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    <title>Culture Cypher</title>
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    <description>Arts and culture participate heavily in the way we navigate our lives. The art professionals on our show offer their account on arts impact in the many facets of their lives. From choreographers to art curators they discuss how art and ties to one's culture guide us through each step on our journey. Join us as we uncover how art can engage and nurture us.</description>
    <copyright>© 2025 Heritage Works</copyright>
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    <podcast:locked owner="info@heritageworks.org">no</podcast:locked>
    <language>en</language>
    <pubDate>Wed, 23 Jul 2025 10:34:15 -0400</pubDate>
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    <link>http://culturecypher.fm</link>
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      <title>Culture Cypher</title>
      <link>http://culturecypher.fm</link>
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    <itunes:category text="Society &amp; Culture"/>
    <itunes:type>episodic</itunes:type>
    <itunes:author>Heritage Works</itunes:author>
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    <itunes:summary>Arts and culture participate heavily in the way we navigate our lives. The art professionals on our show offer their account on arts impact in the many facets of their lives. From choreographers to art curators they discuss how art and ties to one's culture guide us through each step on our journey. Join us as we uncover how art can engage and nurture us.</itunes:summary>
    <itunes:subtitle>Arts and culture participate heavily in the way we navigate our lives.</itunes:subtitle>
    <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
    <itunes:owner>
      <itunes:name>Heritage Works</itunes:name>
    </itunes:owner>
    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>Black Bodies (with Tanya Wideman-Davis and Thaddeus Davis)</title>
      <itunes:title>Black Bodies (with Tanya Wideman-Davis and Thaddeus Davis)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <description>
        <![CDATA[<p>Tanya Wideman-Davis is the Co-Artistic Director of Wideman/Davis Dance and is on faculty as Assistant Professor at The University of South Carolina. With an extensive career as a dancer, choreographer, and teacher, Tanya completed her Master of Fine Arts from Hollins University/ADF (2012). Tanya’s academic and choreographic research, as well as her speaking, examine race, gender, femininity, identity, and location. This research grounds her choreographic method and performances and challenges the traditional methodologies and ideologies of classical ballet. Research projects include <em>Dance Theater of Harlem: Radical Black Female Bodies</em> (2014), <em>Female Relationships: The Gender Gap in Dance</em> (2012), <em>The queering of a life of dance and HIV/AIDS</em> (2011). </p><p> </p><p>Thaddeus Davis is the Co-Artistic Director of Wideman/Davis Dance and is on faculty as an Assistant Professor at The University of South Carolina. He earned a Bachelor of Fine Arts from Butler University in 1993 and his Master of Fine Arts from Hollins University/ADF in 2011. After an extensive performing career with leading professional companies, he continues to perform, research, choreograph, collaborate, and teach. His current research explores the intersections of gender, class, race, and technology through an African American lens<strong>.</strong> His research is reflected in his choreography and writings, including: <em>A Dissembled Life</em> (2011), <em>Dance Theatre of Harlem: Modernism, History, Culture</em> (2011), and <em>Balance</em> (2009).<br> </p><p>More information on <a href="http://widemandavisdance.org/home.html">Tanya Wideman-Davis and Thaddeus Davis</a> </p><p>Heritage Works <a href="https://www.heritageworks.org/">website</a></p><p>Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Tanya Wideman-Davis is the Co-Artistic Director of Wideman/Davis Dance and is on faculty as Assistant Professor at The University of South Carolina. With an extensive career as a dancer, choreographer, and teacher, Tanya completed her Master of Fine Arts from Hollins University/ADF (2012). Tanya’s academic and choreographic research, as well as her speaking, examine race, gender, femininity, identity, and location. This research grounds her choreographic method and performances and challenges the traditional methodologies and ideologies of classical ballet. Research projects include <em>Dance Theater of Harlem: Radical Black Female Bodies</em> (2014), <em>Female Relationships: The Gender Gap in Dance</em> (2012), <em>The queering of a life of dance and HIV/AIDS</em> (2011). </p><p> </p><p>Thaddeus Davis is the Co-Artistic Director of Wideman/Davis Dance and is on faculty as an Assistant Professor at The University of South Carolina. He earned a Bachelor of Fine Arts from Butler University in 1993 and his Master of Fine Arts from Hollins University/ADF in 2011. After an extensive performing career with leading professional companies, he continues to perform, research, choreograph, collaborate, and teach. His current research explores the intersections of gender, class, race, and technology through an African American lens<strong>.</strong> His research is reflected in his choreography and writings, including: <em>A Dissembled Life</em> (2011), <em>Dance Theatre of Harlem: Modernism, History, Culture</em> (2011), and <em>Balance</em> (2009).<br> </p><p>More information on <a href="http://widemandavisdance.org/home.html">Tanya Wideman-Davis and Thaddeus Davis</a> </p><p>Heritage Works <a href="https://www.heritageworks.org/">website</a></p><p>Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 05 Aug 2019 06:00:00 -0400</pubDate>
      <author>Heritage Works</author>
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      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1683</itunes:duration>
      <itunes:summary>Each summer we invite an artist to come in and teach our ensemble a piece that was derived from community engagement and dialogue as well as input from the youth. This year’s choreographers are Tanya Wideman-Davis and Thaddeus Davis. During their visit this summer we caught up with them to discuss how they work with two minds to create one masterpiece. </itunes:summary>
      <itunes:subtitle>Each summer we invite an artist to come in and teach our ensemble a piece that was derived from community engagement and dialogue as well as input from the youth. This year’s choreographers are Tanya Wideman-Davis and Thaddeus Davis. During their visit th</itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Deeper Than Dance (with Assane Konte)</title>
      <itunes:title>Deeper Than Dance (with Assane Konte)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/afcdd185</link>
      <description>
        <![CDATA[<p>Assane Konte, a national of Senegal, West Africa, is one of the original founders of KanKouran West African Dance Company. He also serves as the company’s Artistic Director, choreographer, and costume designer.Mr. Konte left Africa with the dream of establishing his own dance company in Washington, D.C., the nation’s capitol.  Although Mr. Konte choreographs primarily for his own company, his ingenious creativity and spirit is always in demand at home and abroad. Consequently, he conducts annual programs in Poland, Hawaii, Japan, and St. Croix. Mr. Konte has held faculty positions in the dance departments of several prestigious universities in the Washington, D.C. area including Georgetown, George Washington, American and George Mason Universities. He presently serves on the faculty at Howard University.</p><p> </p><p>More information on <a href="http://kankouran.org/founder/">Assane Konte</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Assane Konte, a national of Senegal, West Africa, is one of the original founders of KanKouran West African Dance Company. He also serves as the company’s Artistic Director, choreographer, and costume designer.Mr. Konte left Africa with the dream of establishing his own dance company in Washington, D.C., the nation’s capitol.  Although Mr. Konte choreographs primarily for his own company, his ingenious creativity and spirit is always in demand at home and abroad. Consequently, he conducts annual programs in Poland, Hawaii, Japan, and St. Croix. Mr. Konte has held faculty positions in the dance departments of several prestigious universities in the Washington, D.C. area including Georgetown, George Washington, American and George Mason Universities. He presently serves on the faculty at Howard University.</p><p> </p><p>More information on <a href="http://kankouran.org/founder/">Assane Konte</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 29 Jul 2019 06:00:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/afcdd185/2ac4a213.mp3" length="39343847" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1636</itunes:duration>
      <itunes:summary>Baba Assane Konte’s mission is to share the traditions of the Motherland to the children who’ve lost them. This led him to found Kankouran West African Dance Company in Washington D.C. where his impact on African American youth is undeniable. We sat down with him to discuss the divide within the definition of culture - the difference between who we are and where we’re from.</itunes:summary>
      <itunes:subtitle>Baba Assane Konte’s mission is to share the traditions of the Motherland to the children who’ve lost them. This led him to found Kankouran West African Dance Company in Washington D.C. where his impact on African American youth is undeniable. We sat down </itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Multi-disciplinarian (with Holly Bass)</title>
      <itunes:title>Multi-disciplinarian (with Holly Bass)</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
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      <link>https://share.transistor.fm/s/979b967e</link>
      <description>
        <![CDATA[<p>Holly Bass is a multidisciplinary performance and visual artist, writer, and director. Her visual artwork spans photography, installation, video, and performance and can be found in the collections of the Corcoran Gallery of Art and the DC Art Bank, as well as private collections. As a teaching artist, she offers workshops nationally and internationally and runs a program for adjudicated youth in DC. Her work explores the unspoken and invisible social codes surrounding gender, class, and race. </p><p> </p><p>More information on <a href="http://www.hollybass.com/">Holly Bass</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Holly Bass is a multidisciplinary performance and visual artist, writer, and director. Her visual artwork spans photography, installation, video, and performance and can be found in the collections of the Corcoran Gallery of Art and the DC Art Bank, as well as private collections. As a teaching artist, she offers workshops nationally and internationally and runs a program for adjudicated youth in DC. Her work explores the unspoken and invisible social codes surrounding gender, class, and race. </p><p> </p><p>More information on <a href="http://www.hollybass.com/">Holly Bass</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 22 Jul 2019 06:00:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/979b967e/a588c755.mp3" length="26444783" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1099</itunes:duration>
      <itunes:summary>One art form just isn’t enough for her. As a multidisciplinary artist, Holly Bass has created work using poetry, photography, and choreography while directing, writing, and performing her pieces. Holly’s work is an exploration of gender, class, and race through visual and performing art. We had to speak with her about how she does it all. </itunes:summary>
      <itunes:subtitle>One art form just isn’t enough for her. As a multidisciplinary artist, Holly Bass has created work using poetry, photography, and choreography while directing, writing, and performing her pieces. Holly’s work is an exploration of gender, class, and race t</itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Climbing the Ranks (with Stephanie Hughley)</title>
      <itunes:title>Climbing the Ranks (with Stephanie Hughley)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/05d4a148</link>
      <description>
        <![CDATA[<p>Stephanie Smith Hughley is executive producer and co-founder of the National Black Arts Festival in Atlanta, Georgia. She danced with the Dance Theatre of Boston and the National Center of Afro American Artists. Hughley auditioned for a part in the Broadway production of <em>Bubbling Brown Sugar</em>, studied dance at the Alvin Ailey School of Dance and the Little Red School House and apprenticed under the directorship of Ashton Springer. She became General Manager of the Negro Ensemble Company in 1982. Hughley managed and supervised the production of over twelve Broadway shows including, <em>Your Arms Are Too Short To Box With God</em>, <em>Ain’t Misbehavin’</em> and <em>Bubbling Brown Sugar</em> and toured the United States and Europe as the Company Manager of <em>For Colored Girls</em>.</p><p> </p><p>More information on <a href="https://www.linkedin.com/in/stephanie-s-hughley-b047b93b/">Stephanie Hughley</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p><p> </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Stephanie Smith Hughley is executive producer and co-founder of the National Black Arts Festival in Atlanta, Georgia. She danced with the Dance Theatre of Boston and the National Center of Afro American Artists. Hughley auditioned for a part in the Broadway production of <em>Bubbling Brown Sugar</em>, studied dance at the Alvin Ailey School of Dance and the Little Red School House and apprenticed under the directorship of Ashton Springer. She became General Manager of the Negro Ensemble Company in 1982. Hughley managed and supervised the production of over twelve Broadway shows including, <em>Your Arms Are Too Short To Box With God</em>, <em>Ain’t Misbehavin’</em> and <em>Bubbling Brown Sugar</em> and toured the United States and Europe as the Company Manager of <em>For Colored Girls</em>.</p><p> </p><p>More information on <a href="https://www.linkedin.com/in/stephanie-s-hughley-b047b93b/">Stephanie Hughley</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p><p> </p>]]>
      </content:encoded>
      <pubDate>Mon, 15 Jul 2019 06:00:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/05d4a148/d3bc2eaa.mp3" length="41890186" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1742</itunes:duration>
      <itunes:summary>Stephanie Hughley leans into her life’s journey by letting her talent guide her. She started as a dancer and evolved into a Broadway producer. Shows like For Colored Girls and Bubbling Brown Sugar are some of the shows she worked on in her career. Her experience in the arts is sure to motivate aspiring artists of any age.</itunes:summary>
      <itunes:subtitle>Stephanie Hughley leans into her life’s journey by letting her talent guide her. She started as a dancer and evolved into a Broadway producer. Shows like For Colored Girls and Bubbling Brown Sugar are some of the shows she worked on in her career. Her exp</itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Museum Matriarch (with Juanita Moore)</title>
      <itunes:title>Museum Matriarch (with Juanita Moore)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/db036919</link>
      <description>
        <![CDATA[<p>Juanita Moore is a professional with over 30 years of museum experience. She has served as a curator, educator, administrator and museum planner. Juanita Moore is the former President &amp; CEO of the Charles H. Wright Museum of African American History in Detroit. Being the oldest child in a big family helped her develop leadership and management skills that she still uses to this day in her roles of running museums across the country. </p><p> </p><p>More information on <a href="https://www.freep.com/story/news/columnists/rochelle-riley/2018/06/12/juanita-moore-charles-wright-museum-detroit/696569002/">Juanita Moore</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Juanita Moore is a professional with over 30 years of museum experience. She has served as a curator, educator, administrator and museum planner. Juanita Moore is the former President &amp; CEO of the Charles H. Wright Museum of African American History in Detroit. Being the oldest child in a big family helped her develop leadership and management skills that she still uses to this day in her roles of running museums across the country. </p><p> </p><p>More information on <a href="https://www.freep.com/story/news/columnists/rochelle-riley/2018/06/12/juanita-moore-charles-wright-museum-detroit/696569002/">Juanita Moore</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 08 Jul 2019 06:00:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/db036919/c2324517.mp3" length="40522949" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1685</itunes:duration>
      <itunes:summary>Being the only boy and the youngest in my family was beneficial to me in many ways, but most beneficial was the experience of having an older sister. Two in fact. Juanita Moore is a Master Big sister and that experience has shaped her into the leader she is today. She joins the Culture Cypher podcast to discuss her journey to leadership positions in Museums across America.</itunes:summary>
      <itunes:subtitle>Being the only boy and the youngest in my family was beneficial to me in many ways, but most beneficial was the experience of having an older sister. Two in fact. Juanita Moore is a Master Big sister and that experience has shaped her into the leader she </itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Big Red Wall (with Erika “Big Red” Stowall)</title>
      <itunes:title>The Big Red Wall (with Erika “Big Red” Stowall)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">af5cb99d-a002-4ae7-aee2-2204c512bf8f</guid>
      <link>https://share.transistor.fm/s/661db84c</link>
      <description>
        <![CDATA[<p>Erika “Big Red” Stowall is an aspiring dance artist and teacher residing in Detroit, MI. Native to Detroit, MI; Red started dancing at the age of 4 in the styles of African and Caribbean. She continued her training in jazz and tap at the age of 8 and started ballet and modern /contemporary at the age of 10. Her passion for dance grew throughout her teens and she was given many opportunities to enhance her technical ability. She attended Martin Luther King High School and the University of Michigan in Ann Arbor. After her studies, Red stepped back from performing and started teaching at a charter school in Detroit, MI. Now, after two years of being an educator, Red has returned to performing and choreographing many works around the Detroit area.</p><p> </p><p>More information on <a href="https://brdankepro.com/big-red/">Erika Stowall</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Erika “Big Red” Stowall is an aspiring dance artist and teacher residing in Detroit, MI. Native to Detroit, MI; Red started dancing at the age of 4 in the styles of African and Caribbean. She continued her training in jazz and tap at the age of 8 and started ballet and modern /contemporary at the age of 10. Her passion for dance grew throughout her teens and she was given many opportunities to enhance her technical ability. She attended Martin Luther King High School and the University of Michigan in Ann Arbor. After her studies, Red stepped back from performing and started teaching at a charter school in Detroit, MI. Now, after two years of being an educator, Red has returned to performing and choreographing many works around the Detroit area.</p><p> </p><p>More information on <a href="https://brdankepro.com/big-red/">Erika Stowall</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 01 Jul 2019 17:00:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/661db84c/a3dfde45.mp3" length="33809904" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1405</itunes:duration>
      <itunes:summary>Erika “Red” Stowall is a dancer, choreographer, and teacher based in the City of Detroit. She’s trained in African, Caribbean, Ballet, and Contemporary dance each one an integral piece of her dance style. She is also the founder of Big Red Wall dance company. 

On this episode, a new voice will grace the mic. As part of our organization’s goals, we have been working with our youth to expose them to media and communications to develop their ability to express their artistic voice. Cailey Powell and Gabrielle Rayford interview Erika Stowall on this episode.</itunes:summary>
      <itunes:subtitle>Erika “Red” Stowall is a dancer, choreographer, and teacher based in the City of Detroit. She’s trained in African, Caribbean, Ballet, and Contemporary dance each one an integral piece of her dance style. She is also the founder of Big Red Wall dance comp</itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Art Adjacent (with Reggie Van Lee)</title>
      <itunes:title>Art Adjacent (with Reggie Van Lee)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">62e0ed55-c154-4f8a-a928-a0759b1072d5</guid>
      <link>https://share.transistor.fm/s/ea3400ae</link>
      <description>
        <![CDATA[<p>Reginald (Reggie) Van Lee is a philanthropist, an arts advocate, and retired Executive Vice President of the global management and technology consulting firm Booz Allen Hamilton. He was appointed by President Obama to the Board of Trustees of the John F. Kennedy Center for the Performing Arts and was formerly appointed by President Obama to the President’s Committee on the Arts and the Humanities. He is the co-author of the book, “Mega communities – How Leaders of Government, Business, and Non-Profits Can Tackle Today’s Global Challenges Together.”</p><p> </p><p>More information on <a href="http://www.reggievanlee.com/">Reggie Van Lee</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Reginald (Reggie) Van Lee is a philanthropist, an arts advocate, and retired Executive Vice President of the global management and technology consulting firm Booz Allen Hamilton. He was appointed by President Obama to the Board of Trustees of the John F. Kennedy Center for the Performing Arts and was formerly appointed by President Obama to the President’s Committee on the Arts and the Humanities. He is the co-author of the book, “Mega communities – How Leaders of Government, Business, and Non-Profits Can Tackle Today’s Global Challenges Together.”</p><p> </p><p>More information on <a href="http://www.reggievanlee.com/">Reggie Van Lee</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 24 Jun 2019 06:00:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/ea3400ae/fb03490e.mp3" length="40584836" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1688</itunes:duration>
      <itunes:summary>What would you think if I told you a story about how dance and technology are intertwined? That’s the story of Reggie Van Lee a former technology Consultant. Reggie is chairman of the board of the Washington Performing Arts Center and has worked with President Obama’s committee on arts and humanities. We explore exactly how these seemingly unrelated disciplines can come together.</itunes:summary>
      <itunes:subtitle>What would you think if I told you a story about how dance and technology are intertwined? That’s the story of Reggie Van Lee a former technology Consultant. Reggie is chairman of the board of the Washington Performing Arts Center and has worked with Pres</itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Story Time! (with Satori Shakoor)</title>
      <itunes:title>Story Time! (with Satori Shakoor)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">947eda4f-d91c-48b4-85af-3b7c80c7ee79</guid>
      <link>https://share.transistor.fm/s/ac892f43</link>
      <description>
        <![CDATA[<p>Satori Shakoor is an artist, storyteller and a social entrepreneur. She is a 2017 Kresge Literary Arts Fellow. She hosts the Moth Story Slam in Ann Arbor and hosts the Twisted Storytellers podcast produced by WDET Radio with a second season scheduled for October 2017. Ms. Shakoor is the founder of The Secret Society Of Twisted Storytellers® (TSSOTS) , a live, curated storytelling event. The monthly series features real people who tell true and personal stories live onstage at the Charles H. Wright Museum of African American History in Detroit. Ms. Shakoor designs and facilitates storytelling workshops in the art and craft of storytelling in the community for organizations, corporations and privately as a coach.</p><p> </p><p>More information on <a href="http://www.satorishakoor.com/#meetsatori">Satori Shakoor</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Satori Shakoor is an artist, storyteller and a social entrepreneur. She is a 2017 Kresge Literary Arts Fellow. She hosts the Moth Story Slam in Ann Arbor and hosts the Twisted Storytellers podcast produced by WDET Radio with a second season scheduled for October 2017. Ms. Shakoor is the founder of The Secret Society Of Twisted Storytellers® (TSSOTS) , a live, curated storytelling event. The monthly series features real people who tell true and personal stories live onstage at the Charles H. Wright Museum of African American History in Detroit. Ms. Shakoor designs and facilitates storytelling workshops in the art and craft of storytelling in the community for organizations, corporations and privately as a coach.</p><p> </p><p>More information on <a href="http://www.satorishakoor.com/#meetsatori">Satori Shakoor</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 17 Jun 2019 10:40:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/ac892f43/093b59a8.mp3" length="43275609" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1800</itunes:duration>
      <itunes:summary>Evocative, dynamic, and humorous are the words I would use to describe how Satori Shakoor’s stories land on the ear and spirit. She wields her life experiences into poetic performances as a professional storyteller. Satori founded The Secret Society For Twisted Storytellers and has been traveling around the world to share her stories. Our interview discusses her journey to her craft and maybe she’ll give us a story or too while we’re here. </itunes:summary>
      <itunes:subtitle>Evocative, dynamic, and humorous are the words I would use to describe how Satori Shakoor’s stories land on the ear and spirit. She wields her life experiences into poetic performances as a professional storyteller. Satori founded The Secret Society For T</itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>Yes</itunes:explicit>
    </item>
    <item>
      <title>Art Education and Inspiration (with Keith Wiliiams)</title>
      <itunes:title>Art Education and Inspiration (with Keith Wiliiams)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5f3e434d-7529-4d7f-8af7-ecbcdac50633</guid>
      <link>https://share.transistor.fm/s/ebd50709</link>
      <description>
        <![CDATA[<p>Keith Williams has educated St. Louis’ young dance talent for years after being taught himself by Katherine Dunham. He knows what it takes for a aspiring dancer to be successful and uses that knowledge to get the best out of every one of his students. </p><p> </p><p>More information on <a href="https://www.grandcenterartsacademy.org/apps/pages/index.jsp?uREC_ID=1101185&amp;type=u">Keith Williams</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Keith Williams has educated St. Louis’ young dance talent for years after being taught himself by Katherine Dunham. He knows what it takes for a aspiring dancer to be successful and uses that knowledge to get the best out of every one of his students. </p><p> </p><p>More information on <a href="https://www.grandcenterartsacademy.org/apps/pages/index.jsp?uREC_ID=1101185&amp;type=u">Keith Williams</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 10 Jun 2019 06:00:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/ebd50709/9589cba6.mp3" length="32673684" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1358</itunes:duration>
      <itunes:summary>As a dance educator and master of the Dunham technique, Keith Williams understands the commitment necessary for youth to pursue their passions. He has nurtured young dance talent for years at the Grand Center Arts Academy in St. Louis and received the Art Educator of the year award at the 2018 St. Louis Arts Awards. He sits down with us discuss youth development in the arts. </itunes:summary>
      <itunes:subtitle>As a dance educator and master of the Dunham technique, Keith Williams understands the commitment necessary for youth to pursue their passions. He has nurtured young dance talent for years at the Grand Center Arts Academy in St. Louis and received the Art</itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Dance Is Life (with Idy Ciss)</title>
      <itunes:title>Dance Is Life (with Idy Ciss)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">73e737cd-105a-4bb8-9955-c16738531212</guid>
      <link>https://share.transistor.fm/s/fa3d3930</link>
      <description>
        <![CDATA[<p>Idy Ciss is a master African Dancer and performer for Dakar, Senegal off of the west coast of Africa. He currently resides in Chicago, Illinois as a teacher of the artform. He credits the love and support of his family and neighbors as the catalyst which led him to the field of professional dance. Idy is also a teacher and singer of traditional African songs. His professional debut was with Les Ballets Africans Kolaam Serere. He is also a former member of Ballets Africans. He has performed before presidents of several African countries and appeared on national television in Senegal. </p><p>More information on <a href="https://www.facebook.com/idy.ciss">Idy Ciss</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p><br></p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Idy Ciss is a master African Dancer and performer for Dakar, Senegal off of the west coast of Africa. He currently resides in Chicago, Illinois as a teacher of the artform. He credits the love and support of his family and neighbors as the catalyst which led him to the field of professional dance. Idy is also a teacher and singer of traditional African songs. His professional debut was with Les Ballets Africans Kolaam Serere. He is also a former member of Ballets Africans. He has performed before presidents of several African countries and appeared on national television in Senegal. </p><p>More information on <a href="https://www.facebook.com/idy.ciss">Idy Ciss</a><br> Heritage Works <a href="https://www.heritageworks.org/">website</a><br> <br> Music:<br> Yoruba Adventure - Westar Music<br> Original Music Performed by Idy Ciss and Assane M'baye</p><p><br></p><p>We would like to thank our funders:</p><p><a href="https://mcgregorfund.org/">McGregor Fund</a></p><p><a href="https://cfsem.org/">Community Foundation for Southeast Michigan</a></p><p><a href="https://kresge.org/">The Kresge Foundation</a></p><p><a href="https://www.erbff.org/">Fred and Barbara Erb Family Foundation </a></p><p><a href="https://www.michiganbusiness.org/industries/mcaca/">Michigan Council for Arts and Cultural Affairs</a></p>]]>
      </content:encoded>
      <pubDate>Mon, 03 Jun 2019 06:00:00 -0400</pubDate>
      <author>Heritage Works</author>
      <enclosure url="https://media.transistor.fm/fa3d3930/cd5f2aee.mp3" length="39708759" type="audio/mpeg"/>
      <itunes:author>Heritage Works</itunes:author>
      <itunes:duration>1651</itunes:duration>
      <itunes:summary>He is a beloved figure in our organization. Baba Idy Ciss has been an essential choreographer with Heritage Works for years. Hailing from Senegal, he holds the titles of dancer, singer, drummer, and teacher. Baba Idy has traveled the world to strengthen cultural ties with dance companies such as Les Ballet Kolaam Serer and the Muntu Dance Theatre of Chicago. We sit down with him to discuss his personal journey as a Master of African Dance and Drum. </itunes:summary>
      <itunes:subtitle>He is a beloved figure in our organization. Baba Idy Ciss has been an essential choreographer with Heritage Works for years. Hailing from Senegal, he holds the titles of dancer, singer, drummer, and teacher. Baba Idy has traveled the world to strengthen c</itunes:subtitle>
      <itunes:keywords>culture, heritage, African, African-American, dance, art</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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