NKATA: Dots of Thoughts Transistor (https://transistor.fm) https://feeds.transistor.fm/nkata-dots-of-thoughts I often wake up in the morning with thoughts reeling in my head. Thoughts inspired by a conversation with someone; something I read, heard, listened to (music/podcasts), a film I saw, a photograph I made, an essay/poem I wrote, or in broad terms, an impactful encounter. They exist as disjointed, scattered particles I often refer to as dots of thoughts.Thus, this podcast show is an attempt to articulate, to converse and to put in relation these floating thoughts. While it relies on random impulses, the podcast is structured by thought-prompts focusing on everyday issues across space, time and works of life. Though it is not a live podcast, it somewhat mimics this approach in that for every episode, the conversation, which begins as a monologue, evolves into a dialogue through a phone conversation with someone else in another part of the world (a friend, a colleague, relative, expert in a subject, creator of a work, originator of an idea). This ensures a broadening of the thematic and locational context of the conversation as a way of demystifying distances. It is a weekly show intended to be spontaneous (as much as technical requirements and logistics allow). Future episodes will feature intro/excerpts of new music tracks made by me. Other times, it will reference aural materials sourced from different corners of everyday life. It will be freshly served – nothing preserved in the freezer! Listeners are encouraged to join the conversation by leaving a comment on the episode in their preferred platform of listening. Selected comments will be addressed in a subsequent episode.Emeka Okereke (host)Available on Apple Podcast, Spotify, Google Podcast, Stitcher, Overcast, etc. © 2026 NKATA: Dots of Thoughts eb0c7955-229a-552c-8576-dab3023bb623 yes Support this podcast on Patreon Emeka Okereke en-gb Wed, 17 Jun 2026 12:35:17 +0200 Wed, 17 Jun 2026 12:37:48 +0200 https://www.buzzsprout.com/991744 https://img.transistorcdn.com/qvaI6AEYgvqQ765G6RyQmKL1TXfRhCV4UI-HyEMmsVA/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84MWI3/YWNiNGFiZGJiMGM0/NWY3N2QzMzAyZjM3/YTM1My5qcGVn.jpg NKATA: Dots of Thoughts https://www.buzzsprout.com/991744 episodic Nkata Podcast Station I often wake up in the morning with thoughts reeling in my head. Thoughts inspired by a conversation with someone; something I read, heard, listened to (music/podcasts), a film I saw, a photograph I made, an essay/poem I wrote, or in broad terms, an impactful encounter. They exist as disjointed, scattered particles I often refer to as dots of thoughts.Thus, this podcast show is an attempt to articulate, to converse and to put in relation these floating thoughts. While it relies on random impulses, the podcast is structured by thought-prompts focusing on everyday issues across space, time and works of life. Though it is not a live podcast, it somewhat mimics this approach in that for every episode, the conversation, which begins as a monologue, evolves into a dialogue through a phone conversation with someone else in another part of the world (a friend, a colleague, relative, expert in a subject, creator of a work, originator of an idea). This ensures a broadening of the thematic and locational context of the conversation as a way of demystifying distances. It is a weekly show intended to be spontaneous (as much as technical requirements and logistics allow). Future episodes will feature intro/excerpts of new music tracks made by me. Other times, it will reference aural materials sourced from different corners of everyday life. It will be freshly served – nothing preserved in the freezer! Listeners are encouraged to join the conversation by leaving a comment on the episode in their preferred platform of listening. Selected comments will be addressed in a subsequent episode.Emeka Okereke (host)Available on Apple Podcast, Spotify, Google Podcast, Stitcher, Overcast, etc. I often wake up in the morning with thoughts reeling in my head. Nkata Podcast Station No No EP30: Language, the Foremost Cultural Archive: Reflections around Igbo Landing 30 30 EP30: Language, the Foremost Cultural Archive: Reflections around Igbo Landing full 9517595b-6523-442d-a5c8-3dd4a97bad96 https://share.transistor.fm/s/35356b26 In this episode of Dots of Thoughts, Emeka Okereke enters into reflections with Sophia Chimaoge Nelz, a 12th grade high school student researching the history and meaning of Igbo Landing for her school assignment. Beginning with a historical event from 1803, the conversation gradually unfolds into broader questions around memory, language, and continuous re-enactment of identity.

Together, they explore Igbo Landing not simply as an episode in the history of slavery and Transatlantic dispersals of peoples, but as a living cultural memory—one that continues to move through time, imagination, and relation. The conversation touches on non-negotiable autonomy, defiance, and the threshold between self-acceptance and external self-validation.

The discussion also turns toward the Igbo language as the foremost cultural archive: carrying within it encoded and ancient knowledge of relation, perception, and self-recognition in the world. From this perspective, Igbo language emerges not merely as a means of communication, but as a living repository of memory and philosophy. Set up as a set of questions from Sophia, to which Emeka responded and expanded on, the conversation addressed the chasm made evident when language falls short through translation and what becomes viscerally non-perceptible when worlds carried within language encounter the structures of another tongue and descriptive lexicons.

The historical event of Igbo Landing also evokes deeper questions regarding the role of cultural memory in the re-imagination of history itself. Rather than treating history as a fixed and linear procession of events, the conversation considers how memory can animate history differently; freeing it from the violence of linearity and opening space for more intimate, lived, and relational encounters with the past.

Through references ranging from Chinua Achebe to Beyoncé’s Lemonade and Toni Morrison, the episode considers how stories are not simply preserved, but animated into multiferous forms, like “turning an object round and round, to see it under different light.”

★ Support this podcast on Patreon ★ ]]> In this episode of Dots of Thoughts, Emeka Okereke enters into reflections with Sophia Chimaoge Nelz, a 12th grade high school student researching the history and meaning of Igbo Landing for her school assignment. Beginning with a historical event from 1803, the conversation gradually unfolds into broader questions around memory, language, and continuous re-enactment of identity.

Together, they explore Igbo Landing not simply as an episode in the history of slavery and Transatlantic dispersals of peoples, but as a living cultural memory—one that continues to move through time, imagination, and relation. The conversation touches on non-negotiable autonomy, defiance, and the threshold between self-acceptance and external self-validation.

The discussion also turns toward the Igbo language as the foremost cultural archive: carrying within it encoded and ancient knowledge of relation, perception, and self-recognition in the world. From this perspective, Igbo language emerges not merely as a means of communication, but as a living repository of memory and philosophy. Set up as a set of questions from Sophia, to which Emeka responded and expanded on, the conversation addressed the chasm made evident when language falls short through translation and what becomes viscerally non-perceptible when worlds carried within language encounter the structures of another tongue and descriptive lexicons.

The historical event of Igbo Landing also evokes deeper questions regarding the role of cultural memory in the re-imagination of history itself. Rather than treating history as a fixed and linear procession of events, the conversation considers how memory can animate history differently; freeing it from the violence of linearity and opening space for more intimate, lived, and relational encounters with the past.

Through references ranging from Chinua Achebe to Beyoncé’s Lemonade and Toni Morrison, the episode considers how stories are not simply preserved, but animated into multiferous forms, like “turning an object round and round, to see it under different light.”

★ Support this podcast on Patreon ★ ]]> Wed, 10 Jun 2026 21:08:12 +0200 Nkata Podcast Station Nkata Podcast Station 3610 In this episode of Dots of Thoughts, Emeka Okereke enters into reflections with Sophia Chimaoge Nelz, a 12th grade high school student researching the history and meaning of Igbo Landing for her school assignment. Beginning with a historical event from 1803, the conversation gradually unfolds into broader questions around memory, language, and continuous re-enactment of identity.

Together, they explore Igbo Landing not simply as an episode in the history of slavery and Transatlantic dispersals of peoples, but as a living cultural memory—one that continues to move through time, imagination, and relation. The conversation touches on non-negotiable autonomy, defiance, and the threshold between self-acceptance and external self-validation.

The discussion also turns toward the Igbo language as the foremost cultural archive: carrying within it encoded and ancient knowledge of relation, perception, and self-recognition in the world. From this perspective, Igbo language emerges not merely as a means of communication, but as a living repository of memory and philosophy. Set up as a set of questions from Sophia, to which Emeka responded and expanded on, the conversation addressed the chasm made evident when language falls short through translation and what becomes viscerally non-perceptible when worlds carried within language encounter the structures of another tongue and descriptive lexicons.

The historical event of Igbo Landing also evokes deeper questions regarding the role of cultural memory in the re-imagination of history itself. Rather than treating history as a fixed and linear procession of events, the conversation considers how memory can animate history differently; freeing it from the violence of linearity and opening space for more intimate, lived, and relational encounters with the past.

Through references ranging from Chinua Achebe to Beyoncé’s Lemonade and Toni Morrison, the episode considers how stories are not simply preserved, but animated into multiferous forms, like “turning an object round and round, to see it under different light.”

★ Support this podcast on Patreon ★ ]]> Igbo, culture, philosophy, history, language, Africa, Diaspora, No Emeka Okereke EP29: A Meditation on Light 29 29 EP29: A Meditation on Light full 6f84001f-fbb6-4607-b8f5-3681f13251e4 https://share.transistor.fm/s/0a785423 In this episode of Dots of Thoughts, Emeka Okereke reads and reflects from a freshly written essay titled A Meditation on Light.

The episode begins from a simple physical fact: light has no mass. Light has no weight. From this point, the reflection opens into a meditation on light as that which illuminates without force, imposes no hierarchy, absents nothing, and yet remains indomitable. Its indomitability is not one of force, conquest, or imposition, but of revelation.

Light is described as exquisitely sensitive to form. It delineates contours, reveals thresholds, and bears witness to the nature of things without contesting or judging them. To speak of standing in the light, then, is to consider what it means for the human being — as a form with mass, weight, gravity, and accumulated attachments — to stand in relation to that which is weightless and massless.

From here, the meditation turns toward shadow. Shadow is not treated as the opposite of light, but as the natural consequence of anything with mass and gravity standing in relation to the weightlessness of light. Shadow becomes the evidence of relation, obstruction, form, and accumulation. The attempt to deny, eliminate, or absent shadow is where fear and distortion arise.

The episode proposes that light has no opposite. Truth too has no opposite. What is often called opposition may simply be the evidence of weight, gravity, polarity, movement, measurement, and form within creation. The work, then, is not to conquer shadow, but to understand it, witness it, and allow that which carries weight to become weightless.

★ Support this podcast on Patreon ★ ]]> In this episode of Dots of Thoughts, Emeka Okereke reads and reflects from a freshly written essay titled A Meditation on Light.

The episode begins from a simple physical fact: light has no mass. Light has no weight. From this point, the reflection opens into a meditation on light as that which illuminates without force, imposes no hierarchy, absents nothing, and yet remains indomitable. Its indomitability is not one of force, conquest, or imposition, but of revelation.

Light is described as exquisitely sensitive to form. It delineates contours, reveals thresholds, and bears witness to the nature of things without contesting or judging them. To speak of standing in the light, then, is to consider what it means for the human being — as a form with mass, weight, gravity, and accumulated attachments — to stand in relation to that which is weightless and massless.

From here, the meditation turns toward shadow. Shadow is not treated as the opposite of light, but as the natural consequence of anything with mass and gravity standing in relation to the weightlessness of light. Shadow becomes the evidence of relation, obstruction, form, and accumulation. The attempt to deny, eliminate, or absent shadow is where fear and distortion arise.

The episode proposes that light has no opposite. Truth too has no opposite. What is often called opposition may simply be the evidence of weight, gravity, polarity, movement, measurement, and form within creation. The work, then, is not to conquer shadow, but to understand it, witness it, and allow that which carries weight to become weightless.

★ Support this podcast on Patreon ★ ]]> Wed, 13 May 2026 14:04:45 +0200 Nkata Podcast Station Nkata Podcast Station 1677 In this episode of Dots of Thoughts, Emeka Okereke reads and reflects from a freshly written essay titled A Meditation on Light.

The episode begins from a simple physical fact: light has no mass. Light has no weight. From this point, the reflection opens into a meditation on light as that which illuminates without force, imposes no hierarchy, absents nothing, and yet remains indomitable. Its indomitability is not one of force, conquest, or imposition, but of revelation.

Light is described as exquisitely sensitive to form. It delineates contours, reveals thresholds, and bears witness to the nature of things without contesting or judging them. To speak of standing in the light, then, is to consider what it means for the human being — as a form with mass, weight, gravity, and accumulated attachments — to stand in relation to that which is weightless and massless.

From here, the meditation turns toward shadow. Shadow is not treated as the opposite of light, but as the natural consequence of anything with mass and gravity standing in relation to the weightlessness of light. Shadow becomes the evidence of relation, obstruction, form, and accumulation. The attempt to deny, eliminate, or absent shadow is where fear and distortion arise.

The episode proposes that light has no opposite. Truth too has no opposite. What is often called opposition may simply be the evidence of weight, gravity, polarity, movement, measurement, and form within creation. The work, then, is not to conquer shadow, but to understand it, witness it, and allow that which carries weight to become weightless.

★ Support this podcast on Patreon ★ ]]> No Emeka Okereke EP28: The "I AM" is free from all labels 28 28 EP28: The "I AM" is free from all labels full 6d2020c1-2c9e-42ea-ae67-c194df539912 https://share.transistor.fm/s/2ec533a2 On Easter Sunday morning, moving from a dream-state clarity into waking reflection, this episode unfolds around the question of the “I” and its relation to the self. The “I” appears here as a fixed point—a scaffolding through which the “me” is constructed, accumulated, and named. In contrast, the “I am” emerges as presence without anchor: movement without fixation, being as relation.


What follows is not an argument but a seeing. That to be is to be in movement. That the moment the “I” becomes a point of reference, separation is introduced—and with it, hierarchy and transaction. Yet difference remains untouched by this, as intrinsic to movement itself.


Through this unfolding, relation is approached as contact, as encounter, as intimacy without precondition. The “I am” does not hold an image of itself in advance; it meets life in timeless-time, recognizing its own movement through everything it encounters.


This episode lingers in that space—between fixation and flow, identity and presence—where perception is no longer guided by the past, but by the immediacy of being in motion.

★ Support this podcast on Patreon ★ ]]> On Easter Sunday morning, moving from a dream-state clarity into waking reflection, this episode unfolds around the question of the “I” and its relation to the self. The “I” appears here as a fixed point—a scaffolding through which the “me” is constructed, accumulated, and named. In contrast, the “I am” emerges as presence without anchor: movement without fixation, being as relation.


What follows is not an argument but a seeing. That to be is to be in movement. That the moment the “I” becomes a point of reference, separation is introduced—and with it, hierarchy and transaction. Yet difference remains untouched by this, as intrinsic to movement itself.


Through this unfolding, relation is approached as contact, as encounter, as intimacy without precondition. The “I am” does not hold an image of itself in advance; it meets life in timeless-time, recognizing its own movement through everything it encounters.


This episode lingers in that space—between fixation and flow, identity and presence—where perception is no longer guided by the past, but by the immediacy of being in motion.

★ Support this podcast on Patreon ★ ]]> Sun, 05 Apr 2026 22:01:00 +0200 Nkata Podcast Station Nkata Podcast Station 1127 On Easter Sunday morning, moving from a dream-state clarity into waking reflection, this episode unfolds around the question of the “I” and its relation to the self. The “I” appears here as a fixed point—a scaffolding through which the “me” is constructed, accumulated, and named. In contrast, the “I am” emerges as presence without anchor: movement without fixation, being as relation.


What follows is not an argument but a seeing. That to be is to be in movement. That the moment the “I” becomes a point of reference, separation is introduced—and with it, hierarchy and transaction. Yet difference remains untouched by this, as intrinsic to movement itself.


Through this unfolding, relation is approached as contact, as encounter, as intimacy without precondition. The “I am” does not hold an image of itself in advance; it meets life in timeless-time, recognizing its own movement through everything it encounters.


This episode lingers in that space—between fixation and flow, identity and presence—where perception is no longer guided by the past, but by the immediacy of being in motion.

★ Support this podcast on Patreon ★ ]]> No Emeka Okereke EP27: Effort, The Ledger of Self-Worth 27 27 EP27: Effort, The Ledger of Self-Worth full Buzzsprout-18637814 https://share.transistor.fm/s/6aeb9f59 Since “work” is the bane of our lives — that is, from the moment we are born to the moment we die, we are at work — should we not strive to understand what it means beyond extraction and peddling of labour?

In this episode, Emeka Okereke continues his long-running examination of concepts and societal tendencies encapsulated in words and language.

Here, he reflects on the descriptive implications of the word “effort” in relation to “work,” and how the word is used in mundane vocabulary as a measure and proof of worth and, in a broader sense, self-worth.

The episode takes the listener through an enumerative illustration of how words prescribe and objectify meaning rather than elucidate or enliven when taken at face value.

Further information on the topic discussed can be found in essays written by Emeka Okereke on www.borderbeing.com.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

 • Behind-the-scenes content from my photography projects.

 • Sneak peeks of upcoming films, vlogs, and video podcasts.

 • Exclusive DJ playlists curated just for you.

 • Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com 

★ Support this podcast on Patreon ★ ]]> Since “work” is the bane of our lives — that is, from the moment we are born to the moment we die, we are at work — should we not strive to understand what it means beyond extraction and peddling of labour?

In this episode, Emeka Okereke continues his long-running examination of concepts and societal tendencies encapsulated in words and language.

Here, he reflects on the descriptive implications of the word “effort” in relation to “work,” and how the word is used in mundane vocabulary as a measure and proof of worth and, in a broader sense, self-worth.

The episode takes the listener through an enumerative illustration of how words prescribe and objectify meaning rather than elucidate or enliven when taken at face value.

Further information on the topic discussed can be found in essays written by Emeka Okereke on www.borderbeing.com.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

 • Behind-the-scenes content from my photography projects.

 • Sneak peeks of upcoming films, vlogs, and video podcasts.

 • Exclusive DJ playlists curated just for you.

 • Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com 

★ Support this podcast on Patreon ★ ]]> Sat, 07 Feb 2026 12:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 981 Send us a text Since “work” is the bane of our lives — that is, from the moment we are born to the moment we die, we are at work — should we not strive to understand what it means beyond extraction and peddling of labour? In this episode, Emeka Okereke continues his long-running examination of concepts and societal tendencies encapsulated in words and language. Here, he reflects on the descriptive implications of the word “effort” in relation to “work,” and how the word is used in mundane voc... Send us a text Since “work” is the bane of our lives — that is, from the moment we are born to the moment we die, we are at work — should we not strive to understand what it means beyond extraction and peddling of labour? In this episode, Emeka Okereke co No EP26: Encounters as Mirrors – Difference and the Long Arc to Oneself - with Tamia Hill 26 26 EP26: Encounters as Mirrors – Difference and the Long Arc to Oneself - with Tamia Hill full Buzzsprout-18446831 https://share.transistor.fm/s/2f6be060 Send us a text

What begins as a chance meeting in Berlin becomes a conversation—one that moves attentively through difference, identity, and the long, uneven arc of returning to oneself. In dialogue with guest Tamia Hill (Mia), host Emeka Okereke reflects alongside her on how encounters—with people, places, and moments—serve as relational thresholds through which the self becomes legible to itself.

Together, they trace Tamia’s lived experiences: from early childhood familial reconfiguration, racialized difference, and emotional withdrawal, through dissociation, depression, and the gradual loss of agency, toward a slow process of healing and reclamation. Rather than being narrated in isolation, these experiences are held in relation—met with reflection, resonance, and philosophical inquiry, yet approached through the ordinary and the mundane exchange of stories. Berlin appears not just as a metropolitan destination, but as a crossroads: a space where new encounters mirror emerging aspects of the self, and where identity unfolds through myriad insightful and transformational refractions.

The conversation moves fluidly through cycles of birth, death, and renewal in personal identity, touching on trauma, negation (by both self and society), and the construction of “character” as survival, before opening into shared questions of trust, embodiment, and self-recognition. Transformation is approached not as resolution, but as an ongoing movement—one shaped through dialogue, attentiveness, and the courage to allow experience to pass through without fixing its outcome.

This is not an interview, not a set of answers, not self-help content.

It is an ordinary, unpretentious enactment of encounter between two individuals whose paths cross in a city long characterised as a place where trajectories intersect, within a world that is becoming increasingly multi-polar. It traces how difference shapes us, how agency is lost and reclaimed, and how encounters—when met in presence—become mirrors along the long arc back to oneself.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

What begins as a chance meeting in Berlin becomes a conversation—one that moves attentively through difference, identity, and the long, uneven arc of returning to oneself. In dialogue with guest Tamia Hill (Mia), host Emeka Okereke reflects alongside her on how encounters—with people, places, and moments—serve as relational thresholds through which the self becomes legible to itself.

Together, they trace Tamia’s lived experiences: from early childhood familial reconfiguration, racialized difference, and emotional withdrawal, through dissociation, depression, and the gradual loss of agency, toward a slow process of healing and reclamation. Rather than being narrated in isolation, these experiences are held in relation—met with reflection, resonance, and philosophical inquiry, yet approached through the ordinary and the mundane exchange of stories. Berlin appears not just as a metropolitan destination, but as a crossroads: a space where new encounters mirror emerging aspects of the self, and where identity unfolds through myriad insightful and transformational refractions.

The conversation moves fluidly through cycles of birth, death, and renewal in personal identity, touching on trauma, negation (by both self and society), and the construction of “character” as survival, before opening into shared questions of trust, embodiment, and self-recognition. Transformation is approached not as resolution, but as an ongoing movement—one shaped through dialogue, attentiveness, and the courage to allow experience to pass through without fixing its outcome.

This is not an interview, not a set of answers, not self-help content.

It is an ordinary, unpretentious enactment of encounter between two individuals whose paths cross in a city long characterised as a place where trajectories intersect, within a world that is becoming increasingly multi-polar. It traces how difference shapes us, how agency is lost and reclaimed, and how encounters—when met in presence—become mirrors along the long arc back to oneself.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Sat, 03 Jan 2026 18:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 3927 Send us a text What begins as a chance meeting in Berlin becomes a conversation—one that moves attentively through difference, identity, and the long, uneven arc of returning to oneself. In dialogue with guest Tamia Hill (Mia), host Emeka Okereke reflects alongside her on how encounters—with people, places, and moments—serve as relational thresholds through which the self becomes legible to itself. Together, they trace Tamia’s lived experiences: from early childhood familial reconfiguration, ... Send us a text What begins as a chance meeting in Berlin becomes a conversation—one that moves attentively through difference, identity, and the long, uneven arc of returning to oneself. In dialogue with guest Tamia Hill (Mia), host Emeka Okereke reflects Dots of Thoughts, Difference, Identity, Self, Other, Transformation, Emeka Okereke, Tamia Hill, Nkata Podcast, Philosophy, Reflection, Conversations, Thinking, No EP25: Unknotting Identity: The Igbo Language and its Cosmological Insights 25 25 EP25: Unknotting Identity: The Igbo Language and its Cosmological Insights full Buzzsprout-18164152 https://share.transistor.fm/s/04b3b702 Send us a text

Emeka Okereke explores the Igbo language as a vessel of cosmological insight and a lens for re-examining identity. He traces the movement from self to collective consciousness and introduces Nlekota—the Igbo principle of stewardship, a presence that absences nothing.

In this episode of Dots of Thoughts, Emeka Okereke unknots the idea of identity through the cosmological depths of the Igbo language. Speaking from lived experience as an artist and thinker, he considers how words hold ancestral knowledge that invites us to move from self toward collective awareness. The conversation unfolds into Nlekota—an Igbo concept meaning “to look at or care for together”—revealing a form of presence that absences nothing. Blending orality, philosophy, and lived experience, this episode sets the tone for an ongoing exploration of language, consciousness, and belonging.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

Emeka Okereke explores the Igbo language as a vessel of cosmological insight and a lens for re-examining identity. He traces the movement from self to collective consciousness and introduces Nlekota—the Igbo principle of stewardship, a presence that absences nothing.

In this episode of Dots of Thoughts, Emeka Okereke unknots the idea of identity through the cosmological depths of the Igbo language. Speaking from lived experience as an artist and thinker, he considers how words hold ancestral knowledge that invites us to move from self toward collective awareness. The conversation unfolds into Nlekota—an Igbo concept meaning “to look at or care for together”—revealing a form of presence that absences nothing. Blending orality, philosophy, and lived experience, this episode sets the tone for an ongoing exploration of language, consciousness, and belonging.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Mon, 10 Nov 2025 17:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 1594 Send us a text Emeka Okereke explores the Igbo language as a vessel of cosmological insight and a lens for re-examining identity. He traces the movement from self to collective consciousness and introduces Nlekota—the Igbo principle of stewardship, a presence that absences nothing. In this episode of Dots of Thoughts, Emeka Okereke unknots the idea of identity through the cosmological depths of the Igbo language. Speaking from lived experience as an artist and thinker, he considers how words ... Send us a text Emeka Okereke explores the Igbo language as a vessel of cosmological insight and a lens for re-examining identity. He traces the movement from self to collective consciousness and introduces Nlekota—the Igbo principle of stewardship, a pres UnknottingIdentity, DotsOfThoughts, EmekaOkereke, PhilosophyPodcast, AfricanPhilosophy, LanguageAndConsciousness, CosmologicalThought, PostcolonialIdentity, Nkata Podcast, Sojourner, Border Being, No EP24: Presence that Absents Nothing: Beyond the Confines of Thought 24 24 EP24: Presence that Absents Nothing: Beyond the Confines of Thought full Buzzsprout-17281693 https://share.transistor.fm/s/6430b871 Send us a text

In this episode of Dots of Thoughts, Emeka Okereke takes us beyond the Cartesian dictum “I think, therefore I am,”unraveling how this foundational idea has shaped—and distorted—the modern mind. With poetic lucidity, he reveals how thought, once a useful tool, has become a false guarantor of being, leading to fragmentation, anxiety, and an over-reliance on structure.

This is not merely philosophical musing—it’s an articulation of a modern crisis of perception, one in which the very instruments we use to make sense of life have begun to obscure life itself. Emeka draws on the insight of J. Krishnamurti and lived observation to suggest that identification with thought breeds fear of dissolution—because thought ends, and what we cling to as “self” often ends with it.

What opens up instead is the invitation to a different kind of encounter: a presence that absents nothing. A presence that listens, attends, and sees without needing to grasp. This episode is a tender and powerful offering to those seeking lucidity in an age of mental clutter—an echo of wholeness in fragmented times.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In this episode of Dots of Thoughts, Emeka Okereke takes us beyond the Cartesian dictum “I think, therefore I am,”unraveling how this foundational idea has shaped—and distorted—the modern mind. With poetic lucidity, he reveals how thought, once a useful tool, has become a false guarantor of being, leading to fragmentation, anxiety, and an over-reliance on structure.

This is not merely philosophical musing—it’s an articulation of a modern crisis of perception, one in which the very instruments we use to make sense of life have begun to obscure life itself. Emeka draws on the insight of J. Krishnamurti and lived observation to suggest that identification with thought breeds fear of dissolution—because thought ends, and what we cling to as “self” often ends with it.

What opens up instead is the invitation to a different kind of encounter: a presence that absents nothing. A presence that listens, attends, and sees without needing to grasp. This episode is a tender and powerful offering to those seeking lucidity in an age of mental clutter—an echo of wholeness in fragmented times.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Wed, 04 Jun 2025 19:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 2167 Send us a text In this episode of Dots of Thoughts, Emeka Okereke takes us beyond the Cartesian dictum “I think, therefore I am,”unraveling how this foundational idea has shaped—and distorted—the modern mind. With poetic lucidity, he reveals how thought, once a useful tool, has become a false guarantor of being, leading to fragmentation, anxiety, and an over-reliance on structure. This is not merely philosophical musing—it’s an articulation of a modern crisis of perception, one in which the v... Send us a text In this episode of Dots of Thoughts, Emeka Okereke takes us beyond the Cartesian dictum “I think, therefore I am,”unraveling how this foundational idea has shaped—and distorted—the modern mind. With poetic lucidity, he reveals how thought, Nkata Podcast, Emeka Okereke, Descartes, Jiddu Krishnamurthi, Dots of Thought, Thought, No EP23: On Following The Intangible – with Genevieve White 23 23 EP23: On Following The Intangible – with Genevieve White full Buzzsprout-16139363 https://share.transistor.fm/s/70075dc0 Send us a text

In this episode, we journey with Genevieve White, a seasoned artist and performer, as she shares her path from her multicultural roots in Canada to the vibrant art scene of New York City—recorded in the tranquil atmosphere of Berlin’s Grunewald Forest as a conversation with host and transdisciplinary artist Emeka Okereke. Genevieve’s story reveals the transformative power of collaboration, creativity, and the delicate, often interwoven relationship between art and life.

The conversation delves into how Genevieve views art as a vessel for expression, shaped by the diverse cultural dynamics and experiences she’s encountered. She opens up about the profound impact of nurturing and personal care amidst the chaos of creation. From collaborations with jazz musicians to the enduring influence of artistic legends like Duchamp and Graham, Genevieve unpacks the energy and magic that emerge when artists connect through mutual respect and shared vision, and how following those inklings of the intangible is a recurrent theme at the core of the creative principle.

Reflecting on her upbringing in a large family, Genevieve explores the interplay between nurturing others and maintaining personal boundaries—a theme that resonates throughout her artistic journey and now preoccupies her as her creative flair takes on a rekindled urge and agency. Together, Genevieve and Emeka uncover the rich, unseen moments of everyday life that spark their creativity, the connections that inspire their work, and the wonder children bring into the world.

But this episode isn’t just about art. It’s a story of resilience, fearlessness, and embracing change. They discuss the challenges of balancing personal passion with commercial success, the evolving role of online platforms in an artist’s journey, and the freedom that comes with artistic maturity. Through Genevieve’s experiences, listeners gain insights into the confidence that grows with time and the joy of stepping beyond traditional confines.

Join us for this serene exploration of art, life, and nature’s restorative embrace. May this conversation inspire belief, joy, and the boundless creativity that comes from nurturing both self and others.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In this episode, we journey with Genevieve White, a seasoned artist and performer, as she shares her path from her multicultural roots in Canada to the vibrant art scene of New York City—recorded in the tranquil atmosphere of Berlin’s Grunewald Forest as a conversation with host and transdisciplinary artist Emeka Okereke. Genevieve’s story reveals the transformative power of collaboration, creativity, and the delicate, often interwoven relationship between art and life.

The conversation delves into how Genevieve views art as a vessel for expression, shaped by the diverse cultural dynamics and experiences she’s encountered. She opens up about the profound impact of nurturing and personal care amidst the chaos of creation. From collaborations with jazz musicians to the enduring influence of artistic legends like Duchamp and Graham, Genevieve unpacks the energy and magic that emerge when artists connect through mutual respect and shared vision, and how following those inklings of the intangible is a recurrent theme at the core of the creative principle.

Reflecting on her upbringing in a large family, Genevieve explores the interplay between nurturing others and maintaining personal boundaries—a theme that resonates throughout her artistic journey and now preoccupies her as her creative flair takes on a rekindled urge and agency. Together, Genevieve and Emeka uncover the rich, unseen moments of everyday life that spark their creativity, the connections that inspire their work, and the wonder children bring into the world.

But this episode isn’t just about art. It’s a story of resilience, fearlessness, and embracing change. They discuss the challenges of balancing personal passion with commercial success, the evolving role of online platforms in an artist’s journey, and the freedom that comes with artistic maturity. Through Genevieve’s experiences, listeners gain insights into the confidence that grows with time and the joy of stepping beyond traditional confines.

Join us for this serene exploration of art, life, and nature’s restorative embrace. May this conversation inspire belief, joy, and the boundless creativity that comes from nurturing both self and others.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Wed, 20 Nov 2024 15:00:00 +0100 Genevieve White Genevieve White 4277 Send us a text In this episode, we journey with Genevieve White, a seasoned artist and performer, as she shares her path from her multicultural roots in Canada to the vibrant art scene of New York City—recorded in the tranquil atmosphere of Berlin’s Grunewald Forest as a conversation with host and transdisciplinary artist Emeka Okereke. Genevieve’s story reveals the transformative power of collaboration, creativity, and the delicate, often interwoven relationship between art and life. The con... Send us a text In this episode, we journey with Genevieve White, a seasoned artist and performer, as she shares her path from her multicultural roots in Canada to the vibrant art scene of New York City—recorded in the tranquil atmosphere of Berlin’s Grune Genevieve White, Emeka Okereke, Art, Berlin, Conversations, Dots of Thoughts, Nkata Podcast, Nurturing, No EP22: "Pleasures in the confusions of boundaries": Transdisciplinary Artistic Practices and Pedagogy – with Lukas Feireiss 22 22 EP22: "Pleasures in the confusions of boundaries": Transdisciplinary Artistic Practices and Pedagogy – with Lukas Feireiss full Buzzsprout-15991034 https://share.transistor.fm/s/a2f0904c Send us a text

In this episode of Dots of Thoughts, Emeka Okereke engages in a thought-provoking conversation with Berlin-based artist, producer, and scholar Lukas Freireiss. Renowned for his transdisciplinary approach, Lukas shares his practice of working in a “collage-like manner” that unites artists and cultural producers from diverse fields, transcending conventional boundaries.

Lukas introduces Crossroads, his Berlin-based project, which he describes as a platform for bringing creators together to intersect and exchange ideas. Reflecting on the significance of being a Berliner, Lukas emphasizes the importance of cultivating spaces that encourage fluid, informal collaborations. The project’s name, Crossroads, embodies his goal of creating a meeting point for unexpected creative connections.

Emeka and Lukas discuss what it means to work in a way that synthesizes multiple perspectives, referring to Donna Haraway’s idea of finding “pleasures in the confusion of boundaries.” They explore the potential of these transdisciplinary methods in a fast-paced world marked by transient attention spans and specialization. Lukas contemplates the challenge of fostering deeper engagement and the role of hybridity in enabling new methods of meaning-making.

The conversation also touches on navigating the balance between structured fluidity and spontaneity, and the practical challenges posed by rigid bureaucratic systems. Lukas shares how his approach seeks to expand, rather than oppose, specialization, creating spaces for dialogue and collaboration across disciplines.

Artists and cultural practitioners interested in transdisciplinary strategies and pedagogical methods will find this episode particularly enlightening.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In this episode of Dots of Thoughts, Emeka Okereke engages in a thought-provoking conversation with Berlin-based artist, producer, and scholar Lukas Freireiss. Renowned for his transdisciplinary approach, Lukas shares his practice of working in a “collage-like manner” that unites artists and cultural producers from diverse fields, transcending conventional boundaries.

Lukas introduces Crossroads, his Berlin-based project, which he describes as a platform for bringing creators together to intersect and exchange ideas. Reflecting on the significance of being a Berliner, Lukas emphasizes the importance of cultivating spaces that encourage fluid, informal collaborations. The project’s name, Crossroads, embodies his goal of creating a meeting point for unexpected creative connections.

Emeka and Lukas discuss what it means to work in a way that synthesizes multiple perspectives, referring to Donna Haraway’s idea of finding “pleasures in the confusion of boundaries.” They explore the potential of these transdisciplinary methods in a fast-paced world marked by transient attention spans and specialization. Lukas contemplates the challenge of fostering deeper engagement and the role of hybridity in enabling new methods of meaning-making.

The conversation also touches on navigating the balance between structured fluidity and spontaneity, and the practical challenges posed by rigid bureaucratic systems. Lukas shares how his approach seeks to expand, rather than oppose, specialization, creating spaces for dialogue and collaboration across disciplines.

Artists and cultural practitioners interested in transdisciplinary strategies and pedagogical methods will find this episode particularly enlightening.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Fri, 25 Oct 2024 20:00:00 +0200 Lukas Freireiss, Emeka Okereke Lukas Freireiss, Emeka Okereke 3129 Send us a text In this episode of Dots of Thoughts, Emeka Okereke engages in a thought-provoking conversation with Berlin-based artist, producer, and scholar Lukas Freireiss. Renowned for his transdisciplinary approach, Lukas shares his practice of working in a “collage-like manner” that unites artists and cultural producers from diverse fields, transcending conventional boundaries. Lukas introduces Crossroads, his Berlin-based project, which he describes as a platform for bringing creators t... Send us a text In this episode of Dots of Thoughts, Emeka Okereke engages in a thought-provoking conversation with Berlin-based artist, producer, and scholar Lukas Freireiss. Renowned for his transdisciplinary approach, Lukas shares his practice of workin Lukas Freiress, Emeka Okereke, Dots of Thoughts, Nkata Podcast, Artistic Practices, Pedagogy No EP21: Dilemma of a New Age: Black Fathers, Resilence, Raising a Child in Berlin - with Alain Missala 21 21 EP21: Dilemma of a New Age: Black Fathers, Resilence, Raising a Child in Berlin - with Alain Missala full Buzzsprout-15533168 https://share.transistor.fm/s/7a3582f2 Send us a text

Can the simple act of daily gratitude empower and transform your life? In this episode of Dots of Thoughts Podcast, recorded on-site at the Neue Berliner Kunstverein, host Emeka Okereke and guest, Alain Missala, explore the vibrant multicultural landscape of contemporary Berlin.

Alain delves into his pivotal work with Black Dads Germany and Zula, shedding light on how these initiatives are reimagining narratives and empowering children from multicultural backgrounds. Through personal anecdotes, Alain highlights the profound impact of role models and the daily practice of gratitude in enriching our lives and fostering resilience.

Breaking Stereotypes:

We take a hard look at the stereotypes surrounding Black fathers in Germany, challenging these misconceptions through the lens of community and solidarity. Alain shares the inspiring story of a proactive WhatsApp group consisting of over 200 Black fathers who support one another in their parenting journeys. This group aims to create a network that serves as a support system, emphasizing the mission to build safer, more inclusive spaces for Black families, where vulnerability is embraced and healing is possible through shared experiences.

Broader Themes:

Finally, we explore broader themes of activism, interconnectedness, and cultural identity in Berlin. What does it take to teach love and unity to our children amid societal challenges? Emeka poses the question: How do we raise our children to embody the beauty and wealth of differences in times of ideological divides and heightened racial tensions?

Reflections and Insights:

We reflect on creating meaningful dialogues, drawing inspiration from the African philosophy of Ubuntu, which emphasizes the importance of empathy and togetherness. Through stories of organic community-building, informal gatherings, and the proactive retention of cultural heritage, we showcase how everyday interactions can nurture a robust, empowered community.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

Can the simple act of daily gratitude empower and transform your life? In this episode of Dots of Thoughts Podcast, recorded on-site at the Neue Berliner Kunstverein, host Emeka Okereke and guest, Alain Missala, explore the vibrant multicultural landscape of contemporary Berlin.

Alain delves into his pivotal work with Black Dads Germany and Zula, shedding light on how these initiatives are reimagining narratives and empowering children from multicultural backgrounds. Through personal anecdotes, Alain highlights the profound impact of role models and the daily practice of gratitude in enriching our lives and fostering resilience.

Breaking Stereotypes:

We take a hard look at the stereotypes surrounding Black fathers in Germany, challenging these misconceptions through the lens of community and solidarity. Alain shares the inspiring story of a proactive WhatsApp group consisting of over 200 Black fathers who support one another in their parenting journeys. This group aims to create a network that serves as a support system, emphasizing the mission to build safer, more inclusive spaces for Black families, where vulnerability is embraced and healing is possible through shared experiences.

Broader Themes:

Finally, we explore broader themes of activism, interconnectedness, and cultural identity in Berlin. What does it take to teach love and unity to our children amid societal challenges? Emeka poses the question: How do we raise our children to embody the beauty and wealth of differences in times of ideological divides and heightened racial tensions?

Reflections and Insights:

We reflect on creating meaningful dialogues, drawing inspiration from the African philosophy of Ubuntu, which emphasizes the importance of empathy and togetherness. Through stories of organic community-building, informal gatherings, and the proactive retention of cultural heritage, we showcase how everyday interactions can nurture a robust, empowered community.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Mon, 05 Aug 2024 18:00:00 +0200 Alain Missala / Emeka Okereke Alain Missala / Emeka Okereke 4741 Send us a text Can the simple act of daily gratitude empower and transform your life? In this episode of Dots of Thoughts Podcast, recorded on-site at the Neue Berliner Kunstverein, host Emeka Okereke and guest, Alain Missala, explore the vibrant multicultural landscape of contemporary Berlin. Alain delves into his pivotal work with Black Dads Germany and Zula, shedding light on how these initiatives are reimagining narratives and empowering children from multicultural backgrounds. Through pe... Send us a text Can the simple act of daily gratitude empower and transform your life? In this episode of Dots of Thoughts Podcast, recorded on-site at the Neue Berliner Kunstverein, host Emeka Okereke and guest, Alain Missala, explore the vibrant multicul Alain Missala, Emeka Okereke, Berlin, Black Dads Germany, Conversations, Dots of Thoughts, Nkata Podcast, Contemporary Art, Neuer Berliner Kunsteverein, No EP20: How Can Photography Shape Political Discourse in the 21st Century? – with Jane Tormey 20 20 EP20: How Can Photography Shape Political Discourse in the 21st Century? – with Jane Tormey full Buzzsprout-15058285 https://share.transistor.fm/s/a4118060 Send us a text

In this episode, I discuss the book, "Photography and Political Aesthetics" with the author, art critic and professor, Jane Tormey. 

Our enlightening conversation traverses the landscape where artistry intersects with political fervour, dissecting how photographs can sway social movements and mould public opinion. We navigate the evolution of politically motivated photography, from its historical roots to contemporary schools of thought, probing the depth and breadth of visual politics. Jane argues for the need to reconsider how photography could be deployed "in a more focused way" to shape present-day political discourses and encourage critical engagement by the viewer. 

As with the book, our conversation touched on such key figures as Walter Benjamin, and how his work laid the premise for understanding the potency of photography in our time and the time to come. 

We reflect on the normative passivity with which photojournalism or politically-motivated images are often digested, advocating for a proactive stance that beckons photographs to be more than ephemeral snapshots—they must incite tangible change through how it is presented and disseminated. 

The session alludes to the pitfalls in the conflation of art and journalism while spotlighting African photographers who are reconstructing the narrative and calling for a conscientious, celebratory and playful portrayal of imagery that dares to defy the conventional. 

Yet, the overarching aim of this conversation is to draw attention to this cohesive and timely book that students of photography, media and cultural studies will find invaluable. 

Host: Emeka Okereke
Guest: Jane Tormey
Production: Atelier E.K Okereke

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In this episode, I discuss the book, "Photography and Political Aesthetics" with the author, art critic and professor, Jane Tormey. 

Our enlightening conversation traverses the landscape where artistry intersects with political fervour, dissecting how photographs can sway social movements and mould public opinion. We navigate the evolution of politically motivated photography, from its historical roots to contemporary schools of thought, probing the depth and breadth of visual politics. Jane argues for the need to reconsider how photography could be deployed "in a more focused way" to shape present-day political discourses and encourage critical engagement by the viewer. 

As with the book, our conversation touched on such key figures as Walter Benjamin, and how his work laid the premise for understanding the potency of photography in our time and the time to come. 

We reflect on the normative passivity with which photojournalism or politically-motivated images are often digested, advocating for a proactive stance that beckons photographs to be more than ephemeral snapshots—they must incite tangible change through how it is presented and disseminated. 

The session alludes to the pitfalls in the conflation of art and journalism while spotlighting African photographers who are reconstructing the narrative and calling for a conscientious, celebratory and playful portrayal of imagery that dares to defy the conventional. 

Yet, the overarching aim of this conversation is to draw attention to this cohesive and timely book that students of photography, media and cultural studies will find invaluable. 

Host: Emeka Okereke
Guest: Jane Tormey
Production: Atelier E.K Okereke

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Mon, 13 May 2024 13:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 2298 Send us a text In this episode, I discuss the book, "Photography and Political Aesthetics" with the author, art critic and professor, Jane Tormey. Our enlightening conversation traverses the landscape where artistry intersects with political fervour, dissecting how photographs can sway social movements and mould public opinion. We navigate the evolution of politically motivated photography, from its historical roots to contemporary schools of thought, probing the depth and breadth of vi... Send us a text In this episode, I discuss the book, "Photography and Political Aesthetics" with the author, art critic and professor, Jane Tormey. Our enlightening conversation traverses the landscape where artistry intersects with political fervour, dis Jane Tormey, Emeka Okereke, Photography and Political Aesthetics, Art, Cultural Studies, Media, No EP19: Polyrhythmic Weavings Across Countries, Continents, and Time – with Batila 15 15 EP19: Polyrhythmic Weavings Across Countries, Continents, and Time – with Batila full Buzzsprout-14573317 https://share.transistor.fm/s/e02917d1 This episode takes you on an auditory pilgrimage with the Berlin-based, musician, Batila,  weaving the essence of his Congolese and Angolan heritage into a rich narrative that dances between the notes of his latest album, "Tatamana." As Batila unpacks his life's journey from Germany to the cultural depths of his upbringing, we discover how a childhood migration shaped not only his reality but also the very music that he breathes into existence.

Batila's convictions resonate as he insists on music as a vessel for storytelling, a self-acclaimed Griot channelling his energy of crossroads between time and space that underscores his outlook in life. We explore his philosophy that songs must be born from significance, enveloped in the authenticity and depth of his artistry. His first album, a celebration of Black love and unity, stands as a testament to his craft, every carefully composed piece reflecting his dedication to delivering not just sound, but an experience. The high-resolution audio of "Tatamana" invites listeners to not just hear but feel the music, as we discuss how Batila's meticulous attention to detail crafts not only songs but a movement.

Join us for an inspiring session that transcends melody and tinkers with the realms of spirituality and healing. Batila shares his vision for his upcoming album "Mpeve," aiming to connect listeners in a collective trance of togetherness. We close with "Resurrection," a track symbolizing hope and peace, capturing the essence of our discussion. It's a fitting end to our journey with Batila, where each note is a step towards understanding the unbreakable bond between sound, identity, ideology and the eternal quest for inner peace.

Host: Emeka Okereke 
Guest: Batila
Production: Atelier E.K Okereke
Cover Photo: Natasha Morokhova

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

 • Behind-the-scenes content from my photography projects.

 • Sneak peeks of upcoming films, vlogs, and video podcasts.

 • Exclusive DJ playlists curated just for you.

 • Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com 

★ Support this podcast on Patreon ★ ]]> This episode takes you on an auditory pilgrimage with the Berlin-based, musician, Batila,  weaving the essence of his Congolese and Angolan heritage into a rich narrative that dances between the notes of his latest album, "Tatamana." As Batila unpacks his life's journey from Germany to the cultural depths of his upbringing, we discover how a childhood migration shaped not only his reality but also the very music that he breathes into existence.

Batila's convictions resonate as he insists on music as a vessel for storytelling, a self-acclaimed Griot channelling his energy of crossroads between time and space that underscores his outlook in life. We explore his philosophy that songs must be born from significance, enveloped in the authenticity and depth of his artistry. His first album, a celebration of Black love and unity, stands as a testament to his craft, every carefully composed piece reflecting his dedication to delivering not just sound, but an experience. The high-resolution audio of "Tatamana" invites listeners to not just hear but feel the music, as we discuss how Batila's meticulous attention to detail crafts not only songs but a movement.

Join us for an inspiring session that transcends melody and tinkers with the realms of spirituality and healing. Batila shares his vision for his upcoming album "Mpeve," aiming to connect listeners in a collective trance of togetherness. We close with "Resurrection," a track symbolizing hope and peace, capturing the essence of our discussion. It's a fitting end to our journey with Batila, where each note is a step towards understanding the unbreakable bond between sound, identity, ideology and the eternal quest for inner peace.

Host: Emeka Okereke 
Guest: Batila
Production: Atelier E.K Okereke
Cover Photo: Natasha Morokhova

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

 • Behind-the-scenes content from my photography projects.

 • Sneak peeks of upcoming films, vlogs, and video podcasts.

 • Exclusive DJ playlists curated just for you.

 • Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com 

★ Support this podcast on Patreon ★ ]]> Mon, 26 Feb 2024 00:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 3234 This episode takes you on an auditory pilgrimage with the Berlin-based, musician, Batila, weaving the essence of his Congolese and Angolan heritage into a rich narrative that dances between the notes of his latest album, "Tatamana." As Batila unpacks his life's journey from Germany to the cultural depths of his upbringing, we discover how a childhood migration shaped not only his reality but also the very music that he breathes into existence. This episode takes you on an auditory pilgrimage with the Berlin-based, musician, Batila, weaving the essence of his Congolese and Angolan heritage into a rich narrative that dances between the notes of his latest album, "Tatamana." As Batila unpacks his No EP18: Rooftop Encounters, and "Living Tangier." – with Abdelmajid Hannoum 18 18 EP18: Rooftop Encounters, and "Living Tangier." – with Abdelmajid Hannoum full Buzzsprout-14004446 https://share.transistor.fm/s/bb4758e4 Send us a text

During a three-week residency in Tangier, Morocco, my friend and colleague, anthropologist Mathangi Krishnamurthy, and I, Emeka Okereke, had the privilege of meeting Abdelmajid Hannoum, whose book "Living Tangier" served as a springboard for our research and thought processes during our residency in the city, organized and supported by The Minority Globe.

In this episode of Dots of Thoughts, Professor Hannoum shares his intellectual and creative process of translating fieldwork experiences into academic work. We dive deeper into the realities of migration and its impact on the city of Tangier. Hannoum, drawing from his personal experiences growing up around some of the Moroccan children he researched, enriches our understanding of Tangier's intricate history and changing demographics.


Furthermore, Hannoum elaborates on the phenomenon of death concerning the migrant body. This subject stems from his personal experience during his years of research for the book. But our narrative doesn't end there. We also delve into the realm of global cities, exploring how their manicured images often mask the disparities within them. Our observations led us to question the place of Tangier in this global context, discussing its complex identity and evolving narrative.

Join us as we peer through the curtains of this multifaceted city, exploring its various aspects and discussing its complex identity and evolving narrative. 



Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

During a three-week residency in Tangier, Morocco, my friend and colleague, anthropologist Mathangi Krishnamurthy, and I, Emeka Okereke, had the privilege of meeting Abdelmajid Hannoum, whose book "Living Tangier" served as a springboard for our research and thought processes during our residency in the city, organized and supported by The Minority Globe.

In this episode of Dots of Thoughts, Professor Hannoum shares his intellectual and creative process of translating fieldwork experiences into academic work. We dive deeper into the realities of migration and its impact on the city of Tangier. Hannoum, drawing from his personal experiences growing up around some of the Moroccan children he researched, enriches our understanding of Tangier's intricate history and changing demographics.


Furthermore, Hannoum elaborates on the phenomenon of death concerning the migrant body. This subject stems from his personal experience during his years of research for the book. But our narrative doesn't end there. We also delve into the realm of global cities, exploring how their manicured images often mask the disparities within them. Our observations led us to question the place of Tangier in this global context, discussing its complex identity and evolving narrative.

Join us as we peer through the curtains of this multifaceted city, exploring its various aspects and discussing its complex identity and evolving narrative. 



Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Mon, 20 Nov 2023 17:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 3514 Send us a text During a three-week residency in Tangier, Morocco, my friend and colleague, anthropologist Mathangi Krishnamurthy, and I, Emeka Okereke, had the privilege of meeting Abdelmajid Hannoum, whose book "Living Tangier" served as a springboard for our research and thought processes during our residency in the city, organized and supported by The Minority Globe. In this episode of Dots of Thoughts, Professor Hannoum shares his intellectual and creative process of translating fieldwork... Send us a text During a three-week residency in Tangier, Morocco, my friend and colleague, anthropologist Mathangi Krishnamurthy, and I, Emeka Okereke, had the privilege of meeting Abdelmajid Hannoum, whose book "Living Tangier" served as a springboard fo Abdelmajid Hannoum, Mathangi Krishnamurthy, Emeka Okereke, Tangier, Morocco, Migration, Living Tangier, Nkata Podcast, Movement, Global politics, anthropology, photography, No EP17: Confronting Germany's past through colonial relics of the Prussian Palaces – with Carolin Alff 17 17 EP17: Confronting Germany's past through colonial relics of the Prussian Palaces – with Carolin Alff full Buzzsprout-13351961 https://share.transistor.fm/s/b4c1ff7b Send us a text

This episode was inspired by my participation in the exhibition "Prussian Palaces. Colonial Histories", taking place at the Schloss Charlottenburg Berlin. 

 My guest, Carolin Alff, one of the exhibition's curators, guides us through the thoughts that inform the exhibition's making. We discuss the mystery of two statues, their damaged state, a testament to the inaccessible vignette shrouding Germany's deplorable colonial past.  The statue in question was the subject of my audiovisual intervention called "Tracing Presence(s)... of Place, Body, Time."

It is important to note that the relevance of this exhibition is not only in its attempt to reminisce about the past but also in how it asks pertinent questions about how the country and its people come to terms with the extent to which their past continues to inform their present where it has to do with white privilege and Western hegemony. 

We delve into the curatorial process and the complex decisions made behind the scenes of this exhibition. According to the organisers,  the aim was not only to showcase artefacts but to create a safe space for dialogue where history can be reimagined and considered from new perspectives.  Yet I ask: to what extent does the need to create a "safe space" come in the way of creating a space of new knowledge that offers an occasion for genuine self-reflection rather than a "glossing over" or latent gloating? 

With Carolin, we traverse the tricky territory of sensitive terminologies and challenging historical contexts, recognising the need for a transparent conversation that respects the histories of injustices and violence attached to these relics.

Join us as we grapple with the past, confront uncomfortable truths, and underscore the importance of understanding history to shape a better present and future. This episode should inspire you to visit the exhibition from the 4th of July to the 31st of October, 2023. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

This episode was inspired by my participation in the exhibition "Prussian Palaces. Colonial Histories", taking place at the Schloss Charlottenburg Berlin. 

 My guest, Carolin Alff, one of the exhibition's curators, guides us through the thoughts that inform the exhibition's making. We discuss the mystery of two statues, their damaged state, a testament to the inaccessible vignette shrouding Germany's deplorable colonial past.  The statue in question was the subject of my audiovisual intervention called "Tracing Presence(s)... of Place, Body, Time."

It is important to note that the relevance of this exhibition is not only in its attempt to reminisce about the past but also in how it asks pertinent questions about how the country and its people come to terms with the extent to which their past continues to inform their present where it has to do with white privilege and Western hegemony. 

We delve into the curatorial process and the complex decisions made behind the scenes of this exhibition. According to the organisers,  the aim was not only to showcase artefacts but to create a safe space for dialogue where history can be reimagined and considered from new perspectives.  Yet I ask: to what extent does the need to create a "safe space" come in the way of creating a space of new knowledge that offers an occasion for genuine self-reflection rather than a "glossing over" or latent gloating? 

With Carolin, we traverse the tricky territory of sensitive terminologies and challenging historical contexts, recognising the need for a transparent conversation that respects the histories of injustices and violence attached to these relics.

Join us as we grapple with the past, confront uncomfortable truths, and underscore the importance of understanding history to shape a better present and future. This episode should inspire you to visit the exhibition from the 4th of July to the 31st of October, 2023. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Sat, 05 Aug 2023 02:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 3775 Send us a text This episode was inspired by my participation in the exhibition "Prussian Palaces. Colonial Histories", taking place at the Schloss Charlottenburg Berlin. My guest, Carolin Alff, one of the exhibition's curators, guides us through the thoughts that inform the exhibition's making. We discuss the mystery of two statues, their damaged state, a testament to the inaccessible vignette shrouding Germany's deplorable colonial past. The statue in question was the sub... Send us a text This episode was inspired by my participation in the exhibition "Prussian Palaces. Colonial Histories", taking place at the Schloss Charlottenburg Berlin. My guest, Carolin Alff, one of the exhibition's curators, guides us through the t Emeka Okereke, Tracing Presence(s), Carolin Alff, Berlin, Germany, Postcolonial theories, interventions, a story of journeys, border-being, sojourner No EP16: Exploring Existential Complexity: A Dive into 'Everything Everywhere All At Once' with You Kim. 16 16 EP16: Exploring Existential Complexity: A Dive into 'Everything Everywhere All At Once' with You Kim. full Buzzsprout-13172239 https://share.transistor.fm/s/0ddfb8ed Send us a text

If you've ever found yourself lost in the labyrinth of existence or pondering the multiverse and the many layers of our identity, my recent chat with the talented filmmaker and fashion model You Kim is sure to resonate with you. We venture into a reflective analysis of the film, Everything Everywhere All At Once - a cinematic marvel that masterfully addresses the complexities of subjectivity, truth, and the human tendency to deconstruct our world. It's a film that bears a striking relevance to the contemporary times we live in, and You Kim's insights into the narrative's artful playfulness and cliches are eye-opening.

We don't just stop at analyzing the film's narrative structure. Our conversation delves, in earnest, into the symbolic aspects of the film. From its portrayal of double consciousness and paradoxes and how it paints human connection to its depiction of a younger generation grappling with the absence of collective values and religion. It's a lens through which to view the existential crises that this younger generation, born into a neoliberal world, faces. And the evolution of the mother's character in the film sparks a rich discussion on sublime love and the power of individual agency in a world full of existential uncertainties. 

As we close, our discussion turns reflective - the necessity of fostering a society that acknowledges the intricacies of love and relationships while nurturing the future of humanity. You Kim shares her experiences as an Asian filmmaker and how she connects with the film's depiction of the Asian diaspora. This is not just a film review but a journey of recognizing the power of stories to broaden our worldview. If you're seeking a thought-provoking conversation that challenges your perspective, join us for this riveting discussion.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

If you've ever found yourself lost in the labyrinth of existence or pondering the multiverse and the many layers of our identity, my recent chat with the talented filmmaker and fashion model You Kim is sure to resonate with you. We venture into a reflective analysis of the film, Everything Everywhere All At Once - a cinematic marvel that masterfully addresses the complexities of subjectivity, truth, and the human tendency to deconstruct our world. It's a film that bears a striking relevance to the contemporary times we live in, and You Kim's insights into the narrative's artful playfulness and cliches are eye-opening.

We don't just stop at analyzing the film's narrative structure. Our conversation delves, in earnest, into the symbolic aspects of the film. From its portrayal of double consciousness and paradoxes and how it paints human connection to its depiction of a younger generation grappling with the absence of collective values and religion. It's a lens through which to view the existential crises that this younger generation, born into a neoliberal world, faces. And the evolution of the mother's character in the film sparks a rich discussion on sublime love and the power of individual agency in a world full of existential uncertainties. 

As we close, our discussion turns reflective - the necessity of fostering a society that acknowledges the intricacies of love and relationships while nurturing the future of humanity. You Kim shares her experiences as an Asian filmmaker and how she connects with the film's depiction of the Asian diaspora. This is not just a film review but a journey of recognizing the power of stories to broaden our worldview. If you're seeking a thought-provoking conversation that challenges your perspective, join us for this riveting discussion.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Thu, 06 Jul 2023 17:00:00 +0200 Emeka Okereke & You Kim Emeka Okereke & You Kim 2882 Send us a text If you've ever found yourself lost in the labyrinth of existence or pondering the multiverse and the many layers of our identity, my recent chat with the talented filmmaker and fashion model You Kim is sure to resonate with you. We venture into a reflective analysis of the film, Everything Everywhere All At Once - a cinematic marvel that masterfully addresses the complexities of subjectivity, truth, and the human tendency to deconstruct our world. It's a film that bears a strik... Send us a text If you've ever found yourself lost in the labyrinth of existence or pondering the multiverse and the many layers of our identity, my recent chat with the talented filmmaker and fashion model You Kim is sure to resonate with you. We venture No EP15: Finding Home in the Body Through Dance and Ballet - with Diana Mora 15 15 EP15: Finding Home in the Body Through Dance and Ballet - with Diana Mora full Buzzsprout-10099621 https://share.transistor.fm/s/c23f3c93 Send us a text

In this episode of Dots of Thoughts, I am in conversation with Diana Mora. She is a ballet dancer. Her inclination to dance started from as early as the age of six, when she first watched Swan Lake. Supported by her mother, she studied and completed ballet dancing at the National Academy in her home country Bolivia. Dance became the incentive for her movement and consequent self-unravelling from then on. Finally, she moved to France to pursue her dreams as a ballet dancer. In the podcast, she takes us through the nature of the conflict she fought through in relation to her body.

"In France, I realised that Dance was not just ballet for me."

Diana Mora's is not an archetypal ballet-dance body. In France, she was shocked to realise that ballet has less to do with Dance and more with the objectification and stratification of bodies. The technicalities required to conform one's body into a form fit for ballet dancing is stretched to the point where the body is a tool with no soul. And as with every tool, value is ensured by separating the efficient from inefficient, with little room for acknowledging and valorising difference.

Since then, it has been a hard-fought journey towards reconciling the pulsating resolve to dance with the disparity of her atypical body type. This journey is also one of many border-crossings whereby, for every delimitation, self-unravelling paradoxes ensue.

Diana lives and works in Berlin today. In her first Instagram post of the year, she put forward a succinct recapitulation of her relationship with her body. It read like a manifesto for taking back one's body from the clutches of colonialism and refocusing it on the necessary work of making a home we carry with us.

- Emeka Okereke


Host: Emeka Okereke 
Guest: Diana Mora 
Cover Photo: Haze Kware (HKVisuals)
Production: Nkata Podcast Station/Atelier E.K Okereke

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In this episode of Dots of Thoughts, I am in conversation with Diana Mora. She is a ballet dancer. Her inclination to dance started from as early as the age of six, when she first watched Swan Lake. Supported by her mother, she studied and completed ballet dancing at the National Academy in her home country Bolivia. Dance became the incentive for her movement and consequent self-unravelling from then on. Finally, she moved to France to pursue her dreams as a ballet dancer. In the podcast, she takes us through the nature of the conflict she fought through in relation to her body.

"In France, I realised that Dance was not just ballet for me."

Diana Mora's is not an archetypal ballet-dance body. In France, she was shocked to realise that ballet has less to do with Dance and more with the objectification and stratification of bodies. The technicalities required to conform one's body into a form fit for ballet dancing is stretched to the point where the body is a tool with no soul. And as with every tool, value is ensured by separating the efficient from inefficient, with little room for acknowledging and valorising difference.

Since then, it has been a hard-fought journey towards reconciling the pulsating resolve to dance with the disparity of her atypical body type. This journey is also one of many border-crossings whereby, for every delimitation, self-unravelling paradoxes ensue.

Diana lives and works in Berlin today. In her first Instagram post of the year, she put forward a succinct recapitulation of her relationship with her body. It read like a manifesto for taking back one's body from the clutches of colonialism and refocusing it on the necessary work of making a home we carry with us.

- Emeka Okereke


Host: Emeka Okereke 
Guest: Diana Mora 
Cover Photo: Haze Kware (HKVisuals)
Production: Nkata Podcast Station/Atelier E.K Okereke

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Fri, 18 Feb 2022 13:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 2942 Send us a text In this episode of Dots of Thoughts, I am in conversation with Diana Mora. She is a ballet dancer. Her inclination to dance started from as early as the age of six, when she first watched Swan Lake. Supported by her mother, she studied and completed ballet dancing at the National Academy in her home country Bolivia. Dance became the incentive for her movement and consequent self-unravelling from then on. Finally, she moved to France to pursue her dreams as a ballet dancer. In t... Send us a text In this episode of Dots of Thoughts, I am in conversation with Diana Mora. She is a ballet dancer. Her inclination to dance started from as early as the age of six, when she first watched Swan Lake. Supported by her mother, she studied and Diana Mora, Emeka Okereke, Nkata Podcast, Dots of Thoughts, Ballet, Dance, Conversations No EP14: Being Palestinian, a Life of Permanent Temporality – with Bahaa Abudaya 14 14 EP14: Being Palestinian, a Life of Permanent Temporality – with Bahaa Abudaya full Buzzsprout-9796787 https://share.transistor.fm/s/c40cb289 Send us a text

In 2006, I remember photographing, in Paris, the protest against killings that then took place in Isreal and Palestine. In the photo, a father is clutching his little daughter on one hand, while with the other hand, waves a placard that reads “Le meme age que ma fille” (same age as my daughter). I remember feeling deeply struck by this double emphasis aimed at reiterating what should be so obvious: the trail and ensuing threads of human violence – like mitochondria – run and connect to us all. 

In this podcast conversation, I caught up with a longtime friend and fellow artist Bahaa Abudaya to discuss the most recent eruption of violence which took place in May 2021. 

Bahaa left Gaza when he was two years old. Since then, he has roamed the earth. Yet he claims: no matter where I go, I always consider myself a Palestinian even though I do not know, from lived experience, what Palestine is as a place. He goes on to explain that this deeply inward, yet unforced identification with Palestine is constitutive of his disposition as one who is in a state of permanent temporality. 

“I am never clear where I should be. I have developed a kind of personality through this kind of exile”. 

Here, we are presented with the paradox often a fixture of border-bodies: on one hand, a solace accompanies the feeling of never being beholden to a place. On the other hand, there is something about transience that denies one a sense of continuity. Rightfully so, Bahaa concludes that his life is floating somewhere in between these unresolvable polarities. 

His Palestine is one he anchors to a memory of displacement. He recalls an anecdotal event that took place when he was ten years old. His grandmother took him to the site where her home once stood before the occupation. The most indelible moment of the visit was witnessing his grandmother shed tears profusely. As a child, he could not understand why absence meant so much for her. Her tears became symbolic of an incomprehensible, ungraspable loss that he would carry with him as a placeholder for what it means to be Palestinian. “Every Palestinian makes his or her own Palestine for themselves”, he said in the podcast. They make their Palestine out of ruins and loss. That is why the picture of young Palestinian kids throwing pebbles at Israeli armoured tanks should be read beyond its photogenic attributes. 

The Israeli army, c

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In 2006, I remember photographing, in Paris, the protest against killings that then took place in Isreal and Palestine. In the photo, a father is clutching his little daughter on one hand, while with the other hand, waves a placard that reads “Le meme age que ma fille” (same age as my daughter). I remember feeling deeply struck by this double emphasis aimed at reiterating what should be so obvious: the trail and ensuing threads of human violence – like mitochondria – run and connect to us all. 

In this podcast conversation, I caught up with a longtime friend and fellow artist Bahaa Abudaya to discuss the most recent eruption of violence which took place in May 2021. 

Bahaa left Gaza when he was two years old. Since then, he has roamed the earth. Yet he claims: no matter where I go, I always consider myself a Palestinian even though I do not know, from lived experience, what Palestine is as a place. He goes on to explain that this deeply inward, yet unforced identification with Palestine is constitutive of his disposition as one who is in a state of permanent temporality. 

“I am never clear where I should be. I have developed a kind of personality through this kind of exile”. 

Here, we are presented with the paradox often a fixture of border-bodies: on one hand, a solace accompanies the feeling of never being beholden to a place. On the other hand, there is something about transience that denies one a sense of continuity. Rightfully so, Bahaa concludes that his life is floating somewhere in between these unresolvable polarities. 

His Palestine is one he anchors to a memory of displacement. He recalls an anecdotal event that took place when he was ten years old. His grandmother took him to the site where her home once stood before the occupation. The most indelible moment of the visit was witnessing his grandmother shed tears profusely. As a child, he could not understand why absence meant so much for her. Her tears became symbolic of an incomprehensible, ungraspable loss that he would carry with him as a placeholder for what it means to be Palestinian. “Every Palestinian makes his or her own Palestine for themselves”, he said in the podcast. They make their Palestine out of ruins and loss. That is why the picture of young Palestinian kids throwing pebbles at Israeli armoured tanks should be read beyond its photogenic attributes. 

The Israeli army, c

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Tue, 28 Dec 2021 09:00:00 +0100 Bahaa Abudaya / Emeka Okereke Bahaa Abudaya / Emeka Okereke 3318 Send us a text In 2006, I remember photographing, in Paris, the protest against killings that then took place in Isreal and Palestine. In the photo, a father is clutching his little daughter on one hand, while with the other hand, waves a placard that reads “Le meme age que ma fille” (same age as my daughter). I remember feeling deeply struck by this double emphasis aimed at reiterating what should be so obvious: the trail and ensuing threads of human violence – like mitochondria – run and co... Send us a text In 2006, I remember photographing, in Paris, the protest against killings that then took place in Isreal and Palestine. In the photo, a father is clutching his little daughter on one hand, while with the other hand, waves a placard that rea Emeka Okereke, Bahaa Abudaya, Isreal, Palestine, Nkata Podcast, Dots of Thoughts Podcast, Conversations, No EP13: To Organise a place as if it was a photograph – with Eric Gyamfi 13 13 EP13: To Organise a place as if it was a photograph – with Eric Gyamfi full Buzzsprout-8905619 https://share.transistor.fm/s/daeb8eb7 Send us a text

Eric Gyamfi (1990, Ghana) is a visual artist working with and within photography. This podcast conversation was induced by the inclusion of his work in the book, Africa State of Mind: Contemporary Photography Re-imagines A Continent “by Ekow Eshun. Rightfully so, the conversation build’s on Eshun’s central premise of focusing on photographers/works that fall within the 21st-century timeframe. Eric Gyamfi’s work, although beautifully photogenic, accounts for processes outside and beyond the frame. He considers the photographic medium as a space to be unravelled. Thus when, in the podcast, he says “beyond wanting to represent something, I have been more interested in what a photograph is composed of”, he offers what is invariably an accessible entry point into his fundamental approach to the medium. This assertion cuts through his various bodies of work from, “Just Like Us” (published in “Africa State of Mind”) to his recent work titled “The things that are left hanging, in the air like a rumour”.  

If Time is an indispensable component of photography, Gyamfi seems to be preoccupied with how space, materiality, organisms and human interactions collude to give rise to the techno-chemical reaction which becomes the photograph. “How can I organise a place (or space) as if it was a photograph?” is the question underlining his recent body of work. Yet what is unique to space if not an articulation of the crossroads between past, present and the future? What is referenced here is photography’s ability to make an event out of disparate and dispersed information, across time, some of which elude the grasp of known history and “hanging in the air like a rumour”. 

It is one thing to speak of a life-giving process and another to know how to bring such disposition into one’s artistic practice. When Gyamfi speaks of the intriguing possibility of non-human entities—enzymes, algae, bacteria—participating in his photosynthetic photographic process, my mind wanders off to many tangents of radiant connections between us and our world. I would think, for instance, of how allowing oneself to be preoccupied with such “little things”, as he called it, about the co-habitative nature of our world, helps our grasp of how seriously damaged our world has become. Another example comes to mind: John Akomfrah’s “Vertigo Sea” is a large scale, yet grisly, counterpart of Eric Gyamfi’s thoughts. I can’t he

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

Eric Gyamfi (1990, Ghana) is a visual artist working with and within photography. This podcast conversation was induced by the inclusion of his work in the book, Africa State of Mind: Contemporary Photography Re-imagines A Continent “by Ekow Eshun. Rightfully so, the conversation build’s on Eshun’s central premise of focusing on photographers/works that fall within the 21st-century timeframe. Eric Gyamfi’s work, although beautifully photogenic, accounts for processes outside and beyond the frame. He considers the photographic medium as a space to be unravelled. Thus when, in the podcast, he says “beyond wanting to represent something, I have been more interested in what a photograph is composed of”, he offers what is invariably an accessible entry point into his fundamental approach to the medium. This assertion cuts through his various bodies of work from, “Just Like Us” (published in “Africa State of Mind”) to his recent work titled “The things that are left hanging, in the air like a rumour”.  

If Time is an indispensable component of photography, Gyamfi seems to be preoccupied with how space, materiality, organisms and human interactions collude to give rise to the techno-chemical reaction which becomes the photograph. “How can I organise a place (or space) as if it was a photograph?” is the question underlining his recent body of work. Yet what is unique to space if not an articulation of the crossroads between past, present and the future? What is referenced here is photography’s ability to make an event out of disparate and dispersed information, across time, some of which elude the grasp of known history and “hanging in the air like a rumour”. 

It is one thing to speak of a life-giving process and another to know how to bring such disposition into one’s artistic practice. When Gyamfi speaks of the intriguing possibility of non-human entities—enzymes, algae, bacteria—participating in his photosynthetic photographic process, my mind wanders off to many tangents of radiant connections between us and our world. I would think, for instance, of how allowing oneself to be preoccupied with such “little things”, as he called it, about the co-habitative nature of our world, helps our grasp of how seriously damaged our world has become. Another example comes to mind: John Akomfrah’s “Vertigo Sea” is a large scale, yet grisly, counterpart of Eric Gyamfi’s thoughts. I can’t he

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Thu, 22 Jul 2021 17:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 3883 Send us a text Eric Gyamfi (1990, Ghana) is a visual artist working with and within photography. This podcast conversation was induced by the inclusion of his work in the book, Africa State of Mind: Contemporary Photography Re-imagines A Continent “by Ekow Eshun. Rightfully so, the conversation build’s on Eshun’s central premise of focusing on photographers/works that fall within the 21st-century timeframe. Eric Gyamfi’s work, although beautifully photogenic, accounts for processes outside an... Send us a text Eric Gyamfi (1990, Ghana) is a visual artist working with and within photography. This podcast conversation was induced by the inclusion of his work in the book, Africa State of Mind: Contemporary Photography Re-imagines A Continent “by Eko Eric Gyamfi, Emeka Okereke, Photography, Africa, Artists, No DoTShorts #2: Inner Voice 2 2 DoTShorts #2: Inner Voice bonus Buzzsprout-8490355 https://share.transistor.fm/s/3ffb0691 Send us a text

In the second episode of Dots of Thoughts Shorts, Emeka shares a few thoughts and impulses about what the inner voice means for him. 

Duration: 9:19 mins. 

Join the conversation and leave a comment on your preferred listening platform.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In the second episode of Dots of Thoughts Shorts, Emeka shares a few thoughts and impulses about what the inner voice means for him. 

Duration: 9:19 mins. 

Join the conversation and leave a comment on your preferred listening platform.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Mon, 10 May 2021 10:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 560 Send us a text In the second episode of Dots of Thoughts Shorts, Emeka shares a few thoughts and impulses about what the inner voice means for him. Duration: 9:19 mins. Join the conversation and leave a comment on your preferred listening platform. Support the show Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at ... Send us a text In the second episode of Dots of Thoughts Shorts, Emeka shares a few thoughts and impulses about what the inner voice means for him. Duration: 9:19 mins. Join the conversation and leave a comment on your preferred listening platform. Su No DoTShorts #1: What Are You Working For? 12 12 DoTShorts #1: What Are You Working For? bonus Buzzsprout-8424290 https://share.transistor.fm/s/cb5d0c02 Send us a text

This is the debut episode of the bonus series called Dots of Thoughts Shorts (DoTshorts).  Emeka Okereke gives a glimpse of his thoughts regarding the notion of work, and what work has come to signify for him. The episode is  backdropped  by sonic “artefacts” made up of ambient sound and music. 

Listen in full at https://nkatapodcast.com
Also on Apple Podcast, Spotify, Google Podcast, Deezer, Overcast and more. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

This is the debut episode of the bonus series called Dots of Thoughts Shorts (DoTshorts).  Emeka Okereke gives a glimpse of his thoughts regarding the notion of work, and what work has come to signify for him. The episode is  backdropped  by sonic “artefacts” made up of ambient sound and music. 

Listen in full at https://nkatapodcast.com
Also on Apple Podcast, Spotify, Google Podcast, Deezer, Overcast and more. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Wed, 28 Apr 2021 23:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 948 Send us a text This is the debut episode of the bonus series called Dots of Thoughts Shorts (DoTshorts). Emeka Okereke gives a glimpse of his thoughts regarding the notion of work, and what work has come to signify for him. The episode is backdropped by sonic “artefacts” made up of ambient sound and music. Listen in full at https://nkatapodcast.com Also on Apple Podcast, Spotify, Google Podcast, Deezer, Overcast and more. Support the show Hi, amazing listeners! ... Send us a text This is the debut episode of the bonus series called Dots of Thoughts Shorts (DoTshorts). Emeka Okereke gives a glimpse of his thoughts regarding the notion of work, and what work has come to signify for him. The episode is backdropped b No EP12: Memory, Performance, Healing and Celebration in the Photographic works of Lebohang Kganye. 12 12 EP12: Memory, Performance, Healing and Celebration in the Photographic works of Lebohang Kganye. full Buzzsprout-8146425 https://share.transistor.fm/s/d17a27a5 Send us a text

In the 12th Episode of Dots of Thoughts, Emeka Okereke reflects on the photographic work of Lebohang Kganye. Ke Lefa Laka: Her-story,  was realised in 2013. It explores the relationship between Lebohang Kganye and her mother, who passed on three years earlier. She employs the techniques of double exposure and superimposition to “re-enter” the life of her mother and to seek out a space of communality between the living and the dead, between the past and the present wherein “she is me, I am her and there remains in this commonality so much difference, and so much distance in space and time”.

In reflecting on this body of work, Emeka Okereke writes on Instagram:

“I find this series enigmatically powerful. I appreciate the artist’s uncomplicated use of the photographic medium in the bridging of the past and present without closing off the space lost to imperceptible, ungraspable emotions – all of which reinforces the intimacy we can only sense but not necessarily understand.

I find myself dwelling on the ambiguous duality captured in this work – reminiscent of the spiritual concept of the holy trinity, but in this case, between a daughter and mother.

Yet, I am reminded of the concept of duality, of dependability, of invisibility in the worldview of the Igbo people: where one thing stands, something else stands beside it.”

This statement became the prompt to reach out to Lebohang and expound on these strands of thoughts, which is this podcast episode.

Listen to Lebohang Kganye as she takes us through some of the thought processes behind the work. In the conversation, she asserts:

More than anything, the work also provides a space for therapy and for healing.
As much as it is about loss, it is also about celebration.
In that navigation of guilt [of loss] is also a celebration of a person.

Listen to the full episode on nkatapodcast.com.

Also available on Apple Podcast, Spotify, Deezer, Google Podcast and over ten other podcast platforms.

Follow the podcast on these platforms to get notified when new episodes go live.

Use the time stamps to navigate to parts of the podcast. Also, listen to the podcast alongside Lebohang Kganye's website: https://www.lebohangkganye.co.za/

Want to join a growing community

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In the 12th Episode of Dots of Thoughts, Emeka Okereke reflects on the photographic work of Lebohang Kganye. Ke Lefa Laka: Her-story,  was realised in 2013. It explores the relationship between Lebohang Kganye and her mother, who passed on three years earlier. She employs the techniques of double exposure and superimposition to “re-enter” the life of her mother and to seek out a space of communality between the living and the dead, between the past and the present wherein “she is me, I am her and there remains in this commonality so much difference, and so much distance in space and time”.

In reflecting on this body of work, Emeka Okereke writes on Instagram:

“I find this series enigmatically powerful. I appreciate the artist’s uncomplicated use of the photographic medium in the bridging of the past and present without closing off the space lost to imperceptible, ungraspable emotions – all of which reinforces the intimacy we can only sense but not necessarily understand.

I find myself dwelling on the ambiguous duality captured in this work – reminiscent of the spiritual concept of the holy trinity, but in this case, between a daughter and mother.

Yet, I am reminded of the concept of duality, of dependability, of invisibility in the worldview of the Igbo people: where one thing stands, something else stands beside it.”

This statement became the prompt to reach out to Lebohang and expound on these strands of thoughts, which is this podcast episode.

Listen to Lebohang Kganye as she takes us through some of the thought processes behind the work. In the conversation, she asserts:

More than anything, the work also provides a space for therapy and for healing.
As much as it is about loss, it is also about celebration.
In that navigation of guilt [of loss] is also a celebration of a person.

Listen to the full episode on nkatapodcast.com.

Also available on Apple Podcast, Spotify, Deezer, Google Podcast and over ten other podcast platforms.

Follow the podcast on these platforms to get notified when new episodes go live.

Use the time stamps to navigate to parts of the podcast. Also, listen to the podcast alongside Lebohang Kganye's website: https://www.lebohangkganye.co.za/

Want to join a growing community

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Mon, 15 Mar 2021 21:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 2878 Send us a text In the 12th Episode of Dots of Thoughts, Emeka Okereke reflects on the photographic work of Lebohang Kganye. Ke Lefa Laka: Her-story, was realised in 2013. It explores the relationship between Lebohang Kganye and her mother, who passed on three years earlier. She employs the techniques of double exposure and superimposition to “re-enter” the life of her mother and to seek out a space of communality between the living and the dead, between the past and the present wherein ... Send us a text In the 12th Episode of Dots of Thoughts, Emeka Okereke reflects on the photographic work of Lebohang Kganye. Ke Lefa Laka: Her-story, was realised in 2013. It explores the relationship between Lebohang Kganye and her mother, who passed on No EP11: 21st Century Photographers Re-articulate The Continent – with Ekow Eshun 11 11 EP11: 21st Century Photographers Re-articulate The Continent – with Ekow Eshun full Buzzsprout-7983757 https://share.transistor.fm/s/9225c264 Send us a text

In this episode of Dots of Thoughts Podcast, Emeka Okereke is joined by Ekow Eshun to reflect on the book, “Africa State of Mind” edited by Ekow Eshun and published by Thames & Hudson. The book brings together works from 52 contemporary photographers from Africa.

Fundamental to the book is Ekow Eshun’s intention to “explore how contemporary photographers have presented Africanness and Africa as a physiological space as much as a physical space”.

The conversation departs from the book’s periodical marker: all photographic works were made in the 21st century. It would meander across various topics while touching on conceptual considerations in the works of such photographers as François-Xavier Gbré, Hicham Gardaf, Eric Gyamfi and Lebohang Kganye.

A recurrent point of consensus is that the works included in the book exemplify how today’s photographers are articulating the complex narrative of African realities. Not only do their work offer a unique yet critical gaze, but it also rescues the photographic medium from its colonial history and deployment.

“There is no simplicity or singleness to Africanness”, Ekow says. One might think that this needn’t be said in 2021. This is precisely what this book hopes to achieve: These photographers show that such concerns have become secondary to image-makers of today.

“If we say black is beautiful, it’s like these photographers are saying: we must question what beauty means”, Emeka adds.

Where are Contemporary photographic practices from the African continent heading or pointing to?

This question brings the podcast conversation towards the end while leaving enough room to account for whatever the future holds.

Use the time stamps to skip to parts of the podcast.

Listen on: https://nkatapodcast.com
Also on: Apple Podcast, Spotify, Google Podcast, Overcast, Deezer and more than ten other podcast platforms.

Host: Emeka Okereke (Barcelona)
Guest: Ekow Eshun (London)
Production: E.O Multimedia
Music: Sir Kupeski DJ. 

Supported by Stiftung Kunstfonds Germany
Created during the Research Residency Program at The Over | Pol & Grace Barcelona

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In this episode of Dots of Thoughts Podcast, Emeka Okereke is joined by Ekow Eshun to reflect on the book, “Africa State of Mind” edited by Ekow Eshun and published by Thames & Hudson. The book brings together works from 52 contemporary photographers from Africa.

Fundamental to the book is Ekow Eshun’s intention to “explore how contemporary photographers have presented Africanness and Africa as a physiological space as much as a physical space”.

The conversation departs from the book’s periodical marker: all photographic works were made in the 21st century. It would meander across various topics while touching on conceptual considerations in the works of such photographers as François-Xavier Gbré, Hicham Gardaf, Eric Gyamfi and Lebohang Kganye.

A recurrent point of consensus is that the works included in the book exemplify how today’s photographers are articulating the complex narrative of African realities. Not only do their work offer a unique yet critical gaze, but it also rescues the photographic medium from its colonial history and deployment.

“There is no simplicity or singleness to Africanness”, Ekow says. One might think that this needn’t be said in 2021. This is precisely what this book hopes to achieve: These photographers show that such concerns have become secondary to image-makers of today.

“If we say black is beautiful, it’s like these photographers are saying: we must question what beauty means”, Emeka adds.

Where are Contemporary photographic practices from the African continent heading or pointing to?

This question brings the podcast conversation towards the end while leaving enough room to account for whatever the future holds.

Use the time stamps to skip to parts of the podcast.

Listen on: https://nkatapodcast.com
Also on: Apple Podcast, Spotify, Google Podcast, Overcast, Deezer and more than ten other podcast platforms.

Host: Emeka Okereke (Barcelona)
Guest: Ekow Eshun (London)
Production: E.O Multimedia
Music: Sir Kupeski DJ. 

Supported by Stiftung Kunstfonds Germany
Created during the Research Residency Program at The Over | Pol & Grace Barcelona

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Sun, 21 Feb 2021 00:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 3238 Send us a text In this episode of Dots of Thoughts Podcast, Emeka Okereke is joined by Ekow Eshun to reflect on the book, “Africa State of Mind” edited by Ekow Eshun and published by Thames & Hudson. The book brings together works from 52 contemporary photographers from Africa. Fundamental to the book is Ekow Eshun’s intention to “explore how contemporary photographers have presented Africanness and Africa as a physiological space as much as a physical space”. The conversation departs ... Send us a text In this episode of Dots of Thoughts Podcast, Emeka Okereke is joined by Ekow Eshun to reflect on the book, “Africa State of Mind” edited by Ekow Eshun and published by Thames & Hudson. The book brings together works from 52 contemporary Ekow Eshun, Emeka Okereke, Dots of Thoughts Podcast, Nkata Podcast, Africa State of Mind, Photography, African Photography, Future of Photography, History of photography. No EP10: Time does not pass. We, on the other hand, pass through it - and make forms of it (Part 3) with J. Redza 10 10 EP10: Time does not pass. We, on the other hand, pass through it - and make forms of it (Part 3) with J. Redza full Buzzsprout-7616416 https://share.transistor.fm/s/04825835 In this episode of "Time Does Not Pass. We, on the other hand, pass through it - and make forms of it", Emeka Okereke (Berlin) is in conversation with J. Redza (Kuala Lumpur). They reflect on the idea of Time in relation to age(ing).

This episode can be best described as a "rumination between millennials". Emeka Okereke and J. Redza were born on the same year (1980, Kaduna Nigeria, and Kuala Lumpur, Malaysia) - a coincidence that preceded their encounter in 2006 over the internet. Insofar as they are yet to meet in person, this conversation builds on their relationship forged in the umbilical Time portal sustained by cyber connection. They managed to share what Emeka Okereke called "a communal time-zone" over 14 years.

What does this kind of connection mean as we head further into the subjectivist era of the 21st century? What is the foremost millennials' role in bridging the gap between a post-generation and the future generations of the world? What does it feel like to be forty – both as a man and a woman – in our Time? Is forty the new thirty as the younger generation become less conservative and gradually removed from the previous generation's cautious disposition?

J. Redza offers a few suggestions for a better appraisal of these thoughts:

"We are still in the consciousness place where we are learning how to use the internet. We need to be more conscious of how we use the internet rather than how it uses us".

"In many different cultures, we talk about fate, and that there are many circles in life. This I find fascinating. So I don't see things in a linear way."

"Despite what you want to do in life or online [cyberspace], the basis is your sense of who you are; it has to be very strong."

The conversation rounds up with the need to be grounded in oneself. To be disciplined. And finally to consider that if one has good health, it translates to the wealth of Time. Yet this kind of wealth cannot be saved in a deposit box or a bank account. It is to be used every day – in the present.

Host: Emeka Okereke (Berlin)
Guest: J. Redza (Kuala Lumpur)
Production: E.O Multimedia LTD.
Album Art: J. Redza Art
Music: DJ Kupeski.

Timestamps:

0:00: Introduction by Emeka Okereke
3:47: J. Redza joins the conversation via Zoom
6:29: It's as if we have known each other since 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

 • Behind-the-scenes content from my photography projects.

 • Sneak peeks of upcoming films, vlogs, and video podcasts.

 • Exclusive DJ playlists curated just for you.

 • Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com 

★ Support this podcast on Patreon ★ ]]> In this episode of "Time Does Not Pass. We, on the other hand, pass through it - and make forms of it", Emeka Okereke (Berlin) is in conversation with J. Redza (Kuala Lumpur). They reflect on the idea of Time in relation to age(ing).

This episode can be best described as a "rumination between millennials". Emeka Okereke and J. Redza were born on the same year (1980, Kaduna Nigeria, and Kuala Lumpur, Malaysia) - a coincidence that preceded their encounter in 2006 over the internet. Insofar as they are yet to meet in person, this conversation builds on their relationship forged in the umbilical Time portal sustained by cyber connection. They managed to share what Emeka Okereke called "a communal time-zone" over 14 years.

What does this kind of connection mean as we head further into the subjectivist era of the 21st century? What is the foremost millennials' role in bridging the gap between a post-generation and the future generations of the world? What does it feel like to be forty – both as a man and a woman – in our Time? Is forty the new thirty as the younger generation become less conservative and gradually removed from the previous generation's cautious disposition?

J. Redza offers a few suggestions for a better appraisal of these thoughts:

"We are still in the consciousness place where we are learning how to use the internet. We need to be more conscious of how we use the internet rather than how it uses us".

"In many different cultures, we talk about fate, and that there are many circles in life. This I find fascinating. So I don't see things in a linear way."

"Despite what you want to do in life or online [cyberspace], the basis is your sense of who you are; it has to be very strong."

The conversation rounds up with the need to be grounded in oneself. To be disciplined. And finally to consider that if one has good health, it translates to the wealth of Time. Yet this kind of wealth cannot be saved in a deposit box or a bank account. It is to be used every day – in the present.

Host: Emeka Okereke (Berlin)
Guest: J. Redza (Kuala Lumpur)
Production: E.O Multimedia LTD.
Album Art: J. Redza Art
Music: DJ Kupeski.

Timestamps:

0:00: Introduction by Emeka Okereke
3:47: J. Redza joins the conversation via Zoom
6:29: It's as if we have known each other since 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

 • Behind-the-scenes content from my photography projects.

 • Sneak peeks of upcoming films, vlogs, and video podcasts.

 • Exclusive DJ playlists curated just for you.

 • Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com 

★ Support this podcast on Patreon ★ ]]> Mon, 01 Feb 2021 22:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 3159 Send us a text In this episode of "Time Does Not Pass. We, on the other hand, pass through it - and make forms of it", Emeka Okereke (Berlin) is in conversation with J. Redza (Kuala Lumpur). They reflect on the idea of Time in relation to age(ing). This episode can be best described as a "rumination between millennials". Emeka Okereke and J. Redza were born on the same year (1980, Kaduna Nigeria, and Kuala Lumpur, Malaysia) Send us a text In this episode of "Time Does Not Pass. We, on the other hand, pass through it - and make forms of it", Emeka Okereke (Berlin) is in conversation with J. Redza (Kuala Lumpur). They reflect on the idea of Time in relation to age(ing). This Emeka Okereke, J. Redza, Time, Conversations, Dots of Thoughts Podcast, Nkata Podcast, No EP09: Time does not pass. We, on the other hand, pass through it – and make forms of it (Part 2) with Jude Anogwih 9 9 EP09: Time does not pass. We, on the other hand, pass through it – and make forms of it (Part 2) with Jude Anogwih full Buzzsprout-7029223 https://share.transistor.fm/s/2e59902b Send us a text

"I am looking at Time as an element of art, an element of expression not as a clock or calendar. I am looking at the capacity you have as an individual to define a progression of your existence and your event."

In this episode, which continues our reflection on Time, Emeka Okereke is in conversation with Jude Anogwih. It opens with Anogwih's proposition to think of Time as an element, an interactive material for expression and agency. From here on, the conversation takes the form of open-ended questions serving to broaden horizons, while acting as mirrors that do not only reflect ourselves to us but calls for the inclusion of the reflection of others into our views of the future.

While the aim is to discuss Time beyond its quantifiable entrapping, there are few pointers in the conversation which serve as support structures for thoughts explored:

"The concept of difference, of becoming of multiplicity, of diversity, of equity – these are things that are resonating today. How do we create a society that reflects all and not one?"

"I am always reluctant [to align with] the idea of "the future". But I am interested in the idea of "future generations" because these are more of minds. How do we shape minds that will understand and accept the dynamics and changes of Time?"

"Sometimes, we look at the future from our individual myopic reflection; we are not asking ourselves: how do we bring in the reflection of others into that future?"

"To understand and comment on Time is like trying to embrace the sea or trying to give a full hug to the ocean."

"There is a lot we are rethinking: the concept of difference, but also the whole idea of becoming".

"This different interactive concept of Time is what I, as an
artist, look at. The dynamics of it all; how it defines today, and now and, possibly, the future we are trying to shape."

How do we accept what we are not familiar with?"

"How do we live and thrive in the unprecedented?"

"How do we create this amazing flower of sadness that will help others to be hopeful, and remind me of where I was and what I want myself to experience next?

Listen to the full episode on: https://nkatapodcast.com/show/dot

Also available on Apple Podcast, Spotify, Google Podcast, Deezer, Overcast, and more. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

"I am looking at Time as an element of art, an element of expression not as a clock or calendar. I am looking at the capacity you have as an individual to define a progression of your existence and your event."

In this episode, which continues our reflection on Time, Emeka Okereke is in conversation with Jude Anogwih. It opens with Anogwih's proposition to think of Time as an element, an interactive material for expression and agency. From here on, the conversation takes the form of open-ended questions serving to broaden horizons, while acting as mirrors that do not only reflect ourselves to us but calls for the inclusion of the reflection of others into our views of the future.

While the aim is to discuss Time beyond its quantifiable entrapping, there are few pointers in the conversation which serve as support structures for thoughts explored:

"The concept of difference, of becoming of multiplicity, of diversity, of equity – these are things that are resonating today. How do we create a society that reflects all and not one?"

"I am always reluctant [to align with] the idea of "the future". But I am interested in the idea of "future generations" because these are more of minds. How do we shape minds that will understand and accept the dynamics and changes of Time?"

"Sometimes, we look at the future from our individual myopic reflection; we are not asking ourselves: how do we bring in the reflection of others into that future?"

"To understand and comment on Time is like trying to embrace the sea or trying to give a full hug to the ocean."

"There is a lot we are rethinking: the concept of difference, but also the whole idea of becoming".

"This different interactive concept of Time is what I, as an
artist, look at. The dynamics of it all; how it defines today, and now and, possibly, the future we are trying to shape."

How do we accept what we are not familiar with?"

"How do we live and thrive in the unprecedented?"

"How do we create this amazing flower of sadness that will help others to be hopeful, and remind me of where I was and what I want myself to experience next?

Listen to the full episode on: https://nkatapodcast.com/show/dot

Also available on Apple Podcast, Spotify, Google Podcast, Deezer, Overcast, and more. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Mon, 28 Dec 2020 10:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 3195 Send us a text "I am looking at Time as an element of art, an element of expression not as a clock or calendar. I am looking at the capacity you have as an individual to define a progression of your existence and your event." In this episode, which continues our reflection on Time, Emeka Okereke is in conversation with Jude Anogwih. It opens with Anogwih's proposition to think of Time as an element, an interactive material for expression and agency. From here on, the conversation takes the f... Send us a text "I am looking at Time as an element of art, an element of expression not as a clock or calendar. I am looking at the capacity you have as an individual to define a progression of your existence and your event." In this episode, which conti Jude Anogwih, Emeka Okereke, Dots of Thoughts, Time, Conversations No EP08: Time does not pass. We, on the other hand, pass through it – and make forms of it (part 1) 8 8 EP08: Time does not pass. We, on the other hand, pass through it – and make forms of it (part 1) full Buzzsprout-6998890 https://share.transistor.fm/s/2fea3403 Send us a text

We often hear such expressions as "Time passes". "Don't waste time". "Buy time". "Spend time". But, is time quantifiable in the sense we use it? Isn't it a paradox, this inclination to contain what contains us? 

These are some of the thoughts (and more) foregrounding this reflection on and about time. This podcast is an introduction to a series of conversations aimed at fleshing out thoughts regarding our understanding/reading of time as a non-physical yet uncircumventable component our connectedness. 

Subsequent episodes will feature guests from different parts of the globe, st each discussing and expanding on specific themes. 

Follow the conversation on www.nkatapodcast.com/dot

Also available on Apple Podcast, Spotify, Google Podcast, Deezer, Overcast and more. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

We often hear such expressions as "Time passes". "Don't waste time". "Buy time". "Spend time". But, is time quantifiable in the sense we use it? Isn't it a paradox, this inclination to contain what contains us? 

These are some of the thoughts (and more) foregrounding this reflection on and about time. This podcast is an introduction to a series of conversations aimed at fleshing out thoughts regarding our understanding/reading of time as a non-physical yet uncircumventable component our connectedness. 

Subsequent episodes will feature guests from different parts of the globe, st each discussing and expanding on specific themes. 

Follow the conversation on www.nkatapodcast.com/dot

Also available on Apple Podcast, Spotify, Google Podcast, Deezer, Overcast and more. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Thu, 24 Dec 2020 16:00:00 +0100 Nkata Podcast Station Nkata Podcast Station 835 Send us a text We often hear such expressions as "Time passes". "Don't waste time". "Buy time". "Spend time". But, is time quantifiable in the sense we use it? Isn't it a paradox, this inclination to contain what contains us? These are some of the thoughts (and more) foregrounding this reflection on and about time. This podcast is an introduction to a series of conversations aimed at fleshing out thoughts regarding our understanding/reading of time as a non-physical yet uncircumventabl... Send us a text We often hear such expressions as "Time passes". "Don't waste time". "Buy time". "Spend time". But, is time quantifiable in the sense we use it? Isn't it a paradox, this inclination to contain what contains us? These are some of the thoug Nkata Podcast, Emeka Okereke, Time, No EP07: The Legacy of Queen’s College – A Perspective on Radical Education for Women in Nigeria. 6 6 EP07: The Legacy of Queen’s College – A Perspective on Radical Education for Women in Nigeria. full Buzzsprout-5642929 https://share.transistor.fm/s/210ca3f7 Send us a text

Founded in 1927, Queen's College, Yaba, Lagos, Nigeria is part of a formidable legacy addressing the gender disparities between male and female education in Nigeria spearheaded by a group of women who contributed to the founding of this country's first government-owned secondary school for girls.

The six years I spent in Queen's College between 1993-1999 formed part of a lifelong lesson in feminism, ambition and mediating between individuals across class, social and cultural differences, in what would also prove to be a network far beyond what I could have imagined as a shy thirteen-year-old walking through the blue gates of my high school campus for the first time. The 1990s, defined by a return to full-blown military rule, a tumultuous time as the late Chief M.K.O. Abiola's democratically-elected president was announced in June 1993, and in 1995 Ken Saro Wiwa and eight other environmental activists murdered by the state. It was under this climate that I began formal secondary education in an institution that would leave indelible marks on my psyche going forward extending way beyond Yaba and on the many global endeavours I have since saught.

I had first encountered this school for girls through my family as decades earlier, two of my cousins had gone there. They would often speak so fondly about fellow peers, teachers, principals and all of the goings-on during their time in there, particularly 'boarding house' experiences. In my first two years, I was a day student. Then this was followed by four years of boarding, which, if I'm honest, confused me as I assumed this experience was for people who didn't live in Lagos or, you know, couldn't commute every day. I focus on my time as a boarder because this really was the first time in my life I met young ladies who represented all the different tribal groups in Nigeria, it felt like everyone from everywhere was here. I learned and heard about so many places I had never heard of or only saw on maps. A melting pot of cultures and experience and one that was a lesson in diplomacy and co-existence. Tuck shop, out-of-bounds, Mati Obasa, slabs (a washing area), and one Ju! Phrases that only a QCOG would understand! The stark realities that this was no Mallory Towers but really survival of the fittest, fetching water, washing your clothes and making sure they weren't nicked, sticking to the many rules. Still, indeed there wa

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

Founded in 1927, Queen's College, Yaba, Lagos, Nigeria is part of a formidable legacy addressing the gender disparities between male and female education in Nigeria spearheaded by a group of women who contributed to the founding of this country's first government-owned secondary school for girls.

The six years I spent in Queen's College between 1993-1999 formed part of a lifelong lesson in feminism, ambition and mediating between individuals across class, social and cultural differences, in what would also prove to be a network far beyond what I could have imagined as a shy thirteen-year-old walking through the blue gates of my high school campus for the first time. The 1990s, defined by a return to full-blown military rule, a tumultuous time as the late Chief M.K.O. Abiola's democratically-elected president was announced in June 1993, and in 1995 Ken Saro Wiwa and eight other environmental activists murdered by the state. It was under this climate that I began formal secondary education in an institution that would leave indelible marks on my psyche going forward extending way beyond Yaba and on the many global endeavours I have since saught.

I had first encountered this school for girls through my family as decades earlier, two of my cousins had gone there. They would often speak so fondly about fellow peers, teachers, principals and all of the goings-on during their time in there, particularly 'boarding house' experiences. In my first two years, I was a day student. Then this was followed by four years of boarding, which, if I'm honest, confused me as I assumed this experience was for people who didn't live in Lagos or, you know, couldn't commute every day. I focus on my time as a boarder because this really was the first time in my life I met young ladies who represented all the different tribal groups in Nigeria, it felt like everyone from everywhere was here. I learned and heard about so many places I had never heard of or only saw on maps. A melting pot of cultures and experience and one that was a lesson in diplomacy and co-existence. Tuck shop, out-of-bounds, Mati Obasa, slabs (a washing area), and one Ju! Phrases that only a QCOG would understand! The stark realities that this was no Mallory Towers but really survival of the fittest, fetching water, washing your clothes and making sure they weren't nicked, sticking to the many rules. Still, indeed there wa

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Mon, 28 Sep 2020 20:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 2877 Send us a text Founded in 1927, Queen's College, Yaba, Lagos, Nigeria is part of a formidable legacy addressing the gender disparities between male and female education in Nigeria spearheaded by a group of women who contributed to the founding of this country's first government-owned secondary school for girls. The six years I spent in Queen's College between 1993-1999 formed part of a lifelong lesson in feminism, ambition and mediating between individuals across class, social and cultural d... Send us a text Founded in 1927, Queen's College, Yaba, Lagos, Nigeria is part of a formidable legacy addressing the gender disparities between male and female education in Nigeria spearheaded by a group of women who contributed to the founding of this cou No EP06: Mama Margeret of Afroshop Tropical Markt – 25 Years of Making Life Matter in Berlin. 5 5 EP06: Mama Margeret of Afroshop Tropical Markt – 25 Years of Making Life Matter in Berlin. full Buzzsprout-4040003 https://share.transistor.fm/s/fba9f9d5 Send us a text

For 25 years, Madam Margaret Opambour-Adjei has run the Afroshop Tropical Markt, in Neukölln Berlin, where she sells foodstuffs, cosmetics and fabrics mainly from West Africa. Originally from Ghana, she migrated to Germany in 1988. 

In this episode, Emeka Okereke visited her shop during which they discussed various aspect of the movement of African food across borders. 

“We are quite conversant with the movement of bodies and people back and forth borders in the context of migration – in this case, Africans. But there is another angle to it: the movement of food. Africans have always carried their food with them when they travel or migrate. If there are two luggage allowances [for a flight], it is most likely that one of the luggage will be filled with foodstuff.”

Their conversation was a glimpse into her life:

  • The challenges of running such a business in Berlin; the trajectory of the transportation/distribution of African foodstuff and the agents involved. 
  • Some of the governmental policies which constitute bottlenecks. 
  • Her shop as a Pan-African Space, as a space of conviviality. 
  • Her connection with Ghana, her home country. 


Incapsulating this is the fact that the conversation took place on the so-called #blackoutteusday, and in the same week when many people in the world are protesting under the “Black Lives Matter” banner. 

While this is commendable, it is crucial to articulate other ways black people are making lives matter - in their everyday lives. The likes of Madam Margaret may not be able to go for the placard-waving match-protest protest in Berlin. But she has kept a business running for 25 years in Berlin – even as the business is frustrated by imperialist-capitalist realities. She Keeps her head up – for herself and those who depend on her as far as in Ghana. She makes "Lives Matter". 

This podcast is a small attempt to honour her own way of making lives matter.


Guest: Margaret Opambour-Adjei (Berlin)
Host: Emeka Okereke (Berlin)
Text: Emeka Okereke
Photography: Emeka Okereke
Music: Sir Kupeski
Graphic Design: Innocent Ekejiuba,

Listen on: nkatapodcast.com/dot
Support the project: nkatapodcast.com/patreon 


Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

For 25 years, Madam Margaret Opambour-Adjei has run the Afroshop Tropical Markt, in Neukölln Berlin, where she sells foodstuffs, cosmetics and fabrics mainly from West Africa. Originally from Ghana, she migrated to Germany in 1988. 

In this episode, Emeka Okereke visited her shop during which they discussed various aspect of the movement of African food across borders. 

“We are quite conversant with the movement of bodies and people back and forth borders in the context of migration – in this case, Africans. But there is another angle to it: the movement of food. Africans have always carried their food with them when they travel or migrate. If there are two luggage allowances [for a flight], it is most likely that one of the luggage will be filled with foodstuff.”

Their conversation was a glimpse into her life:

  • The challenges of running such a business in Berlin; the trajectory of the transportation/distribution of African foodstuff and the agents involved. 
  • Some of the governmental policies which constitute bottlenecks. 
  • Her shop as a Pan-African Space, as a space of conviviality. 
  • Her connection with Ghana, her home country. 


Incapsulating this is the fact that the conversation took place on the so-called #blackoutteusday, and in the same week when many people in the world are protesting under the “Black Lives Matter” banner. 

While this is commendable, it is crucial to articulate other ways black people are making lives matter - in their everyday lives. The likes of Madam Margaret may not be able to go for the placard-waving match-protest protest in Berlin. But she has kept a business running for 25 years in Berlin – even as the business is frustrated by imperialist-capitalist realities. She Keeps her head up – for herself and those who depend on her as far as in Ghana. She makes "Lives Matter". 

This podcast is a small attempt to honour her own way of making lives matter.


Guest: Margaret Opambour-Adjei (Berlin)
Host: Emeka Okereke (Berlin)
Text: Emeka Okereke
Photography: Emeka Okereke
Music: Sir Kupeski
Graphic Design: Innocent Ekejiuba,

Listen on: nkatapodcast.com/dot
Support the project: nkatapodcast.com/patreon 


Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Thu, 04 Jun 2020 12:00:00 +0200 Emeka Okereke / Margaret Opambour-Adjei Emeka Okereke / Margaret Opambour-Adjei 2048 Send us a text For 25 years, Madam Margaret Opambour-Adjei has run the Afroshop Tropical Markt, in Neukölln Berlin, where she sells foodstuffs, cosmetics and fabrics mainly from West Africa. Originally from Ghana, she migrated to Germany in 1988. In this episode, Emeka Okereke visited her shop during which they discussed various aspect of the movement of African food across borders. “We are quite conversant with the movement of bodies and people back and forth borders in the con... Send us a text For 25 years, Madam Margaret Opambour-Adjei has run the Afroshop Tropical Markt, in Neukölln Berlin, where she sells foodstuffs, cosmetics and fabrics mainly from West Africa. Originally from Ghana, she migrated to Germany in 1988. In thi Emeka Okereke, Afroshop, Berlin, Lives Matter, Africans in Berlin, Dots of Thoughts, Podcast, Nkata Podcast, No EP05: Dalit, A Quest For Dignity – Relating Image-Making to World-Making Through a Photo Book 5 5 EP05: Dalit, A Quest For Dignity – Relating Image-Making to World-Making Through a Photo Book full Buzzsprout-3897242 https://share.transistor.fm/s/fac54db6 Send us a text

In this Episode, Emeka Okereke (Berlin) connects, through a phone conversation, with Diwas Raja (Kathmandu) – writer, scholar and Lead Researcher at the Nepal Picture Library. Their discussion expands on the intentions and the operative premise of the photography book, "Dalit, A Quest For Dignity" of which Diwas is the editor. 

The book, which is a Nepal Picture Library Project, "came about as an attempt to create a visual archive of the Dalit experience in modern Nepal."

The episode opens with an introduction-style monologue that served to set the atmosphere for the ensuing conversation. It touched on various strands of thoughts related to the ethics and position of photography in (1) ascribing dignity and legitimacy to the oppressed/marginalised peoples; (2) the making of a multi-contextual world. 

The discussion took, as an opening point, the notion of relating "image-making to world-making" as culled from the introductory text of the book. It then touched on certain tropes upon which the reading and arrangement of the book's content are anchored. A highlight of the conversation is Diwas' point on the need to read photographs beyond the point of view of the maker. Thus, to account for the meaning acquired through relation as it makes its rounds across space and time. Here, it is useful to return to that highly neglected aspect of photography by which it occupies an important place in human relations: the social function of photography. 

Dalit, A Quest for Dignity speaks of image-making in relation to world-making. Although the images in the book operate in the milieu of the Nepali-Dalit lives, they strive to speak beyond their context. In this case, to ascribe dignity also means to assert a people place in the world without disavowing their locality or localised experience.

If a photography book – which looks to address the past, while working in, and with the urgency of the present – should carry within it anything of the future, it ought to consider the place of images in the making of a multi-contextual world.

This book from the Nepal picture Library is a significant response and contribution to the challenges of this multi-contextual world-making.

Just in case you were wondering who a Dalit is, it's all in the conversation. Take a listen

Want to support the project? Check out our Patreon Page: https://www.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In this Episode, Emeka Okereke (Berlin) connects, through a phone conversation, with Diwas Raja (Kathmandu) – writer, scholar and Lead Researcher at the Nepal Picture Library. Their discussion expands on the intentions and the operative premise of the photography book, "Dalit, A Quest For Dignity" of which Diwas is the editor. 

The book, which is a Nepal Picture Library Project, "came about as an attempt to create a visual archive of the Dalit experience in modern Nepal."

The episode opens with an introduction-style monologue that served to set the atmosphere for the ensuing conversation. It touched on various strands of thoughts related to the ethics and position of photography in (1) ascribing dignity and legitimacy to the oppressed/marginalised peoples; (2) the making of a multi-contextual world. 

The discussion took, as an opening point, the notion of relating "image-making to world-making" as culled from the introductory text of the book. It then touched on certain tropes upon which the reading and arrangement of the book's content are anchored. A highlight of the conversation is Diwas' point on the need to read photographs beyond the point of view of the maker. Thus, to account for the meaning acquired through relation as it makes its rounds across space and time. Here, it is useful to return to that highly neglected aspect of photography by which it occupies an important place in human relations: the social function of photography. 

Dalit, A Quest for Dignity speaks of image-making in relation to world-making. Although the images in the book operate in the milieu of the Nepali-Dalit lives, they strive to speak beyond their context. In this case, to ascribe dignity also means to assert a people place in the world without disavowing their locality or localised experience.

If a photography book – which looks to address the past, while working in, and with the urgency of the present – should carry within it anything of the future, it ought to consider the place of images in the making of a multi-contextual world.

This book from the Nepal picture Library is a significant response and contribution to the challenges of this multi-contextual world-making.

Just in case you were wondering who a Dalit is, it's all in the conversation. Take a listen

Want to support the project? Check out our Patreon Page: https://www.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Sun, 24 May 2020 21:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 2691 Send us a text In this Episode, Emeka Okereke (Berlin) connects, through a phone conversation, with Diwas Raja (Kathmandu) – writer, scholar and Lead Researcher at the Nepal Picture Library. Their discussion expands on the intentions and the operative premise of the photography book, "Dalit, A Quest For Dignity" of which Diwas is the editor. The book, which is a Nepal Picture Library Project, "came about as an attempt to create a visual archive of the Dalit experience in modern Nepal."... Send us a text In this Episode, Emeka Okereke (Berlin) connects, through a phone conversation, with Diwas Raja (Kathmandu) – writer, scholar and Lead Researcher at the Nepal Picture Library. Their discussion expands on the intentions and the operative pre Nkata Podcast, Nepal Picture Library, Emeka Okereke, Kathmandu, Art, Photography, Dalit, Dots of Thoughts Podcast, No EP04: It Takes Many Trees to Make a Forest – Tribute to Tony Allen 4 4 EP04: It Takes Many Trees to Make a Forest – Tribute to Tony Allen full Buzzsprout-3761213 https://share.transistor.fm/s/0b55be92 Send us a text

To dedicate a conversation to Tony Allen is to recall the rich history of African Music, unsurpassed wit and creative ingenuity, needful rebellion, activism and truly African artistic inventions and languages through that very melodious, harmonious, rhythmic, soul-soothing art form called music. 

Much of Africa's temperament, sense of community, sharing, family, humanity and spirituality has been captured and indeed preserved in music. But it didn't stay static. If anything, it travelled at the same pace, if not more, as every slave ship that left the continent to cross the Trans-Atlantic ocean in the 16th century. It preserved itself in the subconscious and the imaginary until it was ripe to let itself out inform of Jazz, highlife, Palm wine music, Funk and eventually Afrobeat. 

This episode aims to discuss the legacy of Tony Allen from a perspective which takes into account his contribution towards the preservation and dissemination of Afrobeat. 

Joining Emeka Okereke (host) through a phone call is Jahman Anikulapo. He is a reputable name in the culture industry in Nigeria. He has been an arts and culture journalist since 1987. But in between, he is a theatre director, producer, and manager of numerous cultural projects and platforms. He is well conversant with the work and legacy of Fela Kuti, and he knew Tony Allen personally. 

They discussed the legacy of Tony Allen given the concerted effort to attach it, and somewhat overshadowing it with, the legacy of Fela Kuti. Their conversation threw light on the achievements of Tony Allen. If Fela Kuti is, rightfully so, the inventor of Afrobeat, Tony Allen – through a consistent, prolific career, boasting a discography of over 70 albums and collaborations – was indispensable in sustaining Afrobeat. That, in and of itself, is a worthy legacy.

No foundation can stand without sustenance. No unique identity (as can be attributed to Afrobeat) can fulfil itself without collaboration outside itself.  Needless to say: it takes many trees to make a forest

It is such broader correlations and historical perspectives that are of utmost importance. 

Listen to the podcast on: www.nkapodcast.com/dot

Also available on: Apple Podcast, Spotify, TuneIn and more... 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

To dedicate a conversation to Tony Allen is to recall the rich history of African Music, unsurpassed wit and creative ingenuity, needful rebellion, activism and truly African artistic inventions and languages through that very melodious, harmonious, rhythmic, soul-soothing art form called music. 

Much of Africa's temperament, sense of community, sharing, family, humanity and spirituality has been captured and indeed preserved in music. But it didn't stay static. If anything, it travelled at the same pace, if not more, as every slave ship that left the continent to cross the Trans-Atlantic ocean in the 16th century. It preserved itself in the subconscious and the imaginary until it was ripe to let itself out inform of Jazz, highlife, Palm wine music, Funk and eventually Afrobeat. 

This episode aims to discuss the legacy of Tony Allen from a perspective which takes into account his contribution towards the preservation and dissemination of Afrobeat. 

Joining Emeka Okereke (host) through a phone call is Jahman Anikulapo. He is a reputable name in the culture industry in Nigeria. He has been an arts and culture journalist since 1987. But in between, he is a theatre director, producer, and manager of numerous cultural projects and platforms. He is well conversant with the work and legacy of Fela Kuti, and he knew Tony Allen personally. 

They discussed the legacy of Tony Allen given the concerted effort to attach it, and somewhat overshadowing it with, the legacy of Fela Kuti. Their conversation threw light on the achievements of Tony Allen. If Fela Kuti is, rightfully so, the inventor of Afrobeat, Tony Allen – through a consistent, prolific career, boasting a discography of over 70 albums and collaborations – was indispensable in sustaining Afrobeat. That, in and of itself, is a worthy legacy.

No foundation can stand without sustenance. No unique identity (as can be attributed to Afrobeat) can fulfil itself without collaboration outside itself.  Needless to say: it takes many trees to make a forest

It is such broader correlations and historical perspectives that are of utmost importance. 

Listen to the podcast on: www.nkapodcast.com/dot

Also available on: Apple Podcast, Spotify, TuneIn and more... 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Fri, 15 May 2020 00:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 2221 Send us a text To dedicate a conversation to Tony Allen is to recall the rich history of African Music, unsurpassed wit and creative ingenuity, needful rebellion, activism and truly African artistic inventions and languages through that very melodious, harmonious, rhythmic, soul-soothing art form called music. Much of Africa's temperament, sense of community, sharing, family, humanity and spirituality has been captured and indeed preserved in music. But it didn't stay static. If anythi... Send us a text To dedicate a conversation to Tony Allen is to recall the rich history of African Music, unsurpassed wit and creative ingenuity, needful rebellion, activism and truly African artistic inventions and languages through that very melodious, ha Tony Allen, Hugh Masakela, Jahman Anikulapo, Emeka Okereke, music, Afrobeat, Fela Kuti, nkatapodcast, dots of thoughts, podcast, No EP03: Morrison's Black Book, Chimurenga's Festac '77 – "Unwritable Stories" in a Book Form 3 3 EP03: Morrison's Black Book, Chimurenga's Festac '77 – "Unwritable Stories" in a Book Form full Buzzsprout-3550534 https://share.transistor.fm/s/04334142 Send us a text

In Episode 3 of Dots of Thoughts (DoT), Emeka Okereke reflects on a book which preoccupied him of late: Festac ‘77. This book, “decomposed, an-arranged and reproduced” by Chimurenga the Cape-Town based Pan African art space/publishers, is a compilation of the 2nd World Black and African Festival of Arts and Culture which took place in Nigeria, in 1977. It was an epic event that Ntone Edjabe, founder of Chimurenga, placed on the same historical pedestal as the Great Pyramid. The Festival brought together some 30,000 black artists and scholars from 56 different countries of Africa and the Diaspora to present, converse and debate African/black art and ideologies. 

Emeka Okereke (in Berlin) connected with Ntone Edjabe (in Cape Town) via a phone call to discuss the intentions, thought processes and conceptual positions which necessitated the book. Okereke suggested a descriptive premise as “anti-book” evidenced in the book’s unconventional form-content relation. Edjabe expanded on the analogy by referencing Toni Morrison’s Black Book as a significant source of inspiration. Like Morrison’s Black Book, Festac ‘77 set out with the audacious goal to put in book form an “unwritable history and story”. The foremost aim was to “experiment with new forms of writing that can capture the complexity, the epic scale of an event such as Festac ‘77.” A book that would account for the opacity, incomprehensibility, inconsistencies that are the crossroads of any foreseeable (African) unity.

“The experiment was not to write a book about Festac. The experiment was to write a book through Festac”, Edjabe inferred.

Join the conversation by leaving a comment on your preferred platform of listening. 

Listen on: nkatapodcast.com, Apple Podcast, Spotify, TuneIn and more. 

Want to become one of the foundational supporters of Nkata Podcast Station, see our Patreon page: nkatapodcast/patreon

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

In Episode 3 of Dots of Thoughts (DoT), Emeka Okereke reflects on a book which preoccupied him of late: Festac ‘77. This book, “decomposed, an-arranged and reproduced” by Chimurenga the Cape-Town based Pan African art space/publishers, is a compilation of the 2nd World Black and African Festival of Arts and Culture which took place in Nigeria, in 1977. It was an epic event that Ntone Edjabe, founder of Chimurenga, placed on the same historical pedestal as the Great Pyramid. The Festival brought together some 30,000 black artists and scholars from 56 different countries of Africa and the Diaspora to present, converse and debate African/black art and ideologies. 

Emeka Okereke (in Berlin) connected with Ntone Edjabe (in Cape Town) via a phone call to discuss the intentions, thought processes and conceptual positions which necessitated the book. Okereke suggested a descriptive premise as “anti-book” evidenced in the book’s unconventional form-content relation. Edjabe expanded on the analogy by referencing Toni Morrison’s Black Book as a significant source of inspiration. Like Morrison’s Black Book, Festac ‘77 set out with the audacious goal to put in book form an “unwritable history and story”. The foremost aim was to “experiment with new forms of writing that can capture the complexity, the epic scale of an event such as Festac ‘77.” A book that would account for the opacity, incomprehensibility, inconsistencies that are the crossroads of any foreseeable (African) unity.

“The experiment was not to write a book about Festac. The experiment was to write a book through Festac”, Edjabe inferred.

Join the conversation by leaving a comment on your preferred platform of listening. 

Listen on: nkatapodcast.com, Apple Podcast, Spotify, TuneIn and more. 

Want to become one of the foundational supporters of Nkata Podcast Station, see our Patreon page: nkatapodcast/patreon

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Wed, 29 Apr 2020 10:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 2168 Send us a text In Episode 3 of Dots of Thoughts (DoT), Emeka Okereke reflects on a book which preoccupied him of late: Festac ‘77. This book, “decomposed, an-arranged and reproduced” by Chimurenga the Cape-Town based Pan African art space/publishers, is a compilation of the 2nd World Black and African Festival of Arts and Culture which took place in Nigeria, in 1977. It was an epic event that Ntone Edjabe, founder of Chimurenga, placed on the same historical pedestal as the Great Pyramid. The... Send us a text In Episode 3 of Dots of Thoughts (DoT), Emeka Okereke reflects on a book which preoccupied him of late: Festac ‘77. This book, “decomposed, an-arranged and reproduced” by Chimurenga the Cape-Town based Pan African art space/publishers, is a Ntone Edjabe, Emeka Okereke, Chimurenga, Dots of Thoughts, Nkata Podcast, Festac 77, No EP02: Neukölln to Bariga from a Bird's View 2 2 EP02: Neukölln to Bariga from a Bird's View full Buzzsprout-3394627 https://share.transistor.fm/s/0335b424 Send us a text

Features: Innocent Ekejiuba /Oladimeji Olasoju /Ade Bantu (Lagos, Nigeria)
Host: Emeka Okereke (Berlin, Germany).

Episode two of DoT is an extension of thoughts explored in episode one. This time, Emeka Okereke connects with Innocent Ekejiuba and Oladimeji Olasoju, in Bariga Lagos – Nigeria. They conversed about the state of things with regards to the present situation. They offered remarkable views, garnished with pointed anecdotes (contradictions, grey areas, “politricks”), of how the everyday person of Lagos, and specifically, Bariga are dealing with the realities imposed on them by the lockdown. 

“Many people consider themselves as part of the “Essential Services” category because, essentially, that’s what they are to their family and loved ones”, Innocent inferred. While Oladimeji pointed out that no one has yet received any welfare benefits from the government, he was quick to note that the situation has encouraged acts of sharing, kindness, generosity and togetherness amongst neighbours. The masses, churches, and the private sector – not the government – are the real mitigators of this crisis. 

The entire episode is backdropped by “Disrupt the Program”, the new single from the Nigerian band, Bantu, led by the Nigerian-German musician, Ade Bantu. The song is a vehement rebuke of the government – calling out its ineptitude and abject disregard for the plight of the masses while imploring the people to do more than be social media protesters. 

Ade would further expand on the motivation behind the realisation of the song; why he chose to make its video in Bariga; the urgency from which this song, brimming with a Fela-Kuti intensity, emanated. 

What do you make of the different points raised in the conversation?

Leave a comment on the episode in your preferred platform of listening. Selected comments will be addressed in subsequent episodes.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

Features: Innocent Ekejiuba /Oladimeji Olasoju /Ade Bantu (Lagos, Nigeria)
Host: Emeka Okereke (Berlin, Germany).

Episode two of DoT is an extension of thoughts explored in episode one. This time, Emeka Okereke connects with Innocent Ekejiuba and Oladimeji Olasoju, in Bariga Lagos – Nigeria. They conversed about the state of things with regards to the present situation. They offered remarkable views, garnished with pointed anecdotes (contradictions, grey areas, “politricks”), of how the everyday person of Lagos, and specifically, Bariga are dealing with the realities imposed on them by the lockdown. 

“Many people consider themselves as part of the “Essential Services” category because, essentially, that’s what they are to their family and loved ones”, Innocent inferred. While Oladimeji pointed out that no one has yet received any welfare benefits from the government, he was quick to note that the situation has encouraged acts of sharing, kindness, generosity and togetherness amongst neighbours. The masses, churches, and the private sector – not the government – are the real mitigators of this crisis. 

The entire episode is backdropped by “Disrupt the Program”, the new single from the Nigerian band, Bantu, led by the Nigerian-German musician, Ade Bantu. The song is a vehement rebuke of the government – calling out its ineptitude and abject disregard for the plight of the masses while imploring the people to do more than be social media protesters. 

Ade would further expand on the motivation behind the realisation of the song; why he chose to make its video in Bariga; the urgency from which this song, brimming with a Fela-Kuti intensity, emanated. 

What do you make of the different points raised in the conversation?

Leave a comment on the episode in your preferred platform of listening. Selected comments will be addressed in subsequent episodes.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Fri, 17 Apr 2020 11:00:00 +0200 Nkata Podcast Station Nkata Podcast Station 3675 Send us a text Features: Innocent Ekejiuba /Oladimeji Olasoju /Ade Bantu (Lagos, Nigeria) Host: Emeka Okereke (Berlin, Germany). Episode two of DoT is an extension of thoughts explored in episode one. This time, Emeka Okereke connects with Innocent Ekejiuba and Oladimeji Olasoju, in Bariga Lagos – Nigeria. They conversed about the state of things with regards to the present situation. They offered remarkable views, garnished with pointed anecdotes (contradictions, grey areas, “politricks”), ... Send us a text Features: Innocent Ekejiuba /Oladimeji Olasoju /Ade Bantu (Lagos, Nigeria) Host: Emeka Okereke (Berlin, Germany). Episode two of DoT is an extension of thoughts explored in episode one. This time, Emeka Okereke connects with Innocent Ekeji Innocent Ekejiuba, Nkata Podcast, Emeka Okereke, Ade Bantu, Podcast, Global Crisis, Bariga, Lagos, Neukölln, Berlin, Germany, Nigeria, Dots of Thoughts Podcast, Conversations No EP01: Social Distancing and Its Sides of The Coin 1 1 EP01: Social Distancing and Its Sides of The Coin full Buzzsprout-3271837 https://share.transistor.fm/s/ff2ca30f Send us a text

This debut episode of Dots of Thoughts takes as a prompt an essay I wrote in reference to the notion of social distancing and its many undertones especially in the context of Berlin, Europe where I am currently observing the lockdown. Invited to join the conversation, through a phone call, is Mathangi Krishnamurthy, a colleague and a dear friend based in Chennai, South of India. We ruminated on the nature of social distancing in a densely populated city such as Chennai;  a city where tactile communal interaction is not only important but central to existence. How are people making sense of the viability of social distancing? What does it mean beyond the “one-line mantra for the entire world” as she calls it? How is social distancing understood across lines of class and privilege?

What do we do with our time now that we have been forced, albeit for a few weeks, to live in it in ways contrary to our habitual routine?

Furthermore, will the world grasp the most needful lesson this crisis presents to us?

Join the conversation by leaving a comment on the episode in their preferred platform of listening. Selected comments will be addressed in a subsequent episode.

Listen to the podcast on our website, nkatapodcast.com. Also available on Apple podcast, Spotify, Google Podcast, Stitcher, Overcast and more.

To read the essay from which this conversation sprang, see here

Emeka Okereke

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Send us a text

This debut episode of Dots of Thoughts takes as a prompt an essay I wrote in reference to the notion of social distancing and its many undertones especially in the context of Berlin, Europe where I am currently observing the lockdown. Invited to join the conversation, through a phone call, is Mathangi Krishnamurthy, a colleague and a dear friend based in Chennai, South of India. We ruminated on the nature of social distancing in a densely populated city such as Chennai;  a city where tactile communal interaction is not only important but central to existence. How are people making sense of the viability of social distancing? What does it mean beyond the “one-line mantra for the entire world” as she calls it? How is social distancing understood across lines of class and privilege?

What do we do with our time now that we have been forced, albeit for a few weeks, to live in it in ways contrary to our habitual routine?

Furthermore, will the world grasp the most needful lesson this crisis presents to us?

Join the conversation by leaving a comment on the episode in their preferred platform of listening. Selected comments will be addressed in a subsequent episode.

Listen to the podcast on our website, nkatapodcast.com. Also available on Apple podcast, Spotify, Google Podcast, Stitcher, Overcast and more.

To read the essay from which this conversation sprang, see here

Emeka Okereke

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

★ Support this podcast on Patreon ★ ]]> Tue, 07 Apr 2020 19:00:00 +0200 Emeka Okereke / Mathangi Krishnamurthy Emeka Okereke / Mathangi Krishnamurthy 1915 Send us a text This debut episode of Dots of Thoughts takes as a prompt an essay I wrote in reference to the notion of social distancing and its many undertones especially in the context of Berlin, Europe where I am currently observing the lockdown. Invited to join the conversation, through a phone call, is Mathangi Krishnamurthy, a colleague and a dear friend based in Chennai, South of India. We ruminated on the nature of social distancing in a densely populated city such as Chennai; a... Send us a text This debut episode of Dots of Thoughts takes as a prompt an essay I wrote in reference to the notion of social distancing and its many undertones especially in the context of Berlin, Europe where I am currently observing the lockdown. Invit Emeka Okereke, Mathangi Krishnamurthy, Dots of Thoughts Podcast, Nkata Podcast, Social Distancing, Berlin, Chennai, India, Germany, Artists, Conversations, No