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    <title>Decanonized</title>
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    <description>An opera podcast where the sacred is subjective. Every other week, host Olivia Giovetti is joined by a guest who is just as obsessed with opera (including singers, composers, and critics) to discuss one work in-depth and ask the simple question: Is it actually great?</description>
    <copyright>© 2026 Olivia Giovetti</copyright>
    <podcast:guid>e38d867d-9506-5e5e-802d-786d860e00ba</podcast:guid>
    <podcast:locked>yes</podcast:locked>
    <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
    <language>en</language>
    <pubDate>Fri, 23 Oct 2026 12:35:42 +0200</pubDate>
    <lastBuildDate>Fri, 23 Oct 2026 12:38:35 +0200</lastBuildDate>
    <link>https://www.decanonized.com</link>
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      <title>Decanonized</title>
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    <itunes:author>Olivia Giovetti</itunes:author>
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    <itunes:summary>An opera podcast where the sacred is subjective. Every other week, host Olivia Giovetti is joined by a guest who is just as obsessed with opera (including singers, composers, and critics) to discuss one work in-depth and ask the simple question: Is it actually great?</itunes:summary>
    <itunes:subtitle>An opera podcast where the sacred is subjective.</itunes:subtitle>
    <itunes:keywords>opera, opera history, classical music</itunes:keywords>
    <itunes:owner>
      <itunes:name>Olivia Giovetti</itunes:name>
    </itunes:owner>
    <itunes:complete>No</itunes:complete>
    <itunes:explicit>Yes</itunes:explicit>
    <item>
      <title>Il trovatore with Patrick Summers</title>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>Il trovatore with Patrick Summers</itunes:title>
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      <description>
        <![CDATA[<p>Emotional regulation wasn’t widely available in 15th-century Spain. Conductor and author <a href="https://patricksummersmusic.com/">Patrick Summers</a> joins us to talk about Verdi’s <em>Il trovatore, </em>in which the outsider is portrayed as a human being with actual feelings, the villain has interiority, the heroine takes charge of the world around her, and the tenor is a golden retriever with some very seductive tunes. </p><p>Additional topics include: death by laughter, Carl Jung, golden retriever tenors, and teddy-bear stabbings.</p><p>Follow Patrick on <a href="https://www.facebook.com/patricksummersmusic/">Facebook</a>, and check out his new book, <a href="https://bookshop.org/a/114745/9798992615128"><em>Tapestries: Connections from an Artistic Life</em></a><em>.</em></p><p>Full episode page and show notes for <a href="https://www.decanonized.com/episodes/verdi-il-trovatore"><em>Il Trovatore</em></a><em> </em>at <a href="https://www.decanonized.com">decanonized.com</a>. </p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a> and on <a href="https://www.patreon.com/c/Decanonized">Patreon.</a><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Emotional regulation wasn’t widely available in 15th-century Spain. Conductor and author <a href="https://patricksummersmusic.com/">Patrick Summers</a> joins us to talk about Verdi’s <em>Il trovatore, </em>in which the outsider is portrayed as a human being with actual feelings, the villain has interiority, the heroine takes charge of the world around her, and the tenor is a golden retriever with some very seductive tunes. </p><p>Additional topics include: death by laughter, Carl Jung, golden retriever tenors, and teddy-bear stabbings.</p><p>Follow Patrick on <a href="https://www.facebook.com/patricksummersmusic/">Facebook</a>, and check out his new book, <a href="https://bookshop.org/a/114745/9798992615128"><em>Tapestries: Connections from an Artistic Life</em></a><em>.</em></p><p>Full episode page and show notes for <a href="https://www.decanonized.com/episodes/verdi-il-trovatore"><em>Il Trovatore</em></a><em> </em>at <a href="https://www.decanonized.com">decanonized.com</a>. </p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a> and on <a href="https://www.patreon.com/c/Decanonized">Patreon.</a><br></p>]]>
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      <pubDate>Thu, 22 Oct 2026 12:42:37 +0200</pubDate>
      <author>Olivia Giovetti</author>
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      <itunes:author>Olivia Giovetti</itunes:author>
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      <itunes:duration>4122</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Emotional regulation wasn’t widely available in 15th-century Spain. Conductor and author <a href="https://patricksummersmusic.com/">Patrick Summers</a> joins us to talk about Verdi’s <em>Il trovatore, </em>in which the outsider is portrayed as a human being with actual feelings, the villain has interiority, the heroine takes charge of the world around her, and the tenor is a golden retriever with some very seductive tunes. </p><p>Additional topics include: death by laughter, Carl Jung, golden retriever tenors, and teddy-bear stabbings.</p><p>Follow Patrick on <a href="https://www.facebook.com/patricksummersmusic/">Facebook</a>, and check out his new book, <a href="https://bookshop.org/a/114745/9798992615128"><em>Tapestries: Connections from an Artistic Life</em></a><em>.</em></p><p>Full episode page and show notes for <a href="https://www.decanonized.com/episodes/verdi-il-trovatore"><em>Il Trovatore</em></a><em> </em>at <a href="https://www.decanonized.com">decanonized.com</a>. </p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a> and on <a href="https://www.patreon.com/c/Decanonized">Patreon.</a><br></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, patrick summers, giuseppe verdi, il trovatore</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest">Patrick Summers</podcast:person>
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    <item>
      <title>Four Saints in Three Acts with Stephanie DePrez</title>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>Four Saints in Three Acts with Stephanie DePrez</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://www.decanonized.com/thomson-four-saints-in-three-acts</link>
      <description>
        <![CDATA[<p>Opera is an opera is an opera is an opera: This week, soprano and comedian <a href="https://www.stephaniedeprez.com/">Stephanie DePrez</a> joins us to discuss Virgil Thomson and Gertrude Stein’s  modernist 1934 gem <em>Four Saints in Three Acts, </em>including what it’s like to sing a work when you get the vibes but not the text, the star-studded (and slightly problematic) history of this work’s premiere, and pigeons on the grass. </p><p>Additional topics include: Jesuit theater education, Pete Davidson, Stephen Sondheim’s <em>Assassins, </em>and ecstatic visions. </p><p>Follow Steph on <a href="https://www.instagram.com/steph.deprez/">Instagram</a>, <a href="https://www.tiktok.com/@steph.the.deprez">TikTok</a>, and <a href="https://youreinvitedtolaugh.substack.com/">Substack</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Opera is an opera is an opera is an opera: This week, soprano and comedian <a href="https://www.stephaniedeprez.com/">Stephanie DePrez</a> joins us to discuss Virgil Thomson and Gertrude Stein’s  modernist 1934 gem <em>Four Saints in Three Acts, </em>including what it’s like to sing a work when you get the vibes but not the text, the star-studded (and slightly problematic) history of this work’s premiere, and pigeons on the grass. </p><p>Additional topics include: Jesuit theater education, Pete Davidson, Stephen Sondheim’s <em>Assassins, </em>and ecstatic visions. </p><p>Follow Steph on <a href="https://www.instagram.com/steph.deprez/">Instagram</a>, <a href="https://www.tiktok.com/@steph.the.deprez">TikTok</a>, and <a href="https://youreinvitedtolaugh.substack.com/">Substack</a>.</p>]]>
      </content:encoded>
      <pubDate>Fri, 25 Sep 2026 13:12:20 +0200</pubDate>
      <author>Olivia Giovetti</author>
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      <itunes:author>Olivia Giovetti</itunes:author>
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      <itunes:duration>4080</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Opera is an opera is an opera is an opera: This week, soprano and comedian <a href="https://www.stephaniedeprez.com/">Stephanie DePrez</a> joins us to discuss Virgil Thomson and Gertrude Stein’s  modernist 1934 gem <em>Four Saints in Three Acts, </em>including what it’s like to sing a work when you get the vibes but not the text, the star-studded (and slightly problematic) history of this work’s premiere, and pigeons on the grass. </p><p>Additional topics include: Jesuit theater education, Pete Davidson, Stephen Sondheim’s <em>Assassins, </em>and ecstatic visions. </p><p>Follow Steph on <a href="https://www.instagram.com/steph.deprez/">Instagram</a>, <a href="https://www.tiktok.com/@steph.the.deprez">TikTok</a>, and <a href="https://youreinvitedtolaugh.substack.com/">Substack</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, modernism, gertrude stein, harlem renaissance</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest">Stephanie DePrez</podcast:person>
    </item>
    <item>
      <title>Così fan tutte with Aksel Tollåli</title>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Così fan tutte with Aksel Tollåli</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://www.decanonized.com/episodes/mozart-cosi-fan-tutte</link>
      <description>
        <![CDATA[<p>RIP Lorenzo Da Ponte, you would have loved ethical non-monogamy. Our Catastrophic Horniness Correspondent Aksel Tollåli returns to discuss the final (and somehow most controversial?) Mozart and Da Ponte collaboration, in which an incredibly cynical libretto is matched by some of the most gorgeous music in the whole of the operatic canon. It's like if Nathan Fielder orchestrated the Enlightenment. </p><p>Additional topics include: <em>The Body Keeps the Score, </em>John Cage, married life with the Mozarts, and the Marquis de Sade. </p><p>Follow Aksel on <a href="https://www.instagram.com/akseltoll/">Instagram</a> and <a href="https://bsky.app/profile/akseltoll.bsky.social">Bluesky</a>. </p><p>Read friend of the pod Kevin Ng's essay on <a href="https://vancouveropera.substack.com/p/cosi-fan-tutte-in-the-age-of-consent"><em>Così fan tutte </em>in the age of consent</a> for Vancouver Opera.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>RIP Lorenzo Da Ponte, you would have loved ethical non-monogamy. Our Catastrophic Horniness Correspondent Aksel Tollåli returns to discuss the final (and somehow most controversial?) Mozart and Da Ponte collaboration, in which an incredibly cynical libretto is matched by some of the most gorgeous music in the whole of the operatic canon. It's like if Nathan Fielder orchestrated the Enlightenment. </p><p>Additional topics include: <em>The Body Keeps the Score, </em>John Cage, married life with the Mozarts, and the Marquis de Sade. </p><p>Follow Aksel on <a href="https://www.instagram.com/akseltoll/">Instagram</a> and <a href="https://bsky.app/profile/akseltoll.bsky.social">Bluesky</a>. </p><p>Read friend of the pod Kevin Ng's essay on <a href="https://vancouveropera.substack.com/p/cosi-fan-tutte-in-the-age-of-consent"><em>Così fan tutte </em>in the age of consent</a> for Vancouver Opera.</p>]]>
      </content:encoded>
      <pubDate>Thu, 10 Sep 2026 09:31:57 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/2753950b/fda86a42.mp3" length="59900491" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/vSv7Q5XpIJ8u0u9EFzWZKpRJgElo3q2VJtrZ3xRU0sg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83ZTRk/M2YwMjQ2ZjQ2ZDg1/ZjkzYjQzNThmNmIw/OTI0NC5wbmc.jpg"/>
      <itunes:duration>3738</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>RIP Lorenzo Da Ponte, you would have loved ethical non-monogamy. Our Catastrophic Horniness Correspondent Aksel Tollåli returns to discuss the final (and somehow most controversial?) Mozart and Da Ponte collaboration, in which an incredibly cynical libretto is matched by some of the most gorgeous music in the whole of the operatic canon. It's like if Nathan Fielder orchestrated the Enlightenment. </p><p>Additional topics include: <em>The Body Keeps the Score, </em>John Cage, married life with the Mozarts, and the Marquis de Sade. </p><p>Follow Aksel on <a href="https://www.instagram.com/akseltoll/">Instagram</a> and <a href="https://bsky.app/profile/akseltoll.bsky.social">Bluesky</a>. </p><p>Read friend of the pod Kevin Ng's essay on <a href="https://vancouveropera.substack.com/p/cosi-fan-tutte-in-the-age-of-consent"><em>Così fan tutte </em>in the age of consent</a> for Vancouver Opera.</p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, aksel tollaali, mozart, cosi fan tutte, da ponte</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest">Aksel Tollåli</podcast:person>
    </item>
    <item>
      <title>Der Freischütz with Garrett Schumann</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Der Freischütz with Garrett Schumann</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://www.decanonized.com/episodes/weber-der-freischuetz</link>
      <description>
        <![CDATA[<p>In which a guy gets performance anxiety about a shooting contest and takes bulletmaxxing advice from the sketchiest dude alive. Composer, scholar, performer, and writer <a href="https://www.garrettschumann.com/">Garrett Schumann</a> joins us to discuss Carl Maria von Weber’s <em>Der Freischütz, </em>which holds a storied place in history as the “first” German Romantic opera and a less-discussed place as the origin story for German nationalism. </p><p>Additional topics include: Patton Oswalt and horror movies, Faust derangement syndrome, the Paris Commune, and an anthology series pitch for Rian Johnson.</p><p>Full show notes, including a <a href="http://decanonized.com/episodes/weber-der-freischuetz">synopsis of <em>Der Freischütz</em>, recommended recordings, and further reading</a>, at <a href="http://decanonized.com/episodes/weber-der-freischuetz">decanonized.com</a></p><p>Follow <a href="https://bsky.app/profile/garrt.bsky.social">Garrett on Bluesky</a>.</p><p>Follow Decanonized on Instagram at <a href="https://instagram.com/decanonized">@decanonized</a></p><p>Follow Decanonized on Patreon (where we'll soon be launching bonus episodes!) at <a href="https://www.patreon.com/cw/Decanonized">https://www.patreon.com/cw/Decanonized</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In which a guy gets performance anxiety about a shooting contest and takes bulletmaxxing advice from the sketchiest dude alive. Composer, scholar, performer, and writer <a href="https://www.garrettschumann.com/">Garrett Schumann</a> joins us to discuss Carl Maria von Weber’s <em>Der Freischütz, </em>which holds a storied place in history as the “first” German Romantic opera and a less-discussed place as the origin story for German nationalism. </p><p>Additional topics include: Patton Oswalt and horror movies, Faust derangement syndrome, the Paris Commune, and an anthology series pitch for Rian Johnson.</p><p>Full show notes, including a <a href="http://decanonized.com/episodes/weber-der-freischuetz">synopsis of <em>Der Freischütz</em>, recommended recordings, and further reading</a>, at <a href="http://decanonized.com/episodes/weber-der-freischuetz">decanonized.com</a></p><p>Follow <a href="https://bsky.app/profile/garrt.bsky.social">Garrett on Bluesky</a>.</p><p>Follow Decanonized on Instagram at <a href="https://instagram.com/decanonized">@decanonized</a></p><p>Follow Decanonized on Patreon (where we'll soon be launching bonus episodes!) at <a href="https://www.patreon.com/cw/Decanonized">https://www.patreon.com/cw/Decanonized</a></p>]]>
      </content:encoded>
      <pubDate>Fri, 24 Jul 2026 16:13:45 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/2b056299/d5d610a7.mp3" length="65062179" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/ovTKNB3pfL9e2yCIok8lPMKvXlKYNQ9LriShR2Amfyw/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NTg2/ZjM2MGI0M2IyMGNh/ZDg3ZTE0YTYwMTM0/ZGRhZS5wbmc.jpg"/>
      <itunes:duration>4062</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>In which a guy gets performance anxiety about a shooting contest and takes bulletmaxxing advice from the sketchiest dude alive. Composer, scholar, performer, and writer <a href="https://www.garrettschumann.com/">Garrett Schumann</a> joins us to discuss Carl Maria von Weber’s <em>Der Freischütz, </em>which holds a storied place in history as the “first” German Romantic opera and a less-discussed place as the origin story for German nationalism. </p><p>Additional topics include: Patton Oswalt and horror movies, Faust derangement syndrome, the Paris Commune, and an anthology series pitch for Rian Johnson.</p><p>Full show notes, including a <a href="http://decanonized.com/episodes/weber-der-freischuetz">synopsis of <em>Der Freischütz</em>, recommended recordings, and further reading</a>, at <a href="http://decanonized.com/episodes/weber-der-freischuetz">decanonized.com</a></p><p>Follow <a href="https://bsky.app/profile/garrt.bsky.social">Garrett on Bluesky</a>.</p><p>Follow Decanonized on Instagram at <a href="https://instagram.com/decanonized">@decanonized</a></p><p>Follow Decanonized on Patreon (where we'll soon be launching bonus episodes!) at <a href="https://www.patreon.com/cw/Decanonized">https://www.patreon.com/cw/Decanonized</a></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, german opera, german romanticism, der freischutz, carl maria von weber, weber, freischuetz, freischütz</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
    </item>
    <item>
      <title>Andrea Chénier with Carmen Paddock</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Andrea Chénier with Carmen Paddock</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://www.decanonized.com/episodes/giordano-andrea-chenier</link>
      <description>
        <![CDATA[<p>It’s all fun and games until the guillotine gets weird. In honor of Bastille Day, critic Carmen Paddock joins us to talk about<em> </em>Umberto Giordano’s verismo (?) opera about a poet who negs a debutante at a party, and her subsequent ability to take ride-or-die to new extremes during the French Revolution.  We also discuss the real hero or <em>Andrea Chénier, </em>who is (as in so many operas) actually the baritone.</p><p><br>Additional topics include: sopranos melting down on Instagram, John McWhorter melting down over John Cage, and Charlotte Corday melting down over Jean-Paul Marat.</p><p><br>Follow Carmen on <a href="http://carmenchloie.bsky.social/">Bluesky</a>, <a href="https://www.instagram.com/carmenchloie/">Instagram</a>, and <a href="https://carmencp.substack.com/">Substack</a>. </p><p>Full <a href="https://www.decanonized.com/episodes/giordano-andrea-chenier">episode page for <em>Andrea Chénier</em></a><em> </em>on Decanonized.com.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a> and on Patreon at <a href="https://www.patreon.com/c/Decanonized">https://www.patreon.com/c/Decanonized</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>It’s all fun and games until the guillotine gets weird. In honor of Bastille Day, critic Carmen Paddock joins us to talk about<em> </em>Umberto Giordano’s verismo (?) opera about a poet who negs a debutante at a party, and her subsequent ability to take ride-or-die to new extremes during the French Revolution.  We also discuss the real hero or <em>Andrea Chénier, </em>who is (as in so many operas) actually the baritone.</p><p><br>Additional topics include: sopranos melting down on Instagram, John McWhorter melting down over John Cage, and Charlotte Corday melting down over Jean-Paul Marat.</p><p><br>Follow Carmen on <a href="http://carmenchloie.bsky.social/">Bluesky</a>, <a href="https://www.instagram.com/carmenchloie/">Instagram</a>, and <a href="https://carmencp.substack.com/">Substack</a>. </p><p>Full <a href="https://www.decanonized.com/episodes/giordano-andrea-chenier">episode page for <em>Andrea Chénier</em></a><em> </em>on Decanonized.com.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a> and on Patreon at <a href="https://www.patreon.com/c/Decanonized">https://www.patreon.com/c/Decanonized</a></p>]]>
      </content:encoded>
      <pubDate>Wed, 08 Jul 2026 15:03:43 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/00b68b86/a0e8bcb7.mp3" length="70276556" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/eTz2uLN0DDWXg1ZXek7DSz6so5rMvuW0xbSFPEcZY1M/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81Y2Qx/NzMzYjY3ODgwMzYy/ZTVlNDMzODA3MjFm/ZjVhZi5wbmc.jpg"/>
      <itunes:duration>4390</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>It’s all fun and games until the guillotine gets weird. In honor of Bastille Day, critic Carmen Paddock joins us to talk about<em> </em>Umberto Giordano’s verismo (?) opera about a poet who negs a debutante at a party, and her subsequent ability to take ride-or-die to new extremes during the French Revolution.  We also discuss the real hero or <em>Andrea Chénier, </em>who is (as in so many operas) actually the baritone.</p><p><br>Additional topics include: sopranos melting down on Instagram, John McWhorter melting down over John Cage, and Charlotte Corday melting down over Jean-Paul Marat.</p><p><br>Follow Carmen on <a href="http://carmenchloie.bsky.social/">Bluesky</a>, <a href="https://www.instagram.com/carmenchloie/">Instagram</a>, and <a href="https://carmencp.substack.com/">Substack</a>. </p><p>Full <a href="https://www.decanonized.com/episodes/giordano-andrea-chenier">episode page for <em>Andrea Chénier</em></a><em> </em>on Decanonized.com.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a> and on Patreon at <a href="https://www.patreon.com/c/Decanonized">https://www.patreon.com/c/Decanonized</a></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, verismo, jonas kaufmann, andrea chenier, french revolution, guillotine, la mamma morta</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest">Carmen Paddock</podcast:person>
    </item>
    <item>
      <title>Turandot with Kevin Ng</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Turandot with Kevin Ng</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6fb44343-7a66-4aae-a66b-a5a20da340be</guid>
      <link>http://decanonized.com/episodes/puccini-turandot</link>
      <description>
        <![CDATA[<p>Happy Pride and World Cup month, here’s an unlikely football (soccer) anthem and the sapphic story behind it. Unfortunately, the composer who got ahold of this story doesn’t believe in lesbians, so the soprano marries the tenor at the end. Music and culture writer <a href="https://www.kevinwng.com/">Kevin Ng</a> joins us to dive head-first into Puccini’s final — and famously unfinishable — opera, <em>Turandot, </em>which had its posthumous premiere 100 years ago in 1926. </p><p>Additional topics include: Lorena Bobbitt, castration, Freud, fascism, and T-shirt cannons.  </p><p>Follow Kevin on Instagram at <a href="https://www.instagram.com/_kevinwng">@_kevinwng</a> and on Bluesky at <a href="https://bsky.app/profile/kevinng.bsky.social">@kevinng.bsky.social</a>.</p><p>Read Kevin’s NYT piece on the latest attempt at constructing ending for Turandot: <a href="https://www.nytimes.com/2026/03/24/arts/music/turandot-opera-revised-ending.html">https://www.nytimes.com/2026/03/24/arts/music/turandot-opera-revised-ending.html</a></p><p>Full episode page with recommended reading, recordings, and more at <a href="http://decanonized.com/episodes/puccini-turandot">http://decanonized.com/episodes/puccini-turandot </a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Happy Pride and World Cup month, here’s an unlikely football (soccer) anthem and the sapphic story behind it. Unfortunately, the composer who got ahold of this story doesn’t believe in lesbians, so the soprano marries the tenor at the end. Music and culture writer <a href="https://www.kevinwng.com/">Kevin Ng</a> joins us to dive head-first into Puccini’s final — and famously unfinishable — opera, <em>Turandot, </em>which had its posthumous premiere 100 years ago in 1926. </p><p>Additional topics include: Lorena Bobbitt, castration, Freud, fascism, and T-shirt cannons.  </p><p>Follow Kevin on Instagram at <a href="https://www.instagram.com/_kevinwng">@_kevinwng</a> and on Bluesky at <a href="https://bsky.app/profile/kevinng.bsky.social">@kevinng.bsky.social</a>.</p><p>Read Kevin’s NYT piece on the latest attempt at constructing ending for Turandot: <a href="https://www.nytimes.com/2026/03/24/arts/music/turandot-opera-revised-ending.html">https://www.nytimes.com/2026/03/24/arts/music/turandot-opera-revised-ending.html</a></p><p>Full episode page with recommended reading, recordings, and more at <a href="http://decanonized.com/episodes/puccini-turandot">http://decanonized.com/episodes/puccini-turandot </a></p>]]>
      </content:encoded>
      <pubDate>Wed, 24 Jun 2026 14:41:55 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/addcf408/babfbde0.mp3" length="67848131" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/hsYfR2CMHvtriL-Pg_OPAtmRwveYTsgpLYGAt8V8f0Y/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NGI2/NjU1NGE4MzJiMDJj/MzM4Y2QyMzVjODNk/MzVlZC5wbmc.jpg"/>
      <itunes:duration>4238</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Happy Pride and World Cup month, here’s an unlikely football (soccer) anthem and the sapphic story behind it. Unfortunately, the composer who got ahold of this story doesn’t believe in lesbians, so the soprano marries the tenor at the end. Music and culture writer <a href="https://www.kevinwng.com/">Kevin Ng</a> joins us to dive head-first into Puccini’s final — and famously unfinishable — opera, <em>Turandot, </em>which had its posthumous premiere 100 years ago in 1926. </p><p>Additional topics include: Lorena Bobbitt, castration, Freud, fascism, and T-shirt cannons.  </p><p>Follow Kevin on Instagram at <a href="https://www.instagram.com/_kevinwng">@_kevinwng</a> and on Bluesky at <a href="https://bsky.app/profile/kevinng.bsky.social">@kevinng.bsky.social</a>.</p><p>Read Kevin’s NYT piece on the latest attempt at constructing ending for Turandot: <a href="https://www.nytimes.com/2026/03/24/arts/music/turandot-opera-revised-ending.html">https://www.nytimes.com/2026/03/24/arts/music/turandot-opera-revised-ending.html</a></p><p>Full episode page with recommended reading, recordings, and more at <a href="http://decanonized.com/episodes/puccini-turandot">http://decanonized.com/episodes/puccini-turandot </a></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, italian opera, giacomo puccini, turandot, puccini</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest">Kevin Ng</podcast:person>
    </item>
    <item>
      <title>Otello with Jerrell Jackson</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Otello with Jerrell Jackson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">01080060-1919-4acd-baa8-9732a8fe19ae</guid>
      <link>https://www.decanonized.com/episodes/verdi-otello</link>
      <description>
        <![CDATA[<p>Is Iago one of opera’s greatest villains? Or just someone who listened to Steely Dan’s “Dirty Work” one too many times and decided to make it everyone’s problem. Bassist, lecturer, and writer <a href="https://www.jerrelljackson.com/">Jerrell Jackson</a> joins us to discuss Verdi’s penultimate opera, in which a storm wrecks Cyprus for five minutes and male insecurity wrecks everything else for the next three hours. </p><p>Additional topics include: Classical Music Twitter, the visual spectrum of Plácido Domingo’s blackface Otellos, the <em>New York Times </em>comments section, and the ’90s teen Shakespeare renaissance. </p><p>Follow Jerrell on Instagram at <a href="https://www.instagram.com/datbassjawn/">@datbassjawn</a> and on Twitter at <a href="https://twitter.com/datbassjawn/">@datbassjawn</a>.</p><p>Full episode notes, including a <a href="https://www.decanonized.com/episodes/verdi-otello">synopsis of Otello, recommended recordings, and a reading list</a>, at Decanonized.com.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Is Iago one of opera’s greatest villains? Or just someone who listened to Steely Dan’s “Dirty Work” one too many times and decided to make it everyone’s problem. Bassist, lecturer, and writer <a href="https://www.jerrelljackson.com/">Jerrell Jackson</a> joins us to discuss Verdi’s penultimate opera, in which a storm wrecks Cyprus for five minutes and male insecurity wrecks everything else for the next three hours. </p><p>Additional topics include: Classical Music Twitter, the visual spectrum of Plácido Domingo’s blackface Otellos, the <em>New York Times </em>comments section, and the ’90s teen Shakespeare renaissance. </p><p>Follow Jerrell on Instagram at <a href="https://www.instagram.com/datbassjawn/">@datbassjawn</a> and on Twitter at <a href="https://twitter.com/datbassjawn/">@datbassjawn</a>.</p><p>Full episode notes, including a <a href="https://www.decanonized.com/episodes/verdi-otello">synopsis of Otello, recommended recordings, and a reading list</a>, at Decanonized.com.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a>.</p>]]>
      </content:encoded>
      <pubDate>Thu, 11 Jun 2026 12:12:48 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/920534f9/553343ea.mp3" length="65855438" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/ITGveUbzIED7Ly1J7oXSvjg-LCslhLhbgArn6HkshZc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8yMmQy/ZWMwODUzOGFjZDhl/ZTEyOGNlZDBhNTJm/NGM0My5wbmc.jpg"/>
      <itunes:duration>4113</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Is Iago one of opera’s greatest villains? Or just someone who listened to Steely Dan’s “Dirty Work” one too many times and decided to make it everyone’s problem. Bassist, lecturer, and writer <a href="https://www.jerrelljackson.com/">Jerrell Jackson</a> joins us to discuss Verdi’s penultimate opera, in which a storm wrecks Cyprus for five minutes and male insecurity wrecks everything else for the next three hours. </p><p>Additional topics include: Classical Music Twitter, the visual spectrum of Plácido Domingo’s blackface Otellos, the <em>New York Times </em>comments section, and the ’90s teen Shakespeare renaissance. </p><p>Follow Jerrell on Instagram at <a href="https://www.instagram.com/datbassjawn/">@datbassjawn</a> and on Twitter at <a href="https://twitter.com/datbassjawn/">@datbassjawn</a>.</p><p>Full episode notes, including a <a href="https://www.decanonized.com/episodes/verdi-otello">synopsis of Otello, recommended recordings, and a reading list</a>, at Decanonized.com.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, music history, verdi, giuseppe verdi, otello, othello</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest" href="https://www.jerrelljackson.com/">Jerrell Jackson</podcast:person>
    </item>
    <item>
      <title>Lohengrin with Benjamin Poore</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Lohengrin with Benjamin Poore</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">4be1bec1-61e7-4cae-bd27-16066b400bf0</guid>
      <link>https://www.decanonized.com/episodes/wagner-lohengrin</link>
      <description>
        <![CDATA[<p>The Bridal March from <em>Lohengrin</em> is a bold wedding choice once you know the rest of the opera. But considering the divorce rate, maybe it’s the most honest one. Critic Benjamin Poore joins us to talk about Wagner’s Swan King opera and ask the important questions: Is Lohengrin really the hero? Is Ortrud the only sane person? And what if Elsa <em>did </em>kill her brother? </p><p>Additional topics include: Nazis, doomscrolling, Richard Wagner’s Livejournal, and who could take Norman Lebrecht in a fight.</p><p>Don’t ask for Ben’s social media handles, but you can <a href="https://van-magazine.com/mag/author/benjamin-poore/">read his writing for VAN</a>. </p><p>Full show page, including a <a href="https://www.decanonized.com/episodes/wagner-lohengrin">synopsis of <em>Lohengrin, </em>recommended recordings, and further reading</a>.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The Bridal March from <em>Lohengrin</em> is a bold wedding choice once you know the rest of the opera. But considering the divorce rate, maybe it’s the most honest one. Critic Benjamin Poore joins us to talk about Wagner’s Swan King opera and ask the important questions: Is Lohengrin really the hero? Is Ortrud the only sane person? And what if Elsa <em>did </em>kill her brother? </p><p>Additional topics include: Nazis, doomscrolling, Richard Wagner’s Livejournal, and who could take Norman Lebrecht in a fight.</p><p>Don’t ask for Ben’s social media handles, but you can <a href="https://van-magazine.com/mag/author/benjamin-poore/">read his writing for VAN</a>. </p><p>Full show page, including a <a href="https://www.decanonized.com/episodes/wagner-lohengrin">synopsis of <em>Lohengrin, </em>recommended recordings, and further reading</a>.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p>]]>
      </content:encoded>
      <pubDate>Thu, 28 May 2026 08:17:42 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/32464f86/ea66e4c3.mp3" length="73756618" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/OxItcvJqLotlVS37t1D4vbqtswjiVolmy53NvLWHg1E/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8yNGQ3/ODQxN2NjYjE4YzE5/YWM2ZjFlYjc0Y2Jm/YWYzMC5qcGc.jpg"/>
      <itunes:duration>4608</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The Bridal March from <em>Lohengrin</em> is a bold wedding choice once you know the rest of the opera. But considering the divorce rate, maybe it’s the most honest one. Critic Benjamin Poore joins us to talk about Wagner’s Swan King opera and ask the important questions: Is Lohengrin really the hero? Is Ortrud the only sane person? And what if Elsa <em>did </em>kill her brother? </p><p>Additional topics include: Nazis, doomscrolling, Richard Wagner’s Livejournal, and who could take Norman Lebrecht in a fight.</p><p>Don’t ask for Ben’s social media handles, but you can <a href="https://van-magazine.com/mag/author/benjamin-poore/">read his writing for VAN</a>. </p><p>Full show page, including a <a href="https://www.decanonized.com/episodes/wagner-lohengrin">synopsis of <em>Lohengrin, </em>recommended recordings, and further reading</a>.</p><p>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, richard wagner, wagner, lohengrin</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest" href="https://van-magazine.com/mag/author/benjamin-poore/">Benjamin Poore</podcast:person>
    </item>
    <item>
      <title>Peter Grimes with Imani Mosley</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Peter Grimes with Imani Mosley</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f3a91616-ca8f-4378-b64e-70f18a5d6b5d</guid>
      <link>https://www.decanonized.com/episodes/britten-peter-grimes</link>
      <description>
        <![CDATA[<p>Is Peter Grimes the villain, or just his town’s biggest HR violation? Musicologist and Britten scholar <a href="https://www.imanimosley.com/">Dr. Imani Mosley</a> joins us to discuss the original problematic Grimes. And since <em>Peter Grimes </em>is the only Britten opera on this list, it’s a jam-packed episode as we navigate the seas of judgment in Suffolk, the work’s 1945 premiere, and the lasting influence of Britten on opera.</p><p>Follow Imani on Instagram at <a href="https://www.instagram.com/idm/">@idm</a> and on BlueSky at <a href="http://imanimosley.bsky.socialhttps//bsky.app/profile/imanimosley.bsky.social">@imanimosley.bsky.social</a>. Listen to her talk about how much Percy Grainger sucked (and heal your inner band kid who had to play “Country Gardens” at every grade-school spring concert) over at <a href="https://podcasts.apple.com/us/podcast/percy-grainger-with-imani-mosley/id1800530353?i=1000714669988">This Guy Sucked</a>. </p><p>Full show page, including a <a href="https://www.decanonized.com/episodes/britten-peter-grimes">synopsis of <em>Peter Grimes, </em>recommended recordings, and further reading</a> at <a href="https://www.decanonized.com/">decanonized.com</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Is Peter Grimes the villain, or just his town’s biggest HR violation? Musicologist and Britten scholar <a href="https://www.imanimosley.com/">Dr. Imani Mosley</a> joins us to discuss the original problematic Grimes. And since <em>Peter Grimes </em>is the only Britten opera on this list, it’s a jam-packed episode as we navigate the seas of judgment in Suffolk, the work’s 1945 premiere, and the lasting influence of Britten on opera.</p><p>Follow Imani on Instagram at <a href="https://www.instagram.com/idm/">@idm</a> and on BlueSky at <a href="http://imanimosley.bsky.socialhttps//bsky.app/profile/imanimosley.bsky.social">@imanimosley.bsky.social</a>. Listen to her talk about how much Percy Grainger sucked (and heal your inner band kid who had to play “Country Gardens” at every grade-school spring concert) over at <a href="https://podcasts.apple.com/us/podcast/percy-grainger-with-imani-mosley/id1800530353?i=1000714669988">This Guy Sucked</a>. </p><p>Full show page, including a <a href="https://www.decanonized.com/episodes/britten-peter-grimes">synopsis of <em>Peter Grimes, </em>recommended recordings, and further reading</a> at <a href="https://www.decanonized.com/">decanonized.com</a>.</p>]]>
      </content:encoded>
      <pubDate>Wed, 13 May 2026 11:26:24 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/2917853b/dce3acab.mp3" length="82048124" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/lXe8RmDfnJilkc-1dqN7S7U9byBJXSybteua3VwrKO8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xZDlk/ODZiYjQ5ZjhjMWNm/ZTk4NmRmMzZkMjIx/ZGM5My5qcGc.jpg"/>
      <itunes:duration>5126</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Is Peter Grimes the villain, or just his town’s biggest HR violation? Musicologist and Britten scholar <a href="https://www.imanimosley.com/">Dr. Imani Mosley</a> joins us to discuss the original problematic Grimes. And since <em>Peter Grimes </em>is the only Britten opera on this list, it’s a jam-packed episode as we navigate the seas of judgment in Suffolk, the work’s 1945 premiere, and the lasting influence of Britten on opera.</p><p>Follow Imani on Instagram at <a href="https://www.instagram.com/idm/">@idm</a> and on BlueSky at <a href="http://imanimosley.bsky.socialhttps//bsky.app/profile/imanimosley.bsky.social">@imanimosley.bsky.social</a>. Listen to her talk about how much Percy Grainger sucked (and heal your inner band kid who had to play “Country Gardens” at every grade-school spring concert) over at <a href="https://podcasts.apple.com/us/podcast/percy-grainger-with-imani-mosley/id1800530353?i=1000714669988">This Guy Sucked</a>. </p><p>Full show page, including a <a href="https://www.decanonized.com/episodes/britten-peter-grimes">synopsis of <em>Peter Grimes, </em>recommended recordings, and further reading</a> at <a href="https://www.decanonized.com/">decanonized.com</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, imani mosley, benjamin britten, peter grimes, britten, peter pears</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest" href="https://www.imanimosley.com/">Imani Mosley</podcast:person>
    </item>
    <item>
      <title>Salome with Perri DiChristina</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Salome with Perri DiChristina</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e22a3f98-2bb9-482e-b391-f12c680c880a</guid>
      <link>http://decanonized.com/episodes/strauss-salome</link>
      <description>
        <![CDATA[<p>Is Salome a victim of circumstance, or the destroyer of empire? Mezzo-soprano and one opera’s philosophical fug girls Perri DiChristina joins us to dive head-first into Strauss’s <em>fin-de-siècle</em> shocker. Additional topics include: Greta Thunberg and the Gaza Freedom Flotilla, Oscar Wilde’s moodboard, and why John Pierpont Morgan sucked.</p><p>Follow Perri via <a href="https://podcasts.apple.com/us/podcast/thrilled-to-announce/id1522050354">Thrilled to Announce</a> (also on <a href="https://thrilledtoannounce.substack.com/">Substack</a> and Instagram as <a href="https://www.instagram.com/thrilledtoannounceee/">@thilledtoannounceee</a>), and on Instagram at <a href="https://www.instagram.com/pricklyper">@pricklyper</a>.</p><p>Full show notes, including related reading and recommended recordings at: <a href="http://decanonized.com/episodes/strauss-salome">http://decanonized.com/episodes/strauss-salome</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Is Salome a victim of circumstance, or the destroyer of empire? Mezzo-soprano and one opera’s philosophical fug girls Perri DiChristina joins us to dive head-first into Strauss’s <em>fin-de-siècle</em> shocker. Additional topics include: Greta Thunberg and the Gaza Freedom Flotilla, Oscar Wilde’s moodboard, and why John Pierpont Morgan sucked.</p><p>Follow Perri via <a href="https://podcasts.apple.com/us/podcast/thrilled-to-announce/id1522050354">Thrilled to Announce</a> (also on <a href="https://thrilledtoannounce.substack.com/">Substack</a> and Instagram as <a href="https://www.instagram.com/thrilledtoannounceee/">@thilledtoannounceee</a>), and on Instagram at <a href="https://www.instagram.com/pricklyper">@pricklyper</a>.</p><p>Full show notes, including related reading and recommended recordings at: <a href="http://decanonized.com/episodes/strauss-salome">http://decanonized.com/episodes/strauss-salome</a></p>]]>
      </content:encoded>
      <pubDate>Wed, 29 Apr 2026 17:27:26 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/0a007f49/31b86391.mp3" length="50130105" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/8o3SM6EX2Pq5NR1R-5-QX1E10li39nmU90f9swoXyaY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9jYjc4/NmVkMDQ5NjMxZWU2/YzJhMDEyMmRjYzIz/N2E4ZS5qcGc.jpg"/>
      <itunes:duration>3130</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Is Salome a victim of circumstance, or the destroyer of empire? Mezzo-soprano and one opera’s philosophical fug girls Perri DiChristina joins us to dive head-first into Strauss’s <em>fin-de-siècle</em> shocker. Additional topics include: Greta Thunberg and the Gaza Freedom Flotilla, Oscar Wilde’s moodboard, and why John Pierpont Morgan sucked.</p><p>Follow Perri via <a href="https://podcasts.apple.com/us/podcast/thrilled-to-announce/id1522050354">Thrilled to Announce</a> (also on <a href="https://thrilledtoannounce.substack.com/">Substack</a> and Instagram as <a href="https://www.instagram.com/thrilledtoannounceee/">@thilledtoannounceee</a>), and on Instagram at <a href="https://www.instagram.com/pricklyper">@pricklyper</a>.</p><p>Full show notes, including related reading and recommended recordings at: <a href="http://decanonized.com/episodes/strauss-salome">http://decanonized.com/episodes/strauss-salome</a></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, richard strauss, salome</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest" href="https://www.perridichristina.com/">Perri DiChristina</podcast:person>
    </item>
    <item>
      <title>Don Giovanni with Sylvia Korman</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Don Giovanni with Sylvia Korman</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://www.decanonized.com/episodes/mozart-don-giovanni</link>
      <description>
        <![CDATA[<p>Does <em>Don Giovanni </em>ever actually end? Or are we just living in a constant state of deferral with a final boss that will never be defeated? Critic Sylvia Korman joins us to delve into this question and more, including why this is your favorite philosopher's opera, whether Donna Anna is a Horse Girl, Leporello in the Manosphere, and recent productions of <em>Don Giovanni </em>at the Met and Berlin's Komische Oper. </p><p>Additional topics include: tenors who @ Elon Musk, the Oscar Mayer Wienermobile, Kierkegaard, and the Bardo.</p><p>Full show page including a <a href="https://decanonized.com/episodes/mozart-don-giovanni">synopsis of <em>Don Giovanni, </em>playlist, and recommended reading</a>.<br>  <br>More show info at <a href="https://www.decanonized.com/">decanonized.com</a>.</p><p>Follow Sylvia on Twitter at <a href="https://x.com/cowboyverismo">@cowboyverismo</a>. Follow their alter ego, People Mad at Opera, at <a href="https://x.com/operacomments">@operacomments</a>.</p><p>Read <a href="https://parterre.com/author/sylvia-korman/">Sylvia's opera reviews for Parterre Box</a>.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Does <em>Don Giovanni </em>ever actually end? Or are we just living in a constant state of deferral with a final boss that will never be defeated? Critic Sylvia Korman joins us to delve into this question and more, including why this is your favorite philosopher's opera, whether Donna Anna is a Horse Girl, Leporello in the Manosphere, and recent productions of <em>Don Giovanni </em>at the Met and Berlin's Komische Oper. </p><p>Additional topics include: tenors who @ Elon Musk, the Oscar Mayer Wienermobile, Kierkegaard, and the Bardo.</p><p>Full show page including a <a href="https://decanonized.com/episodes/mozart-don-giovanni">synopsis of <em>Don Giovanni, </em>playlist, and recommended reading</a>.<br>  <br>More show info at <a href="https://www.decanonized.com/">decanonized.com</a>.</p><p>Follow Sylvia on Twitter at <a href="https://x.com/cowboyverismo">@cowboyverismo</a>. Follow their alter ego, People Mad at Opera, at <a href="https://x.com/operacomments">@operacomments</a>.</p><p>Read <a href="https://parterre.com/author/sylvia-korman/">Sylvia's opera reviews for Parterre Box</a>.</p>]]>
      </content:encoded>
      <pubDate>Wed, 15 Apr 2026 09:00:00 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/106eefcf/75f45338.mp3" length="73535313" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/ymRFHHMv6lcCxE02G8imRJbcJOWeVNGdmWkMDSMOsRg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9hNGZi/M2M0MTNjZGUzZTdm/MzU0YzY2YzEzZTNi/ZTFiOS5qcGc.jpg"/>
      <itunes:duration>4593</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Does <em>Don Giovanni </em>ever actually end? Or are we just living in a constant state of deferral with a final boss that will never be defeated? Critic Sylvia Korman joins us to delve into this question and more, including why this is your favorite philosopher's opera, whether Donna Anna is a Horse Girl, Leporello in the Manosphere, and recent productions of <em>Don Giovanni </em>at the Met and Berlin's Komische Oper. </p><p>Additional topics include: tenors who @ Elon Musk, the Oscar Mayer Wienermobile, Kierkegaard, and the Bardo.</p><p>Full show page including a <a href="https://decanonized.com/episodes/mozart-don-giovanni">synopsis of <em>Don Giovanni, </em>playlist, and recommended reading</a>.<br>  <br>More show info at <a href="https://www.decanonized.com/">decanonized.com</a>.</p><p>Follow Sylvia on Twitter at <a href="https://x.com/cowboyverismo">@cowboyverismo</a>. Follow their alter ego, People Mad at Opera, at <a href="https://x.com/operacomments">@operacomments</a>.</p><p>Read <a href="https://parterre.com/author/sylvia-korman/">Sylvia's opera reviews for Parterre Box</a>.</p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, mozart, don giovanni, don juan, opera review</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest" href="https://parterre.com/author/sylvia-korman/">Sylvia Korman</podcast:person>
    </item>
    <item>
      <title>I Puritani with Aksel Tollåli</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>I Puritani with Aksel Tollåli</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">39e08aba-b361-4756-beb1-f7bdd557193d</guid>
      <link>https://www.decanonized.com/episodes/bellini-i-puritani</link>
      <description>
        <![CDATA[<p>Sometimes, we can have nice things. Like a bel canto opera where, despite the mad scene stretching across all three acts, the stakes are low, the Fs are high, and everyone is happy at the end. </p><p>Musicologist and critic Aksel Tollåli joins us to discuss a lovely opera about a lovely soprano and her lovely mental breakdown. Topics include Risorgimento chauvinism, opera's girlhood era, Lee Pace as Vincenzo Bellini, and operas whose entire plots would be resolved if the characters had just one (1) conversation. </p><p><br>Follow Aksel on <a href="https://www.instagram.com/akseltoll/">Instagram</a> and <a href="https://bsky.app/profile/akseltoll.bsky.social">Bluesky</a>. </p><p>Full <a href="https://www.decanonized.com/episodes/bellini-i-puritani">playlist, reading list, and synopsis of <em>I Puritani.</em></a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Sometimes, we can have nice things. Like a bel canto opera where, despite the mad scene stretching across all three acts, the stakes are low, the Fs are high, and everyone is happy at the end. </p><p>Musicologist and critic Aksel Tollåli joins us to discuss a lovely opera about a lovely soprano and her lovely mental breakdown. Topics include Risorgimento chauvinism, opera's girlhood era, Lee Pace as Vincenzo Bellini, and operas whose entire plots would be resolved if the characters had just one (1) conversation. </p><p><br>Follow Aksel on <a href="https://www.instagram.com/akseltoll/">Instagram</a> and <a href="https://bsky.app/profile/akseltoll.bsky.social">Bluesky</a>. </p><p>Full <a href="https://www.decanonized.com/episodes/bellini-i-puritani">playlist, reading list, and synopsis of <em>I Puritani.</em></a></p>]]>
      </content:encoded>
      <pubDate>Tue, 07 Apr 2026 09:09:32 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/6e277968/9bf9767f.mp3" length="58207401" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/tcHBiZu0YZfxz4Sn33vnx_HZBb0HrRjHjiJvJB7Q9Y8/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84Yjhh/NDcwM2VjM2ZjOWVj/ZGNjOWU3NzAwOTlk/MTQyNS5qcGc.jpg"/>
      <itunes:duration>3635</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Sometimes, we can have nice things. Like a bel canto opera where, despite the mad scene stretching across all three acts, the stakes are low, the Fs are high, and everyone is happy at the end. </p><p>Musicologist and critic Aksel Tollåli joins us to discuss a lovely opera about a lovely soprano and her lovely mental breakdown. Topics include Risorgimento chauvinism, opera's girlhood era, Lee Pace as Vincenzo Bellini, and operas whose entire plots would be resolved if the characters had just one (1) conversation. </p><p><br>Follow Aksel on <a href="https://www.instagram.com/akseltoll/">Instagram</a> and <a href="https://bsky.app/profile/akseltoll.bsky.social">Bluesky</a>. </p><p>Full <a href="https://www.decanonized.com/episodes/bellini-i-puritani">playlist, reading list, and synopsis of <em>I Puritani.</em></a></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest">Aksel Tollåli</podcast:person>
    </item>
    <item>
      <title>Der Rosenkavalier with Ben Miller</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Der Rosenkavalier with Ben Miller</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">43ebad72-28ac-4338-9186-5a12eed8d57d</guid>
      <link>https://www.decanonized.com/episodes/strauss-der-rosenkavalier</link>
      <description>
        <![CDATA[<p>Time, nostalgia, and very fancy lesbians? It must be <em>Der Rosenkavalier. </em>Writer, historian, and co-host of <em>Bad Gays </em>Ben Miller joins us for a discussion of Richard Strauss’s four-and-a-half hour work of where both nothing happens and everything happens. </p><p>Topics include: whether <em>Rosenkavalier</em> is a comedy or tragedy, the Viennese aristocracy, opera queens and mezzosexuals, the <a href="https://www.criticaldrift.org/p/margarethe-arndt-ober-metropolitan-opera">“German she-devil” who sued the Met</a> (and won), and one of opera’s most problematic characters.</p><p>Show page (including a playlist, recommended reading, opera synopsis and more): <a href="https://www.decanonized.com/episodes/strauss-der-rosenkavalier">https://www.decanonized.com/episodes/strauss-der-rosenkavalier</a><br>More info: <a href="https://www.decanonized.com/">https://www.decanonized.com</a><br>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p><p>Follow Ben at: https://benwritesthings.com, on Instagram at <a href="https://www.instagram.com/benwritesthings/">@benwritesthings</a> and on Bluesky at <a href="https://bsky.app/profile/benwritesthings.bsky.social">benwritesthings.bsky.social</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Time, nostalgia, and very fancy lesbians? It must be <em>Der Rosenkavalier. </em>Writer, historian, and co-host of <em>Bad Gays </em>Ben Miller joins us for a discussion of Richard Strauss’s four-and-a-half hour work of where both nothing happens and everything happens. </p><p>Topics include: whether <em>Rosenkavalier</em> is a comedy or tragedy, the Viennese aristocracy, opera queens and mezzosexuals, the <a href="https://www.criticaldrift.org/p/margarethe-arndt-ober-metropolitan-opera">“German she-devil” who sued the Met</a> (and won), and one of opera’s most problematic characters.</p><p>Show page (including a playlist, recommended reading, opera synopsis and more): <a href="https://www.decanonized.com/episodes/strauss-der-rosenkavalier">https://www.decanonized.com/episodes/strauss-der-rosenkavalier</a><br>More info: <a href="https://www.decanonized.com/">https://www.decanonized.com</a><br>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p><p>Follow Ben at: https://benwritesthings.com, on Instagram at <a href="https://www.instagram.com/benwritesthings/">@benwritesthings</a> and on Bluesky at <a href="https://bsky.app/profile/benwritesthings.bsky.social">benwritesthings.bsky.social</a></p>]]>
      </content:encoded>
      <pubDate>Tue, 31 Mar 2026 10:00:00 +0200</pubDate>
      <author>Olivia Giovetti</author>
      <enclosure url="https://media.transistor.fm/36af429f/e38caaee.mp3" length="56583526" type="audio/mpeg"/>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/vwNkIH9dI76ZmpisIxX0rIpNX19JN4ntXCGmHjwo9ts/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xOWI5/ZTQ1YmYxZjE4ZTc1/NDJkYzliOTM2OGFm/YmYzYi5qcGc.jpg"/>
      <itunes:duration>3534</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Time, nostalgia, and very fancy lesbians? It must be <em>Der Rosenkavalier. </em>Writer, historian, and co-host of <em>Bad Gays </em>Ben Miller joins us for a discussion of Richard Strauss’s four-and-a-half hour work of where both nothing happens and everything happens. </p><p>Topics include: whether <em>Rosenkavalier</em> is a comedy or tragedy, the Viennese aristocracy, opera queens and mezzosexuals, the <a href="https://www.criticaldrift.org/p/margarethe-arndt-ober-metropolitan-opera">“German she-devil” who sued the Met</a> (and won), and one of opera’s most problematic characters.</p><p>Show page (including a playlist, recommended reading, opera synopsis and more): <a href="https://www.decanonized.com/episodes/strauss-der-rosenkavalier">https://www.decanonized.com/episodes/strauss-der-rosenkavalier</a><br>More info: <a href="https://www.decanonized.com/">https://www.decanonized.com</a><br>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p><p>Follow Ben at: https://benwritesthings.com, on Instagram at <a href="https://www.instagram.com/benwritesthings/">@benwritesthings</a> and on Bluesky at <a href="https://bsky.app/profile/benwritesthings.bsky.social">benwritesthings.bsky.social</a></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, richard strauss, strauss, der rosenkavalier, rosenkavalier, opera queens</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
      <podcast:person role="Guest" href="https://benwritesthings.com/">Ben Miller</podcast:person>
    </item>
    <item>
      <title>Carmen with Nikola Printz</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Carmen with Nikola Printz</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">211ef1d4-edad-49ff-9f22-a48e7821e3b7</guid>
      <link>https://www.decanonized.com/episodes/bizet-carmen</link>
      <description>
        <![CDATA[<p>On Episode 1 of <em>Decanonized, </em>mezzo-soprano Nikola Printz joins us to discuss what many consider to be <em>the </em>greatest opera: Georges Bizet's <em>Carmen </em>(1875). Topics include fate, othering, hating cops, whether Carmen <em>really </em>has to die, why Don José would make the worst camping partner, and the dream blunt rotation of Alexander Chee, Tank Girl, and Susan McClary. </p><p>For this episode, we saw Carmen live in Berlin via an organ trafficking-coded production by Ole Anders Tandberg at the Deutsche Oper, so bonus digressions on kidney harvesting and bull testicles! </p><p>Show page (including a playlist, recommended reading, opera synopsis and more): <a href="https://www.nikolaprintz.com/">https://www.decanonized.com/episodes/bizet-carmen</a> <br>More info: <a href="https://www.decanonized.com">https://www.decanonized.com</a><br>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p><p>Follow Nikola at: <a href="https://www.nikolaprintz.com/">https://www.nikolaprintz.com</a> and on Instagram at <a href="https://www.instagram.com/itisnika">@itisnika</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>On Episode 1 of <em>Decanonized, </em>mezzo-soprano Nikola Printz joins us to discuss what many consider to be <em>the </em>greatest opera: Georges Bizet's <em>Carmen </em>(1875). Topics include fate, othering, hating cops, whether Carmen <em>really </em>has to die, why Don José would make the worst camping partner, and the dream blunt rotation of Alexander Chee, Tank Girl, and Susan McClary. </p><p>For this episode, we saw Carmen live in Berlin via an organ trafficking-coded production by Ole Anders Tandberg at the Deutsche Oper, so bonus digressions on kidney harvesting and bull testicles! </p><p>Show page (including a playlist, recommended reading, opera synopsis and more): <a href="https://www.nikolaprintz.com/">https://www.decanonized.com/episodes/bizet-carmen</a> <br>More info: <a href="https://www.decanonized.com">https://www.decanonized.com</a><br>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p><p>Follow Nikola at: <a href="https://www.nikolaprintz.com/">https://www.nikolaprintz.com</a> and on Instagram at <a href="https://www.instagram.com/itisnika">@itisnika</a></p>]]>
      </content:encoded>
      <pubDate>Tue, 24 Mar 2026 10:00:00 +0100</pubDate>
      <author>Olivia Giovetti</author>
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      <podcast:contentLink href="https://www.youtube.com/watch?v=rK5dTk33EuM">Watch on YouTube</podcast:contentLink>
      <itunes:author>Olivia Giovetti</itunes:author>
      <itunes:image href="https://img.transistorcdn.com/vqLDxbmewK1mOwJfR6N2eamuJAWWvEpl5dcMuSzp5uE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9hOTdj/YjRmYWJhNTYxNTI0/YmZlZDMxMzc0YjY0/YjE2YS5wbmc.jpg"/>
      <itunes:duration>3294</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>On Episode 1 of <em>Decanonized, </em>mezzo-soprano Nikola Printz joins us to discuss what many consider to be <em>the </em>greatest opera: Georges Bizet's <em>Carmen </em>(1875). Topics include fate, othering, hating cops, whether Carmen <em>really </em>has to die, why Don José would make the worst camping partner, and the dream blunt rotation of Alexander Chee, Tank Girl, and Susan McClary. </p><p>For this episode, we saw Carmen live in Berlin via an organ trafficking-coded production by Ole Anders Tandberg at the Deutsche Oper, so bonus digressions on kidney harvesting and bull testicles! </p><p>Show page (including a playlist, recommended reading, opera synopsis and more): <a href="https://www.nikolaprintz.com/">https://www.decanonized.com/episodes/bizet-carmen</a> <br>More info: <a href="https://www.decanonized.com">https://www.decanonized.com</a><br>Follow Decanonized on Instagram at <a href="https://www.instagram.com/decanonized">@decanonized</a></p><p>Follow Nikola at: <a href="https://www.nikolaprintz.com/">https://www.nikolaprintz.com</a> and on Instagram at <a href="https://www.instagram.com/itisnika">@itisnika</a></p>]]>
      </itunes:summary>
      <itunes:keywords>opera, opera history, classical music, georges bizet, carmen, nikola printz</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
      <podcast:person role="Guest" href="https://www.nikolaprintz.com/">Nikola Printz</podcast:person>
      <podcast:person role="Host" href="https://www.oliviagiovetti.com/">Olivia Giovetti</podcast:person>
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