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    <item>
      <title>Ep 4 - Something Wicked this Way Comes</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Ep 4 - Something Wicked this Way Comes</itunes:title>
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        <![CDATA[<p>Our poet no longer views his lover as unique and she is now nothing more than a commoner. Is this the truth, or is his mind riddled with a paranoia parasite feeding off his insecurities regarding legacy and worth, not only in himself but in his poems once he has withered away? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
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        <![CDATA[<p>Our poet no longer views his lover as unique and she is now nothing more than a commoner. Is this the truth, or is his mind riddled with a paranoia parasite feeding off his insecurities regarding legacy and worth, not only in himself but in his poems once he has withered away? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
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      <pubDate>Thu, 23 Feb 2023 01:36:28 -0500</pubDate>
      <author>Trent Mylie</author>
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        <![CDATA[<p>Our poet no longer views his lover as unique and she is now nothing more than a commoner. Is this the truth, or is his mind riddled with a paranoia parasite feeding off his insecurities regarding legacy and worth, not only in himself but in his poems once he has withered away? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
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      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Ep 2 - It’s Greek to Me</title>
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      <podcast:season>1</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Ep 2 - It’s Greek to Me</itunes:title>
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        <![CDATA[<p>As we have waded into the sonnets of Shakespeare we are immediately made aware of the poet's purpose, to attain love and convince the beautiful woman of lore that she must make her beauty plentiful in the forms of children. Will this forward tactic prove fruitful or will our poet have to switch gears to gain the heart of our mysterious woman? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
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        <![CDATA[<p>As we have waded into the sonnets of Shakespeare we are immediately made aware of the poet's purpose, to attain love and convince the beautiful woman of lore that she must make her beauty plentiful in the forms of children. Will this forward tactic prove fruitful or will our poet have to switch gears to gain the heart of our mysterious woman? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
      </content:encoded>
      <pubDate>Wed, 01 Mar 2023 05:00:00 -0500</pubDate>
      <author>Trent Mylie</author>
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      <itunes:author>Trent Mylie</itunes:author>
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      <itunes:duration>2488</itunes:duration>
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        <![CDATA[<p>As we have waded into the sonnets of Shakespeare we are immediately made aware of the poet's purpose, to attain love and convince the beautiful woman of lore that she must make her beauty plentiful in the forms of children. Will this forward tactic prove fruitful or will our poet have to switch gears to gain the heart of our mysterious woman? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
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      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Ep 1 - In My Heart of Hearts </title>
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      <podcast:season>1</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Ep 1 - In My Heart of Hearts </itunes:title>
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        <![CDATA[<p>Hello and welcome! This episode is the beginning of our journey into Shakespeare’s 154 Sonnets. Though this may seem long, there is countless intrigue throughout and I look forward to being your guide as we find out what lies ahead together. Every episode I will read a section of sonnets and bring a summary of my thoughts as the intro to the next. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p><br></p>]]>
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        <![CDATA[<p>Hello and welcome! This episode is the beginning of our journey into Shakespeare’s 154 Sonnets. Though this may seem long, there is countless intrigue throughout and I look forward to being your guide as we find out what lies ahead together. Every episode I will read a section of sonnets and bring a summary of my thoughts as the intro to the next. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 01 Mar 2023 05:00:00 -0500</pubDate>
      <author>Trent Mylie</author>
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      <itunes:duration>2666</itunes:duration>
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        <![CDATA[<p>Hello and welcome! This episode is the beginning of our journey into Shakespeare’s 154 Sonnets. Though this may seem long, there is countless intrigue throughout and I look forward to being your guide as we find out what lies ahead together. Every episode I will read a section of sonnets and bring a summary of my thoughts as the intro to the next. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p><br></p>]]>
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      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Ep 3 - Wear My Heart Upon My Sleeve</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Ep 3 - Wear My Heart Upon My Sleeve</itunes:title>
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      <link>https://share.transistor.fm/s/f313a2cc</link>
      <description>
        <![CDATA[<p>Continuing our journey deeper into these sonnets, we see a change and start questioning whose voice is being written from prose. Is it the poet of old, an unmentioned lover’s new perspective, or a new poet wanting to woo those involved? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p><br>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Continuing our journey deeper into these sonnets, we see a change and start questioning whose voice is being written from prose. Is it the poet of old, an unmentioned lover’s new perspective, or a new poet wanting to woo those involved? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p><br>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
      </content:encoded>
      <pubDate>Wed, 01 Mar 2023 05:00:00 -0500</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/f313a2cc/01afd627.mp3" length="61667895" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/xfIq1hSMe_xqJl-AP3kG_HuPpgDoIaTZ9NQBJD-5d54/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MGZj/MGUxZGY4ZTQ3NmU5/YjUwMzIzYTkwMmE0/NWU0Zi5wbmc.jpg"/>
      <itunes:duration>2566</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Continuing our journey deeper into these sonnets, we see a change and start questioning whose voice is being written from prose. Is it the poet of old, an unmentioned lover’s new perspective, or a new poet wanting to woo those involved? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p><br>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 5 - The Clothes Make the Man </title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Ep 5 - The Clothes Make the Man </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6dff7ada-86ed-4603-ae14-3218e2819b92</guid>
      <link>https://share.transistor.fm/s/050402a6</link>
      <description>
        <![CDATA[<p>A continuation of the paranoia from before we see our poet become an accuser, saying his lover has chosen another over him. This is something that can not stand. In a series of sonnets that attack her vanity and call her praise-seeking, to pleading on bended knee and promising to do what he can to make sure she is loved correctly, these sonnets explore the chaos of emotion and how unchecked we can turn into something we wish never to become, and might even call upon a higher power to help resolve the woes that plague us. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A continuation of the paranoia from before we see our poet become an accuser, saying his lover has chosen another over him. This is something that can not stand. In a series of sonnets that attack her vanity and call her praise-seeking, to pleading on bended knee and promising to do what he can to make sure she is loved correctly, these sonnets explore the chaos of emotion and how unchecked we can turn into something we wish never to become, and might even call upon a higher power to help resolve the woes that plague us. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
      </content:encoded>
      <pubDate>Mon, 06 Mar 2023 09:00:00 -0500</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/050402a6/ec3c3a94.mp3" length="73902850" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/s9lxPd8GC8ywbg0EG651__svx_qDf_qJlzTVwJdSuLw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84MGFj/ZjRhNmE2ZmVjZDg2/MWZhNGY4Y2E3ZDAz/YzRlNy5wbmc.jpg"/>
      <itunes:duration>3076</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A continuation of the paranoia from before we see our poet become an accuser, saying his lover has chosen another over him. This is something that can not stand. In a series of sonnets that attack her vanity and call her praise-seeking, to pleading on bended knee and promising to do what he can to make sure she is loved correctly, these sonnets explore the chaos of emotion and how unchecked we can turn into something we wish never to become, and might even call upon a higher power to help resolve the woes that plague us. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 6 - Too Much of a Good Thing</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Ep 6 - Too Much of a Good Thing</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">43793480-28b9-4583-868f-e617eef96054</guid>
      <link>https://share.transistor.fm/s/9d5f7cd5</link>
      <description>
        <![CDATA[<p>In the penultimate part of our Shakespeare Sonnet Series, we saw our lovers admit their infidelity, accept each other, bash the public for their judgment, and ignited a new lustful passion for our lovers. Is lust foreshadowing that things will be healed, or are they blinded by this lust, ignoring all of the red flags waving in front of them? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the penultimate part of our Shakespeare Sonnet Series, we saw our lovers admit their infidelity, accept each other, bash the public for their judgment, and ignited a new lustful passion for our lovers. Is lust foreshadowing that things will be healed, or are they blinded by this lust, ignoring all of the red flags waving in front of them? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 14 Mar 2023 01:02:10 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/9d5f7cd5/0d7f92a0.mp3" length="70658412" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/_D2kxj4KmLbBHmp_S_K0ggGdTBYGxC56kExU28tOvQs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80ZDEz/NmZkOTgyMDA5Njk2/MWY1MzVmYjdhZmRl/ZWJkYi5wbmc.jpg"/>
      <itunes:duration>2941</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the penultimate part of our Shakespeare Sonnet Series, we saw our lovers admit their infidelity, accept each other, bash the public for their judgment, and ignited a new lustful passion for our lovers. Is lust foreshadowing that things will be healed, or are they blinded by this lust, ignoring all of the red flags waving in front of them? Click in and continue listening to Riverside Readings Shakespeare Sonnet Series.</p><p>JS BACH - Cello Suite No. 3 in C Major, BWV 1009 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/us/">Attribution-Noncommercial-No Derivative Works 3.0 United States License</a>.</p><p>Bach: Cello Suite No. 5 in C minor, BWV 1011 by <a href="https://freemusicarchive.org/music/Colin_Carr/contact">Colin Carr</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>Sonata for violin and piano No. 2 in A Major, Op. 100 by <a href="https://freemusicarchive.org/music/Nicola_Benedetti_violin_Katya_Apekisheva_piano/">Nicola Benedetti, violin; Katya Apekisheva, piano</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p>String Quartet in D Major, Op. 20, No. 4 by <a href="https://freemusicarchive.org/music/Jupiter_String_Quartet/">Jupiter String Quartet</a> is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/3.0/">Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License</a>.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 7 - Shakespeare Sonnet Series: What’s done is done.</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Ep 7 - Shakespeare Sonnet Series: What’s done is done.</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">da91e3b3-a860-4ccd-b84b-74a46207a97b</guid>
      <link>https://share.transistor.fm/s/d374c6b0</link>
      <description>
        <![CDATA[<p>In our final episode of the Shakespeare Sonnet Series, we see our lovers continue on their impasse. Bound by a love that is inescapable, we see a continuation of woe, strife, and undying love regardless of our lovers no longer living with the same passion. Cupid, the god of love, has had his torch touched by our lovers only for the remnants of their love to stay put after their fire has long since dwindled. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In our final episode of the Shakespeare Sonnet Series, we see our lovers continue on their impasse. Bound by a love that is inescapable, we see a continuation of woe, strife, and undying love regardless of our lovers no longer living with the same passion. Cupid, the god of love, has had his torch touched by our lovers only for the remnants of their love to stay put after their fire has long since dwindled. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series</p>]]>
      </content:encoded>
      <pubDate>Sun, 02 Apr 2023 19:37:40 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/d374c6b0/f17d15c2.mp3" length="78248902" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/3uyjizNmiXvatc_DTQRGvMfbI726ycFNmfwySjY1Nzg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82MjM3/MWUyMzUxNDUwNDA5/YjIyZWIwMjJiZjky/ZDFmZC5wbmc.jpg"/>
      <itunes:duration>3257</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In our final episode of the Shakespeare Sonnet Series, we see our lovers continue on their impasse. Bound by a love that is inescapable, we see a continuation of woe, strife, and undying love regardless of our lovers no longer living with the same passion. Cupid, the god of love, has had his torch touched by our lovers only for the remnants of their love to stay put after their fire has long since dwindled. Click in and continue listening to Riverside Readings Shakespeare Sonnet Series</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 8  - Red by John Logan w/Will Bradley</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Ep 8  - Red by John Logan w/Will Bradley</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ddfd845d-597a-47ae-83eb-223add49f465</guid>
      <link>https://share.transistor.fm/s/8376e1fc</link>
      <description>
        <![CDATA[<p>For the first stop along the River, I am joined by my good friend Will Bradley as my first guest on Riverside Readings. Today we will explore an art studio in New York as a well-known artist's final days draw near while he has help from his younger assistant. In a scene filled with passion and desire for art, we see an artist realize their time might be drawing near and a younger creative finally letting their feelings be known. Afterward, before I  return to the river, we explain our journeys before I tie off the knot and head towards new discoveries.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>For the first stop along the River, I am joined by my good friend Will Bradley as my first guest on Riverside Readings. Today we will explore an art studio in New York as a well-known artist's final days draw near while he has help from his younger assistant. In a scene filled with passion and desire for art, we see an artist realize their time might be drawing near and a younger creative finally letting their feelings be known. Afterward, before I  return to the river, we explain our journeys before I tie off the knot and head towards new discoveries.</p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Apr 2023 08:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/8376e1fc/7d4dae00.mp3" length="59342213" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/1W_9aapwXFrDnwY6eRQNDOjhHRh2TGk6ei08Uysgb4c/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82Y2Iz/NmY1NGZlYmViMWIz/MGM0MTgyYmJhOWY0/ZTQ1NC5wbmc.jpg"/>
      <itunes:duration>2469</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>For the first stop along the River, I am joined by my good friend Will Bradley as my first guest on Riverside Readings. Today we will explore an art studio in New York as a well-known artist's final days draw near while he has help from his younger assistant. In a scene filled with passion and desire for art, we see an artist realize their time might be drawing near and a younger creative finally letting their feelings be known. Afterward, before I  return to the river, we explain our journeys before I tie off the knot and head towards new discoveries.</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>Ep 10 - The Olive</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Ep 10 - The Olive</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">dbf4de07-b263-4880-8cf2-b7858b4c8e72</guid>
      <link>https://share.transistor.fm/s/20e4b005</link>
      <description>
        <![CDATA[<p>What is fate? Is it an unseen force that guides us to people, places, and things? Are there ways we can break fate or when being in a peaceful situation, will we be okay with what chance chose for us? Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>What is fate? Is it an unseen force that guides us to people, places, and things? Are there ways we can break fate or when being in a peaceful situation, will we be okay with what chance chose for us? Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 27 Sep 2023 13:30:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/20e4b005/a487e617.mp3" length="32199759" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/2xYjBJo1-KkeMnWwZW8rLQKjcRK6j-SBWT5a0ivM2gg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80ZTgx/MGIyMjBlMTJkNDFj/Nzk4YjM4YWE5MWJi/MjhmOS5wbmc.jpg"/>
      <itunes:duration>2008</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>What is fate? Is it an unseen force that guides us to people, places, and things? Are there ways we can break fate or when being in a peaceful situation, will we be okay with what chance chose for us? Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 9 - To Build a Fire</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Ep 9 - To Build a Fire</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">b8625efe-b74d-4046-b034-91996d973eb3</guid>
      <link>https://share.transistor.fm/s/cf0fe085</link>
      <description>
        <![CDATA[<p>A Man and his Dog. A journey into a harsh, unforgiving wilderness with the goal to build a fire. Will they attain this goal or does an eternal chilled slumber await them? Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>A Man and his Dog. A journey into a harsh, unforgiving wilderness with the goal to build a fire. Will they attain this goal or does an eternal chilled slumber await them? Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 27 Sep 2023 14:09:34 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/cf0fe085/acde178e.mp3" length="51921586" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/0kAC_F5RY_yFhNxusrU5UmkJn5dQVHufYWNMiVF_9XQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84OWEy/NzFlZDIyZjI4Y2I0/N2MyZDAzZmFhNGNi/NGFhZC5wbmc.jpg"/>
      <itunes:duration>3240</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>A Man and his Dog. A journey into a harsh, unforgiving wilderness with the goal to build a fire. Will they attain this goal or does an eternal chilled slumber await them? Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 11 - Skeleton Lake</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Ep 11 - Skeleton Lake</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ed66ab4d-9382-470a-89a7-904a11fddf73</guid>
      <link>https://share.transistor.fm/s/12ef2cd9</link>
      <description>
        <![CDATA[<p> As we continue our journey into Algernon Blackwood, we talk about fate and how one’s journey and discrepancies can lead to an unwanted conclusion. Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p> As we continue our journey into Algernon Blackwood, we talk about fate and how one’s journey and discrepancies can lead to an unwanted conclusion. Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 27 Sep 2023 16:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/12ef2cd9/ad475b58.mp3" length="50153917" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/RkT_sLTZCT3jSiU49qqzx1YPBpEh74SXzbU3iVrYOZI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83NDI2/MjI1NGQ4NjliYjRj/MTY2Zjc0N2IwNTZk/NjQ0Zi5wbmc.jpg"/>
      <itunes:duration>2086</itunes:duration>
      <itunes:summary>
        <![CDATA[<p> As we continue our journey into Algernon Blackwood, we talk about fate and how one’s journey and discrepancies can lead to an unwanted conclusion. Click in to join the journey on Riverside Readings.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 12 - Alice in Wonderland</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Ep 12 - Alice in Wonderland</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0bd93403-cdc9-4b96-9f90-aa9834b850a4</guid>
      <link>https://share.transistor.fm/s/a833f379</link>
      <description>
        <![CDATA[<p>Today, we head down the Rabbit Hole for Lewis Carroll's "Alice in Wonderland" (1865). Through this 12-chapter, 3-hour story we journey along the river with our young adventurer Alice and all of her encounters while she tries to figure out what Wonderland means to her and I look forward to seeing what Wonderland means to us as we journey down the rabbit hole together. Come along with me on Riverside Readings - A show hosted by me, Trent Mylie.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Today, we head down the Rabbit Hole for Lewis Carroll's "Alice in Wonderland" (1865). Through this 12-chapter, 3-hour story we journey along the river with our young adventurer Alice and all of her encounters while she tries to figure out what Wonderland means to her and I look forward to seeing what Wonderland means to us as we journey down the rabbit hole together. Come along with me on Riverside Readings - A show hosted by me, Trent Mylie.</p>]]>
      </content:encoded>
      <pubDate>Thu, 28 Sep 2023 11:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/a833f379/3400ed29.mp3" length="260441800" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/9qSRroXHkwCkhLWAcM4H4QwHK4pwhxT6l9c60vrLib8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iNDEy/NmI3ZDkyMTY0YTAz/NTZmMjZjMDA2NDIy/YTY5ZC5wbmc.jpg"/>
      <itunes:duration>10848</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Today, we head down the Rabbit Hole for Lewis Carroll's "Alice in Wonderland" (1865). Through this 12-chapter, 3-hour story we journey along the river with our young adventurer Alice and all of her encounters while she tries to figure out what Wonderland means to her and I look forward to seeing what Wonderland means to us as we journey down the rabbit hole together. Come along with me on Riverside Readings - A show hosted by me, Trent Mylie.</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 13 - The Willows</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>Ep 13 - The Willows</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ce62ef28-231f-4f25-b67b-84168c1af966</guid>
      <link>https://share.transistor.fm/s/0e705a3d</link>
      <description>
        <![CDATA[<p>Regarded by H.P. Lovecraft as his "favorite weird story." Algernon Blackwood's "The Willows" follows two friends along the Danube River and the harrowing journey resting on a riverbank brought them. Who or <em>What</em> decided to camp with them after their long journey? Will they make it out to tell their story? Click in to see Riverside Readings - A Dramatic Reading Radio Show by Me, Trent Mylie</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Regarded by H.P. Lovecraft as his "favorite weird story." Algernon Blackwood's "The Willows" follows two friends along the Danube River and the harrowing journey resting on a riverbank brought them. Who or <em>What</em> decided to camp with them after their long journey? Will they make it out to tell their story? Click in to see Riverside Readings - A Dramatic Reading Radio Show by Me, Trent Mylie</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 05 Oct 2023 14:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/0e705a3d/d5a7a217.mp3" length="238480450" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/U9yDE3ODtsdBSXPMA-2Ba6ullr7YcYI0MWptBC4F-zo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85OTEx/YzkxZjY1MDRhYTIy/OTViOTgzOWIzNDcy/MGYxNC5wbmc.jpg"/>
      <itunes:duration>9933</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Regarded by H.P. Lovecraft as his "favorite weird story." Algernon Blackwood's "The Willows" follows two friends along the Danube River and the harrowing journey resting on a riverbank brought them. Who or <em>What</em> decided to camp with them after their long journey? Will they make it out to tell their story? Click in to see Riverside Readings - A Dramatic Reading Radio Show by Me, Trent Mylie</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 14 - Anthem</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>Ep 14 - Anthem</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">72aeb8b0-2d93-4167-98d3-fb1286497658</guid>
      <link>https://share.transistor.fm/s/4c60eefb</link>
      <description>
        <![CDATA[<p>Where do we belong and to what do we belong to? We go about life trying to find our own identity, whatever it may be, and go about our lives finding others of that group and growing within that group to have others join us along the way. "Anthem" by Ayn Rand asks about our own identity and freedom. What do these things mean to us and what exactly does it mean? Come find out with me, and my special guest Vienne Borg, as we journey the river on Riverside Readings - A Dramatic Reading Radio Show by Me, Trent Mylie</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Where do we belong and to what do we belong to? We go about life trying to find our own identity, whatever it may be, and go about our lives finding others of that group and growing within that group to have others join us along the way. "Anthem" by Ayn Rand asks about our own identity and freedom. What do these things mean to us and what exactly does it mean? Come find out with me, and my special guest Vienne Borg, as we journey the river on Riverside Readings - A Dramatic Reading Radio Show by Me, Trent Mylie</p>]]>
      </content:encoded>
      <pubDate>Tue, 24 Oct 2023 14:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/4c60eefb/cc995f71.mp3" length="251515256" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/SwEWyup0vXrrBmt_qQZMl4tf8Wf9Hi1ZUvos2Q-biVI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kYTMw/OTc4OWE5YjYxODg3/M2MwNTdjMjQ2Yjg4/Nzg5Mi5wbmc.jpg"/>
      <itunes:duration>10476</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Where do we belong and to what do we belong to? We go about life trying to find our own identity, whatever it may be, and go about our lives finding others of that group and growing within that group to have others join us along the way. "Anthem" by Ayn Rand asks about our own identity and freedom. What do these things mean to us and what exactly does it mean? Come find out with me, and my special guest Vienne Borg, as we journey the river on Riverside Readings - A Dramatic Reading Radio Show by Me, Trent Mylie</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 15 - HALLOWEEN SPECIAL! The Fall of The House of Usher</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>15</itunes:episode>
      <podcast:episode>15</podcast:episode>
      <itunes:title>Ep 15 - HALLOWEEN SPECIAL! The Fall of The House of Usher</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">eac1694e-c3ec-41c6-b14d-fd1932d64420</guid>
      <link>https://share.transistor.fm/s/0e6fdc14</link>
      <description>
        <![CDATA[<p>On this special Halloween episode, we ask ourselves, what makes a house really haunted? Is it the aura of the house (the house on the hill, watch out, don’t go down that road) that piques our curiosity? Or is it the sheer wonder at how something once thought of as beautiful and the place to be has fallen so low that not even animals want to reside in its facade? Today, we shall read “The Fall of the House of Usher” by Edgar Allen Poe and discover what truly became of our unknown narrator and his childhood friend Roderick Usher. Come find out with me as we journey the river on Riverside Readings - A Dramatic Reading Radio Show hosted by Me, Trent Mylie</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On this special Halloween episode, we ask ourselves, what makes a house really haunted? Is it the aura of the house (the house on the hill, watch out, don’t go down that road) that piques our curiosity? Or is it the sheer wonder at how something once thought of as beautiful and the place to be has fallen so low that not even animals want to reside in its facade? Today, we shall read “The Fall of the House of Usher” by Edgar Allen Poe and discover what truly became of our unknown narrator and his childhood friend Roderick Usher. Come find out with me as we journey the river on Riverside Readings - A Dramatic Reading Radio Show hosted by Me, Trent Mylie</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 31 Oct 2023 08:14:38 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/0e6fdc14/28d2b62b.mp3" length="102753035" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/qVPgsZlt5g5d0jWtrEWtJFjgCLF32i7oY1UlGigNDAU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9hMDg4/ZTQxY2NlNTI5NTQx/ZWRkZmQ4Y2QyYzQz/ODdhNi5wbmc.jpg"/>
      <itunes:duration>4277</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On this special Halloween episode, we ask ourselves, what makes a house really haunted? Is it the aura of the house (the house on the hill, watch out, don’t go down that road) that piques our curiosity? Or is it the sheer wonder at how something once thought of as beautiful and the place to be has fallen so low that not even animals want to reside in its facade? Today, we shall read “The Fall of the House of Usher” by Edgar Allen Poe and discover what truly became of our unknown narrator and his childhood friend Roderick Usher. Come find out with me as we journey the river on Riverside Readings - A Dramatic Reading Radio Show hosted by Me, Trent Mylie</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 15.5 - A Christmas Special</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>17</itunes:episode>
      <podcast:episode>17</podcast:episode>
      <itunes:title>Ep 15.5 - A Christmas Special</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5c89a2b0-712d-45f2-a36c-7849fee09101</guid>
      <link>https://share.transistor.fm/s/adc83d54</link>
      <description>
        <![CDATA[<p>We are in the season of giving, and I thought of no better gift for my lovely listeners than three Christmas stories tied up in a bow for one episode. These classic Christmas tales are all underscored by Andre Previn and the London Symphony Orchestra's The Nutcracker (1972).</p><p>Happy Holidays and Happy New Year! I'm looking forward to what next year brings!</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>We are in the season of giving, and I thought of no better gift for my lovely listeners than three Christmas stories tied up in a bow for one episode. These classic Christmas tales are all underscored by Andre Previn and the London Symphony Orchestra's The Nutcracker (1972).</p><p>Happy Holidays and Happy New Year! I'm looking forward to what next year brings!</p>]]>
      </content:encoded>
      <pubDate>Tue, 19 Dec 2023 10:00:00 -0500</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/adc83d54/f521ddfb.mp3" length="44174637" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/SAdLPg1mtKBjCXDfaZsqj5cnaxPl1NgCNG0U66PmlUs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jZGRl/YzZiYWFiNWZiNWJj/NTBkMmIyNzhkYzhk/ODcxZC5wbmc.jpg"/>
      <itunes:duration>1839</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>We are in the season of giving, and I thought of no better gift for my lovely listeners than three Christmas stories tied up in a bow for one episode. These classic Christmas tales are all underscored by Andre Previn and the London Symphony Orchestra's The Nutcracker (1972).</p><p>Happy Holidays and Happy New Year! I'm looking forward to what next year brings!</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 16 - (Christmas Special) A Christmas Carol</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>16</itunes:episode>
      <podcast:episode>16</podcast:episode>
      <itunes:title>Ep 16 - (Christmas Special) A Christmas Carol</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">b15a1ddd-e40a-4f9d-a5b7-46b57a171d58</guid>
      <link>https://share.transistor.fm/s/94dff92e</link>
      <description>
        <![CDATA[<p><br>Good Morning, and Merry Christmas to all who celebrate! As we gather around the tree or play with our gifts and toys after opening them on Christmas Eve, let us rejoice that Christmas is here! All the holly and ivy strewn around your house as you decked the halls, the snowmen you decided to make as you had a white Christmas, and all the feelings you have towards what Christmas means to you and your own Christmas traditions.</p><p><br>As I sit and reflect on Christmas and my traditions. It brings memories of laughter, decorating the tree with my Mother, and of course, the unwrapping of presents and the delight to see what Santa brought me. However, one Christmas tradition that has reigned supreme within my family as early as I can remember is that we would sit on Christmas Eve and watch “A Muppets Christmas Carol ''. Though you have known me for voices, this upcoming story will not feature Kermit, Ms.Piggy, Rolhf, Fozzie, or Rizzo. However, I am bringing a classic to your ears by recounting Charles Dickens's “ A Christmas Carol.” Following the story of an old miser named Scrooge, a Christmas story takes us on a journey of remembrance. Not only of the times that have passed, and maybe the times that we have wasted away, but that our lives are more than what our work is. </p><p><br>So let us celebrate, rejoice, and cozy amongst the glow of the fireplace as we journey the river on Riverside Readings - A Dramatic Reading Radio Show hosted by Me, Trent Mylie</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Good Morning, and Merry Christmas to all who celebrate! As we gather around the tree or play with our gifts and toys after opening them on Christmas Eve, let us rejoice that Christmas is here! All the holly and ivy strewn around your house as you decked the halls, the snowmen you decided to make as you had a white Christmas, and all the feelings you have towards what Christmas means to you and your own Christmas traditions.</p><p><br>As I sit and reflect on Christmas and my traditions. It brings memories of laughter, decorating the tree with my Mother, and of course, the unwrapping of presents and the delight to see what Santa brought me. However, one Christmas tradition that has reigned supreme within my family as early as I can remember is that we would sit on Christmas Eve and watch “A Muppets Christmas Carol ''. Though you have known me for voices, this upcoming story will not feature Kermit, Ms.Piggy, Rolhf, Fozzie, or Rizzo. However, I am bringing a classic to your ears by recounting Charles Dickens's “ A Christmas Carol.” Following the story of an old miser named Scrooge, a Christmas story takes us on a journey of remembrance. Not only of the times that have passed, and maybe the times that we have wasted away, but that our lives are more than what our work is. </p><p><br>So let us celebrate, rejoice, and cozy amongst the glow of the fireplace as we journey the river on Riverside Readings - A Dramatic Reading Radio Show hosted by Me, Trent Mylie</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Sun, 24 Dec 2023 07:00:00 -0500</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/94dff92e/276fda3d.mp3" length="329158884" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/hAszBbKHMG8vTOjk6LY3lgnS27cbZPUS5h0NCeRuNKc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83ZWJl/NDJkN2U0YmY2NmI4/Y2I1NTViOWFkMWU0/MWYyMS5wbmc.jpg"/>
      <itunes:duration>13711</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Good Morning, and Merry Christmas to all who celebrate! As we gather around the tree or play with our gifts and toys after opening them on Christmas Eve, let us rejoice that Christmas is here! All the holly and ivy strewn around your house as you decked the halls, the snowmen you decided to make as you had a white Christmas, and all the feelings you have towards what Christmas means to you and your own Christmas traditions.</p><p><br>As I sit and reflect on Christmas and my traditions. It brings memories of laughter, decorating the tree with my Mother, and of course, the unwrapping of presents and the delight to see what Santa brought me. However, one Christmas tradition that has reigned supreme within my family as early as I can remember is that we would sit on Christmas Eve and watch “A Muppets Christmas Carol ''. Though you have known me for voices, this upcoming story will not feature Kermit, Ms.Piggy, Rolhf, Fozzie, or Rizzo. However, I am bringing a classic to your ears by recounting Charles Dickens's “ A Christmas Carol.” Following the story of an old miser named Scrooge, a Christmas story takes us on a journey of remembrance. Not only of the times that have passed, and maybe the times that we have wasted away, but that our lives are more than what our work is. </p><p><br>So let us celebrate, rejoice, and cozy amongst the glow of the fireplace as we journey the river on Riverside Readings - A Dramatic Reading Radio Show hosted by Me, Trent Mylie</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 17 - The Call of Cthulhu</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>18</itunes:episode>
      <podcast:episode>18</podcast:episode>
      <itunes:title>Ep 17 - The Call of Cthulhu</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">97caa11d-1c33-430e-8887-60b4b36f9541</guid>
      <link>https://share.transistor.fm/s/1dbc1560</link>
      <description>
        <![CDATA[<p>Hello and Welcome to Riverside Readings. I am your host, Trent Mylie, and today, we will undertake the spooky, murky, and mystique world called The Call of Cthulhu. Written by H.P. Lovecraft, who is regarded as the king of spooks, The Call of Cthulhu takes us on a journey from a small town to the dark forest, swamplands, and the vast endless void that is the ocean.</p><p><br>Will you follow me as I guide us through the murk and muck? Will you continue through the drudge or get left in the sludge? I look forward to guiding us to safety as we journey the river on Riverside Readings - a dramatic reading radio show hosted by Trent Mylie.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Hello and Welcome to Riverside Readings. I am your host, Trent Mylie, and today, we will undertake the spooky, murky, and mystique world called The Call of Cthulhu. Written by H.P. Lovecraft, who is regarded as the king of spooks, The Call of Cthulhu takes us on a journey from a small town to the dark forest, swamplands, and the vast endless void that is the ocean.</p><p><br>Will you follow me as I guide us through the murk and muck? Will you continue through the drudge or get left in the sludge? I look forward to guiding us to safety as we journey the river on Riverside Readings - a dramatic reading radio show hosted by Trent Mylie.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Thu, 04 Apr 2024 16:22:42 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/1dbc1560/0b146772.mp3" length="183929518" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/hVlUK7pk1Ygqfc0TwqkBBo_7zywKrkdIqHleoVZoM6s/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80N2Zk/MjNlOWEyZWRkY2Rh/MDViYmY2Mjg4ZTFk/ZjQwMi5wbmc.jpg"/>
      <itunes:duration>7660</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Hello and Welcome to Riverside Readings. I am your host, Trent Mylie, and today, we will undertake the spooky, murky, and mystique world called The Call of Cthulhu. Written by H.P. Lovecraft, who is regarded as the king of spooks, The Call of Cthulhu takes us on a journey from a small town to the dark forest, swamplands, and the vast endless void that is the ocean.</p><p><br>Will you follow me as I guide us through the murk and muck? Will you continue through the drudge or get left in the sludge? I look forward to guiding us to safety as we journey the river on Riverside Readings - a dramatic reading radio show hosted by Trent Mylie.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>EP 18 - Pride Month Special Pt 1 - Sappho </title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>18</itunes:episode>
      <podcast:episode>18</podcast:episode>
      <itunes:title>EP 18 - Pride Month Special Pt 1 - Sappho </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a370a34a-292c-4664-a1a1-edea376cf5d0</guid>
      <link>https://share.transistor.fm/s/ca8ce9e5</link>
      <description>
        <![CDATA[<p>To begin Pride Month, we will read some of the works of the Ancient Greek Lyricist Sappho. Unlike many stories I have done in the past, these selected works will have an undertone of music, as is Sappho's style!</p><p><br>She was given nicknames such as the “Tenth Muse” (in Greek mythology, there are nine) and whose work highly spoke about her reverence, love, and desire for women, and who today is known as the symbol of love and desire between women with Sapphic and Lesbian deriving from her name and homeland in Greece called Lesbos. </p><p><br>So travel with me as we discover the world of LGBTQ authors from when they could not be genuinely open and be who they were born to be on Riverside Readings, a dramatic reading radio show hosted by me, Trent Mylie.</p><p><br>Fun Fact: Centuries after her death, statues, pottery, and even coins were made in her likeness and admiration!</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>To begin Pride Month, we will read some of the works of the Ancient Greek Lyricist Sappho. Unlike many stories I have done in the past, these selected works will have an undertone of music, as is Sappho's style!</p><p><br>She was given nicknames such as the “Tenth Muse” (in Greek mythology, there are nine) and whose work highly spoke about her reverence, love, and desire for women, and who today is known as the symbol of love and desire between women with Sapphic and Lesbian deriving from her name and homeland in Greece called Lesbos. </p><p><br>So travel with me as we discover the world of LGBTQ authors from when they could not be genuinely open and be who they were born to be on Riverside Readings, a dramatic reading radio show hosted by me, Trent Mylie.</p><p><br>Fun Fact: Centuries after her death, statues, pottery, and even coins were made in her likeness and admiration!</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 01 Jun 2024 13:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/ca8ce9e5/bf74c5d6.mp3" length="67480706" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/ENtdGc4srYAK6YbvHhYOA6NVPtJVidgUIliW7HZPehQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80YTZm/ZTBiYmRmN2E4MmNl/ZGQ0NDQ3NmRmOTY3/NzRhZC5wbmc.jpg"/>
      <itunes:duration>2809</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>To begin Pride Month, we will read some of the works of the Ancient Greek Lyricist Sappho. Unlike many stories I have done in the past, these selected works will have an undertone of music, as is Sappho's style!</p><p><br>She was given nicknames such as the “Tenth Muse” (in Greek mythology, there are nine) and whose work highly spoke about her reverence, love, and desire for women, and who today is known as the symbol of love and desire between women with Sapphic and Lesbian deriving from her name and homeland in Greece called Lesbos. </p><p><br>So travel with me as we discover the world of LGBTQ authors from when they could not be genuinely open and be who they were born to be on Riverside Readings, a dramatic reading radio show hosted by me, Trent Mylie.</p><p><br>Fun Fact: Centuries after her death, statues, pottery, and even coins were made in her likeness and admiration!</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 19 - Pride Month Special Pt 2 - Oscar Wilde</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>19</itunes:episode>
      <podcast:episode>19</podcast:episode>
      <itunes:title>Ep 19 - Pride Month Special Pt 2 - Oscar Wilde</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">09ea145e-6afc-4e98-b7de-028c4fc11f1d</guid>
      <link>https://share.transistor.fm/s/132bfc56</link>
      <description>
        <![CDATA[<p>Our second Author of Pride Month is none other than Oscar Wilde!</p><p><br>Traveling around the world from Ireland and self-proclaiming that he kissed another famous poet named Walt Whitman, Oscar Wilde was persecuted, jailed, and sentenced to two years of hard labor for being gay. Oscar Wilde used his artistry to continue the narrative that there is more to love than the singular, heterosexual man-and-woman relationship. Love knows no bounds and, many times brings us our biggest strengths. Famous for his book, “The Portrait of Dorian Gray” (1891), we will be reading from his list of poems that he might not be more attributed with.</p><p><br>“Be yourself; Everyone else has already been taken.” “The only people I would care to be with now are writers and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.”</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Our second Author of Pride Month is none other than Oscar Wilde!</p><p><br>Traveling around the world from Ireland and self-proclaiming that he kissed another famous poet named Walt Whitman, Oscar Wilde was persecuted, jailed, and sentenced to two years of hard labor for being gay. Oscar Wilde used his artistry to continue the narrative that there is more to love than the singular, heterosexual man-and-woman relationship. Love knows no bounds and, many times brings us our biggest strengths. Famous for his book, “The Portrait of Dorian Gray” (1891), we will be reading from his list of poems that he might not be more attributed with.</p><p><br>“Be yourself; Everyone else has already been taken.” “The only people I would care to be with now are writers and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.”</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Jun 2024 11:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/132bfc56/56dd11bc.mp3" length="53754334" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/Qp8OcdLnMQNIDyhnwDSDmZe5Mv3LN3znqf44h72CpHU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zZTEz/ZjlhM2Y3MjI4MDMw/ZDhkNmZkNTNhNjE0/NjkyMC5wbmc.jpg"/>
      <itunes:duration>2237</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Our second Author of Pride Month is none other than Oscar Wilde!</p><p><br>Traveling around the world from Ireland and self-proclaiming that he kissed another famous poet named Walt Whitman, Oscar Wilde was persecuted, jailed, and sentenced to two years of hard labor for being gay. Oscar Wilde used his artistry to continue the narrative that there is more to love than the singular, heterosexual man-and-woman relationship. Love knows no bounds and, many times brings us our biggest strengths. Famous for his book, “The Portrait of Dorian Gray” (1891), we will be reading from his list of poems that he might not be more attributed with.</p><p><br>“Be yourself; Everyone else has already been taken.” “The only people I would care to be with now are writers and people who have suffered: those who know what beauty is, and those who know what sorrow is: nobody else interests me.”</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 20 - Pride Month Special Pt 3 - Katherine Mansfield</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>20</itunes:episode>
      <podcast:episode>20</podcast:episode>
      <itunes:title>Ep 20 - Pride Month Special Pt 3 - Katherine Mansfield</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">dce9e6d0-5c66-4dd5-abb0-ea73b44e1df2</guid>
      <link>https://share.transistor.fm/s/9529371c</link>
      <description>
        <![CDATA[<p>Our third author of Pride Month is Katherine Mansfield, who has connections with other LGBTQ icons, such as last week's Oscar Wilde and prolific author Virginia Wolf.</p><p><br>Hailing from New Zealand, though her life was short, it was certainly not viewed as “wasted.” She was bisexual, and she described one of her relationships with a Maori woman (natives of New Zealand) as “unclean, I know but true. What an extraordinary thing - I feel savagely crude”. However, this did not stop her from living her truth and bringing the difficulties and tribulations of her sexuality and the outside perception of it in her stories and prose.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Our third author of Pride Month is Katherine Mansfield, who has connections with other LGBTQ icons, such as last week's Oscar Wilde and prolific author Virginia Wolf.</p><p><br>Hailing from New Zealand, though her life was short, it was certainly not viewed as “wasted.” She was bisexual, and she described one of her relationships with a Maori woman (natives of New Zealand) as “unclean, I know but true. What an extraordinary thing - I feel savagely crude”. However, this did not stop her from living her truth and bringing the difficulties and tribulations of her sexuality and the outside perception of it in her stories and prose.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 15 Jun 2024 11:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/9529371c/8a48a8d0.mp3" length="35046970" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/lIcgFalQAhPvOBboEb685p_8oLOSqZINtvCch8qVexk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85YmQw/NzhiNDViMGQxZWJm/NjFmNWU2Zjg1MjBk/MTFmYy5wbmc.jpg"/>
      <itunes:duration>1458</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Our third author of Pride Month is Katherine Mansfield, who has connections with other LGBTQ icons, such as last week's Oscar Wilde and prolific author Virginia Wolf.</p><p><br>Hailing from New Zealand, though her life was short, it was certainly not viewed as “wasted.” She was bisexual, and she described one of her relationships with a Maori woman (natives of New Zealand) as “unclean, I know but true. What an extraordinary thing - I feel savagely crude”. However, this did not stop her from living her truth and bringing the difficulties and tribulations of her sexuality and the outside perception of it in her stories and prose.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 21 - Pride Month Special Pt 4 - Bjørnstjerne Bjørnson</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>21</itunes:episode>
      <podcast:episode>21</podcast:episode>
      <itunes:title>Ep 21 - Pride Month Special Pt 4 - Bjørnstjerne Bjørnson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0964ee08-3668-47e2-bb3f-777a47bce808</guid>
      <link>https://share.transistor.fm/s/1b24fa0c</link>
      <description>
        <![CDATA[<p>Our Fourth Author of Pride Month has yet to be normalized in America. He hails from Kvikne, Norway, and his name is Bjornstjerne Bjornson. He also won a Nobel Prize for Literature in 1903 “as a tribute to his noble, magnificent and versatile poetry, which has always been distinguished by both the freshness of its inspiration and the rare purity of its spirit.” </p><p><br>In a letter to his lover, Hans Christen Anderson (author of Thumbelina, The Ugly Duckling, and the Little Mermaid), Bjornstjerene wrote, “Here inside myself, You are blossoming despite the winter, and I have sunshine and warmth from You despite the distance.” He was a prolific character and a pioneer in decriminalizing gay relationships in his home country of Norway. Not only does his work and artistry touch on poetry, speeches, and books, but he is also the lyricist behind Norway’s national anthem, Ja, vi elsker dette landet or Yes, We Love This Country. </p><p><br>I look forward to continuing our journey as we travel the waters during Pride Month on Riverside Readings, a dramatic readings radio show hosted by Trent Mylie.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Our Fourth Author of Pride Month has yet to be normalized in America. He hails from Kvikne, Norway, and his name is Bjornstjerne Bjornson. He also won a Nobel Prize for Literature in 1903 “as a tribute to his noble, magnificent and versatile poetry, which has always been distinguished by both the freshness of its inspiration and the rare purity of its spirit.” </p><p><br>In a letter to his lover, Hans Christen Anderson (author of Thumbelina, The Ugly Duckling, and the Little Mermaid), Bjornstjerene wrote, “Here inside myself, You are blossoming despite the winter, and I have sunshine and warmth from You despite the distance.” He was a prolific character and a pioneer in decriminalizing gay relationships in his home country of Norway. Not only does his work and artistry touch on poetry, speeches, and books, but he is also the lyricist behind Norway’s national anthem, Ja, vi elsker dette landet or Yes, We Love This Country. </p><p><br>I look forward to continuing our journey as we travel the waters during Pride Month on Riverside Readings, a dramatic readings radio show hosted by Trent Mylie.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 18 Jun 2024 11:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/1b24fa0c/8f7750a4.mp3" length="72753497" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/l5Lr4XBdxY4cAloH0xstut61G5TOqOqDLSY8CrEnoYM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iYWU2/ZWZiYTM3MGYyMWUz/MzU0ODkwZTcyNTlk/NWEzYi5wbmc.jpg"/>
      <itunes:duration>3029</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Our Fourth Author of Pride Month has yet to be normalized in America. He hails from Kvikne, Norway, and his name is Bjornstjerne Bjornson. He also won a Nobel Prize for Literature in 1903 “as a tribute to his noble, magnificent and versatile poetry, which has always been distinguished by both the freshness of its inspiration and the rare purity of its spirit.” </p><p><br>In a letter to his lover, Hans Christen Anderson (author of Thumbelina, The Ugly Duckling, and the Little Mermaid), Bjornstjerene wrote, “Here inside myself, You are blossoming despite the winter, and I have sunshine and warmth from You despite the distance.” He was a prolific character and a pioneer in decriminalizing gay relationships in his home country of Norway. Not only does his work and artistry touch on poetry, speeches, and books, but he is also the lyricist behind Norway’s national anthem, Ja, vi elsker dette landet or Yes, We Love This Country. </p><p><br>I look forward to continuing our journey as we travel the waters during Pride Month on Riverside Readings, a dramatic readings radio show hosted by Trent Mylie.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ep 22 - Pride Month Special Pt 5 - Emily Dickinson</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>22</itunes:episode>
      <podcast:episode>22</podcast:episode>
      <itunes:title>Ep 22 - Pride Month Special Pt 5 - Emily Dickinson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f6732bfa-7b23-458e-9af2-9fbbc0b18015</guid>
      <link>https://share.transistor.fm/s/f3a1d7cf</link>
      <description>
        <![CDATA[<p>Our final author of Pride Month is none other than Emily Dickinson, who is regarded as one of the most influential and essential authors and poets who challenged the notion of standard poetry and the definition of poetry itself.</p><p><br>Her work sees the poems from a different perspective, one of an inescapable narrative in which they live and dwell within the confines of society. Much like Dickinson herself, a bisexual woman, her poetry points to a future she believed was possible, one where gay men and women can live openly and proudly about who they are without having to make themselves feel in prison when they want to make a home. </p><p><br>As we end this Pride Month, know that we all love who we love; it is not a choice we make per se, but it is ingrained in us, in our nature as humans, something beyond us and understanding. We are born to love whom we choose; when we find that love, the earth’s ground may crumble beneath us, but we will not be stirred. Love yourself, Love each other, Love Love Love as we navigate the river once more on Riverside Readings - A Dramatic Readings Radio Show hosted by Trent Mylie.</p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Our final author of Pride Month is none other than Emily Dickinson, who is regarded as one of the most influential and essential authors and poets who challenged the notion of standard poetry and the definition of poetry itself.</p><p><br>Her work sees the poems from a different perspective, one of an inescapable narrative in which they live and dwell within the confines of society. Much like Dickinson herself, a bisexual woman, her poetry points to a future she believed was possible, one where gay men and women can live openly and proudly about who they are without having to make themselves feel in prison when they want to make a home. </p><p><br>As we end this Pride Month, know that we all love who we love; it is not a choice we make per se, but it is ingrained in us, in our nature as humans, something beyond us and understanding. We are born to love whom we choose; when we find that love, the earth’s ground may crumble beneath us, but we will not be stirred. Love yourself, Love each other, Love Love Love as we navigate the river once more on Riverside Readings - A Dramatic Readings Radio Show hosted by Trent Mylie.</p><p><br></p>]]>
      </content:encoded>
      <pubDate>Tue, 25 Jun 2024 11:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/f3a1d7cf/f74d6c02.mp3" length="33914380" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/_N6OnIR_JGGzHRwb0d0cuPHqM6yGmPypN5AUNNCA2N8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kN2I5/ZGU2MDMyNjA1NjI5/ZjRmYjdhYTdkNjk0/ODJkZC5wbmc.jpg"/>
      <itunes:duration>1412</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Our final author of Pride Month is none other than Emily Dickinson, who is regarded as one of the most influential and essential authors and poets who challenged the notion of standard poetry and the definition of poetry itself.</p><p><br>Her work sees the poems from a different perspective, one of an inescapable narrative in which they live and dwell within the confines of society. Much like Dickinson herself, a bisexual woman, her poetry points to a future she believed was possible, one where gay men and women can live openly and proudly about who they are without having to make themselves feel in prison when they want to make a home. </p><p><br>As we end this Pride Month, know that we all love who we love; it is not a choice we make per se, but it is ingrained in us, in our nature as humans, something beyond us and understanding. We are born to love whom we choose; when we find that love, the earth’s ground may crumble beneath us, but we will not be stirred. Love yourself, Love each other, Love Love Love as we navigate the river once more on Riverside Readings - A Dramatic Readings Radio Show hosted by Trent Mylie.</p><p><br></p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Little Women Part 1</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>23</itunes:episode>
      <podcast:episode>23</podcast:episode>
      <itunes:title>Little Women Part 1</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5428788f-579a-431e-a634-48c2333613e0</guid>
      <link>https://share.transistor.fm/s/739953e8</link>
      <description>
        <![CDATA[<p>On Riverside Readings, we are traveling the waters of Massachusetts in Louisa May Alcott’s “Little Women”! Considered to be one of the most significant literary contributions, not just by a woman but by anyone who has put paper to pen, “Little Women” tells the story of 4 sisters, Jo March, played by Mary Kate Phillips,  Meg March, played by Amari Roach, Beth March, played by Nadia Jacobs (who voices Mrs.March as well) and Amy March, played by Maddie Morman, “Little Women” takes us on a semi-autobiographical journey into our author's life. During this story, we challenge the role of women in society and actively question what it means to be ‘prim and proper’ all while coming of age during a time in America that was filled with endless turmoil during the Civil War. Though there are countless others within this story, all of which are connected with the March sisters and their Mother (Marmee) in one way or another, I look forward to having these ‘Little Women’ guide us to safety on Riverside Readings - A Dramatic Reading Radio Show hosted by Trent Mylie.</p><p>*Part One consists of Chapters 1-10, unlike written by the Author of Chapters 1-23*</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On Riverside Readings, we are traveling the waters of Massachusetts in Louisa May Alcott’s “Little Women”! Considered to be one of the most significant literary contributions, not just by a woman but by anyone who has put paper to pen, “Little Women” tells the story of 4 sisters, Jo March, played by Mary Kate Phillips,  Meg March, played by Amari Roach, Beth March, played by Nadia Jacobs (who voices Mrs.March as well) and Amy March, played by Maddie Morman, “Little Women” takes us on a semi-autobiographical journey into our author's life. During this story, we challenge the role of women in society and actively question what it means to be ‘prim and proper’ all while coming of age during a time in America that was filled with endless turmoil during the Civil War. Though there are countless others within this story, all of which are connected with the March sisters and their Mother (Marmee) in one way or another, I look forward to having these ‘Little Women’ guide us to safety on Riverside Readings - A Dramatic Reading Radio Show hosted by Trent Mylie.</p><p>*Part One consists of Chapters 1-10, unlike written by the Author of Chapters 1-23*</p>]]>
      </content:encoded>
      <pubDate>Mon, 23 Dec 2024 12:00:00 -0500</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/739953e8/54f07bc9.mp3" length="351128939" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/URcvE7l_3EJQBqMhBnq_J6NlSmRkRnUps46G8RjWWP0/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzI4/NjAxNGJjMDdlNjhi/ZWY3MWJkYmIzNjky/ZWM2Ny5wbmc.jpg"/>
      <itunes:duration>14626</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On Riverside Readings, we are traveling the waters of Massachusetts in Louisa May Alcott’s “Little Women”! Considered to be one of the most significant literary contributions, not just by a woman but by anyone who has put paper to pen, “Little Women” tells the story of 4 sisters, Jo March, played by Mary Kate Phillips,  Meg March, played by Amari Roach, Beth March, played by Nadia Jacobs (who voices Mrs.March as well) and Amy March, played by Maddie Morman, “Little Women” takes us on a semi-autobiographical journey into our author's life. During this story, we challenge the role of women in society and actively question what it means to be ‘prim and proper’ all while coming of age during a time in America that was filled with endless turmoil during the Civil War. Though there are countless others within this story, all of which are connected with the March sisters and their Mother (Marmee) in one way or another, I look forward to having these ‘Little Women’ guide us to safety on Riverside Readings - A Dramatic Reading Radio Show hosted by Trent Mylie.</p><p>*Part One consists of Chapters 1-10, unlike written by the Author of Chapters 1-23*</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Little Women Part 2</title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>24</itunes:episode>
      <podcast:episode>24</podcast:episode>
      <itunes:title>Little Women Part 2</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">91e453ba-0209-44fd-a972-982598100838</guid>
      <link>https://share.transistor.fm/s/53d2307f</link>
      <description>
        <![CDATA[<p>Welcome back! We continue our journey along the River, guided by more people than ever before for Part 2 of Little Women by Louisa May Alcott!</p><p>We were introduced to the Marches, the Laurence Boy, and we had a ball! What more awaits our humble family and will anybody new show their face to try and win a sister's heart? Listen to Part 2 and find out for yourself, on Riverside Readings - A Dramatic Reading Radio Show hosted by Trent Mylie</p><p>*Part Two consists of Chapters 11-23, unlike written by the authors chapters 24-47*</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Welcome back! We continue our journey along the River, guided by more people than ever before for Part 2 of Little Women by Louisa May Alcott!</p><p>We were introduced to the Marches, the Laurence Boy, and we had a ball! What more awaits our humble family and will anybody new show their face to try and win a sister's heart? Listen to Part 2 and find out for yourself, on Riverside Readings - A Dramatic Reading Radio Show hosted by Trent Mylie</p><p>*Part Two consists of Chapters 11-23, unlike written by the authors chapters 24-47*</p>]]>
      </content:encoded>
      <pubDate>Mon, 23 Dec 2024 15:00:00 -0500</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/53d2307f/5ef2a698.mp3" length="400849231" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/kd3lgHPZdDm_1G99unBqu2kcmL6IuqiAx8gPYI8WPYQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iNzg5/ZDU3MTI4NmY5OWVk/OTdkOTMwMTU1Y2I1/NmEwYS5wbmc.jpg"/>
      <itunes:duration>16698</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Welcome back! We continue our journey along the River, guided by more people than ever before for Part 2 of Little Women by Louisa May Alcott!</p><p>We were introduced to the Marches, the Laurence Boy, and we had a ball! What more awaits our humble family and will anybody new show their face to try and win a sister's heart? Listen to Part 2 and find out for yourself, on Riverside Readings - A Dramatic Reading Radio Show hosted by Trent Mylie</p><p>*Part Two consists of Chapters 11-23, unlike written by the authors chapters 24-47*</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Part One: Prologue: The First Letters - Frankenstein; or the Modern Prometheus</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Part One: Prologue: The First Letters - Frankenstein; or the Modern Prometheus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">3d69a457-bcf5-41de-ab71-ae0321bdb4ec</guid>
      <link>https://share.transistor.fm/s/1a090f2e</link>
      <description>
        <![CDATA[<p>We begin this dark tale in the streets of St. Petersburg, the alleyways of Archangel, and on a ship crossing the icy seas, all narrated by Robert Walton, voiced by Bakari Garvin. What do these letters reveal, and how do they set the stage for the story ahead? Why was he destined to meet Victor and share this unique story?</p><p>Discover more on Riverside Readings - An Audio Drama Podcast - where we bring the classics to vivid life!</p><p>Part One Music Credit:</p><p>J.S. Bach, Toccata and Fugue in D Minor, BWV 565 - Jean-Baptiste Dupont, Basilique Saint Sernin<br>The Nutcracker, Op 71, Pas De Deux, Pyotr Ilyich Tchaichovsky, The National Philharmonic Of Russia, Vladimir Spivakov<br>Claude Debussy, Nuages from Nocturnes, YouTube Symphony Orchestra, Carnegie Hall</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>We begin this dark tale in the streets of St. Petersburg, the alleyways of Archangel, and on a ship crossing the icy seas, all narrated by Robert Walton, voiced by Bakari Garvin. What do these letters reveal, and how do they set the stage for the story ahead? Why was he destined to meet Victor and share this unique story?</p><p>Discover more on Riverside Readings - An Audio Drama Podcast - where we bring the classics to vivid life!</p><p>Part One Music Credit:</p><p>J.S. Bach, Toccata and Fugue in D Minor, BWV 565 - Jean-Baptiste Dupont, Basilique Saint Sernin<br>The Nutcracker, Op 71, Pas De Deux, Pyotr Ilyich Tchaichovsky, The National Philharmonic Of Russia, Vladimir Spivakov<br>Claude Debussy, Nuages from Nocturnes, YouTube Symphony Orchestra, Carnegie Hall</p>]]>
      </content:encoded>
      <pubDate>Mon, 01 Sep 2025 11:54:07 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/1a090f2e/64e74130.mp3" length="61586615" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/lFim1yUz2NSDE7oWHj8KpYZHTkEtmLrpWVSPwTCavgc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zODRl/MWVmZjFkYzhmMzJh/ZWFjNTcxZjU4ODM4/ZWFjNi5wbmc.jpg"/>
      <itunes:duration>2563</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>We begin this dark tale in the streets of St. Petersburg, the alleyways of Archangel, and on a ship crossing the icy seas, all narrated by Robert Walton, voiced by Bakari Garvin. What do these letters reveal, and how do they set the stage for the story ahead? Why was he destined to meet Victor and share this unique story?</p><p>Discover more on Riverside Readings - An Audio Drama Podcast - where we bring the classics to vivid life!</p><p>Part One Music Credit:</p><p>J.S. Bach, Toccata and Fugue in D Minor, BWV 565 - Jean-Baptiste Dupont, Basilique Saint Sernin<br>The Nutcracker, Op 71, Pas De Deux, Pyotr Ilyich Tchaichovsky, The National Philharmonic Of Russia, Vladimir Spivakov<br>Claude Debussy, Nuages from Nocturnes, YouTube Symphony Orchestra, Carnegie Hall</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Part Two: The Mad Scientist - Frankenstein; or the Modern Prometheus</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Part Two: The Mad Scientist - Frankenstein; or the Modern Prometheus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e89194fe-c773-449c-bd46-58006434cac8</guid>
      <link>https://share.transistor.fm/s/3b2ea004</link>
      <description>
        <![CDATA[<p>Part Two: The Mad Scientist takes us into Victor Frankenstein's perspective. We learn about his background, dreams, ambitions, and the youthful enthusiasm for education and scientific progress. But how did these aspirations steer him toward animating a corpse? How did something so pure become haunted, hated, and filled with despair in Victor's heart?</p><p>Join us as we travel along the river in Part Two: The Mad Scientist on Riverside Readings - Where We Bring the Classics to Life!</p><p><br>Music Credit:</p><p>Rachmaninov, The Isle of the Dead, Symphonic Poem Op. 29, Royal Stockholm Philharmonic Orchestra, Sir Andrew Davis<br>Tarantella Napoletana, Jo Brunnenberg<br>Dmitri Shostakovich: Waltz Quintet No. 2, Carion Wind Quintet, arr. David M.A.P. Palmquist<br>Mussorgsky's Promenade Pictures at an Exhibition, Cleveland Orchestra, Christoph von Dohnányi<br>Chopin, Nocturne in C Major Op 9 No 3, Claudio Arran<br>Tchaikovsky, Chanson Triste, Mario Schott-Zierotin &amp; Georg Wagner<br>Per-Olov Kindgren - Study in E Minor, Eduardo Díaz<br>Maurice Ravel - Jeux d'eau, M. 30<br>Dmitri Shostakovich - Symphony No 10 in E Minor Op 93: II Allegro, Rudolph Barshai &amp; WDR Sinfonieorchester</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Part Two: The Mad Scientist takes us into Victor Frankenstein's perspective. We learn about his background, dreams, ambitions, and the youthful enthusiasm for education and scientific progress. But how did these aspirations steer him toward animating a corpse? How did something so pure become haunted, hated, and filled with despair in Victor's heart?</p><p>Join us as we travel along the river in Part Two: The Mad Scientist on Riverside Readings - Where We Bring the Classics to Life!</p><p><br>Music Credit:</p><p>Rachmaninov, The Isle of the Dead, Symphonic Poem Op. 29, Royal Stockholm Philharmonic Orchestra, Sir Andrew Davis<br>Tarantella Napoletana, Jo Brunnenberg<br>Dmitri Shostakovich: Waltz Quintet No. 2, Carion Wind Quintet, arr. David M.A.P. Palmquist<br>Mussorgsky's Promenade Pictures at an Exhibition, Cleveland Orchestra, Christoph von Dohnányi<br>Chopin, Nocturne in C Major Op 9 No 3, Claudio Arran<br>Tchaikovsky, Chanson Triste, Mario Schott-Zierotin &amp; Georg Wagner<br>Per-Olov Kindgren - Study in E Minor, Eduardo Díaz<br>Maurice Ravel - Jeux d'eau, M. 30<br>Dmitri Shostakovich - Symphony No 10 in E Minor Op 93: II Allegro, Rudolph Barshai &amp; WDR Sinfonieorchester</p>]]>
      </content:encoded>
      <pubDate>Tue, 02 Sep 2025 11:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/3b2ea004/88a6c4ca.mp3" length="287855380" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/0a8msyDpN9_c0hE7bqbQgl6rxw31OCJnymn2_YNy0Ro/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MWZh/NDczNTIzYTQxNDEx/ZTE3MjdiNGVlMjUx/MjhkNi5wbmc.jpg"/>
      <itunes:duration>11991</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Part Two: The Mad Scientist takes us into Victor Frankenstein's perspective. We learn about his background, dreams, ambitions, and the youthful enthusiasm for education and scientific progress. But how did these aspirations steer him toward animating a corpse? How did something so pure become haunted, hated, and filled with despair in Victor's heart?</p><p>Join us as we travel along the river in Part Two: The Mad Scientist on Riverside Readings - Where We Bring the Classics to Life!</p><p><br>Music Credit:</p><p>Rachmaninov, The Isle of the Dead, Symphonic Poem Op. 29, Royal Stockholm Philharmonic Orchestra, Sir Andrew Davis<br>Tarantella Napoletana, Jo Brunnenberg<br>Dmitri Shostakovich: Waltz Quintet No. 2, Carion Wind Quintet, arr. David M.A.P. Palmquist<br>Mussorgsky's Promenade Pictures at an Exhibition, Cleveland Orchestra, Christoph von Dohnányi<br>Chopin, Nocturne in C Major Op 9 No 3, Claudio Arran<br>Tchaikovsky, Chanson Triste, Mario Schott-Zierotin &amp; Georg Wagner<br>Per-Olov Kindgren - Study in E Minor, Eduardo Díaz<br>Maurice Ravel - Jeux d'eau, M. 30<br>Dmitri Shostakovich - Symphony No 10 in E Minor Op 93: II Allegro, Rudolph Barshai &amp; WDR Sinfonieorchester</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Part Three: The Abhorred Monster - Frankenstein; or the Modern Prometheus</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Part Three: The Abhorred Monster - Frankenstein; or the Modern Prometheus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">277c1fc3-1728-4fa0-9b0f-085bf6fe617f</guid>
      <link>https://share.transistor.fm/s/c74b24fe</link>
      <description>
        <![CDATA[<p>Part Three: The Abhorred Monster takes our story to a cave, where the creator and the monster try to understand each other, to hear about its struggles, trials, and endless quest for acceptance. As we explore self-reflection, societal structure, language, and all the mysteries of life that seem to be revealed in an instant, can the monster contain this newfound knowledge, or will we see it in a new light, accept it, and give it the life it wants?</p><p>Listen closely to this tale, as we hear from the monster itself, in Part Three: The Abhorred Monster on Riverside Readings, Where We Bring the Classics to Life!</p><p>Music Credit:<br>Michael Ghelfi Studios - Cave Ambiance #2<br>Tuomas Kourula - Chase Music<br>Alexander Guitar - Kingdom of Heaven<br>Alexander Guitar - Lost in the Desert<br>Raphaël Feulliâtre - Couperin : V. Les barricades mystérieuses (Arr. Antoine Fougeray pour guitare)<br>David Brandon - French Lullaby<br>Guitar Video Tabs - Tchaikovsky Old French Song<br>Roxane Elfasci - Clair de Lune: Debussy (guitar)</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Part Three: The Abhorred Monster takes our story to a cave, where the creator and the monster try to understand each other, to hear about its struggles, trials, and endless quest for acceptance. As we explore self-reflection, societal structure, language, and all the mysteries of life that seem to be revealed in an instant, can the monster contain this newfound knowledge, or will we see it in a new light, accept it, and give it the life it wants?</p><p>Listen closely to this tale, as we hear from the monster itself, in Part Three: The Abhorred Monster on Riverside Readings, Where We Bring the Classics to Life!</p><p>Music Credit:<br>Michael Ghelfi Studios - Cave Ambiance #2<br>Tuomas Kourula - Chase Music<br>Alexander Guitar - Kingdom of Heaven<br>Alexander Guitar - Lost in the Desert<br>Raphaël Feulliâtre - Couperin : V. Les barricades mystérieuses (Arr. Antoine Fougeray pour guitare)<br>David Brandon - French Lullaby<br>Guitar Video Tabs - Tchaikovsky Old French Song<br>Roxane Elfasci - Clair de Lune: Debussy (guitar)</p>]]>
      </content:encoded>
      <pubDate>Tue, 09 Sep 2025 12:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/c74b24fe/e7a161a0.mp3" length="148863220" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/E8tcWRstCMqg8AoU5OGjoPxMOiwW8Nr17Q-r8EBpcmk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81ZWM3/ODVmMWZmM2U0NzU2/MDhiNzY1MzMzM2Q1/MDQxNC5wbmc.jpg"/>
      <itunes:duration>6199</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Part Three: The Abhorred Monster takes our story to a cave, where the creator and the monster try to understand each other, to hear about its struggles, trials, and endless quest for acceptance. As we explore self-reflection, societal structure, language, and all the mysteries of life that seem to be revealed in an instant, can the monster contain this newfound knowledge, or will we see it in a new light, accept it, and give it the life it wants?</p><p>Listen closely to this tale, as we hear from the monster itself, in Part Three: The Abhorred Monster on Riverside Readings, Where We Bring the Classics to Life!</p><p>Music Credit:<br>Michael Ghelfi Studios - Cave Ambiance #2<br>Tuomas Kourula - Chase Music<br>Alexander Guitar - Kingdom of Heaven<br>Alexander Guitar - Lost in the Desert<br>Raphaël Feulliâtre - Couperin : V. Les barricades mystérieuses (Arr. Antoine Fougeray pour guitare)<br>David Brandon - French Lullaby<br>Guitar Video Tabs - Tchaikovsky Old French Song<br>Roxane Elfasci - Clair de Lune: Debussy (guitar)</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Part Four: Retribution - Frankenstein; or the Modern Prometheus</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Part Four: Retribution - Frankenstein; or the Modern Prometheus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/5dcecbd0</link>
      <description>
        <![CDATA[<p>In Part Four, we explore whether Victor Frankenstein will heed his monster's plea to foster a love that longs for him. What might happen if he rewires his rejection? And if he chooses acceptance? How much patience can the despised creature muster for his creator, and how receptive is Victor likely to be? This raises questions about whether the story will spiral into catastrophe, conclude happily, or unfold as a series of never-ending horrors. </p><p>Listen in to Part Four: Retribution on Riverside Readings, an audio drama podcast, where we bring the classics to life!</p><p>Translation for Dramatische Szenen bei &lt;&lt;Tod überall Tod&gt;&gt; (12) &lt;&lt;TOMÄMÄSS&gt;&gt; Von Joël Moos - JVM Productions - Eberhard Rex</p><p>Death sits with us. <br>He breathes with us. <br>He is with us at all times. <br>No mountains made of stone; <br>No Lakes made of tears; <br>No Heart, however great, can ever conquer Him.</p><p>Death sits with us.<br>He breathes with us.<br>He is with us at all times.<br>Death everywhere, Death!<br>Death everywhere, Death!</p><p>So many people:<br>So much death everywhere, death!</p><p>So many animals:<br>So much death everywhere, death!</p><p>So many plants:<br>So much death everywhere, death!</p><p><br>Music Credit:<br>Schubert - Piano Sonata in E flat major, D. 568 (https://www.classicals.de/schubert-d568)<br>Borodin - String Quartet No. 1 in A Major (https://www.classicals.de/borodin-string-quartet-no1)<br>Beethoven - Coriolan Overture - Op.62 (https://www.classicals.de/beethoven-op62)<br>Maarten Schellekens - Reminiscing<strong> </strong>(https://www.classicals.de/neoclassical)<br>Chopin - Cello Sonata Op. 65 - I. Allegro moderato (https://www.classicals.de/chopin-collection)<br>Aguado, Dionisio - Adantino in A Minor - Nuevo metodo para guitarra, Leccion 19 (https://www.classicals.de/aguado-selection)<br>Beethoven - Piano Sonata No. 31 in A flat Major, Op. 110 - I. Moderato cantabile molto espressivo (https://www.classicals.de/beethoven-piano-sonata-no31)<br>Brahms - Symphony No. 1 in C Minor, Op. 68 - I. Un poco sostenuto — Allegro – Meno allegro (C minor, ending in C major)(https://www.classicals.de/brahms-symphony-no1)<br>Josef Suk - Meditation on the Old Czech Chorale 'St. Wenceslas', Op. 35a (https://www.classicals.de/suk-meditation)<br>Chopin - Nocturne Op. 15 no. 1 in F major<strong> </strong>(https://www.classicals.de/chopin-collection)<br>Maarten Schellekens - If Only I Could Stop the Clock (https://www.classicals.de/neoclassical)<br>Brahms - Symphony No. 3 in F Major, Op. 90 - II. Andante (https://www.classicals.de/brahms-symphony-no3)<br>Beethoven - Piano Sonata No. 4 in E Flat Major, Op. 7 - II. Largo con gran espressione (https://www.classicals.de/beethoven-piano-sonata-no4)<br>Sergei Prokofiev - National Symphony Orchestra of Ukraine - Cinderella Suite No.1, Op. 109: VII: Cinderella Waltz- Theodore Kuchar<br>Shunske Sato - Brondenburg Concerto no. 4 in G. Major - Netherlands Bach Society for all Bach<br>G.F. Handel - Sarabande - The City of Prague Philharmonic Orchestra<br>Steigerlied (Glück auf, der Steiger kommt) - Ruhkolle - Chor, WDR-Sinfonieorchester &amp; Miners<br>Dramatische Szenen bei &lt;&lt;Tod überall Tod&gt;&gt; (12) &lt;&lt;TOMÄMÄSS&gt;&gt; Von Joël Moos - JVM Productions - Eberhard Rex<br>Leonard Bernstein - Berlioz's Symphonie Fantastique 4th movement: Allegretto non troppo (Marche au supplice) - Orchestre National de France<br>Hanneke van Proosdij &amp; David Tyler - Suite No. 3, BMV 1068, Early Music Voices</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In Part Four, we explore whether Victor Frankenstein will heed his monster's plea to foster a love that longs for him. What might happen if he rewires his rejection? And if he chooses acceptance? How much patience can the despised creature muster for his creator, and how receptive is Victor likely to be? This raises questions about whether the story will spiral into catastrophe, conclude happily, or unfold as a series of never-ending horrors. </p><p>Listen in to Part Four: Retribution on Riverside Readings, an audio drama podcast, where we bring the classics to life!</p><p>Translation for Dramatische Szenen bei &lt;&lt;Tod überall Tod&gt;&gt; (12) &lt;&lt;TOMÄMÄSS&gt;&gt; Von Joël Moos - JVM Productions - Eberhard Rex</p><p>Death sits with us. <br>He breathes with us. <br>He is with us at all times. <br>No mountains made of stone; <br>No Lakes made of tears; <br>No Heart, however great, can ever conquer Him.</p><p>Death sits with us.<br>He breathes with us.<br>He is with us at all times.<br>Death everywhere, Death!<br>Death everywhere, Death!</p><p>So many people:<br>So much death everywhere, death!</p><p>So many animals:<br>So much death everywhere, death!</p><p>So many plants:<br>So much death everywhere, death!</p><p><br>Music Credit:<br>Schubert - Piano Sonata in E flat major, D. 568 (https://www.classicals.de/schubert-d568)<br>Borodin - String Quartet No. 1 in A Major (https://www.classicals.de/borodin-string-quartet-no1)<br>Beethoven - Coriolan Overture - Op.62 (https://www.classicals.de/beethoven-op62)<br>Maarten Schellekens - Reminiscing<strong> </strong>(https://www.classicals.de/neoclassical)<br>Chopin - Cello Sonata Op. 65 - I. Allegro moderato (https://www.classicals.de/chopin-collection)<br>Aguado, Dionisio - Adantino in A Minor - Nuevo metodo para guitarra, Leccion 19 (https://www.classicals.de/aguado-selection)<br>Beethoven - Piano Sonata No. 31 in A flat Major, Op. 110 - I. Moderato cantabile molto espressivo (https://www.classicals.de/beethoven-piano-sonata-no31)<br>Brahms - Symphony No. 1 in C Minor, Op. 68 - I. Un poco sostenuto — Allegro – Meno allegro (C minor, ending in C major)(https://www.classicals.de/brahms-symphony-no1)<br>Josef Suk - Meditation on the Old Czech Chorale 'St. Wenceslas', Op. 35a (https://www.classicals.de/suk-meditation)<br>Chopin - Nocturne Op. 15 no. 1 in F major<strong> </strong>(https://www.classicals.de/chopin-collection)<br>Maarten Schellekens - If Only I Could Stop the Clock (https://www.classicals.de/neoclassical)<br>Brahms - Symphony No. 3 in F Major, Op. 90 - II. Andante (https://www.classicals.de/brahms-symphony-no3)<br>Beethoven - Piano Sonata No. 4 in E Flat Major, Op. 7 - II. Largo con gran espressione (https://www.classicals.de/beethoven-piano-sonata-no4)<br>Sergei Prokofiev - National Symphony Orchestra of Ukraine - Cinderella Suite No.1, Op. 109: VII: Cinderella Waltz- Theodore Kuchar<br>Shunske Sato - Brondenburg Concerto no. 4 in G. Major - Netherlands Bach Society for all Bach<br>G.F. Handel - Sarabande - The City of Prague Philharmonic Orchestra<br>Steigerlied (Glück auf, der Steiger kommt) - Ruhkolle - Chor, WDR-Sinfonieorchester &amp; Miners<br>Dramatische Szenen bei &lt;&lt;Tod überall Tod&gt;&gt; (12) &lt;&lt;TOMÄMÄSS&gt;&gt; Von Joël Moos - JVM Productions - Eberhard Rex<br>Leonard Bernstein - Berlioz's Symphonie Fantastique 4th movement: Allegretto non troppo (Marche au supplice) - Orchestre National de France<br>Hanneke van Proosdij &amp; David Tyler - Suite No. 3, BMV 1068, Early Music Voices</p>]]>
      </content:encoded>
      <pubDate>Thu, 02 Oct 2025 10:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/5dcecbd0/0b0c5cf0.mp3" length="276878356" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/iYJGrVFn_UI2m-P-pc3tfiRDx0ncPgpdZSvr1Y1tgHg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9hYWJm/OWI5MmVhNTIyZGY2/YTU3NWUxZGQ3ZWYy/MmNjMS5wbmc.jpg"/>
      <itunes:duration>11533</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In Part Four, we explore whether Victor Frankenstein will heed his monster's plea to foster a love that longs for him. What might happen if he rewires his rejection? And if he chooses acceptance? How much patience can the despised creature muster for his creator, and how receptive is Victor likely to be? This raises questions about whether the story will spiral into catastrophe, conclude happily, or unfold as a series of never-ending horrors. </p><p>Listen in to Part Four: Retribution on Riverside Readings, an audio drama podcast, where we bring the classics to life!</p><p>Translation for Dramatische Szenen bei &lt;&lt;Tod überall Tod&gt;&gt; (12) &lt;&lt;TOMÄMÄSS&gt;&gt; Von Joël Moos - JVM Productions - Eberhard Rex</p><p>Death sits with us. <br>He breathes with us. <br>He is with us at all times. <br>No mountains made of stone; <br>No Lakes made of tears; <br>No Heart, however great, can ever conquer Him.</p><p>Death sits with us.<br>He breathes with us.<br>He is with us at all times.<br>Death everywhere, Death!<br>Death everywhere, Death!</p><p>So many people:<br>So much death everywhere, death!</p><p>So many animals:<br>So much death everywhere, death!</p><p>So many plants:<br>So much death everywhere, death!</p><p><br>Music Credit:<br>Schubert - Piano Sonata in E flat major, D. 568 (https://www.classicals.de/schubert-d568)<br>Borodin - String Quartet No. 1 in A Major (https://www.classicals.de/borodin-string-quartet-no1)<br>Beethoven - Coriolan Overture - Op.62 (https://www.classicals.de/beethoven-op62)<br>Maarten Schellekens - Reminiscing<strong> </strong>(https://www.classicals.de/neoclassical)<br>Chopin - Cello Sonata Op. 65 - I. Allegro moderato (https://www.classicals.de/chopin-collection)<br>Aguado, Dionisio - Adantino in A Minor - Nuevo metodo para guitarra, Leccion 19 (https://www.classicals.de/aguado-selection)<br>Beethoven - Piano Sonata No. 31 in A flat Major, Op. 110 - I. Moderato cantabile molto espressivo (https://www.classicals.de/beethoven-piano-sonata-no31)<br>Brahms - Symphony No. 1 in C Minor, Op. 68 - I. Un poco sostenuto — Allegro – Meno allegro (C minor, ending in C major)(https://www.classicals.de/brahms-symphony-no1)<br>Josef Suk - Meditation on the Old Czech Chorale 'St. Wenceslas', Op. 35a (https://www.classicals.de/suk-meditation)<br>Chopin - Nocturne Op. 15 no. 1 in F major<strong> </strong>(https://www.classicals.de/chopin-collection)<br>Maarten Schellekens - If Only I Could Stop the Clock (https://www.classicals.de/neoclassical)<br>Brahms - Symphony No. 3 in F Major, Op. 90 - II. Andante (https://www.classicals.de/brahms-symphony-no3)<br>Beethoven - Piano Sonata No. 4 in E Flat Major, Op. 7 - II. Largo con gran espressione (https://www.classicals.de/beethoven-piano-sonata-no4)<br>Sergei Prokofiev - National Symphony Orchestra of Ukraine - Cinderella Suite No.1, Op. 109: VII: Cinderella Waltz- Theodore Kuchar<br>Shunske Sato - Brondenburg Concerto no. 4 in G. Major - Netherlands Bach Society for all Bach<br>G.F. Handel - Sarabande - The City of Prague Philharmonic Orchestra<br>Steigerlied (Glück auf, der Steiger kommt) - Ruhkolle - Chor, WDR-Sinfonieorchester &amp; Miners<br>Dramatische Szenen bei &lt;&lt;Tod überall Tod&gt;&gt; (12) &lt;&lt;TOMÄMÄSS&gt;&gt; Von Joël Moos - JVM Productions - Eberhard Rex<br>Leonard Bernstein - Berlioz's Symphonie Fantastique 4th movement: Allegretto non troppo (Marche au supplice) - Orchestre National de France<br>Hanneke van Proosdij &amp; David Tyler - Suite No. 3, BMV 1068, Early Music Voices</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Part Five: The Final Letter - Frankenstein; or the Modern Prometheus</title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Part Five: The Final Letter - Frankenstein; or the Modern Prometheus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/8f42f641</link>
      <description>
        <![CDATA[<p>In the final part of Riverside Readings' exploration of Frankenstein, or the Modern Prometheus, we conclude the story of Victor, Robert Walton, and the Abhorred Monster by bringing their stories together for one last confrontation, whether triumphant or tragic. What will the final letter reveal? What lessons will be shared with our fellow explorers? Find out by listening to Riverside Readings, an audio drama podcast that brings the classics to life!</p><p>Music Credit:</p><p>Beethoven - Piano Sonata No. 4 in E Flat Major, Op. 7 (https://www.classicals.de/beethoven-piano-sonata-no4)</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the final part of Riverside Readings' exploration of Frankenstein, or the Modern Prometheus, we conclude the story of Victor, Robert Walton, and the Abhorred Monster by bringing their stories together for one last confrontation, whether triumphant or tragic. What will the final letter reveal? What lessons will be shared with our fellow explorers? Find out by listening to Riverside Readings, an audio drama podcast that brings the classics to life!</p><p>Music Credit:</p><p>Beethoven - Piano Sonata No. 4 in E Flat Major, Op. 7 (https://www.classicals.de/beethoven-piano-sonata-no4)</p>]]>
      </content:encoded>
      <pubDate>Fri, 03 Oct 2025 10:00:00 -0400</pubDate>
      <author>Trent Mylie</author>
      <enclosure url="https://media.transistor.fm/8f42f641/9fc2fa0a.mp3" length="50975820" type="audio/mpeg"/>
      <itunes:author>Trent Mylie</itunes:author>
      <itunes:image href="https://img.transistor.fm/XjPVLjTc0CG3Ju2RnrwXq2oo2GHi0M50_EA-jn0DA90/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iYTIx/ODA5NWI3ZGM3ZjZl/ZjZlYTRlN2Q3YjE0/ZjQ3MC5wbmc.jpg"/>
      <itunes:duration>2121</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the final part of Riverside Readings' exploration of Frankenstein, or the Modern Prometheus, we conclude the story of Victor, Robert Walton, and the Abhorred Monster by bringing their stories together for one last confrontation, whether triumphant or tragic. What will the final letter reveal? What lessons will be shared with our fellow explorers? Find out by listening to Riverside Readings, an audio drama podcast that brings the classics to life!</p><p>Music Credit:</p><p>Beethoven - Piano Sonata No. 4 in E Flat Major, Op. 7 (https://www.classicals.de/beethoven-piano-sonata-no4)</p>]]>
      </itunes:summary>
      <itunes:keywords>drama, voice, reading, recite</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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