<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet href="/stylesheet.xsl" type="text/xsl"?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:podcast="https://podcastindex.org/namespace/1.0">
  <channel>
    <atom:link rel="self" type="application/rss+xml" href="https://feeds.transistor.fm/reading-around-the-margins" title="MP3 Audio"/>
    <atom:link rel="hub" href="https://pubsubhubbub.appspot.com/"/>
    <podcast:podping usesPodping="true"/>
    <title>Reading Around the Margins</title>
    <generator>Transistor (https://transistor.fm)</generator>
    <itunes:new-feed-url>https://feeds.transistor.fm/reading-around-the-margins</itunes:new-feed-url>
    <description>In each episode of Reading Around the Margins, Naomi Washer talks with writers, readers, translators, publishers, and booksellers about how they interact with their books as objects; how their own marginalia consciously or unconsciously informs the books they come to write; and how the experience of reading brings a book into existence.</description>
    <copyright>© 2026 Paratext Publicity</copyright>
    <podcast:guid>9b154730-634a-53ba-99fa-3d2d42a4f621</podcast:guid>
    <podcast:locked>yes</podcast:locked>
    <itunes:applepodcastsverify>04cf7730-956b-11f0-bbfc-bdabea0eedac</itunes:applepodcastsverify>
    <language>en</language>
    <pubDate>Thu, 23 Apr 2026 13:25:57 -0400</pubDate>
    <lastBuildDate>Thu, 23 Apr 2026 13:26:30 -0400</lastBuildDate>
    <link>https://naomiwasher.substack.com/</link>
    <image>
      <url>https://img.transistorcdn.com/nNlKNd8PFU973q1keC-eJ4l19DYATJap5213a5DSq3I/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kY2I1/OTNkOTQzYTc2NDEx/ZjRlY2Q3ZjJlZWNj/MjdmYi5wbmc.jpg</url>
      <title>Reading Around the Margins</title>
      <link>https://naomiwasher.substack.com/</link>
    </image>
    <itunes:category text="Arts">
      <itunes:category text="Books"/>
    </itunes:category>
    <itunes:category text="Arts">
      <itunes:category text="Design"/>
    </itunes:category>
    <itunes:type>episodic</itunes:type>
    <itunes:author>Paratext Publicity</itunes:author>
    <itunes:image href="https://img.transistorcdn.com/nNlKNd8PFU973q1keC-eJ4l19DYATJap5213a5DSq3I/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kY2I1/OTNkOTQzYTc2NDEx/ZjRlY2Q3ZjJlZWNj/MjdmYi5wbmc.jpg"/>
    <itunes:summary>In each episode of Reading Around the Margins, Naomi Washer talks with writers, readers, translators, publishers, and booksellers about how they interact with their books as objects; how their own marginalia consciously or unconsciously informs the books they come to write; and how the experience of reading brings a book into existence.</itunes:summary>
    <itunes:subtitle>In each episode of Reading Around the Margins, Naomi Washer talks with writers, readers, translators, publishers, and booksellers about how they interact with their books as objects; how their own marginalia consciously or unconsciously informs the books they come to write; and how the experience of reading brings a book into existence..</itunes:subtitle>
    <itunes:keywords></itunes:keywords>
    <itunes:owner>
      <itunes:name>Naomi Washer</itunes:name>
    </itunes:owner>
    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>Episode 14: "The Thinking is the Plot with Jeannie Vanasco"</title>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>Episode 14: "The Thinking is the Plot with Jeannie Vanasco"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">2b837acc-a9c2-4fd8-aecb-bda4d1c006a4</guid>
      <link>https://share.transistor.fm/s/b3a4afeb</link>
      <description>
        <![CDATA[<p>For our final episode of our first season, Naomi is joined by fellow Annie Ernaux enthusiast Jeannie Vanasco for an in-depth discussion on immersion in the reading process, the un-self-consciousness of writing memoir, the question of whether there is a divide between the craft and the personal, and how we make choices about what to leave out when and why. For the Annie Ernaux fans out there, Naomi and Jeannie look closely at Jeannie's marginalia in her copies of <a href="https://bookshop.org/p/books/shame-annie-ernaux/e06a35cb03a20ad4?ean=9781583220184&amp;next=t"><em>Shame</em></a><em> </em>and <a href="https://bookshop.org/p/books/the-other-girl-annie-ernaux/b1c4713e46fde7b5?ean=9781644214879&amp;next=t"><em>The Other Girl</em></a><em> </em>and their influence on Jeannie's work, particularly <em>The Glass Eye. </em>Shout-out to Seven Stories Press, Ernaux's American publisher -- we're repping your Annie Ernaux hats and shirts and hope you'll make more of them ;)</p><p><br></p><p><strong>Author Bio:</strong> Jeannie Vanasco is the author of <a href="https://bookshop.org/p/books/a-silent-treatment-a-memoir-jeannie-vanasco/7df47bc1be3a7326?ean=9781963108453&amp;next=t"><em>A Silent Treatment</em></a><em>, </em>which was named a best book of 2025 by NPR and a best nonfiction book of 2025 by <em>Electric Literature</em>. Her other memoirs include <a href="https://bookshop.org/p/books/things-we-didn-t-talk-about-when-i-was-a-girl-a-memoir-jeannie-vanasco/0cbe9841689cb7c8?ean=9781951142032&amp;next=t"><em>Things We Didn’t Talk About When I Was a Girl</em></a>—a <em>New York Times </em>Editors' Choice and a best book of 2019 by <em>TIME</em>, <em>Esquire</em>, <em>Kirkus</em>, among others—and <a href="https://bookshop.org/p/books/the-glass-eye-a-memoir-jeannie-vanasco/6adefe269b155f14?ean=9781941040775&amp;next=t"><em>The Glass Eye</em></a>, which <em>Poets &amp; Writers </em>called one of the five best literary nonfiction debuts of 2017. Born and raised in Sandusky, Ohio, she lives in Baltimore and is an associate professor of English at Towson University. Her fourth book is under contract with Tin House, publisher of her other memoirs.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, <a href="https://interabangbooks.com/book/9781957392394">Interabang Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>For our final episode of our first season, Naomi is joined by fellow Annie Ernaux enthusiast Jeannie Vanasco for an in-depth discussion on immersion in the reading process, the un-self-consciousness of writing memoir, the question of whether there is a divide between the craft and the personal, and how we make choices about what to leave out when and why. For the Annie Ernaux fans out there, Naomi and Jeannie look closely at Jeannie's marginalia in her copies of <a href="https://bookshop.org/p/books/shame-annie-ernaux/e06a35cb03a20ad4?ean=9781583220184&amp;next=t"><em>Shame</em></a><em> </em>and <a href="https://bookshop.org/p/books/the-other-girl-annie-ernaux/b1c4713e46fde7b5?ean=9781644214879&amp;next=t"><em>The Other Girl</em></a><em> </em>and their influence on Jeannie's work, particularly <em>The Glass Eye. </em>Shout-out to Seven Stories Press, Ernaux's American publisher -- we're repping your Annie Ernaux hats and shirts and hope you'll make more of them ;)</p><p><br></p><p><strong>Author Bio:</strong> Jeannie Vanasco is the author of <a href="https://bookshop.org/p/books/a-silent-treatment-a-memoir-jeannie-vanasco/7df47bc1be3a7326?ean=9781963108453&amp;next=t"><em>A Silent Treatment</em></a><em>, </em>which was named a best book of 2025 by NPR and a best nonfiction book of 2025 by <em>Electric Literature</em>. Her other memoirs include <a href="https://bookshop.org/p/books/things-we-didn-t-talk-about-when-i-was-a-girl-a-memoir-jeannie-vanasco/0cbe9841689cb7c8?ean=9781951142032&amp;next=t"><em>Things We Didn’t Talk About When I Was a Girl</em></a>—a <em>New York Times </em>Editors' Choice and a best book of 2019 by <em>TIME</em>, <em>Esquire</em>, <em>Kirkus</em>, among others—and <a href="https://bookshop.org/p/books/the-glass-eye-a-memoir-jeannie-vanasco/6adefe269b155f14?ean=9781941040775&amp;next=t"><em>The Glass Eye</em></a>, which <em>Poets &amp; Writers </em>called one of the five best literary nonfiction debuts of 2017. Born and raised in Sandusky, Ohio, she lives in Baltimore and is an associate professor of English at Towson University. Her fourth book is under contract with Tin House, publisher of her other memoirs.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, <a href="https://interabangbooks.com/book/9781957392394">Interabang Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </content:encoded>
      <pubDate>Tue, 09 Dec 2025 04:00:00 -0500</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/b3a4afeb/2f6165b6.mp3" length="27686259" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1736</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>For our final episode of our first season, Naomi is joined by fellow Annie Ernaux enthusiast Jeannie Vanasco for an in-depth discussion on immersion in the reading process, the un-self-consciousness of writing memoir, the question of whether there is a divide between the craft and the personal, and how we make choices about what to leave out when and why. For the Annie Ernaux fans out there, Naomi and Jeannie look closely at Jeannie's marginalia in her copies of <a href="https://bookshop.org/p/books/shame-annie-ernaux/e06a35cb03a20ad4?ean=9781583220184&amp;next=t"><em>Shame</em></a><em> </em>and <a href="https://bookshop.org/p/books/the-other-girl-annie-ernaux/b1c4713e46fde7b5?ean=9781644214879&amp;next=t"><em>The Other Girl</em></a><em> </em>and their influence on Jeannie's work, particularly <em>The Glass Eye. </em>Shout-out to Seven Stories Press, Ernaux's American publisher -- we're repping your Annie Ernaux hats and shirts and hope you'll make more of them ;)</p><p><br></p><p><strong>Author Bio:</strong> Jeannie Vanasco is the author of <a href="https://bookshop.org/p/books/a-silent-treatment-a-memoir-jeannie-vanasco/7df47bc1be3a7326?ean=9781963108453&amp;next=t"><em>A Silent Treatment</em></a><em>, </em>which was named a best book of 2025 by NPR and a best nonfiction book of 2025 by <em>Electric Literature</em>. Her other memoirs include <a href="https://bookshop.org/p/books/things-we-didn-t-talk-about-when-i-was-a-girl-a-memoir-jeannie-vanasco/0cbe9841689cb7c8?ean=9781951142032&amp;next=t"><em>Things We Didn’t Talk About When I Was a Girl</em></a>—a <em>New York Times </em>Editors' Choice and a best book of 2019 by <em>TIME</em>, <em>Esquire</em>, <em>Kirkus</em>, among others—and <a href="https://bookshop.org/p/books/the-glass-eye-a-memoir-jeannie-vanasco/6adefe269b155f14?ean=9781941040775&amp;next=t"><em>The Glass Eye</em></a>, which <em>Poets &amp; Writers </em>called one of the five best literary nonfiction debuts of 2017. Born and raised in Sandusky, Ohio, she lives in Baltimore and is an associate professor of English at Towson University. Her fourth book is under contract with Tin House, publisher of her other memoirs.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, <a href="https://interabangbooks.com/book/9781957392394">Interabang Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </itunes:summary>
      <itunes:keywords>jeannie vanasco, marginalia, annie ernaux, naomi washer</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 13: "Lori Feathers on the hypnotic style of abundant books"</title>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>Episode 13: "Lori Feathers on the hypnotic style of abundant books"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7f0b6557-bcce-41d4-a31d-75948f1ad54c</guid>
      <link>https://share.transistor.fm/s/b1a42961</link>
      <description>
        <![CDATA[<p>Naomi is joined by bookseller and podcaster Lori Feathers to discuss her reading of <a href="https://interabangbooks.com/book/9781913505868"><em>The Hunger of Women</em></a> by Marosia Castaldi, translated by Jamie Richards (And Other Stories, 2023). They explore the impact of this rhythmic, hypnotic prose, the embedded references to books from other cultures, and the lineage of ‘abundant’ books that drives so much of Lori’s reading.</p><p>Reading List:</p><p><a href="https://interabangbooks.com/book/9781628973952">Miss Mackintosh, My Darling</a> by Marguerite Young</p><p><a href="https://interabangbooks.com/book/9781628975635">Palinuro of Mexico</a> by Fernando del Paso</p><p><a href="https://interabangbooks.com/book/9781771963077">Ducks, Newburyport</a> by Lucy Ellmann</p><p>Lori Feathers is a writer and podcaster in Dallas, Texas, and a co-owner/founder of <a href="https://interabangbooks.com/">Interabang Books</a> where she is the store’s book buyer. She is creator of <a href="https://thebigbookproject.substack.com/">“The Big Book Project”</a> on Substack, and co-hosts the critically acclaimed books podcast, <a href="https://www.buzzsprout.com/1728150">“Across the Pond.”</a> Lori is founding Chair of the <a href="https://www.republicofconsciousnessprize-usa.com/">Republic of Consciousness Prize, US and Canada</a>, a prize honoring the work of small publishers, and co-founder of the <a href="https://www.innovatingjustice.org/inside-literary-prize/">Inside Literary Prize</a> for incarcerated persons. For six years she served on the elected board of the National Book Critics Circle. Her writing can be found at Literary Hub, Words Without Borders, Los Angeles Review of Books, and Southwest Review.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, <a href="https://interabangbooks.com/book/9781957392394">Interabang Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Naomi is joined by bookseller and podcaster Lori Feathers to discuss her reading of <a href="https://interabangbooks.com/book/9781913505868"><em>The Hunger of Women</em></a> by Marosia Castaldi, translated by Jamie Richards (And Other Stories, 2023). They explore the impact of this rhythmic, hypnotic prose, the embedded references to books from other cultures, and the lineage of ‘abundant’ books that drives so much of Lori’s reading.</p><p>Reading List:</p><p><a href="https://interabangbooks.com/book/9781628973952">Miss Mackintosh, My Darling</a> by Marguerite Young</p><p><a href="https://interabangbooks.com/book/9781628975635">Palinuro of Mexico</a> by Fernando del Paso</p><p><a href="https://interabangbooks.com/book/9781771963077">Ducks, Newburyport</a> by Lucy Ellmann</p><p>Lori Feathers is a writer and podcaster in Dallas, Texas, and a co-owner/founder of <a href="https://interabangbooks.com/">Interabang Books</a> where she is the store’s book buyer. She is creator of <a href="https://thebigbookproject.substack.com/">“The Big Book Project”</a> on Substack, and co-hosts the critically acclaimed books podcast, <a href="https://www.buzzsprout.com/1728150">“Across the Pond.”</a> Lori is founding Chair of the <a href="https://www.republicofconsciousnessprize-usa.com/">Republic of Consciousness Prize, US and Canada</a>, a prize honoring the work of small publishers, and co-founder of the <a href="https://www.innovatingjustice.org/inside-literary-prize/">Inside Literary Prize</a> for incarcerated persons. For six years she served on the elected board of the National Book Critics Circle. Her writing can be found at Literary Hub, Words Without Borders, Los Angeles Review of Books, and Southwest Review.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, <a href="https://interabangbooks.com/book/9781957392394">Interabang Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </content:encoded>
      <pubDate>Tue, 25 Nov 2025 03:00:00 -0500</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/b1a42961/3442fbf4.mp3" length="15280547" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>994</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Naomi is joined by bookseller and podcaster Lori Feathers to discuss her reading of <a href="https://interabangbooks.com/book/9781913505868"><em>The Hunger of Women</em></a> by Marosia Castaldi, translated by Jamie Richards (And Other Stories, 2023). They explore the impact of this rhythmic, hypnotic prose, the embedded references to books from other cultures, and the lineage of ‘abundant’ books that drives so much of Lori’s reading.</p><p>Reading List:</p><p><a href="https://interabangbooks.com/book/9781628973952">Miss Mackintosh, My Darling</a> by Marguerite Young</p><p><a href="https://interabangbooks.com/book/9781628975635">Palinuro of Mexico</a> by Fernando del Paso</p><p><a href="https://interabangbooks.com/book/9781771963077">Ducks, Newburyport</a> by Lucy Ellmann</p><p>Lori Feathers is a writer and podcaster in Dallas, Texas, and a co-owner/founder of <a href="https://interabangbooks.com/">Interabang Books</a> where she is the store’s book buyer. She is creator of <a href="https://thebigbookproject.substack.com/">“The Big Book Project”</a> on Substack, and co-hosts the critically acclaimed books podcast, <a href="https://www.buzzsprout.com/1728150">“Across the Pond.”</a> Lori is founding Chair of the <a href="https://www.republicofconsciousnessprize-usa.com/">Republic of Consciousness Prize, US and Canada</a>, a prize honoring the work of small publishers, and co-founder of the <a href="https://www.innovatingjustice.org/inside-literary-prize/">Inside Literary Prize</a> for incarcerated persons. For six years she served on the elected board of the National Book Critics Circle. Her writing can be found at Literary Hub, Words Without Borders, Los Angeles Review of Books, and Southwest Review.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, <a href="https://interabangbooks.com/book/9781957392394">Interabang Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </itunes:summary>
      <itunes:keywords></itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 12: "Lauren Elkin on reading the world afresh with Georges Perec"</title>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Episode 12: "Lauren Elkin on reading the world afresh with Georges Perec"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">39462d47-f119-4496-b4d7-6b1fc83d5c8b</guid>
      <link>https://share.transistor.fm/s/e13819cf</link>
      <description>
        <![CDATA[<p>Naomi is joined by Lauren Elkin for a conversation on the permission-giving qualities of Georges Perec's <em>Species of Spaces and Other Pieces, </em>how reading Perec made her into a writer, and what it's like to re-see the world in the way he encourages us to do. Weaving through Elkin's own experiments in seeing with her book <a href="https://bookshop.org/p/books/no-91-92-a-diary-of-a-year-on-the-bus-lauren-elkin/c3c3e032ea59ee8f?ean=9781635901535&amp;next=t"><em>No. 91/92: diary of a year on the bus</em></a><em> </em>and the ways we live in and through our homes with her novel <a href="https://bookshop.org/p/books/scaffolding-a-novel-lauren-elkin/61b8ab25a94b8ce0?ean=9781250397744&amp;next=t"><em>Scaffolding</em></a><em>, </em>we land in her current home in London where her accumulated stacks of books are grouped by subject, and we get a taste of how a new stack is building toward a particular new project.</p><p><br></p><p>Reading List</p><p><a href="https://bookshop.org/p/books/species-of-spaces-and-other-pieces-georges-perec/46bf123c146028cf?ean=9780141442242&amp;next=t"><em>Species of Spaces and Other Pieces</em></a><em>, </em>Georges Perec</p><p><a href="https://bookshop.org/p/books/an-attempt-at-exhausting-a-place-in-paris-georges-perec/72126700a172eacb?ean=9780984115525&amp;next=t"><em>An Attempt at Exhausting a Place in Paris</em></a><em>, </em>Georges Perec</p><p><a href="https://bookshop.org/p/books/the-house-in-paris-elizabeth-bowen/a17e57bfd75f2f5f?ean=9780385721257&amp;next=t"><em>The House in Paris</em></a><em>, </em>Elizabeth Bowen</p><p><a href="https://bookshop.org/p/books/feminism-and-psychoanalysis-the-daughter-s-seduction-professor-jane-gallop/8cef5a0f75e5d7e4?ean=9780333294727&amp;next=t"><em>The Daughter's Seduction: Feminism and Psychoanalysis</em></a><em>, </em>Jane Gallop</p><p><br></p><p>Lauren Elkin is the author of several critically-acclaimed books, including <a href="https://bookshop.org/p/books/scaffolding-a-novel-lauren-elkin/61b8ab25a94b8ce0?ean=9781250397744&amp;next=t"><em>Scaffolding</em></a>, <a href="https://bookshop.org/p/books/art-monsters-unruly-bodies-in-feminist-art-lauren-elkin/b5740413023e31e0?ean=9781250338013&amp;next=t"><em>Art Monsters</em></a>, and <a href="https://bookshop.org/p/books/fl-neuse-women-walk-the-city-in-paris-new-york-tokyo-venice-and-london-lauren-elkin/c0a36e35e7e56908?ean=9780374537432&amp;next=t"><em>Flâneuse</em></a>. Her essays on art, literature, and culture have appeared in the <em>London Review of Books</em>, the <em>New York Times</em>, <em>Granta</em>, <em>Harper's</em>, <em>Le Monde</em>, <em>Les Inrockuptibles</em>, and <em>Frieze</em>, among others. An award-winning translator, she lives between Paris and London.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Naomi is joined by Lauren Elkin for a conversation on the permission-giving qualities of Georges Perec's <em>Species of Spaces and Other Pieces, </em>how reading Perec made her into a writer, and what it's like to re-see the world in the way he encourages us to do. Weaving through Elkin's own experiments in seeing with her book <a href="https://bookshop.org/p/books/no-91-92-a-diary-of-a-year-on-the-bus-lauren-elkin/c3c3e032ea59ee8f?ean=9781635901535&amp;next=t"><em>No. 91/92: diary of a year on the bus</em></a><em> </em>and the ways we live in and through our homes with her novel <a href="https://bookshop.org/p/books/scaffolding-a-novel-lauren-elkin/61b8ab25a94b8ce0?ean=9781250397744&amp;next=t"><em>Scaffolding</em></a><em>, </em>we land in her current home in London where her accumulated stacks of books are grouped by subject, and we get a taste of how a new stack is building toward a particular new project.</p><p><br></p><p>Reading List</p><p><a href="https://bookshop.org/p/books/species-of-spaces-and-other-pieces-georges-perec/46bf123c146028cf?ean=9780141442242&amp;next=t"><em>Species of Spaces and Other Pieces</em></a><em>, </em>Georges Perec</p><p><a href="https://bookshop.org/p/books/an-attempt-at-exhausting-a-place-in-paris-georges-perec/72126700a172eacb?ean=9780984115525&amp;next=t"><em>An Attempt at Exhausting a Place in Paris</em></a><em>, </em>Georges Perec</p><p><a href="https://bookshop.org/p/books/the-house-in-paris-elizabeth-bowen/a17e57bfd75f2f5f?ean=9780385721257&amp;next=t"><em>The House in Paris</em></a><em>, </em>Elizabeth Bowen</p><p><a href="https://bookshop.org/p/books/feminism-and-psychoanalysis-the-daughter-s-seduction-professor-jane-gallop/8cef5a0f75e5d7e4?ean=9780333294727&amp;next=t"><em>The Daughter's Seduction: Feminism and Psychoanalysis</em></a><em>, </em>Jane Gallop</p><p><br></p><p>Lauren Elkin is the author of several critically-acclaimed books, including <a href="https://bookshop.org/p/books/scaffolding-a-novel-lauren-elkin/61b8ab25a94b8ce0?ean=9781250397744&amp;next=t"><em>Scaffolding</em></a>, <a href="https://bookshop.org/p/books/art-monsters-unruly-bodies-in-feminist-art-lauren-elkin/b5740413023e31e0?ean=9781250338013&amp;next=t"><em>Art Monsters</em></a>, and <a href="https://bookshop.org/p/books/fl-neuse-women-walk-the-city-in-paris-new-york-tokyo-venice-and-london-lauren-elkin/c0a36e35e7e56908?ean=9780374537432&amp;next=t"><em>Flâneuse</em></a>. Her essays on art, literature, and culture have appeared in the <em>London Review of Books</em>, the <em>New York Times</em>, <em>Granta</em>, <em>Harper's</em>, <em>Le Monde</em>, <em>Les Inrockuptibles</em>, and <em>Frieze</em>, among others. An award-winning translator, she lives between Paris and London.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </content:encoded>
      <pubDate>Tue, 11 Nov 2025 02:00:00 -0500</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/e13819cf/9f309821.mp3" length="21308129" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1352</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Naomi is joined by Lauren Elkin for a conversation on the permission-giving qualities of Georges Perec's <em>Species of Spaces and Other Pieces, </em>how reading Perec made her into a writer, and what it's like to re-see the world in the way he encourages us to do. Weaving through Elkin's own experiments in seeing with her book <a href="https://bookshop.org/p/books/no-91-92-a-diary-of-a-year-on-the-bus-lauren-elkin/c3c3e032ea59ee8f?ean=9781635901535&amp;next=t"><em>No. 91/92: diary of a year on the bus</em></a><em> </em>and the ways we live in and through our homes with her novel <a href="https://bookshop.org/p/books/scaffolding-a-novel-lauren-elkin/61b8ab25a94b8ce0?ean=9781250397744&amp;next=t"><em>Scaffolding</em></a><em>, </em>we land in her current home in London where her accumulated stacks of books are grouped by subject, and we get a taste of how a new stack is building toward a particular new project.</p><p><br></p><p>Reading List</p><p><a href="https://bookshop.org/p/books/species-of-spaces-and-other-pieces-georges-perec/46bf123c146028cf?ean=9780141442242&amp;next=t"><em>Species of Spaces and Other Pieces</em></a><em>, </em>Georges Perec</p><p><a href="https://bookshop.org/p/books/an-attempt-at-exhausting-a-place-in-paris-georges-perec/72126700a172eacb?ean=9780984115525&amp;next=t"><em>An Attempt at Exhausting a Place in Paris</em></a><em>, </em>Georges Perec</p><p><a href="https://bookshop.org/p/books/the-house-in-paris-elizabeth-bowen/a17e57bfd75f2f5f?ean=9780385721257&amp;next=t"><em>The House in Paris</em></a><em>, </em>Elizabeth Bowen</p><p><a href="https://bookshop.org/p/books/feminism-and-psychoanalysis-the-daughter-s-seduction-professor-jane-gallop/8cef5a0f75e5d7e4?ean=9780333294727&amp;next=t"><em>The Daughter's Seduction: Feminism and Psychoanalysis</em></a><em>, </em>Jane Gallop</p><p><br></p><p>Lauren Elkin is the author of several critically-acclaimed books, including <a href="https://bookshop.org/p/books/scaffolding-a-novel-lauren-elkin/61b8ab25a94b8ce0?ean=9781250397744&amp;next=t"><em>Scaffolding</em></a>, <a href="https://bookshop.org/p/books/art-monsters-unruly-bodies-in-feminist-art-lauren-elkin/b5740413023e31e0?ean=9781250338013&amp;next=t"><em>Art Monsters</em></a>, and <a href="https://bookshop.org/p/books/fl-neuse-women-walk-the-city-in-paris-new-york-tokyo-venice-and-london-lauren-elkin/c0a36e35e7e56908?ean=9780374537432&amp;next=t"><em>Flâneuse</em></a>. Her essays on art, literature, and culture have appeared in the <em>London Review of Books</em>, the <em>New York Times</em>, <em>Granta</em>, <em>Harper's</em>, <em>Le Monde</em>, <em>Les Inrockuptibles</em>, and <em>Frieze</em>, among others. An award-winning translator, she lives between Paris and London.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </itunes:summary>
      <itunes:keywords>lauren elkin, marginalia, naomi washer, georges perec</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 11: "Miranda Mellis on character study as an act of love"</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Episode 11: "Miranda Mellis on character study as an act of love"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f782b95b-8e3d-4fcb-9678-016e0479cbb9</guid>
      <link>https://share.transistor.fm/s/0cd4a3c8</link>
      <description>
        <![CDATA[<p>Miranda Mellis joins Naomi for a discussion that indexes Michael Eigen’s book <em>The Psychoanalytic Mystic</em>. They discuss the resonance between annotation and free association; the experience of narrating oneself in analysis, losing the thread, doubling back, and having one’s speech be received by the other; the index as a branching form, a poem of the subjective reader; writing as social practice through collective annotation; and how sometimes a text pours salt in the wound while sometimes it serves as a balm.</p><p><a href="https://mirandamellis.com/">Miranda Mellis</a> is the author of the novel <a href="https://nightboat.org/book/crocosmia/"><em>Crocosmia</em></a> (Nightboat Books); three novellas, <a href="http://skewedink.com/Mellis_Revisionist.htm"><em>The Revisionist</em></a>, <a href="http://solidobjects.org/"><em>The Spokes</em></a>, and <em>The Quarry</em>; and a short-story collection, <a href="http://www.sidebrow.net/books/none-of-this-is-real-miranda-mellis"><em>None of This Is Real</em></a>. Her poetry and nonfiction books and chapbooks include <a href="https://albionbooks.net/the-revolutionary/"><em>The Revolutionary</em></a>, <a href="http://www.solidobjects.org/books.php?id=21"><em>Demystifications</em></a>, <em>Unconsciousness Raising</em>, and <em>Materialisms</em>. She is the co-author of two book-length dialogues: <em>The Instead</em> with Emily Abendroth and <em>Passing Through</em> with Rick Moody (forthcoming, Solid Objects 2026). With Tisa Bryant and Kate Schatz, she was a founding co-editor at The Encyclopedia Project. She grew up in San Francisco and now lives in the woods of the Pacific Northwest where she is a professor at The Evergreen State College. Read her intermittencies at: <a href="https://youareinlovewiththeimpossible.substack.com/">You Are in Love with the Impossible</a>.</p><p><br></p><p>She is on tour in support of <em>Crocosmia</em> through November, with upcoming readings this week: </p><ul><li>10/29: UCSD <a href="https://literature.ucsd.edu/news-events/new-writing-series/index.html">New Writing Series</a> in San Diego with Anna Joy Springer | 5PM</li><li>10/30: <a href="https://booksoup.com/event/2025-10-30/miranda-mellis-sarah-labrie-discuss-sign-crocosmia-and-no-one-gets-fall-apart">Book Soup</a> in Los Angeles with Sarah LaBrie | 7PM</li><li>11/1: <a href="https://www.instagram.com/p/DQM6T2NEcqn/">Gattopardo |</a> with Stanya Kahn | 4PM</li></ul><p>For more tour dates, click <a href="https://mirandamellisnews.tumblr.com/">here</a>.</p><p><br><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Miranda Mellis joins Naomi for a discussion that indexes Michael Eigen’s book <em>The Psychoanalytic Mystic</em>. They discuss the resonance between annotation and free association; the experience of narrating oneself in analysis, losing the thread, doubling back, and having one’s speech be received by the other; the index as a branching form, a poem of the subjective reader; writing as social practice through collective annotation; and how sometimes a text pours salt in the wound while sometimes it serves as a balm.</p><p><a href="https://mirandamellis.com/">Miranda Mellis</a> is the author of the novel <a href="https://nightboat.org/book/crocosmia/"><em>Crocosmia</em></a> (Nightboat Books); three novellas, <a href="http://skewedink.com/Mellis_Revisionist.htm"><em>The Revisionist</em></a>, <a href="http://solidobjects.org/"><em>The Spokes</em></a>, and <em>The Quarry</em>; and a short-story collection, <a href="http://www.sidebrow.net/books/none-of-this-is-real-miranda-mellis"><em>None of This Is Real</em></a>. Her poetry and nonfiction books and chapbooks include <a href="https://albionbooks.net/the-revolutionary/"><em>The Revolutionary</em></a>, <a href="http://www.solidobjects.org/books.php?id=21"><em>Demystifications</em></a>, <em>Unconsciousness Raising</em>, and <em>Materialisms</em>. She is the co-author of two book-length dialogues: <em>The Instead</em> with Emily Abendroth and <em>Passing Through</em> with Rick Moody (forthcoming, Solid Objects 2026). With Tisa Bryant and Kate Schatz, she was a founding co-editor at The Encyclopedia Project. She grew up in San Francisco and now lives in the woods of the Pacific Northwest where she is a professor at The Evergreen State College. Read her intermittencies at: <a href="https://youareinlovewiththeimpossible.substack.com/">You Are in Love with the Impossible</a>.</p><p><br></p><p>She is on tour in support of <em>Crocosmia</em> through November, with upcoming readings this week: </p><ul><li>10/29: UCSD <a href="https://literature.ucsd.edu/news-events/new-writing-series/index.html">New Writing Series</a> in San Diego with Anna Joy Springer | 5PM</li><li>10/30: <a href="https://booksoup.com/event/2025-10-30/miranda-mellis-sarah-labrie-discuss-sign-crocosmia-and-no-one-gets-fall-apart">Book Soup</a> in Los Angeles with Sarah LaBrie | 7PM</li><li>11/1: <a href="https://www.instagram.com/p/DQM6T2NEcqn/">Gattopardo |</a> with Stanya Kahn | 4PM</li></ul><p>For more tour dates, click <a href="https://mirandamellisnews.tumblr.com/">here</a>.</p><p><br><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </content:encoded>
      <pubDate>Tue, 28 Oct 2025 05:17:51 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/0cd4a3c8/ed2133ad.mp3" length="22638225" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1455</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Miranda Mellis joins Naomi for a discussion that indexes Michael Eigen’s book <em>The Psychoanalytic Mystic</em>. They discuss the resonance between annotation and free association; the experience of narrating oneself in analysis, losing the thread, doubling back, and having one’s speech be received by the other; the index as a branching form, a poem of the subjective reader; writing as social practice through collective annotation; and how sometimes a text pours salt in the wound while sometimes it serves as a balm.</p><p><a href="https://mirandamellis.com/">Miranda Mellis</a> is the author of the novel <a href="https://nightboat.org/book/crocosmia/"><em>Crocosmia</em></a> (Nightboat Books); three novellas, <a href="http://skewedink.com/Mellis_Revisionist.htm"><em>The Revisionist</em></a>, <a href="http://solidobjects.org/"><em>The Spokes</em></a>, and <em>The Quarry</em>; and a short-story collection, <a href="http://www.sidebrow.net/books/none-of-this-is-real-miranda-mellis"><em>None of This Is Real</em></a>. Her poetry and nonfiction books and chapbooks include <a href="https://albionbooks.net/the-revolutionary/"><em>The Revolutionary</em></a>, <a href="http://www.solidobjects.org/books.php?id=21"><em>Demystifications</em></a>, <em>Unconsciousness Raising</em>, and <em>Materialisms</em>. She is the co-author of two book-length dialogues: <em>The Instead</em> with Emily Abendroth and <em>Passing Through</em> with Rick Moody (forthcoming, Solid Objects 2026). With Tisa Bryant and Kate Schatz, she was a founding co-editor at The Encyclopedia Project. She grew up in San Francisco and now lives in the woods of the Pacific Northwest where she is a professor at The Evergreen State College. Read her intermittencies at: <a href="https://youareinlovewiththeimpossible.substack.com/">You Are in Love with the Impossible</a>.</p><p><br></p><p>She is on tour in support of <em>Crocosmia</em> through November, with upcoming readings this week: </p><ul><li>10/29: UCSD <a href="https://literature.ucsd.edu/news-events/new-writing-series/index.html">New Writing Series</a> in San Diego with Anna Joy Springer | 5PM</li><li>10/30: <a href="https://booksoup.com/event/2025-10-30/miranda-mellis-sarah-labrie-discuss-sign-crocosmia-and-no-one-gets-fall-apart">Book Soup</a> in Los Angeles with Sarah LaBrie | 7PM</li><li>11/1: <a href="https://www.instagram.com/p/DQM6T2NEcqn/">Gattopardo |</a> with Stanya Kahn | 4PM</li></ul><p>For more tour dates, click <a href="https://mirandamellisnews.tumblr.com/">here</a>.</p><p><br><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </itunes:summary>
      <itunes:keywords>marginalia, naomi washer, miranda mellis, psychoanalysis, evergreen state</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Out on tour</title>
      <itunes:title>Out on tour</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7cc415c6-151e-4366-ab5c-7ae8c34af60c</guid>
      <link>https://share.transistor.fm/s/0928eb6c</link>
      <description>
        <![CDATA[<p>Naomi is out on <a href="https://www.naomiwasher.com/events">tour</a>, so she will be back in two weeks with a new, full episode in conversation with Miranda Mellis, author of <a href="https://nightboat.org/book/crocosmia/"><em>Crocosmia</em></a> from Nightboat Books. And, as it happens, Miranda is on tour, too. Click <a href="https://mirandamellisnews.tumblr.com/">here</a> for a full list of her upcoming stops.</p><p>Naomi's next stops are <a href="https://www.eventbrite.com/e/marginalia-an-autobiography-tickets-1766802777669?aff=oddtdtcreator">Clio's Books</a> in Oakland, CA on Friday, October 17th with the poet and psychoanalyst Alice Jones and <a href="https://www.thirdplacebooks.com/event/naomi-washer">Third Place Books - Ravenna</a> in Seattle, WA on Friday, October 24th with the poet and multimedia essayist/artist Cori A. Winrock.</p><p>Looking forward to seeing you out on the tour!</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon</a>, <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Naomi is out on <a href="https://www.naomiwasher.com/events">tour</a>, so she will be back in two weeks with a new, full episode in conversation with Miranda Mellis, author of <a href="https://nightboat.org/book/crocosmia/"><em>Crocosmia</em></a> from Nightboat Books. And, as it happens, Miranda is on tour, too. Click <a href="https://mirandamellisnews.tumblr.com/">here</a> for a full list of her upcoming stops.</p><p>Naomi's next stops are <a href="https://www.eventbrite.com/e/marginalia-an-autobiography-tickets-1766802777669?aff=oddtdtcreator">Clio's Books</a> in Oakland, CA on Friday, October 17th with the poet and psychoanalyst Alice Jones and <a href="https://www.thirdplacebooks.com/event/naomi-washer">Third Place Books - Ravenna</a> in Seattle, WA on Friday, October 24th with the poet and multimedia essayist/artist Cori A. Winrock.</p><p>Looking forward to seeing you out on the tour!</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon</a>, <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </content:encoded>
      <pubDate>Tue, 14 Oct 2025 04:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/0928eb6c/ddc08281.mp3" length="1098421" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>61</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Naomi is out on <a href="https://www.naomiwasher.com/events">tour</a>, so she will be back in two weeks with a new, full episode in conversation with Miranda Mellis, author of <a href="https://nightboat.org/book/crocosmia/"><em>Crocosmia</em></a> from Nightboat Books. And, as it happens, Miranda is on tour, too. Click <a href="https://mirandamellisnews.tumblr.com/">here</a> for a full list of her upcoming stops.</p><p>Naomi's next stops are <a href="https://www.eventbrite.com/e/marginalia-an-autobiography-tickets-1766802777669?aff=oddtdtcreator">Clio's Books</a> in Oakland, CA on Friday, October 17th with the poet and psychoanalyst Alice Jones and <a href="https://www.thirdplacebooks.com/event/naomi-washer">Third Place Books - Ravenna</a> in Seattle, WA on Friday, October 24th with the poet and multimedia essayist/artist Cori A. Winrock.</p><p>Looking forward to seeing you out on the tour!</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon</a>, <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </itunes:summary>
      <itunes:keywords>marginalia, crocosmia, nightboat books, oakland, seattle, miranda mellis</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 10: "Briana Parker on the worlds that opened through James Joyce’s ULYSSES"</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Episode 10: "Briana Parker on the worlds that opened through James Joyce’s ULYSSES"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">dd84e623-01ce-4ecd-a714-ab38c8ab857d</guid>
      <link>https://share.transistor.fm/s/83f771d2</link>
      <description>
        <![CDATA[<p>Briana Parker, co-owner of Brooklyn’s Lofty Pigeon Books, joins Naomi for a discussion that begins in her thoroughly annotated copy of <em>Ulysses</em> from a high school English class (shouts out to Richard Roundy, Briana’s English teacher and now regular at Lofty Pigeon!) and meanders through the many worlds Briana has occupied and built in New York City — from growing up in Sheepshead Bay, to the Union Square Barnes &amp; Noble, to the Metropolitan Museum of Art, and the cozy kids’ corner at her own Lofty Pigeon Books.</p><p>Briana Parker is a third-generation Brooklynite. She spent ten years as an editor at the Metropolitan Museum of Art before opening <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon Books </a>in Kensington, Brooklyn with her partner Davi in 2023. </p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon</a>, <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Briana Parker, co-owner of Brooklyn’s Lofty Pigeon Books, joins Naomi for a discussion that begins in her thoroughly annotated copy of <em>Ulysses</em> from a high school English class (shouts out to Richard Roundy, Briana’s English teacher and now regular at Lofty Pigeon!) and meanders through the many worlds Briana has occupied and built in New York City — from growing up in Sheepshead Bay, to the Union Square Barnes &amp; Noble, to the Metropolitan Museum of Art, and the cozy kids’ corner at her own Lofty Pigeon Books.</p><p>Briana Parker is a third-generation Brooklynite. She spent ten years as an editor at the Metropolitan Museum of Art before opening <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon Books </a>in Kensington, Brooklyn with her partner Davi in 2023. </p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon</a>, <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </content:encoded>
      <pubDate>Tue, 30 Sep 2025 03:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/83f771d2/fc865107.mp3" length="20868064" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1252</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Briana Parker, co-owner of Brooklyn’s Lofty Pigeon Books, joins Naomi for a discussion that begins in her thoroughly annotated copy of <em>Ulysses</em> from a high school English class (shouts out to Richard Roundy, Briana’s English teacher and now regular at Lofty Pigeon!) and meanders through the many worlds Briana has occupied and built in New York City — from growing up in Sheepshead Bay, to the Union Square Barnes &amp; Noble, to the Metropolitan Museum of Art, and the cozy kids’ corner at her own Lofty Pigeon Books.</p><p>Briana Parker is a third-generation Brooklynite. She spent ten years as an editor at the Metropolitan Museum of Art before opening <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon Books </a>in Kensington, Brooklyn with her partner Davi in 2023. </p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://www.loftypigeonbooks.com/">Lofty Pigeon</a>, <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </itunes:summary>
      <itunes:keywords>ulysses, james joyce, brooklyn, sheepshead bay, marginalia</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 9: "Michael Wheaton on MARGINALIA as 'a book that could get you writing'"</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Episode 9: "Michael Wheaton on MARGINALIA as 'a book that could get you writing'"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">8445e42c-e3cc-4281-b7a1-e7cae8fc8275</guid>
      <link>https://share.transistor.fm/s/382fed4d</link>
      <description>
        <![CDATA[<p>To celebrate the release of Naomi's <em>Marginalia: an autobiography</em>, we have a bit of a role reversal in this episode. Michael Wheaton, publisher of Autofocus Books, joins us today and takes over the host chair as he chats with Naomi about <em>Marginalia</em>, the kind of book it turned out to be, “project” books, the idea of a book as container, and how the process of creating it altered her practice of marginalia today. This is a delightful, insightful episode on the unexpected paths a book takes to find its final form...</p><p>Michael Wheaton is the publisher of <a href="https://autofocusbooks.com/">Autofocus Books</a>. He is the author of the essay <a href="https://fonografeditions.com/catalog/bunny04-michael-wheaton-home-movies-print-chapbook/"><em>Home Movies</em></a> (BUNNY, 2024). His writing has appeared previously in <em>Essay Daily</em>, <em>DIAGRAM</em>, <em>Burrow Press Review</em>, <em>HAD</em>, <em>Rejection Letters</em>, and other online journals.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>To celebrate the release of Naomi's <em>Marginalia: an autobiography</em>, we have a bit of a role reversal in this episode. Michael Wheaton, publisher of Autofocus Books, joins us today and takes over the host chair as he chats with Naomi about <em>Marginalia</em>, the kind of book it turned out to be, “project” books, the idea of a book as container, and how the process of creating it altered her practice of marginalia today. This is a delightful, insightful episode on the unexpected paths a book takes to find its final form...</p><p>Michael Wheaton is the publisher of <a href="https://autofocusbooks.com/">Autofocus Books</a>. He is the author of the essay <a href="https://fonografeditions.com/catalog/bunny04-michael-wheaton-home-movies-print-chapbook/"><em>Home Movies</em></a> (BUNNY, 2024). His writing has appeared previously in <em>Essay Daily</em>, <em>DIAGRAM</em>, <em>Burrow Press Review</em>, <em>HAD</em>, <em>Rejection Letters</em>, and other online journals.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </content:encoded>
      <pubDate>Tue, 16 Sep 2025 03:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/382fed4d/0f582766.mp3" length="29124288" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1780</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>To celebrate the release of Naomi's <em>Marginalia: an autobiography</em>, we have a bit of a role reversal in this episode. Michael Wheaton, publisher of Autofocus Books, joins us today and takes over the host chair as he chats with Naomi about <em>Marginalia</em>, the kind of book it turned out to be, “project” books, the idea of a book as container, and how the process of creating it altered her practice of marginalia today. This is a delightful, insightful episode on the unexpected paths a book takes to find its final form...</p><p>Michael Wheaton is the publisher of <a href="https://autofocusbooks.com/">Autofocus Books</a>. He is the author of the essay <a href="https://fonografeditions.com/catalog/bunny04-michael-wheaton-home-movies-print-chapbook/"><em>Home Movies</em></a> (BUNNY, 2024). His writing has appeared previously in <em>Essay Daily</em>, <em>DIAGRAM</em>, <em>Burrow Press Review</em>, <em>HAD</em>, <em>Rejection Letters</em>, and other online journals.</p><p><em>Marginalia: an autobiography</em> is out now! Order it from <a href="https://autofocusbooks.com/store/p/marginalia">Autofocus Books</a> or your favorite, cool bookstore (like <a href="https://unnameablebooks.square.site/">Unnameable Books</a>, <a href="https://www.bookclubbar.com/preorders/naomi-washer-marginalia">Book Club Bar</a>, <a href="https://exileinbookville.com/">Exile in Bookville</a>, <a href="https://literatibookstore.com/">Literati</a>, <a href="https://www.thirdplacebooks.com/">Third Place Books</a>, <a href="https://www.skunkcabbagebooks.com/events/3608620251003">Skunk Cabbage Books</a>, and more)! Check Naomi's <a href="https://www.naomiwasher.com/">website</a> for her upcoming tour dates. And subscribe to her Substack, <a href="https://naomiwasher.substack.com/">Process Notes</a>, for further thoughts and reflections.</p>]]>
      </itunes:summary>
      <itunes:keywords>marginalia, small press publishing, psychoanalysis, containers, nonfiction, autobiography</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 8: "Liz Freeman on how books can open a doorway for a reader"</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Episode 8: "Liz Freeman on how books can open a doorway for a reader"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d8fb5c8e-fd61-4cb3-9f48-52f63dcf541c</guid>
      <link>https://share.transistor.fm/s/fa37a73e</link>
      <description>
        <![CDATA[<p>Bookseller Liz Freeman joins Naomi for a conversation about Liz’s marginalia in books by David Wojnarowicz, William Gaddis, and Kathryn Scanlan; the soundtrack playing alongside this marginalia, from Joni Mitchell and the Melvins to Frank Sinatra’s “bipolar big band hits”; her approach to making thoughtful recommendations for readers visiting the store; and more.</p><p>Liz Freeman is a writer, artist and careerbookseller. She is from East County, San Diego and currently lives in Oakland where she is the co-owner and stationery buyer at <a href="https://www.ebbooksellers.com/">East Bay Booksellers</a>. </p><p>Liz and Naomi discussed <a href="https://www.ebbooksellers.com/item/b1VOIlIvk3P29b5ZZ7t5Aw">Close to the Knives</a> by David Wojnarowicz, <a href="https://www.ebbooksellers.com/item/1SqnOF0xZ8tNrsHJTGja_w">JR</a> by William Gaddis, and <a href="https://www.ebbooksellers.com/item/hvTabYmi135zsZvmP2YicA">Kick the Latch</a> by Kathryn Scanlan.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, please click <a href="https://bookclubbar.com/preorders/naomi-washer-marginalia">here</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Bookseller Liz Freeman joins Naomi for a conversation about Liz’s marginalia in books by David Wojnarowicz, William Gaddis, and Kathryn Scanlan; the soundtrack playing alongside this marginalia, from Joni Mitchell and the Melvins to Frank Sinatra’s “bipolar big band hits”; her approach to making thoughtful recommendations for readers visiting the store; and more.</p><p>Liz Freeman is a writer, artist and careerbookseller. She is from East County, San Diego and currently lives in Oakland where she is the co-owner and stationery buyer at <a href="https://www.ebbooksellers.com/">East Bay Booksellers</a>. </p><p>Liz and Naomi discussed <a href="https://www.ebbooksellers.com/item/b1VOIlIvk3P29b5ZZ7t5Aw">Close to the Knives</a> by David Wojnarowicz, <a href="https://www.ebbooksellers.com/item/1SqnOF0xZ8tNrsHJTGja_w">JR</a> by William Gaddis, and <a href="https://www.ebbooksellers.com/item/hvTabYmi135zsZvmP2YicA">Kick the Latch</a> by Kathryn Scanlan.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, please click <a href="https://bookclubbar.com/preorders/naomi-washer-marginalia">here</a>.</p>]]>
      </content:encoded>
      <pubDate>Tue, 02 Sep 2025 05:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/fa37a73e/b042b8c2.mp3" length="23614572" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1404</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Bookseller Liz Freeman joins Naomi for a conversation about Liz’s marginalia in books by David Wojnarowicz, William Gaddis, and Kathryn Scanlan; the soundtrack playing alongside this marginalia, from Joni Mitchell and the Melvins to Frank Sinatra’s “bipolar big band hits”; her approach to making thoughtful recommendations for readers visiting the store; and more.</p><p>Liz Freeman is a writer, artist and careerbookseller. She is from East County, San Diego and currently lives in Oakland where she is the co-owner and stationery buyer at <a href="https://www.ebbooksellers.com/">East Bay Booksellers</a>. </p><p>Liz and Naomi discussed <a href="https://www.ebbooksellers.com/item/b1VOIlIvk3P29b5ZZ7t5Aw">Close to the Knives</a> by David Wojnarowicz, <a href="https://www.ebbooksellers.com/item/1SqnOF0xZ8tNrsHJTGja_w">JR</a> by William Gaddis, and <a href="https://www.ebbooksellers.com/item/hvTabYmi135zsZvmP2YicA">Kick the Latch</a> by Kathryn Scanlan.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, please click <a href="https://bookclubbar.com/preorders/naomi-washer-marginalia">here</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>marginalia, east bay, oakland, kathryn scanlan, jr, william gaddis, David Wojnarowicz, close to the knives, naomi washer</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 7: "Hilary Leichter on the reader’s culpability in Robert Coover’s 'The Babysitter'"</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Episode 7: "Hilary Leichter on the reader’s culpability in Robert Coover’s 'The Babysitter'"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">97cdced9-ccca-4193-b590-8b24c5ead2d5</guid>
      <link>https://share.transistor.fm/s/59c235fa</link>
      <description>
        <![CDATA[<p>Writer and professor <a href="https://www.hilaryleichter.com/">Hilary Leichter</a> joins Naomi for a discussion about books that conjure many different realities; how the reader is made culpable to the events of a text by what they hold and create in their mind, in the gap between what’s stated and what’s implied; how teaching a book you have complex feelings about can enrich the teaching experience; inheriting large libraries; and what happened to that one box of books you shipped that never arrived at its destination? </p><p><br></p><p>Hilary Leichter is the author of the novels <em>Temporary</em> and <em>Terrace Story</em>. She has been a finalist for The Center for Fiction First Novel Prize, the New York Public Library Young Lions Fiction Prize, and her work in <em>Harper's Magazine</em> won the 2021 National Magazine Award in Fiction. <em>Terrace Story</em> was named a best book of 2023 by <em>Time Magazine</em>, <em>The New Yorker</em>, <em>The LA Times</em>, <em>Publishers Weekly, </em>and other publications. Hilary teaches at Columbia University and lives in New York.</p><p>To pre-order Naomis's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Writer and professor <a href="https://www.hilaryleichter.com/">Hilary Leichter</a> joins Naomi for a discussion about books that conjure many different realities; how the reader is made culpable to the events of a text by what they hold and create in their mind, in the gap between what’s stated and what’s implied; how teaching a book you have complex feelings about can enrich the teaching experience; inheriting large libraries; and what happened to that one box of books you shipped that never arrived at its destination? </p><p><br></p><p>Hilary Leichter is the author of the novels <em>Temporary</em> and <em>Terrace Story</em>. She has been a finalist for The Center for Fiction First Novel Prize, the New York Public Library Young Lions Fiction Prize, and her work in <em>Harper's Magazine</em> won the 2021 National Magazine Award in Fiction. <em>Terrace Story</em> was named a best book of 2023 by <em>Time Magazine</em>, <em>The New Yorker</em>, <em>The LA Times</em>, <em>Publishers Weekly, </em>and other publications. Hilary teaches at Columbia University and lives in New York.</p><p>To pre-order Naomis's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p>]]>
      </content:encoded>
      <pubDate>Tue, 19 Aug 2025 03:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/59c235fa/09b712bc.mp3" length="25477785" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1484</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Writer and professor <a href="https://www.hilaryleichter.com/">Hilary Leichter</a> joins Naomi for a discussion about books that conjure many different realities; how the reader is made culpable to the events of a text by what they hold and create in their mind, in the gap between what’s stated and what’s implied; how teaching a book you have complex feelings about can enrich the teaching experience; inheriting large libraries; and what happened to that one box of books you shipped that never arrived at its destination? </p><p><br></p><p>Hilary Leichter is the author of the novels <em>Temporary</em> and <em>Terrace Story</em>. She has been a finalist for The Center for Fiction First Novel Prize, the New York Public Library Young Lions Fiction Prize, and her work in <em>Harper's Magazine</em> won the 2021 National Magazine Award in Fiction. <em>Terrace Story</em> was named a best book of 2023 by <em>Time Magazine</em>, <em>The New Yorker</em>, <em>The LA Times</em>, <em>Publishers Weekly, </em>and other publications. Hilary teaches at Columbia University and lives in New York.</p><p>To pre-order Naomis's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>hilary leichter, robert coover, first editions, marginalia</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 6: "Claire Donato on on breaking, not making language in Sheldon Bach's 'On Being Forgotten and Forgetting Oneself'"</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Episode 6: "Claire Donato on on breaking, not making language in Sheldon Bach's 'On Being Forgotten and Forgetting Oneself'"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">fe8073c7-9c6f-4a3d-91c6-378524d551e9</guid>
      <link>https://share.transistor.fm/s/925262e7</link>
      <description>
        <![CDATA[<p>Writer, teacher, and psychoanalytic candidate <a href="https://www.somanytumbleweeds.com/about.html">Claire Donato</a> joins Naomi for a discussion on the convergences between psychoanalytic process and writing, reading, editing, and teaching. They discuss the capacious rigors of a reading practice, the remixing and revising of our writing and the stories we tell about our lives, and the shock of a book project emerging from one's analysis.<br> <br>Claire Donato is the author of three full-length books, most recently <em>Kind Mirrors, Ugly Ghosts</em> (Archway Editions). Her poetry chapbook, <em>Woebegone</em> (Theaphora), was released this year with an accompanying adventure-puzzle video game Donato co-wrote. Other recent writing has appeared or is forthcoming in <em>Parapraxis</em>, <em>Soft Union</em>, <em>The Brooklyn Rail</em>, <em>The Chicago Review</em>, <em>The Car Crash Collective Anthology</em>, and <em>Forever</em>, and she has contributed essays to anthologies included <em>The One on Earth: Selected Works of Mark Baumer</em> and <em>The Mystery of Perception: A Conversation with Lynne Tillman</em>. She lives in Brooklyn and currently serves as Assistant Chairperson of Writing at Pratt Institute, where she independently supervises MFA and BFA candidates and also teaches group courses including Autofiction, Poetry and Psychoanalysis, and The Oceanic Feeling. She is a first-year candidate in psychoanalysis at the Contemporary Freudian Society.</p><p>Bach's essay "On Being Forgotten and Forgetting Oneself" can be found in his book <em>Chimeras and Other Writings: Selected Papers of Sheldon Bach</em>. Claire and Naomi also discuss Jamieson Webster's book <em>Conversion Disorder</em>.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Writer, teacher, and psychoanalytic candidate <a href="https://www.somanytumbleweeds.com/about.html">Claire Donato</a> joins Naomi for a discussion on the convergences between psychoanalytic process and writing, reading, editing, and teaching. They discuss the capacious rigors of a reading practice, the remixing and revising of our writing and the stories we tell about our lives, and the shock of a book project emerging from one's analysis.<br> <br>Claire Donato is the author of three full-length books, most recently <em>Kind Mirrors, Ugly Ghosts</em> (Archway Editions). Her poetry chapbook, <em>Woebegone</em> (Theaphora), was released this year with an accompanying adventure-puzzle video game Donato co-wrote. Other recent writing has appeared or is forthcoming in <em>Parapraxis</em>, <em>Soft Union</em>, <em>The Brooklyn Rail</em>, <em>The Chicago Review</em>, <em>The Car Crash Collective Anthology</em>, and <em>Forever</em>, and she has contributed essays to anthologies included <em>The One on Earth: Selected Works of Mark Baumer</em> and <em>The Mystery of Perception: A Conversation with Lynne Tillman</em>. She lives in Brooklyn and currently serves as Assistant Chairperson of Writing at Pratt Institute, where she independently supervises MFA and BFA candidates and also teaches group courses including Autofiction, Poetry and Psychoanalysis, and The Oceanic Feeling. She is a first-year candidate in psychoanalysis at the Contemporary Freudian Society.</p><p>Bach's essay "On Being Forgotten and Forgetting Oneself" can be found in his book <em>Chimeras and Other Writings: Selected Papers of Sheldon Bach</em>. Claire and Naomi also discuss Jamieson Webster's book <em>Conversion Disorder</em>.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p>]]>
      </content:encoded>
      <pubDate>Tue, 05 Aug 2025 00:50:59 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/925262e7/6ee21bb9.mp3" length="28636939" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1766</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Writer, teacher, and psychoanalytic candidate <a href="https://www.somanytumbleweeds.com/about.html">Claire Donato</a> joins Naomi for a discussion on the convergences between psychoanalytic process and writing, reading, editing, and teaching. They discuss the capacious rigors of a reading practice, the remixing and revising of our writing and the stories we tell about our lives, and the shock of a book project emerging from one's analysis.<br> <br>Claire Donato is the author of three full-length books, most recently <em>Kind Mirrors, Ugly Ghosts</em> (Archway Editions). Her poetry chapbook, <em>Woebegone</em> (Theaphora), was released this year with an accompanying adventure-puzzle video game Donato co-wrote. Other recent writing has appeared or is forthcoming in <em>Parapraxis</em>, <em>Soft Union</em>, <em>The Brooklyn Rail</em>, <em>The Chicago Review</em>, <em>The Car Crash Collective Anthology</em>, and <em>Forever</em>, and she has contributed essays to anthologies included <em>The One on Earth: Selected Works of Mark Baumer</em> and <em>The Mystery of Perception: A Conversation with Lynne Tillman</em>. She lives in Brooklyn and currently serves as Assistant Chairperson of Writing at Pratt Institute, where she independently supervises MFA and BFA candidates and also teaches group courses including Autofiction, Poetry and Psychoanalysis, and The Oceanic Feeling. She is a first-year candidate in psychoanalysis at the Contemporary Freudian Society.</p><p>Bach's essay "On Being Forgotten and Forgetting Oneself" can be found in his book <em>Chimeras and Other Writings: Selected Papers of Sheldon Bach</em>. Claire and Naomi also discuss Jamieson Webster's book <em>Conversion Disorder</em>.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>marginalia, naomi washer, autofocus, claire donato, psychoanalysis, Freud, poetry</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 5: "Sara Levine on on the 'devastating prolepsis' in Toni Morrison's Sula"</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Episode 5: "Sara Levine on on the 'devastating prolepsis' in Toni Morrison's Sula"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6b8be7e3-58d0-4052-bf77-863dba66d889</guid>
      <link>https://share.transistor.fm/s/f5b40dad</link>
      <description>
        <![CDATA[<p>Writer and professor <a href="https://www.sara-levine.com/">Sara Levine</a> joins Naomi for a conversation on Toni Morrison's <em>Sula</em>, in which they discuss tracking prepositions, the use of vowel sounds in influencing readerly movement, lobbies, and the traces of different readings in oft-re-read books.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p>Sara Levine is the author of the novel <a href="https://bookshop.org/p/books/treasure-island-sara-levine/9615425?ean=9781609450618&amp;next=t"><em>Treasure Island!!!</em></a> and the short story collection <em>Short Dark Oracles</em>. Her new novel, <a href="https://bookshop.org/p/books/the-hitch/22681720?ean=9780802165923&amp;next=t"><em>The Hitch</em></a>, published by Roxane Gay Books, comes out in January. She also writes the Substack, Delusions of Grammar, which you can read <a href="https://delusionsofgrammar.substack.com/">here</a>. She teaches creative writing at the School of the Art Institute of Chicago.</p><p>And to read "The Sentence Is a Lonely Place" by Garielle Lutz, mentioned by Sara during the podcast, click <a href="https://www.thebeliever.net/the-sentence-is-a-lonely-place/">here</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Writer and professor <a href="https://www.sara-levine.com/">Sara Levine</a> joins Naomi for a conversation on Toni Morrison's <em>Sula</em>, in which they discuss tracking prepositions, the use of vowel sounds in influencing readerly movement, lobbies, and the traces of different readings in oft-re-read books.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p>Sara Levine is the author of the novel <a href="https://bookshop.org/p/books/treasure-island-sara-levine/9615425?ean=9781609450618&amp;next=t"><em>Treasure Island!!!</em></a> and the short story collection <em>Short Dark Oracles</em>. Her new novel, <a href="https://bookshop.org/p/books/the-hitch/22681720?ean=9780802165923&amp;next=t"><em>The Hitch</em></a>, published by Roxane Gay Books, comes out in January. She also writes the Substack, Delusions of Grammar, which you can read <a href="https://delusionsofgrammar.substack.com/">here</a>. She teaches creative writing at the School of the Art Institute of Chicago.</p><p>And to read "The Sentence Is a Lonely Place" by Garielle Lutz, mentioned by Sara during the podcast, click <a href="https://www.thebeliever.net/the-sentence-is-a-lonely-place/">here</a>.</p>]]>
      </content:encoded>
      <pubDate>Tue, 22 Jul 2025 03:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/f5b40dad/8cb6740f.mp3" length="27203113" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1647</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Writer and professor <a href="https://www.sara-levine.com/">Sara Levine</a> joins Naomi for a conversation on Toni Morrison's <em>Sula</em>, in which they discuss tracking prepositions, the use of vowel sounds in influencing readerly movement, lobbies, and the traces of different readings in oft-re-read books.</p><p>To pre-order Naomi's new title, <em>Marginalia: an autobiography</em>, from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p>Sara Levine is the author of the novel <a href="https://bookshop.org/p/books/treasure-island-sara-levine/9615425?ean=9781609450618&amp;next=t"><em>Treasure Island!!!</em></a> and the short story collection <em>Short Dark Oracles</em>. Her new novel, <a href="https://bookshop.org/p/books/the-hitch/22681720?ean=9780802165923&amp;next=t"><em>The Hitch</em></a>, published by Roxane Gay Books, comes out in January. She also writes the Substack, Delusions of Grammar, which you can read <a href="https://delusionsofgrammar.substack.com/">here</a>. She teaches creative writing at the School of the Art Institute of Chicago.</p><p>And to read "The Sentence Is a Lonely Place" by Garielle Lutz, mentioned by Sara during the podcast, click <a href="https://www.thebeliever.net/the-sentence-is-a-lonely-place/">here</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>sara levine, treasure island, sula, toni morrison, prolepsis, prepositions, marginalia, autofocus, autofocus books, naomi washer</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 4: "Deborah Shapiro on the influence of a stray desire to make artworks, from the letters of Vincent van Gogh"</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Episode 4: "Deborah Shapiro on the influence of a stray desire to make artworks, from the letters of Vincent van Gogh"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">95e666e2-55c4-4942-a017-3dffc77d1941</guid>
      <link>https://share.transistor.fm/s/a976df12</link>
      <description>
        <![CDATA[<p>Writer and publisher Deborah Shapiro joins Naomi in a conversation on <em>The Letters of Vincent Van Gogh</em>. From that starting point, they discuss the desire to create, underlining versus annotating, and the importance of lamps, physical and metaphorical.</p><p>To preorder Naomi's new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p>Deborah Shapiro is the author of the novels <a href="https://bookshop.org/p/books/the-sun-in-your-eyes-deborah-shapiro/6437202?ean=9780062435590&amp;next=t"><em>The Sun in Your Eyes</em></a> (2016, a New York Times Book Review Editors’ Choice), <a href="https://bookshop.org/p/books/the-summer-demands-deborah-shapiro/16590248?ean=9781948226998&amp;next=t"><em>The Summer Demands</em></a> (2019), and <a href="https://www.bsideeditions.com/shop/p/consolation"><em>Consolation</em></a> (2022). Her writing has appeared in <em>The New York Times Book Review</em>, <em>Los Angeles Review of Books</em>, <em>Sight Unseen</em>, <em>Chicago Magazine</em>, <em>Literary Hub</em>, <em>Washington Square Review</em>, and elsewhere. She's the founder of the occasional press, <a href="https://www.bsideeditions.com/">B-Side Editions</a>, an editor-at-large at <em>Sight Unseen</em>, and lives with her family in Chicago.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Writer and publisher Deborah Shapiro joins Naomi in a conversation on <em>The Letters of Vincent Van Gogh</em>. From that starting point, they discuss the desire to create, underlining versus annotating, and the importance of lamps, physical and metaphorical.</p><p>To preorder Naomi's new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p>Deborah Shapiro is the author of the novels <a href="https://bookshop.org/p/books/the-sun-in-your-eyes-deborah-shapiro/6437202?ean=9780062435590&amp;next=t"><em>The Sun in Your Eyes</em></a> (2016, a New York Times Book Review Editors’ Choice), <a href="https://bookshop.org/p/books/the-summer-demands-deborah-shapiro/16590248?ean=9781948226998&amp;next=t"><em>The Summer Demands</em></a> (2019), and <a href="https://www.bsideeditions.com/shop/p/consolation"><em>Consolation</em></a> (2022). Her writing has appeared in <em>The New York Times Book Review</em>, <em>Los Angeles Review of Books</em>, <em>Sight Unseen</em>, <em>Chicago Magazine</em>, <em>Literary Hub</em>, <em>Washington Square Review</em>, and elsewhere. She's the founder of the occasional press, <a href="https://www.bsideeditions.com/">B-Side Editions</a>, an editor-at-large at <em>Sight Unseen</em>, and lives with her family in Chicago.</p>]]>
      </content:encoded>
      <pubDate>Tue, 08 Jul 2025 01:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/a976df12/d039dbb2.mp3" length="21236845" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1280</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Writer and publisher Deborah Shapiro joins Naomi in a conversation on <em>The Letters of Vincent Van Gogh</em>. From that starting point, they discuss the desire to create, underlining versus annotating, and the importance of lamps, physical and metaphorical.</p><p>To preorder Naomi's new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p>Deborah Shapiro is the author of the novels <a href="https://bookshop.org/p/books/the-sun-in-your-eyes-deborah-shapiro/6437202?ean=9780062435590&amp;next=t"><em>The Sun in Your Eyes</em></a> (2016, a New York Times Book Review Editors’ Choice), <a href="https://bookshop.org/p/books/the-summer-demands-deborah-shapiro/16590248?ean=9781948226998&amp;next=t"><em>The Summer Demands</em></a> (2019), and <a href="https://www.bsideeditions.com/shop/p/consolation"><em>Consolation</em></a> (2022). Her writing has appeared in <em>The New York Times Book Review</em>, <em>Los Angeles Review of Books</em>, <em>Sight Unseen</em>, <em>Chicago Magazine</em>, <em>Literary Hub</em>, <em>Washington Square Review</em>, and elsewhere. She's the founder of the occasional press, <a href="https://www.bsideeditions.com/">B-Side Editions</a>, an editor-at-large at <em>Sight Unseen</em>, and lives with her family in Chicago.</p>]]>
      </itunes:summary>
      <itunes:keywords>marginalia, naomi washer, deborah shapiro, underlining, vincent van gogh, van gogh, letters, middlemarch, george eliot</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 3: “Rebecca van Laer on Roland Barthes’ A Lover’s Discourse and theorizing one’s own writings on love”</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Episode 3: “Rebecca van Laer on Roland Barthes’ A Lover’s Discourse and theorizing one’s own writings on love”</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0ae498f0-4143-41b3-9983-5a8e00aa4f55</guid>
      <link>https://share.transistor.fm/s/8f876762</link>
      <description>
        <![CDATA[<p>Episode 3: “Rebecca van Laer on Roland Barthes’ A Lover’s Discourse and theorizing one’s own writings on love”</p><p><br></p><p>Naomi is joined by the writer Rebecca van Laer. They discuss Barthes’ <em>A Lover’s Discourse</em>, writing as self-annotation, how to <em>Pale Fire</em> oneself, and more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p><a href="https://www.rebeccavanlaer.com/">Rebecca van Laer</a> is a writer based in the Hudson Valley. She is the author of a novella, <a href="https://longdaypress.square.site/product/htattd/52?cs=true&amp;cst=custom"><em>How to Adjust to the Dark</em></a> (Long Day Press, 2022), and a memoir, <a href="https://www.bloomsbury.com/us/cat-9798765114629/"><em>Cat</em></a> (Object Lessons/Bloomsbury, forthcoming in October 2025).</p><p><br>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Episode 3: “Rebecca van Laer on Roland Barthes’ A Lover’s Discourse and theorizing one’s own writings on love”</p><p><br></p><p>Naomi is joined by the writer Rebecca van Laer. They discuss Barthes’ <em>A Lover’s Discourse</em>, writing as self-annotation, how to <em>Pale Fire</em> oneself, and more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p><a href="https://www.rebeccavanlaer.com/">Rebecca van Laer</a> is a writer based in the Hudson Valley. She is the author of a novella, <a href="https://longdaypress.square.site/product/htattd/52?cs=true&amp;cst=custom"><em>How to Adjust to the Dark</em></a> (Long Day Press, 2022), and a memoir, <a href="https://www.bloomsbury.com/us/cat-9798765114629/"><em>Cat</em></a> (Object Lessons/Bloomsbury, forthcoming in October 2025).</p><p><br>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </content:encoded>
      <pubDate>Mon, 23 Jun 2025 22:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/8f876762/6d148762.mp3" length="16243317" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1250</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Episode 3: “Rebecca van Laer on Roland Barthes’ A Lover’s Discourse and theorizing one’s own writings on love”</p><p><br></p><p>Naomi is joined by the writer Rebecca van Laer. They discuss Barthes’ <em>A Lover’s Discourse</em>, writing as self-annotation, how to <em>Pale Fire</em> oneself, and more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p><a href="https://www.rebeccavanlaer.com/">Rebecca van Laer</a> is a writer based in the Hudson Valley. She is the author of a novella, <a href="https://longdaypress.square.site/product/htattd/52?cs=true&amp;cst=custom"><em>How to Adjust to the Dark</em></a> (Long Day Press, 2022), and a memoir, <a href="https://www.bloomsbury.com/us/cat-9798765114629/"><em>Cat</em></a> (Object Lessons/Bloomsbury, forthcoming in October 2025).</p><p><br>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>barthes, love, pale fire, nabokov, self-annotation, rebecca van laer, marginalia</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 2: "Claire Foster on becoming two lines from a Diane Seuss poem"</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Episode 2: "Claire Foster on becoming two lines from a Diane Seuss poem"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c9692527-451f-4e51-b213-4e7ec9846054</guid>
      <link>https://share.transistor.fm/s/a0b6bca9</link>
      <description>
        <![CDATA[<p>In this second episode of <em>Reading Around the Margins</em>, Naomi is joined by Claire Foster, a reader, writer, and literary translator from French. In what is truly a wide-ranging conversation, they discuss <em>frank: sonnets</em> by Diane Seuss, <em>Roland Barthes on Roland Barthes</em>, projects inspired by the act of underlining, and more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p><a href="https://www.clairelouisefoster.com/">Claire Foster</a> is a reader, writer, and literary translator from French, most recently of Pierre Clémenti’s 1973 prison memoir, <a href="https://shop.smallpressnyc.com/products/a-few-personal-messages"><em>A Few Personal Messages</em></a>. Her writing and translations have been published or will soon appear in <em>The Hopkins Review</em>, <em>Public Books</em>, the <em>Los Angeles Review of Books</em>, <em>Full Stop Quarterly</em>, and <em>The Kenyon Review</em>. Her translation of Valérie Manteau's novel <em>The Furrow</em> (Prix Renaudot, 2018) is forthcoming from Invisible Publishing. She also works as manager, events coordinator, and bookseller at <a href="https://typebooks.ca/">Type Books</a>, an independent bookstore in Toronto.</p><p><br></p><p>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this second episode of <em>Reading Around the Margins</em>, Naomi is joined by Claire Foster, a reader, writer, and literary translator from French. In what is truly a wide-ranging conversation, they discuss <em>frank: sonnets</em> by Diane Seuss, <em>Roland Barthes on Roland Barthes</em>, projects inspired by the act of underlining, and more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p><a href="https://www.clairelouisefoster.com/">Claire Foster</a> is a reader, writer, and literary translator from French, most recently of Pierre Clémenti’s 1973 prison memoir, <a href="https://shop.smallpressnyc.com/products/a-few-personal-messages"><em>A Few Personal Messages</em></a>. Her writing and translations have been published or will soon appear in <em>The Hopkins Review</em>, <em>Public Books</em>, the <em>Los Angeles Review of Books</em>, <em>Full Stop Quarterly</em>, and <em>The Kenyon Review</em>. Her translation of Valérie Manteau's novel <em>The Furrow</em> (Prix Renaudot, 2018) is forthcoming from Invisible Publishing. She also works as manager, events coordinator, and bookseller at <a href="https://typebooks.ca/">Type Books</a>, an independent bookstore in Toronto.</p><p><br></p><p>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </content:encoded>
      <pubDate>Tue, 10 Jun 2025 06:00:00 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/a0b6bca9/861c9f75.mp3" length="22691343" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1545</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this second episode of <em>Reading Around the Margins</em>, Naomi is joined by Claire Foster, a reader, writer, and literary translator from French. In what is truly a wide-ranging conversation, they discuss <em>frank: sonnets</em> by Diane Seuss, <em>Roland Barthes on Roland Barthes</em>, projects inspired by the act of underlining, and more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p><a href="https://www.clairelouisefoster.com/">Claire Foster</a> is a reader, writer, and literary translator from French, most recently of Pierre Clémenti’s 1973 prison memoir, <a href="https://shop.smallpressnyc.com/products/a-few-personal-messages"><em>A Few Personal Messages</em></a>. Her writing and translations have been published or will soon appear in <em>The Hopkins Review</em>, <em>Public Books</em>, the <em>Los Angeles Review of Books</em>, <em>Full Stop Quarterly</em>, and <em>The Kenyon Review</em>. Her translation of Valérie Manteau's novel <em>The Furrow</em> (Prix Renaudot, 2018) is forthcoming from Invisible Publishing. She also works as manager, events coordinator, and bookseller at <a href="https://typebooks.ca/">Type Books</a>, an independent bookstore in Toronto.</p><p><br></p><p>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>marginalia, writing, translation</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Episode 1: "Marina Blitshteyn on Theory, A Sunday"</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Episode 1: "Marina Blitshteyn on Theory, A Sunday"</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a7905215-2ba0-4ead-85c8-ff7c6cc1696c</guid>
      <link>https://share.transistor.fm/s/e83777c7</link>
      <description>
        <![CDATA[<p>Episode 1: “Marina Blitshteyn on Theory, A Sunday”</p><p><br></p><p>In this first episode of <em>Reading Around the Margins</em>, Naomi is joined by the writer Marina Blitshteyn. They discuss the, perhaps unexpected to Marina, marginalia Marina added to her copy of <em>Theory, A Sunday</em> from Belladonna Press. Their conversation explores books as bodies, how trauma lives in the body, how our selves resurface and reemerge through reading and deep periods of not reading, and much more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p>Marina Blitshteyn is the author of two poetry collections, <a href="https://argosbooks.org/?p=2961"><em>Two Hunters</em></a> (Argos Books, 2019) and <a href="https://www.switchbackbooks.com/marina-blitshteyn"><em>i take your voice</em></a> (Switchback Books, 2022), Winner of the Gatewood Prize. Her chapbooks include <a href="https://argosbooks.org/?p=95"><em>Russian for Lovers</em></a> (Argos Books), <a href="https://www.bonebouquet.org/product/nothing-personal-by-marina-blitshyten"><em>Nothing Personal</em></a> (Bone Bouquet Books), <a href="https://dulcetshop.myshopify.com/products/kill-marina-blitshteyn?_pos=1&amp;_sid=675789cc9&amp;_ss=r"><em>$kill$</em></a> (dancing girl press), and <a href="https://www.sunnyoutside.com/releases/082/o.html"><em>Sheet Music</em></a> (Sunnyoutside Press). Forthcoming titles include <em>Landguage</em> from Bunny Presse.</p><p><br>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Episode 1: “Marina Blitshteyn on Theory, A Sunday”</p><p><br></p><p>In this first episode of <em>Reading Around the Margins</em>, Naomi is joined by the writer Marina Blitshteyn. They discuss the, perhaps unexpected to Marina, marginalia Marina added to her copy of <em>Theory, A Sunday</em> from Belladonna Press. Their conversation explores books as bodies, how trauma lives in the body, how our selves resurface and reemerge through reading and deep periods of not reading, and much more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p>Marina Blitshteyn is the author of two poetry collections, <a href="https://argosbooks.org/?p=2961"><em>Two Hunters</em></a> (Argos Books, 2019) and <a href="https://www.switchbackbooks.com/marina-blitshteyn"><em>i take your voice</em></a> (Switchback Books, 2022), Winner of the Gatewood Prize. Her chapbooks include <a href="https://argosbooks.org/?p=95"><em>Russian for Lovers</em></a> (Argos Books), <a href="https://www.bonebouquet.org/product/nothing-personal-by-marina-blitshyten"><em>Nothing Personal</em></a> (Bone Bouquet Books), <a href="https://dulcetshop.myshopify.com/products/kill-marina-blitshteyn?_pos=1&amp;_sid=675789cc9&amp;_ss=r"><em>$kill$</em></a> (dancing girl press), and <a href="https://www.sunnyoutside.com/releases/082/o.html"><em>Sheet Music</em></a> (Sunnyoutside Press). Forthcoming titles include <em>Landguage</em> from Bunny Presse.</p><p><br>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </content:encoded>
      <pubDate>Mon, 26 May 2025 22:54:14 -0400</pubDate>
      <author>Paratext Publicity</author>
      <enclosure url="https://media.transistor.fm/e83777c7/a680546a.mp3" length="22087929" type="audio/mpeg"/>
      <itunes:author>Paratext Publicity</itunes:author>
      <itunes:duration>1635</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Episode 1: “Marina Blitshteyn on Theory, A Sunday”</p><p><br></p><p>In this first episode of <em>Reading Around the Margins</em>, Naomi is joined by the writer Marina Blitshteyn. They discuss the, perhaps unexpected to Marina, marginalia Marina added to her copy of <em>Theory, A Sunday</em> from Belladonna Press. Their conversation explores books as bodies, how trauma lives in the body, how our selves resurface and reemerge through reading and deep periods of not reading, and much more.</p><p><br></p><p>To preorder Naomi’s new title, <em>Marginalia: an autobiography</em> from Autofocus Books, please click <a href="https://autofocusbooks.com/store/p/marginalia">here</a>.</p><p><br></p><p>Marina Blitshteyn is the author of two poetry collections, <a href="https://argosbooks.org/?p=2961"><em>Two Hunters</em></a> (Argos Books, 2019) and <a href="https://www.switchbackbooks.com/marina-blitshteyn"><em>i take your voice</em></a> (Switchback Books, 2022), Winner of the Gatewood Prize. Her chapbooks include <a href="https://argosbooks.org/?p=95"><em>Russian for Lovers</em></a> (Argos Books), <a href="https://www.bonebouquet.org/product/nothing-personal-by-marina-blitshyten"><em>Nothing Personal</em></a> (Bone Bouquet Books), <a href="https://dulcetshop.myshopify.com/products/kill-marina-blitshteyn?_pos=1&amp;_sid=675789cc9&amp;_ss=r"><em>$kill$</em></a> (dancing girl press), and <a href="https://www.sunnyoutside.com/releases/082/o.html"><em>Sheet Music</em></a> (Sunnyoutside Press). Forthcoming titles include <em>Landguage</em> from Bunny Presse.</p><p><br>Music: lofi london by <a href="https://freemusicarchive.org/music/snoozy-beats/">snoozy beats</a> is licensed under a <a href="https://creativecommons.org/licenses/by/4.0">Attribution 4.0 International License</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>marginalia, books, poetry, chapbooks, reading, writing, psychoanalysis</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
  </channel>
</rss>
