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    <title>Filmmaker Spotlight</title>
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    <description>Filmmaker Spotlight is where filmmakers talk honestly about the work behind the work. Host Warren Workman sits down with directors, producers, writers, actors, and other independent filmmakers to discuss how their projects came together, what they learned along the way, and what it really takes to keep creating. These are practical, down-to-earth conversations about filmmaking, film festivals, collaboration, and building a sustainable career—without pretending the process is always clean or easy. Presented by the Utah International Film Festival.</description>
    <copyright>© 2026 Warren Workman / Utah International Film Festival</copyright>
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    <pubDate>Fri, 18 Sep 2026 08:52:31 -0600</pubDate>
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    <link>https://theutahfilmfestival.com</link>
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      <title>Filmmaker Spotlight</title>
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    <itunes:category text="TV &amp; Film">
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    <itunes:author>Warren Workman</itunes:author>
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    <itunes:summary>Filmmaker Spotlight is where filmmakers talk honestly about the work behind the work. Host Warren Workman sits down with directors, producers, writers, actors, and other independent filmmakers to discuss how their projects came together, what they learned along the way, and what it really takes to keep creating. These are practical, down-to-earth conversations about filmmaking, film festivals, collaboration, and building a sustainable career—without pretending the process is always clean or easy. Presented by the Utah International Film Festival.</itunes:summary>
    <itunes:subtitle>Filmmaker Spotlight is where filmmakers talk honestly about the work behind the work.</itunes:subtitle>
    <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
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      <itunes:name>Warren Workman</itunes:name>
      <itunes:email>workmanproductions@gmail.com</itunes:email>
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    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>What Should I Do With My Short Film?</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>What Should I Do With My Short Film?</itunes:title>
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        <![CDATA[<p>What should you do with your short film after you finish it? Learn how to submit your short film to film festivals, build a film festival strategy, and find the right festivals for your movie. Finishing your short film is only the first step. Next, you need to decide what success looks like. Do you want to win film festival awards? Watch your short film with a live audience? Meet other filmmakers? Find representation? Attract investors? Or use your short film as a calling card to help you make a feature film? Warren explains why filmmakers should answer those questions before spending money on film festival submissions.</p>]]>
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        <![CDATA[<p>What should you do with your short film after you finish it? Learn how to submit your short film to film festivals, build a film festival strategy, and find the right festivals for your movie. Finishing your short film is only the first step. Next, you need to decide what success looks like. Do you want to win film festival awards? Watch your short film with a live audience? Meet other filmmakers? Find representation? Attract investors? Or use your short film as a calling card to help you make a feature film? Warren explains why filmmakers should answer those questions before spending money on film festival submissions.</p>]]>
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      <pubDate>Fri, 18 Sep 2026 08:36:47 -0600</pubDate>
      <author>Warren Workman</author>
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      <itunes:author>Warren Workman</itunes:author>
      <itunes:duration>310</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>What should you do with your short film after you finish it? Learn how to submit your short film to film festivals, build a film festival strategy, and find the right festivals for your movie. Finishing your short film is only the first step. Next, you need to decide what success looks like. Do you want to win film festival awards? Watch your short film with a live audience? Meet other filmmakers? Find representation? Attract investors? Or use your short film as a calling card to help you make a feature film? Warren explains why filmmakers should answer those questions before spending money on film festival submissions.</p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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      <title>Your Film Synopsis Might Be Costing You Festival Selections</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Your Film Synopsis Might Be Costing You Festival Selections</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Learn how to write a film synopsis that grabs the attention of festival programmers and potential audiences. Master the art of summarizing your movie's core appeal.</p><p>Writing an effective film synopsis is essential for getting your project noticed. This guide breaks down the core elements required to craft a compelling summary that conveys your story's essence quickly. Whether you are aiming for film festival submission or trying to attract a wider audience, these techniques will help you clarify your narrative.</p><p>We also walk through a concrete movie synopsis example, focusing on a historical drama about a family's journey and conflict. By analyzing this specific case, you can see how to balance plot points with emotional stakes to make your script stand out. These screenwriting tips are designed to help you communicate your vision clearly to industry professionals.</p><p>Subscribe for weekly screenwriting tips, and comment below with the biggest challenge you face when summarizing your own scripts.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Learn how to write a film synopsis that grabs the attention of festival programmers and potential audiences. Master the art of summarizing your movie's core appeal.</p><p>Writing an effective film synopsis is essential for getting your project noticed. This guide breaks down the core elements required to craft a compelling summary that conveys your story's essence quickly. Whether you are aiming for film festival submission or trying to attract a wider audience, these techniques will help you clarify your narrative.</p><p>We also walk through a concrete movie synopsis example, focusing on a historical drama about a family's journey and conflict. By analyzing this specific case, you can see how to balance plot points with emotional stakes to make your script stand out. These screenwriting tips are designed to help you communicate your vision clearly to industry professionals.</p><p>Subscribe for weekly screenwriting tips, and comment below with the biggest challenge you face when summarizing your own scripts.</p>]]>
      </content:encoded>
      <pubDate>Fri, 18 Sep 2026 08:19:52 -0600</pubDate>
      <author>Warren Workman</author>
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      <itunes:author>Warren Workman</itunes:author>
      <itunes:duration>369</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Learn how to write a film synopsis that grabs the attention of festival programmers and potential audiences. Master the art of summarizing your movie's core appeal.</p><p>Writing an effective film synopsis is essential for getting your project noticed. This guide breaks down the core elements required to craft a compelling summary that conveys your story's essence quickly. Whether you are aiming for film festival submission or trying to attract a wider audience, these techniques will help you clarify your narrative.</p><p>We also walk through a concrete movie synopsis example, focusing on a historical drama about a family's journey and conflict. By analyzing this specific case, you can see how to balance plot points with emotional stakes to make your script stand out. These screenwriting tips are designed to help you communicate your vision clearly to industry professionals.</p><p>Subscribe for weekly screenwriting tips, and comment below with the biggest challenge you face when summarizing your own scripts.</p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>The Real Cost of Making a Film with James Lee Young</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>The Real Cost of Making a Film with James Lee Young</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>Learn the realities of executive producing and how to bridge the gap between business and creative storytelling.</p><p>I am sitting down with James Lee Young to discuss the practical side of getting projects off the ground. We cover the essential filmmaking methods that apply whether you are shooting on a phone or working with a larger crew, and why the scale of your production often depends on your ability to secure resources.</p><p>Funding a movie is rarely just about the art; it is about leveraging your existing business savvy to make your vision a reality. We break down how to approach film production with a professional mindset so you can focus on the story you actually want to tell.</p><p>Subscribe for weekly breakdowns on the business of independent cinema, and let me know in the comments: what is the biggest hurdle you face when trying to get your scripts financed?</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Learn the realities of executive producing and how to bridge the gap between business and creative storytelling.</p><p>I am sitting down with James Lee Young to discuss the practical side of getting projects off the ground. We cover the essential filmmaking methods that apply whether you are shooting on a phone or working with a larger crew, and why the scale of your production often depends on your ability to secure resources.</p><p>Funding a movie is rarely just about the art; it is about leveraging your existing business savvy to make your vision a reality. We break down how to approach film production with a professional mindset so you can focus on the story you actually want to tell.</p><p>Subscribe for weekly breakdowns on the business of independent cinema, and let me know in the comments: what is the biggest hurdle you face when trying to get your scripts financed?</p>]]>
      </content:encoded>
      <pubDate>Fri, 18 Sep 2026 07:58:38 -0600</pubDate>
      <author>Warren Workman</author>
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      <itunes:author>Warren Workman</itunes:author>
      <itunes:duration>2181</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Learn the realities of executive producing and how to bridge the gap between business and creative storytelling.</p><p>I am sitting down with James Lee Young to discuss the practical side of getting projects off the ground. We cover the essential filmmaking methods that apply whether you are shooting on a phone or working with a larger crew, and why the scale of your production often depends on your ability to secure resources.</p><p>Funding a movie is rarely just about the art; it is about leveraging your existing business savvy to make your vision a reality. We break down how to approach film production with a professional mindset so you can focus on the story you actually want to tell.</p><p>Subscribe for weekly breakdowns on the business of independent cinema, and let me know in the comments: what is the biggest hurdle you face when trying to get your scripts financed?</p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Filmmaking Is Expensive Therapy with Rodrigo Moreno-Fernandez</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Filmmaking Is Expensive Therapy with Rodrigo Moreno-Fernandez</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>Warren Workman welcomes writer-director Rodrigo Moreno-Fernandez, whose short film EL Lloron received six nominations at the 2026 Utah International Film Festival, with Renée Victor winning Best Supporting Actress. Rodrigo explains how losing his father and remembering a professional mourner from his childhood inspired him to use comedy as a way to explore grief. He shares why filmmakers should build stories from personal experiences instead of trying to satisfy a particular festival, audience or trend. Warren and Rodrigo also discuss using AI for scheduling and clerical work without surrendering the creative decisions that give a film its soul. Rodrigo previews his developing feature, Panza Loca, and closes with honest advice about rejection, persistence and deciding whether filmmaking still brings enough joy to make the struggle worthwhile.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Warren Workman welcomes writer-director Rodrigo Moreno-Fernandez, whose short film EL Lloron received six nominations at the 2026 Utah International Film Festival, with Renée Victor winning Best Supporting Actress. Rodrigo explains how losing his father and remembering a professional mourner from his childhood inspired him to use comedy as a way to explore grief. He shares why filmmakers should build stories from personal experiences instead of trying to satisfy a particular festival, audience or trend. Warren and Rodrigo also discuss using AI for scheduling and clerical work without surrendering the creative decisions that give a film its soul. Rodrigo previews his developing feature, Panza Loca, and closes with honest advice about rejection, persistence and deciding whether filmmaking still brings enough joy to make the struggle worthwhile.</p>]]>
      </content:encoded>
      <pubDate>Sun, 13 Sep 2026 16:50:54 -0600</pubDate>
      <author>Warren Workman</author>
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      <itunes:author>Warren Workman</itunes:author>
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      <itunes:duration>2026</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Warren Workman welcomes writer-director Rodrigo Moreno-Fernandez, whose short film EL Lloron received six nominations at the 2026 Utah International Film Festival, with Renée Victor winning Best Supporting Actress. Rodrigo explains how losing his father and remembering a professional mourner from his childhood inspired him to use comedy as a way to explore grief. He shares why filmmakers should build stories from personal experiences instead of trying to satisfy a particular festival, audience or trend. Warren and Rodrigo also discuss using AI for scheduling and clerical work without surrendering the creative decisions that give a film its soul. Rodrigo previews his developing feature, Panza Loca, and closes with honest advice about rejection, persistence and deciding whether filmmaking still brings enough joy to make the struggle worthwhile.</p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>How Erick Lozano 10X’d His Film Budget</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>How Erick Lozano 10X’d His Film Budget</itunes:title>
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      <description>
        <![CDATA[<p>Warren Workman welcomes Utah filmmaker Erick Lozano to talk about the lessons that only come from making the movie before you feel completely ready. Erick shares how he moved from editing basketball highlights to directing his first feature, Among the Eight, and why managing people, schedules and morale became just as important as directing the scenes. He explains how festival recognition and licensing opportunities helped him increase the budget for Stay Awhile from $5,000 to $50,000. Erick also discusses collaborating without ego, learning filmmaking skills online and treating editing as the place where a movie can finally come together. His advice for filmmakers waiting on the perfect script, camera or crew is simple: make the film, learn from the mistakes and make the next one better.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Warren Workman welcomes Utah filmmaker Erick Lozano to talk about the lessons that only come from making the movie before you feel completely ready. Erick shares how he moved from editing basketball highlights to directing his first feature, Among the Eight, and why managing people, schedules and morale became just as important as directing the scenes. He explains how festival recognition and licensing opportunities helped him increase the budget for Stay Awhile from $5,000 to $50,000. Erick also discusses collaborating without ego, learning filmmaking skills online and treating editing as the place where a movie can finally come together. His advice for filmmakers waiting on the perfect script, camera or crew is simple: make the film, learn from the mistakes and make the next one better.</p>]]>
      </content:encoded>
      <pubDate>Sun, 13 Sep 2026 16:46:10 -0600</pubDate>
      <author>Warren Workman</author>
      <enclosure url="https://media.transistor.fm/1cd56b98/92f9e028.mp3" length="48229683" type="audio/mpeg"/>
      <itunes:author>Warren Workman</itunes:author>
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      <itunes:duration>2007</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Warren Workman welcomes Utah filmmaker Erick Lozano to talk about the lessons that only come from making the movie before you feel completely ready. Erick shares how he moved from editing basketball highlights to directing his first feature, Among the Eight, and why managing people, schedules and morale became just as important as directing the scenes. He explains how festival recognition and licensing opportunities helped him increase the budget for Stay Awhile from $5,000 to $50,000. Erick also discusses collaborating without ego, learning filmmaking skills online and treating editing as the place where a movie can finally come together. His advice for filmmakers waiting on the perfect script, camera or crew is simple: make the film, learn from the mistakes and make the next one better.</p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/1cd56b98/transcript.txt" type="text/plain"/>
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    <item>
      <title>They Can’t Find You If You Don’t Show Up with Damarr Jones</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>They Can’t Find You If You Don’t Show Up with Damarr Jones</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>Warren Workman talks with actor, writer, director, producer, retired Air Force technical sergeant, and mentor Damarr Jones about the long road from performing in secret to earning a recurring role as Bram in Homestead. Damarr explains how military discipline shaped his preparation, why his family determines what receives his time, and how he turned painful early experiences into tools for storytelling and service. He also shares why he deleted social accounts with a combined following of roughly 530,000, what brought him back, and how he now separates purpose from praise. The conversation closes with practical advice for actors: create with the phone in your pocket, accept the value of background work, attend festivals, build genuine relationships, and stay ready so an open door doesn’t catch you unprepared.</p><p>Guest Links<br>Instagram: <a href="https://www.instagram.com/damarrjones/">https://www.instagram.com/damarrjones/</a><br>Facebook: <a href="https://www.facebook.com/profile.php?id=61591095860156">https://www.facebook.com/profile.php?id=61591095860156</a><br>TikTok: <a href="https://www.tiktok.com/@damarr.jones1">https://www.tiktok.com/@damarr.jones1</a><br>LinkedIn: <a href="https://www.linkedin.com/in/damarr-jones-1786b794/">https://www.linkedin.com/in/damarr-jones-1786b794/</a><br>IMDb: <a href="https://www.imdb.com/name/nm2921468/">https://www.imdb.com/name/nm2921468/</a><br>Utah International Film Festival: <a href="https://theutahfilmfestival.com/">https://theutahfilmfestival.com/</a></p>]]>
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      <content:encoded>
        <![CDATA[<p>Warren Workman talks with actor, writer, director, producer, retired Air Force technical sergeant, and mentor Damarr Jones about the long road from performing in secret to earning a recurring role as Bram in Homestead. Damarr explains how military discipline shaped his preparation, why his family determines what receives his time, and how he turned painful early experiences into tools for storytelling and service. He also shares why he deleted social accounts with a combined following of roughly 530,000, what brought him back, and how he now separates purpose from praise. The conversation closes with practical advice for actors: create with the phone in your pocket, accept the value of background work, attend festivals, build genuine relationships, and stay ready so an open door doesn’t catch you unprepared.</p><p>Guest Links<br>Instagram: <a href="https://www.instagram.com/damarrjones/">https://www.instagram.com/damarrjones/</a><br>Facebook: <a href="https://www.facebook.com/profile.php?id=61591095860156">https://www.facebook.com/profile.php?id=61591095860156</a><br>TikTok: <a href="https://www.tiktok.com/@damarr.jones1">https://www.tiktok.com/@damarr.jones1</a><br>LinkedIn: <a href="https://www.linkedin.com/in/damarr-jones-1786b794/">https://www.linkedin.com/in/damarr-jones-1786b794/</a><br>IMDb: <a href="https://www.imdb.com/name/nm2921468/">https://www.imdb.com/name/nm2921468/</a><br>Utah International Film Festival: <a href="https://theutahfilmfestival.com/">https://theutahfilmfestival.com/</a></p>]]>
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      <pubDate>Sun, 13 Sep 2026 16:43:18 -0600</pubDate>
      <author>Warren Workman</author>
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      <itunes:author>Warren Workman</itunes:author>
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      <itunes:duration>2449</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Warren Workman talks with actor, writer, director, producer, retired Air Force technical sergeant, and mentor Damarr Jones about the long road from performing in secret to earning a recurring role as Bram in Homestead. Damarr explains how military discipline shaped his preparation, why his family determines what receives his time, and how he turned painful early experiences into tools for storytelling and service. He also shares why he deleted social accounts with a combined following of roughly 530,000, what brought him back, and how he now separates purpose from praise. The conversation closes with practical advice for actors: create with the phone in your pocket, accept the value of background work, attend festivals, build genuine relationships, and stay ready so an open door doesn’t catch you unprepared.</p><p>Guest Links<br>Instagram: <a href="https://www.instagram.com/damarrjones/">https://www.instagram.com/damarrjones/</a><br>Facebook: <a href="https://www.facebook.com/profile.php?id=61591095860156">https://www.facebook.com/profile.php?id=61591095860156</a><br>TikTok: <a href="https://www.tiktok.com/@damarr.jones1">https://www.tiktok.com/@damarr.jones1</a><br>LinkedIn: <a href="https://www.linkedin.com/in/damarr-jones-1786b794/">https://www.linkedin.com/in/damarr-jones-1786b794/</a><br>IMDb: <a href="https://www.imdb.com/name/nm2921468/">https://www.imdb.com/name/nm2921468/</a><br>Utah International Film Festival: <a href="https://theutahfilmfestival.com/">https://theutahfilmfestival.com/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Building an Acting Career by Making Bold Choices with Charla Bocchicchio</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Building an Acting Career by Making Bold Choices with Charla Bocchicchio</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>In this episode of Filmmaker Spotlight, Warren Workman sits down with actor, acting coach and filmmaker Charla Bocchicchio to talk about building a sustainable acting career, preparing for challenging roles and becoming the kind of person filmmakers want to invite back to set.</p><p>Charla shares what she has learned from more than 100 acting credits, including why training remains essential, how actors can avoid common mistakes on set and why performers should arrive with their own creative choices instead of waiting for a director to build the character for them.</p><p>The conversation also explores two very different projects. *Overhang* is a psychological thriller written specifically for Charla that required extensive research and carefully constructed physical, vocal and emotional choices. *Abide With Me* is a feature film shot on actual film stock, giving the actors only one or two takes and requiring a rehearsal process that felt more like preparing for a stage production.</p><p>Charla also explains what actors notice when they step onto an independent film set, why communication can make or break a production and how actors can build meaningful credits in a regional market like Utah without immediately moving to Los Angeles.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode of Filmmaker Spotlight, Warren Workman sits down with actor, acting coach and filmmaker Charla Bocchicchio to talk about building a sustainable acting career, preparing for challenging roles and becoming the kind of person filmmakers want to invite back to set.</p><p>Charla shares what she has learned from more than 100 acting credits, including why training remains essential, how actors can avoid common mistakes on set and why performers should arrive with their own creative choices instead of waiting for a director to build the character for them.</p><p>The conversation also explores two very different projects. *Overhang* is a psychological thriller written specifically for Charla that required extensive research and carefully constructed physical, vocal and emotional choices. *Abide With Me* is a feature film shot on actual film stock, giving the actors only one or two takes and requiring a rehearsal process that felt more like preparing for a stage production.</p><p>Charla also explains what actors notice when they step onto an independent film set, why communication can make or break a production and how actors can build meaningful credits in a regional market like Utah without immediately moving to Los Angeles.</p>]]>
      </content:encoded>
      <pubDate>Sun, 13 Sep 2026 16:36:43 -0600</pubDate>
      <author>Warren Workman</author>
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      <itunes:author>Warren Workman</itunes:author>
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      <itunes:duration>1942</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode of Filmmaker Spotlight, Warren Workman sits down with actor, acting coach and filmmaker Charla Bocchicchio to talk about building a sustainable acting career, preparing for challenging roles and becoming the kind of person filmmakers want to invite back to set.</p><p>Charla shares what she has learned from more than 100 acting credits, including why training remains essential, how actors can avoid common mistakes on set and why performers should arrive with their own creative choices instead of waiting for a director to build the character for them.</p><p>The conversation also explores two very different projects. *Overhang* is a psychological thriller written specifically for Charla that required extensive research and carefully constructed physical, vocal and emotional choices. *Abide With Me* is a feature film shot on actual film stock, giving the actors only one or two takes and requiring a rehearsal process that felt more like preparing for a stage production.</p><p>Charla also explains what actors notice when they step onto an independent film set, why communication can make or break a production and how actors can build meaningful credits in a regional market like Utah without immediately moving to Los Angeles.</p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/be194e9d/transcript.txt" type="text/plain"/>
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    <item>
      <title>Make the Film Before You Feel Ready with Mary Hailstone</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Make the Film Before You Feel Ready with Mary Hailstone</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p>Actor, filmmaker, director, producer, and UIFF volunteer Mary Hailstone joins Warren Workman to discuss building a film career before you feel completely ready. Mary shares how she moved from childhood theater into film, turned a deeply personal experience into An Early Return, learned directing lessons while working as a stand-in on The Chosen, and discovered the value of staying involved at film festivals. She also offers practical advice about accepting direction, creating your own material, forming sincere relationships, and protecting your self-worth while pursuing a creative career.</p><p>Mary Hailstone on IMDb:<br><a href="https://www.imdb.com/name/nm11718987/">https://www.imdb.com/name/nm11718987/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Actor, filmmaker, director, producer, and UIFF volunteer Mary Hailstone joins Warren Workman to discuss building a film career before you feel completely ready. Mary shares how she moved from childhood theater into film, turned a deeply personal experience into An Early Return, learned directing lessons while working as a stand-in on The Chosen, and discovered the value of staying involved at film festivals. She also offers practical advice about accepting direction, creating your own material, forming sincere relationships, and protecting your self-worth while pursuing a creative career.</p><p>Mary Hailstone on IMDb:<br><a href="https://www.imdb.com/name/nm11718987/">https://www.imdb.com/name/nm11718987/</a></p>]]>
      </content:encoded>
      <pubDate>Sun, 13 Sep 2026 16:30:33 -0600</pubDate>
      <author>Warren Workman</author>
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      <itunes:author>Warren Workman</itunes:author>
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      <itunes:duration>2026</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Actor, filmmaker, director, producer, and UIFF volunteer Mary Hailstone joins Warren Workman to discuss building a film career before you feel completely ready. Mary shares how she moved from childhood theater into film, turned a deeply personal experience into An Early Return, learned directing lessons while working as a stand-in on The Chosen, and discovered the value of staying involved at film festivals. She also offers practical advice about accepting direction, creating your own material, forming sincere relationships, and protecting your self-worth while pursuing a creative career.</p><p>Mary Hailstone on IMDb:<br><a href="https://www.imdb.com/name/nm11718987/">https://www.imdb.com/name/nm11718987/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/430a922a/transcript.txt" type="text/plain"/>
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    <item>
      <title>Andrew DeBennet on Making Obsessions Rising</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Andrew DeBennet on Making Obsessions Rising</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>Filmmaker Andrew DeBennett joins Warren Workman for a conversation about finding the courage to move from short films to a first feature. Andrew’s new psychological thriller, *Obsession’s Rising*, represents years of learning, relationship-building, and persistence. He explains how an unsuccessful crowdfunding campaign forced him to rethink his funding plan, why filmmakers must communicate their vision clearly, and how one private investor helped make the feature possible. This conversation is for filmmakers who have a story they want to tell but may still be waiting for the confidence, money, or perfect equipment to begin.</p><p>Instagram: <a href="https://www.instagram.com/obsession_rising_film/">https://www.instagram.com/obsession_rising_film/</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Filmmaker Andrew DeBennett joins Warren Workman for a conversation about finding the courage to move from short films to a first feature. Andrew’s new psychological thriller, *Obsession’s Rising*, represents years of learning, relationship-building, and persistence. He explains how an unsuccessful crowdfunding campaign forced him to rethink his funding plan, why filmmakers must communicate their vision clearly, and how one private investor helped make the feature possible. This conversation is for filmmakers who have a story they want to tell but may still be waiting for the confidence, money, or perfect equipment to begin.</p><p>Instagram: <a href="https://www.instagram.com/obsession_rising_film/">https://www.instagram.com/obsession_rising_film/</a></p>]]>
      </content:encoded>
      <pubDate>Sun, 13 Sep 2026 16:25:31 -0600</pubDate>
      <author>Warren Workman</author>
      <enclosure url="https://media.transistor.fm/fd60fad5/7a6ac29e.mp3" length="32585598" type="audio/mpeg"/>
      <itunes:author>Warren Workman</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/0p--TgeMnJt512HG3eqpHS-olFoCe1llhGilxoPUIVc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jOGM0/ODhkNWFjZTdmOGVh/YjQ5YTQ5YzI2ODZi/NGEyZi5qcGc.jpg"/>
      <itunes:duration>1355</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Filmmaker Andrew DeBennett joins Warren Workman for a conversation about finding the courage to move from short films to a first feature. Andrew’s new psychological thriller, *Obsession’s Rising*, represents years of learning, relationship-building, and persistence. He explains how an unsuccessful crowdfunding campaign forced him to rethink his funding plan, why filmmakers must communicate their vision clearly, and how one private investor helped make the feature possible. This conversation is for filmmakers who have a story they want to tell but may still be waiting for the confidence, money, or perfect equipment to begin.</p><p>Instagram: <a href="https://www.instagram.com/obsession_rising_film/">https://www.instagram.com/obsession_rising_film/</a></p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Finding Your Voice Through Storytelling with Elijah Amodt</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Finding Your Voice Through Storytelling with Elijah Amodt</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://FilmmakerSpotlight.transistor.fm/2</link>
      <description>
        <![CDATA[<p>Award-winning actor and director Elijah Amodt shares an inspiring journey from a difficult childhood to becoming one of Utah's rising filmmaking talents. In just five years, Elijah has appeared in more than 22 film projects while also earning recognition for his directorial debut, Dazy Girl. In this heartfelt conversation, he reflects on the people who shaped his life, the transformative power of storytelling, and why kindness, perseverance, and community are the true foundations of a successful filmmaking career.</p><p>About Elijah Amodt<br>Elijah Amodt is an award-winning actor and filmmaker based in Utah. Over the past five years, he has appeared in more than 22 film and television projects while becoming a familiar face within Utah's independent film community. In 2025, he made his directorial debut with Dazy Girl, earning recognition for his thoughtful storytelling and collaborative leadership. Passionate about creating meaningful stories, Elijah believes filmmaking is ultimately about building community, lifting others, and using personal experiences to connect with audiences.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Award-winning actor and director Elijah Amodt shares an inspiring journey from a difficult childhood to becoming one of Utah's rising filmmaking talents. In just five years, Elijah has appeared in more than 22 film projects while also earning recognition for his directorial debut, Dazy Girl. In this heartfelt conversation, he reflects on the people who shaped his life, the transformative power of storytelling, and why kindness, perseverance, and community are the true foundations of a successful filmmaking career.</p><p>About Elijah Amodt<br>Elijah Amodt is an award-winning actor and filmmaker based in Utah. Over the past five years, he has appeared in more than 22 film and television projects while becoming a familiar face within Utah's independent film community. In 2025, he made his directorial debut with Dazy Girl, earning recognition for his thoughtful storytelling and collaborative leadership. Passionate about creating meaningful stories, Elijah believes filmmaking is ultimately about building community, lifting others, and using personal experiences to connect with audiences.</p>]]>
      </content:encoded>
      <pubDate>Sun, 13 Sep 2026 16:13:37 -0600</pubDate>
      <author>Warren Workman</author>
      <enclosure url="https://media.transistor.fm/3226e437/c8d097ef.mp3" length="62880613" type="audio/mpeg"/>
      <itunes:author>Warren Workman</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/lAZPmma4BnNUBbGE1xuWxznUIWoCVi11GYTx-PGI7R8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jYzM4/ZTM2MWJlZDJjYTJj/ZjFlNmI0ZjFhNzI5/NDU2Yi5qcGc.jpg"/>
      <itunes:duration>2617</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Award-winning actor and director Elijah Amodt shares an inspiring journey from a difficult childhood to becoming one of Utah's rising filmmaking talents. In just five years, Elijah has appeared in more than 22 film projects while also earning recognition for his directorial debut, Dazy Girl. In this heartfelt conversation, he reflects on the people who shaped his life, the transformative power of storytelling, and why kindness, perseverance, and community are the true foundations of a successful filmmaking career.</p><p>About Elijah Amodt<br>Elijah Amodt is an award-winning actor and filmmaker based in Utah. Over the past five years, he has appeared in more than 22 film and television projects while becoming a familiar face within Utah's independent film community. In 2025, he made his directorial debut with Dazy Girl, earning recognition for his thoughtful storytelling and collaborative leadership. Passionate about creating meaningful stories, Elijah believes filmmaking is ultimately about building community, lifting others, and using personal experiences to connect with audiences.</p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:transcript url="https://share.transistor.fm/s/3226e437/transcript.txt" type="text/plain"/>
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    <item>
      <title>Do It for the Story: What Lenni Uitto Wants Every Filmmaker to Remember</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Do It for the Story: What Lenni Uitto Wants Every Filmmaker to Remember</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>In this episode, Warren Workman sits down with independent filmmaker Lenni Uitto to explore what keeps storytellers creating. From finishing his feature film Permafrost to embracing the Finnish philosophy of Sisu, Lenni shares why filmmakers should stop chasing perfection, build a trusted creative tribe, and ultimately do it for the story.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode, Warren Workman sits down with independent filmmaker Lenni Uitto to explore what keeps storytellers creating. From finishing his feature film Permafrost to embracing the Finnish philosophy of Sisu, Lenni shares why filmmakers should stop chasing perfection, build a trusted creative tribe, and ultimately do it for the story.</p>]]>
      </content:encoded>
      <pubDate>Sun, 13 Sep 2026 16:00:10 -0600</pubDate>
      <author>Warren Workman</author>
      <enclosure url="https://media.transistor.fm/2b3a2b06/b76208b5.mp3" length="61863022" type="audio/mpeg"/>
      <itunes:author>Warren Workman</itunes:author>
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      <itunes:duration>2575</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In this episode, Warren Workman sits down with independent filmmaker Lenni Uitto to explore what keeps storytellers creating. From finishing his feature film Permafrost to embracing the Finnish philosophy of Sisu, Lenni shares why filmmakers should stop chasing perfection, build a trusted creative tribe, and ultimately do it for the story.</p>]]>
      </itunes:summary>
      <itunes:keywords>Independent Filmmaking, Film Festivals, Filmmaker Interviews</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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