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    <title>101 Exiles</title>
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    <description>“101 Exiles” is a Ceylon Press "Poetry From The Jungle" podcast that brings together the great poems from the world’s best poets – albeit ones that just failed to make the Top 100 list.</description>
    <copyright>Copyright 2023 The Ceylon Press</copyright>
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    <pubDate>Sat, 07 Jun 2025 10:57:13 +0530</pubDate>
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    <itunes:summary>“101 Exiles” is a Ceylon Press "Poetry From The Jungle" podcast that brings together the great poems from the world’s best poets – albeit ones that just failed to make the Top 100 list.</itunes:summary>
    <itunes:subtitle>“101 Exiles” is a Ceylon Press "Poetry From The Jungle" podcast that brings together the great poems from the world’s best poets – albeit ones that just failed to make the Top 100 list..</itunes:subtitle>
    <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
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    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>John Betjeman.  Indoor Games Near Newbury.   </title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>John Betjeman.  Indoor Games Near Newbury.   </itunes:title>
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        <![CDATA[<p>In among the silver birches,<br>Winding ways of tarmac wander<br>And the signs to Bussock Bottom,<br>Tussock Wood and Windy Break.<br>Gabled lodges, tile-hung churches<br>Catch the lights of our Lagonda<br>As we drive to Wendy’s party,<br>Lemon curd and Christmas cake</p><p>Rich the makes of motor whirring<br>Past the pine plantation purring<br>Come up Hupmobile Delage.<br>Short the way our chauffeurs travel<br>Crunching over private gravel,<br>Each from out his warm garage.</p><p>O but Wendy, when the carpet<br>Yielded to my indoor pumps.<br>There you stood, your gold hair streaming,<br>Handsome in the hall light gleaming<br>There you looked and there you led me<br>Off into the game of Clumps.</p><p>Then the new Victrola playing;<br>And your funny uncle saying<br>"Choose your partners for a foxtrot.<br>Dance until it's tea o'clock<br>Come on young 'uns, foot it feetly."<br>Was it chance that paired us neatly?<br>I who loved you so completely.<br>You who pressed me closely to you,<br>Hard against your party frock.</p><p>"Meet me when you've finished eating."<br>So we met and no one found us.<br>O that dark and furry cupboard,<br>While the rest played hide-and-seek.<br>Holding hands our two hearts beating.<br>In the bedroom silence round us<br>Holding hands and hardly hearing<br>Sudden footstep, thud and shriek</p><p>Love that lay too deep for kissing.<br>"Where is Wendy? Wendy's missing."<br>Love so pure it had to end.<br>Love so strong that I was frightened<br>When you gripped my fingers tight.<br>And hugging, whispered "I'm your friend."</p><p>Goodbye Wendy. Send the fairies,<br>Pinewood elf and larch tree gnome.<br>Spingle-spangled stars are peeping<br>At the lush Lagonda creeping<br>Down the winding ways of tarmac<br>To the leaded lights of home.</p><p>There among the silver birches,<br>All the bells of all the churches<br>Sounded in the bath-waste running<br>Out into the frosty air.<br>Wendy speeded my undressing.<br>Wendy is the sheet's caressing<br>Wendy bending gives a blessing.<br>Holds me as I drift to dreamland<br>Safe inside my slumber wear.<br></p>]]>
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        <![CDATA[<p>In among the silver birches,<br>Winding ways of tarmac wander<br>And the signs to Bussock Bottom,<br>Tussock Wood and Windy Break.<br>Gabled lodges, tile-hung churches<br>Catch the lights of our Lagonda<br>As we drive to Wendy’s party,<br>Lemon curd and Christmas cake</p><p>Rich the makes of motor whirring<br>Past the pine plantation purring<br>Come up Hupmobile Delage.<br>Short the way our chauffeurs travel<br>Crunching over private gravel,<br>Each from out his warm garage.</p><p>O but Wendy, when the carpet<br>Yielded to my indoor pumps.<br>There you stood, your gold hair streaming,<br>Handsome in the hall light gleaming<br>There you looked and there you led me<br>Off into the game of Clumps.</p><p>Then the new Victrola playing;<br>And your funny uncle saying<br>"Choose your partners for a foxtrot.<br>Dance until it's tea o'clock<br>Come on young 'uns, foot it feetly."<br>Was it chance that paired us neatly?<br>I who loved you so completely.<br>You who pressed me closely to you,<br>Hard against your party frock.</p><p>"Meet me when you've finished eating."<br>So we met and no one found us.<br>O that dark and furry cupboard,<br>While the rest played hide-and-seek.<br>Holding hands our two hearts beating.<br>In the bedroom silence round us<br>Holding hands and hardly hearing<br>Sudden footstep, thud and shriek</p><p>Love that lay too deep for kissing.<br>"Where is Wendy? Wendy's missing."<br>Love so pure it had to end.<br>Love so strong that I was frightened<br>When you gripped my fingers tight.<br>And hugging, whispered "I'm your friend."</p><p>Goodbye Wendy. Send the fairies,<br>Pinewood elf and larch tree gnome.<br>Spingle-spangled stars are peeping<br>At the lush Lagonda creeping<br>Down the winding ways of tarmac<br>To the leaded lights of home.</p><p>There among the silver birches,<br>All the bells of all the churches<br>Sounded in the bath-waste running<br>Out into the frosty air.<br>Wendy speeded my undressing.<br>Wendy is the sheet's caressing<br>Wendy bending gives a blessing.<br>Holds me as I drift to dreamland<br>Safe inside my slumber wear.<br></p>]]>
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      <pubDate>Sun, 19 Jan 2025 18:01:34 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
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        <![CDATA[<p>In among the silver birches,<br>Winding ways of tarmac wander<br>And the signs to Bussock Bottom,<br>Tussock Wood and Windy Break.<br>Gabled lodges, tile-hung churches<br>Catch the lights of our Lagonda<br>As we drive to Wendy’s party,<br>Lemon curd and Christmas cake</p><p>Rich the makes of motor whirring<br>Past the pine plantation purring<br>Come up Hupmobile Delage.<br>Short the way our chauffeurs travel<br>Crunching over private gravel,<br>Each from out his warm garage.</p><p>O but Wendy, when the carpet<br>Yielded to my indoor pumps.<br>There you stood, your gold hair streaming,<br>Handsome in the hall light gleaming<br>There you looked and there you led me<br>Off into the game of Clumps.</p><p>Then the new Victrola playing;<br>And your funny uncle saying<br>"Choose your partners for a foxtrot.<br>Dance until it's tea o'clock<br>Come on young 'uns, foot it feetly."<br>Was it chance that paired us neatly?<br>I who loved you so completely.<br>You who pressed me closely to you,<br>Hard against your party frock.</p><p>"Meet me when you've finished eating."<br>So we met and no one found us.<br>O that dark and furry cupboard,<br>While the rest played hide-and-seek.<br>Holding hands our two hearts beating.<br>In the bedroom silence round us<br>Holding hands and hardly hearing<br>Sudden footstep, thud and shriek</p><p>Love that lay too deep for kissing.<br>"Where is Wendy? Wendy's missing."<br>Love so pure it had to end.<br>Love so strong that I was frightened<br>When you gripped my fingers tight.<br>And hugging, whispered "I'm your friend."</p><p>Goodbye Wendy. Send the fairies,<br>Pinewood elf and larch tree gnome.<br>Spingle-spangled stars are peeping<br>At the lush Lagonda creeping<br>Down the winding ways of tarmac<br>To the leaded lights of home.</p><p>There among the silver birches,<br>All the bells of all the churches<br>Sounded in the bath-waste running<br>Out into the frosty air.<br>Wendy speeded my undressing.<br>Wendy is the sheet's caressing<br>Wendy bending gives a blessing.<br>Holds me as I drift to dreamland<br>Safe inside my slumber wear.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>Philip Larkin.  Aubade.  </title>
      <itunes:season>1</itunes:season>
      <podcast:season>1</podcast:season>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Philip Larkin.  Aubade.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/418d10e2</link>
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        <![CDATA[<p><br>I work all day, and get half-drunk at night.   <br>Waking at four to soundless dark, I stare.   <br>In time the curtain-edges will grow light.   <br>Till then I see what’s really always there:   <br>Unresting death, a whole day nearer now,   <br>Making all thought impossible but how   <br>And where and when I shall myself die.   <br>Arid interrogation: yet the dread<br>Of dying, and being dead,<br>Flashes afresh to hold and horrify.</p><p>The mind blanks at the glare. Not in remorse   <br>—The good not done, the love not given, time   <br>Torn off unused—nor wretchedly because   <br>An only life can take so long to climb<br>Clear of its wrong beginnings, and may never;   <br>But at the total emptiness for ever,<br>The sure extinction that we travel to<br>And shall be lost in always. Not to be here,   <br>Not to be anywhere,<br>And soon; nothing more terrible, nothing more true.</p><p>This is a special way of being afraid<br>No trick dispels. Religion used to try,<br>That vast moth-eaten musical brocade<br>Created to pretend we never die,<br>And specious stuff that says No rational being<br>Can fear a thing it will not feel, not seeing<br>That this is what we fear—no sight, no sound,   <br>No touch or taste or smell, nothing to think with,   <br>Nothing to love or link with,<br>The anaesthetic from which none come round.</p><p>And so it stays just on the edge of vision,   <br>A small unfocused blur, a standing chill   <br>That slows each impulse down to indecision.   <br>Most things may never happen: this one will,   <br>And realisation of it rages out<br>In furnace-fear when we are caught without   <br>People or drink. Courage is no good:<br>It means not scaring others. Being brave   <br>Lets no one off the grave.<br>Death is no different whined at than withstood.</p><p>Slowly light strengthens, and the room takes shape.   <br>It stands plain as a wardrobe, what we know,   <br>Have always known, know that we can’t escape,   <br>Yet can’t accept. One side will have to go.<br>Meanwhile telephones crouch, getting ready to ring   <br>In locked-up offices, and all the uncaring<br>Intricate rented world begins to rouse.<br>The sky is white as clay, with no sun.<br>Work has to be done.<br>Postmen like doctors go from house to house.<br></p>]]>
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      <content:encoded>
        <![CDATA[<p><br>I work all day, and get half-drunk at night.   <br>Waking at four to soundless dark, I stare.   <br>In time the curtain-edges will grow light.   <br>Till then I see what’s really always there:   <br>Unresting death, a whole day nearer now,   <br>Making all thought impossible but how   <br>And where and when I shall myself die.   <br>Arid interrogation: yet the dread<br>Of dying, and being dead,<br>Flashes afresh to hold and horrify.</p><p>The mind blanks at the glare. Not in remorse   <br>—The good not done, the love not given, time   <br>Torn off unused—nor wretchedly because   <br>An only life can take so long to climb<br>Clear of its wrong beginnings, and may never;   <br>But at the total emptiness for ever,<br>The sure extinction that we travel to<br>And shall be lost in always. Not to be here,   <br>Not to be anywhere,<br>And soon; nothing more terrible, nothing more true.</p><p>This is a special way of being afraid<br>No trick dispels. Religion used to try,<br>That vast moth-eaten musical brocade<br>Created to pretend we never die,<br>And specious stuff that says No rational being<br>Can fear a thing it will not feel, not seeing<br>That this is what we fear—no sight, no sound,   <br>No touch or taste or smell, nothing to think with,   <br>Nothing to love or link with,<br>The anaesthetic from which none come round.</p><p>And so it stays just on the edge of vision,   <br>A small unfocused blur, a standing chill   <br>That slows each impulse down to indecision.   <br>Most things may never happen: this one will,   <br>And realisation of it rages out<br>In furnace-fear when we are caught without   <br>People or drink. Courage is no good:<br>It means not scaring others. Being brave   <br>Lets no one off the grave.<br>Death is no different whined at than withstood.</p><p>Slowly light strengthens, and the room takes shape.   <br>It stands plain as a wardrobe, what we know,   <br>Have always known, know that we can’t escape,   <br>Yet can’t accept. One side will have to go.<br>Meanwhile telephones crouch, getting ready to ring   <br>In locked-up offices, and all the uncaring<br>Intricate rented world begins to rouse.<br>The sky is white as clay, with no sun.<br>Work has to be done.<br>Postmen like doctors go from house to house.<br></p>]]>
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      <pubDate>Sun, 19 Jan 2025 18:00:35 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
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      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
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      <itunes:duration>232</itunes:duration>
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        <![CDATA[<p><br>I work all day, and get half-drunk at night.   <br>Waking at four to soundless dark, I stare.   <br>In time the curtain-edges will grow light.   <br>Till then I see what’s really always there:   <br>Unresting death, a whole day nearer now,   <br>Making all thought impossible but how   <br>And where and when I shall myself die.   <br>Arid interrogation: yet the dread<br>Of dying, and being dead,<br>Flashes afresh to hold and horrify.</p><p>The mind blanks at the glare. Not in remorse   <br>—The good not done, the love not given, time   <br>Torn off unused—nor wretchedly because   <br>An only life can take so long to climb<br>Clear of its wrong beginnings, and may never;   <br>But at the total emptiness for ever,<br>The sure extinction that we travel to<br>And shall be lost in always. Not to be here,   <br>Not to be anywhere,<br>And soon; nothing more terrible, nothing more true.</p><p>This is a special way of being afraid<br>No trick dispels. Religion used to try,<br>That vast moth-eaten musical brocade<br>Created to pretend we never die,<br>And specious stuff that says No rational being<br>Can fear a thing it will not feel, not seeing<br>That this is what we fear—no sight, no sound,   <br>No touch or taste or smell, nothing to think with,   <br>Nothing to love or link with,<br>The anaesthetic from which none come round.</p><p>And so it stays just on the edge of vision,   <br>A small unfocused blur, a standing chill   <br>That slows each impulse down to indecision.   <br>Most things may never happen: this one will,   <br>And realisation of it rages out<br>In furnace-fear when we are caught without   <br>People or drink. Courage is no good:<br>It means not scaring others. Being brave   <br>Lets no one off the grave.<br>Death is no different whined at than withstood.</p><p>Slowly light strengthens, and the room takes shape.   <br>It stands plain as a wardrobe, what we know,   <br>Have always known, know that we can’t escape,   <br>Yet can’t accept. One side will have to go.<br>Meanwhile telephones crouch, getting ready to ring   <br>In locked-up offices, and all the uncaring<br>Intricate rented world begins to rouse.<br>The sky is white as clay, with no sun.<br>Work has to be done.<br>Postmen like doctors go from house to house.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>C. P. Cavafy.  Ionian.  </title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>C. P. Cavafy.  Ionian.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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        <![CDATA[<p><br>Just because we've torn their statues down,<br>and cast them from their temples,<br>doesn't for a moment mean the gods are dead.<br>Land of Ionia, they love you yet,</p><p>their spirits still remember you.<br>When an August morning breaks upon you<br>a vigour from their lives stabs through your air;<br>and sometimes an ethereal and youthful form<br>in swiftest passage, indistinct,</p><p>                passes up above your hills.<br></p>]]>
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        <![CDATA[<p><br>Just because we've torn their statues down,<br>and cast them from their temples,<br>doesn't for a moment mean the gods are dead.<br>Land of Ionia, they love you yet,</p><p>their spirits still remember you.<br>When an August morning breaks upon you<br>a vigour from their lives stabs through your air;<br>and sometimes an ethereal and youthful form<br>in swiftest passage, indistinct,</p><p>                passes up above your hills.<br></p>]]>
      </content:encoded>
      <pubDate>Sun, 19 Jan 2025 17:42:25 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
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      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
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      <itunes:duration>72</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Just because we've torn their statues down,<br>and cast them from their temples,<br>doesn't for a moment mean the gods are dead.<br>Land of Ionia, they love you yet,</p><p>their spirits still remember you.<br>When an August morning breaks upon you<br>a vigour from their lives stabs through your air;<br>and sometimes an ethereal and youthful form<br>in swiftest passage, indistinct,</p><p>                passes up above your hills.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.   Going, Going.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Philip Larkin.   Going, Going.  </itunes:title>
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      <link>https://share.transistor.fm/s/5b58c932</link>
      <description>
        <![CDATA[<p><br>I thought it would last my time—<br>The sense that, beyond the town,<br>There would always be fields and farms,<br>Where the village louts could climb<br>Such trees as were not cut down;<br>I knew there’d be false alarms<br> <br>In the papers about old streets<br>And split level shopping, but some<br>Have always been left so far;<br>And when the old part retreats<br>As the bleak high-risers come<br>We can always escape in the car.<br> <br>Things are tougher than we are, just<br>As earth will always respond<br>However we mess it about;<br>Chuck filth in the sea, if you must:<br>The tides will be clean beyond.<br>—But what do I feel now? Doubt?<br> <br>Or age, simply? The crowd<br>Is young in the M1 cafe;<br>Their kids are screaming for more—<br>More houses, more parking allowed,<br>More caravan sites, more pay.<br>On the Business Page, a score<br> <br>Of spectacled grins approve<br>Some takeover bid that entails<br>Five per cent profit (and ten<br>Per cent more in the estuaries): move<br>Your works to the unspoilt dales<br>(Grey area grants)! And when<br> <br>You try to get near the sea<br>In summer . . .<br>       It seems, just now,<br>To be happening so very fast;<br>Despite all the land left free<br>For the first time I feel somehow<br>That it isn’t going to last,<br> <br>That before I snuff it, the whole<br>Boiling will be bricked in<br>Except for the tourist parts—<br>First slum of Europe: a role<br>It won’t be hard to win,<br>With a cast of crooks and tarts.<br> <br>And that will be England gone,<br>The shadows, the meadows, the lanes,<br>The guildhalls, the carved choirs.<br>There’ll be books; it will linger on<br>In galleries; but all that remains<br>For us will be concrete and tyres.<br> <br>Most things are never meant.<br>This won’t be, most likely; but greeds<br>And garbage are too thick-strewn<br>To be swept up now, or invent<br>Excuses that make them all needs.<br>I just think it will happen, soon.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>I thought it would last my time—<br>The sense that, beyond the town,<br>There would always be fields and farms,<br>Where the village louts could climb<br>Such trees as were not cut down;<br>I knew there’d be false alarms<br> <br>In the papers about old streets<br>And split level shopping, but some<br>Have always been left so far;<br>And when the old part retreats<br>As the bleak high-risers come<br>We can always escape in the car.<br> <br>Things are tougher than we are, just<br>As earth will always respond<br>However we mess it about;<br>Chuck filth in the sea, if you must:<br>The tides will be clean beyond.<br>—But what do I feel now? Doubt?<br> <br>Or age, simply? The crowd<br>Is young in the M1 cafe;<br>Their kids are screaming for more—<br>More houses, more parking allowed,<br>More caravan sites, more pay.<br>On the Business Page, a score<br> <br>Of spectacled grins approve<br>Some takeover bid that entails<br>Five per cent profit (and ten<br>Per cent more in the estuaries): move<br>Your works to the unspoilt dales<br>(Grey area grants)! And when<br> <br>You try to get near the sea<br>In summer . . .<br>       It seems, just now,<br>To be happening so very fast;<br>Despite all the land left free<br>For the first time I feel somehow<br>That it isn’t going to last,<br> <br>That before I snuff it, the whole<br>Boiling will be bricked in<br>Except for the tourist parts—<br>First slum of Europe: a role<br>It won’t be hard to win,<br>With a cast of crooks and tarts.<br> <br>And that will be England gone,<br>The shadows, the meadows, the lanes,<br>The guildhalls, the carved choirs.<br>There’ll be books; it will linger on<br>In galleries; but all that remains<br>For us will be concrete and tyres.<br> <br>Most things are never meant.<br>This won’t be, most likely; but greeds<br>And garbage are too thick-strewn<br>To be swept up now, or invent<br>Excuses that make them all needs.<br>I just think it will happen, soon.<br></p>]]>
      </content:encoded>
      <pubDate>Sun, 19 Jan 2025 15:36:06 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/5b58c932/3e09e51c.mp3" length="2951824" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/3sgKmeiF2rcOJhtV8EuPnsLR1PGOBiTaiOLMrVg05fM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80NGU3/NWE1M2M5MGFkNDUy/MmNjOTI2YjYzZmQ0/YmE3OC5wbmc.jpg"/>
      <itunes:duration>180</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>I thought it would last my time—<br>The sense that, beyond the town,<br>There would always be fields and farms,<br>Where the village louts could climb<br>Such trees as were not cut down;<br>I knew there’d be false alarms<br> <br>In the papers about old streets<br>And split level shopping, but some<br>Have always been left so far;<br>And when the old part retreats<br>As the bleak high-risers come<br>We can always escape in the car.<br> <br>Things are tougher than we are, just<br>As earth will always respond<br>However we mess it about;<br>Chuck filth in the sea, if you must:<br>The tides will be clean beyond.<br>—But what do I feel now? Doubt?<br> <br>Or age, simply? The crowd<br>Is young in the M1 cafe;<br>Their kids are screaming for more—<br>More houses, more parking allowed,<br>More caravan sites, more pay.<br>On the Business Page, a score<br> <br>Of spectacled grins approve<br>Some takeover bid that entails<br>Five per cent profit (and ten<br>Per cent more in the estuaries): move<br>Your works to the unspoilt dales<br>(Grey area grants)! And when<br> <br>You try to get near the sea<br>In summer . . .<br>       It seems, just now,<br>To be happening so very fast;<br>Despite all the land left free<br>For the first time I feel somehow<br>That it isn’t going to last,<br> <br>That before I snuff it, the whole<br>Boiling will be bricked in<br>Except for the tourist parts—<br>First slum of Europe: a role<br>It won’t be hard to win,<br>With a cast of crooks and tarts.<br> <br>And that will be England gone,<br>The shadows, the meadows, the lanes,<br>The guildhalls, the carved choirs.<br>There’ll be books; it will linger on<br>In galleries; but all that remains<br>For us will be concrete and tyres.<br> <br>Most things are never meant.<br>This won’t be, most likely; but greeds<br>And garbage are too thick-strewn<br>To be swept up now, or invent<br>Excuses that make them all needs.<br>I just think it will happen, soon.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>John Betjeman.  In Westminster Abbey.   </title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>John Betjeman.  In Westminster Abbey.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">623ad28b-3b59-46be-a92a-f0efaa98f417</guid>
      <link>https://share.transistor.fm/s/032f39bf</link>
      <description>
        <![CDATA[<p>Let me take this other glove off<br>As the vox humana swells,<br>And the beauteous fields of Eden<br>Bask beneath the Abbey bells.<br>Here, where England's statesmen lie,<br>Listen to a lady's cry.</p><p>Gracious Lord, oh bomb the Germans,<br>Spare their women for Thy Sake,<br>And if that is not too easy<br>We will pardon Thy Mistake.<br>But, gracious Lord, whate'er shall be,<br>Don't let anyone bomb me.</p><p>Keep our Empire undismembered<br>Guide our Forces by Thy Hand,<br>Gallant blacks from far Jamaica,<br>Honduras and Togoland;<br>Protect them Lord in all their fights,<br>And, even more, protect the whites.</p><p>Think of what our Nation stands for,<br>Books from Boots' and country lanes,<br>Free speech, free passes, class distinction,<br>Democracy and proper drains.<br>Lord, put beneath Thy special care<br>One-eighty-nine Cadogan Square.</p><p>Although dear Lord I am a sinner,<br>I have done no major crime;<br>Now I'll come to Evening Service<br>Whensoever I have the time.<br>So, Lord, reserve for me a crown,<br>And do not let my shares go down.</p><p>I will labour for Thy Kingdom,<br>Help our lads to win the war,<br>Send white feathers to the cowards<br>Join the Women's Army Corps,<br>Then wash the steps around Thy Throne<br>In the Eternal Safety Zone.</p><p>Now I feel a little better,<br>What a treat to hear Thy Word,<br>Where the bones of leading statesmen<br>Have so often been interr'd.<br>And now, dear Lord, I cannot wait<br>Because I have a luncheon date.</p><p>I will labour for Thy Kingdom,<br>Help our lads to win the war,<br>Send white feathers to the cowards<br>Join the Women's Army Corps,<br>Then wash the steps around Thy Throne<br>In the Eternal Safety Zone.</p><p>Now I feel a little better,<br>What a treat to hear Thy Word,<br>Where the bones of leading statesmen<br>Have so often been interr'd.<br>And now, dear Lord, I cannot wait<br>Because I have a luncheon date.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Let me take this other glove off<br>As the vox humana swells,<br>And the beauteous fields of Eden<br>Bask beneath the Abbey bells.<br>Here, where England's statesmen lie,<br>Listen to a lady's cry.</p><p>Gracious Lord, oh bomb the Germans,<br>Spare their women for Thy Sake,<br>And if that is not too easy<br>We will pardon Thy Mistake.<br>But, gracious Lord, whate'er shall be,<br>Don't let anyone bomb me.</p><p>Keep our Empire undismembered<br>Guide our Forces by Thy Hand,<br>Gallant blacks from far Jamaica,<br>Honduras and Togoland;<br>Protect them Lord in all their fights,<br>And, even more, protect the whites.</p><p>Think of what our Nation stands for,<br>Books from Boots' and country lanes,<br>Free speech, free passes, class distinction,<br>Democracy and proper drains.<br>Lord, put beneath Thy special care<br>One-eighty-nine Cadogan Square.</p><p>Although dear Lord I am a sinner,<br>I have done no major crime;<br>Now I'll come to Evening Service<br>Whensoever I have the time.<br>So, Lord, reserve for me a crown,<br>And do not let my shares go down.</p><p>I will labour for Thy Kingdom,<br>Help our lads to win the war,<br>Send white feathers to the cowards<br>Join the Women's Army Corps,<br>Then wash the steps around Thy Throne<br>In the Eternal Safety Zone.</p><p>Now I feel a little better,<br>What a treat to hear Thy Word,<br>Where the bones of leading statesmen<br>Have so often been interr'd.<br>And now, dear Lord, I cannot wait<br>Because I have a luncheon date.</p><p>I will labour for Thy Kingdom,<br>Help our lads to win the war,<br>Send white feathers to the cowards<br>Join the Women's Army Corps,<br>Then wash the steps around Thy Throne<br>In the Eternal Safety Zone.</p><p>Now I feel a little better,<br>What a treat to hear Thy Word,<br>Where the bones of leading statesmen<br>Have so often been interr'd.<br>And now, dear Lord, I cannot wait<br>Because I have a luncheon date.</p>]]>
      </content:encoded>
      <pubDate>Sun, 19 Jan 2025 15:35:40 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/032f39bf/45409417.mp3" length="2357779" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/URhc7xp_rbRQJkANTQ_XtRbunuitvDUCDmcA9YhWkpU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84ZDNj/NTAxYzI5NWQ1NGQz/NzMyMzk3ZTJjMjMx/ZTFiYi5wbmc.jpg"/>
      <itunes:duration>146</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Let me take this other glove off<br>As the vox humana swells,<br>And the beauteous fields of Eden<br>Bask beneath the Abbey bells.<br>Here, where England's statesmen lie,<br>Listen to a lady's cry.</p><p>Gracious Lord, oh bomb the Germans,<br>Spare their women for Thy Sake,<br>And if that is not too easy<br>We will pardon Thy Mistake.<br>But, gracious Lord, whate'er shall be,<br>Don't let anyone bomb me.</p><p>Keep our Empire undismembered<br>Guide our Forces by Thy Hand,<br>Gallant blacks from far Jamaica,<br>Honduras and Togoland;<br>Protect them Lord in all their fights,<br>And, even more, protect the whites.</p><p>Think of what our Nation stands for,<br>Books from Boots' and country lanes,<br>Free speech, free passes, class distinction,<br>Democracy and proper drains.<br>Lord, put beneath Thy special care<br>One-eighty-nine Cadogan Square.</p><p>Although dear Lord I am a sinner,<br>I have done no major crime;<br>Now I'll come to Evening Service<br>Whensoever I have the time.<br>So, Lord, reserve for me a crown,<br>And do not let my shares go down.</p><p>I will labour for Thy Kingdom,<br>Help our lads to win the war,<br>Send white feathers to the cowards<br>Join the Women's Army Corps,<br>Then wash the steps around Thy Throne<br>In the Eternal Safety Zone.</p><p>Now I feel a little better,<br>What a treat to hear Thy Word,<br>Where the bones of leading statesmen<br>Have so often been interr'd.<br>And now, dear Lord, I cannot wait<br>Because I have a luncheon date.</p><p>I will labour for Thy Kingdom,<br>Help our lads to win the war,<br>Send white feathers to the cowards<br>Join the Women's Army Corps,<br>Then wash the steps around Thy Throne<br>In the Eternal Safety Zone.</p><p>Now I feel a little better,<br>What a treat to hear Thy Word,<br>Where the bones of leading statesmen<br>Have so often been interr'd.<br>And now, dear Lord, I cannot wait<br>Because I have a luncheon date.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.  The Trees.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Philip Larkin.  The Trees.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">82fc5306-47dd-4b80-b1ba-8c0406d1bb42</guid>
      <link>https://share.transistor.fm/s/5f3e17f8</link>
      <description>
        <![CDATA[<p><br>The trees are coming into leaf<br>Like something almost being said;<br>The recent buds relax and spread,<br>Their greenness is a kind of grief.</p><p>Is it that they are born again<br>And we grow old? No, they die too,<br>Their yearly trick of looking new<br>Is written down in rings of grain.</p><p>Yet still the unresting castles thresh<br>In fullgrown thickness every May.<br>Last year is dead, they seem to say,<br>Begin afresh, afresh, afresh.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>The trees are coming into leaf<br>Like something almost being said;<br>The recent buds relax and spread,<br>Their greenness is a kind of grief.</p><p>Is it that they are born again<br>And we grow old? No, they die too,<br>Their yearly trick of looking new<br>Is written down in rings of grain.</p><p>Yet still the unresting castles thresh<br>In fullgrown thickness every May.<br>Last year is dead, they seem to say,<br>Begin afresh, afresh, afresh.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 19:27:21 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/5f3e17f8/1e46cb87.mp3" length="1332144" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/wNLR5CrjniClj-KnR7H57E2h7XzLtZLkjoie4J1F1vE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85Y2Ez/YWJlYmQ1ZDNlNjJk/ZTI1ZjM1Njk5MWNk/ZTMyNC5wbmc.jpg"/>
      <itunes:duration>80</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>The trees are coming into leaf<br>Like something almost being said;<br>The recent buds relax and spread,<br>Their greenness is a kind of grief.</p><p>Is it that they are born again<br>And we grow old? No, they die too,<br>Their yearly trick of looking new<br>Is written down in rings of grain.</p><p>Yet still the unresting castles thresh<br>In fullgrown thickness every May.<br>Last year is dead, they seem to say,<br>Begin afresh, afresh, afresh.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>John Betjeman.  Inexpensive Progress.   </title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>John Betjeman.  Inexpensive Progress.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">10a12285-6d59-415b-92b0-776560248485</guid>
      <link>https://share.transistor.fm/s/bcbf6156</link>
      <description>
        <![CDATA[<p>Encase your legs in nylons,<br>Bestride your hills with pylons<br>O age without a soul;<br>Away with gentle willows<br>And all the elmy billows<br>That through your valleys roll.</p><p>Let's say goodbye to hedges<br>And roads with grassy edges<br>And winding country lanes;<br>Let all things travel faster<br>Where motor car is master<br>Till only Speed remains.</p><p>Destroy the ancient inn-signs<br>But strew the roads with tin signs<br>'Keep Left,' 'M4,' 'Keep Out!'<br>Command, instruction, warning,<br>Repetitive adorning<br>The rockeried roundabout;</p><p>For every raw obscenity<br>Must have its small 'amenity,'<br>Its patch of shaven green,<br>And hoardings look a wonder<br>In banks of floribunda<br>With floodlights in between.</p><p>Leave no old village standing<br>Which could provide a landing<br>For aeroplanes to roar,<br>But spare such cheap defacements<br>As huts with shattered casements<br>Unlived-in since the war.</p><p>Let no provincial High Street<br>Which might be your or my street<br>Look as it used to do,<br>But let the chain stores place here<br>Their miles of black glass facia<br>And traffic thunder through.</p><p>And if there is some scenery,<br>Some unpretentious greenery,<br>Surviving anywhere,<br>It does not need protecting<br>For soon we'll be erecting<br>A Power Station there.</p><p>When all our roads are lighted<br>By concrete monsters sited<br>Like gallows overhead,<br>Bathed in the yellow vomit<br>Each monster belches from it,<br>We'll know that we are dead.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Encase your legs in nylons,<br>Bestride your hills with pylons<br>O age without a soul;<br>Away with gentle willows<br>And all the elmy billows<br>That through your valleys roll.</p><p>Let's say goodbye to hedges<br>And roads with grassy edges<br>And winding country lanes;<br>Let all things travel faster<br>Where motor car is master<br>Till only Speed remains.</p><p>Destroy the ancient inn-signs<br>But strew the roads with tin signs<br>'Keep Left,' 'M4,' 'Keep Out!'<br>Command, instruction, warning,<br>Repetitive adorning<br>The rockeried roundabout;</p><p>For every raw obscenity<br>Must have its small 'amenity,'<br>Its patch of shaven green,<br>And hoardings look a wonder<br>In banks of floribunda<br>With floodlights in between.</p><p>Leave no old village standing<br>Which could provide a landing<br>For aeroplanes to roar,<br>But spare such cheap defacements<br>As huts with shattered casements<br>Unlived-in since the war.</p><p>Let no provincial High Street<br>Which might be your or my street<br>Look as it used to do,<br>But let the chain stores place here<br>Their miles of black glass facia<br>And traffic thunder through.</p><p>And if there is some scenery,<br>Some unpretentious greenery,<br>Surviving anywhere,<br>It does not need protecting<br>For soon we'll be erecting<br>A Power Station there.</p><p>When all our roads are lighted<br>By concrete monsters sited<br>Like gallows overhead,<br>Bathed in the yellow vomit<br>Each monster belches from it,<br>We'll know that we are dead.<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 19:26:16 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/bcbf6156/6e82747b.mp3" length="2401798" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/C3KnFULhLeYL-Nx9OgGyk8oZ5Xtc4jp5FrpfsCdRfUI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wMWE2/M2FlMmU5N2EzMzIw/NGM5MTkzNDNhY2Y5/YzhlZi5wbmc.jpg"/>
      <itunes:duration>150</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Encase your legs in nylons,<br>Bestride your hills with pylons<br>O age without a soul;<br>Away with gentle willows<br>And all the elmy billows<br>That through your valleys roll.</p><p>Let's say goodbye to hedges<br>And roads with grassy edges<br>And winding country lanes;<br>Let all things travel faster<br>Where motor car is master<br>Till only Speed remains.</p><p>Destroy the ancient inn-signs<br>But strew the roads with tin signs<br>'Keep Left,' 'M4,' 'Keep Out!'<br>Command, instruction, warning,<br>Repetitive adorning<br>The rockeried roundabout;</p><p>For every raw obscenity<br>Must have its small 'amenity,'<br>Its patch of shaven green,<br>And hoardings look a wonder<br>In banks of floribunda<br>With floodlights in between.</p><p>Leave no old village standing<br>Which could provide a landing<br>For aeroplanes to roar,<br>But spare such cheap defacements<br>As huts with shattered casements<br>Unlived-in since the war.</p><p>Let no provincial High Street<br>Which might be your or my street<br>Look as it used to do,<br>But let the chain stores place here<br>Their miles of black glass facia<br>And traffic thunder through.</p><p>And if there is some scenery,<br>Some unpretentious greenery,<br>Surviving anywhere,<br>It does not need protecting<br>For soon we'll be erecting<br>A Power Station there.</p><p>When all our roads are lighted<br>By concrete monsters sited<br>Like gallows overhead,<br>Bathed in the yellow vomit<br>Each monster belches from it,<br>We'll know that we are dead.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>C. P. Cavafy.  Waiting For The Barbarians.  </title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>C. P. Cavafy.  Waiting For The Barbarians.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e1e32c0f-3889-47f4-ab23-f3ce4d0a6e22</guid>
      <link>https://share.transistor.fm/s/adbf7d9a</link>
      <description>
        <![CDATA[<p><br>What are we waiting for, assembled in the forum?</p><p>      The barbarians are due here today.</p><p><br>Why isn’t anything going on in the senate?<br>Why are the senators sitting there without legislating?</p><p>      Because the barbarians are coming today.<br>      What’s the point of senators making laws now?<br>      Once the barbarians are here, they’ll do the legislating.</p><p><br>Why did our emperor get up so early,<br>and why is he sitting enthroned at the city’s main gate,<br>in state, wearing the crown?</p><p>      Because the barbarians are coming today<br>      and the emperor’s waiting to receive their leader.<br>      He’s even got a scroll to give him,<br>      loaded with titles, with imposing names.</p><p><br>Why have our two consuls and praetors come out today<br>wearing their embroidered, their scarlet togas?<br>Why have they put on bracelets with so many amethysts,<br>rings sparkling with magnificent emeralds?<br>Why are they carrying elegant canes<br>beautifully worked in silver and gold?</p><p>      Because the barbarians are coming today<br>      and things like that dazzle the barbarians.</p><p><br>Why don’t our distinguished orators turn up as usual<br>to make their speeches, say what they have to say?</p><p>      Because the barbarians are coming today<br>      and they’re bored by rhetoric and public speaking.</p><p><br>Why this sudden bewilderment, this confusion?<br>(How serious people’s faces have become.)<br>Why are the streets and squares emptying so rapidly,<br>everyone going home lost in thought?</p><p>      Because night has fallen and the barbarians haven't come.<br>      And some of our men just in from the border say<br>      there are no barbarians any longer.</p><p><br>Now what’s going to happen to us without barbarians?<br>Those people were a kind of solution.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>What are we waiting for, assembled in the forum?</p><p>      The barbarians are due here today.</p><p><br>Why isn’t anything going on in the senate?<br>Why are the senators sitting there without legislating?</p><p>      Because the barbarians are coming today.<br>      What’s the point of senators making laws now?<br>      Once the barbarians are here, they’ll do the legislating.</p><p><br>Why did our emperor get up so early,<br>and why is he sitting enthroned at the city’s main gate,<br>in state, wearing the crown?</p><p>      Because the barbarians are coming today<br>      and the emperor’s waiting to receive their leader.<br>      He’s even got a scroll to give him,<br>      loaded with titles, with imposing names.</p><p><br>Why have our two consuls and praetors come out today<br>wearing their embroidered, their scarlet togas?<br>Why have they put on bracelets with so many amethysts,<br>rings sparkling with magnificent emeralds?<br>Why are they carrying elegant canes<br>beautifully worked in silver and gold?</p><p>      Because the barbarians are coming today<br>      and things like that dazzle the barbarians.</p><p><br>Why don’t our distinguished orators turn up as usual<br>to make their speeches, say what they have to say?</p><p>      Because the barbarians are coming today<br>      and they’re bored by rhetoric and public speaking.</p><p><br>Why this sudden bewilderment, this confusion?<br>(How serious people’s faces have become.)<br>Why are the streets and squares emptying so rapidly,<br>everyone going home lost in thought?</p><p>      Because night has fallen and the barbarians haven't come.<br>      And some of our men just in from the border say<br>      there are no barbarians any longer.</p><p><br>Now what’s going to happen to us without barbarians?<br>Those people were a kind of solution.<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 19:26:00 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/adbf7d9a/71d62d41.mp3" length="2515102" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/0LHcNgv3ZKVvTn5U2NwfNnbPkNbgE5Qghch6Ek0KByg/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iYTNk/MTU0NTUyZjY0MWM5/MmJmYTdkMTM4N2Nm/MDEyNi5wbmc.jpg"/>
      <itunes:duration>153</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>What are we waiting for, assembled in the forum?</p><p>      The barbarians are due here today.</p><p><br>Why isn’t anything going on in the senate?<br>Why are the senators sitting there without legislating?</p><p>      Because the barbarians are coming today.<br>      What’s the point of senators making laws now?<br>      Once the barbarians are here, they’ll do the legislating.</p><p><br>Why did our emperor get up so early,<br>and why is he sitting enthroned at the city’s main gate,<br>in state, wearing the crown?</p><p>      Because the barbarians are coming today<br>      and the emperor’s waiting to receive their leader.<br>      He’s even got a scroll to give him,<br>      loaded with titles, with imposing names.</p><p><br>Why have our two consuls and praetors come out today<br>wearing their embroidered, their scarlet togas?<br>Why have they put on bracelets with so many amethysts,<br>rings sparkling with magnificent emeralds?<br>Why are they carrying elegant canes<br>beautifully worked in silver and gold?</p><p>      Because the barbarians are coming today<br>      and things like that dazzle the barbarians.</p><p><br>Why don’t our distinguished orators turn up as usual<br>to make their speeches, say what they have to say?</p><p>      Because the barbarians are coming today<br>      and they’re bored by rhetoric and public speaking.</p><p><br>Why this sudden bewilderment, this confusion?<br>(How serious people’s faces have become.)<br>Why are the streets and squares emptying so rapidly,<br>everyone going home lost in thought?</p><p>      Because night has fallen and the barbarians haven't come.<br>      And some of our men just in from the border say<br>      there are no barbarians any longer.</p><p><br>Now what’s going to happen to us without barbarians?<br>Those people were a kind of solution.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.  Born Yesterday.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>Philip Larkin.  Born Yesterday.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">674b0eae-0617-4e74-bbd5-306bf68cd072</guid>
      <link>https://share.transistor.fm/s/ba1610c4</link>
      <description>
        <![CDATA[<p><br>Tightly-folded bud,<br>I have wished you something<br>None of the others would:<br>Not the usual stuff<br>About being beautiful,<br>Or running off a spring<br>Of innocence and love —<br>They will all wish you that,<br>And should it prove possible,<br>Well, you’re a lucky girl.</p><p>But if it shouldn’t, then<br>May you be ordinary;<br>Have, like other women,<br>An average of talents:<br>Not ugly, not good-looking,<br>Nothing uncustomary<br>To pull you off your balance,<br>That, unworkable itself,<br>Stops all the rest from working.<br>In fact, may you be dull —<br>If that is what a skilled,<br>Vigilant, flexible,<br>Unemphasised, enthralled<br>Catching of happiness is called.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Tightly-folded bud,<br>I have wished you something<br>None of the others would:<br>Not the usual stuff<br>About being beautiful,<br>Or running off a spring<br>Of innocence and love —<br>They will all wish you that,<br>And should it prove possible,<br>Well, you’re a lucky girl.</p><p>But if it shouldn’t, then<br>May you be ordinary;<br>Have, like other women,<br>An average of talents:<br>Not ugly, not good-looking,<br>Nothing uncustomary<br>To pull you off your balance,<br>That, unworkable itself,<br>Stops all the rest from working.<br>In fact, may you be dull —<br>If that is what a skilled,<br>Vigilant, flexible,<br>Unemphasised, enthralled<br>Catching of happiness is called.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 19:25:46 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/ba1610c4/01b08d15.mp3" length="1541546" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/cAIv-Ntlp25Xdan9vXuootwaSDVNy3UQawbt_VTik50/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mMmI5/NDY4Y2ZmNjM1ODNl/ZGZlYjM1OWQ4ZmQ4/NTc4Mi5wbmc.jpg"/>
      <itunes:duration>93</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Tightly-folded bud,<br>I have wished you something<br>None of the others would:<br>Not the usual stuff<br>About being beautiful,<br>Or running off a spring<br>Of innocence and love —<br>They will all wish you that,<br>And should it prove possible,<br>Well, you’re a lucky girl.</p><p>But if it shouldn’t, then<br>May you be ordinary;<br>Have, like other women,<br>An average of talents:<br>Not ugly, not good-looking,<br>Nothing uncustomary<br>To pull you off your balance,<br>That, unworkable itself,<br>Stops all the rest from working.<br>In fact, may you be dull —<br>If that is what a skilled,<br>Vigilant, flexible,<br>Unemphasised, enthralled<br>Catching of happiness is called.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Rupert Brooke.  The Hill.   </title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Rupert Brooke.  The Hill.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">835633f7-3dd6-4657-8bc9-bdba1e03912d</guid>
      <link>https://share.transistor.fm/s/38b1a07c</link>
      <description>
        <![CDATA[<p>Breathless, we flung us on the windy hill,<br>Laughed in the sun, and kissed the lovely grass.<br>You said, "Through glory and ecstasy we pass;<br>Wind, sun, and earth remain, the birds sing still,<br>When we are old, are old. . . ." "And when we die<br>All's over that is ours; and life burns on<br>Through other lovers, other lips," said I,<br>-- "Heart of my heart, our heaven is now, is won!"</p><p>"We are Earth's best, that learnt her lesson here.<br>Life is our cry. We have kept the faith!" we said;<br>"We shall go down with unreluctant tread<br>Rose-crowned into the darkness!" . . . Proud we were,<br>And laughed, that had such brave true things to say.<br>-- And then you suddenly cried, and turned away.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Breathless, we flung us on the windy hill,<br>Laughed in the sun, and kissed the lovely grass.<br>You said, "Through glory and ecstasy we pass;<br>Wind, sun, and earth remain, the birds sing still,<br>When we are old, are old. . . ." "And when we die<br>All's over that is ours; and life burns on<br>Through other lovers, other lips," said I,<br>-- "Heart of my heart, our heaven is now, is won!"</p><p>"We are Earth's best, that learnt her lesson here.<br>Life is our cry. We have kept the faith!" we said;<br>"We shall go down with unreluctant tread<br>Rose-crowned into the darkness!" . . . Proud we were,<br>And laughed, that had such brave true things to say.<br>-- And then you suddenly cried, and turned away.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 19:25:25 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/38b1a07c/760665aa.mp3" length="1742097" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/GdQNzWBPebltt5uChgLpRcBwVZBXNtNN3al-z5Akxj4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8yNTcx/NzUwOWNhODQwMDk4/NGFlMmNkNjNkY2Nl/Y2Y2Yy5wbmc.jpg"/>
      <itunes:duration>103</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Breathless, we flung us on the windy hill,<br>Laughed in the sun, and kissed the lovely grass.<br>You said, "Through glory and ecstasy we pass;<br>Wind, sun, and earth remain, the birds sing still,<br>When we are old, are old. . . ." "And when we die<br>All's over that is ours; and life burns on<br>Through other lovers, other lips," said I,<br>-- "Heart of my heart, our heaven is now, is won!"</p><p>"We are Earth's best, that learnt her lesson here.<br>Life is our cry. We have kept the faith!" we said;<br>"We shall go down with unreluctant tread<br>Rose-crowned into the darkness!" . . . Proud we were,<br>And laughed, that had such brave true things to say.<br>-- And then you suddenly cried, and turned away.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Hilaire Belloc.  John Vavasour de Quentin Jones.   </title>
      <itunes:season>7</itunes:season>
      <podcast:season>7</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>Hilaire Belloc.  John Vavasour de Quentin Jones.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f67170bc-d74d-4e6c-9c8a-0a83ca86b83b</guid>
      <link>https://share.transistor.fm/s/a4efea15</link>
      <description>
        <![CDATA[<p><br>John Vavasour de Quentin Jones<br>was very fond of throwing stones<br>like many of the upper class<br>he loved the sound of breaking glass<br>( a line I stole with subtle daring<br>from Wing Commander Maurice Baring)</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>John Vavasour de Quentin Jones<br>was very fond of throwing stones<br>like many of the upper class<br>he loved the sound of breaking glass<br>( a line I stole with subtle daring<br>from Wing Commander Maurice Baring)</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 19:24:32 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/a4efea15/c9783771.mp3" length="3596503" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/JNxbpRYwB0a0zpdRt3Hp2xSE8IV68fcYwJWeRl-083A/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mNGIy/MjcyMDRkYmQ1NWVk/Y2E4ZWQyZjJmMmIz/NzBiYy5wbmc.jpg"/>
      <itunes:duration>231</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>John Vavasour de Quentin Jones<br>was very fond of throwing stones<br>like many of the upper class<br>he loved the sound of breaking glass<br>( a line I stole with subtle daring<br>from Wing Commander Maurice Baring)</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.  Talking In Bed.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Philip Larkin.  Talking In Bed.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">8237576e-19bc-46e5-b5fd-28cd3efab398</guid>
      <link>https://share.transistor.fm/s/07e85022</link>
      <description>
        <![CDATA[<p><br>Talking in bed ought to be easiest,<br>Lying together there goes back so far,<br>An emblem of two people being honest.<br>Yet more and more time passes silently.<br>Outside, the wind's incomplete unrest<br>Builds and disperses clouds in the sky,<br>And dark towns heap up on the horizon.<br>None of this cares for us. Nothing shows why<br>At this unique distance from isolation<br>It becomes still more difficult to find<br>Words at once true and kind,<br>Or not untrue and not unkind.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Talking in bed ought to be easiest,<br>Lying together there goes back so far,<br>An emblem of two people being honest.<br>Yet more and more time passes silently.<br>Outside, the wind's incomplete unrest<br>Builds and disperses clouds in the sky,<br>And dark towns heap up on the horizon.<br>None of this cares for us. Nothing shows why<br>At this unique distance from isolation<br>It becomes still more difficult to find<br>Words at once true and kind,<br>Or not untrue and not unkind.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 19:24:02 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/07e85022/bbf8d89d.mp3" length="1490555" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/Jzz1yvzTU6Zhr5XAgaLZOAhJQ0tR2OrzUI3EjsH7ffo/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS81NDVj/ZDNjMTBjNjRkMzkw/MjhmMDdmNTRhMGZk/NjlkMS5wbmc.jpg"/>
      <itunes:duration>90</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Talking in bed ought to be easiest,<br>Lying together there goes back so far,<br>An emblem of two people being honest.<br>Yet more and more time passes silently.<br>Outside, the wind's incomplete unrest<br>Builds and disperses clouds in the sky,<br>And dark towns heap up on the horizon.<br>None of this cares for us. Nothing shows why<br>At this unique distance from isolation<br>It becomes still more difficult to find<br>Words at once true and kind,<br>Or not untrue and not unkind.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>John Betjeman.  Upper Lambourne.   </title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>John Betjeman.  Upper Lambourne.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">cad230dc-f619-448c-85c2-f33b82954d0b</guid>
      <link>https://share.transistor.fm/s/565daa83</link>
      <description>
        <![CDATA[<p>Up the ash tree climbs the ivy,<br>Up the ivy climbs the sun,<br>With a twenty-thousand pattering,<br>Has a valley breeze begun,<br>Feathery ash, neglected elder,<br>Shift the shade and make it run -</p><p>Shift the shade toward the nettles,<br>And the nettles set it free,<br>To streak the stained Carrara headstone,<br>Where, in nineteen-twenty-three,<br>He who trained a hundred winners,<br>Paid the Final Entrance Fee.</p><p>Leathery limbs of Upper Lambourne,<br>Leathery skin from sun and wind,<br>Leathery breeches, spreading stables,<br>Shining saddles left behind -<br>To the down the string of horses<br>Moving out of sight and mind.</p><p>Feathery ash in leathery Lambourne<br>Waves above the sarsen stone,<br>And Edwardian plantations<br>So coniferously moan<br>As to make the swelling downland,<br>Far surrounding, seem their own.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Up the ash tree climbs the ivy,<br>Up the ivy climbs the sun,<br>With a twenty-thousand pattering,<br>Has a valley breeze begun,<br>Feathery ash, neglected elder,<br>Shift the shade and make it run -</p><p>Shift the shade toward the nettles,<br>And the nettles set it free,<br>To streak the stained Carrara headstone,<br>Where, in nineteen-twenty-three,<br>He who trained a hundred winners,<br>Paid the Final Entrance Fee.</p><p>Leathery limbs of Upper Lambourne,<br>Leathery skin from sun and wind,<br>Leathery breeches, spreading stables,<br>Shining saddles left behind -<br>To the down the string of horses<br>Moving out of sight and mind.</p><p>Feathery ash in leathery Lambourne<br>Waves above the sarsen stone,<br>And Edwardian plantations<br>So coniferously moan<br>As to make the swelling downland,<br>Far surrounding, seem their own.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 17:26:49 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/565daa83/87c555bd.mp3" length="1845316" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/yDyQMPDQdj_Fc9Xa1VYjAccrViobs5CS1wj9rwYqjXU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wYTUy/YmU0ZmU0ODAxOGI4/NmIxZGI1NWU0YTFj/ZDBhMi5wbmc.jpg"/>
      <itunes:duration>111</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Up the ash tree climbs the ivy,<br>Up the ivy climbs the sun,<br>With a twenty-thousand pattering,<br>Has a valley breeze begun,<br>Feathery ash, neglected elder,<br>Shift the shade and make it run -</p><p>Shift the shade toward the nettles,<br>And the nettles set it free,<br>To streak the stained Carrara headstone,<br>Where, in nineteen-twenty-three,<br>He who trained a hundred winners,<br>Paid the Final Entrance Fee.</p><p>Leathery limbs of Upper Lambourne,<br>Leathery skin from sun and wind,<br>Leathery breeches, spreading stables,<br>Shining saddles left behind -<br>To the down the string of horses<br>Moving out of sight and mind.</p><p>Feathery ash in leathery Lambourne<br>Waves above the sarsen stone,<br>And Edwardian plantations<br>So coniferously moan<br>As to make the swelling downland,<br>Far surrounding, seem their own.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.  An Arundel Tomb.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Philip Larkin.  An Arundel Tomb.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">3df5920f-62ee-43d0-88b7-1d06ba168e8b</guid>
      <link>https://share.transistor.fm/s/1afb8b8c</link>
      <description>
        <![CDATA[<p><br>Side by side, their faces blurred,   <br>The earl and countess lie in stone,   <br>Their proper habits vaguely shown   <br>As jointed armour, stiffened pleat,   <br>And that faint hint of the absurd—   <br>The little dogs under their feet.</p><p>Such plainness of the pre-baroque    <br>Hardly involves the eye, until<br>It meets his left-hand gauntlet, still   <br>Clasped empty in the other; and   <br>One sees, with a sharp tender shock,   <br>His hand withdrawn, holding her hand.</p><p>They would not think to lie so long.   <br>Such faithfulness in effigy<br>Was just a detail friends would see:<br>A sculptor’s sweet commissioned grace   <br>Thrown off in helping to prolong   <br>The Latin names around the base.</p><p>They would not guess how early in<br>Their supine stationary voyage<br>The air would change to soundless damage,   <br>Turn the old tenantry away;<br>How soon succeeding eyes begin<br>To look, not read. Rigidly they</p><p>Persisted, linked, through lengths and breadths   <br>Of time. Snow fell, undated. Light<br>Each summer thronged the glass. A bright   <br>Litter of birdcalls strewed the same<br>Bone-riddled ground. And up the paths   <br>The endless altered people came,</p><p>Washing at their identity.   <br>Now, helpless in the hollow of   <br>An unarmorial age, a trough<br>Of smoke in slow suspended skeins   <br>Above their scrap of history,   <br>Only an attitude remains:</p><p>Time has transfigured them into   <br>Untruth. The stone fidelity<br>They hardly meant has come to be   <br>Their final blazon, and to prove   <br>Our almost-instinct almost true:   <br>What will survive of us is love.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Side by side, their faces blurred,   <br>The earl and countess lie in stone,   <br>Their proper habits vaguely shown   <br>As jointed armour, stiffened pleat,   <br>And that faint hint of the absurd—   <br>The little dogs under their feet.</p><p>Such plainness of the pre-baroque    <br>Hardly involves the eye, until<br>It meets his left-hand gauntlet, still   <br>Clasped empty in the other; and   <br>One sees, with a sharp tender shock,   <br>His hand withdrawn, holding her hand.</p><p>They would not think to lie so long.   <br>Such faithfulness in effigy<br>Was just a detail friends would see:<br>A sculptor’s sweet commissioned grace   <br>Thrown off in helping to prolong   <br>The Latin names around the base.</p><p>They would not guess how early in<br>Their supine stationary voyage<br>The air would change to soundless damage,   <br>Turn the old tenantry away;<br>How soon succeeding eyes begin<br>To look, not read. Rigidly they</p><p>Persisted, linked, through lengths and breadths   <br>Of time. Snow fell, undated. Light<br>Each summer thronged the glass. A bright   <br>Litter of birdcalls strewed the same<br>Bone-riddled ground. And up the paths   <br>The endless altered people came,</p><p>Washing at their identity.   <br>Now, helpless in the hollow of   <br>An unarmorial age, a trough<br>Of smoke in slow suspended skeins   <br>Above their scrap of history,   <br>Only an attitude remains:</p><p>Time has transfigured them into   <br>Untruth. The stone fidelity<br>They hardly meant has come to be   <br>Their final blazon, and to prove   <br>Our almost-instinct almost true:   <br>What will survive of us is love.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 17:16:50 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/1afb8b8c/0d50f3f2.mp3" length="2773008" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/SXUoxs3FrCm6hUGocmPrOZ1AUksQUsV2JSiIcXL26NQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS85ZGVi/YjZlNjFkNzU2Njc5/YjI4Yjc5ZDNjNWY3/MzdhNi5wbmc.jpg"/>
      <itunes:duration>169</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Side by side, their faces blurred,   <br>The earl and countess lie in stone,   <br>Their proper habits vaguely shown   <br>As jointed armour, stiffened pleat,   <br>And that faint hint of the absurd—   <br>The little dogs under their feet.</p><p>Such plainness of the pre-baroque    <br>Hardly involves the eye, until<br>It meets his left-hand gauntlet, still   <br>Clasped empty in the other; and   <br>One sees, with a sharp tender shock,   <br>His hand withdrawn, holding her hand.</p><p>They would not think to lie so long.   <br>Such faithfulness in effigy<br>Was just a detail friends would see:<br>A sculptor’s sweet commissioned grace   <br>Thrown off in helping to prolong   <br>The Latin names around the base.</p><p>They would not guess how early in<br>Their supine stationary voyage<br>The air would change to soundless damage,   <br>Turn the old tenantry away;<br>How soon succeeding eyes begin<br>To look, not read. Rigidly they</p><p>Persisted, linked, through lengths and breadths   <br>Of time. Snow fell, undated. Light<br>Each summer thronged the glass. A bright   <br>Litter of birdcalls strewed the same<br>Bone-riddled ground. And up the paths   <br>The endless altered people came,</p><p>Washing at their identity.   <br>Now, helpless in the hollow of   <br>An unarmorial age, a trough<br>Of smoke in slow suspended skeins   <br>Above their scrap of history,   <br>Only an attitude remains:</p><p>Time has transfigured them into   <br>Untruth. The stone fidelity<br>They hardly meant has come to be   <br>Their final blazon, and to prove   <br>Our almost-instinct almost true:   <br>What will survive of us is love.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>C. P. Cavafy.  The God Abandons Antony.   </title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>C. P. Cavafy.  The God Abandons Antony.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">86a829d3-adc3-4aad-9511-de6da1f55434</guid>
      <link>https://share.transistor.fm/s/8c8afab0</link>
      <description>
        <![CDATA[<p><br>When suddenly, at midnight, you hear<br>an invisible procession going by<br>with exquisite music, voices,<br>don’t mourn your luck that’s failing now,<br>work gone wrong, your plans<br>all proving deceptive—don’t mourn them uselessly.<br>As one long prepared, and graced with courage,<br>say goodbye to her, the Alexandria that is leaving.<br>Above all, don’t fool yourself, don’t say<br>it was a dream, your ears deceived you:<br>don’t degrade yourself with empty hopes like these.<br>As one long prepared, and graced with courage,<br>as is right for you who proved worthy of this kind of city,<br>go firmly to the window<br>and listen with deep emotion, but not<br>with the whining, the pleas of a coward;<br>listen—your final delectation—to the voices,<br>to the exquisite music of that strange procession,<br>and say goodbye to her, to the Alexandria you are losing.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>When suddenly, at midnight, you hear<br>an invisible procession going by<br>with exquisite music, voices,<br>don’t mourn your luck that’s failing now,<br>work gone wrong, your plans<br>all proving deceptive—don’t mourn them uselessly.<br>As one long prepared, and graced with courage,<br>say goodbye to her, the Alexandria that is leaving.<br>Above all, don’t fool yourself, don’t say<br>it was a dream, your ears deceived you:<br>don’t degrade yourself with empty hopes like these.<br>As one long prepared, and graced with courage,<br>as is right for you who proved worthy of this kind of city,<br>go firmly to the window<br>and listen with deep emotion, but not<br>with the whining, the pleas of a coward;<br>listen—your final delectation—to the voices,<br>to the exquisite music of that strange procession,<br>and say goodbye to her, to the Alexandria you are losing.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 16:31:11 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/8c8afab0/bcfb7827.mp3" length="1738532" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/8gYc_9oz33ufYfnUdm7QS5QqlSMkJma1-nSq3eVOChc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wODg5/NDU5NmEwNWUzMzhk/ZTlkYTE1NmU5YWJj/NmFhMi5wbmc.jpg"/>
      <itunes:duration>104</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>When suddenly, at midnight, you hear<br>an invisible procession going by<br>with exquisite music, voices,<br>don’t mourn your luck that’s failing now,<br>work gone wrong, your plans<br>all proving deceptive—don’t mourn them uselessly.<br>As one long prepared, and graced with courage,<br>say goodbye to her, the Alexandria that is leaving.<br>Above all, don’t fool yourself, don’t say<br>it was a dream, your ears deceived you:<br>don’t degrade yourself with empty hopes like these.<br>As one long prepared, and graced with courage,<br>as is right for you who proved worthy of this kind of city,<br>go firmly to the window<br>and listen with deep emotion, but not<br>with the whining, the pleas of a coward;<br>listen—your final delectation—to the voices,<br>to the exquisite music of that strange procession,<br>and say goodbye to her, to the Alexandria you are losing.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.  The North Ship.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Philip Larkin.  The North Ship.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">37318dcc-d37c-4cc9-b6a8-d841f1bb0505</guid>
      <link>https://share.transistor.fm/s/6aad4369</link>
      <description>
        <![CDATA[<p><br>I saw three ships go sailing by,<br>Over the sea, the lifting sea,<br>And the wind rose in the morning sky,<br>And one was rigged for a long journey.</p><p>The first ship turned towards the west,<br>Over the sea, the running sea,<br>And by the wind was all possessed<br>And carried to a rich country.</p><p>The second ship turned towards the east,<br>Over the sea, the quaking sea,<br>And the wind hunted it like a beast<br>To anchor in captivity.</p><p>The third ship drove towards the north,<br>Over the sea, the darkening sea,<br>But no breath of wind came forth,<br>And the decks shone frostily.</p><p>The northern sky rose high and black<br>Over the proud unfruitful sea,<br>East and west the ships came back<br>Happily or unhappily:</p><p>But the third went wide and far<br>Into an unforgiving sea<br>Under a fire-spilling star,<br>And it was rigged for a long journey.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>I saw three ships go sailing by,<br>Over the sea, the lifting sea,<br>And the wind rose in the morning sky,<br>And one was rigged for a long journey.</p><p>The first ship turned towards the west,<br>Over the sea, the running sea,<br>And by the wind was all possessed<br>And carried to a rich country.</p><p>The second ship turned towards the east,<br>Over the sea, the quaking sea,<br>And the wind hunted it like a beast<br>To anchor in captivity.</p><p>The third ship drove towards the north,<br>Over the sea, the darkening sea,<br>But no breath of wind came forth,<br>And the decks shone frostily.</p><p>The northern sky rose high and black<br>Over the proud unfruitful sea,<br>East and west the ships came back<br>Happily or unhappily:</p><p>But the third went wide and far<br>Into an unforgiving sea<br>Under a fire-spilling star,<br>And it was rigged for a long journey.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 15:27:25 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/6aad4369/afb436c0.mp3" length="1867136" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/Mxwf1yLAEnjFmI3aqjxeRt9-VBgh0JWLmsGKQQzXjoM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8xZjhk/NGU1OTE4MGVlNmY0/MGExMDRiMTE5MzJm/Y2Q4OC5wbmc.jpg"/>
      <itunes:duration>114</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>I saw three ships go sailing by,<br>Over the sea, the lifting sea,<br>And the wind rose in the morning sky,<br>And one was rigged for a long journey.</p><p>The first ship turned towards the west,<br>Over the sea, the running sea,<br>And by the wind was all possessed<br>And carried to a rich country.</p><p>The second ship turned towards the east,<br>Over the sea, the quaking sea,<br>And the wind hunted it like a beast<br>To anchor in captivity.</p><p>The third ship drove towards the north,<br>Over the sea, the darkening sea,<br>But no breath of wind came forth,<br>And the decks shone frostily.</p><p>The northern sky rose high and black<br>Over the proud unfruitful sea,<br>East and west the ships came back<br>Happily or unhappily:</p><p>But the third went wide and far<br>Into an unforgiving sea<br>Under a fire-spilling star,<br>And it was rigged for a long journey.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>John Betjeman.  Late Flowering Lust.   </title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>John Betjeman.  Late Flowering Lust.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">91aef148-4dc9-400b-8569-494f30faf6c6</guid>
      <link>https://share.transistor.fm/s/b0fe5199</link>
      <description>
        <![CDATA[<p>My head is bald, my breath is bad,<br>    Unshaven is my chin,<br>I have not now the joys I had<br>    When I was young in sin.</p><p>I run my fingers down your dress<br>    With brandy-certain aim<br>And you respond to my caress<br>    And maybe feel the same.</p><p>But I've a picture of my own<br>    On this reunion night,<br>Wherein two skeletons are shewn<br>    To hold each other tight;</p><p>Dark sockets look on emptiness<br>    Which once was loving-eyed,<br>The mouth that opens for a kiss<br>    Has got no tongue inside.</p><p>I cling to you inflamed with fear<br>    As now you cling to me,<br>I feel how frail you are my dear<br>    And wonder what will be —</p><p>A week? or twenty years remain?<br>    And then — what kind of death?<br>A losing fight with frightful pain<br>    Or a gasping fight for breath?</p><p>Too long we let our bodies cling,<br>    We cannot hide disgust<br>At all the thoughts that in us spring<br>    From this late-flowering lust.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>My head is bald, my breath is bad,<br>    Unshaven is my chin,<br>I have not now the joys I had<br>    When I was young in sin.</p><p>I run my fingers down your dress<br>    With brandy-certain aim<br>And you respond to my caress<br>    And maybe feel the same.</p><p>But I've a picture of my own<br>    On this reunion night,<br>Wherein two skeletons are shewn<br>    To hold each other tight;</p><p>Dark sockets look on emptiness<br>    Which once was loving-eyed,<br>The mouth that opens for a kiss<br>    Has got no tongue inside.</p><p>I cling to you inflamed with fear<br>    As now you cling to me,<br>I feel how frail you are my dear<br>    And wonder what will be —</p><p>A week? or twenty years remain?<br>    And then — what kind of death?<br>A losing fight with frightful pain<br>    Or a gasping fight for breath?</p><p>Too long we let our bodies cling,<br>    We cannot hide disgust<br>At all the thoughts that in us spring<br>    From this late-flowering lust.<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 15:27:12 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/b0fe5199/8c01345d.mp3" length="1922445" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/69xX8-4MhIVnmyjAVORYVVoHhfXLcDhvbaYBI_Wn_QY/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS82MDdk/NjgwNWY4MGVmYjg0/ODczNTIwNWE5NmM2/ODllZC5wbmc.jpg"/>
      <itunes:duration>116</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>My head is bald, my breath is bad,<br>    Unshaven is my chin,<br>I have not now the joys I had<br>    When I was young in sin.</p><p>I run my fingers down your dress<br>    With brandy-certain aim<br>And you respond to my caress<br>    And maybe feel the same.</p><p>But I've a picture of my own<br>    On this reunion night,<br>Wherein two skeletons are shewn<br>    To hold each other tight;</p><p>Dark sockets look on emptiness<br>    Which once was loving-eyed,<br>The mouth that opens for a kiss<br>    Has got no tongue inside.</p><p>I cling to you inflamed with fear<br>    As now you cling to me,<br>I feel how frail you are my dear<br>    And wonder what will be —</p><p>A week? or twenty years remain?<br>    And then — what kind of death?<br>A losing fight with frightful pain<br>    Or a gasping fight for breath?</p><p>Too long we let our bodies cling,<br>    We cannot hide disgust<br>At all the thoughts that in us spring<br>    From this late-flowering lust.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>C. P. Cavafy.   Days Of 1903.   </title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>C. P. Cavafy.   Days Of 1903.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">3b41919b-7171-4598-9030-22223aeeb9c2</guid>
      <link>https://share.transistor.fm/s/dbbfe79c</link>
      <description>
        <![CDATA[<p><br> I never found them again—all lost so quickly...<br>the poetic eyes, the pale face...<br>in the darkening street...</p><p> I never found them again—mine entirely by chance,<br>and so easily given up,<br>then longed for so painfully.<br>The poetic eyes, the pale face,<br>those lips—I never found them again.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br> I never found them again—all lost so quickly...<br>the poetic eyes, the pale face...<br>in the darkening street...</p><p> I never found them again—mine entirely by chance,<br>and so easily given up,<br>then longed for so painfully.<br>The poetic eyes, the pale face,<br>those lips—I never found them again.</p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 15:26:51 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/dbbfe79c/a577d51c.mp3" length="1167171" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/0KDYqoWwdQw9a4srNO8wyLbblNUBOJgrCYzasqR1ztU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lOGIz/OGFmMmExNTc0ZGQ1/YzE5NmE5ZjY0MjUx/NjU5My5wbmc.jpg"/>
      <itunes:duration>68</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br> I never found them again—all lost so quickly...<br>the poetic eyes, the pale face...<br>in the darkening street...</p><p> I never found them again—mine entirely by chance,<br>and so easily given up,<br>then longed for so painfully.<br>The poetic eyes, the pale face,<br>those lips—I never found them again.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Hilaire Belloc.  Jim, Who Ran Away From His Nurse And Was Eaten By A Lion.  </title>
      <itunes:season>7</itunes:season>
      <podcast:season>7</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Hilaire Belloc.  Jim, Who Ran Away From His Nurse And Was Eaten By A Lion.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">66631850-90e5-4f3a-8ca6-85ff6290c51e</guid>
      <link>https://share.transistor.fm/s/025537af</link>
      <description>
        <![CDATA[<p>There was a Boy whose name was Jim;<br>His Friends were very good to him.<br>They gave him Tea, and Cakes, and Jam,<br>And slices of delicious Ham,<br>And Chocolate with pink inside<br>And little Tricycles to ride,<br>And read him Stories through and through,<br>And even took him to the Zoo--<br>But there it was the dreadful Fate<br>Befell him, which I now relate.</p><p>You know--or at least you ought to know,<br>For I have often told you so--<br>That Children never are allowed<br>To leave their Nurses in a Crowd;<br>Now this was Jim's especial Foible,<br>He ran away when he was able,<br>And on this inauspicious day<br>He slipped his hand and ran away!</p><p>He hadn't gone a yard when--Bang!<br>With open Jaws, a lion sprang,<br>And hungrily began to eat<br>The Boy: beginning at his feet.<br>Now, just imagine how it feels<br>When first your toes and then your heels,<br>And then by gradual degrees,<br>Your shins and ankles, calves and knees,<br>Are slowly eaten, bit by bit.<br>No wonder Jim detested it!<br>No wonder that he shouted ``Hi!''</p><p>The Honest Keeper heard his cry,<br>Though very fat he almost ran<br>To help the little gentleman.<br>``Ponto!'' he ordered as he came<br>(For Ponto was the Lion's name),<br>``Ponto!'' he cried, with angry Frown,<br>``Let go, Sir! Down, Sir! Put it down!''<br>The Lion made a sudden stop,<br>He let the Dainty Morsel drop,<br>And slunk reluctant to his Cage,<br>Snarling with Disappointed Rage.<br>But when he bent him over Jim,<br>The Honest Keeper's Eyes were dim.<br>The Lion having reached his Head,<br>The Miserable Boy was dead!</p><p>When Nurse informed his Parents, they<br>Were more Concerned than I can say:--<br>His Mother, as She dried her eyes,<br>Said, ``Well--it gives me no surprise,<br>He would not do as he was told!''<br>His Father, who was self-controlled,<br>Bade all the children round attend<br>To James's miserable end,<br>And always keep a-hold of Nurse<br>For fear of finding something worse.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>There was a Boy whose name was Jim;<br>His Friends were very good to him.<br>They gave him Tea, and Cakes, and Jam,<br>And slices of delicious Ham,<br>And Chocolate with pink inside<br>And little Tricycles to ride,<br>And read him Stories through and through,<br>And even took him to the Zoo--<br>But there it was the dreadful Fate<br>Befell him, which I now relate.</p><p>You know--or at least you ought to know,<br>For I have often told you so--<br>That Children never are allowed<br>To leave their Nurses in a Crowd;<br>Now this was Jim's especial Foible,<br>He ran away when he was able,<br>And on this inauspicious day<br>He slipped his hand and ran away!</p><p>He hadn't gone a yard when--Bang!<br>With open Jaws, a lion sprang,<br>And hungrily began to eat<br>The Boy: beginning at his feet.<br>Now, just imagine how it feels<br>When first your toes and then your heels,<br>And then by gradual degrees,<br>Your shins and ankles, calves and knees,<br>Are slowly eaten, bit by bit.<br>No wonder Jim detested it!<br>No wonder that he shouted ``Hi!''</p><p>The Honest Keeper heard his cry,<br>Though very fat he almost ran<br>To help the little gentleman.<br>``Ponto!'' he ordered as he came<br>(For Ponto was the Lion's name),<br>``Ponto!'' he cried, with angry Frown,<br>``Let go, Sir! Down, Sir! Put it down!''<br>The Lion made a sudden stop,<br>He let the Dainty Morsel drop,<br>And slunk reluctant to his Cage,<br>Snarling with Disappointed Rage.<br>But when he bent him over Jim,<br>The Honest Keeper's Eyes were dim.<br>The Lion having reached his Head,<br>The Miserable Boy was dead!</p><p>When Nurse informed his Parents, they<br>Were more Concerned than I can say:--<br>His Mother, as She dried her eyes,<br>Said, ``Well--it gives me no surprise,<br>He would not do as he was told!''<br>His Father, who was self-controlled,<br>Bade all the children round attend<br>To James's miserable end,<br>And always keep a-hold of Nurse<br>For fear of finding something worse.<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 14:41:40 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/025537af/f70d5184.mp3" length="2912788" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/O-KdjJlwbladBYwG43gJBe1ICvzDVQLcY6HXpMRRou4/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lZTEz/Y2VjOTU4NGRmMDYx/ZDU5MTA3Nzk0YzJj/MmQ2Mi5wbmc.jpg"/>
      <itunes:duration>185</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>There was a Boy whose name was Jim;<br>His Friends were very good to him.<br>They gave him Tea, and Cakes, and Jam,<br>And slices of delicious Ham,<br>And Chocolate with pink inside<br>And little Tricycles to ride,<br>And read him Stories through and through,<br>And even took him to the Zoo--<br>But there it was the dreadful Fate<br>Befell him, which I now relate.</p><p>You know--or at least you ought to know,<br>For I have often told you so--<br>That Children never are allowed<br>To leave their Nurses in a Crowd;<br>Now this was Jim's especial Foible,<br>He ran away when he was able,<br>And on this inauspicious day<br>He slipped his hand and ran away!</p><p>He hadn't gone a yard when--Bang!<br>With open Jaws, a lion sprang,<br>And hungrily began to eat<br>The Boy: beginning at his feet.<br>Now, just imagine how it feels<br>When first your toes and then your heels,<br>And then by gradual degrees,<br>Your shins and ankles, calves and knees,<br>Are slowly eaten, bit by bit.<br>No wonder Jim detested it!<br>No wonder that he shouted ``Hi!''</p><p>The Honest Keeper heard his cry,<br>Though very fat he almost ran<br>To help the little gentleman.<br>``Ponto!'' he ordered as he came<br>(For Ponto was the Lion's name),<br>``Ponto!'' he cried, with angry Frown,<br>``Let go, Sir! Down, Sir! Put it down!''<br>The Lion made a sudden stop,<br>He let the Dainty Morsel drop,<br>And slunk reluctant to his Cage,<br>Snarling with Disappointed Rage.<br>But when he bent him over Jim,<br>The Honest Keeper's Eyes were dim.<br>The Lion having reached his Head,<br>The Miserable Boy was dead!</p><p>When Nurse informed his Parents, they<br>Were more Concerned than I can say:--<br>His Mother, as She dried her eyes,<br>Said, ``Well--it gives me no surprise,<br>He would not do as he was told!''<br>His Father, who was self-controlled,<br>Bade all the children round attend<br>To James's miserable end,<br>And always keep a-hold of Nurse<br>For fear of finding something worse.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.  To The Sea.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Philip Larkin.  To The Sea.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">902d9309-ff76-4c28-b251-9321e3806a23</guid>
      <link>https://share.transistor.fm/s/097bcc22</link>
      <description>
        <![CDATA[<p><br>To step over the low wall that divides<br>Road from concrete walk above the shore<br>Brings sharply back something known long before –<br>The miniature gaiety of seasides.<br>Everything crowds under the low horizon:<br>Steep beach, blue water, towels, red bathing caps,<br>The small hushed waves’ repeated fresh collapse<br>Up the warm yellow sand, and further off<br>A white steamer stuck in the afternoon –</p><p>Still going on, all of it, still going on!<br>To lie, eat, sleep in hearing of the surf<br>(Ears to transistors, that sound tame enough<br>Under the sky), or gently up and down<br>Lead the uncertain children, frilled in white<br>And grasping at enormous air, or wheel<br>The rigid old along for them to feel<br>A final summer, plainly still occurs<br>As half an annual pleasure, half a rite,</p><p>As when, happy at being on my own,<br>I searched the sand for Famous Cricketers,<br>Or, farther back, my parents, listeners<br>To the same seaside quack, first became known.<br>Strange to it now, I watch the cloudless scene:<br>The same clear water over smoothed pebbles<br>The distant bathers’ weak protesting trebles<br>Down at its edge, and then the cheap cigars,<br>The chocolate-papers, tea-leaves, and, between</p><p>The rocks, the rusting soup-tins, till the first<br>Few families start the trek back to the cars.<br>The white steamer has gone. Like breathed-on glass<br>The sunlight has turned milky. If the worst<br>Of flawless weather is our falling short,<br>It may be that through habit these do best,<br>Coming to water clumsily undressed<br>Yearly; teaching their children by a sort<br>Of clowning; helping the old, too, as they ought.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>To step over the low wall that divides<br>Road from concrete walk above the shore<br>Brings sharply back something known long before –<br>The miniature gaiety of seasides.<br>Everything crowds under the low horizon:<br>Steep beach, blue water, towels, red bathing caps,<br>The small hushed waves’ repeated fresh collapse<br>Up the warm yellow sand, and further off<br>A white steamer stuck in the afternoon –</p><p>Still going on, all of it, still going on!<br>To lie, eat, sleep in hearing of the surf<br>(Ears to transistors, that sound tame enough<br>Under the sky), or gently up and down<br>Lead the uncertain children, frilled in white<br>And grasping at enormous air, or wheel<br>The rigid old along for them to feel<br>A final summer, plainly still occurs<br>As half an annual pleasure, half a rite,</p><p>As when, happy at being on my own,<br>I searched the sand for Famous Cricketers,<br>Or, farther back, my parents, listeners<br>To the same seaside quack, first became known.<br>Strange to it now, I watch the cloudless scene:<br>The same clear water over smoothed pebbles<br>The distant bathers’ weak protesting trebles<br>Down at its edge, and then the cheap cigars,<br>The chocolate-papers, tea-leaves, and, between</p><p>The rocks, the rusting soup-tins, till the first<br>Few families start the trek back to the cars.<br>The white steamer has gone. Like breathed-on glass<br>The sunlight has turned milky. If the worst<br>Of flawless weather is our falling short,<br>It may be that through habit these do best,<br>Coming to water clumsily undressed<br>Yearly; teaching their children by a sort<br>Of clowning; helping the old, too, as they ought.<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 14:40:30 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/097bcc22/e96e8fab.mp3" length="2866056" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/jlozEJnM4rUEA00QBibbeKsjfhruqR9O_ef3keBFYWE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iZThl/ZTA5MjdjNzFiNTVm/NTI3ZWVmOTMxMDZm/ZjMxNy5wbmc.jpg"/>
      <itunes:duration>175</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>To step over the low wall that divides<br>Road from concrete walk above the shore<br>Brings sharply back something known long before –<br>The miniature gaiety of seasides.<br>Everything crowds under the low horizon:<br>Steep beach, blue water, towels, red bathing caps,<br>The small hushed waves’ repeated fresh collapse<br>Up the warm yellow sand, and further off<br>A white steamer stuck in the afternoon –</p><p>Still going on, all of it, still going on!<br>To lie, eat, sleep in hearing of the surf<br>(Ears to transistors, that sound tame enough<br>Under the sky), or gently up and down<br>Lead the uncertain children, frilled in white<br>And grasping at enormous air, or wheel<br>The rigid old along for them to feel<br>A final summer, plainly still occurs<br>As half an annual pleasure, half a rite,</p><p>As when, happy at being on my own,<br>I searched the sand for Famous Cricketers,<br>Or, farther back, my parents, listeners<br>To the same seaside quack, first became known.<br>Strange to it now, I watch the cloudless scene:<br>The same clear water over smoothed pebbles<br>The distant bathers’ weak protesting trebles<br>Down at its edge, and then the cheap cigars,<br>The chocolate-papers, tea-leaves, and, between</p><p>The rocks, the rusting soup-tins, till the first<br>Few families start the trek back to the cars.<br>The white steamer has gone. Like breathed-on glass<br>The sunlight has turned milky. If the worst<br>Of flawless weather is our falling short,<br>It may be that through habit these do best,<br>Coming to water clumsily undressed<br>Yearly; teaching their children by a sort<br>Of clowning; helping the old, too, as they ought.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>C. P. Cavafy.     Remember, Body.     </title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>C. P. Cavafy.     Remember, Body.     </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a559e037-356a-4ebd-99be-3ceade0db1fc</guid>
      <link>https://share.transistor.fm/s/b46bec07</link>
      <description>
        <![CDATA[<p>Body, remember not only how much you were loved, <br>not only the beds on which you lay, <br>but also those desires which for you <br>plainly glowed in the eyes, <br>and trembled in the voice -- and some <br>chance obstacle made them futile. <br>Now that all belongs to the past, <br>it is almost as if you had yielded <br>to those desires too -- remember, <br>how they glowed, in the eyes looking at you; <br>how they trembled in the voice, for you, remember, body. <br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Body, remember not only how much you were loved, <br>not only the beds on which you lay, <br>but also those desires which for you <br>plainly glowed in the eyes, <br>and trembled in the voice -- and some <br>chance obstacle made them futile. <br>Now that all belongs to the past, <br>it is almost as if you had yielded <br>to those desires too -- remember, <br>how they glowed, in the eyes looking at you; <br>how they trembled in the voice, for you, remember, body. <br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 11:59:43 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/b46bec07/689f7c5a.mp3" length="1269995" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/jSPVr41FYjCpRYQ9C6NO64y_5l2_ZRfeIfPpNrdlfFc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iMzFj/NWNiMTNhNjJlYTVj/OWNmZjZiMGNhYjhi/ODBmZi5wbmc.jpg"/>
      <itunes:duration>75</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Body, remember not only how much you were loved, <br>not only the beds on which you lay, <br>but also those desires which for you <br>plainly glowed in the eyes, <br>and trembled in the voice -- and some <br>chance obstacle made them futile. <br>Now that all belongs to the past, <br>it is almost as if you had yielded <br>to those desires too -- remember, <br>how they glowed, in the eyes looking at you; <br>how they trembled in the voice, for you, remember, body. <br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Rupert Brooke.  The Soilder.   </title>
      <itunes:season>6</itunes:season>
      <podcast:season>6</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Rupert Brooke.  The Soilder.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">88b8e6b0-c8bb-44b7-897a-c28221e903cc</guid>
      <link>https://share.transistor.fm/s/48022a51</link>
      <description>
        <![CDATA[<p>If I should die, think only this of me:<br>      That there’s some corner of a foreign field<br>That is for ever England. There shall be<br>      In that rich earth a richer dust concealed;<br>A dust whom England bore, shaped, made aware,<br>      Gave, once, her flowers to love, her ways to roam;<br>A body of England’s, breathing English air,<br>      Washed by the rivers, blest by suns of home.</p><p>And think, this heart, all evil shed away,<br>      A pulse in the eternal mind, no less<br>            Gives somewhere back the thoughts by England given;<br>Her sights and sounds; dreams happy as her day;<br>      And laughter, learnt of friends; and gentleness,<br>            In hearts at peace, under an English heaven.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>If I should die, think only this of me:<br>      That there’s some corner of a foreign field<br>That is for ever England. There shall be<br>      In that rich earth a richer dust concealed;<br>A dust whom England bore, shaped, made aware,<br>      Gave, once, her flowers to love, her ways to roam;<br>A body of England’s, breathing English air,<br>      Washed by the rivers, blest by suns of home.</p><p>And think, this heart, all evil shed away,<br>      A pulse in the eternal mind, no less<br>            Gives somewhere back the thoughts by England given;<br>Her sights and sounds; dreams happy as her day;<br>      And laughter, learnt of friends; and gentleness,<br>            In hearts at peace, under an English heaven.<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 11:10:03 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/48022a51/2eff8709.mp3" length="1729705" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/XtFQa3oS2GFGv7ghXHITBhn6QVxnGULGhSC81qAYCLE/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS80ZWZh/NTZiZWY1OTk2ZDdh/NWExYWZkYmZkMTc3/Zjk2OC5wbmc.jpg"/>
      <itunes:duration>102</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>If I should die, think only this of me:<br>      That there’s some corner of a foreign field<br>That is for ever England. There shall be<br>      In that rich earth a richer dust concealed;<br>A dust whom England bore, shaped, made aware,<br>      Gave, once, her flowers to love, her ways to roam;<br>A body of England’s, breathing English air,<br>      Washed by the rivers, blest by suns of home.</p><p>And think, this heart, all evil shed away,<br>      A pulse in the eternal mind, no less<br>            Gives somewhere back the thoughts by England given;<br>Her sights and sounds; dreams happy as her day;<br>      And laughter, learnt of friends; and gentleness,<br>            In hearts at peace, under an English heaven.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Douglas Dunn.   Love Poem.  </title>
      <itunes:season>8</itunes:season>
      <podcast:season>8</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Douglas Dunn.   Love Poem.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">abfd08c8-9bde-430f-8dd1-d21dcd12420a</guid>
      <link>https://share.transistor.fm/s/b6d90e17</link>
      <description>
        <![CDATA[<p>I live in you, you live in me;<br>We are two gardens haunted by each other.<br>Sometimes I cannot find you there,<br>There is only the swing creaking, that you have just left,<br>Or your favourite book beside the sundial.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>I live in you, you live in me;<br>We are two gardens haunted by each other.<br>Sometimes I cannot find you there,<br>There is only the swing creaking, that you have just left,<br>Or your favourite book beside the sundial.<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 11:09:14 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/b6d90e17/6dfc386b.mp3" length="996638" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/lY2Fb7G---kjuo296_02MxKnAxO3M4wCe9bV0DKwBiM/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8zMTNh/MDdkZjQ1MGY2ZDQw/ZWZlMWFlNmU4NTIy/NmIxNS5wbmc.jpg"/>
      <itunes:duration>60</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>I live in you, you live in me;<br>We are two gardens haunted by each other.<br>Sometimes I cannot find you there,<br>There is only the swing creaking, that you have just left,<br>Or your favourite book beside the sundial.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>William Blake.  From "Milton".  </title>
      <itunes:season>4</itunes:season>
      <podcast:season>4</podcast:season>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>William Blake.  From "Milton".  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6cbd540e-21e5-4810-8895-141c8c362213</guid>
      <link>https://share.transistor.fm/s/3285f485</link>
      <description>
        <![CDATA[<p>And did those feet in ancient time  <br>   Walk upon England’s mountains green?  <br>And was the holy Lamb of God  <br>   On England’s pleasant pastures seen?  <br>  <br>And did the Countenance Divine     <br>   Shine forth upon our clouded hills?  <br>And was Jerusalem builded here  <br>   Among these dark Satanic Mills?  <br>  <br>Bring me my bow of burning gold!  <br>   Bring me my arrows of desire!  <br>Bring me my spear! O clouds, unfold!  <br>   Bring me my chariot of fire!  <br>  <br>I will not cease from mental fight,  <br>   Nor shall my sword sleep in my hand,  <br>Till we have built Jerusalem    <br>   In England’s green and pleasant land.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>And did those feet in ancient time  <br>   Walk upon England’s mountains green?  <br>And was the holy Lamb of God  <br>   On England’s pleasant pastures seen?  <br>  <br>And did the Countenance Divine     <br>   Shine forth upon our clouded hills?  <br>And was Jerusalem builded here  <br>   Among these dark Satanic Mills?  <br>  <br>Bring me my bow of burning gold!  <br>   Bring me my arrows of desire!  <br>Bring me my spear! O clouds, unfold!  <br>   Bring me my chariot of fire!  <br>  <br>I will not cease from mental fight,  <br>   Nor shall my sword sleep in my hand,  <br>Till we have built Jerusalem    <br>   In England’s green and pleasant land.<br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Jan 2025 11:00:50 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/3285f485/67c37da0.mp3" length="1703799" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/TcPH-_0DRQwN1F7QmgdN9x_7NF2p0M4IXGYUM8xHxPU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS8wMDNm/NDgzNmVjZmIxOGIx/ZjdiMzMzODNiZjUw/ODE0ZS5wbmc.jpg"/>
      <itunes:duration>101</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>And did those feet in ancient time  <br>   Walk upon England’s mountains green?  <br>And was the holy Lamb of God  <br>   On England’s pleasant pastures seen?  <br>  <br>And did the Countenance Divine     <br>   Shine forth upon our clouded hills?  <br>And was Jerusalem builded here  <br>   Among these dark Satanic Mills?  <br>  <br>Bring me my bow of burning gold!  <br>   Bring me my arrows of desire!  <br>Bring me my spear! O clouds, unfold!  <br>   Bring me my chariot of fire!  <br>  <br>I will not cease from mental fight,  <br>   Nor shall my sword sleep in my hand,  <br>Till we have built Jerusalem    <br>   In England’s green and pleasant land.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.  High Windows.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Philip Larkin.  High Windows.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5b62e730-20ee-4af8-ae54-aca17011d8ce</guid>
      <link>https://share.transistor.fm/s/63c29170</link>
      <description>
        <![CDATA[<p><br>When I see a couple of kids<br>And guess he’s fucking her and she’s   <br>Taking pills or wearing a diaphragm,   <br>I know this is paradise</p><p>Everyone old has dreamed of all their lives—   <br>Bonds and gestures pushed to one side<br>Like an outdated combine harvester,<br>And everyone young going down the long slide</p><p>To happiness, endlessly. I wonder if   <br>Anyone looked at me, forty years back,   <br>And thought, That’ll be the life;<br>No God any more, or sweating in the dark</p><p>About hell and that, or having to hide   <br>What you think of the priest. He<br>And his lot will all go down the long slide   <br>Like free bloody birds. And immediately</p><p>Rather than words comes the thought of high windows:   <br>The sun-comprehending glass,<br>And beyond it, the deep blue air, that shows<br>Nothing, and is nowhere, and is endless.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>When I see a couple of kids<br>And guess he’s fucking her and she’s   <br>Taking pills or wearing a diaphragm,   <br>I know this is paradise</p><p>Everyone old has dreamed of all their lives—   <br>Bonds and gestures pushed to one side<br>Like an outdated combine harvester,<br>And everyone young going down the long slide</p><p>To happiness, endlessly. I wonder if   <br>Anyone looked at me, forty years back,   <br>And thought, That’ll be the life;<br>No God any more, or sweating in the dark</p><p>About hell and that, or having to hide   <br>What you think of the priest. He<br>And his lot will all go down the long slide   <br>Like free bloody birds. And immediately</p><p>Rather than words comes the thought of high windows:   <br>The sun-comprehending glass,<br>And beyond it, the deep blue air, that shows<br>Nothing, and is nowhere, and is endless.<br></p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Jan 2025 17:34:24 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/63c29170/0f86713b.mp3" length="1725446" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/4fWv_1m_2lJt5sGgM2Eg_oD6XRwJP7kW7PIQZiUf9MQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9kMjNh/Njg0Yzc0NzkzODQw/MDZiZjBlMmYxOTJm/MmVhYS5wbmc.jpg"/>
      <itunes:duration>105</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>When I see a couple of kids<br>And guess he’s fucking her and she’s   <br>Taking pills or wearing a diaphragm,   <br>I know this is paradise</p><p>Everyone old has dreamed of all their lives—   <br>Bonds and gestures pushed to one side<br>Like an outdated combine harvester,<br>And everyone young going down the long slide</p><p>To happiness, endlessly. I wonder if   <br>Anyone looked at me, forty years back,   <br>And thought, That’ll be the life;<br>No God any more, or sweating in the dark</p><p>About hell and that, or having to hide   <br>What you think of the priest. He<br>And his lot will all go down the long slide   <br>Like free bloody birds. And immediately</p><p>Rather than words comes the thought of high windows:   <br>The sun-comprehending glass,<br>And beyond it, the deep blue air, that shows<br>Nothing, and is nowhere, and is endless.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>C. P. Cavafy.   Desires.   </title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>C. P. Cavafy.   Desires.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">dc0d0dbf-2c86-4321-9051-dba2716b54cf</guid>
      <link>https://share.transistor.fm/s/7ed1f6d6</link>
      <description>
        <![CDATA[<p><br>Like beautiful bodies of the dead, who had not grown old<br>and they shut them with tears, in a magnificent mausoleum,<br>with roses at the head and jasmine at the feet —<br>that is how desires look that have passed<br>without fulfillment;  without one of them having achieved<br>a night of sensual delight, or a moonlit morn.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>Like beautiful bodies of the dead, who had not grown old<br>and they shut them with tears, in a magnificent mausoleum,<br>with roses at the head and jasmine at the feet —<br>that is how desires look that have passed<br>without fulfillment;  without one of them having achieved<br>a night of sensual delight, or a moonlit morn.<br></p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Jan 2025 17:34:00 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/7ed1f6d6/604e005c.mp3" length="1097428" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/bLf0RpDcYNcCNmfYCXDFpgXF6mean7fSxLV8g8jB3Cc/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84M2Fi/ZTc2ODJkMmYzOTMy/YWIzYzFmNWM2N2Rm/Y2NmOC5wbmc.jpg"/>
      <itunes:duration>64</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>Like beautiful bodies of the dead, who had not grown old<br>and they shut them with tears, in a magnificent mausoleum,<br>with roses at the head and jasmine at the feet —<br>that is how desires look that have passed<br>without fulfillment;  without one of them having achieved<br>a night of sensual delight, or a moonlit morn.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>John Betjeman.  How To Get On In Society.   </title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>John Betjeman.  How To Get On In Society.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e8c72a27-e982-4bdb-a44a-7bdf61b594d4</guid>
      <link>https://share.transistor.fm/s/e46220bf</link>
      <description>
        <![CDATA[<p>Phone for the fish knives, Norman<br>As cook is a little unnerved;<br>You kiddies have crumpled the serviettes<br>And I must have things daintily served.</p><p>Are the requisites all in the toilet?<br>The frills round the cutlets can wait<br>Till the girl has replenished the cruets<br>And switched on the logs in the grate.</p><p>It's ever so close in the lounge dear,<br>But the vestibule's comfy for tea<br>And Howard is riding on horseback<br>So do come and take some with me</p><p>Now here is a fork for your pastries<br>And do use the couch for your feet;<br>I know that I wanted to ask you-<br>Is trifle sufficient for sweet?</p><p>Milk and then just as it comes dear?<br>I'm afraid the preserve's full of stones;<br>Beg pardon, I'm soiling the doileys<br>With afternoon tea-cakes and scones.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Phone for the fish knives, Norman<br>As cook is a little unnerved;<br>You kiddies have crumpled the serviettes<br>And I must have things daintily served.</p><p>Are the requisites all in the toilet?<br>The frills round the cutlets can wait<br>Till the girl has replenished the cruets<br>And switched on the logs in the grate.</p><p>It's ever so close in the lounge dear,<br>But the vestibule's comfy for tea<br>And Howard is riding on horseback<br>So do come and take some with me</p><p>Now here is a fork for your pastries<br>And do use the couch for your feet;<br>I know that I wanted to ask you-<br>Is trifle sufficient for sweet?</p><p>Milk and then just as it comes dear?<br>I'm afraid the preserve's full of stones;<br>Beg pardon, I'm soiling the doileys<br>With afternoon tea-cakes and scones.</p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Jan 2025 17:33:24 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/e46220bf/9398a03a.mp3" length="1604628" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/-NN7kqQYTY7iTebvjkA7bE5yFy8C-aL_A6lna3Mp7TU/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9lMzc5/M2YxMmIyYjhmY2Qx/NzU0YTdiNDcwOTlh/ZjIxZC5wbmc.jpg"/>
      <itunes:duration>92</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Phone for the fish knives, Norman<br>As cook is a little unnerved;<br>You kiddies have crumpled the serviettes<br>And I must have things daintily served.</p><p>Are the requisites all in the toilet?<br>The frills round the cutlets can wait<br>Till the girl has replenished the cruets<br>And switched on the logs in the grate.</p><p>It's ever so close in the lounge dear,<br>But the vestibule's comfy for tea<br>And Howard is riding on horseback<br>So do come and take some with me</p><p>Now here is a fork for your pastries<br>And do use the couch for your feet;<br>I know that I wanted to ask you-<br>Is trifle sufficient for sweet?</p><p>Milk and then just as it comes dear?<br>I'm afraid the preserve's full of stones;<br>Beg pardon, I'm soiling the doileys<br>With afternoon tea-cakes and scones.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>C. P. Cavafy.  Days of 1908.   </title>
      <itunes:season>3</itunes:season>
      <podcast:season>3</podcast:season>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>C. P. Cavafy.  Days of 1908.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9de9965f-f899-4269-b0c0-ce0066ea9892</guid>
      <link>https://share.transistor.fm/s/dcc7015d</link>
      <description>
        <![CDATA[<p> <br>That was the year when he stayed<br>Without work, for a living played<br>Cards, or backgammon; or borrowed and never paid.</p><p>He was offered a place at a small<br>Stationer’s, three pounds a month. It didn’t suit him.<br>It was not decent pay at all.<br>He refused it without hesitation;<br>He was twenty-five, and of good education.</p><p>Two or three shillings he made, more or less.<br>From cards and backgammon what could a boy skim;<br>At the common places, the cafés of his grade,<br>Although he played sharply, and picked stupid players.<br>As for borrowing, that didn’t always come off.<br>He seldom struck a dollar, oftener he’d fall<br>To half, and sometimes as low as a shilling.</p><p>Sometimes, when he got away from the grim<br>Night-sitting, for a week at a time or more,<br>He would cool himself at the baths, with a morning swim.</p><p>The shabbiness of his clothes was tragical.<br>He always wore the same suit, always displayed<br>A suit of cinnamon brown discoloured and frayed.</p><p>O summer days of nineteen hundred and eight, I recall<br>The picture of you, and out of it seems to fade,<br>Harmoniously, that cinnamon suit discoloured and frayed.</p><p>The picture of you has preserved him<br>Just as he would take off, would fling down<br>The unworthy clothes, the mended under clothes,<br>And remain all naked; faultlessly beautiful; a wonder.<br>Uncombed and lifted up his hair was;<br>His limbs a little sunburnt<br>From the morning nakedness at the baths and on the beach.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p> <br>That was the year when he stayed<br>Without work, for a living played<br>Cards, or backgammon; or borrowed and never paid.</p><p>He was offered a place at a small<br>Stationer’s, three pounds a month. It didn’t suit him.<br>It was not decent pay at all.<br>He refused it without hesitation;<br>He was twenty-five, and of good education.</p><p>Two or three shillings he made, more or less.<br>From cards and backgammon what could a boy skim;<br>At the common places, the cafés of his grade,<br>Although he played sharply, and picked stupid players.<br>As for borrowing, that didn’t always come off.<br>He seldom struck a dollar, oftener he’d fall<br>To half, and sometimes as low as a shilling.</p><p>Sometimes, when he got away from the grim<br>Night-sitting, for a week at a time or more,<br>He would cool himself at the baths, with a morning swim.</p><p>The shabbiness of his clothes was tragical.<br>He always wore the same suit, always displayed<br>A suit of cinnamon brown discoloured and frayed.</p><p>O summer days of nineteen hundred and eight, I recall<br>The picture of you, and out of it seems to fade,<br>Harmoniously, that cinnamon suit discoloured and frayed.</p><p>The picture of you has preserved him<br>Just as he would take off, would fling down<br>The unworthy clothes, the mended under clothes,<br>And remain all naked; faultlessly beautiful; a wonder.<br>Uncombed and lifted up his hair was;<br>His limbs a little sunburnt<br>From the morning nakedness at the baths and on the beach.</p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Jan 2025 16:42:15 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/dcc7015d/55cfd6a1.mp3" length="2406333" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/UOn-1DDhQFpk4JiTc_3LY4JXVfZXzLQydPpSdc9U1rs/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS83NTUw/NTU3YzUwNjY2OGJk/NDg5OTIxYmNhMThj/ZTk0OS5wbmc.jpg"/>
      <itunes:duration>146</itunes:duration>
      <itunes:summary>
        <![CDATA[<p> <br>That was the year when he stayed<br>Without work, for a living played<br>Cards, or backgammon; or borrowed and never paid.</p><p>He was offered a place at a small<br>Stationer’s, three pounds a month. It didn’t suit him.<br>It was not decent pay at all.<br>He refused it without hesitation;<br>He was twenty-five, and of good education.</p><p>Two or three shillings he made, more or less.<br>From cards and backgammon what could a boy skim;<br>At the common places, the cafés of his grade,<br>Although he played sharply, and picked stupid players.<br>As for borrowing, that didn’t always come off.<br>He seldom struck a dollar, oftener he’d fall<br>To half, and sometimes as low as a shilling.</p><p>Sometimes, when he got away from the grim<br>Night-sitting, for a week at a time or more,<br>He would cool himself at the baths, with a morning swim.</p><p>The shabbiness of his clothes was tragical.<br>He always wore the same suit, always displayed<br>A suit of cinnamon brown discoloured and frayed.</p><p>O summer days of nineteen hundred and eight, I recall<br>The picture of you, and out of it seems to fade,<br>Harmoniously, that cinnamon suit discoloured and frayed.</p><p>The picture of you has preserved him<br>Just as he would take off, would fling down<br>The unworthy clothes, the mended under clothes,<br>And remain all naked; faultlessly beautiful; a wonder.<br>Uncombed and lifted up his hair was;<br>His limbs a little sunburnt<br>From the morning nakedness at the baths and on the beach.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Hilaire Belloc.  Charles Augustus Fortescue.   </title>
      <itunes:season>7</itunes:season>
      <podcast:season>7</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Hilaire Belloc.  Charles Augustus Fortescue.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">fd236f21-9da3-40e8-861d-ef4d2a406f95</guid>
      <link>https://share.transistor.fm/s/ce769591</link>
      <description>
        <![CDATA[<p>The nicest child I ever knew<br>Was Charles Augustus Fortescue.<br>He never lost his cap, or tore<br>His stockings or his pinafore:<br>   In eating Bread he made no Crumbs,<br>   He was extremely fond of sums,<br>To which, however, he preferred<br>The Parsing of a Latin Word—<br>He sought, when it was within his power,<br>For information twice an hour,<br>And as for finding Mutton-Fat<br>Unappatising, far from that!<br>He often, at his Father’s Board,<br>Would beg them, of his own accord,<br>To give him, if they did not mind,<br>The Greasiest Morsels they could find—<br>His Later Years did not belie<br>The Promise of his Infancy.<br>   In Public Life he always tried<br>   To take a judgement Broad and Wide;<br>In Private, none was more than he<br>Renowned for quiet courtesy.<br>He rose at once in his Career,<br>And long before his Fortieth Year<br>Had wedded Fifi, Only Child<br>Of Bunyan, First Lord Aberfylde.<br>He thus became immensely Rich,<br>And built the Splendid Mansion which<br>Is called The Cedars, Muswell Hill,<br>Where he resides in affluence still,<br>To show what everybody might<br>Become by SIMPLY DOING RIGHT.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>The nicest child I ever knew<br>Was Charles Augustus Fortescue.<br>He never lost his cap, or tore<br>His stockings or his pinafore:<br>   In eating Bread he made no Crumbs,<br>   He was extremely fond of sums,<br>To which, however, he preferred<br>The Parsing of a Latin Word—<br>He sought, when it was within his power,<br>For information twice an hour,<br>And as for finding Mutton-Fat<br>Unappatising, far from that!<br>He often, at his Father’s Board,<br>Would beg them, of his own accord,<br>To give him, if they did not mind,<br>The Greasiest Morsels they could find—<br>His Later Years did not belie<br>The Promise of his Infancy.<br>   In Public Life he always tried<br>   To take a judgement Broad and Wide;<br>In Private, none was more than he<br>Renowned for quiet courtesy.<br>He rose at once in his Career,<br>And long before his Fortieth Year<br>Had wedded Fifi, Only Child<br>Of Bunyan, First Lord Aberfylde.<br>He thus became immensely Rich,<br>And built the Splendid Mansion which<br>Is called The Cedars, Muswell Hill,<br>Where he resides in affluence still,<br>To show what everybody might<br>Become by SIMPLY DOING RIGHT.</p>]]>
      </content:encoded>
      <pubDate>Fri, 17 Jan 2025 16:42:02 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/ce769591/1d03d24c.mp3" length="2139030" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/EiBwYYYsh2_XEzvJs5WhMKxFuN8xUuRmquJWf0bLW7Y/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84ZjEy/ZjhiYWNlNjY1YTZh/MWQ2YzVjMmRhMzY5/ZTRhNi5wbmc.jpg"/>
      <itunes:duration>131</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>The nicest child I ever knew<br>Was Charles Augustus Fortescue.<br>He never lost his cap, or tore<br>His stockings or his pinafore:<br>   In eating Bread he made no Crumbs,<br>   He was extremely fond of sums,<br>To which, however, he preferred<br>The Parsing of a Latin Word—<br>He sought, when it was within his power,<br>For information twice an hour,<br>And as for finding Mutton-Fat<br>Unappatising, far from that!<br>He often, at his Father’s Board,<br>Would beg them, of his own accord,<br>To give him, if they did not mind,<br>The Greasiest Morsels they could find—<br>His Later Years did not belie<br>The Promise of his Infancy.<br>   In Public Life he always tried<br>   To take a judgement Broad and Wide;<br>In Private, none was more than he<br>Renowned for quiet courtesy.<br>He rose at once in his Career,<br>And long before his Fortieth Year<br>Had wedded Fifi, Only Child<br>Of Bunyan, First Lord Aberfylde.<br>He thus became immensely Rich,<br>And built the Splendid Mansion which<br>Is called The Cedars, Muswell Hill,<br>Where he resides in affluence still,<br>To show what everybody might<br>Become by SIMPLY DOING RIGHT.</p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.   Love Songs In Age.   </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>Philip Larkin.   Love Songs In Age.   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/537db9ae</link>
      <description>
        <![CDATA[<p><br>She kept her songs, they kept so little space,<br>The covers pleased her:<br>One bleached from lying in a sunny place,<br>One marked in circles by a vase of water,<br>One mended, when a tidy fit had seized her,<br> And coloured, by her daughter -<br>So they had waited, till, in widowhood<br>She found them, looking for something else, and stood</p><p>Relearning how each frank submissive chord<br>Had ushered in<br>Word after sprawling hyphenated word,<br>And the unfailing sense of being young<br>Spread out like a spring-woken tree, wherein<br>That hidden freshness sung,<br>That certainty of time laid up in store<br>As when she played them first. But, even more,</p><p>The glare of that much-mentionned brilliance, love,<br>Broke out, to show<br>Its bright incipience sailing above,<br>Still promising to solve, and satisfy,<br>And set unchangeably in order. So<br> To pile them back, to cry,<br>Was hard, without lamely admitting how<br>It had not done so then, and could not now.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>She kept her songs, they kept so little space,<br>The covers pleased her:<br>One bleached from lying in a sunny place,<br>One marked in circles by a vase of water,<br>One mended, when a tidy fit had seized her,<br> And coloured, by her daughter -<br>So they had waited, till, in widowhood<br>She found them, looking for something else, and stood</p><p>Relearning how each frank submissive chord<br>Had ushered in<br>Word after sprawling hyphenated word,<br>And the unfailing sense of being young<br>Spread out like a spring-woken tree, wherein<br>That hidden freshness sung,<br>That certainty of time laid up in store<br>As when she played them first. But, even more,</p><p>The glare of that much-mentionned brilliance, love,<br>Broke out, to show<br>Its bright incipience sailing above,<br>Still promising to solve, and satisfy,<br>And set unchangeably in order. So<br> To pile them back, to cry,<br>Was hard, without lamely admitting how<br>It had not done so then, and could not now.<br></p>]]>
      </content:encoded>
      <pubDate>Thu, 16 Jan 2025 19:16:15 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/537db9ae/a53e9f2c.mp3" length="1964526" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/znaG6UwxGLuFLg94nKpvBtvFKG2SB8vAW0vVpy5-6UI/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9mZDAx/ZDMyOGY2ZDI1M2Mx/OTU4NzQwMzNlMTZl/MzU3OS5wbmc.jpg"/>
      <itunes:duration>120</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>She kept her songs, they kept so little space,<br>The covers pleased her:<br>One bleached from lying in a sunny place,<br>One marked in circles by a vase of water,<br>One mended, when a tidy fit had seized her,<br> And coloured, by her daughter -<br>So they had waited, till, in widowhood<br>She found them, looking for something else, and stood</p><p>Relearning how each frank submissive chord<br>Had ushered in<br>Word after sprawling hyphenated word,<br>And the unfailing sense of being young<br>Spread out like a spring-woken tree, wherein<br>That hidden freshness sung,<br>That certainty of time laid up in store<br>As when she played them first. But, even more,</p><p>The glare of that much-mentionned brilliance, love,<br>Broke out, to show<br>Its bright incipience sailing above,<br>Still promising to solve, and satisfy,<br>And set unchangeably in order. So<br> To pile them back, to cry,<br>Was hard, without lamely admitting how<br>It had not done so then, and could not now.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>John Betjeman.  A Subaltern's Love Song.  </title>
      <itunes:season>5</itunes:season>
      <podcast:season>5</podcast:season>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>John Betjeman.  A Subaltern's Love Song.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/b5c470e9</link>
      <description>
        <![CDATA[<p>Miss J.Hunter Dunn, Miss J.Hunter Dunn,<br>Furnish'd and burnish'd by Aldershot sun,<br>What strenuous singles we played after tea,<br>We in the tournament - you against me!</p><p>Love-thirty, love-forty, oh! weakness of joy,<br>The speed of a swallow, the grace of a boy,<br>With carefullest carelessness, gaily you won,<br>I am weak from your loveliness, Joan Hunter Dunn</p><p>Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,<br>How mad I am, sad I am, glad that you won,<br>The warm-handled racket is back in its press,<br>But my shock-headed victor, she loves me no less.</p><p>Her father's euonymus shines as we walk,<br>And swing past the summer-house, buried in talk,<br>And cool the verandah that welcomes us in<br>To the six-o'clock news and a lime-juice and gin.</p><p>The scent of the conifers, sound of the bath,<br>The view from my bedroom of moss-dappled path,<br>As I struggle with double-end evening tie,<br>For we dance at the Golf Club, my victor and I.</p><p>On the floor of her bedroom lie blazer and shorts,<br>And the cream-coloured walls are be-trophied with sports,<br>And westering, questioning settles the sun,<br>On your low-leaded window, Miss Joan Hunter Dunn.</p><p>The Hillman is waiting, the light's in the hall,<br>The pictures of Egypt are bright on the wall,<br>My sweet, I am standing beside the oak stair<br>And there on the landing's the light on your hair.</p><p>By roads "not adopted", by woodlanded ways,<br>She drove to the club in the late summer haze,<br>Into nine-o'clock Camberley, heavy with bells<br>And mushroomy, pine-woody, evergreen smells.</p><p>Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,<br>I can hear from the car park the dance has begun,<br>Oh! Surrey twilight! importunate band!<br>Oh! strongly adorable tennis-girl's hand!</p><p>Around us are Rovers and Austins afar,<br>Above us the intimate roof of the car,<br>And here on my right is the girl of my choice,<br>With the tilt of her nose and the chime of her voice.</p><p>And the scent of her wrap, and the words never said,<br>And the ominous, ominous dancing ahead.<br>We sat in the car park till twenty to one<br>And now I'm engaged to Miss Joan Hunter Dunn.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Miss J.Hunter Dunn, Miss J.Hunter Dunn,<br>Furnish'd and burnish'd by Aldershot sun,<br>What strenuous singles we played after tea,<br>We in the tournament - you against me!</p><p>Love-thirty, love-forty, oh! weakness of joy,<br>The speed of a swallow, the grace of a boy,<br>With carefullest carelessness, gaily you won,<br>I am weak from your loveliness, Joan Hunter Dunn</p><p>Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,<br>How mad I am, sad I am, glad that you won,<br>The warm-handled racket is back in its press,<br>But my shock-headed victor, she loves me no less.</p><p>Her father's euonymus shines as we walk,<br>And swing past the summer-house, buried in talk,<br>And cool the verandah that welcomes us in<br>To the six-o'clock news and a lime-juice and gin.</p><p>The scent of the conifers, sound of the bath,<br>The view from my bedroom of moss-dappled path,<br>As I struggle with double-end evening tie,<br>For we dance at the Golf Club, my victor and I.</p><p>On the floor of her bedroom lie blazer and shorts,<br>And the cream-coloured walls are be-trophied with sports,<br>And westering, questioning settles the sun,<br>On your low-leaded window, Miss Joan Hunter Dunn.</p><p>The Hillman is waiting, the light's in the hall,<br>The pictures of Egypt are bright on the wall,<br>My sweet, I am standing beside the oak stair<br>And there on the landing's the light on your hair.</p><p>By roads "not adopted", by woodlanded ways,<br>She drove to the club in the late summer haze,<br>Into nine-o'clock Camberley, heavy with bells<br>And mushroomy, pine-woody, evergreen smells.</p><p>Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,<br>I can hear from the car park the dance has begun,<br>Oh! Surrey twilight! importunate band!<br>Oh! strongly adorable tennis-girl's hand!</p><p>Around us are Rovers and Austins afar,<br>Above us the intimate roof of the car,<br>And here on my right is the girl of my choice,<br>With the tilt of her nose and the chime of her voice.</p><p>And the scent of her wrap, and the words never said,<br>And the ominous, ominous dancing ahead.<br>We sat in the car park till twenty to one<br>And now I'm engaged to Miss Joan Hunter Dunn.<br></p>]]>
      </content:encoded>
      <pubDate>Thu, 16 Jan 2025 19:15:45 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/b5c470e9/d444451d.mp3" length="3133403" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/1DASGlcOuQauwvvR06sBW2rI2nq8NaWq1tG3m4QTyWQ/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS84NWE1/MjNjY2Q1N2FmMDFi/MTc1NmU4NzljYmMx/ODI3My5wbmc.jpg"/>
      <itunes:duration>201</itunes:duration>
      <itunes:summary>
        <![CDATA[<p>Miss J.Hunter Dunn, Miss J.Hunter Dunn,<br>Furnish'd and burnish'd by Aldershot sun,<br>What strenuous singles we played after tea,<br>We in the tournament - you against me!</p><p>Love-thirty, love-forty, oh! weakness of joy,<br>The speed of a swallow, the grace of a boy,<br>With carefullest carelessness, gaily you won,<br>I am weak from your loveliness, Joan Hunter Dunn</p><p>Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,<br>How mad I am, sad I am, glad that you won,<br>The warm-handled racket is back in its press,<br>But my shock-headed victor, she loves me no less.</p><p>Her father's euonymus shines as we walk,<br>And swing past the summer-house, buried in talk,<br>And cool the verandah that welcomes us in<br>To the six-o'clock news and a lime-juice and gin.</p><p>The scent of the conifers, sound of the bath,<br>The view from my bedroom of moss-dappled path,<br>As I struggle with double-end evening tie,<br>For we dance at the Golf Club, my victor and I.</p><p>On the floor of her bedroom lie blazer and shorts,<br>And the cream-coloured walls are be-trophied with sports,<br>And westering, questioning settles the sun,<br>On your low-leaded window, Miss Joan Hunter Dunn.</p><p>The Hillman is waiting, the light's in the hall,<br>The pictures of Egypt are bright on the wall,<br>My sweet, I am standing beside the oak stair<br>And there on the landing's the light on your hair.</p><p>By roads "not adopted", by woodlanded ways,<br>She drove to the club in the late summer haze,<br>Into nine-o'clock Camberley, heavy with bells<br>And mushroomy, pine-woody, evergreen smells.</p><p>Miss Joan Hunter Dunn, Miss Joan Hunter Dunn,<br>I can hear from the car park the dance has begun,<br>Oh! Surrey twilight! importunate band!<br>Oh! strongly adorable tennis-girl's hand!</p><p>Around us are Rovers and Austins afar,<br>Above us the intimate roof of the car,<br>And here on my right is the girl of my choice,<br>With the tilt of her nose and the chime of her voice.</p><p>And the scent of her wrap, and the words never said,<br>And the ominous, ominous dancing ahead.<br>We sat in the car park till twenty to one<br>And now I'm engaged to Miss Joan Hunter Dunn.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Philip Larkin.  Mr Bleaney.  </title>
      <itunes:season>2</itunes:season>
      <podcast:season>2</podcast:season>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>Philip Larkin.  Mr Bleaney.  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f2572483-7bbd-4ac6-a435-45d1bf7aab15</guid>
      <link>https://share.transistor.fm/s/199b2cd4</link>
      <description>
        <![CDATA[<p><br>'This was Mr Bleaney's room. He stayed<br>The whole time he was at the Bodies, till<br>They moved him.' Flowered curtains, thin and frayed,<br>Fall to within five inches of the sill,</p><p>Whose window shows a strip of building land,<br>Tussocky, littered. 'Mr Bleaney took<br>My bit of garden properly in hand.'<br>Bed, upright chair, sixty-watt bulb, no hook</p><p>Behind the door, no room for books or bags --<br>'I'll take it.' So it happens that I lie<br>Where Mr Bleaney lay, and stub my fags<br>On the same saucer-souvenir, and try</p><p>Stuffing my ears with cotton-wool, to drown<br>The jabbering set he egged her on to buy.<br>I know his habits -- what time he came down,<br>His preference for sauce to gravy, why</p><p>He kept on plugging at the four aways --<br>Likewise their yearly frame: the Frinton folk<br>Who put him up for summer holidays,<br>And Christmas at his sister's house in Stoke.</p><p>But if he stood and watched the frigid wind<br>Tousling the clouds, lay on the fusty bed<br>Telling himself that this was home, and grinned,<br>And shivered, without shaking off the dread</p><p>That how we live measures our own nature,<br>And at his age having no more to show<br>Than one hired box should make him pretty sure<br>He warranted no better, I don't know.<br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><br>'This was Mr Bleaney's room. He stayed<br>The whole time he was at the Bodies, till<br>They moved him.' Flowered curtains, thin and frayed,<br>Fall to within five inches of the sill,</p><p>Whose window shows a strip of building land,<br>Tussocky, littered. 'Mr Bleaney took<br>My bit of garden properly in hand.'<br>Bed, upright chair, sixty-watt bulb, no hook</p><p>Behind the door, no room for books or bags --<br>'I'll take it.' So it happens that I lie<br>Where Mr Bleaney lay, and stub my fags<br>On the same saucer-souvenir, and try</p><p>Stuffing my ears with cotton-wool, to drown<br>The jabbering set he egged her on to buy.<br>I know his habits -- what time he came down,<br>His preference for sauce to gravy, why</p><p>He kept on plugging at the four aways --<br>Likewise their yearly frame: the Frinton folk<br>Who put him up for summer holidays,<br>And Christmas at his sister's house in Stoke.</p><p>But if he stood and watched the frigid wind<br>Tousling the clouds, lay on the fusty bed<br>Telling himself that this was home, and grinned,<br>And shivered, without shaking off the dread</p><p>That how we live measures our own nature,<br>And at his age having no more to show<br>Than one hired box should make him pretty sure<br>He warranted no better, I don't know.<br></p>]]>
      </content:encoded>
      <pubDate>Thu, 16 Jan 2025 19:15:33 +0530</pubDate>
      <author>Poetry from the Jungle from The Ceylon Press</author>
      <enclosure url="https://media.transistor.fm/199b2cd4/57a3debd.mp3" length="2221980" type="audio/mpeg"/>
      <itunes:author>Poetry from the Jungle from The Ceylon Press</itunes:author>
      <itunes:image href="https://img.transistor.fm/l4_8x3Z-woNCCx861WhZ5x5bKPanYE1zdhYdQwweV6s/rs:fill:0:0:1/w:1400/h:1400/q:60/mb:500000/aHR0cHM6Ly9pbWct/dXBsb2FkLXByb2R1/Y3Rpb24udHJhbnNp/c3Rvci5mbS9iODM1/ZWExMzAxN2E1ZmRh/YjY1ZWQzNTkwNTI2/ODQxYy5wbmc.jpg"/>
      <itunes:duration>136</itunes:duration>
      <itunes:summary>
        <![CDATA[<p><br>'This was Mr Bleaney's room. He stayed<br>The whole time he was at the Bodies, till<br>They moved him.' Flowered curtains, thin and frayed,<br>Fall to within five inches of the sill,</p><p>Whose window shows a strip of building land,<br>Tussocky, littered. 'Mr Bleaney took<br>My bit of garden properly in hand.'<br>Bed, upright chair, sixty-watt bulb, no hook</p><p>Behind the door, no room for books or bags --<br>'I'll take it.' So it happens that I lie<br>Where Mr Bleaney lay, and stub my fags<br>On the same saucer-souvenir, and try</p><p>Stuffing my ears with cotton-wool, to drown<br>The jabbering set he egged her on to buy.<br>I know his habits -- what time he came down,<br>His preference for sauce to gravy, why</p><p>He kept on plugging at the four aways --<br>Likewise their yearly frame: the Frinton folk<br>Who put him up for summer holidays,<br>And Christmas at his sister's house in Stoke.</p><p>But if he stood and watched the frigid wind<br>Tousling the clouds, lay on the fusty bed<br>Telling himself that this was home, and grinned,<br>And shivered, without shaking off the dread</p><p>That how we live measures our own nature,<br>And at his age having no more to show<br>Than one hired box should make him pretty sure<br>He warranted no better, I don't know.<br></p>]]>
      </itunes:summary>
      <itunes:keywords>poetry from the jungle. theceylonpress.com. Sri Lanka. History. Companion. Guide. Museum. Podcasts. Blog. Poetry.</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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