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    <title>Opening Doors: Navigating the Future of the Theatre Industry</title>
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    <description>Navigating the Future of the Theatre Industry with Spencer Sher, and an array of upcoming theatrical talents from all areas of the building. </description>
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    <pubDate>Wed, 23 Jul 2025 10:35:38 -0400</pubDate>
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    <itunes:summary>Navigating the Future of the Theatre Industry with Spencer Sher, and an array of upcoming theatrical talents from all areas of the building. </itunes:summary>
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      <title>Riley Elton McCarthy, Playwright Part 2</title>
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        <![CDATA[<p>Join Spencer for Part 2 of his conversation with Riley Elton McCarthy about their work and the future of the theatre industry.</p><p>A "<strong>vanguard figure of socially conscious theatre</strong>" (Lena Hunter, CPHPost), Riley Elton McCarthy is the artistic director of Basement Light Productions, and critically acclaimed playwright, performer, and producer. “<strong>The most original voice in horror since Mike Flanagan</strong>” (Rory Ford, The Scotsman), Riley writes scary plays for all those queer insomniacs who love everything that goes bump in the night. Riley’s writing, that “<strong>displays a unique and intellectual writing style; combining a mix of natural, poetic dialogue, wit, and narration</strong>” (Phoebe Louise, Lost in Theatreland) has been seen and published internationally, spanning from Edinburgh, London, Denmark, and beyond, and their magnum opus, <em>IVORIES</em>, is available for purchase at <strong>The Drama Book Shop</strong> after being published by NextStage Press.</p><p> </p><p>They were a <strong>2023 Eugene O’Neill Semi-Finalist</strong> for <em>Sharon and Melina</em>, and are a <strong>two-time SheNYCArts Semi-finalist</strong>. Their production of <em>IVORIES</em> at 59E59 and Edinburgh Fringe was <strong>nominated for an Off-Fest Award</strong>, <strong>long-listed for the Brighton Fringe Award for Excellence</strong>, and received critical acclaim for creating strides in representation for queer storytelling. They’ve been produced <strong>off-broadway at The Triad Theater</strong> with <em>The Lesbian Play</em>, and they’ve had productions of their work at <strong>The Brick, The Gilbert Theater, The Tank, 59E59, and Yale School for Drama</strong>. They are a resident playwright with <strong>Lakehouseranchdotpng</strong>,  a <strong>resident playwright</strong> in the <strong>TGNB2S+ Affinity Intensive</strong> with Workshop Theater, <strong>INKubator</strong> with Art House Productions, and <strong>CPH HOTMeat</strong> in the <strong>International World Pride</strong> festival in Copenhagen.</p>]]>
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        <![CDATA[<p>Join Spencer for Part 2 of his conversation with Riley Elton McCarthy about their work and the future of the theatre industry.</p><p>A "<strong>vanguard figure of socially conscious theatre</strong>" (Lena Hunter, CPHPost), Riley Elton McCarthy is the artistic director of Basement Light Productions, and critically acclaimed playwright, performer, and producer. “<strong>The most original voice in horror since Mike Flanagan</strong>” (Rory Ford, The Scotsman), Riley writes scary plays for all those queer insomniacs who love everything that goes bump in the night. Riley’s writing, that “<strong>displays a unique and intellectual writing style; combining a mix of natural, poetic dialogue, wit, and narration</strong>” (Phoebe Louise, Lost in Theatreland) has been seen and published internationally, spanning from Edinburgh, London, Denmark, and beyond, and their magnum opus, <em>IVORIES</em>, is available for purchase at <strong>The Drama Book Shop</strong> after being published by NextStage Press.</p><p> </p><p>They were a <strong>2023 Eugene O’Neill Semi-Finalist</strong> for <em>Sharon and Melina</em>, and are a <strong>two-time SheNYCArts Semi-finalist</strong>. Their production of <em>IVORIES</em> at 59E59 and Edinburgh Fringe was <strong>nominated for an Off-Fest Award</strong>, <strong>long-listed for the Brighton Fringe Award for Excellence</strong>, and received critical acclaim for creating strides in representation for queer storytelling. They’ve been produced <strong>off-broadway at The Triad Theater</strong> with <em>The Lesbian Play</em>, and they’ve had productions of their work at <strong>The Brick, The Gilbert Theater, The Tank, 59E59, and Yale School for Drama</strong>. They are a resident playwright with <strong>Lakehouseranchdotpng</strong>,  a <strong>resident playwright</strong> in the <strong>TGNB2S+ Affinity Intensive</strong> with Workshop Theater, <strong>INKubator</strong> with Art House Productions, and <strong>CPH HOTMeat</strong> in the <strong>International World Pride</strong> festival in Copenhagen.</p>]]>
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      <pubDate>Thu, 30 Nov 2023 06:03:12 -0500</pubDate>
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      <itunes:author>The BLOOP Network</itunes:author>
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        <![CDATA[<p>Join Spencer for Part 2 of his conversation with Riley Elton McCarthy about their work and the future of the theatre industry.</p><p>A "<strong>vanguard figure of socially conscious theatre</strong>" (Lena Hunter, CPHPost), Riley Elton McCarthy is the artistic director of Basement Light Productions, and critically acclaimed playwright, performer, and producer. “<strong>The most original voice in horror since Mike Flanagan</strong>” (Rory Ford, The Scotsman), Riley writes scary plays for all those queer insomniacs who love everything that goes bump in the night. Riley’s writing, that “<strong>displays a unique and intellectual writing style; combining a mix of natural, poetic dialogue, wit, and narration</strong>” (Phoebe Louise, Lost in Theatreland) has been seen and published internationally, spanning from Edinburgh, London, Denmark, and beyond, and their magnum opus, <em>IVORIES</em>, is available for purchase at <strong>The Drama Book Shop</strong> after being published by NextStage Press.</p><p> </p><p>They were a <strong>2023 Eugene O’Neill Semi-Finalist</strong> for <em>Sharon and Melina</em>, and are a <strong>two-time SheNYCArts Semi-finalist</strong>. Their production of <em>IVORIES</em> at 59E59 and Edinburgh Fringe was <strong>nominated for an Off-Fest Award</strong>, <strong>long-listed for the Brighton Fringe Award for Excellence</strong>, and received critical acclaim for creating strides in representation for queer storytelling. They’ve been produced <strong>off-broadway at The Triad Theater</strong> with <em>The Lesbian Play</em>, and they’ve had productions of their work at <strong>The Brick, The Gilbert Theater, The Tank, 59E59, and Yale School for Drama</strong>. They are a resident playwright with <strong>Lakehouseranchdotpng</strong>,  a <strong>resident playwright</strong> in the <strong>TGNB2S+ Affinity Intensive</strong> with Workshop Theater, <strong>INKubator</strong> with Art House Productions, and <strong>CPH HOTMeat</strong> in the <strong>International World Pride</strong> festival in Copenhagen.</p>]]>
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      <itunes:keywords>playwright, theater, Riley Elton Mccarthy, theatre, </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" href="https://openingdoors.transistor.fm/people/spencer-sher" img="https://img.transistor.fm/aOnhEuBIWQM65FNnLxRyaSB6LER-MWpPbmJHIMzL72A/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9wZXJz/b24vNzkyNmQ0NmYt/NWU2NS00YzFlLWEz/NGItYjU1OTQzODli/ZmI1LzE2OTcwNTgz/MTctaW1hZ2UuanBn.jpg">Spencer Sher</podcast:person>
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      <title>Riley Elton McCarthy, Playwright Part 1</title>
      <itunes:episode>1</itunes:episode>
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        <![CDATA[<p>Join Spencer for Part 1 of his conversation with Riley Elton McCarthy about their work and the future of the theatre industry. </p><p>A "<strong>vanguard figure of socially conscious theatre</strong>" (Lena Hunter, CPHPost), Riley Elton McCarthy is the artistic director of Basement Light Productions, and critically acclaimed playwright, performer, and producer. “<strong>The most original voice in horror since Mike Flanagan</strong>” (Rory Ford, The Scotsman), Riley writes scary plays for all those queer insomniacs who love everything that goes bump in the night. Riley’s writing, that “<strong>displays a unique and intellectual writing style; combining a mix of natural, poetic dialogue, wit, and narration</strong>” (Phoebe Louise, Lost in Theatreland) has been seen and published internationally, spanning from Edinburgh, London, Denmark, and beyond, and their magnum opus, <em>IVORIES</em>, is available for purchase at <strong>The Drama Book Shop</strong> after being published by NextStage Press.</p><p> </p><p>They were a <strong>2023 Eugene O’Neill Semi-Finalist</strong> for <em>Sharon and Melina</em>, and are a <strong>two-time SheNYCArts Semi-finalist</strong>. Their production of <em>IVORIES</em> at 59E59 and Edinburgh Fringe was <strong>nominated for an Off-Fest Award</strong>, <strong>long-listed for the Brighton Fringe Award for Excellence</strong>, and received critical acclaim for creating strides in representation for queer storytelling. They’ve been produced <strong>off-broadway at The Triad Theater</strong> with <em>The Lesbian Play</em>, and they’ve had productions of their work at <strong>The Brick, The Gilbert Theater, The Tank, 59E59, and Yale School for Drama</strong>. They are a resident playwright with <strong>Lakehouseranchdotpng</strong>,  a <strong>resident playwright</strong> in the <strong>TGNB2S+ Affinity Intensive</strong> with Workshop Theater, <strong>INKubator</strong> with Art House Productions, and <strong>CPH HOTMeat</strong> in the <strong>International World Pride</strong> festival in Copenhagen.</p>]]>
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        <![CDATA[<p>Join Spencer for Part 1 of his conversation with Riley Elton McCarthy about their work and the future of the theatre industry. </p><p>A "<strong>vanguard figure of socially conscious theatre</strong>" (Lena Hunter, CPHPost), Riley Elton McCarthy is the artistic director of Basement Light Productions, and critically acclaimed playwright, performer, and producer. “<strong>The most original voice in horror since Mike Flanagan</strong>” (Rory Ford, The Scotsman), Riley writes scary plays for all those queer insomniacs who love everything that goes bump in the night. Riley’s writing, that “<strong>displays a unique and intellectual writing style; combining a mix of natural, poetic dialogue, wit, and narration</strong>” (Phoebe Louise, Lost in Theatreland) has been seen and published internationally, spanning from Edinburgh, London, Denmark, and beyond, and their magnum opus, <em>IVORIES</em>, is available for purchase at <strong>The Drama Book Shop</strong> after being published by NextStage Press.</p><p> </p><p>They were a <strong>2023 Eugene O’Neill Semi-Finalist</strong> for <em>Sharon and Melina</em>, and are a <strong>two-time SheNYCArts Semi-finalist</strong>. Their production of <em>IVORIES</em> at 59E59 and Edinburgh Fringe was <strong>nominated for an Off-Fest Award</strong>, <strong>long-listed for the Brighton Fringe Award for Excellence</strong>, and received critical acclaim for creating strides in representation for queer storytelling. They’ve been produced <strong>off-broadway at The Triad Theater</strong> with <em>The Lesbian Play</em>, and they’ve had productions of their work at <strong>The Brick, The Gilbert Theater, The Tank, 59E59, and Yale School for Drama</strong>. They are a resident playwright with <strong>Lakehouseranchdotpng</strong>,  a <strong>resident playwright</strong> in the <strong>TGNB2S+ Affinity Intensive</strong> with Workshop Theater, <strong>INKubator</strong> with Art House Productions, and <strong>CPH HOTMeat</strong> in the <strong>International World Pride</strong> festival in Copenhagen.</p>]]>
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      <pubDate>Wed, 15 Nov 2023 23:16:00 -0500</pubDate>
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      <itunes:author>The BLOOP Network</itunes:author>
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      <itunes:summary>
        <![CDATA[<p>Join Spencer for Part 1 of his conversation with Riley Elton McCarthy about their work and the future of the theatre industry. </p><p>A "<strong>vanguard figure of socially conscious theatre</strong>" (Lena Hunter, CPHPost), Riley Elton McCarthy is the artistic director of Basement Light Productions, and critically acclaimed playwright, performer, and producer. “<strong>The most original voice in horror since Mike Flanagan</strong>” (Rory Ford, The Scotsman), Riley writes scary plays for all those queer insomniacs who love everything that goes bump in the night. Riley’s writing, that “<strong>displays a unique and intellectual writing style; combining a mix of natural, poetic dialogue, wit, and narration</strong>” (Phoebe Louise, Lost in Theatreland) has been seen and published internationally, spanning from Edinburgh, London, Denmark, and beyond, and their magnum opus, <em>IVORIES</em>, is available for purchase at <strong>The Drama Book Shop</strong> after being published by NextStage Press.</p><p> </p><p>They were a <strong>2023 Eugene O’Neill Semi-Finalist</strong> for <em>Sharon and Melina</em>, and are a <strong>two-time SheNYCArts Semi-finalist</strong>. Their production of <em>IVORIES</em> at 59E59 and Edinburgh Fringe was <strong>nominated for an Off-Fest Award</strong>, <strong>long-listed for the Brighton Fringe Award for Excellence</strong>, and received critical acclaim for creating strides in representation for queer storytelling. They’ve been produced <strong>off-broadway at The Triad Theater</strong> with <em>The Lesbian Play</em>, and they’ve had productions of their work at <strong>The Brick, The Gilbert Theater, The Tank, 59E59, and Yale School for Drama</strong>. They are a resident playwright with <strong>Lakehouseranchdotpng</strong>,  a <strong>resident playwright</strong> in the <strong>TGNB2S+ Affinity Intensive</strong> with Workshop Theater, <strong>INKubator</strong> with Art House Productions, and <strong>CPH HOTMeat</strong> in the <strong>International World Pride</strong> festival in Copenhagen.</p>]]>
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      <itunes:keywords>playwright, theater, Riley Elton Mccarthy, theatre, </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" href="https://openingdoors.transistor.fm/people/spencer-sher" img="https://img.transistor.fm/aOnhEuBIWQM65FNnLxRyaSB6LER-MWpPbmJHIMzL72A/rs:fill:0:0:1/w:800/h:800/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9wZXJz/b24vNzkyNmQ0NmYt/NWU2NS00YzFlLWEz/NGItYjU1OTQzODli/ZmI1LzE2OTcwNTgz/MTctaW1hZ2UuanBn.jpg">Spencer Sher</podcast:person>
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