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    <description>Private Life is a podcast from The New York Review, hosted by contributor Jarrett Earnest. Each episode offers intimate, in-depth conversations with distinguished voices from across the literary landscape—about their lives, their work, and the ideas that shape both. Along the way, they revisit pieces from the Review's robust sixty-year archive (some episodes of the podcast will feature newly recorded readings of these classic essays) to situate arguments within contemporary culture. The show also includes discussions of titles from our book publishing arm, New York Review Books, featuring talks with translator Mark Polizzotti on Andre Breton's surrealist masterpiece Nadja and musician Richard Hell on the re-issue of his novel Godlike. Other early episodes find Joyce Carol Oates ruminating on true crime, while Darryl Pinckney opens up about the perils of memoir and his formative friendship with essayist Elizabeth Hardwick. 

Private Life is a personable, expansive invitation for longtime subscribers and a new generation of readers alike to connect with the past, present and future of The New York Review. </description>
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    <pubDate>Wed, 01 Apr 2026 15:51:53 -0400</pubDate>
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    <itunes:summary>Private Life is a podcast from The New York Review, hosted by contributor Jarrett Earnest. Each episode offers intimate, in-depth conversations with distinguished voices from across the literary landscape—about their lives, their work, and the ideas that shape both. Along the way, they revisit pieces from the Review's robust sixty-year archive (some episodes of the podcast will feature newly recorded readings of these classic essays) to situate arguments within contemporary culture. The show also includes discussions of titles from our book publishing arm, New York Review Books, featuring talks with translator Mark Polizzotti on Andre Breton's surrealist masterpiece Nadja and musician Richard Hell on the re-issue of his novel Godlike. Other early episodes find Joyce Carol Oates ruminating on true crime, while Darryl Pinckney opens up about the perils of memoir and his formative friendship with essayist Elizabeth Hardwick. 

Private Life is a personable, expansive invitation for longtime subscribers and a new generation of readers alike to connect with the past, present and future of The New York Review. </itunes:summary>
    <itunes:subtitle>Private Life is a podcast from The New York Review, hosted by contributor Jarrett Earnest.</itunes:subtitle>
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      <title>Gini Alhadeff Reads from André Breton's ’Nadja’</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Gini Alhadeff Reads from André Breton's ’Nadja’</itunes:title>
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        <![CDATA[<p>In this episode of <em>Private Life</em>, the writer, translator, and editor Gini Alhadeff reads excerpts from Mark Polizzotti’s recent translation, for NYRB Classics, of André Breton’s 1928 surrealist novel,<em> </em><a href="https://www.nyrb.com/products/nadja?_pos=1&amp;_psq=nadja&amp;_ss=e&amp;_v=1.0"><em>Nadja</em></a>. Blending autobiography and fiction, this abidingly strange book recounts, analyzes, and remembers Breton’s brief love affair with the eponymous young woman in 1920s Paris.  </p><p>Alhadeff is the author of a memoir, <em>The Sun at Midday</em> (1997), and a novel, <em>Diary of a Dijinn </em>(2003), and the translator of a number of Italian novels, including <em>I Am the Brother of XX</em>, by Fleur Jaeggy, and <em>The Road to the City</em>, by Natalia Ginzburg. </p><p>To find Mark Polizzotti’s translation of <em>Nadja</em> by André Breton and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
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        <![CDATA[<p>In this episode of <em>Private Life</em>, the writer, translator, and editor Gini Alhadeff reads excerpts from Mark Polizzotti’s recent translation, for NYRB Classics, of André Breton’s 1928 surrealist novel,<em> </em><a href="https://www.nyrb.com/products/nadja?_pos=1&amp;_psq=nadja&amp;_ss=e&amp;_v=1.0"><em>Nadja</em></a>. Blending autobiography and fiction, this abidingly strange book recounts, analyzes, and remembers Breton’s brief love affair with the eponymous young woman in 1920s Paris.  </p><p>Alhadeff is the author of a memoir, <em>The Sun at Midday</em> (1997), and a novel, <em>Diary of a Dijinn </em>(2003), and the translator of a number of Italian novels, including <em>I Am the Brother of XX</em>, by Fleur Jaeggy, and <em>The Road to the City</em>, by Natalia Ginzburg. </p><p>To find Mark Polizzotti’s translation of <em>Nadja</em> by André Breton and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
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      <pubDate>Wed, 01 Apr 2026 15:51:53 -0400</pubDate>
      <author>New York Review Podcasts</author>
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      <itunes:author>New York Review Podcasts</itunes:author>
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      <itunes:duration>3118</itunes:duration>
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        <![CDATA[<p>In this episode of <em>Private Life</em>, the writer, translator, and editor Gini Alhadeff reads excerpts from Mark Polizzotti’s recent translation, for NYRB Classics, of André Breton’s 1928 surrealist novel,<em> </em><a href="https://www.nyrb.com/products/nadja?_pos=1&amp;_psq=nadja&amp;_ss=e&amp;_v=1.0"><em>Nadja</em></a>. Blending autobiography and fiction, this abidingly strange book recounts, analyzes, and remembers Breton’s brief love affair with the eponymous young woman in 1920s Paris.  </p><p>Alhadeff is the author of a memoir, <em>The Sun at Midday</em> (1997), and a novel, <em>Diary of a Dijinn </em>(2003), and the translator of a number of Italian novels, including <em>I Am the Brother of XX</em>, by Fleur Jaeggy, and <em>The Road to the City</em>, by Natalia Ginzburg. </p><p>To find Mark Polizzotti’s translation of <em>Nadja</em> by André Breton and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
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      <itunes:explicit>No</itunes:explicit>
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      <title>Mark Polizzotti on André Breton, Translation, and Surrealism</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Mark Polizzotti on André Breton, Translation, and Surrealism</itunes:title>
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      <description>
        <![CDATA[<p>In this episode of <em>Private Life</em>, Jarrett Earnest is joined by Mark Polizzotti to discuss André Breton’s surrealist novel, <a href="https://www.nyrb.com/products/nadja?_pos=1&amp;_psq=nadja&amp;_ss=e&amp;_v=1.0"><em>Nadja</em></a>, originally published in 1928 and translated into English by Polizzotti for NYRB Classics in 2025. Polizzotti gives insight into the process of translation, the facts of the real Nadja’s life, and the quotations and photography that Breton employed to evoke the woman behind the “ethereal phantom.” </p><p>André Breton was a French poet, writer, and theorist, best known as a pioneering Surrealist and Dadaist. He published <em>Claire de Terre</em>, a collection of poems, in 1923 and the <em>Surrealist Manifesto</em> (<em>Manifeste du surréalisme</em>)in 1924. Breton also cofounded the literary magazine <em>Littérature </em>in 1919.  </p><p>Mark Polizzotti is a writer based in New York. He has translated over seventy books from the French, including <em>Command Performance</em> (NYRB Classics, 2025) by Jean Echenoz and <em>The Drunken Boat: Selected Writings </em>(NYRB Poets, 2022) by Arthur Rimbaud. Polizzotti is the author of <em>Revolution of the Mind: The Life of André Breton </em>(1995), <em>Sympathy for the Traitor: A Translation Manifesto </em>(2018), and <em>Why Surrealism Matters </em>(2024). He is currently the publisher and editor-in-chief at the Metropolitan Museum of Art.  </p><p>To find <em>Nadja</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p><p> </p>]]>
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      <content:encoded>
        <![CDATA[<p>In this episode of <em>Private Life</em>, Jarrett Earnest is joined by Mark Polizzotti to discuss André Breton’s surrealist novel, <a href="https://www.nyrb.com/products/nadja?_pos=1&amp;_psq=nadja&amp;_ss=e&amp;_v=1.0"><em>Nadja</em></a>, originally published in 1928 and translated into English by Polizzotti for NYRB Classics in 2025. Polizzotti gives insight into the process of translation, the facts of the real Nadja’s life, and the quotations and photography that Breton employed to evoke the woman behind the “ethereal phantom.” </p><p>André Breton was a French poet, writer, and theorist, best known as a pioneering Surrealist and Dadaist. He published <em>Claire de Terre</em>, a collection of poems, in 1923 and the <em>Surrealist Manifesto</em> (<em>Manifeste du surréalisme</em>)in 1924. Breton also cofounded the literary magazine <em>Littérature </em>in 1919.  </p><p>Mark Polizzotti is a writer based in New York. He has translated over seventy books from the French, including <em>Command Performance</em> (NYRB Classics, 2025) by Jean Echenoz and <em>The Drunken Boat: Selected Writings </em>(NYRB Poets, 2022) by Arthur Rimbaud. Polizzotti is the author of <em>Revolution of the Mind: The Life of André Breton </em>(1995), <em>Sympathy for the Traitor: A Translation Manifesto </em>(2018), and <em>Why Surrealism Matters </em>(2024). He is currently the publisher and editor-in-chief at the Metropolitan Museum of Art.  </p><p>To find <em>Nadja</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p><p> </p>]]>
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      <pubDate>Wed, 25 Mar 2026 14:55:55 -0400</pubDate>
      <author>New York Review Podcasts</author>
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      <itunes:author>New York Review Podcasts</itunes:author>
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      <itunes:duration>4582</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode of <em>Private Life</em>, Jarrett Earnest is joined by Mark Polizzotti to discuss André Breton’s surrealist novel, <a href="https://www.nyrb.com/products/nadja?_pos=1&amp;_psq=nadja&amp;_ss=e&amp;_v=1.0"><em>Nadja</em></a>, originally published in 1928 and translated into English by Polizzotti for NYRB Classics in 2025. Polizzotti gives insight into the process of translation, the facts of the real Nadja’s life, and the quotations and photography that Breton employed to evoke the woman behind the “ethereal phantom.” </p><p>André Breton was a French poet, writer, and theorist, best known as a pioneering Surrealist and Dadaist. He published <em>Claire de Terre</em>, a collection of poems, in 1923 and the <em>Surrealist Manifesto</em> (<em>Manifeste du surréalisme</em>)in 1924. Breton also cofounded the literary magazine <em>Littérature </em>in 1919.  </p><p>Mark Polizzotti is a writer based in New York. He has translated over seventy books from the French, including <em>Command Performance</em> (NYRB Classics, 2025) by Jean Echenoz and <em>The Drunken Boat: Selected Writings </em>(NYRB Poets, 2022) by Arthur Rimbaud. Polizzotti is the author of <em>Revolution of the Mind: The Life of André Breton </em>(1995), <em>Sympathy for the Traitor: A Translation Manifesto </em>(2018), and <em>Why Surrealism Matters </em>(2024). He is currently the publisher and editor-in-chief at the Metropolitan Museum of Art.  </p><p>To find <em>Nadja</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p><p> </p>]]>
      </itunes:summary>
      <itunes:keywords>literature, academia, books, criticism, writing, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" img="https://img.transistorcdn.com/hM80Z6OPrjs8nqB3Q_KhpY1uffTJJ0qOyEqjgVGCUxQ/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzU5/OWVmYWQ1YWY3Mzc4/MTg4YTFjM2VjYWJh/NmFhNS5qcGc.jpg">Jarrett Earnest</podcast:person>
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      <title>Richard Hell Reads From ‘Godlike‘ </title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Richard Hell Reads From ‘Godlike‘ </itunes:title>
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        <![CDATA[<p>In this episode of <em>Private Life</em>, Richard Hell reads from his novel <a href="https://www.nyrb.com/products/godlike?_pos=1&amp;_psq=godl&amp;_ss=e&amp;_v=1.0"><em>Godlike </em></a>(2005), which was reissued last month by NYRB Classics with a new afterword by Raymond Faye. <em>Godlike</em> tells the story of a poet perambulating downtown Manhattan in the 1970s and pining for a young poet who probably won’t love him back, closely mirroring the doomed romance between the nineteenth-century French <em>poètes maudits</em> Arthur Rimbaud and Paul Verlaine. </p><p>Richard Hell is a writer and former musician best known as a pioneer of the punk rock scene in 1970s New York. Some of his books include <em>The Voidoid </em>(1996), <em>Artifact </em>(1990), <em>Hot and Cold </em>(2001), <em>Go Now </em>(1996), <em>I Dreamed I Was a Very Clean Tramp </em>(2013), and <em>What Just Happened </em>(2023). </p><p>This reading accompanies the <em>Private Life </em>episode featuring Hell discussing his novels, poetry, and creative process. To find Richard Hell’s <em>Godlike</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>; in addition to twenty print issues a year, a subscription provides online access to our full archive going back to 1963. </p>]]>
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      <content:encoded>
        <![CDATA[<p>In this episode of <em>Private Life</em>, Richard Hell reads from his novel <a href="https://www.nyrb.com/products/godlike?_pos=1&amp;_psq=godl&amp;_ss=e&amp;_v=1.0"><em>Godlike </em></a>(2005), which was reissued last month by NYRB Classics with a new afterword by Raymond Faye. <em>Godlike</em> tells the story of a poet perambulating downtown Manhattan in the 1970s and pining for a young poet who probably won’t love him back, closely mirroring the doomed romance between the nineteenth-century French <em>poètes maudits</em> Arthur Rimbaud and Paul Verlaine. </p><p>Richard Hell is a writer and former musician best known as a pioneer of the punk rock scene in 1970s New York. Some of his books include <em>The Voidoid </em>(1996), <em>Artifact </em>(1990), <em>Hot and Cold </em>(2001), <em>Go Now </em>(1996), <em>I Dreamed I Was a Very Clean Tramp </em>(2013), and <em>What Just Happened </em>(2023). </p><p>This reading accompanies the <em>Private Life </em>episode featuring Hell discussing his novels, poetry, and creative process. To find Richard Hell’s <em>Godlike</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>; in addition to twenty print issues a year, a subscription provides online access to our full archive going back to 1963. </p>]]>
      </content:encoded>
      <pubDate>Wed, 18 Mar 2026 14:37:06 -0400</pubDate>
      <author>New York Review Podcasts</author>
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      <itunes:author>New York Review Podcasts</itunes:author>
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      <itunes:duration>2350</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode of <em>Private Life</em>, Richard Hell reads from his novel <a href="https://www.nyrb.com/products/godlike?_pos=1&amp;_psq=godl&amp;_ss=e&amp;_v=1.0"><em>Godlike </em></a>(2005), which was reissued last month by NYRB Classics with a new afterword by Raymond Faye. <em>Godlike</em> tells the story of a poet perambulating downtown Manhattan in the 1970s and pining for a young poet who probably won’t love him back, closely mirroring the doomed romance between the nineteenth-century French <em>poètes maudits</em> Arthur Rimbaud and Paul Verlaine. </p><p>Richard Hell is a writer and former musician best known as a pioneer of the punk rock scene in 1970s New York. Some of his books include <em>The Voidoid </em>(1996), <em>Artifact </em>(1990), <em>Hot and Cold </em>(2001), <em>Go Now </em>(1996), <em>I Dreamed I Was a Very Clean Tramp </em>(2013), and <em>What Just Happened </em>(2023). </p><p>This reading accompanies the <em>Private Life </em>episode featuring Hell discussing his novels, poetry, and creative process. To find Richard Hell’s <em>Godlike</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>; in addition to twenty print issues a year, a subscription provides online access to our full archive going back to 1963. </p>]]>
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      <itunes:keywords>literature, academia, books, criticism, writing, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" img="https://img.transistorcdn.com/hM80Z6OPrjs8nqB3Q_KhpY1uffTJJ0qOyEqjgVGCUxQ/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzU5/OWVmYWQ1YWY3Mzc4/MTg4YTFjM2VjYWJh/NmFhNS5qcGc.jpg">Jarrett Earnest</podcast:person>
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      <title>Richard Hell on ’Godlike’ and Poetry as a Way of Life</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Richard Hell on ’Godlike’ and Poetry as a Way of Life</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>In this episode of <em>Private Life</em>, Richard Hell joins Jarrett Earnest to discuss his novel <em>Godlike</em> (newly reissued by NYRB Classics), his creative process, the love of poetry, and the stories behind his work.  </p><p>Richard Hell is a writer and former musician best known as a pioneer of the punk rock scene in 1970s New York. Originally from Kentucky, he moved to New York at the age of seventeen and began publishing his poetry. In his early twenties, along with his friend Tom Verlaine, he started the Neon Boys, which later became the influential punk rock band Television. He went on to form the bands the Heartbreakers and Richard Hell and the Voidoids. In addition to <em>Godlike</em>, Hell has written several novels, poetry collections, and essay collections, as well as a memoir, <em>I Dreamed I Was a Very Clean Tramp</em> (2013). His most recent book of poetry, <em>What Just Happened</em>, was published in 2023. <em>Godlike</em>, which was <a href="https://www.nyrb.com/products/godlike">reissued last month by NYRB Classics</a> with a new afterword by Raymond Foye, was originally published in 2005. Crossing Hell’s experiences in the demimonde of 1970s New York City with the doomed romance of the nineteenth-century <em>poètes maudits</em> of France, it traverses the profane and the profound in the story of a poet perambulating downtown Manhattan and pining for a young poet who probably won’t love him back.   </p><p>To find Richard Hell’s <em>Godlike</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode of <em>Private Life</em>, Richard Hell joins Jarrett Earnest to discuss his novel <em>Godlike</em> (newly reissued by NYRB Classics), his creative process, the love of poetry, and the stories behind his work.  </p><p>Richard Hell is a writer and former musician best known as a pioneer of the punk rock scene in 1970s New York. Originally from Kentucky, he moved to New York at the age of seventeen and began publishing his poetry. In his early twenties, along with his friend Tom Verlaine, he started the Neon Boys, which later became the influential punk rock band Television. He went on to form the bands the Heartbreakers and Richard Hell and the Voidoids. In addition to <em>Godlike</em>, Hell has written several novels, poetry collections, and essay collections, as well as a memoir, <em>I Dreamed I Was a Very Clean Tramp</em> (2013). His most recent book of poetry, <em>What Just Happened</em>, was published in 2023. <em>Godlike</em>, which was <a href="https://www.nyrb.com/products/godlike">reissued last month by NYRB Classics</a> with a new afterword by Raymond Foye, was originally published in 2005. Crossing Hell’s experiences in the demimonde of 1970s New York City with the doomed romance of the nineteenth-century <em>poètes maudits</em> of France, it traverses the profane and the profound in the story of a poet perambulating downtown Manhattan and pining for a young poet who probably won’t love him back.   </p><p>To find Richard Hell’s <em>Godlike</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
      </content:encoded>
      <pubDate>Wed, 11 Mar 2026 13:34:33 -0400</pubDate>
      <author>New York Review Podcasts</author>
      <enclosure url="https://media.transistor.fm/0113eb07/d3e0b05d.mp3" length="56461917" type="audio/mpeg"/>
      <itunes:author>New York Review Podcasts</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/Gzp9jp2_ooFxfMkrZGRA1d_HbWo9W62Fz4-gYlcEP7k/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8yNTQ2/OGZlNzViYjAzZGY3/MmM3YmMyYWFhZGEz/YzRjYS5qcGc.jpg"/>
      <itunes:duration>3527</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode of <em>Private Life</em>, Richard Hell joins Jarrett Earnest to discuss his novel <em>Godlike</em> (newly reissued by NYRB Classics), his creative process, the love of poetry, and the stories behind his work.  </p><p>Richard Hell is a writer and former musician best known as a pioneer of the punk rock scene in 1970s New York. Originally from Kentucky, he moved to New York at the age of seventeen and began publishing his poetry. In his early twenties, along with his friend Tom Verlaine, he started the Neon Boys, which later became the influential punk rock band Television. He went on to form the bands the Heartbreakers and Richard Hell and the Voidoids. In addition to <em>Godlike</em>, Hell has written several novels, poetry collections, and essay collections, as well as a memoir, <em>I Dreamed I Was a Very Clean Tramp</em> (2013). His most recent book of poetry, <em>What Just Happened</em>, was published in 2023. <em>Godlike</em>, which was <a href="https://www.nyrb.com/products/godlike">reissued last month by NYRB Classics</a> with a new afterword by Raymond Foye, was originally published in 2005. Crossing Hell’s experiences in the demimonde of 1970s New York City with the doomed romance of the nineteenth-century <em>poètes maudits</em> of France, it traverses the profane and the profound in the story of a poet perambulating downtown Manhattan and pining for a young poet who probably won’t love him back.   </p><p>To find Richard Hell’s <em>Godlike</em> and other NYRB Classics, visit our book imprint at nyrb.com. Subscribe to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
      </itunes:summary>
      <itunes:keywords>literature, academia, books, criticism, writing, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" img="https://img.transistorcdn.com/hM80Z6OPrjs8nqB3Q_KhpY1uffTJJ0qOyEqjgVGCUxQ/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzU5/OWVmYWQ1YWY3Mzc4/MTg4YTFjM2VjYWJh/NmFhNS5qcGc.jpg">Jarrett Earnest</podcast:person>
      <podcast:transcript url="https://share.transistor.fm/s/0113eb07/transcript.txt" type="text/plain"/>
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    <item>
      <title>“The Mystery of JonBenét Ramsey” by Joyce Carol Oates</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>“The Mystery of JonBenét Ramsey” by Joyce Carol Oates</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/0efa0f97</link>
      <description>
        <![CDATA[<p>In the June 24, 1999, issue of <em>The New York Review of Books, </em>Joyce Carol Oates wrote about the murder of JonBenét Ramsey and dissected America’s fascination with “the category of nonfiction known as ‘true crime.’” In this episode of <em>Private Life</em>, “The Mystery of JonBenét Ramsey" is read by writer Alissa Bennett, whose work has appeared in<em> The Paris Review</em>, <em>Vogue</em>, <em>The New York Times</em>, and <em>Artforum</em>. From 2016 to 2019 she also wrote the zine <em>Dead Is Better</em>, about celebrity deaths, and from 2019 to 2022 she cohosted the podcast <em>The C-Word</em> with Lena Dunham.  </p><p>This reading accompanies the <em>Private Life </em>episode featuring Oates discussing her novels, essays, and the improbability of her life. You can read “The Mystery of JonBenét Ramsey” with a subscription to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the June 24, 1999, issue of <em>The New York Review of Books, </em>Joyce Carol Oates wrote about the murder of JonBenét Ramsey and dissected America’s fascination with “the category of nonfiction known as ‘true crime.’” In this episode of <em>Private Life</em>, “The Mystery of JonBenét Ramsey" is read by writer Alissa Bennett, whose work has appeared in<em> The Paris Review</em>, <em>Vogue</em>, <em>The New York Times</em>, and <em>Artforum</em>. From 2016 to 2019 she also wrote the zine <em>Dead Is Better</em>, about celebrity deaths, and from 2019 to 2022 she cohosted the podcast <em>The C-Word</em> with Lena Dunham.  </p><p>This reading accompanies the <em>Private Life </em>episode featuring Oates discussing her novels, essays, and the improbability of her life. You can read “The Mystery of JonBenét Ramsey” with a subscription to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
      </content:encoded>
      <pubDate>Wed, 04 Mar 2026 12:01:23 -0500</pubDate>
      <author>New York Review Podcasts</author>
      <enclosure url="https://media.transistor.fm/0efa0f97/2463f455.mp3" length="46265860" type="audio/mpeg"/>
      <itunes:author>New York Review Podcasts</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/rHQahwpOWXKicbuXrRjSCTfsOk0h1SXpDJGeQ8ez1Pk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jNzkw/MGRkNjBmYzZkOTY0/ZTAwNzgwMzZmNTA0/ODg1NS5qcGc.jpg"/>
      <itunes:duration>2889</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the June 24, 1999, issue of <em>The New York Review of Books, </em>Joyce Carol Oates wrote about the murder of JonBenét Ramsey and dissected America’s fascination with “the category of nonfiction known as ‘true crime.’” In this episode of <em>Private Life</em>, “The Mystery of JonBenét Ramsey" is read by writer Alissa Bennett, whose work has appeared in<em> The Paris Review</em>, <em>Vogue</em>, <em>The New York Times</em>, and <em>Artforum</em>. From 2016 to 2019 she also wrote the zine <em>Dead Is Better</em>, about celebrity deaths, and from 2019 to 2022 she cohosted the podcast <em>The C-Word</em> with Lena Dunham.  </p><p>This reading accompanies the <em>Private Life </em>episode featuring Oates discussing her novels, essays, and the improbability of her life. You can read “The Mystery of JonBenét Ramsey” with a subscription to <em>The New York Review of Books</em>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963. </p>]]>
      </itunes:summary>
      <itunes:keywords>literature, academia, books, criticism, writing, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" img="https://img.transistorcdn.com/hM80Z6OPrjs8nqB3Q_KhpY1uffTJJ0qOyEqjgVGCUxQ/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzU5/OWVmYWQ1YWY3Mzc4/MTg4YTFjM2VjYWJh/NmFhNS5qcGc.jpg">Jarrett Earnest</podcast:person>
      <podcast:transcript url="https://share.transistor.fm/s/0efa0f97/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Joyce Carol Oates on True Crime, Her Improbable Life, and Joan Didion</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Joyce Carol Oates on True Crime, Her Improbable Life, and Joan Didion</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fe795756</link>
      <description>
        <![CDATA[<p>In the third episode of <em>Private Life</em>, Joyce Carol Oates joins Jarrett Earnest for an expansive conversation on everything from Joan Didion to serial killers. They discuss “New York: Sentimental Journeys,” Didion’s essay from the <em>Review</em>’s March 7, 1991, issue about the Central Park Five, the rush to judgment in a sensational murder case, media mythmaking, and sentimentalized narratives about crime. The conversation also touches on the state of long-form criticism, true crime’s grip on pop culture, and the elusive art of the novella, and Oates reflects on her writing (including three essays about murderers that she wrote for the <em>Review</em>: “‘<a href="https://www.nybooks.com/articles/1994/03/24/i-had-no-other-thrill-or-happiness/">I Had No Other Thrill or Happiness</a>,’” “<a href="https://www.nybooks.com/articles/1999/06/24/the-mystery-of-jonbenet-ramsey/">The Mystery of JonBenét Ramsey</a>,” and “<a href="https://www.nybooks.com/articles/2025/07/24/death-in-the-air-murderland-fraser-oates/">Death in the Air</a>”) and the improbability of her life. </p><p>Joyce Carol Oates’s many novels, essays, short stories, poems, and works of criticism have addressed subjects ranging from boxing to Marilyn Monroe, often exploring the dark underbelly of American life. She is a Visiting Distinguished Professor at Rutgers–New Brunswick and her work has appeared in <em>The New Yorker</em>,<em> The Paris Review</em>,<em> </em>and<em> Harper’s</em>, among many other publications. She has been a contributor to <em>The New York Review of Books</em> since 1992, when she wrote “<a href="https://www.nybooks.com/articles/1992/02/13/the-cruelest-sport/">The Cruelest Sport</a>,”  about boxing, Muhammad Ali, and masculinity. Her most recent novel, <em>Fox</em>, about a predatory English teacher at a New Jersey boarding school, came out last year. Read the essays discussed in this episode with a subscription to <em>The New York Review of Books</em>, which, in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.</p><p>Read the essays discussed in this episode:</p><p><a href="https://www.nybooks.com/articles/1991/01/17/new-york-sentimental-journeys/">New York: Sentimental Journeys</a></p><p><a href="https://www.nybooks.com/articles/1994/03/24/i-had-no-other-thrill-or-happiness/">I Had No Other Thrill or Happiness</a></p><p><a href="https://www.nybooks.com/articles/1999/06/24/the-mystery-of-jonbenet-ramsey/">The Mystery of JonBenét Ramsey</a></p><p><a href="https://www.nybooks.com/articles/2025/07/24/death-in-the-air-murderland-fraser-oates/">Death in the Air</a></p><p><a href="https://www.nybooks.com/articles/1992/02/13/the-cruelest-sport/">The Cruelest Sport<br></a><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the third episode of <em>Private Life</em>, Joyce Carol Oates joins Jarrett Earnest for an expansive conversation on everything from Joan Didion to serial killers. They discuss “New York: Sentimental Journeys,” Didion’s essay from the <em>Review</em>’s March 7, 1991, issue about the Central Park Five, the rush to judgment in a sensational murder case, media mythmaking, and sentimentalized narratives about crime. The conversation also touches on the state of long-form criticism, true crime’s grip on pop culture, and the elusive art of the novella, and Oates reflects on her writing (including three essays about murderers that she wrote for the <em>Review</em>: “‘<a href="https://www.nybooks.com/articles/1994/03/24/i-had-no-other-thrill-or-happiness/">I Had No Other Thrill or Happiness</a>,’” “<a href="https://www.nybooks.com/articles/1999/06/24/the-mystery-of-jonbenet-ramsey/">The Mystery of JonBenét Ramsey</a>,” and “<a href="https://www.nybooks.com/articles/2025/07/24/death-in-the-air-murderland-fraser-oates/">Death in the Air</a>”) and the improbability of her life. </p><p>Joyce Carol Oates’s many novels, essays, short stories, poems, and works of criticism have addressed subjects ranging from boxing to Marilyn Monroe, often exploring the dark underbelly of American life. She is a Visiting Distinguished Professor at Rutgers–New Brunswick and her work has appeared in <em>The New Yorker</em>,<em> The Paris Review</em>,<em> </em>and<em> Harper’s</em>, among many other publications. She has been a contributor to <em>The New York Review of Books</em> since 1992, when she wrote “<a href="https://www.nybooks.com/articles/1992/02/13/the-cruelest-sport/">The Cruelest Sport</a>,”  about boxing, Muhammad Ali, and masculinity. Her most recent novel, <em>Fox</em>, about a predatory English teacher at a New Jersey boarding school, came out last year. Read the essays discussed in this episode with a subscription to <em>The New York Review of Books</em>, which, in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.</p><p>Read the essays discussed in this episode:</p><p><a href="https://www.nybooks.com/articles/1991/01/17/new-york-sentimental-journeys/">New York: Sentimental Journeys</a></p><p><a href="https://www.nybooks.com/articles/1994/03/24/i-had-no-other-thrill-or-happiness/">I Had No Other Thrill or Happiness</a></p><p><a href="https://www.nybooks.com/articles/1999/06/24/the-mystery-of-jonbenet-ramsey/">The Mystery of JonBenét Ramsey</a></p><p><a href="https://www.nybooks.com/articles/2025/07/24/death-in-the-air-murderland-fraser-oates/">Death in the Air</a></p><p><a href="https://www.nybooks.com/articles/1992/02/13/the-cruelest-sport/">The Cruelest Sport<br></a><br></p>]]>
      </content:encoded>
      <pubDate>Wed, 25 Feb 2026 11:00:00 -0500</pubDate>
      <author>New York Review Podcasts</author>
      <enclosure url="https://media.transistor.fm/fe795756/24f29cf9.mp3" length="61514972" type="audio/mpeg"/>
      <itunes:author>New York Review Podcasts</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/nHqbNpI7Q4ZEldDGAMMYgxkw1trCa2NnXfjpNedGxKs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82OWRj/ZjY0NWUxYWJmNjM0/YTk5MGQyOGY3ZTlj/YzQ4NS5qcGc.jpg"/>
      <itunes:duration>3843</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the third episode of <em>Private Life</em>, Joyce Carol Oates joins Jarrett Earnest for an expansive conversation on everything from Joan Didion to serial killers. They discuss “New York: Sentimental Journeys,” Didion’s essay from the <em>Review</em>’s March 7, 1991, issue about the Central Park Five, the rush to judgment in a sensational murder case, media mythmaking, and sentimentalized narratives about crime. The conversation also touches on the state of long-form criticism, true crime’s grip on pop culture, and the elusive art of the novella, and Oates reflects on her writing (including three essays about murderers that she wrote for the <em>Review</em>: “‘<a href="https://www.nybooks.com/articles/1994/03/24/i-had-no-other-thrill-or-happiness/">I Had No Other Thrill or Happiness</a>,’” “<a href="https://www.nybooks.com/articles/1999/06/24/the-mystery-of-jonbenet-ramsey/">The Mystery of JonBenét Ramsey</a>,” and “<a href="https://www.nybooks.com/articles/2025/07/24/death-in-the-air-murderland-fraser-oates/">Death in the Air</a>”) and the improbability of her life. </p><p>Joyce Carol Oates’s many novels, essays, short stories, poems, and works of criticism have addressed subjects ranging from boxing to Marilyn Monroe, often exploring the dark underbelly of American life. She is a Visiting Distinguished Professor at Rutgers–New Brunswick and her work has appeared in <em>The New Yorker</em>,<em> The Paris Review</em>,<em> </em>and<em> Harper’s</em>, among many other publications. She has been a contributor to <em>The New York Review of Books</em> since 1992, when she wrote “<a href="https://www.nybooks.com/articles/1992/02/13/the-cruelest-sport/">The Cruelest Sport</a>,”  about boxing, Muhammad Ali, and masculinity. Her most recent novel, <em>Fox</em>, about a predatory English teacher at a New Jersey boarding school, came out last year. Read the essays discussed in this episode with a subscription to <em>The New York Review of Books</em>, which, in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.</p><p>Read the essays discussed in this episode:</p><p><a href="https://www.nybooks.com/articles/1991/01/17/new-york-sentimental-journeys/">New York: Sentimental Journeys</a></p><p><a href="https://www.nybooks.com/articles/1994/03/24/i-had-no-other-thrill-or-happiness/">I Had No Other Thrill or Happiness</a></p><p><a href="https://www.nybooks.com/articles/1999/06/24/the-mystery-of-jonbenet-ramsey/">The Mystery of JonBenét Ramsey</a></p><p><a href="https://www.nybooks.com/articles/2025/07/24/death-in-the-air-murderland-fraser-oates/">Death in the Air</a></p><p><a href="https://www.nybooks.com/articles/1992/02/13/the-cruelest-sport/">The Cruelest Sport<br></a><br></p>]]>
      </itunes:summary>
      <itunes:keywords>literature, academia, books, criticism, writing, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" img="https://img.transistorcdn.com/hM80Z6OPrjs8nqB3Q_KhpY1uffTJJ0qOyEqjgVGCUxQ/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzU5/OWVmYWQ1YWY3Mzc4/MTg4YTFjM2VjYWJh/NmFhNS5qcGc.jpg">Jarrett Earnest</podcast:person>
      <podcast:transcript url="https://share.transistor.fm/s/fe795756/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>“Working Girls: The Brontës” by Elizabeth Hardwick</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>“Working Girls: The Brontës” by Elizabeth Hardwick</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/2319bae6</link>
      <description>
        <![CDATA[<p>In the May 4, 1972, issue of <em>The New York Review of Books</em>, Elizabeth Hardwick wrote about the lives and work of the Brontë sisters on the occasion of Winifred Gérin’s then-new biography of Emily (preceded by Gérin’s biographies of Anne, Branwell, and Charlotte, and followed in 1973 by her group biography <em>The Brontës</em>). In this episode of <em>Private Life</em>, Hardwick’s essay is read by Kathleen Chalfant, an actress who has appeared in television, in film, and in stage productions on and off Broadway. She is currently performing in New York in the Playwrights Horizons production of Jacob Perkins’s <em>The Dinosaurs</em>, and she recently starred in Sarah Friedland’s film <em>Familiar Touch</em> (2024).</p><p><br>This reading serves as an accompaniment to the <em>Private Life</em> episode featuring Darryl Pinckney discussing his close friendship with Hardwick. You can also read “<a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">Working Girls: The Brontës</a>” with a <a href="https://www.nybooks.com/plsub">subscription to <em>The New York Review of Books</em></a>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the May 4, 1972, issue of <em>The New York Review of Books</em>, Elizabeth Hardwick wrote about the lives and work of the Brontë sisters on the occasion of Winifred Gérin’s then-new biography of Emily (preceded by Gérin’s biographies of Anne, Branwell, and Charlotte, and followed in 1973 by her group biography <em>The Brontës</em>). In this episode of <em>Private Life</em>, Hardwick’s essay is read by Kathleen Chalfant, an actress who has appeared in television, in film, and in stage productions on and off Broadway. She is currently performing in New York in the Playwrights Horizons production of Jacob Perkins’s <em>The Dinosaurs</em>, and she recently starred in Sarah Friedland’s film <em>Familiar Touch</em> (2024).</p><p><br>This reading serves as an accompaniment to the <em>Private Life</em> episode featuring Darryl Pinckney discussing his close friendship with Hardwick. You can also read “<a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">Working Girls: The Brontës</a>” with a <a href="https://www.nybooks.com/plsub">subscription to <em>The New York Review of Books</em></a>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963.</p>]]>
      </content:encoded>
      <pubDate>Wed, 18 Feb 2026 14:15:40 -0500</pubDate>
      <author>New York Review Podcasts</author>
      <enclosure url="https://media.transistor.fm/2319bae6/fcc63616.mp3" length="59794207" type="audio/mpeg"/>
      <itunes:author>New York Review Podcasts</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/xllmLutCGQsYuM36xcBApsPZTtlvI4mh_cyBI67t-tk/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zN2Vl/NGQyZTRiNTBiZWJj/MDRlYTAyODM5MjM2/MDZiMS5qcGc.jpg"/>
      <itunes:duration>3735</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the May 4, 1972, issue of <em>The New York Review of Books</em>, Elizabeth Hardwick wrote about the lives and work of the Brontë sisters on the occasion of Winifred Gérin’s then-new biography of Emily (preceded by Gérin’s biographies of Anne, Branwell, and Charlotte, and followed in 1973 by her group biography <em>The Brontës</em>). In this episode of <em>Private Life</em>, Hardwick’s essay is read by Kathleen Chalfant, an actress who has appeared in television, in film, and in stage productions on and off Broadway. She is currently performing in New York in the Playwrights Horizons production of Jacob Perkins’s <em>The Dinosaurs</em>, and she recently starred in Sarah Friedland’s film <em>Familiar Touch</em> (2024).</p><p><br>This reading serves as an accompaniment to the <em>Private Life</em> episode featuring Darryl Pinckney discussing his close friendship with Hardwick. You can also read “<a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">Working Girls: The Brontës</a>” with a <a href="https://www.nybooks.com/plsub">subscription to <em>The New York Review of Books</em></a>, which, in addition to twenty print issues a year, provides online access to our full archive going back to 1963.</p>]]>
      </itunes:summary>
      <itunes:keywords>literature, academia, books, criticism, writing, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" img="https://img.transistorcdn.com/hM80Z6OPrjs8nqB3Q_KhpY1uffTJJ0qOyEqjgVGCUxQ/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzU5/OWVmYWQ1YWY3Mzc4/MTg4YTFjM2VjYWJh/NmFhNS5qcGc.jpg">Jarrett Earnest</podcast:person>
      <podcast:transcript url="https://share.transistor.fm/s/2319bae6/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Darryl Pinckney on Memoir, Friendship, and Elizabeth Hardwick</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Darryl Pinckney on Memoir, Friendship, and Elizabeth Hardwick</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/85026953</link>
      <description>
        <![CDATA[<p>In the first episode of our podcast <em>Private Life</em>, Darryl Pinckney talks with host Jarrett Earnest about his close friend and former teacher Elizabeth Hardwick. Pinckney discusses her inimitable voice on the page, her love of literature’s most “terrific losers,” and the people in her inner circle, including the <em>Review</em>’s editor Barbara Epstein, Mary McCarthy, and Susan Sontag, who came to shape Hardwick’s life and art. Pinckney reflects on the painful process of writing memoirs and his education in early 1970s New York City.</p><p>Darryl Pinckney is the author of two novels as well as the memoir <em>Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan</em> (2022). He met Hardwick while a student in her creative writing seminar at Columbia University, then worked as an assistant at <em>The New York Review of Books</em> before contributing his first article, in 1977, “The Black Upper Class,” a review of Stephen Birmingham’s <em>Certain People: America’s Black Elite</em>. For the <em>Review</em>, as well as <em>Harper’s</em>, <em>Granta</em>, and <em>The New Yorker</em>, he has written extensively about American literature, black American culture, YouTube, James Baldwin, Obama’s presidency, and Elizabeth Hardwick. His essays about Hardwick include “<a href="https://www.nybooks.com/articles/2017/10/12/elizabeth-hardwick-master-class/">Master Class</a>,” about his experience as her student, and “<a href="https://www.nybooks.com/articles/2010/05/13/elizabeth-hardwick/">On Elizabeth Hardwick</a>,” an expansive consideration of her style. Darryl Pinckney selected the work included in <em>The New York Stories of Elizabeth Hardwick </em>(2010) and <em>The Collected Essays of Elizabeth Hardwick</em> (2017), for which he wrote the introduction.</p><p>Elizabeth Hardwick (1916–2007) was a writer and <em>Review </em>contributor who wrote some of the most influential criticism of the twentieth century. In 1963 she cofounded <em>The New York Review of Books</em> alongside the editors Robert Silvers and Barbara Epstein, as well as Hardwick’s then husband, the poet Robert Lowell. Essays by Hardwick discussed in this episode include <a href="https://www.nybooks.com/articles/1971/08/12/on-sylvia-plath/">“On Sylvia Plath”</a>(published in the August 12, 1971, issue), and <a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">“Working Girls: The Brontës”</a> (May 4, 1972). Her collected criticism, published in, among many other magazines, <em>The New York Review</em>, <em>The New Yorker</em>, and <em>Harper’s</em>, has been collected by the NYRB Classics in several volumes, and she also wrote three novels, including <em>Sleepless Nights</em>(1979), a genre-defying book that blends fiction and memoir (reissued by NYRB in 2001), as well as a clutch of short stories, collected in <em>The New York Stories of Elizabeth Hardwick </em>(2010).</p><p>Read the essays discussed in this episode and many others with <a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsubscribe.nybooks.com%2Fecom%2Fnyb%2Fapp%2Flive%2Fsubscriptions%3Forg%3DNYB%26publ%3DNY%26key_code%3DEPMPOD1%26type%3DS&amp;data=05%7C02%7Cmking%40nybooks.com%7C0c2e7583927c4eaa2fd908de697c9afb%7Cd8b3a8beb1444b1c83fe421eca35fbf5%7C0%7C0%7C639064181068606447%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=4qrZKNlvvTYwZZw5hTSc3BW367tPXibgBupcmYOvFmc%3D&amp;reserved=0">a subscription to </a><a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsubscribe.nybooks.com%2Fecom%2Fnyb%2Fapp%2Flive%2Fsubscriptions%3Forg%3DNYB%26publ%3DNY%26key_code%3DEPMPOD1%26type%3DS&amp;data=05%7C02%7Cmking%40nybooks.com%7C0c2e7583927c4eaa2fd908de697c9afb%7Cd8b3a8beb1444b1c83fe421eca35fbf5%7C0%7C0%7C639064181068648975%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=O0EwEOY%2BXsxUW%2FX2JgoBjZHugqPGSGO%2FGxBxE4I3pn8%3D&amp;reserved=0"><em>The New York Review of Books</em></a>, which—in addition to twenty issues a year—provides access to our full archive since 1963, searchable on our website.</p><p><br></p><p><a href="https://www.nybooks.com/articles/1971/08/12/on-sylvia-plath/">On Sylvia Plath by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/2000/06/15/melville-in-love/">Melville In Love by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">Working Girls: The Brontës by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1973/02/08/bloomsbury-and-virginia-woolf/">Bloomsbury and Virginia Woolf by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1981/07/16/bartleby-and-manhattan/">Bartleby and Manhattan by Elizabeth Hardwick</a> </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In the first episode of our podcast <em>Private Life</em>, Darryl Pinckney talks with host Jarrett Earnest about his close friend and former teacher Elizabeth Hardwick. Pinckney discusses her inimitable voice on the page, her love of literature’s most “terrific losers,” and the people in her inner circle, including the <em>Review</em>’s editor Barbara Epstein, Mary McCarthy, and Susan Sontag, who came to shape Hardwick’s life and art. Pinckney reflects on the painful process of writing memoirs and his education in early 1970s New York City.</p><p>Darryl Pinckney is the author of two novels as well as the memoir <em>Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan</em> (2022). He met Hardwick while a student in her creative writing seminar at Columbia University, then worked as an assistant at <em>The New York Review of Books</em> before contributing his first article, in 1977, “The Black Upper Class,” a review of Stephen Birmingham’s <em>Certain People: America’s Black Elite</em>. For the <em>Review</em>, as well as <em>Harper’s</em>, <em>Granta</em>, and <em>The New Yorker</em>, he has written extensively about American literature, black American culture, YouTube, James Baldwin, Obama’s presidency, and Elizabeth Hardwick. His essays about Hardwick include “<a href="https://www.nybooks.com/articles/2017/10/12/elizabeth-hardwick-master-class/">Master Class</a>,” about his experience as her student, and “<a href="https://www.nybooks.com/articles/2010/05/13/elizabeth-hardwick/">On Elizabeth Hardwick</a>,” an expansive consideration of her style. Darryl Pinckney selected the work included in <em>The New York Stories of Elizabeth Hardwick </em>(2010) and <em>The Collected Essays of Elizabeth Hardwick</em> (2017), for which he wrote the introduction.</p><p>Elizabeth Hardwick (1916–2007) was a writer and <em>Review </em>contributor who wrote some of the most influential criticism of the twentieth century. In 1963 she cofounded <em>The New York Review of Books</em> alongside the editors Robert Silvers and Barbara Epstein, as well as Hardwick’s then husband, the poet Robert Lowell. Essays by Hardwick discussed in this episode include <a href="https://www.nybooks.com/articles/1971/08/12/on-sylvia-plath/">“On Sylvia Plath”</a>(published in the August 12, 1971, issue), and <a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">“Working Girls: The Brontës”</a> (May 4, 1972). Her collected criticism, published in, among many other magazines, <em>The New York Review</em>, <em>The New Yorker</em>, and <em>Harper’s</em>, has been collected by the NYRB Classics in several volumes, and she also wrote three novels, including <em>Sleepless Nights</em>(1979), a genre-defying book that blends fiction and memoir (reissued by NYRB in 2001), as well as a clutch of short stories, collected in <em>The New York Stories of Elizabeth Hardwick </em>(2010).</p><p>Read the essays discussed in this episode and many others with <a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsubscribe.nybooks.com%2Fecom%2Fnyb%2Fapp%2Flive%2Fsubscriptions%3Forg%3DNYB%26publ%3DNY%26key_code%3DEPMPOD1%26type%3DS&amp;data=05%7C02%7Cmking%40nybooks.com%7C0c2e7583927c4eaa2fd908de697c9afb%7Cd8b3a8beb1444b1c83fe421eca35fbf5%7C0%7C0%7C639064181068606447%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=4qrZKNlvvTYwZZw5hTSc3BW367tPXibgBupcmYOvFmc%3D&amp;reserved=0">a subscription to </a><a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsubscribe.nybooks.com%2Fecom%2Fnyb%2Fapp%2Flive%2Fsubscriptions%3Forg%3DNYB%26publ%3DNY%26key_code%3DEPMPOD1%26type%3DS&amp;data=05%7C02%7Cmking%40nybooks.com%7C0c2e7583927c4eaa2fd908de697c9afb%7Cd8b3a8beb1444b1c83fe421eca35fbf5%7C0%7C0%7C639064181068648975%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=O0EwEOY%2BXsxUW%2FX2JgoBjZHugqPGSGO%2FGxBxE4I3pn8%3D&amp;reserved=0"><em>The New York Review of Books</em></a>, which—in addition to twenty issues a year—provides access to our full archive since 1963, searchable on our website.</p><p><br></p><p><a href="https://www.nybooks.com/articles/1971/08/12/on-sylvia-plath/">On Sylvia Plath by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/2000/06/15/melville-in-love/">Melville In Love by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">Working Girls: The Brontës by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1973/02/08/bloomsbury-and-virginia-woolf/">Bloomsbury and Virginia Woolf by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1981/07/16/bartleby-and-manhattan/">Bartleby and Manhattan by Elizabeth Hardwick</a> </p>]]>
      </content:encoded>
      <pubDate>Wed, 11 Feb 2026 15:42:13 -0500</pubDate>
      <author>New York Review Podcasts</author>
      <enclosure url="https://media.transistor.fm/85026953/57fdd3d4.mp3" length="49624015" type="audio/mpeg"/>
      <itunes:author>New York Review Podcasts</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/EI1dO542S-FLSxVVRmfNCpl0rCempiKwygJN2WwzS-s/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NTJh/MjE4M2ZiNjNhMGI1/ZGU2MzA2YTUwMDQy/ZDA1NS5qcGc.jpg"/>
      <itunes:duration>3100</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In the first episode of our podcast <em>Private Life</em>, Darryl Pinckney talks with host Jarrett Earnest about his close friend and former teacher Elizabeth Hardwick. Pinckney discusses her inimitable voice on the page, her love of literature’s most “terrific losers,” and the people in her inner circle, including the <em>Review</em>’s editor Barbara Epstein, Mary McCarthy, and Susan Sontag, who came to shape Hardwick’s life and art. Pinckney reflects on the painful process of writing memoirs and his education in early 1970s New York City.</p><p>Darryl Pinckney is the author of two novels as well as the memoir <em>Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan</em> (2022). He met Hardwick while a student in her creative writing seminar at Columbia University, then worked as an assistant at <em>The New York Review of Books</em> before contributing his first article, in 1977, “The Black Upper Class,” a review of Stephen Birmingham’s <em>Certain People: America’s Black Elite</em>. For the <em>Review</em>, as well as <em>Harper’s</em>, <em>Granta</em>, and <em>The New Yorker</em>, he has written extensively about American literature, black American culture, YouTube, James Baldwin, Obama’s presidency, and Elizabeth Hardwick. His essays about Hardwick include “<a href="https://www.nybooks.com/articles/2017/10/12/elizabeth-hardwick-master-class/">Master Class</a>,” about his experience as her student, and “<a href="https://www.nybooks.com/articles/2010/05/13/elizabeth-hardwick/">On Elizabeth Hardwick</a>,” an expansive consideration of her style. Darryl Pinckney selected the work included in <em>The New York Stories of Elizabeth Hardwick </em>(2010) and <em>The Collected Essays of Elizabeth Hardwick</em> (2017), for which he wrote the introduction.</p><p>Elizabeth Hardwick (1916–2007) was a writer and <em>Review </em>contributor who wrote some of the most influential criticism of the twentieth century. In 1963 she cofounded <em>The New York Review of Books</em> alongside the editors Robert Silvers and Barbara Epstein, as well as Hardwick’s then husband, the poet Robert Lowell. Essays by Hardwick discussed in this episode include <a href="https://www.nybooks.com/articles/1971/08/12/on-sylvia-plath/">“On Sylvia Plath”</a>(published in the August 12, 1971, issue), and <a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">“Working Girls: The Brontës”</a> (May 4, 1972). Her collected criticism, published in, among many other magazines, <em>The New York Review</em>, <em>The New Yorker</em>, and <em>Harper’s</em>, has been collected by the NYRB Classics in several volumes, and she also wrote three novels, including <em>Sleepless Nights</em>(1979), a genre-defying book that blends fiction and memoir (reissued by NYRB in 2001), as well as a clutch of short stories, collected in <em>The New York Stories of Elizabeth Hardwick </em>(2010).</p><p>Read the essays discussed in this episode and many others with <a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsubscribe.nybooks.com%2Fecom%2Fnyb%2Fapp%2Flive%2Fsubscriptions%3Forg%3DNYB%26publ%3DNY%26key_code%3DEPMPOD1%26type%3DS&amp;data=05%7C02%7Cmking%40nybooks.com%7C0c2e7583927c4eaa2fd908de697c9afb%7Cd8b3a8beb1444b1c83fe421eca35fbf5%7C0%7C0%7C639064181068606447%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=4qrZKNlvvTYwZZw5hTSc3BW367tPXibgBupcmYOvFmc%3D&amp;reserved=0">a subscription to </a><a href="https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsubscribe.nybooks.com%2Fecom%2Fnyb%2Fapp%2Flive%2Fsubscriptions%3Forg%3DNYB%26publ%3DNY%26key_code%3DEPMPOD1%26type%3DS&amp;data=05%7C02%7Cmking%40nybooks.com%7C0c2e7583927c4eaa2fd908de697c9afb%7Cd8b3a8beb1444b1c83fe421eca35fbf5%7C0%7C0%7C639064181068648975%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=O0EwEOY%2BXsxUW%2FX2JgoBjZHugqPGSGO%2FGxBxE4I3pn8%3D&amp;reserved=0"><em>The New York Review of Books</em></a>, which—in addition to twenty issues a year—provides access to our full archive since 1963, searchable on our website.</p><p><br></p><p><a href="https://www.nybooks.com/articles/1971/08/12/on-sylvia-plath/">On Sylvia Plath by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/2000/06/15/melville-in-love/">Melville In Love by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1972/05/04/working-girls-the-brontes/">Working Girls: The Brontës by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1973/02/08/bloomsbury-and-virginia-woolf/">Bloomsbury and Virginia Woolf by Elizabeth Hardwick</a></p><p><a href="https://www.nybooks.com/articles/1981/07/16/bartleby-and-manhattan/">Bartleby and Manhattan by Elizabeth Hardwick</a> </p>]]>
      </itunes:summary>
      <itunes:keywords>literature, academia, books, criticism, writing, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" img="https://img.transistorcdn.com/hM80Z6OPrjs8nqB3Q_KhpY1uffTJJ0qOyEqjgVGCUxQ/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzU5/OWVmYWQ1YWY3Mzc4/MTg4YTFjM2VjYWJh/NmFhNS5qcGc.jpg">Jarrett Earnest</podcast:person>
      <podcast:transcript url="https://share.transistor.fm/s/85026953/transcript.txt" type="text/plain"/>
    </item>
    <item>
      <title>Introducing: Private Life</title>
      <itunes:title>Introducing: Private Life</itunes:title>
      <itunes:episodeType>trailer</itunes:episodeType>
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      <link>https://share.transistor.fm/s/c3a8eb9a</link>
      <description>
        <![CDATA[<p>We are thrilled to present <em>Private Life</em>, a new podcast from <em>The New York Review</em> that delves into that creative, exhilarating moment where ideas first appeared on the page. Hosted by Jarrett Earnest, one of the most exciting art critics working today, each episode features an intimate, in-depth conversation with a distinguished writer about their lives, their work, their influences, and the ideas that shape our culture.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>We are thrilled to present <em>Private Life</em>, a new podcast from <em>The New York Review</em> that delves into that creative, exhilarating moment where ideas first appeared on the page. Hosted by Jarrett Earnest, one of the most exciting art critics working today, each episode features an intimate, in-depth conversation with a distinguished writer about their lives, their work, their influences, and the ideas that shape our culture.</p>]]>
      </content:encoded>
      <pubDate>Fri, 06 Feb 2026 09:32:02 -0500</pubDate>
      <author>New York York Review Podcasts</author>
      <enclosure url="https://media.transistor.fm/c3a8eb9a/c3f02838.mp3" length="1261568" type="audio/mpeg"/>
      <itunes:author>New York York Review Podcasts</itunes:author>
      <itunes:duration>79</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>We are thrilled to present <em>Private Life</em>, a new podcast from <em>The New York Review</em> that delves into that creative, exhilarating moment where ideas first appeared on the page. Hosted by Jarrett Earnest, one of the most exciting art critics working today, each episode features an intimate, in-depth conversation with a distinguished writer about their lives, their work, their influences, and the ideas that shape our culture.</p>]]>
      </itunes:summary>
      <itunes:keywords>literature, academia, books, criticism, writing, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" img="https://img.transistorcdn.com/hM80Z6OPrjs8nqB3Q_KhpY1uffTJJ0qOyEqjgVGCUxQ/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81MzU5/OWVmYWQ1YWY3Mzc4/MTg4YTFjM2VjYWJh/NmFhNS5qcGc.jpg">Jarrett Earnest</podcast:person>
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