The Sri Lanka Podcast: Poetry From The Jungle

Matthew Arnold. Dover Beach.

The Ceylon Press — Tue, 04 Nov 2025 14:10:20 +0530

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Matthew Arnold's poem "Dover Beach" is in the public domain. The original text was published in his 1867 collection New Poems, and the poem itself is no longer protected by copyright.

T.S. Eliot. East Coker from The Four Quartets, Part 1.

The Ceylon Press — Mon, 29 Sep 2025 09:41:44 +0530

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"East Coker," the second of T.S. Eliot's Four Quartets, was first published in the UK in the Easter edition of the New English Weekly in 1940 and in the US in the Partisan Review's May 1940 issue. Copyright for "East Coker" and the other poems in Four Quartets is held by T.S. Eliot's estate.

C.P Cavafy. Ithaka.

The Ceylon Press — Sun, 28 Sep 2025 11:43:20 +0530

Ithaka.by C.P Cavafy

As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you’ll have understood by then what these Ithakas mean.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: C. P. Cavafy, "The City" from C.P. Cavafy: Collected Poems. Translated by Edmund Keeley and Philip Sherrard. Translation Copyright © 1975, 1992 by Edmund Keeley and Philip Sherrard.

Hilaire Belloc. Matilda Who Told Lies, And Was Burned To Death.

The Ceylon Press — Sun, 28 Sep 2025 11:43:01 +0530

Matilda told such Dreadful Lies,
It made one Gasp and Stretch one's Eyes;
Her Aunt, who, from her Earliest Youth,
Had kept a Strict Regard for Truth,
Attempted to Believe Matilda:
The effort very nearly killed her,
And would have done so, had not She
Discovered this Infirmity.
For once, towards the Close of Day,
Matilda, growing tired of play,
And finding she was left alone,
Went tiptoe to the Telephone
And summoned the Immediate Aid
Of London's Noble Fire-Brigade.
Within an hour the Gallant Band
Were pouring in on every hand,
From Putney, Hackney Downs, and Bow.
With Courage high and Hearts a-glow,
They galloped, roaring through the Town,
'Matilda's House is Burning Down! '
Inspired by British Cheers and Loud
Proceeding from the Frenzied Crowd,
They ran their ladders through a score
Of windows on the Ball Room Floor;
And took Peculiar Pains to Souse
The Pictures up and down the House,
Until Matilda's Aunt succeeded
In showing them they were not needed;
And even then she had to pay
To get the Men to go away,
It happened that a few Weeks later
Her Aunt was off to the Theatre
To see that Interesting Play
The Second Mrs. Tanqueray.
She had refused to take her Niece
To hear this Entertaining Piece:
A Deprivation Just and Wise
To Punish her for Telling Lies.
That Night a Fire did break out-
You should have heard Matilda Shout!
You should have heard her Scream and Bawl,
And throw the window up and call
To People passing in the Street-
(The rapidly increasing Heat
Encouraging her to obtain
Their confidence) - but all in vain!
For every time she shouted 'Fire! '
They only answered 'Little Liar! '
And therefore when her Aunt returned,
Matilda, and the House, were Burned.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Poem © 'Matilda, Who Told Lies and was Burned to Death' by Hilaire Belloc from Cautionary Tales for Children (© Hilaire Belloc 1907)

Rudyard Kipling. The Way Through The Woods.

The Ceylon Press — Sun, 28 Sep 2025 11:42:25 +0530

They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.

Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate,
(They fear not men in the woods,
Because they see so few.)
You will hear the beat of a horse's feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods...
But there is no road through the woods.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Way Through the Woods" by Rudyard Kipling is in the public domain. It was first published in 1910.

Wilfred Owen. Anthem for Doomed Youth.

The Ceylon Press — Sun, 28 Sep 2025 11:33:53 +0530

What passing-bells for these who die as cattle?
— Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.

What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Anthem for Doomed Youth" by Wilfred Owen is in the public domain. The poem was written in 1917 and first published in 1920.

A.E. Housman. Tell Me Not Here, It Needs Not Saying.

The Ceylon Press — Sun, 28 Sep 2025 11:32:24 +0530

Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.

On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller's joy beguiles in autumn
Hearts that have lost their own.

On acres of the seeded grasses
The changing burnish heaves;
Or marshalled under moons of harvest
Stand still all night the sheaves;
Or beeches strip in storms for winter
And stain the wind with leaves.

Possess, as I possessed a season,
The countries I resign,
Where over elmy plains the highway
Would mount the hills and shine,
And full of shade the pillared forest
Would murmur and be mine.

For nature, heartless, witless nature,
Will neither care nor know
What stranger's feet may find the meadow
And trespass there and go,
Nor ask amid the dews of morning
If they are mine or no.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: This poem is one of approximately forty Housman published in 1922 as Last Poems.

Kim Sowol. The Road.

The Ceylon Press — Sun, 28 Sep 2025 11:30:35 +0530

Again last night
at a country inn
crows cried at dawn.

Today
how many miles
again lead where?

Away to the mountains,
to the plains?
With no place that calls me
I go nowhere.

Don’t talk of my home,
Chongju, Kwaksan,
while the train and the boat go there.

Hear me, wild geese in the sky:
is there a road in the air
that you travel so sure?

Hear me, wild geese in the sky:
I stand at the center of the crossroads.
Again and again the paths branch,
but no way is mine.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Translated, with an introduction, by DAVID R. McCANN. Series: Weatherhead Books on Asia. Copyright Date: 2007.

William Blake. The Tyger.

The Ceylon Press — Sun, 28 Sep 2025 11:23:21 +0530

Tyger Tyger, burning bright,

In the forests of the night;

What immortal hand or eye,

Could frame thy fearful symmetry?

In what distant deeps or skies.

Burnt the fire of thine eyes?

On what wings dare he aspire?

What the hand, dare seize the fire?

And what shoulder, & what art,

Could twist the sinews of thy heart?

And when thy heart began to beat.

What dread hand? & what dread feet?

What the hammer? what the chain,

In what furnace was thy brain?

What the anvil? what dread grasp.

Dare its deadly terrors clasp?

When the stars threw down their spears

And water'd heaven with their tears:

Did he smile his work to see?

Did he who made the Lamb make thee?

Tyger Tyger burning bright,

In the forests of the night:

What immortal hand or eye,

Dare frame thy fearful symmetry?

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Tyger" by William Blake, first published in 1794 as part of his "Songs of Experience," is now in the public domain.

Walt Whitman. Song of Myself 1.

The Ceylon Press — Sun, 28 Sep 2025 11:22:42 +0530

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Song of Myself" was first published in 1855 as part of the collection Leaves of Grass and in the public domain.

Xavier Villaurrutia. Nocturne: The Angels.

The Ceylon Press — Sun, 28 Sep 2025 11:21:57 +0530

You might say the streets flow sweetly through the night.
The lights are dim so the secret will be kept,
the secret known by the men who come and go,
for they’re all in on the secret
and why break it up in a thousand pieces
when it’s so sweet to hold it close,
and share it only with the one chosen person.
If, at a given moment, everyone would say
with one word what he is thinking,
the six letters of DESIRE would form an enormous luminous scar,
a constellation more ancient, more dazzling than any other.
And that constellation would be like a burning sex
in the deep body of night,
like the Gemini, for the first time in their lives,
looking each other in the eyes and embracing forever.

Suddenly the river of the street is filled with thirsty creatures;
they walk, they pause, they move on.
They exchange glances, they dare to smile,
they form unpredictable couples…

There are nooks and benches in the shadows,
riverbanks of dense indefinable shapes,
sudden empty spaces of blinding light
and doors that open at the slightest touch.

For a moment, the river of the street is deserted.
Then it seems to replenish itself,
eager to start again.
It is paralyzed, mute, gasping moment,
like a heart between two spasms.

But a new throbbing, a new pulsebeat
launches new thirsty creatures on the river of the street.
They cross, crisscross, fly up.
They glide along the ground.
They swim standing up, so miraculously
no one would ever say they’re not really walking.

They are angels.
They have come down to earth
on invisible ladders.
They come from the sea that is the mirror of the sky
on ships of smoke and shadow,
they come to fuse and be confused with men,
to surrender their foreheads to the thighs of women,
to let other hands anxiously touch their bodies
and let other bodies search for their bodies till they’re found,
like the closing lips of a single mouth,
they come to exhaust their mouths, so long inactive,
to set free their tongues of fire,
to sing the songs, to swear, to say all the bad words
in which men have concentrated the ancient mysteries
of flesh, blood and desire.
They have assumed names that are divinely simple.
They call themselves Dick or John, Marvin or Louis.
Only by their beauty are they distinguishable from men.
They walk, they pause, they move on.
They exchange glances, they dare to smile.
They form unpredictable couples.

They smile maliciously going up in the elevators of hotels,
where leisurely vertical flight is still practices.
There are celestial marks on their naked bodies:
blue signs, blue stars and letters.
They let themselves fall into beds, they sink into pillows
that make them think they’re still in the clouds.
But they close their eyes to surrender to the pleasures of their mysterious incarnation,
and when they sleep, they dream not of angels but of men.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright 1953 by Fondo de Cultura Económica.

Wallace Stevens. Thirteen Ways of Looking at a Blackbird.

The Ceylon Press — Sun, 28 Sep 2025 11:21:05 +0530

I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.

II
I was of three minds,
Like a tree
In which there are three blackbirds.

III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.

IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.

V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.

VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.

VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?

VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.

XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.

XII
The river is moving.
The blackbird must be flying.

XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.

ENJOY MORE
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; Archaeologies, the blank verse diaries of an occasional hermit; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle north west of Kandy: www.flametreeestate.com.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:

W.H. Davies. Leisure.

The Ceylon Press — Sun, 28 Sep 2025 11:20:36 +0530

What is this life if, full of care,
We have no time to stand and stare.

No time to stand beneath the boughs
And stare as long as sheep or cows.

No time to see, when woods we pass,
Where squirrels hide their nuts in grass.

No time to see, in broad daylight,
Streams full of stars, like skies at night.

No time to turn at Beauty's glance,
And watch her feet, how they can dance.

No time to wait till her mouth can
Enrich that smile her eyes began.

A poor life this is if, full of care,
We have no time to stand and stare.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The poem Leisure appeared originally in his Songs Of Joy and Others, published in 1911 by A. C. Fifield and then in Davies' first anthology Collected Poems by the same publisher in 1916.

W. B. Yeats. Sailing to Byzantium.

The Ceylon Press — Sun, 28 Sep 2025 11:20:14 +0530

I

That is no country for old men. The young
In one another’s arms, birds in the trees,
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.

II

An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.

III

O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.

IV

Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: From THE COLLECTED POEMS OF W.B. YEATS edited by Richard Finneran. Revisions and additional poems copyright © 1983, 1989 by Anne Yeats.

Walter de la Mare. The Listeners.

The Ceylon Press — Sun, 28 Sep 2025 11:19:54 +0530

‘Is there anybody there?’ said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grasses
Of the forest’s ferny floor:
And a bird flew up out of the turret,
Above the Traveller’s head:
And he smote upon the door again a second time;
‘Is there anybody there?’ he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller’s call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
’Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:—
‘Tell them I came, and no one answered,
That I kept my word,’ he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Listeners" by Walter de la Mare was first published in 1912 in the collection "The Listeners and Other Poems," and the poem is now in the public domain.

W.H. Auden. Lullaby.

The Ceylon Press — Sun, 28 Sep 2025 11:19:21 +0530

Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.

Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's carnal ecstasy.

Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell,
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreaded cards foretell,
Shall be paid, but from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.

Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find the mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright © 1940 W. H. Auden, renewed by the Estate of W. H. Auden.

Virgil. An Excerpt From The First Georgic.

The Ceylon Press — Sun, 28 Sep 2025 11:18:55 +0530

When spring begins and the ice-locked streams begin
To flow down from the snowy hills above
And the clods begin to crumble in the breeze,
The time has come for my groaning ox to drag
My heavy plow across the fields, so that
The plow blade shines as the furrow rubs against it.
Not till the earth has been twice plowed, so twice
Exposed to sun and twice to coolness will
It yield what the farmer prays for; then will the barn
Be full to bursting with the gathered grain,
And yet if the field's unknown and new to us,
Before our plow breaks open the soil at all,
It's necessary to study the ways of the winds
And the changing ways of the skies, and also to know
The history of the planting in that ground,
What crops will prosper there and what will not.
In one place grain grows best, in another, vines;
Another's good for the cultivation of trees;
In still another the grain turns green unbidden.

ENJOY MORE
A small island encircled by formidable oceans, Sri Lanka is a mystery to many: remote, hard to place; a well-kept secret. The Ceylon Press seeks to make its complicated story more accessible. The Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; Archaeologies, the blank verse diaries of an occasional hermit; as well as Poetry from The Jungles’ two podcasts, 101 Poets; and 100 Poet, 100 Poems. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle west of Kandy .

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:

Theodore Roethke. The Waking.

The Ceylon Press — Sun, 28 Sep 2025 10:53:57 +0530

The Waking. By Theodore Roethke.

I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.

We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.

Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.

Great Nature has another thing to do
To you and me; so take the lively air,
And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Theodore Roethke, "The Waking" from Collected Poems of Theodore Roethke. Copyright 1953 by Theodore Roethke.

Stevie Smith. Not Waving but Drowning.

The Ceylon Press — Sun, 28 Sep 2025 10:53:29 +0530

Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Stevie Smith, “Not Waving but Drowning” from Collected Poems of Stevie Smith. Copyright © 1972 by Stevie Smith.

Thomas Hardy. The Darkling Thrush.

The Ceylon Press — Sun, 28 Sep 2025 10:53:03 +0530

I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.

The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.

At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.

So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Darkling Thrush" by Thomas Hardy is in the public domain. It was first published on December 29, 1900, in The Graphic under the title "By the Century's Deathbed".

Thom Gunn. The Man with Night Sweats.

The Ceylon Press — Sun, 28 Sep 2025 10:52:38 +0530

I wake up cold, I who
Prospered through dreams of heat
Wake to their residue,
Sweat, and a clinging sheet.

My flesh was its own shield:
Where it was gashed, it healed.

I grew as I explored
The body I could trust
Even while I adored
The risk that made robust,

A world of wonders in
Each challenge to the skin.

I cannot but be sorry
The given shield was cracked,
My mind reduced to hurry,
My flesh reduced and wrecked.

I have to change the bed,
But catch myself instead

Stopped upright where I am
Hugging my body to me
As if to shield it from
The pains that will go through me,

As if hands were enough
To hold an avalanche off.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Thom Gunn, “The Man with Night Sweats” from Selected Poems. Copyright © 2009 by Thom Gunn.

Theognis of Megara. Wings.

The Ceylon Press — Sun, 28 Sep 2025 10:52:19 +0530

To you I have given wings, on which you may fly aloft
Above the boundless sea and all the earth
With ease. At feasts and banquets you will be present
On all occasions, lying in the mouths of many,
And to the clear-toned sound of pipes young men
With seemly grace and loveliness, their voices fair and clear,
Will sing of you. And when beneath the hollows of the murky earth
You go to Hades' halls ringing with lamentation,
Not even then, though dead, will you ever lose your fame; instead, you will be known
To people of all time, your name imperishable,
Kyrnos, roaming through mainland Hellas and up and down the islands,
Passing over the restless fish-swarming sea,
Not mounted on the backs of horses, but sent abroad
By the radiant gifts of the Muses, violet-crowned:
To all who care for them, even to those who are not yet born, you will be
Alike a theme of song, so long as earth and sun exist.
From you, however, I get scant respect;
Instead, you cheat me with words as if I were a little child.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright 1949, 1955, and i960 by Richmond Lattimore. All rights reserved. Copyright under the International Copyright Union, 1955. Published 1955. Second Edition i960. Composed and printed by The University of Chicago Press, Chicago, Illinois, U.S.A.

Theocritus. From Idyll I.

The Ceylon Press — Sun, 28 Sep 2025 10:51:57 +0530

In addition
there is fashioned there
an ancient fisherman
and a rock,
a rugged rock,
on which
with might and main
the old man poises a great net
for the cast
as one who puts his whole heart into it.
One would say
that he was fishing
with the full strength of his limbs
so big do his muscles stand out
about the neck.
Gray-haired though he be,
he has the strength
of a young man.
Now, separated
from the sea-broken old man
by a narrow interval
is a vineyard
heavy
with fire-red clusters,
and on a rude wall
sits a small boy
guarding them.
Round him
two she-foxes are skulking.
One
goes the length of the vine-rows
to eat the grapes
while the other
brings all her cunning to bear,
by what has been set down,
vowing
she will never quit the lad
until
she leaves him bare
and breakfastless.
But the boy
is plaiting a pretty
cage of locust stalks and asphodel,
fitting the reeds
and cares less for his scrip
and the vines
than he takes delight
in his plaiting.
All about the cup
is draped the mild acanthus
a miracle of varied work,
a thing for you to marvel at.
I paid
a Caledonian ferryman
a goat and a great white
cream-cheese
for the bowl.
It is still virgin to me,
its lip has never touched mine.
To gain my desire,
I would gladly
give this cup
if you, my friend,
will sing for me
that delightful song.
I hold nothing back.
Begin, my friend,
for you cannot,
you may be sure,
take your song,
which drives all things out of mind,
with you to the other world.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Theocritus. Edited with a translation and commentary by A. S. F. Gow. Copyright. Copyright © The Society for the Promotion of Hellenic Studies 1952.

Ted Hughes. King Of Carrion.

The Ceylon Press — Sun, 28 Sep 2025 10:51:34 +0530

His palace is of skulls.

His crown is the last splinters
Of the vessel of life.

His throne is the scaffold of bones, the hanged thing’s
Rack and final stretcher.

His robe is the black of the last blood.

His kingdom is empty-

The empty world, from which the last cry
Flapped hugely, hopelessly away
Into the blindness and dumbness and deafness of the gulf

Returning, shrunk, silent

To reign over silence.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Estate of Ted Hughes

Sylvia Plath. Lady Lazarus.

The Ceylon Press — Sun, 28 Sep 2025 10:50:20 +0530

Lady Lazarus. By Sylvia Plath.

I have done it again.
One year in every ten
I manage it——

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
O my enemy.
Do I terrify?——

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot——
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I’ve a call.

It’s easy enough to do it in a cell.
It’s easy enough to do it and stay put.
It’s the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

‘A miracle!’
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart——
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash—
You poke and stir.
Flesh, bone, there is nothing there——

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Sylvia Plath, “Lady Lazarus” from Collected Poems. Copyright © 1960, 1965, 1971, 1981 by the Estate of Sylvia Plath.

Syl Cheney-Coker. Blood Money.

The Ceylon Press — Sun, 28 Sep 2025 10:49:54 +0530

Along the route of this river,
with a little luck, we shall chance upon
our brothers' fortune, hidden with that cold smile
reserved for discreet bankers unmindful of the hydra
growing fiery mornings from our discontent
Wealth was always fashionable, telluric,
not honor pristine and profound.

In blasphemous glee, they raise to God's lips
those cups filled with ethnic offerings
that saps the blood of all human good.

Having no other country to call my own
except for this one full of pine needles
on which we nail our children's lives,
I have put off examining this skull,
savage harvest, the swollen earth,
until that day when, all God's children,
we shall plant a eureka supported by a blood knot.

And remorse not being theirs to feel,
I offer an inventory of abuse by these men,
with this wretched earth on my palms,
so as to remind them of our stilted growth
the length of a cutlass, or if you prefer
the size of our burnt-out brotherhood.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright © Syl Cheney-Coker.

Rabindranath Tagore. Playthings.

The Ceylon Press — Sun, 28 Sep 2025 10:49:28 +0530

Child, how happy you are sitting in the dust, playing with a broken twig all the morning.
I smile at your play with that little bit of a broken twig.
I am busy with my accounts, adding up figures by the hour.
Perhaps you glance at me and think, "What a stupid game to spoil your morning with!"
Child, I have forgotten the art of being absorbed in sticks and mud-pies.
I seek out costly playthings, and gather lumps of gold and silver.
With whatever you find you create your glad games, I spend both my time and my strength over things I never can obtain.
In my frail canoe I struggle to cross the sea of desire, and forget that I too am playing a game.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Playthings," a poem by Rabindranath Tagore, is in the public domain because the author died in 1941, and copyright terms in many countries (including the UK, where it was first published in 1913) have expired.

Rupert Brooke. Day That I Have Loved.

The Ceylon Press — Sun, 28 Sep 2025 09:01:22 +0530

Tenderly, day that I have loved, I close your eyes,
And smooth your quiet brow, and fold your thin dead hands.
The grey veils of the half-light deepen; colour dies.
I bear you, a light burden, to the shrouded sands,

Where lies your waiting boat, by wreaths of the sea's making
Mist-garlanded, with all grey weeds of the water crowned.
There you'll be laid, past fear of sleep or hope of waking;
And over the unmoving sea, without a sound,

Faint hands will row you outward, out beyond our sight,
Us with stretched arms and empty eyes on the far-gleaming
And marble sand. . . .
Beyond the shifting cold twilight,
Further than laughter goes, or tears, further than dreaming,
There'll be no port, no dawn-lit islands! But the drear
Waste darkening, and, at length, flame ultimate on the deep.
Oh, the last fire -- and you, unkissed, unfriended there!
Oh, the lone way's red ending, and we not there to weep!

(We found you pale and quiet, and strangely crowned with flowers,
Lovely and secret as a child. You came with us,
Came happily, hand in hand with the young dancing hours,
High on the downs at dawn!) Void now and tenebrous,

The grey sands curve before me. . . .
From the inland meadows,
Fragrant of June and clover, floats the dark, and fills
The hollow sea's dead face with little creeping shadows,
And the white silence brims the hollow of the hills.

Close in the nest is folded every weary wing,
Hushed all the joyful voices; and we, who held you dear,
Eastward we turn and homeward, alone, remembering . . .
Day that I loved, day that I loved, the Night is here!

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The Collected Poems of Rupert Brooke
with an introduction by George Edward Woodberry
and a biographical note by Margaret Lavington

William Shakespeare. As You Like It, Act 2, Scene 7.

The Ceylon Press — Sun, 28 Sep 2025 09:00:58 +0530

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse’s arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon’s mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
As You Like It was first printed in the collected edition of Shakespeare's plays, known as the First Folio, during 1623. No copy of it in Quarto exists, for the play is mentioned by the printers of the First Folio among those which "are not formerly entered to other men". By means of evidences, external and internal, the date of composition of the play has been approximately fixed at a period between the end of 1598 and the middle of 1599.

Robert Herrick. To The Virgins, To Make Much Of Time.

The Ceylon Press — Sun, 28 Sep 2025 09:00:35 +0530

Gather ye rose-buds while ye may,
Old Time is still a-flying;
And this same flower that smiles today
Tomorrow will be dying.

The glorious lamp of heaven, the sun,
The higher he’s a-getting,
The sooner will his race be run,
And nearer he’s to setting.

That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.

Then be not coy, but use your time,
And while ye may, go marry;
For having lost but once your prime,
You may forever tarry.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The poem, published in 1648 as part of Herrick's larger collection Hesperides, is in the public domain.

R. S. Thomas. On the Farm.

The Ceylon Press — Sun, 28 Sep 2025 09:00:08 +0530

There was Dai Puw. He was no good.
They put him in the fields to dock swedes,
And took the knife from him, when he came home
At late evening with a grin
Like the slash of a knife on his face.

There was Llew Puw, and he was no good.
Every evening after the ploughing
With the big tractor he would sit in his chair,
And stare into the tangled fire garden,
Opening his slow lips like a snail.

There was Huw Puw, too. What shall I say?
I have heard him whistling in the hedges
On and on, as though winter
Would never again leave those fields,
And all the trees were deformed.

And lastly there was the girl;
Beauty under some spell of the beast.
Her pale face was the lantern
By which they read in life’s dark book
The shrill sentence: God is love.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: R. S. Thomas, “On the Farm” from The Poems of R. S. Thomas. Copyright © 2001 by Kunjana Jaikin.

Siegfried Sassoon. Suicide In The Trenches.

The Ceylon Press — Sun, 28 Sep 2025 08:59:47 +0530

I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.

In winter trenches, cowed and glum,
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.

You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The copyright for Siegfried Sassoon's poem, "Suicide in the Trenches," belongs to The Fitzwilliam Museum, University of Cambridge / The Siegfried Sassoon Literary Estate.

Seamus Heaney. Digging .

The Ceylon Press — Sun, 28 Sep 2025 08:58:40 +0530

Between my finger and my thumb
The squat pen rests; snug as a gun.

Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down

Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a spade.
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner's bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I've no spade to follow men like them.

Between my finger and my thumb
The squat pen rests.
I'll dig with it.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Seamus Heaney, "Digging" from Death of a Naturalist. Copyright 1966 by Seamus Heaney.

Shel Silverstein. Where the Sidewalk Ends.

The Ceylon Press — Sun, 28 Sep 2025 08:57:53 +0530

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Where the Sidewalk Ends by Shel Silverstein. Copyright © 2003 by HarperCollins Children's Books.

Sappho. The Anactoria Poem.

The Ceylon Press — Sun, 28 Sep 2025 08:57:33 +0530

Some say thronging cavalry, some say foot soldiers,
others call a fleet the most beautiful of
sights the dark earth offers, but I say it's what-
ever you love best.

And it's easy to make this understood by
everyone, for she who surpassed all human
kind in beauty, Helen, abandoning her
husband—that best of

men—went sailing off to the shores of Troy and
never spent a thought on her child or loving
parents: when the goddess seduced her wits and
left her to wander,

she forgot them all, she could not remember
anything but longing, and lightly straying
aside, lost her way. But that reminds me
now: Anactória,

she's not here, and I'd rather see her lovely
step, her sparkling glance and her face than gaze on
all the troops in Lydia in their chariots and
glittering armor.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright © 2007 by Jim Powell

Percy Bysshe Shelley. Ozymandias.

The Ceylon Press — Sun, 28 Sep 2025 08:57:04 +0530

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Ozymandias" by Percy Bysshe Shelley is in the public domain. The poem was first published in 1818.

Samuel Taylor Coleridge. Kubla Khan.

The Ceylon Press — Sun, 28 Sep 2025 08:56:37 +0530

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round;
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher’s flail:
And mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean;
And ’mid this tumult Kubla heard from far
Ancestral voices prophesying war!
The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight ’twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread
For he on honey-dew hath fed,
And drunk the milk of Paradise.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Kubla Khan" by Samuel Taylor Coleridge is now in the public domain. It was first published in 1816, along with "Christabel" and "The Pains of Sleep,"

Stephen Spender. The Truly Great.

The Ceylon Press — Sun, 28 Sep 2025 08:56:12 +0530

I think continually of those who were truly great.
Who, from the womb, remembered the soul’s history
Through corridors of light, where the hours are suns,
Endless and singing. Whose lovely ambition
Was that their lips, still touched with fire,
Should tell of the Spirit, clothed from head to foot in song.
And who hoarded from the Spring branches
The desires falling across their bodies like blossoms.

What is precious, is never to forget
The essential delight of the blood drawn from ageless springs
Breaking through rocks in worlds before our earth.
Never to deny its pleasure in the morning simple light
Nor its grave evening demand for love.
Never to allow gradually the traffic to smother
With noise and fog, the flowering of the spirit.

Near the snow, near the sun, in the highest fields,
See how these names are fêted by the waving grass
And by the streamers of white cloud
And whispers of wind in the listening sky.
The names of those who in their lives fought for life,
Who wore at their hearts the fire’s centre.
Born of the sun, they travelled a short while toward the sun
And left the vivid air signed with their honour.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Stephen Spender, “The Truly Great” from Collected Poems 1928-1953. Copyright © 1955 by Stephen Spender.

Robert Frost. Stopping by Woods on a Snowy Evening.

The Ceylon Press — Sat, 27 Sep 2025 18:13:15 +0530

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Stopping by Woods on a Snowy Evening" by Robert Frost, first published in 1923, entered the public domain on January 1, 2019.

Richard Blanco. For / After / Jan Beatty.

The Ceylon Press — Sat, 27 Sep 2025 18:12:36 +0530

After my third shot of tequila / chased by a lime
sour as my rant: fuck this-fuck that-fuck them-fuck
me-fuck it all / you slashed me / same as your poems’ slashes / slash
me / when you asked me: so, why the fuck don’t you
ever say it in your poems / I took another shot but couldn’t
shoot out a reason / until now, Jan / you’re right, so / fuck \

that my poems never shut out strangers’ glassy-eyed
guh’mornins / fuck their mumbles wishing me
a wonderful day / on not-so-wonder-filled days / fuck
my naïve belief that their mouths and mine
have a heart / fuck my similes that choose to bite
into pleasantries like / buttered bread
for me to taste all day / a lifetime, Jan / fuck \

that I can’t hate kids / that my poems love
the screeches of their awe-filled eyes / that I want
to see whatever it is they see / butterfly spots
as tigers’ eyes winking / moss-skinned stones
as emeralds / snowflakes falling as frozen
stars / palm trees as flagpoles fluttering peace, Jan / fuck \

that my lines don’t lose their patience with
old folks at check-out lines / double-checking the price
of every fucking item / that my poems don’t have eyes
to roll at their yesteryear chatter / Can you believe the cost
of living today? / fuck that I listen to them / see
their wrinkled eyes as maps / roads
I trace toward my own dead end, Jan / fuck \

my mother who’s eighty-six / fuck that I can’t curse
at her / for never reading the poems
I’ve written, aching / for her to sweep away
the ashes / of the Cuban homeland she chose
to lose / fuck that I can’t stop rendering her
as a martyr / who died so I could write
this fucking poem in this country, Jan / fuck \

my father too / who waited until the hour
of his deathbed to whisper: te amo / fuck my poems
that always forgive him / but never myself for
not / whispering back: te amo, papá / fuck that I will never
tire of gathering our silences / into rivers of words
that flow nowhere / spill into nothing, Jan / fuck \

the nightmare that was my grandfather’s dream
of me becoming some baseball superstar I was never
going to be / fuck that my poems only acknowledge
his love’s persistence / the popsicles he’d treat me to
after every game / no matter how many times
I struck-out at bat / at life, Jan / fuck \

the fuck’n faggot my grandmother slurred at me
every day fuck’n faggot / fuck that my poems erase her
words to write her into my best friend
for teaching me how to survive cruelty such as
hers, in such a brutal world, Jan / fuck \

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright © Richard Blanco. This poem is part of the portfolio “The Chorus These Poets Create: Twenty Years of Letras Latinas.”

Philip Larkin. The Whitson Weddings.

The Ceylon Press — Sat, 27 Sep 2025 18:11:59 +0530

That Whitsun, I was late getting away:
Not till about
One-twenty on the sunlit Saturday
Did my three-quarters-empty train pull out,
All windows down, all cushions hot, all sense
Of being in a hurry gone. We ran
Behind the backs of houses, crossed a street
Of blinding windscreens, smelt the fish-dock; thence
The river’s level drifting breadth began,
Where sky and Lincolnshire and water meet.

All afternoon, through the tall heat that slept
For miles inland,
A slow and stopping curve southwards we kept.
Wide farms went by, short-shadowed cattle, and
Canals with floatings of industrial froth;
A hothouse flashed uniquely: hedges dipped
And rose: and now and then a smell of grass
Displaced the reek of buttoned carriage-cloth
Until the next town, new and nondescript,
Approached with acres of dismantled cars.

At first, I didn’t notice what a noise
The weddings made
Each station that we stopped at: sun destroys
The interest of what’s happening in the shade,
And down the long cool platforms whoops and skirls
I took for porters larking with the mails,
And went on reading. Once we started, though,
We passed them, grinning and pomaded, girls
In parodies of fashion, heels and veils,
All posed irresolutely, watching us go,

As if out on the end of an event
Waving goodbye
To something that survived it. Struck, I leant
More promptly out next time, more curiously,
And saw it all again in different terms:
The fathers with broad belts under their suits
And seamy foreheads; mothers loud and fat;
An uncle shouting smut; and then the perms,
The nylon gloves and jewellery-substitutes,
The lemons, mauves, and olive-ochres that

Marked off the girls unreally from the rest.
Yes, from cafés
And banquet-halls up yards, and bunting-dressed
Coach-party annexes, the wedding-days
Were coming to an end. All down the line
Fresh couples climbed aboard: the rest stood round;
The last confetti and advice were thrown,
And, as we moved, each face seemed to define
Just what it saw departing: children frowned
At something dull; fathers had never known

Success so huge and wholly farcical;
The women shared
The secret like a happy funeral;
While girls, gripping their handbags tighter, stared
At a religious wounding. Free at last,
And loaded with the sum of all they saw,
We hurried towards London, shuffling gouts of steam.
Now fields were building-plots, and poplars cast
Long shadows over major roads, and for
Some fifty minutes, that in time would seem

Just long enough to settle hats and say
I nearly died,
A dozen marriages got under way.
They watched the landscape, sitting side by side
—An Odeon went past, a cooling tower,
And someone running up to bowl—and none
Thought of the others they would never meet
Or how their lives would all contain this hour.
I thought of London spread out in the sun,
Its postal districts packed like squares of wheat:

There we were aimed. And as we raced across
Bright knots of rail
Past standing Pullmans, walls of blackened moss
Came close, and it was nearly done, this frail
Travelling coincidence; and what it held
Stood ready to be loosed with all the power
That being changed can give. We slowed again,
And as the tightened brakes took hold, there swelled
A sense of falling, like an arrow-shower
Sent out of sight, somewhere becoming rain.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Philip Larkin, "The Whitsun Weddings " from Whitsun Weddings. Copyright © Estate of Philip Larkin.

Ovid. In Summer's Heat.

The Ceylon Press — Sat, 27 Sep 2025 18:11:18 +0530

In summer's heat and mid-time of the day,
To rest my limbs upon a bed I lay,
One window shut, the other open stood,
Which gave such light as twinkles in a wood
Like twilight glimpse at setting of the sun,
Or night being past and yet not day begun.
Such light to shamefaced maidens must be shown,
Where they may sport, and seem to be unknown.
Then came Corinna in a long, loose gown,
Her white neck hid with tresses hanging down,
Resembling fair Semiramis going to bed,
Or Lais of a thousand wooers sped.
I snatched her gown, being thin the harm was small,
Yet strived she to be covered therewithal,
And, striving thus as one that would be chaste,
Betrayed herself, and yielded at the last.
Stark naked as she stood before mine eye,
Not one wen in her body could I spy.
What arms and shoulders did I touch and see?
How apt her breasts were to be pressed by me?
How smooth a belly under her waist saw I?
How large a leg, and what a lusty thigh?
To leave the rest, all liked me passing well;
I clinged her naked body, down she fell.
Judge you the rest. Being tired, she bade me kiss.
Jove send me more such afternoons as this.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Translated by A. S. Kline © Copyright 2000.

Pablo Neruda. If You Forget Me.

The Ceylon Press — Sat, 27 Sep 2025 18:10:46 +0530

I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Translation copyright © 1990, 2004 by. Dennis Maloney and Clark Zlotchew ... Copyright © 2005 by Pablo Neruda and Clayton Eshelman.

Nissim Ezekiel. Goodbye Party For Miss Pushpa T.S.

The Ceylon Press — Sat, 27 Sep 2025 18:10:21 +0530

Friends,
our dear sister
is departing for foreign
in two three days,
and
we are meeting today
to wish her bon voyage.

You are all knowing, friends,
What sweetness is in Miss Pushpa.
I don't mean only external sweetness
but internal sweetness.
Miss Pushpa is smiling and smiling
even for no reason but simply because
she is feeling.

Miss Pushpa is coming
from very high family.
Her father was renowned advocate
in Bulsar or Surat,
I am not remembering now which place.

Surat? Ah, yes,
once only I stayed in Surat
with family members
of my uncle's very old friend-
his wife was cooking nicely…
that was long time ago.

Coming back to Miss Pushpa
she is most popular lady
with men also and ladies also.

Whenever I asked her to do anything,
she was saying, 'Just now only
I will do it.' That is showing
good spirit. I am always
appreciating the good spirit.

Pushpa Miss is never saying no.
Whatever I or anybody is asking
she is always saying yes,
and today she is going
to improve her prospect
and we are wishing her bon voyage.
Now I ask other speakers to speak
and afterwards Miss Pushpa
will do summing up.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: The copyright for Nissim Ezekiel's poem, "Goodbye Party for Miss Pushpa T.S.", is held by the estate of Nissim Ezekiel.

Niyi Osundare. In The Moon For Love.

The Ceylon Press — Sat, 27 Sep 2025 18:09:47 +0530

The moon is playing hide-and-seek
Behind the clouds. A mellow smile
Lingers on the lips of the sky

Tides tease and tangle
At the water's edge. The buck eyes
The doe with a deep, alluring passion

Sun mo bi, Ologuro
I am in the mood for love tonight

I can hear pigeons cooing
In their coop. I can hear alapandede
Swapping notes in the shady eaves

Oge taunts the wind with its restless tail
In the narrow lane between the walls
The baobab's bulbous boon is swinging in the wind

Sun mo bi, Ologuro
I am in the mood for love tonight

Touch my tale
Smell my song
Behold the dotted lines

On the pages of my skin
Unfurl my flower
Unravel my rave

Sun mo bi, Ologuro
I am in the mood for love tonight

Stir little fires in the furrow between my ridges
Plant me, a song, in your loamy acres
Palm my memory, mold my mask

Let rasping leaves caress the fruit
At the branch's edge. Quench this quest
With the magic of murmuring moments

Sun mo bi, Ologuro

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Niyi Osundare’s Pages from the Book of the Sun: New and Collected Poems, was published by Africa World Press (Trenton, NJ) in 2002.

Osundare is one of the more prominent contributors to the Nigerian section of The Penguin Book of Modern African Poetry, 4th edition 1998, ed. Gerald Moore and Ulli Beier . Other key Nigerian representatives include Christopher Okigbo, Wole Soyinka, Gabriel Okara, John Pepper Clark, and Odia Ofeimun.

Michael Ondaatje. The Cinnamon Peeler.

The Ceylon Press — Sat, 27 Sep 2025 18:09:26 +0530

If I were a cinnamon peeler
I would ride your bed
And leave the yellow bark dust
On your pillow.

Your breasts and shoulders would reek
You could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.

Here on the upper thigh
at this smooth pasture
neighbour to you hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler's wife.

I could hardly glance at you
before marriage
never touch you
--your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers...

When we swam once
I touched you in the water
and our bodies remained free,
you could hold me and be blind of smell.
you climbed the bank and said

this is how you touch other women
the grass cutter's wife, the lime burner's daughter.
And you searched your arms
for the missing perfume

and knew

what good is it
to be the lime burner's daughter
left with no trace
as if not spoken to in the act of love
as if wounded without the pleasure of a scar.

You touched
your belly to my hands
in the dry air and said
I am the cinnamon
Peeler's wife. Smell me.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:

Aus: The Cinnamon Peeler: Selected Poems. New York: Knopf, 1991

Meng Haoran. On Climbing Orchid Mountain In The Autumn To Zhang.

The Ceylon Press — Sat, 27 Sep 2025 18:08:14 +0530

On a northern peak among white clouds
You have found your hermitage of peace;
And now, as I climb this mountain to see you,
High with the wildgeese flies my heart.
The quiet dusk might seem a little sad
If this autumn weather were not so brisk and clear;
I look down at the river bank, with homeward-bound villagers
Resting on the sand till the ferry returns;
There are trees at the horizon like a row of grasses
And against the river's rim an island like the moon
I hope that you will come and meet me, bringing a basket of wine
And we'll celebrate together the Mountain Holiday.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The Project Gutenberg EBook Three Hundred Tang Poems, Volume 1 by Zhang Jiuling,

Li Bai, Du Fu, Wang Wei, Meng Haoran, Wang Changling, Qiu Wei, Qiwu Qian,

Chang Jian, Cen Can, Yuan Jie, Wei Yingwu, Liu Zongyuan and Meng Jiao

Matsuo Basho. The Cry Of The Cicada.

The Ceylon Press — Sat, 27 Sep 2025 18:07:22 +0530

The cry of the cicada
Gives us no sign
That presently they will die.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
From A History of Japanese Literature (William Heinemann, 1899) by W. G. Aston. This poem is in the public domain.

Rainer Maria Rilke. What Will You Do?

The Ceylon Press — Sat, 27 Sep 2025 18:06:41 +0530

What will you do, God, when I die?
I am your jar (if cracked, I lie?)
Your well-spring (if the well go dry?)
I am your craft, your vesture I—
You lose your purport, losing me.

When I go, your cold house will be
Empty of words that made it sweet.
I am the sandals your bare feet
Will seek and long for, wearily.

Your cloak will fall from aching bones.
Your glance, that my warm cheeks have cheered
As with a cushion long endeared,
Will wonder at a loss so weird;
And, when the sun has disappeared,
Lie in the lap of alien stones.

What will you do, God? I am feared.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
THE POETRY OF RILKE: BILINGUAL EDITION by Rainer Maria Rilke, translated and edited by Edward Snow. Translation © 2009 by Edward Snow.

Louis Macneice. The Sunlight On The Garden.

The Ceylon Press — Sat, 27 Sep 2025 17:15:31 +0530

The sunlight on the garden
Hardens and grows cold,
We cannot cage the minute
Within its nets of gold;
When all is told
We cannot beg for pardon.

Our freedom as free lances
Advances towards its end;
The earth compels, upon it
Sonnets and birds descend;
And soon, my friend,
We shall have no time for dances.

The sky was good for flying
Defying the church bells
And every evil iron
Siren and what it tells:
The earth compels,
We are dying, Egypt, dying

And not expecting pardon,
Hardened in heart anew,
But glad to have sat under
Thunder and rain with you,
And grateful too
For sunlight on the garden.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Sunlight On The Garden" by Louis MacNeice was first published in 1937 under the title "Song" in The Listener magazine. It was later included in his 1938 collection, The Earth Compels, with its current title. The poem itself is in the public domain

Mark Doty. Reprive, From Atlantis.

The Ceylon Press — Sat, 27 Sep 2025 17:15:03 +0530

I woke in the night
and thought, It was a dream,

nothing has torn the future apart,
we have not lived years

in dread, it never happened,
I dreamed it all. And then

there was this sensation of terrific pressure
lifting, as if I were rising

in one of those old diving bells,
lightening, unburdening. I didn’t know

how heavy my life had become—so much fear,
so little knowledge. It was like

being young again, but I understood
how light I was, how without encumbrance,—

and so I felt both young and awake,
which I never felt

when I was young. The curtains moved
—it was still summer, all the windows open—

and I thought, I can move that easily.
I thought my dream had lasted for years,

a decade, a dream can seem like that,
I thought, There’s so much more time ...

And then of course the truth
came floating back to me.

You know how children
love to end stories they tell

by saying, It was all a dream? Years ago,
when I taught kids to write,

I used to tell them this ending spoiled things,
explaining and dismissing

what had come before. Now I know
how wise they were, to prefer

that gesture of closure,
their stories rounded not with a sleep

but a waking. What other gift
comes close to a reprieve?

This was the dream that Wally told me:
I was in the tunnel, he said,

and there really was a light at the end,
and a great being standing in the light.

His arms were full of people, men and women,
but his proportions were all just right—I mean

he was the size of you or me.
And the people said, Come with us,

we’re going dancing. And they seemed so glad
to be going, and so glad to have me

join them, but I said,
I’m not ready yet. I didn’t know what to do,

when he finished,
except hold the relentless

weight of him, I didn’t know
what to say except, It was a dream,

nothing’s wrong now,
it was only a dream.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Mark Doty, “Atlantis” from Atlantis: Poems. Copyright © 1995 by Mark Doty.

Li Bai. Yellow Crane Terrace.

The Ceylon Press — Sat, 27 Sep 2025 17:14:29 +0530

Here he is, my good old friend!

He's at Yellow Crane Terrace on a western departure.

And--we're saying goodbye, goodbye.

He's in a cloud of third-month blossoms.

He's off downstream to Yang-chou.

That shadow there is his lonely sail.

Now there's nothing left of it.

All the blue is empty now.

All you can see is that long, long river.

It flows to the edge of the sky.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
300 Tang Poems. The University of Virginia Copyright 1973 by Yale University.

King Solomon. Ecclesiastes 12.

The Ceylon Press — Sat, 27 Sep 2025 17:13:48 +0530

Remember now thy Creator in the days of thy youth, while the evil days come not, nor the years draw nigh, when thou shalt say, I have no pleasure in them;

While the sun, or the light, or the moon, or the stars, be not darkened, nor the clouds return after the rain:

In the day when the keepers of the house shall tremble, and the strong men shall bow themselves, and the grinders cease because they are few, and those that look out of the windows be darkened,

And the doors shall be shut in the streets, when the sound of the grinding is low, and he shall rise up at the voice of the bird, and all the daughters of musick shall be brought low;

Also when they shall be afraid of that which is high, and fears shall be in the way, and the almond tree shall flourish, and the grasshopper shall be a burden, and desire shall fail: because man goeth to his long home, and the mourners go about the streets:

Or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain, or the wheel broken at the cistern.

Then shall the dust return to the earth as it was: and the spirit shall return unto God who gave it.
Vanity of vanities, saith the preacher; all is vanity.

And moreover, because the preacher was wise, he still taught the people knowledge; yea, he gave good heed, and sought out, and set in order many proverbs.

The preacher sought to find out acceptable words: and that which was written was upright, even words of truth.

The words of the wise are as goads, and as nails fastened by the masters of assemblies, which are given from one shepherd.

And further, by these, my son, be admonished: of making many books there is no end; and much study is a weariness of the flesh.

Let us hear the conclusion of the whole matter: Fear God, and keep his commandments: for this is the whole duty of man.

For God shall bring every work into judgment, with every secret thing, whether it be good, or whether it be evil.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
© The King James Version is in the public domain.

Kalidasa. Look To This Day.

The Ceylon Press — Sat, 27 Sep 2025 17:13:14 +0530

Look to this day:
For it is life, the very life of life.
In its brief course
Lie all the verities and realities of your existence.
The bliss of growth,
The glory of action,
The splendour of achievement
Are but experiences of time.

For yesterday is but a dream
And tomorrow is only a vision;
And today well-lived, makes
Yesterday a dream of happiness
And every tomorrow a vision of hope.
Look well therefore to this day;
Such is the salutation to the ever-new dawn!

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
ALIDASA · TRANSLATIONS OF SHAKUNTALA & OTHER WORKS ·. BY ARTHUR W. RYDER ©Copyright 2003 – 2025 Liberty Fund, Inc.

Keki Daruwalla. Migrations.

The Ceylon Press — Sat, 27 Sep 2025 17:12:04 +0530

Migrations are always difficult:
ask any drought,
any plague;
ask the year 1947.
Ask the chronicles themselves:
if there had been no migrations
would there have been enough
history to munch on?

Going back in time is also tough.
Ask anyone back-trekking to Sargodha
or Jhelum or Mianwali and they'll tell you.
New faces among old brick;
politeness, sentiment,
dripping from the lips of strangers.
This is still your house, Sir.

And if you meditate on time
that is no longer time -
(the past is frozen, it is stone,
that which doesn't move
and pulsate is not time) -
if you meditate on that scrap of time,
the mood turns pensive
like the monsoons
gathering in the skies
but not breaking.

Mother used to ask, don't you remember my mother?
You'd be in the kitchen all the time
and run with the fries she ladled out,
still sizzling on the plate.
Don't you remember her at all?
Mother's fallen face
would fall further
at my impassivity.
Now my dreams ask me
If I remember my mother
And I am not sure how I'll handle that.
Migrating across years is also difficult.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
© 2002, Keki Daruwalla

From: The Map-maker

Publisher: Ravi Dayal Publisher, Delhi

Federico Garcia Lorca. Romance Sonámbulo.

The Ceylon Press — Sat, 27 Sep 2025 17:11:23 +0530

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.

--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I'd help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that's possible,
with blankets of fine chambray.
Don't you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsy dark brown roses.
Your blood oozes and flees a
round the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;
Let me climb up! Let me,
up to the green balconies.
Railings of the moon
through which the water rumbles.

Now the two friends climb up,
up to the high balconies.
Leaving a trail of blood.
Leaving a trail of teardrops.
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines
struck at the dawn light.

Green, how I want you green,
green wind, green branches.
The two friends climbed up.
The stiff wind left
in their mouths, a strange taste
of bile, of mint, and of basil
My friend, where is she--tell me--
where is your bitter girl?
How many times she waited for you!
How many times would she wait for you,
cool face, black hair,
on this green balcony!
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
The night became intimate
like a little plaza.
Drunken 'Guardias Civiles'
were pounding on the door.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea.
And the horse on the mountain.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: García Lorca, Federico. "Romance sonámbulo" from Romancero gitano. Madrid: Revista de Occidente, 1928.

Jorge Luis Borges. When Sorrow Lays Us Low.

The Ceylon Press — Sat, 27 Sep 2025 17:10:47 +0530

When sorrow lays us low
for a second we are saved
by humble windfalls
of the mindfulness or memory:
the taste of a fruit, the taste of water,
that face given back to us by a dream,
the first jasmine of November,
the endless yearning of the compass,
a book we thought was lost,
the throb of a hexameter,
the slight key that opens a house to us,
the smell of a library, or of sandalwood,
the former name of a street,
the colors of a map,
an unforeseen etymology,
the smoothness of a filed fingernail,
the date we were looking for,
the twelve dark bell-strokes, tolling as we count,
a sudden physical pain.

Eight million Shinto deities
travel secretly throughout the earth.
Those modest gods touch us--
touch us and move on.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
English translations copyright by Emecé Editores, S. A., and Norman Thomas di Giovanni Introduction and Notes copyright by Norman Thomas di Giovanni Original Spanish texts copyright by Emecé Editores, S. A., Buenos Aires

Kwesi Brew. The Sea Eats Our Lands.

The Ceylon Press — Sat, 27 Sep 2025 17:10:12 +0530

Here stood our ancestral home:
The crumbling wall marks the spot.
Here a sheep was led to slaugther
To appease the gods and atone

For faults which our destiny
Has blossomed into crimes.
There my cursed father once stood
And shouted at us, his children.
To come back from our play

To our evening meal and sleep.
The clouds are thickening in the red sky
And night had charmed
A black power into the pounding waves.

Here once lay Keta.
Now her golden girls
Erode into the arms
Of strange towns.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: © Kwesi Brew.

Kofi Awoonor. Had Death Not Had Me in Tears.

The Ceylon Press — Sat, 27 Sep 2025 17:08:55 +0530

Had death not had me in tears
I would have seen the barges
on life's stream sail.
I would have heard sorrow songs
in groves where the road was lost
long
where men foot prints mix with other men foot prints
By the road I wait
"death is better, death is better"
came the song
I am by the roadside
looking for the road
death is better, death is much better
Had death not had me in tears
I would have seen the barges
I would have found the road
and heard the sorrow songs.
The land wreathes in rhythm
with your soul, caressed by history
and cruel geography
landscape ineffable yet screaming
eloquent resonant like the drums
of after harvests.
We pile rocks on terracing love
Carry the pithy cloth
to cover the hearths of our mother.

Come now, you lucky ones
come to the festival of corn and lamb
to the finest feast of this land
come, now,
your lovers have unfurled
their cloths
their thighs glistening like golden knives
ready for the plunging,
for the plentiful loving time.
To whom shall I turn
to what shall I tell my woes ?
My kinsmen, the desert tree
denied us sustenance
long before the drought.
To whom shall I turn
to whom shall I tell my woes?
Some say tell the mother goat
she too is my kinswoman
elemental sister of your clan
But I cannot tell the mother goat
for she is not here.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Had Death Not Had Me In Tears" from The Promise of Hope: New and Selected Poems, 1964-2013. Copyright © 2014 by Kofi Awoonor.

Alfred, Lord Tennyson. The Lady of Shalot.

The Ceylon Press — Sat, 27 Sep 2025 17:08:23 +0530

Part I

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
Round about Shalott.

Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

Underneath the bearded barley,
The reaper, reaping late and early,
Hears her ever chanting cheerly,
Like an angel, singing clearly,
O'er the stream of Camelot.
Piling the sheaves in furrows airy,
Beneath the moon, the reaper weary
Listening whispers, ' 'Tis the fairy,
Lady of Shalott.'

The little isle is all inrail'd
With a rose-fence, and overtrail'd
With roses: by the marge unhail'd
The shallop flitteth silken sail'd,
Skimming down to Camelot.
A pearl garland winds her head:
She leaneth on a velvet bed,
Full royally apparelled,
The Lady of Shalott.

Part II

No time hath she to sport and play:
A charmed web she weaves alway.
A curse is on her, if she stay
Her weaving, either night or day,
To look down to Camelot.
She knows not what the curse may be;
Therefore she weaveth steadily,
Therefore no other care hath she,
The Lady of Shalott.

She lives with little joy or fear.
Over the water, running near,
The sheepbell tinkles in her ear.
Before her hangs a mirror clear,
Reflecting tower'd Camelot.
And as the mazy web she whirls,
She sees the surly village churls,
And the red cloaks of market girls
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot:
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, came from Camelot:
Or when the moon was overhead
Came two young lovers lately wed;
'I am half sick of shadows,' said
The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flam'd upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down from Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down from Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over green Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down from Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
'Tirra lirra, tirra lirra:'
Sang Sir Lancelot.

She left the web, she left the loom
She made three paces thro' the room
She saw the water-flower bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
'The curse is come upon me,' cried
The Lady of Shalott.

Part IV

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Outside the isle a shallow boat
Beneath a willow lay afloat,
Below the carven stern she wrote,
The Lady of Shalott.

A cloudwhite crown of pearl she dight,
All raimented in snowy white
That loosely flew (her zone in sight
Clasp'd with one blinding diamond bright)
Her wide eyes fix'd on Camelot,
Though the squally east-wind keenly
Blew, with folded arms serenely
By the water stood the queenly
Lady of Shalott.

With a steady stony glance—
Like some bold seer in a trance,
Beholding all his own mischance,
Mute, with a glassy countenance—
She look'd down to Camelot.
It was the closing of the day:
She loos'd the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

As when to sailors while they roam,
By creeks and outfalls far from home,
Rising and dropping with the foam,
From dying swans wild warblings come,
Blown shoreward; so to Camelot
Still as the boathead wound along
The willowy hills and fields among,
They heard her chanting her deathsong,
The Lady of Shalott.

A longdrawn carol, mournful, holy,
She chanted loudly, chanted lowly,
Till her eyes were darken'd wholly,
And her smooth face sharpen'd slowly,
Turn'd to tower'd Camelot:
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden wall and gallery,
A pale, pale corpse she floated by,
Deadcold, between the houses high,
Dead into tower'd Camelot.
Knight and burgher, lord and dame,
To the planked wharfage came:
Below the stern they read her name,
The Lady of Shalott.

They cross'd themselves, their stars they blest,
Knight, minstrel, abbot, squire, and guest.
There lay a parchment on her breast,
That puzzled more than all the rest,
The wellfed wits at Camelot.
'The web was woven curiously,
The charm is broken utterly,
Draw near and fear not,—this is I,
The Lady of Shalott.'

John Dryden. You Charm'd Me Not With That Fair Face

The Ceylon Press — Sat, 27 Sep 2025 16:24:48 +0530

You charm'd me not with that fair face
Though it was all divine:
To be another's is the grace,
That makes me wish you mine.

The Gods and Fortune take their part
Who like young monarchs fight;
And boldly dare invade that heart
Which is another's right.

First mad with hope we undertake
To pull up every bar;
But once possess'd, we faintly make
A dull defensive war.

Now every friend is turn'd a foe
In hope to get our store:
And passion makes us cowards grow,
Which made us brave before.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
John Dryden, An Evening's love (London: T. N. for Henry Herringman, 1671).

John Keats. To Autumn.

The Ceylon Press — Sat, 27 Sep 2025 16:24:25 +0530

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"To Autumn" by John Keats is in the public domain. It was written in 1819 and first published in 1820.

Jayanta Mahapatra. Of That Love.

The Ceylon Press — Sat, 27 Sep 2025 16:23:59 +0530

Of that love, of that mile
walked together in the rain,
only a weariness remains.

I am that stranger now
my mirror holds to me;
the moment's silence
hardly moves across the glass.
I pity myself in another's guise.

And no one's back here, no one
I can recognize, and from my side
I see nothing. Years have passed
since I sat with you, watching
the sky grow lonelier with cloudlessness,
waiting for your body to make it lived in.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Of That Love" from the book All About Love by Jayanta Mahapatra, is published by the Ketaki Foundation Trust in 2022 and the copyright belongs to Jayanta Mahapatra.

John Donne. Song: Go And Catch A Falling Star.

The Ceylon Press — Sat, 27 Sep 2025 16:23:31 +0530

Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devil's foot,
Teach me to hear mermaids singing,
Or to keep off envy's stinging,
And find
What wind
Serves to advance an honest mind.

If thou be'st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return'st, wilt tell me,
All strange wonders that befell thee,
And swear,
No where
Lives a woman true, and fair.

If thou find'st one, let me know,
Such a pilgrimage were sweet;
Yet do not, I would not go,
Though at next door we might meet;
Though she were true, when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
John Donne's poem "Song: Go And Catch A Falling Star" is in the public domain because it was published before January 1, 1930. Therefore, it is not subject to modern copyright. The poem was published in the posthumous collection Poems of John Donne in 1633.

Homer. Troy Has Perished. From The Iliad.

The Ceylon Press — Sat, 27 Sep 2025 16:22:57 +0530

Troy has perished, the great city.
Only the red flame now lives there.

The dust is rising, spreading out like a great wing of smoke and all is hidden.
We now are gone, one here, one there.
And Troy is gone forever.

Farewell, dear city.
Farewell, my country, where my children lived.
There below, the Greek ships wait.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The Iliad of Homer, translated and with an introduction by Richmond Lattimore, copyright © 1951 by The University of Chicago.

Hafiz. VII.

The Ceylon Press — Sat, 27 Sep 2025 16:21:51 +0530

Again the garden has got the glitter of Spring:

The nightingale hears good news, for the rose is come.

Soft wind returning to the young plants of the meadow,

Greet for us the rose, the cypress and the sweet basil.

They are spread for the wedding-feast of the wine-seller's son,

And I'd sweep his floor with my eyelashes to win such grace.

For that amber-scented strand you draw across a moonlight brow

Has made a shuttlecock of my heart, and set it spinning.

I can't trust those who sneer at us drinking down to the lees:

That is the kind of thing which gets a bad name for religion.

Let them learn to be friends with God's true friends; remember that Noah in his ark,

A speck of dust himself, cared not a drop for the deluge.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
London: Heinemann, 1897.

Ho Nansorhon. Spring.

The Ceylon Press — Sat, 27 Sep 2025 16:21:09 +0530

In the courtyard a shower of peach petals piles deep;
Wandering orioles cry out on a magnolia tree near the fence.
Through tasseled silk curtains the spring cold seeps in;
From the censer a list of burning incense gently curls.
A beautiful girl woken from sleep makes up her face anew;
Fine girdle of fragrant silk, patterned with ducks.
She rolls up a thick blind, revealing the Kingfisher curtain;
Unhurried, she plays the phoenix song on her silver zither.
Where has her Lord gone on his gold engraved saddle?
A friendly parrot chatters at the window, a butterfly sports

in the grasses, then flits along the Garden Path.
Dancing among the flowers, gossamers outside the door,
Sounds of flutes and song from a neighbor's house;
The moon shines on a golden cup of fine wine.
At night she is quite alone and unable to sleep;
At dawn she wakes, tears soaking the shagreen silk.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Poems from Korea: A Historical Anthology, edited and translated by Peter H. Lee. Copyright © 1964, 1974 by UNESCO.

Henry Lawson. On The Night Train.

The Ceylon Press — Sat, 27 Sep 2025 16:18:38 +0530

Have you seen the Bush by moonlight, from the train, go running by,
Here a patch of glassy water, there a glimpse of mystic sky?
Have you heard the still small voice calling, yet so warm, and yet so cold:
“I’m the Mother Bush that bore you! Come to me when you are old?”

Did you see the Bush below you sweeping darkly to the range,
All unchanged and all unchanging, yet so very old and strange!
Did you hear the Bush a’calling, when your heart was young and bold:
“I’m the Mother Bush that nursed you! Come to me when you are old?”

Through the long, vociferous cutting as the night train swiftly sped,
Did you hear the grey Bush calling from the pine-ridge overhead:
“You have seen the seas and cities; all seems done, and all seems told;
I’m the Mother Bush that loves you! Come to me now you are old?”

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Published in 1922, this is Henry Lawson's last poem. Copyright © Henry Lawson.

Gerard Manley Hopkins. The Windhover.

The Ceylon Press — Sat, 27 Sep 2025 16:16:14 +0530

I caught this morning morning's minion, king-
dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding
Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird, – the achieve of, the mastery of the thing!

Brute beauty and valour and act, oh, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!

No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermilion.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The copyright for Gerard Manley Hopkins's poem "The Windhover" is out of copyright, as Hopkins died in 1889, and the poem was published posthumously in 1918 in the first edition of his collected works.

John Betjeman. Song Of A Nightclub Proprietress.

The Ceylon Press — Sat, 27 Sep 2025 16:15:09 +0530

I walked into the nightclub in the morning,
there was Kummel on the handle of the door,
the ashtrays were unemptied,
The cleaning unattempted,
And a squashed tomato sandwich on the floor.

I pulled aside the thick magenta curtains
So Regency, so Regency, my dear
And a host of little spiders
Ran a race across the ciders
To a box of baby 'pollies by the beer.

Oh sun upon the summergoing bypass
Where ev'rything is speeding to the sea,
And wonder beyond wonder
that here where lorries thunder
The sun should ever percolate to me.

When Boris used to call in his Sedanca,
When Teddy took me down to his estate,
When my nose excited passions,
And my clothes were in the fashion,
When my beaux were never cross if I was late,

There was sun enough for lazing upon beaches
There was fun enough for far into the night;
But I'm dying now and done for,
What on earth was all the fun for?
I am ill and old and terrified and tight.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

Gwendolyn Brooks. We Real Cool.

The Ceylon Press — Sat, 27 Sep 2025 16:14:39 +0530

The Pool Players.
Seven at the Golden Shovel.

We real cool. We
Left school. We

Lurk late. We
Strike straight. We

Sing sin. We
Thin gin. We

Jazz June. We
Die soon.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Gwendolyn Brooks, “We Real Cool” from Selected Poems. Copyright © 1963 by Gwendolyn Brooks.

John Clare. I Am.

The Ceylon Press — Sat, 27 Sep 2025 16:14:11 +0530

I am: yet what I am none cares or knows,
My friends forsake me like a memory lost;
I am the self-consumer of my woes,
They rise and vanish in oblivious host,
Like shades in love and death's oblivion lost;
And yet I am! and live with shadows tost

Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life nor joys,
But the vast shipwreck of my life's esteems;
And e'en the dearest- that I loved the best-
Are strange- nay, rather stranger than the rest.

I long for scenes where man has never trod;
A place where woman never smil'd or wept;
There to abide with my creator, God,
And sleep as I in childhood sweetly slept:
Untroubling and untroubled where I lie;
The grass below- above the vaulted sky.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
John Clare's poem "I Am" is in the public domain. The poem was written in 1844 or 1845 and first published in 1848.

Geoffrey Hill. From Mercian Hymns.

The Ceylon Press — Sat, 27 Sep 2025 15:47:51 +0530

I

King of the perennial holly-groves, the riven sandstone: overlord of the M5: architect of the historic rampart and ditch, the citadel at Tamworth, the summer hermitage in Holy Cross: guardian of the Welsh Bridge and the Iron Bridge: contractor to the desirable new estates: saltmaster: moneychanger: commissioner for oaths: martyrologist: the friend of Charlemagne.

‘I liked that,’ said Offa, ‘sing it again.’

IV

I was invested in mother-earth, the crypt of roots and endings. Child’s-play. I abode there, bided my time: where the mole

shouldered the clogged wheel, his gold solidus; where dry-dust badgers thronged the Roman flues, the long-unlooked-for mansions of our tribe.

V

So much for the elves’ wergild, the true governance of England, the gaunt warrior-gospel armoured in engraved stone. I wormed my way heavenward for ages amid barbaric ivy, scrollwork of fern.

Exile or pilgrim set me once more upon that ground: my rich and desolate childhood. Dreamy, smug-faced, sick on outings—I who was taken to be a king of some kind, a prodigy, a maimed one.

The princes of Mercia were badger and raven. Thrall to their freedom, I dug and hoarded. Orchards fruited above clefts. I drank from honeycombs of chill sandstone.

‘A boy at odds in the house, lonely among brothers.’ But I, who had none, fostered a strangeness; gave myself to unattainable toys.

Candles of gnarled resin, apple-branches, the tacky mistletoe. ‘Look’ they said and again ‘look.’ But I ran slowly; the landscape flowed away, back to its source.

In the schoolyard, in the cloakrooms, the children boasted their scars of dried snot; wrists and knees garnished with impetigo.

He adored the desk, its brown-oak inlaid with ebony, assorted prize pens, the seals of gold and base metal into which he had sunk his name.

It was there that he drew upon grievances from the people; attended to signatures and retributions; forgave the death-howls of his rival. And there he exchanged gifts with the Muse of History.

What should a man make of remorse, that it might profit his soul? Tell me. Tell everything to Mother, darling, and God bless.

He swayed in sunlight, in mild dreams. He tested the little pears. He smeared catmint on his palm for his cat Smut to lick. He wept, attempting to master ancilla and servus.

Coins handsome as Nero’s; of good substance and weight. Offa Rex resonant in silver, and the names of his moneyers. They struck with accountable tact. They could alter the king’s face.

Exactness of design was to deter imitation; mutilation if that failed. Exemplary metal, ripe for commerce. Value from a sparse people, scrapers of salt-pans and byres.

Swathed bodies in the long ditch; one eye upstaring. It is safe to presume, here, the king’s anger. He reigned forty years. Seasons touched and retouched the soil.

Heathland, new-made watermeadow. Charlock, marsh-marigold. Crepitant oak forest where the boar furrowed black mould, his snout intimate with worms and leaves.

Tutting, he wrenched at a snarled root of dead crabapple. It rose against him. In brief cavort he was Cernunnos, the branched god, lightly concussed.

He divided his realm. It lay there like a dream. An ancient land, full of strategy. Ramparts of compost pioneered by red-helmeted worms. Hemlock in ambush, night-soil, tetanus. A wasps’ nest ensconced in the hedge-bank, a reliquary or wrapped head, the corpse of Cernunnos pitching dayward its feral horns.

XVI

Clash of salutation. As keels thrust into shingle. Ambassadors, pilgrims. What is carried over? The Frankish gift, two-edged, regaled with slaughter.

The sword is in the king’s hands; the crux a craftsman’s triumph. Metal effusing its own fragrance, a variety of balm. And other miracles, other exchanges.

Shafts from the winter sun homing upon earth’s rim. Christ’s mass: in the thick of a snowy forest the flickering evergreen fissured with light.

Attributes assumed, retribution entertained. What is borne amongst them? Too much or too little. Indulgences of bartered acclaim; an expenditure, a hissing. Wine, urine and ashes.

XXVII

‘Now when King Offa was alive and dead’, they were all there, the funereal gleemen: papal legate and rural dean; Merovingian car-dealers, Welsh mercenaries; a shuffle of house-carls.

He was defunct. They were perfunctory. The ceremony stood acclaimed. The mob received memorial vouchers and signs.

After that shadowy, thrashing midsummer hail-storm, Earth lay for a while, the ghost-bride of livid Thor, butcher of strawberries, and the shire-tree dripped red in the arena of its uprooting.

XXX

And it seemed, while we waited, he began to walk towards us he vanished

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Geoffrey Hill, Excerpts from Mercian Hymns from New and Collected Poems, 1952-1992. Copyright © 1994 by Geoffrey Hill.

Gabriel Okara. The Paino And The Drums.

The Ceylon Press — Sat, 27 Sep 2025 15:47:06 +0530

When at break of day at a riverside
I hear the jungle drums telegraphing
the mystic rhythm, urgent, rawlike bleeding flesh, speaking of
primal youth and the beginning
I see the panther ready to pounce
the leopard snarling about to leapand the hunters crouch with spears poised;

And my blood ripples, turns torrent,
topples the years and at once I’min
my mother’s laps a suckling;
at once I’m walking simple
paths with no innovations,
rugged, fashioned with the naked
warmth of hurrying feet and groping hearts
in green leaves and wild flowers pulsing.

Then I hear a wailing piano
solo speaking of complex ways
in tear-furrowed concerto;
on far away lands
and new horizons with
coaxing diminuendo,
counterpoint,
crescendo. But lost in the labyrinthof its complexities, it ends in the middle
of a phrase at a daggerpoint.

And I lost in the morning mist
of an age at a riverside keep
wandering in the mystic rhythm
of jungle drums and the concerto.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The poem "Piano and Drums" was written by Gabriel Okara, and the copyright belongs to him.

Ezra Pound. The Garden.

The Ceylon Press — Sat, 27 Sep 2025 15:45:31 +0530

The Garden. By Ezra Pound.

Like a skein of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piece-meal
of a sort of emotional anemia.

And round about there is a rabble
Of the filthy, sturdy, unkillable infants of the very poor.
They shall inherit the earth.

In her is the end of breeding.
Her boredom is exquisite and excessive.

She would like some one to speak to her,
And is almost afraid that I
will commit that indiscretion.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:

Ezra Pound, "Contemporania," Poetry: A Magazine of Verse, 2.1 (April 1913): 2. Ezra Pound, Lustra (London: Elkin Mathews, 1916) 12. PS 3531 O82L8 1916 Robarts Library. See also Ezra Pound's Poetry and Prose: Contributions to Periodicals, prefaced and arranged by Lea Baechler, A. Walton Litz, and James Longenbach (New York and London: Garland, 1991), I (1902-1914): 133. PS 3531 O82A6 1991 Robarts Library.

Emily Dickinson. Because I Could Not Stop For Death.

The Ceylon Press — Sat, 27 Sep 2025 15:44:38 +0530

Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility –

We passed the School, where Children strove
At Recess – in the Ring –
We passed the Fields of Gazing Grain –
We passed the Setting Sun –

Or rather – He passed Us –
The Dews drew quivering and Chill –
For only Gossamer, my Gown –
My Tippet – only Tulle –

We paused before a House that seemed
A Swelling of the Ground –
The Roof was scarcely visible –
The Cornice – in the Ground –

Since then – 'tis Centuries – and yet
Feels shorter than the Day
I first surmised the Horses' Heads
Were toward Eternity –

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: THE POEMS OF EMILY DICKINSON: READING EDITION, edited by Ralph W. Franklin, Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998, 1999 by the President and Fellows of Harvard College. Copyright © 1951, 1955 , by the President and Fellows of Harvard College. Copyright © 1979, 1983 by the President and Fellows of Harvard College. Copyright © 1914, 1918, 1924, 1929, 1930, 1932, 1935, 1937, 1942 by Martha Dickinson Bianchi. Copyright © 1952, 1957, 1958, 1963, 1965 by Mary L. Hampson.

Edward Thomas. Adlestrop.

The Ceylon Press — Sat, 27 Sep 2025 15:43:25 +0530

Yes. I remember Adlestrop—
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.

The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop—only the name

And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.

And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
This poem was printed in the collection Poems, published by Henry Holt and Company in 1917.

Dylan Thomas. The Force That Through The Green Fuse Drives The Flower.

The Ceylon Press — Sat, 27 Sep 2025 15:41:23 +0530

The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.

The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And I am dumb to mouth unto my veins
How at the mountain spring the same mouth sucks.

The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.
And I am dumb to tell the hanging man
How of my clay is made the hangman's lime.

The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.
And I am dumb to tell a weather's wind
How time has ticked a heaven round the stars.

And I am dumb to tell the lover's tomb
How at my sheet goes the same crooked worm.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
From The Poems of Dylan Thomas, published by New Directions. Copyright © 1952, 1953 Dylan Thomas. Copyright © 1937, 1945, 1955, 1962, 1966, 1967 the Trustees for the Copyrights of Dylan Thomas. Copyright © 1938, 1939, 1943, 1946, 1971, 2003 New Directions Publishing Corp.

Du Fu. A Woman Of Quality.

The Ceylon Press — Sat, 27 Sep 2025 15:40:28 +0530

Matchless in breeding and beauty,
a fine lady has taken refuge
in this forsaken valley.
She is of good family, she says,
but her fortune has withered away;
now she lives as the grass and trees.
When the heartlands fell to the rebels
her brothers were put to death;
birth and position availed nothing--
she was not even allowed
to bring home their bones for burial.
The world turns quickly against
those who have had their day--
fortune is a lamp-flame
flickering in the wind.
Her husband is a fickle fellow
who has a lovely new woman.
Even the vetch-tree is more constant,
folding its leaves every dusk,
and mandarin ducks
always sleep with their mates.
But he has eyes only
for his new woman's smile,
and his ears are deaf
to his first wife's weeping.
High in the mountains
spring water is clear as truth,
but when it reaches the lowlands
it is muddied with rumor.
Her serving-maid returns
from selling her pearls;
she drags a creeper over
to cover holes in the roof.
The flowers the lady picks
are not for her hair,
and the handfuls of cypress
are a bitter stay against hunger.
Her pretty blue sleeves
are too thin for the cold;
as evening falls
she leans on the tall bamboo.

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

Douglas Dunn. Kaleidoscope.

The Ceylon Press — Sat, 27 Sep 2025 15:39:21 +0530

Kaleidoscope. By Douglas Dunn.

To climb these stairs again, bearing a tray,
Might be to find you pillowed with your books,
Your inventories listing gowns and frocks
As if preparing for a holiday.
Or, turning from the landing, I might find
My presence watched through your kaleidoscope,
A symmetry of husbands, each redesigned
In lovely forms of foresight, prayer and hope.
I climb these stairs a dozen times a day
And, by the open door, wait, looking in
At where you died. My hands become a tray
Offering me, my flesh, my soul, my skin.
Grief wrongs us so. I stand, and wait, and cry
For the absurd forgiveness, not knowing why.

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
From Elegies in 1985, Copyright Douglas Dunn

Alcman. Night Poem.

The Ceylon Press — Sat, 27 Sep 2025 15:37:41 +0530

Over the drowsy earth still night prevails;
Calm sleep the mountain tops and shady vales,
The rugged cliffs and hollow glens;
The cattle on the hill. Deep in the sea,
The countless finny race and monster brood
Tranquil repose. Even the busy bee
Forgets her daily toil. The silent wood
No more with noisy hum of insect rings;
And all the feathered tribes, by gentle sleep subdued,
Roost in the glade, and hang their drooping wings.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

Anna Akhmatova. Poem Without a Hero.

The Ceylon Press — Sat, 27 Sep 2025 10:50:54 +0530

I have lit my treasured candles,
one by one, to hallow this night.
With you, who do not come,
I wait the birth of the year.
Dear God!
the flame has drowned in crystal,
and the wine, like poison, burns
Old malice bites the air,
old ravings rave again,
though the hour has not yet struck.

Dread. Bottomless dread…
I am that shadow on the threshold
defending my remnant peace.

Let the gossip roll!
What to me are Hamlet’s garters,
or the whirlwind of Salome’s dance,
or the tread of the Man in the Iron Mask?
I am more iron than they.

Prince Charming, prince of the mockers —
compared with him the foulest of sinners
is grace incarnate…

That woman I once was,
in a black agate necklace,
I do not wish to meet again
till the Day of Judgement.

Are the last days near, perhaps?
I have forgotten your lessons,
prattlers and false prophets,
but you haven’t forgotten me.
As the future ripens in the past,
so the past rots in the future —
a terrible festival of dead leaves.

All the mirrors on the wall
show a man not yet appeared
who could not enter this white hall.
He is no better and no worse,
but he is free of Lethe’s curse:
his warm hand makes a human pledge.
Strayed from the future, can it be
that he will really come to me,
turning left from the bridge?

From childhood I have been afraid
of mummers. It always seemed
an extra shadow
without face or name
had slipped among them…

You…
you are as old as the Mamre oak,
ancient interrogator of the moon,
whose feigned groans cannot take us in.
You write laws of iron.

Creature of special tastes,
you do not wait for gout and fame
to elevate you
to a luxurious jubilee chair,
but bear your triumph
over the flowering heather,
over wildernesses.
And you are guilty of nothing: neither of this,
that, nor anything..

Besides
what have poets, in any case, to do with sin?
They must dance before the Ark of the Covenant
or die! But what am I trying to say?

In the black sky no star is seen,
somewhere in ambush lurks the Angel of Death,
but the spiced tongues of the masqueraders
are loose and shameless
A shout:
“Make way for the hero!”
Ah yes. Displacing the tall one,
he will step forth now without fail
and sing to us about holy vengeance…

There is no death, each of us knows —
it’s banal to say.
I’ll leave it to others to explain.

Is this the visitor from the wrong side
of the mirror? Or the shape
that suddenly flitted past my window?
Is it the new moon playing tricks,
or is someone really standing there again
between the stove and the cupboard?

This means that gravestones are fragile
and granite is softer than wax.
Absurd, absurd, absurd! From such absurdity
I shall soon turn gray
or change into another person.
why do you beckon me with your hand?
For one moment of peace
I would give the peace of the tomb.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Poem without a Hero first published in England 1976 by Elek Books Limited, London. Translation copyright © D. M. Thomas, 1976

Alun Lewis. All Day It Has Rained.

The Ceylon Press — Sat, 27 Sep 2025 10:50:15 +0530

All day it has rained, and we on the edge of the moors
Have sprawled in our bell-tents, moody and dull as boors,
Groundsheets and blankets spread on the muddy ground
And from the first grey wakening we have found
No refuge from the skirmishing fine rain
And the wind that made the canvas heave and flap
And the taut wet guy-ropes ravel out and snap,
All day the rain has glided, wave and mist and dream,
Drenching the gorse and heather, a gossamer stream
Too light to stir the acorns that suddenly
Snatched from their cups by the wild south-westerly
Pattered against the tent and our upturned dreaming faces.
And we stretched out, unbuttoning our braces,
Smoking a Woodbine, darning dirty socks,
Reading the Sunday papers – I saw a fox
And mentioned it in the note I scribbled home;
And we talked of girls and dropping bombs on Rome,
And thought of the quiet dead and the loud celebrities
Exhorting us to slaughter, and the herded refugees;
-Yet thought softly, morosely of them, and as indifferently
As of ourselves or those whom we
For years have loved, and will again
Tomorrow maybe love; but now it is the rain
Possesses us entirely, the twilight and the rain.

And I can remember nothing dearer or more to my heart
Than the children I watched in the woods on Saturday
Shaking down burning chestnuts for the schoolyard’s merry play
Or the shaggy patient dog who followed me
By Sheet and Steep and up the wooded scree
To the Shoulder o’ Mutton where Edward Thomas brooded long
On death and beauty – till a bullet stopped his song.

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Alun Lewis. First Published in Horizon, 1941. Selected Poems of Alun Lewis, ed. Jeremy Hooker & Gweno Lewis. Unwin Paperbacks 1981

Allen Ginsberg. My Sad Self.

The Ceylon Press — Sat, 27 Sep 2025 10:49:37 +0530

Sometimes when my eyes are red
I go up on top of the RCA Building
and gaze at my world, Manhattan—
my buildings, streets I’ve done feats in,
lofts, beds, coldwater flats
—on Fifth Ave below which I also bear in mind,
its ant cars, little yellow taxis, men
walking the size of specks of wool—
Panorama of the bridges, sunrise over Brooklyn machine,
sun go down over New Jersey where I was born
& Paterson where I played with ants—
my later loves on 15th Street,
my greater loves of Lower East Side,
my once fabulous amours in the Bronx
faraway—
paths crossing in these hidden streets,
my history summed up, my absences
and ecstasies in Harlem—
—sun shining down on all I own
in one eyeblink to the horizon
in my last eternity—
matter is water.

Sad,
I take the elevator and go
down, pondering,
and walk on the pavements staring into all man’s
plateglass, faces,
questioning after who loves,
and stop, bemused
in front of an automobile shopwindow
standing lost in calm thought,
traffic moving up & down 5th Avenue blocks behind me
waiting for a moment when ...

Time to go home & cook supper & listen to
the romantic war news on the radio
... all movement stops
& I walk in the timeless sadness of existence,
tenderness flowing thru the buildings,
my fingertips touching reality’s face,
my own face streaked with tears in the mirror
of some window—at dusk—
where I have no desire—
for bonbons—or to own the dresses or Japanese
lampshades of intellection—

Confused by the spectacle around me,
Man struggling up the street
with packages, newspapers,
ties, beautiful suits
toward his desire
Man, woman, streaming over the pavements
red lights clocking hurried watches &
movements at the curb—

And all these streets leading
so crosswise, honking, lengthily,
by avenues
stalked by high buildings or crusted into slums
thru such halting traffic
screaming cars and engines
so painfully to this
countryside, this graveyard
this stillness
on deathbed or mountain
once seen
never regained or desired
in the mind to come
where all Manhattan that I’ve seen must disappear.

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

Abu Nuwas. In The Bath-House.

The Ceylon Press — Sat, 27 Sep 2025 10:48:53 +0530

In the bath-house, the mysteries hidden by trousers
Are revealed to you.
All becomes radiantly manifest.
Feast your eyes without restraint!
You see handsome buttocks, shapely trim torsos,
You hear the guys whispering pious formulas
to one another
('God is Great! ' 'Praise be to God! ')
Ah, what a palace of pleasure is the bath-house!
Even when the towel-bearers come in
And spoil the fun a bit.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Poems by Abu Nuwas, Translated by Jaafar Abu Tarab, iUniverse inc. 2005

Catullus. Poem 5.

The Ceylon Press — Sat, 27 Sep 2025 10:48:27 +0530

Let us live, my Lesbia, and love,
and the rumors of rather stern old men
let us value all at just one penny!
Suns may set and rise again;
for us, when once the brief light has set,
an eternal night must be slept.
Give me a thousand kisses, then a hundred,
then another thousand, then a second hundred,
then yet another thousand, then a hundred;
then, when we have performed many thousands,
we shall shake them into confusion,
in order that we might not know,
and in order not to let any evil person envy us,
when he knows that there are so many of our kisses.

ENJOY MORE
The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

Andrew Marvell. To His Coy Mistress.

The Ceylon Press — Sat, 27 Sep 2025 10:47:58 +0530

Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"To His Coy Mistress" by Andrew Marvell is in the public domain . The poem was first published after Marvell's death in 1678, in a collection compiled by his housekeeper, Mary Palmer.

Breyten Breytenbach. A Footnote Under The Night Of History.

The Ceylon Press — Sat, 27 Sep 2025 10:47:30 +0530

in the night when everything was black
burnt to a cross of ash
on the blind glass
and the dog’s bark a dark kite
blowing away in darkness
to where the moon
tears like the keel of a sinking boat
I dreamt my language

the title page smeared black
with signs now undecipherable raw
and inside the book
I saw my reflection
standing there three times

first among dead friends
with mottled grieving faces
like dogs staring directly into the blind window
while their thoughts like empty glasses
turning in the hands
and I was there
thin neck and moustache
our poems are slaves each with a full wave
feathers proudly on the head

then in a tableau at departure
in the garden of the night
with cape of white hair
my mother an aged virgin in my embrace
and further back
in the folds of memory
all other trusteds as torches of forgetting

were I now the prophet
sent to spy if there is life
in this world
or the senseless exile returning to say
our language was a footnote
under the illegible page history?

a last time on a bench in the empty garden
of a madhouse of toothless ageds
as skeletons with little bitter flesh
swaddled in the blanket
and wild tuft and eyes blind marbles

bow and mutter bow and mutter
many words oh many words
but only the whispering of dead slaves
but not enough to groove or make boat
and outside of the book beyond all listening
the bark and the wind and the ash
of the moon in dark water

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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.

Alun Lewis. The Jungle.

The Ceylon Press — Fri, 26 Sep 2025 17:39:29 +0530

The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.

The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.