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    <description>Amplified is a weekly music show, originally broadcast on KCRW Berlin, featuring interviews with musicians from all genres, hailing from Berlin and beyond. </description>
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    <pubDate>Fri, 09 Feb 2024 21:06:11 +0100</pubDate>
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      <title>KCRW Berlin: Amplified</title>
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    <itunes:summary>Amplified is a weekly music show, originally broadcast on KCRW Berlin, featuring interviews with musicians from all genres, hailing from Berlin and beyond. </itunes:summary>
    <itunes:subtitle>Amplified is a weekly music show, originally broadcast on KCRW Berlin, featuring interviews with musicians from all genres, hailing from Berlin and beyond.</itunes:subtitle>
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    <itunes:complete>No</itunes:complete>
    <itunes:explicit>No</itunes:explicit>
    <item>
      <title>Singer-songwriter Michael Brinkworth on how to create this 'Good Old Feeling' (Rebroadcast)</title>
      <itunes:episode>99</itunes:episode>
      <podcast:episode>99</podcast:episode>
      <itunes:title>Singer-songwriter Michael Brinkworth on how to create this 'Good Old Feeling' (Rebroadcast)</itunes:title>
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      <description>
        <![CDATA[<p><strong>Brisbane-born Michael Brinkworth draws inspiration from Bob Dylan, Neil Young and from the city he now calls home, Berlin, “this weird halfway house that I ended up in.” The 33-year-old traveled the globe before settling down here six years ago.<br></strong><br></p><p>In the past couple of months, Brinkworth has been releasing tracks from his upcoming album, “Wasted Wonder.” We talk to him about his new music and life in Berlin. (Originally aired July 11, 2020)<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
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      <content:encoded>
        <![CDATA[<p><strong>Brisbane-born Michael Brinkworth draws inspiration from Bob Dylan, Neil Young and from the city he now calls home, Berlin, “this weird halfway house that I ended up in.” The 33-year-old traveled the globe before settling down here six years ago.<br></strong><br></p><p>In the past couple of months, Brinkworth has been releasing tracks from his upcoming album, “Wasted Wonder.” We talk to him about his new music and life in Berlin. (Originally aired July 11, 2020)<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 12 Dec 2020 08:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
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      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>254</itunes:duration>
      <itunes:summary>Brisbane-born Michael Brinkworth draws inspiration from Bob Dylan, Neil Young and from the city he now calls home, Berlin, “this weird halfway house that I ended up in.” The 33-year-old traveled the globe before settling down here six years ago. (Originally aired July 11, 2020)</itunes:summary>
      <itunes:subtitle>Brisbane-born Michael Brinkworth draws inspiration from Bob Dylan, Neil Young and from the city he now calls home, Berlin, “this weird halfway house that I ended up in.” The 33-year-old traveled the globe before settling down here six years ago. (Original</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Musician Ian Tilling on writing music in bad times (Rebroadcast)</title>
      <itunes:episode>98</itunes:episode>
      <podcast:episode>98</podcast:episode>
      <itunes:title>Musician Ian Tilling on writing music in bad times (Rebroadcast)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/13ba12a2</link>
      <description>
        <![CDATA[<p><strong>We feature indie-rock musician Ian Tilling. </strong></p><p>The 35-year-old Brit moved to Berlin in 2016. After joining and leaving a number of bands, he started his solo project Grief Scene a year ago. Next month, Tilling will release his debut album titled "Bad Times." (Originally aired Oct. 17, 2020)</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We feature indie-rock musician Ian Tilling. </strong></p><p>The 35-year-old Brit moved to Berlin in 2016. After joining and leaving a number of bands, he started his solo project Grief Scene a year ago. Next month, Tilling will release his debut album titled "Bad Times." (Originally aired Oct. 17, 2020)</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 28 Nov 2020 08:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
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      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>268</itunes:duration>
      <itunes:summary>We feature indie-rock musician Ian Tilling. The 35-year-old Brit moved to Berlin in 2016. After joining and leaving a number of bands, he started his solo project Grief Scene a year ago. Next month, Tilling will release his debut album titled "Bad Times." (Originally aired Oct. 17, 2020)</itunes:summary>
      <itunes:subtitle>We feature indie-rock musician Ian Tilling. The 35-year-old Brit moved to Berlin in 2016. After joining and leaving a number of bands, he started his solo project Grief Scene a year ago. Next month, Tilling will release his debut album titled "Bad Times."</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Berlin-based musician Martha Rose on 'diving deeply and emotionally after something that you love' (Rebroadcast) </title>
      <itunes:episode>97</itunes:episode>
      <podcast:episode>97</podcast:episode>
      <itunes:title>Berlin-based musician Martha Rose on 'diving deeply and emotionally after something that you love' (Rebroadcast) </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/e259c0c7</link>
      <description>
        <![CDATA[<p><strong>Martha Rose, a U.K.-born, Berlin-based musician, just released her second full-length album titled “Undress &amp; Dive After.”</strong></p><p> </p><p>The 33-year-old multi-instrumentalist talks with us about her songwriting process, what her grandparents have to do with it and what’s behind her intriguing album title. (Originally aired Aug. 8, 2020)<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Martha Rose, a U.K.-born, Berlin-based musician, just released her second full-length album titled “Undress &amp; Dive After.”</strong></p><p> </p><p>The 33-year-old multi-instrumentalist talks with us about her songwriting process, what her grandparents have to do with it and what’s behind her intriguing album title. (Originally aired Aug. 8, 2020)<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 21 Nov 2020 08:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/e259c0c7/1170d80d.mp3" length="5155364" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>318</itunes:duration>
      <itunes:summary>Martha Rose, a U.K.-born, Berlin-based musician, just released her second full-length album titled “Undress &amp;amp; Dive After.” The 33-year-old multi-instrumentalist talks with us about her songwriting process, what her grandparents have to do with it and what’s behind her intriguing album title. (Originally aired Aug. 8, 2020)</itunes:summary>
      <itunes:subtitle>Martha Rose, a U.K.-born, Berlin-based musician, just released her second full-length album titled “Undress &amp;amp; Dive After.” The 33-year-old multi-instrumentalist talks with us about her songwriting process, what her grandparents have to do with it and </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>‘It’s just the music that I love’: Marlais on coming to folk music as an ‘outsider’ (Rebroadcast)</title>
      <itunes:episode>96</itunes:episode>
      <podcast:episode>96</podcast:episode>
      <itunes:title>‘It’s just the music that I love’: Marlais on coming to folk music as an ‘outsider’ (Rebroadcast)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">1d3b9d7c-0e2c-49d4-9a37-f16b39e40dec</guid>
      <link>https://share.transistor.fm/s/893a1f55</link>
      <description>
        <![CDATA[<p>We spoke with Michael Culme-Seymour — aka Marlais — about his love of folk music and his life in Berlin. The 33-year-old musician often blends old folk songs with modern elements. “Meeting Is A Pleasure,” is his latest single released in mid-September, a preview of the album to come. (Originally aired Sept. 28, 2020)</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>We spoke with Michael Culme-Seymour — aka Marlais — about his love of folk music and his life in Berlin. The 33-year-old musician often blends old folk songs with modern elements. “Meeting Is A Pleasure,” is his latest single released in mid-September, a preview of the album to come. (Originally aired Sept. 28, 2020)</p>]]>
      </content:encoded>
      <pubDate>Sat, 14 Nov 2020 08:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/893a1f55/1889db05.mp3" length="5338002" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>We spoke with Michael Culme-Seymour — aka Marlais — about his love of folk music and his life in Berlin. (Originally aired Sept. 28, 2020)</itunes:summary>
      <itunes:subtitle>We spoke with Michael Culme-Seymour — aka Marlais — about his love of folk music and his life in Berlin. (Originally aired Sept. 28, 2020)</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>James Chatburn: 'It's actually quite a chilled time for me for once'</title>
      <itunes:episode>95</itunes:episode>
      <podcast:episode>95</podcast:episode>
      <itunes:title>James Chatburn: 'It's actually quite a chilled time for me for once'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/b9ee5b0e</link>
      <description>
        <![CDATA[<p>Musician and producer James Chatburn moved to Berlin in 2015. The 29-year-old toured with well-known alternative R&amp;B artists like Jordan Rakei and the L.A. band The Internet. One of his big idols is American soul legend Donny Hathaway. We caught up with the Australian to talk about his debut release "Faible Teil 1."</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>Musician and producer James Chatburn moved to Berlin in 2015. The 29-year-old toured with well-known alternative R&amp;B artists like Jordan Rakei and the L.A. band The Internet. One of his big idols is American soul legend Donny Hathaway. We caught up with the Australian to talk about his debut release "Faible Teil 1."</p>]]>
      </content:encoded>
      <pubDate>Sat, 07 Nov 2020 08:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/b9ee5b0e/a673b663.mp3" length="5335405" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>Musician and producer James Chatburn moved to Berlin in 2015. The 29-year-old toured with well-known alternative R&amp;amp;B artists like Jordan Rakei and the L.A. band The Internet. One of his big idols is American soul legend Donny Hathaway. We caught up with the Australian to talk about his debut release "Faible Teil 1."</itunes:summary>
      <itunes:subtitle>Musician and producer James Chatburn moved to Berlin in 2015. The 29-year-old toured with well-known alternative R&amp;amp;B artists like Jordan Rakei and the L.A. band The Internet. One of his big idols is American soul legend Donny Hathaway. We caught up wi</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Leitmotifs: Benjamin Hochman: 'In Mozart's music, every note is in the right place'</title>
      <itunes:episode>94</itunes:episode>
      <podcast:episode>94</podcast:episode>
      <itunes:title>Leitmotifs: Benjamin Hochman: 'In Mozart's music, every note is in the right place'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">65c42804-9646-4ec6-be37-b5f8a80053cc</guid>
      <link>https://share.transistor.fm/s/96445e5c</link>
      <description>
        <![CDATA[<p>In this episode of Leitmotifs, host Fredrika Brillembourg talks with pianist and conductor Benjamin Hochman. He has performed in major cities and festivals around the world, both as a soloist and chamber musician. Currently, Hochman is a research associate with Bard College Berlin and concert curator for the American Academy. Fredrika spoke with him about Mozart and Hochman's approach to music.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>In this episode of Leitmotifs, host Fredrika Brillembourg talks with pianist and conductor Benjamin Hochman. He has performed in major cities and festivals around the world, both as a soloist and chamber musician. Currently, Hochman is a research associate with Bard College Berlin and concert curator for the American Academy. Fredrika spoke with him about Mozart and Hochman's approach to music.</p>]]>
      </content:encoded>
      <pubDate>Sat, 31 Oct 2020 08:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/96445e5c/4c622470.mp3" length="5207722" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>321</itunes:duration>
      <itunes:summary>In this episode of Leitmotifs, host Fredrika Brillembourg talks with pianist and conductor Benjamin Hochman. He has performed in major cities and festivals around the world, both as a soloist and chamber musician. Currently, Hochman is a research associate with Bard College Berlin and concert curator for the American Academy. Fredrika spoke with him about Mozart and Hochman's approach to music.</itunes:summary>
      <itunes:subtitle>In this episode of Leitmotifs, host Fredrika Brillembourg talks with pianist and conductor Benjamin Hochman. He has performed in major cities and festivals around the world, both as a soloist and chamber musician. Currently, Hochman is a research associat</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>How this year's edition of Jazzfest Berlin strives to build a 'transatlantic bridge,' just days after the US election</title>
      <itunes:episode>93</itunes:episode>
      <podcast:episode>93</podcast:episode>
      <itunes:title>How this year's edition of Jazzfest Berlin strives to build a 'transatlantic bridge,' just days after the US election</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">cd0ea717-0faf-42a1-ae7b-e462673589fc</guid>
      <link>https://share.transistor.fm/s/0234a735</link>
      <description>
        <![CDATA[<p><strong>Jazzfest Berlin has a long tradition in the city. It's been a platform for musicians from around the world since 1964. </strong></p><p>This year, the four-day festival is scheduled to kick off on Nov. 5 with a focus on the jazz scenes in Berlin and New York. We spoke with Nadin Deventer, the artistic director of the festival about what to expect from this special pandemic edition of Jazzfest Berlin.</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Jazzfest Berlin has a long tradition in the city. It's been a platform for musicians from around the world since 1964. </strong></p><p>This year, the four-day festival is scheduled to kick off on Nov. 5 with a focus on the jazz scenes in Berlin and New York. We spoke with Nadin Deventer, the artistic director of the festival about what to expect from this special pandemic edition of Jazzfest Berlin.</p>]]>
      </content:encoded>
      <pubDate>Sat, 24 Oct 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/0234a735/82025c5c.mp3" length="5177503" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>319</itunes:duration>
      <itunes:summary>Jazzfest Berlin has a long tradition in the city. It's been a platform for musicians from around the world since 1964. This year, the four-day festival is scheduled to kick off on Nov. 5 with a focus on the jazz scenes in Berlin and New York. We spoke with Nadin Deventer, the artistic director of the festival about what to expect from this special pandemic edition of Jazzfest Berlin. </itunes:summary>
      <itunes:subtitle>Jazzfest Berlin has a long tradition in the city. It's been a platform for musicians from around the world since 1964. This year, the four-day festival is scheduled to kick off on Nov. 5 with a focus on the jazz scenes in Berlin and New York. We spoke wit</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Musician Ian Tilling on writing music in bad times</title>
      <itunes:episode>92</itunes:episode>
      <podcast:episode>92</podcast:episode>
      <itunes:title>Musician Ian Tilling on writing music in bad times</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d5683a5f-8967-44db-93ec-46742ca2bd22</guid>
      <link>https://share.transistor.fm/s/b5aa97b2</link>
      <description>
        <![CDATA[<p><strong>We feature indie-rock musician Ian Tilling. </strong></p><p>The 35-year-old Brit moved to Berlin in 2016. After joining and leaving a number of bands, he started his solo project Grief Scene a year ago. Next month, Tilling will release his debut album titled "Bad Times."</p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We feature indie-rock musician Ian Tilling. </strong></p><p>The 35-year-old Brit moved to Berlin in 2016. After joining and leaving a number of bands, he started his solo project Grief Scene a year ago. Next month, Tilling will release his debut album titled "Bad Times."</p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 17 Oct 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/b5aa97b2/a48ac372.mp3" length="4359659" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>268</itunes:duration>
      <itunes:summary>We feature indie-rock musician Ian Tilling. The 35-year-old Brit moved to Berlin in 2016. After joining and leaving a number of bands, he started his solo project Grief Scene a year ago. Next month, Tilling will release his debut album titled "Bad Times."</itunes:summary>
      <itunes:subtitle>We feature indie-rock musician Ian Tilling. The 35-year-old Brit moved to Berlin in 2016. After joining and leaving a number of bands, he started his solo project Grief Scene a year ago. Next month, Tilling will release his debut album titled "Bad Times."</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>'It's just the music that I love': Marlais on coming to folk music as an 'outsider' </title>
      <itunes:episode>91</itunes:episode>
      <podcast:episode>91</podcast:episode>
      <itunes:title>'It's just the music that I love': Marlais on coming to folk music as an 'outsider' </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">054e28d4-1729-438a-92b1-3edc52c6054b</guid>
      <link>https://share.transistor.fm/s/1f012d35</link>
      <description>
        <![CDATA[<p><strong>We spoke with Michael Culme-Seymour — aka Marlais — about his love of folk music and his life in Berlin. <br></strong><br>The 33-year-old musician often blends old folk songs with modern elements. "Meeting Is A Pleasure," is his latest single released in mid-September, a preview of the album to come.  </p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We spoke with Michael Culme-Seymour — aka Marlais — about his love of folk music and his life in Berlin. <br></strong><br>The 33-year-old musician often blends old folk songs with modern elements. "Meeting Is A Pleasure," is his latest single released in mid-September, a preview of the album to come.  </p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 26 Sep 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/1f012d35/3a208fb3.mp3" length="5337938" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>We spoke with Michael Culme-Seymour — aka Marlais — about his love of folk music and his life in Berlin. </itunes:summary>
      <itunes:subtitle>We spoke with Michael Culme-Seymour — aka Marlais — about his love of folk music and his life in Berlin. </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Juno Francis: Swedish Pop Made In Berlin</title>
      <itunes:episode>90</itunes:episode>
      <podcast:episode>90</podcast:episode>
      <itunes:title>Juno Francis: Swedish Pop Made In Berlin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/81c7fda4</link>
      <description>
        <![CDATA[<p><strong>Angelica Ranåsen and Jacob Fagerstål are the Swedish pop duo Juno Francis. They teamed up in Berlin a couple of years ago to work on their vision of psychedelic 60s and 80s pop. </strong></p><p>We caught up with the singer, Angelica, who is 26, to talk about the duo's upcoming first EP "Oyster Love," and her fascination with all things retro.<br><em><br>Produced by Monika Müller-Kroll</em></p><p><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Angelica Ranåsen and Jacob Fagerstål are the Swedish pop duo Juno Francis. They teamed up in Berlin a couple of years ago to work on their vision of psychedelic 60s and 80s pop. </strong></p><p>We caught up with the singer, Angelica, who is 26, to talk about the duo's upcoming first EP "Oyster Love," and her fascination with all things retro.<br><em><br>Produced by Monika Müller-Kroll</em></p><p><br></p>]]>
      </content:encoded>
      <pubDate>Sun, 20 Sep 2020 00:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/81c7fda4/ba9f16a0.mp3" length="3476680" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>271</itunes:duration>
      <itunes:summary>Angelica Ranåsen and Jacob Fagerstål are the Swedish pop duo Juno Francis. They teamed up in Berlin a couple of years ago to work on their vision of psychedelic 60s and 80s pop. </itunes:summary>
      <itunes:subtitle>Angelica Ranåsen and Jacob Fagerstål are the Swedish pop duo Juno Francis. They teamed up in Berlin a couple of years ago to work on their vision of psychedelic 60s and 80s pop. </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>'Thinking is a musician's death': Tricky on his approach to music</title>
      <itunes:episode>89</itunes:episode>
      <podcast:episode>89</podcast:episode>
      <itunes:title>'Thinking is a musician's death': Tricky on his approach to music</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">95fbcbaf-6924-4242-9769-7232efc01d08</guid>
      <link>https://share.transistor.fm/s/6a574d35</link>
      <description>
        <![CDATA[<p><strong>Tricky just released his 14th studio album, “Fall To Pieces.”</strong></p><p>On most of the new tracks, the Berlin-based artist is joined by Marta Złakowska, a vocalist whom he discovered on a European tour. We caught up with the 52-year-old about his new release and to find out what keeps him going after three decades of making music.<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Tricky just released his 14th studio album, “Fall To Pieces.”</strong></p><p>On most of the new tracks, the Berlin-based artist is joined by Marta Złakowska, a vocalist whom he discovered on a European tour. We caught up with the 52-year-old about his new release and to find out what keeps him going after three decades of making music.<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 05 Sep 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/6a574d35/3eb8a899.mp3" length="3323476" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>310</itunes:duration>
      <itunes:summary>Tricky just released his 14th studio album, “Fall To Pieces.” On most of the new tracks, the Berlin-based artist is joined by Marta Złakowska, a vocalist whom he discovered on a European tour. </itunes:summary>
      <itunes:subtitle>Tricky just released his 14th studio album, “Fall To Pieces.” On most of the new tracks, the Berlin-based artist is joined by Marta Złakowska, a vocalist whom he discovered on a European tour. </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>'A label for a lack of a label': hear now berlin's founder on playing genre-defying chamber music</title>
      <itunes:episode>88</itunes:episode>
      <podcast:episode>88</podcast:episode>
      <itunes:title>'A label for a lack of a label': hear now berlin's founder on playing genre-defying chamber music</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7ce6365c-a027-46d6-baad-60ffa42f0a01</guid>
      <link>https://share.transistor.fm/s/a51e2e77</link>
      <description>
        <![CDATA[<p><a href="http://hearnowberlin.de/"><strong><em>hear now berlin</em></strong></a><strong> is a chamber group that plays works by contemporary composers. Inspired by the music she loves playing and hearing, the sextet’s founder and flutist, Kelly Watson Woelffer, searched for five musicians who shared her vision: a violist from Australia, a cellist from New Zealand, and a trumpeter, violinist and clarinetist from Germany.<br></strong><br></p><p>Though they are all classically trained musicians with orchestral foundations, the six are also skilled in a wide range of other genres, including singer-songwriter, big band, pop and jazz.</p><p>About 18 months after<a href="https://kcrwberlin.com/2019/03/chamber-group-hear-now-berlin-aims-to-reach-new-audiences/"> the group’s debut performance,</a> we caught up with Watson Woelffer and violist Xina Hawkins about the challenges of holding auditions for a new group member during the pandemic and their upcoming concert on Sept. 7 at Kulturhaus Insel Berlin.<br><em><br>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="http://hearnowberlin.de/"><strong><em>hear now berlin</em></strong></a><strong> is a chamber group that plays works by contemporary composers. Inspired by the music she loves playing and hearing, the sextet’s founder and flutist, Kelly Watson Woelffer, searched for five musicians who shared her vision: a violist from Australia, a cellist from New Zealand, and a trumpeter, violinist and clarinetist from Germany.<br></strong><br></p><p>Though they are all classically trained musicians with orchestral foundations, the six are also skilled in a wide range of other genres, including singer-songwriter, big band, pop and jazz.</p><p>About 18 months after<a href="https://kcrwberlin.com/2019/03/chamber-group-hear-now-berlin-aims-to-reach-new-audiences/"> the group’s debut performance,</a> we caught up with Watson Woelffer and violist Xina Hawkins about the challenges of holding auditions for a new group member during the pandemic and their upcoming concert on Sept. 7 at Kulturhaus Insel Berlin.<br><em><br>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 29 Aug 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/a51e2e77/d9081534.mp3" length="5329651" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>hear now berlin is a chamber group that plays works by contemporary composers. Inspired by the music she loves playing and hearing, the sextet’s founder and flutist, Kelly Watson Woelffer, searched for five musicians who shared her vision: a violist from Australia, a cellist from New Zealand, and a trumpeter, violinist and clarinetist from Germany.</itunes:summary>
      <itunes:subtitle>hear now berlin is a chamber group that plays works by contemporary composers. Inspired by the music she loves playing and hearing, the sextet’s founder and flutist, Kelly Watson Woelffer, searched for five musicians who shared her vision: a violist from </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Musician Candice Gordon on starting a new chapter in her life</title>
      <itunes:episode>87</itunes:episode>
      <podcast:episode>87</podcast:episode>
      <itunes:title>Musician Candice Gordon on starting a new chapter in her life</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">cb35bb22-3a3f-4ba8-9fbc-d745f0f4f20e</guid>
      <link>https://share.transistor.fm/s/32742c6c</link>
      <description>
        <![CDATA[<p><strong>Candice Gordon is the new cultural officer at the Irish Embassy in Berlin. The musician is known well beyond Berlin’s music scene for her haunting voice and prolific lyrics.<br></strong><br></p><p>We caught up with Gordon about her new role in cultural diplomacy and her latest EP, “The Sacramental Traffic Lights.”<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Candice Gordon is the new cultural officer at the Irish Embassy in Berlin. The musician is known well beyond Berlin’s music scene for her haunting voice and prolific lyrics.<br></strong><br></p><p>We caught up with Gordon about her new role in cultural diplomacy and her latest EP, “The Sacramental Traffic Lights.”<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 22 Aug 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/32742c6c/524e6b17.mp3" length="7818799" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>323</itunes:duration>
      <itunes:summary>Candice Gordon is the new cultural officer at the Irish Embassy in Berlin. The musician is known well beyond Berlin’s music scene for her haunting voice and prolific lyrics.</itunes:summary>
      <itunes:subtitle>Candice Gordon is the new cultural officer at the Irish Embassy in Berlin. The musician is known well beyond Berlin’s music scene for her haunting voice and prolific lyrics.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Àbáse talks about his roots and sound</title>
      <itunes:episode>86</itunes:episode>
      <podcast:episode>86</podcast:episode>
      <itunes:title>Àbáse talks about his roots and sound</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9c12e1d3-01f2-47d0-ad8f-a2a85b8a2eb7</guid>
      <link>https://share.transistor.fm/s/823e5e8d</link>
      <description>
        <![CDATA[<p><strong>Szabolcs Bognar, better known as Àbáse, is a Berlin-based producer and multi-instrumentalist who is playing at this year’s XJAZZ open air festival.</strong></p><p>A classically trained jazz pianist, Àbáse combines jazzy elements with West African, Brazilian and other influences to create a fresh, new sound.Ahead of his performance this weekend, we caught up with the 29-year-old over Zoom about his appreciation for Yoruba culture and growing up in post-socialist Budapest. </p><p><em>Produced by Benjamin Restle</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Szabolcs Bognar, better known as Àbáse, is a Berlin-based producer and multi-instrumentalist who is playing at this year’s XJAZZ open air festival.</strong></p><p>A classically trained jazz pianist, Àbáse combines jazzy elements with West African, Brazilian and other influences to create a fresh, new sound.Ahead of his performance this weekend, we caught up with the 29-year-old over Zoom about his appreciation for Yoruba culture and growing up in post-socialist Budapest. </p><p><em>Produced by Benjamin Restle</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 15 Aug 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/823e5e8d/b2ef6daf.mp3" length="2877327" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>281</itunes:duration>
      <itunes:summary>Szabolcs Bognar, better known as Àbáse, is a Berlin-based producer and multi-instrumentalist who is playing at this year’s XJAZZ open air festival. </itunes:summary>
      <itunes:subtitle>Szabolcs Bognar, better known as Àbáse, is a Berlin-based producer and multi-instrumentalist who is playing at this year’s XJAZZ open air festival. </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Berlin-based musician Martha Rose on 'diving deeply and emotionally after something that you love'</title>
      <itunes:episode>85</itunes:episode>
      <podcast:episode>85</podcast:episode>
      <itunes:title>Berlin-based musician Martha Rose on 'diving deeply and emotionally after something that you love'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e39edfd6-12c5-4df5-bc41-1eb846f8dbd8</guid>
      <link>https://share.transistor.fm/s/dea9ad65</link>
      <description>
        <![CDATA[<p><strong>Martha Rose, a U.K.-born, Berlin-based musician, just released her second full-length album titled “Undress &amp; Dive After.”</strong></p><p> </p><p>The 33-year-old multi-instrumentalist talks with us about her songwriting process, what her grandparents have to do with it, and what’s behind her intriguing album title.<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Martha Rose, a U.K.-born, Berlin-based musician, just released her second full-length album titled “Undress &amp; Dive After.”</strong></p><p> </p><p>The 33-year-old multi-instrumentalist talks with us about her songwriting process, what her grandparents have to do with it, and what’s behind her intriguing album title.<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 08 Aug 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/dea9ad65/7218b1d0.mp3" length="4061990" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>318</itunes:duration>
      <itunes:summary>Martha Rose, a U.K.-born, Berlin-based musician, just released her second full-length album titled “Undress &amp;amp; Dive After.” The 33-year-old multi-instrumentalist talks with us about her songwriting process, what her grandparents have to do with it, and what’s behind her intriguing album title.</itunes:summary>
      <itunes:subtitle>Martha Rose, a U.K.-born, Berlin-based musician, just released her second full-length album titled “Undress &amp;amp; Dive After.” The 33-year-old multi-instrumentalist talks with us about her songwriting process, what her grandparents have to do with it, and</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The German swing band that vows to keep you entertained through the pandemic</title>
      <itunes:episode>84</itunes:episode>
      <podcast:episode>84</podcast:episode>
      <itunes:title>The German swing band that vows to keep you entertained through the pandemic</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">82255ef5-d27e-4f15-8874-bc59d4b46a69</guid>
      <link>https://share.transistor.fm/s/93fc2c8a</link>
      <description>
        <![CDATA[<p><strong>Back in March when all the music clubs closed in Berlin, big band leader Andrej Hermlin made a promise: to keep on performing as long as the coronavirus pandemic restricts our lives.<br></strong><br></p><p>His band, the Swingin’ Hermlins, started a non-stop series of nightly concerts streamed live via Facebook. KCRW Berlin’s Erik Kirschbaum met Andrej Hermlin to talk about his love for American music from the 1930s and why he made this crazy promise.</p><p><em>Produced by Erik Kirschbaum</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Back in March when all the music clubs closed in Berlin, big band leader Andrej Hermlin made a promise: to keep on performing as long as the coronavirus pandemic restricts our lives.<br></strong><br></p><p>His band, the Swingin’ Hermlins, started a non-stop series of nightly concerts streamed live via Facebook. KCRW Berlin’s Erik Kirschbaum met Andrej Hermlin to talk about his love for American music from the 1930s and why he made this crazy promise.</p><p><em>Produced by Erik Kirschbaum</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 01 Aug 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/93fc2c8a/fa6d2fc9.mp3" length="4384570" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>Back in March when all the music clubs closed in Berlin, big band leader Andrej Hermlin made a promise: to keep on performing as long as the coronavirus pandemic restricts our lives.</itunes:summary>
      <itunes:subtitle>Back in March when all the music clubs closed in Berlin, big band leader Andrej Hermlin made a promise: to keep on performing as long as the coronavirus pandemic restricts our lives.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>'Sonic thinker' Sam Auinger explores the Halle am Berghain</title>
      <itunes:episode>83</itunes:episode>
      <podcast:episode>83</podcast:episode>
      <itunes:title>'Sonic thinker' Sam Auinger explores the Halle am Berghain</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f1d7ba20-c878-4ec9-bcab-803c20fad50d</guid>
      <link>https://share.transistor.fm/s/af3373d2</link>
      <description>
        <![CDATA[<p><strong>Berlin-based composer Sam Auinger describes himself as a “sonic thinker.”<br></strong><br></p><p>The 64-year-old Austrian has spent decades exploring sound and perception in public places. Auinger’s current project is a sound installation with his long-time collaborator Hannes Strobl. The duo’s work, “Eleven Songs,” runs until August 2 at the Halle am Berghain .<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin-based composer Sam Auinger describes himself as a “sonic thinker.”<br></strong><br></p><p>The 64-year-old Austrian has spent decades exploring sound and perception in public places. Auinger’s current project is a sound installation with his long-time collaborator Hannes Strobl. The duo’s work, “Eleven Songs,” runs until August 2 at the Halle am Berghain .<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 25 Jul 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/af3373d2/379a50e3.mp3" length="3067038" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>Berlin-based composer Sam Auinger describes himself as a “sonic thinker.” The 64-year-old Austrian has spent decades exploring sound and perception in public places. Auinger’s current project is a sound installation with his long-time collaborator Hannes Strobl. </itunes:summary>
      <itunes:subtitle>Berlin-based composer Sam Auinger describes himself as a “sonic thinker.” The 64-year-old Austrian has spent decades exploring sound and perception in public places. Auinger’s current project is a sound installation with his long-time collaborator Hannes </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Singer-songwriter Michael Brinkworth on how to create this 'Good Old Feeling'</title>
      <itunes:episode>82</itunes:episode>
      <podcast:episode>82</podcast:episode>
      <itunes:title>Singer-songwriter Michael Brinkworth on how to create this 'Good Old Feeling'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">52c698d6-2385-4013-9648-6b82c301283d</guid>
      <link>https://share.transistor.fm/s/54bf0b95</link>
      <description>
        <![CDATA[<p><strong>Brisbane-born Michael Brinkworth draws inspiration from Bob Dylan, Neil Young and from the city he now calls home, Berlin, “this weird halfway house that I ended up in.” The 33-year-old traveled the globe before settling down here six years ago.<br></strong><br></p><p>In the past couple of months, Brinkworth has been releasing tracks from his upcoming album, “Wasted Wonder.” We talk to him about his new music and life in Berlin. <br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Brisbane-born Michael Brinkworth draws inspiration from Bob Dylan, Neil Young and from the city he now calls home, Berlin, “this weird halfway house that I ended up in.” The 33-year-old traveled the globe before settling down here six years ago.<br></strong><br></p><p>In the past couple of months, Brinkworth has been releasing tracks from his upcoming album, “Wasted Wonder.” We talk to him about his new music and life in Berlin. <br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 11 Jul 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/54bf0b95/1c44aa14.mp3" length="3313221" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>251</itunes:duration>
      <itunes:summary>Brisbane-born Michael Brinkworth draws inspiration from Bob Dylan, Neil Young and from the city he now calls home, Berlin, “this weird halfway house that I ended up in.” The 33-year-old traveled the globe before settling down here six years ago.</itunes:summary>
      <itunes:subtitle>Brisbane-born Michael Brinkworth draws inspiration from Bob Dylan, Neil Young and from the city he now calls home, Berlin, “this weird halfway house that I ended up in.” The 33-year-old traveled the globe before settling down here six years ago.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Noah Slee: Far away but 'Here For It All'</title>
      <itunes:episode>81</itunes:episode>
      <podcast:episode>81</podcast:episode>
      <itunes:title>Noah Slee: Far away but 'Here For It All'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d8ca65e3-40be-46cf-8090-b022e9b111a0</guid>
      <link>https://share.transistor.fm/s/c958fc03</link>
      <description>
        <![CDATA[<p><strong>In this week’s edition of Amplified, we catch up with New Zealand-born soul singer and producer Noah Slee. The musician just released the single, “Here For It All.” It comes after his EP, “TWICE,” and his breakthrough debut album “Otherland.”<br></strong><br></p><p>Slee is usually based in Berlin, but he got stuck on tour when the pandemic struck. We reached him via Zoom in New Zealand. </p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>In this week’s edition of Amplified, we catch up with New Zealand-born soul singer and producer Noah Slee. The musician just released the single, “Here For It All.” It comes after his EP, “TWICE,” and his breakthrough debut album “Otherland.”<br></strong><br></p><p>Slee is usually based in Berlin, but he got stuck on tour when the pandemic struck. We reached him via Zoom in New Zealand. </p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 27 Jun 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/c958fc03/2ea9e4ab.mp3" length="5324689" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>328</itunes:duration>
      <itunes:summary>We caught up again with New Zealand-born soul singer and producer Noah Slee. The musician just released the single, “Here For It All.” It comes after his EP, “TWICE,” and his breakthrough debut album “Otherland.”</itunes:summary>
      <itunes:subtitle>We caught up again with New Zealand-born soul singer and producer Noah Slee. The musician just released the single, “Here For It All.” It comes after his EP, “TWICE,” and his breakthrough debut album “Otherland.”</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Derya Yildirim on 'coming alive again'</title>
      <itunes:episode>80</itunes:episode>
      <podcast:episode>80</podcast:episode>
      <itunes:title>Derya Yildirim on 'coming alive again'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a577cfbf-bfe9-41db-9fc6-927eaf9817b9</guid>
      <link>https://share.transistor.fm/s/43a85917</link>
      <description>
        <![CDATA[<p><strong>Berlin-based musician Derya Yildirim is a multi-instrumentalist, but her favorite is the Turkish lute called the “Bağlama.” Usually, the 26-year-old performs with her band, Grup Şimşek, but more recently, she’s played on her own. We caught up with the 26-year-old in France, where she is reuniting with her band to write new material.<br></strong><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin-based musician Derya Yildirim is a multi-instrumentalist, but her favorite is the Turkish lute called the “Bağlama.” Usually, the 26-year-old performs with her band, Grup Şimşek, but more recently, she’s played on her own. We caught up with the 26-year-old in France, where she is reuniting with her band to write new material.<br></strong><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 20 Jun 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/43a85917/73258051.mp3" length="5331129" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>Derya Yildirim is a multi-instrumentalist, but her favorite is the Turkish lute called the “Bağlama.” Usually, the 26-year-old performs with her band, Grup Şimşek, but more recently, she’s played on her own. We caught up with the 26-year-old in France, where she is reuniting with her band to write new material.</itunes:summary>
      <itunes:subtitle>Derya Yildirim is a multi-instrumentalist, but her favorite is the Turkish lute called the “Bağlama.” Usually, the 26-year-old performs with her band, Grup Şimşek, but more recently, she’s played on her own. We caught up with the 26-year-old in France, wh</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Odes to love and life: singer songwriter Finn Ronsdorf on his first EP</title>
      <itunes:episode>79</itunes:episode>
      <podcast:episode>79</podcast:episode>
      <itunes:title>Odes to love and life: singer songwriter Finn Ronsdorf on his first EP</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/3bcf0b49</link>
      <description>
        <![CDATA[<p><strong>Berlin-based musician </strong><a href="https://finnronsdorf.com/"><strong>Finn Ronsdorf</strong></a><strong> is releasing his first EP, “Odes,” on June 12. We talk with the 21-year-old singer-songwriter about his early musical influences and what it takes to write a love song. He says the key is “really just being very much in the moment.”</strong></p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin-based musician </strong><a href="https://finnronsdorf.com/"><strong>Finn Ronsdorf</strong></a><strong> is releasing his first EP, “Odes,” on June 12. We talk with the 21-year-old singer-songwriter about his early musical influences and what it takes to write a love song. He says the key is “really just being very much in the moment.”</strong></p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 06 Jun 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/3bcf0b49/360e8eaa.mp3" length="4464650" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>275</itunes:duration>
      <itunes:summary>Musician Finn Ronsdorf is releasing his first EP, “Odes,” on June 12. We talk with the 21-year-old singer-songwriter about his early musical influences and what it takes to write a love song. He says the key is “really just being very much in the moment.”</itunes:summary>
      <itunes:subtitle>Musician Finn Ronsdorf is releasing his first EP, “Odes,” on June 12. We talk with the 21-year-old singer-songwriter about his early musical influences and what it takes to write a love song. He says the key is “really just being very much in the moment.”</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The rap teaching kids to keep COVID-19 at bay</title>
      <itunes:episode>78</itunes:episode>
      <podcast:episode>78</podcast:episode>
      <itunes:title>The rap teaching kids to keep COVID-19 at bay</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f146267a-d79f-4a33-a7f5-971932e13ae7</guid>
      <link>https://share.transistor.fm/s/cec2a979</link>
      <description>
        <![CDATA[<p><strong>Brodie White loves to teach guitar and audio production to kids. So when the schools were closed, the 35-year-old had a lot of time on his hands, so he came up with a special lesson for his students: a hygiene rules rap for kids.<br></strong><br></p><p>Covid Who!? is a production of Berlin Cosmopolitan School &amp; Musical Friends (Brodie White and Trevor Woods).</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Brodie White loves to teach guitar and audio production to kids. So when the schools were closed, the 35-year-old had a lot of time on his hands, so he came up with a special lesson for his students: a hygiene rules rap for kids.<br></strong><br></p><p>Covid Who!? is a production of Berlin Cosmopolitan School &amp; Musical Friends (Brodie White and Trevor Woods).</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 30 May 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/cec2a979/a2feb544.mp3" length="4899225" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>302</itunes:duration>
      <itunes:summary>Brodie White loves to teach guitar and audio production to kids. So when the schools were closed, the 35-year-old had a lot of time on his hands, so he came up with a special lesson for his students: a hygiene rules rap for kids.</itunes:summary>
      <itunes:subtitle>Brodie White loves to teach guitar and audio production to kids. So when the schools were closed, the 35-year-old had a lot of time on his hands, so he came up with a special lesson for his students: a hygiene rules rap for kids.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Robot Koch on scoring imaginary movies, his forthcoming album and seeking inspiration in nature</title>
      <itunes:episode>77</itunes:episode>
      <podcast:episode>77</podcast:episode>
      <itunes:title>Robot Koch on scoring imaginary movies, his forthcoming album and seeking inspiration in nature</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c3f64398-8f61-4b48-95d4-2fa05f2518bd</guid>
      <link>https://share.transistor.fm/s/09fb895b</link>
      <description>
        <![CDATA[<p><strong>German-born </strong><a href="https://www.robotsdontsleep.com/"><strong>Robot Koch</strong></a><strong> is dropping his new record “The Next Billion Years” on May 29. Ahead of the release, we spoke to the L.A.-based artist, producer and composer about why late French conservationist Jacques-Yves Cousteau inspired him to make the album.<br></strong><br></p><p>Robot Koch, who spent several years living and working in Berlin before relocating to L.A., has a visual approach to his music. He says for him creating songs is “like scoring imaginary movies in my head,” and that being in nature is an important source of inspiration. <br><em><br>Produced by Benjamin Restle</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>German-born </strong><a href="https://www.robotsdontsleep.com/"><strong>Robot Koch</strong></a><strong> is dropping his new record “The Next Billion Years” on May 29. Ahead of the release, we spoke to the L.A.-based artist, producer and composer about why late French conservationist Jacques-Yves Cousteau inspired him to make the album.<br></strong><br></p><p>Robot Koch, who spent several years living and working in Berlin before relocating to L.A., has a visual approach to his music. He says for him creating songs is “like scoring imaginary movies in my head,” and that being in nature is an important source of inspiration. <br><em><br>Produced by Benjamin Restle</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 23 May 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/09fb895b/bdfe8f5a.mp3" length="4194282" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>258</itunes:duration>
      <itunes:summary>German-born Robot Koch is dropping his new record “The Next Billion Years” on May 29. Ahead of the release, we spoke to the L.A.-based artist, producer and composer about why late French conservationist Jacques-Yves Cousteau inspired him to make the album.</itunes:summary>
      <itunes:subtitle>German-born Robot Koch is dropping his new record “The Next Billion Years” on May 29. Ahead of the release, we spoke to the L.A.-based artist, producer and composer about why late French conservationist Jacques-Yves Cousteau inspired him to make the album</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Collaboration in the time of the coronavirus: Record label Ransom Note supports artists by making them 'Pen Pals'</title>
      <itunes:episode>76</itunes:episode>
      <podcast:episode>76</podcast:episode>
      <itunes:title>Collaboration in the time of the coronavirus: Record label Ransom Note supports artists by making them 'Pen Pals'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c7b7c5c3-a73c-45d3-8a28-f5f025b6fa8e</guid>
      <link>https://share.transistor.fm/s/c0af5d50</link>
      <description>
        <![CDATA[<p><strong>With concerts and festivals canceled, artists are struggling to make ends meet.<br></strong><br></p><p>London-based label Ransom Note came up with a novel idea to generate some much needed cash for music makers. They invited a number of artists — among them, KCRW Berlin’s Moderna — to contribute to a compilation album by collaborating remotely on original tracks in just 10 days. The completed album, “Pen Pals,” went on sale on April 24 and features 15 tracks by 32 artists. The proceeds go to supporting the artists and the label.</p><p>We got in touch with Ransom Note’s Rosie Cain to find out about the unusual project and how collaborating remotely affects the creative process. <a href="https://ransomnoterecords.bandcamp.com/album/ransom-note-presents-pen-pals?fbclid=IwAR0-1aCvgMZfgSXr2uz503UUMJVcctUIBj7Ji6IdQHN8wggWlrWZd2dwxKM">“Pen Pals” is available to buy online.<br><em><br>Produced by Benjamin Restle</em><br></a><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>With concerts and festivals canceled, artists are struggling to make ends meet.<br></strong><br></p><p>London-based label Ransom Note came up with a novel idea to generate some much needed cash for music makers. They invited a number of artists — among them, KCRW Berlin’s Moderna — to contribute to a compilation album by collaborating remotely on original tracks in just 10 days. The completed album, “Pen Pals,” went on sale on April 24 and features 15 tracks by 32 artists. The proceeds go to supporting the artists and the label.</p><p>We got in touch with Ransom Note’s Rosie Cain to find out about the unusual project and how collaborating remotely affects the creative process. <a href="https://ransomnoterecords.bandcamp.com/album/ransom-note-presents-pen-pals?fbclid=IwAR0-1aCvgMZfgSXr2uz503UUMJVcctUIBj7Ji6IdQHN8wggWlrWZd2dwxKM">“Pen Pals” is available to buy online.<br><em><br>Produced by Benjamin Restle</em><br></a><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 09 May 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/c0af5d50/c8867158.mp3" length="3267493" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>200</itunes:duration>
      <itunes:summary> 
With concerts and festivals canceled, artists are struggling to make ends meet.London-based label Ransom Note came up with a novel idea to generate some much needed cash for music makers. They invited a number of artists — among them, KCRW Berlin’s Moderna — to contribute to a compilation album by collaborating remotely on original tracks in just 10 days.</itunes:summary>
      <itunes:subtitle> 
With concerts and festivals canceled, artists are struggling to make ends meet.London-based label Ransom Note came up with a novel idea to generate some much needed cash for music makers. They invited a number of artists — among them, KCRW Berlin’s Mod</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>How does music help in times of crisis? We asked a musicologist to explain</title>
      <itunes:episode>75</itunes:episode>
      <podcast:episode>75</podcast:episode>
      <itunes:title>How does music help in times of crisis? We asked a musicologist to explain</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">47e5de5b-6c20-4656-b422-dc4e0f230a91</guid>
      <link>https://share.transistor.fm/s/d4a8b508</link>
      <description>
        <![CDATA[<p><strong>We’ve all seen footage of people taking to their balconies to sing and play instruments together amid the coronavirus lockdown. But why is that?<br></strong><br></p><p>Gunter Kreutz, who teaches at the University of Oldenburg, has published a book on the mental health benefits of singing, among other things. The musicologist says “in crises, music has a very strong function to balance people, and show them there is light at the end of the tunnel.”<br><em><br>Produced by Benjamin Restle</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We’ve all seen footage of people taking to their balconies to sing and play instruments together amid the coronavirus lockdown. But why is that?<br></strong><br></p><p>Gunter Kreutz, who teaches at the University of Oldenburg, has published a book on the mental health benefits of singing, among other things. The musicologist says “in crises, music has a very strong function to balance people, and show them there is light at the end of the tunnel.”<br><em><br>Produced by Benjamin Restle</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 25 Apr 2020 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/d4a8b508/33be6361.mp3" length="4848284" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>299</itunes:duration>
      <itunes:summary>We’ve all seen footage of people taking to their balconies to sing and play instruments together amid the coronavirus lockdown. But why is that?We’ve all seen footage of people taking to their balconies to sing and play instruments together amid the coronavirus lockdown. But why is that?

Gunter Kreutz, who teaches at the University of Oldenburg, has published a book on the mental health benefits of singing, among other things. </itunes:summary>
      <itunes:subtitle>We’ve all seen footage of people taking to their balconies to sing and play instruments together amid the coronavirus lockdown. But why is that?We’ve all seen footage of people taking to their balconies to sing and play instruments together amid the coron</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Raving on in quarantine with 'United We Stream'</title>
      <itunes:episode>74</itunes:episode>
      <podcast:episode>74</podcast:episode>
      <itunes:title>Raving on in quarantine with 'United We Stream'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">671180ba-9d9c-424f-9073-49ab9130fcc5</guid>
      <link>https://share.transistor.fm/s/96070aac</link>
      <description>
        <![CDATA[<p><strong>Berlin’s clubs were forced to shut this month to help contain the coronavirus outbreak. With Berliners deprived of their beloved music venues, and clubs missing out on vital revenue, Clubcommission and Reclaim Club Culture launched the United We Stream platform. <br></strong><br></p><p>Here, venues can stream DJ sets, concerts and much more for Berliners to enjoy in the safety of their homes. In return, they’re asking for donations to get them through these tough times.</p><p>We caught up with Clubcommission spokesman Lutz Leichsenring (pictured) on Skype to find out how many people have tuned in so far and if the platform can save clubs from financial ruin.</p><p><em>Produced by Benjamin Restle</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin’s clubs were forced to shut this month to help contain the coronavirus outbreak. With Berliners deprived of their beloved music venues, and clubs missing out on vital revenue, Clubcommission and Reclaim Club Culture launched the United We Stream platform. <br></strong><br></p><p>Here, venues can stream DJ sets, concerts and much more for Berliners to enjoy in the safety of their homes. In return, they’re asking for donations to get them through these tough times.</p><p>We caught up with Clubcommission spokesman Lutz Leichsenring (pictured) on Skype to find out how many people have tuned in so far and if the platform can save clubs from financial ruin.</p><p><em>Produced by Benjamin Restle</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 28 Mar 2020 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/96070aac/cb03d013.mp3" length="4675752" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>288</itunes:duration>
      <itunes:summary>Berlin’s clubs were forced to shut this month to help contain the coronavirus outbreak. With Berliners deprived of their beloved music venues, and clubs missing out on vital revenue, Clubcommission and Reclaim Club Culture launched the United We Stream platform. </itunes:summary>
      <itunes:subtitle>Berlin’s clubs were forced to shut this month to help contain the coronavirus outbreak. With Berliners deprived of their beloved music venues, and clubs missing out on vital revenue, Clubcommission and Reclaim Club Culture launched the United We Stream pl</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Composer, innovator, musical radical: Upcoming festival celebrates Beethoven's 250th birthday in experimental style</title>
      <itunes:episode>73</itunes:episode>
      <podcast:episode>73</podcast:episode>
      <itunes:title>Composer, innovator, musical radical: Upcoming festival celebrates Beethoven's 250th birthday in experimental style</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6bda84bb-d34a-4032-b7f0-200af33249fd</guid>
      <link>https://share.transistor.fm/s/66655829</link>
      <description>
        <![CDATA[<p><strong>This year marks 250 years since the birth of one of the most renowned composers of all time, Ludwig van Beethoven. </strong><a href="https://www.bundesregierung.de/breg-de/bundesregierung/staatsministerin-fuer-kultur-und-medien/aktuelles/beethoven-jubilaeumsjahr-bthvn2020-wird-eroeffnet-kulturstaatsministerin-gruetters-einer-der-bedeutendsten-kulturbotschafter-unseres-landes--1707008"><strong>Germany has poured 27 million euros into marking the occasion,</strong></a><strong> and there are a number of events happening here in Berlin, including Labor Beethoven 2020, which is a contemporary reading of the work of Beethoven.<br></strong><br></p><p>We spoke with Julia Gerlach, the head of music at the Akademie der Künste Berlin and the director of Labor Beethoven 2020, to find out more about some of the musical experimentation that has grown out of the celebration and how this benefits the composer’s legacy.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>This year marks 250 years since the birth of one of the most renowned composers of all time, Ludwig van Beethoven. </strong><a href="https://www.bundesregierung.de/breg-de/bundesregierung/staatsministerin-fuer-kultur-und-medien/aktuelles/beethoven-jubilaeumsjahr-bthvn2020-wird-eroeffnet-kulturstaatsministerin-gruetters-einer-der-bedeutendsten-kulturbotschafter-unseres-landes--1707008"><strong>Germany has poured 27 million euros into marking the occasion,</strong></a><strong> and there are a number of events happening here in Berlin, including Labor Beethoven 2020, which is a contemporary reading of the work of Beethoven.<br></strong><br></p><p>We spoke with Julia Gerlach, the head of music at the Akademie der Künste Berlin and the director of Labor Beethoven 2020, to find out more about some of the musical experimentation that has grown out of the celebration and how this benefits the composer’s legacy.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 21 Mar 2020 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/66655829/d0257e0a.mp3" length="5502256" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>340</itunes:duration>
      <itunes:summary>This year marks 250 years since the birth of one of the most renowned composers of all time, Ludwig van Beethoven. Germany has poured 27 million euros into marking the occasion, and there are a number of events happening here in Berlin, including Labor Beethoven 2020, which is a contemporary reading of the work of Beethoven.</itunes:summary>
      <itunes:subtitle>This year marks 250 years since the birth of one of the most renowned composers of all time, Ludwig van Beethoven. Germany has poured 27 million euros into marking the occasion, and there are a number of events happening here in Berlin, including Labor Be</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Acht Eimer Hühnerherzen on punk ethos and the perils of overproduction</title>
      <itunes:episode>72</itunes:episode>
      <podcast:episode>72</podcast:episode>
      <itunes:title>Acht Eimer Hühnerherzen on punk ethos and the perils of overproduction</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d07d7823-5863-407b-8365-1d1e61c37d52</guid>
      <link>https://share.transistor.fm/s/698bf809</link>
      <description>
        <![CDATA[<p> <strong>We sat down with Johnny “Jacho” Bottrop and Bene Diktator from Berlin punk band Acht Eimer Hühnerherzen, which translates to “eight buckets of chicken hearts.” They explained the meaning of their unusual band name and why coming up with song lyrics should take 30 minutes tops.</strong> </p><p>Produced by Ben Restle</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p> <strong>We sat down with Johnny “Jacho” Bottrop and Bene Diktator from Berlin punk band Acht Eimer Hühnerherzen, which translates to “eight buckets of chicken hearts.” They explained the meaning of their unusual band name and why coming up with song lyrics should take 30 minutes tops.</strong> </p><p>Produced by Ben Restle</p>]]>
      </content:encoded>
      <pubDate>Sat, 22 Feb 2020 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/698bf809/36a47df8.mp3" length="2700278" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>We sat down with Johnny “Jacho” Bottrop and Bene Diktator from Berlin punk band Acht Eimer Hühnerherzen, which translates to “eight buckets of chicken hearts.” They explained the meaning of their unusual band name and why coming up with song lyrics should take 30 minutes tops.</itunes:summary>
      <itunes:subtitle>We sat down with Johnny “Jacho” Bottrop and Bene Diktator from Berlin punk band Acht Eimer Hühnerherzen, which translates to “eight buckets of chicken hearts.” They explained the meaning of their unusual band name and why coming up with song lyrics should</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Caligari rises again with a rejuvenated score at Babylon</title>
      <itunes:episode>71</itunes:episode>
      <podcast:episode>71</podcast:episode>
      <itunes:title>Caligari rises again with a rejuvenated score at Babylon</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0227f2b4-38eb-4b40-9742-41956c9d4ee3</guid>
      <link>https://share.transistor.fm/s/46c65f9f</link>
      <description>
        <![CDATA[<p><strong>On Feb. 27, 1920, Berlin saw the premiere of the psychological thriller, “The Cabinet of Dr. Caligari.” Today, it’s considered a quintessential film of German Expressionism. But a century ago, a mismatched score nearly cost the film its audience.<br></strong><br></p><p>We spoke to Hans Brandner <a href="https://www.babylon-orchester-berlin.de/english/babylon/">from the Babylon Orchester Berlin</a> who shares the story about the original screenings of the film and how they prompted the director to work with composer Giuseppe Becce on a whole new score. Components of that very same score have been rearranged by Brandner and conductor Marcelo Falcão to accompany screenings in Berlin at the Babylon this year.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>On Feb. 27, 1920, Berlin saw the premiere of the psychological thriller, “The Cabinet of Dr. Caligari.” Today, it’s considered a quintessential film of German Expressionism. But a century ago, a mismatched score nearly cost the film its audience.<br></strong><br></p><p>We spoke to Hans Brandner <a href="https://www.babylon-orchester-berlin.de/english/babylon/">from the Babylon Orchester Berlin</a> who shares the story about the original screenings of the film and how they prompted the director to work with composer Giuseppe Becce on a whole new score. Components of that very same score have been rearranged by Brandner and conductor Marcelo Falcão to accompany screenings in Berlin at the Babylon this year.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 15 Feb 2020 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/46c65f9f/10a07d0a.mp3" length="4460424" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>274</itunes:duration>
      <itunes:summary>On Feb. 27, 1920, Berlin saw the premiere of the psychological thriller, “The Cabinet of Dr. Caligari.” Today, it’s considered a quintessential film of German Expressionism. But a century ago, a mismatched score nearly cost the film its audience.</itunes:summary>
      <itunes:subtitle>On Feb. 27, 1920, Berlin saw the premiere of the psychological thriller, “The Cabinet of Dr. Caligari.” Today, it’s considered a quintessential film of German Expressionism. But a century ago, a mismatched score nearly cost the film its audience.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>‘The opera machine is not looking for disruption’: Opera Lab Berlin on breaking down traditional musical theater works</title>
      <itunes:episode>70</itunes:episode>
      <podcast:episode>70</podcast:episode>
      <itunes:title>‘The opera machine is not looking for disruption’: Opera Lab Berlin on breaking down traditional musical theater works</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">529b8003-fb3d-4d8a-a415-85ed467826b6</guid>
      <link>https://share.transistor.fm/s/22446c04</link>
      <description>
        <![CDATA[<p><strong>Opera Lab Berlin’s upcoming premiere of “ODYSSEY: Dead Men Die” promises a “an apocalyptic journey” encompassing Homer, James Joyce and Hollywood.<br></strong><br></p><p>We caught up with artistic director Evan Gardner to find out more about the free-form ensemble, which has produced or collaborated on over 20 productions in the past six years, as well as what to expect from their new show.</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Opera Lab Berlin’s upcoming premiere of “ODYSSEY: Dead Men Die” promises a “an apocalyptic journey” encompassing Homer, James Joyce and Hollywood.<br></strong><br></p><p>We caught up with artistic director Evan Gardner to find out more about the free-form ensemble, which has produced or collaborated on over 20 productions in the past six years, as well as what to expect from their new show.</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 25 Jan 2020 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/22446c04/65ab0f1c.mp3" length="4171120" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>256</itunes:duration>
      <itunes:summary>Opera Lab Berlin’s upcoming premiere of “ODYSSEY: Dead Men Die” promises a “an apocalyptic journey” encompassing Homer, James Joyce and Hollywood.</itunes:summary>
      <itunes:subtitle>Opera Lab Berlin’s upcoming premiere of “ODYSSEY: Dead Men Die” promises a “an apocalyptic journey” encompassing Homer, James Joyce and Hollywood.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Singer-songwriter Jackson Dyer on his debut album 'Inlet,' an ode to Australia and Berlin</title>
      <itunes:episode>69</itunes:episode>
      <podcast:episode>69</podcast:episode>
      <itunes:title>Singer-songwriter Jackson Dyer on his debut album 'Inlet,' an ode to Australia and Berlin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f6ce0f74-c836-4f1a-bb46-fa4c47059615</guid>
      <link>https://share.transistor.fm/s/dad0917a</link>
      <description>
        <![CDATA[<p><strong>Jackson Dyer is an Australian singer-songwriter and producer, based in Berlin. His debut album, “Inlet,” was released on November 15.<br></strong><br></p><p>We caught up with him to talk about going home to Australia to record his debut album, the pros and cons of producing an album solo, and his beginnings busking in Mauerpark. Stick around until the end of the interview to hear Jackson perform “Over the Dunes” live in-studio.<br><em><br>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Jackson Dyer is an Australian singer-songwriter and producer, based in Berlin. His debut album, “Inlet,” was released on November 15.<br></strong><br></p><p>We caught up with him to talk about going home to Australia to record his debut album, the pros and cons of producing an album solo, and his beginnings busking in Mauerpark. Stick around until the end of the interview to hear Jackson perform “Over the Dunes” live in-studio.<br><em><br>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 11 Jan 2020 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/dad0917a/d61cffe9.mp3" length="7171282" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>444</itunes:duration>
      <itunes:summary>Jackson Dyer is an Australian singer-songwriter and producer, based in Berlin. His debut album, “Inlet,” was released on November 15, 2019. </itunes:summary>
      <itunes:subtitle>Jackson Dyer is an Australian singer-songwriter and producer, based in Berlin. His debut album, “Inlet,” was released on November 15, 2019. </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>‘Depressive in a good way’: DJ and producer Shed on his new album, revisiting his first home in East Germany</title>
      <itunes:episode>68</itunes:episode>
      <podcast:episode>68</podcast:episode>
      <itunes:title>‘Depressive in a good way’: DJ and producer Shed on his new album, revisiting his first home in East Germany</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">4ca3d597-54e3-41c1-b46d-f264cf9cfca8</guid>
      <link>https://share.transistor.fm/s/c9a0dae4</link>
      <description>
        <![CDATA[<p><strong>We met up with DJ and producer Shed, aka René Pawlowitz, following the November 29 </strong><a href="https://ostgut.bandcamp.com/album/oderbruch"><strong>release of his fifth studio album “Oderbruch”</strong></a><strong> on Berghain’s label Ostgut Ton.<br></strong><br></p><p>Pawlowitz opens up about the inspiration for the album, which centers around memories from the region his family’s from in East Germany. He talks about how the area has changed and doesn’t hide the sense of nostalgia that emerges: “It’s a mixture of being sad but also happy. It’s depressive in a good way,” he says. </p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We met up with DJ and producer Shed, aka René Pawlowitz, following the November 29 </strong><a href="https://ostgut.bandcamp.com/album/oderbruch"><strong>release of his fifth studio album “Oderbruch”</strong></a><strong> on Berghain’s label Ostgut Ton.<br></strong><br></p><p>Pawlowitz opens up about the inspiration for the album, which centers around memories from the region his family’s from in East Germany. He talks about how the area has changed and doesn’t hide the sense of nostalgia that emerges: “It’s a mixture of being sad but also happy. It’s depressive in a good way,” he says. </p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 21 Dec 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/c9a0dae4/065a2af2.mp3" length="5837772" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>361</itunes:duration>
      <itunes:summary>We met up with DJ and producer Shed, aka René Pawlowitz, following the November 29 release of his fifth studio album “Oderbruch” on Berghain’s label Ostgut Ton.</itunes:summary>
      <itunes:subtitle>We met up with DJ and producer Shed, aka René Pawlowitz, following the November 29 release of his fifth studio album “Oderbruch” on Berghain’s label Ostgut Ton.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Mira Lu Kovacs of 5K HD on why they'll happily disappoint listeners to keep things fresh</title>
      <itunes:episode>67</itunes:episode>
      <podcast:episode>67</podcast:episode>
      <itunes:title>Mira Lu Kovacs of 5K HD on why they'll happily disappoint listeners to keep things fresh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d5c93313-bd3e-4a52-8f73-e376cf09086c</guid>
      <link>https://share.transistor.fm/s/db0a46bc</link>
      <description>
        <![CDATA[<p><a href="http://5khd-music.com/"><strong>5K HD is a Vienna-based avant-garde electro pop band</strong></a><strong> tired of sticking to musical conventions. We met up with lead singer Mira Lu Kovacs to find out about the band’s jazz influences and passion for experimenting with sound and improvisation.<br></strong><br></p><p>The band recently released their second album, “High Performer,” and will be showcasing their new material in a European tour in early 2020.</p><p><em>Produced by Benjamin Restle</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="http://5khd-music.com/"><strong>5K HD is a Vienna-based avant-garde electro pop band</strong></a><strong> tired of sticking to musical conventions. We met up with lead singer Mira Lu Kovacs to find out about the band’s jazz influences and passion for experimenting with sound and improvisation.<br></strong><br></p><p>The band recently released their second album, “High Performer,” and will be showcasing their new material in a European tour in early 2020.</p><p><em>Produced by Benjamin Restle</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 23 Nov 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/db0a46bc/6a672a5a.mp3" length="2757712" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>168</itunes:duration>
      <itunes:summary>5K HD is a Vienna-based avant-garde electro pop band tired of sticking to musical conventions. We met up with lead singer Mira Lu Kovacs to find out about the band’s jazz influences and passion for experimenting with sound and improvisation.</itunes:summary>
      <itunes:subtitle>5K HD is a Vienna-based avant-garde electro pop band tired of sticking to musical conventions. We met up with lead singer Mira Lu Kovacs to find out about the band’s jazz influences and passion for experimenting with sound and improvisation.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Ishmael Ensemble frontman on his love for Berlin and experimenting with sound</title>
      <itunes:episode>66</itunes:episode>
      <podcast:episode>66</podcast:episode>
      <itunes:title>Ishmael Ensemble frontman on his love for Berlin and experimenting with sound</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">be5fa15d-159f-4f3b-b277-2f8d52e486f7</guid>
      <link>https://share.transistor.fm/s/39f975d1</link>
      <description>
        <![CDATA[<p><a href="http://ishmaelensemble.com/"><strong>Ishmael Ensemble</strong></a><strong> is a Bristol-based ambient-jazz-electronica outfit that defies being pigeonholed into only one genre. We sat down with band leader Pete Cunningham and bassist Jake Spurgeon to talk about what inspires them musically and why they love playing in Berlin.<br></strong><br></p><p>Ishmael Ensemble released their debut album, “A State of Flow,” in May of 2019. They are currently recording a new EP and planning a concert tour for 2020.</p><p><em>Produced by Benjamin Restle</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="http://ishmaelensemble.com/"><strong>Ishmael Ensemble</strong></a><strong> is a Bristol-based ambient-jazz-electronica outfit that defies being pigeonholed into only one genre. We sat down with band leader Pete Cunningham and bassist Jake Spurgeon to talk about what inspires them musically and why they love playing in Berlin.<br></strong><br></p><p>Ishmael Ensemble released their debut album, “A State of Flow,” in May of 2019. They are currently recording a new EP and planning a concert tour for 2020.</p><p><em>Produced by Benjamin Restle</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 26 Oct 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/39f975d1/a7a83526.mp3" length="4984633" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>307</itunes:duration>
      <itunes:summary>Ishmael Ensemble is a Bristol-based ambient-jazz-electronica outfit that defies being pigeonholed into only one genre. We sat down with band leader Pete Cunningham and bassist Jake Spurgeon to talk about what inspires them musically and why they love playing in Berlin.</itunes:summary>
      <itunes:subtitle>Ishmael Ensemble is a Bristol-based ambient-jazz-electronica outfit that defies being pigeonholed into only one genre. We sat down with band leader Pete Cunningham and bassist Jake Spurgeon to talk about what inspires them musically and why they love play</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>That's what 'She Says': Gurr talks friendship, bilingual lyrics and anxiety</title>
      <itunes:episode>65</itunes:episode>
      <podcast:episode>65</podcast:episode>
      <itunes:title>That's what 'She Says': Gurr talks friendship, bilingual lyrics and anxiety</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">bed7417f-5017-4e03-969c-3d70f47649f0</guid>
      <link>https://share.transistor.fm/s/e063d553</link>
      <description>
        <![CDATA[<p><strong>Berlin-based garage pop band Gurr write songs about anxiety, what it means to be a strong woman, and, of course, love.<br></strong><br></p><p>We caught up with the Laura Lee and Andreya Casablanca to talk about writing lyrics in German versus English, friendship, their upcoming tour and their new “She Says” EP, which is available now.<br><em><br>Produced by Sylvia Cunnningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin-based garage pop band Gurr write songs about anxiety, what it means to be a strong woman, and, of course, love.<br></strong><br></p><p>We caught up with the Laura Lee and Andreya Casablanca to talk about writing lyrics in German versus English, friendship, their upcoming tour and their new “She Says” EP, which is available now.<br><em><br>Produced by Sylvia Cunnningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 07 Sep 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/e063d553/2d9f2860.mp3" length="5665931" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>350</itunes:duration>
      <itunes:summary>Berlin-based garage pop band Gurr write songs about anxiety, what it means to be a strong woman, and, of course, love.</itunes:summary>
      <itunes:subtitle>Berlin-based garage pop band Gurr write songs about anxiety, what it means to be a strong woman, and, of course, love.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Chap talk concept albums, midlife crises and political rock</title>
      <itunes:episode>64</itunes:episode>
      <podcast:episode>64</podcast:episode>
      <itunes:title>The Chap talk concept albums, midlife crises and political rock</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">05f098ed-7041-441e-abc2-6c9ba2b02cf5</guid>
      <link>https://share.transistor.fm/s/25a69c0c</link>
      <description>
        <![CDATA[<p><strong>We spoke with Keith Duncan and Johannes von Weizsäcker, two members of The Chap, </strong><a href="https://www.torstrassenfestival.de/en/"><strong>ahead of their performance at the Torstraßen Festival.<br></strong></a><br></p><p>The band, who has challenged themselves in recent years to release a series of concept albums which push them beyond their comfort zone, shares some thoughts on their tenure together. <br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We spoke with Keith Duncan and Johannes von Weizsäcker, two members of The Chap, </strong><a href="https://www.torstrassenfestival.de/en/"><strong>ahead of their performance at the Torstraßen Festival.<br></strong></a><br></p><p>The band, who has challenged themselves in recent years to release a series of concept albums which push them beyond their comfort zone, shares some thoughts on their tenure together. <br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 17 Aug 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/25a69c0c/180c5dd7.mp3" length="5305528" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>327</itunes:duration>
      <itunes:summary>We spoke with Keith Duncan and Johannes von Weizsäcker, two members of The Chap. The band, who has challenged themselves in recent years to release a series of concept albums which push them beyond their comfort zone, shares some thoughts on their tenure together.</itunes:summary>
      <itunes:subtitle>We spoke with Keith Duncan and Johannes von Weizsäcker, two members of The Chap. The band, who has challenged themselves in recent years to release a series of concept albums which push them beyond their comfort zone, shares some thoughts on their tenure </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Tara Nome Doyle sings us a Norwegian lullaby</title>
      <itunes:episode>63</itunes:episode>
      <podcast:episode>63</podcast:episode>
      <itunes:title>Tara Nome Doyle sings us a Norwegian lullaby</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">8e20db3e-f779-4548-8e11-3c84df28da7f</guid>
      <link>https://share.transistor.fm/s/36e95bae</link>
      <description>
        <![CDATA[<p><strong>We spoke with performer Tara Nome Doyle </strong><a href="https://www.torstrassenfestival.de/en/"><strong>ahead of the Torstraßen Festival at the Volksbühne</strong></a><strong>. The 21-year-old Berlin singer-songwriter walks us through her songwriting process and the first song she wrote at the age of 11, the musical impact of growing up in a Norwegian-Irish family, and her first EP, “Milk and Honey” which was released in 2018.<br></strong><br></p><p>Stick around until the end to hear a special a capella performance of her version of the Norwegian folk song “Till Till Tara.”<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We spoke with performer Tara Nome Doyle </strong><a href="https://www.torstrassenfestival.de/en/"><strong>ahead of the Torstraßen Festival at the Volksbühne</strong></a><strong>. The 21-year-old Berlin singer-songwriter walks us through her songwriting process and the first song she wrote at the age of 11, the musical impact of growing up in a Norwegian-Irish family, and her first EP, “Milk and Honey” which was released in 2018.<br></strong><br></p><p>Stick around until the end to hear a special a capella performance of her version of the Norwegian folk song “Till Till Tara.”<br><em><br>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 10 Aug 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/36e95bae/f4c59a07.mp3" length="5324786" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>328</itunes:duration>
      <itunes:summary>The 21-year-old Berlin singer-songwriter Tara Nome-Doyle walks us through her songwriting process and the first song she wrote at the age of 11, the musical impact of growing up in a Norwegian-Irish family, and her first EP, “Milk and Honey” which was released in 2018.</itunes:summary>
      <itunes:subtitle>The 21-year-old Berlin singer-songwriter Tara Nome-Doyle walks us through her songwriting process and the first song she wrote at the age of 11, the musical impact of growing up in a Norwegian-Irish family, and her first EP, “Milk and Honey” which was rel</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Delhia de France on her new EP 'Oceanides' and splitting her time between Berlin and LA</title>
      <itunes:episode>62</itunes:episode>
      <podcast:episode>62</podcast:episode>
      <itunes:title>Delhia de France on her new EP 'Oceanides' and splitting her time between Berlin and LA</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">504b5a6e-d870-45af-a7eb-7292ac000ac7</guid>
      <link>https://share.transistor.fm/s/c98506c5</link>
      <description>
        <![CDATA[<p><strong>German musician Delhia de France likes drawing from Greek mythology to create her music. She’s particularly fascinated with goddesses.<br></strong><br>“I like the concept of taking something totally mundane and giving it a kind of divine spark or kind of a divine image,” de France said.</p><p>De France stopped by our studio to talk about her new EP ‘Oceanides’ and her collaboration with award-winning German producer Robot Koch.</p><p><em>Produced by Monika Müller-Kroll<br></em><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>German musician Delhia de France likes drawing from Greek mythology to create her music. She’s particularly fascinated with goddesses.<br></strong><br>“I like the concept of taking something totally mundane and giving it a kind of divine spark or kind of a divine image,” de France said.</p><p>De France stopped by our studio to talk about her new EP ‘Oceanides’ and her collaboration with award-winning German producer Robot Koch.</p><p><em>Produced by Monika Müller-Kroll<br></em><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 27 Jul 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/c98506c5/0227d4d2.mp3" length="5026510" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>310</itunes:duration>
      <itunes:summary>German musician Delhia de France likes drawing from Greek mythology to create her music. She’s particularly fascinated with goddesses.</itunes:summary>
      <itunes:subtitle>German musician Delhia de France likes drawing from Greek mythology to create her music. She’s particularly fascinated with goddesses.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Sisters Leah and Chloe Smith from Rising Appalachia on their roots and the Slow Music Movement</title>
      <itunes:episode>61</itunes:episode>
      <podcast:episode>61</podcast:episode>
      <itunes:title>Sisters Leah and Chloe Smith from Rising Appalachia on their roots and the Slow Music Movement</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0831e6f3-b26c-40cd-8245-6d58c7574e38</guid>
      <link>https://share.transistor.fm/s/69f3ed91</link>
      <description>
        <![CDATA[<p><a href="https://www.risingappalachia.com/about"><strong>Rising Appalachia is a band founded by two sisters, Leah and Chloe Smith</strong></a><strong>. With links to social and environmental activism, the folk duo from Atlanta, Georgia, look for harmony in the music they create and the places they go.<br></strong><br></p><p>The sisters dropped by our studio in the middle of a series of European shows celebrating their new album “Leylines.” We talked about their roots and the philosophy behind the Slow Music Movement. Plus, they performed a traditional Appalachian love song live in studio, “Across the Blue Ridge Mountains.” </p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="https://www.risingappalachia.com/about"><strong>Rising Appalachia is a band founded by two sisters, Leah and Chloe Smith</strong></a><strong>. With links to social and environmental activism, the folk duo from Atlanta, Georgia, look for harmony in the music they create and the places they go.<br></strong><br></p><p>The sisters dropped by our studio in the middle of a series of European shows celebrating their new album “Leylines.” We talked about their roots and the philosophy behind the Slow Music Movement. Plus, they performed a traditional Appalachian love song live in studio, “Across the Blue Ridge Mountains.” </p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 20 Jul 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/69f3ed91/68a6faaa.mp3" length="8907542" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>552</itunes:duration>
      <itunes:summary>Rising Appalachia is a band founded by two sisters, Leah and Chloe Smith. With links to social and environmental activism, the folk duo from Atlanta, Georgia, look for harmony in the music they create and the places they go.</itunes:summary>
      <itunes:subtitle>Rising Appalachia is a band founded by two sisters, Leah and Chloe Smith. With links to social and environmental activism, the folk duo from Atlanta, Georgia, look for harmony in the music they create and the places they go.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>30 years after the first Loveparade, founder Dr. Motte shares how he started a ‘rave-olution’</title>
      <itunes:episode>60</itunes:episode>
      <podcast:episode>60</podcast:episode>
      <itunes:title>30 years after the first Loveparade, founder Dr. Motte shares how he started a ‘rave-olution’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">34b36374-fb54-473c-808d-e0f647093efd</guid>
      <link>https://share.transistor.fm/s/fcb9df15</link>
      <description>
        <![CDATA[<p><strong>On July 1, 1989, a few months before the fall of the Berlin Wall, a couple handfuls of people started a dance parade to acid house music along Kurfürstendamm in West Berlin. It was called Loveparade and was organized by a DJ named </strong><a href="https://twitter.com/Dr_Motte"><strong>Dr. Motte</strong></a><strong>.<br></strong><br></p><p>30 years on, we caught up with Dr. Motte to find out more about the origins of the legendary event, and how a celebration founded in the name of “peace, love and pancakes” became a world-renowned party.</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>On July 1, 1989, a few months before the fall of the Berlin Wall, a couple handfuls of people started a dance parade to acid house music along Kurfürstendamm in West Berlin. It was called Loveparade and was organized by a DJ named </strong><a href="https://twitter.com/Dr_Motte"><strong>Dr. Motte</strong></a><strong>.<br></strong><br></p><p>30 years on, we caught up with Dr. Motte to find out more about the origins of the legendary event, and how a celebration founded in the name of “peace, love and pancakes” became a world-renowned party.</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Mon, 01 Jul 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/fcb9df15/91165b58.mp3" length="5335605" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>Thirty years ago today, the Loveparade started in Berlin with a couple handfuls of people dancing to acid house music along Kurfürstendamm. We caught up with the founder, Dr. Motte, to learn more.</itunes:summary>
      <itunes:subtitle>Thirty years ago today, the Loveparade started in Berlin with a couple handfuls of people dancing to acid house music along Kurfürstendamm. We caught up with the founder, Dr. Motte, to learn more.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Fenster’s JJ Weihl gives us a glimpse into the band’s creative process</title>
      <itunes:episode>59</itunes:episode>
      <podcast:episode>59</podcast:episode>
      <itunes:title>Fenster’s JJ Weihl gives us a glimpse into the band’s creative process</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7531f2ed-1bfe-4471-a8fd-2e345f8e90cd</guid>
      <link>https://share.transistor.fm/s/9578c0bb</link>
      <description>
        <![CDATA[<p><strong>We sat down with JJ Weihl, one of the founders of Berlin-based band Fenster, to talk about their latest album, “The Room,” and past projects. From creating a soundtrack to a movie that doesn’t exist to tracking an entire album live while in the Tuscan countryside, Weihl gives us insight into the band’s creative process.<br></strong><em><br>Produced by Flora Adamian</em> </p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We sat down with JJ Weihl, one of the founders of Berlin-based band Fenster, to talk about their latest album, “The Room,” and past projects. From creating a soundtrack to a movie that doesn’t exist to tracking an entire album live while in the Tuscan countryside, Weihl gives us insight into the band’s creative process.<br></strong><em><br>Produced by Flora Adamian</em> </p>]]>
      </content:encoded>
      <pubDate>Sat, 22 Jun 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/9578c0bb/59a5e24a.mp3" length="4728837" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>291</itunes:duration>
      <itunes:summary>We sat down with JJ Weihl, one of the founders of Berlin-based band Fenster, to talk about their latest album, “The Room,” and past projects. From creating a soundtrack to a movie that doesn’t exist to tracking an entire album live while in the Tuscan countryside, Weihl gives us insight into the band’s creative process.</itunes:summary>
      <itunes:subtitle>We sat down with JJ Weihl, one of the founders of Berlin-based band Fenster, to talk about their latest album, “The Room,” and past projects. From creating a soundtrack to a movie that doesn’t exist to tracking an entire album live while in the Tuscan cou</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Street sounds of Berlin: Soprano Christina Harslem shares her passion with the public</title>
      <itunes:episode>58</itunes:episode>
      <podcast:episode>58</podcast:episode>
      <itunes:title>Street sounds of Berlin: Soprano Christina Harslem shares her passion with the public</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">3ae6e0e8-3dda-4a21-9936-ee726da75ba6</guid>
      <link>https://share.transistor.fm/s/1aa03f76</link>
      <description>
        <![CDATA[<p><strong>Berlin street musicians play everywhere, from street corners to public transportation. In this series, we’re talking with Berlin street musicians in order to find out more about who they are and what drives them to share their music throughout the city.<br></strong><br></p><p>We spoke with soprano Christina Harslem to learn more about the rewards and challenges of performing as a street musician.</p><p><em>Produced by Flora Adamian</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin street musicians play everywhere, from street corners to public transportation. In this series, we’re talking with Berlin street musicians in order to find out more about who they are and what drives them to share their music throughout the city.<br></strong><br></p><p>We spoke with soprano Christina Harslem to learn more about the rewards and challenges of performing as a street musician.</p><p><em>Produced by Flora Adamian</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 08 Jun 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/1aa03f76/2a80f489.mp3" length="4802543" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>296</itunes:duration>
      <itunes:summary>We spoke with soprano Christina Harslem to learn more about the rewards and challenges of performing as a street musician.</itunes:summary>
      <itunes:subtitle>We spoke with soprano Christina Harslem to learn more about the rewards and challenges of performing as a street musician.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Listening to Tuareg music with African Acid Is The Future</title>
      <itunes:episode>57</itunes:episode>
      <podcast:episode>57</podcast:episode>
      <itunes:title>Listening to Tuareg music with African Acid Is The Future</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">36f160a3-1668-4578-bc76-1fe570c1171c</guid>
      <link>https://share.transistor.fm/s/62b7fb8c</link>
      <description>
        <![CDATA[<p><a href="https://www.facebook.com/maryama.luccioni?eid=ARA8Eo0POZ6wQ7TFqO6QhiRc_3PVpTblbNVgEBngA6g5DrtTZBkdjUYZP2R1XnH0PynLVQ5SU1XLGeHO"><strong>Maryama Luccioni</strong></a><strong> is the founder of African Acid Is The Future, a Berlin-based music collective that hosts concerts and radio shows, and has put out an LP titled Ambiance I.<br></strong><br></p><p><a href="https://www.volksbuehne.berlin/de/programm/8504/african-acid-is-the-future-mdou-moctar">On June 6</a>, African Acid Is The Future will feature Tuareg musician <a href="https://www.facebook.com/mdoumoctarofficial/">Mdou Moctar</a> in a show at the Volksbühne in Berlin. We sat down with Luccioni to talk about the collective’s origin stories, plus a glimpse into Moctar’s music ahead of the show.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="https://www.facebook.com/maryama.luccioni?eid=ARA8Eo0POZ6wQ7TFqO6QhiRc_3PVpTblbNVgEBngA6g5DrtTZBkdjUYZP2R1XnH0PynLVQ5SU1XLGeHO"><strong>Maryama Luccioni</strong></a><strong> is the founder of African Acid Is The Future, a Berlin-based music collective that hosts concerts and radio shows, and has put out an LP titled Ambiance I.<br></strong><br></p><p><a href="https://www.volksbuehne.berlin/de/programm/8504/african-acid-is-the-future-mdou-moctar">On June 6</a>, African Acid Is The Future will feature Tuareg musician <a href="https://www.facebook.com/mdoumoctarofficial/">Mdou Moctar</a> in a show at the Volksbühne in Berlin. We sat down with Luccioni to talk about the collective’s origin stories, plus a glimpse into Moctar’s music ahead of the show.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 01 Jun 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/62b7fb8c/0796539c.mp3" length="5342552" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>330</itunes:duration>
      <itunes:summary>Maryama Luccioni is the founder of African Acid Is The Future, a Berlin-based music collective that hosts concerts and radio shows, and has put out an LP titled Ambiance I.</itunes:summary>
      <itunes:subtitle>Maryama Luccioni is the founder of African Acid Is The Future, a Berlin-based music collective that hosts concerts and radio shows, and has put out an LP titled Ambiance I.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Motherhood, music and how you’re 'greater than you think': Diane Weigmann on her new album</title>
      <itunes:episode>56</itunes:episode>
      <podcast:episode>56</podcast:episode>
      <itunes:title>Motherhood, music and how you’re 'greater than you think': Diane Weigmann on her new album</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">71382054-cec8-44d1-bb10-ec3933091a9e</guid>
      <link>https://share.transistor.fm/s/1210338d</link>
      <description>
        <![CDATA[<p><strong>We caught up with musician Diane Weigmann. Born and raised in Berlin, Weigmann was once a member of the all-female pop band the Lemonbabies.<br></strong><br></p><p>Ahead of the release of her fourth solo studio album, Weigmann talks about how motherhood has led to a change in perspective, as well as her new single “Größer als Du denkst” (in English, that’s “Greater than you think”).</p><p><em>Produced by Nikki Motson</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We caught up with musician Diane Weigmann. Born and raised in Berlin, Weigmann was once a member of the all-female pop band the Lemonbabies.<br></strong><br></p><p>Ahead of the release of her fourth solo studio album, Weigmann talks about how motherhood has led to a change in perspective, as well as her new single “Größer als Du denkst” (in English, that’s “Greater than you think”).</p><p><em>Produced by Nikki Motson</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 May 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/1210338d/92f8288c.mp3" length="5438344" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>336</itunes:duration>
      <itunes:summary>We caught up with musician Diane Weigmann. Born and raised in Berlin, Weigmann was once a member of the all-female pop band the Lemonbabies.</itunes:summary>
      <itunes:subtitle>We caught up with musician Diane Weigmann. Born and raised in Berlin, Weigmann was once a member of the all-female pop band the Lemonbabies.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Violinist Daniel Weltlinger's latest album tells the story of his grandfather's violin</title>
      <itunes:episode>55</itunes:episode>
      <podcast:episode>55</podcast:episode>
      <itunes:title>Violinist Daniel Weltlinger's latest album tells the story of his grandfather's violin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">78c712df-ac8d-40fb-ad18-21ee44e81fdb</guid>
      <link>https://share.transistor.fm/s/d9d0bed0</link>
      <description>
        <![CDATA[<p><strong>The Berlin-based violinist Daniel Weltlinger’s latest album, “Szolnok,” tells the story of his grandfather — who fled Europe during the war, violin in tow, before ending up in Australia — and how Weltlinger came to own and play that violin decades later.<br></strong><br></p><p>We sat down with Weltlinger to learn more about his grandfather and hear music from the album, played live in-studio, from the same violin. </p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>The Berlin-based violinist Daniel Weltlinger’s latest album, “Szolnok,” tells the story of his grandfather — who fled Europe during the war, violin in tow, before ending up in Australia — and how Weltlinger came to own and play that violin decades later.<br></strong><br></p><p>We sat down with Weltlinger to learn more about his grandfather and hear music from the album, played live in-studio, from the same violin. </p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 04 May 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/d9d0bed0/7197c4b9.mp3" length="5337344" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>329</itunes:duration>
      <itunes:summary>violinist Daniel Weltlinger’s latest album, “Szolnok,” tells the story of his grandfather — who fled Europe during the war, violin in tow, before ending up in Australia — and how Weltlinger came to own and play that violin decades later.</itunes:summary>
      <itunes:subtitle>violinist Daniel Weltlinger’s latest album, “Szolnok,” tells the story of his grandfather — who fled Europe during the war, violin in tow, before ending up in Australia — and how Weltlinger came to own and play that violin decades later.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Only Good System Is A Sound System festival explores the sounds and politics of bass culture</title>
      <itunes:episode>54</itunes:episode>
      <podcast:episode>54</podcast:episode>
      <itunes:title>The Only Good System Is A Sound System festival explores the sounds and politics of bass culture</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">2e6e6e0a-3bcf-4a7f-8cf9-19e16aa6055a</guid>
      <link>https://share.transistor.fm/s/9ba0c995</link>
      <description>
        <![CDATA[<p><strong>“The only good system is a sound system” is an adage known among music heads and audio nerds. It’s also the name of a festival in Berlin designed to explore the sounds and politics of bass music.<br></strong><br></p><p>Co-curators Zuri Maria Daiß and Pascal Jurt want to stoke Berlin’s curiosity with the genre of club music and hope the festival will bring together technicians, musicians and theorists to foster an exchange of ideas on sound system culture.</p><p><em>Produced by Charlotte Billing. </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>“The only good system is a sound system” is an adage known among music heads and audio nerds. It’s also the name of a festival in Berlin designed to explore the sounds and politics of bass music.<br></strong><br></p><p>Co-curators Zuri Maria Daiß and Pascal Jurt want to stoke Berlin’s curiosity with the genre of club music and hope the festival will bring together technicians, musicians and theorists to foster an exchange of ideas on sound system culture.</p><p><em>Produced by Charlotte Billing. </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 20 Apr 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/9ba0c995/d8f8b68c.mp3" length="4073215" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>250</itunes:duration>
      <itunes:summary>“The only good system is a sound system” is an adage known among music heads and audio nerds. It’s also the name of a festival in Berlin designed to explore the sounds and politics of bass music.</itunes:summary>
      <itunes:subtitle>“The only good system is a sound system” is an adage known among music heads and audio nerds. It’s also the name of a festival in Berlin designed to explore the sounds and politics of bass music.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Decades after artist February Montaine's mysterious disappearance, the tapes he left behind are given new life</title>
      <itunes:episode>53</itunes:episode>
      <podcast:episode>53</podcast:episode>
      <itunes:title>Decades after artist February Montaine's mysterious disappearance, the tapes he left behind are given new life</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">551b4007-cbdb-4a9a-ab5e-e31b2e2c5335</guid>
      <link>https://share.transistor.fm/s/18df66e9</link>
      <description>
        <![CDATA[<p><strong>Artist </strong><a href="http://februarylives.tumblr.com/"><strong>February Montaine</strong></a><strong> mysteriously disappeared from his Derbyshire, England home in 1991. He left behind a substantial collection of journals and homemade tapes, which became cherished by his </strong><a href="https://medium.com/@suzysleepzzz"><strong>stepdaughter Suzy</strong></a><strong>. She passed her stepfather’s work onto Berlin-based musician and producer Sam Potter, who spent years weaving these remnants together.<br></strong><br></p><p>One journal idea that stuck with Potter, was Montaine’s belief that “the best music listens to you in the same way you listen to it. So to make a song really great, it really speaks to your soul and holds a mirror up to you in that moment.” Potter says it seemed like Montaine was thinking “50 years in the future, whilst living in a small house in Derbyshire and making this low-fi music.”</p><p><em>Produced by Nikki Motson </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Artist </strong><a href="http://februarylives.tumblr.com/"><strong>February Montaine</strong></a><strong> mysteriously disappeared from his Derbyshire, England home in 1991. He left behind a substantial collection of journals and homemade tapes, which became cherished by his </strong><a href="https://medium.com/@suzysleepzzz"><strong>stepdaughter Suzy</strong></a><strong>. She passed her stepfather’s work onto Berlin-based musician and producer Sam Potter, who spent years weaving these remnants together.<br></strong><br></p><p>One journal idea that stuck with Potter, was Montaine’s belief that “the best music listens to you in the same way you listen to it. So to make a song really great, it really speaks to your soul and holds a mirror up to you in that moment.” Potter says it seemed like Montaine was thinking “50 years in the future, whilst living in a small house in Derbyshire and making this low-fi music.”</p><p><em>Produced by Nikki Motson </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 13 Apr 2019 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/18df66e9/14ae2467.mp3" length="5450879" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>336</itunes:duration>
      <itunes:summary>Artist February Montaine mysteriously disappeared from his Derbyshire, England home in 1991. He left behind a substantial collection of journals and homemade tapes, which became cherished by his stepdaughter Suzy. She passed her stepfather’s work onto Berlin-based musician and producer Sam Potter, who spent years weaving these remnants together.</itunes:summary>
      <itunes:subtitle>Artist February Montaine mysteriously disappeared from his Derbyshire, England home in 1991. He left behind a substantial collection of journals and homemade tapes, which became cherished by his stepdaughter Suzy. She passed her stepfather’s work onto Ber</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Chamber group hear now berlin aims to reach new audiences with genre-crossing, emotional compositions</title>
      <itunes:episode>51</itunes:episode>
      <podcast:episode>51</podcast:episode>
      <itunes:title>Chamber group hear now berlin aims to reach new audiences with genre-crossing, emotional compositions</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">b2309958-df3c-43ef-811a-ec7eda2298a4</guid>
      <link>https://share.transistor.fm/s/72d40023</link>
      <description>
        <![CDATA[<p><strong>It was August 2018 when Kelly Watson Woelffer, a Berlin-based flutist originally from the U.S., heard “Music in Circles” by American composer Andrew Norman and something in her ignited.<br></strong><br></p><p>“I’ve been a little bit artistically starved for the last five years or so because I have three tiny humans at home,” said Watson Woelffer. “I have been playing and teaching, of course, but have not led something of my own in about five years…I was just listening to [“Music in Circles”] and I had a sudden decision finally that I knew exactly what had to be next for me, artistically.”</p><p>From this inspiration, the chamber group hear now berlin, a sextet that challenges classical music paradigms, was born. The group — comprising Kelly Watson Woelffer (flute, alto flute, piccolo), Alexander Glücksmann (clarinet, bass clarinet), Damir Bacikin (trumpet), Meike Lu Schneider (violin), Xina Hawkins (viola) and Edward King (cello) — had their debut concert on March 14.</p><p>Ahead of their next show on April 3, we talked to Watson Woelffer, Hawkins and King about the genre of indie classical and making music more accessible for all listeners.</p><p><em>Produced by Sylvia Cunningham. </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>It was August 2018 when Kelly Watson Woelffer, a Berlin-based flutist originally from the U.S., heard “Music in Circles” by American composer Andrew Norman and something in her ignited.<br></strong><br></p><p>“I’ve been a little bit artistically starved for the last five years or so because I have three tiny humans at home,” said Watson Woelffer. “I have been playing and teaching, of course, but have not led something of my own in about five years…I was just listening to [“Music in Circles”] and I had a sudden decision finally that I knew exactly what had to be next for me, artistically.”</p><p>From this inspiration, the chamber group hear now berlin, a sextet that challenges classical music paradigms, was born. The group — comprising Kelly Watson Woelffer (flute, alto flute, piccolo), Alexander Glücksmann (clarinet, bass clarinet), Damir Bacikin (trumpet), Meike Lu Schneider (violin), Xina Hawkins (viola) and Edward King (cello) — had their debut concert on March 14.</p><p>Ahead of their next show on April 3, we talked to Watson Woelffer, Hawkins and King about the genre of indie classical and making music more accessible for all listeners.</p><p><em>Produced by Sylvia Cunningham. </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 23 Mar 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/72d40023/b9a9bb6d.mp3" length="5713968" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>353</itunes:duration>
      <itunes:summary>It was August 2018 when Kelly Watson Woelffer, a Berlin-based flutist originally from the U.S., heard “Music in Circles” by American composer Andrew Norman and something in her ignited. From this inspiration, the chamber group hear now berlin, a sextet that challenges classical music paradigms, was born.</itunes:summary>
      <itunes:subtitle>It was August 2018 when Kelly Watson Woelffer, a Berlin-based flutist originally from the U.S., heard “Music in Circles” by American composer Andrew Norman and something in her ignited. From this inspiration, the chamber group hear now berlin, a sextet th</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Street sounds of Berlin: Ukrainian duo Igor and Anton dream of a musical future</title>
      <itunes:episode>52</itunes:episode>
      <podcast:episode>52</podcast:episode>
      <itunes:title>Street sounds of Berlin: Ukrainian duo Igor and Anton dream of a musical future</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/fa107627</link>
      <description>
        <![CDATA[<p><strong>Berlin street musicians play everywhere, from street corners to public transportation. In this series, we’re talking with Berlin street musicians in order to find out more about who they are and what drives them to share their music throughout the city.<br></strong><br></p><p>We caught up with Ukrainian music students Igor and Anton who play accordion and violin, playing at a U-Bahn station, to gain a bit more insight into their world.</p><p><em>Produced by Nikki Motson</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin street musicians play everywhere, from street corners to public transportation. In this series, we’re talking with Berlin street musicians in order to find out more about who they are and what drives them to share their music throughout the city.<br></strong><br></p><p>We caught up with Ukrainian music students Igor and Anton who play accordion and violin, playing at a U-Bahn station, to gain a bit more insight into their world.</p><p><em>Produced by Nikki Motson</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 23 Mar 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/fa107627/1b1c64c3.mp3" length="5713690" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>353</itunes:duration>
      <itunes:summary>Who are the buskers sharing their music on the streets of Berlin? We caught up with Ukrainian music students and violin and accordion duo Igor and Anton to find out more about their world.</itunes:summary>
      <itunes:subtitle>Who are the buskers sharing their music on the streets of Berlin? We caught up with Ukrainian music students and violin and accordion duo Igor and Anton to find out more about their world.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Find the File: Haus der Kulturen der Welt's new festival turns archives into art</title>
      <itunes:episode>50</itunes:episode>
      <podcast:episode>50</podcast:episode>
      <itunes:title>Find the File: Haus der Kulturen der Welt's new festival turns archives into art</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e89e578c-eb24-4972-94a9-e1890d12243a</guid>
      <link>https://share.transistor.fm/s/8dc20c10</link>
      <description>
        <![CDATA[<p><strong>How should we care for sound archives in the digital age? It’s a question that Detlef Diederichsen, head of music and performing arts at the </strong><a href="https://hkw.de/en/programm/projekte/2019/find_the_file/find_the_file_start.php"><strong>Haus der Kulturen der Welt</strong></a><strong>, has considered for more than 10 years — so much so that he created Find the File, a festival that begins on March 21 at the HKW, to explore big-picture questions about music digitalization.<br></strong><br></p><p>We caught up with Diederichsen to discuss how the idea came to life, plus we hear from Berlin-based musicians Tellavision and Derya Yıldırım, who were commissioned to produce a work for the festival’s opening night. </p><p><em>Produced by Charlotte Billing</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>How should we care for sound archives in the digital age? It’s a question that Detlef Diederichsen, head of music and performing arts at the </strong><a href="https://hkw.de/en/programm/projekte/2019/find_the_file/find_the_file_start.php"><strong>Haus der Kulturen der Welt</strong></a><strong>, has considered for more than 10 years — so much so that he created Find the File, a festival that begins on March 21 at the HKW, to explore big-picture questions about music digitalization.<br></strong><br></p><p>We caught up with Diederichsen to discuss how the idea came to life, plus we hear from Berlin-based musicians Tellavision and Derya Yıldırım, who were commissioned to produce a work for the festival’s opening night. </p><p><em>Produced by Charlotte Billing</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 16 Mar 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/8dc20c10/b0916d32.mp3" length="3480952" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>213</itunes:duration>
      <itunes:summary>How should we care for sound archives in the digital age? It’s a question that Detlef Diederichsen, head of music and performing arts at the Haus der Kulturen der Welt, has considered for more than 10 years — so much so that he created Find the File, a festival at the HKW, to explore big-picture questions about music digitalization.</itunes:summary>
      <itunes:subtitle>How should we care for sound archives in the digital age? It’s a question that Detlef Diederichsen, head of music and performing arts at the Haus der Kulturen der Welt, has considered for more than 10 years — so much so that he created Find the File, a fe</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Andromeda Mega Express Orchestra to debut new concert series, highlighting conceptual compositions, unusual instrumentation, and improvisation</title>
      <itunes:episode>49</itunes:episode>
      <podcast:episode>49</podcast:episode>
      <itunes:title>Andromeda Mega Express Orchestra to debut new concert series, highlighting conceptual compositions, unusual instrumentation, and improvisation</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">4c15d224-b5d1-4dfe-92b6-6f16970a5123</guid>
      <link>https://share.transistor.fm/s/8d3be7a6</link>
      <description>
        <![CDATA[<p><strong>Andromeda Mega Express Orchestra is made up of 18 musicians from a wide variety of musical backgrounds, who all share a dedication to experimentation. They typically meet to rehearse and improvise together about once every month.<br></strong><br></p><p>We caught up with some members of the orchestra as they prepare for the first concert in their new three part series, “Neue Orchesterformen I/III.”</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Andromeda Mega Express Orchestra is made up of 18 musicians from a wide variety of musical backgrounds, who all share a dedication to experimentation. They typically meet to rehearse and improvise together about once every month.<br></strong><br></p><p>We caught up with some members of the orchestra as they prepare for the first concert in their new three part series, “Neue Orchesterformen I/III.”</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 23 Feb 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/8d3be7a6/d81fe931.mp3" length="3808546" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>234</itunes:duration>
      <itunes:summary>Andromeda Mega Express Orchestra is made up of 18 musicians from a wide variety of musical backgrounds, who all share a dedication to experimentation. They typically meet to rehearse and improvise together about once every month.</itunes:summary>
      <itunes:subtitle>Andromeda Mega Express Orchestra is made up of 18 musicians from a wide variety of musical backgrounds, who all share a dedication to experimentation. They typically meet to rehearse and improvise together about once every month.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Street sounds of Berlin: Santur player Hakan Tuğrul on sharing traditional Persian music in a diverse city</title>
      <itunes:episode>48</itunes:episode>
      <podcast:episode>48</podcast:episode>
      <itunes:title>Street sounds of Berlin: Santur player Hakan Tuğrul on sharing traditional Persian music in a diverse city</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">2ad9dd07-5f67-4ba9-a057-3d8a9ea765fa</guid>
      <link>https://share.transistor.fm/s/0d967cb0</link>
      <description>
        <![CDATA[<p><strong>Berlin is a vibrant place, full of diverse sights and sounds, and the city’s many buskers are a part of the scene. In a new series, we’re talking with Berlin street musicians in order to find out more about who they are and what drives them to share their music throughout the city.<br></strong><br></p><p>This week, we meet Santur player Hakan Tuğrul at Fehrbelliner Platz to listen to some traditional Persian music as well as his original compositions.</p><p><em>Produced by Nikki Motson</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin is a vibrant place, full of diverse sights and sounds, and the city’s many buskers are a part of the scene. In a new series, we’re talking with Berlin street musicians in order to find out more about who they are and what drives them to share their music throughout the city.<br></strong><br></p><p>This week, we meet Santur player Hakan Tuğrul at Fehrbelliner Platz to listen to some traditional Persian music as well as his original compositions.</p><p><em>Produced by Nikki Motson</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 09 Feb 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/0d967cb0/5f4853ea.mp3" length="4696065" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>289</itunes:duration>
      <itunes:summary>Berlin is a vibrant place, full of diverse sights and sounds, and the city’s many buskers are a part of the scene. In a new series, we’re talking with Berlin street musicians in order to find out more about who they are and what drives them to share their music throughout the city.</itunes:summary>
      <itunes:subtitle>Berlin is a vibrant place, full of diverse sights and sounds, and the city’s many buskers are a part of the scene. In a new series, we’re talking with Berlin street musicians in order to find out more about who they are and what drives them to share their</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>DJ Pete (aka Substance): 'Kreuzberg is still the center of my life’</title>
      <itunes:episode>47</itunes:episode>
      <podcast:episode>47</podcast:episode>
      <itunes:title>DJ Pete (aka Substance): 'Kreuzberg is still the center of my life’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">0b3fe1a4-46b5-42db-aaff-d0e8dbf387eb</guid>
      <link>https://share.transistor.fm/s/9fa5c471</link>
      <description>
        <![CDATA[<p><strong>Berghain resident DJ Pete (aka Substance) stopped by our studio to talk about his new EP “Rise And Shine.” It’s his first solo release since 1998. DJ Pete is a fixture in Kreuzberg, the place where he grew up. He worked in the record store Hard Wax, and it’s where he started to DJ.<br></strong><br></p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berghain resident DJ Pete (aka Substance) stopped by our studio to talk about his new EP “Rise And Shine.” It’s his first solo release since 1998. DJ Pete is a fixture in Kreuzberg, the place where he grew up. He worked in the record store Hard Wax, and it’s where he started to DJ.<br></strong><br></p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 26 Jan 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/9fa5c471/c3d8e013.mp3" length="5134686" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>317</itunes:duration>
      <itunes:summary>Berghain resident DJ Pete (aka Substance) stopped by our studio to talk about his new EP “Rise And Shine.” It’s his first solo release since 1998. DJ Pete is a fixture in Kreuzberg, the place where he grew up. He worked in the record store Hard Wax, and it’s where he started to DJ.</itunes:summary>
      <itunes:subtitle>Berghain resident DJ Pete (aka Substance) stopped by our studio to talk about his new EP “Rise And Shine.” It’s his first solo release since 1998. DJ Pete is a fixture in Kreuzberg, the place where he grew up. He worked in the record store Hard Wax, and i</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Fredrik Kinbom connects history and Scandinavian melancholy in 'Songs for Lap Steel &amp; Harmonium'</title>
      <itunes:episode>46</itunes:episode>
      <podcast:episode>46</podcast:episode>
      <itunes:title>Fredrik Kinbom connects history and Scandinavian melancholy in 'Songs for Lap Steel &amp; Harmonium'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">52f0f840-1785-4614-a052-4b2ec27c9a77</guid>
      <link>https://share.transistor.fm/s/025ae991</link>
      <description>
        <![CDATA[<p><strong>Berlin-based Swedish musician Fredrik Kinbom has lived abroad for the past 20 years. It was in U.K. where a chance encounter led him to buy his first lap steel guitar, with which he started carving his signature sound.<br></strong><br></p><p>We caught up with Kinbom to talk about learning politeness from the British, his interest in history, and spreading Scandinavian melancholy through his latest solo album, <a href="http://www.fredrikkinbom.com/">“Songs for Lap Steel &amp; Harmonium.” </a></p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin-based Swedish musician Fredrik Kinbom has lived abroad for the past 20 years. It was in U.K. where a chance encounter led him to buy his first lap steel guitar, with which he started carving his signature sound.<br></strong><br></p><p>We caught up with Kinbom to talk about learning politeness from the British, his interest in history, and spreading Scandinavian melancholy through his latest solo album, <a href="http://www.fredrikkinbom.com/">“Songs for Lap Steel &amp; Harmonium.” </a></p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 12 Jan 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/025ae991/dc4db65b.mp3" length="4548219" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>280</itunes:duration>
      <itunes:summary>Berlin-based Swedish musician Fredrik Kinbom has lived abroad for the past 20 years. It was in U.K. where a chance encounter led him to buy his first lap steel guitar, with which he started carving his signature sound.</itunes:summary>
      <itunes:subtitle>Berlin-based Swedish musician Fredrik Kinbom has lived abroad for the past 20 years. It was in U.K. where a chance encounter led him to buy his first lap steel guitar, with which he started carving his signature sound.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Choreographer and performer Kareth Schaffer on 'Dancing Against the Far Right'</title>
      <itunes:episode>45</itunes:episode>
      <podcast:episode>45</podcast:episode>
      <itunes:title>Choreographer and performer Kareth Schaffer on 'Dancing Against the Far Right'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">01ae613a-6272-4265-a306-2a57c7fc65c3</guid>
      <link>https://share.transistor.fm/s/9d16c7e6</link>
      <description>
        <![CDATA[<p><strong>Kareth Schaffer is a choreographer and performer who has become a regular at Tanztage, Berlin’s contemporary dance festival, showcasing up and coming talents.<br></strong><br></p><p>We caught up with her ahead of “Dancing Against the Far Right,” a choreographed conversation where, together with six guest speakers, Schaffer will lead a discussion with a Berlin audience around the values that dance institutions uphold.</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Kareth Schaffer is a choreographer and performer who has become a regular at Tanztage, Berlin’s contemporary dance festival, showcasing up and coming talents.<br></strong><br></p><p>We caught up with her ahead of “Dancing Against the Far Right,” a choreographed conversation where, together with six guest speakers, Schaffer will lead a discussion with a Berlin audience around the values that dance institutions uphold.</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 05 Jan 2019 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/9d16c7e6/253e3cc2.mp3" length="3679962" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>226</itunes:duration>
      <itunes:summary>Kareth Schaffer is a choreographer and performer who has become a regular at Tanztage, Berlin’s contemporary dance festival, showcasing up and coming talents.</itunes:summary>
      <itunes:subtitle>Kareth Schaffer is a choreographer and performer who has become a regular at Tanztage, Berlin’s contemporary dance festival, showcasing up and coming talents.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Julia Holter’s latest album, ‘Aviary,’ takes flight on her European tour</title>
      <itunes:episode>44</itunes:episode>
      <podcast:episode>44</podcast:episode>
      <itunes:title>Julia Holter’s latest album, ‘Aviary,’ takes flight on her European tour</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6061633a-03de-4414-a459-9ef2945b4a64</guid>
      <link>https://share.transistor.fm/s/ab1b8adf</link>
      <description>
        <![CDATA[<p><a href="https://juliaholter.com/"><strong>Julia Holter</strong></a><strong>’s music is exploratory and playful. “</strong><a href="https://juliaholter.bandcamp.com/"><strong>Aviary</strong></a><strong>” is her fifth studio album and takes listeners on an unpredictable 90-minute journey, influenced in part by film scores and medieval music.<br></strong><br></p><p>We caught up with Holter during her 2018 European tour to find out more about her recording process and how her formal musical education helped her to grow in unconventional ways.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="https://juliaholter.com/"><strong>Julia Holter</strong></a><strong>’s music is exploratory and playful. “</strong><a href="https://juliaholter.bandcamp.com/"><strong>Aviary</strong></a><strong>” is her fifth studio album and takes listeners on an unpredictable 90-minute journey, influenced in part by film scores and medieval music.<br></strong><br></p><p>We caught up with Holter during her 2018 European tour to find out more about her recording process and how her formal musical education helped her to grow in unconventional ways.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 15 Dec 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/ab1b8adf/a801ebec.mp3" length="3897783" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>Julia Holter’s music is exploratory and playful. “Aviary” is her fifth studio album and takes listeners on an unpredictable 90-minute journey, influenced in part by film scores and medieval music.</itunes:summary>
      <itunes:subtitle>Julia Holter’s music is exploratory and playful. “Aviary” is her fifth studio album and takes listeners on an unpredictable 90-minute journey, influenced in part by film scores and medieval music.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>‘We wanted to tell the German story of the AIDS epidemic’: Berliner Opernverein chair on the AIDS Quilt Songbook</title>
      <itunes:episode>43</itunes:episode>
      <podcast:episode>43</podcast:episode>
      <itunes:title>‘We wanted to tell the German story of the AIDS epidemic’: Berliner Opernverein chair on the AIDS Quilt Songbook</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e3f710d9-87fa-4075-9fb2-16c8e7db3a45</guid>
      <link>https://share.transistor.fm/s/b0c2389b</link>
      <description>
        <![CDATA[<p><strong>Sopranist Julie Wyma is the chairwoman of the Berliner Opernverein. Together with Berlin-based artists of different nationalities, backgrounds, and sexual orientations, Wyma has produced a staged version of the AIDS Quilt Songbook: Berlin Edition.<br></strong><br></p><p>The project was first started in the United States by baritone William Parker, who, according to Wyma, was driven by the belief that “the artistic community could do more to recognize the epidemic and support those living with it.” The Berlin edition includes two new commissioned pieces in German, because, according to Wyma: “Each place has its own unique own story to tell…and its own way of grieving.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Sopranist Julie Wyma is the chairwoman of the Berliner Opernverein. Together with Berlin-based artists of different nationalities, backgrounds, and sexual orientations, Wyma has produced a staged version of the AIDS Quilt Songbook: Berlin Edition.<br></strong><br></p><p>The project was first started in the United States by baritone William Parker, who, according to Wyma, was driven by the belief that “the artistic community could do more to recognize the epidemic and support those living with it.” The Berlin edition includes two new commissioned pieces in German, because, according to Wyma: “Each place has its own unique own story to tell…and its own way of grieving.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 01 Dec 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/b0c2389b/3d90f455.mp3" length="3832170" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>235</itunes:duration>
      <itunes:summary>Sopranist Julie Wyma is the chairwoman of the Berliner Opernverein. Together with Berlin-based artists of different nationalities, backgrounds, and sexual orientations, Wyma has produced a staged version of the AIDS Quilt Songbook: Berlin Edition.</itunes:summary>
      <itunes:subtitle>Sopranist Julie Wyma is the chairwoman of the Berliner Opernverein. Together with Berlin-based artists of different nationalities, backgrounds, and sexual orientations, Wyma has produced a staged version of the AIDS Quilt Songbook: Berlin Edition.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Blues pilgrim: Fink on charting an extraordinary musical journey</title>
      <itunes:episode>42</itunes:episode>
      <podcast:episode>42</podcast:episode>
      <itunes:title>Blues pilgrim: Fink on charting an extraordinary musical journey</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">b7f970c8-6513-4a69-8d53-3dd740ab807e</guid>
      <link>https://share.transistor.fm/s/8ac21ab2</link>
      <description>
        <![CDATA[<p><strong>Fin Greenall, better known as Fink, knows a few things about music. His musical career started in the club culture of the 1990s, when he was signed to Ninja Tune. In the 2000s he got into blues and folk songwriting and Fink became a band. He has lived in Berlin since 2014.<br></strong><br></p><p>We caught up with the musician, originally from Cornwall, to find out about his musical shifts, his love of the blues, and the journey that has led to his current output. Greenall says: “I don’t like music which is just product…intensity is the key to art. So anything that’s intense, I get.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Fin Greenall, better known as Fink, knows a few things about music. His musical career started in the club culture of the 1990s, when he was signed to Ninja Tune. In the 2000s he got into blues and folk songwriting and Fink became a band. He has lived in Berlin since 2014.<br></strong><br></p><p>We caught up with the musician, originally from Cornwall, to find out about his musical shifts, his love of the blues, and the journey that has led to his current output. Greenall says: “I don’t like music which is just product…intensity is the key to art. So anything that’s intense, I get.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 24 Nov 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/8ac21ab2/418c539b.mp3" length="5053578" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>311</itunes:duration>
      <itunes:summary>Fin Greenall, better known as Fink, knows a few things about music. His musical career started in the club culture of the 1990s, when he was signed to Ninja Tune. In the 2000s he got into blues and folk songwriting and Fink became a band. He has lived in Berlin since 2014.</itunes:summary>
      <itunes:subtitle>Fin Greenall, better known as Fink, knows a few things about music. His musical career started in the club culture of the 1990s, when he was signed to Ninja Tune. In the 2000s he got into blues and folk songwriting and Fink became a band. He has lived in </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>‘I’m all about the self-hype’: Singer Gavin Turek on dancing her way to confidence</title>
      <itunes:episode>41</itunes:episode>
      <podcast:episode>41</podcast:episode>
      <itunes:title>‘I’m all about the self-hype’: Singer Gavin Turek on dancing her way to confidence</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">1353c45d-6dab-4543-a152-e23fe26c0c73</guid>
      <link>https://share.transistor.fm/s/0d8633e7</link>
      <description>
        <![CDATA[<p><strong>Gavin Turek has been dancing, singing and writing songs for about as long as she can remember. The 31-year-old Los Angeleno came by KCRW Berlin’s studios while she was in town working with local producers, and we talked about her musical upbringing and how she finds her confidence on stage.<br></strong><br></p><p>Turek’s live shows burst with energy, unsurprising for a performer who originally trained as a dancer. “I find being on stage incredibly empowering and freeing even though it’s very vulnerable at the same time,” says Turek.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Gavin Turek has been dancing, singing and writing songs for about as long as she can remember. The 31-year-old Los Angeleno came by KCRW Berlin’s studios while she was in town working with local producers, and we talked about her musical upbringing and how she finds her confidence on stage.<br></strong><br></p><p>Turek’s live shows burst with energy, unsurprising for a performer who originally trained as a dancer. “I find being on stage incredibly empowering and freeing even though it’s very vulnerable at the same time,” says Turek.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 17 Nov 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/0d8633e7/13471c32.mp3" length="5119688" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>316</itunes:duration>
      <itunes:summary>Gavin Turek has been dancing, singing and writing songs for about as long as she can remember. The 31-year-old Los Angeleno came by KCRW Berlin’s studios while she was in town working with local producers, and we talked about her musical upbringing and how she finds her confidence on stage.</itunes:summary>
      <itunes:subtitle>Gavin Turek has been dancing, singing and writing songs for about as long as she can remember. The 31-year-old Los Angeleno came by KCRW Berlin’s studios while she was in town working with local producers, and we talked about her musical upbringing and ho</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>29 years after the Wall fell: Mark Reeder on his memories of a divided city</title>
      <itunes:episode>40</itunes:episode>
      <podcast:episode>40</podcast:episode>
      <itunes:title>29 years after the Wall fell: Mark Reeder on his memories of a divided city</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">460cbf89-0f2e-4cd6-acf9-4f99a681b3f3</guid>
      <link>https://share.transistor.fm/s/5c79a833</link>
      <description>
        <![CDATA[<p><strong><em>Nov. 9, 1989 was a historical turning point. This week, we look back and forward, bringing you different perspectives on the 29th anniversary of the fall of the Wall.<br></em></strong><br></p><p>Mark Reeder describes his life like a ball in a pinball machine: “I kind of met one person and then it ricocheted onto another, and that’s how I kind of made my career.”</p><p>Most of that career was made in Berlin, where he says West Berlin was the “crazy, mad place where I lived” and East Berlin was the “crazy, mad place that I visited.” He joins us to talk about his memories of a divided city, the documentary “B-Movie,” the label he founded, and his latest projects.</p><p>Produced by Monika Müller-Kroll</p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong><em>Nov. 9, 1989 was a historical turning point. This week, we look back and forward, bringing you different perspectives on the 29th anniversary of the fall of the Wall.<br></em></strong><br></p><p>Mark Reeder describes his life like a ball in a pinball machine: “I kind of met one person and then it ricocheted onto another, and that’s how I kind of made my career.”</p><p>Most of that career was made in Berlin, where he says West Berlin was the “crazy, mad place where I lived” and East Berlin was the “crazy, mad place that I visited.” He joins us to talk about his memories of a divided city, the documentary “B-Movie,” the label he founded, and his latest projects.</p><p>Produced by Monika Müller-Kroll</p>]]>
      </content:encoded>
      <pubDate>Sat, 10 Nov 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/5c79a833/4c89910e.mp3" length="4352977" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>268</itunes:duration>
      <itunes:summary>Mark Reeder describes his life like a ball in a pinball machine: “I kind of met one person and then it ricocheted onto another, and that’s how I kind of made my career.”</itunes:summary>
      <itunes:subtitle>Mark Reeder describes his life like a ball in a pinball machine: “I kind of met one person and then it ricocheted onto another, and that’s how I kind of made my career.”</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>From the piano to the Volksbühne: Composer and pianist Paul Wallfisch on his theatrical connection to Germany</title>
      <itunes:episode>39</itunes:episode>
      <podcast:episode>39</podcast:episode>
      <itunes:title>From the piano to the Volksbühne: Composer and pianist Paul Wallfisch on his theatrical connection to Germany</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9b956753-9163-4ab5-83c1-5fba46f13338</guid>
      <link>https://share.transistor.fm/s/2812c40f</link>
      <description>
        <![CDATA[<p><strong>Despite being born in Switzerland and raised in the United States, musician Paul Wallfisch maintains a strong connection to Germany. The pianist and composer, who is the son of classical musicians, was introduced to the country through his German record label, and it is here that he has ventured into theater.<br></strong><br></p><p>Wallfisch stopped by our studio to talk about his family’s immersion in music and his current project at the Volksbühne, “Das 1. Evangelium,” or “The First Gospel,” for which he composed and performs the music. </p><p><em>Produced by  Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Despite being born in Switzerland and raised in the United States, musician Paul Wallfisch maintains a strong connection to Germany. The pianist and composer, who is the son of classical musicians, was introduced to the country through his German record label, and it is here that he has ventured into theater.<br></strong><br></p><p>Wallfisch stopped by our studio to talk about his family’s immersion in music and his current project at the Volksbühne, “Das 1. Evangelium,” or “The First Gospel,” for which he composed and performs the music. </p><p><em>Produced by  Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 20 Oct 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/2812c40f/73bfa911.mp3" length="4857301" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>299</itunes:duration>
      <itunes:summary>Despite being born in Switzerland and raised in the United States, musician Paul Wallfisch maintains a strong connection to Germany. The pianist and composer, who is the son of classical musicians, was introduced to the country through his German record label, and it is here that he has ventured into theater.</itunes:summary>
      <itunes:subtitle>Despite being born in Switzerland and raised in the United States, musician Paul Wallfisch maintains a strong connection to Germany. The pianist and composer, who is the son of classical musicians, was introduced to the country through his German record l</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Rapper Ebow on ‘Komplexität,' sisterhood and standing up for herself</title>
      <itunes:episode>38</itunes:episode>
      <podcast:episode>38</podcast:episode>
      <itunes:title>Rapper Ebow on ‘Komplexität,' sisterhood and standing up for herself</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">820c2fb3-b559-4870-9175-4f056500f70c</guid>
      <link>https://share.transistor.fm/s/3538a01d</link>
      <description>
        <![CDATA[<p><strong>Munich-born rapper Ebow has been performing for </strong><a href="https://soundcloud.com/ebowmusik"><strong>over a decade</strong></a><strong>, having broken into the male-dominated world of hip-hop as a teenager.<br></strong><br></p><p>We caught up with Ebow about her musical influences, sharing a stage with other women, and her latest album, “Komplexität” (in English, that’s “Complexity”). To Ebow, this release symbolized a major step in breaking away from the influence of older male figures in the industry. “At a certain point I stopped believing in my own aesthetics, my own style, because people kept telling me that…we should do it differently…I had to think about who I wanted to be surrounded with,” Ebow says.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Munich-born rapper Ebow has been performing for </strong><a href="https://soundcloud.com/ebowmusik"><strong>over a decade</strong></a><strong>, having broken into the male-dominated world of hip-hop as a teenager.<br></strong><br></p><p>We caught up with Ebow about her musical influences, sharing a stage with other women, and her latest album, “Komplexität” (in English, that’s “Complexity”). To Ebow, this release symbolized a major step in breaking away from the influence of older male figures in the industry. “At a certain point I stopped believing in my own aesthetics, my own style, because people kept telling me that…we should do it differently…I had to think about who I wanted to be surrounded with,” Ebow says.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 06 Oct 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/3538a01d/66d61d09.mp3" length="3662336" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>225</itunes:duration>
      <itunes:summary>Munich-born rapper Ebow has been performing for over a decade, having broken into the male-dominated world of hip-hop as a teenager.</itunes:summary>
      <itunes:subtitle>Munich-born rapper Ebow has been performing for over a decade, having broken into the male-dominated world of hip-hop as a teenager.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Princess Chelsea on her new LP, returning to Berlin, and the joys of living on the outskirts</title>
      <itunes:episode>37</itunes:episode>
      <podcast:episode>37</podcast:episode>
      <itunes:title>Princess Chelsea on her new LP, returning to Berlin, and the joys of living on the outskirts</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">7dc4b466-1ef4-4268-b38e-e795e1ae9dc2</guid>
      <link>https://share.transistor.fm/s/dc1b6f6d</link>
      <description>
        <![CDATA[<p><a href="https://princesschelsea.lilchiefrecords.com/"><strong>Chelsea Nikkel,</strong></a><strong> alias Princess Chelsea, brought her charming, onerous, twee-indie Pop back to Berlin last week for a show at the Funkhaus, her fourth time performing at the venue.<br></strong><br></p><p>While she wishes she had more time to explore Berlin on her tours, the city never fails to impress the New Zealand musician, or to draw a crowd: “a lot of people choose to travel here to Berlin from other countries where I haven’t played to come and see me, so maybe they think ‘Berlin , that’s gonna be the big show!’ And it always is a really good show.”</p><p>Her new LP, “The Loneliest Girl,” was recorded entirely in Glen Eden, a suburb of Auckland where she grew up and returned as an adult. “I’m getting a little bit older now…I feel a bit more detached from the Auckland social scene, and even in some respects the music scene.” Between international tours and the production of three LPs, it’s understandable that a little distance could be grounding: “I’m just out here in West Auckland chilling in my studio, and I don’t really care about anything.”<br><em><br>By Jack Riddell</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><a href="https://princesschelsea.lilchiefrecords.com/"><strong>Chelsea Nikkel,</strong></a><strong> alias Princess Chelsea, brought her charming, onerous, twee-indie Pop back to Berlin last week for a show at the Funkhaus, her fourth time performing at the venue.<br></strong><br></p><p>While she wishes she had more time to explore Berlin on her tours, the city never fails to impress the New Zealand musician, or to draw a crowd: “a lot of people choose to travel here to Berlin from other countries where I haven’t played to come and see me, so maybe they think ‘Berlin , that’s gonna be the big show!’ And it always is a really good show.”</p><p>Her new LP, “The Loneliest Girl,” was recorded entirely in Glen Eden, a suburb of Auckland where she grew up and returned as an adult. “I’m getting a little bit older now…I feel a bit more detached from the Auckland social scene, and even in some respects the music scene.” Between international tours and the production of three LPs, it’s understandable that a little distance could be grounding: “I’m just out here in West Auckland chilling in my studio, and I don’t really care about anything.”<br><em><br>By Jack Riddell</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 29 Sep 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/dc1b6f6d/9cf79a9c.mp3" length="3878013" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>238</itunes:duration>
      <itunes:summary>Chelsea Nikkel, alias Princess Chelsea, brought her charming, onerous, twee-indie Pop back to Berlin last week for a show at the Funkhaus, her fourth time performing at the venue.</itunes:summary>
      <itunes:subtitle>Chelsea Nikkel, alias Princess Chelsea, brought her charming, onerous, twee-indie Pop back to Berlin last week for a show at the Funkhaus, her fourth time performing at the venue.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Berlin-based band RÁN on unpredictability, feminism and the beauty of chance encounters</title>
      <itunes:episode>36</itunes:episode>
      <podcast:episode>36</podcast:episode>
      <itunes:title>Berlin-based band RÁN on unpredictability, feminism and the beauty of chance encounters</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">3eb3a598-cd7d-407f-8081-c423ae06be3c</guid>
      <link>https://share.transistor.fm/s/9e21446d</link>
      <description>
        <![CDATA[<p><strong>Berlin-based duo RÁN play psych-infused indie rock. The band, comprising Laura Landergott from Austria and Yair Karelic from Israel, found themselves gig-ready within eight weeks of playing together, produced their debut EP, “Hunt Like Lions,” in 2017, and are working on a full-length album to be released at the start of 2019.<br></strong><br></p><p>We caught up with them to talk about their first chance encounter, their writing process, feminism, and their penchant for the unpredictable.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin-based duo RÁN play psych-infused indie rock. The band, comprising Laura Landergott from Austria and Yair Karelic from Israel, found themselves gig-ready within eight weeks of playing together, produced their debut EP, “Hunt Like Lions,” in 2017, and are working on a full-length album to be released at the start of 2019.<br></strong><br></p><p>We caught up with them to talk about their first chance encounter, their writing process, feminism, and their penchant for the unpredictable.</p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 22 Sep 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/9e21446d/6e4e6dae.mp3" length="3896405" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>Berlin-based duo RÁN play psych-infused indie rock. The band, comprising Laura Landergott from Austria and Yair Karelic from Israel, found themselves gig-ready within eight weeks of playing together, produced their debut EP, “Hunt Like Lions," in 2017, and are working on a full-length album to be released at the start of 2019.</itunes:summary>
      <itunes:subtitle>Berlin-based duo RÁN play psych-infused indie rock. The band, comprising Laura Landergott from Austria and Yair Karelic from Israel, found themselves gig-ready within eight weeks of playing together, produced their debut EP, “Hunt Like Lions," in 2017, an</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Berlin-based folk-rock band, Mighty Oaks, sings anthems of Wanderlust and Heimweh</title>
      <itunes:episode>35</itunes:episode>
      <podcast:episode>35</podcast:episode>
      <itunes:title>Berlin-based folk-rock band, Mighty Oaks, sings anthems of Wanderlust and Heimweh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ef559592-8ef2-4cc7-82e7-1e381407f150</guid>
      <link>https://share.transistor.fm/s/cc20c3b5</link>
      <description>
        <![CDATA[<p><strong>The folk-rock band Mighty Oaks </strong><a href="https://mightyoaksmusic.com/"><strong>has rooted itself firmly in Berlin soil</strong></a><strong>, but in order to do so, its three members each had to journey far from their respective homes. It’s an origin story that feels so familiar in Berlin, it might be the set-up of a joke: An American, an Italian and an Englishman walk into a bar…<br></strong><em><br>Produced by Caitlin Hardee</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>The folk-rock band Mighty Oaks </strong><a href="https://mightyoaksmusic.com/"><strong>has rooted itself firmly in Berlin soil</strong></a><strong>, but in order to do so, its three members each had to journey far from their respective homes. It’s an origin story that feels so familiar in Berlin, it might be the set-up of a joke: An American, an Italian and an Englishman walk into a bar…<br></strong><em><br>Produced by Caitlin Hardee</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 08 Sep 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/cc20c3b5/ff8657fe.mp3" length="3583597" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>220</itunes:duration>
      <itunes:summary>The folk-rock band Mighty Oaks has rooted itself firmly in Berlin soil, but in order to do so, its three members each had to journey far from their respective homes. It’s an origin story that feels so familiar in Berlin, it might be the set-up of a joke: An American, an Italian and an Englishman walk into a bar…</itunes:summary>
      <itunes:subtitle>The folk-rock band Mighty Oaks has rooted itself firmly in Berlin soil, but in order to do so, its three members each had to journey far from their respective homes. It’s an origin story that feels so familiar in Berlin, it might be the set-up of a joke: </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>From Sarajevo to Baghdad, Moscow to L.A., KCRW DJ Valida brings a global perspective to her DJ sets</title>
      <itunes:episode>34</itunes:episode>
      <podcast:episode>34</podcast:episode>
      <itunes:title>From Sarajevo to Baghdad, Moscow to L.A., KCRW DJ Valida brings a global perspective to her DJ sets</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">a59b3d16-5091-49c3-a42b-7b382144f5fc</guid>
      <link>https://share.transistor.fm/s/2db4db2b</link>
      <description>
        <![CDATA[<p><strong>Born in a small Bosnian town, L.A.-based Valida has experienced life all around the world. Now a KCRW DJ for </strong><a href="https://www.kcrw.com/music/shows/the-lab?__hstc=215484744.a2f6bfaa94217e0482f21529436556e6.1572601651650.1600089560537.1600098922755.668&amp;__hssc=215484744.11.1600098922755&amp;__hsfp=2917530394"><strong>The Lab</strong></a><strong>, Valida says that despite all of her travels, the music coming out of Berlin, and other parts of Germany, has stuck with her through it all.<br></strong><br></p><p>From stints in Moscow, Baghdad, and London, her globetrotting ways have undoubtedly influenced her musical style: “[There’s] no escaping the fact that…I really do feel like a citizen of the world.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Born in a small Bosnian town, L.A.-based Valida has experienced life all around the world. Now a KCRW DJ for </strong><a href="https://www.kcrw.com/music/shows/the-lab?__hstc=215484744.a2f6bfaa94217e0482f21529436556e6.1572601651650.1600089560537.1600098922755.668&amp;__hssc=215484744.11.1600098922755&amp;__hsfp=2917530394"><strong>The Lab</strong></a><strong>, Valida says that despite all of her travels, the music coming out of Berlin, and other parts of Germany, has stuck with her through it all.<br></strong><br></p><p>From stints in Moscow, Baghdad, and London, her globetrotting ways have undoubtedly influenced her musical style: “[There’s] no escaping the fact that…I really do feel like a citizen of the world.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 01 Sep 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/2db4db2b/5c59711b.mp3" length="3889600" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>Born in a small Bosnian town, L.A.-based Valida has experienced life all around the world. Now a KCRW DJ for The Lab, Valida says that despite all of her travels, the music coming out of Berlin, and other parts of Germany, has stuck with her through it all.</itunes:summary>
      <itunes:subtitle>Born in a small Bosnian town, L.A.-based Valida has experienced life all around the world. Now a KCRW DJ for The Lab, Valida says that despite all of her travels, the music coming out of Berlin, and other parts of Germany, has stuck with her through it al</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Pop-Kultur roundup: Up-and-coming artists shine at the Kulturbrauerei</title>
      <itunes:episode>33</itunes:episode>
      <podcast:episode>33</podcast:episode>
      <itunes:title>Pop-Kultur roundup: Up-and-coming artists shine at the Kulturbrauerei</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">252ed0b7-4ad4-4b46-9b7e-2cb15166e272</guid>
      <link>https://share.transistor.fm/s/42fcf5e6</link>
      <description>
        <![CDATA[<p><strong>For three days, Berlin’s Pop-Kultur festival showcased local and international musicians at the Kulturbrauerei. Headline acts included The Last Poets, and Neneh Cherry returning for her second year.<br></strong><br></p><p>But there were also many artists at Pop-Kultur for the first time. We met up with some up-and-coming musicians, including Parisian chromatic harpist <a href="http://www.lauraperrudinmusic.com/">Laura Perrudin</a>, Italian singer <a href="http://www.munsha.it/">Munsha</a>, and German-Bulgarian singer, pianist and composer, <a href="http://www.lisa-morgenstern.com/">Lisa Morgenstern</a>. </p><p> <em>Produced by Sylvia Cunningham and Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>For three days, Berlin’s Pop-Kultur festival showcased local and international musicians at the Kulturbrauerei. Headline acts included The Last Poets, and Neneh Cherry returning for her second year.<br></strong><br></p><p>But there were also many artists at Pop-Kultur for the first time. We met up with some up-and-coming musicians, including Parisian chromatic harpist <a href="http://www.lauraperrudinmusic.com/">Laura Perrudin</a>, Italian singer <a href="http://www.munsha.it/">Munsha</a>, and German-Bulgarian singer, pianist and composer, <a href="http://www.lisa-morgenstern.com/">Lisa Morgenstern</a>. </p><p> <em>Produced by Sylvia Cunningham and Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Aug 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/42fcf5e6/4ba9310f.mp3" length="3901405" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>For three days, Berlin’s Pop-Kultur festival showcased local and international musicians at the Kulturbrauerei. Headline acts included The Last Poets, and Neneh Cherry returning for her second year.</itunes:summary>
      <itunes:subtitle>For three days, Berlin’s Pop-Kultur festival showcased local and international musicians at the Kulturbrauerei. Headline acts included The Last Poets, and Neneh Cherry returning for her second year.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>PEOPLE festival hits Berlin's Funkhaus, bringing artistic collaborations and brand new works</title>
      <itunes:episode>32</itunes:episode>
      <podcast:episode>32</podcast:episode>
      <itunes:title>PEOPLE festival hits Berlin's Funkhaus, bringing artistic collaborations and brand new works</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">5bb530a1-f0f5-4ae9-9ea2-be5e372513a3</guid>
      <link>https://share.transistor.fm/s/12ed7b99</link>
      <description>
        <![CDATA[<p><strong>Next weekend sees PEOPLE festival at Berlin’s Funkhaus. The festival is unique for bringing artists from all over the world together for a week of experimentation and collaboration before performing new works for a live audience. 160 artists will take part, including Bon Iver’s Justin Vernon and The National’s Bryce and Aaron Dessner, as well as Feist and Jenny Lewis. </strong></p><p><br>We spoke to festival organizers Tom and Nadine Michelberger, who devised the festival inspired by the spirit of the city. We also spoke to Berlin-based DJ Alex Ridha, aka Boys Noize, who will be performing. “One of the things we tell the artists…do what you ever dreamed about doing,” says Michelberger.</p><p><br><em>Produced by Dylan Peterson<br></em><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Next weekend sees PEOPLE festival at Berlin’s Funkhaus. The festival is unique for bringing artists from all over the world together for a week of experimentation and collaboration before performing new works for a live audience. 160 artists will take part, including Bon Iver’s Justin Vernon and The National’s Bryce and Aaron Dessner, as well as Feist and Jenny Lewis. </strong></p><p><br>We spoke to festival organizers Tom and Nadine Michelberger, who devised the festival inspired by the spirit of the city. We also spoke to Berlin-based DJ Alex Ridha, aka Boys Noize, who will be performing. “One of the things we tell the artists…do what you ever dreamed about doing,” says Michelberger.</p><p><br><em>Produced by Dylan Peterson<br></em><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Aug 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/12ed7b99/5ba5728c.mp3" length="3869560" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>237</itunes:duration>
      <itunes:summary>The PEOPLE festival at Berlin's Funkhaus is unique for bringing artists from all over the world together for a week of experimentation and collaboration before performing new works for a live audience. 160 artists will take part, including Bon Iver’s Justin Vernon and The National’s Bryce and Aaron Dessner, as well as Feist and Jenny Lewis. </itunes:summary>
      <itunes:subtitle>The PEOPLE festival at Berlin's Funkhaus is unique for bringing artists from all over the world together for a week of experimentation and collaboration before performing new works for a live audience. 160 artists will take part, including Bon Iver’s Just</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>'By complete chance': How a search for an art studio turned into the Neukölln pub, gallery and performance space Das Gift</title>
      <itunes:episode>31</itunes:episode>
      <podcast:episode>31</podcast:episode>
      <itunes:title>'By complete chance': How a search for an art studio turned into the Neukölln pub, gallery and performance space Das Gift</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">eb23bb6d-7eb0-4a37-825e-77fe33683aef</guid>
      <link>https://share.transistor.fm/s/d7637251</link>
      <description>
        <![CDATA[<p><strong>Barry Burns of the post-rock band Mogwai, and his wife, Rachel, came upon the space that would eventually become their pub, Das Gift, completely by chance. Now, seven years later, Das Gift is a Glasgow-meets-Berlin mainstay in the neighborhood of Neukölln. We spoke to Barry about the bar’s beginnings and Berlin’s influence on it and the band.<br></strong><br></p><p>For Barry and Rachel, who moved to Berlin in 2011, Das Gift became central to putting down roots: “It was a good place to meet people…because we didn’t know that many people and the pub was a sort of meeting place for people from all over the world.”</p><p> <em>Produced by Dylan Peterson<br></em><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Barry Burns of the post-rock band Mogwai, and his wife, Rachel, came upon the space that would eventually become their pub, Das Gift, completely by chance. Now, seven years later, Das Gift is a Glasgow-meets-Berlin mainstay in the neighborhood of Neukölln. We spoke to Barry about the bar’s beginnings and Berlin’s influence on it and the band.<br></strong><br></p><p>For Barry and Rachel, who moved to Berlin in 2011, Das Gift became central to putting down roots: “It was a good place to meet people…because we didn’t know that many people and the pub was a sort of meeting place for people from all over the world.”</p><p> <em>Produced by Dylan Peterson<br></em><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 04 Aug 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/d7637251/ec9cf6dc.mp3" length="3831965" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>235</itunes:duration>
      <itunes:summary>Barry Burns of the post-rock band Mogwai, and his wife, Rachel, came upon the space that would eventually become their pub, Das Gift, completely by chance. Now, seven years later, Das Gift is a Glasgow-meets-Berlin mainstay in the neighborhood of Neukölln. </itunes:summary>
      <itunes:subtitle>Barry Burns of the post-rock band Mogwai, and his wife, Rachel, came upon the space that would eventually become their pub, Das Gift, completely by chance. Now, seven years later, Das Gift is a Glasgow-meets-Berlin mainstay in the neighborhood of Neukölln</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>From Auckland to Berlin: Noah Slee on navigating techno, queerness and becoming a role model</title>
      <itunes:episode>30</itunes:episode>
      <podcast:episode>30</podcast:episode>
      <itunes:title>From Auckland to Berlin: Noah Slee on navigating techno, queerness and becoming a role model</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">da390e4f-f23e-417e-b692-f48979bf2f16</guid>
      <link>https://share.transistor.fm/s/ab4eb98c</link>
      <description>
        <![CDATA[<p><strong>Noah Slee is a Tongan New Zealander whose music spans genres from </strong><a href="https://www.facebook.com/noahsleemusic/"><strong>traditional soul to mixed electronica and R&amp;B</strong></a><strong>. He moved to Berlin about three years ago and has seen his career flourish, especially on Spotify, where he boasts an audience of 400,000 monthly listeners.<br></strong><br></p><p>We caught up with him to talk about his unexpected love for Berlin’s techno scene, finding success in his adopted home and becoming a role model.</p><p><em>Produced by Marlene Melchior </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Noah Slee is a Tongan New Zealander whose music spans genres from </strong><a href="https://www.facebook.com/noahsleemusic/"><strong>traditional soul to mixed electronica and R&amp;B</strong></a><strong>. He moved to Berlin about three years ago and has seen his career flourish, especially on Spotify, where he boasts an audience of 400,000 monthly listeners.<br></strong><br></p><p>We caught up with him to talk about his unexpected love for Berlin’s techno scene, finding success in his adopted home and becoming a role model.</p><p><em>Produced by Marlene Melchior </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 28 Jul 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/ab4eb98c/bdb68bc6.mp3" length="3901971" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>Noah Slee is a Tongan New Zealander whose music spans genres from traditional soul to mixed electronica and R&amp;amp;B. He moved to Berlin about three years ago and has seen his career flourish, especially on Spotify, where he boasts an audience of 400,000 monthly listeners.</itunes:summary>
      <itunes:subtitle>Noah Slee is a Tongan New Zealander whose music spans genres from traditional soul to mixed electronica and R&amp;amp;B. He moved to Berlin about three years ago and has seen his career flourish, especially on Spotify, where he boasts an audience of 400,000 m</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>A sojourn through the 'Garden of Beasts' with Irish musician Candice Gordon</title>
      <itunes:episode>29</itunes:episode>
      <podcast:episode>29</podcast:episode>
      <itunes:title>A sojourn through the 'Garden of Beasts' with Irish musician Candice Gordon</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">06c3f285-8e8f-480e-8ab2-0c25bb4846f0</guid>
      <link>https://share.transistor.fm/s/23a6c784</link>
      <description>
        <![CDATA[<p><strong>We caught up with musician Candice Gordon to talk about supporting likes of Nena, her 2017 album “</strong><a href="http://www.candicegordonmusic.com/product/garden-of-beasts-cd/"><strong>Garden of Beasts</strong></a><strong>,” and what else to expect from her this year.<br></strong><br></p><p>Gordon, who originally hails from Ireland, has been in Berlin for seven years, lured by history and literature. “I just loved it,” she says. “I just felt I belonged.” She hasn’t shied away from incorporating her Irish roots into her music, bringing in The Pogues’ frontman Shane MacGowan to produce her “<a href="http://www.candicegordonmusic.com/product/before-the-sunset-ends-on-vinyl/">Before the Sunset Ends</a>” EP, recording in Ireland, and releasing her single <a href="http://www.candicegordonmusic.com/demo-unveiled-for-mother-for-internationalwomensday/">“Mother”</a> in support of the recent vote to legalize abortion in the country. </p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We caught up with musician Candice Gordon to talk about supporting likes of Nena, her 2017 album “</strong><a href="http://www.candicegordonmusic.com/product/garden-of-beasts-cd/"><strong>Garden of Beasts</strong></a><strong>,” and what else to expect from her this year.<br></strong><br></p><p>Gordon, who originally hails from Ireland, has been in Berlin for seven years, lured by history and literature. “I just loved it,” she says. “I just felt I belonged.” She hasn’t shied away from incorporating her Irish roots into her music, bringing in The Pogues’ frontman Shane MacGowan to produce her “<a href="http://www.candicegordonmusic.com/product/before-the-sunset-ends-on-vinyl/">Before the Sunset Ends</a>” EP, recording in Ireland, and releasing her single <a href="http://www.candicegordonmusic.com/demo-unveiled-for-mother-for-internationalwomensday/">“Mother”</a> in support of the recent vote to legalize abortion in the country. </p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 21 Jul 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/23a6c784/c550a152.mp3" length="3897789" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>We caught up with musician Candice Gordon to talk about supporting likes of Nena, her 2017 album “Garden of Beasts,” and what else to expect from her this year.</itunes:summary>
      <itunes:subtitle>We caught up with musician Candice Gordon to talk about supporting likes of Nena, her 2017 album “Garden of Beasts,” and what else to expect from her this year.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Pop-Kultur curator on achieving a rare 50-50 gender balance in the festival's lineup</title>
      <itunes:episode>28</itunes:episode>
      <podcast:episode>28</podcast:episode>
      <itunes:title>Pop-Kultur curator on achieving a rare 50-50 gender balance in the festival's lineup</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9645dae0-9878-4323-9de4-e35106cfa345</guid>
      <link>https://share.transistor.fm/s/72054694</link>
      <description>
        <![CDATA[<p><strong>The Pop-Kultur festival is returning to Berlin next month, </strong><a href="https://kcrwberlin.com/kcrw-berlin-presents-pop-kultur"><strong>presenting over 100 events from Aug. 15 – 17 at the Kulturbrauerei</strong></a><strong>. The festival gives musicians space to expand on the artistic currents underpinning much of pop culture and pop music today with a program of performances, new commissions, exhibitions, talks, and workshops.<br></strong><br></p><p>The festival’s organizers have assembled a line-up of both international and Berlin-based artists. Finding balance was a major factor when choosing musicians according to Martin Hossbach, one-third of Pop-Kultur’s curatorial team. The lineup features both older and younger generations of performers and achieves a 50-50 balance between male- and female-identifying artists.</p><p>Hossbach laments that a male majority among musicians is still the norm at most music festivals, but rejects the idea that finding female musicians is a challenge. On the contrary, “it was really easy,” he says: “I get very upset when someone says there aren’t enough female, I don’t know, ‘headline acts’…that’s just rubbish. It usually means the person saying it is lazy.” </p><p><em>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>The Pop-Kultur festival is returning to Berlin next month, </strong><a href="https://kcrwberlin.com/kcrw-berlin-presents-pop-kultur"><strong>presenting over 100 events from Aug. 15 – 17 at the Kulturbrauerei</strong></a><strong>. The festival gives musicians space to expand on the artistic currents underpinning much of pop culture and pop music today with a program of performances, new commissions, exhibitions, talks, and workshops.<br></strong><br></p><p>The festival’s organizers have assembled a line-up of both international and Berlin-based artists. Finding balance was a major factor when choosing musicians according to Martin Hossbach, one-third of Pop-Kultur’s curatorial team. The lineup features both older and younger generations of performers and achieves a 50-50 balance between male- and female-identifying artists.</p><p>Hossbach laments that a male majority among musicians is still the norm at most music festivals, but rejects the idea that finding female musicians is a challenge. On the contrary, “it was really easy,” he says: “I get very upset when someone says there aren’t enough female, I don’t know, ‘headline acts’…that’s just rubbish. It usually means the person saying it is lazy.” </p><p><em>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 07 Jul 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/72054694/69530541.mp3" length="3855449" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>237</itunes:duration>
      <itunes:summary>The Pop-Kultur festival is returning to Berlin next month, presenting over 100 events from Aug. 15 – 17 at the Kulturbrauerei. The festival gives musicians space to expand on the artistic currents underpinning much of pop culture and pop music today with a program of performances, new commissions, exhibitions, talks, and workshops.</itunes:summary>
      <itunes:subtitle>The Pop-Kultur festival is returning to Berlin next month, presenting over 100 events from Aug. 15 – 17 at the Kulturbrauerei. The festival gives musicians space to expand on the artistic currents underpinning much of pop culture and pop music today with </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The un-residential resident: Berghain DJ Martyn unveils his new album</title>
      <itunes:episode>27</itunes:episode>
      <podcast:episode>27</podcast:episode>
      <itunes:title>The un-residential resident: Berghain DJ Martyn unveils his new album</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">13295611-1083-4ffe-b54a-a64cc4da1e91</guid>
      <link>https://share.transistor.fm/s/e7b19985</link>
      <description>
        <![CDATA[<p><strong>We caught up with Berghain-resident DJ Martyn shortly after the launch of his latest album, “</strong><a href="http://ostgut.de/label/record/218"><strong>Voids</strong></a><strong>.” He tells us about his musical process and the lengthy commute between Berlin and his home in Washington, D.C.<br></strong><br></p><p>Martyn says he took a “back-to-basics approach” with his latest album, reconnecting with earlier work. “For me, it was a moment to sort of look back at the records that really inspired me and that I was really happy with.”</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We caught up with Berghain-resident DJ Martyn shortly after the launch of his latest album, “</strong><a href="http://ostgut.de/label/record/218"><strong>Voids</strong></a><strong>.” He tells us about his musical process and the lengthy commute between Berlin and his home in Washington, D.C.<br></strong><br></p><p>Martyn says he took a “back-to-basics approach” with his latest album, reconnecting with earlier work. “For me, it was a moment to sort of look back at the records that really inspired me and that I was really happy with.”</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 23 Jun 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/e7b19985/0f3b5b14.mp3" length="3901842" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>We caught up with Berghain-resident DJ Martyn shortly after the launch of his latest album, “Voids.” He tells us about his musical process and the lengthy commute between Berlin and his home in Washington, D.C.</itunes:summary>
      <itunes:subtitle>We caught up with Berghain-resident DJ Martyn shortly after the launch of his latest album, “Voids.” He tells us about his musical process and the lengthy commute between Berlin and his home in Washington, D.C.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>There'll be dancing in the Kiez: Fête de la Musique brings music to Berlin's streets</title>
      <itunes:episode>26</itunes:episode>
      <podcast:episode>26</podcast:episode>
      <itunes:title>There'll be dancing in the Kiez: Fête de la Musique brings music to Berlin's streets</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">70d516e2-9beb-4a8d-b190-6348f51add37</guid>
      <link>https://share.transistor.fm/s/fa4b8295</link>
      <description>
        <![CDATA[<p><strong>June 21 sees Fête de la Musique coming to the streets of Berlin. The </strong><a href="https://www.fetedelamusique.de/"><strong>imported French festival</strong></a><strong> has been a staple of the city’s event calendar since 1995 and brings music from over 800 musicians, bands, and choirs, performed in Spätis, Kitas, garden colonies and other unusual locations across the city.  We caught up with Björn Döring, the Curator and Director of the festival.<br></strong><br></p><p>One highlight of Fête de la Musique promises to be a Europe-wide sing-along at 7pm featuring the “Ode to Joy,” John Lennon’s “Imagine” and Oasis’ “Don’t Look Back In Anger.” Döring explains that the latter “was sung in the streets of Manchester after the terror attacks,” revealing to him that rather than responding to violence with further violence, people can “comfort each other with music.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>June 21 sees Fête de la Musique coming to the streets of Berlin. The </strong><a href="https://www.fetedelamusique.de/"><strong>imported French festival</strong></a><strong> has been a staple of the city’s event calendar since 1995 and brings music from over 800 musicians, bands, and choirs, performed in Spätis, Kitas, garden colonies and other unusual locations across the city.  We caught up with Björn Döring, the Curator and Director of the festival.<br></strong><br></p><p>One highlight of Fête de la Musique promises to be a Europe-wide sing-along at 7pm featuring the “Ode to Joy,” John Lennon’s “Imagine” and Oasis’ “Don’t Look Back In Anger.” Döring explains that the latter “was sung in the streets of Manchester after the terror attacks,” revealing to him that rather than responding to violence with further violence, people can “comfort each other with music.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 16 Jun 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/fa4b8295/75539f19.mp3" length="3892602" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>June 21 sees Fête de la Musique coming to the streets of Berlin. The imported French festival has been a staple of the city’s event calendar since 1995 and brings music from over 800 musicians, bands, and choirs, performed in Spätis, Kitas, garden colonies and other unusual locations across the city.  We caught up with Björn Döring, the Curator and Director of the festival.</itunes:summary>
      <itunes:subtitle>June 21 sees Fête de la Musique coming to the streets of Berlin. The imported French festival has been a staple of the city’s event calendar since 1995 and brings music from over 800 musicians, bands, and choirs, performed in Spätis, Kitas, garden colonie</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Confessions of a California goth: Bauhaus’ David J pines for the clouds</title>
      <itunes:episode>25</itunes:episode>
      <podcast:episode>25</podcast:episode>
      <itunes:title>Confessions of a California goth: Bauhaus’ David J pines for the clouds</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c53b56a8-7d0b-4ff0-9842-b9cbd9fde1b0</guid>
      <link>https://share.transistor.fm/s/d437265c</link>
      <description>
        <![CDATA[<p><strong>This week, we caught up with musician David J, who was both the bassist in the goth rock sensation </strong><a href="https://en.wikipedia.org/wiki/Bauhaus_(band)"><strong>Bauhaus</strong></a><strong> as well as bassist and vocalist of the ’80s band, </strong><a href="https://en.wikipedia.org/wiki/Love_and_Rockets_(band)"><strong>Love and Rockets</strong></a><strong>. A Los Angeles resident, he admits that he feels uncomfortable with the current political situation in the United States, confessing, “it’s in a sorry state, and I’m rather repulsed by it.”<br></strong><br></p><p>David J talks about his new solo album and how he aims to pursue more collaborative work in the future: “I’m always full of ideas, and more creative now than ever.”</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>This week, we caught up with musician David J, who was both the bassist in the goth rock sensation </strong><a href="https://en.wikipedia.org/wiki/Bauhaus_(band)"><strong>Bauhaus</strong></a><strong> as well as bassist and vocalist of the ’80s band, </strong><a href="https://en.wikipedia.org/wiki/Love_and_Rockets_(band)"><strong>Love and Rockets</strong></a><strong>. A Los Angeles resident, he admits that he feels uncomfortable with the current political situation in the United States, confessing, “it’s in a sorry state, and I’m rather repulsed by it.”<br></strong><br></p><p>David J talks about his new solo album and how he aims to pursue more collaborative work in the future: “I’m always full of ideas, and more creative now than ever.”</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 09 Jun 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/d437265c/70d0a589.mp3" length="3902070" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>David J was the bassist in the goth rock sensation Bauhaus as well as bassist and vocalist of the ’80s band, Love and Rockets. A Los Angeles resident, he admits that he feels uncomfortable with the current political situation in the United States, confessing, “it’s in a sorry state, and I’m rather repulsed by it.”</itunes:summary>
      <itunes:subtitle>David J was the bassist in the goth rock sensation Bauhaus as well as bassist and vocalist of the ’80s band, Love and Rockets. A Los Angeles resident, he admits that he feels uncomfortable with the current political situation in the United States, confess</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Music producer Victor Van Vugt is back in Berlin to tap the city's 'youthful, anarchic' energy</title>
      <itunes:episode>24</itunes:episode>
      <podcast:episode>24</podcast:episode>
      <itunes:title>Music producer Victor Van Vugt is back in Berlin to tap the city's 'youthful, anarchic' energy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">fce2ade8-8a9f-4705-9b09-21360c055430</guid>
      <link>https://share.transistor.fm/s/6a8b0709</link>
      <description>
        <![CDATA[<p><strong>Victor Van Vugt is a producer, mixer, and engineer who has worked with acts including </strong><a href="https://www.nickcave.com/"><strong>Nick Cave and the Bad Seeds</strong></a><strong>, </strong><a href="https://neubauten.org/en"><strong>Einstürzende Neubauten</strong></a><strong>, and </strong><a href="http://pjharvey.net/"><strong>P.J. Harvey</strong></a><strong>. We speak with Van Vugt about his return to Berlin and his plans for the future.<br></strong><br></p><p>Van Vugt made Berlin his home in the 1980s before moving away to live in London and New York. He returned to Berlin four years ago and has since been working with a host of artists, including on a bi-monthly night called <a href="https://www.facebook.com/thefanclubberlin/">“The Fan Club”</a> to reinvigorate Berlin’s live music scene.</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Victor Van Vugt is a producer, mixer, and engineer who has worked with acts including </strong><a href="https://www.nickcave.com/"><strong>Nick Cave and the Bad Seeds</strong></a><strong>, </strong><a href="https://neubauten.org/en"><strong>Einstürzende Neubauten</strong></a><strong>, and </strong><a href="http://pjharvey.net/"><strong>P.J. Harvey</strong></a><strong>. We speak with Van Vugt about his return to Berlin and his plans for the future.<br></strong><br></p><p>Van Vugt made Berlin his home in the 1980s before moving away to live in London and New York. He returned to Berlin four years ago and has since been working with a host of artists, including on a bi-monthly night called <a href="https://www.facebook.com/thefanclubberlin/">“The Fan Club”</a> to reinvigorate Berlin’s live music scene.</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 02 Jun 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/6a8b0709/644cf1d8.mp3" length="3902327" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>Victor Van Vugt is a producer, mixer, and engineer who has worked with acts including Nick Cave and the Bad Seeds, Einstürzende Neubauten, and P.J. Harvey. We speak with Van Vugt about his return to Berlin and his plans for the future.</itunes:summary>
      <itunes:subtitle>Victor Van Vugt is a producer, mixer, and engineer who has worked with acts including Nick Cave and the Bad Seeds, Einstürzende Neubauten, and P.J. Harvey. We speak with Van Vugt about his return to Berlin and his plans for the future.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>When Axel met Sally: music to show the magical side of the U8</title>
      <itunes:episode>23</itunes:episode>
      <podcast:episode>23</podcast:episode>
      <itunes:title>When Axel met Sally: music to show the magical side of the U8</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c84a80f7-ec6d-448c-b964-bc1aa4336ab4</guid>
      <link>https://share.transistor.fm/s/a5422132</link>
      <description>
        <![CDATA[<p><strong>Berlin’s public transport is both loved and hated by residents of the city, and the U8 line pretty much embodies this public sentiment. The line connects the north to the south, running through the heart of Berlin, and it connected an American from San Francisco with a Berliner for a musical homage of sorts.<br></strong><br></p><p>Journalist Sally McGrane and musician Axel Scheele both live on the U8. “The whole song just came to me between Schönleinstraße and Weinmeisterstraße,” says McGrane. Their band “<a href="https://louelectric.bandcamp.com/track/u8-u8">Lou Electric and the Gold Kimono Band</a>” just released “U8 U8” as a single, with more Berlin-inspired songs to come. Scheele says, “I didn’t plan this but [the song] came out that it’s the exact right tempo that the train is.”</p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Berlin’s public transport is both loved and hated by residents of the city, and the U8 line pretty much embodies this public sentiment. The line connects the north to the south, running through the heart of Berlin, and it connected an American from San Francisco with a Berliner for a musical homage of sorts.<br></strong><br></p><p>Journalist Sally McGrane and musician Axel Scheele both live on the U8. “The whole song just came to me between Schönleinstraße and Weinmeisterstraße,” says McGrane. Their band “<a href="https://louelectric.bandcamp.com/track/u8-u8">Lou Electric and the Gold Kimono Band</a>” just released “U8 U8” as a single, with more Berlin-inspired songs to come. Scheele says, “I didn’t plan this but [the song] came out that it’s the exact right tempo that the train is.”</p><p><em>Produced by Monika Müller-Kroll </em></p>]]>
      </content:encoded>
      <pubDate>Sat, 26 May 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/a5422132/e44bc587.mp3" length="3894924" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>Berlin’s public transport is both loved and hated by residents of the city, and the U8 line pretty much embodies this public sentiment. The line connects the north to the south, running through the heart of Berlin, and it connected an American from San Francisco with a Berliner for a musical homage of sorts.</itunes:summary>
      <itunes:subtitle>Berlin’s public transport is both loved and hated by residents of the city, and the U8 line pretty much embodies this public sentiment. The line connects the north to the south, running through the heart of Berlin, and it connected an American from San Fr</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>From Elton John to the downright bizarre: The Berlin Music Video Awards</title>
      <itunes:episode>22</itunes:episode>
      <podcast:episode>22</podcast:episode>
      <itunes:title>From Elton John to the downright bizarre: The Berlin Music Video Awards</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f3214fbe-13e3-4464-a20c-988892b08f04</guid>
      <link>https://share.transistor.fm/s/2f13391f</link>
      <description>
        <![CDATA[<p><strong>This year’s Berlin Music Video Awards will take place from May 23 and 26. Since 2013, the awards have highlighted the art behind music videos while acting as a networking platform for musicians and filmmakers.<br></strong><br></p><p>Aviel Silook, founder of the event, has always been a huge fan of music videos. In fact, at the age of 14, Silook would wake up in the middle of the night, just to watch all the censored videos he loved. It resulted in him missing 100 days of school. Now Silook says the biggest reward of his job is watching what happens throughout the weekend, when the nominees all get to know each other and then collaborate together for the following year.</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>This year’s Berlin Music Video Awards will take place from May 23 and 26. Since 2013, the awards have highlighted the art behind music videos while acting as a networking platform for musicians and filmmakers.<br></strong><br></p><p>Aviel Silook, founder of the event, has always been a huge fan of music videos. In fact, at the age of 14, Silook would wake up in the middle of the night, just to watch all the censored videos he loved. It resulted in him missing 100 days of school. Now Silook says the biggest reward of his job is watching what happens throughout the weekend, when the nominees all get to know each other and then collaborate together for the following year.</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 19 May 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/2f13391f/758dcfba.mp3" length="3839711" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>236</itunes:duration>
      <itunes:summary>This year’s Berlin Music Video Awards will take place from May 23 and 26. Since 2013, the awards have highlighted the art behind music videos while acting as a networking platform for musicians and filmmakers.</itunes:summary>
      <itunes:subtitle>This year’s Berlin Music Video Awards will take place from May 23 and 26. Since 2013, the awards have highlighted the art behind music videos while acting as a networking platform for musicians and filmmakers.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>'A little bit organic and electronic': O-SHiN shares her dreamy pop with us </title>
      <itunes:episode>21</itunes:episode>
      <podcast:episode>21</podcast:episode>
      <itunes:title>'A little bit organic and electronic': O-SHiN shares her dreamy pop with us </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">4e7e55c3-23b2-480a-b0ee-8ef0974bf09c</guid>
      <link>https://share.transistor.fm/s/775b4680</link>
      <description>
        <![CDATA[<p><strong>We spoke to Dutch singer-songwriter O-SHiN about her creative and recording processes. She talks about recording her last songs while immersing herself in the Swedish countryside because “I really love lots of Swedish artists…and I wanted to learn from them.”<br></strong><br></p><p>The album was mixed in Berlin,<a href="http://o-shin.com/"> O-SHiN</a> explains: “I think my music is a little bit …organic and electronic at the same time…The electronic part of it happened in Berlin and the organic part of it happened in Sweden.”</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We spoke to Dutch singer-songwriter O-SHiN about her creative and recording processes. She talks about recording her last songs while immersing herself in the Swedish countryside because “I really love lots of Swedish artists…and I wanted to learn from them.”<br></strong><br></p><p>The album was mixed in Berlin,<a href="http://o-shin.com/"> O-SHiN</a> explains: “I think my music is a little bit …organic and electronic at the same time…The electronic part of it happened in Berlin and the organic part of it happened in Sweden.”</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 12 May 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/775b4680/7098ff6a.mp3" length="3901954" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>We spoke to Dutch singer-songwriter O-SHiN about her creative and recording processes. She talks about recording her last songs while immersing herself in the Swedish countryside because “I really love lots of Swedish artists…and I wanted to learn from them.”</itunes:summary>
      <itunes:subtitle>We spoke to Dutch singer-songwriter O-SHiN about her creative and recording processes. She talks about recording her last songs while immersing herself in the Swedish countryside because “I really love lots of Swedish artists…and I wanted to learn from th</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Pop-Kultur's Christian Morin on 'bringing back meaning and content to music'</title>
      <itunes:episode>20</itunes:episode>
      <podcast:episode>20</podcast:episode>
      <itunes:title>Pop-Kultur's Christian Morin on 'bringing back meaning and content to music'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">e7792a4b-32f0-464e-8328-dc2aa67f62c3</guid>
      <link>https://share.transistor.fm/s/6cf568fb</link>
      <description>
        <![CDATA[<p><strong>Pop-Kultur Festival will be back in Berlin for it’s fourth year between August 15 and 17. We caught up with curator Christian Morin to talk about how the goals of the festival have evolved and what to expect from this year’s lineup, which features Neneh Cherry amidst a “very strong female presence.”<br></strong><br></p><p>Morin says that he wants the festival “to bring back meaning and content…to music, and the other goal is the transfer of knowledge.” One of the festival’s strong features is <a href="http://www.pop-kultur.berlin/nachwuchs/">Pop-Kultur Nachwuchs</a>, the talent program which connects young talents with professionals from the music industry. Calls for submission are open until May 23rd.</p><p><em>Produced by Monika Mueller-Kroll<br></em><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Pop-Kultur Festival will be back in Berlin for it’s fourth year between August 15 and 17. We caught up with curator Christian Morin to talk about how the goals of the festival have evolved and what to expect from this year’s lineup, which features Neneh Cherry amidst a “very strong female presence.”<br></strong><br></p><p>Morin says that he wants the festival “to bring back meaning and content…to music, and the other goal is the transfer of knowledge.” One of the festival’s strong features is <a href="http://www.pop-kultur.berlin/nachwuchs/">Pop-Kultur Nachwuchs</a>, the talent program which connects young talents with professionals from the music industry. Calls for submission are open until May 23rd.</p><p><em>Produced by Monika Mueller-Kroll<br></em><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 05 May 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/6cf568fb/55f645d5.mp3" length="3856203" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>237</itunes:duration>
      <itunes:summary>Pop-Kultur Festival will be back in Berlin for it’s fourth year between August 15 and 17. We caught up with curator Christian Morin to talk about how the goals of the festival have evolved and what to expect from this year’s lineup, which features Neneh Cherry amidst a “very strong female presence.”</itunes:summary>
      <itunes:subtitle>Pop-Kultur Festival will be back in Berlin for it’s fourth year between August 15 and 17. We caught up with curator Christian Morin to talk about how the goals of the festival have evolved and what to expect from this year’s lineup, which features Neneh C</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Queen Alaska on film music and Polish hugs</title>
      <itunes:episode>19</itunes:episode>
      <podcast:episode>19</podcast:episode>
      <itunes:title>Queen Alaska on film music and Polish hugs</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">1742ae00-6706-49ed-ae6b-2b3e3211735a</guid>
      <link>https://share.transistor.fm/s/bc006da2</link>
      <description>
        <![CDATA[<p><strong>Synth-pop artist</strong><a href="https://www.facebook.com/queenalaskamusic/"><strong> Anneli Bentler</strong></a><strong>, aka Queen Alaska began her musical career by studying film music in London, but now she’s a fully-fledged solo artist.<br></strong><br></p><p>In advance of her upcoming Berlin show at Berghain Kantine, we caught up with her to talk about inspiration, her creative process and her thoughts on the different audiences of Europe.<br><em><br>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Synth-pop artist</strong><a href="https://www.facebook.com/queenalaskamusic/"><strong> Anneli Bentler</strong></a><strong>, aka Queen Alaska began her musical career by studying film music in London, but now she’s a fully-fledged solo artist.<br></strong><br></p><p>In advance of her upcoming Berlin show at Berghain Kantine, we caught up with her to talk about inspiration, her creative process and her thoughts on the different audiences of Europe.<br><em><br>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 28 Apr 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/bc006da2/2ab859ef.mp3" length="3893742" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>Synth-pop artist Anneli Bentler, aka Queen Alaska began her musical career by studying film music in London, but now she’s a fully-fledged solo artist.</itunes:summary>
      <itunes:subtitle>Synth-pop artist Anneli Bentler, aka Queen Alaska began her musical career by studying film music in London, but now she’s a fully-fledged solo artist.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>What's your favorite record of all time? In honor of Record Store Day, we surveyed Berlin record store owners</title>
      <itunes:episode>18</itunes:episode>
      <podcast:episode>18</podcast:episode>
      <itunes:title>What's your favorite record of all time? In honor of Record Store Day, we surveyed Berlin record store owners</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">4b036214-26f9-48b8-ab5e-6a179ee7257a</guid>
      <link>https://share.transistor.fm/s/878b6b82</link>
      <description>
        <![CDATA[<p>What is your favorite record of all time? In honor of Record Store Day, we asked the proprietors of Berlin record stores <a href="http://www.riseikel.de/">Riseikel</a>,<a href="https://www.hhv.de/shop/en/store"> HHV</a>, <a href="https://musikdepartment.wordpress.com/">Musik Department</a>, <a href="http://www.oldschool-berlin.com/">Oldschool</a>, <a href="https://www.facebook.com/SoultradeRecordstore/">Soul Trade</a> and <a href="http://www.dodobeach.de/">Dodo Beach</a>. Discover their favorite tracks and listen to our record store day playlist. We also threw in some favorites from KCRW Berlin’s staff and volunteers!</p><p>We’ll be celebrating Record Store Day, all day. Come out and support your local record stores. Check out our <a href="https://www.facebook.com/kcrwberlin/">Facebook</a>, <a href="https://twitter.com/?lang=en">Twitter</a> and Instagram feeds for updates, or check out our website for more information.</p><p><em>Interviews for the piece were conducted by Colette Harley and Kate Blair.  Produced by Monika Müller-Kroll<br></em><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p>What is your favorite record of all time? In honor of Record Store Day, we asked the proprietors of Berlin record stores <a href="http://www.riseikel.de/">Riseikel</a>,<a href="https://www.hhv.de/shop/en/store"> HHV</a>, <a href="https://musikdepartment.wordpress.com/">Musik Department</a>, <a href="http://www.oldschool-berlin.com/">Oldschool</a>, <a href="https://www.facebook.com/SoultradeRecordstore/">Soul Trade</a> and <a href="http://www.dodobeach.de/">Dodo Beach</a>. Discover their favorite tracks and listen to our record store day playlist. We also threw in some favorites from KCRW Berlin’s staff and volunteers!</p><p>We’ll be celebrating Record Store Day, all day. Come out and support your local record stores. Check out our <a href="https://www.facebook.com/kcrwberlin/">Facebook</a>, <a href="https://twitter.com/?lang=en">Twitter</a> and Instagram feeds for updates, or check out our website for more information.</p><p><em>Interviews for the piece were conducted by Colette Harley and Kate Blair.  Produced by Monika Müller-Kroll<br></em><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 21 Apr 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/878b6b82/91702484.mp3" length="2402860" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>146</itunes:duration>
      <itunes:summary>What is your favorite record of all time? In honor of Record Store Day, we asked the proprietors of Berlin record stores Riseikel, HHV, Musik Department, Oldschool, Soul Trade and Dodo Beach. </itunes:summary>
      <itunes:subtitle>What is your favorite record of all time? In honor of Record Store Day, we asked the proprietors of Berlin record stores Riseikel, HHV, Musik Department, Oldschool, Soul Trade and Dodo Beach. </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Berlin-based band 'Them There,' featuring hit songwriters Craig Walker and Phoebe Kildeer, just released their new single!</title>
      <itunes:episode>17</itunes:episode>
      <podcast:episode>17</podcast:episode>
      <itunes:title>Berlin-based band 'Them There,' featuring hit songwriters Craig Walker and Phoebe Kildeer, just released their new single!</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">cb06fac2-e707-4535-ae39-d93bf19bb353</guid>
      <link>https://share.transistor.fm/s/b7e58b0a</link>
      <description>
        <![CDATA[<p><strong>Craig Walker, frontman of indie/electronica band Archive, and former Nouvelle Vague singer Phoebe Killdeer have been living in Berlin for a decade, and say the city has been great to them musically – which seems almost an understatement given the past few years they’ve had.</strong></p><p>The two co-wrote the 2016 hit “Fade Out Lines,” which was remixed by French DJ The Avener and became a massive hit that lingered at number one on the German charts for 52 weeks, with 100 million listens on Spotify and 42 million hits on YouTube.</p><p>Now the duo have renamed themselves “Them There” and are set to release a new album, “Love is an Elevator,” in the coming weeks. The album features a dizzying range of accomplished artists, with Tyler Pope (LCD Soundsystem) on bass, Knox Chandler (Siouxsie and the Banshees, R.E.M., Cyndi Lauper) on guitar, Tim Gane (Stereolab) on keys, Raphaël Seguinier (Phoebe Killdeer and the Short Straws, Shannon Wright, Rufus Wainwright) on drums. It’s produced by Victor Van Vugt (Nick Cave and the Bad Seeds, P.J. Harvey, Beth Orton).</p><p>They’ve also just finished shooting the music video for their single BLAZE, slated for release in March 2018. With its warm pop feel and melancholic yet upbeat take on love, Walker and Killdeer may just have another hit on their hands.</p><p><em>Produced by Marlene Melchior <br></em><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Craig Walker, frontman of indie/electronica band Archive, and former Nouvelle Vague singer Phoebe Killdeer have been living in Berlin for a decade, and say the city has been great to them musically – which seems almost an understatement given the past few years they’ve had.</strong></p><p>The two co-wrote the 2016 hit “Fade Out Lines,” which was remixed by French DJ The Avener and became a massive hit that lingered at number one on the German charts for 52 weeks, with 100 million listens on Spotify and 42 million hits on YouTube.</p><p>Now the duo have renamed themselves “Them There” and are set to release a new album, “Love is an Elevator,” in the coming weeks. The album features a dizzying range of accomplished artists, with Tyler Pope (LCD Soundsystem) on bass, Knox Chandler (Siouxsie and the Banshees, R.E.M., Cyndi Lauper) on guitar, Tim Gane (Stereolab) on keys, Raphaël Seguinier (Phoebe Killdeer and the Short Straws, Shannon Wright, Rufus Wainwright) on drums. It’s produced by Victor Van Vugt (Nick Cave and the Bad Seeds, P.J. Harvey, Beth Orton).</p><p>They’ve also just finished shooting the music video for their single BLAZE, slated for release in March 2018. With its warm pop feel and melancholic yet upbeat take on love, Walker and Killdeer may just have another hit on their hands.</p><p><em>Produced by Marlene Melchior <br></em><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 07 Apr 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/b7e58b0a/17bd00d8.mp3" length="3880523" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>238</itunes:duration>
      <itunes:summary>Craig Walker, frontman of indie/electronica band Archive, and former Nouvelle Vague singer Phoebe Killdeer have been living in Berlin for a decade, and say the city has been great to them musically – which seems almost an understatement given the past few years they’ve had.</itunes:summary>
      <itunes:subtitle>Craig Walker, frontman of indie/electronica band Archive, and former Nouvelle Vague singer Phoebe Killdeer have been living in Berlin for a decade, and say the city has been great to them musically – which seems almost an understatement given the past few</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Rooting for the optimists and pessimists: Brian Eno's 'Empty Formalism'</title>
      <itunes:episode>16</itunes:episode>
      <podcast:episode>16</podcast:episode>
      <itunes:title>Rooting for the optimists and pessimists: Brian Eno's 'Empty Formalism'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">02a9a8e0-4662-4e75-ab24-2bba4e2a6505</guid>
      <link>https://share.transistor.fm/s/79af185e</link>
      <description>
        <![CDATA[<p><strong>Composer and visual artist </strong><a href="http://www.brian-eno.net/"><strong>Brian Eno</strong></a><strong> returned to Berlin this week for the opening of his audio-visual installation, “Empty Formalism,” at the </strong><a href="https://www.berlinerfestspiele.de/de/aktuell/festivals/gropiusbau/ueber_uns_mgb/aktuell_mgb/start.php"><strong>Martin Gropius Bau</strong></a><strong>. The work is the first in a series of performances and installations created by artists for the newly created </strong><a href="https://www.berlin-ism.com/en/news/ism-hexadome"><strong>ISM Hexadome</strong></a><strong>, a hexagonal structure featuring six large screens and over 50 speakers in a 3D sound stage, creating a spatial sensation coupling music with shifting visuals. <br></strong><br></p><p>“One of the reasons for using music in a place like this is to say: treat your sense of sight in the same way as you treat your sense of hearing,'” says Eno. He describes his piece as featuring “color combinations that are so seductively beautiful that you can’t resist them, and then the idea of them disappearing and you knowing that you will never see them again.”</p><p>The piece was specifically composed for the new sound technology utilized by the ISM Hexadome and developed by The <a href="http://berlin-ism.com/">Institute of Sound and Music</a> in partnership with Pfadfinderei and ZKM | Center for Art and Media with support from the <a href="http://kulturstiftung-des-bundes.de/cms/de/index.html">Kultur Bundesstiftung</a>. Over the coming month at Martin-Gropius-Bau, the ISM Hexadome will host an impressive range of established and emerging artists including CAO and Radiohead’s Thom Yorke.<br><em><br>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Composer and visual artist </strong><a href="http://www.brian-eno.net/"><strong>Brian Eno</strong></a><strong> returned to Berlin this week for the opening of his audio-visual installation, “Empty Formalism,” at the </strong><a href="https://www.berlinerfestspiele.de/de/aktuell/festivals/gropiusbau/ueber_uns_mgb/aktuell_mgb/start.php"><strong>Martin Gropius Bau</strong></a><strong>. The work is the first in a series of performances and installations created by artists for the newly created </strong><a href="https://www.berlin-ism.com/en/news/ism-hexadome"><strong>ISM Hexadome</strong></a><strong>, a hexagonal structure featuring six large screens and over 50 speakers in a 3D sound stage, creating a spatial sensation coupling music with shifting visuals. <br></strong><br></p><p>“One of the reasons for using music in a place like this is to say: treat your sense of sight in the same way as you treat your sense of hearing,'” says Eno. He describes his piece as featuring “color combinations that are so seductively beautiful that you can’t resist them, and then the idea of them disappearing and you knowing that you will never see them again.”</p><p>The piece was specifically composed for the new sound technology utilized by the ISM Hexadome and developed by The <a href="http://berlin-ism.com/">Institute of Sound and Music</a> in partnership with Pfadfinderei and ZKM | Center for Art and Media with support from the <a href="http://kulturstiftung-des-bundes.de/cms/de/index.html">Kultur Bundesstiftung</a>. Over the coming month at Martin-Gropius-Bau, the ISM Hexadome will host an impressive range of established and emerging artists including CAO and Radiohead’s Thom Yorke.<br><em><br>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 31 Mar 2018 07:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/79af185e/72c31f3a.mp3" length="3901717" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>Composer and visual artist Brian Eno returned to Berlin this week for the opening of his audio-visual installation, “Empty Formalism,” at the Martin Gropius Bau. </itunes:summary>
      <itunes:subtitle>Composer and visual artist Brian Eno returned to Berlin this week for the opening of his audio-visual installation, “Empty Formalism,” at the Martin Gropius Bau. </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Artistic director of MaerzMusik: The politics of listening are 'pulsating in the core of the festival'</title>
      <itunes:episode>15</itunes:episode>
      <podcast:episode>15</podcast:episode>
      <itunes:title>Artistic director of MaerzMusik: The politics of listening are 'pulsating in the core of the festival'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">11eb3605-9f65-4e4d-b486-b4172b086c39</guid>
      <link>https://share.transistor.fm/s/5e67738c</link>
      <description>
        <![CDATA[<p><strong>For 10 days, MaerzMusik will present its program of unusual musical experiences at the Haus der Berliner Festspiele and other locations around the city. This year’s edition is titled “Time Wars,” and explores our relationships with time through various artistic media and a conference, “Thinking Together.</strong>”</p><p>The festival’s program is a reflection of current pressing issues – climate change, digitalization, migration – and opened on Friday with a German premiere of selected works by the African-American composer Julius Eastman. It’s an ambitious program, but Berno Odo Polzer, the artistic director of MaerzMusik, insists that the performances are not geared towards insiders, and contemporary music does not have to be elitist.</p><p>“The process of listening is much more than only an activity devoted to music,” says Polzer. “I think it’s a way of relating to the world, and this kind of attitude to the world is something I like to give space within MaerzMusik.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>For 10 days, MaerzMusik will present its program of unusual musical experiences at the Haus der Berliner Festspiele and other locations around the city. This year’s edition is titled “Time Wars,” and explores our relationships with time through various artistic media and a conference, “Thinking Together.</strong>”</p><p>The festival’s program is a reflection of current pressing issues – climate change, digitalization, migration – and opened on Friday with a German premiere of selected works by the African-American composer Julius Eastman. It’s an ambitious program, but Berno Odo Polzer, the artistic director of MaerzMusik, insists that the performances are not geared towards insiders, and contemporary music does not have to be elitist.</p><p>“The process of listening is much more than only an activity devoted to music,” says Polzer. “I think it’s a way of relating to the world, and this kind of attitude to the world is something I like to give space within MaerzMusik.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 17 Mar 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/5e67738c/0c84a874.mp3" length="3738403" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>229</itunes:duration>
      <itunes:summary>For 10 days, MaerzMusik will present its program of unusual musical experiences at the Haus der Berliner Festspiele and other locations around the city. This year’s edition is titled “Time Wars,” and explores our relationships with time through various artistic media and a conference, “Thinking Together.”</itunes:summary>
      <itunes:subtitle>For 10 days, MaerzMusik will present its program of unusual musical experiences at the Haus der Berliner Festspiele and other locations around the city. This year’s edition is titled “Time Wars,” and explores our relationships with time through various ar</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Cultural historian Josh Kun asks 'what music can do to us, and what music can do for us'</title>
      <itunes:episode>14</itunes:episode>
      <podcast:episode>14</podcast:episode>
      <itunes:title>Cultural historian Josh Kun asks 'what music can do to us, and what music can do for us'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">28af8631-564f-4eae-a418-cbe6be8aff04</guid>
      <link>https://share.transistor.fm/s/4f246362</link>
      <description>
        <![CDATA[<p><strong>Culture historian and 2016 MacArthur “Genius” grant recipient Josh Kun says although there’s no “magic science” to figuring out a city, there are at least three types of places he visits from the outset: bookstores, record stores, and stationery stores. Plus, he eats out – preferably street food.<br></strong><br></p><p>Originally from Los Angeles, Kun is in Berlin as a Bosch Fellow in Public Policy at the American Academy and is researching the relationship between music and global migration, specifically forced migration, and issues of displacement, detention and deportation. “What keeps propelling me forward is a much larger question about what music can do to us, and what music can do for us,” whether understanding this world, imagining a new one, or grieving one left behind. One area he’s been exploring is the Arabic music scene in Berlin, which he says is growing fast.</p><p>Kun has found Berlin a fascinating backdrop for his research: “For a student of 20th century issues around freedom, justice, nationalism, community, society, belonging – these key issues that are central to my work – it’s just an extraordinary place.” The L.A. native is also happy he can get by without driving. “The trains, everybody takes the trains. And they’re clean!”</p><p>Kun will be presenting some of his research in a talk at the American Academy on March 20 entitled “Sounds of Detention, Sounds of Escape: Listening to the Migrant Songbook.”</p><p><em>The track heard in the piece is called “Down With The Homeland” by the Syrian group, Mazzaj Rap Band.</em> <br> <em><br>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Culture historian and 2016 MacArthur “Genius” grant recipient Josh Kun says although there’s no “magic science” to figuring out a city, there are at least three types of places he visits from the outset: bookstores, record stores, and stationery stores. Plus, he eats out – preferably street food.<br></strong><br></p><p>Originally from Los Angeles, Kun is in Berlin as a Bosch Fellow in Public Policy at the American Academy and is researching the relationship between music and global migration, specifically forced migration, and issues of displacement, detention and deportation. “What keeps propelling me forward is a much larger question about what music can do to us, and what music can do for us,” whether understanding this world, imagining a new one, or grieving one left behind. One area he’s been exploring is the Arabic music scene in Berlin, which he says is growing fast.</p><p>Kun has found Berlin a fascinating backdrop for his research: “For a student of 20th century issues around freedom, justice, nationalism, community, society, belonging – these key issues that are central to my work – it’s just an extraordinary place.” The L.A. native is also happy he can get by without driving. “The trains, everybody takes the trains. And they’re clean!”</p><p>Kun will be presenting some of his research in a talk at the American Academy on March 20 entitled “Sounds of Detention, Sounds of Escape: Listening to the Migrant Songbook.”</p><p><em>The track heard in the piece is called “Down With The Homeland” by the Syrian group, Mazzaj Rap Band.</em> <br> <em><br>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 10 Mar 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/4f246362/f1678b3c.mp3" length="3878373" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>238</itunes:duration>
      <itunes:summary>Culture historian and 2016 MacArthur “Genius” grant recipient Josh Kun says although there’s no “magic science” to figuring out a city, there are at least three types of places he visits from the outset: bookstores, record stores, and stationery stores. Plus, he eats out – preferably street food.</itunes:summary>
      <itunes:subtitle>Culture historian and 2016 MacArthur “Genius” grant recipient Josh Kun says although there’s no “magic science” to figuring out a city, there are at least three types of places he visits from the outset: bookstores, record stores, and stationery stores. P</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>International students convene at John F. Kennedy School for annual Honor Choirs festival</title>
      <itunes:episode>13</itunes:episode>
      <podcast:episode>13</podcast:episode>
      <itunes:title>International students convene at John F. Kennedy School for annual Honor Choirs festival</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f64ff922-b780-46e6-999c-65a7c368c67a</guid>
      <link>https://share.transistor.fm/s/e30239e3</link>
      <description>
        <![CDATA[<p> <strong>At 7:00 p.m. on Saturday night, 200 students from all over the world will be taking the stage at the RBB Große Sendesaal in Berlin for the annual High School Honor Choirs Festival. The festival was established by the Association for Music in International Schools (AMIS) and has taken place annually since 1976. The event gives participating students the opportunity to work with renowned conductors and to travel to international schools for an intensive three day program.<br></strong><br></p><p>Joseph Curtis is the chairman of the fine arts department and choral director at the John F. Kennedy School in Berlin. He’s traveled with students in the AMIS honor choir to perform in places like Luxembourg, Brussels, London, and Abu Dhabi, but this year he looked forward to showing visiting students the culture Berlin has to offer.</p><p>Curtis says the hope is that students will develop a kind of harmony when they perform together on stage, and form long-lasting friendships. He observes that “there’s something magic that happens in rehearsal. When the people are all very committed to what they’re doing and they’re making something beautiful together, there’s a team aspect: everybody needs the rest of the choir.” </p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p> <strong>At 7:00 p.m. on Saturday night, 200 students from all over the world will be taking the stage at the RBB Große Sendesaal in Berlin for the annual High School Honor Choirs Festival. The festival was established by the Association for Music in International Schools (AMIS) and has taken place annually since 1976. The event gives participating students the opportunity to work with renowned conductors and to travel to international schools for an intensive three day program.<br></strong><br></p><p>Joseph Curtis is the chairman of the fine arts department and choral director at the John F. Kennedy School in Berlin. He’s traveled with students in the AMIS honor choir to perform in places like Luxembourg, Brussels, London, and Abu Dhabi, but this year he looked forward to showing visiting students the culture Berlin has to offer.</p><p>Curtis says the hope is that students will develop a kind of harmony when they perform together on stage, and form long-lasting friendships. He observes that “there’s something magic that happens in rehearsal. When the people are all very committed to what they’re doing and they’re making something beautiful together, there’s a team aspect: everybody needs the rest of the choir.” </p><p><em>Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 03 Mar 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/e30239e3/b4b09319.mp3" length="3829148" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>235</itunes:duration>
      <itunes:summary>At 7:00 p.m. on Saturday night, 200 students from all over the world will be taking the stage at the RBB Große Sendesaal in Berlin for the annual High School Honor Choirs Festival. The event gives participating students the opportunity to work with renowned conductors and to travel to international schools for an intensive three day program.</itunes:summary>
      <itunes:subtitle>At 7:00 p.m. on Saturday night, 200 students from all over the world will be taking the stage at the RBB Große Sendesaal in Berlin for the annual High School Honor Choirs Festival. The event gives participating students the opportunity to work with renown</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Funkhaus Berlin pairs historical detail with cutting-edge sound</title>
      <itunes:episode>12</itunes:episode>
      <podcast:episode>12</podcast:episode>
      <itunes:title>Funkhaus Berlin pairs historical detail with cutting-edge sound</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">11237d20-2808-4c7e-bfcf-247c5b1a14c7</guid>
      <link>https://share.transistor.fm/s/e9cb3c3a</link>
      <description>
        <![CDATA[<p><strong>Walking through the Funkhaus Berlin with its grand concert halls, sweeping hallways, and state-of-the-art equipment, one can’t help being reminded of “Charlie and the Chocolate Factory.” The former GDR broadcasting studios are an enormous complex, housing cutting-edge sound technology within carefully preserved historical interiors and cavernous industrial halls.<br></strong><br></p><p>The Funkhaus was designed in the 1950s by Bauhaus engineer Franz Ehrlich, who during World War II had been interned at Buchenwald and forced to design entrance gates and other concentration camp structures. He designed the Funkhaus after the war ended, including details like a stairway made out of marble from the former Reichskanzlei. At the time of its construction, no expense was spared, it seems: Valued in today’s currency, Studio 1 alone cost 8.3 billion euros to build.</p><p>Alongside contemporary additions like a 4D sound system called Monom and a massive dance area, these grand spaces offer concertgoers a unique experience as a venue: As Events Manager Christian Block says, once guests have arrived, “they’re just blown away by this fascinating building.”</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Walking through the Funkhaus Berlin with its grand concert halls, sweeping hallways, and state-of-the-art equipment, one can’t help being reminded of “Charlie and the Chocolate Factory.” The former GDR broadcasting studios are an enormous complex, housing cutting-edge sound technology within carefully preserved historical interiors and cavernous industrial halls.<br></strong><br></p><p>The Funkhaus was designed in the 1950s by Bauhaus engineer Franz Ehrlich, who during World War II had been interned at Buchenwald and forced to design entrance gates and other concentration camp structures. He designed the Funkhaus after the war ended, including details like a stairway made out of marble from the former Reichskanzlei. At the time of its construction, no expense was spared, it seems: Valued in today’s currency, Studio 1 alone cost 8.3 billion euros to build.</p><p>Alongside contemporary additions like a 4D sound system called Monom and a massive dance area, these grand spaces offer concertgoers a unique experience as a venue: As Events Manager Christian Block says, once guests have arrived, “they’re just blown away by this fascinating building.”</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 10 Feb 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/e9cb3c3a/f0226025.mp3" length="3902107" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>Walking through the Funkhaus Berlin with its grand concert halls, sweeping hallways, and state-of-the-art equipment, one can’t help being reminded of “Charlie and the Chocolate Factory.” The former GDR broadcasting studios are an enormous complex, housing cutting-edge sound technology within carefully preserved historical interiors and cavernous industrial halls.</itunes:summary>
      <itunes:subtitle>Walking through the Funkhaus Berlin with its grand concert halls, sweeping hallways, and state-of-the-art equipment, one can’t help being reminded of “Charlie and the Chocolate Factory.” The former GDR broadcasting studios are an enormous complex, housing</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Artist, busker, GIF, meme: Musician Stephen Paul Taylor on his unusual rise to notoriety</title>
      <itunes:episode>11</itunes:episode>
      <podcast:episode>11</podcast:episode>
      <itunes:title>Artist, busker, GIF, meme: Musician Stephen Paul Taylor on his unusual rise to notoriety</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">126a2f1d-f39b-4761-9de4-b9a77e78cbb4</guid>
      <link>https://share.transistor.fm/s/a81e4998</link>
      <description>
        <![CDATA[<p><em>Note: This recording contains strong language that may not be suitable for young listeners.<br></em><br></p><p><strong>A few years ago, Stephen Paul Taylor became an internet sensation when a tourist filmed him busking on the street with his ironic pop song “Sh*t’s F***ed.” The video went viral, and Taylor became a celebrity in his own right, with an album, memes, and regular appearances on German TV.<br></strong><br></p><p>Marlene Melchior caught up with Taylor to discuss his soon to be released album, “Synthpop is Dead,” his recent tour through the Baltic States, and how it feels to be an internet meme and GIF. Taylor also discusses the demise of the street music scene in Berlin as the city enforces tighter restrictions on amplification.<br><em><br>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><em>Note: This recording contains strong language that may not be suitable for young listeners.<br></em><br></p><p><strong>A few years ago, Stephen Paul Taylor became an internet sensation when a tourist filmed him busking on the street with his ironic pop song “Sh*t’s F***ed.” The video went viral, and Taylor became a celebrity in his own right, with an album, memes, and regular appearances on German TV.<br></strong><br></p><p>Marlene Melchior caught up with Taylor to discuss his soon to be released album, “Synthpop is Dead,” his recent tour through the Baltic States, and how it feels to be an internet meme and GIF. Taylor also discusses the demise of the street music scene in Berlin as the city enforces tighter restrictions on amplification.<br><em><br>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 03 Feb 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/a81e4998/f14a109e.mp3" length="3902415" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>A few years ago, Stephen Paul Taylor became an internet sensation when a tourist filmed him busking on the street with his ironic pop song “Sh*t’s F***ed.” The video went viral, and Taylor became a celebrity in his own right, with an album, memes, and regular appearances on German TV.</itunes:summary>
      <itunes:subtitle>A few years ago, Stephen Paul Taylor became an internet sensation when a tourist filmed him busking on the street with his ironic pop song “Sh*t’s F***ed.” The video went viral, and Taylor became a celebrity in his own right, with an album, memes, and reg</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Andres Barlesi brings introspective, improvisational guitar sound to solo project 'Atalaya'</title>
      <itunes:episode>10</itunes:episode>
      <podcast:episode>10</podcast:episode>
      <itunes:title>Andres Barlesi brings introspective, improvisational guitar sound to solo project 'Atalaya'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">f0b61fa9-4062-49b4-960f-08747347d8cc</guid>
      <link>https://share.transistor.fm/s/cd41e70d</link>
      <description>
        <![CDATA[<p><strong>Andres Barlesi first picked up a guitar when he was just five years old, was in his first band by the age of 12, and went on to play and tour internationally with the Argentinian indie band Los Alamos. Today the 36-year-old musician from Buenos Aires lives in Berlin and is working on his solo project, “Atalaya.”<br></strong><br></p><p>Barlesi’s music for Atalaya isn’t confined to particular song structures. When developing a piece of music, Barlesi often starts with an image in his head: “I close my eyes… I just let my fingers go,” he explains. He draws inspiration from the celebrated American guitarists John Fahey and Robbie Basho and their “spiritual, open-tuning” sound.</p><p>Barlesi has called Berlin home for five years now. It’s not the cheap rent and beer that drew him to the city, he says, but the “fantasy to go somewhere else.” When not working on Atalaya, Barlesi teaches music to small children, adding the occasional Black Sabbath song to his lesson plan: “They have to learn something cool when they’re starting,” he laughs. </p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Andres Barlesi first picked up a guitar when he was just five years old, was in his first band by the age of 12, and went on to play and tour internationally with the Argentinian indie band Los Alamos. Today the 36-year-old musician from Buenos Aires lives in Berlin and is working on his solo project, “Atalaya.”<br></strong><br></p><p>Barlesi’s music for Atalaya isn’t confined to particular song structures. When developing a piece of music, Barlesi often starts with an image in his head: “I close my eyes… I just let my fingers go,” he explains. He draws inspiration from the celebrated American guitarists John Fahey and Robbie Basho and their “spiritual, open-tuning” sound.</p><p>Barlesi has called Berlin home for five years now. It’s not the cheap rent and beer that drew him to the city, he says, but the “fantasy to go somewhere else.” When not working on Atalaya, Barlesi teaches music to small children, adding the occasional Black Sabbath song to his lesson plan: “They have to learn something cool when they’re starting,” he laughs. </p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 27 Jan 2018 09:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/cd41e70d/6a58a5ef.mp3" length="3892485" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>Andres Barlesi first picked up a guitar when he was just five years old, was in his first band by the age of 12, and went on to play and tour internationally with the Argentinian indie band Los Alamos. Today the 36-year-old musician from Buenos Aires lives in Berlin and is working on his solo project, “Atalaya.”</itunes:summary>
      <itunes:subtitle>Andres Barlesi first picked up a guitar when he was just five years old, was in his first band by the age of 12, and went on to play and tour internationally with the Argentinian indie band Los Alamos. Today the 36-year-old musician from Buenos Aires live</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Fiedel, longtime resident Berghain DJ, to release new mix on Ostgut Ton</title>
      <itunes:episode>9</itunes:episode>
      <podcast:episode>9</podcast:episode>
      <itunes:title>Fiedel, longtime resident Berghain DJ, to release new mix on Ostgut Ton</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">db4305ea-19c9-4219-b648-ef5fd23ada90</guid>
      <link>https://share.transistor.fm/s/916d2b54</link>
      <description>
        <![CDATA[<p><strong>Picturing the early beginnings of a veteran DJ conjures the classic image of turntables and crates full of vinyl. But Michael Fiedler – better known as Fiedel, Berghain’s longtime resident DJ – began on tapes.  <br></strong><br></p><p>“I come from eastern Germany, and there was hardly vinyl available, no turntables…I started recording tapes on the radio, and then I played tapes with two tape decks… I had long, long lists with a counter.”</p><p>Over the course of Fiedel’s influential, decades-long career, much has changed in Berlin’s dance scene. Techno has risen to international prominence, tapes and vinyl have been largely replaced by digital media, and Berghain has gained a more mainstream audience. Nonetheless, Fiedel insists some things haven’t changed: “When you go to South Korea, to France, or wherever, it’s nice to see that the young people half my age have the same spirit that there was in the clubs in Berlin back then…a kind of open-mindedness, and the urge to dance.” <br><em><br>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Picturing the early beginnings of a veteran DJ conjures the classic image of turntables and crates full of vinyl. But Michael Fiedler – better known as Fiedel, Berghain’s longtime resident DJ – began on tapes.  <br></strong><br></p><p>“I come from eastern Germany, and there was hardly vinyl available, no turntables…I started recording tapes on the radio, and then I played tapes with two tape decks… I had long, long lists with a counter.”</p><p>Over the course of Fiedel’s influential, decades-long career, much has changed in Berlin’s dance scene. Techno has risen to international prominence, tapes and vinyl have been largely replaced by digital media, and Berghain has gained a more mainstream audience. Nonetheless, Fiedel insists some things haven’t changed: “When you go to South Korea, to France, or wherever, it’s nice to see that the young people half my age have the same spirit that there was in the clubs in Berlin back then…a kind of open-mindedness, and the urge to dance.” <br><em><br>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 20 Jan 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/916d2b54/0f5382a7.mp3" length="3901813" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>Picturing the early beginnings of a veteran DJ conjures the classic image of turntables and crates full of vinyl. But Michael Fiedler – better known as Fiedel, Berghain’s longtime resident DJ – began on tapes.  </itunes:summary>
      <itunes:subtitle>Picturing the early beginnings of a veteran DJ conjures the classic image of turntables and crates full of vinyl. But Michael Fiedler – better known as Fiedel, Berghain’s longtime resident DJ – began on tapes.  </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Raven Chacon, American Academy composition fellow, to look at role of sound in 2016 protests at Standing Rock</title>
      <itunes:episode>8</itunes:episode>
      <podcast:episode>8</podcast:episode>
      <itunes:title>Raven Chacon, American Academy composition fellow, to look at role of sound in 2016 protests at Standing Rock</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">68f4eb18-5b0c-4e81-80c8-d6424a6e3dbb</guid>
      <link>https://share.transistor.fm/s/c7be6409</link>
      <description>
        <![CDATA[<p><strong>The earliest memory Raven Chacon recalls of music-making is hearing his grandfather sing Navajo songs while working, watching television, or reading. Later as Chacon began taking piano lessons and learning about music notation, he also began experimenting with making sounds in other ways, with cassette tapes or banging on metal.<br></strong><br></p><p>Now Chacon, who is known for his chamber music compositions, experimental noise performances, and installation art pieces, will live in Germany as a spring 2018 composition fellow at the American Academy in Berlin. While there, he plans to work on commissioned pieces for ensembles in the U.S. as well as write about experiences he had with sound at the 2016 oil pipeline protests at Standing Rock in North Dakota.</p><p><em>The compositions in this piece include “Black Sabbatical” on the album Endlings by Chacon and John Dieterich as well as “The Journey of the Horizontal People,” composed by Raven Chacon and commissioned/performed by San Francisco’s Kronos Quartet. Produced by Sylvia Cunningham</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>The earliest memory Raven Chacon recalls of music-making is hearing his grandfather sing Navajo songs while working, watching television, or reading. Later as Chacon began taking piano lessons and learning about music notation, he also began experimenting with making sounds in other ways, with cassette tapes or banging on metal.<br></strong><br></p><p>Now Chacon, who is known for his chamber music compositions, experimental noise performances, and installation art pieces, will live in Germany as a spring 2018 composition fellow at the American Academy in Berlin. While there, he plans to work on commissioned pieces for ensembles in the U.S. as well as write about experiences he had with sound at the 2016 oil pipeline protests at Standing Rock in North Dakota.</p><p><em>The compositions in this piece include “Black Sabbatical” on the album Endlings by Chacon and John Dieterich as well as “The Journey of the Horizontal People,” composed by Raven Chacon and commissioned/performed by San Francisco’s Kronos Quartet. Produced by Sylvia Cunningham</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 13 Jan 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/c7be6409/79797d5f.mp3" length="3888802" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>The earliest memory Raven Chacon recalls of music-making is hearing his grandfather sing Navajo songs while working, watching television, or reading. Later as Chacon began taking piano lessons and learning about music notation, he also began experimenting with making sounds in other ways, with cassette tapes or banging on metal.</itunes:summary>
      <itunes:subtitle>The earliest memory Raven Chacon recalls of music-making is hearing his grandfather sing Navajo songs while working, watching television, or reading. Later as Chacon began taking piano lessons and learning about music notation, he also began experimenting</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>DJ couple SpatzHabibi balance Berlin's nightlife with parenthood</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>DJ couple SpatzHabibi balance Berlin's nightlife with parenthood</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">ee8ff6a0-7add-4369-8d18-ea14ee0073fc</guid>
      <link>https://share.transistor.fm/s/4fb9b943</link>
      <description>
        <![CDATA[<p><strong>DJ duo SpatzHabibi have been part of the underground club scene in Berlin for years.  These days, when not looking after their son, Sophie Funke and Pete Littlewood can be found performing at venues around the city and running their label Polychrome Sounds.<br></strong><br></p><p>Creating their own label in Berlin “wasn’t 100% about music… it was a lot about just being involved and creating like a kind of community or a family feeling; that’s what the label feels like,” said Littlewood. And how do they balance this creative life with the demands of their own family? “What helps a lot is that Otis is pretty chilled out.” That, and the ability to keep an entire music library in their pocket thanks to digital technology: “less to carry!”</p><p>Marlene Melchior catches up with the duo-turned-trio to discuss life with a baby, their label, and what’s coming up in the alternative music scene in Berlin.</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>DJ duo SpatzHabibi have been part of the underground club scene in Berlin for years.  These days, when not looking after their son, Sophie Funke and Pete Littlewood can be found performing at venues around the city and running their label Polychrome Sounds.<br></strong><br></p><p>Creating their own label in Berlin “wasn’t 100% about music… it was a lot about just being involved and creating like a kind of community or a family feeling; that’s what the label feels like,” said Littlewood. And how do they balance this creative life with the demands of their own family? “What helps a lot is that Otis is pretty chilled out.” That, and the ability to keep an entire music library in their pocket thanks to digital technology: “less to carry!”</p><p>Marlene Melchior catches up with the duo-turned-trio to discuss life with a baby, their label, and what’s coming up in the alternative music scene in Berlin.</p><p><em>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 06 Jan 2018 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/4fb9b943/e1a3366c.mp3" length="5824252" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>DJ duo SpatzHabibi have been part of the underground club scene in Berlin for years.  These days, when not looking after their son, Sophie Funke and Pete Littlewood can be found performing at venues around the city and running their label Polychrome Sounds.</itunes:summary>
      <itunes:subtitle>DJ duo SpatzHabibi have been part of the underground club scene in Berlin for years.  These days, when not looking after their son, Sophie Funke and Pete Littlewood can be found performing at venues around the city and running their label Polychrome Sound</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Radio personality Rik de Lisle on being the “last man standing” and how he got into radio</title>
      <itunes:episode>7</itunes:episode>
      <podcast:episode>7</podcast:episode>
      <itunes:title>Radio personality Rik de Lisle on being the “last man standing” and how he got into radio</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">05819c44-5d87-4da1-beef-28500a2e96ed</guid>
      <link>https://share.transistor.fm/s/0f7a46cb</link>
      <description>
        <![CDATA[<p><strong>“I was an only child,” said Rik de Lisle, an American radio presenter who has been in broadcast since 1976. “My brothers and sisters were the radio.”<br></strong><br></p><p>De Lisle enlisted in the Army when he was 17 and became famous during the Cold War for his on air personality on the airwaves for the U.S. Armed Forces Radio station, AFN.</p><p>“Berlin was edgy, because of the wall around it, because of the things that were going on,” said de Lisle. “And it was the place where I felt the most at home.”</p><p>Monika Müller-Kroll talks with de Lisle about how he got into radio, what it was like living in Berlin during the Cold War, and why he jokes he is the “last man standing.” </p><p><em>Produced by Monika Müller-Kroll.<br></em><br></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>“I was an only child,” said Rik de Lisle, an American radio presenter who has been in broadcast since 1976. “My brothers and sisters were the radio.”<br></strong><br></p><p>De Lisle enlisted in the Army when he was 17 and became famous during the Cold War for his on air personality on the airwaves for the U.S. Armed Forces Radio station, AFN.</p><p>“Berlin was edgy, because of the wall around it, because of the things that were going on,” said de Lisle. “And it was the place where I felt the most at home.”</p><p>Monika Müller-Kroll talks with de Lisle about how he got into radio, what it was like living in Berlin during the Cold War, and why he jokes he is the “last man standing.” </p><p><em>Produced by Monika Müller-Kroll.<br></em><br></p>]]>
      </content:encoded>
      <pubDate>Sat, 16 Dec 2017 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/0f7a46cb/b9e678f6.mp3" length="3896469" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>“I was an only child,” said Rik de Lisle, an American radio presenter who has been in broadcast since 1976. “My brothers and sisters were the radio.”</itunes:summary>
      <itunes:subtitle>“I was an only child,” said Rik de Lisle, an American radio presenter who has been in broadcast since 1976. “My brothers and sisters were the radio.”</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>State of the art spatial sound studio opens in former GDR broadcasting center</title>
      <itunes:episode>6</itunes:episode>
      <podcast:episode>6</podcast:episode>
      <itunes:title>State of the art spatial sound studio opens in former GDR broadcasting center</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">9086a246-7e78-4702-978f-feea039bb6f6</guid>
      <link>https://share.transistor.fm/s/8856715b</link>
      <description>
        <![CDATA[<p><strong>We’re used to hearing music and digital sound from simple speakers. Monom, a new, state-of-the-art spatial sound studio and performance space, aims to recreate the natural perception of sound in a spatial environment. <br></strong><br></p><p>Monom resides in Funkhaus Berlin, a former broadcasting complex built by the GDR in the 1950s, and is powered by a 4D sound system developed by Dutch audio engineers over the past decade. The result is a listening experience that “awakens your senses,” says William Russell, Monom’s Creative Director.</p><p><em>Produced by Monika Müller-Kroll.</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>We’re used to hearing music and digital sound from simple speakers. Monom, a new, state-of-the-art spatial sound studio and performance space, aims to recreate the natural perception of sound in a spatial environment. <br></strong><br></p><p>Monom resides in Funkhaus Berlin, a former broadcasting complex built by the GDR in the 1950s, and is powered by a 4D sound system developed by Dutch audio engineers over the past decade. The result is a listening experience that “awakens your senses,” says William Russell, Monom’s Creative Director.</p><p><em>Produced by Monika Müller-Kroll.</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 02 Dec 2017 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/8856715b/d978a0e7.mp3" length="3896316" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>Monom, a new, state-of-the-art spatial sound studio and performance space, aims to recreate the natural perception of sound in a spatial environment. </itunes:summary>
      <itunes:subtitle>Monom, a new, state-of-the-art spatial sound studio and performance space, aims to recreate the natural perception of sound in a spatial environment. </itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Singer, songwriter and producer Sasha Perera on her latest album and the Berlin music scene</title>
      <itunes:episode>5</itunes:episode>
      <podcast:episode>5</podcast:episode>
      <itunes:title>Singer, songwriter and producer Sasha Perera on her latest album and the Berlin music scene</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">d77a9b72-a602-4f61-b5ee-c79446a209f7</guid>
      <link>https://share.transistor.fm/s/86a79b2d</link>
      <description>
        <![CDATA[<p><strong>“The inspiration was definitely how one has to deal with what’s happening right now,” says London-born and Berlin-based Sasha Perera, also known as Perera Elsewhere, about her new album.<br></strong><br></p><p>Perera talks with Marlene Melchior about the Berlin music scene, her experience performing in the same lineup as Pussy Riot, and what’s next for her.<br><em><br>Produced by Marlene Melchior</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>“The inspiration was definitely how one has to deal with what’s happening right now,” says London-born and Berlin-based Sasha Perera, also known as Perera Elsewhere, about her new album.<br></strong><br></p><p>Perera talks with Marlene Melchior about the Berlin music scene, her experience performing in the same lineup as Pussy Riot, and what’s next for her.<br><em><br>Produced by Marlene Melchior</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 18 Nov 2017 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/86a79b2d/c57c4e19.mp3" length="3901851" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>240</itunes:duration>
      <itunes:summary>“The inspiration was definitely how one has to deal with what’s happening right now,” says London-born and Berlin-based Sasha Perera, also known as Perera Elsewhere, about her new album.</itunes:summary>
      <itunes:subtitle>“The inspiration was definitely how one has to deal with what’s happening right now,” says London-born and Berlin-based Sasha Perera, also known as Perera Elsewhere, about her new album.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>American DJ and producer Sky Deep explains the inspiration behind her music, and why she moved to Berlin</title>
      <itunes:episode>4</itunes:episode>
      <podcast:episode>4</podcast:episode>
      <itunes:title>American DJ and producer Sky Deep explains the inspiration behind her music, and why she moved to Berlin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">c71481c6-8aa8-4399-a671-e001bacd5df0</guid>
      <link>https://share.transistor.fm/s/53ba0c3a</link>
      <description>
        <![CDATA[<p><strong>For years, people told American DJ and producer Sky Deep that she should go to Berlin. It made her curious, so she planned a tour stop in the city with her band at the time. Now she’s lived in Berlin for three years.<br></strong><br></p><p>When asked about the current atmosphere in the U.S., Sky Deep said “as a black, queer woman,” she is terrified to return to her home country. She continued, “But I actually experience fear in several places in the world so I don’t think I can escape it.”</p><p>Sky Deep joined Monika Müller-Kroll to talk about her involvement with a new festival called We Make Waves as well as the inspiration behind her track, “Coconut Oil.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>For years, people told American DJ and producer Sky Deep that she should go to Berlin. It made her curious, so she planned a tour stop in the city with her band at the time. Now she’s lived in Berlin for three years.<br></strong><br></p><p>When asked about the current atmosphere in the U.S., Sky Deep said “as a black, queer woman,” she is terrified to return to her home country. She continued, “But I actually experience fear in several places in the world so I don’t think I can escape it.”</p><p>Sky Deep joined Monika Müller-Kroll to talk about her involvement with a new festival called We Make Waves as well as the inspiration behind her track, “Coconut Oil.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 11 Nov 2017 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/53ba0c3a/1578f5a8.mp3" length="3898303" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>For years, people told American DJ and producer Sky Deep that she should go to Berlin. It made her curious, so she planned a tour stop in the city with her band at the time. Now she’s lived in Berlin for three years.</itunes:summary>
      <itunes:subtitle>For years, people told American DJ and producer Sky Deep that she should go to Berlin. It made her curious, so she planned a tour stop in the city with her band at the time. Now she’s lived in Berlin for three years.</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>The Barenboim-Said Akademie: promoting political harmony through music-making</title>
      <itunes:episode>3</itunes:episode>
      <podcast:episode>3</podcast:episode>
      <itunes:title>The Barenboim-Said Akademie: promoting political harmony through music-making</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <guid isPermaLink="false">6b3b1da8-0ff3-41b8-8a39-38cf077f06f7</guid>
      <link>https://share.transistor.fm/s/b5e2e276</link>
      <description>
        <![CDATA[<p><strong>The Barenboim-Said Akademie in Berlin offers a conservatory education to musicians from the Middle East and North Africa as a way to promote a more peaceful future for a troubled region. Monika Müller-Kroll talks to the rector of the Akademie, Prof. Dr. Michael Naumann.<br></strong><br></p><p>A natural continuation of Daniel Barenboim’s and Edward Said’s West-Eastern Divan Orchestra, the Akademie aims to produce a generation of musicians who will “know better” than to support religious or territorial conflicts. Fittingly, the Akademie and Orchestra are based in the elliptical, Frank Gehry-designed Pierre Boulez Saal in Mitte, a space which the architect has described as “a place of sanity.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>The Barenboim-Said Akademie in Berlin offers a conservatory education to musicians from the Middle East and North Africa as a way to promote a more peaceful future for a troubled region. Monika Müller-Kroll talks to the rector of the Akademie, Prof. Dr. Michael Naumann.<br></strong><br></p><p>A natural continuation of Daniel Barenboim’s and Edward Said’s West-Eastern Divan Orchestra, the Akademie aims to produce a generation of musicians who will “know better” than to support religious or territorial conflicts. Fittingly, the Akademie and Orchestra are based in the elliptical, Frank Gehry-designed Pierre Boulez Saal in Mitte, a space which the architect has described as “a place of sanity.”</p><p><em>Produced by Monika Müller-Kroll</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 04 Nov 2017 07:00:00 +0100</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/b5e2e276/2acb857e.mp3" length="3877041" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>238</itunes:duration>
      <itunes:summary>The Barenboim-Said Akademie in Berlin offers a conservatory education to musicians from the Middle East and North Africa as a way to promote a more peaceful future for a troubled region. Monika Müller-Kroll talks to the rector of the Akademie, Prof. Dr. Michael Naumann.</itunes:summary>
      <itunes:subtitle>The Barenboim-Said Akademie in Berlin offers a conservatory education to musicians from the Middle East and North Africa as a way to promote a more peaceful future for a troubled region. Monika Müller-Kroll talks to the rector of the Akademie, Prof. Dr. M</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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    <item>
      <title>On the intersection between digital and analog sound with musician Nat Fowler</title>
      <itunes:episode>2</itunes:episode>
      <podcast:episode>2</podcast:episode>
      <itunes:title>On the intersection between digital and analog sound with musician Nat Fowler</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/12820a88</link>
      <description>
        <![CDATA[<p><strong>For Nat Fowler, aka Novo Line, creating his latest album “Dyad” was a sort of experiment or game: could he produce tracks that work at both 33 rpm and 45 rpm?<br></strong><br></p><p>Besides encouraging people to buy vinyl, Fowler’s approach as an artist plays with the intersection between digital and analog sound, from his choice to use “archaic” computer algorithms when sketching out ideas, to working exclusively with older production equipment.</p><p><em>Produced by Marlene Melchior.</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>For Nat Fowler, aka Novo Line, creating his latest album “Dyad” was a sort of experiment or game: could he produce tracks that work at both 33 rpm and 45 rpm?<br></strong><br></p><p>Besides encouraging people to buy vinyl, Fowler’s approach as an artist plays with the intersection between digital and analog sound, from his choice to use “archaic” computer algorithms when sketching out ideas, to working exclusively with older production equipment.</p><p><em>Produced by Marlene Melchior.</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 28 Oct 2017 09:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
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      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>For Nat Fowler, aka Novo Line, creating his latest album “Dyad” was a sort of experiment or game: could he produce tracks that work at both 33 rpm and 45 rpm?</itunes:summary>
      <itunes:subtitle>For Nat Fowler, aka Novo Line, creating his latest album “Dyad” was a sort of experiment or game: could he produce tracks that work at both 33 rpm and 45 rpm?</itunes:subtitle>
      <itunes:keywords>Music, musician, interview,</itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
    </item>
    <item>
      <title>Paul van Dyk on his new release 'From Then On'</title>
      <itunes:episode>1</itunes:episode>
      <podcast:episode>1</podcast:episode>
      <itunes:title>Paul van Dyk on his new release 'From Then On'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
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      <link>https://share.transistor.fm/s/f127fe5e</link>
      <description>
        <![CDATA[<p><strong>Pioneer electronic DJ, musician and producer Paul van Dyk has released a new album. It’s titled “From Then On.” We caught up with him before his tour.<br></strong><br></p><p><em>Produced by Monika Müller-Kroll.</em></p>]]>
      </description>
      <content:encoded>
        <![CDATA[<p><strong>Pioneer electronic DJ, musician and producer Paul van Dyk has released a new album. It’s titled “From Then On.” We caught up with him before his tour.<br></strong><br></p><p><em>Produced by Monika Müller-Kroll.</em></p>]]>
      </content:encoded>
      <pubDate>Sat, 21 Oct 2017 09:00:00 +0200</pubDate>
      <author>KCRW Berlin</author>
      <enclosure url="https://media.transistor.fm/f127fe5e/8837d8a0.mp3" length="3900563" type="audio/mpeg"/>
      <itunes:author>KCRW Berlin</itunes:author>
      <itunes:duration>239</itunes:duration>
      <itunes:summary>Pioneer electronic DJ, musician and producer Paul van Dyk has released a new album. It’s titled “From Then On.” We caught up with him before his tour.</itunes:summary>
      <itunes:subtitle>Pioneer electronic DJ, musician and producer Paul van Dyk has released a new album. It’s titled “From Then On.” We caught up with him before his tour.</itunes:subtitle>
      <itunes:keywords>Paul van Dyk, musician, DJ, electronic music, </itunes:keywords>
      <itunes:explicit>No</itunes:explicit>
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