Department of English, University of North Texas</title>
      <itunes:episode>173</itunes:episode>
      <podcast:episode>173</podcast:episode>
      <itunes:title>Anna Hinton - Department of English, University of North Texas</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Anna LaQuawn Hinton, assistant professor of Disability Studies and Black Literature &amp; Culture in the English Department at the University of North Texas. She has published in the <em>Journal of Literary and Cultural Disability Studies</em> (JLCDS) and <em>CLA Journal</em>, as well as contributed to <em>The Cambridge Companion to American Literature and the Body, The Cambridge Companion to the Black Body in American Literature</em>, and <em>The Palgrave Handbook on Reproductive Justice and Literature</em>. Her monograph, <em>Refusing to Be Made Whole: Disability in Black Women's Writing</em>, which approaches themes in Black feminist literary studies such as aesthetics, spirituality, representation, community, sexuality, motherhood, and futurity through a Black feminist disability frame, is now available through the University Press of Mississippi. Dr. Hinton is a disabled-queer-momma Black feminist, who “Loves music. Loves dance. Loves the moon. Loves the Spirit. Loves love and food and roundness. Loves struggle. Loves the Folk.(and striving to) Loves herself. Regardless.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Anna LaQuawn Hinton, assistant professor of Disability Studies and Black Literature &amp; Culture in the English Department at the University of North Texas. She has published in the <em>Journal of Literary and Cultural Disability Studies</em> (JLCDS) and <em>CLA Journal</em>, as well as contributed to <em>The Cambridge Companion to American Literature and the Body, The Cambridge Companion to the Black Body in American Literature</em>, and <em>The Palgrave Handbook on Reproductive Justice and Literature</em>. Her monograph, <em>Refusing to Be Made Whole: Disability in Black Women's Writing</em>, which approaches themes in Black feminist literary studies such as aesthetics, spirituality, representation, community, sexuality, motherhood, and futurity through a Black feminist disability frame, is now available through the University Press of Mississippi. Dr. Hinton is a disabled-queer-momma Black feminist, who “Loves music. Loves dance. Loves the moon. Loves the Spirit. Loves love and food and roundness. Loves struggle. Loves the Folk.(and striving to) Loves herself. Regardless.</p>]]>
      </content:encoded>
      <pubDate>Mon, 22 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d961d26d/57af0bac.mp3" length="135007634" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3374</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Anna LaQuawn Hinton, assistant professor of Disability Studies and Black Literature &amp; Culture in the English Department at the University of North Texas. She has published in the <em>Journal of Literary and Cultural Disability Studies</em> (JLCDS) and <em>CLA Journal</em>, as well as contributed to <em>The Cambridge Companion to American Literature and the Body, The Cambridge Companion to the Black Body in American Literature</em>, and <em>The Palgrave Handbook on Reproductive Justice and Literature</em>. Her monograph, <em>Refusing to Be Made Whole: Disability in Black Women's Writing</em>, which approaches themes in Black feminist literary studies such as aesthetics, spirituality, representation, community, sexuality, motherhood, and futurity through a Black feminist disability frame, is now available through the University Press of Mississippi. Dr. Hinton is a disabled-queer-momma Black feminist, who “Loves music. Loves dance. Loves the moon. Loves the Spirit. Loves love and food and roundness. Loves struggle. Loves the Folk.(and striving to) Loves herself. Regardless.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Yasmine Grier - Department of Black Studies, Northwestern University</title>
      <itunes:episode>172</itunes:episode>
      <podcast:episode>172</podcast:episode>
      <itunes:title>Yasmine Grier - Department of Black Studies, Northwestern University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </content:encoded>
      <pubDate>Fri, 19 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/122bb60b/68dcd6ce.mp3" length="163187704" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/9YUUBMswld3_54kI6baW_3_BhMjg1ASAYu9wOO08wZA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85OWIy/NTJhY2E4NmQ1MTk2/MDA2MDk3MWY5YzFl/MTUyMS5qcGVn.jpg"/>
      <itunes:duration>4079</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Leonard McKinnis - Departments of Religion and African American Studies, University of Illinois</title>
      <itunes:episode>171</itunes:episode>
      <podcast:episode>171</podcast:episode>
      <itunes:title>Leonard McKinnis - Departments of Religion and African American Studies, University of Illinois</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/9347d1f2</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Leonard McKinnis, who teaches in the Departments of Religion and African American Studies at University of Illinois, Urbana-Champaign. Along with a number of scholarly pieces, he is the author of <em>The Black Coptic Church: Race and Imagination in a New Religion </em>(2023). In this conversation, we discuss the place of religious studies in the Black Studies tradition, the relationship between ethnographic and historical research, and how close attention to emerging Black religious sensibilities reveal ethical and political visions to Black study. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Leonard McKinnis, who teaches in the Departments of Religion and African American Studies at University of Illinois, Urbana-Champaign. Along with a number of scholarly pieces, he is the author of <em>The Black Coptic Church: Race and Imagination in a New Religion </em>(2023). In this conversation, we discuss the place of religious studies in the Black Studies tradition, the relationship between ethnographic and historical research, and how close attention to emerging Black religious sensibilities reveal ethical and political visions to Black study. </p>]]>
      </content:encoded>
      <pubDate>Wed, 17 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/9347d1f2/917a8077.mp3" length="135680070" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3391</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Leonard McKinnis, who teaches in the Departments of Religion and African American Studies at University of Illinois, Urbana-Champaign. Along with a number of scholarly pieces, he is the author of <em>The Black Coptic Church: Race and Imagination in a New Religion </em>(2023). In this conversation, we discuss the place of religious studies in the Black Studies tradition, the relationship between ethnographic and historical research, and how close attention to emerging Black religious sensibilities reveal ethical and political visions to Black study. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Lisa Ze Winters - Department of African American Studies, Wayne State University</title>
      <itunes:episode>170</itunes:episode>
      <podcast:episode>170</podcast:episode>
      <itunes:title>Lisa Ze Winters - Department of African American Studies, Wayne State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/36d91da1</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Lisa Ze Winters, Associate Professor of African American Studies and English and Associate Chair of English at Wayne State University in Detroit, Michigan. Currently, she is consumed with the day-to-day practice of mothering a Black girl in the time of now, and her current research interests center on Black motherhood and Black radical love and the possibilities therein in for imagining and enacting freedom for Black children. Her most recent essay, “Fugitive Motherhood, Maroon Revisions, and Otherwise Possibilities in William Wells Brown’s Clotel<em>; or, The President’s Daughter</em>” (<em>J19, </em>2024), examines Brown’s theorization of the ontological labor of enslaved mothering and the revolutionary possibilities of fugitivity and marronage for the fugitive mother Clotel. Ze Winters is the author of <em>The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic </em>(2016, UGA Press)</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Lisa Ze Winters, Associate Professor of African American Studies and English and Associate Chair of English at Wayne State University in Detroit, Michigan. Currently, she is consumed with the day-to-day practice of mothering a Black girl in the time of now, and her current research interests center on Black motherhood and Black radical love and the possibilities therein in for imagining and enacting freedom for Black children. Her most recent essay, “Fugitive Motherhood, Maroon Revisions, and Otherwise Possibilities in William Wells Brown’s Clotel<em>; or, The President’s Daughter</em>” (<em>J19, </em>2024), examines Brown’s theorization of the ontological labor of enslaved mothering and the revolutionary possibilities of fugitivity and marronage for the fugitive mother Clotel. Ze Winters is the author of <em>The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic </em>(2016, UGA Press)</p>]]>
      </content:encoded>
      <pubDate>Mon, 15 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/36d91da1/8ef23e1b.mp3" length="143371295" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/0CCD3nXag2nPoGpVtMUUuPZx4dnEJN5dszbxj7nWSP0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8yY2Q5/M2QyYTc5Y2NjOWRh/YWE4NzBmMGQ4NWUx/YWY2Yi5qcGVn.jpg"/>
      <itunes:duration>3583</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Lisa Ze Winters, Associate Professor of African American Studies and English and Associate Chair of English at Wayne State University in Detroit, Michigan. Currently, she is consumed with the day-to-day practice of mothering a Black girl in the time of now, and her current research interests center on Black motherhood and Black radical love and the possibilities therein in for imagining and enacting freedom for Black children. Her most recent essay, “Fugitive Motherhood, Maroon Revisions, and Otherwise Possibilities in William Wells Brown’s Clotel<em>; or, The President’s Daughter</em>” (<em>J19, </em>2024), examines Brown’s theorization of the ontological labor of enslaved mothering and the revolutionary possibilities of fugitivity and marronage for the fugitive mother Clotel. Ze Winters is the author of <em>The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic </em>(2016, UGA Press)</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Mazi Mutafa - Executive Director and Co-Founder, Words, Beats, &amp; Life</title>
      <itunes:episode>169</itunes:episode>
      <podcast:episode>169</podcast:episode>
      <itunes:title>Mazi Mutafa - Executive Director and Co-Founder, Words, Beats, &amp; Life</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Mazi Mutafa, founding Executive Director of Words Beats &amp; Life, a hip-hop non-profit established in Washington D.C in 2002. Mr. Mutafa received his Bachelor’s degree in African American studies from the University of Maryland and  became a Brother of Phi BetaSigma Fraternity. He has been a guest lecturer at the University of Maryland, Georgetown University, and George Washington University and, in 2019, was an adjunct professor at American University, co-teaching a course about international hip-hop, called “Whose Hip-Hop Is It?" He contributed a chapter to the <em>Handbook of Research on Black Males</em>, published by Michigan State University Press and an interview with Mazi is included in <em>The Hip-Hop Mindset: A Professional Practice</em> on Rutledge Press. Mr. Mutafa is also the host of a hip-hop show called “Live @ 5,” heard quarterly on WPFW 89.3 FM, featuring performances and interviews with MC’s, poets, DJ’s, producers, and vocalists. Mr. Mutafa is also the host of a poetry and activism show called “Something to Say” every Tuesday on WPFW 89.3 FM, featuring performances and interviews with poets, artists, activists and leaders.</p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Mazi Mutafa, founding Executive Director of Words Beats &amp; Life, a hip-hop non-profit established in Washington D.C in 2002. Mr. Mutafa received his Bachelor’s degree in African American studies from the University of Maryland and  became a Brother of Phi BetaSigma Fraternity. He has been a guest lecturer at the University of Maryland, Georgetown University, and George Washington University and, in 2019, was an adjunct professor at American University, co-teaching a course about international hip-hop, called “Whose Hip-Hop Is It?" He contributed a chapter to the <em>Handbook of Research on Black Males</em>, published by Michigan State University Press and an interview with Mazi is included in <em>The Hip-Hop Mindset: A Professional Practice</em> on Rutledge Press. Mr. Mutafa is also the host of a hip-hop show called “Live @ 5,” heard quarterly on WPFW 89.3 FM, featuring performances and interviews with MC’s, poets, DJ’s, producers, and vocalists. Mr. Mutafa is also the host of a poetry and activism show called “Something to Say” every Tuesday on WPFW 89.3 FM, featuring performances and interviews with poets, artists, activists and leaders.</p>]]>
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      <pubDate>Fri, 12 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3379</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Mazi Mutafa, founding Executive Director of Words Beats &amp; Life, a hip-hop non-profit established in Washington D.C in 2002. Mr. Mutafa received his Bachelor’s degree in African American studies from the University of Maryland and  became a Brother of Phi BetaSigma Fraternity. He has been a guest lecturer at the University of Maryland, Georgetown University, and George Washington University and, in 2019, was an adjunct professor at American University, co-teaching a course about international hip-hop, called “Whose Hip-Hop Is It?" He contributed a chapter to the <em>Handbook of Research on Black Males</em>, published by Michigan State University Press and an interview with Mazi is included in <em>The Hip-Hop Mindset: A Professional Practice</em> on Rutledge Press. Mr. Mutafa is also the host of a hip-hop show called “Live @ 5,” heard quarterly on WPFW 89.3 FM, featuring performances and interviews with MC’s, poets, DJ’s, producers, and vocalists. Mr. Mutafa is also the host of a poetry and activism show called “Something to Say” every Tuesday on WPFW 89.3 FM, featuring performances and interviews with poets, artists, activists and leaders.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Cassie Osei - Department of History, Bucknell University</title>
      <itunes:episode>168</itunes:episode>
      <podcast:episode>168</podcast:episode>
      <itunes:title>Cassie Osei - Department of History, Bucknell University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Cassie Osei, who teaches in the Department of History at Bucknell University, where she is also affiliated faculty in the Latin American Studies program. She works at the intersection of Latin American Studies, African Diaspora Studies, and Black Women’s History and her scholarship, teaching and public speaking span the fields of Brazilian studies, Afro-Latin America, Black women’s intellectual thought, Black diasporic feminisms, urban history, gender and sexuality studies, global labor history, and comparative race relations. She is currently completing a book manuscript examining the lives of paid Afro-Brazilian female household workers in the twentieth-century, who insisted on defining themselves as modern workers and dignified women, typically obscured by the loud legacies of slavery, colonialism, and patriarchy. In this conversation, we discuss the place of Latin America in discussions of Blackness, the importance of diaspora for Black Studies thinking, and the transformative meaning of multi-lingual research approaches. </p><p><br></p><p>Osei's peer-reviewed work appears in <em>Palimpsest: A Journal on Women, Gender, and the Black International </em>and <em>Black Perspectives</em>, whereas her public-facing work has been featured in Anglophone and Lusophone media outlets. She holds both a PhD and Masters in History from University of Illinois-Urbana Champaign, and a BA in History and Latin American Studies from the University of Kansas. In this conversation, we discuss the relationship between the study of Blackness and Latin America, the politics and debates around notions of diaspora, and how a hemispherically expansive vision of Black Studies reorients and challenges the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Cassie Osei, who teaches in the Department of History at Bucknell University, where she is also affiliated faculty in the Latin American Studies program. She works at the intersection of Latin American Studies, African Diaspora Studies, and Black Women’s History and her scholarship, teaching and public speaking span the fields of Brazilian studies, Afro-Latin America, Black women’s intellectual thought, Black diasporic feminisms, urban history, gender and sexuality studies, global labor history, and comparative race relations. She is currently completing a book manuscript examining the lives of paid Afro-Brazilian female household workers in the twentieth-century, who insisted on defining themselves as modern workers and dignified women, typically obscured by the loud legacies of slavery, colonialism, and patriarchy. In this conversation, we discuss the place of Latin America in discussions of Blackness, the importance of diaspora for Black Studies thinking, and the transformative meaning of multi-lingual research approaches. </p><p><br></p><p>Osei's peer-reviewed work appears in <em>Palimpsest: A Journal on Women, Gender, and the Black International </em>and <em>Black Perspectives</em>, whereas her public-facing work has been featured in Anglophone and Lusophone media outlets. She holds both a PhD and Masters in History from University of Illinois-Urbana Champaign, and a BA in History and Latin American Studies from the University of Kansas. In this conversation, we discuss the relationship between the study of Blackness and Latin America, the politics and debates around notions of diaspora, and how a hemispherically expansive vision of Black Studies reorients and challenges the field.</p>]]>
      </content:encoded>
      <pubDate>Wed, 10 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>4504</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Cassie Osei, who teaches in the Department of History at Bucknell University, where she is also affiliated faculty in the Latin American Studies program. She works at the intersection of Latin American Studies, African Diaspora Studies, and Black Women’s History and her scholarship, teaching and public speaking span the fields of Brazilian studies, Afro-Latin America, Black women’s intellectual thought, Black diasporic feminisms, urban history, gender and sexuality studies, global labor history, and comparative race relations. She is currently completing a book manuscript examining the lives of paid Afro-Brazilian female household workers in the twentieth-century, who insisted on defining themselves as modern workers and dignified women, typically obscured by the loud legacies of slavery, colonialism, and patriarchy. In this conversation, we discuss the place of Latin America in discussions of Blackness, the importance of diaspora for Black Studies thinking, and the transformative meaning of multi-lingual research approaches. </p><p><br></p><p>Osei's peer-reviewed work appears in <em>Palimpsest: A Journal on Women, Gender, and the Black International </em>and <em>Black Perspectives</em>, whereas her public-facing work has been featured in Anglophone and Lusophone media outlets. She holds both a PhD and Masters in History from University of Illinois-Urbana Champaign, and a BA in History and Latin American Studies from the University of Kansas. In this conversation, we discuss the relationship between the study of Blackness and Latin America, the politics and debates around notions of diaspora, and how a hemispherically expansive vision of Black Studies reorients and challenges the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Crystal Eddins - Department of Sociology, University of Pittsburgh</title>
      <itunes:episode>167</itunes:episode>
      <podcast:episode>167</podcast:episode>
      <itunes:title>Crystal Eddins - Department of Sociology, University of Pittsburgh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.sociology.pitt.edu/people/ant-28">Crystal Eddins, Associate Professor of Sociology at the University of Pittsburgh</a>. She holds a dual<br>major PhD in African American &amp; African Studies and Sociology from Michigan State University. Her areas of research and teaching include the African Diaspora, Social Movements and Revolutions, Race and Ethnicity, Women and Gender, and Atlantic World slavery. Her book, <em>Rituals, Runaways, and the Haitian Revolution</em> (2021), is an interdisciplinary case study that explores the relationship between ritual life, collective consciousness, and marronnage before the Haitian Revolution. Eddins has published other research articles in the Journal of Haitian Studies, Gender &amp; History, the Journal of World-Systems Research, and Research in Social Movements, Conflicts and Change. She is currently developing a second project tentatively titled Black Queens of the Atlantic World, exploring enslaved women’s power, reproduction, and resistance in eighteenth-century British and French Caribbean colonies.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.sociology.pitt.edu/people/ant-28">Crystal Eddins, Associate Professor of Sociology at the University of Pittsburgh</a>. She holds a dual<br>major PhD in African American &amp; African Studies and Sociology from Michigan State University. Her areas of research and teaching include the African Diaspora, Social Movements and Revolutions, Race and Ethnicity, Women and Gender, and Atlantic World slavery. Her book, <em>Rituals, Runaways, and the Haitian Revolution</em> (2021), is an interdisciplinary case study that explores the relationship between ritual life, collective consciousness, and marronnage before the Haitian Revolution. Eddins has published other research articles in the Journal of Haitian Studies, Gender &amp; History, the Journal of World-Systems Research, and Research in Social Movements, Conflicts and Change. She is currently developing a second project tentatively titled Black Queens of the Atlantic World, exploring enslaved women’s power, reproduction, and resistance in eighteenth-century British and French Caribbean colonies.</p>]]>
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      <pubDate>Mon, 08 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>2566</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.sociology.pitt.edu/people/ant-28">Crystal Eddins, Associate Professor of Sociology at the University of Pittsburgh</a>. She holds a dual<br>major PhD in African American &amp; African Studies and Sociology from Michigan State University. Her areas of research and teaching include the African Diaspora, Social Movements and Revolutions, Race and Ethnicity, Women and Gender, and Atlantic World slavery. Her book, <em>Rituals, Runaways, and the Haitian Revolution</em> (2021), is an interdisciplinary case study that explores the relationship between ritual life, collective consciousness, and marronnage before the Haitian Revolution. Eddins has published other research articles in the Journal of Haitian Studies, Gender &amp; History, the Journal of World-Systems Research, and Research in Social Movements, Conflicts and Change. She is currently developing a second project tentatively titled Black Queens of the Atlantic World, exploring enslaved women’s power, reproduction, and resistance in eighteenth-century British and French Caribbean colonies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Nick Mitchell - Department of Critical Race and Ethnic Studies, University of California, Santa Cruz</title>
      <itunes:episode>166</itunes:episode>
      <podcast:episode>166</podcast:episode>
      <itunes:title>Nick Mitchell - Department of Critical Race and Ethnic Studies, University of California, Santa Cruz</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Nick Mitchell, who teaches in the Department of Critical Race and Ethnic Studies at University of California, Santa Cruz. Her research explores the political economy of the university and its intersection with questions of austerity, race, gender, and the founding of Black Studies. In this conversation, we discuss the relationship between critical politics and institutionalization, intellectual work and the radicalization of educational space, and the future of the university in a Black Studies horizon..</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Nick Mitchell, who teaches in the Department of Critical Race and Ethnic Studies at University of California, Santa Cruz. Her research explores the political economy of the university and its intersection with questions of austerity, race, gender, and the founding of Black Studies. In this conversation, we discuss the relationship between critical politics and institutionalization, intellectual work and the radicalization of educational space, and the future of the university in a Black Studies horizon..</p>]]>
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      <pubDate>Fri, 05 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>4060</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Nick Mitchell, who teaches in the Department of Critical Race and Ethnic Studies at University of California, Santa Cruz. Her research explores the political economy of the university and its intersection with questions of austerity, race, gender, and the founding of Black Studies. In this conversation, we discuss the relationship between critical politics and institutionalization, intellectual work and the radicalization of educational space, and the future of the university in a Black Studies horizon..</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Dexter Blackman - Department of History, Geography, and Museum Studies, Morgan State University</title>
      <itunes:episode>165</itunes:episode>
      <podcast:episode>165</podcast:episode>
      <itunes:title>Dexter Blackman - Department of History, Geography, and Museum Studies, Morgan State University</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.morgan.edu/history-and-geography/faculty-and-staff/dexter-blackman">Dexter Blackman, who teaches in the Department of History, Geography, and Museum Studies at Morgan State University</a>. He researches and studies in the fields of African American, the African Diaspora, U.S. Foreign Policy and the Cold War histories, and African-American Studies. He is currently completing the book manuscript, <em>We Are Standing Up for Humanity: Black Power, the Black Athletic Experience, and the 1968 Olympic Project for Human Rights</em>.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.morgan.edu/history-and-geography/faculty-and-staff/dexter-blackman">Dexter Blackman, who teaches in the Department of History, Geography, and Museum Studies at Morgan State University</a>. He researches and studies in the fields of African American, the African Diaspora, U.S. Foreign Policy and the Cold War histories, and African-American Studies. He is currently completing the book manuscript, <em>We Are Standing Up for Humanity: Black Power, the Black Athletic Experience, and the 1968 Olympic Project for Human Rights</em>.</p>]]>
      </content:encoded>
      <pubDate>Wed, 03 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/548d1c4f/751badf6.mp3" length="134618280" type="audio/mpeg"/>
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      <itunes:duration>3365</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.morgan.edu/history-and-geography/faculty-and-staff/dexter-blackman">Dexter Blackman, who teaches in the Department of History, Geography, and Museum Studies at Morgan State University</a>. He researches and studies in the fields of African American, the African Diaspora, U.S. Foreign Policy and the Cold War histories, and African-American Studies. He is currently completing the book manuscript, <em>We Are Standing Up for Humanity: Black Power, the Black Athletic Experience, and the 1968 Olympic Project for Human Rights</em>.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Wendell H. Marsh - Department of Africana Studies, Rutgers University, Newark</title>
      <itunes:episode>164</itunes:episode>
      <podcast:episode>164</podcast:episode>
      <itunes:title>Wendell H. Marsh - Department of Africana Studies, Rutgers University, Newark</itunes:title>
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      <link>https://share.transistor.fm/s/c6cd6355</link>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Wendell Marsh, who teaches in the Department of Africana Studies at Rutgers University, Newark. His research explores the relationship between Islamic textual and cultural practice in West Africa and formations of intellectual traditions, social life, and the state. He is the author of <em>Textual Life: Islam, Africa, and the Fate of the Humanities </em>(2025). He will be taking a new position at Muhammad VI Polytechnic University in Morocco in fall of 2025. In this conversation, we discuss the importance of textual study in Black study, the place of religion and nation in Black Atlantic comparative work, and the place of religious diversity in the field of Black Studies.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Wendell Marsh, who teaches in the Department of Africana Studies at Rutgers University, Newark. His research explores the relationship between Islamic textual and cultural practice in West Africa and formations of intellectual traditions, social life, and the state. He is the author of <em>Textual Life: Islam, Africa, and the Fate of the Humanities </em>(2025). He will be taking a new position at Muhammad VI Polytechnic University in Morocco in fall of 2025. In this conversation, we discuss the importance of textual study in Black study, the place of religion and nation in Black Atlantic comparative work, and the place of religious diversity in the field of Black Studies.</p>]]>
      </content:encoded>
      <pubDate>Mon, 01 Sep 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/c6cd6355/f8841b2a.mp3" length="147359817" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3684</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Wendell Marsh, who teaches in the Department of Africana Studies at Rutgers University, Newark. His research explores the relationship between Islamic textual and cultural practice in West Africa and formations of intellectual traditions, social life, and the state. He is the author of <em>Textual Life: Islam, Africa, and the Fate of the Humanities </em>(2025). He will be taking a new position at Muhammad VI Polytechnic University in Morocco in fall of 2025. In this conversation, we discuss the importance of textual study in Black study, the place of religion and nation in Black Atlantic comparative work, and the place of religious diversity in the field of Black Studies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Keith Holmes - Writer and Researcher</title>
      <itunes:episode>163</itunes:episode>
      <podcast:episode>163</podcast:episode>
      <itunes:title>Keith Holmes - Writer and Researcher</itunes:title>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Keith Holmes, a researcher, historian and author, and founder of Global Black Inventor Research Projects. Mr. Holmes has spent over thirty years researching innovations, inventions and patents by Black innovators &amp; inventors. Researching inventors through the NY Patent Library, the Schomburg Library, Howard University’s Moorland-Spingarn Research Center among other places, Keith Holmes has picked up the baton from Henry E, Baker and has compiled a growing list of over 20,000 (1769-2025) innovations, inventions and trademarks by Black men and women from over eighty countries and five continents. He has lectured in Antigua, Barbados, California, Canada, Connecticut, Florida, Illinois, New York, New Jersey, North Carolina, Pennsylvania, Virginia and Washington, DC. Mr. Holmes has done virtual lectures in Los Angeles, Maryland, Tallahassee, Toronto and London. He is currently working on several projects about Black inventors and his book <em>Black Inventors, Crafting Over 200 Years of Success</em> is now in paperback and ebook formats.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Keith Holmes, a researcher, historian and author, and founder of Global Black Inventor Research Projects. Mr. Holmes has spent over thirty years researching innovations, inventions and patents by Black innovators &amp; inventors. Researching inventors through the NY Patent Library, the Schomburg Library, Howard University’s Moorland-Spingarn Research Center among other places, Keith Holmes has picked up the baton from Henry E, Baker and has compiled a growing list of over 20,000 (1769-2025) innovations, inventions and trademarks by Black men and women from over eighty countries and five continents. He has lectured in Antigua, Barbados, California, Canada, Connecticut, Florida, Illinois, New York, New Jersey, North Carolina, Pennsylvania, Virginia and Washington, DC. Mr. Holmes has done virtual lectures in Los Angeles, Maryland, Tallahassee, Toronto and London. He is currently working on several projects about Black inventors and his book <em>Black Inventors, Crafting Over 200 Years of Success</em> is now in paperback and ebook formats.</p>]]>
      </content:encoded>
      <pubDate>Fri, 29 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/3c2685e6/e40ca427.mp3" length="109671164" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2741</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Keith Holmes, a researcher, historian and author, and founder of Global Black Inventor Research Projects. Mr. Holmes has spent over thirty years researching innovations, inventions and patents by Black innovators &amp; inventors. Researching inventors through the NY Patent Library, the Schomburg Library, Howard University’s Moorland-Spingarn Research Center among other places, Keith Holmes has picked up the baton from Henry E, Baker and has compiled a growing list of over 20,000 (1769-2025) innovations, inventions and trademarks by Black men and women from over eighty countries and five continents. He has lectured in Antigua, Barbados, California, Canada, Connecticut, Florida, Illinois, New York, New Jersey, North Carolina, Pennsylvania, Virginia and Washington, DC. Mr. Holmes has done virtual lectures in Los Angeles, Maryland, Tallahassee, Toronto and London. He is currently working on several projects about Black inventors and his book <em>Black Inventors, Crafting Over 200 Years of Success</em> is now in paperback and ebook formats.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Katherine Ponds - Department of African American and American Studies, Yale University</title>
      <itunes:episode>162</itunes:episode>
      <podcast:episode>162</podcast:episode>
      <itunes:title>Katherine Ponds - Department of African American and American Studies, Yale University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Katherine Ponds, a late-doctoral candidate in the Department of American and African American Studies at Yale University. Her research explores the relationship between ancient Greek notions of the tragic and contemporary African American theater. In this conversation, we discuss the relationship between classics and work in Black Studies, comparative work as Black study and scholarship, and the varied resonances of “the tragic” in descriptions of Black life in an antiblack world.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Katherine Ponds, a late-doctoral candidate in the Department of American and African American Studies at Yale University. Her research explores the relationship between ancient Greek notions of the tragic and contemporary African American theater. In this conversation, we discuss the relationship between classics and work in Black Studies, comparative work as Black study and scholarship, and the varied resonances of “the tragic” in descriptions of Black life in an antiblack world.</p>]]>
      </content:encoded>
      <pubDate>Wed, 27 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/39c05602/5e083a0f.mp3" length="47535006" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/tlFE1rEY43eG2kkvYbU4zuIorYtiRcLr9WqRDl87fo0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82Mzdj/ODA1ODQ3ZTcyMmM1/N2M1OGM2NmFkZGZk/MzE5My5qcGc.jpg"/>
      <itunes:duration>2638</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Katherine Ponds, a late-doctoral candidate in the Department of American and African American Studies at Yale University. Her research explores the relationship between ancient Greek notions of the tragic and contemporary African American theater. In this conversation, we discuss the relationship between classics and work in Black Studies, comparative work as Black study and scholarship, and the varied resonances of “the tragic” in descriptions of Black life in an antiblack world.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jeanelle Hope - Department of African American Studies, Prairie View A&amp;M University</title>
      <itunes:episode>161</itunes:episode>
      <podcast:episode>161</podcast:episode>
      <itunes:title>Jeanelle Hope - Department of African American Studies, Prairie View A&amp;M University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/87045980</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jeanelle Hope, who teaches in and is Director of the program in African American Studies at Prairie View A&amp;M University. Along with a number of scholarly articles, she is co-author with Bill V. Mullen of <em>The Black Antifascist Tradition </em>(2025). In this conversation, we discuss the anti-fascist theory and practice in the Black Studies tradition, comparative racial and ethnic study, and the importance of critical theoretical work in the history and future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jeanelle Hope, who teaches in and is Director of the program in African American Studies at Prairie View A&amp;M University. Along with a number of scholarly articles, she is co-author with Bill V. Mullen of <em>The Black Antifascist Tradition </em>(2025). In this conversation, we discuss the anti-fascist theory and practice in the Black Studies tradition, comparative racial and ethnic study, and the importance of critical theoretical work in the history and future of the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 25 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/87045980/3505679a.mp3" length="130796836" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3269</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jeanelle Hope, who teaches in and is Director of the program in African American Studies at Prairie View A&amp;M University. Along with a number of scholarly articles, she is co-author with Bill V. Mullen of <em>The Black Antifascist Tradition </em>(2025). In this conversation, we discuss the anti-fascist theory and practice in the Black Studies tradition, comparative racial and ethnic study, and the importance of critical theoretical work in the history and future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Therí Pickens - Departments of English and Africana Studies, Bates College</title>
      <itunes:episode>160</itunes:episode>
      <podcast:episode>160</podcast:episode>
      <itunes:title>Therí Pickens - Departments of English and Africana Studies, Bates College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[]]>
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      <content:encoded>
        <![CDATA[]]>
      </content:encoded>
      <pubDate>Fri, 22 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/37c3dbd8/91ee9121.mp3" length="112498655" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/bLH67tjzP2mdH9gBiNtW3NMohIWJI55dNoc6c5BPAPI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mZGFj/NGIwY2M2YWIxZTUy/MTQ1NTZhNTllOGRk/NzFhOC5qcGc.jpg"/>
      <itunes:duration>2812</itunes:duration>
      <itunes:summary>
        <![CDATA[]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Amiri Mahnzili - Department of Ethnic Studies, University of California, Riverside</title>
      <itunes:episode>159</itunes:episode>
      <podcast:episode>159</podcast:episode>
      <itunes:title>Amiri Mahnzili - Department of Ethnic Studies, University of California, Riverside</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/30362c56</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Amiri Mahnzili, who teaches in the Department of Ethnic Studies at University of California, Riverside. His research and teaching interests range across pan-African concerns with history, memory, expressive life, and radical political mobilization. With Lawson Bush and Edward C. Bush, he is co-author of <a href="https://uwpbooks.com/product/sankofa-a-research-methodology-for-remembering-restoring-and-rebirthing-black-boys-and-men/"><em>Sankofa (Re)search Model: (Re)membevring, (Re)storing, and (Re)birthing Black Boys and Men</em></a><em> </em>(2025) In this conversation, we discuss the importance of pedagogy in Black Studies, radical politics, and the place of pan-African intellectual and political work for the history and future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Amiri Mahnzili, who teaches in the Department of Ethnic Studies at University of California, Riverside. His research and teaching interests range across pan-African concerns with history, memory, expressive life, and radical political mobilization. With Lawson Bush and Edward C. Bush, he is co-author of <a href="https://uwpbooks.com/product/sankofa-a-research-methodology-for-remembering-restoring-and-rebirthing-black-boys-and-men/"><em>Sankofa (Re)search Model: (Re)membevring, (Re)storing, and (Re)birthing Black Boys and Men</em></a><em> </em>(2025) In this conversation, we discuss the importance of pedagogy in Black Studies, radical politics, and the place of pan-African intellectual and political work for the history and future of the field.</p>]]>
      </content:encoded>
      <pubDate>Wed, 20 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/30362c56/7eedd831.mp3" length="126688955" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3167</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Amiri Mahnzili, who teaches in the Department of Ethnic Studies at University of California, Riverside. His research and teaching interests range across pan-African concerns with history, memory, expressive life, and radical political mobilization. With Lawson Bush and Edward C. Bush, he is co-author of <a href="https://uwpbooks.com/product/sankofa-a-research-methodology-for-remembering-restoring-and-rebirthing-black-boys-and-men/"><em>Sankofa (Re)search Model: (Re)membevring, (Re)storing, and (Re)birthing Black Boys and Men</em></a><em> </em>(2025) In this conversation, we discuss the importance of pedagogy in Black Studies, radical politics, and the place of pan-African intellectual and political work for the history and future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tiffany E. Barber - Department of Art History, University of California, Los Angeles</title>
      <itunes:episode>158</itunes:episode>
      <podcast:episode>158</podcast:episode>
      <itunes:title>Tiffany E. Barber - Department of Art History, University of California, Los Angeles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tiffany E. Barber, who teaches in the Department of Art History at University of California, Los Angeles. In addition to a number of scholarly and public facing pieces, she is the author of <a href="https://nyupress.org/9781479829279/undesirability-and-her-sisters/">Undesirability and Her Sisters: Black Women’s Visual Work and the Ethics of Representation</a> (2025). In this conversation, we discuss the place of expressive culture in Black Studies, gender, race, and art historical research, and the importance of multidisciplinary work on expressive life for the history and future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tiffany E. Barber, who teaches in the Department of Art History at University of California, Los Angeles. In addition to a number of scholarly and public facing pieces, she is the author of <a href="https://nyupress.org/9781479829279/undesirability-and-her-sisters/">Undesirability and Her Sisters: Black Women’s Visual Work and the Ethics of Representation</a> (2025). In this conversation, we discuss the place of expressive culture in Black Studies, gender, race, and art historical research, and the importance of multidisciplinary work on expressive life for the history and future of the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 18 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3489</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tiffany E. Barber, who teaches in the Department of Art History at University of California, Los Angeles. In addition to a number of scholarly and public facing pieces, she is the author of <a href="https://nyupress.org/9781479829279/undesirability-and-her-sisters/">Undesirability and Her Sisters: Black Women’s Visual Work and the Ethics of Representation</a> (2025). In this conversation, we discuss the place of expressive culture in Black Studies, gender, race, and art historical research, and the importance of multidisciplinary work on expressive life for the history and future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Seulghee Lee - Departments of English and African American Studies, University of South Carolina</title>
      <itunes:episode>157</itunes:episode>
      <podcast:episode>157</podcast:episode>
      <itunes:title>Seulghee Lee - Departments of English and African American Studies, University of South Carolina</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Seulghee Lee, who teaches in the Departments of English  and African American Studies at University of South Carolina. In addition to a number of scholarly pieces, he is the author of <em>OtherLovings: An AfroAsian American Theory of Life</em> (2025) and co-editor with Rebecca Kumar of <em>Queer and Femme Gazes in AfroAsian American Visual Culture </em>(2024). In this conversation, we discuss the relationship between literary and expressive culture in Black Studies, comparative racial and ethnic study, and the importance of critical theoretical work in the history and future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Seulghee Lee, who teaches in the Departments of English  and African American Studies at University of South Carolina. In addition to a number of scholarly pieces, he is the author of <em>OtherLovings: An AfroAsian American Theory of Life</em> (2025) and co-editor with Rebecca Kumar of <em>Queer and Femme Gazes in AfroAsian American Visual Culture </em>(2024). In this conversation, we discuss the relationship between literary and expressive culture in Black Studies, comparative racial and ethnic study, and the importance of critical theoretical work in the history and future of the field.</p>]]>
      </content:encoded>
      <pubDate>Fri, 15 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f5ff54ea/dfa353c7.mp3" length="110882312" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2771</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Seulghee Lee, who teaches in the Departments of English  and African American Studies at University of South Carolina. In addition to a number of scholarly pieces, he is the author of <em>OtherLovings: An AfroAsian American Theory of Life</em> (2025) and co-editor with Rebecca Kumar of <em>Queer and Femme Gazes in AfroAsian American Visual Culture </em>(2024). In this conversation, we discuss the relationship between literary and expressive culture in Black Studies, comparative racial and ethnic study, and the importance of critical theoretical work in the history and future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jimmy Butts - Department of History, Trinity University</title>
      <itunes:episode>156</itunes:episode>
      <podcast:episode>156</podcast:episode>
      <itunes:title>Jimmy Butts - Department of History, Trinity University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/5b3e1f23</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.trinity.edu/directory/jbutts1">Jimmy Butts</a>, who teaches in the Department of History at Trinity University in San Antonio, Texas. His research focuses on Black religion and radicalism in the 19th and 20th centuries with an emphasis on the discourses and practices that operate at the intersection of religion and violence. His current book project examines the way Malcolm X constructed a revolutionary form of religion over the course of his public life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.trinity.edu/directory/jbutts1">Jimmy Butts</a>, who teaches in the Department of History at Trinity University in San Antonio, Texas. His research focuses on Black religion and radicalism in the 19th and 20th centuries with an emphasis on the discourses and practices that operate at the intersection of religion and violence. His current book project examines the way Malcolm X constructed a revolutionary form of religion over the course of his public life.</p>]]>
      </content:encoded>
      <pubDate>Wed, 13 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/5b3e1f23/b3ebdc97.mp3" length="154237656" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3855</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.trinity.edu/directory/jbutts1">Jimmy Butts</a>, who teaches in the Department of History at Trinity University in San Antonio, Texas. His research focuses on Black religion and radicalism in the 19th and 20th centuries with an emphasis on the discourses and practices that operate at the intersection of religion and violence. His current book project examines the way Malcolm X constructed a revolutionary form of religion over the course of his public life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>J.T. Roane - Department of Geography, Rutgers University</title>
      <itunes:episode>155</itunes:episode>
      <podcast:episode>155</podcast:episode>
      <itunes:title>J.T. Roane - Department of Geography, Rutgers University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/44d6bd79</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with J.T. Roane, who teaches in the Department of Geography at Rutgers University. In addition to numerous scholarly and public facing pieces, he is the author of <em>Dark Agora: Insurgent Black Social Life and the Politics of Place, </em>published by New York University Press in 2023. In this conversation, we discuss the relationship between historical writing, research, and Black Studies sensibilities, community work and study, and the place of ecological thinking in the history and future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with J.T. Roane, who teaches in the Department of Geography at Rutgers University. In addition to numerous scholarly and public facing pieces, he is the author of <em>Dark Agora: Insurgent Black Social Life and the Politics of Place, </em>published by New York University Press in 2023. In this conversation, we discuss the relationship between historical writing, research, and Black Studies sensibilities, community work and study, and the place of ecological thinking in the history and future of the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 11 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/44d6bd79/4d9390b6.mp3" length="108725810" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2718</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with J.T. Roane, who teaches in the Department of Geography at Rutgers University. In addition to numerous scholarly and public facing pieces, he is the author of <em>Dark Agora: Insurgent Black Social Life and the Politics of Place, </em>published by New York University Press in 2023. In this conversation, we discuss the relationship between historical writing, research, and Black Studies sensibilities, community work and study, and the place of ecological thinking in the history and future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Aria Halliday - Departments of Gender and Women's Studies and African American and Africana Studies, University of Kentucky</title>
      <itunes:episode>154</itunes:episode>
      <podcast:episode>154</podcast:episode>
      <itunes:title>Aria Halliday - Departments of Gender and Women's Studies and African American and Africana Studies, University of Kentucky</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">39706784-8308-4703-a171-40d1ac83e143</guid>
      <link>https://share.transistor.fm/s/56f7a5ab</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.ariashalliday.com">Aria Halliday</a>, who teaches in the <a href="https://scholars.uky.edu/en/persons/aria-halliday">Departments of Gender and Women’s Studies and African American and Africana Studies at University of Kentucky</a><em>.</em> Along with a number of scholarly and public facing essays, she is the author of two books: <a href="https://www.amazon.com/Buy-Black-Transformed-Culture-Feminist/dp/025208635X/?_encoding=UTF8&amp;pd_rd_w=9HGyt&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=egEGa&amp;pd_rd_r=340f5bdb-c2fa-4cc2-ba7d-0f951b84bbd6&amp;ref_=aufs_ap_sc_dsk"><em>Black Girls and How We Fail Them</em></a><em> </em>(2025) and <a href="https://www.amazon.com/Buy-Black-Transformed-Culture-Feminist/dp/025208635X/?_encoding=UTF8&amp;pd_rd_w=1Y01p&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=RrpVY&amp;pd_rd_r=85c240b0-1083-438e-91b4-54642a68d78e&amp;ref_=aufs_ap_sc_dsk"><em>Buy Black: How Black Women Transformed U.S. Pop Culture</em></a><em> </em>(2022), as well as the editor of <a href="https://www.amazon.com/Black-Girlhood-Studies-Collection/dp/0889616124/?_encoding=UTF8&amp;pd_rd_w=9HGyt&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=egEGa&amp;pd_rd_r=340f5bdb-c2fa-4cc2-ba7d-0f951b84bbd6&amp;ref_=aufs_ap_sc_dsk"><em>The Black Girlhood Studies Collection</em></a><em> </em>(2019). In this conversation, we discuss the place of gender studies and historical experience in the study of Black life, the ethics and politics of the field, and how Black Studies sensibilities change the nature of research and pedagogy.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.ariashalliday.com">Aria Halliday</a>, who teaches in the <a href="https://scholars.uky.edu/en/persons/aria-halliday">Departments of Gender and Women’s Studies and African American and Africana Studies at University of Kentucky</a><em>.</em> Along with a number of scholarly and public facing essays, she is the author of two books: <a href="https://www.amazon.com/Buy-Black-Transformed-Culture-Feminist/dp/025208635X/?_encoding=UTF8&amp;pd_rd_w=9HGyt&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=egEGa&amp;pd_rd_r=340f5bdb-c2fa-4cc2-ba7d-0f951b84bbd6&amp;ref_=aufs_ap_sc_dsk"><em>Black Girls and How We Fail Them</em></a><em> </em>(2025) and <a href="https://www.amazon.com/Buy-Black-Transformed-Culture-Feminist/dp/025208635X/?_encoding=UTF8&amp;pd_rd_w=1Y01p&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=RrpVY&amp;pd_rd_r=85c240b0-1083-438e-91b4-54642a68d78e&amp;ref_=aufs_ap_sc_dsk"><em>Buy Black: How Black Women Transformed U.S. Pop Culture</em></a><em> </em>(2022), as well as the editor of <a href="https://www.amazon.com/Black-Girlhood-Studies-Collection/dp/0889616124/?_encoding=UTF8&amp;pd_rd_w=9HGyt&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=egEGa&amp;pd_rd_r=340f5bdb-c2fa-4cc2-ba7d-0f951b84bbd6&amp;ref_=aufs_ap_sc_dsk"><em>The Black Girlhood Studies Collection</em></a><em> </em>(2019). In this conversation, we discuss the place of gender studies and historical experience in the study of Black life, the ethics and politics of the field, and how Black Studies sensibilities change the nature of research and pedagogy.</p>]]>
      </content:encoded>
      <pubDate>Fri, 08 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/56f7a5ab/741caac8.mp3" length="97645463" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/TJGEddgfHur-hZduSu1ku8lJ_kmREzuj6lb2fh-UaCU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zZDYx/NmFhY2E2ZDhiOGQ0/YTU3MDU4YjY1NjA3/Mjk4ZC5qcGVn.jpg"/>
      <itunes:duration>2441</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.ariashalliday.com">Aria Halliday</a>, who teaches in the <a href="https://scholars.uky.edu/en/persons/aria-halliday">Departments of Gender and Women’s Studies and African American and Africana Studies at University of Kentucky</a><em>.</em> Along with a number of scholarly and public facing essays, she is the author of two books: <a href="https://www.amazon.com/Buy-Black-Transformed-Culture-Feminist/dp/025208635X/?_encoding=UTF8&amp;pd_rd_w=9HGyt&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=egEGa&amp;pd_rd_r=340f5bdb-c2fa-4cc2-ba7d-0f951b84bbd6&amp;ref_=aufs_ap_sc_dsk"><em>Black Girls and How We Fail Them</em></a><em> </em>(2025) and <a href="https://www.amazon.com/Buy-Black-Transformed-Culture-Feminist/dp/025208635X/?_encoding=UTF8&amp;pd_rd_w=1Y01p&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=RrpVY&amp;pd_rd_r=85c240b0-1083-438e-91b4-54642a68d78e&amp;ref_=aufs_ap_sc_dsk"><em>Buy Black: How Black Women Transformed U.S. Pop Culture</em></a><em> </em>(2022), as well as the editor of <a href="https://www.amazon.com/Black-Girlhood-Studies-Collection/dp/0889616124/?_encoding=UTF8&amp;pd_rd_w=9HGyt&amp;content-id=amzn1.sym.0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_p=0fb2cce1-1ca4-439a-844b-8ad0b1fb77f7&amp;pf_rd_r=138-7093071-6344755&amp;pd_rd_wg=egEGa&amp;pd_rd_r=340f5bdb-c2fa-4cc2-ba7d-0f951b84bbd6&amp;ref_=aufs_ap_sc_dsk"><em>The Black Girlhood Studies Collection</em></a><em> </em>(2019). In this conversation, we discuss the place of gender studies and historical experience in the study of Black life, the ethics and politics of the field, and how Black Studies sensibilities change the nature of research and pedagogy.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Wylin Wilson - Divinity School, Duke University</title>
      <itunes:episode>153</itunes:episode>
      <podcast:episode>153</podcast:episode>
      <itunes:title>Wylin Wilson - Divinity School, Duke University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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      <pubDate>Wed, 06 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>4219</itunes:duration>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Tracie Canada - Departments of Cultural Anthropology and Gender, Sexuality, and Feminist Studies, Duke University</title>
      <itunes:episode>152</itunes:episode>
      <podcast:episode>152</podcast:episode>
      <itunes:title>Tracie Canada - Departments of Cultural Anthropology and Gender, Sexuality, and Feminist Studies, Duke University</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tracie Canada, who teaches in the Departments of Cultural Anthropology and Gender, Sexuality, and Feminist Studies at Duke University. She is the founding director of the Health, Ethnography and Race through Sports Lab and is the author of <em>Tackling the Everyday: Race and Nation in Big-Time College Football</em>. In this conversation, we discuss the cultural and racial politics of sports, particularly sports in higher-ed spaces, and the place of those racial politics in Black Studies and in the study of Black life.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tracie Canada, who teaches in the Departments of Cultural Anthropology and Gender, Sexuality, and Feminist Studies at Duke University. She is the founding director of the Health, Ethnography and Race through Sports Lab and is the author of <em>Tackling the Everyday: Race and Nation in Big-Time College Football</em>. In this conversation, we discuss the cultural and racial politics of sports, particularly sports in higher-ed spaces, and the place of those racial politics in Black Studies and in the study of Black life.</p>]]>
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      <pubDate>Mon, 04 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>4044</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tracie Canada, who teaches in the Departments of Cultural Anthropology and Gender, Sexuality, and Feminist Studies at Duke University. She is the founding director of the Health, Ethnography and Race through Sports Lab and is the author of <em>Tackling the Everyday: Race and Nation in Big-Time College Football</em>. In this conversation, we discuss the cultural and racial politics of sports, particularly sports in higher-ed spaces, and the place of those racial politics in Black Studies and in the study of Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Judith Weisenfeld - Department of Religion, Princeton University</title>
      <itunes:episode>151</itunes:episode>
      <podcast:episode>151</podcast:episode>
      <itunes:title>Judith Weisenfeld - Department of Religion, Princeton University</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Judith Weisenfeld is Agate Brown and George L. Collord Professor of Religion and Chair of the Department of Religion at Princeton University. She is the author most recently of <em>New World A-Coming: Black Religion and Racial Identity during the Great Migration</em> and of the more recent <em>Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake</em>, which was published by New York University Press in April 2025.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Judith Weisenfeld is Agate Brown and George L. Collord Professor of Religion and Chair of the Department of Religion at Princeton University. She is the author most recently of <em>New World A-Coming: Black Religion and Racial Identity during the Great Migration</em> and of the more recent <em>Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake</em>, which was published by New York University Press in April 2025.</p>]]>
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      <pubDate>Fri, 01 Aug 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Judith Weisenfeld is Agate Brown and George L. Collord Professor of Religion and Chair of the Department of Religion at Princeton University. She is the author most recently of <em>New World A-Coming: Black Religion and Racial Identity during the Great Migration</em> and of the more recent <em>Black Religion in the Madhouse: Race and Psychiatry in Slavery’s Wake</em>, which was published by New York University Press in April 2025.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Patrice D. Douglass - Department of Gender and Women's Studies, University of California, Berkeley</title>
      <itunes:episode>150</itunes:episode>
      <podcast:episode>150</podcast:episode>
      <itunes:title>Patrice D. Douglass - Department of Gender and Women's Studies, University of California, Berkeley</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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      <pubDate>Wed, 30 Jul 2025 10:00:00 -0400</pubDate>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Brian Kwoba - Department of History, University of Memphis</title>
      <itunes:episode>149</itunes:episode>
      <podcast:episode>149</podcast:episode>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Brian Kwoba, who teaches in the Department of History at University of Memphis where he is also the director of African American Studies. Along with a number of scholarly articles, Brian is the author of the new book <em>Hubert Harrison: Forbidden Genius of Black Radicalism,</em> out in 2025 with University of North Carolina Press. In this conversation, we discuss the role of Black Studies sensibilities in the writing of history and the importance of the long story of Black radicalism for the study of Black life.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Brian Kwoba, who teaches in the Department of History at University of Memphis where he is also the director of African American Studies. Along with a number of scholarly articles, Brian is the author of the new book <em>Hubert Harrison: Forbidden Genius of Black Radicalism,</em> out in 2025 with University of North Carolina Press. In this conversation, we discuss the role of Black Studies sensibilities in the writing of history and the importance of the long story of Black radicalism for the study of Black life.</p>]]>
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      <pubDate>Mon, 28 Jul 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>2866</itunes:duration>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Brian Kwoba, who teaches in the Department of History at University of Memphis where he is also the director of African American Studies. Along with a number of scholarly articles, Brian is the author of the new book <em>Hubert Harrison: Forbidden Genius of Black Radicalism,</em> out in 2025 with University of North Carolina Press. In this conversation, we discuss the role of Black Studies sensibilities in the writing of history and the importance of the long story of Black radicalism for the study of Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Sheena C. Howard -  Department of Communication and Journalism, Rider University</title>
      <itunes:episode>148</itunes:episode>
      <podcast:episode>148</podcast:episode>
      <itunes:title>Sheena C. Howard -  Department of Communication and Journalism, Rider University</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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      <pubDate>Fri, 25 Jul 2025 10:00:00 -0400</pubDate>
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      <itunes:duration>2492</itunes:duration>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Khadijah Z. Ali-Coleman - Department of English, Coppin State University</title>
      <itunes:episode>147</itunes:episode>
      <podcast:episode>147</podcast:episode>
      <itunes:title>Khadijah Z. Ali-Coleman - Department of English, Coppin State University</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Khadijah Z. Ali-Coleman, who teaches in the Department of English at Coppin State University. In addition to a number of collections of poetry and edited volumes on education and race, she is poet laureate of Prince George’s County in Maryland. In this conversation, we discuss the place of education in the formation of the Black Studies imagination and the centrality of creative work for the study of Black life and liberations struggle.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Khadijah Z. Ali-Coleman, who teaches in the Department of English at Coppin State University. In addition to a number of collections of poetry and edited volumes on education and race, she is poet laureate of Prince George’s County in Maryland. In this conversation, we discuss the place of education in the formation of the Black Studies imagination and the centrality of creative work for the study of Black life and liberations struggle.</p>]]>
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      <pubDate>Wed, 23 Jul 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>3115</itunes:duration>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Khadijah Z. Ali-Coleman, who teaches in the Department of English at Coppin State University. In addition to a number of collections of poetry and edited volumes on education and race, she is poet laureate of Prince George’s County in Maryland. In this conversation, we discuss the place of education in the formation of the Black Studies imagination and the centrality of creative work for the study of Black life and liberations struggle.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Robin Bernstein - Departments of History and African and African American Studies, Harvard University</title>
      <itunes:episode>146</itunes:episode>
      <podcast:episode>146</podcast:episode>
      <itunes:title>Robin Bernstein - Departments of History and African and African American Studies, Harvard University</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
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      <pubDate>Mon, 21 Jul 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>3340</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Mari Crabtree - African American Studies and History, Emerson College</title>
      <itunes:episode>145</itunes:episode>
      <podcast:episode>145</podcast:episode>
      <itunes:title>Mari Crabtree - African American Studies and History, Emerson College</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br>Today’s conversation is with <a href="https://maricrabtree.com">Mari Crabtree</a>, Associate Professor of African American Studies and History at Emerson College in the Marlboro Institute for Liberal Arts and Interdisciplinary Studies. She is the author of <a href="https://maricrabtree.com/my-soul-is-a-witness-the-traumatic-afterlife-of-lynching/"><em>My Soul Is a Witness: The Traumatic Afterlife of Lynching</em></a><em> </em>(2022) and is currently working on two book-length projects: <em>Co-Opted: Essays on Black Studies and Ethical Praxis in the Age of Neoliberalism</em> and <em>Guile: The Pleasures and Political Utility of Subversion in the African American Cultural Tradition</em>. In this conversation, we discuss how Black Studies informs her conception of writing history, the place of politics and culture in the field, and how Black Studies sensibilities shape thinking, pedagogy, and everyday practice.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br>Today’s conversation is with <a href="https://maricrabtree.com">Mari Crabtree</a>, Associate Professor of African American Studies and History at Emerson College in the Marlboro Institute for Liberal Arts and Interdisciplinary Studies. She is the author of <a href="https://maricrabtree.com/my-soul-is-a-witness-the-traumatic-afterlife-of-lynching/"><em>My Soul Is a Witness: The Traumatic Afterlife of Lynching</em></a><em> </em>(2022) and is currently working on two book-length projects: <em>Co-Opted: Essays on Black Studies and Ethical Praxis in the Age of Neoliberalism</em> and <em>Guile: The Pleasures and Political Utility of Subversion in the African American Cultural Tradition</em>. In this conversation, we discuss how Black Studies informs her conception of writing history, the place of politics and culture in the field, and how Black Studies sensibilities shape thinking, pedagogy, and everyday practice.</p>]]>
      </content:encoded>
      <pubDate>Tue, 01 Jul 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/65504198/26503b16.mp3" length="126914057" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3172</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br>Today’s conversation is with <a href="https://maricrabtree.com">Mari Crabtree</a>, Associate Professor of African American Studies and History at Emerson College in the Marlboro Institute for Liberal Arts and Interdisciplinary Studies. She is the author of <a href="https://maricrabtree.com/my-soul-is-a-witness-the-traumatic-afterlife-of-lynching/"><em>My Soul Is a Witness: The Traumatic Afterlife of Lynching</em></a><em> </em>(2022) and is currently working on two book-length projects: <em>Co-Opted: Essays on Black Studies and Ethical Praxis in the Age of Neoliberalism</em> and <em>Guile: The Pleasures and Political Utility of Subversion in the African American Cultural Tradition</em>. In this conversation, we discuss how Black Studies informs her conception of writing history, the place of politics and culture in the field, and how Black Studies sensibilities shape thinking, pedagogy, and everyday practice.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Carleen Carey - Akoma Leadership Consulting and University of Maryland, Global Campus</title>
      <itunes:episode>144</itunes:episode>
      <podcast:episode>144</podcast:episode>
      <itunes:title>Carleen Carey - Akoma Leadership Consulting and University of Maryland, Global Campus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2a149152</link>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with  Carleen Carey, a public educator with over 15 years of experience across K-12 and higher education sectors. Before founding <a href="https://www.akomaleadershipconsulting.com/">Akoma Leadership Consulting</a>, she served as Vice President of Diversity, Equity, and Inclusion, Director of Public Outreach and Equity, College and Career Readiness Manager, and Instructor of Record for  government, non-profit, and higher education organizations. In these roles, she led a portfolio of programs including Hidden Histories, EEOC Training Corner, Women’s Leadership Lunch, and Community Coalition. In the K-12 sector, Dr. Carey led the transition to remote education for Career and Technical Education teachers through professional workshops such as <em>Race and Ability in the CTE Classroom, Tech Tune-Ups for  CTE Teachers, </em>and <em>Digital Download: Connecting Students with Careers. </em>She also taught <em>Human Diversity, Power, and Opportunity</em> in the Teacher Certification program at Michigan State University. Carey currently teaches "African American Authors from 1700-1900," "African-American Authors from 1900-present," and early American Literature at the University of Maryland Global Campus.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with  Carleen Carey, a public educator with over 15 years of experience across K-12 and higher education sectors. Before founding <a href="https://www.akomaleadershipconsulting.com/">Akoma Leadership Consulting</a>, she served as Vice President of Diversity, Equity, and Inclusion, Director of Public Outreach and Equity, College and Career Readiness Manager, and Instructor of Record for  government, non-profit, and higher education organizations. In these roles, she led a portfolio of programs including Hidden Histories, EEOC Training Corner, Women’s Leadership Lunch, and Community Coalition. In the K-12 sector, Dr. Carey led the transition to remote education for Career and Technical Education teachers through professional workshops such as <em>Race and Ability in the CTE Classroom, Tech Tune-Ups for  CTE Teachers, </em>and <em>Digital Download: Connecting Students with Careers. </em>She also taught <em>Human Diversity, Power, and Opportunity</em> in the Teacher Certification program at Michigan State University. Carey currently teaches "African American Authors from 1700-1900," "African-American Authors from 1900-present," and early American Literature at the University of Maryland Global Campus.</p>]]>
      </content:encoded>
      <pubDate>Thu, 26 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/2a149152/85ff1a9c.mp3" length="109722307" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2742</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with  Carleen Carey, a public educator with over 15 years of experience across K-12 and higher education sectors. Before founding <a href="https://www.akomaleadershipconsulting.com/">Akoma Leadership Consulting</a>, she served as Vice President of Diversity, Equity, and Inclusion, Director of Public Outreach and Equity, College and Career Readiness Manager, and Instructor of Record for  government, non-profit, and higher education organizations. In these roles, she led a portfolio of programs including Hidden Histories, EEOC Training Corner, Women’s Leadership Lunch, and Community Coalition. In the K-12 sector, Dr. Carey led the transition to remote education for Career and Technical Education teachers through professional workshops such as <em>Race and Ability in the CTE Classroom, Tech Tune-Ups for  CTE Teachers, </em>and <em>Digital Download: Connecting Students with Careers. </em>She also taught <em>Human Diversity, Power, and Opportunity</em> in the Teacher Certification program at Michigan State University. Carey currently teaches "African American Authors from 1700-1900," "African-American Authors from 1900-present," and early American Literature at the University of Maryland Global Campus.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Darius Spearman - Program in Black Studies, San Diego City College</title>
      <itunes:episode>143</itunes:episode>
      <podcast:episode>143</podcast:episode>
      <itunes:title>Darius Spearman - Program in Black Studies, San Diego City College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e81b3078</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.sdcity.edu/academics/schools-programs/behavioral-social-science/blackstudies.aspx">Darius Spearman, who teaches in the program in Black Studies at San Diego City College</a><em>.</em> He is the author of two books, <a href="https://www.amazon.com/Between-Color-Lines-California-Reconstruction/dp/1465277358/ref=sr_1_1?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-1"><em>Between the Color Lines: A History of African Americans on the California Frontier from 1769 through Reconstruction</em></a> (2015) and <a href="https://www.amazon.com/Legacy-Survival-Dynamics-Black-Family/dp/B0DWVSFFDY/ref=sr_1_2?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-2"><em>Legacy of Survival: The Dynamics of the Black Family</em></a> (2025), as well as two edited volumes under the title <em>Reclaiming Our Stories </em>(<a href="https://www.amazon.com/Reclaiming-Stories-Khalid-Paul-Alexander/dp/0578527901/ref=sr_1_5?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-5">2020</a> and <a href="https://www.amazon.com/Reclaiming-Our-Stories-Covid-Uprising/dp/0983783748/ref=sr_1_4?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-4">2021</a>). In this conversation, we discuss the place of region and historical experience in the study of Black life, the critical relationship between ethnic studies and Black Studies, and how commitment to community shifts the meaning of pedagogy and the classroom.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.sdcity.edu/academics/schools-programs/behavioral-social-science/blackstudies.aspx">Darius Spearman, who teaches in the program in Black Studies at San Diego City College</a><em>.</em> He is the author of two books, <a href="https://www.amazon.com/Between-Color-Lines-California-Reconstruction/dp/1465277358/ref=sr_1_1?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-1"><em>Between the Color Lines: A History of African Americans on the California Frontier from 1769 through Reconstruction</em></a> (2015) and <a href="https://www.amazon.com/Legacy-Survival-Dynamics-Black-Family/dp/B0DWVSFFDY/ref=sr_1_2?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-2"><em>Legacy of Survival: The Dynamics of the Black Family</em></a> (2025), as well as two edited volumes under the title <em>Reclaiming Our Stories </em>(<a href="https://www.amazon.com/Reclaiming-Stories-Khalid-Paul-Alexander/dp/0578527901/ref=sr_1_5?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-5">2020</a> and <a href="https://www.amazon.com/Reclaiming-Our-Stories-Covid-Uprising/dp/0983783748/ref=sr_1_4?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-4">2021</a>). In this conversation, we discuss the place of region and historical experience in the study of Black life, the critical relationship between ethnic studies and Black Studies, and how commitment to community shifts the meaning of pedagogy and the classroom.</p>]]>
      </content:encoded>
      <pubDate>Tue, 24 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/e81b3078/cfdf9abd.mp3" length="133758368" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/kyAtykzPZoY_3uzedLL9J1yGT4JmeJPWZ5O66ttigVI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82NTdm/ZTYwZGU5MTdkNWFk/ODQyMGNmY2ZiMWY4/OGVmYy5qcGVn.jpg"/>
      <itunes:duration>3344</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.sdcity.edu/academics/schools-programs/behavioral-social-science/blackstudies.aspx">Darius Spearman, who teaches in the program in Black Studies at San Diego City College</a><em>.</em> He is the author of two books, <a href="https://www.amazon.com/Between-Color-Lines-California-Reconstruction/dp/1465277358/ref=sr_1_1?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-1"><em>Between the Color Lines: A History of African Americans on the California Frontier from 1769 through Reconstruction</em></a> (2015) and <a href="https://www.amazon.com/Legacy-Survival-Dynamics-Black-Family/dp/B0DWVSFFDY/ref=sr_1_2?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-2"><em>Legacy of Survival: The Dynamics of the Black Family</em></a> (2025), as well as two edited volumes under the title <em>Reclaiming Our Stories </em>(<a href="https://www.amazon.com/Reclaiming-Stories-Khalid-Paul-Alexander/dp/0578527901/ref=sr_1_5?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-5">2020</a> and <a href="https://www.amazon.com/Reclaiming-Our-Stories-Covid-Uprising/dp/0983783748/ref=sr_1_4?crid=YA0FZ7VU0U9C&amp;dib=eyJ2IjoiMSJ9.w0ZwrCFI3Tdk1eF_ilrOR5I1mEsvuQJbKA1YC62vPKdROsmLCEKu9nBif4ulv3DQpL2borJD4glBUfzI01AL3w.Gdw3K2F16dHkn5dmcwL7u4kn2Xaknh9HAjLgkINdcVQ&amp;dib_tag=se&amp;keywords=darius+spearman&amp;qid=1748637409&amp;sprefix=darius+spearman%2Caps%2C57&amp;sr=8-4">2021</a>). In this conversation, we discuss the place of region and historical experience in the study of Black life, the critical relationship between ethnic studies and Black Studies, and how commitment to community shifts the meaning of pedagogy and the classroom.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Leroy F. Moore, Jr. - Krip-Hop Institute and Department of Anthropology, University of California, Los Angeles</title>
      <itunes:episode>142</itunes:episode>
      <podcast:episode>142</podcast:episode>
      <itunes:title>Leroy F. Moore, Jr. - Krip-Hop Institute and Department of Anthropology, University of California, Los Angeles</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Leroy F. Moore, Jr., founder of <a href="https://kriphopinstitute.com">The Krip-Hop Institute</a> and doctoral candidate in the Department of Anthropology at University of California, Los Angeles. Moore is an award-winning writer and political organizer, and in this conversation we discuss the nature of activist work, the place of disability in Black Studies, and the history of expressive cultural work of Black disabled artists and musicians.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Leroy F. Moore, Jr., founder of <a href="https://kriphopinstitute.com">The Krip-Hop Institute</a> and doctoral candidate in the Department of Anthropology at University of California, Los Angeles. Moore is an award-winning writer and political organizer, and in this conversation we discuss the nature of activist work, the place of disability in Black Studies, and the history of expressive cultural work of Black disabled artists and musicians.</p>]]>
      </content:encoded>
      <pubDate>Fri, 20 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2440</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Leroy F. Moore, Jr., founder of <a href="https://kriphopinstitute.com">The Krip-Hop Institute</a> and doctoral candidate in the Department of Anthropology at University of California, Los Angeles. Moore is an award-winning writer and political organizer, and in this conversation we discuss the nature of activist work, the place of disability in Black Studies, and the history of expressive cultural work of Black disabled artists and musicians.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Lee Hawkins - Author and Journalist</title>
      <itunes:episode>141</itunes:episode>
      <podcast:episode>141</podcast:episode>
      <itunes:title>Lee Hawkins - Author and Journalist</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Lee Hawkins, a journalist with <em>The Wall Street Journal</em> and author of the 2025 book <a href="https://www.harpercollins.com/products/i-am-nobodys-slave-lee-hawkins?variant=42417685856290"><em>I Am Nobody's Slave: How Uncovering My Family's History Set Me Free</em></a><em>. </em>In this conversation, we discuss the meaning of personal histories, journalistic work, and the persistence of trauma across time and generation.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Lee Hawkins, a journalist with <em>The Wall Street Journal</em> and author of the 2025 book <a href="https://www.harpercollins.com/products/i-am-nobodys-slave-lee-hawkins?variant=42417685856290"><em>I Am Nobody's Slave: How Uncovering My Family's History Set Me Free</em></a><em>. </em>In this conversation, we discuss the meaning of personal histories, journalistic work, and the persistence of trauma across time and generation.</p>]]>
      </content:encoded>
      <pubDate>Wed, 18 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f3ed3676/1001fac3.mp3" length="127564133" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3189</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Lee Hawkins, a journalist with <em>The Wall Street Journal</em> and author of the 2025 book <a href="https://www.harpercollins.com/products/i-am-nobodys-slave-lee-hawkins?variant=42417685856290"><em>I Am Nobody's Slave: How Uncovering My Family's History Set Me Free</em></a><em>. </em>In this conversation, we discuss the meaning of personal histories, journalistic work, and the persistence of trauma across time and generation.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Meredith D. Clark - Hussman School of Journalism, University of North Carolina, Chapel Hill</title>
      <itunes:episode>140</itunes:episode>
      <podcast:episode>140</podcast:episode>
      <itunes:title>Meredith D. Clark - Hussman School of Journalism, University of North Carolina, Chapel Hill</itunes:title>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.meredithdclark.com">Meredith D. Clark</a>, who teaches in the Hussman School of Journalism at University of North Carolina, Chapel Heill. Her research focuses on the intersections of race, media, and power – covering everything from media processes like newsroom hiring and reporting practices to the digital narratives constructed by social media communities. Clark has studied Black Twitter since 2010, and is currently completing a book-length study of it. TheRoot.com named her as one<a href="https://onehundred.theroot.com/facewall/the-root-100-2015/index.html#wesley_lowery"> of the most 100 influential Black Americans on their 2015 Root 100 list.</a></p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.meredithdclark.com">Meredith D. Clark</a>, who teaches in the Hussman School of Journalism at University of North Carolina, Chapel Heill. Her research focuses on the intersections of race, media, and power – covering everything from media processes like newsroom hiring and reporting practices to the digital narratives constructed by social media communities. Clark has studied Black Twitter since 2010, and is currently completing a book-length study of it. TheRoot.com named her as one<a href="https://onehundred.theroot.com/facewall/the-root-100-2015/index.html#wesley_lowery"> of the most 100 influential Black Americans on their 2015 Root 100 list.</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 16 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/43b00f03/975587e6.mp3" length="143411062" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3584</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.meredithdclark.com">Meredith D. Clark</a>, who teaches in the Hussman School of Journalism at University of North Carolina, Chapel Heill. Her research focuses on the intersections of race, media, and power – covering everything from media processes like newsroom hiring and reporting practices to the digital narratives constructed by social media communities. Clark has studied Black Twitter since 2010, and is currently completing a book-length study of it. TheRoot.com named her as one<a href="https://onehundred.theroot.com/facewall/the-root-100-2015/index.html#wesley_lowery"> of the most 100 influential Black Americans on their 2015 Root 100 list.</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Katherine McKittrick - Department of Gender Studies and Canada Research Chair in Black Studies, Queen's University</title>
      <itunes:episode>139</itunes:episode>
      <podcast:episode>139</podcast:episode>
      <itunes:title>Katherine McKittrick - Department of Gender Studies and Canada Research Chair in Black Studies, Queen's University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Katherine McKittrick, who teaches in the Department of Gender Studies and is Canada Research Chair in Black Studies at Queen’s University in Kingston, Ontario. She is the author of <em>Dear Science and Other Stories</em> (2021), and <em>Demonic Grounds: Black Women and the Cartographies of Struggle</em> (2006), as well as editing and contributing to <em>Sylvia Wynter: On Being Human as Praxis</em> (2015). Recent projects include the limited-edition boxset, <em>Trick Not Telos</em> (2023)<em>, </em>the limited-edition hand-made book,<em> Twenty Dreams </em>(2024),and an installation honoring the poet nourbeSe philip,<em> A Smile Split by the Stars</em>. She has a number of forthcoming projects including <em>Yarns</em> (2027) and the co-edited artbook, <em>Smile</em> (2026). In this conversation, we discuss how questions of gender and sexuality shift the field of Black Studies, the expansiveness of Black Studies insights in thinking diaspora and nation, and the relationship between study, conversation, and the imagination.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Katherine McKittrick, who teaches in the Department of Gender Studies and is Canada Research Chair in Black Studies at Queen’s University in Kingston, Ontario. She is the author of <em>Dear Science and Other Stories</em> (2021), and <em>Demonic Grounds: Black Women and the Cartographies of Struggle</em> (2006), as well as editing and contributing to <em>Sylvia Wynter: On Being Human as Praxis</em> (2015). Recent projects include the limited-edition boxset, <em>Trick Not Telos</em> (2023)<em>, </em>the limited-edition hand-made book,<em> Twenty Dreams </em>(2024),and an installation honoring the poet nourbeSe philip,<em> A Smile Split by the Stars</em>. She has a number of forthcoming projects including <em>Yarns</em> (2027) and the co-edited artbook, <em>Smile</em> (2026). In this conversation, we discuss how questions of gender and sexuality shift the field of Black Studies, the expansiveness of Black Studies insights in thinking diaspora and nation, and the relationship between study, conversation, and the imagination.</p>]]>
      </content:encoded>
      <pubDate>Fri, 13 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/2d85aa3b/a6eb76bd.mp3" length="147162228" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3678</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Katherine McKittrick, who teaches in the Department of Gender Studies and is Canada Research Chair in Black Studies at Queen’s University in Kingston, Ontario. She is the author of <em>Dear Science and Other Stories</em> (2021), and <em>Demonic Grounds: Black Women and the Cartographies of Struggle</em> (2006), as well as editing and contributing to <em>Sylvia Wynter: On Being Human as Praxis</em> (2015). Recent projects include the limited-edition boxset, <em>Trick Not Telos</em> (2023)<em>, </em>the limited-edition hand-made book,<em> Twenty Dreams </em>(2024),and an installation honoring the poet nourbeSe philip,<em> A Smile Split by the Stars</em>. She has a number of forthcoming projects including <em>Yarns</em> (2027) and the co-edited artbook, <em>Smile</em> (2026). In this conversation, we discuss how questions of gender and sexuality shift the field of Black Studies, the expansiveness of Black Studies insights in thinking diaspora and nation, and the relationship between study, conversation, and the imagination.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Valerie Grim - African American and African Diaspora Studies, Indiana University</title>
      <itunes:episode>138</itunes:episode>
      <podcast:episode>138</podcast:episode>
      <itunes:title>Valerie Grim - African American and African Diaspora Studies, Indiana University</itunes:title>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Valerie Grim, who teaches in the Department of African American and African Diaspora Studies at Indiana University. As a scholar, Grim researches and publishes in the area of twentieth and twenty-first centuries African American rural history. She has conducted research and provided lectures in North America, Europe, South America, Asia, Africa, and the Caribbean. Currently, she has completed <em>Between Paternalism and Self-Determination: Rural African American Life in a Yazoo-Mississippi Delta Community, 1910-1970 </em>(revision in process for publication). She has completed a book (also under revision) on the <em>Brooks Farm Community, </em>formerly known as the Brooks Farm plantation located in Sunflower and Leflore Counties in the Yazoo-Mississippi Delta. Her current book projects - <em>Between Forty Acres and a Class Action: Black Farmers’ Protest against the United States Government, 1995-2010s</em> and <em>Black Land Grant Universities and African American Rural Development, 1990 to the present - </em>focus on the needs of African Americans in rural America and efforts to help them achieve full democratic participation and engagement with federal farm and rural development policies and programs. She also is co-authoring a volume on <em>Rural Students in Higher Education</em>. Grim has edited several journal special issue volumes, including <em>Agency Reduction in the Experiences and Realities of Africana People</em> (International Journal of Africana Studies, 2018); <em>Spirit, Mind, and Body: Research and Engagement in an African American and African Diaspora Studies Graduate Course </em>(Black Diaspora Review, 2011); <em>The Experiences of Rural Women, Children, and Families of Color in U.S. and Global Communities </em>(Rural Women, Families, and Children of Color, 2009); <em>and American Rural and Farm Women </em>(Agricultural History, 1990). </p><p>In this conversation, we discuss the meaning of rural histories for thinking gender and race, how Black Studies impacts the study and writing of history, and how Black study forms classrooms, community work, and the historical imagination.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Valerie Grim, who teaches in the Department of African American and African Diaspora Studies at Indiana University. As a scholar, Grim researches and publishes in the area of twentieth and twenty-first centuries African American rural history. She has conducted research and provided lectures in North America, Europe, South America, Asia, Africa, and the Caribbean. Currently, she has completed <em>Between Paternalism and Self-Determination: Rural African American Life in a Yazoo-Mississippi Delta Community, 1910-1970 </em>(revision in process for publication). She has completed a book (also under revision) on the <em>Brooks Farm Community, </em>formerly known as the Brooks Farm plantation located in Sunflower and Leflore Counties in the Yazoo-Mississippi Delta. Her current book projects - <em>Between Forty Acres and a Class Action: Black Farmers’ Protest against the United States Government, 1995-2010s</em> and <em>Black Land Grant Universities and African American Rural Development, 1990 to the present - </em>focus on the needs of African Americans in rural America and efforts to help them achieve full democratic participation and engagement with federal farm and rural development policies and programs. She also is co-authoring a volume on <em>Rural Students in Higher Education</em>. Grim has edited several journal special issue volumes, including <em>Agency Reduction in the Experiences and Realities of Africana People</em> (International Journal of Africana Studies, 2018); <em>Spirit, Mind, and Body: Research and Engagement in an African American and African Diaspora Studies Graduate Course </em>(Black Diaspora Review, 2011); <em>The Experiences of Rural Women, Children, and Families of Color in U.S. and Global Communities </em>(Rural Women, Families, and Children of Color, 2009); <em>and American Rural and Farm Women </em>(Agricultural History, 1990). </p><p>In this conversation, we discuss the meaning of rural histories for thinking gender and race, how Black Studies impacts the study and writing of history, and how Black study forms classrooms, community work, and the historical imagination.</p>]]>
      </content:encoded>
      <pubDate>Wed, 11 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/faf6493f/9b5cdc4d.mp3" length="115998792" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2899</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Valerie Grim, who teaches in the Department of African American and African Diaspora Studies at Indiana University. As a scholar, Grim researches and publishes in the area of twentieth and twenty-first centuries African American rural history. She has conducted research and provided lectures in North America, Europe, South America, Asia, Africa, and the Caribbean. Currently, she has completed <em>Between Paternalism and Self-Determination: Rural African American Life in a Yazoo-Mississippi Delta Community, 1910-1970 </em>(revision in process for publication). She has completed a book (also under revision) on the <em>Brooks Farm Community, </em>formerly known as the Brooks Farm plantation located in Sunflower and Leflore Counties in the Yazoo-Mississippi Delta. Her current book projects - <em>Between Forty Acres and a Class Action: Black Farmers’ Protest against the United States Government, 1995-2010s</em> and <em>Black Land Grant Universities and African American Rural Development, 1990 to the present - </em>focus on the needs of African Americans in rural America and efforts to help them achieve full democratic participation and engagement with federal farm and rural development policies and programs. She also is co-authoring a volume on <em>Rural Students in Higher Education</em>. Grim has edited several journal special issue volumes, including <em>Agency Reduction in the Experiences and Realities of Africana People</em> (International Journal of Africana Studies, 2018); <em>Spirit, Mind, and Body: Research and Engagement in an African American and African Diaspora Studies Graduate Course </em>(Black Diaspora Review, 2011); <em>The Experiences of Rural Women, Children, and Families of Color in U.S. and Global Communities </em>(Rural Women, Families, and Children of Color, 2009); <em>and American Rural and Farm Women </em>(Agricultural History, 1990). </p><p>In this conversation, we discuss the meaning of rural histories for thinking gender and race, how Black Studies impacts the study and writing of history, and how Black study forms classrooms, community work, and the historical imagination.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kaila Story - Departments of Women's, Gender, and Sexuality Studies and Pan-African Studies, University of Louisville</title>
      <itunes:episode>137</itunes:episode>
      <podcast:episode>137</podcast:episode>
      <itunes:title>Kaila Story - Departments of Women's, Gender, and Sexuality Studies and Pan-African Studies, University of Louisville</itunes:title>
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      <link>https://share.transistor.fm/s/97de3b94</link>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kaila Story, who is the Audre Lorde Endowed Chair at the University of Louisville where teaches in the Departments of Women’s, Gender, and Sexuality Studies and Pan-African Studies. She is the author of <em>The Rainbow Ain't Never Been Enuf: On The Myth of LGBTQ+ Solidarity</em> (out in May 2025). She is also the co-creator, co-producer, and co-host of Louisville Public Media’s <em>Strange Fruit: Musings on Politics, Pop Culture, and Black Gay Life</em>, a popular award-winning podcast. In this conversation, we discuss how questions of gender and sexuality shift the field of Black Studies, the expansiveness of Black Studies insights, and the relationship between study, conversation, and the classroom.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kaila Story, who is the Audre Lorde Endowed Chair at the University of Louisville where teaches in the Departments of Women’s, Gender, and Sexuality Studies and Pan-African Studies. She is the author of <em>The Rainbow Ain't Never Been Enuf: On The Myth of LGBTQ+ Solidarity</em> (out in May 2025). She is also the co-creator, co-producer, and co-host of Louisville Public Media’s <em>Strange Fruit: Musings on Politics, Pop Culture, and Black Gay Life</em>, a popular award-winning podcast. In this conversation, we discuss how questions of gender and sexuality shift the field of Black Studies, the expansiveness of Black Studies insights, and the relationship between study, conversation, and the classroom.</p>]]>
      </content:encoded>
      <pubDate>Mon, 09 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/97de3b94/e8d2c41e.mp3" length="150656150" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3765</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kaila Story, who is the Audre Lorde Endowed Chair at the University of Louisville where teaches in the Departments of Women’s, Gender, and Sexuality Studies and Pan-African Studies. She is the author of <em>The Rainbow Ain't Never Been Enuf: On The Myth of LGBTQ+ Solidarity</em> (out in May 2025). She is also the co-creator, co-producer, and co-host of Louisville Public Media’s <em>Strange Fruit: Musings on Politics, Pop Culture, and Black Gay Life</em>, a popular award-winning podcast. In this conversation, we discuss how questions of gender and sexuality shift the field of Black Studies, the expansiveness of Black Studies insights, and the relationship between study, conversation, and the classroom.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Tamara J. Walker - Department of Africana Studies, Barnard College</title>
      <itunes:episode>136</itunes:episode>
      <podcast:episode>136</podcast:episode>
      <itunes:title>Tamara J. Walker - Department of Africana Studies, Barnard College</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tamara J. Walker, who teaches in the Department of Africana Studies at Barnard College. Her work explores race, travel, movement, and place in both Latin American history, which produced the book <em>Exquisite Slaves: Race Clothing and Status in Colonial Lima</em> (2017), and in stories of African American global travel in her recent book <em>Beyond the Shores: A History of African Americans Abroad </em>(2023)<em>.</em> In this conversation, we discuss the place of Latin American in the Black Studies imagination, the meaning of movement and travel for understanding Black life, and how inter- and multi-disciplinary approaches to Black life change historical writing.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tamara J. Walker, who teaches in the Department of Africana Studies at Barnard College. Her work explores race, travel, movement, and place in both Latin American history, which produced the book <em>Exquisite Slaves: Race Clothing and Status in Colonial Lima</em> (2017), and in stories of African American global travel in her recent book <em>Beyond the Shores: A History of African Americans Abroad </em>(2023)<em>.</em> In this conversation, we discuss the place of Latin American in the Black Studies imagination, the meaning of movement and travel for understanding Black life, and how inter- and multi-disciplinary approaches to Black life change historical writing.</p>]]>
      </content:encoded>
      <pubDate>Fri, 06 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/89482e0c/dd86412f.mp3" length="97637335" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2441</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Tamara J. Walker, who teaches in the Department of Africana Studies at Barnard College. Her work explores race, travel, movement, and place in both Latin American history, which produced the book <em>Exquisite Slaves: Race Clothing and Status in Colonial Lima</em> (2017), and in stories of African American global travel in her recent book <em>Beyond the Shores: A History of African Americans Abroad </em>(2023)<em>.</em> In this conversation, we discuss the place of Latin American in the Black Studies imagination, the meaning of movement and travel for understanding Black life, and how inter- and multi-disciplinary approaches to Black life change historical writing.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Taelore Marsh, Irma McClaurin Black Feminist Archives Archivist, University of Massachusetts, Amherst</title>
      <itunes:episode>135</itunes:episode>
      <podcast:episode>135</podcast:episode>
      <itunes:title>Taelore Marsh, Irma McClaurin Black Feminist Archives Archivist, University of Massachusetts, Amherst</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Taelore Marsh, Irma McClaurin Black Feminist Archives Archivist to the Robert S. Cox Special Collections and University Archives Research Center at the University of Massachusetts, Amherst. In this conversation, we discuss the significance of archival construction, Black feminist methodologies for that construction, and how a commitment to the whole person changes the memory and history structure of an archive.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Taelore Marsh, Irma McClaurin Black Feminist Archives Archivist to the Robert S. Cox Special Collections and University Archives Research Center at the University of Massachusetts, Amherst. In this conversation, we discuss the significance of archival construction, Black feminist methodologies for that construction, and how a commitment to the whole person changes the memory and history structure of an archive.</p>]]>
      </content:encoded>
      <pubDate>Wed, 04 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/daf920bb/ea8c26ff.mp3" length="106230316" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2656</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Taelore Marsh, Irma McClaurin Black Feminist Archives Archivist to the Robert S. Cox Special Collections and University Archives Research Center at the University of Massachusetts, Amherst. In this conversation, we discuss the significance of archival construction, Black feminist methodologies for that construction, and how a commitment to the whole person changes the memory and history structure of an archive.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Fanon Che Wilkins - Department of History, Pasadena City College</title>
      <itunes:episode>134</itunes:episode>
      <podcast:episode>134</podcast:episode>
      <itunes:title>Fanon Che Wilkins - Department of History, Pasadena City College</itunes:title>
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      <link>https://share.transistor.fm/s/d212b351</link>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Fanon Che Wilkins, who teaches in the Department of History at Pasadena City College in Pasadena, California. His teaching and research work focuses on the history of Black radicalism across the Atlantic world, with particular focus on pan-African thought, congresses, and mobilizations in the mid- and later-twentieth century<em>.</em> In this conversation, we discuss the importance of transnational solidarity, the complexity of radical politics in Black Studies, and the transformative work of historical research and writing for political and cultural action.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Fanon Che Wilkins, who teaches in the Department of History at Pasadena City College in Pasadena, California. His teaching and research work focuses on the history of Black radicalism across the Atlantic world, with particular focus on pan-African thought, congresses, and mobilizations in the mid- and later-twentieth century<em>.</em> In this conversation, we discuss the importance of transnational solidarity, the complexity of radical politics in Black Studies, and the transformative work of historical research and writing for political and cultural action.</p>]]>
      </content:encoded>
      <pubDate>Mon, 02 Jun 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d212b351/6091b821.mp3" length="134649125" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3365</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Fanon Che Wilkins, who teaches in the Department of History at Pasadena City College in Pasadena, California. His teaching and research work focuses on the history of Black radicalism across the Atlantic world, with particular focus on pan-African thought, congresses, and mobilizations in the mid- and later-twentieth century<em>.</em> In this conversation, we discuss the importance of transnational solidarity, the complexity of radical politics in Black Studies, and the transformative work of historical research and writing for political and cultural action.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Johanna F. Almiron - Scholar and Critic</title>
      <itunes:episode>133</itunes:episode>
      <podcast:episode>133</podcast:episode>
      <itunes:title>Johanna F. Almiron - Scholar and Critic</itunes:title>
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        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is with Johanna Faith Almiron, a longtime educator, organizer, and scholar currently based in Nyack, New York, and at the Institute for Research in African-American Studies at Columbia University. Her award-winning scholarship on the visual artist Jean-Michel Basquiat has been featured nationally and internationally at major museums and galleries,including the Guggenheim, theMuseum of Fine Arts Boston, the Nahmad Gallery, and the Queensland Gallery of Modern Art. She has penned groundbreaking cultural criticism and essays in LitHub, ArtNews, Public Seminar, LA Review of Books, Hyperallergic, Rizzoli Press with recognition from the New York Times’ Shortlist, and Vanity Fair. She has taught at Rutgers University-New Brunswick, the University of Connecticut at Storrs, Cooper Union School of the Arts, University of Wisconsin-Madison and the University of Hawai'i at Manoa.</p><p>In this conversation, we discuss the relationship between black studies and ethnic studies, the role of performance and movement in relation to identity and coalition building, and the philosophies and politics of black artists and creatives who’ve guided and influenced the political-intellectual journey of Dr. Almiron</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is with Johanna Faith Almiron, a longtime educator, organizer, and scholar currently based in Nyack, New York, and at the Institute for Research in African-American Studies at Columbia University. Her award-winning scholarship on the visual artist Jean-Michel Basquiat has been featured nationally and internationally at major museums and galleries,including the Guggenheim, theMuseum of Fine Arts Boston, the Nahmad Gallery, and the Queensland Gallery of Modern Art. She has penned groundbreaking cultural criticism and essays in LitHub, ArtNews, Public Seminar, LA Review of Books, Hyperallergic, Rizzoli Press with recognition from the New York Times’ Shortlist, and Vanity Fair. She has taught at Rutgers University-New Brunswick, the University of Connecticut at Storrs, Cooper Union School of the Arts, University of Wisconsin-Madison and the University of Hawai'i at Manoa.</p><p>In this conversation, we discuss the relationship between black studies and ethnic studies, the role of performance and movement in relation to identity and coalition building, and the philosophies and politics of black artists and creatives who’ve guided and influenced the political-intellectual journey of Dr. Almiron</p>]]>
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      <pubDate>Fri, 30 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/953b63be/aa1d9704.mp3" length="137109777" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3427</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s conversation is with Johanna Faith Almiron, a longtime educator, organizer, and scholar currently based in Nyack, New York, and at the Institute for Research in African-American Studies at Columbia University. Her award-winning scholarship on the visual artist Jean-Michel Basquiat has been featured nationally and internationally at major museums and galleries,including the Guggenheim, theMuseum of Fine Arts Boston, the Nahmad Gallery, and the Queensland Gallery of Modern Art. She has penned groundbreaking cultural criticism and essays in LitHub, ArtNews, Public Seminar, LA Review of Books, Hyperallergic, Rizzoli Press with recognition from the New York Times’ Shortlist, and Vanity Fair. She has taught at Rutgers University-New Brunswick, the University of Connecticut at Storrs, Cooper Union School of the Arts, University of Wisconsin-Madison and the University of Hawai'i at Manoa.</p><p>In this conversation, we discuss the relationship between black studies and ethnic studies, the role of performance and movement in relation to identity and coalition building, and the philosophies and politics of black artists and creatives who’ve guided and influenced the political-intellectual journey of Dr. Almiron</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Bonnie Thornton Dill - Dean Emeritus and Professor Emeritus of Women, Gender, and Sexuality Studies, University of Maryland</title>
      <itunes:episode>132</itunes:episode>
      <podcast:episode>132</podcast:episode>
      <itunes:title>Bonnie Thornton Dill - Dean Emeritus and Professor Emeritus of Women, Gender, and Sexuality Studies, University of Maryland</itunes:title>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Bonnie Thornton Dill, Dean and Professor Emeritus at University of Maryland. Shel was appointed Dean of the University of Maryland’s College of Arts and Humanities in 2011, having joined the university in 1991 as Professor and served as Chair of the Women’s Studies department for eight years. A pioneering scholar on the intersections of race, class and gender in the U.S. with an emphasis on African-American women, work and families, she is founding director of both the Center for Research on Women at the University of Memphis and the Consortium on Race, Gender, and Ethnicity at UMD. Her scholarship includes three books and numerous articles.</p><p>She is former president of the National Women’s Studies Association; former vice president of the American Sociological Association; and former chair of the Committee of Scholars for Ms. magazine.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Bonnie Thornton Dill, Dean and Professor Emeritus at University of Maryland. Shel was appointed Dean of the University of Maryland’s College of Arts and Humanities in 2011, having joined the university in 1991 as Professor and served as Chair of the Women’s Studies department for eight years. A pioneering scholar on the intersections of race, class and gender in the U.S. with an emphasis on African-American women, work and families, she is founding director of both the Center for Research on Women at the University of Memphis and the Consortium on Race, Gender, and Ethnicity at UMD. Her scholarship includes three books and numerous articles.</p><p>She is former president of the National Women’s Studies Association; former vice president of the American Sociological Association; and former chair of the Committee of Scholars for Ms. magazine.</p>]]>
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      <pubDate>Wed, 28 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3115</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Bonnie Thornton Dill, Dean and Professor Emeritus at University of Maryland. Shel was appointed Dean of the University of Maryland’s College of Arts and Humanities in 2011, having joined the university in 1991 as Professor and served as Chair of the Women’s Studies department for eight years. A pioneering scholar on the intersections of race, class and gender in the U.S. with an emphasis on African-American women, work and families, she is founding director of both the Center for Research on Women at the University of Memphis and the Consortium on Race, Gender, and Ethnicity at UMD. Her scholarship includes three books and numerous articles.</p><p>She is former president of the National Women’s Studies Association; former vice president of the American Sociological Association; and former chair of the Committee of Scholars for Ms. magazine.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Eola Lewis Dance and Jennie K. Williams - Kinfolkology Project, Howard University and University of Virginia</title>
      <itunes:episode>131</itunes:episode>
      <podcast:episode>131</podcast:episode>
      <itunes:title>Eola Lewis Dance and Jennie K. Williams - Kinfolkology Project, Howard University and University of Virginia</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/46b05449</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Eola Dance and Jennie K. Williams, co-founders and directors of <a href="https://www.kinfolkology.org/about">the Kinfolkology project</a>, which explores the complex intersection of data, memory, and descendent communities in the history of enslavement. Eola Dance is a doctoral candidate in the Department of History at Howard University and Jennie K. Williams is a postdoctoral fellow at the University of Virginia. In this conversation, we explore the meaning of data for history, how memory of the enslaved is both inside and outside data, and what obligations curators of slavery’s data have to descendent communities.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Eola Dance and Jennie K. Williams, co-founders and directors of <a href="https://www.kinfolkology.org/about">the Kinfolkology project</a>, which explores the complex intersection of data, memory, and descendent communities in the history of enslavement. Eola Dance is a doctoral candidate in the Department of History at Howard University and Jennie K. Williams is a postdoctoral fellow at the University of Virginia. In this conversation, we explore the meaning of data for history, how memory of the enslaved is both inside and outside data, and what obligations curators of slavery’s data have to descendent communities.</p>]]>
      </content:encoded>
      <pubDate>Mon, 26 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/46b05449/75106630.mp3" length="137511958" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3438</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Eola Dance and Jennie K. Williams, co-founders and directors of <a href="https://www.kinfolkology.org/about">the Kinfolkology project</a>, which explores the complex intersection of data, memory, and descendent communities in the history of enslavement. Eola Dance is a doctoral candidate in the Department of History at Howard University and Jennie K. Williams is a postdoctoral fellow at the University of Virginia. In this conversation, we explore the meaning of data for history, how memory of the enslaved is both inside and outside data, and what obligations curators of slavery’s data have to descendent communities.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>André Brock, Jr. - School of Literature, Media, and Communication, Georgia Institute of Technology</title>
      <itunes:episode>130</itunes:episode>
      <podcast:episode>130</podcast:episode>
      <itunes:title>André Brock, Jr. - School of Literature, Media, and Communication, Georgia Institute of Technology</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a9771098</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with André Brock, Jr., who teaches in the School of Literature, Media, and Communication at Georgia Institute of Technology. His scholarly work includes published articles on racial representations in videogames, Black women and weblogs, whiteness, blackness, and digital technoculture, as well as groundbreaking research on Black Twitter in his book <a href="https://nyupress.org/9781479829965/distributed-blackness/"><em>Distributed Blackness: African American Cybercultures</em></a><em> </em>(2020). His article “From the Blackhand Side: Twitter as a Cultural Conversation” challenged social science and communication research to confront the ways in which the field preserved “a color-blind perspective on online endeavors by normalizing Whiteness and othering everyone else” and sparked a conversation that continues, as Twitter, in particular, continues to evolve.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with André Brock, Jr., who teaches in the School of Literature, Media, and Communication at Georgia Institute of Technology. His scholarly work includes published articles on racial representations in videogames, Black women and weblogs, whiteness, blackness, and digital technoculture, as well as groundbreaking research on Black Twitter in his book <a href="https://nyupress.org/9781479829965/distributed-blackness/"><em>Distributed Blackness: African American Cybercultures</em></a><em> </em>(2020). His article “From the Blackhand Side: Twitter as a Cultural Conversation” challenged social science and communication research to confront the ways in which the field preserved “a color-blind perspective on online endeavors by normalizing Whiteness and othering everyone else” and sparked a conversation that continues, as Twitter, in particular, continues to evolve.</p>]]>
      </content:encoded>
      <pubDate>Fri, 23 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a9771098/2f75438c.mp3" length="186343606" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/LCa_FpyHNvhHsyM7FSdW-GNYyj1Uxw7l5EQhYCnEqrA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9hZjZk/ZGMwOWUzZjIxNjg3/ZjkxNmU4MGZkY2Iy/YWQ5Yy5wbmc.jpg"/>
      <itunes:duration>4657</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with André Brock, Jr., who teaches in the School of Literature, Media, and Communication at Georgia Institute of Technology. His scholarly work includes published articles on racial representations in videogames, Black women and weblogs, whiteness, blackness, and digital technoculture, as well as groundbreaking research on Black Twitter in his book <a href="https://nyupress.org/9781479829965/distributed-blackness/"><em>Distributed Blackness: African American Cybercultures</em></a><em> </em>(2020). His article “From the Blackhand Side: Twitter as a Cultural Conversation” challenged social science and communication research to confront the ways in which the field preserved “a color-blind perspective on online endeavors by normalizing Whiteness and othering everyone else” and sparked a conversation that continues, as Twitter, in particular, continues to evolve.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Stephanie Shonekan - Dean of Arts and Humanities, University of Maryland</title>
      <itunes:episode>129</itunes:episode>
      <podcast:episode>129</podcast:episode>
      <itunes:title>Stephanie Shonekan - Dean of Arts and Humanities, University of Maryland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/260e7449</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Stephanie Shonekan, who is Dean of the School of Arts and Humanities at University of Maryland, where she is also affiliate faculty in the Department of African American and Africana Studies. She is the author of a number of critical essays on music and the Black Studies tradition, with particular focus on the relationship between expressive culture and identity, and is the author of <a href="https://link.springer.com/book/10.1057/9781137378101"><em>Soul, Country, and the USA: Race and Identity in American Music Culture</em></a> (2015), <a href="https://www.bloomsbury.com/us/fela-anikulapokutis-sorrow-tears-and-blood-9798765113110/"><em>Fela Anikulapo-Kuti’s Sorrow Tears and Blood</em></a> (2025), and <a href="https://global.oup.com/academic/product/race-and-the-american-story-9780197767696?cc=us&amp;lang=en&amp;"><em>Race and the American Story</em></a>, co-authored with Adam Seagrave in 2024. In this conversation, we discuss the place of musicological research in the field, the importance of transnational studies, and the challenges for Black Studies in higher-ed’s contemporary cultural and political moment.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Stephanie Shonekan, who is Dean of the School of Arts and Humanities at University of Maryland, where she is also affiliate faculty in the Department of African American and Africana Studies. She is the author of a number of critical essays on music and the Black Studies tradition, with particular focus on the relationship between expressive culture and identity, and is the author of <a href="https://link.springer.com/book/10.1057/9781137378101"><em>Soul, Country, and the USA: Race and Identity in American Music Culture</em></a> (2015), <a href="https://www.bloomsbury.com/us/fela-anikulapokutis-sorrow-tears-and-blood-9798765113110/"><em>Fela Anikulapo-Kuti’s Sorrow Tears and Blood</em></a> (2025), and <a href="https://global.oup.com/academic/product/race-and-the-american-story-9780197767696?cc=us&amp;lang=en&amp;"><em>Race and the American Story</em></a>, co-authored with Adam Seagrave in 2024. In this conversation, we discuss the place of musicological research in the field, the importance of transnational studies, and the challenges for Black Studies in higher-ed’s contemporary cultural and political moment.</p>]]>
      </content:encoded>
      <pubDate>Wed, 21 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/260e7449/ddb76824.mp3" length="93928926" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/gy46u-02qZqUWcdwBMSCfZ_lnPuB52ZWhHZj_wqIRr0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mNjAx/MTZkODJlMDZiZDhh/YzE0Y2I1NDcyZTlj/NmZlMS5qcGVn.jpg"/>
      <itunes:duration>2347</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Stephanie Shonekan, who is Dean of the School of Arts and Humanities at University of Maryland, where she is also affiliate faculty in the Department of African American and Africana Studies. She is the author of a number of critical essays on music and the Black Studies tradition, with particular focus on the relationship between expressive culture and identity, and is the author of <a href="https://link.springer.com/book/10.1057/9781137378101"><em>Soul, Country, and the USA: Race and Identity in American Music Culture</em></a> (2015), <a href="https://www.bloomsbury.com/us/fela-anikulapokutis-sorrow-tears-and-blood-9798765113110/"><em>Fela Anikulapo-Kuti’s Sorrow Tears and Blood</em></a> (2025), and <a href="https://global.oup.com/academic/product/race-and-the-american-story-9780197767696?cc=us&amp;lang=en&amp;"><em>Race and the American Story</em></a>, co-authored with Adam Seagrave in 2024. In this conversation, we discuss the place of musicological research in the field, the importance of transnational studies, and the challenges for Black Studies in higher-ed’s contemporary cultural and political moment.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kojo Damptey - Musician and School of Social Work, McMaster University</title>
      <itunes:episode>128</itunes:episode>
      <podcast:episode>128</podcast:episode>
      <itunes:title>Kojo Damptey - Musician and School of Social Work, McMaster University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">b5273815-0d27-43e5-a80f-44942f02ff57</guid>
      <link>https://share.transistor.fm/s/afb4f236</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.drdecolonial.com/drdecolonial">Kojo Damptey, a musician and scholar who is completing doctoral studies in the School of Social Work at McMaster University</a>. His musical work engages with trans-Atlantic sound connections and political meaning, which draws from his academic research in Afrocentrism, indigenous African systems of knowledge, and decolonial theoretical frameworks. In this conversation, we discuss the relationship between study and musical practice, the political meaning of sound, and the significance of art for cultural and social liberation work.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.drdecolonial.com/drdecolonial">Kojo Damptey, a musician and scholar who is completing doctoral studies in the School of Social Work at McMaster University</a>. His musical work engages with trans-Atlantic sound connections and political meaning, which draws from his academic research in Afrocentrism, indigenous African systems of knowledge, and decolonial theoretical frameworks. In this conversation, we discuss the relationship between study and musical practice, the political meaning of sound, and the significance of art for cultural and social liberation work.</p>]]>
      </content:encoded>
      <pubDate>Mon, 19 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/afb4f236/c2788f16.mp3" length="102670685" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/3h5Mq38K_mwLjU2723aZjer-5kORzHhME5wI5V6NP6A/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kNGQ5/MDBjZTgxZjkxNzJh/OTQzY2Y5NjNjMTU1/NDQyNi5qcGc.jpg"/>
      <itunes:duration>2565</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.drdecolonial.com/drdecolonial">Kojo Damptey, a musician and scholar who is completing doctoral studies in the School of Social Work at McMaster University</a>. His musical work engages with trans-Atlantic sound connections and political meaning, which draws from his academic research in Afrocentrism, indigenous African systems of knowledge, and decolonial theoretical frameworks. In this conversation, we discuss the relationship between study and musical practice, the political meaning of sound, and the significance of art for cultural and social liberation work.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Corey D.B. Walker - Dean of the School of Divinity, Wake Forest University</title>
      <itunes:episode>127</itunes:episode>
      <podcast:episode>127</podcast:episode>
      <itunes:title>Corey D.B. Walker - Dean of the School of Divinity, Wake Forest University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">46ed639c-9fbe-4882-b949-9c4ce72d5cd0</guid>
      <link>https://share.transistor.fm/s/b87ab02e</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Corey D.B. Walker, who is Dean of the School of Divinity at Wake Forest University where he is also Inaugural Director of the Program in African American Studies. His work is ambitious with focus on key figures in the African American intellectual tradition, political and cultural moments of liberation struggle, and the meaning of religious traditions in Black American history<em>. </em>Along with numerous scholarly articles and edited volumes, he is the author of <a href="https://www.press.uillinois.edu/books/?id=c033650"><em>A Noble Fight: African American Freemasonry and the Struggle for Democracy in America</em></a> (2008) and is completing a book-length manuscript entitled <em>Disciple of Nonviolence: Wyatt Tee Walker and the Struggle for the Soul of Democracy</em>. At Wake Forest University, he is also the Principle Investigator for the <a href="https://environmentaljustice.wfu.edu">Environmental and Epistemic Justice Initiative</a>. In this conversation, we discuss the complex political and cultural origins of the field of Black Studies, the place of religious study in the field, and how future work in Black Studies might address existential questions of environmental degradation, racism, the future of the planet.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Corey D.B. Walker, who is Dean of the School of Divinity at Wake Forest University where he is also Inaugural Director of the Program in African American Studies. His work is ambitious with focus on key figures in the African American intellectual tradition, political and cultural moments of liberation struggle, and the meaning of religious traditions in Black American history<em>. </em>Along with numerous scholarly articles and edited volumes, he is the author of <a href="https://www.press.uillinois.edu/books/?id=c033650"><em>A Noble Fight: African American Freemasonry and the Struggle for Democracy in America</em></a> (2008) and is completing a book-length manuscript entitled <em>Disciple of Nonviolence: Wyatt Tee Walker and the Struggle for the Soul of Democracy</em>. At Wake Forest University, he is also the Principle Investigator for the <a href="https://environmentaljustice.wfu.edu">Environmental and Epistemic Justice Initiative</a>. In this conversation, we discuss the complex political and cultural origins of the field of Black Studies, the place of religious study in the field, and how future work in Black Studies might address existential questions of environmental degradation, racism, the future of the planet.</p>]]>
      </content:encoded>
      <pubDate>Fri, 16 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/b87ab02e/35cefc18.mp3" length="137584512" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/MEHko-6MVQkwihlce3OxaljTUQKUVqxndwzWLk8LBnE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xZGE5/ZjcxZTFhMjU2ZmQy/ZjlmNDI5NmM4MWE2/NzgzNi5qcGVn.jpg"/>
      <itunes:duration>3438</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Corey D.B. Walker, who is Dean of the School of Divinity at Wake Forest University where he is also Inaugural Director of the Program in African American Studies. His work is ambitious with focus on key figures in the African American intellectual tradition, political and cultural moments of liberation struggle, and the meaning of religious traditions in Black American history<em>. </em>Along with numerous scholarly articles and edited volumes, he is the author of <a href="https://www.press.uillinois.edu/books/?id=c033650"><em>A Noble Fight: African American Freemasonry and the Struggle for Democracy in America</em></a> (2008) and is completing a book-length manuscript entitled <em>Disciple of Nonviolence: Wyatt Tee Walker and the Struggle for the Soul of Democracy</em>. At Wake Forest University, he is also the Principle Investigator for the <a href="https://environmentaljustice.wfu.edu">Environmental and Epistemic Justice Initiative</a>. In this conversation, we discuss the complex political and cultural origins of the field of Black Studies, the place of religious study in the field, and how future work in Black Studies might address existential questions of environmental degradation, racism, the future of the planet.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sharon Harley - Department of African American and Africana Studies, University of Maryland</title>
      <itunes:episode>126</itunes:episode>
      <podcast:episode>126</podcast:episode>
      <itunes:title>Sharon Harley - Department of African American and Africana Studies, University of Maryland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0c1fb04f</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sharon Harley, who teaches in the Department of African American and Africana Studies at University of Maryland, College Park. Her research focuses on Black women's labor history and racial and gender politics. She and historian Rosalyn Terborg-Penn co-edited and contributed essays in the pioneer anthology, <em>The Afro-American Woman: Struggles and Images</em> (1978). She has edited and contributed to two anthologies <em>Sister Circle: Black Women and Work</em> (Rutgers, 2002) and <em>Women’s Labor in the Global Economy: Speaking in Multiple Voices </em>(Rutgers, 2008), resulting from two major Ford Foundation grants. She recently published “African American Women and the Right to Vote” in <em>Women and Suffrage</em> (2018) and "I Don't Pay Those Borders No Mind At All:” Audley E. Moore (“Queen “Mother Moore) – Grassroots Global Traveler and Activist: Reframing Black Nationalist/Pan-Africanist Engagement” in <em>Women and Migrations</em> (2018). In this conversation, we discuss her journey into Black Studies, the importance of telling Black women's history in relation to public but also underground economies, and the expansive future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sharon Harley, who teaches in the Department of African American and Africana Studies at University of Maryland, College Park. Her research focuses on Black women's labor history and racial and gender politics. She and historian Rosalyn Terborg-Penn co-edited and contributed essays in the pioneer anthology, <em>The Afro-American Woman: Struggles and Images</em> (1978). She has edited and contributed to two anthologies <em>Sister Circle: Black Women and Work</em> (Rutgers, 2002) and <em>Women’s Labor in the Global Economy: Speaking in Multiple Voices </em>(Rutgers, 2008), resulting from two major Ford Foundation grants. She recently published “African American Women and the Right to Vote” in <em>Women and Suffrage</em> (2018) and "I Don't Pay Those Borders No Mind At All:” Audley E. Moore (“Queen “Mother Moore) – Grassroots Global Traveler and Activist: Reframing Black Nationalist/Pan-Africanist Engagement” in <em>Women and Migrations</em> (2018). In this conversation, we discuss her journey into Black Studies, the importance of telling Black women's history in relation to public but also underground economies, and the expansive future of the field.</p>]]>
      </content:encoded>
      <pubDate>Wed, 14 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/0c1fb04f/456d921d.mp3" length="147507760" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3687</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sharon Harley, who teaches in the Department of African American and Africana Studies at University of Maryland, College Park. Her research focuses on Black women's labor history and racial and gender politics. She and historian Rosalyn Terborg-Penn co-edited and contributed essays in the pioneer anthology, <em>The Afro-American Woman: Struggles and Images</em> (1978). She has edited and contributed to two anthologies <em>Sister Circle: Black Women and Work</em> (Rutgers, 2002) and <em>Women’s Labor in the Global Economy: Speaking in Multiple Voices </em>(Rutgers, 2008), resulting from two major Ford Foundation grants. She recently published “African American Women and the Right to Vote” in <em>Women and Suffrage</em> (2018) and "I Don't Pay Those Borders No Mind At All:” Audley E. Moore (“Queen “Mother Moore) – Grassroots Global Traveler and Activist: Reframing Black Nationalist/Pan-Africanist Engagement” in <em>Women and Migrations</em> (2018). In this conversation, we discuss her journey into Black Studies, the importance of telling Black women's history in relation to public but also underground economies, and the expansive future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Paul Joseph López Oro - Program in Africana Studies, Bryn Mawr College</title>
      <itunes:episode>125</itunes:episode>
      <podcast:episode>125</podcast:episode>
      <itunes:title>Paul Joseph López Oro - Program in Africana Studies, Bryn Mawr College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/1cb58fab</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.brynmawr.edu/inside/people/paul-joseph-lopez-oro">Paul Joseph López Oro, who teaches in and is the director of the Program in Africana Studies at Bryn Mawr College</a><em>. </em>His work focuses on the history, identity, and complex epistemologies of Black Latinx communities and cultures, with specific attention to Garifuna histories in the hemisphere, which is the focus of his forthcoming book <em>Indigenous Blackness: The Queer Politics of Self-Making Garifuna New York</em>. In this conversation, we discuss the place of Latin America broadly and Central America in particular in the Black Studies imagination, the promise of thinking without imaginary and political borders, and the transformative work of Black queer studies in the history and future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.brynmawr.edu/inside/people/paul-joseph-lopez-oro">Paul Joseph López Oro, who teaches in and is the director of the Program in Africana Studies at Bryn Mawr College</a><em>. </em>His work focuses on the history, identity, and complex epistemologies of Black Latinx communities and cultures, with specific attention to Garifuna histories in the hemisphere, which is the focus of his forthcoming book <em>Indigenous Blackness: The Queer Politics of Self-Making Garifuna New York</em>. In this conversation, we discuss the place of Latin America broadly and Central America in particular in the Black Studies imagination, the promise of thinking without imaginary and political borders, and the transformative work of Black queer studies in the history and future of the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 12 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/1cb58fab/164a9e3a.mp3" length="161768286" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/SGipI9gJMpvDCtpWW0q67LzZCyHuWZC2yzplNFqmnEA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84ODcz/MzU0MTRlYzNlZjZm/YmQ2MmIzYzc1ZTNm/ODViYy5qcGVn.jpg"/>
      <itunes:duration>4044</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.brynmawr.edu/inside/people/paul-joseph-lopez-oro">Paul Joseph López Oro, who teaches in and is the director of the Program in Africana Studies at Bryn Mawr College</a><em>. </em>His work focuses on the history, identity, and complex epistemologies of Black Latinx communities and cultures, with specific attention to Garifuna histories in the hemisphere, which is the focus of his forthcoming book <em>Indigenous Blackness: The Queer Politics of Self-Making Garifuna New York</em>. In this conversation, we discuss the place of Latin America broadly and Central America in particular in the Black Studies imagination, the promise of thinking without imaginary and political borders, and the transformative work of Black queer studies in the history and future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tahirah Akbar-Williams - Research Librarian, University of Maryland</title>
      <itunes:episode>124</itunes:episode>
      <podcast:episode>124</podcast:episode>
      <itunes:title>Tahirah Akbar-Williams - Research Librarian, University of Maryland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f0d13669</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </content:encoded>
      <pubDate>Fri, 09 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f0d13669/ba61c4f7.mp3" length="112583678" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Nj2WWJXNHdkB_0_zjyUSMPB6zxxd9l_yqUjBP-3CnWg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mMGNl/MGY3ZGUyNWNiMGRj/ZmI5NmVkODI0Y2Ix/MWE1Ny5qcGVn.jpg"/>
      <itunes:duration>2814</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>M. Keith Claybrook - Department of Africana Studies, California State University, Long Beach</title>
      <itunes:episode>123</itunes:episode>
      <podcast:episode>123</podcast:episode>
      <itunes:title>M. Keith Claybrook - Department of Africana Studies, California State University, Long Beach</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">b5afee1f-7760-41b2-a77d-adbccc288b57</guid>
      <link>https://share.transistor.fm/s/7f3ca61e</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </content:encoded>
      <pubDate>Wed, 07 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/7f3ca61e/2a7fdd89.mp3" length="159541315" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Ly3_Sni7aUfOi8NCHLegP0Bh_2xIgpwDB8U7pjJ4s1g/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mNzBh/ZWY5OGVhYzc1Zjdi/MGUxN2Y3MTdmYzdh/YzczMC5qcGVn.jpg"/>
      <itunes:duration>3988</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Theodore R. Foster III - Department of History, University of Louisiana, Lafayette</title>
      <itunes:episode>122</itunes:episode>
      <podcast:episode>122</podcast:episode>
      <itunes:title>Theodore R. Foster III - Department of History, University of Louisiana, Lafayette</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/1eaf0eab</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://history.louisiana.edu/node/203">Theodore Foster III, who teaches in the Department of History, Geography, and Philosophy at University of Louisiana at Lafayette</a>. His research works at the intersection of history and political memory, with special attention to how we remember and reactivate the civil rights movement and other Black freedom struggles<em>.</em> In this conversation, we discuss the place of historical work for political mobilization, the complexity of blackness as an identity in the Black Studies tradition, and the importance of creating spaces of Black memory and of Black study.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://history.louisiana.edu/node/203">Theodore Foster III, who teaches in the Department of History, Geography, and Philosophy at University of Louisiana at Lafayette</a>. His research works at the intersection of history and political memory, with special attention to how we remember and reactivate the civil rights movement and other Black freedom struggles<em>.</em> In this conversation, we discuss the place of historical work for political mobilization, the complexity of blackness as an identity in the Black Studies tradition, and the importance of creating spaces of Black memory and of Black study.</p>]]>
      </content:encoded>
      <pubDate>Mon, 05 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/1eaf0eab/c3f11168.mp3" length="162446133" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/6R6TCAvhRNZJj-8vng3xDw5BFi6SyvyF6DhnmRTSJe4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82MzBj/MmM0NzJjYTM1MzY4/NTc0MDMyM2FhMmE4/NTI3OS5qcGVn.jpg"/>
      <itunes:duration>4061</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://history.louisiana.edu/node/203">Theodore Foster III, who teaches in the Department of History, Geography, and Philosophy at University of Louisiana at Lafayette</a>. His research works at the intersection of history and political memory, with special attention to how we remember and reactivate the civil rights movement and other Black freedom struggles<em>.</em> In this conversation, we discuss the place of historical work for political mobilization, the complexity of blackness as an identity in the Black Studies tradition, and the importance of creating spaces of Black memory and of Black study.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jessica A. Newby - Department of History, Johns Hopkins University</title>
      <itunes:episode>121</itunes:episode>
      <podcast:episode>121</podcast:episode>
      <itunes:title>Jessica A. Newby - Department of History, Johns Hopkins University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/bf55179b</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </content:encoded>
      <pubDate>Fri, 02 May 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/bf55179b/8073bc01.mp3" length="185104496" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Opu2nFBbAS8ciYQ8IThk4sc34mbgTf83flYhTYQWjA4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iYzk0/MDcyMDU5NzlhNGU2/NjdhODNkNjQ3OWRl/ZmFiZi5qcGVn.jpg"/>
      <itunes:duration>4627</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>M. Shadee Malaklou - Department of Women's, Gender, and Sexuality Studies and Director of The bell hooks Center, Berea College</title>
      <itunes:episode>120</itunes:episode>
      <podcast:episode>120</podcast:episode>
      <itunes:title>M. Shadee Malaklou - Department of Women's, Gender, and Sexuality Studies and Director of The bell hooks Center, Berea College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">1f48c215-aec2-4139-a40e-b6017c181fbb</guid>
      <link>https://share.transistor.fm/s/c889e2ca</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.mshadeemalaklou.com">M. Shadee Malaklou</a>, who is Chair of and teaches in the <a href="https://www.berea.edu/centers/the-bell-hooks-center/staff/dr-m-shadee-malaklou">Department of Women’s, Gender, and Sexuality Studies at Berea College where she is also Inaugural Founder and Director of The bell hooks Center</a>. Her work focuses on variations on afropessimism, from the expansiveness of its vision to important critical interventions against its nihilism<em>.</em> In this conversation, we discuss the cultural and political meaning of pessimism, the foundations of the field of Black Studies in nihilism and resistance to it, and the transformative role of gender and sexuality studies for the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.mshadeemalaklou.com">M. Shadee Malaklou</a>, who is Chair of and teaches in the <a href="https://www.berea.edu/centers/the-bell-hooks-center/staff/dr-m-shadee-malaklou">Department of Women’s, Gender, and Sexuality Studies at Berea College where she is also Inaugural Founder and Director of The bell hooks Center</a>. Her work focuses on variations on afropessimism, from the expansiveness of its vision to important critical interventions against its nihilism<em>.</em> In this conversation, we discuss the cultural and political meaning of pessimism, the foundations of the field of Black Studies in nihilism and resistance to it, and the transformative role of gender and sexuality studies for the field.</p>]]>
      </content:encoded>
      <pubDate>Wed, 30 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3064</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.mshadeemalaklou.com">M. Shadee Malaklou</a>, who is Chair of and teaches in the <a href="https://www.berea.edu/centers/the-bell-hooks-center/staff/dr-m-shadee-malaklou">Department of Women’s, Gender, and Sexuality Studies at Berea College where she is also Inaugural Founder and Director of The bell hooks Center</a>. Her work focuses on variations on afropessimism, from the expansiveness of its vision to important critical interventions against its nihilism<em>.</em> In this conversation, we discuss the cultural and political meaning of pessimism, the foundations of the field of Black Studies in nihilism and resistance to it, and the transformative role of gender and sexuality studies for the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Ula Taylor - Department of African American and African Diaspora Studies, University of California, Berkeley</title>
      <itunes:episode>119</itunes:episode>
      <podcast:episode>119</podcast:episode>
      <itunes:title>Ula Taylor - Department of African American and African Diaspora Studies, University of California, Berkeley</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/7756874c</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with <a href="https://africam.berkeley.edu/people/ula-y-taylor">Ula Taylor</a>, who teaches in the Department of African American and African Diaspora Studies at University of California, Berkeley. In addition to numerous articles in scholarly journals she is the author of <em>The Promise of Patriarchy: Women and the Nation of Islam</em>, <em>The Veiled Garvey: The Life and Times of Amy Jacques Garvey</em>, co-author with J. Tarika Lewis of <em>Panther: A Pictorial History of the Black Panther Party and The Story Behind the Film</em> and co-editor of <em>Black California Dreamin: The Crisis of California African American Communities</em>. In this conversation, we discuss the history and politics of Black Studies, the expansive significance of the field, and the meaning of generational shifts for the practice of Black study.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with <a href="https://africam.berkeley.edu/people/ula-y-taylor">Ula Taylor</a>, who teaches in the Department of African American and African Diaspora Studies at University of California, Berkeley. In addition to numerous articles in scholarly journals she is the author of <em>The Promise of Patriarchy: Women and the Nation of Islam</em>, <em>The Veiled Garvey: The Life and Times of Amy Jacques Garvey</em>, co-author with J. Tarika Lewis of <em>Panther: A Pictorial History of the Black Panther Party and The Story Behind the Film</em> and co-editor of <em>Black California Dreamin: The Crisis of California African American Communities</em>. In this conversation, we discuss the history and politics of Black Studies, the expansive significance of the field, and the meaning of generational shifts for the practice of Black study.</p>]]>
      </content:encoded>
      <pubDate>Mon, 28 Apr 2025 09:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>1655</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with <a href="https://africam.berkeley.edu/people/ula-y-taylor">Ula Taylor</a>, who teaches in the Department of African American and African Diaspora Studies at University of California, Berkeley. In addition to numerous articles in scholarly journals she is the author of <em>The Promise of Patriarchy: Women and the Nation of Islam</em>, <em>The Veiled Garvey: The Life and Times of Amy Jacques Garvey</em>, co-author with J. Tarika Lewis of <em>Panther: A Pictorial History of the Black Panther Party and The Story Behind the Film</em> and co-editor of <em>Black California Dreamin: The Crisis of California African American Communities</em>. In this conversation, we discuss the history and politics of Black Studies, the expansive significance of the field, and the meaning of generational shifts for the practice of Black study.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Matthew Simmons - Program in African American Studies, University of Alabama, Birmingham</title>
      <itunes:episode>118</itunes:episode>
      <podcast:episode>118</podcast:episode>
      <itunes:title>Matthew Simmons - Program in African American Studies, University of Alabama, Birmingham</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d068bdee</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.uab.edu/cas/africanamericanstudies/people/faculty/matthew-simmons">Matthew Simmons, who teaches in the Program in African American Studies at University of Alabama, Birmingham</a>. His work focuses on Black voting behavior, with particular attention to non-voting individuals and communities and what non-voting says about the politics of Black life<em>.</em> In this conversation, we discuss the relation of culture and politics in the Black Studies tradition, activism and pedagogy, and new horizons opened in the field around questions of gender and sexuality.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.uab.edu/cas/africanamericanstudies/people/faculty/matthew-simmons">Matthew Simmons, who teaches in the Program in African American Studies at University of Alabama, Birmingham</a>. His work focuses on Black voting behavior, with particular attention to non-voting individuals and communities and what non-voting says about the politics of Black life<em>.</em> In this conversation, we discuss the relation of culture and politics in the Black Studies tradition, activism and pedagogy, and new horizons opened in the field around questions of gender and sexuality.</p>]]>
      </content:encoded>
      <pubDate>Fri, 25 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:duration>3762</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.uab.edu/cas/africanamericanstudies/people/faculty/matthew-simmons">Matthew Simmons, who teaches in the Program in African American Studies at University of Alabama, Birmingham</a>. His work focuses on Black voting behavior, with particular attention to non-voting individuals and communities and what non-voting says about the politics of Black life<em>.</em> In this conversation, we discuss the relation of culture and politics in the Black Studies tradition, activism and pedagogy, and new horizons opened in the field around questions of gender and sexuality.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Blair LM Kelley - Department of American Studies, University of North Carolina, Chapel Hill</title>
      <itunes:episode>117</itunes:episode>
      <podcast:episode>117</podcast:episode>
      <itunes:title>Blair LM Kelley - Department of American Studies, University of North Carolina, Chapel Hill</itunes:title>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with Blair LM Kelley, who is Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina Chapel Hill and the director of the Center for the Study of the American South. In addition to a number of public facing and scholarly essays, she is the author of <em>Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson </em>and <em>Black Folk: The Roots of the Black Working Class. </em>In this conversation, we explore the relationship between personal archives and historical writing, family stories and Black study, and the new horizons of historically-grounded research in the field of Black Studies.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with Blair LM Kelley, who is Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina Chapel Hill and the director of the Center for the Study of the American South. In addition to a number of public facing and scholarly essays, she is the author of <em>Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson </em>and <em>Black Folk: The Roots of the Black Working Class. </em>In this conversation, we explore the relationship between personal archives and historical writing, family stories and Black study, and the new horizons of historically-grounded research in the field of Black Studies.</p>]]>
      </content:encoded>
      <pubDate>Wed, 23 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/3be30ed2/83ee23b5.mp3" length="111110060" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2777</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with Blair LM Kelley, who is Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina Chapel Hill and the director of the Center for the Study of the American South. In addition to a number of public facing and scholarly essays, she is the author of <em>Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson </em>and <em>Black Folk: The Roots of the Black Working Class. </em>In this conversation, we explore the relationship between personal archives and historical writing, family stories and Black study, and the new horizons of historically-grounded research in the field of Black Studies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Alexis Pauline Gumbs - Poet, Scholar, and Troublemaker, Durham, North Carolina</title>
      <itunes:episode>116</itunes:episode>
      <podcast:episode>116</podcast:episode>
      <itunes:title>Alexis Pauline Gumbs - Poet, Scholar, and Troublemaker, Durham, North Carolina</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/ab5d52a6</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with Alexis Pauline Gumbs, a scholar and poet living and working in Durham, North Carolina. In addition to a number of scholarly and popular pieces, she is the author of<em> </em><a href="https://www.dukeupress.edu/spill"><em>Spill: Scenes of Black Feminist Fugitivity</em></a>,<em> </em><a href="https://www.dukeupress.edu/m-archive"><em>M Archive</em></a><em>: After the End of the World</em>, <a href="https://www.dukeupress.edu/dub"><em>Dub: Finding Ceremony</em></a><em>, </em><a href="https://www.akpress.org/undrowned.html"><em>Undrowned: Black Feminist Lessons from Marine Mammals</em></a><em>, </em>and most recently <a href="https://us.macmillan.com/books/9780374603274/survivalisapromise/"><em>Survival is a Promise: The Eternal Life of Audre Lorde</em></a><em>. </em>Across this conversation, we explore the meaning of Black Studies for Black feminist thinking, the relation of writing and expressive life to healing, and the place of history and memory for healing in times of political and cultural crisis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with Alexis Pauline Gumbs, a scholar and poet living and working in Durham, North Carolina. In addition to a number of scholarly and popular pieces, she is the author of<em> </em><a href="https://www.dukeupress.edu/spill"><em>Spill: Scenes of Black Feminist Fugitivity</em></a>,<em> </em><a href="https://www.dukeupress.edu/m-archive"><em>M Archive</em></a><em>: After the End of the World</em>, <a href="https://www.dukeupress.edu/dub"><em>Dub: Finding Ceremony</em></a><em>, </em><a href="https://www.akpress.org/undrowned.html"><em>Undrowned: Black Feminist Lessons from Marine Mammals</em></a><em>, </em>and most recently <a href="https://us.macmillan.com/books/9780374603274/survivalisapromise/"><em>Survival is a Promise: The Eternal Life of Audre Lorde</em></a><em>. </em>Across this conversation, we explore the meaning of Black Studies for Black feminist thinking, the relation of writing and expressive life to healing, and the place of history and memory for healing in times of political and cultural crisis.</p>]]>
      </content:encoded>
      <pubDate>Mon, 21 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/ab5d52a6/9e66ff0e.mp3" length="114692047" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2866</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today’s discussion is with Alexis Pauline Gumbs, a scholar and poet living and working in Durham, North Carolina. In addition to a number of scholarly and popular pieces, she is the author of<em> </em><a href="https://www.dukeupress.edu/spill"><em>Spill: Scenes of Black Feminist Fugitivity</em></a>,<em> </em><a href="https://www.dukeupress.edu/m-archive"><em>M Archive</em></a><em>: After the End of the World</em>, <a href="https://www.dukeupress.edu/dub"><em>Dub: Finding Ceremony</em></a><em>, </em><a href="https://www.akpress.org/undrowned.html"><em>Undrowned: Black Feminist Lessons from Marine Mammals</em></a><em>, </em>and most recently <a href="https://us.macmillan.com/books/9780374603274/survivalisapromise/"><em>Survival is a Promise: The Eternal Life of Audre Lorde</em></a><em>. </em>Across this conversation, we explore the meaning of Black Studies for Black feminist thinking, the relation of writing and expressive life to healing, and the place of history and memory for healing in times of political and cultural crisis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Kelli Morgan - Founding Executive Director, Black Artists Archive</title>
      <itunes:episode>115</itunes:episode>
      <podcast:episode>115</podcast:episode>
      <itunes:title>Kelli Morgan - Founding Executive Director, Black Artists Archive</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kelli Morgan, who is Founding Executive Director of the <a href="https://www.blackartistsarchive.org">Black Artists Archive</a> in Detroit, Michigan. She earned her doctorate in Afro-American Studies at University of Massachusetts, Amherst and has worked as a curator and activist at the Indianapolis Museum of Art, The Charles H. Wright Museum of African American History, and now directs the Black Artists Archive. In this conversation, we discuss the place of art and curatorial practice in Black Studies, the role of art in building community knowledge, and the significance of curation and aesthetic work for Black liberation struggle.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kelli Morgan, who is Founding Executive Director of the <a href="https://www.blackartistsarchive.org">Black Artists Archive</a> in Detroit, Michigan. She earned her doctorate in Afro-American Studies at University of Massachusetts, Amherst and has worked as a curator and activist at the Indianapolis Museum of Art, The Charles H. Wright Museum of African American History, and now directs the Black Artists Archive. In this conversation, we discuss the place of art and curatorial practice in Black Studies, the role of art in building community knowledge, and the significance of curation and aesthetic work for Black liberation struggle.</p>]]>
      </content:encoded>
      <pubDate>Fri, 18 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a93dc423/d12833b9.mp3" length="129644855" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3240</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kelli Morgan, who is Founding Executive Director of the <a href="https://www.blackartistsarchive.org">Black Artists Archive</a> in Detroit, Michigan. She earned her doctorate in Afro-American Studies at University of Massachusetts, Amherst and has worked as a curator and activist at the Indianapolis Museum of Art, The Charles H. Wright Museum of African American History, and now directs the Black Artists Archive. In this conversation, we discuss the place of art and curatorial practice in Black Studies, the role of art in building community knowledge, and the significance of curation and aesthetic work for Black liberation struggle.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Charles Athanasopoulos - Department of African American and African Studies, Ohio State University</title>
      <itunes:episode>114</itunes:episode>
      <podcast:episode>114</podcast:episode>
      <itunes:title>Charles Athanasopoulos - Department of African American and African Studies, Ohio State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.charlesathanaso.com">Charles Athanasopoulos</a>, who teaches in the Department of African American and African Studies at Ohio State University. He is the author of a number of scholarly pieces on politics and Black cultural life, as well as the book <a href="https://link.springer.com/book/10.1007/978-3-031-66924-8"><em>Black Iconoclasm: Public Symbols, Racial Progress, and Post-Ferguson America</em></a><em>.</em> In this conversation, we discuss the role of rhetorical traditions in Black Studies, iconic figures and moments in Black history and culture, and the various expressions of blackness and Black life in the political work of liberation struggle.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.charlesathanaso.com">Charles Athanasopoulos</a>, who teaches in the Department of African American and African Studies at Ohio State University. He is the author of a number of scholarly pieces on politics and Black cultural life, as well as the book <a href="https://link.springer.com/book/10.1007/978-3-031-66924-8"><em>Black Iconoclasm: Public Symbols, Racial Progress, and Post-Ferguson America</em></a><em>.</em> In this conversation, we discuss the role of rhetorical traditions in Black Studies, iconic figures and moments in Black history and culture, and the various expressions of blackness and Black life in the political work of liberation struggle.</p>]]>
      </content:encoded>
      <pubDate>Wed, 16 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/166f5fcb/6a0deb96.mp3" length="125963229" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3148</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.charlesathanaso.com">Charles Athanasopoulos</a>, who teaches in the Department of African American and African Studies at Ohio State University. He is the author of a number of scholarly pieces on politics and Black cultural life, as well as the book <a href="https://link.springer.com/book/10.1007/978-3-031-66924-8"><em>Black Iconoclasm: Public Symbols, Racial Progress, and Post-Ferguson America</em></a><em>.</em> In this conversation, we discuss the role of rhetorical traditions in Black Studies, iconic figures and moments in Black history and culture, and the various expressions of blackness and Black life in the political work of liberation struggle.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Marisa Parham - Department of English, University of Maryland</title>
      <itunes:episode>113</itunes:episode>
      <podcast:episode>113</podcast:episode>
      <itunes:title>Marisa Parham - Department of English, University of Maryland</itunes:title>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://mp285.com">Marisa Parham</a>, who teaches in the <a href="https://english.umd.edu/directory/marisa-parham">Department of English at University of Maryland</a> where she is also <a href="https://aadhum.umd.edu">Director of African American and Experimental Digital Humanities</a> and <a href="https://mith.umd.edu">Associate Director of Maryland Institute for Technology and the Humanities</a>. Along with numerous articles in scholarly and public facing venues, she is the author of <a href="https://www.routledge.com/Haunting-and-Displacement-in-African-American-Literature-and-Culture/Parham/p/book/9780415888585?srsltid=AfmBOoqF79cnnhRl8-qqqDw9OpM1GmCx1zoXeIdLWJWsNDBRqlJgysCw"><em>Haunting and Displacement in African American Literature and Culture</em></a> and co-editor of <a href="https://rowman.com/ISBN/9781783484072/Theorizing-Glissant-Sites-and-Citations"><em>Theorizing Glissant: Sites and Citations</em></a>. In this conversation, we discuss the formation of Black Studies between and beyond disciplines, the relation between skill acquisition and expressive culture in the field, and the centrality of collaborative, experimental work in the study of Black life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://mp285.com">Marisa Parham</a>, who teaches in the <a href="https://english.umd.edu/directory/marisa-parham">Department of English at University of Maryland</a> where she is also <a href="https://aadhum.umd.edu">Director of African American and Experimental Digital Humanities</a> and <a href="https://mith.umd.edu">Associate Director of Maryland Institute for Technology and the Humanities</a>. Along with numerous articles in scholarly and public facing venues, she is the author of <a href="https://www.routledge.com/Haunting-and-Displacement-in-African-American-Literature-and-Culture/Parham/p/book/9780415888585?srsltid=AfmBOoqF79cnnhRl8-qqqDw9OpM1GmCx1zoXeIdLWJWsNDBRqlJgysCw"><em>Haunting and Displacement in African American Literature and Culture</em></a> and co-editor of <a href="https://rowman.com/ISBN/9781783484072/Theorizing-Glissant-Sites-and-Citations"><em>Theorizing Glissant: Sites and Citations</em></a>. In this conversation, we discuss the formation of Black Studies between and beyond disciplines, the relation between skill acquisition and expressive culture in the field, and the centrality of collaborative, experimental work in the study of Black life.</p>]]>
      </content:encoded>
      <pubDate>Mon, 14 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a8e8f72f/21092230.mp3" length="155687355" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/PX5WazoEv3C30kPEjAlsSd2Lz__4YiFHCS0spuFn4LI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iZTYw/ZGJjZjlmMzk0MjA2/NDRmYzQxNzFmZDI3/OWFlMi5QTkc.jpg"/>
      <itunes:duration>3891</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://mp285.com">Marisa Parham</a>, who teaches in the <a href="https://english.umd.edu/directory/marisa-parham">Department of English at University of Maryland</a> where she is also <a href="https://aadhum.umd.edu">Director of African American and Experimental Digital Humanities</a> and <a href="https://mith.umd.edu">Associate Director of Maryland Institute for Technology and the Humanities</a>. Along with numerous articles in scholarly and public facing venues, she is the author of <a href="https://www.routledge.com/Haunting-and-Displacement-in-African-American-Literature-and-Culture/Parham/p/book/9780415888585?srsltid=AfmBOoqF79cnnhRl8-qqqDw9OpM1GmCx1zoXeIdLWJWsNDBRqlJgysCw"><em>Haunting and Displacement in African American Literature and Culture</em></a> and co-editor of <a href="https://rowman.com/ISBN/9781783484072/Theorizing-Glissant-Sites-and-Citations"><em>Theorizing Glissant: Sites and Citations</em></a>. In this conversation, we discuss the formation of Black Studies between and beyond disciplines, the relation between skill acquisition and expressive culture in the field, and the centrality of collaborative, experimental work in the study of Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kesewa John - Department of History, Goldsmiths University</title>
      <itunes:episode>112</itunes:episode>
      <podcast:episode>112</podcast:episode>
      <itunes:title>Kesewa John - Department of History, Goldsmiths University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/6a2e5635</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.gold.ac.uk/history/staff/john-kesewa/">Kesewa John</a>, who teaches in the Department of History at Goldsmiths University in London, England. Her scholarship addresses the complex intersections of diasporic identity, national belonging and non-belonging, and the emergence of England as a multiracial society. In this conversation, we discuss the origins of Black British identity, the relationship between race and diaspora in the Black British imagination, and the complex meaning of Black Studies in England in terms of its relation to existing fields of African and Caribbean studies.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.gold.ac.uk/history/staff/john-kesewa/">Kesewa John</a>, who teaches in the Department of History at Goldsmiths University in London, England. Her scholarship addresses the complex intersections of diasporic identity, national belonging and non-belonging, and the emergence of England as a multiracial society. In this conversation, we discuss the origins of Black British identity, the relationship between race and diaspora in the Black British imagination, and the complex meaning of Black Studies in England in terms of its relation to existing fields of African and Caribbean studies.</p>]]>
      </content:encoded>
      <pubDate>Fri, 11 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/6a2e5635/b34a013e.mp3" length="177129456" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4427</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.gold.ac.uk/history/staff/john-kesewa/">Kesewa John</a>, who teaches in the Department of History at Goldsmiths University in London, England. Her scholarship addresses the complex intersections of diasporic identity, national belonging and non-belonging, and the emergence of England as a multiracial society. In this conversation, we discuss the origins of Black British identity, the relationship between race and diaspora in the Black British imagination, and the complex meaning of Black Studies in England in terms of its relation to existing fields of African and Caribbean studies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Serie McDougal - Department of Pan-African Studies, California State University, Los Angeles</title>
      <itunes:episode>111</itunes:episode>
      <podcast:episode>111</podcast:episode>
      <itunes:title>Serie McDougal - Department of Pan-African Studies, California State University, Los Angeles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.calstatela.edu/academic/pas/pan-african-studies-serie-mcdougal-0">Serie McDougal</a>, who teaches in the Department of Pan-African Studies at California State University, Los Angeles. He is the author of <a href="https://www.amazon.com/Research-Methods-Africana-Critical-Thinking/dp/1433124602"><em>Research Methods in Africana Studies</em></a><em>, </em>which was published in 2014. In this conversation, we discuss questions of method and discipline in Black Studies, psychological and sociological aspects of research into Black life, and the ebb and flow of the field’s popularity and visibility.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.calstatela.edu/academic/pas/pan-african-studies-serie-mcdougal-0">Serie McDougal</a>, who teaches in the Department of Pan-African Studies at California State University, Los Angeles. He is the author of <a href="https://www.amazon.com/Research-Methods-Africana-Critical-Thinking/dp/1433124602"><em>Research Methods in Africana Studies</em></a><em>, </em>which was published in 2014. In this conversation, we discuss questions of method and discipline in Black Studies, psychological and sociological aspects of research into Black life, and the ebb and flow of the field’s popularity and visibility.</p>]]>
      </content:encoded>
      <pubDate>Wed, 09 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/3e7fe4a1/cc7a6ed5.mp3" length="87677268" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2192</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.calstatela.edu/academic/pas/pan-african-studies-serie-mcdougal-0">Serie McDougal</a>, who teaches in the Department of Pan-African Studies at California State University, Los Angeles. He is the author of <a href="https://www.amazon.com/Research-Methods-Africana-Critical-Thinking/dp/1433124602"><em>Research Methods in Africana Studies</em></a><em>, </em>which was published in 2014. In this conversation, we discuss questions of method and discipline in Black Studies, psychological and sociological aspects of research into Black life, and the ebb and flow of the field’s popularity and visibility.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Marlene Daut - Departments of French and African American Studies, Yale University</title>
      <itunes:episode>110</itunes:episode>
      <podcast:episode>110</podcast:episode>
      <itunes:title>Marlene Daut - Departments of French and African American Studies, Yale University</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Marlene Daut, who teaches in the Departments of French and African American Studies at Yale University. Along with numerous articles in public and scholarly venues, she is the author of <a href="https://www.amazon.com/Tropics-Haiti-Revolution-1789-1865-International/dp/1781381852">Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World</a> (2015); <a href="https://link.springer.com/book/10.1057/978-1-137-47067-6">Baron de Vastey and the Origins of Black Atlantic Humanism</a> (2017); <a href="https://uncpress.org/book/9781469676845/awakening-the-ashes/">Awakening the Ashes: An Intellectual History of the Haitian Revolution</a> (2023); and most recently <a href="https://www.amazon.com/First-Last-King-Haiti-Christophe/dp/0593316169/ref=sr_1_1?crid=2I2KJUPR5GQOZ&amp;dib=eyJ2IjoiMSJ9.zEstBZk2L6ony4ScMAXpJpaiIyL9b6K1MM16_4T2CRZyvkBVloL0Cs0ZvgGALitnTOMGN29sew1CIJ0DCZILjmry2ur5oddP7lB-hefrz1evm6mTA1czQwhxzkNVyfBEGg1JBBU5LWv6RALC90ePjA.vLOoDEgbyKWVfwTDuptHjdI1qJbsbU6wzmteLc5kVVY&amp;dib_tag=se&amp;keywords=The%20First%20and%20last%20King%20of%20haiti&amp;qid=1713471718&amp;s=books&amp;sprefix=the%20first%20and%20last%20king%20of%20haiti%2Cstripbooks%2C93&amp;sr=1-1">The First and Last King of Haiti: The Rise and Fall of Henry Christophe</a> (2025). In this conversation, we discuss the place of Haiti in the Black Studies imagination, the creative and archival dimension of writing history, and the significance of transnational study in the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Marlene Daut, who teaches in the Departments of French and African American Studies at Yale University. Along with numerous articles in public and scholarly venues, she is the author of <a href="https://www.amazon.com/Tropics-Haiti-Revolution-1789-1865-International/dp/1781381852">Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World</a> (2015); <a href="https://link.springer.com/book/10.1057/978-1-137-47067-6">Baron de Vastey and the Origins of Black Atlantic Humanism</a> (2017); <a href="https://uncpress.org/book/9781469676845/awakening-the-ashes/">Awakening the Ashes: An Intellectual History of the Haitian Revolution</a> (2023); and most recently <a href="https://www.amazon.com/First-Last-King-Haiti-Christophe/dp/0593316169/ref=sr_1_1?crid=2I2KJUPR5GQOZ&amp;dib=eyJ2IjoiMSJ9.zEstBZk2L6ony4ScMAXpJpaiIyL9b6K1MM16_4T2CRZyvkBVloL0Cs0ZvgGALitnTOMGN29sew1CIJ0DCZILjmry2ur5oddP7lB-hefrz1evm6mTA1czQwhxzkNVyfBEGg1JBBU5LWv6RALC90ePjA.vLOoDEgbyKWVfwTDuptHjdI1qJbsbU6wzmteLc5kVVY&amp;dib_tag=se&amp;keywords=The%20First%20and%20last%20King%20of%20haiti&amp;qid=1713471718&amp;s=books&amp;sprefix=the%20first%20and%20last%20king%20of%20haiti%2Cstripbooks%2C93&amp;sr=1-1">The First and Last King of Haiti: The Rise and Fall of Henry Christophe</a> (2025). In this conversation, we discuss the place of Haiti in the Black Studies imagination, the creative and archival dimension of writing history, and the significance of transnational study in the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 07 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/c4a388c5/2c3678fc.mp3" length="122396482" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/U9Tg1UJn70pbiHlW6Sf5UM86iMkD6Q8jm2oB6ooOGnQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NzNl/YmI0OGI5ZTJhZDEz/NTk2YTMyNTJmYWY4/OWNhYi5qcGVn.jpg"/>
      <itunes:duration>3059</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Marlene Daut, who teaches in the Departments of French and African American Studies at Yale University. Along with numerous articles in public and scholarly venues, she is the author of <a href="https://www.amazon.com/Tropics-Haiti-Revolution-1789-1865-International/dp/1781381852">Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World</a> (2015); <a href="https://link.springer.com/book/10.1057/978-1-137-47067-6">Baron de Vastey and the Origins of Black Atlantic Humanism</a> (2017); <a href="https://uncpress.org/book/9781469676845/awakening-the-ashes/">Awakening the Ashes: An Intellectual History of the Haitian Revolution</a> (2023); and most recently <a href="https://www.amazon.com/First-Last-King-Haiti-Christophe/dp/0593316169/ref=sr_1_1?crid=2I2KJUPR5GQOZ&amp;dib=eyJ2IjoiMSJ9.zEstBZk2L6ony4ScMAXpJpaiIyL9b6K1MM16_4T2CRZyvkBVloL0Cs0ZvgGALitnTOMGN29sew1CIJ0DCZILjmry2ur5oddP7lB-hefrz1evm6mTA1czQwhxzkNVyfBEGg1JBBU5LWv6RALC90ePjA.vLOoDEgbyKWVfwTDuptHjdI1qJbsbU6wzmteLc5kVVY&amp;dib_tag=se&amp;keywords=The%20First%20and%20last%20King%20of%20haiti&amp;qid=1713471718&amp;s=books&amp;sprefix=the%20first%20and%20last%20king%20of%20haiti%2Cstripbooks%2C93&amp;sr=1-1">The First and Last King of Haiti: The Rise and Fall of Henry Christophe</a> (2025). In this conversation, we discuss the place of Haiti in the Black Studies imagination, the creative and archival dimension of writing history, and the significance of transnational study in the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Charlene Carruthers - Department of Black Studies, Northwestern University</title>
      <itunes:episode>109</itunes:episode>
      <podcast:episode>109</podcast:episode>
      <itunes:title>Charlene Carruthers - Department of Black Studies, Northwestern University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0d81929c</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.charlenecarruthers.com">Charlene Carruthers</a>, who is a doctoral candidate in the Department of Black Studies at Northwestern University. She is a writer, filmmaker, and community organizer who is exploring questions of race, place, neighborhood, and urban space in her doctoral work. In this conversation, we discuss the importance of geography and urban studies for Black Studies research, the racial politics of cityscapes and neighborhood configuration, and the place of study and intellectual work in Black liberation struggle.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.charlenecarruthers.com">Charlene Carruthers</a>, who is a doctoral candidate in the Department of Black Studies at Northwestern University. She is a writer, filmmaker, and community organizer who is exploring questions of race, place, neighborhood, and urban space in her doctoral work. In this conversation, we discuss the importance of geography and urban studies for Black Studies research, the racial politics of cityscapes and neighborhood configuration, and the place of study and intellectual work in Black liberation struggle.</p>]]>
      </content:encoded>
      <pubDate>Fri, 04 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/0d81929c/0f4a8e92.mp3" length="144630203" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3615</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.charlenecarruthers.com">Charlene Carruthers</a>, who is a doctoral candidate in the Department of Black Studies at Northwestern University. She is a writer, filmmaker, and community organizer who is exploring questions of race, place, neighborhood, and urban space in her doctoral work. In this conversation, we discuss the importance of geography and urban studies for Black Studies research, the racial politics of cityscapes and neighborhood configuration, and the place of study and intellectual work in Black liberation struggle.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Michele Reid-Vazquez - Department of Latin American, Caribbean, and Latinx Studies, Bowdoin College</title>
      <itunes:episode>108</itunes:episode>
      <podcast:episode>108</podcast:episode>
      <itunes:title>Michele Reid-Vazquez - Department of Latin American, Caribbean, and Latinx Studies, Bowdoin College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/8c7796c1</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Michele Reid-Vazquez, who teaches in the Department of Africana Studies at Bowdoin College. Along with numerous scholarly articles, she is the author of <em>The Year of the Lash: Free People of Color in Cuba and the Nineteenth-Century Atlantic World </em>and is completing a manuscript tentatively entitled <em>Black Mobilities in the Age of Revolution: Politics, Migration, and Freedom in the Caribbean</em>. She is also the host of the podcast <em>Dialogues in Afrolatinidad, </em>a series exploring the history and culture of black Latin America. In this conversation, we discuss the place of the hispanophone world in thinking the African diaspora, the varied notions and experiences of blackness that comprise Black Studies, and the complex relation between archival sources and the storytelling elements of writing history.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Michele Reid-Vazquez, who teaches in the Department of Africana Studies at Bowdoin College. Along with numerous scholarly articles, she is the author of <em>The Year of the Lash: Free People of Color in Cuba and the Nineteenth-Century Atlantic World </em>and is completing a manuscript tentatively entitled <em>Black Mobilities in the Age of Revolution: Politics, Migration, and Freedom in the Caribbean</em>. She is also the host of the podcast <em>Dialogues in Afrolatinidad, </em>a series exploring the history and culture of black Latin America. In this conversation, we discuss the place of the hispanophone world in thinking the African diaspora, the varied notions and experiences of blackness that comprise Black Studies, and the complex relation between archival sources and the storytelling elements of writing history.</p>]]>
      </content:encoded>
      <pubDate>Wed, 02 Apr 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/8c7796c1/b5ede127.mp3" length="132335340" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3308</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Michele Reid-Vazquez, who teaches in the Department of Africana Studies at Bowdoin College. Along with numerous scholarly articles, she is the author of <em>The Year of the Lash: Free People of Color in Cuba and the Nineteenth-Century Atlantic World </em>and is completing a manuscript tentatively entitled <em>Black Mobilities in the Age of Revolution: Politics, Migration, and Freedom in the Caribbean</em>. She is also the host of the podcast <em>Dialogues in Afrolatinidad, </em>a series exploring the history and culture of black Latin America. In this conversation, we discuss the place of the hispanophone world in thinking the African diaspora, the varied notions and experiences of blackness that comprise Black Studies, and the complex relation between archival sources and the storytelling elements of writing history.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Courtney R. Baker - Department of English, University of California, Riverside</title>
      <itunes:episode>107</itunes:episode>
      <podcast:episode>107</podcast:episode>
      <itunes:title>Courtney R. Baker - Department of English, University of California, Riverside</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Courtney Baker, who teaches in the Department of English at University of California, Riverside. Along with numerous articles in public and scholarly venues on art and the aesthetic, she is the author of <a href="https://www.press.uillinois.edu/books/catalog/68xry7ts9780252039485.html">Humane Insight: Looking at Images of African-American Suffering and Death</a> (2015). In a previous position, she was the co-founder and Chair of the Department of Black Studies at Occidental College. In this conversation, we discuss the place of art and aesthetic inquiry in Black Studies, the role of tradition in building knowledge in Black study, and the significance of the field for Black liberation struggle.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Courtney Baker, who teaches in the Department of English at University of California, Riverside. Along with numerous articles in public and scholarly venues on art and the aesthetic, she is the author of <a href="https://www.press.uillinois.edu/books/catalog/68xry7ts9780252039485.html">Humane Insight: Looking at Images of African-American Suffering and Death</a> (2015). In a previous position, she was the co-founder and Chair of the Department of Black Studies at Occidental College. In this conversation, we discuss the place of art and aesthetic inquiry in Black Studies, the role of tradition in building knowledge in Black study, and the significance of the field for Black liberation struggle.</p>]]>
      </content:encoded>
      <pubDate>Mon, 31 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f2c5f3d5/b1077bb5.mp3" length="139624403" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3489</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Courtney Baker, who teaches in the Department of English at University of California, Riverside. Along with numerous articles in public and scholarly venues on art and the aesthetic, she is the author of <a href="https://www.press.uillinois.edu/books/catalog/68xry7ts9780252039485.html">Humane Insight: Looking at Images of African-American Suffering and Death</a> (2015). In a previous position, she was the co-founder and Chair of the Department of Black Studies at Occidental College. In this conversation, we discuss the place of art and aesthetic inquiry in Black Studies, the role of tradition in building knowledge in Black study, and the significance of the field for Black liberation struggle.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Alexander Weheliye - Department of Modern Culture and Media, Brown University</title>
      <itunes:episode>106</itunes:episode>
      <podcast:episode>106</podcast:episode>
      <itunes:title>Alexander Weheliye - Department of Modern Culture and Media, Brown University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a222441d</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Alexander Weheliye, who teaches in the Department of Modern Culture and Media at Brown University. He is the author of numerous articles and three critical books: <em>Phonographies: Grooves in Sonic Afro-Modernity</em> (2005), <em>Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human</em> (2014), and <em>Feenin: R&amp;B Music and the Materiality of BlackFem Voices and Technology</em> (2023). In this conversation, we explore the boundaries Black Studies research, the expansiveness of its archive, and the place of cultural and political responsibility inside and outside classroom and campus work.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Alexander Weheliye, who teaches in the Department of Modern Culture and Media at Brown University. He is the author of numerous articles and three critical books: <em>Phonographies: Grooves in Sonic Afro-Modernity</em> (2005), <em>Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human</em> (2014), and <em>Feenin: R&amp;B Music and the Materiality of BlackFem Voices and Technology</em> (2023). In this conversation, we explore the boundaries Black Studies research, the expansiveness of its archive, and the place of cultural and political responsibility inside and outside classroom and campus work.</p>]]>
      </content:encoded>
      <pubDate>Fri, 28 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a222441d/2cf74059.mp3" length="107468483" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/O3Ugu-T_FrlAs_TGtI2HXHaKCBvrfkFfMiBB4Xo7EUE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jZDFl/OWJlNDY1YTEzY2I4/MDcyZjM2ZmVjNWMw/MGJjZi5qcGVn.jpg"/>
      <itunes:duration>2686</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Alexander Weheliye, who teaches in the Department of Modern Culture and Media at Brown University. He is the author of numerous articles and three critical books: <em>Phonographies: Grooves in Sonic Afro-Modernity</em> (2005), <em>Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human</em> (2014), and <em>Feenin: R&amp;B Music and the Materiality of BlackFem Voices and Technology</em> (2023). In this conversation, we explore the boundaries Black Studies research, the expansiveness of its archive, and the place of cultural and political responsibility inside and outside classroom and campus work.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>LaTaSha Levy - Department of Afro-American Studies, Howard University</title>
      <itunes:episode>105</itunes:episode>
      <podcast:episode>105</podcast:episode>
      <itunes:title>LaTaSha Levy - Department of Afro-American Studies, Howard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/7298f6e0</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with La TaSha Levy, who teaches in the Department of Africana Studies at Howard University. Her research focuses on the fraught place of Black conservatism in the history of African American political life and dissent. She is also the founder of Black Star Rising, a Black Studies curricula and consulting enterprise focused on expanding access to Black Studies beyond the ivory tower. She provides professional development training and Black history curricula for schools and school districts and collaborates with dedicated teachers on K-12 instruction in Black Studies and Ethnic Studies. Since 2022, she has served as scholar-in-residence with A Long Talk About the Uncomfortable Truth, an antiracist activation experience. Prior to graduate study, La TaSha taught Humanities at Maya Angelou Public Charter High School in D.C., which was co-founded by James Forman, Jr. She also has experience working in Student Affairs, having served as the director of the Luther P. Jackson Black Cultural Center at the University of Virginia. </p><p><br></p><p>In this conversation, we discuss the singular contributions of the field of Black Studies, its internal debates and conflicts, and how Black Studies remains a centerpiece for understanding liberation struggle in a time of deep political crisis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with La TaSha Levy, who teaches in the Department of Africana Studies at Howard University. Her research focuses on the fraught place of Black conservatism in the history of African American political life and dissent. She is also the founder of Black Star Rising, a Black Studies curricula and consulting enterprise focused on expanding access to Black Studies beyond the ivory tower. She provides professional development training and Black history curricula for schools and school districts and collaborates with dedicated teachers on K-12 instruction in Black Studies and Ethnic Studies. Since 2022, she has served as scholar-in-residence with A Long Talk About the Uncomfortable Truth, an antiracist activation experience. Prior to graduate study, La TaSha taught Humanities at Maya Angelou Public Charter High School in D.C., which was co-founded by James Forman, Jr. She also has experience working in Student Affairs, having served as the director of the Luther P. Jackson Black Cultural Center at the University of Virginia. </p><p><br></p><p>In this conversation, we discuss the singular contributions of the field of Black Studies, its internal debates and conflicts, and how Black Studies remains a centerpiece for understanding liberation struggle in a time of deep political crisis.</p>]]>
      </content:encoded>
      <pubDate>Wed, 26 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/7298f6e0/066e0969.mp3" length="163950006" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4098</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with La TaSha Levy, who teaches in the Department of Africana Studies at Howard University. Her research focuses on the fraught place of Black conservatism in the history of African American political life and dissent. She is also the founder of Black Star Rising, a Black Studies curricula and consulting enterprise focused on expanding access to Black Studies beyond the ivory tower. She provides professional development training and Black history curricula for schools and school districts and collaborates with dedicated teachers on K-12 instruction in Black Studies and Ethnic Studies. Since 2022, she has served as scholar-in-residence with A Long Talk About the Uncomfortable Truth, an antiracist activation experience. Prior to graduate study, La TaSha taught Humanities at Maya Angelou Public Charter High School in D.C., which was co-founded by James Forman, Jr. She also has experience working in Student Affairs, having served as the director of the Luther P. Jackson Black Cultural Center at the University of Virginia. </p><p><br></p><p>In this conversation, we discuss the singular contributions of the field of Black Studies, its internal debates and conflicts, and how Black Studies remains a centerpiece for understanding liberation struggle in a time of deep political crisis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Stacie McCormick - Department of English, Texas Christian University</title>
      <itunes:episode>104</itunes:episode>
      <podcast:episode>104</podcast:episode>
      <itunes:title>Stacie McCormick - Department of English, Texas Christian University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Stacie McCormick, who teaches in the Department of English, Comparative Race and Ethnic Studies, and Women and Gender Studies at Texas Christian University. Her research examines representations of the body, land, sexuality, and the ongoing resonance of slavery in contemporary Black writing and performance and she is the author of <a href="https://ohiostatepress.org/books/titles/9780814214053.html"><em>Staging Black Fugitivity</em></a><em> </em>and editor of a special issue of <a href="https://muse.jhu.edu/issue/43045/print"><em>College Literature </em>on the them of "Toni Morrison and Adaptation."</a> In this conversation, we discuss gender, race, and the history of medicine, how issues arising from that intersection open important horizons in the field of Black Studies, and the persistence and insistent character of Black Studies as an area of study.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Stacie McCormick, who teaches in the Department of English, Comparative Race and Ethnic Studies, and Women and Gender Studies at Texas Christian University. Her research examines representations of the body, land, sexuality, and the ongoing resonance of slavery in contemporary Black writing and performance and she is the author of <a href="https://ohiostatepress.org/books/titles/9780814214053.html"><em>Staging Black Fugitivity</em></a><em> </em>and editor of a special issue of <a href="https://muse.jhu.edu/issue/43045/print"><em>College Literature </em>on the them of "Toni Morrison and Adaptation."</a> In this conversation, we discuss gender, race, and the history of medicine, how issues arising from that intersection open important horizons in the field of Black Studies, and the persistence and insistent character of Black Studies as an area of study.</p>]]>
      </content:encoded>
      <pubDate>Mon, 24 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/87642fe5/e7d4f68d.mp3" length="109263295" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/caVimdp95A7iiy3RnIhXBtPW_zNXjXompNcSzXOrwcA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NDgw/YTM1OTU0YTViYmI3/YjAyNzlhNjY1Y2Rh/ZmMzMi5qcGc.jpg"/>
      <itunes:duration>2731</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Stacie McCormick, who teaches in the Department of English, Comparative Race and Ethnic Studies, and Women and Gender Studies at Texas Christian University. Her research examines representations of the body, land, sexuality, and the ongoing resonance of slavery in contemporary Black writing and performance and she is the author of <a href="https://ohiostatepress.org/books/titles/9780814214053.html"><em>Staging Black Fugitivity</em></a><em> </em>and editor of a special issue of <a href="https://muse.jhu.edu/issue/43045/print"><em>College Literature </em>on the them of "Toni Morrison and Adaptation."</a> In this conversation, we discuss gender, race, and the history of medicine, how issues arising from that intersection open important horizons in the field of Black Studies, and the persistence and insistent character of Black Studies as an area of study.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Derrick White - Department of African American and African Studies, University of Kentucky</title>
      <itunes:episode>103</itunes:episode>
      <podcast:episode>103</podcast:episode>
      <itunes:title>Derrick White - Department of African American and African Studies, University of Kentucky</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/aa32d7c3</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.derrickwhitephd.com">Derrick White</a>, who teaches in the Department of African American and Africana Studies at University of Kentucky. He has published widely on African American intellectual history and the cultural study of sports, and is the author of <a href="https://www.amazon.com/Challenge-Blackness-Institute-Political-Activism-ebook/dp/B00LMJD438?ref_=ast_author_dp"><em>The Challenge of Blackness: The Institute of the Black World and Political Activism in the 1970s</em></a> (2011) and <a href="https://www.amazon.com/Blood-Sweat-Tears-Gaither-Football/dp/1469652447/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;sr="><em>Blood, Sweat, and Tears: Jake Gaither, Florida A&amp;M, and the History of Black College Football</em> </a>(2019). In this discussion, we explore the relation of historical work to political struggle, the place of cultural study in the Black Studies imagination, and the fecundity of post-disciplinary thinking for the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.derrickwhitephd.com">Derrick White</a>, who teaches in the Department of African American and Africana Studies at University of Kentucky. He has published widely on African American intellectual history and the cultural study of sports, and is the author of <a href="https://www.amazon.com/Challenge-Blackness-Institute-Political-Activism-ebook/dp/B00LMJD438?ref_=ast_author_dp"><em>The Challenge of Blackness: The Institute of the Black World and Political Activism in the 1970s</em></a> (2011) and <a href="https://www.amazon.com/Blood-Sweat-Tears-Gaither-Football/dp/1469652447/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;sr="><em>Blood, Sweat, and Tears: Jake Gaither, Florida A&amp;M, and the History of Black College Football</em> </a>(2019). In this discussion, we explore the relation of historical work to political struggle, the place of cultural study in the Black Studies imagination, and the fecundity of post-disciplinary thinking for the field.</p>]]>
      </content:encoded>
      <pubDate>Fri, 21 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/aa32d7c3/49eacaae.mp3" length="166655389" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/0OgcjjTuvIimkmVP8BOWVKxuUZnAp5d7l19YIgg_5Jk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82ZGQ0/NDI0ZGNjYjUwMDg1/YzhjNTVkMjFkZTY2/YzlmNC5qcGc.jpg"/>
      <itunes:duration>4165</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.derrickwhitephd.com">Derrick White</a>, who teaches in the Department of African American and Africana Studies at University of Kentucky. He has published widely on African American intellectual history and the cultural study of sports, and is the author of <a href="https://www.amazon.com/Challenge-Blackness-Institute-Political-Activism-ebook/dp/B00LMJD438?ref_=ast_author_dp"><em>The Challenge of Blackness: The Institute of the Black World and Political Activism in the 1970s</em></a> (2011) and <a href="https://www.amazon.com/Blood-Sweat-Tears-Gaither-Football/dp/1469652447/ref=tmm_hrd_swatch_0?_encoding=UTF8&amp;sr="><em>Blood, Sweat, and Tears: Jake Gaither, Florida A&amp;M, and the History of Black College Football</em> </a>(2019). In this discussion, we explore the relation of historical work to political struggle, the place of cultural study in the Black Studies imagination, and the fecundity of post-disciplinary thinking for the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jeffrey Ogbar - Department of History, University of Connecticut</title>
      <itunes:episode>102</itunes:episode>
      <podcast:episode>102</podcast:episode>
      <itunes:title>Jeffrey Ogbar - Department of History, University of Connecticut</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/6628888f</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Jeffery Ogbar, who teaches in the Department of History at the University of Connecticut where he is also the founding Director of the <a href="https://popularmusic.clas.uconn.edu/">Center for the Study of Popular Music</a>. He is the author of <em>Black Power: Radical Politics and African American Identity </em>(2004) and <em>Hip-Hop Revolution: The Culture and Politics of Rap </em>(2007), as well as editor of <em>Civil Rights: Problems in American Civilization</em> (Houghton Mifflin 2003), <em>The Harlem Renaissance Revisited: Politics, Arts and Letters </em>(2010), and co-editor with Erica R. Edwards and Roderick A. Ferguson of <em>Keywords for African American Studies</em> (2018). In this conversation, we discuss the place of history in the field of Black Studies and the importance of a Black Studies understanding of historical research in times of political crisis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Jeffery Ogbar, who teaches in the Department of History at the University of Connecticut where he is also the founding Director of the <a href="https://popularmusic.clas.uconn.edu/">Center for the Study of Popular Music</a>. He is the author of <em>Black Power: Radical Politics and African American Identity </em>(2004) and <em>Hip-Hop Revolution: The Culture and Politics of Rap </em>(2007), as well as editor of <em>Civil Rights: Problems in American Civilization</em> (Houghton Mifflin 2003), <em>The Harlem Renaissance Revisited: Politics, Arts and Letters </em>(2010), and co-editor with Erica R. Edwards and Roderick A. Ferguson of <em>Keywords for African American Studies</em> (2018). In this conversation, we discuss the place of history in the field of Black Studies and the importance of a Black Studies understanding of historical research in times of political crisis.</p>]]>
      </content:encoded>
      <pubDate>Wed, 19 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/6628888f/c38e975e.mp3" length="121052421" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3026</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Jeffery Ogbar, who teaches in the Department of History at the University of Connecticut where he is also the founding Director of the <a href="https://popularmusic.clas.uconn.edu/">Center for the Study of Popular Music</a>. He is the author of <em>Black Power: Radical Politics and African American Identity </em>(2004) and <em>Hip-Hop Revolution: The Culture and Politics of Rap </em>(2007), as well as editor of <em>Civil Rights: Problems in American Civilization</em> (Houghton Mifflin 2003), <em>The Harlem Renaissance Revisited: Politics, Arts and Letters </em>(2010), and co-editor with Erica R. Edwards and Roderick A. Ferguson of <em>Keywords for African American Studies</em> (2018). In this conversation, we discuss the place of history in the field of Black Studies and the importance of a Black Studies understanding of historical research in times of political crisis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ashley Smith-Purviance - Department of African American and African Studies, Ohio State University</title>
      <itunes:episode>101</itunes:episode>
      <podcast:episode>101</podcast:episode>
      <itunes:title>Ashley Smith-Purviance - Department of African American and African Studies, Ohio State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/353dd1bb</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashley Smith-Purviance, who teaches in the Department of African American and African Studies at Ohio State University. Her work is focused on Black girlhood, memory, and the relationship between ethnography, self-authorship, and lived experience. She is the author of the forthcoming book titled, <em>(Un)Schooling Black Girls: Navigating Suburbia, Anti-Black-Girl Violence, and Mechanisms of School Survival</em> and has produced the digital humanities project <a href="http://therollingarchives.org/">The Rolling Archives of Black Girlhood</a>, a digital scrapbook that amplifies the voices of Black women and girls by uncovering the spaces and experiences that shape them. In this discussion, we explore the relation between gender and ethnographic research, childhood and its place in the Black Studies imagination, and how Black study expands the archive of Black life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashley Smith-Purviance, who teaches in the Department of African American and African Studies at Ohio State University. Her work is focused on Black girlhood, memory, and the relationship between ethnography, self-authorship, and lived experience. She is the author of the forthcoming book titled, <em>(Un)Schooling Black Girls: Navigating Suburbia, Anti-Black-Girl Violence, and Mechanisms of School Survival</em> and has produced the digital humanities project <a href="http://therollingarchives.org/">The Rolling Archives of Black Girlhood</a>, a digital scrapbook that amplifies the voices of Black women and girls by uncovering the spaces and experiences that shape them. In this discussion, we explore the relation between gender and ethnographic research, childhood and its place in the Black Studies imagination, and how Black study expands the archive of Black life.</p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/353dd1bb/f40e1352.mp3" length="129121541" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/kuh1JzF2me7LiVPldPjkfdIDkDU5iQcIi6D8NiOJgrE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80MGVi/YzY5MTI1NmYwZGE1/NGU0YTEzZjlmOTE1/OWZjNC5qcGVn.jpg"/>
      <itunes:duration>3227</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashley Smith-Purviance, who teaches in the Department of African American and African Studies at Ohio State University. Her work is focused on Black girlhood, memory, and the relationship between ethnography, self-authorship, and lived experience. She is the author of the forthcoming book titled, <em>(Un)Schooling Black Girls: Navigating Suburbia, Anti-Black-Girl Violence, and Mechanisms of School Survival</em> and has produced the digital humanities project <a href="http://therollingarchives.org/">The Rolling Archives of Black Girlhood</a>, a digital scrapbook that amplifies the voices of Black women and girls by uncovering the spaces and experiences that shape them. In this discussion, we explore the relation between gender and ethnographic research, childhood and its place in the Black Studies imagination, and how Black study expands the archive of Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Brie Gorrell, Ashley Newby, and John E. Drabinski - Departments of Africana Studies and English, University of Maryland</title>
      <itunes:episode>100</itunes:episode>
      <podcast:episode>100</podcast:episode>
      <itunes:title>Brie Gorrell, Ashley Newby, and John E. Drabinski - Departments of Africana Studies and English, University of Maryland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">53a4d391-d521-4054-8ed8-00bb46fc82c1</guid>
      <link>https://share.transistor.fm/s/8e1b5672</link>
      <description>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate and undergraduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is between myself, Ashley Newby, and John Drabinski, hosts of The Black Studies Podcast, reflecting on the 100th episode and what the series has taught us about the meaning of Black study and Black Studies. We discuss the unique contributions made by the field of Black Studies, how critical framings across the series impact pedagogy and research, and what sorts of hopes, aspirations, and expectations we have for the future of the podcast.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate and undergraduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is between myself, Ashley Newby, and John Drabinski, hosts of The Black Studies Podcast, reflecting on the 100th episode and what the series has taught us about the meaning of Black study and Black Studies. We discuss the unique contributions made by the field of Black Studies, how critical framings across the series impact pedagogy and research, and what sorts of hopes, aspirations, and expectations we have for the future of the podcast.</p>]]>
      </content:encoded>
      <pubDate>Sat, 15 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/8e1b5672/5f7b97b8.mp3" length="112315920" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2807</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Brie Gorrell and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate and undergraduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is between myself, Ashley Newby, and John Drabinski, hosts of The Black Studies Podcast, reflecting on the 100th episode and what the series has taught us about the meaning of Black study and Black Studies. We discuss the unique contributions made by the field of Black Studies, how critical framings across the series impact pedagogy and research, and what sorts of hopes, aspirations, and expectations we have for the future of the podcast.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sharon P. Holland - Department of American Studies, University of North Carolina, Chapel Hill</title>
      <itunes:episode>99</itunes:episode>
      <podcast:episode>99</podcast:episode>
      <itunes:title>Sharon P. Holland - Department of American Studies, University of North Carolina, Chapel Hill</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.sharonpholland.com">Sharon P. Holland</a>, who teaches in the Department of American Studies at University of North Carolina, Chapel Hill<em>. </em>Along with numerous articles and editing work, she is the author of<a href="https://www.amazon.com/Raising-Dead-Readings-Subjectivity-Americanists/dp/0822324997/ref=sr_1_4?dib=eyJ2IjoiMSJ9.FjJInG7PQzcedDVL6R3gIRhSkUBm3EClBEBwrsolo0nCZfwDgTztSEgBCZIQPZqIcN3acKYSsWHa3Z1ePG9mxJiVn6s0R0tHP5klRWKVt7c.vsYp7J4dzRXp4jNekUBC8v9EveuOEzIX7lGgUIwfSd4&amp;dib_tag=se&amp;qid=1738678309&amp;refinements=p_27%3ASharon+Patricia+Holland&amp;s=books&amp;sr=1-4"> <em>Raising the Dead: Readings of Death and (Black) Subjectivity</em></a><em> </em>(2000), <a href="https://www.amazon.com/Erotic-Racism-Sharon-Patricia-Holland/dp/0822352060/ref=tmm_pap_swatch_0"><em>The Erotic Life of Racism</em></a><em> </em>(2012), and <a href="https://www.amazon.com/other-feminist-consideration-Outdoors-Innovations/dp/1478025077/ref=sr_1_1?crid=1O4O2TOUR8AF6&amp;dib=eyJ2IjoiMSJ9.nDrN2YqmNXuo3y0yjVBvu5r7BH8XNN991S0U9f4AclJE-R8Vv5rld6T3w2MQM9xkpAK7eNP7LcFzdGsrxoA-kHh5hZCvi-M5eWJ6kHynF8LvtoLk53eZnb8RwC5v9aylsuPp8NhtkfPZicINfXQeqbHoprjdDg1ETQImaJm6Q4HLwC7MFPY4MREq_bgZ08uN.kdpgHqW5X9b2rwSRHBCJdwT6R36jCtMFqVuEMgKDl4Q&amp;dib_tag=se&amp;keywords=sharon+patricia+holland&amp;qid=1738678221&amp;sprefix=sharon+patricia+holland%2Caps%2C69&amp;sr=8-1"><em>an other: a black feminist consideration of animal life</em></a><em> </em>(2023).<em> </em>As well, she is co-host of the podcast <a href="https://www.dogsavethepeople.com">Dog Save The People</a>. In this discussion, we explore questions of gender, animal life, and politics and how they open up new horizons in the field of Black Studies. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.sharonpholland.com">Sharon P. Holland</a>, who teaches in the Department of American Studies at University of North Carolina, Chapel Hill<em>. </em>Along with numerous articles and editing work, she is the author of<a href="https://www.amazon.com/Raising-Dead-Readings-Subjectivity-Americanists/dp/0822324997/ref=sr_1_4?dib=eyJ2IjoiMSJ9.FjJInG7PQzcedDVL6R3gIRhSkUBm3EClBEBwrsolo0nCZfwDgTztSEgBCZIQPZqIcN3acKYSsWHa3Z1ePG9mxJiVn6s0R0tHP5klRWKVt7c.vsYp7J4dzRXp4jNekUBC8v9EveuOEzIX7lGgUIwfSd4&amp;dib_tag=se&amp;qid=1738678309&amp;refinements=p_27%3ASharon+Patricia+Holland&amp;s=books&amp;sr=1-4"> <em>Raising the Dead: Readings of Death and (Black) Subjectivity</em></a><em> </em>(2000), <a href="https://www.amazon.com/Erotic-Racism-Sharon-Patricia-Holland/dp/0822352060/ref=tmm_pap_swatch_0"><em>The Erotic Life of Racism</em></a><em> </em>(2012), and <a href="https://www.amazon.com/other-feminist-consideration-Outdoors-Innovations/dp/1478025077/ref=sr_1_1?crid=1O4O2TOUR8AF6&amp;dib=eyJ2IjoiMSJ9.nDrN2YqmNXuo3y0yjVBvu5r7BH8XNN991S0U9f4AclJE-R8Vv5rld6T3w2MQM9xkpAK7eNP7LcFzdGsrxoA-kHh5hZCvi-M5eWJ6kHynF8LvtoLk53eZnb8RwC5v9aylsuPp8NhtkfPZicINfXQeqbHoprjdDg1ETQImaJm6Q4HLwC7MFPY4MREq_bgZ08uN.kdpgHqW5X9b2rwSRHBCJdwT6R36jCtMFqVuEMgKDl4Q&amp;dib_tag=se&amp;keywords=sharon+patricia+holland&amp;qid=1738678221&amp;sprefix=sharon+patricia+holland%2Caps%2C69&amp;sr=8-1"><em>an other: a black feminist consideration of animal life</em></a><em> </em>(2023).<em> </em>As well, she is co-host of the podcast <a href="https://www.dogsavethepeople.com">Dog Save The People</a>. In this discussion, we explore questions of gender, animal life, and politics and how they open up new horizons in the field of Black Studies. </p>]]>
      </content:encoded>
      <pubDate>Fri, 14 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/58b9f3c9/7ca96f59.mp3" length="132075492" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/prVTDu78HEZ0YnKRtahBnOnXcpU-kszXkINdxnMXA0I/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kZjYw/NmM4MTU5MzFmMGI5/NTcwZWZmOTNiMWU0/N2NjZC5qcGVn.jpg"/>
      <itunes:duration>3301</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.sharonpholland.com">Sharon P. Holland</a>, who teaches in the Department of American Studies at University of North Carolina, Chapel Hill<em>. </em>Along with numerous articles and editing work, she is the author of<a href="https://www.amazon.com/Raising-Dead-Readings-Subjectivity-Americanists/dp/0822324997/ref=sr_1_4?dib=eyJ2IjoiMSJ9.FjJInG7PQzcedDVL6R3gIRhSkUBm3EClBEBwrsolo0nCZfwDgTztSEgBCZIQPZqIcN3acKYSsWHa3Z1ePG9mxJiVn6s0R0tHP5klRWKVt7c.vsYp7J4dzRXp4jNekUBC8v9EveuOEzIX7lGgUIwfSd4&amp;dib_tag=se&amp;qid=1738678309&amp;refinements=p_27%3ASharon+Patricia+Holland&amp;s=books&amp;sr=1-4"> <em>Raising the Dead: Readings of Death and (Black) Subjectivity</em></a><em> </em>(2000), <a href="https://www.amazon.com/Erotic-Racism-Sharon-Patricia-Holland/dp/0822352060/ref=tmm_pap_swatch_0"><em>The Erotic Life of Racism</em></a><em> </em>(2012), and <a href="https://www.amazon.com/other-feminist-consideration-Outdoors-Innovations/dp/1478025077/ref=sr_1_1?crid=1O4O2TOUR8AF6&amp;dib=eyJ2IjoiMSJ9.nDrN2YqmNXuo3y0yjVBvu5r7BH8XNN991S0U9f4AclJE-R8Vv5rld6T3w2MQM9xkpAK7eNP7LcFzdGsrxoA-kHh5hZCvi-M5eWJ6kHynF8LvtoLk53eZnb8RwC5v9aylsuPp8NhtkfPZicINfXQeqbHoprjdDg1ETQImaJm6Q4HLwC7MFPY4MREq_bgZ08uN.kdpgHqW5X9b2rwSRHBCJdwT6R36jCtMFqVuEMgKDl4Q&amp;dib_tag=se&amp;keywords=sharon+patricia+holland&amp;qid=1738678221&amp;sprefix=sharon+patricia+holland%2Caps%2C69&amp;sr=8-1"><em>an other: a black feminist consideration of animal life</em></a><em> </em>(2023).<em> </em>As well, she is co-host of the podcast <a href="https://www.dogsavethepeople.com">Dog Save The People</a>. In this discussion, we explore questions of gender, animal life, and politics and how they open up new horizons in the field of Black Studies. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Marisa Fuentes - Department of History and Women's, Gender, and Sexuality Studies, Rutgers University</title>
      <itunes:episode>98</itunes:episode>
      <podcast:episode>98</podcast:episode>
      <itunes:title>Marisa Fuentes - Department of History and Women's, Gender, and Sexuality Studies, Rutgers University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d36a3cfd</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with <a href="https://history.rutgers.edu/people/faculty/details/346-fuentes-marisa">Marisa Fuentes, who teaches in the departments of History and Women's, Gender, and Sexuality Studies at Rutgers University</a>. Her research interests are interdisciplinary and focus on histories of gender, slavery, the Caribbean and Black Atlantic worlds. Along with a number of scholarly articles and edited collections, she is the author of <a href="https://www.pennpress.org/9780812224184/dispossessed-lives/"><em>Dispossessed Lives: Enslaved Women, Violence, and the Archive</em></a>, which won book prizes from the Association of Black Women Historians, The Berkshire Conference of Women Historians, and The Barbara T. Christian Best Humanities Book Prize from the Caribbean Studies Association. In this conversation, we discuss how Black Studies informs critical historical research, the theoretical and ethical problem of reading for silences, and how practices of careful, archive-attuned fabulation have deep and abiding impact on Black Atlantic and Black women's history.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with <a href="https://history.rutgers.edu/people/faculty/details/346-fuentes-marisa">Marisa Fuentes, who teaches in the departments of History and Women's, Gender, and Sexuality Studies at Rutgers University</a>. Her research interests are interdisciplinary and focus on histories of gender, slavery, the Caribbean and Black Atlantic worlds. Along with a number of scholarly articles and edited collections, she is the author of <a href="https://www.pennpress.org/9780812224184/dispossessed-lives/"><em>Dispossessed Lives: Enslaved Women, Violence, and the Archive</em></a>, which won book prizes from the Association of Black Women Historians, The Berkshire Conference of Women Historians, and The Barbara T. Christian Best Humanities Book Prize from the Caribbean Studies Association. In this conversation, we discuss how Black Studies informs critical historical research, the theoretical and ethical problem of reading for silences, and how practices of careful, archive-attuned fabulation have deep and abiding impact on Black Atlantic and Black women's history.</p>]]>
      </content:encoded>
      <pubDate>Wed, 12 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d36a3cfd/95488b9c.mp3" length="98279478" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/wSIyt9SpWKnREj5rZ9heln4tguCf3IubgxclFKfEqNY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9hNWQy/NmIwOWFhMmJiZDM2/NzlmODQyYmE4MWQ1/YTFkMi5qcGVn.jpg"/>
      <itunes:duration>2456</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with <a href="https://history.rutgers.edu/people/faculty/details/346-fuentes-marisa">Marisa Fuentes, who teaches in the departments of History and Women's, Gender, and Sexuality Studies at Rutgers University</a>. Her research interests are interdisciplinary and focus on histories of gender, slavery, the Caribbean and Black Atlantic worlds. Along with a number of scholarly articles and edited collections, she is the author of <a href="https://www.pennpress.org/9780812224184/dispossessed-lives/"><em>Dispossessed Lives: Enslaved Women, Violence, and the Archive</em></a>, which won book prizes from the Association of Black Women Historians, The Berkshire Conference of Women Historians, and The Barbara T. Christian Best Humanities Book Prize from the Caribbean Studies Association. In this conversation, we discuss how Black Studies informs critical historical research, the theoretical and ethical problem of reading for silences, and how practices of careful, archive-attuned fabulation have deep and abiding impact on Black Atlantic and Black women's history.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Fred Moten - Department of Performance Studies, New York University</title>
      <itunes:episode>97</itunes:episode>
      <podcast:episode>97</podcast:episode>
      <itunes:title>Fred Moten - Department of Performance Studies, New York University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d6402eab-8b63-4e57-b7f2-9a6ce717f276</guid>
      <link>https://share.transistor.fm/s/35aae5d9</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Fred Moten, who teaches in the Department of Performance Studies at New York University. He is the author of a number of volumes of poetry, including most recently <a href="https://fonografeditions.com/catalog/lm-all-that-beauty-fred-moten/"><em>All That Beauty</em></a><em> </em>(2019) and <a href="https://www.wavepoetry.com/products/perennial-fashion-presence-falling"><em>perennial fashion, presence falling</em></a><em> </em>(2023), and multiple critical books that include<a href="https://www.amazon.com/Break-Aesthetics-Black-Radical-Tradition/dp/0816641005/ref=sr_1_1?crid=HT76B97R8NE3&amp;dib=eyJ2IjoiMSJ9.QEk7X6rjfYhZC2pOUHHIl7KwCHOYRN9YzFw0QisXW2BTwxaFEriIUC5t0Mr2PL4g1VwRloQ72aCalgSIqnUBpwSpR_P8jLcDbjJlatD4uFsWAlxA6q8INsgXE_ojOF2pv69bmHlzxuQR6iNkwY_U50nzHRzIcqhTiID-MCvRQWkFqBSbofS74aP9rDKOgJqBBZGm9gWdXLCnxndf8wF5QsN1VdFBeHO98zLX-tUG72E.S14NGaBaAaDL3DnAbx_dgT_cSCViXJ4uYybCIZRWdLU&amp;dib_tag=se&amp;keywords=Fred+Moten&amp;qid=1738677690&amp;sprefix=fred+moten%2Caps%2C84&amp;sr=8-1"> <em>In the Break</em></a><em> </em>(2003), the trilogy <a href="https://www.amazon.com/Black-Blur-consent-single-being/dp/0822370166/?_encoding=UTF8&amp;pd_rd_w=yZnrc&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=132-3012661-0798009&amp;pd_rd_wg=Jip5M&amp;pd_rd_r=c65cf144-306b-431d-abbf-d4b68bac7d7d&amp;ref_=aufs_ap_sc_dsk"><em>Consent Not to be a Single Being</em></a><em> </em>published in 2017 and 2018, and with Stefano Harney <a href="https://www.amazon.com/Undercommons-Fugitive-Planning-Black-Study/dp/1570272670/ref=tmm_pap_swatch_0"><em>The Undercommons: Fugitive Planning and Black Study </em></a>(2013)<em>.</em> In this conversation, we discuss the nature of the field of Black Studies, what lessons it has for thinking politically in the present moment, and how Black study transforms notions of liberation struggle, Black life, and expressive culture.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Fred Moten, who teaches in the Department of Performance Studies at New York University. He is the author of a number of volumes of poetry, including most recently <a href="https://fonografeditions.com/catalog/lm-all-that-beauty-fred-moten/"><em>All That Beauty</em></a><em> </em>(2019) and <a href="https://www.wavepoetry.com/products/perennial-fashion-presence-falling"><em>perennial fashion, presence falling</em></a><em> </em>(2023), and multiple critical books that include<a href="https://www.amazon.com/Break-Aesthetics-Black-Radical-Tradition/dp/0816641005/ref=sr_1_1?crid=HT76B97R8NE3&amp;dib=eyJ2IjoiMSJ9.QEk7X6rjfYhZC2pOUHHIl7KwCHOYRN9YzFw0QisXW2BTwxaFEriIUC5t0Mr2PL4g1VwRloQ72aCalgSIqnUBpwSpR_P8jLcDbjJlatD4uFsWAlxA6q8INsgXE_ojOF2pv69bmHlzxuQR6iNkwY_U50nzHRzIcqhTiID-MCvRQWkFqBSbofS74aP9rDKOgJqBBZGm9gWdXLCnxndf8wF5QsN1VdFBeHO98zLX-tUG72E.S14NGaBaAaDL3DnAbx_dgT_cSCViXJ4uYybCIZRWdLU&amp;dib_tag=se&amp;keywords=Fred+Moten&amp;qid=1738677690&amp;sprefix=fred+moten%2Caps%2C84&amp;sr=8-1"> <em>In the Break</em></a><em> </em>(2003), the trilogy <a href="https://www.amazon.com/Black-Blur-consent-single-being/dp/0822370166/?_encoding=UTF8&amp;pd_rd_w=yZnrc&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=132-3012661-0798009&amp;pd_rd_wg=Jip5M&amp;pd_rd_r=c65cf144-306b-431d-abbf-d4b68bac7d7d&amp;ref_=aufs_ap_sc_dsk"><em>Consent Not to be a Single Being</em></a><em> </em>published in 2017 and 2018, and with Stefano Harney <a href="https://www.amazon.com/Undercommons-Fugitive-Planning-Black-Study/dp/1570272670/ref=tmm_pap_swatch_0"><em>The Undercommons: Fugitive Planning and Black Study </em></a>(2013)<em>.</em> In this conversation, we discuss the nature of the field of Black Studies, what lessons it has for thinking politically in the present moment, and how Black study transforms notions of liberation struggle, Black life, and expressive culture.</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Mar 2025 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/35aae5d9/1647ba81.mp3" length="114703393" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/vLecopH53_uqdF4qdFQpFG_aQRg_X-1R2doG5DxAYUI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xMGVm/YTk3YzkyMDUwYWE2/M2YyZWJiYmVkNGZh/YzJkOC5qcGVn.jpg"/>
      <itunes:duration>2866</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Fred Moten, who teaches in the Department of Performance Studies at New York University. He is the author of a number of volumes of poetry, including most recently <a href="https://fonografeditions.com/catalog/lm-all-that-beauty-fred-moten/"><em>All That Beauty</em></a><em> </em>(2019) and <a href="https://www.wavepoetry.com/products/perennial-fashion-presence-falling"><em>perennial fashion, presence falling</em></a><em> </em>(2023), and multiple critical books that include<a href="https://www.amazon.com/Break-Aesthetics-Black-Radical-Tradition/dp/0816641005/ref=sr_1_1?crid=HT76B97R8NE3&amp;dib=eyJ2IjoiMSJ9.QEk7X6rjfYhZC2pOUHHIl7KwCHOYRN9YzFw0QisXW2BTwxaFEriIUC5t0Mr2PL4g1VwRloQ72aCalgSIqnUBpwSpR_P8jLcDbjJlatD4uFsWAlxA6q8INsgXE_ojOF2pv69bmHlzxuQR6iNkwY_U50nzHRzIcqhTiID-MCvRQWkFqBSbofS74aP9rDKOgJqBBZGm9gWdXLCnxndf8wF5QsN1VdFBeHO98zLX-tUG72E.S14NGaBaAaDL3DnAbx_dgT_cSCViXJ4uYybCIZRWdLU&amp;dib_tag=se&amp;keywords=Fred+Moten&amp;qid=1738677690&amp;sprefix=fred+moten%2Caps%2C84&amp;sr=8-1"> <em>In the Break</em></a><em> </em>(2003), the trilogy <a href="https://www.amazon.com/Black-Blur-consent-single-being/dp/0822370166/?_encoding=UTF8&amp;pd_rd_w=yZnrc&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=132-3012661-0798009&amp;pd_rd_wg=Jip5M&amp;pd_rd_r=c65cf144-306b-431d-abbf-d4b68bac7d7d&amp;ref_=aufs_ap_sc_dsk"><em>Consent Not to be a Single Being</em></a><em> </em>published in 2017 and 2018, and with Stefano Harney <a href="https://www.amazon.com/Undercommons-Fugitive-Planning-Black-Study/dp/1570272670/ref=tmm_pap_swatch_0"><em>The Undercommons: Fugitive Planning and Black Study </em></a>(2013)<em>.</em> In this conversation, we discuss the nature of the field of Black Studies, what lessons it has for thinking politically in the present moment, and how Black study transforms notions of liberation struggle, Black life, and expressive culture.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Abdul Alkalimat - Department of African American Studies, University of Illinois, Urbana-Champaign</title>
      <itunes:episode>96</itunes:episode>
      <podcast:episode>96</podcast:episode>
      <itunes:title>Abdul Alkalimat - Department of African American Studies, University of Illinois, Urbana-Champaign</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e2aa0c63</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Abdul Alkalimat, Professor Emeritus in the Department of African American Studies at University of Illinois, Urbana-Champaign<em>. </em>He is one of the original creators and innovators in the field of Black Studies, whose organizing and professional work expanded the field in terms of its professional organizations, rigor of inquiry, curriculum, and political significance. As well, he is the author of pamphlets, scholarly articles, and a number of books including most recently the critical works<a href="https://www.plutobooks.com/9780745344225/the-history-of-black-studies/"><em>A History of Black Studies</em></a> and <a href="https://www.plutobooks.com/9780745347004/the-future-of-black-studies/"><em>The Future of Black Studies</em></a><em>, </em>published in 2021 and 2022 by Pluto Press. In this discussion, we explore the nature of Black Studies inquiry, the link between Black Studies scholarly and classroom work and our various publics, and the particular ethical and political obligations that lie at the heart of the field. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Abdul Alkalimat, Professor Emeritus in the Department of African American Studies at University of Illinois, Urbana-Champaign<em>. </em>He is one of the original creators and innovators in the field of Black Studies, whose organizing and professional work expanded the field in terms of its professional organizations, rigor of inquiry, curriculum, and political significance. As well, he is the author of pamphlets, scholarly articles, and a number of books including most recently the critical works<a href="https://www.plutobooks.com/9780745344225/the-history-of-black-studies/"><em>A History of Black Studies</em></a> and <a href="https://www.plutobooks.com/9780745347004/the-future-of-black-studies/"><em>The Future of Black Studies</em></a><em>, </em>published in 2021 and 2022 by Pluto Press. In this discussion, we explore the nature of Black Studies inquiry, the link between Black Studies scholarly and classroom work and our various publics, and the particular ethical and political obligations that lie at the heart of the field. </p>]]>
      </content:encoded>
      <pubDate>Thu, 06 Mar 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/e2aa0c63/97e3f023.mp3" length="197355082" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4933</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Abdul Alkalimat, Professor Emeritus in the Department of African American Studies at University of Illinois, Urbana-Champaign<em>. </em>He is one of the original creators and innovators in the field of Black Studies, whose organizing and professional work expanded the field in terms of its professional organizations, rigor of inquiry, curriculum, and political significance. As well, he is the author of pamphlets, scholarly articles, and a number of books including most recently the critical works<a href="https://www.plutobooks.com/9780745344225/the-history-of-black-studies/"><em>A History of Black Studies</em></a> and <a href="https://www.plutobooks.com/9780745347004/the-future-of-black-studies/"><em>The Future of Black Studies</em></a><em>, </em>published in 2021 and 2022 by Pluto Press. In this discussion, we explore the nature of Black Studies inquiry, the link between Black Studies scholarly and classroom work and our various publics, and the particular ethical and political obligations that lie at the heart of the field. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Martha S. Jones - Department of History, Johns Hopkins University</title>
      <itunes:episode>95</itunes:episode>
      <podcast:episode>95</podcast:episode>
      <itunes:title>Martha S. Jones - Department of History, Johns Hopkins University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/702102ff</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Martha Jones, who is Society of Black Alumni Presidential Professor of History at Johns Hopkins University. She has written extensively about Atlantic world history, African American cultural and political history, and race and citizenship. She is the author of a number of books, including <em>Birthright Citizens: A History of Race and Rights in Antebellum America</em>, <em>Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All</em>, and <em>All Bound Up Together: The Woman Question in African American Public Culture, 1830-1900. </em>In this conversation, we discuss the place of history in Black Studies, the emerging importance of memoir work in the field, and the significance of her new work <a href="https://www.amazon.com/Trouble-Color-American-Family-Memoir/dp/1541601009/?_encoding=UTF8&amp;pd_rd_w=8xEDG&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=145-1719438-5891316&amp;pd_rd_wg=XZZvr&amp;pd_rd_r=f9858fa5-1713-426b-b105-5a8a993d0edc&amp;ref_=aufs_ap_sc_dsk"><em>The Trouble of Color: An American Family Memoir</em></a><em>.</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Martha Jones, who is Society of Black Alumni Presidential Professor of History at Johns Hopkins University. She has written extensively about Atlantic world history, African American cultural and political history, and race and citizenship. She is the author of a number of books, including <em>Birthright Citizens: A History of Race and Rights in Antebellum America</em>, <em>Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All</em>, and <em>All Bound Up Together: The Woman Question in African American Public Culture, 1830-1900. </em>In this conversation, we discuss the place of history in Black Studies, the emerging importance of memoir work in the field, and the significance of her new work <a href="https://www.amazon.com/Trouble-Color-American-Family-Memoir/dp/1541601009/?_encoding=UTF8&amp;pd_rd_w=8xEDG&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=145-1719438-5891316&amp;pd_rd_wg=XZZvr&amp;pd_rd_r=f9858fa5-1713-426b-b105-5a8a993d0edc&amp;ref_=aufs_ap_sc_dsk"><em>The Trouble of Color: An American Family Memoir</em></a><em>.</em></p>]]>
      </content:encoded>
      <pubDate>Tue, 04 Mar 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/702102ff/dfe1b045.mp3" length="126702536" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3167</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Martha Jones, who is Society of Black Alumni Presidential Professor of History at Johns Hopkins University. She has written extensively about Atlantic world history, African American cultural and political history, and race and citizenship. She is the author of a number of books, including <em>Birthright Citizens: A History of Race and Rights in Antebellum America</em>, <em>Vanguard: How Black Women Broke Barriers, Won the Vote, and Insisted on Equality for All</em>, and <em>All Bound Up Together: The Woman Question in African American Public Culture, 1830-1900. </em>In this conversation, we discuss the place of history in Black Studies, the emerging importance of memoir work in the field, and the significance of her new work <a href="https://www.amazon.com/Trouble-Color-American-Family-Memoir/dp/1541601009/?_encoding=UTF8&amp;pd_rd_w=8xEDG&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=145-1719438-5891316&amp;pd_rd_wg=XZZvr&amp;pd_rd_r=f9858fa5-1713-426b-b105-5a8a993d0edc&amp;ref_=aufs_ap_sc_dsk"><em>The Trouble of Color: An American Family Memoir</em></a><em>.</em></p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Zebulon Miletsky - Department of Africana Studies, Stony Brook University</title>
      <itunes:episode>94</itunes:episode>
      <podcast:episode>94</podcast:episode>
      <itunes:title>Zebulon Miletsky - Department of Africana Studies, Stony Brook University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/6b66dde5</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.stonybrook.edu/commcms/africana-studies/people/_faculty-staff/miletsky.php">Zebulon Miletsky, who teaches in the Department of Africana Studies at Stony Brook University</a>. In addition to a number of public facing and scholarly pieces, he is the author of <a href="https://www.amazon.com/Before-Busing-History-Bostons-Struggle/dp/1469662779/ref=sr_1_1?crid=2M2OVOM5TDD6A&amp;dib=eyJ2IjoiMSJ9.uhHccgUaYtt7zUTMrjkmPzx19zNLF8C0YWUn4j-6og0gZOo724sHiXllwtWWUnfukb-VsRX_kAfFSE1Dgjby1RSe8ykbVbO4IOte8aahTLM.7c16Od8jtTlEdr_Q057b7r1qJmFZF9STJCiJxWn2MO8&amp;dib_tag=se&amp;keywords=zebulon+miletsky&amp;qid=1738250529&amp;sprefix=zebulon+miletsky%2Caps%2C54&amp;sr=8-1"><em>Before Busing: A History of Boston’s Long Black Freedom Struggle</em></a><em>.</em> In this discussion, we explore the nature of Black Studies inquiry, the link between Black study and public knowledge, and the future culture and politics of the field..</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.stonybrook.edu/commcms/africana-studies/people/_faculty-staff/miletsky.php">Zebulon Miletsky, who teaches in the Department of Africana Studies at Stony Brook University</a>. In addition to a number of public facing and scholarly pieces, he is the author of <a href="https://www.amazon.com/Before-Busing-History-Bostons-Struggle/dp/1469662779/ref=sr_1_1?crid=2M2OVOM5TDD6A&amp;dib=eyJ2IjoiMSJ9.uhHccgUaYtt7zUTMrjkmPzx19zNLF8C0YWUn4j-6og0gZOo724sHiXllwtWWUnfukb-VsRX_kAfFSE1Dgjby1RSe8ykbVbO4IOte8aahTLM.7c16Od8jtTlEdr_Q057b7r1qJmFZF9STJCiJxWn2MO8&amp;dib_tag=se&amp;keywords=zebulon+miletsky&amp;qid=1738250529&amp;sprefix=zebulon+miletsky%2Caps%2C54&amp;sr=8-1"><em>Before Busing: A History of Boston’s Long Black Freedom Struggle</em></a><em>.</em> In this discussion, we explore the nature of Black Studies inquiry, the link between Black study and public knowledge, and the future culture and politics of the field..</p>]]>
      </content:encoded>
      <pubDate>Fri, 28 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/6b66dde5/f3e6e8cc.mp3" length="162447418" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/BdB1lUWMzCXV-11avs-7CJuKuwkAwoNGdOrUXKoMb50/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xZWMy/MzNkYjEwMDk5MjY4/YzdmZmUxMGZlODg2/NGI0NS5qcGc.jpg"/>
      <itunes:duration>4061</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.stonybrook.edu/commcms/africana-studies/people/_faculty-staff/miletsky.php">Zebulon Miletsky, who teaches in the Department of Africana Studies at Stony Brook University</a>. In addition to a number of public facing and scholarly pieces, he is the author of <a href="https://www.amazon.com/Before-Busing-History-Bostons-Struggle/dp/1469662779/ref=sr_1_1?crid=2M2OVOM5TDD6A&amp;dib=eyJ2IjoiMSJ9.uhHccgUaYtt7zUTMrjkmPzx19zNLF8C0YWUn4j-6og0gZOo724sHiXllwtWWUnfukb-VsRX_kAfFSE1Dgjby1RSe8ykbVbO4IOte8aahTLM.7c16Od8jtTlEdr_Q057b7r1qJmFZF9STJCiJxWn2MO8&amp;dib_tag=se&amp;keywords=zebulon+miletsky&amp;qid=1738250529&amp;sprefix=zebulon+miletsky%2Caps%2C54&amp;sr=8-1"><em>Before Busing: A History of Boston’s Long Black Freedom Struggle</em></a><em>.</em> In this discussion, we explore the nature of Black Studies inquiry, the link between Black study and public knowledge, and the future culture and politics of the field..</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Alex Lubin - Department of African American Studies, Penn State University</title>
      <itunes:episode>93</itunes:episode>
      <podcast:episode>93</podcast:episode>
      <itunes:title>Alex Lubin - Department of African American Studies, Penn State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0a25f3f9</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://afam.la.psu.edu/people/azl5744/">Alex Lubin, who teaches in the Department of African American Studies at Penn State University</a> and is the president-elect of the American Studies Association. His work is informed by cultural studies and history, with specific focus on North Africa and the Arab world more broadly. He is the author of <a href="https://www.amazon.com/Romance-Rights-Politics-Interracial-1945-1954-ebook/dp/B002BWQ3KQ?ref_=ast_author_dp&amp;dib=eyJ2IjoiMSJ9.PKz49woqei_P5qSEfLr0CYxCtlU48fod7meyWVEqP8gaqbxPs8kmtW1dpF6k1nu7vAh4oPId8No9oits-cy-JtjjMhAYlshLMUgg258zSuq-lJbkjB6dRuFbX5xQoBfm.jAJrmqkdipvJ4ucAGvF8MgiNXCIlV-nHWMjE7NoqCkk&amp;dib_tag=AUTHOR"><em>Romance and Rights: The Politics of Interracial Intimacy, 1945–1956</em></a>, <a href="https://www.amazon.com/Geographies-Liberation-Afro-Arab-Political-Imaginary/dp/1469612887/?_encoding=UTF8&amp;pd_rd_w=HClCd&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=142-5324222-4669037&amp;pd_rd_wg=ZOKri&amp;pd_rd_r=4ce6d89d-4a70-43a4-99e4-0e31a7fc9885&amp;ref_=aufs_ap_sc_dsk"><em>Geographies of Liberation: The Making of an Afro-Arab Political Imaginary</em></a>, and <a href="https://www.amazon.com/Never-Ending-War-Terror-American-Studies/dp/0520297415/ref=sr_1_1?crid=3JCOZO98QROBR&amp;dib=eyJ2IjoiMSJ9.Uqtqc6DWJG6OkmlPlGqVcRNokeZmy8xC7ARcUga-dTAI5t1623n83vzLikGQiaMSZM9XaO4zDx8UQwJDF4FPkORIDAAgD5uIsa2sRoBzE8hgf-5Gn8ysIVbB073tEvdkrIczWHM2jdaF_PFz7Lmp7SnmsN2b1BtSFnoY9FGkpLHFBt375IttoGhzOe1X5MzY.PUuznz91bpcLkqDqI0w5Q1JoWqK9b2alZ4Pcv1njl4g&amp;dib_tag=se&amp;keywords=alex+lubin&amp;qid=1737753034&amp;s=books&amp;sprefix=alex+lubin%2Cstripbooks%2C73&amp;sr=1-1"><em>Never-Ending War on Terror</em></a><em>, </em>and is completing a book entitled <em>Third World Ensemble: African Americans in Cairo Between the Suez and Six-Day Wars.</em> In this discussion, we explore the place of transnational study in Black Studies, the new horizons opened up by the study of non-Atlantic routes of diaspora, and the fecundity of Black study as an undisciplined, expansive, and curious practice.</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://afam.la.psu.edu/people/azl5744/">Alex Lubin, who teaches in the Department of African American Studies at Penn State University</a> and is the president-elect of the American Studies Association. His work is informed by cultural studies and history, with specific focus on North Africa and the Arab world more broadly. He is the author of <a href="https://www.amazon.com/Romance-Rights-Politics-Interracial-1945-1954-ebook/dp/B002BWQ3KQ?ref_=ast_author_dp&amp;dib=eyJ2IjoiMSJ9.PKz49woqei_P5qSEfLr0CYxCtlU48fod7meyWVEqP8gaqbxPs8kmtW1dpF6k1nu7vAh4oPId8No9oits-cy-JtjjMhAYlshLMUgg258zSuq-lJbkjB6dRuFbX5xQoBfm.jAJrmqkdipvJ4ucAGvF8MgiNXCIlV-nHWMjE7NoqCkk&amp;dib_tag=AUTHOR"><em>Romance and Rights: The Politics of Interracial Intimacy, 1945–1956</em></a>, <a href="https://www.amazon.com/Geographies-Liberation-Afro-Arab-Political-Imaginary/dp/1469612887/?_encoding=UTF8&amp;pd_rd_w=HClCd&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=142-5324222-4669037&amp;pd_rd_wg=ZOKri&amp;pd_rd_r=4ce6d89d-4a70-43a4-99e4-0e31a7fc9885&amp;ref_=aufs_ap_sc_dsk"><em>Geographies of Liberation: The Making of an Afro-Arab Political Imaginary</em></a>, and <a href="https://www.amazon.com/Never-Ending-War-Terror-American-Studies/dp/0520297415/ref=sr_1_1?crid=3JCOZO98QROBR&amp;dib=eyJ2IjoiMSJ9.Uqtqc6DWJG6OkmlPlGqVcRNokeZmy8xC7ARcUga-dTAI5t1623n83vzLikGQiaMSZM9XaO4zDx8UQwJDF4FPkORIDAAgD5uIsa2sRoBzE8hgf-5Gn8ysIVbB073tEvdkrIczWHM2jdaF_PFz7Lmp7SnmsN2b1BtSFnoY9FGkpLHFBt375IttoGhzOe1X5MzY.PUuznz91bpcLkqDqI0w5Q1JoWqK9b2alZ4Pcv1njl4g&amp;dib_tag=se&amp;keywords=alex+lubin&amp;qid=1737753034&amp;s=books&amp;sprefix=alex+lubin%2Cstripbooks%2C73&amp;sr=1-1"><em>Never-Ending War on Terror</em></a><em>, </em>and is completing a book entitled <em>Third World Ensemble: African Americans in Cairo Between the Suez and Six-Day Wars.</em> In this discussion, we explore the place of transnational study in Black Studies, the new horizons opened up by the study of non-Atlantic routes of diaspora, and the fecundity of Black study as an undisciplined, expansive, and curious practice.</p>]]>
      </content:encoded>
      <pubDate>Wed, 26 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/0a25f3f9/e600cb30.mp3" length="134366076" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/TFn9trV513Vy8UrRQUp4QMhAKQUJ1N5-_hSQiDwEAkU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9hNmVj/YTAxYTBhM2FkMTVk/NWFiNTk5YmE5N2E4/MTYzNS5qcGVn.jpg"/>
      <itunes:duration>3359</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://afam.la.psu.edu/people/azl5744/">Alex Lubin, who teaches in the Department of African American Studies at Penn State University</a> and is the president-elect of the American Studies Association. His work is informed by cultural studies and history, with specific focus on North Africa and the Arab world more broadly. He is the author of <a href="https://www.amazon.com/Romance-Rights-Politics-Interracial-1945-1954-ebook/dp/B002BWQ3KQ?ref_=ast_author_dp&amp;dib=eyJ2IjoiMSJ9.PKz49woqei_P5qSEfLr0CYxCtlU48fod7meyWVEqP8gaqbxPs8kmtW1dpF6k1nu7vAh4oPId8No9oits-cy-JtjjMhAYlshLMUgg258zSuq-lJbkjB6dRuFbX5xQoBfm.jAJrmqkdipvJ4ucAGvF8MgiNXCIlV-nHWMjE7NoqCkk&amp;dib_tag=AUTHOR"><em>Romance and Rights: The Politics of Interracial Intimacy, 1945–1956</em></a>, <a href="https://www.amazon.com/Geographies-Liberation-Afro-Arab-Political-Imaginary/dp/1469612887/?_encoding=UTF8&amp;pd_rd_w=HClCd&amp;content-id=amzn1.sym.bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_p=bc3ba8d1-5076-4ab7-9ba8-a5c6211e002d&amp;pf_rd_r=142-5324222-4669037&amp;pd_rd_wg=ZOKri&amp;pd_rd_r=4ce6d89d-4a70-43a4-99e4-0e31a7fc9885&amp;ref_=aufs_ap_sc_dsk"><em>Geographies of Liberation: The Making of an Afro-Arab Political Imaginary</em></a>, and <a href="https://www.amazon.com/Never-Ending-War-Terror-American-Studies/dp/0520297415/ref=sr_1_1?crid=3JCOZO98QROBR&amp;dib=eyJ2IjoiMSJ9.Uqtqc6DWJG6OkmlPlGqVcRNokeZmy8xC7ARcUga-dTAI5t1623n83vzLikGQiaMSZM9XaO4zDx8UQwJDF4FPkORIDAAgD5uIsa2sRoBzE8hgf-5Gn8ysIVbB073tEvdkrIczWHM2jdaF_PFz7Lmp7SnmsN2b1BtSFnoY9FGkpLHFBt375IttoGhzOe1X5MzY.PUuznz91bpcLkqDqI0w5Q1JoWqK9b2alZ4Pcv1njl4g&amp;dib_tag=se&amp;keywords=alex+lubin&amp;qid=1737753034&amp;s=books&amp;sprefix=alex+lubin%2Cstripbooks%2C73&amp;sr=1-1"><em>Never-Ending War on Terror</em></a><em>, </em>and is completing a book entitled <em>Third World Ensemble: African Americans in Cairo Between the Suez and Six-Day Wars.</em> In this discussion, we explore the place of transnational study in Black Studies, the new horizons opened up by the study of non-Atlantic routes of diaspora, and the fecundity of Black study as an undisciplined, expansive, and curious practice.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Casey Wong - Department of Educational Policy Studies, Georgia State University</title>
      <itunes:episode>92</itunes:episode>
      <podcast:episode>92</podcast:episode>
      <itunes:title>Casey Wong - Department of Educational Policy Studies, Georgia State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/8992100f</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Casey Wong, who teaches in the Department of Educational Policy at Georgia State University. He is the author of a number of scholarly and public-facing pieces on education history, pedagogy, hip-hop, and public policy, as well as co-editor with H. Samy Alim and Jeff Chang of<a href="https://www.amazon.com/Freedom-Moves-Knowledges-Pedagogies-California/dp/0520382803/ref=sr_1_1?crid=3PG9D3D9WCSM4&amp;dib=eyJ2IjoiMSJ9.orqmB2C-uiY8WhcuSJ8XtMc-s8XbecYhAavZ8GWgTyx4b3vXROJotcDfLVREmtiXyY6O3Eg4RvQ2N1pHYDCytGebILOuHGR-dIfl4sR7kqLsahgiRbb2xPVGbzq02yJqJC7BC5G5nWilHNbocw_kkfb5scYt8Oejz8bWZ8_oG8h4ri4FTfVnAcX-yMc8bwkyBOlLSVFW5t-eN2mi0cWMeNyPnHrd2ckJ-gDauM8IRLQ.ERk1tvNaFBe-596x64WX8ECj1HR-lKIoyi3r_H_QfYM&amp;dib_tag=se&amp;keywords=casey+wong&amp;qid=1740325781&amp;sprefix=casey+wong%2Caps%2C94&amp;sr=8-1"> <em>Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures</em></a><em>. </em>In this conversation, we discuss hip hop as a source for cultural studies, pedagogical inquiry, and insight into public policy matters from childhood to higher ed to the formation of political consciousness.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Casey Wong, who teaches in the Department of Educational Policy at Georgia State University. He is the author of a number of scholarly and public-facing pieces on education history, pedagogy, hip-hop, and public policy, as well as co-editor with H. Samy Alim and Jeff Chang of<a href="https://www.amazon.com/Freedom-Moves-Knowledges-Pedagogies-California/dp/0520382803/ref=sr_1_1?crid=3PG9D3D9WCSM4&amp;dib=eyJ2IjoiMSJ9.orqmB2C-uiY8WhcuSJ8XtMc-s8XbecYhAavZ8GWgTyx4b3vXROJotcDfLVREmtiXyY6O3Eg4RvQ2N1pHYDCytGebILOuHGR-dIfl4sR7kqLsahgiRbb2xPVGbzq02yJqJC7BC5G5nWilHNbocw_kkfb5scYt8Oejz8bWZ8_oG8h4ri4FTfVnAcX-yMc8bwkyBOlLSVFW5t-eN2mi0cWMeNyPnHrd2ckJ-gDauM8IRLQ.ERk1tvNaFBe-596x64WX8ECj1HR-lKIoyi3r_H_QfYM&amp;dib_tag=se&amp;keywords=casey+wong&amp;qid=1740325781&amp;sprefix=casey+wong%2Caps%2C94&amp;sr=8-1"> <em>Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures</em></a><em>. </em>In this conversation, we discuss hip hop as a source for cultural studies, pedagogical inquiry, and insight into public policy matters from childhood to higher ed to the formation of political consciousness.</p>]]>
      </content:encoded>
      <pubDate>Mon, 24 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/8992100f/7d6808d5.mp3" length="189440517" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/JgNcVdJtiF6S0omWqPcY3cijw2Y7k7JpsDhd9NnCI_c/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80MTA3/MTlmYTVkMzY0YjUz/ZjI2MDFmY2NmOGVi/NTFhOS5qcGVn.jpg"/>
      <itunes:duration>4736</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Casey Wong, who teaches in the Department of Educational Policy at Georgia State University. He is the author of a number of scholarly and public-facing pieces on education history, pedagogy, hip-hop, and public policy, as well as co-editor with H. Samy Alim and Jeff Chang of<a href="https://www.amazon.com/Freedom-Moves-Knowledges-Pedagogies-California/dp/0520382803/ref=sr_1_1?crid=3PG9D3D9WCSM4&amp;dib=eyJ2IjoiMSJ9.orqmB2C-uiY8WhcuSJ8XtMc-s8XbecYhAavZ8GWgTyx4b3vXROJotcDfLVREmtiXyY6O3Eg4RvQ2N1pHYDCytGebILOuHGR-dIfl4sR7kqLsahgiRbb2xPVGbzq02yJqJC7BC5G5nWilHNbocw_kkfb5scYt8Oejz8bWZ8_oG8h4ri4FTfVnAcX-yMc8bwkyBOlLSVFW5t-eN2mi0cWMeNyPnHrd2ckJ-gDauM8IRLQ.ERk1tvNaFBe-596x64WX8ECj1HR-lKIoyi3r_H_QfYM&amp;dib_tag=se&amp;keywords=casey+wong&amp;qid=1740325781&amp;sprefix=casey+wong%2Caps%2C94&amp;sr=8-1"> <em>Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures</em></a><em>. </em>In this conversation, we discuss hip hop as a source for cultural studies, pedagogical inquiry, and insight into public policy matters from childhood to higher ed to the formation of political consciousness.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Elizabeth Hamilton - Art History and African American Studies, Fort Valley State University</title>
      <itunes:episode>91</itunes:episode>
      <podcast:episode>91</podcast:episode>
      <itunes:title>Elizabeth Hamilton - Art History and African American Studies, Fort Valley State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c5e84ad2</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="http://elizabethcarmelhamilton.blogspot.com">Elizabeth Hamilton</a>, who teaches art history and African American studies at Fort Valley State University. Her work is broadly engaged with African diasporic art practices, ranging from the vernacular to Afrofuturism, and she is the author of <a href="https://www.amazon.com/Charting-Afrofuturist-Imaginary-African-American/dp/0367689065"><em>Charting the Afrofuturist Imaginary in African American Art</em></a> and the forthcoming <em>Figuring It Out: Black Womanhood through the Figurative in Alison Saar's Oeuvre</em>, a project funded by the National Endowment for the Humanities and the American Council of Learned Societies. In this discussion, we explore the place of Black Studies sensibilities in art history, the politics of art and art criticism, and the significance of vernacular culture forms for understanding Black life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="http://elizabethcarmelhamilton.blogspot.com">Elizabeth Hamilton</a>, who teaches art history and African American studies at Fort Valley State University. Her work is broadly engaged with African diasporic art practices, ranging from the vernacular to Afrofuturism, and she is the author of <a href="https://www.amazon.com/Charting-Afrofuturist-Imaginary-African-American/dp/0367689065"><em>Charting the Afrofuturist Imaginary in African American Art</em></a> and the forthcoming <em>Figuring It Out: Black Womanhood through the Figurative in Alison Saar's Oeuvre</em>, a project funded by the National Endowment for the Humanities and the American Council of Learned Societies. In this discussion, we explore the place of Black Studies sensibilities in art history, the politics of art and art criticism, and the significance of vernacular culture forms for understanding Black life.</p>]]>
      </content:encoded>
      <pubDate>Fri, 21 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/c5e84ad2/1097af32.mp3" length="117094324" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/HPlkIF1ycjP5tB9JeMOSnRLJ8OVZI5wDXwrQlVknKC8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mZTUz/MDk0OTMzZjZiOGYy/ZmM3OWU0OWY2OGZl/MmNkZC5qcGVn.jpg"/>
      <itunes:duration>2926</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="http://elizabethcarmelhamilton.blogspot.com">Elizabeth Hamilton</a>, who teaches art history and African American studies at Fort Valley State University. Her work is broadly engaged with African diasporic art practices, ranging from the vernacular to Afrofuturism, and she is the author of <a href="https://www.amazon.com/Charting-Afrofuturist-Imaginary-African-American/dp/0367689065"><em>Charting the Afrofuturist Imaginary in African American Art</em></a> and the forthcoming <em>Figuring It Out: Black Womanhood through the Figurative in Alison Saar's Oeuvre</em>, a project funded by the National Endowment for the Humanities and the American Council of Learned Societies. In this discussion, we explore the place of Black Studies sensibilities in art history, the politics of art and art criticism, and the significance of vernacular culture forms for understanding Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Grant Farred - Department of Africana Studies, Cornell University</title>
      <itunes:episode>90</itunes:episode>
      <podcast:episode>90</podcast:episode>
      <itunes:title>Grant Farred - Department of Africana Studies, Cornell University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f310a29a</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://africana.cornell.edu/grant-farred">Grant Farred, who teaches in the Department of Africana Studies at Cornell University</a>. Along with numerous articles and edited collections, he is the author of over a dozen books, including most recently <a href="https://www.amazon.com/Perversity-Gratitude-Apartheid-Education/dp/143992497X"><em>The Perversity of Gratitude: An Apartheid Education</em></a><em>, </em><a href="https://www.amazon.com/Comic-Self-Toward-Dispossession-Thinking-ebook/dp/B0BHKZ4KNX?ref_=ast_author_dp&amp;dib=eyJ2IjoiMSJ9.QGoP2huN7T5aFHudHRxXVYhqSvKPBlw-jhJ3DLAyytyKf7U5wBD-6xK3HRkzDwq46q-Di2UiPt4K5_utgOsy5Zcd5mRgPzbz5a5WpXFSdCt90Z81tzcf9tBxsayWz27PQWVIVqLdY4fay-1baZ1p2w.XclCnHJt_-Q20B5f4h6l3a5PfjtImL5E4WQ7cFvJ7R0&amp;dib_tag=AUTHOR"><em>The Comic Self</em></a><em>, </em>co-authored with Timothy Campbell,<em> </em>and <a href="https://www.amazon.com/Grievance-Fragments-Grant-Farred/dp/1734643544/ref=sr_1_1?crid=2IL9MJVW1ISUG&amp;dib=eyJ2IjoiMSJ9.n641aMLaESwnGOsYZR47qlpORcRpLlXdj-dbPhtlkhMywuGn4Dpg9EkSDCfX8ZYXsKwonGNfzJb0KboM9UVp1A.vt1m7oNmeVzzuEOLefNQ0AS6eAi0f1wZYmGWR3qRRhg&amp;dib_tag=se&amp;keywords=grievance+in+fragments&amp;qid=1737752234&amp;sprefix=Grievance%3A+In%2Caps%2C68&amp;sr=8-1"><em>Grievance: In Fragments</em></a><em>.</em> In this discussion, we explore the meaning of Black Studies pedagogy and writing, vernacular intellectual work, and the question of thinking as a compulsive and political practice.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://africana.cornell.edu/grant-farred">Grant Farred, who teaches in the Department of Africana Studies at Cornell University</a>. Along with numerous articles and edited collections, he is the author of over a dozen books, including most recently <a href="https://www.amazon.com/Perversity-Gratitude-Apartheid-Education/dp/143992497X"><em>The Perversity of Gratitude: An Apartheid Education</em></a><em>, </em><a href="https://www.amazon.com/Comic-Self-Toward-Dispossession-Thinking-ebook/dp/B0BHKZ4KNX?ref_=ast_author_dp&amp;dib=eyJ2IjoiMSJ9.QGoP2huN7T5aFHudHRxXVYhqSvKPBlw-jhJ3DLAyytyKf7U5wBD-6xK3HRkzDwq46q-Di2UiPt4K5_utgOsy5Zcd5mRgPzbz5a5WpXFSdCt90Z81tzcf9tBxsayWz27PQWVIVqLdY4fay-1baZ1p2w.XclCnHJt_-Q20B5f4h6l3a5PfjtImL5E4WQ7cFvJ7R0&amp;dib_tag=AUTHOR"><em>The Comic Self</em></a><em>, </em>co-authored with Timothy Campbell,<em> </em>and <a href="https://www.amazon.com/Grievance-Fragments-Grant-Farred/dp/1734643544/ref=sr_1_1?crid=2IL9MJVW1ISUG&amp;dib=eyJ2IjoiMSJ9.n641aMLaESwnGOsYZR47qlpORcRpLlXdj-dbPhtlkhMywuGn4Dpg9EkSDCfX8ZYXsKwonGNfzJb0KboM9UVp1A.vt1m7oNmeVzzuEOLefNQ0AS6eAi0f1wZYmGWR3qRRhg&amp;dib_tag=se&amp;keywords=grievance+in+fragments&amp;qid=1737752234&amp;sprefix=Grievance%3A+In%2Caps%2C68&amp;sr=8-1"><em>Grievance: In Fragments</em></a><em>.</em> In this discussion, we explore the meaning of Black Studies pedagogy and writing, vernacular intellectual work, and the question of thinking as a compulsive and political practice.</p>]]>
      </content:encoded>
      <pubDate>Wed, 19 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f310a29a/f95d8383.mp3" length="164722592" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/01kKNv5DXWJBFRh_A8r7xf-yGvVRID9XhDxUCQaMM4Y/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mNTc0/NGY0NjBiZmM2M2E0/YzIzMjY1Nzg1YzZh/MDY4Yi5qcGc.jpg"/>
      <itunes:duration>4117</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://africana.cornell.edu/grant-farred">Grant Farred, who teaches in the Department of Africana Studies at Cornell University</a>. Along with numerous articles and edited collections, he is the author of over a dozen books, including most recently <a href="https://www.amazon.com/Perversity-Gratitude-Apartheid-Education/dp/143992497X"><em>The Perversity of Gratitude: An Apartheid Education</em></a><em>, </em><a href="https://www.amazon.com/Comic-Self-Toward-Dispossession-Thinking-ebook/dp/B0BHKZ4KNX?ref_=ast_author_dp&amp;dib=eyJ2IjoiMSJ9.QGoP2huN7T5aFHudHRxXVYhqSvKPBlw-jhJ3DLAyytyKf7U5wBD-6xK3HRkzDwq46q-Di2UiPt4K5_utgOsy5Zcd5mRgPzbz5a5WpXFSdCt90Z81tzcf9tBxsayWz27PQWVIVqLdY4fay-1baZ1p2w.XclCnHJt_-Q20B5f4h6l3a5PfjtImL5E4WQ7cFvJ7R0&amp;dib_tag=AUTHOR"><em>The Comic Self</em></a><em>, </em>co-authored with Timothy Campbell,<em> </em>and <a href="https://www.amazon.com/Grievance-Fragments-Grant-Farred/dp/1734643544/ref=sr_1_1?crid=2IL9MJVW1ISUG&amp;dib=eyJ2IjoiMSJ9.n641aMLaESwnGOsYZR47qlpORcRpLlXdj-dbPhtlkhMywuGn4Dpg9EkSDCfX8ZYXsKwonGNfzJb0KboM9UVp1A.vt1m7oNmeVzzuEOLefNQ0AS6eAi0f1wZYmGWR3qRRhg&amp;dib_tag=se&amp;keywords=grievance+in+fragments&amp;qid=1737752234&amp;sprefix=Grievance%3A+In%2Caps%2C68&amp;sr=8-1"><em>Grievance: In Fragments</em></a><em>.</em> In this discussion, we explore the meaning of Black Studies pedagogy and writing, vernacular intellectual work, and the question of thinking as a compulsive and political practice.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kellie Carter Jackson - Department of Africana Studies, Wellesley College</title>
      <itunes:episode>89</itunes:episode>
      <podcast:episode>89</podcast:episode>
      <itunes:title>Kellie Carter Jackson - Department of Africana Studies, Wellesley College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Kellie Carter Jackson, who teaches in the Department of Africana Studies at Wellesley College. In addition to a number of scholarly and popular essays, she is the author of <a href="https://www.pennpress.org/9780812224702/force-and-freedom/"><em>Force and Freedom: Black Abolitionists and the Politics of Violence</em></a><em> </em>(2020) and <a href="https://www.hachettebookgroup.com/titles/kellie-carter-jackson/we-refuse/9781541602908/?lens=seal-press"><em>We Refuse: A Forceful History of Black Resistance</em></a><em> </em>(2024). As well, she has co-hosted two podcasts: <a href="https://www.radiotopia.fm/podcasts/thisday">This Day in Esoteric Political History</a> and <a href="https://yougetapodcast.com">You Get a Podcast!</a> Across this conversation, we discuss the meaning of violence and non-violence in Black Studies politics, archival and public facing research, and the place of Black women's history in the past and future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Kellie Carter Jackson, who teaches in the Department of Africana Studies at Wellesley College. In addition to a number of scholarly and popular essays, she is the author of <a href="https://www.pennpress.org/9780812224702/force-and-freedom/"><em>Force and Freedom: Black Abolitionists and the Politics of Violence</em></a><em> </em>(2020) and <a href="https://www.hachettebookgroup.com/titles/kellie-carter-jackson/we-refuse/9781541602908/?lens=seal-press"><em>We Refuse: A Forceful History of Black Resistance</em></a><em> </em>(2024). As well, she has co-hosted two podcasts: <a href="https://www.radiotopia.fm/podcasts/thisday">This Day in Esoteric Political History</a> and <a href="https://yougetapodcast.com">You Get a Podcast!</a> Across this conversation, we discuss the meaning of violence and non-violence in Black Studies politics, archival and public facing research, and the place of Black women's history in the past and future of the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/2ffafec3/9b3a4f62.mp3" length="154546677" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/v8M4K3fuXURMkbDmMe7qIObmUmqQrfB9SDatIsI9frs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8yMmI4/MjEzNTlkNDJlYmI1/ODgzMTM5ODU3N2E5/OTY2OC5qcGVn.jpg"/>
      <itunes:duration>3863</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with Kellie Carter Jackson, who teaches in the Department of Africana Studies at Wellesley College. In addition to a number of scholarly and popular essays, she is the author of <a href="https://www.pennpress.org/9780812224702/force-and-freedom/"><em>Force and Freedom: Black Abolitionists and the Politics of Violence</em></a><em> </em>(2020) and <a href="https://www.hachettebookgroup.com/titles/kellie-carter-jackson/we-refuse/9781541602908/?lens=seal-press"><em>We Refuse: A Forceful History of Black Resistance</em></a><em> </em>(2024). As well, she has co-hosted two podcasts: <a href="https://www.radiotopia.fm/podcasts/thisday">This Day in Esoteric Political History</a> and <a href="https://yougetapodcast.com">You Get a Podcast!</a> Across this conversation, we discuss the meaning of violence and non-violence in Black Studies politics, archival and public facing research, and the place of Black women's history in the past and future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Noliwe Rooks - Department of Africana Studies, Brown University</title>
      <itunes:episode>88</itunes:episode>
      <podcast:episode>88</podcast:episode>
      <itunes:title>Noliwe Rooks - Department of Africana Studies, Brown University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a260d228</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.noliwerooks.org">Noliwe Rooks</a>, who teaches in the <a href="https://africana.brown.edu">Department of Africana Studies at Brown University</a> where she is also founding director of the Segrenomics Lab. Her work is widely engage with African American women’s history, education, and cultural studies and she is the author of a number of books, including most recently <a href="https://bookshop.org/p/books/a-passionate-mind-in-relentless-pursuit-the-vision-of-mary-mcleod-bethune-noliwe-rooks/20736541?ean=9780593492420"><em>A Passionate Mind in Relentless Pursuit: The Vision of Mary McLeod Bethune</em></a><em> </em>(2024) and <a href="https://bookshop.org/p/books/integrated-how-american-schools-failed-black-children-noliwe-rooks/21560482?ean=9780553387391"><em>Integrated: How American Schools Failed Black Children</em></a><em> </em>(2025). In this discussion, we explore the relation of intellectual work to political struggle, the history and intellectual tradition of the field, and how the future of Black Studies is shaped and reshaped by contemporary concerns.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.noliwerooks.org">Noliwe Rooks</a>, who teaches in the <a href="https://africana.brown.edu">Department of Africana Studies at Brown University</a> where she is also founding director of the Segrenomics Lab. Her work is widely engage with African American women’s history, education, and cultural studies and she is the author of a number of books, including most recently <a href="https://bookshop.org/p/books/a-passionate-mind-in-relentless-pursuit-the-vision-of-mary-mcleod-bethune-noliwe-rooks/20736541?ean=9780593492420"><em>A Passionate Mind in Relentless Pursuit: The Vision of Mary McLeod Bethune</em></a><em> </em>(2024) and <a href="https://bookshop.org/p/books/integrated-how-american-schools-failed-black-children-noliwe-rooks/21560482?ean=9780553387391"><em>Integrated: How American Schools Failed Black Children</em></a><em> </em>(2025). In this discussion, we explore the relation of intellectual work to political struggle, the history and intellectual tradition of the field, and how the future of Black Studies is shaped and reshaped by contemporary concerns.</p>]]>
      </content:encoded>
      <pubDate>Fri, 14 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a260d228/9215d3b6.mp3" length="159554980" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/_1irrH2hCPX882WkdOyrlCa0YgERn09ZqLbV27uyF5M/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mOTlj/OTM5YjliYzMwNTRm/MDlhN2UxOGEzYjNi/OWZhOC5qcGVn.jpg"/>
      <itunes:duration>3988</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.noliwerooks.org">Noliwe Rooks</a>, who teaches in the <a href="https://africana.brown.edu">Department of Africana Studies at Brown University</a> where she is also founding director of the Segrenomics Lab. Her work is widely engage with African American women’s history, education, and cultural studies and she is the author of a number of books, including most recently <a href="https://bookshop.org/p/books/a-passionate-mind-in-relentless-pursuit-the-vision-of-mary-mcleod-bethune-noliwe-rooks/20736541?ean=9780593492420"><em>A Passionate Mind in Relentless Pursuit: The Vision of Mary McLeod Bethune</em></a><em> </em>(2024) and <a href="https://bookshop.org/p/books/integrated-how-american-schools-failed-black-children-noliwe-rooks/21560482?ean=9780553387391"><em>Integrated: How American Schools Failed Black Children</em></a><em> </em>(2025). In this discussion, we explore the relation of intellectual work to political struggle, the history and intellectual tradition of the field, and how the future of Black Studies is shaped and reshaped by contemporary concerns.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Anthony Smith and Geo Maher - W.E.B. Du Bois Movement School for Abolition and Reconstruction</title>
      <itunes:episode>87</itunes:episode>
      <podcast:episode>87</podcast:episode>
      <itunes:title>Anthony Smith and Geo Maher - W.E.B. Du Bois Movement School for Abolition and Reconstruction</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/5a6ac093</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Anthony Smith and Geo Maher, both of whom work as coordinators with the <a href="https://abolitionschool.org">W.E.B. Du Bois Movement for Abolition and Reconstruction School </a>in Philadelphia, Pennsylvania. Anthony Smith is an organizer and educator based in West Philly whose work addresses police violence with direct action, political education, and mutual aid. Geo Maher is an organizer with roots in liberation struggle across the Americas and is the author of a number of books, including most recently <a href="https://www.versobooks.com/products/2571-a-world-without-police?fbclid=IwAR0oiY55Xy7eJ9BarQDAGQYGfuQuNFbEL0JfQZYOSu1piAFqyRapIVnDPBo"><em>A World Without Police</em></a><em> </em>(2021) and <a href="https://www.ucpress.edu/books/anticolonial-eruptions/paper"><em>Anticolonial Eruptions</em></a><em> </em>(2022). Both Smith and Maher were contributing editors to the Abolition School’s publication <a href="https://www.commonnotions.org/abolition-and-reconstruction"><em>Abolition and Reconstruction: An Emergent Guide to Collective Study</em></a><em> </em>(2024)<em> </em>with <a href="https://www.commonnotions.org">Common Notions Press</a>. In this conversation, we discuss the place of study in political organizing, strategy and education in the formation of political consciousness, and future of liberation struggle.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Anthony Smith and Geo Maher, both of whom work as coordinators with the <a href="https://abolitionschool.org">W.E.B. Du Bois Movement for Abolition and Reconstruction School </a>in Philadelphia, Pennsylvania. Anthony Smith is an organizer and educator based in West Philly whose work addresses police violence with direct action, political education, and mutual aid. Geo Maher is an organizer with roots in liberation struggle across the Americas and is the author of a number of books, including most recently <a href="https://www.versobooks.com/products/2571-a-world-without-police?fbclid=IwAR0oiY55Xy7eJ9BarQDAGQYGfuQuNFbEL0JfQZYOSu1piAFqyRapIVnDPBo"><em>A World Without Police</em></a><em> </em>(2021) and <a href="https://www.ucpress.edu/books/anticolonial-eruptions/paper"><em>Anticolonial Eruptions</em></a><em> </em>(2022). Both Smith and Maher were contributing editors to the Abolition School’s publication <a href="https://www.commonnotions.org/abolition-and-reconstruction"><em>Abolition and Reconstruction: An Emergent Guide to Collective Study</em></a><em> </em>(2024)<em> </em>with <a href="https://www.commonnotions.org">Common Notions Press</a>. In this conversation, we discuss the place of study in political organizing, strategy and education in the formation of political consciousness, and future of liberation struggle.</p>]]>
      </content:encoded>
      <pubDate>Wed, 12 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/5a6ac093/ecca1b1b.mp3" length="165898570" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4147</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Anthony Smith and Geo Maher, both of whom work as coordinators with the <a href="https://abolitionschool.org">W.E.B. Du Bois Movement for Abolition and Reconstruction School </a>in Philadelphia, Pennsylvania. Anthony Smith is an organizer and educator based in West Philly whose work addresses police violence with direct action, political education, and mutual aid. Geo Maher is an organizer with roots in liberation struggle across the Americas and is the author of a number of books, including most recently <a href="https://www.versobooks.com/products/2571-a-world-without-police?fbclid=IwAR0oiY55Xy7eJ9BarQDAGQYGfuQuNFbEL0JfQZYOSu1piAFqyRapIVnDPBo"><em>A World Without Police</em></a><em> </em>(2021) and <a href="https://www.ucpress.edu/books/anticolonial-eruptions/paper"><em>Anticolonial Eruptions</em></a><em> </em>(2022). Both Smith and Maher were contributing editors to the Abolition School’s publication <a href="https://www.commonnotions.org/abolition-and-reconstruction"><em>Abolition and Reconstruction: An Emergent Guide to Collective Study</em></a><em> </em>(2024)<em> </em>with <a href="https://www.commonnotions.org">Common Notions Press</a>. In this conversation, we discuss the place of study in political organizing, strategy and education in the formation of political consciousness, and future of liberation struggle.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Mary Phillips - Department of African American Studies, University of Illinois, Urbana-Champaign</title>
      <itunes:episode>86</itunes:episode>
      <podcast:episode>86</podcast:episode>
      <itunes:title>Mary Phillips - Department of African American Studies, University of Illinois, Urbana-Champaign</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with <a href="https://maryphillipsphd.com/about/">Mary Frances Phillips</a>, who teaches in the Department of African American Studies at the University of Illinois Urbana-Champaign. Her research focuses on modern Black freedom struggle, Black Women’s Studies, and the legacies and traditions of Black feminism. In addition to scholarly and popular pieces, she has published <a href="https://nyupress.org/9781479802937/black-panther-woman/"><em>Black Panther Woman: The Political and Spiritual Life of Ericka Huggins</em></a> (NYU Press, 2025. In this conversation, we discuss radical Black political struggle, the importance of questions of gender in thinking about freedom work, and innovations in the field of Black Studies.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with <a href="https://maryphillipsphd.com/about/">Mary Frances Phillips</a>, who teaches in the Department of African American Studies at the University of Illinois Urbana-Champaign. Her research focuses on modern Black freedom struggle, Black Women’s Studies, and the legacies and traditions of Black feminism. In addition to scholarly and popular pieces, she has published <a href="https://nyupress.org/9781479802937/black-panther-woman/"><em>Black Panther Woman: The Political and Spiritual Life of Ericka Huggins</em></a> (NYU Press, 2025. In this conversation, we discuss radical Black political struggle, the importance of questions of gender in thinking about freedom work, and innovations in the field of Black Studies.</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/af559df8/ead159f8.mp3" length="159542662" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3988</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with <a href="https://maryphillipsphd.com/about/">Mary Frances Phillips</a>, who teaches in the Department of African American Studies at the University of Illinois Urbana-Champaign. Her research focuses on modern Black freedom struggle, Black Women’s Studies, and the legacies and traditions of Black feminism. In addition to scholarly and popular pieces, she has published <a href="https://nyupress.org/9781479802937/black-panther-woman/"><em>Black Panther Woman: The Political and Spiritual Life of Ericka Huggins</em></a> (NYU Press, 2025. In this conversation, we discuss radical Black political struggle, the importance of questions of gender in thinking about freedom work, and innovations in the field of Black Studies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jared Ball - Program in African American and African Diaspora Studies, Morgan State University</title>
      <itunes:episode>85</itunes:episode>
      <podcast:episode>85</podcast:episode>
      <itunes:title>Jared Ball - Program in African American and African Diaspora Studies, Morgan State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/9b034483</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://imixwhatilike.org">Jared Ball</a>, who teaches in the Department of Africana Studies at Morgan State University. He is the author of a number of scholarly and public facing essays as well as the book <a href="https://www.amazon.com/Myth-Propaganda-Black-Buying-Power-dp-3031265483/dp/3031265483/ref=dp_ob_image_bk"><em>The Myth and Propaganda of Black Buying Power</em></a><em> </em>(2023). He also hosts the series<a href="https://www.youtube.com/@imixwhatilikejaredball"> I Mix What I Like!</a>, which conducts critical conversations on key issues in African American and African diasporic life. In this podcasted discussion, we explore the politics of Black Studies, the past and future of the study of Black life, and what kinds of commitments hold the best promise for the future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://imixwhatilike.org">Jared Ball</a>, who teaches in the Department of Africana Studies at Morgan State University. He is the author of a number of scholarly and public facing essays as well as the book <a href="https://www.amazon.com/Myth-Propaganda-Black-Buying-Power-dp-3031265483/dp/3031265483/ref=dp_ob_image_bk"><em>The Myth and Propaganda of Black Buying Power</em></a><em> </em>(2023). He also hosts the series<a href="https://www.youtube.com/@imixwhatilikejaredball"> I Mix What I Like!</a>, which conducts critical conversations on key issues in African American and African diasporic life. In this podcasted discussion, we explore the politics of Black Studies, the past and future of the study of Black life, and what kinds of commitments hold the best promise for the future of the field.</p>]]>
      </content:encoded>
      <pubDate>Fri, 07 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/9b034483/dc47aacc.mp3" length="159519915" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/ByndX-lC3wgVPfsNSMaHF4YT_muDopUVgsQHjb1BFr0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zNGE4/ODQ2ZDNkODgxYTQ3/N2M3Mjg1MDRkMDQz/ZTBiNi5wbmc.jpg"/>
      <itunes:duration>3988</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://imixwhatilike.org">Jared Ball</a>, who teaches in the Department of Africana Studies at Morgan State University. He is the author of a number of scholarly and public facing essays as well as the book <a href="https://www.amazon.com/Myth-Propaganda-Black-Buying-Power-dp-3031265483/dp/3031265483/ref=dp_ob_image_bk"><em>The Myth and Propaganda of Black Buying Power</em></a><em> </em>(2023). He also hosts the series<a href="https://www.youtube.com/@imixwhatilikejaredball"> I Mix What I Like!</a>, which conducts critical conversations on key issues in African American and African diasporic life. In this podcasted discussion, we explore the politics of Black Studies, the past and future of the study of Black life, and what kinds of commitments hold the best promise for the future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Romaine McNeil, Tatiana Esh, Sha-Shonna Rogers, Jessica Newby, and Julia Mallory - Slavery in Motion Collection, Baltimore Museum of Art</title>
      <itunes:episode>84</itunes:episode>
      <podcast:episode>84</podcast:episode>
      <itunes:title>Romaine McNeil, Tatiana Esh, Sha-Shonna Rogers, Jessica Newby, and Julia Mallory - Slavery in Motion Collection, Baltimore Museum of Art</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/b44bd60b</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with the curator and participating artists in the Slavery in Motion collection (<a href="https://youtu.be/GCUicw4V_64?si=muzeocZHEQ4nDEcN">see video of event here</a>), a multimedia collection produced as part of <a href="https://remainsarchive.dslprojects.org">Remains // An Archive</a><em>, </em>a group gathered under the Diaspora Solidarities Lab. <a href="https://remainsarchive.dslprojects.org/slavery-in-motion/"><em>Slavery in Motion</em></a> was on view through January 8, 2025 at the Avery Research Center for African American History and Culture in Charleston, SC. It was inspired by the life of Molia, a young African woman who was sold and lived as a captive in mid-18th century Westmoreland, Jamaica. Molia and other enslaved women and girls in Jamaica are the focus of <em>Remains </em>lab member Jessica Newby’s dissertation research. The four original artworks in the exhibition are by Black women artists from across the diaspora, Romaine McNeil (Kingston, Jamaica), Tatiana Esh (Brooklyn, NY), Sha-Shonna Rogers (Baltimore, MD), and Julia Mallory (Harrisburg, PA), and each convey an aspect of Molia’s life through a variety of visual, poetic, and sonic mediums.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with the curator and participating artists in the Slavery in Motion collection (<a href="https://youtu.be/GCUicw4V_64?si=muzeocZHEQ4nDEcN">see video of event here</a>), a multimedia collection produced as part of <a href="https://remainsarchive.dslprojects.org">Remains // An Archive</a><em>, </em>a group gathered under the Diaspora Solidarities Lab. <a href="https://remainsarchive.dslprojects.org/slavery-in-motion/"><em>Slavery in Motion</em></a> was on view through January 8, 2025 at the Avery Research Center for African American History and Culture in Charleston, SC. It was inspired by the life of Molia, a young African woman who was sold and lived as a captive in mid-18th century Westmoreland, Jamaica. Molia and other enslaved women and girls in Jamaica are the focus of <em>Remains </em>lab member Jessica Newby’s dissertation research. The four original artworks in the exhibition are by Black women artists from across the diaspora, Romaine McNeil (Kingston, Jamaica), Tatiana Esh (Brooklyn, NY), Sha-Shonna Rogers (Baltimore, MD), and Julia Mallory (Harrisburg, PA), and each convey an aspect of Molia’s life through a variety of visual, poetic, and sonic mediums.</p>]]>
      </content:encoded>
      <pubDate>Wed, 05 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/b44bd60b/ac873bbe.mp3" length="176791845" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/pLTs6mlJdChw-RDHt7-J1UscZ6OgsoCcUOxu7RAClTQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80YjYz/N2Y1NzZjMDFhNmY5/MGI1MTkyNDY0ODE4/NzRmMS5qcGc.jpg"/>
      <itunes:duration>4419</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's discussion is with the curator and participating artists in the Slavery in Motion collection (<a href="https://youtu.be/GCUicw4V_64?si=muzeocZHEQ4nDEcN">see video of event here</a>), a multimedia collection produced as part of <a href="https://remainsarchive.dslprojects.org">Remains // An Archive</a><em>, </em>a group gathered under the Diaspora Solidarities Lab. <a href="https://remainsarchive.dslprojects.org/slavery-in-motion/"><em>Slavery in Motion</em></a> was on view through January 8, 2025 at the Avery Research Center for African American History and Culture in Charleston, SC. It was inspired by the life of Molia, a young African woman who was sold and lived as a captive in mid-18th century Westmoreland, Jamaica. Molia and other enslaved women and girls in Jamaica are the focus of <em>Remains </em>lab member Jessica Newby’s dissertation research. The four original artworks in the exhibition are by Black women artists from across the diaspora, Romaine McNeil (Kingston, Jamaica), Tatiana Esh (Brooklyn, NY), Sha-Shonna Rogers (Baltimore, MD), and Julia Mallory (Harrisburg, PA), and each convey an aspect of Molia’s life through a variety of visual, poetic, and sonic mediums.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Gabrielle Williams - Department of Literary Studies, New School for Social Research</title>
      <itunes:episode>83</itunes:episode>
      <podcast:episode>83</podcast:episode>
      <itunes:title>Gabrielle Williams - Department of Literary Studies, New School for Social Research</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/3ace8672</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Gabrielle Williams, who teaches in the Department of Literary Studies at the New School for Social Research. She is a dancer and jazz vocalist whose scholarly work explores the question of hunger in Africana literature, a question that guides her book manuscript tentatively titled <em>Starving from Satiety</em>. In this conversation, we discuss the relationship between embodiment, expressive culture, and Black Studies and how the study of Black life shifts and grounds the meaning of education and the imagination of the classroom.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Gabrielle Williams, who teaches in the Department of Literary Studies at the New School for Social Research. She is a dancer and jazz vocalist whose scholarly work explores the question of hunger in Africana literature, a question that guides her book manuscript tentatively titled <em>Starving from Satiety</em>. In this conversation, we discuss the relationship between embodiment, expressive culture, and Black Studies and how the study of Black life shifts and grounds the meaning of education and the imagination of the classroom.</p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Feb 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/3ace8672/4b9e3af2.mp3" length="139579727" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/X0RG6vfw7Im5GbY9kNAyVrd0qqEBLJtQ_AcbliA2irs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80OWRh/OWVhM2RjZTQwNDhm/NzE0MDExYTE1ZjA4/OTdjZi5qcGVn.jpg"/>
      <itunes:duration>3489</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Gabrielle Williams, who teaches in the Department of Literary Studies at the New School for Social Research. She is a dancer and jazz vocalist whose scholarly work explores the question of hunger in Africana literature, a question that guides her book manuscript tentatively titled <em>Starving from Satiety</em>. In this conversation, we discuss the relationship between embodiment, expressive culture, and Black Studies and how the study of Black life shifts and grounds the meaning of education and the imagination of the classroom.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Shingi Mavima - Department of History, University of Toledo</title>
      <itunes:episode>82</itunes:episode>
      <podcast:episode>82</podcast:episode>
      <itunes:title>Shingi Mavima - Department of History, University of Toledo</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a3adf71b</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Shingi Mavima, who teaches in the Department of History at University of Toledo. He is a specialist in the history and culture of Southern Africa, with particular focus on literature and popular culture. To this end, he has published on African hip hop, the relation of literature to questions of history and memory, and early nationalist literature in colonial Rhodesia. In this conversation, we discuss how Black Studies shapes the study of Africa, how the field facilitates trans-disciplinary and trans-geographic intellectual discussion, and generational shifts in the meaning of Black study.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Shingi Mavima, who teaches in the Department of History at University of Toledo. He is a specialist in the history and culture of Southern Africa, with particular focus on literature and popular culture. To this end, he has published on African hip hop, the relation of literature to questions of history and memory, and early nationalist literature in colonial Rhodesia. In this conversation, we discuss how Black Studies shapes the study of Africa, how the field facilitates trans-disciplinary and trans-geographic intellectual discussion, and generational shifts in the meaning of Black study.</p>]]>
      </content:encoded>
      <pubDate>Fri, 31 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a3adf71b/cf01f82a.mp3" length="149586864" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Idl6yqbVgwp_gyiTzJVZm_6I-qu3vO2JtYgZjjW9ip0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xZTkz/OWFjYWUxN2VmYTI4/OGM4YzkwMGFkMzIx/MzcxZS5qcGVn.jpg"/>
      <itunes:duration>3739</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Shingi Mavima, who teaches in the Department of History at University of Toledo. He is a specialist in the history and culture of Southern Africa, with particular focus on literature and popular culture. To this end, he has published on African hip hop, the relation of literature to questions of history and memory, and early nationalist literature in colonial Rhodesia. In this conversation, we discuss how Black Studies shapes the study of Africa, how the field facilitates trans-disciplinary and trans-geographic intellectual discussion, and generational shifts in the meaning of Black study.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Khalil Saucier - Department of Critical Black Studies, Bucknell University</title>
      <itunes:episode>81</itunes:episode>
      <podcast:episode>81</podcast:episode>
      <itunes:title>Khalil Saucier - Department of Critical Black Studies, Bucknell University</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Khalil Saucier, who teaches in the Department of Critical Black Studies at Bucknell University. Along with a number of scholarly articles and short pieces, he is the author of <a href="https://msupress.org/9781628952285/necessarily-black/"><em>Necessarily Black: Cape Verdean Youth, Hip Hop Culture, and a Critique of Identity</em></a> (2015), co-author of <a href="https://rowman.com/ISBN/9781666953848/African-Migrants-European-Borders-and-the-Problem-with-Humanitarianism"><em>African Migrants, European Borders, and the Problem with Humanitarianism</em></a> (2024), and has done editorial work producing important volumes including most recently <a href="https://africaworldpressbooks.com/a-luta-continua-re-introducing-amilcar-cabral-to-a-new-generation-of-thinkers/"><em>A Luta Continua: Reintroducing Amilcar Cabral to a New Generation of Thinkers</em></a> (2016), <a href="https://rowman.com/ISBN/9781498544184/Conceptual-Aphasia-in-Black-Displacing-Racial-Formation"><em>Conceptual Aphasia in Black: Displacing Racial Formation Theory</em></a><em> </em>(2016), and <a href="https://link.springer.com/book/10.1007/978-3-030-51391-7"><em>The Black Mediterranean: Bodies, Borders, and Citizenship</em></a> (2021). In this conversation, we discuss transnational study and the Black Studies imagination, the political significance of the study of Black life, and the transformation of disciplines when put in contact with Black Studies sensibilities.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Khalil Saucier, who teaches in the Department of Critical Black Studies at Bucknell University. Along with a number of scholarly articles and short pieces, he is the author of <a href="https://msupress.org/9781628952285/necessarily-black/"><em>Necessarily Black: Cape Verdean Youth, Hip Hop Culture, and a Critique of Identity</em></a> (2015), co-author of <a href="https://rowman.com/ISBN/9781666953848/African-Migrants-European-Borders-and-the-Problem-with-Humanitarianism"><em>African Migrants, European Borders, and the Problem with Humanitarianism</em></a> (2024), and has done editorial work producing important volumes including most recently <a href="https://africaworldpressbooks.com/a-luta-continua-re-introducing-amilcar-cabral-to-a-new-generation-of-thinkers/"><em>A Luta Continua: Reintroducing Amilcar Cabral to a New Generation of Thinkers</em></a> (2016), <a href="https://rowman.com/ISBN/9781498544184/Conceptual-Aphasia-in-Black-Displacing-Racial-Formation"><em>Conceptual Aphasia in Black: Displacing Racial Formation Theory</em></a><em> </em>(2016), and <a href="https://link.springer.com/book/10.1007/978-3-030-51391-7"><em>The Black Mediterranean: Bodies, Borders, and Citizenship</em></a> (2021). In this conversation, we discuss transnational study and the Black Studies imagination, the political significance of the study of Black life, and the transformation of disciplines when put in contact with Black Studies sensibilities.</p>]]>
      </content:encoded>
      <pubDate>Wed, 29 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/dbf0e488/48bcf4a4.mp3" length="148887067" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3722</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Khalil Saucier, who teaches in the Department of Critical Black Studies at Bucknell University. Along with a number of scholarly articles and short pieces, he is the author of <a href="https://msupress.org/9781628952285/necessarily-black/"><em>Necessarily Black: Cape Verdean Youth, Hip Hop Culture, and a Critique of Identity</em></a> (2015), co-author of <a href="https://rowman.com/ISBN/9781666953848/African-Migrants-European-Borders-and-the-Problem-with-Humanitarianism"><em>African Migrants, European Borders, and the Problem with Humanitarianism</em></a> (2024), and has done editorial work producing important volumes including most recently <a href="https://africaworldpressbooks.com/a-luta-continua-re-introducing-amilcar-cabral-to-a-new-generation-of-thinkers/"><em>A Luta Continua: Reintroducing Amilcar Cabral to a New Generation of Thinkers</em></a> (2016), <a href="https://rowman.com/ISBN/9781498544184/Conceptual-Aphasia-in-Black-Displacing-Racial-Formation"><em>Conceptual Aphasia in Black: Displacing Racial Formation Theory</em></a><em> </em>(2016), and <a href="https://link.springer.com/book/10.1007/978-3-030-51391-7"><em>The Black Mediterranean: Bodies, Borders, and Citizenship</em></a> (2021). In this conversation, we discuss transnational study and the Black Studies imagination, the political significance of the study of Black life, and the transformation of disciplines when put in contact with Black Studies sensibilities.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Chevy Eugene - Department of Political Science, Dalhousie University</title>
      <itunes:episode>80</itunes:episode>
      <podcast:episode>80</podcast:episode>
      <itunes:title>Chevy Eugene - Department of Political Science, Dalhousie University</itunes:title>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.dal.ca/faculty/arts/politicalscience/faculty-staff/our-faculty/chevy-eugene.html">Chevy Eugene, who teaches in the Department of Political Science at Dalhousie University</a> in Halifax, Nova Scotia. In addition to a number of scholarly publications on Caribbean thought and the issue of reparations, he has co-edited a book <em>Public Policy Formulation in Post-colonial Africa and the Caribbean</em> from Palgrave (2025) and has done national and international advocacy and activist work on reparations for slavery in the Caribbean. Across this conversation, we discuss the relation between justice work and Black study, the relationship between Black Studies and community struggle, and the impact of Black ways of knowing on the Black Studies classroom.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.dal.ca/faculty/arts/politicalscience/faculty-staff/our-faculty/chevy-eugene.html">Chevy Eugene, who teaches in the Department of Political Science at Dalhousie University</a> in Halifax, Nova Scotia. In addition to a number of scholarly publications on Caribbean thought and the issue of reparations, he has co-edited a book <em>Public Policy Formulation in Post-colonial Africa and the Caribbean</em> from Palgrave (2025) and has done national and international advocacy and activist work on reparations for slavery in the Caribbean. Across this conversation, we discuss the relation between justice work and Black study, the relationship between Black Studies and community struggle, and the impact of Black ways of knowing on the Black Studies classroom.</p>]]>
      </content:encoded>
      <pubDate>Mon, 27 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/9c807662/d8ca2da6.mp3" length="126539138" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3163</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.dal.ca/faculty/arts/politicalscience/faculty-staff/our-faculty/chevy-eugene.html">Chevy Eugene, who teaches in the Department of Political Science at Dalhousie University</a> in Halifax, Nova Scotia. In addition to a number of scholarly publications on Caribbean thought and the issue of reparations, he has co-edited a book <em>Public Policy Formulation in Post-colonial Africa and the Caribbean</em> from Palgrave (2025) and has done national and international advocacy and activist work on reparations for slavery in the Caribbean. Across this conversation, we discuss the relation between justice work and Black study, the relationship between Black Studies and community struggle, and the impact of Black ways of knowing on the Black Studies classroom.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jeffrey Q. McCune, Jr. - Department of Black Studies, University of Rochester</title>
      <itunes:episode>79</itunes:episode>
      <podcast:episode>79</podcast:episode>
      <itunes:title>Jeffrey Q. McCune, Jr. - Department of Black Studies, University of Rochester</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.sas.rochester.edu/eng/people/faculty/mccune-jeffrey/index.html">Jeffrey Q. McCune Jr., who teaches in Black Studies at University of Rochester</a> where he is the founding Chair of the department. He is the author of <a href="https://www.amazon.com/Sexual-Discretion-Masculinity-Politics-Passing/dp/022609653X/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr="><em>Sexual Discretion: Black Masculinity and the Politics of Passing</em></a> (2014) and co-editor of  <a href="https://www.amazon.com/Black-Sexual-Economies-Culture-Capital/dp/0252084489/ref=sr_1_1?crid=3Q4E589E42X1B&amp;dib=eyJ2IjoiMSJ9.g1ZoTF67QyPpXmkjdPJXYNjQE-8oPGH0arpnIv70jfI.aKv7Q-YQvkEzwV-cG4_yMqCpwu_Eaj2sraTfgeTIsZk&amp;dib_tag=se&amp;keywords=black+sexual+economies+mccune&amp;qid=1735850256&amp;s=books&amp;sprefix=black+sexual+economies+mccune%2Cstripbooks%2C66&amp;sr=1-1"><em>Black Sexual Economies: Race and Sex in a Culture of Capita</em>l</a> (2019). In this episode, we discuss Black Studies, gender, sexuality, and the politics of thinking and doing Black study in the current political moment.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.sas.rochester.edu/eng/people/faculty/mccune-jeffrey/index.html">Jeffrey Q. McCune Jr., who teaches in Black Studies at University of Rochester</a> where he is the founding Chair of the department. He is the author of <a href="https://www.amazon.com/Sexual-Discretion-Masculinity-Politics-Passing/dp/022609653X/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr="><em>Sexual Discretion: Black Masculinity and the Politics of Passing</em></a> (2014) and co-editor of  <a href="https://www.amazon.com/Black-Sexual-Economies-Culture-Capital/dp/0252084489/ref=sr_1_1?crid=3Q4E589E42X1B&amp;dib=eyJ2IjoiMSJ9.g1ZoTF67QyPpXmkjdPJXYNjQE-8oPGH0arpnIv70jfI.aKv7Q-YQvkEzwV-cG4_yMqCpwu_Eaj2sraTfgeTIsZk&amp;dib_tag=se&amp;keywords=black+sexual+economies+mccune&amp;qid=1735850256&amp;s=books&amp;sprefix=black+sexual+economies+mccune%2Cstripbooks%2C66&amp;sr=1-1"><em>Black Sexual Economies: Race and Sex in a Culture of Capita</em>l</a> (2019). In this episode, we discuss Black Studies, gender, sexuality, and the politics of thinking and doing Black study in the current political moment.</p>]]>
      </content:encoded>
      <pubDate>Fri, 24 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/08f8a576/b1bf2915.mp3" length="137197832" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3429</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.sas.rochester.edu/eng/people/faculty/mccune-jeffrey/index.html">Jeffrey Q. McCune Jr., who teaches in Black Studies at University of Rochester</a> where he is the founding Chair of the department. He is the author of <a href="https://www.amazon.com/Sexual-Discretion-Masculinity-Politics-Passing/dp/022609653X/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr="><em>Sexual Discretion: Black Masculinity and the Politics of Passing</em></a> (2014) and co-editor of  <a href="https://www.amazon.com/Black-Sexual-Economies-Culture-Capital/dp/0252084489/ref=sr_1_1?crid=3Q4E589E42X1B&amp;dib=eyJ2IjoiMSJ9.g1ZoTF67QyPpXmkjdPJXYNjQE-8oPGH0arpnIv70jfI.aKv7Q-YQvkEzwV-cG4_yMqCpwu_Eaj2sraTfgeTIsZk&amp;dib_tag=se&amp;keywords=black+sexual+economies+mccune&amp;qid=1735850256&amp;s=books&amp;sprefix=black+sexual+economies+mccune%2Cstripbooks%2C66&amp;sr=1-1"><em>Black Sexual Economies: Race and Sex in a Culture of Capita</em>l</a> (2019). In this episode, we discuss Black Studies, gender, sexuality, and the politics of thinking and doing Black study in the current political moment.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Layla Brown - Departments of Anthropology and Sociology and Africana Studies, Northeastern University</title>
      <itunes:episode>78</itunes:episode>
      <podcast:episode>78</podcast:episode>
      <itunes:title>Layla Brown - Departments of Anthropology and Sociology and Africana Studies, Northeastern University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/35862b7d</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://cssh.northeastern.edu/faculty/layla-brown/">Layla Brown, who teaches in the Department of Anthropology and Sociology and Africana Studies at Northeastern University</a>. Along with scholarly and popular venue essays and critical articles, she was the co-host with <a href="https://open.spotify.com/episode/23wDyZkd5KxEzmIgyp3qvp?si=58ec5f847ca447cf">Charisse Burden-Stelly</a> of <a href="https://www.youtube.com/channel/UCCwdHSJee_Ee9YB2C23fx7g"><em>The Last Dope Intellectual</em></a><em> </em>podcast and is currently working with Burden-Stelly on a video podcasted series with <a href="https://www.youtube.com/@BlackLiberationMedia">Black Liberation Media</a>. In this conversation, we discuss the differences between and intersections of transnational study and pan-Africanism, anthropological research in a Black Studies context, and the relationship between the production of ideas and the work of liberation struggle. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://cssh.northeastern.edu/faculty/layla-brown/">Layla Brown, who teaches in the Department of Anthropology and Sociology and Africana Studies at Northeastern University</a>. Along with scholarly and popular venue essays and critical articles, she was the co-host with <a href="https://open.spotify.com/episode/23wDyZkd5KxEzmIgyp3qvp?si=58ec5f847ca447cf">Charisse Burden-Stelly</a> of <a href="https://www.youtube.com/channel/UCCwdHSJee_Ee9YB2C23fx7g"><em>The Last Dope Intellectual</em></a><em> </em>podcast and is currently working with Burden-Stelly on a video podcasted series with <a href="https://www.youtube.com/@BlackLiberationMedia">Black Liberation Media</a>. In this conversation, we discuss the differences between and intersections of transnational study and pan-Africanism, anthropological research in a Black Studies context, and the relationship between the production of ideas and the work of liberation struggle. </p>]]>
      </content:encoded>
      <pubDate>Wed, 22 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/35862b7d/ddbbd699.mp3" length="147548058" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/rgGztN8azC-9XkhMgu_1zOvhO-aVw96kjRZNfxLePtU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83MDdj/M2NjOWIzZWJiZjM1/OTE5OTRiYjg1OWM2/MGFhZS5qcGc.jpg"/>
      <itunes:duration>3688</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://cssh.northeastern.edu/faculty/layla-brown/">Layla Brown, who teaches in the Department of Anthropology and Sociology and Africana Studies at Northeastern University</a>. Along with scholarly and popular venue essays and critical articles, she was the co-host with <a href="https://open.spotify.com/episode/23wDyZkd5KxEzmIgyp3qvp?si=58ec5f847ca447cf">Charisse Burden-Stelly</a> of <a href="https://www.youtube.com/channel/UCCwdHSJee_Ee9YB2C23fx7g"><em>The Last Dope Intellectual</em></a><em> </em>podcast and is currently working with Burden-Stelly on a video podcasted series with <a href="https://www.youtube.com/@BlackLiberationMedia">Black Liberation Media</a>. In this conversation, we discuss the differences between and intersections of transnational study and pan-Africanism, anthropological research in a Black Studies context, and the relationship between the production of ideas and the work of liberation struggle. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Nwando Achebe - Department of History, Michigan State University</title>
      <itunes:episode>77</itunes:episode>
      <podcast:episode>77</podcast:episode>
      <itunes:title>Nwando Achebe - Department of History, Michigan State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/af1bb54a</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://nwandoachebe.com">Nwando Achebe</a>, who teaches in the <a href="https://history.msu.edu/people/faculty/nwando-achebe/">Department of History at Michigan State University</a> where she serves as Jack and Margaret Sweet Endowed Professor of History and also works as <a href="https://socialscience.msu.edu/about/leadership/assoc-dean-dei.html">Associate Dean for Access, Faculty Development, and Strategic Implementation in the College of Social Science</a>. Her work is wide-ranging and across media, having been extensively featured in radio and television documentaries, popular print media, and scholarly journals. Achebe's written work includes the groundbreaking books <a href="https://www.amazon.com/Farmers-Traders-Warriors-Kings-Authority/dp/0325070784/ref=sr_1_3?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-3"><em>Farmers, Traders, Warriors, and Kings: Female Power and Authority in Northern Igboland, 1900-1960</em></a> and <a href="https://www.amazon.com/Female-King-Colonial-Nigeria-Ugbabe/dp/0253222486/ref=sr_1_2?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-2"><em>The Female King of Colonial Nigeria: Ahebi Ugbabe</em></a><em>, </em>the co-authored <a href="https://wasscehistorytextbook.wordpress.com/"><em>History of West Africa E-Course Book</em></a><em>, </em>edited collections including  <a href="https://www.amazon.com/Companion-African-History-William-Worger/dp/047065631X/ref=sr_1_1?ie=UTF8&amp;qid=1520259654&amp;sr=8-1&amp;keywords=blackwell+companion+to+african+history"><em>A Companion to African History</em></a> and <a href="https://www.amazon.com/Holding-World-Together-Changing-Perspective/dp/029932110X/ref=sr_1_4?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-4"><em>Holding the World Together: African Women in Changing Perspective</em></a><em>.</em> In this episode, we discuss the place of the study of Africa in Black Studies, the importance of gender in the study of Africa and the Black Atlantic, and how oral testimony and knowledge production transforms the study of history.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://nwandoachebe.com">Nwando Achebe</a>, who teaches in the <a href="https://history.msu.edu/people/faculty/nwando-achebe/">Department of History at Michigan State University</a> where she serves as Jack and Margaret Sweet Endowed Professor of History and also works as <a href="https://socialscience.msu.edu/about/leadership/assoc-dean-dei.html">Associate Dean for Access, Faculty Development, and Strategic Implementation in the College of Social Science</a>. Her work is wide-ranging and across media, having been extensively featured in radio and television documentaries, popular print media, and scholarly journals. Achebe's written work includes the groundbreaking books <a href="https://www.amazon.com/Farmers-Traders-Warriors-Kings-Authority/dp/0325070784/ref=sr_1_3?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-3"><em>Farmers, Traders, Warriors, and Kings: Female Power and Authority in Northern Igboland, 1900-1960</em></a> and <a href="https://www.amazon.com/Female-King-Colonial-Nigeria-Ugbabe/dp/0253222486/ref=sr_1_2?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-2"><em>The Female King of Colonial Nigeria: Ahebi Ugbabe</em></a><em>, </em>the co-authored <a href="https://wasscehistorytextbook.wordpress.com/"><em>History of West Africa E-Course Book</em></a><em>, </em>edited collections including  <a href="https://www.amazon.com/Companion-African-History-William-Worger/dp/047065631X/ref=sr_1_1?ie=UTF8&amp;qid=1520259654&amp;sr=8-1&amp;keywords=blackwell+companion+to+african+history"><em>A Companion to African History</em></a> and <a href="https://www.amazon.com/Holding-World-Together-Changing-Perspective/dp/029932110X/ref=sr_1_4?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-4"><em>Holding the World Together: African Women in Changing Perspective</em></a><em>.</em> In this episode, we discuss the place of the study of Africa in Black Studies, the importance of gender in the study of Africa and the Black Atlantic, and how oral testimony and knowledge production transforms the study of history.</p>]]>
      </content:encoded>
      <pubDate>Mon, 20 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/af1bb54a/0b24afb1.mp3" length="118715669" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/MA48fcH-SXL3YPbKZZ-3uUqwnbQ3IYGe1Vezax-KfgU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82MzUy/YTg2M2RjYmMwMGI3/MjI3OTkyN2U4NGNj/ZDA2MC5qcGc.jpg"/>
      <itunes:duration>2967</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://nwandoachebe.com">Nwando Achebe</a>, who teaches in the <a href="https://history.msu.edu/people/faculty/nwando-achebe/">Department of History at Michigan State University</a> where she serves as Jack and Margaret Sweet Endowed Professor of History and also works as <a href="https://socialscience.msu.edu/about/leadership/assoc-dean-dei.html">Associate Dean for Access, Faculty Development, and Strategic Implementation in the College of Social Science</a>. Her work is wide-ranging and across media, having been extensively featured in radio and television documentaries, popular print media, and scholarly journals. Achebe's written work includes the groundbreaking books <a href="https://www.amazon.com/Farmers-Traders-Warriors-Kings-Authority/dp/0325070784/ref=sr_1_3?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-3"><em>Farmers, Traders, Warriors, and Kings: Female Power and Authority in Northern Igboland, 1900-1960</em></a> and <a href="https://www.amazon.com/Female-King-Colonial-Nigeria-Ugbabe/dp/0253222486/ref=sr_1_2?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-2"><em>The Female King of Colonial Nigeria: Ahebi Ugbabe</em></a><em>, </em>the co-authored <a href="https://wasscehistorytextbook.wordpress.com/"><em>History of West Africa E-Course Book</em></a><em>, </em>edited collections including  <a href="https://www.amazon.com/Companion-African-History-William-Worger/dp/047065631X/ref=sr_1_1?ie=UTF8&amp;qid=1520259654&amp;sr=8-1&amp;keywords=blackwell+companion+to+african+history"><em>A Companion to African History</em></a> and <a href="https://www.amazon.com/Holding-World-Together-Changing-Perspective/dp/029932110X/ref=sr_1_4?crid=157F15VLICE8Q&amp;dchild=1&amp;keywords=nwando+achebe&amp;qid=1595441514&amp;sprefix=Nwando%2Caps%2C169&amp;sr=8-4"><em>Holding the World Together: African Women in Changing Perspective</em></a><em>.</em> In this episode, we discuss the place of the study of Africa in Black Studies, the importance of gender in the study of Africa and the Black Atlantic, and how oral testimony and knowledge production transforms the study of history.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sarah Jane Cervenak - Departments of Women's, Gender, and Sexuality Studies and African American and African Diaspora Studies, University of North Carolina, Greensboro</title>
      <itunes:episode>76</itunes:episode>
      <podcast:episode>76</podcast:episode>
      <itunes:title>Sarah Jane Cervenak - Departments of Women's, Gender, and Sexuality Studies and African American and African Diaspora Studies, University of North Carolina, Greensboro</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/b4fea4e6</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.uncg.edu/employees/sarah-cervenak/">Sarah Jane Cervenak</a>, who teaches in the Departments of Women’s, Gender, and Sexuality Studies and African American and African Diaspora Studies at University of North Carolina, Greensboro. In addition to a number of scholarly articles, she is the author of <a href="https://www.dukeupress.edu/wandering"><em>Wandering: Philosophical Performances of Racial and Sexual Freedom</em></a><em> </em>(2014) and <a href="https://dukeupress.edu/black-gathering"><em>Black Gathering: Art, Ecology, Ungiven Life</em></a><em> </em>(2022). With J. Kameron Carter, she is co-editor of the series <a href="https://dukeupress.edu/series/black-outdoors-innovations-in-the-poetics-of-study">Black Outdoors on Duke University Press</a>. Across this conversation, we discuss the relation between performance studies and Black Studies, the meaning of Black study in the classroom, and the place of expressive culture in the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.uncg.edu/employees/sarah-cervenak/">Sarah Jane Cervenak</a>, who teaches in the Departments of Women’s, Gender, and Sexuality Studies and African American and African Diaspora Studies at University of North Carolina, Greensboro. In addition to a number of scholarly articles, she is the author of <a href="https://www.dukeupress.edu/wandering"><em>Wandering: Philosophical Performances of Racial and Sexual Freedom</em></a><em> </em>(2014) and <a href="https://dukeupress.edu/black-gathering"><em>Black Gathering: Art, Ecology, Ungiven Life</em></a><em> </em>(2022). With J. Kameron Carter, she is co-editor of the series <a href="https://dukeupress.edu/series/black-outdoors-innovations-in-the-poetics-of-study">Black Outdoors on Duke University Press</a>. Across this conversation, we discuss the relation between performance studies and Black Studies, the meaning of Black study in the classroom, and the place of expressive culture in the field.</p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/b4fea4e6/e93772c6.mp3" length="117611922" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/8-_HmMQvntGbjUapOg4Svbx6732x3QA-AjgieXnmh4I/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zYWE0/OTg4ODE2YjFhZThl/ODdiMWI3MzZmMWM2/YzNmMC5wbmc.jpg"/>
      <itunes:duration>2939</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.uncg.edu/employees/sarah-cervenak/">Sarah Jane Cervenak</a>, who teaches in the Departments of Women’s, Gender, and Sexuality Studies and African American and African Diaspora Studies at University of North Carolina, Greensboro. In addition to a number of scholarly articles, she is the author of <a href="https://www.dukeupress.edu/wandering"><em>Wandering: Philosophical Performances of Racial and Sexual Freedom</em></a><em> </em>(2014) and <a href="https://dukeupress.edu/black-gathering"><em>Black Gathering: Art, Ecology, Ungiven Life</em></a><em> </em>(2022). With J. Kameron Carter, she is co-editor of the series <a href="https://dukeupress.edu/series/black-outdoors-innovations-in-the-poetics-of-study">Black Outdoors on Duke University Press</a>. Across this conversation, we discuss the relation between performance studies and Black Studies, the meaning of Black study in the classroom, and the place of expressive culture in the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sonja Lanehart - Department of Linguistics, University of Arizona</title>
      <itunes:episode>75</itunes:episode>
      <podcast:episode>75</podcast:episode>
      <itunes:title>Sonja Lanehart - Department of Linguistics, University of Arizona</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/79b7fb0a</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sonja Lanehart, who teaches in the Department of Linguistics at the University of Arizona where her scholarship focuses on sociolinguistics and language variation, language and education in African American communities, language and identity, and African American education from Black Feminist, Intersectionality, and Critical Race Theory perspectives. In addition to a number of important articles on African American linguistic practices, she is the author and editor of a number of books including <a href="https://www.amazon.com/Sista-Speak-Kinfolk-Language-Literacy/dp/0292747292/ref=sr_1_3?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-3"><em>Sista, Speak!: Black Women Kinfolk Talk about Language and Literacy</em></a><em>,</em> <a href="https://www.amazon.com/Ebonics-Routledge-Guides-Linguistics-Lanehart/dp/1138189707/ref=sr_1_2?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-2"><em>Language in African American Communities</em></a>, and editor of <a href="https://www.amazon.com/Handbook-African-American-Language-HANDBOOKS/dp/0197537502/ref=sr_1_1?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-1"><em>The Oxford Handbook of African American Language</em></a><em>. </em>In this conversation, we discuss the horizons of linguistic research in a Black Studies frame, the place of gender and sexuality in understanding African American linguistic practices, and how to think about teaching in politically fraught times.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sonja Lanehart, who teaches in the Department of Linguistics at the University of Arizona where her scholarship focuses on sociolinguistics and language variation, language and education in African American communities, language and identity, and African American education from Black Feminist, Intersectionality, and Critical Race Theory perspectives. In addition to a number of important articles on African American linguistic practices, she is the author and editor of a number of books including <a href="https://www.amazon.com/Sista-Speak-Kinfolk-Language-Literacy/dp/0292747292/ref=sr_1_3?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-3"><em>Sista, Speak!: Black Women Kinfolk Talk about Language and Literacy</em></a><em>,</em> <a href="https://www.amazon.com/Ebonics-Routledge-Guides-Linguistics-Lanehart/dp/1138189707/ref=sr_1_2?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-2"><em>Language in African American Communities</em></a>, and editor of <a href="https://www.amazon.com/Handbook-African-American-Language-HANDBOOKS/dp/0197537502/ref=sr_1_1?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-1"><em>The Oxford Handbook of African American Language</em></a><em>. </em>In this conversation, we discuss the horizons of linguistic research in a Black Studies frame, the place of gender and sexuality in understanding African American linguistic practices, and how to think about teaching in politically fraught times.</p>]]>
      </content:encoded>
      <pubDate>Wed, 15 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/PDnvBYwDQFOKvVVOeddOO6f1dygMd3TibqQ1GLSh3FQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83ZDg5/MGYwODU3OTUxNWJj/YTE5ZjNjYThkYzA4/ZTQ1ZC53ZWJw.jpg"/>
      <itunes:duration>4090</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Sonja Lanehart, who teaches in the Department of Linguistics at the University of Arizona where her scholarship focuses on sociolinguistics and language variation, language and education in African American communities, language and identity, and African American education from Black Feminist, Intersectionality, and Critical Race Theory perspectives. In addition to a number of important articles on African American linguistic practices, she is the author and editor of a number of books including <a href="https://www.amazon.com/Sista-Speak-Kinfolk-Language-Literacy/dp/0292747292/ref=sr_1_3?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-3"><em>Sista, Speak!: Black Women Kinfolk Talk about Language and Literacy</em></a><em>,</em> <a href="https://www.amazon.com/Ebonics-Routledge-Guides-Linguistics-Lanehart/dp/1138189707/ref=sr_1_2?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-2"><em>Language in African American Communities</em></a>, and editor of <a href="https://www.amazon.com/Handbook-African-American-Language-HANDBOOKS/dp/0197537502/ref=sr_1_1?crid=DLOB3APH3SO6&amp;dib=eyJ2IjoiMSJ9.cZJnVGA4UE4upvc-9je-9ZR9bcao7EQE1FTSnpnCe8iZUqwXV1dlzWPdj_pvjKPq0c6-41IvO1hHLpdgdRoggv4ku_iMRCg8UvnWVHL5yRfWUca0mcRenPy3oWyEYREoQfqzc8Mp9qehHu7TsHPEQ4O_zdFgoIMF6kXzL71g9EFfg8HCXqbc4qoxFERUdwpV.uSK-ITeYsC0IjbaVgLO8KBwiot1AAZbTYnKIEuvyXAQ&amp;dib_tag=se&amp;keywords=sonja+lanehart&amp;qid=1735611786&amp;sprefix=sonja+lanehart%2Caps%2C85&amp;sr=8-1"><em>The Oxford Handbook of African American Language</em></a><em>. </em>In this conversation, we discuss the horizons of linguistic research in a Black Studies frame, the place of gender and sexuality in understanding African American linguistic practices, and how to think about teaching in politically fraught times.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Walter Greason - Department of History, Macalester College</title>
      <itunes:episode>74</itunes:episode>
      <podcast:episode>74</podcast:episode>
      <itunes:title>Walter Greason - Department of History, Macalester College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/300883d2</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.walterdgreason.com">Walter Greason</a>, who teaches in the Department of History at Macalester College. In addition to a number of scholarly and public facing publications, projects such as <em>The Racial Violence Syllabus, </em>The T. Thomas Fortune Center, and <a href="https://www.walterdgreason.com/wakanda-syllabus"><em>The Wakanda Syllabus</em></a><em>,</em> he is the author of a number of groundbreaking works, including <em>The Path to Freedom: Black Families in New Jersey</em> (2010), <em>Suburban Erasure: How the Suburbs Ended the Civil Rights Movement in New Jersey </em>(2012), and most recently, in collaboration with Tim Fielder, <em>The Graphic History of Hip Hop </em>(2024). Across this conversation, we discuss the relation between historical research and Black Studies work, the political significance of the study of Black life, and the intersections of teaching, writing, and direct action aimed at racial justice.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.walterdgreason.com">Walter Greason</a>, who teaches in the Department of History at Macalester College. In addition to a number of scholarly and public facing publications, projects such as <em>The Racial Violence Syllabus, </em>The T. Thomas Fortune Center, and <a href="https://www.walterdgreason.com/wakanda-syllabus"><em>The Wakanda Syllabus</em></a><em>,</em> he is the author of a number of groundbreaking works, including <em>The Path to Freedom: Black Families in New Jersey</em> (2010), <em>Suburban Erasure: How the Suburbs Ended the Civil Rights Movement in New Jersey </em>(2012), and most recently, in collaboration with Tim Fielder, <em>The Graphic History of Hip Hop </em>(2024). Across this conversation, we discuss the relation between historical research and Black Studies work, the political significance of the study of Black life, and the intersections of teaching, writing, and direct action aimed at racial justice.</p>]]>
      </content:encoded>
      <pubDate>Mon, 13 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/300883d2/db7f6c9e.mp3" length="127594842" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3188</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.walterdgreason.com">Walter Greason</a>, who teaches in the Department of History at Macalester College. In addition to a number of scholarly and public facing publications, projects such as <em>The Racial Violence Syllabus, </em>The T. Thomas Fortune Center, and <a href="https://www.walterdgreason.com/wakanda-syllabus"><em>The Wakanda Syllabus</em></a><em>,</em> he is the author of a number of groundbreaking works, including <em>The Path to Freedom: Black Families in New Jersey</em> (2010), <em>Suburban Erasure: How the Suburbs Ended the Civil Rights Movement in New Jersey </em>(2012), and most recently, in collaboration with Tim Fielder, <em>The Graphic History of Hip Hop </em>(2024). Across this conversation, we discuss the relation between historical research and Black Studies work, the political significance of the study of Black life, and the intersections of teaching, writing, and direct action aimed at racial justice.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Saida Grundy - Departments of Sociology and African American and Black Diaspora Studies, Boston University</title>
      <itunes:episode>73</itunes:episode>
      <podcast:episode>73</podcast:episode>
      <itunes:title>Saida Grundy - Departments of Sociology and African American and Black Diaspora Studies, Boston University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e3fdfb84</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Saida Grundy, who teaches in the Departments of Africana Studies and Sociology at Boston University. In addition to a number of scholarly and public facing publications, she is the author of <em>Respectable: Politics and Paradox in Making the Morehouse Man </em>(2022). Across this conversation, we discuss the relation between sociological research and Black Studies work, the political significance of the study of Black life, and the complex intersection of movement work and research.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Saida Grundy, who teaches in the Departments of Africana Studies and Sociology at Boston University. In addition to a number of scholarly and public facing publications, she is the author of <em>Respectable: Politics and Paradox in Making the Morehouse Man </em>(2022). Across this conversation, we discuss the relation between sociological research and Black Studies work, the political significance of the study of Black life, and the complex intersection of movement work and research.</p>]]>
      </content:encoded>
      <pubDate>Fri, 10 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/e3fdfb84/67c71ea4.mp3" length="174781020" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4369</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Saida Grundy, who teaches in the Departments of Africana Studies and Sociology at Boston University. In addition to a number of scholarly and public facing publications, she is the author of <em>Respectable: Politics and Paradox in Making the Morehouse Man </em>(2022). Across this conversation, we discuss the relation between sociological research and Black Studies work, the political significance of the study of Black life, and the complex intersection of movement work and research.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Vincent Brown - Departments of History and African and African American Studies, Harvard University</title>
      <itunes:episode>72</itunes:episode>
      <podcast:episode>72</podcast:episode>
      <itunes:title>Vincent Brown - Departments of History and African and African American Studies, Harvard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/15b05b45</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Vincent Brown is Charles Warren Professor of American History and Professor of African and African American Studies. In addition to many academic and public facing essays, he is the author of <em>The Reaper's Garden: Death and Power in the World of Atlantic Slavery</em> (Harvard University Press, 2008) and <em>Tacky's Revolt: The Story of an Atlantic Slave War</em> (Belknap Press, 2020). He is the producer for <em>Herskovits at the Heart of Blackness </em>(2009), an audiovisual documentary broadcast on the PBS series Independent Lens, and the short video series <em>The Bigger Picture</em> (2022) for PBS Digital Studios.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Vincent Brown is Charles Warren Professor of American History and Professor of African and African American Studies. In addition to many academic and public facing essays, he is the author of <em>The Reaper's Garden: Death and Power in the World of Atlantic Slavery</em> (Harvard University Press, 2008) and <em>Tacky's Revolt: The Story of an Atlantic Slave War</em> (Belknap Press, 2020). He is the producer for <em>Herskovits at the Heart of Blackness </em>(2009), an audiovisual documentary broadcast on the PBS series Independent Lens, and the short video series <em>The Bigger Picture</em> (2022) for PBS Digital Studios.</p>]]>
      </content:encoded>
      <pubDate>Wed, 08 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/15b05b45/5a97eb0e.mp3" length="144606030" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/AsuS8CNQBgj5hDo2ltd3vVuUud5CTF4DB6567Oe7zX0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83ODMz/ZTdjOGJlZWYxZTVk/MmMxZDE3YzAxNzUz/MjBmYS5qcGc.jpg"/>
      <itunes:duration>3614</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Vincent Brown is Charles Warren Professor of American History and Professor of African and African American Studies. In addition to many academic and public facing essays, he is the author of <em>The Reaper's Garden: Death and Power in the World of Atlantic Slavery</em> (Harvard University Press, 2008) and <em>Tacky's Revolt: The Story of an Atlantic Slave War</em> (Belknap Press, 2020). He is the producer for <em>Herskovits at the Heart of Blackness </em>(2009), an audiovisual documentary broadcast on the PBS series Independent Lens, and the short video series <em>The Bigger Picture</em> (2022) for PBS Digital Studios.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Reighan Gillam - Department of Latin American, Latino, and Caribbean Studies, Dartmouth College</title>
      <itunes:episode>71</itunes:episode>
      <podcast:episode>71</podcast:episode>
      <itunes:title>Reighan Gillam - Department of Latin American, Latino, and Caribbean Studies, Dartmouth College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">95feadf9-6de2-4b08-98cd-cbf89a7848cd</guid>
      <link>https://share.transistor.fm/s/b7cdd315</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Reighan Gillam, who teaches in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth University. Along with a number of scholarly articles, she has published <em>Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media </em>(2022) and is completing a book project titled <em>Diasporic Agency: Transnational Racial Leverage and Challenges to Exceptionalism in Brazil</em>. As well, she is the host of a podcast series on the New Books Network that was recently honored for its public facing scholarship work by the American Anthropological Association. In this conversation, we discuss the place of anthropological methods and sensibilities in the field of Black Studies, the cultural importance of transnational exchange, and the place of Brazil and related Latin American sites in the Black Studies imagination.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Reighan Gillam, who teaches in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth University. Along with a number of scholarly articles, she has published <em>Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media </em>(2022) and is completing a book project titled <em>Diasporic Agency: Transnational Racial Leverage and Challenges to Exceptionalism in Brazil</em>. As well, she is the host of a podcast series on the New Books Network that was recently honored for its public facing scholarship work by the American Anthropological Association. In this conversation, we discuss the place of anthropological methods and sensibilities in the field of Black Studies, the cultural importance of transnational exchange, and the place of Brazil and related Latin American sites in the Black Studies imagination.</p>]]>
      </content:encoded>
      <pubDate>Mon, 06 Jan 2025 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/b7cdd315/e85ce45a.mp3" length="118505943" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/WHfQ4eJXgcRnvUmuVtzeuwFdTb6o_wgt7HVxNwZ65dQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zZmQ5/MzJjZmU1MmNlNDll/ODIxODc2NjdmMmVk/NzdiOC5qcGc.jpg"/>
      <itunes:duration>2962</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Reighan Gillam, who teaches in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth University. Along with a number of scholarly articles, she has published <em>Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media </em>(2022) and is completing a book project titled <em>Diasporic Agency: Transnational Racial Leverage and Challenges to Exceptionalism in Brazil</em>. As well, she is the host of a podcast series on the New Books Network that was recently honored for its public facing scholarship work by the American Anthropological Association. In this conversation, we discuss the place of anthropological methods and sensibilities in the field of Black Studies, the cultural importance of transnational exchange, and the place of Brazil and related Latin American sites in the Black Studies imagination.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ashley Newby and John E. Drabinski - Department of African American and Africana Studies, University of Maryland</title>
      <itunes:episode>70</itunes:episode>
      <podcast:episode>70</podcast:episode>
      <itunes:title>Ashley Newby and John E. Drabinski - Department of African American and Africana Studies, University of Maryland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/35140d0c</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is between me and John E. Drabinski, my department colleague in the Department of African American and Africana Studies at the University of Maryland. As co-hosts of The Black Studies Podcast, we wanted to close out the first calendar year of the project with a reflection on the series thus far, sharing our key takeaways and the insights we've gained through the first seventy discussions of the past and future of the field. In this conversation, we discuss what for us has been both expected and unexpected in the project, what new horizons podcast episodes have opened up for us, and what new critical questions are guiding our evolving portraits of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is between me and John E. Drabinski, my department colleague in the Department of African American and Africana Studies at the University of Maryland. As co-hosts of The Black Studies Podcast, we wanted to close out the first calendar year of the project with a reflection on the series thus far, sharing our key takeaways and the insights we've gained through the first seventy discussions of the past and future of the field. In this conversation, we discuss what for us has been both expected and unexpected in the project, what new horizons podcast episodes have opened up for us, and what new critical questions are guiding our evolving portraits of the field.</p>]]>
      </content:encoded>
      <pubDate>Thu, 19 Dec 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/35140d0c/9e07345c.mp3" length="104739472" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/DSUjkWD0Z-JPXTYRK3e3Y8D2FNvUKn_cwYQID-hv0hs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85MjZm/OWU3ZWVmYzc1MDM2/ODAzNTE3ZDA0NTA5/YjhiZS5qcGc.jpg"/>
      <itunes:duration>2617</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is between me and John E. Drabinski, my department colleague in the Department of African American and Africana Studies at the University of Maryland. As co-hosts of The Black Studies Podcast, we wanted to close out the first calendar year of the project with a reflection on the series thus far, sharing our key takeaways and the insights we've gained through the first seventy discussions of the past and future of the field. In this conversation, we discuss what for us has been both expected and unexpected in the project, what new horizons podcast episodes have opened up for us, and what new critical questions are guiding our evolving portraits of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ed Pavlić - Department of English and African American Studies, University of Georgia</title>
      <itunes:episode>69</itunes:episode>
      <podcast:episode>69</podcast:episode>
      <itunes:title>Ed Pavlić - Department of English and African American Studies, University of Georgia</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.english.uga.edu/directory/people/ed-pavlic">Ed Pavlić, Distinguished Research Professor of English and African American Studies at the University of Georgia</a>, where he also holds an affiliation with the faculty of Creative Writing. In addition to a series of scholarly and popular essays, he is the author of a number of books and poetry collections, including most recently <em>Call it in the Air </em>(2022), <em>Outward: Adrienne Rich’s Expanding Solitudes </em>(2021), and is currently composing an intellectual biography of James Baldwin rooted in newly discovered archival materials. In this conversation, we discuss the relation between music and literature in the Black Studies tradition, the place of community in the formal and everyday practice of Black study, and importance of conversation, critical work, and creative expression.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.english.uga.edu/directory/people/ed-pavlic">Ed Pavlić, Distinguished Research Professor of English and African American Studies at the University of Georgia</a>, where he also holds an affiliation with the faculty of Creative Writing. In addition to a series of scholarly and popular essays, he is the author of a number of books and poetry collections, including most recently <em>Call it in the Air </em>(2022), <em>Outward: Adrienne Rich’s Expanding Solitudes </em>(2021), and is currently composing an intellectual biography of James Baldwin rooted in newly discovered archival materials. In this conversation, we discuss the relation between music and literature in the Black Studies tradition, the place of community in the formal and everyday practice of Black study, and importance of conversation, critical work, and creative expression.</p>]]>
      </content:encoded>
      <pubDate>Tue, 17 Dec 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/fecf1a8e/f61a284d.mp3" length="159521203" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3988</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.english.uga.edu/directory/people/ed-pavlic">Ed Pavlić, Distinguished Research Professor of English and African American Studies at the University of Georgia</a>, where he also holds an affiliation with the faculty of Creative Writing. In addition to a series of scholarly and popular essays, he is the author of a number of books and poetry collections, including most recently <em>Call it in the Air </em>(2022), <em>Outward: Adrienne Rich’s Expanding Solitudes </em>(2021), and is currently composing an intellectual biography of James Baldwin rooted in newly discovered archival materials. In this conversation, we discuss the relation between music and literature in the Black Studies tradition, the place of community in the formal and everyday practice of Black study, and importance of conversation, critical work, and creative expression.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ozay Moore - Executive Director, All of the Above Hip Hop Academy</title>
      <itunes:episode>68</itunes:episode>
      <podcast:episode>68</podcast:episode>
      <itunes:title>Ozay Moore - Executive Director, All of the Above Hip Hop Academy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/6addea56</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://youtu.be/AZx2VcGwK7M?si=fptqLsAiHRJnZCpR">Ozay Moore</a>, an Emcee, DJ, Muralist, and community organizer who is the <a href="https://www.alloftheabovehiphop.org/team">Executive Director</a> of <a href="https://www.alloftheabovehiphop.org"><em>All of the Above Hip Hop Academy</em></a> in Lansing, Michigan. In this discussion, we explore the cultural and historical significance of hip hop, the relationship between expressive culture and the politics of place, and the profound contribution of hip hop culture to how we might understand pedagogy and social transformation.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://youtu.be/AZx2VcGwK7M?si=fptqLsAiHRJnZCpR">Ozay Moore</a>, an Emcee, DJ, Muralist, and community organizer who is the <a href="https://www.alloftheabovehiphop.org/team">Executive Director</a> of <a href="https://www.alloftheabovehiphop.org"><em>All of the Above Hip Hop Academy</em></a> in Lansing, Michigan. In this discussion, we explore the cultural and historical significance of hip hop, the relationship between expressive culture and the politics of place, and the profound contribution of hip hop culture to how we might understand pedagogy and social transformation.</p>]]>
      </content:encoded>
      <pubDate>Thu, 12 Dec 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/6addea56/156a7ba1.mp3" length="139563821" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/LVy8di9pcBmCY_SFS47PsMnBPTbsINzOvjoo6Ig0f9k/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jZWRi/Yjk0MzNiMDBmZmJi/MTcwMWJmZDc2YTdh/OWU0YS5qcGVn.jpg"/>
      <itunes:duration>3489</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://youtu.be/AZx2VcGwK7M?si=fptqLsAiHRJnZCpR">Ozay Moore</a>, an Emcee, DJ, Muralist, and community organizer who is the <a href="https://www.alloftheabovehiphop.org/team">Executive Director</a> of <a href="https://www.alloftheabovehiphop.org"><em>All of the Above Hip Hop Academy</em></a> in Lansing, Michigan. In this discussion, we explore the cultural and historical significance of hip hop, the relationship between expressive culture and the politics of place, and the profound contribution of hip hop culture to how we might understand pedagogy and social transformation.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Reiland Rabaka - Department of Ethnic Studies, University of Colorado at Boulder</title>
      <itunes:episode>67</itunes:episode>
      <podcast:episode>67</podcast:episode>
      <itunes:title>Reiland Rabaka - Department of Ethnic Studies, University of Colorado at Boulder</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/ef170988</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Reiland Rabaka, who teaches in the Department of Ethnic Studies at University of Colorado at Boulder, where he is the founder and director of the Center for African and African American Studies. He is the author of a number of important books in the Black Atlantic intellectual tradition, including <em>Du Bois’ Dialectics </em>(2009), <em>Africana Critical Theory </em>(2010), <em>Forms of Fanonism</em> (2011), and most recently <em>Black Women’s Liberation Music </em>(2023) and <em>The Funk Movement </em>(2024). In this conversation, we discuss the place of musical performance in the formation of Black intellectual life, the expansive nature of Black Studies as a political and liberatory movement, and the importance of thinking in the present even as we reckon with the past and imagine a future.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Reiland Rabaka, who teaches in the Department of Ethnic Studies at University of Colorado at Boulder, where he is the founder and director of the Center for African and African American Studies. He is the author of a number of important books in the Black Atlantic intellectual tradition, including <em>Du Bois’ Dialectics </em>(2009), <em>Africana Critical Theory </em>(2010), <em>Forms of Fanonism</em> (2011), and most recently <em>Black Women’s Liberation Music </em>(2023) and <em>The Funk Movement </em>(2024). In this conversation, we discuss the place of musical performance in the formation of Black intellectual life, the expansive nature of Black Studies as a political and liberatory movement, and the importance of thinking in the present even as we reckon with the past and imagine a future.</p>]]>
      </content:encoded>
      <pubDate>Tue, 10 Dec 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/ef170988/c9169d46.mp3" length="183847539" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4594</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Reiland Rabaka, who teaches in the Department of Ethnic Studies at University of Colorado at Boulder, where he is the founder and director of the Center for African and African American Studies. He is the author of a number of important books in the Black Atlantic intellectual tradition, including <em>Du Bois’ Dialectics </em>(2009), <em>Africana Critical Theory </em>(2010), <em>Forms of Fanonism</em> (2011), and most recently <em>Black Women’s Liberation Music </em>(2023) and <em>The Funk Movement </em>(2024). In this conversation, we discuss the place of musical performance in the formation of Black intellectual life, the expansive nature of Black Studies as a political and liberatory movement, and the importance of thinking in the present even as we reckon with the past and imagine a future.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Gerald Horne - Department of History, University of Houston</title>
      <itunes:episode>66</itunes:episode>
      <podcast:episode>66</podcast:episode>
      <itunes:title>Gerald Horne - Department of History, University of Houston</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/caf2f2a6</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's episode features Gerald Horne, who teaches in the Department of History at University of Houston. He has written many scholarly and popular essays on history, race, and politics, and is the author over thirty books including most recently <em>Revolting Capital: Racism &amp; Radicalism in Washington, D.C., 1900-2000 </em>(2023) and <em>The Counter-Revolution of 1836: Texas Slavery &amp; Jim Crow and the Roots of American Fascism </em>(2022), as well as the recently published <em>I Dare Say: A Gerald Horne Reader </em>(2024). In this conversation, we discuss the process of rewriting history from the perspective of African Americans, the impact of that writing on the field of Black Studies, and importance of transnational solidarities for Black liberation struggle.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's episode features Gerald Horne, who teaches in the Department of History at University of Houston. He has written many scholarly and popular essays on history, race, and politics, and is the author over thirty books including most recently <em>Revolting Capital: Racism &amp; Radicalism in Washington, D.C., 1900-2000 </em>(2023) and <em>The Counter-Revolution of 1836: Texas Slavery &amp; Jim Crow and the Roots of American Fascism </em>(2022), as well as the recently published <em>I Dare Say: A Gerald Horne Reader </em>(2024). In this conversation, we discuss the process of rewriting history from the perspective of African Americans, the impact of that writing on the field of Black Studies, and importance of transnational solidarities for Black liberation struggle.</p>]]>
      </content:encoded>
      <pubDate>Thu, 05 Dec 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/caf2f2a6/45668e59.mp3" length="125812136" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3145</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's episode features Gerald Horne, who teaches in the Department of History at University of Houston. He has written many scholarly and popular essays on history, race, and politics, and is the author over thirty books including most recently <em>Revolting Capital: Racism &amp; Radicalism in Washington, D.C., 1900-2000 </em>(2023) and <em>The Counter-Revolution of 1836: Texas Slavery &amp; Jim Crow and the Roots of American Fascism </em>(2022), as well as the recently published <em>I Dare Say: A Gerald Horne Reader </em>(2024). In this conversation, we discuss the process of rewriting history from the perspective of African Americans, the impact of that writing on the field of Black Studies, and importance of transnational solidarities for Black liberation struggle.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Zalika U. Ibaorimi - Department of African American and African Studies, Ohio State University</title>
      <itunes:episode>65</itunes:episode>
      <podcast:episode>65</podcast:episode>
      <itunes:title>Zalika U. Ibaorimi - Department of African American and African Studies, Ohio State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d03b3ec8</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Zalika U. Ibaorimi, who works under the artist name N0HumanInv0lved (N.H.I.) and teaches in the Department of African American and African Studies at the Ohio State University. Her work engages Black material and digital publics as landscapes in order to trace the Human sexual geographies in the relation of the Black femme and spectator. Additionally, they consider the discursiveness of critical Humanism as a way to chart the figuration of the Black wh0re vis-à-vis the counter- and anti-Human. In this conversation, we discuss the work of undisciplining the field of Black studies, how critical theory and art practice converge to open new horizons in the field, and the significance of breaking with normative notions of taste in thinking about Black life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Zalika U. Ibaorimi, who works under the artist name N0HumanInv0lved (N.H.I.) and teaches in the Department of African American and African Studies at the Ohio State University. Her work engages Black material and digital publics as landscapes in order to trace the Human sexual geographies in the relation of the Black femme and spectator. Additionally, they consider the discursiveness of critical Humanism as a way to chart the figuration of the Black wh0re vis-à-vis the counter- and anti-Human. In this conversation, we discuss the work of undisciplining the field of Black studies, how critical theory and art practice converge to open new horizons in the field, and the significance of breaking with normative notions of taste in thinking about Black life.</p>]]>
      </content:encoded>
      <pubDate>Tue, 03 Dec 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d03b3ec8/56ce3b6c.mp3" length="137562540" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/1pvZ59xPJzU_D8HuYwW6g-fgl2ah8Wn9jCeveHl-wdM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81ZjQw/YTRhZjI3ZDBlOWI3/OGM4Y2JjNDIwNjRl/NTBiNC5qcGVn.jpg"/>
      <itunes:duration>3438</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Zalika U. Ibaorimi, who works under the artist name N0HumanInv0lved (N.H.I.) and teaches in the Department of African American and African Studies at the Ohio State University. Her work engages Black material and digital publics as landscapes in order to trace the Human sexual geographies in the relation of the Black femme and spectator. Additionally, they consider the discursiveness of critical Humanism as a way to chart the figuration of the Black wh0re vis-à-vis the counter- and anti-Human. In this conversation, we discuss the work of undisciplining the field of Black studies, how critical theory and art practice converge to open new horizons in the field, and the significance of breaking with normative notions of taste in thinking about Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Stephanie Sparling Williams - Andrew W. Mellon Curator of American Art at the Brooklyn Museum</title>
      <itunes:episode>64</itunes:episode>
      <podcast:episode>64</podcast:episode>
      <itunes:title>Stephanie Sparling Williams - Andrew W. Mellon Curator of American Art at the Brooklyn Museum</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0c5cdb3f</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Stephanie Sparling Williams, the Andrew W. Mellon Curator of American Art at the Brooklyn Museum. Her curatorial practice is predicated on interdisciplinary research, writing, and teaching on American art, and foregrounds Black Feminist space-making. She is the author of <a href="https://www.amazon.com/Speaking-Out-Turn-Lorraine-Language/dp/0520380754/ref=sr_1_4?dib=eyJ2IjoiMSJ9.4OEawe6zMtO9PEguYVuwvefAST5rbjX84C1l4nd-LTeqAVesQ7oyL5zUKkwJoHiS.KSsbotA_IEfzOf4U-bPud66o8gzqb81rl5Bs8FqCXL4&amp;dib_tag=se&amp;qid=1730747352&amp;refinements=p_27%3AStephanie+Sparling+Williams&amp;s=books&amp;sr=1-4&amp;text=Stephanie+Sparling+Williams"><em>Speaking Out of Turn: Lorraine O'Grady and the Art of Language</em></a> from 2021 and <a href="https://www.amazon.com/Toward-Joy-New-Frameworks-American/dp/1785515845/ref=sr_1_1?dib=eyJ2IjoiMSJ9.4OEawe6zMtO9PEguYVuwvefAST5rbjX84C1l4nd-LTeqAVesQ7oyL5zUKkwJoHiS.KSsbotA_IEfzOf4U-bPud66o8gzqb81rl5Bs8FqCXL4&amp;dib_tag=se&amp;qid=1730745450&amp;refinements=p_27%3AStephanie+Sparling+Williams&amp;s=books&amp;sr=1-1&amp;text=Stephanie+Sparling+Williams"><em>Toward Joy: New Frameworks for American Art</em></a>, forthcoming in 2025. Her scholarly work is invested in the space of the museum, with a focus on African American art and culture, and the work of U.S.-based artists of color, as well as material histories, cross cultural exchange, strategies of address, and contemporary art that engages with the history of the United States. In this conversation, we discuss the transformative work of Black study and Black Studies, the museum as community and political space, and the place of beauty and joy in thinking about Black life.</p><p>(Photo credit: Hector René Membreño-Canales)</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Stephanie Sparling Williams, the Andrew W. Mellon Curator of American Art at the Brooklyn Museum. Her curatorial practice is predicated on interdisciplinary research, writing, and teaching on American art, and foregrounds Black Feminist space-making. She is the author of <a href="https://www.amazon.com/Speaking-Out-Turn-Lorraine-Language/dp/0520380754/ref=sr_1_4?dib=eyJ2IjoiMSJ9.4OEawe6zMtO9PEguYVuwvefAST5rbjX84C1l4nd-LTeqAVesQ7oyL5zUKkwJoHiS.KSsbotA_IEfzOf4U-bPud66o8gzqb81rl5Bs8FqCXL4&amp;dib_tag=se&amp;qid=1730747352&amp;refinements=p_27%3AStephanie+Sparling+Williams&amp;s=books&amp;sr=1-4&amp;text=Stephanie+Sparling+Williams"><em>Speaking Out of Turn: Lorraine O'Grady and the Art of Language</em></a> from 2021 and <a href="https://www.amazon.com/Toward-Joy-New-Frameworks-American/dp/1785515845/ref=sr_1_1?dib=eyJ2IjoiMSJ9.4OEawe6zMtO9PEguYVuwvefAST5rbjX84C1l4nd-LTeqAVesQ7oyL5zUKkwJoHiS.KSsbotA_IEfzOf4U-bPud66o8gzqb81rl5Bs8FqCXL4&amp;dib_tag=se&amp;qid=1730745450&amp;refinements=p_27%3AStephanie+Sparling+Williams&amp;s=books&amp;sr=1-1&amp;text=Stephanie+Sparling+Williams"><em>Toward Joy: New Frameworks for American Art</em></a>, forthcoming in 2025. Her scholarly work is invested in the space of the museum, with a focus on African American art and culture, and the work of U.S.-based artists of color, as well as material histories, cross cultural exchange, strategies of address, and contemporary art that engages with the history of the United States. In this conversation, we discuss the transformative work of Black study and Black Studies, the museum as community and political space, and the place of beauty and joy in thinking about Black life.</p><p>(Photo credit: Hector René Membreño-Canales)</p>]]>
      </content:encoded>
      <pubDate>Wed, 27 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/0c5cdb3f/ad115a35.mp3" length="127517267" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/R-vuuk3Ucw3Q2ebfdh5ro4Sco0Qslr5SK5oV7okmZLo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xMTdh/ZTBlZjIxZDc2M2Yx/MzMzZTBhMmU2NjI2/OTY0ZC5qcGc.jpg"/>
      <itunes:duration>3187</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Stephanie Sparling Williams, the Andrew W. Mellon Curator of American Art at the Brooklyn Museum. Her curatorial practice is predicated on interdisciplinary research, writing, and teaching on American art, and foregrounds Black Feminist space-making. She is the author of <a href="https://www.amazon.com/Speaking-Out-Turn-Lorraine-Language/dp/0520380754/ref=sr_1_4?dib=eyJ2IjoiMSJ9.4OEawe6zMtO9PEguYVuwvefAST5rbjX84C1l4nd-LTeqAVesQ7oyL5zUKkwJoHiS.KSsbotA_IEfzOf4U-bPud66o8gzqb81rl5Bs8FqCXL4&amp;dib_tag=se&amp;qid=1730747352&amp;refinements=p_27%3AStephanie+Sparling+Williams&amp;s=books&amp;sr=1-4&amp;text=Stephanie+Sparling+Williams"><em>Speaking Out of Turn: Lorraine O'Grady and the Art of Language</em></a> from 2021 and <a href="https://www.amazon.com/Toward-Joy-New-Frameworks-American/dp/1785515845/ref=sr_1_1?dib=eyJ2IjoiMSJ9.4OEawe6zMtO9PEguYVuwvefAST5rbjX84C1l4nd-LTeqAVesQ7oyL5zUKkwJoHiS.KSsbotA_IEfzOf4U-bPud66o8gzqb81rl5Bs8FqCXL4&amp;dib_tag=se&amp;qid=1730745450&amp;refinements=p_27%3AStephanie+Sparling+Williams&amp;s=books&amp;sr=1-1&amp;text=Stephanie+Sparling+Williams"><em>Toward Joy: New Frameworks for American Art</em></a>, forthcoming in 2025. Her scholarly work is invested in the space of the museum, with a focus on African American art and culture, and the work of U.S.-based artists of color, as well as material histories, cross cultural exchange, strategies of address, and contemporary art that engages with the history of the United States. In this conversation, we discuss the transformative work of Black study and Black Studies, the museum as community and political space, and the place of beauty and joy in thinking about Black life.</p><p>(Photo credit: Hector René Membreño-Canales)</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Aisha Durham - Department of Communication, University of South Florida</title>
      <itunes:episode>63</itunes:episode>
      <podcast:episode>63</podcast:episode>
      <itunes:title>Aisha Durham - Department of Communication, University of South Florida</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/626cd1c1</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.aishadurham.com/?fbclid=PAZXh0bgNhZW0CMTEAAaYJ7CdKbG_B9zWyJsBMY-VCIhW3KlyajjMr3eB83mjSfNrhs5mLKmGyDCk_aem_N7-Ir2RreLeez1_pqAAEAw">Aisha Durham</a>, Professor of Communication at the University of South Florida. Her research explores the relationship between media representations and everyday life in the "post" era using auto/ethnography, performance writing, and Black feminist intersectional approaches refined in hip hop feminism. She engages these methods in her two edited books and NCA award-winning monograph<em> </em><a href="https://www.tandfonline.com/doi/abs/10.1080/1041794X.2016.1209238?journalCode=rsjc20"><strong><em>Home with Hip Hop Feminism: Performances in Communication and Culture.</em></strong></a> She has edited journal special issues about local Florida and transnational culture and her research has been featured in <em>Departures in Critical Qualitative Research</em>, the <em>Journal of Autoethnography</em>, and <em>Communication, Culture, and Critique. </em>Durham is a former Fulbright-Hays Faculty Fellow (Brazil), The National Museum of African American History and Culture advisory board member for their hip hop anthology, and an Ellis-Bochner Autoethnography and Personal Narrative Research award recipient. She has also written public scholarship for news and entertainment outlets, such as <em>Tampa Bay Times, NPR</em>, and <em>Haaretz</em>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.aishadurham.com/?fbclid=PAZXh0bgNhZW0CMTEAAaYJ7CdKbG_B9zWyJsBMY-VCIhW3KlyajjMr3eB83mjSfNrhs5mLKmGyDCk_aem_N7-Ir2RreLeez1_pqAAEAw">Aisha Durham</a>, Professor of Communication at the University of South Florida. Her research explores the relationship between media representations and everyday life in the "post" era using auto/ethnography, performance writing, and Black feminist intersectional approaches refined in hip hop feminism. She engages these methods in her two edited books and NCA award-winning monograph<em> </em><a href="https://www.tandfonline.com/doi/abs/10.1080/1041794X.2016.1209238?journalCode=rsjc20"><strong><em>Home with Hip Hop Feminism: Performances in Communication and Culture.</em></strong></a> She has edited journal special issues about local Florida and transnational culture and her research has been featured in <em>Departures in Critical Qualitative Research</em>, the <em>Journal of Autoethnography</em>, and <em>Communication, Culture, and Critique. </em>Durham is a former Fulbright-Hays Faculty Fellow (Brazil), The National Museum of African American History and Culture advisory board member for their hip hop anthology, and an Ellis-Bochner Autoethnography and Personal Narrative Research award recipient. She has also written public scholarship for news and entertainment outlets, such as <em>Tampa Bay Times, NPR</em>, and <em>Haaretz</em>.</p>]]>
      </content:encoded>
      <pubDate>Mon, 25 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/626cd1c1/fbeb900b.mp3" length="116600602" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/3TGf2mSCy4hwfIogmCBz5Qfz3Noh-yPztnwfeSnFsL8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xOWQ0/Njg5NTVlMTIyNTM5/MWFiYjhhMzIxMDc5/OTMxZC5qcGc.jpg"/>
      <itunes:duration>2914</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://www.aishadurham.com/?fbclid=PAZXh0bgNhZW0CMTEAAaYJ7CdKbG_B9zWyJsBMY-VCIhW3KlyajjMr3eB83mjSfNrhs5mLKmGyDCk_aem_N7-Ir2RreLeez1_pqAAEAw">Aisha Durham</a>, Professor of Communication at the University of South Florida. Her research explores the relationship between media representations and everyday life in the "post" era using auto/ethnography, performance writing, and Black feminist intersectional approaches refined in hip hop feminism. She engages these methods in her two edited books and NCA award-winning monograph<em> </em><a href="https://www.tandfonline.com/doi/abs/10.1080/1041794X.2016.1209238?journalCode=rsjc20"><strong><em>Home with Hip Hop Feminism: Performances in Communication and Culture.</em></strong></a> She has edited journal special issues about local Florida and transnational culture and her research has been featured in <em>Departures in Critical Qualitative Research</em>, the <em>Journal of Autoethnography</em>, and <em>Communication, Culture, and Critique. </em>Durham is a former Fulbright-Hays Faculty Fellow (Brazil), The National Museum of African American History and Culture advisory board member for their hip hop anthology, and an Ellis-Bochner Autoethnography and Personal Narrative Research award recipient. She has also written public scholarship for news and entertainment outlets, such as <em>Tampa Bay Times, NPR</em>, and <em>Haaretz</em>.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Robin Means Coleman - Department of Media Studies and African American and African Studies, University of Virginia</title>
      <itunes:episode>62</itunes:episode>
      <podcast:episode>62</podcast:episode>
      <itunes:title>Robin Means Coleman - Department of Media Studies and African American and African Studies, University of Virginia</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f63263c6</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Robin Means Coleman, Professor of Media Studies and of African American and African Studies at the University of Virginia where she is also Director of the Black Fantastic Media Research Lab. In addition to a number of scholarly and popular essays, she is the author of <em>Horror Noire: A History of Black American Horror from the 1890s to Present</em>, published as a second edition in 2023, and,] <em>African American Viewers and the Black Situation Comedy: Situating Racial Humor</em>, published in 2000.  She is co-author of <em>The Black Guy Dies First: Black Horror from Fodder to Oscar</em> (2023) and <em>Intercultural Communication for Everyday Life</em> (2014). She is the editor of <em>Say It Loud! African American Audiences, Media, and Identity</em> (2002) and co-editor of both <em>The Oxford Handbook of Black Horror Film</em> (2024) and<em> Fight the Power! The Spike Lee Reader</em> (2008). In this conversation, we discuss the dynamic character of Black Studies in relation to community-campus relations, the political nature of research and teaching, and the complex relationship between Black Studies and study focused on Black topics</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Robin Means Coleman, Professor of Media Studies and of African American and African Studies at the University of Virginia where she is also Director of the Black Fantastic Media Research Lab. In addition to a number of scholarly and popular essays, she is the author of <em>Horror Noire: A History of Black American Horror from the 1890s to Present</em>, published as a second edition in 2023, and,] <em>African American Viewers and the Black Situation Comedy: Situating Racial Humor</em>, published in 2000.  She is co-author of <em>The Black Guy Dies First: Black Horror from Fodder to Oscar</em> (2023) and <em>Intercultural Communication for Everyday Life</em> (2014). She is the editor of <em>Say It Loud! African American Audiences, Media, and Identity</em> (2002) and co-editor of both <em>The Oxford Handbook of Black Horror Film</em> (2024) and<em> Fight the Power! The Spike Lee Reader</em> (2008). In this conversation, we discuss the dynamic character of Black Studies in relation to community-campus relations, the political nature of research and teaching, and the complex relationship between Black Studies and study focused on Black topics</p>]]>
      </content:encoded>
      <pubDate>Thu, 21 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f63263c6/52aa41d3.mp3" length="130139341" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3253</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Robin Means Coleman, Professor of Media Studies and of African American and African Studies at the University of Virginia where she is also Director of the Black Fantastic Media Research Lab. In addition to a number of scholarly and popular essays, she is the author of <em>Horror Noire: A History of Black American Horror from the 1890s to Present</em>, published as a second edition in 2023, and,] <em>African American Viewers and the Black Situation Comedy: Situating Racial Humor</em>, published in 2000.  She is co-author of <em>The Black Guy Dies First: Black Horror from Fodder to Oscar</em> (2023) and <em>Intercultural Communication for Everyday Life</em> (2014). She is the editor of <em>Say It Loud! African American Audiences, Media, and Identity</em> (2002) and co-editor of both <em>The Oxford Handbook of Black Horror Film</em> (2024) and<em> Fight the Power! The Spike Lee Reader</em> (2008). In this conversation, we discuss the dynamic character of Black Studies in relation to community-campus relations, the political nature of research and teaching, and the complex relationship between Black Studies and study focused on Black topics</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jervette R. Ward - Department of Black Studies, City College of New York</title>
      <itunes:episode>61</itunes:episode>
      <podcast:episode>61</podcast:episode>
      <itunes:title>Jervette R. Ward - Department of Black Studies, City College of New York</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/b76eec3d</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jervette R. Ward, who teaches in and chairs the newly re-established Department of Black Studies at The City College of New York. In addition to her writing and editing work on African American literature and popular culture, she serves as president of the College Language Association. In this conversation, we discuss the relationship between Black studies and literature, how the past struggles to establish the field inform ongoing Black liberation struggle, and how the past and future of Black Studies engages with community life and its everyday habits, objects, and complex practices.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jervette R. Ward, who teaches in and chairs the newly re-established Department of Black Studies at The City College of New York. In addition to her writing and editing work on African American literature and popular culture, she serves as president of the College Language Association. In this conversation, we discuss the relationship between Black studies and literature, how the past struggles to establish the field inform ongoing Black liberation struggle, and how the past and future of Black Studies engages with community life and its everyday habits, objects, and complex practices.</p>]]>
      </content:encoded>
      <pubDate>Tue, 19 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/b76eec3d/de2a668a.mp3" length="105324731" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/I41xalAYpsb32DuHZ0QCX86ElUnrl9fTee5cmW5XzjM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jZTlj/OWE1YWEzZDdhNDBj/ZWNiYTViNTYyOWE1/ZjI0ZS5wbmc.jpg"/>
      <itunes:duration>2632</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Jervette R. Ward, who teaches in and chairs the newly re-established Department of Black Studies at The City College of New York. In addition to her writing and editing work on African American literature and popular culture, she serves as president of the College Language Association. In this conversation, we discuss the relationship between Black studies and literature, how the past struggles to establish the field inform ongoing Black liberation struggle, and how the past and future of Black Studies engages with community life and its everyday habits, objects, and complex practices.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Rita Kiki Edozie - Professor of Global Governance, University of Massachusetts-Boston</title>
      <itunes:episode>60</itunes:episode>
      <podcast:episode>60</podcast:episode>
      <itunes:title>Rita Kiki Edozie - Professor of Global Governance, University of Massachusetts-Boston</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2a875ad9</link>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's episode features Rita Kiki Edozie, the Deval Patrick Endowed Chair of Political, Economic, and Social Innovation and Professor of Global Governance at the University of Massachusetts-Boston. She is the university’s former interim Dean of the John W McCormack School of Policy and Global Studies. Her recent books, <em>The African Union’s Africa: New Pan-African Initiatives in Global Governance</em> (2014) and<em> Pan-Africa Rising: The Cultural Political Economy of Nigeria’s Afri-capitalism </em>and <em>South Africa’s Ubuntu Business</em> (2017), and <em>Africa’s New Global Politics: Regionalism in International Relations</em> (with Moses Khisa, 2022).</p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's episode features Rita Kiki Edozie, the Deval Patrick Endowed Chair of Political, Economic, and Social Innovation and Professor of Global Governance at the University of Massachusetts-Boston. She is the university’s former interim Dean of the John W McCormack School of Policy and Global Studies. Her recent books, <em>The African Union’s Africa: New Pan-African Initiatives in Global Governance</em> (2014) and<em> Pan-Africa Rising: The Cultural Political Economy of Nigeria’s Afri-capitalism </em>and <em>South Africa’s Ubuntu Business</em> (2017), and <em>Africa’s New Global Politics: Regionalism in International Relations</em> (with Moses Khisa, 2022).</p>]]>
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      <pubDate>Thu, 14 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/2a875ad9/3db872ad.mp3" length="122702936" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3067</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's episode features Rita Kiki Edozie, the Deval Patrick Endowed Chair of Political, Economic, and Social Innovation and Professor of Global Governance at the University of Massachusetts-Boston. She is the university’s former interim Dean of the John W McCormack School of Policy and Global Studies. Her recent books, <em>The African Union’s Africa: New Pan-African Initiatives in Global Governance</em> (2014) and<em> Pan-Africa Rising: The Cultural Political Economy of Nigeria’s Afri-capitalism </em>and <em>South Africa’s Ubuntu Business</em> (2017), and <em>Africa’s New Global Politics: Regionalism in International Relations</em> (with Moses Khisa, 2022).</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Juanita Stephen - Department of Interdisciplinary and Critical Studies, University of Windsor</title>
      <itunes:episode>59</itunes:episode>
      <podcast:episode>59</podcast:episode>
      <itunes:title>Juanita Stephen - Department of Interdisciplinary and Critical Studies, University of Windsor</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Juanita Stephen, who teaches in the Department of Interdisciplinary and Critical Studies at University of Windsor in Windsor, Ontario. Her research is guided by feminist theory and its methodologies, draws on the insights of care practice and community work, and is focused on questions of gender, families, and children in a Black Studies frame. In this conversation, we discuss the relationship between Black study and care, how childhood and care networks inform theory and writing, and how the past and future of Black Studies engages with community life and its everyday practices.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Juanita Stephen, who teaches in the Department of Interdisciplinary and Critical Studies at University of Windsor in Windsor, Ontario. Her research is guided by feminist theory and its methodologies, draws on the insights of care practice and community work, and is focused on questions of gender, families, and children in a Black Studies frame. In this conversation, we discuss the relationship between Black study and care, how childhood and care networks inform theory and writing, and how the past and future of Black Studies engages with community life and its everyday practices.</p>]]>
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      <pubDate>Tue, 12 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/adb6c8c6/3a796be6.mp3" length="132122365" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3303</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Juanita Stephen, who teaches in the Department of Interdisciplinary and Critical Studies at University of Windsor in Windsor, Ontario. Her research is guided by feminist theory and its methodologies, draws on the insights of care practice and community work, and is focused on questions of gender, families, and children in a Black Studies frame. In this conversation, we discuss the relationship between Black study and care, how childhood and care networks inform theory and writing, and how the past and future of Black Studies engages with community life and its everyday practices.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip V. McHarris - Frederick Douglass Institute and Department of Black Studies, University of Rochester</title>
      <itunes:episode>58</itunes:episode>
      <podcast:episode>58</podcast:episode>
      <itunes:title>Philip V. McHarris - Frederick Douglass Institute and Department of Black Studies, University of Rochester</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Philip McHarris, who teaches in the Frederick Douglass Institute and Department of Black Studies at University of Rochester. In addition to numerous scholarly and public facing essays, he is the author of <em>Beyond Policing </em>(2024) and is completing a book manuscript titled <em>Brick Dreams,</em> to be published by Princeton University Press. In this conversation, we discuss the urgency of the study of policing and mass incarceration for Black Studies, the politics of thinking expansively about Black study, and the transformative work that comes from teaching and imagining from a space of Black liberation struggle. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Philip McHarris, who teaches in the Frederick Douglass Institute and Department of Black Studies at University of Rochester. In addition to numerous scholarly and public facing essays, he is the author of <em>Beyond Policing </em>(2024) and is completing a book manuscript titled <em>Brick Dreams,</em> to be published by Princeton University Press. In this conversation, we discuss the urgency of the study of policing and mass incarceration for Black Studies, the politics of thinking expansively about Black study, and the transformative work that comes from teaching and imagining from a space of Black liberation struggle. </p>]]>
      </content:encoded>
      <pubDate>Fri, 08 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/8caf5297/28f0b643.mp3" length="153139773" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3828</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Philip McHarris, who teaches in the Frederick Douglass Institute and Department of Black Studies at University of Rochester. In addition to numerous scholarly and public facing essays, he is the author of <em>Beyond Policing </em>(2024) and is completing a book manuscript titled <em>Brick Dreams,</em> to be published by Princeton University Press. In this conversation, we discuss the urgency of the study of policing and mass incarceration for Black Studies, the politics of thinking expansively about Black study, and the transformative work that comes from teaching and imagining from a space of Black liberation struggle. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Dawn-Elissa Fischer - Department of Anthropology, San Francisco State University</title>
      <itunes:episode>57</itunes:episode>
      <podcast:episode>57</podcast:episode>
      <itunes:title>Dawn-Elissa Fischer - Department of Anthropology, San Francisco State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/cadb5f02</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Dawn-Elissa Fischer, who teaches in the Department of Anthropology at San Francisco State University. She centers her scholarly endeavors around the thematic core of "Representing the Unseen." For over two decades, ethnographic research has been her pathway to navigating the frontlines of social movements and Black entertainment, unearthing narratives obscured from view, exposing both the unnoticed struggles and triumphs. Her work intricately illuminates the dynamic digital worlds of today’s youth, weaving stories from underground emcees, grassroots organizers, cosplay vloggers, gaming influencers, and other digital creators into a cohesive narrative of an ongoing online revolution. Beyond exploration, the thematic framework of "Representing the Unseen" serves as a lens to acknowledge and elevate historically excluded educators' intellectual and social justice contributions in critical pedagogy and public engagement. With meticulous evaluation spanning K-12 and postsecondary education since 1999, Fischer's commitment remains steadfast to shedding light on hidden narratives and fostering inclusivity within academia and broader societal contexts.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Dawn-Elissa Fischer, who teaches in the Department of Anthropology at San Francisco State University. She centers her scholarly endeavors around the thematic core of "Representing the Unseen." For over two decades, ethnographic research has been her pathway to navigating the frontlines of social movements and Black entertainment, unearthing narratives obscured from view, exposing both the unnoticed struggles and triumphs. Her work intricately illuminates the dynamic digital worlds of today’s youth, weaving stories from underground emcees, grassroots organizers, cosplay vloggers, gaming influencers, and other digital creators into a cohesive narrative of an ongoing online revolution. Beyond exploration, the thematic framework of "Representing the Unseen" serves as a lens to acknowledge and elevate historically excluded educators' intellectual and social justice contributions in critical pedagogy and public engagement. With meticulous evaluation spanning K-12 and postsecondary education since 1999, Fischer's commitment remains steadfast to shedding light on hidden narratives and fostering inclusivity within academia and broader societal contexts.</p>]]>
      </content:encoded>
      <pubDate>Wed, 06 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/cadb5f02/292b70e6.mp3" length="142257054" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3556</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Dawn-Elissa Fischer, who teaches in the Department of Anthropology at San Francisco State University. She centers her scholarly endeavors around the thematic core of "Representing the Unseen." For over two decades, ethnographic research has been her pathway to navigating the frontlines of social movements and Black entertainment, unearthing narratives obscured from view, exposing both the unnoticed struggles and triumphs. Her work intricately illuminates the dynamic digital worlds of today’s youth, weaving stories from underground emcees, grassroots organizers, cosplay vloggers, gaming influencers, and other digital creators into a cohesive narrative of an ongoing online revolution. Beyond exploration, the thematic framework of "Representing the Unseen" serves as a lens to acknowledge and elevate historically excluded educators' intellectual and social justice contributions in critical pedagogy and public engagement. With meticulous evaluation spanning K-12 and postsecondary education since 1999, Fischer's commitment remains steadfast to shedding light on hidden narratives and fostering inclusivity within academia and broader societal contexts.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Neil Roberts - Department of Africana Studies, Williams College</title>
      <itunes:episode>56</itunes:episode>
      <podcast:episode>56</podcast:episode>
      <itunes:title>Neil Roberts - Department of Africana Studies, Williams College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Neil Roberts, Associate Dean of the Faculty and Professor of Africana Studies at Williams College. Along with numerous articles in academic journals, he is the author of <em>Freedom as Marronage </em>(2015) and editor or co-editor of <em>Creolizing Rousseau </em>(2014), <em>Journeys in Caribbean Thought </em>(2016), and <em>A Political Companion to Frederick Douglass </em>(2018). In this conversation, we discuss the place in Caribbean history and thought in Black Studies, the complexity of thinking freedom in the Black Atlantic world, and the challenges that have come with the institutionalization of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Neil Roberts, Associate Dean of the Faculty and Professor of Africana Studies at Williams College. Along with numerous articles in academic journals, he is the author of <em>Freedom as Marronage </em>(2015) and editor or co-editor of <em>Creolizing Rousseau </em>(2014), <em>Journeys in Caribbean Thought </em>(2016), and <em>A Political Companion to Frederick Douglass </em>(2018). In this conversation, we discuss the place in Caribbean history and thought in Black Studies, the complexity of thinking freedom in the Black Atlantic world, and the challenges that have come with the institutionalization of the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 04 Nov 2024 10:00:00 -0500</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/7b6393a7/196d2121.mp3" length="182495601" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4561</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Neil Roberts, Associate Dean of the Faculty and Professor of Africana Studies at Williams College. Along with numerous articles in academic journals, he is the author of <em>Freedom as Marronage </em>(2015) and editor or co-editor of <em>Creolizing Rousseau </em>(2014), <em>Journeys in Caribbean Thought </em>(2016), and <em>A Political Companion to Frederick Douglass </em>(2018). In this conversation, we discuss the place in Caribbean history and thought in Black Studies, the complexity of thinking freedom in the Black Atlantic world, and the challenges that have come with the institutionalization of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Donelle Boose - Department of History and African American Studies Program, Randolph-Macon College</title>
      <itunes:episode>55</itunes:episode>
      <podcast:episode>55</podcast:episode>
      <itunes:title>Donelle Boose - Department of History and African American Studies Program, Randolph-Macon College</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Donelle Boose, who teaches in the Department of History and African American Studies Program at Randolph-Macon College in Ashland, Virginia. She is an historian who works between public history, archival research, and Black Studies sensibilities. In this conversation, we discuss the relation between public facing work and Black study, documentation and evidence in popular and academic historical writing, and the transformative nature of the Black Studies classroom.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Donelle Boose, who teaches in the Department of History and African American Studies Program at Randolph-Macon College in Ashland, Virginia. She is an historian who works between public history, archival research, and Black Studies sensibilities. In this conversation, we discuss the relation between public facing work and Black study, documentation and evidence in popular and academic historical writing, and the transformative nature of the Black Studies classroom.</p>]]>
      </content:encoded>
      <pubDate>Fri, 01 Nov 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/cc89a63e/3502ad62.mp3" length="135428244" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3385</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Donelle Boose, who teaches in the Department of History and African American Studies Program at Randolph-Macon College in Ashland, Virginia. She is an historian who works between public history, archival research, and Black Studies sensibilities. In this conversation, we discuss the relation between public facing work and Black study, documentation and evidence in popular and academic historical writing, and the transformative nature of the Black Studies classroom.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ashanté Reese - Department of African and African Diaspora Studies, University of Texas, Austin</title>
      <itunes:episode>54</itunes:episode>
      <podcast:episode>54</podcast:episode>
      <itunes:title>Ashanté Reese - Department of African and African Diaspora Studies, University of Texas, Austin</itunes:title>
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      <link>https://share.transistor.fm/s/26f8162d</link>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashanté Reese, who teaches in the Department of African American Studies at the University of Texas, Austin. In addition to a number of scholarly and popular articles, she is the author of <a href="https://uncpress.org/book/9781469651507/black-food-geographies/"><em>Black Food Geographies:Race, Self-Reliance, and Food Access in Washington, D.C</em></a><em>.</em> (2019) and the co-editor with Hanna Garth of <em>Black Food Matters: Racial Justice in the Wake of Food Justice</em> (2020). In this conversation, we discuss the place of ethnographic research in Black Studies, the relationship between teaching, scholarship, and racialized space in disciplinary and non-disciplinary places, and the politics of community work as a form of Black study and practice.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashanté Reese, who teaches in the Department of African American Studies at the University of Texas, Austin. In addition to a number of scholarly and popular articles, she is the author of <a href="https://uncpress.org/book/9781469651507/black-food-geographies/"><em>Black Food Geographies:Race, Self-Reliance, and Food Access in Washington, D.C</em></a><em>.</em> (2019) and the co-editor with Hanna Garth of <em>Black Food Matters: Racial Justice in the Wake of Food Justice</em> (2020). In this conversation, we discuss the place of ethnographic research in Black Studies, the relationship between teaching, scholarship, and racialized space in disciplinary and non-disciplinary places, and the politics of community work as a form of Black study and practice.</p>]]>
      </content:encoded>
      <pubDate>Wed, 30 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/26f8162d/dc757e0f.mp3" length="141892463" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3547</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Ashanté Reese, who teaches in the Department of African American Studies at the University of Texas, Austin. In addition to a number of scholarly and popular articles, she is the author of <a href="https://uncpress.org/book/9781469651507/black-food-geographies/"><em>Black Food Geographies:Race, Self-Reliance, and Food Access in Washington, D.C</em></a><em>.</em> (2019) and the co-editor with Hanna Garth of <em>Black Food Matters: Racial Justice in the Wake of Food Justice</em> (2020). In this conversation, we discuss the place of ethnographic research in Black Studies, the relationship between teaching, scholarship, and racialized space in disciplinary and non-disciplinary places, and the politics of community work as a form of Black study and practice.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Kameelah Martin - Department of African American Studies, College of Charleston</title>
      <itunes:episode>53</itunes:episode>
      <podcast:episode>53</podcast:episode>
      <itunes:title>Kameelah Martin - Department of African American Studies, College of Charleston</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kameelah Martin, who teaches in the Department of African American Studies at the College of Charleston. She has written extensively on African American literature and diasporic cultural studies and is the author of <em>Conjuring Moments in African American Literature: Women, Spirit Work, and Other Such Hoodoo</em> (2012), <em>Envisioning Black Feminist Voodoo Aesthetics: African Spirituality in American Cinema</em> (2016), and co-editor of <em>The Lemonade Reader </em>(2019). In this conversation, we discuss the place of literary studies in the field of Black Studies, the relationship between folk cultural production and everyday Black life, and the reach of Black study inside and outside the academy. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kameelah Martin, who teaches in the Department of African American Studies at the College of Charleston. She has written extensively on African American literature and diasporic cultural studies and is the author of <em>Conjuring Moments in African American Literature: Women, Spirit Work, and Other Such Hoodoo</em> (2012), <em>Envisioning Black Feminist Voodoo Aesthetics: African Spirituality in American Cinema</em> (2016), and co-editor of <em>The Lemonade Reader </em>(2019). In this conversation, we discuss the place of literary studies in the field of Black Studies, the relationship between folk cultural production and everyday Black life, and the reach of Black study inside and outside the academy. </p>]]>
      </content:encoded>
      <pubDate>Mon, 28 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/5070e6b7/d101992c.mp3" length="134615311" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3364</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Kameelah Martin, who teaches in the Department of African American Studies at the College of Charleston. She has written extensively on African American literature and diasporic cultural studies and is the author of <em>Conjuring Moments in African American Literature: Women, Spirit Work, and Other Such Hoodoo</em> (2012), <em>Envisioning Black Feminist Voodoo Aesthetics: African Spirituality in American Cinema</em> (2016), and co-editor of <em>The Lemonade Reader </em>(2019). In this conversation, we discuss the place of literary studies in the field of Black Studies, the relationship between folk cultural production and everyday Black life, and the reach of Black study inside and outside the academy. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Melissa Daniels-Rauterkus - Department of English, University of Southern California</title>
      <itunes:episode>52</itunes:episode>
      <podcast:episode>52</podcast:episode>
      <itunes:title>Melissa Daniels-Rauterkus - Department of English, University of Southern California</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Melissa Daniels-Rauterkus, who teaches in the Department of English at the University of Southern California. She has written extensively on African American literature and cultural studies and is the author of <em>Afro-Realism and the Romances of Race: Rethinking Blackness in the African American Novel, </em>published in 2020 and designated as honorable mention for the MLA William Sanders Scarborough Prize. In this conversation, we discuss the place of literary studies in the Black Studies imagination, the relationship between cultural production and everyday Black life, and the politics of Black study inside and outside the academy. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Melissa Daniels-Rauterkus, who teaches in the Department of English at the University of Southern California. She has written extensively on African American literature and cultural studies and is the author of <em>Afro-Realism and the Romances of Race: Rethinking Blackness in the African American Novel, </em>published in 2020 and designated as honorable mention for the MLA William Sanders Scarborough Prize. In this conversation, we discuss the place of literary studies in the Black Studies imagination, the relationship between cultural production and everyday Black life, and the politics of Black study inside and outside the academy. </p>]]>
      </content:encoded>
      <pubDate>Fri, 25 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/bcda7a52/ff105c05.mp3" length="155715396" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3892</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Melissa Daniels-Rauterkus, who teaches in the Department of English at the University of Southern California. She has written extensively on African American literature and cultural studies and is the author of <em>Afro-Realism and the Romances of Race: Rethinking Blackness in the African American Novel, </em>published in 2020 and designated as honorable mention for the MLA William Sanders Scarborough Prize. In this conversation, we discuss the place of literary studies in the Black Studies imagination, the relationship between cultural production and everyday Black life, and the politics of Black study inside and outside the academy. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Eddie S. Glaude, Jr. - Department of African American Studies, Princeton University</title>
      <itunes:episode>51</itunes:episode>
      <podcast:episode>51</podcast:episode>
      <itunes:title>Eddie S. Glaude, Jr. - Department of African American Studies, Princeton University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0bd5af00</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Eddie S. Glaude, Jr., who is James S. McDonnell Distinguished University Professor in the Department of African American Studies at Princeton University. In addition to numerous scholarly and public facing essays, he is the author of a number of books including most recently <em>An Uncommon Faith: A Pragmatic Approach to the Study of African American Religion</em> (2018), <em>Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own</em> (2020), and <em>We Are the Leaders We Have Been Looking For</em> (2024). He also maintains a Substack newsletter under the title <em>A Native Son</em>. In this conversation, we discuss the place of religious studies in the field of Black Studies, the impact of pragmatism, prophetic work, and political thinking on reckoning with Black life, and the complex methods, critical frames, and sensibilities that comprise the field. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Eddie S. Glaude, Jr., who is James S. McDonnell Distinguished University Professor in the Department of African American Studies at Princeton University. In addition to numerous scholarly and public facing essays, he is the author of a number of books including most recently <em>An Uncommon Faith: A Pragmatic Approach to the Study of African American Religion</em> (2018), <em>Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own</em> (2020), and <em>We Are the Leaders We Have Been Looking For</em> (2024). He also maintains a Substack newsletter under the title <em>A Native Son</em>. In this conversation, we discuss the place of religious studies in the field of Black Studies, the impact of pragmatism, prophetic work, and political thinking on reckoning with Black life, and the complex methods, critical frames, and sensibilities that comprise the field. </p>]]>
      </content:encoded>
      <pubDate>Wed, 23 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/0bd5af00/5b6a6461.mp3" length="106099126" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2652</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Eddie S. Glaude, Jr., who is James S. McDonnell Distinguished University Professor in the Department of African American Studies at Princeton University. In addition to numerous scholarly and public facing essays, he is the author of a number of books including most recently <em>An Uncommon Faith: A Pragmatic Approach to the Study of African American Religion</em> (2018), <em>Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own</em> (2020), and <em>We Are the Leaders We Have Been Looking For</em> (2024). He also maintains a Substack newsletter under the title <em>A Native Son</em>. In this conversation, we discuss the place of religious studies in the field of Black Studies, the impact of pragmatism, prophetic work, and political thinking on reckoning with Black life, and the complex methods, critical frames, and sensibilities that comprise the field. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jasmine Lee - Associate Vice President for Community and Culture, University of Maryland, Baltimore County</title>
      <itunes:episode>50</itunes:episode>
      <podcast:episode>50</podcast:episode>
      <itunes:title>Jasmine Lee - Associate Vice President for Community and Culture, University of Maryland, Baltimore County</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/431f7522</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://drjaslee.com">Jasmine Lee</a>, who works as <a href="https://hr.umbc.edu/jasmine-a-lee/">Associate Vice President for Community and Culture, University of Maryland, Baltimore County</a>. Having earned her PhD in Education at Michigan State University in 2016, she works to create "inclusive campus environments through direct programming, strategic student success initiatives, and collaborative leadership, along with consultation for racial climate concerns and broader diversity issues for faculty and staff across campus." In this discussion, we explore the meaning of Black Studies and the study of Black life in classrooms, in non-profit communities, and in educational settings between community and campus.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://drjaslee.com">Jasmine Lee</a>, who works as <a href="https://hr.umbc.edu/jasmine-a-lee/">Associate Vice President for Community and Culture, University of Maryland, Baltimore County</a>. Having earned her PhD in Education at Michigan State University in 2016, she works to create "inclusive campus environments through direct programming, strategic student success initiatives, and collaborative leadership, along with consultation for racial climate concerns and broader diversity issues for faculty and staff across campus." In this discussion, we explore the meaning of Black Studies and the study of Black life in classrooms, in non-profit communities, and in educational settings between community and campus.</p>]]>
      </content:encoded>
      <pubDate>Mon, 21 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/431f7522/5078677c.mp3" length="141563260" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3538</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://drjaslee.com">Jasmine Lee</a>, who works as <a href="https://hr.umbc.edu/jasmine-a-lee/">Associate Vice President for Community and Culture, University of Maryland, Baltimore County</a>. Having earned her PhD in Education at Michigan State University in 2016, she works to create "inclusive campus environments through direct programming, strategic student success initiatives, and collaborative leadership, along with consultation for racial climate concerns and broader diversity issues for faculty and staff across campus." In this discussion, we explore the meaning of Black Studies and the study of Black life in classrooms, in non-profit communities, and in educational settings between community and campus.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
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      <title>Biko Caruthers - Department of English, New York University</title>
      <itunes:episode>49</itunes:episode>
      <podcast:episode>49</podcast:episode>
      <itunes:title>Biko Caruthers - Department of English, New York University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with<a href="https://bikocaruthers.com/about/"> Biko Caruthers</a>, assistant professor and Provost Postdoctoral Fellow in the Department of English at New York University. His work engages with visual art, literature and history, and the theoretical and readerly possibilities of afropessimism. In this conversation, we explore the origins and political significance of Black Studies, the complex relationship between insurgent work in the field and the institutionalization of departments and professorial life, and how pessimist theory opens new horizons for reading historical texts and intervening in moments of cultural and political violence.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with<a href="https://bikocaruthers.com/about/"> Biko Caruthers</a>, assistant professor and Provost Postdoctoral Fellow in the Department of English at New York University. His work engages with visual art, literature and history, and the theoretical and readerly possibilities of afropessimism. In this conversation, we explore the origins and political significance of Black Studies, the complex relationship between insurgent work in the field and the institutionalization of departments and professorial life, and how pessimist theory opens new horizons for reading historical texts and intervening in moments of cultural and political violence.</p>]]>
      </content:encoded>
      <pubDate>Fri, 18 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/01c54dc9/c0e115ff.mp3" length="135460529" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3384</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with<a href="https://bikocaruthers.com/about/"> Biko Caruthers</a>, assistant professor and Provost Postdoctoral Fellow in the Department of English at New York University. His work engages with visual art, literature and history, and the theoretical and readerly possibilities of afropessimism. In this conversation, we explore the origins and political significance of Black Studies, the complex relationship between insurgent work in the field and the institutionalization of departments and professorial life, and how pessimist theory opens new horizons for reading historical texts and intervening in moments of cultural and political violence.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Willie Mack - Department of Black Studies, University of Missouri</title>
      <itunes:episode>48</itunes:episode>
      <podcast:episode>48</podcast:episode>
      <itunes:title>Willie Mack - Department of Black Studies, University of Missouri</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fcfb508a</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Willie Mack, who teaches in the Department of Black Studies at the University of Missouri. He has written widely in the history of transnational contact and political meaning between Haiti and the United States, carcerality and racial power, and is completing a manuscript tentatively entitled <em>Transnational Carceral Regimes and Punitive Anti-communism: Haitian Immigrants, Race, Empire, and Policing in New York City and Haiti, 1915-2000.</em> In this conversation, we explore the place of Haiti in the Black Studies imagination, carceral studies and the politics of blackness, and the shift of the meaning of historical research inside a Black Studies sensibility.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Willie Mack, who teaches in the Department of Black Studies at the University of Missouri. He has written widely in the history of transnational contact and political meaning between Haiti and the United States, carcerality and racial power, and is completing a manuscript tentatively entitled <em>Transnational Carceral Regimes and Punitive Anti-communism: Haitian Immigrants, Race, Empire, and Policing in New York City and Haiti, 1915-2000.</em> In this conversation, we explore the place of Haiti in the Black Studies imagination, carceral studies and the politics of blackness, and the shift of the meaning of historical research inside a Black Studies sensibility.</p>]]>
      </content:encoded>
      <pubDate>Wed, 16 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/fcfb508a/0b8eedeb.mp3" length="125916377" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3147</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Willie Mack, who teaches in the Department of Black Studies at the University of Missouri. He has written widely in the history of transnational contact and political meaning between Haiti and the United States, carcerality and racial power, and is completing a manuscript tentatively entitled <em>Transnational Carceral Regimes and Punitive Anti-communism: Haitian Immigrants, Race, Empire, and Policing in New York City and Haiti, 1915-2000.</em> In this conversation, we explore the place of Haiti in the Black Studies imagination, carceral studies and the politics of blackness, and the shift of the meaning of historical research inside a Black Studies sensibility.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sonya Donaldson - Department of African American Studies, Colby College</title>
      <itunes:episode>47</itunes:episode>
      <podcast:episode>47</podcast:episode>
      <itunes:title>Sonya Donaldson - Department of African American Studies, Colby College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/557d3167</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sonya Donaldson, who teaches in the Department of African American Studies at Colby College. She works at the intersections of race, class, gender, and technologies and seeks to elucidate the relationship between race, diaspora, and nation. Her research interests include African American Literature, Black Digital Humanities, and Black German Studies. She is the creator of the digital humanities project, <em>Singing the Nation [Into Being]</em>, a collection of performances of James Weldon Johnson and J. Rosamond Johnson’s “Lift Every Voice and Sing.” Donaldson is also the executive director of media and archives for the Black German Heritage and Research Association (BGHRA) and a fellow at the Davis Institute for AI at Colby College. In this conversation, we discuss the place of community work inside and outside the Black Studies academy, literary studies and questions of digitality, and the expansive possibilities of the Black Studies classroom.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sonya Donaldson, who teaches in the Department of African American Studies at Colby College. She works at the intersections of race, class, gender, and technologies and seeks to elucidate the relationship between race, diaspora, and nation. Her research interests include African American Literature, Black Digital Humanities, and Black German Studies. She is the creator of the digital humanities project, <em>Singing the Nation [Into Being]</em>, a collection of performances of James Weldon Johnson and J. Rosamond Johnson’s “Lift Every Voice and Sing.” Donaldson is also the executive director of media and archives for the Black German Heritage and Research Association (BGHRA) and a fellow at the Davis Institute for AI at Colby College. In this conversation, we discuss the place of community work inside and outside the Black Studies academy, literary studies and questions of digitality, and the expansive possibilities of the Black Studies classroom.</p>]]>
      </content:encoded>
      <pubDate>Mon, 14 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/557d3167/906faa9b.mp3" length="141130883" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/kluBcs4vLAmmTJxxcjWkNCMNsn4PiZ8YlaiT3EF9--s/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jODU5/YWFiZDRiMjJhMDZl/YzMyMmY1NjQ4NTIy/Mjk5Ny5qcGVn.jpg"/>
      <itunes:duration>3528</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sonya Donaldson, who teaches in the Department of African American Studies at Colby College. She works at the intersections of race, class, gender, and technologies and seeks to elucidate the relationship between race, diaspora, and nation. Her research interests include African American Literature, Black Digital Humanities, and Black German Studies. She is the creator of the digital humanities project, <em>Singing the Nation [Into Being]</em>, a collection of performances of James Weldon Johnson and J. Rosamond Johnson’s “Lift Every Voice and Sing.” Donaldson is also the executive director of media and archives for the Black German Heritage and Research Association (BGHRA) and a fellow at the Davis Institute for AI at Colby College. In this conversation, we discuss the place of community work inside and outside the Black Studies academy, literary studies and questions of digitality, and the expansive possibilities of the Black Studies classroom.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Chad L. Williams - Department of African and African American Studies, Brandeis University</title>
      <itunes:episode>46</itunes:episode>
      <podcast:episode>46</podcast:episode>
      <itunes:title>Chad L. Williams - Department of African and African American Studies, Brandeis University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/88c2d2d1</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Chad L. Williams, Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University. He is the author of <em>Torchbearers of Democracy: African American Soldiers in the World War I Era</em> (2010), which won the 2011 Liberty Legacy Foundation Award from the Organization of American Historians and a 2011 Distinguished Book Award from the Society for Military History, <em>The Wounded World: W. E. B. Du Bois and the First World War </em>(2023), and he is also coeditor of <em>Charleston Syllabus: Readings on Race, Racism, and Racial Violence</em> (2016).</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Chad L. Williams, Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University. He is the author of <em>Torchbearers of Democracy: African American Soldiers in the World War I Era</em> (2010), which won the 2011 Liberty Legacy Foundation Award from the Organization of American Historians and a 2011 Distinguished Book Award from the Society for Military History, <em>The Wounded World: W. E. B. Du Bois and the First World War </em>(2023), and he is also coeditor of <em>Charleston Syllabus: Readings on Race, Racism, and Racial Violence</em> (2016).</p>]]>
      </content:encoded>
      <pubDate>Fri, 11 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/88c2d2d1/edcb329e.mp3" length="150069529" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/nznQ8NZ60WJ3NkPYXs1JXWxkxG2mDJ4MASQ_LG6OnTM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MjU0/MzZiYjIyNWZiNDVk/YWE4Yzc1OWUxYzZi/NjMxNy5qcGVn.jpg"/>
      <itunes:duration>3752</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Chad L. Williams, Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University. He is the author of <em>Torchbearers of Democracy: African American Soldiers in the World War I Era</em> (2010), which won the 2011 Liberty Legacy Foundation Award from the Organization of American Historians and a 2011 Distinguished Book Award from the Society for Military History, <em>The Wounded World: W. E. B. Du Bois and the First World War </em>(2023), and he is also coeditor of <em>Charleston Syllabus: Readings on Race, Racism, and Racial Violence</em> (2016).</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Courtney Terry - Department of Black Studies, Portland State University</title>
      <itunes:episode>45</itunes:episode>
      <podcast:episode>45</podcast:episode>
      <itunes:title>Courtney Terry - Department of Black Studies, Portland State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/768b5a24</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Courtney Terry, assistant professor of Black Studies at Portland State University in Portland, Oregon, where she teaches and writes on the history of and resonance between literary and popular cultural figures around questions of race, class, and expressive life. She also serves as Director of Education for <a href="https://thhm.org/newsletter/dr-courtney-terry/">The Hip Hop Museum in Bronx, New York</a>. In this conversation, we discuss the place of popular cultural studies in the field, the echos of forms of blackness across African American history, and how an interrogation of cultural production expands the living archive of Black Studies..</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Courtney Terry, assistant professor of Black Studies at Portland State University in Portland, Oregon, where she teaches and writes on the history of and resonance between literary and popular cultural figures around questions of race, class, and expressive life. She also serves as Director of Education for <a href="https://thhm.org/newsletter/dr-courtney-terry/">The Hip Hop Museum in Bronx, New York</a>. In this conversation, we discuss the place of popular cultural studies in the field, the echos of forms of blackness across African American history, and how an interrogation of cultural production expands the living archive of Black Studies..</p>]]>
      </content:encoded>
      <pubDate>Wed, 09 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/768b5a24/6d09c75a.mp3" length="152479815" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3811</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Courtney Terry, assistant professor of Black Studies at Portland State University in Portland, Oregon, where she teaches and writes on the history of and resonance between literary and popular cultural figures around questions of race, class, and expressive life. She also serves as Director of Education for <a href="https://thhm.org/newsletter/dr-courtney-terry/">The Hip Hop Museum in Bronx, New York</a>. In this conversation, we discuss the place of popular cultural studies in the field, the echos of forms of blackness across African American history, and how an interrogation of cultural production expands the living archive of Black Studies..</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Elena Guzman - Department of African American and African Diaspora Studies, Indiana University</title>
      <itunes:episode>44</itunes:episode>
      <podcast:episode>44</podcast:episode>
      <itunes:title>Elena Guzman - Department of African American and African Diaspora Studies, Indiana University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">36c13477-3fbc-421c-98dc-58eac2497d3a</guid>
      <link>https://share.transistor.fm/s/c71db6b5</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.elenaguzman.me">Elena Guzman</a>, who teaches in the Department of African American and African Diaspora Studies at Indiana University. In addition to her critical writing and research in anthropology, which includes a book manuscript entitled <em>Chimera Geographies: Spiritual Borderlands of the Afro-Caribbean</em> she is a filmmaker whose creative work explores “the transcendental and spiritual experiences of African diasporic religion and spirituality in addition to its intersections with race, gender, and mental health.” In this conversation, we discuss the expansive possibilities of transdisciplinary thinking, the role of a Black Studies sensibility in anthropological research, and the place of creative work in the institutional life of Black Studies.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.elenaguzman.me">Elena Guzman</a>, who teaches in the Department of African American and African Diaspora Studies at Indiana University. In addition to her critical writing and research in anthropology, which includes a book manuscript entitled <em>Chimera Geographies: Spiritual Borderlands of the Afro-Caribbean</em> she is a filmmaker whose creative work explores “the transcendental and spiritual experiences of African diasporic religion and spirituality in addition to its intersections with race, gender, and mental health.” In this conversation, we discuss the expansive possibilities of transdisciplinary thinking, the role of a Black Studies sensibility in anthropological research, and the place of creative work in the institutional life of Black Studies.</p>]]>
      </content:encoded>
      <pubDate>Mon, 07 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/c71db6b5/3d2ed945.mp3" length="124622401" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3115</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.elenaguzman.me">Elena Guzman</a>, who teaches in the Department of African American and African Diaspora Studies at Indiana University. In addition to her critical writing and research in anthropology, which includes a book manuscript entitled <em>Chimera Geographies: Spiritual Borderlands of the Afro-Caribbean</em> she is a filmmaker whose creative work explores “the transcendental and spiritual experiences of African diasporic religion and spirituality in addition to its intersections with race, gender, and mental health.” In this conversation, we discuss the expansive possibilities of transdisciplinary thinking, the role of a Black Studies sensibility in anthropological research, and the place of creative work in the institutional life of Black Studies.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Christin Washington - Department of American Studies, University of Maryland</title>
      <itunes:episode>43</itunes:episode>
      <podcast:episode>43</podcast:episode>
      <itunes:title>Christin Washington - Department of American Studies, University of Maryland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/29c582dd</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Christin Washington, a doctoral candidate in the Department of American Studies at University of Maryland. Her interests lie at the intersection of Caribbean studies, the cultural labor of Black women’s religious practices, digital studies, and immersive forms of scholarship and and expressive work. In this conversation, we discuss the place of love and imagination in Black Studies, design as intellectual work, and digital studies as play, immersion, and meaning-making.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Christin Washington, a doctoral candidate in the Department of American Studies at University of Maryland. Her interests lie at the intersection of Caribbean studies, the cultural labor of Black women’s religious practices, digital studies, and immersive forms of scholarship and and expressive work. In this conversation, we discuss the place of love and imagination in Black Studies, design as intellectual work, and digital studies as play, immersion, and meaning-making.</p>]]>
      </content:encoded>
      <pubDate>Fri, 04 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/29c582dd/8e8e5234.mp3" length="142302521" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3557</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Christin Washington, a doctoral candidate in the Department of American Studies at University of Maryland. Her interests lie at the intersection of Caribbean studies, the cultural labor of Black women’s religious practices, digital studies, and immersive forms of scholarship and and expressive work. In this conversation, we discuss the place of love and imagination in Black Studies, design as intellectual work, and digital studies as play, immersion, and meaning-making.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Walidah Imarisha - Department of Black Studies, Portland State University</title>
      <itunes:episode>42</itunes:episode>
      <podcast:episode>42</podcast:episode>
      <itunes:title>Walidah Imarisha - Department of Black Studies, Portland State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c28dc42c</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Walidah Imarisha, Director of the Center for Black Studies and Associate Professor in the Black Studies Department at Portland State University. She is the co-editor of two anthologies, <em>Octavia's Brood: Science Fiction Stories From Social Justice Movements</em> and <em>Another World is Possible</em>. She is also the author of <em>Angels with Dirty Faces: Three Stories of Crime, Prison and Redemption</em>, which won a 2017 Oregon Book Award. She spent 6 years with the Oregon Humanities Conversation Project as a public scholar facilitating programs across the state about Oregon Black history and other topics. In 2015, she received a Tiptree Fellowship for her science fiction writing. In this conversation, we discuss the political meaning of Black Studies, the place of speculative thinking and fiction in the field, and the forms of time appropriate to the study of Black life, history, and expressive culture.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Walidah Imarisha, Director of the Center for Black Studies and Associate Professor in the Black Studies Department at Portland State University. She is the co-editor of two anthologies, <em>Octavia's Brood: Science Fiction Stories From Social Justice Movements</em> and <em>Another World is Possible</em>. She is also the author of <em>Angels with Dirty Faces: Three Stories of Crime, Prison and Redemption</em>, which won a 2017 Oregon Book Award. She spent 6 years with the Oregon Humanities Conversation Project as a public scholar facilitating programs across the state about Oregon Black history and other topics. In 2015, she received a Tiptree Fellowship for her science fiction writing. In this conversation, we discuss the political meaning of Black Studies, the place of speculative thinking and fiction in the field, and the forms of time appropriate to the study of Black life, history, and expressive culture.</p>]]>
      </content:encoded>
      <pubDate>Wed, 02 Oct 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/c28dc42c/ac48618d.mp3" length="102664907" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2566</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Walidah Imarisha, Director of the Center for Black Studies and Associate Professor in the Black Studies Department at Portland State University. She is the co-editor of two anthologies, <em>Octavia's Brood: Science Fiction Stories From Social Justice Movements</em> and <em>Another World is Possible</em>. She is also the author of <em>Angels with Dirty Faces: Three Stories of Crime, Prison and Redemption</em>, which won a 2017 Oregon Book Award. She spent 6 years with the Oregon Humanities Conversation Project as a public scholar facilitating programs across the state about Oregon Black history and other topics. In 2015, she received a Tiptree Fellowship for her science fiction writing. In this conversation, we discuss the political meaning of Black Studies, the place of speculative thinking and fiction in the field, and the forms of time appropriate to the study of Black life, history, and expressive culture.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Qiana Whitted - Department of English and African American Studies Program, University of South Carolina</title>
      <itunes:episode>41</itunes:episode>
      <podcast:episode>41</podcast:episode>
      <itunes:title>Qiana Whitted - Department of English and African American Studies Program, University of South Carolina</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2a3a5972</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Qiana Whitted, who teaches in the Department of English Language and Literature and in the African American Studies Program at the University of South Carolina. In addition to numerous articles on African American literature and graphic culture, she is the author of three books - <a href="https://www.qianawhitted.com/publications.html"><em>‘A God of Justice?’: The Problem of Evil in 20th Century Black Literature</em></a><em> </em>(2009), <a href="https://www.qianawhitted.com/publications.html"><em>EC Comics: Race, Shock, and Social Protest</em></a><em> </em>(2019), <a href="https://www.qianawhitted.com/publications.html"><em>Desegregating Comics: Debating Blackness in the Golden Age of American Comics</em></a><em> </em>(2023) - and is the editor, with Brannon Costello, of<em> </em><a href="https://www.qianawhitted.com/publications.html"><em>Comics and the U.S. South</em></a> (2012). In this conversation, we discuss the place of material culture in Black Studies, the meaning of graphic and comic book representation of Black life, and how an expanding sense of a Black Studies archive impacts the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Qiana Whitted, who teaches in the Department of English Language and Literature and in the African American Studies Program at the University of South Carolina. In addition to numerous articles on African American literature and graphic culture, she is the author of three books - <a href="https://www.qianawhitted.com/publications.html"><em>‘A God of Justice?’: The Problem of Evil in 20th Century Black Literature</em></a><em> </em>(2009), <a href="https://www.qianawhitted.com/publications.html"><em>EC Comics: Race, Shock, and Social Protest</em></a><em> </em>(2019), <a href="https://www.qianawhitted.com/publications.html"><em>Desegregating Comics: Debating Blackness in the Golden Age of American Comics</em></a><em> </em>(2023) - and is the editor, with Brannon Costello, of<em> </em><a href="https://www.qianawhitted.com/publications.html"><em>Comics and the U.S. South</em></a> (2012). In this conversation, we discuss the place of material culture in Black Studies, the meaning of graphic and comic book representation of Black life, and how an expanding sense of a Black Studies archive impacts the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 30 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/2a3a5972/6cbeda4d.mp3" length="114645821" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/RpPyu5H0RLWPXDwHXYhnrrOMstDq58n2LT5Ew4JC7sQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9hMjVm/YWFkZTJkMDhlMWRi/NmMyNTkzYWZlNmMw/MzA4OS5qcGVn.jpg"/>
      <itunes:duration>2865</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Qiana Whitted, who teaches in the Department of English Language and Literature and in the African American Studies Program at the University of South Carolina. In addition to numerous articles on African American literature and graphic culture, she is the author of three books - <a href="https://www.qianawhitted.com/publications.html"><em>‘A God of Justice?’: The Problem of Evil in 20th Century Black Literature</em></a><em> </em>(2009), <a href="https://www.qianawhitted.com/publications.html"><em>EC Comics: Race, Shock, and Social Protest</em></a><em> </em>(2019), <a href="https://www.qianawhitted.com/publications.html"><em>Desegregating Comics: Debating Blackness in the Golden Age of American Comics</em></a><em> </em>(2023) - and is the editor, with Brannon Costello, of<em> </em><a href="https://www.qianawhitted.com/publications.html"><em>Comics and the U.S. South</em></a> (2012). In this conversation, we discuss the place of material culture in Black Studies, the meaning of graphic and comic book representation of Black life, and how an expanding sense of a Black Studies archive impacts the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>LaToya Brackett - Department of African American Studies, University of Puget Sound</title>
      <itunes:episode>40</itunes:episode>
      <podcast:episode>40</podcast:episode>
      <itunes:title>LaToya Brackett - Department of African American Studies, University of Puget Sound</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f199f203</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.pugetsound.edu/directory/latoya-brackett">LaToya Brackett, an assistant professor in the Department of African American Studies at the University of Puget Sound</a> in Tacoma, Washington. She researches and publishes on questions of intercultural communication, diasporic identity and meaning, and popular cultural studies. In addition to her appointment as assistant professor, she is a member of the Race and Pedagogy Institute at UPS. This conversation explores how Black Studies shifts the meaning of academic social space, intellectual space, and transforms our sense of classroom pedagogy.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.pugetsound.edu/directory/latoya-brackett">LaToya Brackett, an assistant professor in the Department of African American Studies at the University of Puget Sound</a> in Tacoma, Washington. She researches and publishes on questions of intercultural communication, diasporic identity and meaning, and popular cultural studies. In addition to her appointment as assistant professor, she is a member of the Race and Pedagogy Institute at UPS. This conversation explores how Black Studies shifts the meaning of academic social space, intellectual space, and transforms our sense of classroom pedagogy.</p>]]>
      </content:encoded>
      <pubDate>Fri, 27 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f199f203/92bd2110.mp3" length="116909512" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/se_zcidg22zFdnDOkz-GKjpqvEjneGHLiqUZZiuabME/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lY2Fj/NjkzM2QxZWI3MjU1/OWZkYzY5MTQwMDAx/ZWZjYy5qcGVn.jpg"/>
      <itunes:duration>2922</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.pugetsound.edu/directory/latoya-brackett">LaToya Brackett, an assistant professor in the Department of African American Studies at the University of Puget Sound</a> in Tacoma, Washington. She researches and publishes on questions of intercultural communication, diasporic identity and meaning, and popular cultural studies. In addition to her appointment as assistant professor, she is a member of the Race and Pedagogy Institute at UPS. This conversation explores how Black Studies shifts the meaning of academic social space, intellectual space, and transforms our sense of classroom pedagogy.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Christina Knight - Department of Art History, Rutgers University</title>
      <itunes:episode>39</itunes:episode>
      <podcast:episode>39</podcast:episode>
      <itunes:title>Christina Knight - Department of Art History, Rutgers University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/af28901c</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Christina Knight, who teaches in the Department of Art History at Rutgers University. Christina received her Ph.D. in African American Studies from Harvard University. Her work examines the connection between embodied practices and identity, the relationship between race and the visual field, and the queer imaginary. She is currently at work on a manuscript,<em> The Ship That is the Body: The Middle Passage in Time-Based Art</em>, which investigates contemporary black American performing and visual arts that reimagine the history of the Atlantic slave trade. In this conversation, we discuss the place of expressive culture in Black Studies, how embodiment challenges conventions in scholarship, the profession, and in the classroom, and how time and physics recalibrate our understanding of blackness.</p><p><br></p><p>Our discussion refers to her <a href="https://youtu.be/tvfD5Q90230?si=fqKFz3VzlUsft_HS">short film <em>doomsday : fieldnotes, </em>which can viewed on YouTube.</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Christina Knight, who teaches in the Department of Art History at Rutgers University. Christina received her Ph.D. in African American Studies from Harvard University. Her work examines the connection between embodied practices and identity, the relationship between race and the visual field, and the queer imaginary. She is currently at work on a manuscript,<em> The Ship That is the Body: The Middle Passage in Time-Based Art</em>, which investigates contemporary black American performing and visual arts that reimagine the history of the Atlantic slave trade. In this conversation, we discuss the place of expressive culture in Black Studies, how embodiment challenges conventions in scholarship, the profession, and in the classroom, and how time and physics recalibrate our understanding of blackness.</p><p><br></p><p>Our discussion refers to her <a href="https://youtu.be/tvfD5Q90230?si=fqKFz3VzlUsft_HS">short film <em>doomsday : fieldnotes, </em>which can viewed on YouTube.</a></p>]]>
      </content:encoded>
      <pubDate>Wed, 25 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/af28901c/3bb2d0c3.mp3" length="111020211" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/awt5BZspO-Ce8Ib2iKOTv_kTtRzGyFD4bl8YcB-VIRM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mNDUz/ODZhNDEzNzk2ODA5/MjI1YTQ2ZDQ3ODk5/MjdiZi5qcGVn.jpg"/>
      <itunes:duration>2774</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Christina Knight, who teaches in the Department of Art History at Rutgers University. Christina received her Ph.D. in African American Studies from Harvard University. Her work examines the connection between embodied practices and identity, the relationship between race and the visual field, and the queer imaginary. She is currently at work on a manuscript,<em> The Ship That is the Body: The Middle Passage in Time-Based Art</em>, which investigates contemporary black American performing and visual arts that reimagine the history of the Atlantic slave trade. In this conversation, we discuss the place of expressive culture in Black Studies, how embodiment challenges conventions in scholarship, the profession, and in the classroom, and how time and physics recalibrate our understanding of blackness.</p><p><br></p><p>Our discussion refers to her <a href="https://youtu.be/tvfD5Q90230?si=fqKFz3VzlUsft_HS">short film <em>doomsday : fieldnotes, </em>which can viewed on YouTube.</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Minkah Makalani - Department of History and Center for Africana Studies, Johns Hopkins University</title>
      <itunes:episode>38</itunes:episode>
      <podcast:episode>38</podcast:episode>
      <itunes:title>Minkah Makalani - Department of History and Center for Africana Studies, Johns Hopkins University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/5c049ac3</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://history.jhu.edu/directory/minkah-makalani/">Professor Minkah Makalani</a>, who teaches in the Department of History at Johns Hopkins University where he is also the director of the Center for Africana Studies. He is the author of <em>In the Cause of Freedom: Radical Black Internationalism from Harlem to London, 1917-1939</em> and the co-editor with Davarian L. Baldwin of <em>Escape from New York: The New Negro Renaissance beyond Harlem. </em>In this conversation, we discuss his journey into and interest in the field of Black Studies, the importance of political and historical dimensions to Black study, and the place of internationalist discourse in the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://history.jhu.edu/directory/minkah-makalani/">Professor Minkah Makalani</a>, who teaches in the Department of History at Johns Hopkins University where he is also the director of the Center for Africana Studies. He is the author of <em>In the Cause of Freedom: Radical Black Internationalism from Harlem to London, 1917-1939</em> and the co-editor with Davarian L. Baldwin of <em>Escape from New York: The New Negro Renaissance beyond Harlem. </em>In this conversation, we discuss his journey into and interest in the field of Black Studies, the importance of political and historical dimensions to Black study, and the place of internationalist discourse in the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 23 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/5c049ac3/10d8aca8.mp3" length="197331303" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4932</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://history.jhu.edu/directory/minkah-makalani/">Professor Minkah Makalani</a>, who teaches in the Department of History at Johns Hopkins University where he is also the director of the Center for Africana Studies. He is the author of <em>In the Cause of Freedom: Radical Black Internationalism from Harlem to London, 1917-1939</em> and the co-editor with Davarian L. Baldwin of <em>Escape from New York: The New Negro Renaissance beyond Harlem. </em>In this conversation, we discuss his journey into and interest in the field of Black Studies, the importance of political and historical dimensions to Black study, and the place of internationalist discourse in the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Mark Anthony Neal - Department of African and African American Studies, Duke University</title>
      <itunes:episode>37</itunes:episode>
      <podcast:episode>37</podcast:episode>
      <itunes:title>Mark Anthony Neal - Department of African and African American Studies, Duke University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mark Anthony Neal, the James B. Duke Distinguished Professor of African &amp; African American Studies and Chair of the Department of African &amp; African American Studies at Duke University. In addition to a number of scholarly articles and edited collections, he is the author of <em>What the Music Said: Black Popular Music and Black Public Culture </em>(1999), <em>Soul Babies: Black Popular Culture and the Post-Soul Aesthetic </em>(2001), <em>Songs in the Key of Life: A Rhythm and Blues Nation </em>(2003), <em>Looking for Leroy: Illegible Black Masculinities </em>(2013), <em>Black Ephemera: The Crisis and Challenge of the Musical Archive </em>(2022), and the groundbreaking work <em>The New Black Man: Rethinking Black Masculinity, </em>published in 2005 and reissued as a second edition in 2015. He is also the host of the long-running series <a href="https://youtube.com/playlist?list=PLBEF73A21DAA138AF&amp;si=i1FPkD81un_R7a0O">Left of Black</a>, a series of discussions of popular culture and scholarly treatments of Black life. In this conversation, we discuss his entry into Black Studies, the place of popular cultural study in the field’s past and future, and the complex relationship between scholarly work and the everyday lives of Black people.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mark Anthony Neal, the James B. Duke Distinguished Professor of African &amp; African American Studies and Chair of the Department of African &amp; African American Studies at Duke University. In addition to a number of scholarly articles and edited collections, he is the author of <em>What the Music Said: Black Popular Music and Black Public Culture </em>(1999), <em>Soul Babies: Black Popular Culture and the Post-Soul Aesthetic </em>(2001), <em>Songs in the Key of Life: A Rhythm and Blues Nation </em>(2003), <em>Looking for Leroy: Illegible Black Masculinities </em>(2013), <em>Black Ephemera: The Crisis and Challenge of the Musical Archive </em>(2022), and the groundbreaking work <em>The New Black Man: Rethinking Black Masculinity, </em>published in 2005 and reissued as a second edition in 2015. He is also the host of the long-running series <a href="https://youtube.com/playlist?list=PLBEF73A21DAA138AF&amp;si=i1FPkD81un_R7a0O">Left of Black</a>, a series of discussions of popular culture and scholarly treatments of Black life. In this conversation, we discuss his entry into Black Studies, the place of popular cultural study in the field’s past and future, and the complex relationship between scholarly work and the everyday lives of Black people.</p>]]>
      </content:encoded>
      <pubDate>Thu, 19 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/45c3c216/0036784a.mp3" length="131058583" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/TV4sTG7ffoU2sMqlW5p4EQCJ8hNUv25mCeLyG22-x4Y/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MTVk/ZGNiNjBjY2EyYjA1/ODY2NWI4NjAxNGVi/ZWZiYy5qcGVn.jpg"/>
      <itunes:duration>3276</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mark Anthony Neal, the James B. Duke Distinguished Professor of African &amp; African American Studies and Chair of the Department of African &amp; African American Studies at Duke University. In addition to a number of scholarly articles and edited collections, he is the author of <em>What the Music Said: Black Popular Music and Black Public Culture </em>(1999), <em>Soul Babies: Black Popular Culture and the Post-Soul Aesthetic </em>(2001), <em>Songs in the Key of Life: A Rhythm and Blues Nation </em>(2003), <em>Looking for Leroy: Illegible Black Masculinities </em>(2013), <em>Black Ephemera: The Crisis and Challenge of the Musical Archive </em>(2022), and the groundbreaking work <em>The New Black Man: Rethinking Black Masculinity, </em>published in 2005 and reissued as a second edition in 2015. He is also the host of the long-running series <a href="https://youtube.com/playlist?list=PLBEF73A21DAA138AF&amp;si=i1FPkD81un_R7a0O">Left of Black</a>, a series of discussions of popular culture and scholarly treatments of Black life. In this conversation, we discuss his entry into Black Studies, the place of popular cultural study in the field’s past and future, and the complex relationship between scholarly work and the everyday lives of Black people.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Nathaniel Norment - Department of English, Morehouse College</title>
      <itunes:episode>36</itunes:episode>
      <podcast:episode>36</podcast:episode>
      <itunes:title>Nathaniel Norment - Department of English, Morehouse College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/3e42f00f</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Nathaniel Norment, Professor of English at Morehouse College in Atlanta, Georgia where he also directs the <a href="https://compositionforum.com/issue/47/black-ink-project.php">Black Ink Project</a>. He is well-known for his innovations in the field of Black Studies as a writer and cultural historian, and in addition to a number of scholarly articles he is the author-editor of a number of key books including <a href="https://www.amazon.com/Readings-African-American-Language-African-American/dp/0820478709/ref=sr_1_6?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-6"><em>Readings in African American Language</em></a><em>, </em><a href="https://www.amazon.com/African-American-Studies-Reader-Second/dp/1594601550/ref=sr_1_2?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-2"><em>The African American Studies Reader</em></a><em>, </em><a href="https://www.amazon.com/Addison-Gayle-Jr-Reader/dp/0252076109/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;dib_tag=se&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;qid=1724781087&amp;sr=8-3"><em>The Addison Gayle, Jr. Reader</em></a><em>, </em>and <a href="https://www.amazon.com/African-American-Studies-Discipline-Dimensions/dp/143316129X/ref=sr_1_1?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-1"><em>African American Studies: The Discipline and its Dimensions</em></a><em>.</em> In this conversation, he reflects on his journey into the study of Black life, the history of the field, and the place of critical expressive writing in the development of Black Studies thought, reflection, and its intellectual contributions.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Nathaniel Norment, Professor of English at Morehouse College in Atlanta, Georgia where he also directs the <a href="https://compositionforum.com/issue/47/black-ink-project.php">Black Ink Project</a>. He is well-known for his innovations in the field of Black Studies as a writer and cultural historian, and in addition to a number of scholarly articles he is the author-editor of a number of key books including <a href="https://www.amazon.com/Readings-African-American-Language-African-American/dp/0820478709/ref=sr_1_6?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-6"><em>Readings in African American Language</em></a><em>, </em><a href="https://www.amazon.com/African-American-Studies-Reader-Second/dp/1594601550/ref=sr_1_2?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-2"><em>The African American Studies Reader</em></a><em>, </em><a href="https://www.amazon.com/Addison-Gayle-Jr-Reader/dp/0252076109/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;dib_tag=se&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;qid=1724781087&amp;sr=8-3"><em>The Addison Gayle, Jr. Reader</em></a><em>, </em>and <a href="https://www.amazon.com/African-American-Studies-Discipline-Dimensions/dp/143316129X/ref=sr_1_1?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-1"><em>African American Studies: The Discipline and its Dimensions</em></a><em>.</em> In this conversation, he reflects on his journey into the study of Black life, the history of the field, and the place of critical expressive writing in the development of Black Studies thought, reflection, and its intellectual contributions.</p>]]>
      </content:encoded>
      <pubDate>Tue, 17 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/3e42f00f/e67e42e1.mp3" length="75520235" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/sNu2d3Ev5p-zw4C8oFN9Hk3t50ezs5hFN3NnWk53w4o/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80YTc3/NTYxNGY0ZmZiZjMz/YTMwODhkYzY5MGI4/Njk3YS5qcGVn.jpg"/>
      <itunes:duration>1887</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Nathaniel Norment, Professor of English at Morehouse College in Atlanta, Georgia where he also directs the <a href="https://compositionforum.com/issue/47/black-ink-project.php">Black Ink Project</a>. He is well-known for his innovations in the field of Black Studies as a writer and cultural historian, and in addition to a number of scholarly articles he is the author-editor of a number of key books including <a href="https://www.amazon.com/Readings-African-American-Language-African-American/dp/0820478709/ref=sr_1_6?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-6"><em>Readings in African American Language</em></a><em>, </em><a href="https://www.amazon.com/African-American-Studies-Reader-Second/dp/1594601550/ref=sr_1_2?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-2"><em>The African American Studies Reader</em></a><em>, </em><a href="https://www.amazon.com/Addison-Gayle-Jr-Reader/dp/0252076109/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;dib_tag=se&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;qid=1724781087&amp;sr=8-3"><em>The Addison Gayle, Jr. Reader</em></a><em>, </em>and <a href="https://www.amazon.com/African-American-Studies-Discipline-Dimensions/dp/143316129X/ref=sr_1_1?crid=2ZJIZGXL71PF8&amp;dib=eyJ2IjoiMSJ9.LWTumwL4vKGzAIxe3jmU2HnLSFcsOF6A2eewIxvPBV0Da2Be39WS-YeL7RJ5mm1EyK_e3lmBRgMFdScBZ8972T0RL11PtHK5jq_XoAoxhzw.lSIb2o_ufYHUUMC-Mekyy-mGrvRQQBF-y9cgUpwcVKk&amp;dib_tag=se&amp;keywords=nathaniel+norment&amp;qid=1724781087&amp;sprefix=nathaniel+norment%2Caps%2C66&amp;sr=8-1"><em>African American Studies: The Discipline and its Dimensions</em></a><em>.</em> In this conversation, he reflects on his journey into the study of Black life, the history of the field, and the place of critical expressive writing in the development of Black Studies thought, reflection, and its intellectual contributions.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Wendyliz Martinez - ACLS Leading Edge Fellow, New Jersey Institute for Social Justice</title>
      <itunes:episode>35</itunes:episode>
      <podcast:episode>35</podcast:episode>
      <itunes:title>Wendyliz Martinez - ACLS Leading Edge Fellow, New Jersey Institute for Social Justice</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Wendyliz Martinez, a 2024 ACLS Leading Edge fellow where she works with the New Jersey Institute for Social Justice developing a digital humanities project related to the history of slavery within the state of New Jersey. She earned her doctorate in English and African American Studies at Penn State University and is a City College of New York and Mellon Mays Undergraduate Fellow alumna. She is currently writing about Black girlhood and its depictions in social media, film, and literature, and maintains interest in art practices from Black communities and its impact on our understanding of Blackness as well as its role in preserving histories. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Wendyliz Martinez, a 2024 ACLS Leading Edge fellow where she works with the New Jersey Institute for Social Justice developing a digital humanities project related to the history of slavery within the state of New Jersey. She earned her doctorate in English and African American Studies at Penn State University and is a City College of New York and Mellon Mays Undergraduate Fellow alumna. She is currently writing about Black girlhood and its depictions in social media, film, and literature, and maintains interest in art practices from Black communities and its impact on our understanding of Blackness as well as its role in preserving histories. </p>]]>
      </content:encoded>
      <pubDate>Thu, 12 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/1db4b607/be865b78.mp3" length="131214892" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/ILm4ukdxtYXWfrz8welk3WduwEPEqxAMt9_CWMvX2kY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mY2Vj/Yzc4ZmI1OWUwYjIw/NGJiYmQ2NzcyMzhl/OGNlYS5qcGVn.jpg"/>
      <itunes:duration>3279</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Wendyliz Martinez, a 2024 ACLS Leading Edge fellow where she works with the New Jersey Institute for Social Justice developing a digital humanities project related to the history of slavery within the state of New Jersey. She earned her doctorate in English and African American Studies at Penn State University and is a City College of New York and Mellon Mays Undergraduate Fellow alumna. She is currently writing about Black girlhood and its depictions in social media, film, and literature, and maintains interest in art practices from Black communities and its impact on our understanding of Blackness as well as its role in preserving histories. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Brenda E. Stevenson - Department of African American Studies, University of California, Los Angeles</title>
      <itunes:episode>34</itunes:episode>
      <podcast:episode>34</podcast:episode>
      <itunes:title>Brenda E. Stevenson - Department of African American Studies, University of California, Los Angeles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/75f6c731</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://afam.ucla.edu/person/brenda-e-stevenson/">Brenda E. Stevenson</a>, Professor of African American Studies and Nickoll Family Endowed Chair in the Department of History at the University of California, Los Angeles. She is the author of a number of important scholarly articles and has written and edited several important books: <a href="https://www.amazon.com/Life-Black-White-Family-Community/dp/0195118030/?_encoding=UTF8&amp;pd_rd_w=8XfSa&amp;content-id=amzn1.sym.f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_p=f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_r=138-6642065-0038553&amp;pd_rd_wg=Ajwud&amp;pd_rd_r=475ce9cb-63ae-4812-8e52-9d92b5c47c3f&amp;ref_=aufs_ap_sc_dsk"><em>Life in Black and White: Family and Community in the Slave South</em></a> (1997), <a href="https://www.amazon.com/Contested-Murder-Latasha-Harlins-Justice/dp/0190231017/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr="><em>The Contested Murder of Latasha Harlins: Justice, Gender, and the Origins of the LA Riots</em></a>, (2013)  <a href="https://www.amazon.com/What-Slavery-History-Brenda-Stevenson/dp/0745671519/ref=sr_1_4?crid=29G3LNAAS6OJM&amp;dib=eyJ2IjoiMSJ9.RUO5XSnwbDm9IBv6nT56x1jvWzAO0CSWUiaicpi44-ctDerlI4aUQqWvyNj4jP-hEWYRLh0OjqHEUcVEPgpyq0KAvkBreoMUJKFRSyD7LLo.lYSsF8i8UgnVvUEOQzNkX9DnTneRFvApxXHmQfF2VoU&amp;dib_tag=se&amp;keywords=brenda+e+stevenson&amp;qid=1724094933&amp;sprefix=brenda+e+stevenson%2Caps%2C69&amp;sr=8-4"><em>What is Slavery?</em></a> (2015), <a href="https://www.amazon.com/What-Sorrows-Labour-Parents-Breast/dp/1442252162/ref=sr_1_1?crid=29G3LNAAS6OJM&amp;dib=eyJ2IjoiMSJ9.RUO5XSnwbDm9IBv6nT56x1jvWzAO0CSWUiaicpi44-ctDerlI4aUQqWvyNj4jP-hEWYRLh0OjqHEUcVEPgpyq0KAvkBreoMUJKFRSyD7LLo.lYSsF8i8UgnVvUEOQzNkX9DnTneRFvApxXHmQfF2VoU&amp;dib_tag=se&amp;keywords=brenda+e+stevenson&amp;qid=1724094933&amp;sprefix=brenda+e+stevenson%2Caps%2C69&amp;sr=8-1"><em>What Sorrows Labour in My Parent's Breast?: A History of the Enslaved Black Family</em></a><em> </em>(2023), and was the critical editor of <a href="https://www.amazon.com/Journals-Charlotte-Schomburg-Library-Nineteenth-Century/dp/0195060865/?_encoding=UTF8&amp;pd_rd_w=8XfSa&amp;content-id=amzn1.sym.f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_p=f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_r=138-6642065-0038553&amp;pd_rd_wg=Ajwud&amp;pd_rd_r=475ce9cb-63ae-4812-8e52-9d92b5c47c3f&amp;ref_=aufs_ap_sc_dsk"><em>The Journals of Charlotte Forten Grimké</em></a>, published in 1989. In this conversation, we discuss her place in the field of Black Studies, how historical research enhances the study of Black life, and how Black Studies methodologies and sensibilities impact the study and writing of history.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://afam.ucla.edu/person/brenda-e-stevenson/">Brenda E. Stevenson</a>, Professor of African American Studies and Nickoll Family Endowed Chair in the Department of History at the University of California, Los Angeles. She is the author of a number of important scholarly articles and has written and edited several important books: <a href="https://www.amazon.com/Life-Black-White-Family-Community/dp/0195118030/?_encoding=UTF8&amp;pd_rd_w=8XfSa&amp;content-id=amzn1.sym.f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_p=f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_r=138-6642065-0038553&amp;pd_rd_wg=Ajwud&amp;pd_rd_r=475ce9cb-63ae-4812-8e52-9d92b5c47c3f&amp;ref_=aufs_ap_sc_dsk"><em>Life in Black and White: Family and Community in the Slave South</em></a> (1997), <a href="https://www.amazon.com/Contested-Murder-Latasha-Harlins-Justice/dp/0190231017/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr="><em>The Contested Murder of Latasha Harlins: Justice, Gender, and the Origins of the LA Riots</em></a>, (2013)  <a href="https://www.amazon.com/What-Slavery-History-Brenda-Stevenson/dp/0745671519/ref=sr_1_4?crid=29G3LNAAS6OJM&amp;dib=eyJ2IjoiMSJ9.RUO5XSnwbDm9IBv6nT56x1jvWzAO0CSWUiaicpi44-ctDerlI4aUQqWvyNj4jP-hEWYRLh0OjqHEUcVEPgpyq0KAvkBreoMUJKFRSyD7LLo.lYSsF8i8UgnVvUEOQzNkX9DnTneRFvApxXHmQfF2VoU&amp;dib_tag=se&amp;keywords=brenda+e+stevenson&amp;qid=1724094933&amp;sprefix=brenda+e+stevenson%2Caps%2C69&amp;sr=8-4"><em>What is Slavery?</em></a> (2015), <a href="https://www.amazon.com/What-Sorrows-Labour-Parents-Breast/dp/1442252162/ref=sr_1_1?crid=29G3LNAAS6OJM&amp;dib=eyJ2IjoiMSJ9.RUO5XSnwbDm9IBv6nT56x1jvWzAO0CSWUiaicpi44-ctDerlI4aUQqWvyNj4jP-hEWYRLh0OjqHEUcVEPgpyq0KAvkBreoMUJKFRSyD7LLo.lYSsF8i8UgnVvUEOQzNkX9DnTneRFvApxXHmQfF2VoU&amp;dib_tag=se&amp;keywords=brenda+e+stevenson&amp;qid=1724094933&amp;sprefix=brenda+e+stevenson%2Caps%2C69&amp;sr=8-1"><em>What Sorrows Labour in My Parent's Breast?: A History of the Enslaved Black Family</em></a><em> </em>(2023), and was the critical editor of <a href="https://www.amazon.com/Journals-Charlotte-Schomburg-Library-Nineteenth-Century/dp/0195060865/?_encoding=UTF8&amp;pd_rd_w=8XfSa&amp;content-id=amzn1.sym.f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_p=f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_r=138-6642065-0038553&amp;pd_rd_wg=Ajwud&amp;pd_rd_r=475ce9cb-63ae-4812-8e52-9d92b5c47c3f&amp;ref_=aufs_ap_sc_dsk"><em>The Journals of Charlotte Forten Grimké</em></a>, published in 1989. In this conversation, we discuss her place in the field of Black Studies, how historical research enhances the study of Black life, and how Black Studies methodologies and sensibilities impact the study and writing of history.</p>]]>
      </content:encoded>
      <pubDate>Tue, 10 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/75f6c731/727b9b3f.mp3" length="47833423" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Xc9LeVFMeP8D_wqK8vqbibrf-dNvj2KPRrO9CihTOMU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80OTgw/ODQxNDI0ODQzNjA1/MTQ1NTc4M2UzZGJh/NzA5Ny5qcGc.jpg"/>
      <itunes:duration>1195</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with <a href="https://afam.ucla.edu/person/brenda-e-stevenson/">Brenda E. Stevenson</a>, Professor of African American Studies and Nickoll Family Endowed Chair in the Department of History at the University of California, Los Angeles. She is the author of a number of important scholarly articles and has written and edited several important books: <a href="https://www.amazon.com/Life-Black-White-Family-Community/dp/0195118030/?_encoding=UTF8&amp;pd_rd_w=8XfSa&amp;content-id=amzn1.sym.f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_p=f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_r=138-6642065-0038553&amp;pd_rd_wg=Ajwud&amp;pd_rd_r=475ce9cb-63ae-4812-8e52-9d92b5c47c3f&amp;ref_=aufs_ap_sc_dsk"><em>Life in Black and White: Family and Community in the Slave South</em></a> (1997), <a href="https://www.amazon.com/Contested-Murder-Latasha-Harlins-Justice/dp/0190231017/ref=tmm_pap_swatch_0?_encoding=UTF8&amp;qid=&amp;sr="><em>The Contested Murder of Latasha Harlins: Justice, Gender, and the Origins of the LA Riots</em></a>, (2013)  <a href="https://www.amazon.com/What-Slavery-History-Brenda-Stevenson/dp/0745671519/ref=sr_1_4?crid=29G3LNAAS6OJM&amp;dib=eyJ2IjoiMSJ9.RUO5XSnwbDm9IBv6nT56x1jvWzAO0CSWUiaicpi44-ctDerlI4aUQqWvyNj4jP-hEWYRLh0OjqHEUcVEPgpyq0KAvkBreoMUJKFRSyD7LLo.lYSsF8i8UgnVvUEOQzNkX9DnTneRFvApxXHmQfF2VoU&amp;dib_tag=se&amp;keywords=brenda+e+stevenson&amp;qid=1724094933&amp;sprefix=brenda+e+stevenson%2Caps%2C69&amp;sr=8-4"><em>What is Slavery?</em></a> (2015), <a href="https://www.amazon.com/What-Sorrows-Labour-Parents-Breast/dp/1442252162/ref=sr_1_1?crid=29G3LNAAS6OJM&amp;dib=eyJ2IjoiMSJ9.RUO5XSnwbDm9IBv6nT56x1jvWzAO0CSWUiaicpi44-ctDerlI4aUQqWvyNj4jP-hEWYRLh0OjqHEUcVEPgpyq0KAvkBreoMUJKFRSyD7LLo.lYSsF8i8UgnVvUEOQzNkX9DnTneRFvApxXHmQfF2VoU&amp;dib_tag=se&amp;keywords=brenda+e+stevenson&amp;qid=1724094933&amp;sprefix=brenda+e+stevenson%2Caps%2C69&amp;sr=8-1"><em>What Sorrows Labour in My Parent's Breast?: A History of the Enslaved Black Family</em></a><em> </em>(2023), and was the critical editor of <a href="https://www.amazon.com/Journals-Charlotte-Schomburg-Library-Nineteenth-Century/dp/0195060865/?_encoding=UTF8&amp;pd_rd_w=8XfSa&amp;content-id=amzn1.sym.f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_p=f76d456a-cb0d-44de-b7b0-670c26ce80ba&amp;pf_rd_r=138-6642065-0038553&amp;pd_rd_wg=Ajwud&amp;pd_rd_r=475ce9cb-63ae-4812-8e52-9d92b5c47c3f&amp;ref_=aufs_ap_sc_dsk"><em>The Journals of Charlotte Forten Grimké</em></a>, published in 1989. In this conversation, we discuss her place in the field of Black Studies, how historical research enhances the study of Black life, and how Black Studies methodologies and sensibilities impact the study and writing of history.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>J. Kameron Carter - Department of African American Studies, University of California, Irvine</title>
      <itunes:episode>33</itunes:episode>
      <podcast:episode>33</podcast:episode>
      <itunes:title>J. Kameron Carter - Department of African American Studies, University of California, Irvine</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">93ab3ea7-b333-45c3-99fc-38138930fbe5</guid>
      <link>https://share.transistor.fm/s/94542471</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.jkameroncarter.com">J. Kameron Carter</a>, who teaches in the Department of African American Studies at University of California, Irvine. He has written numerous scholarly articles in race and religion and is the author of two books: <a href="https://www.amazon.com/Race-Theological-J-Kameron-Carter/dp/0195152794"><em>Race: A Theological Account</em></a><em> </em>from 2008 and <a href="https://www.amazon.com/Anarchy-Black-Religion-Outdoors-Innovations-ebook/dp/B0C571M5HM?ref_=ast_author_dp"><em>The Anarchy of Black Religion: A Mystic Song</em></a><em> </em>from 2023. <a href="https://dukeupress.wordpress.com/2021/09/28/introducing-black-outdoors-a-new-series/">With Sarah Jane Cervenak, he is the co-editor of the series “Black Outdoors” on Duke University Press</a>. In this conversation, we discuss the place of religion and religious studies in the Black Studies tradition, how Black study treats community and ordinary life as sites of knowing and being, and how a commitment to the everyday opens up new horizons for the field of Black Studies. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.jkameroncarter.com">J. Kameron Carter</a>, who teaches in the Department of African American Studies at University of California, Irvine. He has written numerous scholarly articles in race and religion and is the author of two books: <a href="https://www.amazon.com/Race-Theological-J-Kameron-Carter/dp/0195152794"><em>Race: A Theological Account</em></a><em> </em>from 2008 and <a href="https://www.amazon.com/Anarchy-Black-Religion-Outdoors-Innovations-ebook/dp/B0C571M5HM?ref_=ast_author_dp"><em>The Anarchy of Black Religion: A Mystic Song</em></a><em> </em>from 2023. <a href="https://dukeupress.wordpress.com/2021/09/28/introducing-black-outdoors-a-new-series/">With Sarah Jane Cervenak, he is the co-editor of the series “Black Outdoors” on Duke University Press</a>. In this conversation, we discuss the place of religion and religious studies in the Black Studies tradition, how Black study treats community and ordinary life as sites of knowing and being, and how a commitment to the everyday opens up new horizons for the field of Black Studies. </p>]]>
      </content:encoded>
      <pubDate>Thu, 05 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/94542471/b3ba54fe.mp3" length="165642074" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/5Nf5gqMSsTF7r2TYrjK6JBI7IIiLwvrHrA2py7VViFE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81M2Y1/ZjY0ZDI2NWVlZGM3/MzZiMzIyMGIyMTNi/YmYzNS5qcGVn.jpg"/>
      <itunes:duration>4140</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.jkameroncarter.com">J. Kameron Carter</a>, who teaches in the Department of African American Studies at University of California, Irvine. He has written numerous scholarly articles in race and religion and is the author of two books: <a href="https://www.amazon.com/Race-Theological-J-Kameron-Carter/dp/0195152794"><em>Race: A Theological Account</em></a><em> </em>from 2008 and <a href="https://www.amazon.com/Anarchy-Black-Religion-Outdoors-Innovations-ebook/dp/B0C571M5HM?ref_=ast_author_dp"><em>The Anarchy of Black Religion: A Mystic Song</em></a><em> </em>from 2023. <a href="https://dukeupress.wordpress.com/2021/09/28/introducing-black-outdoors-a-new-series/">With Sarah Jane Cervenak, he is the co-editor of the series “Black Outdoors” on Duke University Press</a>. In this conversation, we discuss the place of religion and religious studies in the Black Studies tradition, how Black study treats community and ordinary life as sites of knowing and being, and how a commitment to the everyday opens up new horizons for the field of Black Studies. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>David Kalonji Walton - Department of History and African American Studies, Lincoln University</title>
      <itunes:episode>32</itunes:episode>
      <podcast:episode>32</podcast:episode>
      <itunes:title>David Kalonji Walton - Department of History and African American Studies, Lincoln University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">52a87260-1236-4e01-99ca-fcf9033aae1b</guid>
      <link>https://share.transistor.fm/s/91c44ffc</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with David Kalonji Walton, who teaches in the Departments of History and African American Studies at Lincoln University in Jefferson City, Missouri. He is the author of a number of popular and scholarly pieces on African American history and politics and is a regular contributor to media outlets on issues concerning the past, present, and future of Black people. In this conversation, we discuss the details of what makes Black Studies a unique form of inquiry, the relationship of historical materials and theory while teaching in the field, and the extensive presence of Black Studies content in popular and intellectual culture.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with David Kalonji Walton, who teaches in the Departments of History and African American Studies at Lincoln University in Jefferson City, Missouri. He is the author of a number of popular and scholarly pieces on African American history and politics and is a regular contributor to media outlets on issues concerning the past, present, and future of Black people. In this conversation, we discuss the details of what makes Black Studies a unique form of inquiry, the relationship of historical materials and theory while teaching in the field, and the extensive presence of Black Studies content in popular and intellectual culture.</p>]]>
      </content:encoded>
      <pubDate>Tue, 03 Sep 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/91c44ffc/35546e23.mp3" length="107590240" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/dGI9W5Pi7MCx2CPS0cPhqTHZoF83g7XD22ml3lg6P1w/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8yOWVj/ZTdkNmI0ZjEzNzI3/NDI1MDQ0ODQ3ZWNk/Y2JhNS5qcGVn.jpg"/>
      <itunes:duration>2689</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with David Kalonji Walton, who teaches in the Departments of History and African American Studies at Lincoln University in Jefferson City, Missouri. He is the author of a number of popular and scholarly pieces on African American history and politics and is a regular contributor to media outlets on issues concerning the past, present, and future of Black people. In this conversation, we discuss the details of what makes Black Studies a unique form of inquiry, the relationship of historical materials and theory while teaching in the field, and the extensive presence of Black Studies content in popular and intellectual culture.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Austin Lee - Women's, Gender, and Sexuality Studies Program, Boston University</title>
      <itunes:episode>31</itunes:episode>
      <podcast:episode>31</podcast:episode>
      <itunes:title>Austin Lee - Women's, Gender, and Sexuality Studies Program, Boston University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">52f59bf5-c067-481d-81f1-30ff1f1f74dc</guid>
      <link>https://share.transistor.fm/s/f1fa9429</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Austin Lee,  a postdoctoral scholar at the Boston University Society of Fellows specializing in the study of extended kin networks, communal mothering practices, and the nuances of Black families, sexuality, and gender. She received her Ph.D. in Sociology from the University of Pennsylvania. Her research has received support from various organizations, including the National Science Foundation and the University of Pennsylvania Center for the Study of Ethnicity, Race, and Immigration. Her overarching research agenda utilizes qualitative research methods to highlight the interdependent relationship between antiblackness and norms related to sexuality and gender, such as the essentiality of the nuclear family structure, gender conformity, and compulsory heterosexuality. In this conversation, we explore the place of gender and sexuality in Black Studies, how research draws on and returns to Black communities, and how mixed-methods research charts new paths in the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Austin Lee,  a postdoctoral scholar at the Boston University Society of Fellows specializing in the study of extended kin networks, communal mothering practices, and the nuances of Black families, sexuality, and gender. She received her Ph.D. in Sociology from the University of Pennsylvania. Her research has received support from various organizations, including the National Science Foundation and the University of Pennsylvania Center for the Study of Ethnicity, Race, and Immigration. Her overarching research agenda utilizes qualitative research methods to highlight the interdependent relationship between antiblackness and norms related to sexuality and gender, such as the essentiality of the nuclear family structure, gender conformity, and compulsory heterosexuality. In this conversation, we explore the place of gender and sexuality in Black Studies, how research draws on and returns to Black communities, and how mixed-methods research charts new paths in the field.</p>]]>
      </content:encoded>
      <pubDate>Thu, 29 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/f1fa9429/cbaa65b7.mp3" length="107301429" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2682</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Austin Lee,  a postdoctoral scholar at the Boston University Society of Fellows specializing in the study of extended kin networks, communal mothering practices, and the nuances of Black families, sexuality, and gender. She received her Ph.D. in Sociology from the University of Pennsylvania. Her research has received support from various organizations, including the National Science Foundation and the University of Pennsylvania Center for the Study of Ethnicity, Race, and Immigration. Her overarching research agenda utilizes qualitative research methods to highlight the interdependent relationship between antiblackness and norms related to sexuality and gender, such as the essentiality of the nuclear family structure, gender conformity, and compulsory heterosexuality. In this conversation, we explore the place of gender and sexuality in Black Studies, how research draws on and returns to Black communities, and how mixed-methods research charts new paths in the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Courtney Joseph - Department of History and African American Studies, Lake Forest College</title>
      <itunes:episode>30</itunes:episode>
      <podcast:episode>30</podcast:episode>
      <itunes:title>Courtney Joseph - Department of History and African American Studies, Lake Forest College</itunes:title>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.courtneypjoseph.com">Courtney Joseph</a>, who teaches in the departments of History and African American Studies at Lake Forest College. In addition to a number of reviews and scholarly essays, she is completing a book on the Haitian diaspora in Chicago, Illinois entitled <em>Invisibly Visible: A Community History of Haitians in Chicago. </em>In this conversation, we discuss the relationship between scholarly research and political communities, the place of historical methods in Black Studies, and how the study of Haiti and the diaspora speaks to the future of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.courtneypjoseph.com">Courtney Joseph</a>, who teaches in the departments of History and African American Studies at Lake Forest College. In addition to a number of reviews and scholarly essays, she is completing a book on the Haitian diaspora in Chicago, Illinois entitled <em>Invisibly Visible: A Community History of Haitians in Chicago. </em>In this conversation, we discuss the relationship between scholarly research and political communities, the place of historical methods in Black Studies, and how the study of Haiti and the diaspora speaks to the future of the field.</p>]]>
      </content:encoded>
      <pubDate>Tue, 27 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d8752aac/3de10f9b.mp3" length="154548667" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3863</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.courtneypjoseph.com">Courtney Joseph</a>, who teaches in the departments of History and African American Studies at Lake Forest College. In addition to a number of reviews and scholarly essays, she is completing a book on the Haitian diaspora in Chicago, Illinois entitled <em>Invisibly Visible: A Community History of Haitians in Chicago. </em>In this conversation, we discuss the relationship between scholarly research and political communities, the place of historical methods in Black Studies, and how the study of Haiti and the diaspora speaks to the future of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Sophia Jahadhmy and Sofia Meadows-Muriel - Department of Africana Studies, Cornell University</title>
      <itunes:episode>29</itunes:episode>
      <podcast:episode>29</podcast:episode>
      <itunes:title>Sophia Jahadhmy and Sofia Meadows-Muriel - Department of Africana Studies, Cornell University</itunes:title>
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      <link>https://share.transistor.fm/s/21724465</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sophia Jahadhmy and Sofia Meadows-Muriel, doctoral candidates in the Department of Africana Studies at Cornell University. Sophia Jahadhmy is a second-year PhD candidate and her current interests include thinking cohabitation, biopolitics of the plantation, oceanic stories and histories, and alternative modes of citizenship, autochthony, and Being on the Swahili Seas. In particular, she reads Édouard Glissant to examine the possibilities for identifying, Relating, and constructing communal Self and Other on the Indian Ocean plantation and its aftermath in order to think affirmative futures for cohabitating difference on Africa's easternmost coast. Sofia Meadows-Muriel is also a second-year PhD student, whose research examines how the political philosophy of the Black Power Movement and Pan-African anti-colonial struggles became formative influences on the praxis and intellectual production of black Puerto Rican movement makers. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sophia Jahadhmy and Sofia Meadows-Muriel, doctoral candidates in the Department of Africana Studies at Cornell University. Sophia Jahadhmy is a second-year PhD candidate and her current interests include thinking cohabitation, biopolitics of the plantation, oceanic stories and histories, and alternative modes of citizenship, autochthony, and Being on the Swahili Seas. In particular, she reads Édouard Glissant to examine the possibilities for identifying, Relating, and constructing communal Self and Other on the Indian Ocean plantation and its aftermath in order to think affirmative futures for cohabitating difference on Africa's easternmost coast. Sofia Meadows-Muriel is also a second-year PhD student, whose research examines how the political philosophy of the Black Power Movement and Pan-African anti-colonial struggles became formative influences on the praxis and intellectual production of black Puerto Rican movement makers. </p>]]>
      </content:encoded>
      <pubDate>Thu, 22 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/21724465/186fd1cd.mp3" length="162699159" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4066</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Sophia Jahadhmy and Sofia Meadows-Muriel, doctoral candidates in the Department of Africana Studies at Cornell University. Sophia Jahadhmy is a second-year PhD candidate and her current interests include thinking cohabitation, biopolitics of the plantation, oceanic stories and histories, and alternative modes of citizenship, autochthony, and Being on the Swahili Seas. In particular, she reads Édouard Glissant to examine the possibilities for identifying, Relating, and constructing communal Self and Other on the Indian Ocean plantation and its aftermath in order to think affirmative futures for cohabitating difference on Africa's easternmost coast. Sofia Meadows-Muriel is also a second-year PhD student, whose research examines how the political philosophy of the Black Power Movement and Pan-African anti-colonial struggles became formative influences on the praxis and intellectual production of black Puerto Rican movement makers. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
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      <title>Kyle T. Mays - Department of African American Studies, University of California, Los Angeles</title>
      <itunes:episode>28</itunes:episode>
      <podcast:episode>28</podcast:episode>
      <itunes:title>Kyle T. Mays - Department of African American Studies, University of California, Los Angeles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kyle T. Mays, Associate Professor of African American Studies, American Indian Studies, and History at University of California, Los Angeles. He is a transdisciplinary scholar of urban history and studies, Afro-Indigenous Studies, and contemporary popular culture. He is the author of <em>Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Indigenous North America </em>(2018), <em>An Afro-Indigenous History of the United States </em>(2021), and <em>City of Dispossessions: Indigenous Peoples, African Americans, and the Creation of Modern Detroit </em>(2022). In this conversation, we discuss the cultural politics of Black Studies, the relation between expressive culture and place, and the intersection of blackness and nation. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kyle T. Mays, Associate Professor of African American Studies, American Indian Studies, and History at University of California, Los Angeles. He is a transdisciplinary scholar of urban history and studies, Afro-Indigenous Studies, and contemporary popular culture. He is the author of <em>Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Indigenous North America </em>(2018), <em>An Afro-Indigenous History of the United States </em>(2021), and <em>City of Dispossessions: Indigenous Peoples, African Americans, and the Creation of Modern Detroit </em>(2022). In this conversation, we discuss the cultural politics of Black Studies, the relation between expressive culture and place, and the intersection of blackness and nation. </p>]]>
      </content:encoded>
      <pubDate>Tue, 20 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/b105ca5d/ce420ca0.mp3" length="132341838" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/om911wOfPMI78IhbOPnzPfbvQxWS8jgTUlFgQ2nt7lo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jZTg1/MjM5MzhhYjYxZWRl/YTQ2YzIxOWZkMjc2/MTg2Yi5wbmc.jpg"/>
      <itunes:duration>3307</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with Kyle T. Mays, Associate Professor of African American Studies, American Indian Studies, and History at University of California, Los Angeles. He is a transdisciplinary scholar of urban history and studies, Afro-Indigenous Studies, and contemporary popular culture. He is the author of <em>Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Indigenous North America </em>(2018), <em>An Afro-Indigenous History of the United States </em>(2021), and <em>City of Dispossessions: Indigenous Peoples, African Americans, and the Creation of Modern Detroit </em>(2022). In this conversation, we discuss the cultural politics of Black Studies, the relation between expressive culture and place, and the intersection of blackness and nation. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Erika Denise Edwards - Department of History, University of Texas at El Paso</title>
      <itunes:episode>27</itunes:episode>
      <podcast:episode>27</podcast:episode>
      <itunes:title>Erika Denise Edwards - Department of History, University of Texas at El Paso</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/a0b37472</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.erika-denise-edwards.com">Erika Denise Edwards</a>, an associate professor of history at the University of Texas at El Paso. She is the author of the award-winning book <a href="https://www.scuppernongbooks.com/book/9780817360313"><em>Hiding in Plain Sight: Black Women, the Law and the Making of a White Argentine Republic</em></a><em> </em>from 2020. She is currently editing special issue of <em>Global Black Thought </em>on the theme of “Race in Colonial Latin America,” co-editing the anthology <em>Rhetorical Ambiguities: Blood Purity, Calidad, and Colonial Identities in the Iberian World, 1500-1750</em>, and is the Series Editor for Routledge’s “Women in the Americas” book series.  In this conversation, we discuss the relation between geography and the Black Studies tradition, the place of gender in thinking through the field, and how the movement of Black Studies into Latin American spaces opens up new horizons of reflection.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.erika-denise-edwards.com">Erika Denise Edwards</a>, an associate professor of history at the University of Texas at El Paso. She is the author of the award-winning book <a href="https://www.scuppernongbooks.com/book/9780817360313"><em>Hiding in Plain Sight: Black Women, the Law and the Making of a White Argentine Republic</em></a><em> </em>from 2020. She is currently editing special issue of <em>Global Black Thought </em>on the theme of “Race in Colonial Latin America,” co-editing the anthology <em>Rhetorical Ambiguities: Blood Purity, Calidad, and Colonial Identities in the Iberian World, 1500-1750</em>, and is the Series Editor for Routledge’s “Women in the Americas” book series.  In this conversation, we discuss the relation between geography and the Black Studies tradition, the place of gender in thinking through the field, and how the movement of Black Studies into Latin American spaces opens up new horizons of reflection.</p>]]>
      </content:encoded>
      <pubDate>Thu, 15 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a0b37472/ec248b26.mp3" length="137525304" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Q4u7k-IwKBaHnpasJjRFvHw6SvLj2zpuwLYnMFo8ZrQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wZTUz/Nzk3YTRkN2Q3MTA1/ZTBhZTg2YWNjNThj/NzczNy5qcGc.jpg"/>
      <itunes:duration>3437</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://www.erika-denise-edwards.com">Erika Denise Edwards</a>, an associate professor of history at the University of Texas at El Paso. She is the author of the award-winning book <a href="https://www.scuppernongbooks.com/book/9780817360313"><em>Hiding in Plain Sight: Black Women, the Law and the Making of a White Argentine Republic</em></a><em> </em>from 2020. She is currently editing special issue of <em>Global Black Thought </em>on the theme of “Race in Colonial Latin America,” co-editing the anthology <em>Rhetorical Ambiguities: Blood Purity, Calidad, and Colonial Identities in the Iberian World, 1500-1750</em>, and is the Series Editor for Routledge’s “Women in the Americas” book series.  In this conversation, we discuss the relation between geography and the Black Studies tradition, the place of gender in thinking through the field, and how the movement of Black Studies into Latin American spaces opens up new horizons of reflection.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Regina Bradley - Department of English, Kennesaw State University </title>
      <itunes:episode>26</itunes:episode>
      <podcast:episode>26</podcast:episode>
      <itunes:title>Regina Bradley - Department of English, Kennesaw State University </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Regina Bradley, who teaches in the Department of English at Kennesaw State University. In addition to both scholarly and popular essays, she is the author of <em>Chronicling Stankonia: The Rise of the Hip Hop South, Boondock Kollage: Stories from the Hip Hop South, </em>and editor of <em>An Outkast Reader</em> and co-editor with Mark Anthony Neal and Murray Forman of <em>That's the Joint: The Hip Hop Studies Reader. </em>In this conversation, we discuss the multiple resonances of the term "Black" across geographies, the relation of Black Studies to popular culture, and how questions of region, gender, and class impact thinking in a Black Studies context.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Regina Bradley, who teaches in the Department of English at Kennesaw State University. In addition to both scholarly and popular essays, she is the author of <em>Chronicling Stankonia: The Rise of the Hip Hop South, Boondock Kollage: Stories from the Hip Hop South, </em>and editor of <em>An Outkast Reader</em> and co-editor with Mark Anthony Neal and Murray Forman of <em>That's the Joint: The Hip Hop Studies Reader. </em>In this conversation, we discuss the multiple resonances of the term "Black" across geographies, the relation of Black Studies to popular culture, and how questions of region, gender, and class impact thinking in a Black Studies context.</p>]]>
      </content:encoded>
      <pubDate>Tue, 13 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
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      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2244</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Regina Bradley, who teaches in the Department of English at Kennesaw State University. In addition to both scholarly and popular essays, she is the author of <em>Chronicling Stankonia: The Rise of the Hip Hop South, Boondock Kollage: Stories from the Hip Hop South, </em>and editor of <em>An Outkast Reader</em> and co-editor with Mark Anthony Neal and Murray Forman of <em>That's the Joint: The Hip Hop Studies Reader. </em>In this conversation, we discuss the multiple resonances of the term "Black" across geographies, the relation of Black Studies to popular culture, and how questions of region, gender, and class impact thinking in a Black Studies context.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Rinaldo Walcott - Department of Africana and American Studies, University of Buffalo</title>
      <itunes:episode>25</itunes:episode>
      <podcast:episode>25</podcast:episode>
      <itunes:title>Rinaldo Walcott - Department of Africana and American Studies, University of Buffalo</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Rinaldo Walcott, who teaches in the Department of Africana and American Studies at University of Buffalo. In addition to a number of scholarly essays and public media articles, he has written <em>Black Like Who: Writing Black Canada</em>, <em>Queer Returns: Essays on Multiculturalism, Diaspora and Black Studies</em>, <em>Black Life: Post-BLM and the Struggle for Freedom</em>, and in 2021 he published both <em>The Long Emancipation: Moving Towards Freedom</em> and <em>On Property: Policing, Prisons, and the Call for Abolition</em>. In this conversation, we explore the varied political meaning of Black Studies as a field of research and modality of struggle, the relation of politics to cultural and national studies, and the place of radical thinking in times of political crisis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Rinaldo Walcott, who teaches in the Department of Africana and American Studies at University of Buffalo. In addition to a number of scholarly essays and public media articles, he has written <em>Black Like Who: Writing Black Canada</em>, <em>Queer Returns: Essays on Multiculturalism, Diaspora and Black Studies</em>, <em>Black Life: Post-BLM and the Struggle for Freedom</em>, and in 2021 he published both <em>The Long Emancipation: Moving Towards Freedom</em> and <em>On Property: Policing, Prisons, and the Call for Abolition</em>. In this conversation, we explore the varied political meaning of Black Studies as a field of research and modality of struggle, the relation of politics to cultural and national studies, and the place of radical thinking in times of political crisis.</p>]]>
      </content:encoded>
      <pubDate>Thu, 08 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/eb8f231c/152447f7.mp3" length="172534951" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4312</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Rinaldo Walcott, who teaches in the Department of Africana and American Studies at University of Buffalo. In addition to a number of scholarly essays and public media articles, he has written <em>Black Like Who: Writing Black Canada</em>, <em>Queer Returns: Essays on Multiculturalism, Diaspora and Black Studies</em>, <em>Black Life: Post-BLM and the Struggle for Freedom</em>, and in 2021 he published both <em>The Long Emancipation: Moving Towards Freedom</em> and <em>On Property: Policing, Prisons, and the Call for Abolition</em>. In this conversation, we explore the varied political meaning of Black Studies as a field of research and modality of struggle, the relation of politics to cultural and national studies, and the place of radical thinking in times of political crisis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Keeanga-Yamahtta Taylor - Department of African American Studies, Princeton University</title>
      <itunes:episode>24</itunes:episode>
      <podcast:episode>24</podcast:episode>
      <itunes:title>Keeanga-Yamahtta Taylor - Department of African American Studies, Princeton University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/3d5b36aa</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Keeanga-Yamahtta Taylor, who teaches in the Department of African American Studies at Princeton University. In addition to a number of scholarly essays and journalistic articles, she has written <em>From #BlackLivesMatter to Black Liberation </em>in 2016<em>, Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership </em>from 2019, and edited the immensely important collection <em>How We Get Free: Black Feminism and the Combahee River Collective </em>in 2017. She was named a MacArthur Foundation Fellow in 2021. In this conversation, we explore the complex political meaning of Black Studies as a field of research and site of resistance, the relation of politics to intellectual inquiry in the past as well as contemporary moment, and the significance of radical thinking and writing in a time of political crisis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Keeanga-Yamahtta Taylor, who teaches in the Department of African American Studies at Princeton University. In addition to a number of scholarly essays and journalistic articles, she has written <em>From #BlackLivesMatter to Black Liberation </em>in 2016<em>, Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership </em>from 2019, and edited the immensely important collection <em>How We Get Free: Black Feminism and the Combahee River Collective </em>in 2017. She was named a MacArthur Foundation Fellow in 2021. In this conversation, we explore the complex political meaning of Black Studies as a field of research and site of resistance, the relation of politics to intellectual inquiry in the past as well as contemporary moment, and the significance of radical thinking and writing in a time of political crisis.</p>]]>
      </content:encoded>
      <pubDate>Tue, 06 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/3d5b36aa/ce72d670.mp3" length="172439432" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/DK-FXE0BlvJzdV9dmiQAnTw07hAYGZUAgIgyjNzAYUA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84ZjY3/NmM3MDEyMTFkYjMx/NzM5Nzk2NDVkM2Jm/ZjI0MC5qcGVn.jpg"/>
      <itunes:duration>4310</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Keeanga-Yamahtta Taylor, who teaches in the Department of African American Studies at Princeton University. In addition to a number of scholarly essays and journalistic articles, she has written <em>From #BlackLivesMatter to Black Liberation </em>in 2016<em>, Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership </em>from 2019, and edited the immensely important collection <em>How We Get Free: Black Feminism and the Combahee River Collective </em>in 2017. She was named a MacArthur Foundation Fellow in 2021. In this conversation, we explore the complex political meaning of Black Studies as a field of research and site of resistance, the relation of politics to intellectual inquiry in the past as well as contemporary moment, and the significance of radical thinking and writing in a time of political crisis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>David Ikard - Department of African American and Diaspora Studies, Vanderbilt University</title>
      <itunes:episode>23</itunes:episode>
      <podcast:episode>23</podcast:episode>
      <itunes:title>David Ikard - Department of African American and Diaspora Studies, Vanderbilt University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/35e839fc</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with David Ikard, who teaches in the Department of African American and Diaspora Studies at Vanderbilt University in Nashville, Tennessee. In addition to a number of scholarly essays, authoring and co-authoring four books -<em> Breaking the Silence: Toward a Black Male Feminist Criticism</em> (2007), <em>Nation of Cowards: Black Activism in Barack Obama's Post-Racial America</em> (2012), co-authored with Martell Teasley,<em> Blinded by the Whites: Why Race Still Matters in 21st-Century America</em> (2013), and <em>Lovable Racists, Magical Negroes, and White Messiahs</em> (2017) - he is a practicing artist whose paintings can be found at <a href="https://ikardgallery.com">ikardgallery.com</a>. In this conversation, we explore the complex political meaning of Black Studies as a site of resistance and also an institutionalized field of study, the relation of politics to intellectual inquiry in the contemporary moment, and the significance of the multiple disciplinary research and intellectual expression that comprise the field’s past, present, and future.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with David Ikard, who teaches in the Department of African American and Diaspora Studies at Vanderbilt University in Nashville, Tennessee. In addition to a number of scholarly essays, authoring and co-authoring four books -<em> Breaking the Silence: Toward a Black Male Feminist Criticism</em> (2007), <em>Nation of Cowards: Black Activism in Barack Obama's Post-Racial America</em> (2012), co-authored with Martell Teasley,<em> Blinded by the Whites: Why Race Still Matters in 21st-Century America</em> (2013), and <em>Lovable Racists, Magical Negroes, and White Messiahs</em> (2017) - he is a practicing artist whose paintings can be found at <a href="https://ikardgallery.com">ikardgallery.com</a>. In this conversation, we explore the complex political meaning of Black Studies as a site of resistance and also an institutionalized field of study, the relation of politics to intellectual inquiry in the contemporary moment, and the significance of the multiple disciplinary research and intellectual expression that comprise the field’s past, present, and future.</p>]]>
      </content:encoded>
      <pubDate>Thu, 01 Aug 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/35e839fc/17f53c8b.mp3" length="170859237" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Tu4C3OHlvwO-22v6ZnWcTEzELriiftWosGybFtMPa6U/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83YWUx/YWFjMTU5ZGFmZjI3/MDM4MjYwNWZlZDI3/ZGM0My5qcGVn.jpg"/>
      <itunes:duration>4271</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with David Ikard, who teaches in the Department of African American and Diaspora Studies at Vanderbilt University in Nashville, Tennessee. In addition to a number of scholarly essays, authoring and co-authoring four books -<em> Breaking the Silence: Toward a Black Male Feminist Criticism</em> (2007), <em>Nation of Cowards: Black Activism in Barack Obama's Post-Racial America</em> (2012), co-authored with Martell Teasley,<em> Blinded by the Whites: Why Race Still Matters in 21st-Century America</em> (2013), and <em>Lovable Racists, Magical Negroes, and White Messiahs</em> (2017) - he is a practicing artist whose paintings can be found at <a href="https://ikardgallery.com">ikardgallery.com</a>. In this conversation, we explore the complex political meaning of Black Studies as a site of resistance and also an institutionalized field of study, the relation of politics to intellectual inquiry in the contemporary moment, and the significance of the multiple disciplinary research and intellectual expression that comprise the field’s past, present, and future.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Charisse Burden-Stelly - Department of African American Studies, Wayne State University</title>
      <itunes:episode>22</itunes:episode>
      <podcast:episode>22</podcast:episode>
      <itunes:title>Charisse Burden-Stelly - Department of African American Studies, Wayne State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Charisse Burden-Stelly, who teaches in the Department of African American Studies at Wayne State University in Detroit, Michigan. In addition to a number of scholarly essays, popular writings, and hosted podcast series, she is the author of two books - <em>W.E.B. Du Bois: A Life in American History </em>from 2019<em>, </em>co-written with Gerald Horne, and <em>Black Scare, Red Scare: Theorizing Capitalist Racism in the United States </em>from 2023 - and is the co-editor of two volumes: with Percy Hintzen and Aaron Kamugisha, <em>Reproducing Domination: On the Caribbean Postcolonial State </em>and with Jodi Dean, of <em>Organize, Fight, Win: Black Communist Women’s Political Writings, </em>published in 2022. In this conversation, we explore the complex political meaning of Black Studies as a site of resistance and also an institutionalized field of study, the relation of politics to intellectual inquiry, and the meaning of the multiple disciplinary interventions that comprise the field’s past, present, and future.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Charisse Burden-Stelly, who teaches in the Department of African American Studies at Wayne State University in Detroit, Michigan. In addition to a number of scholarly essays, popular writings, and hosted podcast series, she is the author of two books - <em>W.E.B. Du Bois: A Life in American History </em>from 2019<em>, </em>co-written with Gerald Horne, and <em>Black Scare, Red Scare: Theorizing Capitalist Racism in the United States </em>from 2023 - and is the co-editor of two volumes: with Percy Hintzen and Aaron Kamugisha, <em>Reproducing Domination: On the Caribbean Postcolonial State </em>and with Jodi Dean, of <em>Organize, Fight, Win: Black Communist Women’s Political Writings, </em>published in 2022. In this conversation, we explore the complex political meaning of Black Studies as a site of resistance and also an institutionalized field of study, the relation of politics to intellectual inquiry, and the meaning of the multiple disciplinary interventions that comprise the field’s past, present, and future.</p>]]>
      </content:encoded>
      <pubDate>Tue, 30 Jul 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/5a1f1012/ca2225c6.mp3" length="107755253" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2693</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Charisse Burden-Stelly, who teaches in the Department of African American Studies at Wayne State University in Detroit, Michigan. In addition to a number of scholarly essays, popular writings, and hosted podcast series, she is the author of two books - <em>W.E.B. Du Bois: A Life in American History </em>from 2019<em>, </em>co-written with Gerald Horne, and <em>Black Scare, Red Scare: Theorizing Capitalist Racism in the United States </em>from 2023 - and is the co-editor of two volumes: with Percy Hintzen and Aaron Kamugisha, <em>Reproducing Domination: On the Caribbean Postcolonial State </em>and with Jodi Dean, of <em>Organize, Fight, Win: Black Communist Women’s Political Writings, </em>published in 2022. In this conversation, we explore the complex political meaning of Black Studies as a site of resistance and also an institutionalized field of study, the relation of politics to intellectual inquiry, and the meaning of the multiple disciplinary interventions that comprise the field’s past, present, and future.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Scot Brown - Department of African American Studies, University of California, Los Angeles</title>
      <itunes:episode>21</itunes:episode>
      <podcast:episode>21</podcast:episode>
      <itunes:title>Scot Brown - Department of African American Studies, University of California, Los Angeles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://afam.ucla.edu/person/scot-brown/">Scot Brown</a>, who teaches in the Department of African American Studies at University of California, Los Angeles. A working musician and public commentator on Black culture and politics, he is the author of a number of popular and scholarly works including the 2005 book <a href="https://nyupress.org/9780814798782/fighting-for-us/"><em>Fighting for Us</em></a><em>, </em>published by New York University Press. In this conversation, we explore the meaning of Black Studies as an area of inquiry, the relationship between cultural production and Black life, and the meaning of music and musical practice in the Black intellectual tradition.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://afam.ucla.edu/person/scot-brown/">Scot Brown</a>, who teaches in the Department of African American Studies at University of California, Los Angeles. A working musician and public commentator on Black culture and politics, he is the author of a number of popular and scholarly works including the 2005 book <a href="https://nyupress.org/9780814798782/fighting-for-us/"><em>Fighting for Us</em></a><em>, </em>published by New York University Press. In this conversation, we explore the meaning of Black Studies as an area of inquiry, the relationship between cultural production and Black life, and the meaning of music and musical practice in the Black intellectual tradition.</p>]]>
      </content:encoded>
      <pubDate>Thu, 25 Jul 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/e9050243/8de696b7.mp3" length="114293754" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/QrTnKG1u7fo-8Kptu0jXonneYcRe3y27MzCYemscuhY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81OTM2/NGZhZTZjYTQ5MGVj/YjE3ZjVjMzA0MWUx/N2QxMi5qcGVn.jpg"/>
      <itunes:duration>2856</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://afam.ucla.edu/person/scot-brown/">Scot Brown</a>, who teaches in the Department of African American Studies at University of California, Los Angeles. A working musician and public commentator on Black culture and politics, he is the author of a number of popular and scholarly works including the 2005 book <a href="https://nyupress.org/9780814798782/fighting-for-us/"><em>Fighting for Us</em></a><em>, </em>published by New York University Press. In this conversation, we explore the meaning of Black Studies as an area of inquiry, the relationship between cultural production and Black life, and the meaning of music and musical practice in the Black intellectual tradition.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Shaida Akbarian - Department of Comparative Studies, Ohio State University</title>
      <itunes:episode>20</itunes:episode>
      <podcast:episode>20</podcast:episode>
      <itunes:title>Shaida Akbarian - Department of Comparative Studies, Ohio State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2cd46845</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Shaida Akbarian, who teaches in the Department of Comparative Studies at Ohio State University, where she also earned her PhD in African American and African Studies. In this conversation, we discuss the complex meanings of Black Studies as an intellectual tradition, a political disposition, and the various impasses and hesitations that lie at the heart of the relation between those two aspects of the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Shaida Akbarian, who teaches in the Department of Comparative Studies at Ohio State University, where she also earned her PhD in African American and African Studies. In this conversation, we discuss the complex meanings of Black Studies as an intellectual tradition, a political disposition, and the various impasses and hesitations that lie at the heart of the relation between those two aspects of the field.</p>]]>
      </content:encoded>
      <pubDate>Tue, 23 Jul 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/2cd46845/faa856bb.mp3" length="104735837" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/X1KqcLkOz6Mqd_czp2S58KHy-G0F63fDa7FexRxXAn8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NzAw/NzQzZDcxN2I2MjNh/ZmM5ZGNkZWMzMzNk/OWE2Zi5qcGc.jpg"/>
      <itunes:duration>2618</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Shaida Akbarian, who teaches in the Department of Comparative Studies at Ohio State University, where she also earned her PhD in African American and African Studies. In this conversation, we discuss the complex meanings of Black Studies as an intellectual tradition, a political disposition, and the various impasses and hesitations that lie at the heart of the relation between those two aspects of the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>David Green - Department of English, Howard University</title>
      <itunes:episode>19</itunes:episode>
      <podcast:episode>19</podcast:episode>
      <itunes:title>David Green - Department of English, Howard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/dea54209</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://profiles.howard.edu/david-green-0">David Green</a>, who teaches in the Department of English at Howard University in Washington, D.C. where he also directs the first year writing program. In addition to a number of articles on critical writing and race, he is the editor of <em>Visions and Cyphers</em>, a writing studies textbook that emphasizes culture and language research in composition studies. In this conversation, we discuss the place of language and writing in the Black Studies tradition, the function of expressive life in the field, and the future horizons of critical inquiry into Black life.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://profiles.howard.edu/david-green-0">David Green</a>, who teaches in the Department of English at Howard University in Washington, D.C. where he also directs the first year writing program. In addition to a number of articles on critical writing and race, he is the editor of <em>Visions and Cyphers</em>, a writing studies textbook that emphasizes culture and language research in composition studies. In this conversation, we discuss the place of language and writing in the Black Studies tradition, the function of expressive life in the field, and the future horizons of critical inquiry into Black life.</p>]]>
      </content:encoded>
      <pubDate>Thu, 18 Jul 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/dea54209/50ebffc1.mp3" length="147346934" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/0LIJjKNXpdIWLyBw4-E48Je5fEW2TwMRFrqLGof5I_U/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zMGY5/MzM0ZThjYzljMWRj/NWM3ZTBiNTZjOGU0/NGQ0NC5qcGVn.jpg"/>
      <itunes:duration>3683</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://profiles.howard.edu/david-green-0">David Green</a>, who teaches in the Department of English at Howard University in Washington, D.C. where he also directs the first year writing program. In addition to a number of articles on critical writing and race, he is the editor of <em>Visions and Cyphers</em>, a writing studies textbook that emphasizes culture and language research in composition studies. In this conversation, we discuss the place of language and writing in the Black Studies tradition, the function of expressive life in the field, and the future horizons of critical inquiry into Black life.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Stephanie Jones and Makeba Lavan - Department of African Diaspora Studies, Grinnell College</title>
      <itunes:episode>18</itunes:episode>
      <podcast:episode>18</podcast:episode>
      <itunes:title>Stephanie Jones and Makeba Lavan - Department of African Diaspora Studies, Grinnell College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fa5dd96b</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with two of the founding members of the <a href="https://www.grinnell.edu/news/grinnell-celebrates-launch-new-department-african-diaspora-studies">newly launched Department of African Diaspora Studies</a> at Grinnell College: <a href="https://www.grinnell.edu/user/lavanmak">Makeba Lavan</a> and <a href="https://www.grinnell.edu/user/jonesste">Stephanie Jones</a>. Professor Lavan teaches in the English department at Grinnell with a special interest in afrofuturist literature and culture. Professor Jones teaches in the Education Studies department with a focus on the relation between race, curriculum, and trauma in Black students. In this conversation we discuss their journeys into an abiding concern with Black life, what sustains that concern, and how multiple disciplinary approaches to Black Studies expand and deepen the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with two of the founding members of the <a href="https://www.grinnell.edu/news/grinnell-celebrates-launch-new-department-african-diaspora-studies">newly launched Department of African Diaspora Studies</a> at Grinnell College: <a href="https://www.grinnell.edu/user/lavanmak">Makeba Lavan</a> and <a href="https://www.grinnell.edu/user/jonesste">Stephanie Jones</a>. Professor Lavan teaches in the English department at Grinnell with a special interest in afrofuturist literature and culture. Professor Jones teaches in the Education Studies department with a focus on the relation between race, curriculum, and trauma in Black students. In this conversation we discuss their journeys into an abiding concern with Black life, what sustains that concern, and how multiple disciplinary approaches to Black Studies expand and deepen the field.</p>]]>
      </content:encoded>
      <pubDate>Tue, 16 Jul 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/fa5dd96b/376ce621.mp3" length="206484126" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/cbrbbJ8wQR54noi6dL40labf2QT1WaJVBonzJrBSp0k/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84Yjc5/MjJjNDdhODk3MmE2/NDMxODg3MjBiZDY4/YWRmMy5KUEVH.jpg"/>
      <itunes:duration>5161</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with two of the founding members of the <a href="https://www.grinnell.edu/news/grinnell-celebrates-launch-new-department-african-diaspora-studies">newly launched Department of African Diaspora Studies</a> at Grinnell College: <a href="https://www.grinnell.edu/user/lavanmak">Makeba Lavan</a> and <a href="https://www.grinnell.edu/user/jonesste">Stephanie Jones</a>. Professor Lavan teaches in the English department at Grinnell with a special interest in afrofuturist literature and culture. Professor Jones teaches in the Education Studies department with a focus on the relation between race, curriculum, and trauma in Black students. In this conversation we discuss their journeys into an abiding concern with Black life, what sustains that concern, and how multiple disciplinary approaches to Black Studies expand and deepen the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>J. Marlena Edwards - Department of African American Studies, Penn State University</title>
      <itunes:episode>17</itunes:episode>
      <podcast:episode>17</podcast:episode>
      <itunes:title>J. Marlena Edwards - Department of African American Studies, Penn State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/9fd3382d</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with J. Marlena Edwards. She is assistant professor in the Departments of African American Studies and History, having completed a post-doctoral fellowship in the Africana Research Center at Penn State after earning a dual-major Ph.D. in African American and African Studies and History from Michigan State University. Her research interests include multiethnic African American identities, Cape Verdean and Afro-Caribbean migration, U.S. Immigration, and African diaspora histories. She's working on her first book documenting West Indian and Cape Verdean Immigrant communities and their lives after whaling in early twentieth century New England.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with J. Marlena Edwards. She is assistant professor in the Departments of African American Studies and History, having completed a post-doctoral fellowship in the Africana Research Center at Penn State after earning a dual-major Ph.D. in African American and African Studies and History from Michigan State University. Her research interests include multiethnic African American identities, Cape Verdean and Afro-Caribbean migration, U.S. Immigration, and African diaspora histories. She's working on her first book documenting West Indian and Cape Verdean Immigrant communities and their lives after whaling in early twentieth century New England.</p>]]>
      </content:encoded>
      <pubDate>Thu, 11 Jul 2024 16:12:04 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/9fd3382d/da4de3b3.mp3" length="143664391" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/RTdfV7DjSQ-kF8COH9MKfz_vHyQIMJfMuIlR4c3maTY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84OTM1/MTVkNjgzMzlhZmI4/NTViNTY0NDcyNTYw/OGJkNS5wbmc.jpg"/>
      <itunes:duration>3591</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p>Today's conversation is with J. Marlena Edwards. She is assistant professor in the Departments of African American Studies and History, having completed a post-doctoral fellowship in the Africana Research Center at Penn State after earning a dual-major Ph.D. in African American and African Studies and History from Michigan State University. Her research interests include multiethnic African American identities, Cape Verdean and Afro-Caribbean migration, U.S. Immigration, and African diaspora histories. She's working on her first book documenting West Indian and Cape Verdean Immigrant communities and their lives after whaling in early twentieth century New England.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Michael E. Sawyer - Department of English, University of Pittsburgh</title>
      <itunes:episode>16</itunes:episode>
      <podcast:episode>16</podcast:episode>
      <itunes:title>Michael E. Sawyer - Department of English, University of Pittsburgh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a09e1f98-509a-4815-bac7-3a4af3ef14ca</guid>
      <link>https://share.transistor.fm/s/dfdc0d8f</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p> </p><p>Today’s conversation is with Michael E. Sawyer, who teaches in the Department of English at the University of Pittsburgh. He is the author of a number of scholarly articles and books, including <em>An Africana Philosophy of Temporality: Homo Liminalis </em>(2018), <em>Black Minded: The Political Philosophy of Malcolm X </em>(2020), and a pair of forthcoming works - <em>The Door of No Return: Being-as-Black</em>(spring 2025) and <em>Sir Lewis</em>, a critical book on Lewis Hamilton (also spring 2025). In this conversation, we explore the place of speculative work in the Black Studies tradition, the expansiveness of Black critical inquiry, and the meaning of the multiple disciplinary interventions that comprise the field’s past, present, and future.</p><p> </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p> </p><p>Today’s conversation is with Michael E. Sawyer, who teaches in the Department of English at the University of Pittsburgh. He is the author of a number of scholarly articles and books, including <em>An Africana Philosophy of Temporality: Homo Liminalis </em>(2018), <em>Black Minded: The Political Philosophy of Malcolm X </em>(2020), and a pair of forthcoming works - <em>The Door of No Return: Being-as-Black</em>(spring 2025) and <em>Sir Lewis</em>, a critical book on Lewis Hamilton (also spring 2025). In this conversation, we explore the place of speculative work in the Black Studies tradition, the expansiveness of Black critical inquiry, and the meaning of the multiple disciplinary interventions that comprise the field’s past, present, and future.</p><p> </p>]]>
      </content:encoded>
      <pubDate>Tue, 09 Jul 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/dfdc0d8f/10b51b5c.mp3" length="149346490" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/hQeqQ1KXMkZxrDbr9uqxlaHC1ifXeZNs9Zsjz1rXdoA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xOGQ0/OGUyMzI1OGM4MDIx/OWQyOTllMDkwOGQ2/MzJlOS5qcGc.jpg"/>
      <itunes:duration>3732</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p> </p><p>Today’s conversation is with Michael E. Sawyer, who teaches in the Department of English at the University of Pittsburgh. He is the author of a number of scholarly articles and books, including <em>An Africana Philosophy of Temporality: Homo Liminalis </em>(2018), <em>Black Minded: The Political Philosophy of Malcolm X </em>(2020), and a pair of forthcoming works - <em>The Door of No Return: Being-as-Black</em>(spring 2025) and <em>Sir Lewis</em>, a critical book on Lewis Hamilton (also spring 2025). In this conversation, we explore the place of speculative work in the Black Studies tradition, the expansiveness of Black critical inquiry, and the meaning of the multiple disciplinary interventions that comprise the field’s past, present, and future.</p><p> </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Dominick Quinney - Department of Ethnic Studies, Albion College</title>
      <itunes:episode>15</itunes:episode>
      <podcast:episode>15</podcast:episode>
      <itunes:title>Dominick Quinney - Department of Ethnic Studies, Albion College</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/30a8325e</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Dominick Quinney, who teaches in the Department of Ethnic Studies at Albion College in Albion, Michigan. In this discussion, we explore the origins of his interest in the field, relations of research and pedagogy, and the relationship between the study of Black life and the future of disciplines, area studies, and the transformative meaning of education.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Dominick Quinney, who teaches in the Department of Ethnic Studies at Albion College in Albion, Michigan. In this discussion, we explore the origins of his interest in the field, relations of research and pedagogy, and the relationship between the study of Black life and the future of disciplines, area studies, and the transformative meaning of education.</p>]]>
      </content:encoded>
      <pubDate>Fri, 05 Jul 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/30a8325e/ce4f44ab.mp3" length="97625956" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/uOhnbVuJISxwjJe4a1WQAE-8tf1jB_VmUanjSBUlkdU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zYjI4/ZjhlMWExZmIzODk5/OTQ2MTI4MjJmNmY0/MTUwZC5qcGc.jpg"/>
      <itunes:duration>2440</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Dominick Quinney, who teaches in the Department of Ethnic Studies at Albion College in Albion, Michigan. In this discussion, we explore the origins of his interest in the field, relations of research and pedagogy, and the relationship between the study of Black life and the future of disciplines, area studies, and the transformative meaning of education.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>John Murillo III - Department of African American Studies, University of California, Irvine</title>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>John Murillo III - Department of African American Studies, University of California, Irvine</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with John Murillo III, who teaches in the Department of African American Studies at the University of California, Irvine, where he also serves as department chair. In addition to a number of articles in scholarly journals, he is the author of <em>Impossible Stories: On the Space and Time of Black Destructive Creations</em>, published in 2021 by Ohio State University Press. In this conversation, we discuss the relation of physics, literary study, and conceptions of blackness in an antiblack world, the politics of Black Studies and the work of Black study, and how responsibility to community and to transformative political interruption is central to work in the field.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with John Murillo III, who teaches in the Department of African American Studies at the University of California, Irvine, where he also serves as department chair. In addition to a number of articles in scholarly journals, he is the author of <em>Impossible Stories: On the Space and Time of Black Destructive Creations</em>, published in 2021 by Ohio State University Press. In this conversation, we discuss the relation of physics, literary study, and conceptions of blackness in an antiblack world, the politics of Black Studies and the work of Black study, and how responsibility to community and to transformative political interruption is central to work in the field.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 03 Jul 2024 11:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/addcf8ca/b217a108.mp3" length="187191186" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4679</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with John Murillo III, who teaches in the Department of African American Studies at the University of California, Irvine, where he also serves as department chair. In addition to a number of articles in scholarly journals, he is the author of <em>Impossible Stories: On the Space and Time of Black Destructive Creations</em>, published in 2021 by Ohio State University Press. In this conversation, we discuss the relation of physics, literary study, and conceptions of blackness in an antiblack world, the politics of Black Studies and the work of Black study, and how responsibility to community and to transformative political interruption is central to work in the field.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Deirdre Cooper Owens - Department of History and Africana Studies Institute, University of Connecticut</title>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>Deirdre Cooper Owens - Department of History and Africana Studies Institute, University of Connecticut</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Deirdre Cooper Owens, who teaches in the Department of History with an appointment in the Africana Studies Institute at the University of Connecticut. In addition to a number of scholarly and public scholarship writings, Cooper Owens is the author of the immensely important book <em>Medical Bondage: Race, Gender, and the Origins of American Gynecology, </em>published by University of Georgia Press in 2018. In this conversation, we explore the meaning of Black Studies from the perspective of race and gender history and historical writing, the question of sources and source material for such writing, and how the study of Black life speaks to the future of intellectual and cultural life in a time of political crisis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Deirdre Cooper Owens, who teaches in the Department of History with an appointment in the Africana Studies Institute at the University of Connecticut. In addition to a number of scholarly and public scholarship writings, Cooper Owens is the author of the immensely important book <em>Medical Bondage: Race, Gender, and the Origins of American Gynecology, </em>published by University of Georgia Press in 2018. In this conversation, we explore the meaning of Black Studies from the perspective of race and gender history and historical writing, the question of sources and source material for such writing, and how the study of Black life speaks to the future of intellectual and cultural life in a time of political crisis.</p>]]>
      </content:encoded>
      <pubDate>Mon, 01 Jul 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/ae78a1dd/fdc78810.mp3" length="129210193" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3230</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Deirdre Cooper Owens, who teaches in the Department of History with an appointment in the Africana Studies Institute at the University of Connecticut. In addition to a number of scholarly and public scholarship writings, Cooper Owens is the author of the immensely important book <em>Medical Bondage: Race, Gender, and the Origins of American Gynecology, </em>published by University of Georgia Press in 2018. In this conversation, we explore the meaning of Black Studies from the perspective of race and gender history and historical writing, the question of sources and source material for such writing, and how the study of Black life speaks to the future of intellectual and cultural life in a time of political crisis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Martha Biondi - Department of Black Studies, Northwestern University</title>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Martha Biondi - Department of Black Studies, Northwestern University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/d1b69824</link>
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        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Martha Biondi, Lorraine H. Morton Professor of Black Studies at Northwestern University. She is the author of <em>To Stand and Fight: The Struggle for Civil Rights in Postwar New York City </em>(Harvard, 2003), <em>The Black Revolution on Campus </em>(California, 2014), and a forthcoming book on Black internationalism. In this conversation, we discuss the origins of Black Studies as a field, the place of historical study in the field, and what questions remain to be asked, explored, and debated in a moment of political crisis.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Martha Biondi, Lorraine H. Morton Professor of Black Studies at Northwestern University. She is the author of <em>To Stand and Fight: The Struggle for Civil Rights in Postwar New York City </em>(Harvard, 2003), <em>The Black Revolution on Campus </em>(California, 2014), and a forthcoming book on Black internationalism. In this conversation, we discuss the origins of Black Studies as a field, the place of historical study in the field, and what questions remain to be asked, explored, and debated in a moment of political crisis.</p>]]>
      </content:encoded>
      <pubDate>Sat, 29 Jun 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/d1b69824/3824720b.mp3" length="112630370" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/CdqATFK8lD1u_NqiiJQk9FYS9bkoqX633H4WR0ldl5M/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lMDQy/NzU1MWZjNWJkNDc4/NzFmMDAyZjc3YzBk/OGNlZC5qcGVn.jpg"/>
      <itunes:duration>2815</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Martha Biondi, Lorraine H. Morton Professor of Black Studies at Northwestern University. She is the author of <em>To Stand and Fight: The Struggle for Civil Rights in Postwar New York City </em>(Harvard, 2003), <em>The Black Revolution on Campus </em>(California, 2014), and a forthcoming book on Black internationalism. In this conversation, we discuss the origins of Black Studies as a field, the place of historical study in the field, and what questions remain to be asked, explored, and debated in a moment of political crisis.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ruth Nicole Brown, Suban Nur Cooley, LeConté Dill, Yvonne Morris - Department of African and African American Studies, Michigan State University</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Ruth Nicole Brown, Suban Nur Cooley, LeConté Dill, Yvonne Morris - Department of African and African American Studies, Michigan State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/3fe3d544</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with four members of the Department of African and African American Studies at Michigan State University: Ruth Nicole Brown (current chair of the department), Suban Nur Cooley, LeConté Dill, and Yvonne Morris. In this discussion, we explore the meaning of Black Studies for thinking community, gender, sexuality, and the past and future of Black survival and thriving.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with four members of the Department of African and African American Studies at Michigan State University: Ruth Nicole Brown (current chair of the department), Suban Nur Cooley, LeConté Dill, and Yvonne Morris. In this discussion, we explore the meaning of Black Studies for thinking community, gender, sexuality, and the past and future of Black survival and thriving.</p>]]>
      </content:encoded>
      <pubDate>Thu, 27 Jun 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/3fe3d544/9a2efae8.mp3" length="162513322" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>4062</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with four members of the Department of African and African American Studies at Michigan State University: Ruth Nicole Brown (current chair of the department), Suban Nur Cooley, LeConté Dill, and Yvonne Morris. In this discussion, we explore the meaning of Black Studies for thinking community, gender, sexuality, and the past and future of Black survival and thriving.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Austin Jackson - Non-Fiction Writing in the Department of English, Brown University</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Austin Jackson - Non-Fiction Writing in the Department of English, Brown University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">38a06eff-6b4e-49b3-9b46-c860964a95c5</guid>
      <link>https://share.transistor.fm/s/ceecedde</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Austin Jackson, who teaches in the non-fiction writing program in the Department of English at Brown University. From the faculty page, Jackson's "teaching and research areas include rhetoric and composition, critical race studies, and qualitative research in English education. His original research has been published by the National Council of Teachers of English Press/Routledge, <em>The International Journal of Africana Studies</em>, <em>Reading Research Quarterly, The Black Scholar, American Language Review</em>, and Stanford University's <em>Black Arts Quarterly</em>. In 2014, Bedford/St. Martin's Press published his co-edited anthology, <em>Students' Right to Their Own Language: A Critical Sourcebook</em>. The book, co-edited with Staci Perryman-Clark and David Kirkland, collects perspectives from some of the field's most influential scholars to provide a foundation for understanding the historical and theoretical context informing the affirmation of all students' right to exist in their own languages. Austin is an editorial board member of the <em>Journal of Teaching Writing</em> and a member of the Conference on College Composition and Communication’s Language Policy Committee. </p><p><br>Austin previously served as an Assistant Director of the Sheridan Center for Teaching and Learning, where he administered Brown’s  Writing Center, the Writing Fellows Program, and the Excellence At Brown Pre-Orientation Program (2018-2021). Before coming to Brown, Austin held academic appointments as an Assistant Professor of Writing &amp; Rhetoric in Transcultural Contexts and Core Faculty in the Muslim Studies Program and African American and African Studies at Michigan State University.  He also served as Director of the My Brother's and Sister's Keeper Program, an award-winning mentoring and service-learning initiative for adolescent youth attending Detroit Public Schools. In 2016, he established the My Brother's Keeper Prison Outreach Program, a peer-mentoring program for inmates at the Richard A. Handlon Men's Correctional Facility, Ionia, MI."</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Austin Jackson, who teaches in the non-fiction writing program in the Department of English at Brown University. From the faculty page, Jackson's "teaching and research areas include rhetoric and composition, critical race studies, and qualitative research in English education. His original research has been published by the National Council of Teachers of English Press/Routledge, <em>The International Journal of Africana Studies</em>, <em>Reading Research Quarterly, The Black Scholar, American Language Review</em>, and Stanford University's <em>Black Arts Quarterly</em>. In 2014, Bedford/St. Martin's Press published his co-edited anthology, <em>Students' Right to Their Own Language: A Critical Sourcebook</em>. The book, co-edited with Staci Perryman-Clark and David Kirkland, collects perspectives from some of the field's most influential scholars to provide a foundation for understanding the historical and theoretical context informing the affirmation of all students' right to exist in their own languages. Austin is an editorial board member of the <em>Journal of Teaching Writing</em> and a member of the Conference on College Composition and Communication’s Language Policy Committee. </p><p><br>Austin previously served as an Assistant Director of the Sheridan Center for Teaching and Learning, where he administered Brown’s  Writing Center, the Writing Fellows Program, and the Excellence At Brown Pre-Orientation Program (2018-2021). Before coming to Brown, Austin held academic appointments as an Assistant Professor of Writing &amp; Rhetoric in Transcultural Contexts and Core Faculty in the Muslim Studies Program and African American and African Studies at Michigan State University.  He also served as Director of the My Brother's and Sister's Keeper Program, an award-winning mentoring and service-learning initiative for adolescent youth attending Detroit Public Schools. In 2016, he established the My Brother's Keeper Prison Outreach Program, a peer-mentoring program for inmates at the Richard A. Handlon Men's Correctional Facility, Ionia, MI."</p>]]>
      </content:encoded>
      <pubDate>Tue, 25 Jun 2024 10:00:00 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/ceecedde/99ca4e8d.mp3" length="169516139" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/xnoTTEpWAPvsHReVv5X1-OYQV1CMB-oiMog60jSohJ8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xZDQx/NmNmMGY5NThlOGJm/OTdhYzE3ZDQ3OWZh/ZDdkOC5qcGc.jpg"/>
      <itunes:duration>4237</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Austin Jackson, who teaches in the non-fiction writing program in the Department of English at Brown University. From the faculty page, Jackson's "teaching and research areas include rhetoric and composition, critical race studies, and qualitative research in English education. His original research has been published by the National Council of Teachers of English Press/Routledge, <em>The International Journal of Africana Studies</em>, <em>Reading Research Quarterly, The Black Scholar, American Language Review</em>, and Stanford University's <em>Black Arts Quarterly</em>. In 2014, Bedford/St. Martin's Press published his co-edited anthology, <em>Students' Right to Their Own Language: A Critical Sourcebook</em>. The book, co-edited with Staci Perryman-Clark and David Kirkland, collects perspectives from some of the field's most influential scholars to provide a foundation for understanding the historical and theoretical context informing the affirmation of all students' right to exist in their own languages. Austin is an editorial board member of the <em>Journal of Teaching Writing</em> and a member of the Conference on College Composition and Communication’s Language Policy Committee. </p><p><br>Austin previously served as an Assistant Director of the Sheridan Center for Teaching and Learning, where he administered Brown’s  Writing Center, the Writing Fellows Program, and the Excellence At Brown Pre-Orientation Program (2018-2021). Before coming to Brown, Austin held academic appointments as an Assistant Professor of Writing &amp; Rhetoric in Transcultural Contexts and Core Faculty in the Muslim Studies Program and African American and African Studies at Michigan State University.  He also served as Director of the My Brother's and Sister's Keeper Program, an award-winning mentoring and service-learning initiative for adolescent youth attending Detroit Public Schools. In 2016, he established the My Brother's Keeper Prison Outreach Program, a peer-mentoring program for inmates at the Richard A. Handlon Men's Correctional Facility, Ionia, MI."</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Mary Hicks - Department of History, University of Chicago</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Mary Hicks - Department of History, University of Chicago</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/4ff5009e</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mary Hicks, Associate Professor in the Department of History at the University of Chicago, where she teaches the history of the Black Atlantic and Latin America. Her research has been published in <em>Slavery &amp; Abolition, Journal of Global Slavery, </em>and a number of collections on slavery, the Atlantic world, and the meaning of Black history. She is the author of <em>Captive Cosmopolitans: Black Mariners and the World of Atlantic Slavery, 1721-1835, </em>forthcoming with University of North Carolina Press. In this conversation, we discuss the past and future of Black Studies with particular attention to questions of language, everyday life as a form of resistance, and how the field of Black Studies calls us to rethink what we mean by archives and archival sources.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mary Hicks, Associate Professor in the Department of History at the University of Chicago, where she teaches the history of the Black Atlantic and Latin America. Her research has been published in <em>Slavery &amp; Abolition, Journal of Global Slavery, </em>and a number of collections on slavery, the Atlantic world, and the meaning of Black history. She is the author of <em>Captive Cosmopolitans: Black Mariners and the World of Atlantic Slavery, 1721-1835, </em>forthcoming with University of North Carolina Press. In this conversation, we discuss the past and future of Black Studies with particular attention to questions of language, everyday life as a form of resistance, and how the field of Black Studies calls us to rethink what we mean by archives and archival sources.</p>]]>
      </content:encoded>
      <pubDate>Fri, 21 Jun 2024 19:23:31 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/4ff5009e/23c428f8.mp3" length="132138855" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/FMgES9YBZaPQycLmQ85dmVcsv3N9DuKfquO_cnHcjV8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iN2Vk/NzBiNTY1YmUyNWVh/NzZlZDc2NjFlYWM3/MjAwOC5qcGVn.jpg"/>
      <itunes:duration>3303</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Mary Hicks, Associate Professor in the Department of History at the University of Chicago, where she teaches the history of the Black Atlantic and Latin America. Her research has been published in <em>Slavery &amp; Abolition, Journal of Global Slavery, </em>and a number of collections on slavery, the Atlantic world, and the meaning of Black history. She is the author of <em>Captive Cosmopolitans: Black Mariners and the World of Atlantic Slavery, 1721-1835, </em>forthcoming with University of North Carolina Press. In this conversation, we discuss the past and future of Black Studies with particular attention to questions of language, everyday life as a form of resistance, and how the field of Black Studies calls us to rethink what we mean by archives and archival sources.</p>]]>
      </itunes:summary>
      <itunes:keywords>Latin America, slavery, history of the slave trade, Atlantic history, Brazil</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Utz McKnight - Department of Gender and Race Studies, University of Alabama</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Utz McKnight - Department of Gender and Race Studies, University of Alabama</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/5dd30049</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://grs.ua.edu/people/utz-mcknight/">Utz McKnight</a>, Professor in the Department of Gender and Race Studies at the University of Alabama, where he teaches courses on political theory in a Black Studies context. McKnight is the author of four books: <a href="https://www.google.com/books/edition/Political_Liberalism_and_the_Politics_of/l9IUAQAAIAAJ?hl=en"><em>Political Liberalism and the Politics of Race</em></a><em> </em>(1996)<em>, </em><a href="https://www.routledge.com/Everyday-Practice-of-Race-in-America-Ambiguous-Privilege/McKnight/p/book/9780415780551"><em>The Everyday Practice of Race in America: Ambiguous Privilege</em></a><em> </em>(2010), <a href="https://www.routledge.com/Race-and-the-Politics-of-the-Exception-Equality-Sovereignty-and-American-Democracy/McKnight/p/book/9781138689725"><em>Race and the Politics of the Exception: Equality, Sovereignty, and American Democracy</em></a><em> </em>(2013), and most recently <a href="https://www.politybooks.com/bookdetail?book_slug=frances-e-w-harper-a-call-to-conscience--9781509535538"><em>Frances E.W. Harper: A Call to Conscience</em></a><em> </em>(2020). In this conversation, we discuss the power of Black Studies for thinking nation, community, and democracy and the challenges of questions of diversity, class, and gender in the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://grs.ua.edu/people/utz-mcknight/">Utz McKnight</a>, Professor in the Department of Gender and Race Studies at the University of Alabama, where he teaches courses on political theory in a Black Studies context. McKnight is the author of four books: <a href="https://www.google.com/books/edition/Political_Liberalism_and_the_Politics_of/l9IUAQAAIAAJ?hl=en"><em>Political Liberalism and the Politics of Race</em></a><em> </em>(1996)<em>, </em><a href="https://www.routledge.com/Everyday-Practice-of-Race-in-America-Ambiguous-Privilege/McKnight/p/book/9780415780551"><em>The Everyday Practice of Race in America: Ambiguous Privilege</em></a><em> </em>(2010), <a href="https://www.routledge.com/Race-and-the-Politics-of-the-Exception-Equality-Sovereignty-and-American-Democracy/McKnight/p/book/9781138689725"><em>Race and the Politics of the Exception: Equality, Sovereignty, and American Democracy</em></a><em> </em>(2013), and most recently <a href="https://www.politybooks.com/bookdetail?book_slug=frances-e-w-harper-a-call-to-conscience--9781509535538"><em>Frances E.W. Harper: A Call to Conscience</em></a><em> </em>(2020). In this conversation, we discuss the power of Black Studies for thinking nation, community, and democracy and the challenges of questions of diversity, class, and gender in the field.</p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Jun 2024 10:23:32 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/5dd30049/f27d053b.mp3" length="151384470" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/A6EBIl0mGXJvd9byHWqsn4iULEdgH4IUOwUnZv4f_VA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mNzA4/NWRlMGQ2YmZhMjg5/ZmU2ZjU5ZmYwMTkw/OTBmZS5qcGc.jpg"/>
      <itunes:duration>3783</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://grs.ua.edu/people/utz-mcknight/">Utz McKnight</a>, Professor in the Department of Gender and Race Studies at the University of Alabama, where he teaches courses on political theory in a Black Studies context. McKnight is the author of four books: <a href="https://www.google.com/books/edition/Political_Liberalism_and_the_Politics_of/l9IUAQAAIAAJ?hl=en"><em>Political Liberalism and the Politics of Race</em></a><em> </em>(1996)<em>, </em><a href="https://www.routledge.com/Everyday-Practice-of-Race-in-America-Ambiguous-Privilege/McKnight/p/book/9780415780551"><em>The Everyday Practice of Race in America: Ambiguous Privilege</em></a><em> </em>(2010), <a href="https://www.routledge.com/Race-and-the-Politics-of-the-Exception-Equality-Sovereignty-and-American-Democracy/McKnight/p/book/9781138689725"><em>Race and the Politics of the Exception: Equality, Sovereignty, and American Democracy</em></a><em> </em>(2013), and most recently <a href="https://www.politybooks.com/bookdetail?book_slug=frances-e-w-harper-a-call-to-conscience--9781509535538"><em>Frances E.W. Harper: A Call to Conscience</em></a><em> </em>(2020). In this conversation, we discuss the power of Black Studies for thinking nation, community, and democracy and the challenges of questions of diversity, class, and gender in the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Naila Ansari, John Torrey, and Marcus Watson - Department of Africana Studies, Buffalo State University</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Naila Ansari, John Torrey, and Marcus Watson - Department of Africana Studies, Buffalo State University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2e106f95</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with three faculty members from the Department of Africana Studies at Buffalo State University. Naila Ansari is a dancer and a professor in the Department of Theater. John Torrey is a theorist and a professor in the Philosophy Department. Marcus Watson is an ethnographer and anthropologist and a professor in the individualized study program. All are core members of the Department of Africana Studies at Buffalo State, where Watson also serves as Chairperson. In this conversation, we explore the relation of Black study to social and racial justice, scholarship-community relations, and the future of work in Black Studies from a community and social transformation perspective.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with three faculty members from the Department of Africana Studies at Buffalo State University. Naila Ansari is a dancer and a professor in the Department of Theater. John Torrey is a theorist and a professor in the Philosophy Department. Marcus Watson is an ethnographer and anthropologist and a professor in the individualized study program. All are core members of the Department of Africana Studies at Buffalo State, where Watson also serves as Chairperson. In this conversation, we explore the relation of Black study to social and racial justice, scholarship-community relations, and the future of work in Black Studies from a community and social transformation perspective.</p>]]>
      </content:encoded>
      <pubDate>Thu, 13 Jun 2024 16:06:43 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/2e106f95/880f438a.mp3" length="175652333" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/7FTw0jeAD8o-21nhUd11r3o8fzaizJEfoJ1vtfvaPV0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83ZDdl/OTI4MDI0ZjUwNTUw/ZWNhYmQ0MTQxNzEx/YWZmNC5qcGVn.jpg"/>
      <itunes:duration>4390</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with three faculty members from the Department of Africana Studies at Buffalo State University. Naila Ansari is a dancer and a professor in the Department of Theater. John Torrey is a theorist and a professor in the Philosophy Department. Marcus Watson is an ethnographer and anthropologist and a professor in the individualized study program. All are core members of the Department of Africana Studies at Buffalo State, where Watson also serves as Chairperson. In this conversation, we explore the relation of Black study to social and racial justice, scholarship-community relations, and the future of work in Black Studies from a community and social transformation perspective.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jessica Marie Johnson - Department of History, Johns Hopkins University</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Jessica Marie Johnson - Department of History, Johns Hopkins University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9cda1db0-eed2-4929-adaf-4df4e9728ddf</guid>
      <link>https://share.transistor.fm/s/875296f4</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Jessica Marie Johnson, who teaches and writes on the history of the Atlantic slave trade and the cultural history of the African diaspora. She is the author of <em>Wicked Flesh: </em>Black Women, Intimacy, and Freedom in the Atlantic World, which was published in 2020 by University of Pennsylvania Press, and is at work on a cluster of projects that engage early post-slavery history in the United States and digital representations of Black women and engagement with the history of enslavement. You can read more about her ongoing research <a href="https://www.jessicamariejohnson.com">at her professional page jessicamariejohnson.com</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Jessica Marie Johnson, who teaches and writes on the history of the Atlantic slave trade and the cultural history of the African diaspora. She is the author of <em>Wicked Flesh: </em>Black Women, Intimacy, and Freedom in the Atlantic World, which was published in 2020 by University of Pennsylvania Press, and is at work on a cluster of projects that engage early post-slavery history in the United States and digital representations of Black women and engagement with the history of enslavement. You can read more about her ongoing research <a href="https://www.jessicamariejohnson.com">at her professional page jessicamariejohnson.com</a>.</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Jun 2024 21:11:34 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/875296f4/94268067.mp3" length="108984457" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/ExSSUVRvx8eboTdOtdDhwoWnitnFIGVfORguAUoxkpk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jNjJk/YWM0ZDRhMWQyNDI5/NzJiOTVlYTVmOTIw/NzE5Yy5qcGVn.jpg"/>
      <itunes:duration>2725</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Jessica Marie Johnson, who teaches and writes on the history of the Atlantic slave trade and the cultural history of the African diaspora. She is the author of <em>Wicked Flesh: </em>Black Women, Intimacy, and Freedom in the Atlantic World, which was published in 2020 by University of Pennsylvania Press, and is at work on a cluster of projects that engage early post-slavery history in the United States and digital representations of Black women and engagement with the history of enslavement. You can read more about her ongoing research <a href="https://www.jessicamariejohnson.com">at her professional page jessicamariejohnson.com</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Jakeya Caruthers - Departments of English and Africana Studies, Drexel University</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Jakeya Caruthers - Departments of English and Africana Studies, Drexel University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/cb90a02b</link>
      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://drexel.edu/coas/faculty-research/faculty-directory/english-philosophy/caruthers-jakeya/">Professor Jakeya Caruthers, who teaches in the Departments of English and Africana Studies at Drexel University</a> in Philadelphia, Pennsylvania. Caruthers' teaching and research focuses on black political aesthetics in 20th and 21st century cultural production and on the study of race, gender, sexuality, and state discipline. She is working on a book-length project that examines literature and performance to explore the ways black folks manage racial terror through a sense of humor endowed with black feminist affects like curiosity or a sense of political legitimacy imagined to be possible even among morally, materially, and politically opposing figures. Her recent collaborative projects also include a digital archive of feminist decriminalization campaigns as well as a co-edited double-volume anthology entitled <a href="https://www.haymarketbooks.org/books/1955-abolition-feminisms-vol-2"><em>Abolition Feminisms</em></a> (Haymarket Books).</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://drexel.edu/coas/faculty-research/faculty-directory/english-philosophy/caruthers-jakeya/">Professor Jakeya Caruthers, who teaches in the Departments of English and Africana Studies at Drexel University</a> in Philadelphia, Pennsylvania. Caruthers' teaching and research focuses on black political aesthetics in 20th and 21st century cultural production and on the study of race, gender, sexuality, and state discipline. She is working on a book-length project that examines literature and performance to explore the ways black folks manage racial terror through a sense of humor endowed with black feminist affects like curiosity or a sense of political legitimacy imagined to be possible even among morally, materially, and politically opposing figures. Her recent collaborative projects also include a digital archive of feminist decriminalization campaigns as well as a co-edited double-volume anthology entitled <a href="https://www.haymarketbooks.org/books/1955-abolition-feminisms-vol-2"><em>Abolition Feminisms</em></a> (Haymarket Books).</p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Jun 2024 18:51:53 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/cb90a02b/25081c38.mp3" length="125674954" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/rWDNQHlQ_VWumXdLorXkaXawlfbHdlpc67DkuGbW_Bk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lM2Zh/ZGY1ZGFhZWFiNjEw/MjkwNzJmZmU3MGFj/NTVkNy5qcGc.jpg"/>
      <itunes:duration>3141</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with <a href="https://drexel.edu/coas/faculty-research/faculty-directory/english-philosophy/caruthers-jakeya/">Professor Jakeya Caruthers, who teaches in the Departments of English and Africana Studies at Drexel University</a> in Philadelphia, Pennsylvania. Caruthers' teaching and research focuses on black political aesthetics in 20th and 21st century cultural production and on the study of race, gender, sexuality, and state discipline. She is working on a book-length project that examines literature and performance to explore the ways black folks manage racial terror through a sense of humor endowed with black feminist affects like curiosity or a sense of political legitimacy imagined to be possible even among morally, materially, and politically opposing figures. Her recent collaborative projects also include a digital archive of feminist decriminalization campaigns as well as a co-edited double-volume anthology entitled <a href="https://www.haymarketbooks.org/books/1955-abolition-feminisms-vol-2"><em>Abolition Feminisms</em></a> (Haymarket Books).</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Huey Hewitt - Department of African American Studies, Harvard University</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Huey Hewitt - Department of African American Studies, Harvard University</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/983424eb</link>
      <description>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Huey Hewitt, a late-stage doctoral student in the Department of African American Studies at Harvard University. Hewitt is a graduate of the Department of Black Studies at  Amherst College, in which he wrote a lengthy thesis on Black trans incarceration and which was awarded highest honors. At Harvard, Hewitt has continued to interrogate the intersections of race, class, and gender identity in the context of mass incarceration and the police state and is currently composing a doctoral dissertation of key figures in the Black anarchist tradition. In this conversation, we explore the relation of Hewitt’s interests and research to the past of Black Studies and what that research might mean for creating and sustaining new horizons in the field.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Huey Hewitt, a late-stage doctoral student in the Department of African American Studies at Harvard University. Hewitt is a graduate of the Department of Black Studies at  Amherst College, in which he wrote a lengthy thesis on Black trans incarceration and which was awarded highest honors. At Harvard, Hewitt has continued to interrogate the intersections of race, class, and gender identity in the context of mass incarceration and the police state and is currently composing a doctoral dissertation of key figures in the Black anarchist tradition. In this conversation, we explore the relation of Hewitt’s interests and research to the past of Black Studies and what that research might mean for creating and sustaining new horizons in the field.</p>]]>
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      <pubDate>Mon, 10 Jun 2024 18:17:58 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/983424eb/f2e4e7e7.mp3" length="116505069" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>2912</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Huey Hewitt, a late-stage doctoral student in the Department of African American Studies at Harvard University. Hewitt is a graduate of the Department of Black Studies at  Amherst College, in which he wrote a lengthy thesis on Black trans incarceration and which was awarded highest honors. At Harvard, Hewitt has continued to interrogate the intersections of race, class, and gender identity in the context of mass incarceration and the police state and is currently composing a doctoral dissertation of key figures in the Black anarchist tradition. In this conversation, we explore the relation of Hewitt’s interests and research to the past of Black Studies and what that research might mean for creating and sustaining new horizons in the field.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Cona Marshall - Department of Religion and Classics, University of Rochester</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Cona Marshall - Department of Religion and Classics, University of Rochester</itunes:title>
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      <description>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Cona Marshall, Assistant Professor of Religion and Classics at University of Rochester in Rochester, New York. At the University of Rochester, Professor Marshall teaches and publishes on womanism, Black feminism, the institution of the Black church, and the rhetorical dimensions of African American public religious practice. </p>]]>
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      <content:encoded>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Cona Marshall, Assistant Professor of Religion and Classics at University of Rochester in Rochester, New York. At the University of Rochester, Professor Marshall teaches and publishes on womanism, Black feminism, the institution of the Black church, and the rhetorical dimensions of African American public religious practice. </p>]]>
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      <pubDate>Mon, 10 Jun 2024 18:00:06 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/743dcefd/205f354c.mp3" length="129592762" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
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      <itunes:duration>3239</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>This is Ashley Newby and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is with Professor Cona Marshall, Assistant Professor of Religion and Classics at University of Rochester in Rochester, New York. At the University of Rochester, Professor Marshall teaches and publishes on womanism, Black feminism, the institution of the Black church, and the rhetorical dimensions of African American public religious practice. </p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Charles McKinney - Department of Africana Studies, Rhodes College</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Charles McKinney - Department of Africana Studies, Rhodes College</itunes:title>
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        <![CDATA[<p>Today’s conversation is with Professor <a href="https://www.rhodes.edu/bio/charles-mckinney">Charles McKinney</a>, author of the 2010 book <a href="https://www.amazon.com/Greater-Freedom-Evolution-Struggle-Carolina-ebook/dp/B0045JJXLO"><em>Greater Freedom: The Evolution of Civil Rights Struggle in Wilson, North Carolina</em></a><em> </em>and the co-editor of two fantastic volumes: <a href="https://www.amazon.com/Unseen-Light-Struggles-Tennessee-Struggle/dp/0813175518/ref=sr_1_1?crid=1W4RNJMN2I4D3&amp;dib=eyJ2IjoiMSJ9.n1pNQlSyRS4m4BaXjlhot5FkojXHgCHv4p-xIwfTSTzXe6OH28EyKcl3kS78ipbZPJP1DXhe3sR7EQz8C8jucbuRMOLFKSlpFo47Tc8A7PVYqxwlWHxJIq94poui7iQAqrHamBVlcqU-9qxKyfmHMbfHphAmhZL4VpxxnoQiJYxPozFYoIrZC_G-5jw6ohW4dUfvp7uyeNZMNW83gTOj_D2mI_T-RtPveDYzy0EYb84.vgj9u2XafV-eBCnD2yn0mISW2AJ93-c0mXVM4FggeyA&amp;dib_tag=se&amp;keywords=Unseen+Light&amp;qid=1715279390&amp;s=books&amp;sprefix=unseen+light%2Cstripbooks%2C75&amp;sr=1-1"><em>An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee</em></a> with Aram Goudsouzian from 2018 and the recently released <a href="https://www.vanderbiltuniversitypress.com/9780826506658/from-rights-to-lives/"><em>From Rights to Lives: The Evolution of Black Freedom Struggle</em></a> with Françoise Hamlin. McKinney is an historian by training and is one of the founding faculty members in the <a href="https://www.rhodes.edu/academics/majors-minors/africana-studies">Department of Africana Studies at Rhodes College</a> in Memphis, Tennessee.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Today’s conversation is with Professor <a href="https://www.rhodes.edu/bio/charles-mckinney">Charles McKinney</a>, author of the 2010 book <a href="https://www.amazon.com/Greater-Freedom-Evolution-Struggle-Carolina-ebook/dp/B0045JJXLO"><em>Greater Freedom: The Evolution of Civil Rights Struggle in Wilson, North Carolina</em></a><em> </em>and the co-editor of two fantastic volumes: <a href="https://www.amazon.com/Unseen-Light-Struggles-Tennessee-Struggle/dp/0813175518/ref=sr_1_1?crid=1W4RNJMN2I4D3&amp;dib=eyJ2IjoiMSJ9.n1pNQlSyRS4m4BaXjlhot5FkojXHgCHv4p-xIwfTSTzXe6OH28EyKcl3kS78ipbZPJP1DXhe3sR7EQz8C8jucbuRMOLFKSlpFo47Tc8A7PVYqxwlWHxJIq94poui7iQAqrHamBVlcqU-9qxKyfmHMbfHphAmhZL4VpxxnoQiJYxPozFYoIrZC_G-5jw6ohW4dUfvp7uyeNZMNW83gTOj_D2mI_T-RtPveDYzy0EYb84.vgj9u2XafV-eBCnD2yn0mISW2AJ93-c0mXVM4FggeyA&amp;dib_tag=se&amp;keywords=Unseen+Light&amp;qid=1715279390&amp;s=books&amp;sprefix=unseen+light%2Cstripbooks%2C75&amp;sr=1-1"><em>An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee</em></a> with Aram Goudsouzian from 2018 and the recently released <a href="https://www.vanderbiltuniversitypress.com/9780826506658/from-rights-to-lives/"><em>From Rights to Lives: The Evolution of Black Freedom Struggle</em></a> with Françoise Hamlin. McKinney is an historian by training and is one of the founding faculty members in the <a href="https://www.rhodes.edu/academics/majors-minors/africana-studies">Department of Africana Studies at Rhodes College</a> in Memphis, Tennessee.</p>]]>
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      <pubDate>Thu, 09 May 2024 14:30:59 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/9dda0e78/0f066aa4.mp3" length="158522451" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/88T5tDoNyz4sgTgSimRupR4VZBpBIdm2aw5OanrwnMk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xNGFl/ZDMxZjg0ZTBmMGNm/OTlmNWIxNzVkMTU3/YTNmYy5qcGVn.jpg"/>
      <itunes:duration>3962</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Today’s conversation is with Professor <a href="https://www.rhodes.edu/bio/charles-mckinney">Charles McKinney</a>, author of the 2010 book <a href="https://www.amazon.com/Greater-Freedom-Evolution-Struggle-Carolina-ebook/dp/B0045JJXLO"><em>Greater Freedom: The Evolution of Civil Rights Struggle in Wilson, North Carolina</em></a><em> </em>and the co-editor of two fantastic volumes: <a href="https://www.amazon.com/Unseen-Light-Struggles-Tennessee-Struggle/dp/0813175518/ref=sr_1_1?crid=1W4RNJMN2I4D3&amp;dib=eyJ2IjoiMSJ9.n1pNQlSyRS4m4BaXjlhot5FkojXHgCHv4p-xIwfTSTzXe6OH28EyKcl3kS78ipbZPJP1DXhe3sR7EQz8C8jucbuRMOLFKSlpFo47Tc8A7PVYqxwlWHxJIq94poui7iQAqrHamBVlcqU-9qxKyfmHMbfHphAmhZL4VpxxnoQiJYxPozFYoIrZC_G-5jw6ohW4dUfvp7uyeNZMNW83gTOj_D2mI_T-RtPveDYzy0EYb84.vgj9u2XafV-eBCnD2yn0mISW2AJ93-c0mXVM4FggeyA&amp;dib_tag=se&amp;keywords=Unseen+Light&amp;qid=1715279390&amp;s=books&amp;sprefix=unseen+light%2Cstripbooks%2C75&amp;sr=1-1"><em>An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee</em></a> with Aram Goudsouzian from 2018 and the recently released <a href="https://www.vanderbiltuniversitypress.com/9780826506658/from-rights-to-lives/"><em>From Rights to Lives: The Evolution of Black Freedom Struggle</em></a> with Françoise Hamlin. McKinney is an historian by training and is one of the founding faculty members in the <a href="https://www.rhodes.edu/academics/majors-minors/africana-studies">Department of Africana Studies at Rhodes College</a> in Memphis, Tennessee.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Ashley Newby and John E. Drabinski - Department of African American and Africana Studies, University of Maryland</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Ashley Newby and John E. Drabinski - Department of African American and Africana Studies, University of Maryland</itunes:title>
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        <![CDATA[<p>You’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is between the two collaborators on this project, Ashley Newby and John E. Drabinski. As colleagues in the Department of African American and Africana Studies at University of Maryland, they share a deep commitment to the field and in the inaugural conversation of this series, they explore what they find so engaging about the area of study, what is compelling about its past, and what they hope to see as part of its future.</p>]]>
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      <content:encoded>
        <![CDATA[<p>You’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is between the two collaborators on this project, Ashley Newby and John E. Drabinski. As colleagues in the Department of African American and Africana Studies at University of Maryland, they share a deep commitment to the field and in the inaugural conversation of this series, they explore what they find so engaging about the area of study, what is compelling about its past, and what they hope to see as part of its future.</p>]]>
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      <pubDate>Thu, 09 May 2024 14:09:40 -0400</pubDate>
      <author>Ashley Newby and John E. Drabinski</author>
      <enclosure url="https://media.transistor.fm/a00645e3/fd60f863.mp3" length="51003824" type="audio/mpeg"/>
      <itunes:author>Ashley Newby and John E. Drabinski</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/nz3e5n82xnJGWzrYul7EcTb3u1N0F92kMZjHVw3VzJk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iMmQ3/N2Y1NWFkNGYwMDRk/YTY0NTlmZTQwMzIx/ZmMzMy5qcGc.jpg"/>
      <itunes:duration>3187</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>You’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.</p><p><br></p><p>Today’s conversation is between the two collaborators on this project, Ashley Newby and John E. Drabinski. As colleagues in the Department of African American and Africana Studies at University of Maryland, they share a deep commitment to the field and in the inaugural conversation of this series, they explore what they find so engaging about the area of study, what is compelling about its past, and what they hope to see as part of its future.</p>]]>
      </itunes:summary>
      <itunes:keywords>Black Studies, Africana Studies, higher ed, Black scholarship, racial justice</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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