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    <description>Celebrating the moviegoing experience.</description>
    <copyright>© 2025 Phil Contrino</copyright>
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    <pubDate>Tue, 16 Apr 2024 16:56:41 -0700</pubDate>
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      <title>Cinema Con 2024: Strength in the Middle Panel</title>
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      <itunes:title>Cinema Con 2024: Strength in the Middle Panel</itunes:title>
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        <![CDATA[<p><strong>Moderator:</strong> Michael O’Leary, President &amp; CEO, NATO</p><p><strong>Panelists:</strong><br>Brock Bagby, President, Chief Content, Programming &amp; Development Officer, B&amp;B Theatres<br>Lisa Bunnell, President, Distribution, Focus Features<br>Elissa Federoff, President, Distribution, NEON<br>Rebecca Stein, VP, Marketing &amp; Partnerships, National Amusements</p><p>Movie theaters cannot thrive on big-budget blockbusters alone. As proven by the recent big-screen success of "Anatomy of a Fall", "Anyone But You", "The Boys in the Boat", "Godzilla Minus One", "The Holdovers", "M3GAN", and "Poor Things", to name a few, film fans crave a wide variety of stories. Mid-budget films are essential to a healthy theatrical marketplace, and they deserve to be seen on the big screen. On this panel, representation from distribution and exhibition, will discuss how to work together more effectively to bring audiences out in greater numbers for these films.</p>]]>
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        <![CDATA[<p><strong>Moderator:</strong> Michael O’Leary, President &amp; CEO, NATO</p><p><strong>Panelists:</strong><br>Brock Bagby, President, Chief Content, Programming &amp; Development Officer, B&amp;B Theatres<br>Lisa Bunnell, President, Distribution, Focus Features<br>Elissa Federoff, President, Distribution, NEON<br>Rebecca Stein, VP, Marketing &amp; Partnerships, National Amusements</p><p>Movie theaters cannot thrive on big-budget blockbusters alone. As proven by the recent big-screen success of "Anatomy of a Fall", "Anyone But You", "The Boys in the Boat", "Godzilla Minus One", "The Holdovers", "M3GAN", and "Poor Things", to name a few, film fans crave a wide variety of stories. Mid-budget films are essential to a healthy theatrical marketplace, and they deserve to be seen on the big screen. On this panel, representation from distribution and exhibition, will discuss how to work together more effectively to bring audiences out in greater numbers for these films.</p>]]>
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      <pubDate>Tue, 16 Apr 2024 16:55:47 -0700</pubDate>
      <author>Phil Contrino</author>
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        <![CDATA[<p><strong>Moderator:</strong> Michael O’Leary, President &amp; CEO, NATO</p><p><strong>Panelists:</strong><br>Brock Bagby, President, Chief Content, Programming &amp; Development Officer, B&amp;B Theatres<br>Lisa Bunnell, President, Distribution, Focus Features<br>Elissa Federoff, President, Distribution, NEON<br>Rebecca Stein, VP, Marketing &amp; Partnerships, National Amusements</p><p>Movie theaters cannot thrive on big-budget blockbusters alone. As proven by the recent big-screen success of "Anatomy of a Fall", "Anyone But You", "The Boys in the Boat", "Godzilla Minus One", "The Holdovers", "M3GAN", and "Poor Things", to name a few, film fans crave a wide variety of stories. Mid-budget films are essential to a healthy theatrical marketplace, and they deserve to be seen on the big screen. On this panel, representation from distribution and exhibition, will discuss how to work together more effectively to bring audiences out in greater numbers for these films.</p>]]>
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